THERESISTANCE by KipChapman
An Auckland Theatre Company co-production
The Resistance, 2023. Photo by Clare Hawley.
“It’s not about being big or small. It’s about everyone putting their hand up.”
—Drew
ATYP would like to acknowledge that we are a company that works and creates on the traditional lands and waters of the Gadigal people, and we are grateful to be telling stories on First Nations country that has such a rich history of storytelling.
We pay our respects to Elders past and present.
The Resistance
By Kip Chapman
An Auckland Theatre Company co-production
Preview
16 February
Season
17 February–11 March
The Rebel Theatre
Eora Country
Pier 2/3, 13A Hickson Road
Dawes Point NSW
Duration 90 minutes (no interval)
Age recommendation 10+
Performance content Video projection, theatrical haze, loud music and theatrical lighting.
Writer and Director
Kip Chapman
Dramaturgs
Adriane Daff & Jane FitzGerald
Cultural Consultant
Abbie-lee Lewis
Set and Costume Designer
Tobhiyah Stone Feller
Lighting and AV Designers
Rachel Marlow & Bradley Gledhill
Sound Designer
Luke Di Somma
Production Manager
Taryn Zentrich
Stage Manager
Amellia Bruderlin
Designer – Creative Development
Stephanie Howe
Assistant Director
Sophia Bryant
Assistant Stage Manager
Angélique Riou
Front of House Engineer
Gabriel Castro
Associate Production Manager
Jess Henley-Sadgrove
Design Realisation Assistant
Hannah Tayler
With
Diya Goswami
Lakesha Grant
Genevieve Lemon
Thea Sholl
Jo Turner
Jack Walton
Fraser Crane (Understudy)
Cover Design Ana Ariane
The Resistance 1
Creator’s note
I want to make theatre fun. I want to make it accessible and thrilling. I want to allow audiences to choose how they want to engage with it. For some, that means sitting back and watching it from their seats. For others, it means getting on stage and helping out. I want to make shows that make all those choices possible.
I think this is how we can tell better stories. To drop the viewer (you) right in the middle of the action. Because theatre is live. It relies on the relationship between actor and audience. We need you to laugh, gasp and clap – without it our performance doesn’t exist.
The Resistance is an invitation to feel what the school climate justice movement is doing. It’s an attempt to capture some of their energy and idealism. It’s an exploration of people's resistance to stepping outside of their comfort zone. Because inaction is one of the root causes of the climate crisis we are now all in.
It has been so energising to work with ATYP and all the creatives on this project. Each production carries its own life force, and this show has been wild and fun, creative, challenging and inspiring. Which is what I hope you’ll all feel in the performance.
I’ve been making interactive theatre for 25 years. My first one was at high school, and I used a lot of water pistols and shouting to get my point across. Since then, I’ve developed a set of performance techniques and used technology and software to immerse the audience in the action. This show (although technically complex) relies on people power. And the reward for your help is making something magic.
There is not one point of view I am trying to get across with this work. I just want people to come away understanding that when we work together, we can achieve extraordinary things and that the first step in any action is to put up your hand.
And, I guess, one more thing… that there is power in fun.
Kip Chapman
Sustainability note
Theatre can be one of the most resourceful but also most wasteful art forms! Historically European opera and drama theatres had stock scenery, for example, if you were staging a tragedy you used painted flats, wings, and borders for that genre. The idea that each production has a unique ‘vision’ with a custom design is an artistic 20th Century ‘development’. So how do we continue to deliver surprising and relevant stages and costumes in environmentally ethical ways?
The three iconic Rs – Reduce, Reuse, Recycle – have been a powerful touchstone on The Resistance. Key questions the production and creative team have asked during the design and realisation of the set, props and costumes have included: what can we use as an alternative to store-bought materials, hardware, products and clothing? And what can we repurpose from existing stock, ask for donations, and, when chance is on our side, find discarded on the street?! How do we reduce the use of petrochemicals including plastic and conventional paint products?
