Stages Winter 2008

Page 1

WINTER 2008

SUPER / STRUCTURE


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Behind the Scenes

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Development P i l l a r P ro g r a m / p i l l a r p r o g r a m R e a c h e s $ 1 . 5 M i l l i o n M a r k

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n January 22, 2008, the Dallas Center for the

he Pillar Program, the Center’s fund-raising campaign that includes all individual and family gifts from $25,000 to just under $1 million, has achieved overwhelming success since launching in October 2007. To date, the Pillar Program has received $1.5 million in gifts and pledges.

Chaired by Bess and Ted Enloe, members of the Pillar Action Team hosted several events at the Preview Center

Performing Arts announced Nancy Hamon’s

to introduce the campaign to build the Dallas Center for the Performing Arts to new families.

$10 million gift to the campaign. Mrs.

“The Pillar Program offers an opportunity for community support that was not available before,” said Bess Enloe.

Hamon’s remarkable gift increased total funding to

“We are thrilled with the Action Team’s success and greatly anticipate increased participation in the program.”

the campaign to more than $277 million, $2 million

All Pillar Donors will receive permanent recognition within Performance Park.

beyond the campaign’s original goal of $275 million. On the same day, and in the context of the

S P O T LIG H T C AM PAIG N / GINS B U RG fa m i ly CHALLENGE g r a n t

campaign’s success, the Center’s Board of Directors

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unanimously voted to increase the campaign’s goal to $338 million. The added funds will allow for enhancements to the Center’s Performance Park,

ina and Scott Ginsburg have committed an extraordinary $1 million Ginsburg Family Challenge Grant to the campaign to build the Dallas Center for the Performing Arts. The Grant will match dollar-for-dollar new and increased gifts ranging from $5,000 to $25,000

from individuals, families, corporations and foundations

improvements to the Winspear Opera House and

and is the first of its kind in the history of the campaign.

Wyly Theatre and a second underground Arts

Gina and Scott Ginsburg’s Challenge Grant is designed

District garage that will park 260 cars.

to inspire the next generation of Dallas arts patrons who

The enhancements to the Center’s venues

will support the construction of the Center and, thereafter,

include the upgrade of rehearsal space to a recital

its operation and that of many Dallas performing and visual

hall that will be used for small performances,

arts organizations.

education classes, meetings and events; the

“We believe all Dallas families will benefit from the

addition of off ice space to the Winspear Opera

diverse cultural experiences they will enjoy at the Dallas

House; and upgrades in the public spaces of the

Center for the Performing Arts,” said Gina Ginsburg. “It

Winspear Opera House and Wyly Theatre.

is for this reason that Scott and I felt it was extremely

The campaign to build the Dallas Center for

important to participate in the campaign to build the Center

the Performing Arts raised $44 million in new and

and to encourage gifts from individuals and families who

increased gifts during the 2007 fiscal year and more

Gina and Scott Ginsburg

are committed to the future of our city’s cultural landscape. They will be the next generation of supporters for many

than $20.3 million in new commitments during the

Dallas cultural institutions and organizations.”

first five months of the Center’s 2008 fiscal year. The

“Through the Ginsburg Family Challenge Grant, Gina and Scott have committed one of the most important gifts

campaign is targeting an additional $25 million in

in the campaign to build the Dallas Center for the Performing Arts,” said Bill Lively, the Center’s president and CEO.

new commitments by the end of the 2008 fiscal year,

“The Ginsburg Family Challenge Grant will generate up

leaving an additional $36 million to be raised by the

Individuals, families and organizations

campaign’s conclusion. On the date this newsletter was published, 114

who make cash gifts or pledges ranging

families and organizations had made gifts of $1 million

from $5,000 to $25,000 over the next two

and more to help build the Center, increasing total

years will have their gifts and pledges

funding to beyond $282 million, 83% of the increased

staff and many volunteers are engaged in the process

matched dollar-fordollar by the Ginsburg Family Challenge Grant,

of raising the remaining funds required to construct

thereby doubling the value of

goal of $338 million. With approximately 22 months remaining in the campaign’s operation, the Center’s Board of Directors, President’s Advisory Council,

the Center, installing the Center’s business plan,

their commitments.

