Sworders Summer Country House Sale by Auction Technology Group

The Summer Country House Sale Tuesday 27 June 2017 at 10.00am

O U T O F T H E O R D I N A RY FEBRUARY 2018 F U RT H E R E N T R I E S A R E I N V I T E D

A large 1960s stag beetle with internal parts £500 - 800 A 1920s oil painting of mushrooms £800 - 1200 A 1960s pub sign £500 - 800 A 1950s erotic pewter chess set (complete) £800 - 1200

For more information contact: Mark Wilkinson markwilkinson@sworder.co.uk 01279 817778

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Standen Hall, Clitheroe Standen Hall, Clitheroe, set in the heart of the Lancashire countryside, has belonged to the Aspinall family since the reign of Henry VII and the War of the Roses. It has survived wars, religious upheaval, the Industrial Revolution and huge change in social attitudes to remain the centre of an extensive rural estate. The house is now to undergo significant restoration and modernisation; as part of this process the family have rationalised their possessions, resulting in a substantial collection of items being offered for sale with Sworders. For items from this property, please refer to the lotsâ&#x20AC;&#x2122; provenance.

The Summer Country House Sale at the Stansted Mountfitchet Auction Rooms Tuesday 27 June 2017 at 10.00am ORDER OF SALE Lot 1

1931 Rolls Royce

Lots 2 - 81

English and Continental Ceramics and Glass, to include a Single Owner Collection

Lots 83 - 231

Works of Art

Lots 232 - 262

Musical Instruments

Lots 280 - 373

Prints, Miniatures and Watercolours

Lots 374 - 470

Oil Paintings 10 minute break

Lots 474 - 493

Clocks and Barometers

Lots 497 - 541

Oak and Country Furniture

Lots 542 - 666

Other Furniture

On view Friday 23 June Sunday 25 June Monday 26 June Tuesday 27 June

By appointment 10.00am - 1.00pm 9.00am - 5.00pm From 9.00am

Cover: Lot 199

For further information: Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk Buyersâ&#x20AC;&#x2122; Premium 26.4% (inclusive of VAT) Online bidding via www.sworder.co.uk

Lot 1 1931 Rolls-Royce 20/25hp Sedanca de Ville, Coachwork by Park Ward & Co. Registration Number: LGY 665 Chassis Number: GFT 72 Engine Number: S7Q £50,000 - 60,000 (plus 26.4% BP) Launched in 1929, the manageable Rolls-Royce 20/25hp model quickly drew praise from the contemporary press, Autocar noting that it had ‘great refinement of power, and a gentleness and quietness in doing its work, which makes results deceptive’. This example, with highly desirable Sedanca de Ville coachwork by Park Ward, was commissioned by Sir Stratti Ralli, of Upper Brook Street W1 for his wife, Lady Ralli. With the chassis tested by the factory in early November 1931, the handsome coachwork was completed by Park Ward and the Rolls-Royce was registered on New Year’s Eve, 1931. Sedanca de Ville coachwork, with its ‘open or closed’ driver compartment, is regarded as one of the most desirable styles of bodywork in today’s market and in period it was extremely costly. An extremely rare car, it is one of just twelve cars built by Park Ward in the Sedanca style and, apparently, the only example built without a boot to upset the line of the car’s ‘D’ back, whilst still carrying a spare wheel and luggage grid.

1931 ROLLS ROYCE 1

Finished to a very high standard, in blue over black with a black fabric roof covering, the car appears to have been the subject of a quality restoration in the past and much recent substantial maintenance and improvement. The chauffeur compartment is trimmed superbly in black hide and the rear compartment in pale grey leather with interlocking ‘RR’ logos on the door trims and a complementing light grey wool carpet. The walnut door cappings feature light wood inlay and are in excellent order, and vanity mirrors are placed for the convenience of passengers. The driver and passengers are separated by a wind-up glass division. The roof section over the chauffeur operates with a simple, but very effective, mechanism and stows neatly into the fixed roof section. Twin side-mounted spare wheels are now carried and the original rear-mounted luggage rack is retained. Quality Lucas Bi-Flex headlights feature. With just over £17,000 spent on the car in 2016 with the highly-regarded specialist, Jonathan Wood, Clockhouse Workshop, Little Sampford, Essex, paperwork with the car includes the current V5C Registration Document, an old buff RF60 Registration Book, copies of the RollsRoyce build cards and a good quantity of other bills and correspondence. The car is taxed to 1 July 2017 and is, of course, MoT-exempt. It is worth noting that the car also features in ‘Those Elegant Rolls-Royce’ by Lawrence Dalton.

1 1931 ROLLS ROYCE

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Lot 2 A bellarmine jug, 17th century, with moulded face and coat of arms with griffin and crown, 21cm high £200 - 400 (plus 26.4% BP) This was dug up during renovations from under the front entrance of an old house in Chelsea. These were allegedly buried under thresholds and hearths to ward off evil spirits and are sometimes referred to as ‘Witches’ bottles’. Lot 3 An albarello vase, late 17th century, with blue flower panel over a vacant cartouche, chips, 24.5cm high £200 - 300 (plus 26.4% BP)

Lot 4 A tin-glazed earthenware tankard, late 18th century, probably German, with a powder blue ground with a polychrome cartouche, centred with a Chinaman flanked with trumpeting putti, with a strapwork border, pewter-mounted and with a domed cover, 22cm high overall £250 - 350 (plus 26.4% BP)

ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81 7

Lot 5 A Continental faience jar and cover, labelled ‘Catholicum’, cover restored, 36cm high £400 - 500 (plus 26.4% BP) Lot 6 A Chelsea bird scent bottle, modelled as four birds, three with detachable heads, the domed base painted with coloured flowers, largest head replaced, 7cm high £200 - 300 (plus 26.4% BP) Lot 7 A Worcester blue and white sauce boat, c.1780, painted with a floral pattern on a moulded strap flute body, 17cm long, and a tankard, c.1775, painted with bouquets, 13cm high (2) £100 - 200 (plus 26.4% BP)

2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

Lot 8 A pearlware ‘Church Gresley’ jug, c.1800, painted with harvest scenes on both sides and inscribed beneath the spout ‘Rebekah Broughall, Kinsall, 1800’, 20cm high £300 - 500 (plus 26.4% BP) Lot 9 A Prattware pottery jug, early 19th century, moulded with an amusing scene of the Grey Goose nursery rhyme, 16cm high £150 - 200 (plus 26.4% BP) Lot 10 A pair of porcelain urns, both gilt decorated and painted with chickens and turkeys, with landscapes opposite, raised on gilt column plinths, 24cm high (2) £250 - 350 (plus 26.4% BP)

Lot 11 A Naples white porcelain group, 19th century, of figures in a boat, 28cm high £200 - 300 (plus 26.4% BP) Lot 12 A massive majolica charger, ‘The Battle of the Amazons’, designed by Antoine Vechte (1799-1868), 64cm £400 - 600 (plus 26.4% BP) Originally produced by Elkington & Co. for the Great Exhibition of 1851. The story is of the mythical King Theseus and his conquest of the Amazons resulting in the capture of Hippolyta to be his bride. Lot 13 A porcelain military plate, dated 1841, Imperial Porcelain Factory, St Petersburg, period of Nicholas I, the centre painted with mounted lancers with other soldiers seated beside a lane, within a border decorated with gilt ciselé military trophies and Imperial double-headed eagles on a green ground, marked under base with underglaze blue factory mark, inscribed, signed and dated 1841, restored, 24cm diameter £2,000 - 3,000 (plus 26.4% BP)

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ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81

Lot 14 A Vienna porcelain tureen, cover and stand, 19th century, of globular form, painted with scenes of drinking and gambling, with ornate gilt scrolling and leaf work, underglaze blue marks, 26cm high (3) £300 - 400 (plus 26.4% BP)

Lot 15 A pair of Meissen porcelain partridges, raised on naturalistic and gilt scrolled bases, crossed swords, impressed ‘77206/3R’ and numbered ‘2808’, 21cm high (2) £400 - 600 (plus 26.4% BP)

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Lot 16 A Meissen porcelain figural mantel clock, c.1870, ‘The Four Seasons’, the dial with gilt Roman numerals, the French movement striking on a bell, the case set with four figures, with scrolling acanthus leaves, floral garlands and a rocaille moulded base, crossed swords and numbered ‘572’, 41cm high dial 7.5cm diameter £800 - 1,200 (plus 26.4% BP) Lot 17 Four Meissen porcelain cherub figures, ‘Je te découvre tout’, ‘Je les enflamme’, ‘Las de vaincre je me repose’, ‘Je l’ai accouplé’, 13.5cm highest (4) £400 - 600 (plus 26.4% BP)

16 Lot 18 A pair of Meissen figures of a gardener and his wife, c.1875-80, after the originals by Johann Carl Schönheit, both holding baskets, he leaning on a plinth, crossed swords mark, impressed and incised ‘B65’, one with cancelled mark, 49cm high (2) £2,000 - 3,000 (plus 26.4% BP) Literature: For a similar pair, see Laurence Mitchell ‘A Collectors’ Catalogue’, p.123, pl.31. Lot 19 A matched pair of Helena Wolfsohn vases and covers, c.1880, the bulbous body painted with panels depicting fête champêtre scenes between gold panels painted with flowers and divided with gilt scrollwork, and with domed covers, underglaze mark, 30.5cm high (4) £400 - 600 (plus 26.4% BP)

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2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

Lot 20 A Vienna porcelain cabinet plate, c.1890-1900, centred with a painted and printed panel depicting ‘Boreas abducting Orithyia’, within a gilt and painted border, inscribed ‘Boreas entfuhrt die Oreithyia’, underglaze blue mark, 24.5cm diameter £200 - 300 (plus 26.4% BP)

Lot 21 A KPM Berlin porcelain plaque, after Murillo, ‘Boys eating fruit (Grape and Melon Eaters)’, signed ‘Heyn’, 33 x 25.5cm, in a gilt frame £600 - 800 (plus 26.4% BP) Lot 22 A German painted porcelain plaque, late 19th century, after Emil Teschendoff (1833-1894), depicting Oedipus & Antigone, with an old label verso and printed mark ‘Porzellan Malerei Munchen’, 30 x 25cm £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 23 A painted porcelain panel of a fighting cock, by James Edwin Dean, possibly Mintons, signed, 26.5 x 20.5cm, in an ebonised, walnut and gilt frame £400 - 600 (plus 26.4% BP) Lot 24 A painted Minton panel of a bantam cock, by James Edwin Dean, signed and stamped ‘Mintons 2’, 31 x 31cm, in an ebonised, gilt and walnut frame £300 - 400 (plus 26.4% BP)

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ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81

Lot 25 A Castle Hedingham pottery ‘Elizabethan’ four-handled bowl, in a brown/purplish glaze, inscribed ‘For Ye Queene And Ye Relme 1594’ over baskets of flowers, with four handles, raised shield mark and inscribed ‘Elizabethan E Bingham, Castle Hedingham’, 22cm high £300 - 500 (plus 26.4% BP)

Lot 26 A Castle Hedingham pottery ‘The Essex Jug’, dated 1890, applied with three panels, arms and roundels, inscribed to the circular foot ‘The Essex Jug’, inscribed ‘Edward Bingham, Castle Hedingham, Essex, 1890’, losses, 37.5cm high £250 - 350 (plus 26.4% BP)

Lot 27 A Minton majolica bread plate, dated 1877, with a moulded border with wheat and barley ears and ‘Waste Not, Want Not, Spare Not’, impressed and raised registration marks, 36.5cm diameter £150 - 250 (plus 26.4% BP)

Lot 28 A Royal Worcester vase, 1909, painted by James Stinton with a pheasant, signed ‘J A S Stinton’, printed mark ‘G151’, 14.5cm high £200 - 300 (plus 26.4% BP)

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2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

Lot 29 Twelve air twist wine glasses, 18th century and later, five with bowls etched with Eastern scenes on folded feet, 15cm highest (12) £600 - 800 (plus 26.4% BP) Lot 30 Eight wine glasses, 18th century and later, including bell bowl on folded foot, double knopped stem, engraved vines on folded foot, domed base, 17cm highest (8) £500 - 700 (plus 26.4% BP)

30 Lot 31 A Regency cut glass bowl, with an hobnail cut latticed body and a facet cut column on a petal base, chips, 27cm diameter 16.5cm high £120 - 150 (plus 26.4% BP)

31 Lot 32 Six George III-style wine glasses, with double air twist stems, each with bell-shaped bowls, on circular feet, largest 14.7cm (6) £500 - 600 (plus 26.4% BP)

Lot 33 A pair of Baccarat cut glass centrepieces, 20th century, each with a fluted, etched, trumpet-shaped vase, over a winged masked stem and a moulded clear glass socle plinth, 41.5cm high (2) £200 - 300 (plus 26.4% BP)

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ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81

37 Lot 34 A pair of Derby figures, ‘African Sally’, standing with her hands on her hips, 9.5cm high, and ‘Billy Waters’, playing the violin, 9.5cm high, both inscribed around the base, and stamped on the base (2) £150 - 200 (plus 26.4% BP) A similar example can be seen in the Derby Museum and Art Gallery. Lot 35 A Derby figure of David Garrick, wearing an elaborate tunic and green cloak, standing on a naturalistic base, baton lacking, 22cm £100 - 150 (plus 26.4% BP)

Lot 36 A Derby figure of Sir John Falstaff, standing on a naturalistic base, with applied gilt metal sword, incised No 291, with red crown mark, 20cm high £200 - 300 (plus 26.4% BP)

Lot 38 A pair of Derby figures of gardeners, both male and female figures carry a basket, standing on bocage decorated stands, and rocaille bases, incised no 29, 13cm high (2) £180 - 220 (plus 26.4% BP)

Lot 37 A Derby figure of ‘the stocking mender’, c.1820, the man stands while the female mends his stocking, mounted on a naturalistic base and rocaille decorated pierced plinth, with red crown mark, 17cm high £200 - 300 (plus 26.4% BP)

Lot 39 A pair of Derby figures, one of John Liston as Paul Pry wearing a top hat and carrying an umbrella, the female, Madame Vestris, carrying three brooms, both figures mounted on circular bases, 14 and 16cm high (2) £180 - 220 (plus 26.4% BP)

Literature::The Revised Derby Factory list, p.234.

Lot 40 A Derby figure of Donald of the Isles and his female companion, he wearing a kilt and plumed hat, inscribed on the base 378, the female companion wearing a flower-decorated hat and carrying a basket of flowers, both figures stand on a naturalistic base, 29 and 24cm (2) £300 - 400 (plus 26.4% BP) Lot 41 A pair of Derby figures of Shakespeare and Milton, c.1830/40, modelled in reverse, mounted on gilt heightened rectangular bases, 27.5cm high (2) £300 - 400 (plus 26.4% BP)

Unusually these figures appear ‘back to front’ with Shakespeare leaning to his left and Milton to his right.

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2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

Lot 42 A pair of Minton bisque figures of a shepherd and shepherdess, c.1830/40, Minton Design Book 79 & 80, both stand on shaped rocaille, decorated rectangular bases, 18cm high (2) £120 - 180 (plus 26.4% BP) Lot 43 A pair of Minton ‘candlestick’ figures, mounted on gilt bronze foliate scrolling candlesticks, comprising a gentleman holding a basket of flowers and his female companion holding a string of flowers, 25cm high (2) £400 - 600 (plus 26.4% BP) These figures featured in the Minton 1798-1910 Exhibition at the V&A, August-October 1976 b27-b28. See also lot 10, Sotheby’s Belgravia Minton Sale, 18 December 1975.

Lot 44 A pair of Derby figures, of a fruit seller and a flower seller, 19cm high (2) £200 - 300 (plus 26.4% BP) Literature::David Battie ‘Guide to understanding 19th and 20th century British porcelain’, p. 52. Lot 45 A pair of Minton figures of a gardener and his female companion, the young man dressed in yellow breeches, standing beside a column, the female figure standing by a flower-strewn column, both on naturalistic bases, 20 and 19cm high (2) £300 - 400 (plus 26.4% BP)

Lot 46 A pair of Minton figures, of a gardener and his female companion, the young man dressed in elaborately patterned breeches, holding a posy of flowers, the female figure standing beside a cornucopia filled with flowers, both standing on a naturalistic base, 20 and 19cm high (2) £200 - 300 (plus 26.4% BP) Lot 47 A pair of Minton reclining figures, both cradling a flower-encrusted bowl, on shaped rocaille decorated bases, 13cm high (2) £200 - 300 (plus 26.4% BP)

47 46

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ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81

Lot 48 A Minton polychrome ceramic figure, of a young girl lounging on a chair, mounted on a circular gilt decorated plinth, leg cracked, 14cm high £100 - 150 (plus 26.4% BP) Lot 49 An English ceramic harlequin figure, with slapstick tucked into his belt, raised on a naturalistic circular base, 15cm high £150 - 200 (plus 26.4% BP)

Lot 54 A Cozzi Italian porcelain figure, 19th century, of a masked bearded man wearing a tricorn hat, with a fan, standing on a shaped circular base, anchor mark, 20cm high £100 - 150 (plus 26.4% BP)

Lot 51 A Cozzi Italian masked figure of Pierrot, 19th century, mounted on a circular base, applied with turquoise laurel leaf and mask heads, with red anchor mark, 21cm high £100 - 150 (plus 26.4% BP)

Lot 55 A Komodie white porcelain figure, ‘Lucinda’, mounted on a shaped oval base, with impressed mark, 20cm high £100 - 150 (plus 26.4% BP)

Lot 53 A Cozzi Italian porcelain figure, 19th century, wearing a striped costume, standing on a circular rocaille decorated plinth, with red anchor mark, 20cm high £100 - 150 (plus 26.4% BP)

Lot 50 An Italian Cozzi ceramic harlequin figure, leaning up against a tree stump, mounted on a shaped rocaille decorated plinth, 17cm high £180 - 220 (plus 26.4% BP)

Lot 52 A Cozzi Italian porcelain figure of a masked bearded man, 19th century, wearing a tricorn hat and a red embroidered cloak, standing on a shaped oval base, with red anchor mark, 20cm high £100 - 150 (plus 26.4% BP)

Lot 56 A Komodie white porcelain figure, ‘Isabella’, mounted on a shaped oval base, with impressed mark and numbered 69, 20cm high £100 - 150 (plus 26.4% BP) Lot 57 A Komodie white porcelain figure, of Pantalone leaning forward on a shaped circular base, with impressed mark and 57, 15cm high £100 - 150 (plus 26.4% BP)

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2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

Lot 58 A Komodie figure, of a captain brandishing his sword, on a strewn rectangular base, damaged, with crown mark, 17cm high £100 - 150 (plus 26.4% BP)

Lot 63 A Russian ceramic seated figure, 19th century, of a cobbler mending a shoe, on rectangular mark, with Gardner mark to the base, 13cm high £500 - 700 (plus 26.4% BP)

Lot 59 A Komodie white porcelain figure, of Harlequin cradling a swaddled monkey, on a shaped base, incised 4/80 with impressed mark, 17cm high £100 - 150 (plus 26.4% BP)

Lot 64 A Rockingham porcelain figure, c.1820, of ‘The Jewish Money Changer’, mounted on a rocaille decorated base, repaired, stamped 29, 18cm high £400 - 600 (plus 26.4% BP)

Lot 60 A Komodie figure, of Columbine holding a mask in one hand, on a shaped circular base, with polychrome underglazed mark, 17cm high £80 - 120 (plus 26.4% BP)

Literature::Barnett ‘Catalogue of the Permanent and Loan Collections of the Jewish Museum’ London 1974, and Sotheby’s ’Important Judaica’, New York, Tuesday 16th March 1999.