You will see that the play, being set in the HQ of youth climate activists, absolutely lends itself to a layered, resourceful, ‘lost and found’ aesthetic. I hope that the discoveries we have made on this production lead to ecologically sustainable practices becoming the norm both here at ATYP and in companies and schools across Australia.
Tobhiyah Stone Feller
© 2023
The Resistance 3
“Does nobody get it?! This is our last chance to save the world!”
The Resistance, 2023. Photos by Clare Hawley.
—Marlee
Creative Team
Kip Chapman
(He/him)
Writer and Director
Kip Chapman is a writer, director, and actor that has worked in the screen and theatre industry since 2002.
As Writer and Director For BATS Theatre: APOLLO 13: Mission Control; for Aotearoa
New Zealand Festival of the Arts: Destination Mars; for Silo Theatre: Hudson & Halls.
As Director For Christchurch Arts Festival: That Bloody Woman; for Belvoir St Theatre: 44 Sex Acts in a Week.
As Creative Director For the World of Wearable Arts.
Screen Luke in Top of the Lake; Rían in The Lord of the Rings: The Rings of Power
Qualifications UNITEC School of Performing and Screen Arts.
Awards New Zealand Arts Foundation: New Generation Award.
Kip also founded and ran the Auckland Theatre Awards from 2009-2015.
Adriane Daff
(She/her)
Dramaturg
Adriane Daff is a Sydneybased actor, writer and theatre-maker. She is also a founding artist of The Last Great Hunt.
As Creator For The Last Great Hunt: Lé Nør, The Irresistible, The Big Spaghetti
As Writer and Performer For Griffin Theatre Company: Era of New Paradise; for Redline Productions: Hyperdream; for ERTH and Griffin Theatre Company: Young & Gorgeous.
As Co-Writer For DreamBig Festival: Into the Jungle; for Sydney Writer’s Festival: The Turners; for Arts House and Perth Theatre Company: The Confidence Man; for Black Swan State Theatre Company: The Cherry Orchard
Awards NextGen Webfest
Awards: Best Actress for The Big Spaghetti
Nominations Helpmann
Awards: Best New Australian Work for Lé Nør, Best New Play for The Irresistible
Qualifications Western
Australian Academy of Performing Arts: Bachelor of Arts (Theatre); Ward Meidner Studio; Ecole Philippe Gaulier; Kim Farrant; Force Majeure.
Jane FitzGerald
(She/her)
Dramaturg
As Dramaturg For ATYP: M.Rock, Lights in the Park, CUSP, Bathory Begins, April Aardvark, Impending Everyone, Charlie Pilgrim (or a Beginner’s Guide to Time Travel), WonderFly, Intersection 2019: Arrival, Intersection 2018: Chrysalis; for ATYP and Ensemble Theatre: The Big Dry; for ATYP and Sydney Theatre Company: M.Rock; for Ensemble Theatre: Black Cockatoo, Appleton Ladies’ Potato Race, Fully Committed; for Merrigong Theatre Company: Lost Boys; for Sydney Theatre Company: Volpone, A Midsummer Night’s Dream (Festival of the Dreaming).
Previous Positions Literary Manager for Ensemble Theatre, Sydney Theatre Company; Artistic Associate for Sydney Theatre Company; Administrator for the Patrick White Playwright’s Award, Sydney Theatre Company; Script Reader for Royal Court London, Playwriting Australia, Australian National Playwrights Centre, Playworks.
Jane has also mentored year 12 students on HSC creative writing projects for 15 years.
Abbie-lee Lewis
Cultural Consultant
Abbie-lee Lewis is a Kalkadoon woman who grew up in Western Australia.
As Director For Mooghalin Performing Arts: Cutter and Coot
As Assitant Director For ATYP: Charlie Pilgrim (or a Beginner’s Guide to Time Travel); for Bell Shakespeare: Hamlet, Macbeth; for Belvoir St Theatre: At What Cost?, Wayside Bride, Light Shining in Buckinghamshire.