confirming the Center’s programming during its

to $2 million to help construct the Center and will provide a catalyst to encourage younger Dallas individuals and families to become more meaningfully involved in the life of our city’s cultural organizations.” Individuals, families and organizations who make cash gifts or pledges ranging from $5,000 to $25,000 over the next two years will have their gifts and pledges matched dollar-for-dollar by the Ginsburg Family Challenge Grant, thereby doubling the value of their commitments to help construct the Center. “Our lives have been greatly enriched by the performing arts, and it is for this reason we created the Challenge Grant. We felt it imperative to the future of

inaugural 2009-2010 season and preparing for the

Dallas to encourage new arts patrons to support the campaign to build the Dallas Center for the Performing Arts and

Center’s grand opening in the fall of 2009.

to become meaningfully involved in the life of Dallas’ rich cultural community,” said Scott Ginsburg. For more information or how to make a gift or pledge to help build the Dallas Center for the Performing Arts through the Ginsburg Family Challenge, please contact Danielle Collura at 214-954-9925, ext. 291

By increasing the campaign’s scope and

or danielle.collura@dallasperformingarts.org.

fund-raising goal, the Dallas Center for

NEIMAN MARC U S 1 0 0 TH a n n i v e r s a r y GALA CELE B RATION

the Performing Arts Board of Directors took an action of

CONFIDENCE.

T

The Board clearly understands the challenge of

wo-time

Academy

Award-winning

actress Hilary Swank joined Burt Tansky, president and chief executive officer, The

Neiman Marcus Group, and Karen Katz, executive vice president, The Neiman Marcus Group, and

but it also appreciates what the increased scope of the

Dallas Center for the Performing Arts board

project will mean to the Center and its impact on the

member at the Neiman Marcus Celebration of a

Dallas Arts District for generations to come. It was with this understanding that the Board unanimously approved the increase.

Photo: Ray Bryant

raising an additional $61 million in the next two years,

Century – 100th Anniversary Gala benef iting the Dallas Center for the Performing Arts. Held on October 12, 2007, the proceeds from Hilary Swank, Burt Tansky and Karen Katz

the event, together with earlier contributions

from the company, brought Neiman Marcus’ total gift to the Center to more than $2.5 million. A portion of the funds will be used to create the Neiman Marcus Performing Arts Education Endowment, a permanent

2

Bill Lively

endowment dedicated to supporting educational programs in the Center for Dallas-area high school and college

President and CEO

students and faculty. { CONTIN U ED ON PAGE 6 }


STAGES / WINTER 2 0 0 8

Design & Construction

Photos: Jeffrey Buehner

WINSPEAR OPERA HO U SE TOPPING O U T

A crane hoists the Topping Out beam to the highest point of the Margot and Bill Winspear Opera House. Top right: Interior view of the Margaret McDermott Performance Hall, looking toward the stage Bottom right: Detail of the stagehouse steel roof support structure

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he Dallas Center for the Performing Arts recently celebrated the Topping Out of the Margot and Bill Winspear Opera House—a time-honored tradition in construction signif ying that a building has reached its highest point. Hundreds watched on Januar y

10, 2008, as Don Winspear gave the cue for a crane to hoist a 60-foot steel beam to the roof structure of the stagehouse, the tallest part of the Winspear Opera House. The Topping

Photo: Kristina Bowman

Out beam, weighing more than 16,000 pounds, was painted bright red and covered with signatures of the Center’s board members, million dollar donors, design and construction teams and Dallas Cit y Council members. United States and Texas f lags f lew at the ends of the beam—the same f lags that have previously f lown over the Topping Out ceremonies of the Modern Art Museum of Fort Worth, Bass Performance Hall and the Houston Branch of the Federal Reser ve Bank. Construction of the Winspear Opera House, designed by Foster + Partners and constructed by Linbeck, continues on schedule. In the coming months, work will begin on the 60-foot high Annette and Harold Simmons Signature Glass Façade, the clear glass façade that encloses the lobby, and the installation of the red glass that w raps the exterior of the Margaret McDermott Performance Hall. To view a video of the Topping Out, visit w w w.dallasnews.com/video/ and search “Winspear Opera House” (courtesy The Dallas Morning News).