65 Lot 65 A Russian biscuit porcelain figure, 19th century, of a bagel seller, stamped Gardner factory, 21cm high £600 - 800 (plus 26.4% BP) Lot 66 A Meissen monkey band, 19th century, including drummer boy, bagpipe, French horn, trumpet, bassoon, pipe and fiddle players, and the conductor and stand, scissor mark, musicians 13cm high conductor 18cm high (10) £400 - 600 (plus 26.4% BP)

Lot 61 A Komodie white porcelain figure, of a portly merchant, standing on a circular base, with crown mark, 20cm high £100 - 150 (plus 26.4% BP) Lot 62 An Italian Capodimonte ceramic figure, of an art collector looking at a folio of prints, mounted on a square naturalistic base, inscribed ‘Made in Italy 525’, 13cm high £100 - 150 (plus 26.4% BP)

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ENGLISH AND CONTINENTAL CERAMICS AND GLASS 2-81 Lot 67 A pair of monkey musicians, one playing a violin, the other singing, plus a music stand, 11, 10 and 7cm high (3) £200 - 300 (plus 26.4% BP) Lot 68 Two Meissen monkey band figures of singers, 13 and 14cm high, plus music stand, 7cm high (3) £200 - 400 (plus 26.4% BP)

Lot 69 Two female monkey figures, one of a singer, the other of a harpist, 10cm high, plus a Sampson monkey figure, holding two sticks, 12cm high, and a music stand, 7cm high (4) £200 - 300 (plus 26.4% BP)

Lot 70 A ceramic figure, of a harlequin wearing a yellow coat and trousers, standing on a chequered base, damage to hand and also to base, 18cm high £100 - 120 (plus 26.4% BP)

Lot 71 A Capodimonte figure, of a doctor standing with one hand outstretched, the other holding a book, unmarked, mounted on a rectangular base, 12cm high £300 - 400 (plus 26.4% BP) Lot 72 A Dresden figure, 20th century, of a seated jester figure ‘playing a cat’, mounted on a triangular flower embellished base, 15cm high £100 - 150 (plus 26.4% BP)

Lot 73 A Meissen figure, of a moustached gentleman wearing a green jacket and tricorn hat, with slapstick, standing on a square gilt heightened base, with cross swords and incised ‘54564’ and ‘2325’, 19cm high £200 - 300 (plus 26.4% BP) Lot 74 A Chelsea Cheyne figure, of a ballerina seated on a bench, with one leg crossed over her other leg, mounted on a stepped wooden plinth, 16cm high £150 - 180 (plus 26.4% BP)

Lot 75 A Chelsea Cheyne figure of a serving girl wearing a blue dress, inscribed on the base with No 90 in a star motif, mounted on a stepped plinth, 22cm high £150 - 180 (plus 26.4% BP)

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2-81 ENGLISH AND CONTINENTAL CERAMICS AND GLASS

79 Lot 76 A Chelsea Cheyne figure, of Polly Peachum from the Beggars Opera, in a pink dress, with hands clasped, on a rectangular base, damaged, mounted on a stepped wooden plinth, 21cm high £150 - 180 (plus 26.4% BP) Lot 77 A pair of Royal Worcester figural bonbon dishes, a boy and girl with outstretched hands, holding a gilt heightened oval bowl, mounted on a naturalistic oval base, with blue stamp, registration mark and inscribed Hadley, 23cm high (2) £180 - 220 (plus 26.4% BP)

Lot 78 A Minton bisque figure, of a monkey playing with a kitten, 17cm high £120 - 180 (plus 26.4% BP) Lot 79 Six Commedia d’Arte figures, a Meissen figure of Punchinello, 16cm high, a Derby figure ‘Columbine’, No.199, 15cm high, a Komodie ceramic figure of Anselmo, after Franz Anton Bustelli, 19th/20th century, wearing a brown cloak, and clutching a walking stick, on circular base, incised 79, 16cm high, a Meissen figure of a figure pulling a dog’s tail, 17cm high, and a Samson figure of a harlequin, 11cm high, and a young dancing maiden 10.5cm high (6) £400 - 600

Lot 80 Three Commedia d’Arte figures, a Samson figure, 16cm high, a Capodimonte figure, of Punchinello, 17cm high, and a Pierrot clown figure, 18cm high (3) £300 - 500 Lot 81 A Coalport Parian figure ‘Beauty and the Beast’, late 19th century, standing on a rectangular base, and a similar reproduction figure, printed marks and numbered 389/500 20cm high (2) £150 - 250 Lot 82 Spare lot

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Lot 83 A rare German tin toy omnibus, 19th century, painted with destinations, ‘Kew Gardens, Sloane St., Chelsea, Brompton’, with a pair of carved and painted wooden horses, coachman and driver, incomplete, in a cardboard box with postage label, 39cm long overall £600 - 800 (plus 26.4% BP)

84 Lot 84 A Fulgurex for Aster 1978 4-6-4 live steam tank locomotive, in grey SNCF 1 gauge livery, 47cm long £300 - 500 (plus 26.4% BP) Lot 85 A 4-6-4 live steam 1 gauge locomotive, no.901 ‘Winchester’ and tender in the Southern livery, locomotive 35cm tender 23cm £300 - 500 (plus 26.4% BP) Lot 86 A live steam model of a William Allchin traction engine, in burgundy livery, 35cm long £300 - 400 (plus 26.4% BP)

Lot 87 A brass model of a stationary engine, 22.5cm long £250 - 350 (plus 26.4% BP) Lot 88 An English Folk Art walking stick, 19th century, the handle carved in the form of a monkey’s head with glass eyes, 88cm high £300 - 500 (plus 26.4% BP) Lot 89 A walking stick, 19th century, a carved ivory fish handle now on a nobbly wooden shaft, 65cm long £250 - 350 (plus 26.4% BP) Lot 90 Spare lot

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83-231 WORKS OF ART

Lot 91 A taxidermy brown trout, by Cooper Brothers, mounted in a bow-fronted case, inscribed ‘Trout caught by A Edwards, June 1894 weight 4lbs’, 68cm wide 34cm high £500 - 800 (plus 26.4% BP) Lot 92 An Italian floral silk embroidery, 17th century, with coral beads, 70 x 174cm £500 - 800 (plus 26.4% BP) Lot 93 Carle Vernet (1758-1836), ‘Tableaux Historiques des Campagnes d’Italie Depuis l’an IV jusqu’à la Bataille de Marengo’, Paris, 1806, Auber, with a double page map, red leather binding, frontispiece, 20 engraved plates, 28.5 x 46cm and 3 smaller plates, 55 x 38cm £200 - 400 (plus 26.4% BP)

Lot 94 A large wall map of Essex, the hinged top revealing the rolled map, inscribed ‘Part the First of The General Survey of England and Wales, Containing the whole of Essex, and a portion of adjoining counties. Done by the Surveyors of His Majesty’s Ordnance, under the Direction of Lt Col Mudge, of The Royal Artillery, FRS’, 118 x 181cm map size 205cm wide overall 137cm rolled down £500 - 800 (plus 26.4% BP)

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Lot 95 Johannes Blaeu, ‘The North Riding Yorkshire - Ducatus Eboracensis Pars Borealis’, hand coloured map, 38 x 49cm £100 - 150 (plus 26.4% BP)

WORKS OF ART 83-231

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Lot 96 An important World War Two Arnhem Military Cross group of seven, awarded to Captain Francis Kinglake Hoyer-Millar, B Company, Second Parachute Battalion, Parachute Regiment, comprising: The Military Cross, inscribed 1945, The 1939-1945 Star, The Africa Star, The Italy Star, The France and Germany Star, The Defence Medal, The War Medal, together with a George VI Territorial Medal, awarded to 2929348 SJT D J BRUCE, Liverpool Scottish (Territorial), together with a caricature of Hoyer-Millar, in a kilt and firing a Tommy gun from the hip, 56 x 76cm, and a series of five woodblock prints, signed ‘L Engstler’, in a paper envelope, titled ‘ZOM LAGER 305’, and inscribed ‘Herrn Major Hoyer-Millar zur Erinnerung an seine TA-zeit im P/W-Camp 305, und als Zeichen der Dankbarkeit von den Demkratischen Arbeitsgemeinschaften. Middle East (Egypt) POW-CAMP 305 27 Juli 1946 Im Aufrage Padberg Politischer Campsprecher’. During this time, Hoyer-Millar was in charge of the camp, based at Fayid in Eygpt (13) £2,000 - 4,000 (plus 26.4% BP) Captain Hoyer-Millar was second-in-command of B Company, and was seen as one of the old hands. He had fought in North Africa and Italy, and had been the battalion’s Intelligence Officer. He was awarded the Military Cross for his deeds at Arnhem Bridge. His citation in the London Gazette on 18 September 1945 reads: ‘Captain Hoyer-Millar with two sections of B Company was ordered to hold a vital position astride the north end of the bridge at Arnhem, soon after dark on D+1. As he moved into the position he was met by entirely unexpected automatic fire from a much stronger enemy force who had infiltrated under cover of dark. Without the slightest hesitation Captain Hoyer-Millar went straight into the attack and by the speed and ferocity of his assault killed ten and drove off the remainder. Later in the night he drove off a strong enemy counter attack from the south. On the morning of the fourth day Captain Hoyer-Millar took over command of B Company, when the Company Commander was wounded, at a very critical stage of the battle when his Company was being attacked and half his position had been set on fire. He displayed great courage, continuously exposing himself to enemy fire, and so organised his defences that the enemy attack was repulsed. Later the whole of his position was set on fire but he continued to hold the area until ordered to withdraw. He then successfully evacuated the remnants of his company, himself remaining to the last. The whole of this time he was exposed to very heavy fire. Throughout the four days fighting Captain Hoyer-Millar had displayed the highest qualities of courage and devotion to duty, never sparing himself and showing complete contempt for danger.’

Operation Market Garden, 17-25 September 1944 The 1st Allied Airborne Corps, which included the American 82nd and 101st Airborne Divisions, was tasked to secure the main canal and river crossings between Eindhoven and Arnhem. The aim was to provide an ‘airborne carpet’ along which the ground forces spearheaded by 30 Corps would break into the Ruhr and end the war. The 1st British Airborne Division, which included the 1st, 2nd, 3rd, 10th, 11th and 156th battalions of the Parachute Regiment under the command of Major General R E Urquhart was dropped near Arnhem to seize the road bridge over the Neder Rijn. Due to insufficient aircraft to fly the division complete, the Air-Landing Brigade had to be used to protect the drop zones and landing zones for the second lift, leaving only the three battalions of the 1st Parachute Brigade to secure the bridge. Despite the initial surprise, the lightly equipped parachutists were soon encountering unexpectedly heavy German resistance, because elements of the II SS Panzer Corps happened to be refitting in and around the Arnhem area. Only the 2nd Parachute Battalion commanded by Lt Col J D Frost and elements of the Royal Engineers squadron and Recce Company reached the bridge and secured the northern end. They were soon cut off. Though under constant attack by armour and infantry, the Arnhem bridge was held for three days and four nights. The division’s task had been to hold for 48 hours until relieved by ground forces. Meanwhile, the rest of the division, depleted by their attempts to fight through to reinforce at the bridge, were compressed into a small perimeter across the river at Oosterbeek. They held on against overwhelming odds for nine days until ordered to withdraw across the river during the night of 25/26 September. Of all the 10,095 ranks that landed, fewer than 3,000 got out across the river. The ground forces failed to link up and the bid to end the war in 1944 failed. Five Victoria Crosses were won during the battle, two by members of the Parachute Regiment.

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Lot 97 A World War One medal group of four, awarded to Lieutenant Colonel Ernest Branwhite Martin, Royal Engineers, comprising: DSO with bar, 1914-18 war medal, Victory medal with oak leaf, French Chevalier de la Légion d’Honneur, and a 1935 jubilee medal £200 - 400 (plus 26.4% BP)

Lot 98 A Kelat-i-Ghilzie medal, inscribed ‘INVICTA MDCCCXLII’, awarded by the East India Company for the defence of Kelat-i-Ghilzie i n 1842 £300 - 400 (plus 26.4% BP)

Branwhite served in France as A D Roads, 3rd Army. He received two mentions in Dispatches, DSO, and the Chevalier de la Legion d’Honneur. Sold together with a leather bound hand illuminated presentation on his retirement from the City of Salford, in 1936. Lot 99 A collection of Austro-Hungarian military memorabilia, including: an Annexation of Bosnia-Herzegovina medal, a Kaiser’s 60th Jubilee medal, and a Medal of Merit, all cased, and epaulettes, collars, an identity card and three visiting cards, together with a collection of early 20th century postcards, photographs and autograph albums (qty.) £400 - 600 (plus 26.4% BP)

99 Lot 100 A walnut flintlock pistol, 19th century, with brass mounts and a steel barrel, the barrel inscribed ‘CN44’, 33cm barrel length £200 - 300 (plus 26.4% BP) Lot 101 Spare lot

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102 Lot 102 Various toys: ‘Interrogatory Juvenile Introduction to the Study of Conchology, Describing the genera of Shells…’, by W Edwards, London, with booklet, cards and cut into a jigsaw, ‘The Magnet’, familiarly described and illustrated by a box of magnetic toys, by Joseph Myers & Co., 1857, with objects, the box labelled, and another jigsaw, ‘Girls & Boys Come Out to Play’, various cards for a bell and hammer game (qty.) £100 - 150 (plus 26.4% BP)

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Lot 103 A collection of games: ‘Squails’, by Jaques, with instruction booklet, discs and a ‘Swoggle’, ‘Floral Lotto or Snap’, by Jaques, with cards and instructions, two ‘Game of Spellicans’, and two further games (6) £100 - 150 (plus 26.4% BP)

Lot 104 ‘Neues Frage und Antwort Spiel’: ‘Nouveau Jeu de Demandes et de Réponses: Question and Answer’, a ‘new’ game with cards divided into three sections £100 - 150 (plus 26.4% BP)

Lot 105 ‘England and Wales with the principal roads in measured miles’, an engraved and hand-coloured jigsaw, in a mahogany box, and ‘The Counties of England’, a new round game, by Jaques and Son, London (2) £100 - 200 (plus 26.4% BP)

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Lot 106 Three games: ‘The Siege of Sebastopol or The Allied Powers Military Game’, with a folding lithographed paper board and cards, ‘Fun without Folly’, improved conversation cards by Nat Never Sad, printed by Edward Wallis, 42 Skinner Street, with two sets of cards, and ‘Schimmell or The Bell and Hammer, a New Game, London’ (3) £150 - 250 (plus 26.4% BP) Lot 107 ‘The World Dissected upon the Best Principles to Teach Youth Geography’, c.1820, made by William Darton, 58 Holborn Hill, an engraved map of the two hemispheres joined at the equator, with box, worn, 25 x 47cm £100 - 150 (plus 26.4% BP)

108 Lot 108 An ambrotype photograph, ‘Mr Currie and his wife’, inscribed ‘Taken 16 April 1862 on the 33rd marriage day anniversary of Mr and Mrs Currie. This information in original hand is inside the frame. This is Mr Currie, print seller and frame maker of Dumfries (92 High Street) and his wife’, 10.5 x 14.5cm £200 - 300 (plus 26.4% BP)

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Lot 109 Enea Becheroni (1819-1855), a marble bust of a gentleman, a member of the Caetani family, signed and dated ‘E Becheroni f.1849’, raised on a white marble socle, 76cm £600 - 800 (plus 26.4% BP) The portrait is possibly of Michelangelo Caetani (1804-1882), the Duke of Sermoneta and Prince of Teano. He was a scholar, politician and patron of the arts.

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Lot 110 Five Indian painted panels, late 19th/early 20th century, depicting different scenes of carnal pleasures, a man carrying a lady on horseback, and a figure in a speckled robe, largest 15.7 x10cm (5) £180 - 200 (plus 26.4% BP)

Lot 112 A Japanese ivory table screen, late 19th century, the central panel carved with a boy playing with a bird and a puppy, the reverse with a buffalo beside a stream, 20.5cm wide 19.5cm high £800 - 1,000 (plus 26.4% BP)

Lot 111 A Japanese ivory table screen, late 19th century, mounted with six monkeys, one wearing a jacket and waving, 15cm wide 15cm high £1,200 - 1,500 (plus 26.4% BP)

Lot 113 A Japanese ivory miniature cabinet, c.1880-1900, each panel carved in low relief with figures, silver mounted, opening to reveal three drawers, 9cm wide 5.7cm deep 7.5cm high £250 - 350 (plus 26.4% BP)

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83-231 WORKS OF ART Lot 114 A Chinese Canton ivory desk stand, c.1880-1890, with two divisions, profusely carved with floral scrollwork and birds, each centred with figural carved low relief panels, restored, 19cm wide 12cm deep 11cm high £200 - 300 (plus 26.4% BP) Lot 115 A silver-plated desk stand, modelled as shuttlecocks, raised on badminton rackets, with a conforming pen rack, on a raised rectangular plinth, 21.5cm wide £350 - 450 (plus 26.4% BP) Lot 116 A novelty hunting toast rack, by W W Harrison & Co., Sheffield, 1902, the five divisions modelled as riding crops, the handle a horseshoe with fox tails, the feet fox heads, 11cm wide 15cm high £500 - 700 (plus 26.4% BP) Lot 117 Eight Indian ivory tradesman figures, early/mid 19th century, 7cm (8) £200 - 300 (plus 26.4% BP)

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Lot 118 An antique carved marble bust, of a bearded man, 28cm high £200 - 300 (plus 26.4% BP) Lot 119 A cast silver-plated parrot head tape dispenser, with green glass eyes, stamped ‘Made in Italy’, 9cm high £200 - 300 (plus 26.4% BP) Lot 120 A novelty silver-plated windmill biscuit barrel, with a gilt finial of a sheaf of corn, and an engraved body with cast sails, 21cm high £400 - 600 (plus 26.4% BP)

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Lot 121 Two apothecary’s jars and covers, late 19th century, with gilt and blue inscribed labels, surmounted with the royal coat of arms and the Prince of Wales coat of arms, both with cream grounds, covers possibly matched, worn and distressed, 60 and 66cm high (4) £200 - 300 (plus 26.4% BP)

Lot 122 Three glass apothecary’s jars, late 19th century, each interior painted with a white ground, gilt labelled ‘SODAE:CARB.’, ‘ARROW-ROOT.’, MAGN:CARB.’ two with gilt oak leaf decorated domed covers, the other cover matching, also an additional cover, both with flaking and wear, 54cm high (7) £200 - 300 (plus 26.4% BP) Lot 123 An apothecary jar, late 19th century, interior decorated with a gilt label ‘RHUBARB’, surmounted with St George Slaying the Dragon, lacking cover, 47cm high £100 - 150 (plus 26.4% BP) Lot 124 Two apothecary’s jars and covers, late 19th century, both with gilt labels, surmounted with either the royal or the apothecaries’ coats of arms, each with white grounds, both worn and distressed, 64cm high (4) £200 - 300 (plus 26.4% BP)

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126 Lot 126 Two apothecary’s jars, mid 19th century, with a gilt label inscribed ‘MAGNESIA’ surmounted with the coat of arms of Hobart, on a white ground, 46cm high, and another, with a gilt label inscribed ‘CALUMBA’ surmounted with a coat of arms, on a cream ground, with later matched toleware covers, 48 and 49cm high (4) £200 - 400 (plus 26.4% BP) Lot 127 An apothecary jar and cover, late 19th century, interior decorated with a gilt label ‘MAGNESIA’ surmounted with the Apothecaries’ coat of arms, on a white ground, cover damaged, 55cm high, and another jar and cover, the gilt label inscribed ‘JALAPA’ surmounted with the royal coat of arms, 57cm high (4) £200 - 300 (plus 26.4% BP)

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83-231 WORKS OF ART Lot 128 Alfred Dubucand (1828-1894), ‘Valet de Limier’, a huntsman with three hounds, signed, bronze, 20cm high 24.5cm long £300 - 500 (plus 26.4% BP) Lot 129 A bronze of a stag and deer, signed ‘P J Mene’ to the base, 18.5cm wide £200 - 400 (plus 26.4% BP) Lot 130 A bronze figure of a setter, signed ‘J Moignier’, 22cm wide £250 - 350 (plus 26.4% BP)

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Lot 131 After Rosa Bonheur (1822-1899), a bronze ram, signed ‘Rosa B’, 22.5cm wide £500 - 800 (plus 26.4% BP) Lot 132 After Rosa Bonheur (1822-1899), a bronze bull, signed ‘Rosa B’, 21.7cm wide £500 - 800 (plus 26.4% BP)

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Lot 133 A Rowland Ward plaster bison, mounted on a wooden base, bears label ‘Rowland Ward, Limited, Naturalists…The Jungle, 167 Piccadilly, London W1’, 35cm long 29cm high £100 - 200 (plus 26.4% BP) Rowland Ward became a social institution for sporting enthusiasts. One of his first commissions was to sculpt models of animals which were then cast in bronze. Provenance: Standen Hall, Clitheroe. Lot 134 A Nicole Frères musical box, serial no. 33711, playing eight airs, twin combs, key wind spring mechanism, paper label ‘Musique de Geneve’, 44.5cm long cylinder 63.5cm wide 18cm deep 14cm high £500 - 800 (plus 26.4% BP)