Stage For Bell Shakespeare: The Players, Hermia in A Midsummer Night’s Dream, Swing in Macbeth; for Sport for Jove Theatre Co: Martha in Fallen; for Black Swan Theatre Company: Emily in Our Town; for Blue Room Theatre: Ida in The Bleeding Tree; for Belvoir St Theatre: Counting and Cracking; for Australian Dance Theatre and Illbidjiri: Tracker
Screen For Australian Broadcasting Corporation: Black Comedy.
Qualifications Western Australian Academy of Performing Arts: Aboriginal Theatre Course, Bachelor of Arts (Acting).
© 2023
Tobhiyah
Stone Feller
(She/her)
Set and Costume Designer
Tobhiyah is a designer dedicated to live performance, interior, and installation projects.
As Set and Costume Designer For ATYP: Bustown, Desiree Din and the Red Forest, The Laramie Project, This Territory; for Bell Shakespeare: Macbeth; for Blacktown Arts Centre: My Name is SUD; for Clockfire Theatre Company, AGNSW and Sydney Festival: Night Parade of One Hundred Goblins; for Ensemble Theatre: Blue/ Orange, Clybourne Park, e-baby, Good People, Killing Katie: Confessions of a Book Club, Sorting Out Rachel, My Zinc Bed/Blood Bank; for Griffin Theatre Company: Splinter, Replay, Wicked Sisters; for Musica Viva: Da Vinci’s Apprentice; for Performing Lines: Goddess, Variant; for Riverside
Theatres: Fall! Falter!!
Dance!!!, Parramatta Girls
As Live Performance Coordinator For the Australian Production Design Guild’s MENTORAPDG program.
Awards Australian Interior Design Award: Installation Design Category for My Zinc Bed/Blood Bank; Queensland Planning Institute of Australia: The Great Place Award for the design of performance venue Flowstate.
Nominations Australian Institute of Architects: Honourable Mention for Flowstate; Interior Design Excellence Awards: Shortlist in the Public Space and Colour categories for the design of ATYP’s Chill Zone
Tobhiyah also worked as Interior Fit-Out Design Consultant for ATYP’s offices at Pier 2/3.
The Resistance 5
The Resistance, 2023. Model box by Tobhiyah Stone Feller. Photos by Bec Herkess.
Creative Team cont.
(Filament Eleven 11)
Lighting and AV Designers
Rachel Marlow and Bradley Gledhill are Production Designers and co-founders of design company Filament Eleven 11. Filament Eleven 11 is drawn to boundarypushing work led by inspiring creatives.
As Production Designers For Auckland Theatre Company: Scenes from a Yellow Peril, Things That Matter; for Silo Theatre: Every Brilliant Thing; for New Zealand Opera: The Strangest of Angels; for Live Nation Entertainment: Teeks – One Night Only, Spark Arena, and Something To Feel Tours, Elemental Nights, Rock2000, BlackBox, RnV, SOL3 MIO; for APRA
AMCOS: Silver Scrolls Awards; Pacific Music Awards; for Avantdale Bowling Club and Fat Freddy's Drop: Tours; for Fractious Tash: The Effect.
As Lighting and Video Designers For Auckland Theatre Company: The Made; for Red Leap Theatre: Dakota of the White Flats; for Nightsong: A Stab in the Dark, 360; for Diva Productions: TOPP CLASS – Tribute to the Topp Twins; for Pango Productions and TVNZ: Class Act; for Last Tapes Theatre: Valerie.