Top: John Dayton, Center board member and chair of the Winspear Opera House Facilities Committee, with Bjorn Polzin and James McGrath of Foster + Partners Bottom: Margot Winspear with her son, Don Winspear, Center board member

M i n o r i t y a n d w o m e n bu s i n e s s e n t e r p r i s e ( MW B E ) C o n t r a c t o r S p o t l i g h t

Katrina Keyes, K Strategies

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ast fall, the Center hired K Strategies, under the leadership of president Katrina Keyes, to serve as its Minority and Women Business Enterprise (MWBE) consultant. Katrina Keyes has more than 15 years of experience in the areas of MWBE programs, public affairs and procurement. Some of

her major clients include the new Dallas Cowboys Stadium, City of Dallas Mercantile Block project, Texas A&M University System and Texas

Department of Transportation. As an MWBE consultant for the Center, K Strategies Group will work closely with the design and construction team at the Dallas Center for the Performing Arts, as well as the two general contractors constructing the new venues, Linbeck and McCarthy Building Cos., to increase the participation of minority and women-owned businesses in the construction of the Center.

Katrina Keyes

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STRUCTURE 4


STAGES / WINTER 2 0 0 8

Photo credits: Jeffrey Buehner Cover photo credit: Timothy Hursley

W y ly T h e at r e Su p e r s t r u c t u r e : A M a s t e r p i e c e o f D e s i g n a n d E n g i n e e r i n g

With no interior columns in the Potter Rose Performance Hall, the architecture and engineering teams designed the entire structure of the Wyly Theatre to be supported by six perimeter concrete “super columns” and concrete shear wall. Crews are now assembling the primary steel belt truss that will connect the “super columns” and stabilize the structure. The vertical steel columns pictured above provide temporary support until the belt truss is complete. Top right: Detail of the concrete “super columns” Middle right: View of the superstructure from Ross Avenue Bottom right: Workers move a piece of the belt truss into place

“The wyly theatre is

pared down to the essence of what it needs to achieve”

The Dee and Charles Wyly Theatre may seem, at first glance, like a relatively simple building — a 14-level rectangular structure. A closer look, however, reveals the design and engineering complexities that make the Wyly Theatre one of the most innovative buildings in the world. Construction of the superstructure has now progressed to a point where one can easily see how intricate—and unusual—the Wyly Theatre truly is.

he entire structure of the Wyly Theatre is a

“The Wyly Theatre is pared down to the essence

To do so, the building’s superstructure consists of

response to the building’s very specific purpose—

of what it needs to achieve, and so the structure has an

only six concrete columns that extend the full height of

the design is driven by how the building will work,

efficiency and density not typical in most buildings,” said

the building and one concrete shear wall. Large steel

with each floor designed to support that function. The

Vincent Bandy, project architect for the Wyly Theatre.

belt trusses wrap around the perimeter of the building

building’s design architects, REX/OMA, Joshua Prince-

“At each point in this building, the design is very exact,

to stabilize the superstructure and support the load of

Ramus (partner in charge) and Pritzker Prize-winning

and there is little margin for error.”

the building. The Wyly Theatre is currently at about

T

architect Rem Koolhaas, created an innovative concept

The design mandates of the Wyly Theatre created

two-thirds of its full height and will be topped out in

for the building, with the ideas of transparency and

unique engineering challenges. Jay Taylor of Magnusson

late spring. When the superstructure is completed

flexibility at the core. The Wyly Theatre’s 600-seat Potter

Klemencic Associates (MKA), the structural engineering

in early summer, the temporary steel columns at the

Rose Performance Hall will be completely free of any

firm for the Wyly Theatre, explains, “The engineering

corners of the building will be removed, leaving no

surrounding structure. The front-of-house and back-of-

solutions in this building are a response to its architecture.

structure at the corners.

house spaces that typically wrap a theatre’s performance

We felt an obligation to keep the performance hall free of

Once complete, the Wyly Theatre will provide main

hall are, in this building, “stacked” above and below

any interior columns; and with no surrounding structure,

stage performance spaces for the Dallas Theater Center,

the hall. In addition, Potter Rose Hall is surrounded by

we had to locate all of the supports in the perimeter of the

Dallas Black Dance Theatre and Anita N. Martinez Ballet

glass walls, with a minimum number of support columns,

hall. We also needed to minimize the perimeter support

Folklorico, as well as touring music and dance companies,

creating an openness to the outside environment.

structure to maintain the transparency of the hall.”

lectures, films and more.