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Lot 135 A pine collector’s chest, early 20th century, containing numerous ivory and bone needlework objects, 30cm wide 22cm deep 32cm high £200 - 300 (plus 26.4% BP)

Lot 136 A Victorian cold painted flower spill vase, the blue glass sleeve with lily of the valley, 30cm high £300 - 500 (plus 26.4% BP)

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Lot 137 A Victorian stationery box, inlaid with specimen woods, opening to reveal letter racks, inkwells and a writing surface, 32cm wide £450 - 550 (plus 26.4% BP)

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Lot 138 A collection of fourteen cast metal and painted shields, four painted, ten cast, 13cm wide 18.5cm high (14) £250 - 350 (plus 26.4% BP) Lot 139 An oak and silver-plated cigar box, with a swing handle, centred with a shield plate and with ring side handles, 21cm wide £250 - 350 (plus 26.4% BP) Lot 140 A neoclassical tazza, late 19th century, the shallow bowl centred with a panel of Roman figures, with twin handles and raised on a cast stand, 17.5cm high 55cm diameter £80 - 120 (plus 26.4% BP)

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Lot 141 A pair of Regency bronze candlesticks, each formed as a Grecian maiden with folded arms, supporting a flower sconce, on turned spreading bases with three lion’s paw feet, 33cm high (2) £400 - 600 (plus 26.4% BP) Lot 142 A Victorian plaster bust of Clytie, 76cm high £200 - 300 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 143 A large classical plaster bust, of a poet dressed in a Roman toga, 81cm high £200 - 400 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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Lot 144 An Italian serpentine marble figure of Mercury, after Giambologna, supported by Zephyr on a turned column and octagonal base, damaged and with loss, figure 91cm high overall 180cm high £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 145 A patinated bronze figure, of Delilah standing over the head of Samson, signed Omertz, on a stepped marble plinth, 32.5cm high £200 - 300 (plus 26.4% BP) Lot 146 After Auguste Moreau, ‘Brise du Soir’, a bronze figure, signed ‘Aug. Moreau’ on a polished plinth with label, 42cm high £200 - 300 (plus 26.4% BP)

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Lot 147 Joaquin Angles (1885-1905), ‘Premier Triomphe’, a bronze figure of a youth, 50cm high £200 - 300 (plus 26.4% BP) Lot 148 A pair of patinated bronze figures of Mercury and Fortuna, late 19th century, after originals by Giambologna, inscribed ‘Fulconis’ and ‘J De Bologne’, on raised marble plinths, with losses, the tops converted to lamps, 86cm high (2) £1,000 - 1,500 (plus 26.4% BP) Lot 149 John Henry Foley RA (1818-1874), Caratacus standing with an axe and shield, arm raised aloft, signed and dated 1860, impressed Elkington & Co., Founders, 80cm high £700 - 1,000 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 150 C Beattie, a bronze classical figure standing by a tree stump, signed, 85cm high £600 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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156 Lot 153 Four Indian bamboo lances, with iron tips and terminals, 275cm long (4) £350 - 450 (plus 26.4% BP)

154 Lot 151 A mahogany and brass-mounted shotgun case, 76cm long £200 - 300 (plus 26.4% BP) Lot 152 A pair of gilt metal candlesticks, with cast engine turned decoration, converted into table lamps complete with shades, 35cm high excluding shades (2) £400 - 600 (plus 26.4% BP)

Lot 154 A lopsided lawn tennis racket, 19th century, by Feltham, ash frame and walnut wedge splice, coarse gut stringing, stamped ‘Feltham 11½oz’, together with a further similar racket, stamped ‘J.C. Bullock & Son, Clitheroe’, worn and broken (2) £800 - 1,200 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 155 A brass telescope, by Wray, London, engraved on an end, raised on a tripod stand, 4.5in diameter 171cm long £1,200 - 1,500 (plus 26.4% BP) Lot 156 A brass telescope on stand, early 19th century, by Gilbert & Co., the 2in tube with rack and pinion focusing on a folding tripod base, the original box bears a paper label ‘Made by Gilbert & Co., 148 Leadenhall Street, London’, together with a further printed label, the microscope signed, tube 43in £500 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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Lot 157 A pair of ‘Elutriator’ patent mechanical wine cradles, c.1857, by Ellis and Adams, with remnants of a label, with painted scrolled stands, 28cm long (2) £500 - 700 (plus 26.4% BP)

Lot 158 A tortoiseshell mirror, with an arched rectangular frame and an easel back, 34.5cm wide 40.5cm high £450 - 550 (plus 26.4% BP)

158 Lot 159 A pair of parcel-gilt candlesticks, with reeded columns and cast gilt triform bases, converted into table lamps complete with shades, 41cm high excluding shades (2) £400 - 600 (plus 26.4% BP)

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Lot 160 A brass telescope, by Harris of London, on a mahogany stand, 3in diameter lens barrel 98cm long £700 - 900 (plus 26.4% BP)

159 Lot 161 A 3in brass telescope on stand, early 19th century, tube 19.5in long £150 - 250 (plus 26.4% BP)

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Lot 162 A bronze bust of a young man, inscribed ‘H. H. 9…?’, on a marble plinth, 51cm high £700 - 900 (plus 26.4% BP)

Lot 164 A bronze of a blacksmith, early 20th century, 35cm high £200 - 300 (plus 26.4% BP)

Lot 163 Two George III mahogany tea caddies, one interior lacking, the other converted, on ogee bracket feet, 24.5 and 26.5cm wide (2) £250 - 350 (plus 26.4% BP)

Lot 165 A pair of carved wood lions, 19th century, each lying open-mouthed, with one paw on a ball, 44cm long (2) £250 - 350 (plus 26.4% BP)

166 Lot 166 A Spanish Romanesque carved stone corbel, probably 12th century, carved as an animal head, 18cm wide 31cm deep 26cm high £200 - 300 (plus 26.4% BP)

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169 Lot 167 After Antoine-Louis Barye, a lioness, signed ‘Barye’, 22cm wide £150 - 250 (plus 26.4% BP) Lot 168 After Antoine-Louis Barye, a tiger devouring a gavial crocodile, signed ‘Barye’, 23.5cm wide £200 - 400 (plus 26.4% BP) Lot 169 A pair of bronze Medici lions, late 19th century, on Siena marble plinths, 30.5cm long 22cm high (2) £600 - 800 (plus 26.4% BP)

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Lot 170 A novelty brass inkwell, modelled as a padlock, fixed on a walnut stand with ball feet, 23cm £250 - 350 (plus 26.4% BP) Lot 171 A French terracotta bust, late 19th century, in the form of a girl with a garland in her hair, 44cm high £250 - 350 (plus 26.4% BP) Lot 172 A terracotta and painted pug, seated looking quizzical, with glass eyes, 33cm long £400 - 600 (plus 26.4% BP)

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Lot 173 A Vizagapatam sadeli and ivory inlaid table cabinet, late 19th century, with a raised top flanked with arrow head finials, with carved panels and enclosing four shelves, raised on brass ball feet, 21cm wide 7.5cm deep 32.5cm high £150 - 250 (plus 26.4% BP)

Lot 174 A Goyard shoe case, labelled and numbered ‘2144’ with the latticed design, leather mounted with initials ‘P.C’, handles worn, opening to reveal six compartments, 54cm wide 20cm deep 32cm high £200 - 300 (plus 26.4% BP) Lot 175 Eugène Marioton (French, 1854-1925), a male ballet dancer, bronze, signed, 36.5cm high £1,000 - 1,500 (plus 26.4% BP) Lot 176 A pair of bronze inkwells, 19th century, in the form of dancing bears, each with an hinged head and rouge marble base, 13 and 11.5cm high (2) £300 - 400 (plus 26.4% BP)

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177 Lot 177 A Chinese ivory sage, late 19th century, with remnants of polychrome decoration, 22cm high £300 - 500 (plus 26.4% BP) Lot 178 A Japanese cloisonné censer and cover, c.1890-1900, possibly by Manikawa Yasuyuki, the flattened body with three feet, with scrollwork and mon, the cover pierced, with a kiku finial, 7cm high £400 - 500 (plus 26.4% BP)

Lot 179 A Chinese embroidery panel, with a red silk ground embroidered with birds amongst flowers, with a border of flowers to the sides and base, also with mirrored panels on a double striped inner border, 198cm wide 45cm high, framed and glazed £400 - 500 (plus 26.4% BP)

Lot 180 A Chinese embroidery panel, embroidered with a processional scene with figures cavorting in the dragon dance, worn, 192cm wide 31cm high, framed £200 - 300 (plus 26.4% BP) Lot 181 A tortoiseshell and mother-of-pearl mounted tray, probably 17th century and later, 44cm wide 18cm deep £300 - 400 (plus 26.4% BP)

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Lot 182 An Anglo-Indian ebony and ivory inlaid quill writing box, late 19th century, the hinged writing slope opening to reveal a replaced surface, the hinged back inlaid with flowers, a pair of inkwells and a central compartment, 49cm wide 32cm deep 15cm high £180 - 200 (plus 26.4% BP) Lot 183 A pair of French brass and porcelain twin-branch wall lights, each modelled as a basket of flowers, 45cm high (2) £200 - 300 (plus 26.4% BP) Lot 184 Cyril Saunders Spackman (American, 1887-1963) a carved wood figure of a nude holding a towel, signed with monogram, 92cm high £180 - 200 (plus 26.4% BP)

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83-231 WORKS OF ART Lot 185 A pair of mahogany bowls ball stands, stamped and gilt ‘The Grosvenor’ and ‘FH Ayres, London’, 39cm long (2) £200 - 300 (plus 26.4% BP)

185 Lot 186 A Victorian game carrier, with two slides, with hinged plates and brass caps, stamped ‘A & NC S LD LONDON’, with a leather handle, 55cm £200 - 300 (plus 26.4% BP)

Lot 187 A Victorian oak advertising mirror, ‘Glebe Pure Cane Sugar & Syrup’, 76cm wide 153cm high, in an oak frame, £450 - 550 (plus 26.4% BP)

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Lot 188 A Sun Insurance printed lithographic brass sign, with star-shaped studs, 69 x 89.5cm, within an oak frame £450 - 550 (plus 26.4% BP)

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Lot 189 A set of three graduated tan leather suitcases, labelled ‘Tanner Krolle’, with black canvas covers, 70, 65 and 61cm wide (3) £1,000 - 1,500 (plus 26.4% BP)

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Lot 190 A two-panel screen, 1890s-1910s, mounted with thirty prize cards, ‘Auchterarder Poultry Pigeon & Co. Show, Paisley Ornithological Association, Perth & Perthshire Poultry & Pigeon Society’, each panel 52cm wide 102cm high, in an oak frame £200 - 300 (plus 26.4% BP)

Lot 191 A Chinese hardwood open table stand, with an arrangement of asymmetrical shelves on a scrolled stand, 44.5cm wide 16cm deep 73.5cm high £150 - 250 (plus 26.4% BP)

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Lot 192 A Canton carved ivory chess set, 19th century, natural and stained red, with well carved figures including knights on horseback and castles mounted on elephants, king 12cm high (16) £400 - 600 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 193 An Eastern bronze standing figure, 19th century, of archaic style, possibly Khmer or Thai, of a man wearing a hat and loin cloth, his arms outstretched and holding a leaf and short staff, with extended ear lobes, on a moulded square base, 40cm high £300 - 500 (plus 26.4% BP)

Lot 194 A Victorian Ashford marble obelisk desk thermometer, the front inlaid with polished hardstones, with an ivory register, 34cm high £200 - 300 (plus 26.4% BP)

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198 Lot 195 An Austrian cold painted bronze vesta, modelled as a robin perched on a tree trunk, with an oval striker, stamped ‘Bergm…Geschu…’, 12cm high £300 - 500 (plus 26.4% BP)

Lot 196 A Victorian walnut and brass-mounted tea caddy, the domed top opening to reveal sprung compartments, engraved black/green, 22.5cm wide £350 - 450 (plus 26.4% BP)

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Lot 197 A set of two cold painted bronze huntsmen and hounds, 4cm (2) £200 - 300 (plus 26.4% BP)

Lot 198 An Austrian cold painted bronze cockerel, stamped ‘4263 Geshultz’, 17cm high £450 - 550 (plus 26.4% BP)

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199 Lot 199 A domed top box, South German, 16th century, the small bone panels engraved with scenes of hunting with dogs and falcons, also rabbits, hares, birds, lions, tortoises and snails, with 273 inlaid pieces in total, including the radial end pieces, the back also mounted to the sides with caryatid engraved panels, 47cm wide 23cm deep 26cm high ÂŁ3,000 - 5,000 (plus 26.4% BP) Provenance: Brackenstown House, Swords, County Dublin, thence by descent. The Victoria and Albert Museum has a chess set with similar decoration no. 567-1899. The engraved animals are based on the designs of Virgil Solis (1514-1562). An interesting article in the V&A Online Journal, Issue No. 7, Summer 2015, discusses these printed sources.

199 details

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WORKS OF ART 83-231 Lot 202 A Spanish bronze mortar, probably 15th century, of tapering form with cast designs to the outer rim, over eight lugs, 9cm high £300 - 500 (plus 26.4% BP) Lot 203 An alabaster corpus, possibly 16th century, mounted on a velvet panel, repaired, 30.5cm wide 61cm high £300 - 500 (plus 26.4% BP)

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Lot 200 A set of nine bronze cup weights, the hinged lid with a horse and two elephants supporting the handle, 17cm to top of handle £200 - 400 (plus 26.4% BP)

Lot 201 A German bronze mortar, 15th century, with single handle, 19cm high £300 - 500 (plus 26.4% BP)

Lot 204 An Italian terracotta and polychrome painted madonna and child group, probably late 15th/early 16th century, with original paintwork, the group slightly bow-fronted, 40cm wide 69cm high £3,000 - 5,000 (plus 26.4% BP)

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Lot 205 A French carved walnut figure of St. Anne, 16th century, the robed figure posed in solemn reverence, 58cm high £300 - 500 (plus 26.4% BP) Lot 206 A painted wood skull, c.1900, grinning maniacally, 29cm high £100 - 200 (plus 26.4% BP) Lot 207 A limewood figure of St. Roche, 16th century, probably German, baring his scar to an angel, a dog with a loaf of bread in his mouth to the other side, lacking staff, 71cm high £300 - 500 (plus 26.4% BP) Lot 208 A German stained walnut figure of St. Peter, probably 17th century, holding a long scroll, lacking his right hand and with other loss, 31cm high, on a shaped base £200 - 300 (plus 26.4% BP)

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Lot 209 An oak caryatid, 16th century, English, the bearded figure with his arms folded, 57cm high £100 - 150 (plus 26.4% BP) Lot 210 A carved oak panel, dated 1758, probably North European, carved with circles, the central roundel with initials ‘AAO’ and ‘1758’, with a double dog’s tooth border, 50.5cm wide 26cm high £150 - 200 (plus 26.4% BP)

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WORKS OF ART 83-231 Lot 211 A crucifix and rosary beads, the cross inset with wood, fixed to the link rosary beads, crucifix 11cm rosary 108cm approximately, and a processional cross, 16th century, probably German, engraved and mounted on a later wooden plinth, 29.5cm overall (3) £300 - 500 (plus 26.4% BP)

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Lot 212 A lava cameo, 19th century Italian, depicting the bust of a Renaissance man, possibly Leonardo da Vinci, within a cast gilt bronze oval frame, cameo 7cm high £150 - 200 (plus 26.4% BP) Lot 213 A wooden figure of a bishop, Northern European, holding a lantern and painted, 27cm high, and a carved stone panel, depicting the Annunciation, 13 x 14cm (2) £100 - 150 (plus 26.4% BP) Lot 214 A South German polychrome carving of Mary Magdalene, 17th century, inscribed to the base, 23.5cm £300 - 500 (plus 26.4% BP)

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Lot 215 A fragment alabaster head of the Virgin, 17th century, probably Italian, later mounted on a wood plinth, 12cm high overall bust 7cm £200 - 300 (plus 26.4% BP)

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216 Lot 216 A South German limewood carving, probably 16th century, depicting sleeping disciples in the Garden of Gethsemane, traces of paint, 26cm wide 25cm high, on a later velvet plinth £250 - 350 (plus 26.4% BP) Lot 217 A German figure of Mary the Virgin, 16th/17th century, her hands clasped, holding Christ’s clothes, traces of paint, 59cm high £200 - 300 (plus 26.4% BP) Lot 218 A Flemish wall appliqué of the Virgin Mary, 16th/17th century, painted and gilt, 28cm high £400 - 600 (plus 26.4% BP)

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Lot 219 An Italian bronze inkwell, probably 16th century, cast as a vessel with a lion’s mask on paw feet and with cherub heads, the cover with a crowned eagle, 16.5cm £400 - 500 (plus 26.4% BP)

Lot 220 A French brass desk stand, 19th century, with a pair of inkwells and a central compartment, with engraved panels and onion finials, 26.5cm wide £100 - 150 (plus 26.4% BP)

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219 Lot 221 A terracotta fragment of Christ, probably 19th century, 16cm wide £150 - 250 (plus 26.4% BP)

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WORKS OF ART 83-231 Lot 222 An Italian bronze inkwell, 19th century, cast as a cauldron with ram’s head masks and garlands, on paw feet, the cover surmounted with a cherub holding a laurel crown, 21.5cm high £250 - 350 (plus 26.4% BP)

Lot 223 A Nottingham alabaster fragment, probably 15th century, modelled as an angel, 11cm high later mounted, 22cm high £400 - 600 (plus 26.4% BP)

Lot 224 A whalebone fid, late 19th century, 29.5cm long £250 - 350 (plus 26.4% BP)

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225 Lot 225 A whalebone seam rubber, 19th century, with a dice finial, 12cm long £250 - 350 (plus 26.4% BP)

Lot 226 A German oak carving of the Christ Child, probably 15th/16th century, holding an apple, the figure from a larger group, Madonna/ Virgin and Child, 29cm high on a later plinth, 39cm overall £500 - 700 (plus 26.4% BP)

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83-231 WORKS OF ART

227 Lot 227 A tapestry panel fragment, 18th century, 37 x 33cm approximately later edged and in an oak frame 50.5 x 47cm £150 - 200 (plus 26.4% BP) Lot 228 A museum replica painted plaster panel, 19th century, depicting the Pietà in low relief after Tilman Riemenschneider, 27.5 x 20.5cm £200 - 300 (plus 26.4% BP)

228 Lot 231 An ivory rosary bead, 19th century, carved in the form of a half skull/half face, 2.2cm high, a Japanese carved wooden netsuke, late 19th century, carved in the form of a terrapin with two young on its back, signed, 4cm long, and a wild boar part upper jaw, 19th century, worked as a netsuke, 7cm long (3) £200 - 300 (plus 26.4% BP)

Lot 229 An amber turtle, 17th century, possibly German, the carved body with applied head and feet, 8.5cm long £500 - 700 (plus 26.4% BP) Lot 230 A monstrance, probably 15th/16th century, damaged, 22.5cm high, a pricket stick, 17th century 15.5cm high, and a pricket candlestick, 18th century 28cm (3) £200 - 300 (plus 26.4% BP)

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235 Lot 234 A violin by Jules Dubois, labelled ‘Jules Dubois, Saint Vernon, Anno 1931’, length of back 359mm, orange-brown colour, complete with fitted case, unsigned bow and accessories £1,200 - 1,800 (plus 26.4% BP)

233 Lot 232 A tenor saxophone, by B&S, Germany, stamped 5310 and Made in GDR, cased £300 - 500 (plus 26.4% BP) Lot 233 A Martin Committee trumpet, serial number 203694, the central valve is impressed with the number ‘2’, signifying that it has a medium bore, complete in a fitted case with accessories, together with a metronome by Maelzel (2) £400 - 600 (plus 26.4% BP)

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Lot 235 A viola by Nigel Crinson, after an Amati design of 1620, labelled to the interior ‘Crinson & Gohlmann, made by Nigel Crinson, Hartlepool, 2002’ and ‘Antonius, & Hieronimus Fr., Amati Cremonen. Andreae F. 1620’, the one-piece back measuring 410mm, in a mellow coffee-brown colour with a distressed finish, complete with fitted case and accessories £4,000 - 6,000 (plus 26.4% BP) Lot 236 A silver-mounted viola bow by Roy Collins, stamped on the shaft, a round stick of a rich brown colour, the ebony frog with mother-of-pearl inlay, 74g, together with a viola bow by D Carvalho of Brazil (2) £600 - 800 (plus 26.4% BP)