As Lighting Designers For Auckland Theatre Company: Rosencrantz and Guildenstern are Dead, Red Speedo, Black Lover, Single Asian Female; for Silo Theatre: The Writer, Boys Will be Boys, Peter and the Wolf, Mr Burns, Here Lies
Love, Wild Dogs Under My Skirt; for Red Leap Theatre: Owls Do Cry, Dust Pilgrim; for Nightsong: The Worm, A Stab in the Dark, Spirit House, 360; for Diva Productions: TOPP CLASS – Tribute to the Topp Twins; for Live Nation and Eccles
Entertainment: You are Us/ Aroha Nui Auckland; for Touch Compass Dance Trust: Touch Compass’ 25th Anniversary Celebration; for NZ Labour Party: 2020 Campaign
Launch/Election Night
As Installation Art Designers For Charles Koroneho: Ko Te Ākau - poetics of land, water and sky; for Auckland Live and Auckland Fringe: Who Lived in a Vinegar Bottle; for Basement Theatre: Light is Like Water; for Art in the Dark: Canopy; for Myer’s Park Underpass: Detour: Enter the Dark; for Q Vault and Auckland Fringe: Dissension Ascending; a Light Exhibition
Awards Auckland Theatre Awards: Excellence in Design, Excellence Award for 2018 Body of Work, People’s Choice Best Lighting; Wellington Theatre Awards: Lighting Designer of the Year; Auckland Fringe: Best Production Design and Best Visual Arts for Who Lived in a Vinegar Bottle.
Luke Di Somma (He/him) Sound
Designer
Luke Di Somma is a Composer, Writer, Music Director, and Sound Designer.
As Writer/Co-Writer For Auckland Theatre Company: That Bloody Woman; for NZ Opera: The Unruly Tourists; for Make a Difference Trust: West End Bares Charity Concerts.
As Sound Designer For Belvoir St Theatre: The Italians; for The Court Theatre: Amadeus; Much Ado About Nothing.
Qualifications New York University’s Tisch School of the Arts: Master of Fine Arts.
Luke’s album Songs for my Friends was released in 2021. He has also taught music, musical theatre, singing, acting and writing at New York University, Stella Adler, Victorian College of the Arts, NIDA, Federation University of Australia, Associated Studios Australia, Patrick Studios Australia and ED5.
© 2023
Rachel Marlow & Bradley Gledhill
Manager
Taryn has been working in Technical Production for over a decade, with freelance experience as a Technician, Production Manager and Lighting Designer, while also branching out into Arts Administration more recently.
As Production Manager For ATYP: M.Rock, Past the Shallows
As Head of Lighting For Merrigong Theatre Company.
As Lighting Designer For MERRIGONGX: Route Dash Niner Part 2, Party Girl, The Surfer and the Mermaid
As Program Coordinator For Merrigong Theatre Company.
Amellia is a Sydney-based stage and production manager with an extensive background across theatre, musicals, events, and tours around Australia and the United Kingdom.
As Stage Manager For Casula Powerhouse: Way Out West Festival 2022; for Critical Stages Touring: Hamlet: Prince of Skidmark; for Red Line Productions: HYPERDREAM; Is God Is
As Production Manager For Darlinghurst Theatre Company: A Chorus Line; Benched; for NIDA: Marat/ Sade.
Qualifications National Institute of Dramatic Art: Bachelor of Theatrical Theatre and Stage Management, Diploma of Live Production and Technical Services; University of Sydney: Bachelor of Visual Arts.
Amellia is delighted to join the team for the 2023 production of The Resistance
Sophia Bryant
Director
Sophia is an emerging director in Sydney’s Independent theatre scene.
As Director For Kings Cross Theatre: Dumb Kids, Mr Theatre, SAMO is Dead
As Assistant Director For Outhouse Theatre Company: How to Defend Yourself; for Kings Cross Theatre: Tell Me Before the Sun Explodes; for New Theatre: Significant Other
As Co-Producer For Kings Cross Theatre: Panimo Pandemonium Festival
As Stage Manager For Sport for Jove: Romeo and Juliet, Twelfth Night, Othello.