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Leading Roles

Development (continued from page 2)

M i ll ion Doll a r Donor s / N a n c y H a m o n C o n t r i bu t e s $ 1 0 M i l l i o n

Mary Anne Alhadeff Throughout most of her career, Mary Anne Alhadeff has worked as a producer of arts programs for PBS stations. As president and CEO of KERA, she is developing broad new arts initiatives which will bring expanded arts coverage to radio and television, including the KERA Arts+Culture blog at www.kera.org and a new Web site called Art&Seek that will feature an interactive, easily

W

ith a brass fanfare and a special performance by dancers from Texas Ballet Theater, the Dallas Center for the Performing Arts announced a new $10 million gift from Dallas philanthropist Nancy Hamon. In honor

of her generous gift—equal in size to the third largest gift to the campaign—a new performance space in the Dallas Center for the Performing Arts Margot and Bill Winspear Opera House will be named in her honor: Nancy Hamon Education and

Recital Hall .

searchable calendar of arts events happening throughout North Texas. “Since coming to Texas two years ago, I have been awestruck by all that is happening in the arts community here, and it’s become clear to me that KERA must make local arts programming a cornerstone of our service to this community,” said Ms. Alhadeff. “My husband, David, and I are downtown Dallas residents and the Center is the heart of our neighborhood. As newcomers, we deeply appreciate the extraordinary community leadership that has made this the most exciting community in the nation.” Since moving to Dallas, Ms. Alhadeff has become very involved with the Dallas Center for the Performing Arts, serving on the President’s Advisory Council, Communications Committee and the Board of Advisors of the Brinker International Forum. She is also a member of the Board of American Public Television (APT), the Photo: Kristina Bowman

Board of AFI Dallas and the Dallas Assembly.

Jeremy L. Halbreich Jeremy Halbreich has been a champion of the arts in Dallas for more than 25 years, serving on the boards of the Dallas Museum of Art, The Dallas Opera, Dallas Theater Center, TACA and many others.

Nancy Hamon at the announcement reception on January 22, 2008 This gift enables a basic rehearsal space to become an education and recital

“Anyone who has been involved with the arts

hall ideal for performances with audiences of up to 200. Hamon Hall will also be

in Dallas over the last 25 years has been a part

used for education classes, meetings and receptions, as well as rehearsals. With

of conversations about making the Dallas Arts

a separate entrance from Performance Park, the Hall can be used concurrently

District world-class,” said Mr. Halbreich. “With

with the Margaret McDermott Performance Hall, the Winspear Opera House’s

the opening of the Dallas Center for the Performing

2,300-seat concert hall.

Arts, we truly will be world-class. I think that this

“The arts have always been an important part of my life,” said Nancy Hamon.

is a case where the whole—the entire Dallas Arts District—will be greater than the sum

“The Dallas Center for the Performing Arts will create so many opportunities for

of the parts.”

people in Dallas to experience and learn about the arts. I’m especially proud to have

Mr. Halbreich has been a strong advocate for the Dallas Center for the Performing Arts from its earliest days. He currently serves as a member of the President’s Advisory

my name associated with the Education and Recital Hall, which will be used to help educate aspiring performing artists for generations to come.”

Council and, more recently, was appointed chair of the Brinker International Forum

A Texas native, Nancy Hamon had a brief career as an actress and dancer

Board of Advisors. He is chairman, president and CEO of American Consolidated

in Hollywood. In 1949, she returned to Texas as the wife of Dallas oilman Jake

Media, a Dallas-based company that he founded in 1998 that owns and operates 104

Hamon, who passed away in 1985. Since then, Mrs. Hamon has been a major

community newspapers in 10 states.

contributor to medical, educational, humanitarian and cultural institutions. In the

Jeremy Halbreich and his wife, Nancy Strauss Halbreich, often work together

Dallas Arts District alone, her contributions have ranged from $10 million to the

on their many charitable endeavors, including the Dallas Center for the Performing

Booker T. Washington High School for the Performing and Visual Arts in 2004 and a

Arts, Dallas Museum of Art and UT Southwestern Medical Center.

