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The story of Starry Night

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Portraits

Portraits

Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of SaintPaul-de-Mausole near SaintRémy-de-Provence. Van Gogh was allowed more freedoms than any of the other patients. If attended, he could leave the hospital grounds; he was allowed to paint, read, and withdraw into his own room. He was even given a studio. While he suffered from the occasional relapse into paranoia and fits - officially he had been diagnosed with epileptic fits - it seemed his mental health was recovering. Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift.

Starry Night, 1889

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Explanation

The Starry Night, a moderately abstract landscape painting (1889) of an expressive night sky over a small hillside village, one of Dutch artist Vincent van Gogh’s most celebrated works. The oil-on-canvas painting is dominated by a night sky roiling with chromatic blue swirls, a glowing yellow crescent moon, and stars rendered as radiating orbs. One or two cypress trees, often described as flame-like, tower over the foreground to the left, their dark branches

curling and swaying to the movement of the sky that they partly obscure. Amid all this animation, a structured village sits in the distance on the lower right of the canvas. Straight controlled lines make up the small cottages and the slender steeple of a church, which rises as a beacon against rolling blue hills. The glowing yellow squares of the houses suggest the welcoming lights of peaceful homes, creating a calm corner amid the painting’s turbulence.

Starry Night over the rhone, 1888

The challenge of painting at night intrigued van Gogh. The vantage point he chose for Starry Night allowed him to capture the reflections of the gas lighting in Arles across the glimmering blue water of the Rhône. In the foreground, two lovers stroll by the banks of the river. Depicting color was of great importance to Vincent; in letters to his brother, Theo, he often described objects in his paintings in terms of color. His night paintings, including Starry Night, emphasize the importance he placed on capturing the sparkling colors of the night sky and of the artificial lighting that was new to the era.

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