Stage For Sydney University Dramatic Society: And Then There Were None, The Aliens, Rosencrantz and Guildenstern are Dead, Macbeth; for New Theatre: Neighbourhood Watch
Qualifications University of Notre Dame: Bachelor of Media and Communications, Bachelor of Arts (Theatre Production); National Institute of Dramatic Art: Advanced Actors Residency, Young Actors Studio.
Awards University of Notre Dame: First Prize for First Year Theatre Studies.
Angélique Riou
(She/her)
Assistant Stage Manager
As Crew For Albatross Musical Theatre Company: The Little Mermaid, JamPact!, Shrek, Addams Family, Aladdin Jr, Mary Poppins, Wicked; for Rising Arts: The Last Five Years
As Stage Manager, Lighting Operator and Lighting Designer For University of Wollongong: Scorched
As Stage Manager and Lighting Designer For University of Wollongong: Martyr.
As Lighting Operator For University of Wollongong: 39.5 Steps to Every Relationship.
As Assistant Producer For Albatross Musical Theatre Company: Mamma Mia!
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Taryn Zentrich (She/they) Production
Amellia Bruderlin (She/her) Stage Manager
(She/her) Assistant
The Resistance, 2023. Model box by Tobhiyah Stone Feller. Photo by Bec Herkess.
The Resistance 9
Cast
Diya Goswami (She/her) Marlee
Diya is an actor and student of Economics and Philosophy at the University of Sydney.
ATYP Intersection: Beat
Other Theatre For NSW Government: Schools
Spectacular 2019
ATYP has fostered her growth in the theatre industry and The Resistance will be her first professional production. Theatre, writing, and performing helped her find her voice and Diya believes the arts and arts education can do the same for young people everywhere.
Lakesha Grant (She/her) Bundilla
Lakesha Grant is a First Nation of Australia actress and musician that was born and raised in Darwin, NT. Lakesha moved to Sydney in 2019 to develop her skills, access more opportunities, and pursue a career in the arts.
Qualifications Sydney Theatre School: Diploma in Theatre and Screen Acting.
Since graduating, Lakesha has featured in 2 short films with AFTRS, one lead role and a feature role.
Genevieve Lemon
Drew
ATYP Debut
Other Theatre For Working
Title: Billy Elliot the Musical; Priscilla, Queen of the Desert the Musical; Steaming; Steel Magnolias; for Hayes Theatre Company: Violet, Melba, Caroline or Change, Dubbo Wrestling Championship; North by Northwest; for Belvoir St Theatre: A Taste of Honey, The Blind Giant is Dancing; The Death of a Salesman, Seventeen; for Ensemble Theatre: Folk, Diplomacy, Who’s Afraid of Virginia Woolf?, Tribes, Broken Glass; for Sydney Theatre Company: The Hanging, The Girl Who Saw Everything, Hanging Man, Harbour, Hay Fever, Merrily We Roll Along, Miracle City, Morning Sacrifice, Noises Off, Once in a Lifetime, The Recruit, The Republic of Myopia, Summer Rain, Victory; for Melbourne Theatre Company: Piaf, Summer of the Seventeenth Doll, The Venetian Twins; for Griffin Theatre Company: The Big Picture, The Homosexuals
Screen Sweetie in Sweetie; The Piano; The Top of the Lake; Mrs Lewis in The Power of the Dog; The Appleton Ladies Potato Race; A Christmas Ransom; Ticket to Paradise; Here Out West; Sweet River; Acute Misfortune; The Dressmaker; Holy Smoke; Soft Fruit; Suburban Mayhem; Colin from Accounts; The Tourist; Eden; Frayed; Neighbours; Prisoner; Rake; Redfern Now; The Secret River; Three Men and a Baby Grand; Home and Away
Awards Helpmann, Sydney Theatre Critics, and Green Room Awards: Best Actress in a leading role for Billy Elliot the Musical
Genevieve has sung on cabaret stages over the world and released a live album of her Sydney Opera House concert, Angels in the City She also performed in many incarnations of The Wharf Revue and shows at the legendary Tilbury Hotel.