232-262 MUSICAL INSTRUMENTS Lot 237 An early 1970s Gibson JG12 acoustic guitar, serial no. 674650, the dreadnought-shaped body in a natural finish with a black pickguard, it has built in electrics and is complete with a Hiscox Liteflite case £300 - 500 (plus 26.4% BP) Lot 238 A 1989 Manuel Contreras classical guitar, of typical form and of golden colour with chevron binding around the body and chevron and geometric inlay designs around the soundhole, the label reading ‘Luthier, Manuel Contreras, Calle Mayor, 80, Madrid 1989’ and is signed ‘Manuel Contreras’, comes with a padded case £4,000 - 6,000 (plus 26.4% BP)

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Lot 239 A 1993 Takamine CP-132SC classical guitar, serial number 93101161, of typical form in a light golden colour, with built-in ‘Takamine AccurAcoustic EQ’, complete in its fitted case £700 - 800 (plus 26.4% BP) Lot 240 A 2004 Taylor 414-CE-L5 UK Ltd Edition acoustic guitar, serial number 20040519056, in a natural varnished finish with a faux tortoiseshell pickguard and of dreadnought form with a lower cutout, with built in electrics and complete in its original Taylor fitted case £800 - 1,200 (plus 26.4% BP)

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Lot 242 A 1935 Gibson ‘Nick Lucas Special’ acoustic guitar, serial no. 92126 and the FON number appears to be 1890A, but it is not clearly stamped. It is of typical form in a dark sunburst finish with a faux tortoiseshell pickguard. The headstock is inlaid with ‘Gibson’ in script and a fleur-de-lys and is stamped to the reverse ‘Made in the USA’. The ‘V’ profile mahogany neck on this guitar joins the body at the 14th fret and the body is of maple construction. The fitments to the guitar are all original and it comes complete with a later hard case. £4,000 - 6,000 (plus 26.4% BP)

Lot 241 A 2016 C F Martin Westside Custom Edition 15 Series Model guitar, serial no. 1926737, the dreadnought-shaped body in mahogany with a faux tortoiseshell pickguard, complete in its original Martin fitted case, complete with tags and labels £1,000 - 1,500 (plus 26.4% BP)

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246 Lot 243 A Star sitar guitar, of curvilinear form in a crackled burgundy finish, the standard six-string guitar together with sympathetic strings to replicate the sounds of a sitar, complete in a hardcase £300 - 500 (plus 26.4% BP) Lot 244 A 1981 Ibanez AS-50 semi-acoustic guitar, serial number B814989, this ‘lawsuit’ model is of Gibson ES-335 form, in a golden tobacco sunburst finish, complete in its original fitted case £700 - 900 (plus 26.4% BP)

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247 Lot 245 A 1987 Shergold Modulator guitar, serial number 35987, of twin cutaway form with humbucker pickups to the bridge and neck position, in a tobacco sunburst finish, together with accessories and a fitted case £300 - 500 (plus 26.4% BP) Lot 246 A 2009 Fender Telecaster Deluxe guitar, serial number MZ9456457, in a gloss red finish with a black pickguard and chrome hardware, complete with tags and fitted hardcase £400 - 600 (plus 26.4% BP)

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248 Lot 247 A 2015 Gibson Memphis ES-335 guitar, serial no. 11005756, in a matte red finish with chrome hardware, complete in its original Gibson fitted case, with warranty card £1,000 - 1,500 (plus 26.4% BP) Lot 248 A 2007 Gibson Nashville Les Paul Junior guitar, serial no. 029170521, the double cutaway body fitted with a single P-90 pickup, in a white nitro-cellulose finish, complete in its original Gibson fitted case and with warranty card £700 - 900 (plus 26.4% BP) This guitar is from Gibson’s ‘Guitar of the Week’ and was issued in week 41 in an edition of 400.

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232-262 MUSICAL INSTRUMENTS

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Lot 249 A 1984 Lado Classic guitar, serial number CDN CLASSIC - 84-174, of Stratocaster type form in a metallic teal colour, fitted with humbucker pickups in the neck and bridge position and a Kahler ‘hybrid bridge’ and a locking nut, complete with its original hardcase £1,000 - 1,500 (plus 26.4% BP) Lot 250 A 1982 B C Rich Bich guitar, serial no. 88069, the angular body with various switches and controls £2,000 - 3,000 (plus 26.4% BP) This model is fitted with four additional machine heads below the bridge giving it the ability to have 10 strings, but it was never fitted with the string guides to the headstock. Lot 251 A 2011 Gibson Custom Shop Non-Reverse Firebird guitar, serial no. CS100502, in a tobacco sunburst finish with chrome fittings, complete in its original Gibson Custom fitted case with warranty card and Certificate of Authenticity £1,000 - 1,500 (plus 26.4% BP) Lot 252 A 1969 Gibson Les Paul Custom guitar, serial number 804302, with a gloss black finish and chrome hardware £7,000 - 9,000 (plus 26.4% BP) This particular guitar is an early 1969 example because the back of the headstock is not impressed ‘Made in USA’ and there is no volute to the top of the neck. The pick-ups, pots and switch have been replaced, but all of the original components are with the lot. The guitar now has a Gibson ‘57 four-wire pick-up in the neck and the volume control for this has a coil tap switch and the bridge pick-up is a 498T. The original T-top pick-ups, pots with date stamps for 1968 and original capacitors are all included. The guitar was refretted in 2001 and the original frets are also in the lot. This guitar comes complete with a vintage Les Paul case probably dating to the 1950s.

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Lot 253 A Rivera Pubster 25 combo guitar amplifier, with a black tolex vinyl covering and silver grille cloth, complete with foot switch and a padded cover £400 - 600 (plus 26.4% BP)

Lot 256 A Marshall YJM 100 Yngwie Malmsteen 100 watt guitar amplifier head, with a black tolex vinyl covering, complete with limited edition literature, foot switch and red YJM 100 cover £1,000 - 1,500 (plus 26.4% BP)

Lot 254 A 2000 Fender Twin combo guitar amplifier, in a black tolex finish with silver speaker cloth, complete with an Ampmate protective case £400 - 600 (plus 26.4% BP)

Lot 257 A Marshall 425A Vintage Modern guitar speaker cabinet, with a black tolex covering and black grille cloth £350 - 450 (plus 26.4% BP)

Lot 255 A Marshall JCM900 100 watt Hi Gain DualReverb 2x12 combo guitar amplifier £300 - 500 (plus 26.4% BP)

Lot 258 A Marshall 1960B guitar speaker cabinet, with a black tolex covering and black grille cloth £150 - 250 (plus 26.4% BP)

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232-262 MUSICAL INSTRUMENTS

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Lot 259 Four guitar effects pedals, to include: a Lovepedal Purple Plexi 100 overdrive, a Wampler Pinnacle Deluxe overdrive, an MXR EVH117 Eddie Van Halen flanger, and a Catalinbread RAH overdrive (4) £250 - 350 (plus 26.4% BP)

Lot 260 Four guitar effects pedals, to include: a Suhr Riot limited edition green overdrive, a Rothwell Switchblade distortion, a Boss PS-6 Harmonist, and an MXR Phase 90 (4) £250 - 350 (plus 26.4% BP)

Lot 261 Four guitar effects pedals, to include: a Catalinbread Supercharged OD overdrive, a Mooer Funky Monkey auto wah, a Boss DC-3 Digital Dimension, and a J Rockett Archer Ikon overdrive (4) £250 - 350 (plus 26.4% BP)

Lot 262 Four guitar effects pedals, to include: a J Rockett Flex Drive overdrive, a Mesa Boogie Throttle Box distortion, a Catalinbread Dirty Little Secret Mk II overdrive, and an Ibanez WD7 Weeping Demon wah pedal (4) £250 - 350 (plus 26.4% BP) Lots 263-279 Spare lots

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Lot 280 Louis Haghe, after David Roberts RA ‘RUINS OF THE MEMNONIUM, THEBES’; ‘ASCENT OF THE LOWER RANGE OF SINAI’; ‘THEBES’; ‘ENTRANCE TO THE TOMBS OF THE KING OF THEBES, BIBAN-L-MOLOOK’; ‘LYBIAN CHAIN OF MOUNTAINS, FROM THE TEMPLE OF LUXOR’; ‘APPROACH TO MOUNT SINAI’ Six hand coloured tinted lithographs from ‘Egypt and Nubia’ and ‘The Holy Land’, full plates, published by F G Moon, London 1846-1849 image 34.5 x 50cm and smaller; sold with the book ‘Ancient Egypt, Lithographs by David Roberts RA’ (7) £1,200 - 1,800 (plus 26.4% BP)

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283 part Lot 281 Thomas Shotter Boys, after George French Angas (1822-1886) ‘THE CITY AND HARBOUR OF SYDNEY FROM NEAR VAUCLUSE’ Coloured lithograph, published by J Hogarth, London and Messrs. Woolcott & Clarke, Sydney, 1852 image 31 x 55cm £500 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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Lot 282 Edmund Walker, after Thomas Bowler ‘PANORAMA OF CAPE TOWN AND SURROUNDING SCENERY’ Coloured lithograph, inscribed in ink ‘W.L.Brown Esq.’, published by Ackermann & Co., London 36 x 125cm £200 - 300 (plus 26.4% BP)

Lot 283 William Strang RA (1859-1921) ‘MEALTIME’ Etching, signed in pencil, proof before letters 17.3 x 25cm; ‘THE SPECTRE BANK’ Etching, 1896 image 24.5 x 17.3cm; and two others by the same hand 22 x 20cm and 11.5 x 16cm (4) £150 - 250 (plus 26.4% BP)

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Lot 284 …Benard (French, 18th century) ‘HISTOIRE NATURELLE, ORNITHOLOGIE’ Seven hand-coloured etchings on laid paper plate 25 x 18cm (7) £150 - 200 (plus 26.4% BP)

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Lot 285 Emil Orlik (Czech, 1870-1933) A GATEWAY, JAPAN Etching, signed and dated 1903 in pencil image 21.5 x 20cm £100 - 150 (plus 26.4% BP) Lot 286 Spare lot

Lot 287 *Charles Johnson Payne, ‘Snaffles’ (1884-1967) ‘THAT FAR AWAY ECHO’ Limited edition reproduction printed in colours, signed in pencil in the margin image 25 x 35.5cm £200 - 300 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 288 John Tinney, after Jacques Rigaud (1680-1754) ‘THE DOMES IN THE GARDEN OF VERSAILLES’; ‘A VIEW OF YE PALACE OF MARTI FROM YE BOTTOM OF YE GREAT PARTERRE’; ‘A VIEW OF THE PALACE OF SEAUX FROM THE TOP OF DIANA’S WALK’ (x2) Four hand coloured engravings, printed by Robert Sayer plate mark 21 x 45cm (one trimmed) (4) £150 - 200 (plus 26.4% BP)

288 part Lot 289 Gilles Mortain (French, 18th century) ‘FONTAINE DE FLORE DANS LES JARDINS DE VERSAILLES’; ‘FONTAINE DE CERES REPRESENTANT L’ETE DANS LES JARDINS DE VERSAILLES’ A pair of hand-coloured engravings image 24.5 x 39.5cm; and four other coloured engravings, ‘THE SOUTH-EAST PROSPECT OF LONDON’; ‘A VIEW OF ST. JAMES’S SQUARE, LONDON’; ‘A VIEW OF THE EXCHANGE, ROTTERDAM’; ‘THE NOTTINGHAM, CAPTAIN SAUMAREZ TAKES THE MARS’ (6) £200 - 300 (plus 26.4% BP)

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291 Lot 293 Attributed to Edward Villiers Rippingille (1798-1851) PORTRAIT OF A LADY, BUST LENGTH, IN A BLUE DRESS AND WHITE BONNET Miniature on ivory, oval 65 x 53mm; and another, French School, early 19th century PORTRAIT OF A YOUNG MAN, HALF-LENGTH, IN A BLUE COAT Miniature on ivory, oval 67 x 51mm (2) £100 - 200 (plus 26.4% BP)

292 Lot 290 Frederick Landseer Griggs (1876-1938) ‘EPIPHANY’ Etching, signed and inscribed in pencil sheet size 25 x 18cm, unframed £200 - 300 (plus 26.4% BP) Lot 291 *Henry Moore OM CH (1898-1986) BISON Etching, 1981, signed and inscribed ‘PLVII 58/65’ in pencil, from the portfolio ‘Animals in the Zoo’, on wove paper with full margins plate 21 x 27.5cm £500 - 600 (plus 26.4% BP) Lot 292 *Henry Moore OM CH (1898-1986) WOMAN’S HEAD (Cramer 630) Lithograph printed in colours 1981, signed and numbered 38/50 in pencil, on wove paper, with full margins plate 22 x 24.5cm £300 - 500 (plus 26.4% BP)

Lot 294 Attributed to William Wood (1769-1810) PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE DRESS, WITH A CHILD ON HER SHOULDER Miniature on ivory, oval 74 x 62mm, in a later silver frame and leather case £300 - 500 (plus 26.4% BP) Lot 295 Attributed to Bernard Lens III (1682-1740) PORTRAIT OF MARY, DAUGHTER OF SIR JOHN BLOUNT OF BLAGDEN, BUST LENGTH, IN A BLUE DRESS Miniature on ivory 67 x 52mm £400 - 600 (plus 26.4% BP) Mary married the 9th Duke of Norfolk and was the sister of Lady Jerningham, wife of Sir Francis, 4th Baronet.

Lot 296 After Sir Anthony Van Dyck PORTRAIT OF KING CHARLES I, BUST LENGTH WEARING THE GARTER STAR Miniature on ivory 65 x 51mm £100 - 200 (plus 26.4% BP) Lot 297 Circle of Thomas Clement Thompson RHA (1778-1857) PORTRAIT OF AN OFFICER, BUST LENGTH, IN A DARK BLUE UNIFORM AND A TALL FEATHERED HAT Miniature on ivory 87 x 56.8mm £300 - 500 (plus 26.4% BP) Lot 298 English School, late 19th century PORTRAIT OF A GENTLEMAN, HALF-LENGTH, IN A BLUE COAT Miniature on ivory, oval 73 x 60mm; English School, early 19th century PORTRAIT OF A GENTLEMAN, HALF-LENGTH, IN A BLUE COAT Miniature on ivory, oval 73 x 56mm (2) £200 - 300 (plus 26.4% BP) Lot 299 Frederick Buck (1771-1840) PORTRAIT OF AN OFFICER IN A SCARLET UNIFORM, BUST LENGTH Miniature on ivory 65 x 51mm £300 - 500 (plus 26.4% BP)

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Lot 300 English School, early 19th century PORTRAIT OF A BABY RESTING ON A PILLOW AND HOLDING A TEETHING RING Miniature on ivory, oval 68 x 85mm £100 - 200 (plus 26.4% BP) Lot 301 English School, late 18th century PORTRAIT OF A GENTLEMAN, HALF-LENGTH, IN A GREEN COAT AND STRIPED WAISTCOAT Miniature on ivory, oval 51 x 43mm £100 - 150 (plus 26.4% BP)

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Lot 302 Thomas Stothard RA (1755-1834) ‘THE DEATH OF DIDO’ A pair, pen and ink and grey washes 2.6 x 6cm (2) £100 - 150 (plus 26.4% BP)

Lot 303 Follower of John Russell PORTRAIT OF A BOY, HALF-LENGTH SEATED, BY A LAKE Pastel 75 x 60cm £200 - 300 (plus 26.4% BP)

Lot 304 Circle of John Raphael Smith (1751-1812) PORTRAIT OF RICHARD DOBSON, HALFLENGTH, IN A BLUE COAT; PORTRAIT OF HIS WIFE ELIZABETH (NÉE TEASDALE), HALF-LENGTH, IN A WHITE DRESS A pair, pastel, oval 18 x 14cm, in original gilt frames (2) £150 - 250 (plus 26.4% BP)

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Lot 305 French School, 18th century LANDSCAPE WITH CLASSICAL FIGURES Pen and ink and grey washes 30.5 x 23cm, unframed £100 - 200 (plus 26.4% BP)

Lot 306 Joseph Halfpenny (1748-1811) BRIDGE WITH A FISHERMAN Signed with initials and dated 1793 l.l., watercolour 27 x 37cm £300 - 400 (plus 26.4% BP)

Lot 307 Follower of Thomas Rowlandson GUILTY PLEASURE Bears signature and date l.l., pen and ink and watercolour 24 x 18cm £200 - 300 (plus 26.4% BP)

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Lot 308 Circle of Paul Sandby (1731-1809) THE MAUSOLEUM OF CAECILIA METELLA, ROME Watercolour over pencil 38.5 x 52.5cm, in a contemporary giltwood frame £300 - 500 (plus 26.4% BP)

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309 Lot 309 *Charles Spencelayh (1865-1958) ‘THE BROKEN LEG’ Signed l.l., inscribed with title on artist’s label verso, watercolour 39.5 x 27cm £15,000 - 20,000 (plus 26.4% BP)

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311 Lot 310 Edward Lear (1812-1888) ‘A NEAR EASTERN CITY’ Pencil on blue paper 14.5 x 32cm £500 - 700 (plus 26.4% BP) Provenance: From the Estate of Stephen Masty; with J S Maas & Son Ltd., London. Lot 311 John Varley OWS (1778-1842) SKETCH OF AN OLD HOUSE Watercolour over pencil 17.5 x 19.5cm, unframed £200 - 300 (plus 26.4% BP) Exhibited: Spink & Son, ‘The Old Watercolour Society and its Founding Members’, November 1973.

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Lot 312 Benjamin Williams Leader (1831-1923) A YOUNG GIRL STANDING BY A STREAM, CONWAY VALLEY Pencil heightened with white 17 x 25cm; and another by the same hand, A STILE BY A COPSE Pencil 9 x 13cm; George Frost (1743-1821) A COTTAGE AMONG TREES Pencil 15 x 19cm (3) £150 - 250 (plus 26.4% BP) Provenance: Collection of Dudley Snelgrove (Frost).

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Lot 313 Charles James Lauder (1841-1920) A ROWING CLUB BY RICHMOND BRIDGE Signed l.r., gouache 30 x 20cm £200 - 300 (plus 26.4% BP)

Lot 315 Harry Bright (1846-1895) A KINGFISHER AND THREE BLUE TITS Signed and dated 1892 l.r., watercolour and bodycolour 35 x 24.5cm £200 - 300 (plus 26.4% BP)

Lot 314 Harry Bright (1846-1895) A WINTER SCENE WITH A BULLFINCH AND A WREN ON A BLACKBERRY BUSH Signed and dated 1879 l.r., watercolour and bodycolour 38 x 29.5cm £200 - 300 (plus 26.4% BP)

Lot 316 William Henry Hunt OWS (1790-1864) ‘AN IRISH BEGGAR’ Signed l.l., inscribed with title on gallery label verso, watercolour and bodycolour with scratching out 36 x 25.5cm £300 - 500 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 317 *Arthur Wardle (1864-1949) ‘DRIVEN GROUSE’ Signed l.r., gouache 24 x 36cm £200 - 300 (plus 26.4% BP)

Lot 318 Charles Edward Wilson (1854-1941) A COUNTRY MAIDEN Signed l.r., watercolour 52 x 34.5cm £700 - 900 (plus 26.4% BP)

317

Lot 319 Henry John Kinnard (fl.1880-1920) ‘INVERSNAID, LOCH LOMOND’ Signed and inscribed, watercolour 25 x 35cm £100 - 200 (plus 26.4% BP)

Lot 320 Harold Swanwick (1866-1929) ‘EVENING IN THE CUCKMERE VALLEY, SUSSEX’ Signed l.l., watercolour heightened with white 20 x 29cm £300 - 400 (plus 26.4% BP)

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322

321 Lot 321 Alberto Prosdocimi (Italian, 1852-1925) THE DOGE’S PALACE, VENICE Signed l.l., watercolour 36 x 26.5cm £300 - 500 (plus 26.4% BP)

Lot 322 William Biscombe Gardner (1847-1919) A COTTAGE BY A LAKE Signed l.l., watercolour en grisaille 17.5 x 25cm £200 - 300 (plus 26.4% BP)

Lot 323 English School, early 19th century ‘AYSGILL FORCE, WENSLEYDALE, YORKSHIRE’; ‘BOLTON PRIORY, YORKSHIRE’; ‘BYLAND ABBEY, YORKSHIRE’; ‘CAYTON MILL, NEAR SCARBOROUGH, YORKSHIRE’; ‘CLIFFORD’S TOWER, YORK’; ‘GATEWAY AT ROCHE ABBEY, YORKSHIRE’; ‘HAIBURN WYKE, NEAR SCARBOROUGH, YORKSHIRE’; ‘LAYERTHORPE POSTERN, YORK’; ‘SCARBOROUGH, FROM THE WHITE NAB, YORKSHIRE’; ‘ST MARY’S ABBEY, YORKSHIRE’; ‘MILL NEAR TUXFORD, NOTTINGHAMSHIRE’; ‘GRASMERE LAKE, WESTMORLAND’ ‘LOCH LOMOND, SCOTLAND’; ‘VIEW NEAR THE HEAD OF LOCH KATRINE, WEST HIGHLANDS, SCOTLAND’; ‘ABERGELE, NORTH WALES’; ‘VIEW AT BEDDGELERT, NORTH WALES’; ‘MICCANAS VILLA, NEAR TIVOLI, ITALY’ Seventeen watercolours, inscribed verso 22.5 x 32cm, unframed (17) £200 - 300 (plus 26.4% BP)

323 part

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324

Lot 324 Thomas Faed RA ARSA (1826-1900) AN OLD LADY SEATED BY A TABLE, READING A BOOK Signed and dated 1890 l.l., watercolour 35 x 27cm £300 - 500 (plus 26.4% BP)

325

Lot 325 Alfred George Stevens (1817-1875) A STANDING NUDE Red chalk 28 x 16cm, unframed £100 - 200 (plus 26.4% BP) Provenance: Collection Gerald Reitlinger.

