2 minute read
Life in asylum
from Nishi Mundra
Saint-Paul Asylum
Following the incident with Paul Gauguin in Arles in December 1888 in which van Gogh cut off part of his left ear he was hospitalized in Arles twice over a few months. It is located in an area of cornfields, vineyards and olive trees at the time run by a former naval doctor, Dr. Théophile Peyron. Theo arranged for two small rooms—adjoining cells with barred windows. The second was to be used as a studio. Van Gogh was initially confined to the immediate asylum grounds and painted (without the bars) the world he saw from his room, such as ivy covered trees, lilacs, and irises of the garden. Through the open bars Van Gogh could also see an enclosed wheat field, subject of many paintings at Saint-Rémy. As he ventured outside of the asylum walls, he painted the wheat fields, olive groves, and cypress trees of the surrounding countryside, which he saw as “characteristic of Provence.” Over the course of the year, he painted about 150 canvases. The imposed regimen of asylum life gave Van Gogh a hard-won stability: “I feel happier here with my work than I could be outside. By
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staying here a good long time, I shall have learned regular habits and in the long run the result will be more order in my life.” While his time at Saint-Rémy forced his management of his vices, such as coffee, alcohol, poor eating habits and periodic attempts to consume turpentine and paint, his stay was not ideal. He needed to obtain permission to leave
the asylum grounds. The food was poor; he generally ate only bread and soup. His only apparent form of treatment were two-hour baths twice a week. In a letter to Theo in May 1889 he explains the sounds that travel through the quietseeming halls, “There is someone here who has been shouting and talking like me all the time for a fortnight. He thinks he hears voices and words in the echoes of the corridors, probably because the auditory nerve is diseased and over-sensitive, and in my case it was both sight and hearing at the same time, which is usual at the onset of epilepsy, according to what Dr. Félix Rey said one day.” During his year there, Van Gogh would have periodic attacks, possibly due to a form of epilepsy. By early 1890 van Gogh’s attacks of illness worsened and he believed that his stay at the asylum was not helping to make him better. This led to his plans to move to Auvers-sur-Oise just north of Paris in May 1890.