$20 million gift to the Dallas Museum of Art for a major expansion in 1988.

Donald Winspear Don Winspear joined the Board of Directors of the Dallas Center for the Performing Arts in fall 2007, but he traces his love of opera back to age 10, when his parents regularly took him to opera performances

UPCOMING events b e t h e f i r s t t o k n o w.

in Vancouver, Canada. He now looks forward to

Visit  www.dallasperformingarts.org  and

hearing opera in the new Center. “The first notes of opera in the Margot and

become an e-member today.

Bill Winspear Opera House will be a phenomenal experience, as will the first ballet, the first theatre and first musical performances in all of the Center’s venues,” Mr. Winspear said. “The Center will provide the opportunity to experience the arts presented at a caliber that Dallas has never before experienced or that most people can even comprehend until they witness it firsthand.” He adds, “We are asked to give our time, talent and treasure. When the Center opens, it will serve as a remarkable testimony to the many people in our community who have given generously in any or all three.”

F i r s t L o o k D ay s

V

isit the Dallas Center for the Performing Arts Preview Center to see a glimpse of the future with stunning models and visuals of the Margot and Bill Winspear Opera House, Dee and Charles Wyly Theatre, Annette Strauss Artist Square

and Performance Park. The Preview Center is open to the public on the following days:

Friday, March 28, and Saturday, March 29: 11 a.m.— 3 p.m. Friday, May 16, and Saturday, May 17: 11 a.m.— 3 p.m.

Mr. Winspear moved with his parents from Canada to Dallas in 1975. Since that time, he has established strong ties to the Dallas community, supporting many organizations, particularly in the area of education. He is now president of Crescent Research, Inc. Don and Ellen, his wife of more than 26 years, have two sons, Frank and Ryan.

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The Preview Center is located on the mezzanine level of the Trammell Crow Center, 2001 Ross Avenue.


STAGES / WINTER 2 0 0 8

PROGRAMMING B r i n k e r I n t e r n at i o n a l F o r u m 2008–2009 Inaugural Season

[ SUBSCRIBE NOW ] For more information or to subscribe, visit www.dallasperformingarts.org or call 214 880 0075.

lectures, symposia and multimedia programs featuring the world’s greatest performing artists, and together with National Geographic Live!, today’s leading scientists.

B e v e r ly a n d D e r e c k J o u b e r t

S e p t e m b e r 9, 2 0 0 8 — Legendary actor whose performances in film, television and stage have spanned more than three decades, including his award-nominated role in Hairspray. Sponsored by Jones Day

Photo: Steve Granitz

Hilary Swank No v e m b e r 2 5 , 2 0 0 8 — Two-time Academy Award-

O c tob e r 1 4 , 2 0 0 8 — A N a t i o n a l G e og r a p h i c L i v e ! e v e n t

winning actress honored for her leading roles in Boys Don’t Cry and Million Dollar Baby. Sponsored by One Arts Plaza

Photo: David Evans

Photo: The American Program Bureau

Naturalists and Emmy Award-winning filmmakers who have studied Africa’s most majestic creatures for more than 25 years. Sponsored by Diane and Hal Brierley

Spencer Wells

Ken Burns

Photo: Courtesy Diana Ross

J o h n T r a v o lta

Photo: Graham Beynton

Photo: Kristina Bowman

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he Center recently unveiled the inaugural season of the Brinker International Forum, the Center’s annual series of performances, conversations,

diana ross

F e b r u a ry 17, 2 0 0 9 — A N a t i o n a l G e og r a p h i c L i v e ! e v e n t

March 31, 2009 — Director and producer of some of the

Director of the Genographic Project, an unprecedented study mapping humanity’s genetic journey through the ages. Sponsored by Allie Beth and Pierce Allman

most acclaimed historical documentaries ever made, including The War, Jazz, Baseball, and The Civil War. Sponsored by John Eagle Dealerships

A p r i l 2 8 , 2 0 0 9 — The most successful female musical artist of the 20th century. Sponsored by Museum Tower

The 2008-2009 Brinker International Forum will take place at The Morton H. Meyerson Symphony Center, with all subsequent seasons at the Dallas Center for the Performing Arts Margot and Bill Winspear Opera House. Brinker International, longtime champion of the Dallas Center for the Performing Arts, is the generous title sponsor of the Brinker International Forum. Media Sponsors include The Dallas Morning News, D Magazine and KERA, with additional support provided by Rosewood Crescent Hotel.