Lot 326 Attributed to James Holland OWS (1799-1870) A VIEW OF VENICE LOOKING TOWARDS THE DOGE’S PALACE AND THE PIAZZETTA, WITH BOATS IN THE FOREGROUND Inscribed and dated ‘7th August ‘22’, pencil 22 x 38cm, unframed £150 - 250 (plus 26.4% BP)

326

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328 Lot 327 Gabrielli Carelli (Italian, 1820-1900) VIEWS IN THE VENETIAN LAGOON A pair, watercolour 7.5 x 35cm (2) £200 - 300 (plus 26.4% BP)

Lot 328 Gabrielli Carelli (Italian, 1820-1900) A RIVERSIDE TOWN WITH FIGURES BY A FERRY IN THE FOREGROUND Signed l.r., watercolour 14 x 35cm; and another by the same hand, A MOUNTAINOUS LANDSCAPE WITH A BRIDGE AND TOWN Signed l.l., watercolour 17 x 25cm (2) £400 - 600 (plus 26.4% BP)

Lot 329 Maud Porter (fl.1880-1905) PORTRAIT OF A LADY, HALF-LENGTH SEATED, IN A BLACK DRESS AND PEARL CHOKER Signed and dated 1904 u.l., pastel 71 x 52cm £100 - 200 (plus 26.4% BP)

329

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280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 330 Thomas Sutcliffe (1828-1871) A MOUNTAINOUS LANDSCAPE WITH A ROCKY STREAM Signed l.l. also signed with monogram and dated 1857, watercolour 47 x 70cm £250 - 350 (plus 26.4% BP) Lot 331 Spare lot

330 Lot 332 John Callow OWS (1822-1878) A FIGURE IN A BOAT BY CASTLE WALLS Watercolour 19 x 27cm £100 - 150 (plus 26.4% BP)

332 Lot 333 Thomas Churchyard (1798-1865) ‘DUNWICH’ Watercolour over pencil 9.5 x 12cm £100 - 150 (plus 26.4% BP)

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Lot 334 Ernest Henri Griset (1844-1907) A VIKING TRUCE Signed and dated 1891 l.l., watercolour and bodycolour 110 x 172cm £200 - 300 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

334

Lot 335 Mary Joyce (fl.1880-1896) ‘ZULEIKA’ Signed l.l., inscribed with title on exhibition label verso, watercolour with scratching out 46 x 36cm £200 - 300 (plus 26.4% BP) Exhibited: Royal Institute of Painters in Water Colours, no 2. Provenance: Standen Hall, Clitheroe.

335

Lot 336 Gordon Browne (1858-1932) ‘AN UNCOMMON OBJECT ON THE SEASHORE’ Inscribed on label verso, watercolour 42 x 61cm £150 - 250 (plus 26.4% BP) Exhibited: Royal Institute of Painters in Water Colours. Provenance: Standen Hall, Clitheroe.

336

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337

Lot 337 Marian Chase (1844-1905) FLOWERS IN A BORDER Signed l.l., watercolour 20 x 14cm £200 - 300 (plus 26.4% BP) Lot 338 Ada J Ham (19th century) A STILL LIFE OF FLOWERS IN A POT Signed and dated 1886 l.r., watercolour 25 x 12cm £100 - 150 (plus 26.4% BP)

338

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Lot 339 W…S… (late 19th century) FIGURES IN A BAZAAR, PROBABLY ISTANBUL, TURKEY Signed with monogram l.l., watercolour and bodycolour 22 x 31cm £200 - 300 (plus 26.4% BP) Lot 340 English School, early 19th century PORTRAIT OF HENRY, ELIZA AND ROBERT DRUMMOND IN A WOODED LANDSCAPE Inscribed on old labels verso, pencil, coloured chalks and watercolour heightened with white, oval 18 x 20cm £200 - 300 (plus 26.4% BP)

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341 Lot 341 Neapolitan School, mid-19th century VESUVIUS ERUPTING Inscribed on painted mount ‘Eruzione del 1855’, gouache image 41 x 84cm £600 - 800 (plus 26.4% BP)

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280-373 PRINTS, MINIATURES AND WATERCOLOURS

Lot 342 Sunil Guha (Indian, 20th century) SOUTH PARK STREET CEMETERY Signed and indistinctly dated l.r., pen and ink and watercolour 29 x 38cm; with three prints, ‘SCALLON, A BALLYGUAGE TANK, CALCUTTA, 1919’; ‘THE YOUNG CIVILIANS TOILET’; ‘CAWNPORE ON THE GANGES’ (4) £100 - 150 (plus 26.4% BP)

342

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Lots 343-348 The following six watercolours by W E Johns show that the creator of the Biggles books was a keen artist as well as a writer. Glorying in titles such as ‘Good Shooting Sir!!’, ‘Tripehounds’ and ‘Close Work!’, the images convey all the speed and daring of the ‘Boy’s Own’ style that Johns took to its apogee with his later Biggles books. Intriguingly, one picture is dated 1916, a year before he was commissioned into the Royal Flying Corps. If it was indeed painted then, it is likely that the dogfight scene comes from Johns’ imagination rather than first-hand experience. Shot down himself while on a bombing mission to Mannheim in Germany in 1918, Johns was lucky to escape with his life - his observer and rear-gunner died of his injuries on the same day - and remained a prisoner-of-war until the Armistice. It was at this time that he started his writing career, publishing more than 160 books, including almost 100 on Biggles, and launching the magazine ‘Popular Flying’ in 1932, just before ‘The Camels are Coming’, which was the first of the Biggles stories to make it into print. We are delighted to be offering the paintings, not least because Johns was a local man, having been born in Bengeo, later attending the Richard Hale School in Hertford.

Lot 343 William Earl Johns (1893-1968) ‘CLOSE WORK!’ (48 SQDN) BRISTOL FIGHTERS AND FOKKER TRIPES Signed l.r. and inscribed with title, watercolour and bodycolour 27 x 38.5cm £800 - 1,000 (plus 26.4% BP) Lot 344 William Earl Johns (1893-1968) ‘GOOD SHOOTING SIR!!’ Signed l.r., inscribed with title, watercolour and bodycolour 24 x 34.5cm £500 - 700 (plus 26.4% BP)

343

344

Lot 345 William Earl Johns (1893-1968) ‘TRIPEHOUNDS’ Indistinctly signed and inscribed l.r., watercolour and bodycolour 19 x 28.5cm £500 - 700 (plus 26.4% BP)

345

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280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 346 William Earl Johns (1893-1968) ‘1916’ - COMBAT BETWEEN FRENCH AND GERMAN FIGHTERS Dated l.r., watercolour and bodycolour 24 x 34cm £500 - 700 (plus 26.4% BP)

346 Lot 347 William Earl Johns (1893-1968) ‘OK OK!!’ Inscribed with title and ‘Avion’ l.r., watercolour and bodycolour 23.5 x 34cm £500 - 700 (plus 26.4% BP)

347 Lot 348 *William Earl Johns (1893-1968) ‘THE CAMEL’ (110HP CLERGET) Indistinctly signed and inscribed l.r., watercolour and bodycolour 23.5 x 33cm £500 - 700 (plus 26.4% BP)

348

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349 Lot 349 *Louis Fortuney (French, 1878-1950) A WOMAN CARRYING FLOWERS Signed l.l., pastel 47 x 31cm; and another by the same hand A YOUNG WOMAN IN A WHITE SHAWL 46 x 30cm (2) £300 - 400 (plus 26.4% BP)

Lot 350 *Henry John Sylvester Stannard (1870-1951) A COTTAGE GARDEN Signed l.l., watercolour 26 x 35cm; and another by the same hand, LANDSCAPE WITH A WINDMILL Signed l.l., watercolour 27 x 37cm (2) £400 - 600 (plus 26.4% BP)

350

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280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 351 Philip Wilson Steer (1860-1942) SHIPPING IN AN ESTUARY Watercolour 16 x 27.5cm, unframed £200 - 300 (plus 26.4% BP) Provenance: With Spink & Son, 1962.

351 Lot 352 *John Doyle (b.1928) ‘GORDES FROM JOUCAS’ Signed l.l., gouache 13 x 21.5cm; and another by the same hand, ‘THE BASILICA OF ST MAXIMIN’ Gouache 15.5 x 23cm (2) £300 - 500 (plus 26.4% BP) Provenance: With Spink & Son.

352

Lot 353 Harry Goodwin (fl.1887-1925) SALISBURY Signed with monogram and dated 1923 l.r., watercolour 24 x 34.5cm £150 - 250 (plus 26.4% BP)

353

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PRINTS, MINIATURES AND WATERCOLOURS 280-373 Lot 354 Thomas Ivester Lloyd (1873-1942) HUNTING SCENES Three, all signed l.r., watercolour and gouache 33.5 x 47.5cm (3) £1,000 - 1,500 (plus 26.4% BP)

354

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280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 355 *Federico Moroni (Italian, 1914-2000) SEATED WOMAN Pen and ink 38 x 32cm £100 - 150 (plus 26.4% BP)

355 Lot 356 *Federico Moroni (Italian, 1914-2000) MUSICIANS Signed and inscribed u.l., pen and ink and washes 47 x 65cm £150 - 250 (plus 26.4% BP)

356 Lot 357 *Sir Alfred James Munnings PRA RWS (1878-1959) LANDSCAPE WITH NOTES Pencil 15 x 25.5cm £100 - 200 (plus 26.4% BP) Exhibited: Cadogan Gallery, London, ‘An Exhibition of Dog Pictures and Sketches by Sir Alfred Munnings PRA’, 1982.

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358 Lot 358 *James Lynch (b.1956) ‘BALALITRA’ - A CHESTNUT Signed and dated 85 l.r., watercolour 41 x 49cm £400 - 600 (plus 26.4% BP)

Lot 359 Follower of Walter Richard Sickert VIEW OF IL RENDENTORE, VENICE, WITH A THREE-MASTER Bears signature verso, pastel 20 x 27cm £200 - 300 (plus 26.4% BP)

359

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280-373 PRINTS, MINIATURES AND WATERCOLOURS Lot 360 *Wilfred Knox (1884-1966) BOATS IN A VENETIAN LAGOON; A RIVER LANDSCAPE WITH FIGURES IN A BOAT A pair, both signed l.r., gouache 27 x 37cm (2) £300 - 400 (plus 26.4% BP)

Lot 361 *John P Smith (contemporary) ADVERTISING PERSIL IN A WAR SURPLUS SE5 AIRCRAFT Signed l.l., watercolour 27.5 x 38cm; and another by the same hand, THE FARMAN F60 GOLIATH, ‘CITY OF GLASGOW’ AT CROYDON AIRPORT Signed l.r., watercolour 31.5 x 28cm (2) £200 - 300 (plus 26.4% BP)

360

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362 Lot 362 *Terence Lambert (b.1951) A SCOTER SEATED ON ROCKS Signed l.r., watercolour and gouache 43 x 36cm £200 - 300 (plus 26.4% BP)

363 Lot 363 *Theresa Sylvester Stannard (1898-1947) ‘BEDFORDSHIRE GARDEN’, 1920 Signed l.l., watercolour 25 x 17.5cm £250 - 350 (plus 26.4% BP)

Lot 364 Frank William Scarborough (c.1860-1939) ‘LOWER POOL, LONDON’; ‘SUNSET, GREENWICH, LONDON’ A pair, both signed l.r., and inscribed, watercolour 24 x 16.5cm (2) £800 - 1,200 (plus 26.4% BP)

364

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280-373 PRINTS, MINIATURES AND WATERCOLOURS

365 Lot 365 *George Wiseman (c.1906-1986) ‘THOMAS STEPHENS’ Signed l.r., watercolour 36 x 54cm £200 - 300 (plus 26.4% BP)

Lot 366 *George Wiseman (c.1906-1986) ‘STAR OF INDIA’ Signed l.r., watercolour 38 x 56cm £200 - 300 (plus 26.4% BP)

366

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Lot 367 *George Wiseman (c.1906-1986) ‘SOVEREIGN OF THE SEAS’ Signed l.r., watercolour 37 x 56cm £200 - 300 (plus 26.4% BP)

Lot 368 *George Wiseman (c.1906-1986) ‘CUTTY SARK’ Signed l.l., watercolour 36 x 54cm £200 - 300 (plus 26.4% BP)

368

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280-373 PRINTS, MINIATURES AND WATERCOLOURS

369 Lot 369 Paul César Helleu (French, 1859-1927) ‘FEMME COUCHEE’ Signed with initial l.l., black, red and white chalks 31.5 x 50cm £2,000 - 3,000 (plus 26.4% BP) Provenance: With Mercury Gallery, London.

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371 Lot 370 Neapolitan School, c.1923 THE RMSP ‘OHIO’ IN THE BAY OF NAPLES Inscribed with title, gouache 42 x 64cm £250 - 350 (plus 26.4% BP)

Lot 371 P…Walton (20th century) TWO PHEASANTS Signed and dated 1967 l.l., gouache 52 x 73cm £200 - 300 (plus 26.4% BP)

The ‘Ohio’ was commissioned in 1923, sold to White Star Line in 1927 and renamed ‘Albertic’. It was scrapped in 1934.

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280-373 PRINTS, MINIATURES AND WATERCOLOURS

372 Lot 372 Franz Dvorak (Czech, 1862-1927) GOLDEN SILVER (Zlute Sttribro) Signed l.r., pencil and chalk on paper 36 x 28cm £1,500 - 2,000 (plus 26.4% BP) Provenance: The Maas Gallery Limited, London. Lot 373 *R M Patterson (Irish, 20th century) ‘A COTTAGE KITCHEN, COUNTY MAYO’ Signed and dated 1930 l.l., inscribed on label verso, gouache 38 x 53cm £100 - 200 (plus 26.4% BP)

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OIL PAINTINGS 374-470

Lot 374 Tuscan School, late 14th century CHRIST ON THE CROSS WITH THE THREE MARIES Gold ground, central panel of a triptych for private devotion 45 x 20.5cm, in an integral carved giltwood frame Â£2,000 - 3,000 (plus 26.4% BP)

374-470 OIL PAINTINGS

375 Lot 375 Circle of Adriaen Van Der Werff (1659-1722) A MUSICAL COMPANY Oil on copper 25 x 20cm £800 - 1,200 (plus 26.4% BP)

376

Lot 376 Spanish School, 17th century VISION OF A SAINT Oil on canvas 130 x 86cm £400 - 600 (plus 26.4% BP)

Lot 377 Dutch School, after a 17th century original THE LACEMAKER Oil on panel 50 x 40cm £300 - 500 (plus 26.4% BP)

377

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OIL PAINTINGS 374-470 Lot 378 Follower of Dirck van Bergen A LANDSCAPE WITH CATTLE AND GOATS AND A GOATHERD PLAYING A PIPE Oil on canvas 50 x 64cm, unframed £300 - 500 (plus 26.4% BP)

378 Lot 379 Manner of Domenichino PERSONIFICATION OF ASTROLOGY Oil on canvas 76 x 63cm £1,000 - 1,500 (plus 26.4% BP)

379 94

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374-470 OIL PAINTINGS

380 Lot 380 Circle of Pietro Longhi (Italian, 1701-1785) A CONCERT IN THE GROUNDS OF A PALACE, WITH THREE MUSICIANS TO THE CENTRE AND ELEGANT FIGURES ASSEMBLED TO EITHER SIDE, A GROUP PLAYING CARDS TO THE LEFT AND A NEGRO SERVANT OFFERING WINE TO A SEATED COUPLE TO THE RIGHT, TWO CHILDREN TEASING A DOG IN THE FOREGROUND Oil on canvas 116 x 126cm Â£4,000 - 6,000 (plus 26.4% BP) Provenance: Acquired aboard a ship by the Nova Scotian politician, judge and author, Thomas Chandler Haliburton (1796-1865); thence by descent.