© 2023
Thea is a student of Sydney’s Conservatorium High School, majoring in Composition, and plays piano, guitar, bass, tuned and untuned percussion, and drums. She performs in a Bossa Nova and Jazz band and has won several national songwriting competitions.
Other Theatre For GWB
Entertainment: Freddie in School of Rock.
Jo works as a writer, theatre maker, director and actor across a wide range of theatre, film, and television.
ATYP A Clockwork Orange: A Play With Music
Other Theatre For Hayes
Theatre: Evie May; for Bell Shakespeare: Antony and Cleopatra, The Merchant of Venice; for Eternity
Playhouse: Hysteria; for Northern Rivers Performing Arts: Railway Wonderland; for CDP Theatre: The Incredible Book Eating Boy; for Griffin Theatre: The Ugly One; for Sydney Theatre Company: Ruby Moon, Thyestes, Howard Katz; for Arts Asia Pacific: The Window; for Q Theatre: Weather, Somewhere: The Magical Musical of Penrith; for Belvoir St Theatre: Faustaus, The Caucasian Chalk, Circle; for La Boite Theatre: Emma’s Nose; for Black Swan Theatre: Plainsong; for Ensemble Theatre: The Imaginary Invalid
Screen Truth; You Can’t Stop the Murders; for Sydney Film Festival: Strangers; for Best Film Flickerfest: On Hold; Revolt; Doctor Blake; CAMP; Home and Away; All Saints; White Collar Blue.
As Director For Eternity
Playhouse: Small Mouth Sounds, The Hypochondriac, Deathtrap; for Idiomatic Arts: UBU EKZOTICA; for Kings Cross Theatre: Ruby and Cuthbert 2; for TEG Dainty: The Betoota Advocate Roadshow; for Steps and Holes Theatre: Le Voyage; for Belvoir St Theatre, Arts Centre Melbourne and Sydney Opera House: Ruby’s Wish; for Darwin Festival: Prison Songs; for City Recital Hall: Puss in Boots; for Sydney Theatre Company: Fools Island; for Darlinghurst Theatre Company: Don’t Stare too Much!.
As Writer For ATYP: Max Remy Super Spy, Ishmael and the Return of the Dugongs; for Belvoir St Theatre: The Girl Who Glows, Ruby’s Wish; for Playlab and Sydney Theatre Company: In a Heart Beat
As Resident Artist For Sydney Theatre Company.
Qualifications Melbourne University; Ecole
Internationale de Theatre
Jacques Lecoq.
Awards Phillip Parson’s Fellowship; Flickerfest: Best Film for On Hold; Sydney Fringe: Critics Choice Award for Le Voyage
Nominations Sydney Theatre
Awards: Best Show for Young Audiences for House on Fire; Shane and Cathryn Brennan Playwriting Finalist for The Girl Who Glows; The Glugs: Best Australian New Work for The Hypochondriac.
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Thea Sholl (She/her) Pepper
ATYP Debut
Jo Turner (He/him) Jordan King
Cast cont.
Jack Walton (He/him) Miro
Jack is an actor and co-founder of Panimo, a company focused on delivering quality work from emerging artists.
ATYP Will in The Climbing Tree; The Martin Lysicrates Prize
Other Theatre For Kings Cross Theatre: Mercury Fur
Screen For Netflix: Vince in Clickbait; Clark in Bilched
As Producer For Panimo: Pandemonium Festival
Jack sits as an observer on ATYP’s board as Youth Chair.
Fraser Crane Understudy
At 21 years of age, Fraser has 14 years of dance, singing, voice and acting experience.
ATYP M.Rock.