IN THE WINGS DONOR REFLECTING POOL U NVEIL e d

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dallas cit y council visits Preview center

n October 17, 2007, Dee and Charles Wyly hosted a reception in their home

M

to unveil the design of the Donor Reflecting Pool, a signature architectural element in Performance Park that will celebrate in perpetuity the donors that

Suhm and other city officials visited the Dallas Center for the Performing Arts Preview Center on January 16, 2008. The Center leadership presented

updates on the capital campaign, construction progress and plans for future operations.

Photos: Kristina Bowman

have made gifts of one million dollars or more.

embers of the Dallas City Council, Mayor Tom Leppert, City Manager Mary

Board of Directors chair Howard Hallam and vice chair Caren Protho with board member Charles Wyly and his wife Dee

City of Dallas Mayor Tom Leppert and Dallas City Councilmember Tennell Atkins

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|

s ta g e s / w i n t e r 2 0 0 8

ensemble B OARD OF DIRECTORS Howard Hallam, chair*

Daniel D. Boeckman

John Dayton*

Richard A. Freling

Jim Keyes

Jeff D. Morris

Frank Risch

Paul Stoffel

Caren H. Prothro, vice chair*

Harold M. Brierley

Robert H. Dedman, Jr.

Nancy Halbreich

Barbara Thomas Lemmon

D. Roger Nanney*

Dr. Marvin E. Robinson

John Tolleson

Elaine B. Agather

Doug Brooks

John R. Eagle*

Frederick B. Hegi, Jr.*

William H. Lively*

Nancy A. Nasher

Deedie Rose*

Dr. R. Gerald Turner

Denny Alberts

Donald J. Carty

Matrice Ellis-Kirk*

Doug Houser

Nancy Cain Marcus

Chuck Norris

Ken Schnitzer

Martin J. Weiland*

Lisa Arpey

Jeanne Marie Clossey*

Bess Enloe*

John Howell

Jay Marshall

Erle Nye

Lynn Flint Shaw*

Laura B. Whitley

Dolores G. Barzune

John T. Cody, Jr.

Roger Enrico*

Gene Jones

Thomas H. McCasland, Jr.

Sarah Perot*

Shannon B. Skokos

Dr. Kern Wildenthal

Ron Beneke

Mary Anne Cree

Ruben E. Esquivel*

Robert L. Kaminski*

Michael F. McGehee

Howard Rachofsky*

Roger Staubach

Donald Winspear

David Biegler

Linda Pitts Custard*

Trevor Fetter

Karen Katz

Maribess Miller*

Leonard Riggs, Jr., MD

Ronald G. Steinhart

Charles J. Wyly, Jr. *Executive Committee

PRESIDENT ’ S ADVISORY CO U NCIL Linda Pitts Custard, chair

Toni Brinker

Fran Eichorst

Orrin Harrison

Ann M. Lardner

Patricia B. Meadows

Stephan Pyles

Emily Summers

Lindalyn Adams

Crawford Brock

Richard D. Eiseman, Jr.

Paula B. Harrison

Patricia Ann LaSalle

Su-Su Meyer

Cindy Rachofsky

Jack D. Sweet

Janet H. Albers

Dr. Anne Bromberg

Charles W. Eisemann

Jess Hay

Wright L. Lassiter, Jr.

Jan Miller

Carol Reed

Ann Swisher

Joseph Alcantar

Benjamin Brooks

Molly Engles

Amy D. Hegi

Alexandra Lavie

Joyce Mitchell

Robert S. Rendell

Barbara Sypult

Mary Anne Alhadeff

Bob Buford

James R. Erwin

Jan Hegi

Carole Lee

Ruth Ann Montgomery

Delia M. Reyes

Buddy Teaster

Billy Allen

Stuart M. Bumpas

Hector Escamilla, Jr.