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OIL PAINTINGS 374-470

381 Lot 381 Italian School, 18th century THE WORSHIP OF THE SACRED HEART Oil on canvas laid down on board 176 x 117cm £600 - 800 (plus 26.4% BP)

383 Lot 382 Dutch School, 18th century A STILL LIFE OF CHINESE VESSELS FOR TEA WITH A NEGRO SERVANT HOLDING A CANISTER Oil on canvas 52 x 76cm £1,000 - 2,000 (plus 26.4% BP)

Lot 383 Roman School, 18th century MADONNA Oil on canvas, painted oval 68 x 54cm £400 - 600 (plus 26.4% BP)

382 96

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374-470 OIL PAINTINGS

384 Lot 384 Stephen Elmer (1717-1796) A PAIR OF GROUSE IN A MOUNTAINOUS LANDSCAPE Oil on canvas 38 x 46cm £800 - 1,200 (plus 26.4% BP)

Lot 385 After Meindert Hobbema THE WATER MILLS Oil on canvas 72 x 109cm £800 - 1,200 (plus 26.4% BP)

385 www.sworder.co.uk

OIL PAINTINGS 374-470 Lot 386 English School, 1603 PORTRAIT OF JANE, WIFE OF ROGER KIRKBYE OF KIRKBY HALL, CUMBRIA, DAUGHTER OF EDWARD RIGBY OF BURGH, LANCASHIRE, THREE-QUARTER LENGTH, STANDING, IN A GOLD-EMBROIDERED DRESS AND BROWN COAT AND HOLDING A FLOWER Inscribed ‘Anno dni. 1603: Aetatis suae. 21’, oil on panel 86 x 68cm £1,000 - 1,500 (plus 26.4% BP)

386 Lot 387 Follower of Hyacinthe Rigaud PORTRAIT OF LOUIS, III DUC DE BOURBON (1668-1710) Oil on canvas 76 x 61cm £1,000 - 1,500 (plus 26.4% BP)

387

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374-470 OIL PAINTINGS

388 Lot 388 Circle of Nicolaes Eliasz. Pickenoy (Dutch, 1588-1656) PORTRAIT OF A GENTLEMAN, THREE-QUARTER LENGTH SEATED, WITH A PARROT; PORTRAIT OF HIS WIFE, THREE-QUARTER LENGTH SEATED, IN A BLACK DRESS AND WHITE BONNET AND HOLDING A BOOK A pair, inscribed respectively ‘Ao 1629, Aetatis 79’ and ‘Ao 1629, Aetatis 55’, oil on copper 28.5 x 23.5cm (2) £1,500 - 2,000 (plus 26.4% BP)

Lot 389 After Jean Baptiste Joseph Wicar PORTRAIT OF POPE PIUS VII Inscribed ‘Pius VII Pont Max’, oil on canvas, painted oval 62 x 45cm, unframed £150 - 250 (plus 26.4% BP)

389

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OIL PAINTINGS 374-470 Lot 390 Circle of Thomas Hudson (1701-1779) PORTRAIT OF A YOUNG GENTLEMAN, HALF-LENGTH, IN VAN DYCK COSTUME Oil on canvas 76 x 63cm £1,000 - 1,500 (plus 26.4% BP)

Lot 391 Circle of Thomas Beach (1738-1806) PORTRAIT OF MR J MORRITT OF CAWOOD, HALF-LENGTH, IN A GREEN COAT Inscribed with sitter’s name on old label verso, oil on canvas, painted oval 76 x 63cm £400 - 600 (plus 26.4% BP)

Lot 392 English School, c.1840 PORTRAIT OF A LADY, HALF-LENGTH, SEATED, IN A GREEN DRESS AND TURBAN Oil on canvas 76 x 63cm, unframed £100 - 200 (plus 26.4% BP)

390

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392

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394 Lot 393 English School, c.1840 PORTRAIT OF A YOUNG BOY, HALF-LENGTH, IN A WHITE SHIRT Oil on canvas, painted oval 35.5 x 30.5cm £400 - 600 (plus 26.4% BP)

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Lot 394 Paul-Adolphe Rajon (French, 1843-1888) PORTRAIT OF A YOUNG WOMAN, BUST LENGTH, IN A BLACK AND WHITE DRESS Signed u.r., oil on canvas 51 x 41cm £300 - 400 (plus 26.4% BP)

396 Lot 395 English School, late 19th century PORTRAIT OF A WOMAN, HALF-LENGTH, WITH PINK ROSES Oil on board 26 x 20cm £200 - 300 (plus 26.4% BP)

Lot 396 Circle of William Etty (1787-1849) STUDY OF A GIRL, HALF-LENGTH, IN A BLACK DRESS Oil on board 30 x 22cm £200 - 300 (plus 26.4% BP)

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397 Lot 397 Horace van Ruith (1839-1923) PORTRAIT OF A YOUNG GIRL WITH AN ORANGE Oil on canvas 33 x 23cm £300 - 400 (plus 26.4% BP)

399

Lot 398 English School, c.1830 PORTRAIT OF EMMA BARRAUD, BUST LENGTH, IN A BLACK DRESS AND FUR STOLE; PORTRAIT OF JULIA BARRAUD, BUST LENGTH, IN A WHITE DRESS WITH BLUE BOW A pair, oil on canvas 36 x 31cm (2) £300 - 400 (plus 26.4% BP)

Lot 399 Attributed to John Frederick Harrison Dutton (fl.1893-1909) PORTRAIT OF MISS AUGUSTA ROSEMARY ASPINALL, FULL LENGTH SEATED, IN A LAKELAND LANDSCAPE AND HOLDING A HAT Oil on canvas 152 x 102cm, unframed £150 - 250 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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374-470 OIL PAINTINGS

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401

402 Lot 400 John Frederick Harrison Dutton (fl.1893-1909) PORTRAIT OF MRS MURIEL ASPINALL, FULL LENGTH STANDING, IN A PINK DRESS WITH A PURPLE JACKET Signed and dated 1920 l.r., oil on canvas 152 x 101cm £400 - 600 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

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Lot 401 English School, early 20th century A BOY IN A SAILOR SUIT BLOWING BUBBLES Oil on canvas 61 x 51cm £300 - 500 (plus 26.4% BP)

Lot 402 Circle of Henry Perlee Parker (1795-1873) A FISHERMAN HOLDING A CLAY PIPE OUTSIDE A TAVERN IN A COASTAL LANDSCAPE; A MAN WITH A CLAY PIPE AT THE ENTRANCE OF A TAVERN A pair, oil on canvas 45 x 36cm (2) £400 - 600 (plus 26.4% BP)

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403 Lot 403 G… J… Cooper (19th century) CATTLE RESTING BY A LAKE Signed and dated ‘71(?) l.r., oil on canvas, 43 x 53cm £300 - 500 (plus 26.4% BP)

404 Lot 404 George Paice (1854-1925) A HUNTSMAN AND HOUNDS COMING THROUGH A GATE Signed, dated ‘86 l.r. and inscribed with hounds’ names, oil on canvas 51 x 69cm £250 - 350 (plus 26.4% BP)

Lot 405 Walter Hunt (1861-1941) ‘HOME FROM PASTURE’ Signed, dated ‘82 l.r. and inscribed with title verso, oil on canvas 25.5 x 46cm £800 - 1,200 (plus 26.4% BP)

405

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS Lot 406 Allen Culpepper Sealy (1850-1927) ‘GONSALVO’ - A BAY RACEHORSE IN A STABLE, WITH HIS GROOM Signed, inscribed and dated 1891 l.r., oil on canvas 32 x 40cm £400 - 600 (plus 26.4% BP)

Lot 407 Frederick Barnard (1846-1896) A WOMAN CARRYING WATER ON A COUNTRY LANE; A FISHERMAN BY A WATERMILL Two, both signed with initials l.r., oil on canvas board 23 x 30cm (2) £200 - 300 (plus 26.4% BP)

406 Lot 408 Circle of Edward Charles Williams (1807-1881) YOUNG ANGLERS BY A RIVER Oil on board 23 x 31cm £300 - 400 (plus 26.4% BP)

Lot 409 Continental School, late 19th century A STILL LIFE OF FRUIT, FLOWERS AND A BIRD’S NEST ON A LEDGE Oil on panel 48 x 60cm £300 - 500 (plus 26.4% BP)

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OIL PAINTINGS 374-470 Lot 410 Frank Cassell (19th century) TERRIERS IN A BARN A pair, both signed l.l., oil on canvas 51 x 61cm (2) £600 - 800 (plus 26.4% BP)

Lot 411 Thomas Spinks (1872-1907) A RIVER IN A WOODED LANDSCAPE Signed and dated 1902 l.l., oil on canvas 35.5 x 51cm; and another by the same hand, A WOODED LANDSCAPE WITH ROCKS AND SHEEP Signed and dated 1899 l.r., oil on canvas 35 x 51cm, both unframed (2) £250 - 350 (plus 26.4% BP)

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS

Lot 412 Thomas Spinks (1872-1907) A LANDSCAPE WITH FIGURES AND HORSES ON A ROAD Signed l.r., oil on canvas 35.5 x 51cm; and three others by the same hand, A WOODED LANDSCAPE WITH BLOSSOM BY A PATH Signed and dated 1909 l.r., oil on canvas 35 x 45.5cm; STORMY WEATHER Signed l.l., oil on paper laid down on panel 24 x 35.5cm; LANDSCAPE WITH SHEEP AND A DISTANT VILLAGE Signed and dated 1890 l.r., oil on panel 25 x 41cm, all unframed (4) Â£300 - 400 (plus 26.4% BP)

412

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413 Lot 413 Henry Nelson O’Neil (1817-1880) ROSALIND AND CELIA - AS YOU LIKE IT, ACT III: SCENE 2 Signed and dated 1856 l.r., oil on canvas 91.5 x 70.5cm £4,000 - 6,000 (plus 26.4% BP) Exhibited: Royal Academy, 1856, no. 488.

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O’Neil was one of the founder members of the progressive young artists’ group named ‘The Clique’, aiming to revitalise the increasingly traditionalist Royal Academy. He became a widely successful painter, able to succeed in portraiture, genre scenes and landscapes. Like many of O’Neil’s contemporaries, Shakespearean subjects were very popular and are still reproduced to this day. Like Shakespeare’s play ‘As You Like It’, after hearing of Rosalind’s affection for Orlando, his father banishes them, and they take refuge in the forest. They disguise themselves, Rosalind as a countryman (Ganymede) and Celia his sister (Aliena). The play eventually unrolls into a happy ending, with Rosalind married to Orlando and Celia to his brother Oliver. This work is comparable to a painting of a similar date by Walter Deverell: ‘The Mock Marriage of Orlando and Rosalind’, 1853.

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS

414 Lot 414 David James (1853-1904) FISHING BOATS AND OTHER SHIPPING OFF A ROCKY COASTLINE Signed and dated ‘88 l.r., oil on canvas 64 x 129cm £3,000 - 5,000 (plus 26.4% BP)

Lot 415 J…Mesples (Spanish, 19th century) MADONNA AND CHILD WITH CHERUBIM Signed verso, oil on canvas 83 x 62cm £300 - 400 (plus 26.4% BP)

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417 Lot 416 English School, c.1880 LOADING A HAY BARGE AT LOW TIDE Indistinctly signed with monogram l.l., oil on canvas 78 x 128cm £600 - 800 (plus 26.4% BP)

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418 Lot 417 Edward Charles Barnes (1830-1882) PORTRAIT OF A SPANISH LADY, WEARING A RED DRESS AND PEARLS, HOLDING FLOWERS Signed l.r., oil on canvas, painted oval 66 x 56cm £400 - 600 (plus 26.4% BP)

Lot 418 Thomas Seymour (1844-1904) HIGHLAND LOCHS A pair, both signed, oil on canvas 41 x 62cm (2) £500 - 800 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS Lot 419 Alfred Walter Williams (1824-1905) BARMOUTH, NORTH WALES Signed and inscribed on stretcher, oil on canvas 40.5 x 66cm £300 - 500 (plus 26.4% BP)

419 Lot 420 Follower of John Constable A RIVER LANDSCAPE WITH TWO FIGURES IN THE FOREGROUND Oil on canvas 26 x 36cm £200 - 300 (plus 26.4% BP)

Lot 421 William Calcott Knell (1830-1880) FISHING BOATS IN HEAVY SEAS Oil on canvas laid down on board 78 x 130cm £1,500 - 2,500 (plus 26.4% BP)

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Lot 422 George Charles Haite (1855-1924) ON A BRETON BEACH Signed l.r., oil on board 18 x 25cm £150 - 250 (plus 26.4% BP)

Lot 423 Edmund Bristow (1787-1876) CATTLE IN A MEADOW Signed l.r., oil on panel 15 x 12.5cm £150 - 250 (plus 26.4% BP)

Lot 424 J… M… McLean (?) FISHERFOLK ON A SHORE Indistinctly signed l.r., indistinctly inscribed on label verso, oil on board 18 x 22cm £100 - 150 (plus 26.4% BP)

Lot 425 John Brandon Smith (1848-1884) A WATERFALL Signed l.l., oil on canvas 91 x 71cm £300 - 500 (plus 26.4% BP)

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374-470 OIL PAINTINGS

426 Lot 426 Otto Stotz (German, 1805-1873) STARTLED HORSES IN A STABLE Signed l.r., oil on canvas 53.5 x 71.5cm Â£2,000 - 3,000 (plus 26.4% BP)

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OIL PAINTINGS 374-470 Lot 427 Thomas E Marson (fl.1899-1900) A CHESTNUT HUNTER IN A STABLE Signed and dated 1907 l.r., oil on canvas 51 x 67cm £500 - 700 (plus 26.4% BP)

427 Lot 428 Frederick Albert Clark (fl.1888-1909) HORSES BY A POOL Signed l.r., oil on canvas 30 x 41cm £300 - 400 (plus 26.4% BP)

Lot 429 Italian School, late 19th century THE MUSIC LESSON; A WELCOME REFRESHMENT A pair, one indistinctly signed l.l., oil on canvas 31 x 46cm (2) £300 - 400 (plus 26.4% BP)

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374-470 OIL PAINTINGS

430 Lot 430 English School, early 19th century A YOUNG DOG IN A WOODED LANDSCAPE Oil on canvas 82 x 100cm £600 - 800 (plus 26.4% BP)

Lot 431 Albert James Clark (fl.1892-1909) A CHESTNUT HUNTER IN A STABLE Oil on canvas 51 x 63.5cm, unframed £200 - 300 (plus 26.4% BP)

Provenance: Standen Hall, Clitheroe.

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Lot 432 19th century follower of Antoine Watteau AN ELEGANT COMPANY IN A WOOD WITH MUSICIANS Oil on panel 55 x 46cm £300 - 400 (plus 26.4% BP)

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434 Lot 433 Early 19th century VIEW OF A TOWN AND HARBOUR, SAID TO BE NEW YORK, CIRCA 1820 Oil on board 34 x 44cm £200 - 300 (plus 26.4% BP)

Lot 434 Henry Schafer (German, 1833-1916) A CONTINENTAL TOWN SCENE WITH FIGURES BY MARKET STALLS Signed and dated 1890 l.r., oil on canvas 40 x 29cm £200 - 300 (plus 26.4% BP)

Lot 435 Robert John Hammond (fl.1882-1911) LANDSCAPES WITH FIGURES BY A STREAM A pair, oil on canvas 23 x 33cm (2) £250 - 350 (plus 26.4% BP)

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374-470 OIL PAINTINGS

436 Lot 436 Arthur Gilbert (1819-1895) ‘A FINE SUMMER’S DAY IN SURREY’ Signed and dated 1886 l.l., oil on canvas 50.5 x 76cm £500 - 700 (plus 26.4% BP)

Lot 437 Jean-Baptiste Kindermans (Belgian, 1821-1876) LANDSCAPE WITH A GOAT HERDER Signed l.r., oil on board 43 x 55cm £300 - 500 (plus 26.4% BP)

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Lot 438 J Wilton…(?) (late 19th century) A COASTAL SCENE AT DUSK WITH FIGURES ON A QUAY Indistinctly signed and dated l.l., oil on canvas 70 x 90cm £250 - 350 (plus 26.4% BP)

438 www.sworder.co.uk

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Lot 439 Antoon Francois Heyligers (Dutch, 1828-1897) INTERIOR SCENE Signed and dated 1864 l.l., oil on canvas 41 x 49cm £1,500 - 2,000 (plus 26.4% BP)

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Lot 440 Évariste-Vital Luminais (French, 1821-1896) ‘FEEDING THE DOGS’ Signed and dated 1855 l.r., oil on canvas 64 x 82cm £600 - 800 (plus 26.4% BP)

Lot 441 Attributed to Filippo Indoni (Italian, 1800-1884) ‘FEEDING THE CHILD’ Oil on canvas 33 x 51cm £300 - 400 (plus 26.4% BP)

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Lot 442 Attributed to Henry Charles Woollett (fl.1851-1872) A FARMYARD SCENE WITH HAYCARTS Oil on canvas 41 x 51cm £300 - 500 (plus 26.4% BP)

Lot 444 James Crawford Thom (American, 1835-1898) ‘WATCHING THE PETS’ Signed l.l., also signed and inscribed verso, oil on canvas 38 x 30cm £200 - 300 (plus 26.4% BP)

Lot 443 Albert Roosenboom (Belgian, 1845-1896) ‘WINDING THE WOOL’ Signed l.r., oil on canvas 24.5 x 19cm £600 - 800 (plus 26.4% BP)

Lot 445 Circle of Ludwig Hermann (German, 1812-1881) A RIVER LANDSCAPE WITH FIGURES AND BOATS NEAR A CASTLE Oil on canvas 71 x 91cm £200 - 300 (plus 26.4% BP)

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448 Lot 446 Thomas Ivester Lloyd (1873-1942) ON THE SCENT Signed l.r., oil on canvas 26 x 41cm £500 - 800 (plus 26.4% BP)

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449 Lot 447 Alex de Andreis (Belgian, 1871-1939) A CAVALIER Signed l.r., oil on canvas 41 x 33cm £200 - 300 (plus 26.4% BP)

Lot 448 *Aurél Náray (Hungarian, 1883-1948) A YOUNG WOMAN WITH A VIOLIN Signed l.l., oil on canvas 70 x 50cm £500 - 700 (plus 26.4% BP)

Lot 449 E… H… (Scandinavian School, 20th century) LANDSCAPE WITH POPLARS BY A HOUSE Signed with initials and dated 1909 l.r., oil on canvas 42 x 37cm £200 - 300 (plus 26.4% BP) Provenance: From the Estate of Stephen Masty.

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS Lot 450 *Kit Barker (1916-1988) ‘EVENING TIDE’ Signed and inscribed with title verso, oil on canvas 48 x 72cm £300 - 500 (plus 26.4% BP)

Lot 451 *Bernard Gantner (French, b.1928) ‘L’ETANG GLACE’ Signed and dated ‘69 l.l., also signed and inscribed with title on stretcher, oil on canvas 61 x 73cm £300 - 400 (plus 26.4% BP)

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Lot 452 *Dorothy Cooper (20th century) A STILL LIFE OF A VASE OF FLOWERS Signed l.r., oil on canvas 74 x 60cm £200 - 300 (plus 26.4% BP)

Lot 453 Jakob Diets (Dutch, 20th century) A STILL LIFE OF A VASE OF FLOWERS AND A BOWL OF FRUIT Signed l.l., oil on canvas 81 x 71cm £300 - 400 (plus 26.4% BP)

451

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OIL PAINTINGS 374-470 Lot 454 Continental School, 20th century A STILL LIFE Bears signature l.r., oil on canvas, painted oval 123 x 91cm £500 - 800 (plus 26.4% BP)

454 Lot 455 *Cecil Kennedy (1905-1997) A STILL LIFE OF SUMMER FLOWERS IN A VASE Signed and dated 1929 l.r., oil on canvas 61 x 51cm £800 - 1,200 (plus 26.4% BP)

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374-470 OIL PAINTINGS

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Lot 456 *Norman Hepple RA (1908-1994) FORTS ON THE MONT CENIS Signed l.r., inscribed with title on artist’s label verso, oil on canvas 72 x 91cm £500 - 800 (plus 26.4% BP)

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Lot 457 *Douglas Percy Bliss (1900-1984) AN HEBRIDEAN COTTAGE Signed l.l., also signed, inscribed with title and dated 1932 on stretcher, oil on canvas 51 x 61cm, unframed £200 - 300 (plus 26.4% BP)

Lot 458 Tom Keating, after Dorothea Sharp A CHILD SEATED IN A ROCK POOL Bears signature l.r., oil on canvas 36 x 45cm £1,000 - 1,500 (plus 26.4% BP)

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OIL PAINTINGS 374-470 Lot 459 Tom Keating, after Claude Monet HOUSE BOAT Signed l.r., oil on canvas 51 x 61cm £1,000 - 1,500 (plus 26.4% BP) Lot 460 *Edward Holroyd Pearce (1901-1990) ‘JOYCE COUNTRY, IRELAND’ Signed l.r., inscribed with title on label verso, oil on canvas laid down on board 25.5 x 35.5cm £200 - 300 (plus 26.4% BP) Lot 461 *Edward Holroyd Pearce (1901-1990) DORNOCH Signed l.l., oil on board 26 x 36cm £200 - 300 (plus 26.4% BP)

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Lot 462 *Edward Holroyd Pearce (1901-1990) ‘JOYCE’S COUNTRY’ Signed l.l. and inscribed ‘with best wishes to James & Ann from Erica & Edward’ verso, oil on board 26 x 36cm £150 - 250 (plus 26.4% BP)

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Lot 463 *Edward Holroyd Pearce (1901-1990) COAST OF ANTRIM Signed l.l., oil on canvas board 26 x 36cm £200 - 300 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

374-470 OIL PAINTINGS Lot 464 Baxter Morgan (fl.1905-1932) DEER WATERING IN A FOREST GLADE Signed l.r., oil on canvas 41 x 51cm £150 - 250 (plus 26.4% BP)

464 Lot 465 Circle of Sir Frank Brangwyn RA RWS (1867-1956) SHIPPING ON THE BOSPHORUS WITH A VIEW OF ISTANBUL Oil on board 22 x 36cm £400 - 600 (plus 26.4% BP)

465 Lot 466 Thomas Edwin Mostyn (1864-1930) AN ITALIAN GARDEN Signed l.r., oil on canvas 51 x 68.5cm £400 - 600 (plus 26.4% BP)

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OIL PAINTINGS 374-470 Lot 467 John Campbell Mitchell (1862-1922) ‘LANDSCAPE NEAR KIRKCUDBRIGHT’ Oil on board 23 x 38cm £400 - 600 (plus 26.4% BP) Provenance: With The Fine Art Society, 1976.