Other Theatre For Darlinghurst Theatre Company: Remembering Pirates; for Kings Cross Theatre: Natives; for Jipprock Productions: Bad Smoke; for Outhouse Theatre Company: How to Defend Yourself; for Metro Arts: Reagan Kelly; for Lindisfarne Anglican Grammar School: Joseph and His Amazing Technicolour Dreamcoat
Screen For Disney: The Last Days of the Space Age; for SBS: Family Law; for Warner Bros.: San Andreas.
Fraser has recently returned from Paris where he studied at Ecole Philippe Gaulier.
The Resistance, 2023. Costume designs by Tobhiyah Stone Feller. Photos by Bec Herkess.
© 2023
The Resistance 13
“We’ve got to get a message out. We’ve got to petition the government. Make them change their minds.”
—Bundilla
The Resistance, 2023. Photos by Clare Hawley.
The Resistance, 2023. Photos by Clare Hawley.
The Resistance 15
The ATYP Team
Artistic Director & CEO
Fraser Corfield
Executive Director –Management
Amanda Wright
Executive Director –Strategy
Johanna Mulholland
Business Manager
Chrissy Riley
Operations Manager
Taryn Zentrich
Education Manager
Jacqui Cowell
Workshops Manager
Claudene Shoesmith
Marketing & Communications Manager
Erica Penollar
Resident Dramaturg
Jane FitzGerald
Artistic Associate
Hayden Tonazzi
Development Officer
Meg Goodfellow
Finance Coordinator
Yoko Miki-Feeney
Events & Venue Hire
Coordinator
Catherine Tomsen
Education Coordinator
George Kemp
Digital Communications & Engagement Coordinator
Rebecca Herkess
Marketing Coordinator for Special Projects
Erica Em
Digital Engagement Designer
Georgia McGinness
Workshop Assistant
Emily Johnson
Administration Assistant
Martha Russell
Archivist
Judy Seef
Company Accountant
Steve Davidson
Creative Technologist
Daniel Andrews
Intern – Outreach
Ellie Park
Front of House Managers
Catherine Tomsen
Ellie Park
Front of House Attendants
Jared Stephans
Georgia McGinness
Jasper Reucassel
Bec Herkess
Front of House Volunteers
Ebony Dodds
Marco Di Lorio
Board of Directors
Chris Puplick AM
(Chair)
Fraser Corfield
Samara Hand
Tasnim Hossain
Janine Lapworth
Gillian Larkins
Mark Morrissey
Daniel Selikowitz
Nicole Webb
Donna Worthington
Georgina Willcock
(Board Observer)
Lily Hayman
(YABbies Board Observer)
Jack Walton
(YABbies Board Observer)
© 2023
Thanks & Acknowledgements
Joel Benguigui & Jala Adolphus
Jillian Buenen
Olivia Calverley-Haack
Caz Comino
Bob Cousins
Holly Creenaune
(Program Director – Coal Mining, The Sunrise Project)
Ross Feller & Clare Willington
Michele Gould
Erin Lesnie
Savannah Melvin
Lisa Millar
Genevieve Mortimer
(Climate-KIC Australia)
Murobond
Paperjam Partners
Rio
Imogen Ross
St Kilda Studios
Thanks to those actors who formed the core of the development workshop
Joseph Althouse
Laneikka Denne
Jude Gibson
Diya Goswami
Abbie-lee Lewis
Jack Walton
Thanks to those who were additional actors at the development workshop
Nick Annas
Zahara Friis-Clark
Cassie Hamilton
Dylan Proano
Adam Stepfner
Robbie Wardhaugh
Nadia Zwecker
Supporters
#TheResistance
#ATYP_TheResistance
#ATYP_Resistance
#ATYP_Theatre
#TheRebelTheatre
#OnlyAtTheRebel
Thanks to those who generously participated in research and development sessions
Jean Hinchcliffe
Janine Lau
Daisy Millpark
Tara Mulholland
Alex Neale
Luca Saunders
Ella Simons
The Resistance 17