Libby Hegi

Stan Levenson

R. J. Moshay

Peggy Riggs

Lisa Y. Thierry

Allie Beth Allman

Mary Frances Burleson

Alina R. Esquivel

Lisa Hembry

Richard Levin

Anne Motsenbocker

CiCi Rojas

Dr. Gail Thomas

Ruth Altshuler

Bruce Calder

Dawn Estes

Tom Hicks

Carol Levy

Robert H. Mow, Jr.

Catherine M. Rose

Brad Todd

Charlotte Jones Anderson

Nancy Carlson

Laura V. Estrada

Marguerite Steed Hoffman

Peter C. Lewis

Maria Munoz-Blanco

Tracy Rowlett

Debbie Tolleson

Giselle Antoni

Sis Carr

Robert A. Estrada

Amy L. Hofland

Veletta Forsythe Lill

Scott Murray

Capera Ryan

Gail Turner

Robin Arena

Ana M. Carty

Jeanne Fagadau

Brooke H. Hortenstine

Liz Minyard Lokey

Charlene Nanney

Deborah C. Ryan

Ronald Unkefer

Kim J. Askew

Darlene Galassi Cass

Vernon E. Faulconer

Jennifer Houser

Wendy Lopez

Kathy L. Nealy

Gail Sachson

Annette Vaughn

Marilyn Augur

Elliot R. Cattarulla

Dean Fearing

Lyria Howland

Sarah Losinger

Dana Nearburg

Marcy Sands

Bea Wallace

Scott L. Austin

Joleen Chambers

Melissa Fetter

Kristi Sherrill Hoyl

Gregory Louvier, Sr.

Dr. Albert W. Niemi, Jr.

Charles Santos

Sarah L. Warnecke

Norman P. Bagwell

George V. Charlton

Todd Fiscus

Sydney Huffines

David M. Love II

Todd R. Nordeen

Lisa Schnitzer

Hattie Wayne

Ray Balestri

Joe Chow

Edward M. Fjordbak

Kenneth H. Hughes

Michael Lunceford

Lydia Novakov

Howard Schultz

Tucean Webb

Nancy Barry

Brent E. Christopher

Rebecca Enloe Fletcher

Angela Hunt

Dr. Bobby B. Lyle

Rev. Elzie Odom, Jr.