467 Lot 468 Eduardo Hoffman (Argentinian, b.1951) UNTITLED NO. 3067 Mixed media on canvas 173 x 167cm £500 - 1,000 (plus 26.4% BP)

Lot 469 *John Bratby RA (1928-1992) AN ARTIST IN HER STUDIO Signed l.l., oil on canvas 78 x 61cm £500 - 800 (plus 26.4% BP)

Lot 470 Randall Lake (American, b.1947) A STILL LIFE OF A SILK TOP HAT, HAT BOX AND TIES Signed, also with a seal and dated 1987 u.l., oil on canvas 51 x 66cm £400 - 600 (plus 26.4% BP)

Lots 471-473 Spare lots

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

474 Lot 474 A mahogany longcase clock, with an arched brass dial and silvered chapter ring to the centre, inscribed ‘John Moore, Warminster’, with an eight-day movement and subsidiary seconds dial, the hood with fluted columns with Corinthian capitals, with a conch shell inlaid trunk door, dial 11½in diameter 235cm high £500 - 700 (plus 26.4% BP) Lot 475 A longcase clock, the case later veneered in walnut marquetry, the 12in arched brass dial with rocking Old Father Time in the arch, ‘Tempus Fugit’ and an unusual painted face with moving eyes and ringed winding holes, inscribed ‘J N Reynolds, Hagbourne’, 211cm high £600 - 800 (plus 26.4% BP)

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Lot 476 An Edwardian eight-day walnut grandmother clock, the silvered arched dial with engraved detail, inscribed ‘Tempis Fugit’, fitted with a gong, dial 17cm diameter 72cm high £600 - 800 (plus 26.4% BP) Lot 477 A George III oak longcase clock, the arched brass dial with a silvered chapter ring inscribed ‘Everard Billington, Market Harborough’, with an eight-day movement striking the hour, with subsidiary seconds dial and calendar aperture, dial 12in diameter 224cm high £400 - 600 (plus 26.4% BP)

CLOCKS AND BAROMETERS 474-493

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478 Lot 478 A George III mahogany bracket clock, the painted arch dial with Strike/Silent, the dial inscribed ‘Rolfe, Clerkenwell’, with an eight-day movement striking the hours, raised on cast bracket feet, 39cm high £2,000 - 3,000 (plus 26.4% BP) By repute bought from the Estate of Florence Nightingale. Lot 479 A mahogany dial clock, 19th century, the 12in painted convex dial with a single fusee movement £400 - 600 (plus 26.4% BP)

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Lot 480 A mahogany dial clock, 19th century, the 12in painted dial inscribed ‘Barraud & Lund, 41 Cornhill, London’ with single fusee movement, and a brass pendulum held by a locking nut £300 - 400 (plus 26.4% BP) Lot 481 A mahogany dial clock, 19th century, the 12in painted convex dial inscribed ‘John Harper, London’ with a single fusee movement £400 - 600 (plus 26.4% BP)

Lot 482 A mahogany dial clock, 19th century, the 11½in painted dial inscribed ‘Loffler, Onslow’, spurious name, with a single fusee movement £150 - 250 (plus 26.4% BP) Lot 483 A bronze sedan chair carriage clock, late 19th century, the case in a two-tone bronze, remains of some silvering, with embossed ‘French’ decoration, the dial inscribed ‘Thornhill & Co., London’, the eight-day movement striking the half hours on a gong and with a repeat button, No. 2128, 13.5cm high £400 - 600 (plus 26.4% BP) Lot 484 An oak mantel clock in the form of a castle, German, early 20th century, with a Junghans movement, 54cm high £150 - 250 (plus 26.4% BP)

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474-493 CLOCKS AND BAROMETERS

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Lot 485 A mahogany ‘Town Hall’ clock, the silvered dial inscribed ‘William Crow, Stratford AD 1899’, with single fusee movement and brass pendulum, 27cm wide 36cm deep 97cm high £600 - 800 (plus 26.4% BP)

Lot 486 An oak ‘Town Hall’ clock, the silvered dial inscribed ‘William Crow, Stratford, AD 1899’, with single fusee movement and brass pendulum, 78cm wide 36cm deep 97cm high £600 - 800 (plus 26.4% BP)

William Crow was at 29, West Ham Lane, Stratford. He advertised as ‘Watch and Clock Maker, Jeweller and Optician, Church, Turret, House and Office clocks wound by the year, Repairs carefully executed in each department, estimates given’. Lot 487 A French gilt bronze mantel clock, the eight-day striking movement with Roman numeral chapter ring, surmounted by an urn-shaped finial, with a pair of handles modelled as winged beasts, lion mask ring handles, on cast paw feet, 46cm high 11.5cm dial diameter, on water gilded plinth, and an ebonised stand £400 - 600 (plus 26.4% BP) Lot 488 A brass and cloisonné carriage clock, the enamelled face with Arabic numerals and painted garlands of flowers, inscribed ‘Elkington & Co. Ltd. Paris’, 16cm high £200 - 300 (plus 26.4% BP)

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Lot 489 A George III ebonised bracket clock, by James Smith, London, the twin fusee movement with verge escapement, pull repeat, the alarm and half hour striking on two bells, the arched dial with moon phase and date aperture, inscribed ‘James Smith, London’, the back plate engraved with urn and foliage, the case with pagoda top, brass handle and cast gilt metal mounts, on swept bracket feet, 51cm high to top of handle 17cm diameter of dial £5,000 - 8,000 (plus 26.4% BP)

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474-493 CLOCKS AND BAROMETERS

490 Lot 490 A French gilt mantel clock, the dial with enamelled numerals, mounted with a lion to the side, 33.5cm high £200 - 300 (plus 26.4% BP) Lot 491 A George III mahogany stick barometer, the silvered register inscribed ‘A Alberti, Sheffield’, with an hinged front, replacement well cover, 99cm high £350 - 450 (plus 26.4% BP) Lot 492 A William IV rosewood and mother-of-pearl inlaid barometer, the silver dial over a level inscribed ‘SELLAR ELGIN’ with a thermometer and hygrometer, 113cm high £500 - 700 (plus 26.4% BP) Lot 493 A rosewood stick barometer, with a slim engraved register inscribed ‘Hewitson Newcastle-on-Tyne’, with a thermometer and an hinged front, 38.5cm register 92cm long £200 - 400 (plus 26.4% BP) Lots 494-496 Spare lots

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Lot 497 An oak buffet, early 17th century, with three tiers and carved decoration, 130cm wide 47cm deep 124cm high £300 - 500 (plus 26.4% BP) Lot 498 An oak monk’s table settle, 17th century, the cleated plank top folding up to form a bench, 160cm wide 78cm deep 75cm high base 37cm deep £1,000 - 1,500 (plus 26.4% BP)

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Lot 499 A carved oak hanging cupboard, 17th century, with panelled sides, iron ‘H’ hinges and carved decoration, 141cm wide 56cm deep 163cm high £800 - 1,200 (plus 26.4% BP)

OAK AND COUNTRY FURNITURE 497-541

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497-541 OAK AND COUNTRY FURNITURE

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Lot 500 An oak aumbry or dole cupboard, English, early 16th century, with two doors, the upper door with iron ‘H’ hinges and two traceried openings, between two pairs of similar openings, the whole of pegged plank construction, initialled ‘TM’ twice, 109cm wide 42cm deep 110cm high £5,000 - 7,000 (plus 26.4% BP) A rare survivor, this type of cupboard developed from a 13th century storage press or safe. Also referred to as livery, food and dole cupboards, the latter indicating its use as an outside receptacle for leftover food for the poor of the parish. Examples can be seen at Haddon Hall and Tamworth Castle. Also the Metropolitan Museum of Art. Literature: Herbert Cescinsky and Ernest Gribble, ‘Early English Furniture and Woodwork Vol.II’, London, 1922, p.26, fig.37; Victor Chinnery, ‘Antique Collecting’, September 1976, pp. 416; Percy Macquoid and Ralph Edwards, ‘Dictionary of English Furniture’, Country Life 1924-7, 2nd rev. ed. 1954, Cupboards, Food p.185 fig. 4; Charles Tracy, ‘English Medieval Furniture and Woodwork’, London, 1988, cat. 315.

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Lot 501 A Continental carved oak overmantel, early 16th century, Flemish or German, containing ten panels, including three with relief busts, one inscribed ‘Joher’, one of a knight, two with vines, another of a horseman aiming his bow at a dragon, and a crowned monogram, with later additions, panel 124cm wide 102cm high overall 153cm wide £5,000 - 7,000 (plus 26.4% BP) The subjects that inspired the carving on these panels could be from engravings of the time, features relating to the status and activities of the owner, variations on names and initials and a mischievous sense of humour. One would imagine that the many flame-shaped burn marks on this piece were caused by ill-placed candles. An alternative explanation is that they were done intentionally with a taper or rushlight to ward off evil spirits. This was a common practice at a time of superstition and fear of the unknown.

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497-541 OAK AND COUNTRY FURNITURE

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Lot 502 An oak aumbry, in 16th century style, with a single door and ‘Gothic’ tracery openings, 98cm wide 38cm deep 106cm high £600 - 800 (plus 26.4% BP)

Lot 503 An oak trundle or rope bed, early 17th century, 80cm wide 175cm long £400 - 600 (plus 26.4% BP)

Lot 504 A Franco-Flemish walnut buffet deux corps, 16th century, the panels carved with angels and foliage, the top section with three caryatids, the base with two drawers over a central caryatid, 112cm wide 49cm deep 167cm high £4,000 - 6,000 (plus 26.4% BP) Provenance: Charles Morse, Earls Colne Priory, 1973.

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Lot 505 A cast iron fire back, the arched top over a cast double eagle and armorial, 65cm wide 79cm high £250 - 350 (plus 26.4% BP)

Lot 506 A near pair of oak panel back chairs, late 17th/early 18th century (2) £300 - 500 (plus 26.4% BP)

Provenance: Cavendish Hall.

Lot 507 A Continental beechwood hutch, with slightly arched top and lapped boards, the front with shallow geometric and foliate scratch carving, the legs notched, 97cm wide 62cm deep 71cm high £200 - 300 (plus 26.4% BP) Lot 508 A pair of yew and ash Windsor armchairs, mid 19th century (2) £600 - 800 (plus 26.4% BP) Lot 509 A carved oak wainscot, late 18th century, the leaf-decorated panel back above a solid seat, flanked by scroll arms on stretchered turned supports £200 - 300 (plus 26.4% BP)

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497-541 OAK AND COUNTRY FURNITURE

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Lot 510 A pine top trestle refectory table, 17th/18th century, the top raised on ash and oak supports, united with a central stretcher, on sleigh supports, 65cm wide 72cm deep 71cm high £300 - 400 (plus 26.4% BP) Lot 511 An oak and crossbanded side table, mid 18th century, with three drawers over a shaped apron and turned supports mounted with stretchers, 91cm wide £150 - 200 (plus 26.4% BP) Lot 512 A Charles II walnut armchair, with a scrolled and pierced top rail, the front stretcher carved with an eagle to the centre, on turned supports, with a cane back and seat, later cushion £200 - 300 (plus 26.4% BP)

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511

Lot 513 An oak lowboy with three drawers, a shaped apron, centred on cabriole legs, 81.5cm wide £100 - 150 (plus 26.4% BP) Lot 514 A miniature oak chest on chest, 18th century, in two parts, with an arrangement of two short over four drawers on bracket feet, with oval brass escutcheons, and circular ring handles, 58cm wide 43cm deep 71cm high £400 - 600 (plus 26.4% BP)

512

514

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OAK AND COUNTRY FURNITURE 497-541 Lot 515 A pine dresser base, with three panelled drawers, raised on turned tapering front legs, 187cm wide 48cm deep 84.5cm high £600 - 800 (plus 26.4% BP) Lot 516 A set of eight oak dining chairs, late 18th century, with pierced splats and drop-in seats (6 + 2) £300 - 500 (plus 26.4% BP)

515

516

517

518

Lot 517 A marquetry cushion frame mirror, 18th century, with a bevelled edge plate, the frame with scrolling foliage and birds to each side, 79cm wide 91cm high £300 - 500 (plus 26.4% BP)

Lot 518 An oak dresser, 18th century, with three geometric frieze drawers, on turned front legs, 205cm wide 55cm deep 80cm high £400 - 600 (plus 26.4% BP)

Lot 519 A pair of oak side tables, the faux marble serpentine tops over triangular turned stands, 89.5cm wide 49.5cm deep 75.5cm high (2) £300 - 500 (plus 26.4% BP)

519

138

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497-541 OAK AND COUNTRY FURNITURE

520

Lot 520 A walnut gateleg table, 17/18th century, with a plain top over ring turned supports, 167cm long £700 - 1,000 (plus 26.4% BP) Lot 521 A George lll elm cricket table, the circular top raised on three square section supports, united by a triangular undertier, 60cm diameter 68cm high £400 - 600 (plus 26.4% BP)

Lot 522 A George lll oak dresser, with a moulded cornice above shelves, the lower fitted three frieze drawers on faceted supports, over a pot board, 141cm wide 41cm deep 87cm high £800 - 1,200 (plus 26.4% BP) Lot 523 An oak joined armchair, 17th century, with panel back above solid seat, on stretchered square section supports, 54cm wide 52cm deep 87cm high £200 - 300 (plus 26.4% BP)

521

523

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522

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524

525

Lot 524 A George lll oak bureau cabinet, with a pair of panel doors, enclosing adjustable shelves and drawers above a fall front and three long drawers, on bracket feet, 87cm wide 49cm deep 206cm high £500 - 800 (plus 26.4% BP) Lot 525 A George lll oak cheese cupboard, the moulded cornice above a pair of panel doors, with pierced bar central sections, inclosing shelves, the lower fitted two frieze drawers above cupboard doors, on bracket feet, 102cm wide 48cm deep 190cm high £800 - 1,200 (plus 26.4% BP)

526

140

Lot 526 An oak chest, late 17th century, with a plank top above three drawers, on square section supports, 78cm wide 49cm deep 80cm high £200 - 300 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

497-541 OAK AND COUNTRY FURNITURE

527

528

Lot 527 An oak candle box, 18th century, the leather hinged top above base drawers, 23cm wide 20cm deep 52cm high £80 - 120 (plus 26.4% BP)

Lot 529 An oak side table, with a rectangular top, raised on trestle ends and scrolled feet, 79.5cm wide 50cm deep 75cm high £200 - 300 (plus 26.4% BP)

Lot 528 An oak chest of three geometric moulded drawers, late 17th century, with brass drop handles, on squat bun feet, 76cm wide 45cm deep 72cm high £200 - 300 (plus 26.4% BP)

Lot 530 An oak carved panel, dated 1740, with roundels and text between a flower head and leaf border, over a blackberry drop finial, 13cm wide 85cm high £200 - 300 (plus 26.4% BP)

529 530 www.sworder.co.uk

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531

533 Lot 531 An oak dresser base, 18th century, with mahogany crossbanding and seven drawers, with a central cupboard, 250cm wide 54cm deep 87cm high £800 - 1,200 (plus 26.4% BP)

532

Lot 532 An oak court cupboard, 17th century and later, the later top bears date 1619 within a dentil cornice and scrolled frieze above two six-panel carved doors, the base with three panel doors above three drawers and cabinet doors, 112cm wide 58cm deep 180cm high £600 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 533 An oval oak panel, 19th century, carved in relief depicting an Italian cardinal, 31.5cm wide 46.5cm high £150 - 250 (plus 26.4% BP)

534

142

Lot 534 An oak centre table, 17th century and later, the cleated plank top on turned supports and square stretchers, 113cm wide 66cm deep 70cm high £400 - 600 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

497-541 OAK AND COUNTRY FURNITURE

Lot 535 An oak cricket table, 19th century, on turned supports, 61cm diameter 67cm high £200 - 300 (plus 26.4% BP) Lot 536 An oak geometric front cabinet, late 17th/early 18th century, with a pine shelf, on block feet, 97cm wide 42cm deep 86cm high £250 - 350 (plus 26.4% BP)

Lot 537 A pair of oak wainscot armchairs, late 17th century and later, each with scrolled top, a lozenge carved central panel, solid seats and turned legs united with stretchers (2) £600 - 800 (plus 26.4% BP) Lot 538 An harlequin set of eight oak chairs, 17th century and later, two sets with fret cut tops, moulded backs, solid or moulded seats and turned supports (8) £1,000 - 1,500 (plus 26.4% BP)

535

536

537

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539

Lot 539 An oak geometric front chest, late 17th century, with four drawers and brass pear drop handles, 99.5cm wide 54cm deep 92cm high £400 - 600 (plus 26.4% BP)

540

Lot 540 An oval oak gateleg table, with spiral turned supports, 127cm wide 170cm open £800 - 1,200 (plus 26.4% BP)

Lot 541 An oak clamp front hutch or ark, 16th century, the doomed lid over clamped and boarded sides and on shaped broad stile feet, 91cm wide 47cm deep 72cm high £1,500 - 2,000 (plus 26.4% BP) Literature: For similar examples, see Chinnery, ‘Oak Furniture, The British Tradition’ p.357, fig 3.359 and Edwards, ‘Dictionary of English Furniture’, 1986, Vol. II, p.29, fig.3.

541

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542

Lot 542 A walnut settee, in the 18th century style, recently reupholstered, 181cm wide £600 - 800 (plus 26.4% BP) Lot 543 A French marquetry and gilt bronze mounted table, late 19th century, 60cm wide 40cm deep 74cm high £300 - 500 (plus 26.4% BP)

Lot 544 A marquetry cabinet, late 19th century, the pink and white-veined marble top over a single door with an oval convex panel, 85cm wide 40cm deep 105cm high £400 - 600 (plus 26.4% BP)

543

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545

Lot 545 A set of fourteen Continental walnut and leather dining chairs, with brass studs and painted embossed panels, including a pair of elbow chairs, 128cm high (14) £1,000 - 1,500 (plus 26.4% BP)

Lot 546 An Edwardian painted satinwood standing corner cupboard, the top with plain neck cornice and astragal glazed door, the base door with an oval figural panel, 67cm wide 40cm deep 206cm high £150 - 250 (plus 26.4% BP)

546

146

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542-666 OTHER FURNITURE Lot 547 A Regency rosewood table, the circular top with inlaid brass banding, on a carved column with four sabre legs and brass castors, 125cm diameter 73cm high £500 - 700 (plus 26.4% BP)

Lot 548 A Dutch turned wood bucket, 19th century, of ribbed sectional construction, with a brass liner and swing handle on a domed base with ebonised ball feet, 41cm high £150 - 250 (plus 26.4% BP)

Lot 549 A pair of shield-back single chairs, painted by Thomas Messel, with Prince of Wales feathers (2) £150 - 250 (plus 26.4% BP) Thomas, the nephew of Oliver Messel, is a well respected furniture and interior designer, whose clients include Colefax and Fowler, Jane Churchill and Nicky Haslam.