Cindy Schwartz

Patty A. Weiland

Alice W. Bass

Natalie Chu

I.D. “Nash” Flores III

Caroline Rose Hunt

Gail Madden

Jay Pack

John M. Scott III

Herbert D. Weitzman

Cindy Benavides

Nita Prothro Clark

Nita Ford

Mark Huntley

Joy S. Mankoff

Barbara Page

Diane Scovell

Julia C. Wellborn

Sally B. Berry

Patti Cody

Eddie Freeman

Gregory Hustis

Cheryl Unis Mansour

Patricia M. Patterson

Carl Sewell

Royce West

Angela Berry-Roberson

Cynthia Comparin

Leah Fullinwider

Hal Jackson

David S. Margulies

Virginia Payne

Bart Showalter

Jimmy Westcott

Gil J. Besing

Gail B. Cook

Duncan Fulton III

Mary Jalonick

Sara T. Martineau

Connie Pearcy

Shelle Bagot Sills

Kimberly Schlegel Whitman

Lucy Billingsley

Janie Dunne Cooke

Reginald Gates

Graeme Jenkins

Anita N. Martinez

Rena Pederson

Judy Skinner

David Wiessman

Kathryn S. Bishop

Mary Lee Cox

Judith Gausnell

Willis Johnson

Carol Y. Marvin

Lucilo Peña

Ted Skokos

Marnie Wildenthal

Nancy Bittner

Trammell S. Crow

Gina Ginsburg

Gwendolyn Jones

Holly Mayer

Katherine Perot

Henry L. “Bud” Smith

Donna M. Wilhelm

Jan Hart Black

Sally G. Cullum

Gloria McCall Godat

Phillip Jones

Gray Mayes

Margot Perot

William T. Solomon

Ann Williams

Laura Boeckman

Kevin Curley

Randall G. Goss

Richard L. Jones

Lynn McBee

Jan R. Pickens

Luis Spinola

J. McDonald Williams

Bill Bogart

Allen W. Custard

Dr. Joseph M. Grant

Kim Hiett Jordan

Phyllis McCasland

Nelda Cain Pickens

Joanna St. Angelo

Mary Williams

Marla Boone

Gregory T. Davis

Charles L. Greco

William B. Jordan

P. Mike McCullough

Dr. Alfonso E. Pino III

Andre Staffelbach

Laura Wilson

Talmage Boston

Levi H. Davis

Kelly Green

Kate Juett

Grace McDermott

Charles H. Pistor

Aleta Stampley

Brandt Wood

Denis J. Boulle

Arlene Dayton

Candice J. Haas

Sue R. Justice

Margaret McDermott

Wayne Placide

Patricia Magnone Stanton

Jonas Woods

Dr. José Antonio Bowen

Rachael Dedman

David Haemisegger

Linda Kao

Clint McDonnough

Maria Martineau Plankinton

Jackie Miller Stewart

Rex H. Wooldridge

Delilah H. Boyd

William R. Dillon

Jeremy L. Halbreich

Margo R. Keyes

Linda B. McFarland

Judy Pollock

Gayle B. Stoffel

J. Michael Wylie

Eric Brauss

Patricia Miller Donosky

Fanchon Hallam

Curtis King

Janie Strauss McGarr

Ann Pomykal

Donald J. Stone

John L. Zogg

Gillian M. Breidenbach

Lowell Duncan

Donna D. Halstead

Jack M. Kinnebrew

Nancy C. McGee

Jimmy Porch

Diana Strauss

William A. Brewer III

Jane C. Dunne

Phyllis Hammond

Wayne R. Kirkham, M.D.

Don McKneely

Patricia A. Porter

Theodore H. Strauss

Diane Brierley

Sally Dunning

Dr. Sam T. Hamra

John J. “Jack” Klein

Ellen McStay

Darryl D. Pounds

Dr. Joanne Stroud

Becky Bright

Jennifer Eagle

Paul W. Harris

Ben D. Kohnle

Michael J. McWay

Amy Prestidge

Sara Stroud

Norman Brinker

John Egan

Tom D. Harris

Mary Noel Lamont

Michael L. Meadows

Jan Pruitt

Mary K. Suhm

B RINKER INTERNATIONAL FOR U M B OARD OF ADVISORS Norman Brinker, honorary chair

Jane Beneke

Nancy M. Dedman

Leah Fullinwider

John J. “Jack” Klein

Lydia Novakov

Peggy Sewell

Laura B. Whitley

Jeremy L. Halbreich, chair

William A. Brewer III

Rachael Dedman

Gina Ginsburg

Alexandra Lavie

Marshall Payne

Gayle B. Stoffel

Kimberly Schlegel Whitman

Jeanne Marie Clossey, vice chair

Harold M. Brierley

Tom Dunning

Gloria McCall Godat

Wendy Lopez

Margot Perot

Ann Swisher

Donna M. Wilhelm

Janet H. Albers

Toni Brinker

Jennifer Eagle

Greg Greene

Joy S. Mankoff

Marie L. Perry

Roger F. Thomson

James F. Young

Mary Anne Alhadeff

Dr. Anne Bromberg

Tim Eller

Dr. Sam T. Hamra

George T. Manning

Cindy Rachofsky

Debbie Tolleson

Pierce M. Allman

Doug Brooks

Matrice Ellis-Kirk

Caroline Rose Hunt

Nancy Cain Marcus

Peggy Riggs

Bea Wallace

Lisa Arpey

Nancy Carlson

Gail Ewing

Gene Jones

Janie Strauss McGarr

Refel Rushing

Linda Wan

Marilyn Augur

Brent E. Christopher

Melissa Fetter

Kate Juett

Michael F. McGehee

Pete Schenkel

Sarah L. Warnecke

Joel Austin

David Court

Nita Ford

Gary Kelly

Ellen McStay

Lisa Schnitzer

Mary Watson

John Beckert

Bill Custard

Richard A. Freling

Margo R. Keyes

Maribess Miller

Diane Scovell

Garry Weber

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