Lot 550 A modern corner settee, upholstered in straw-coloured fabric with green trim and rope fringing, with loose cushions, on brass castors, 324 x 168cm £500 - 800 (plus 26.4% BP)

547

548

549

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551

Lot 551 A George IV mahogany chaise longue, recently reupholstered with striped red ticking fabric, raised on turned and carved feet with brass castors, 195cm wide £700 - 900 (plus 26.4% BP)

552

553

Lot 552 A pair of X-framed oak armchairs, mid-19th century, in the manner of Richard Bridgens, with scroll finials above blind fretwork, decorated supports, arms and legs, the legs joined by turned stretchers, the back and seat upholstered with gros point fabric and velvet, 68cm wide 110cm high (2) £200 - 300 (plus 26.4% BP)

Lot 553 A Killarney marquetry writing slope, mid 19th century, the yew wood ground with central Celtic harp, encompassed by a foliate border, enclosing fitted interior, 35cm wide 25cm deep 10cm high £300 - 500 (plus 26.4% BP)

Lot 554 A pair of yellow leather wing armchairs, with buttoned backs, on walnut cabriole club foot legs (2) £600 - 800 (plus 26.4% BP)

554

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542-666 OTHER FURNITURE

555

Lot 555 A large painted leather eight-leaf screen, late 19th century, painted all-over with a Chinese garden including figures, pavilions and exotic birds, the reverse with flowering plants, 273cm high 424cm wide overall 53cm each panel ÂŁ400 - 600 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 556 A Tibetan cabinet and shrine section, the cabinet front with six panels and two pairs of doors, painted with gilt foliage designs, 120cm wide 41cm deep 99cm high, the shrine section with five arches and painted polychrome relief decoration, 51cm wide 25cm deep 72cm high (2) ÂŁ300 - 500 (plus 26.4% BP)

556

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OTHER FURNITURE 542-666 Lot 557 A Louis XV design kingwood side cabinet, early 20th century, the shaped rouge and white marble top above a pair of panel doors, enclosing shelves, on cabriole feet, with gilt metal paw mounts, labelled ‘H.A. Comer, London’, 120cm wide 42cm deep 120cm high £300 - 500 (plus 26.4% BP)

Lot 558 A pair of French gilt metal and royal blue candelabra, early 20th century, fitted with four naturalistic branches with flower head detail descending on to an urn column and circular base, 47cm high (2) £150 - 250 (plus 26.4% BP)

557

Lot 559 A pair of Louis XV design parquetry bedside cabinets, 20th century, each having a frieze drawer above a cupboard, on slender cabriole supports, 42cm wide 37cm deep 81cm high (2) £300 - 500 (plus 26.4% BP)

Lot 560 A kingwood Louis XV design bonheur-du-jour, 20th century, the raised superstructure with two base drawers above a frieze drawer, fitted with a leather writing surface, on cabriole supports, 70cm wide 45cm deep 106cm high £300 - 400 (plus 26.4% BP)

558

559

150

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542-666 OTHER FURNITURE Lot 561 A Victorian oak extending dining table, with eight leaves, raised on a two shaped supports, with a central leg, 136cm closed 484cm extended £1,000 - 1,500 (plus 26.4% BP)

561 detail

Lot 562 A Dutch brass six-branch hanging chandelier, 18th century, with scrolled branches, slotting into the central column, 79.5cm high £300 - 500 (plus 26.4% BP)

561

Lot 563 A Regency mahogany cabinet, of small proportions, with a reeded edge over two later frieze drawers, later latticed copper panels, raised on turned feet, 102cm wide 32.5cm deep 78.5cm high £400 - 600 (plus 26.4% BP) Lot 564 An Howard & Sons green upholstered armchair, with a button back, inscribed ‘6870 128 Howard & Sons Ltd, Berners St.’ £800 - 1,200 (plus 26.4% BP)

562

563 564

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565 Lot 565 An Indian Agra carpet, late 19th century, of Ardabil design, 363 x 422cm £1,000 - 1,500 (plus 26.4% BP) Lot 566 A Kelim runner, with a central geometric motif on a red field within multiple borders, 466 x 107cm £300 - 500 (plus 26.4% BP)

Lot 567 A Victorian mahogany library table, lacking a leather top, with three frieze drawers, raised on turned support legs, on brass cups and castors, 138cm wide 76cm deep 74.5cm high £500 - 700 (plus 26.4% BP)

Lot 568 A walnut chest, mid 18th century, with two short and three long drawers, with oak side, raised on a later walnut stand and raised on turned supports, united with a shaped stretcher, later brassware, 101cm wide 53cm deep 139.5cm high £850 - 950 (plus 26.4% BP)

566

567

152

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542-666 OTHER FURNITURE Lot 569 An hide covered trunk, early 19th century, with a dome top and a painted interior, with iron carrying handles, 109cm wide 56cm deep 48cm high £350 - 450 (plus 26.4% BP) Lot 570 A Regency faux rosewood painted settee, the square back, with shaped and ring turned legs, re-upholstered and re-webbed, 195cm wide 78cm deep 86cm high 44cm approximate seat height £600 - 800 (plus 26.4% BP) Lot 571 A Regency mahogany library armchair, with red leather upholstery, a moulded mahogany frame, raised on reeded legs and with brass caps and castors £400 - 600 (plus 26.4% BP)

569 Lot 572 A George III mahogany silver table, with a dished top, over a frieze drawer and carved cabriole legs, 71cm wide 51cm deep 74cm high £1,000 - 1,500 (plus 26.4% BP)

570

571

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572

153

OTHER FURNITURE 542-666 Lot 573 A Sheraton Revival satinwood and painted table, with elm oval top, united with an ‘X’ stamped stretcher, stamped ‘OM 3603’, 35cm wide 27cm deep 70cm high £300 - 500 (plus 26.4% BP)

Lot 574 A Victorian carved walnut stool, with recent machine embroidered upholstery, 85cm wide 56cm deep 42cm high £600 - 800 (plus 26.4% BP) Lot 575 A Victorian walnut stool, with original Berlin work upholstery, raised on pottery castors, 67cm wide 50cm deep 50cm high £450 - 550 (plus 26.4% BP) Lot 576 A walnut and featherbanded bureau, 18th century, with a slope front, enclosing pigeonholes and a central cupboard, over four long graduated drawers, 76cm wide 49cm deep 100cm high £400 - 600 (plus 26.4% BP)

573

573 detail

574 575

576

154

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542-666 OTHER FURNITURE

578

Lot 577 A walnut and inlaid bureau, mid-18th century, the slope front over four long graduated drawers, on bracket feet, 93cm wide 52cm deep 100cm high £700 - 1,000 (plus 26.4% BP)

Lot 578 An Esfahan carpet, modern, in fine silky wool, inscribed at one end ‘SEIRAFIAN ESFAHAN’ and with Arabic script, 305 x 201cm £800 - 1,200 (plus 26.4% BP)

Lot 579 A mahogany bow front sideboard, early 19th century, with two frieze drawers, with a cellaret and cupboard and bold brass ring handles, on square tapering legs, 147cm wide 68cm deep 92cm high £400 - 800 (plus 26.4% BP)

579

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580

581

Lot 580 A mahogany twin-pillar dining table, the solid top with three additional leaves, table 320cm wide 112cm deep, and a set of ten Chippendale-style mahogany dining chairs, with carved backs and claw and ball foot front legs (9 +1) £500 - 800 (plus 26.4% BP)

Lot 581 Two pairs of George III side chairs, with recent needlework drop-in seats (4) £250 - 350 (plus 26.4% BP)

582

156

Lot 582 A pair of George III mahogany deportment chairs, with cane seats and ring turned supports, 97cm high (2) £200 - 300 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE Lot 583 A William IV rosewood reclining library chair, reupholstered £400 - 600 (plus 26.4% BP)

Lot 584 A Scottish mahogany spinning wheel, with chequer strung details, 89cm high £150 - 200 (plus 26.4% BP)

Lot 585 A George III-style mahogany and painted chair back settee, 160cm wide £800 - 1,200 (plus 26.4% BP)

583

584

585

Lot 586 A mahogany book carrier, with spindle ends and a centre divider, 46cm wide £300 - 400 (plus 26.4% BP)

Lot 587 A marble finial, modelled as a veiled urn, 65.5cm high £600 - 800 (plus 26.4% BP)

586 587

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589

588

590

Lot 588 A matched set of three camphorwood and leather chests, late 18th/early 19th century, each brass mounted, with studwork in green and black, with brass carrying handles, 50cm wide x 26cm deep x 18cm high 63cm wide x 31cm deep x 28cm high 88cm wide x 46cm deep x 40.5cm high (3) £300 - 500 (plus 26.4% BP)

158

Lot 589 A matched set of four camphorwood and leather chests, late 18th/19th century, each with brass mounts, studwork and brass carrying handles, the largest with an hinged side box and two trays, smallest 66cm wide x 38.5cm deep largest 114cm wide x 60cm deep x 56cm high (4) £600 - 800 (plus 26.4% BP)

591

Lot 590 A pair of Louis XV-style rosewood fauteuils, with recent turquoise upholstery and with horn castors (2) £700 - 900 (plus 26.4% BP) Lot 591 A gilt hanging light, late 19th/early 20th century, with a domed five glass panelled light on rope twist supports, 67cm diameter £700 - 900 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

Lot 592 A giltwood console table, 18th century, probably Italian, the frieze with scrolled foliate decoration over pierced scrolled legs and shell feet, later marble top, 93cm wide 35cm deep 84cm high £800 - 1,200 (plus 26.4% BP) Provenance: With David Tron (Antiques) Ltd 1976.

Lot 593 An Adam-style oval wall mirror, with an urn and floral capitals over gesso husk and flower head swags, 106cm wide 94cm high £200 - 300 (plus 26.4% BP) Provenance: With Harrods 1975.

Lot 594 An Indian brass inlaid folding hardwood low table, early 20th century, the octagonal top with profuse brass inlay and hardwood, stringing over a carved and pierced base, bears paper label ‘Made in British India’, 51cm diameter 51cm high £200 - 300 (plus 26.4% BP)

594 detail

593

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594

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595 596 a set of six

Lot 595 A Victorian circular rosewood dining table, raised on an hexagonal column and triform base with three claw feet, 136cm diameter £600 - 800 (plus 26.4% BP)

Lot 596 A set of six William IV mahogany dining chairs (6) £300 - 500 (plus 26.4% BP)

597

598 Lot 597 A leather button-back desk chair, raised on ring turned front legs and oversize castors £200 - 300 (plus 26.4% BP)

Lot 598 A mahogany side table, with a rectangular top and canted corners over a single drawer, raised on turned supports with an ‘X’ shaped stretcher, 64.5cm wide £150 - 200 (plus 26.4% BP)

Lot 599 An Italian walnut inlaid table cabinet, centred with an architectural portico with two drawers, with locking mechanism for the further seven drawers, raised on turned bun feet, 78cm wide 33cm deep 59cm high £800 - 1,200 (plus 26.4% BP)

599

160

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542-666 OTHER FURNITURE

Lot 600 A carved pine and walnut console table, late 18th century, the serpentine top simulated marble, the base carved with a dolphin on a scrolled plinth, 96cm wide 31cm deep 75.5cm high ÂŁ600 - 800 (plus 26.4% BP)

600

Lot 601 A George I walnut bureau cabinet, with later alterations, crossbanded and feather banded throughout, with a moulded cornice over a single shaped mirror, with three drawers with a candlestick over a sloped front, enclosing a fitted interior with a sliding well, secret drawers, further drawers and pigeonholes, over four graduated drawers, 58cm wide 50cm deep 193cm high ÂŁ3,000 - 5,000 (plus 26.4% BP)

601 open

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601

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602

602 open

Lot 602 A Queen Anne walnut double dome bureau cabinet, of small size, crossbanded and featherbanded, with the moulded cornice over two bevelled and coronet cut plates enclosing two shelves, over two serpentine front drawers, the slope front enclosing a well, drawers and pigeonholes, over two short and two long drawers, on bun feet, with an ivorine oval label ‘FRANK PARTRIDGE, 26 KING STREET, ST JAMES AND NEW YORK, WORKS OF ART’, later alterations, 75cm wide 51cm deep 194cm high £4,000 - 6,000 (plus 26.4% BP)

Groombridge Place interior with bookcase Lot 603 A George I walnut bachelor’s chest, inlaid and crossbanded, with an hinged rectangular top, over two short and three long graduated drawers, later alterations, 79cm wide 30cm deep 74cm high £2,000 - 3,000 (plus 26.4% BP)

Provenance: Sotheby’s Groombridge Place, 15-16th September 1992, Lot 152; Christie’s, 27 March 2007, Lot 156

603

162

603 open

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542-666 OTHER FURNITURE Lot 604 A pair of George III-style carved and giltwood mirrors, 55.5cm wide 110cm high (2) £1,500 - 2,000 (plus 26.4% BP)

Lot 605 An ebonised tortoiseshell mirror, late 17th century, with an ebonised and moulded frame, with tortoiseshell panels, 66.5cm wide 82cm high £600 - 800 (plus 26.4% BP)

Lot 606 A Louis XV marble top walnut commode, of serpentine form, with a wide moulded edge, over two drawers with scrolled handles, 125cm wide 64cm deep 86cm high £1,000 - 1,500 (plus 26.4% BP)

604

Lot 607 A pair of Etruscan-style toleware table lamps, of urn form, 90cm high (2) £150 - 250 (plus 26.4% BP)

605

607

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608

609

Lot 608 A George I walnut fall front bureau, in two parts, the upper fitted sloping front enclosing a fitted interior, the lower consisting of two short above two long drawers, on bracket feet, 88cm wide 60cm deep 98cm high £200 - 300 (plus 26.4% BP) Lot 609 A Regency stripped pine armchair, remnants of paint, on castors, damaged front £300 - 500 (plus 26.4% BP)

610

164

Lot 610 An oak twenty-two drawer collector’s cabinet, later painted in gold lettering with numbered drawer fronts, 51cm wide 51.5cm deep 142cm high £700 - 900 (plus 26.4% BP) Lot 611 A ship’s coopered oak rum barrel, of tapering form, with brass hinges and lock plates, 74cm high £1,200 - 1,500 (plus 26.4% BP)

611

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

613

Lot 612 An Edwardian library globe, ‘The Merchant Shipper Globe’, by Philips, 18th century, in a three-tier stand, fitted with a compass, raised on castors, 65cm wide 130cm high £1,200 - 1,500 (plus 26.4% BP) Lot 613 A brass hanging coat rack, with five supports, 196cm long £400 - 600 (plus 26.4% BP)

Lot 614 A Louis Vuitton monogrammed cabin truck, no. 820971, labelled ‘Paris 70 Champs Elysees 149 New Bond St.’, LV monogram, wooden slats, castors, painted owner’s monogram ‘BR’, with an internal tray, old Diplomatic labels and one inscribed ‘Bernando Reyes’, 110.5cm wide 55cm deep 34.5cm high £4,500 - 5,500 (plus 26.4% BP) Bernando Reyes (1850-1913) was a Mexican politician and soldier. He was jailed after a failed attempt to oust Francisco Madero. He was subsequently freed, but was killed when he marched on to the National Palace in the beginning of the ‘Decena Trágica’.

612

614

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615 front

Lot 615 A Victorian walnut and ebonised three-fold screen, with asymmetrical panelled sections, with verre églomisé mounts, fitted with engravings, 150cm wide overall panels 50cm wide 154cm high £300 - 500 (plus 26.4% BP)

615 back

Lot 616 An Howard & Son concave settee, stamped Howard Chairs, London W1, 1959, 184cm wide approx £2,000 - 3,000 (plus 26.4% BP)

616

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542-666 OTHER FURNITURE

618

619 620 Lot 617 A champlevé and onyx standard lamp, modelled as a gilt bronze mounted urn on a column stand, 149cm overall £1,500 - 2,000 (plus 26.4% BP) Lot 618 A Victorian two-tier mahogany buffet, with a moulded gallery back on lappet carved and fluted baluster legs, 159cm wide 61cm deep 109cm high £400 - 600 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 619 A Victorian gilt-framed side chair, with a high oval padded tapestry back and seat on moulded front legs and castors £200 - 400 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 620 A pair of oak column torchères, late 19th century, with carved Corinthian capitals above a twisted stems applied with foliage on square stepped bases, 161.5cm high (2) £600 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

617

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621 Lot 621 A large mahogany framed sofa, late 19th century, with an arched back and scroll arms, with crisply carved decoration, 240cm wide £600 - 800 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 622 A Victorian mahogany dressing table, the arched swing mirror on three drawers, over three frieze drawers and turned and fluted end supports, 130cm wide £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 623 A pair of George III mahogany night stands, each with a split hinged top and a rise and fall mirror, over two doors and a fitted bidet drawer, 42cm wide 51cm deep 87cm high (2) £200 - 400 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe. Lot 624 A Victorian mahogany centre table, with two frieze drawers and two dummy drawers on turned and fluted end supports, 105cm wide 56cm deep 71cm high £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

622

623

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625

626

Lot 625 A Victorian oak country house letter box, with an hinged cover and base drawer, 44cm wide £100 - 200 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 626 A mahogany invalid’s chair, early 19th century, worn, £200 - 400 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

Lot 627 A pair of Regency faux rosewood pole screens, with embroidered panels, painted and grained decoration, 174cm (2) £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

627

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169

OTHER FURNITURE 542-666

630

628 Lot 628 After Sir David Wilkie, ‘THE MAID OF SARAGOSSA’; Engraving Samuel Cousins, after Sir Edwin Landseer, ‘BOLTON ABBEY IN THE OLDEN TIMES’, Engraving, published by Thomas Boyes images 19 x 28cm, in part carved and gesso Gothic Revival oak frames, with the titles carved to lower rail frames 107 x 122cm (2) £300 - 500 (plus 26.4% BP) Provenance: Standen Hall, Clitheroe.

629

Lot 629 A set of six iron planters, each painted and standing on scrolled and foliate columns, mounted on composition square stone plinths, 162cm high (6) £400 - 600 (plus 26.4% BP)

Lot 630 An Italian baroque-style pier table, 20th century, with a serpentine rouge marble top on an ornately carved silvered wooden base, 102cm wide 69cm deep 77cm high £800 - 1,200 (plus 26.4% BP)

Lot 631 An Edwardian strung mahogany cylinder bureau, the fitted interior with a leathered pull-out writing surface and adjustable slope, 93cm wide 61cm deep 106.5cm high £350 - 550 (plus 26.4% BP)

631

170

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

632

633

635

Lot 632 A Regency rosewood breakfront dwarf bookcase, the later marble top over four grille doors, adjustable shelves with veneered fronts and a plinth base, 183cm wide 46cm deep 89cm high £1,000 - 2,000 (plus 26.4% BP)

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634

636

Lot 633 A pair of unusual Chinese hardwood table lamps, in the form of pagodas with silk shades and carved stretchers, 56cm high (2) £150 - 300 (plus 26.4% BP)

Lot 635 A white marble font, probably 19th century, with a lead liner, the sides carved and painted with fish and nets, 70cm diameter, on a later painted wooden plinth £200 - 400 (plus 26.4% BP)

Lot 634 A pair of gilt-bronze table lights, each with ornately case foliate stems on weighted quatraform bases, each with a candle bulb and tall glass storm shade, 91cm high overall (4) £500 - 800 (plus 26.4% BP)

Lot 636 A pair of modern gilt bronze ornaments, in the form of crowns mounted on a turned column and base, 90cm high (2) £200 - 400 (plus 26.4% BP)

171

OTHER FURNITURE 542-666 Lot 637 A painted metal and glazed lantern, mounted on a painted ‘grained’ column, lantern 70cm high overall 160cm high £300 - 500 (plus 26.4% BP)

638

Lot 638 A modern carved wood and painted bed canopy, worked as a continuous row of feathers, 68cm diameter, and an oval carved wooden crown, 67cm long (2) £200 - 300 (plus 26.4% BP)

Lot 639 A painted wooden plaque, surmounted by a crown, within a sunburst border, inscribed ‘Blood and Fire’ around a crest, 107cm high £200 - 400 (plus 26.4% BP)

637

Lot 640 A bronze astrolabe sphere, 20th century, mounted on a bell dated 1891, a painted metal column and bronze plinth, 214cm high £500 - 800 (plus 26.4% BP)

639

172

640

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

641

Lot 641 A Victorian sectional glass dome skylight, with clear glass and coloured glass panels, with fish scale joins, comprising four central panels, six end panels, and central panels, some losses and damage, 196cm wide 110cm deep 80cm high all approximate £300 - 500 (plus 26.4% BP)

Lot 642 A painted iron column, of tapering pierced strapwork, 300cm high £100 - 200 (plus 26.4% BP) Lot 643 A pair of lead cherubs on stone balls, 19th century, each holding a goblet and squeezing juice from grapes or a pear, with damages, each 75 and 67cm high 37cm diameter 80cm high approximately (2) £1,000 - 1,500 (plus 26.4% BP)

642

643

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173

OTHER FURNITURE 542-666

644

645

Lot 644 A Regency-style garden bench, repainted, with a scrolled back, 152cm wide £300 - 500 (plus 26.4% BP)

Lot 646 A George III wing armchair, upholstered in yellow leather on moulded square legs £500 - 800 (plus 26.4% BP) Lot 647 A George III tub armchair, the rounded back and seat upholstered in green leather with brass studs, on turned mahogany front legs £500 - 800 (plus 26.4% BP)

Lot 645 A Regency-style garden bench, repainted, 147cm wide £300 - 500 (plus 26.4% BP)

646

174

647

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

649

Lot 648 A French inlaid tulip display cabinet, mid-late 19th century, the single glazed door enclosing shallow shelves and a mirrored back, 57cm wide 13cm deep 128cm high £1,200 - 1,500 (plus 26.4% BP) Lot 649 A George III crossbanded and strung rosewood fold-over card table, on turned legs, 92cm wide 43cm deep 70cm high £300 - 500 (plus 26.4% BP)

648

650

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Lot 650 A cast iron single turnstile, cast with a five-digit counter, number ‘10513’, cast ‘Stevens & Sons, Southwark Rd., London, 1887’, with a latticework stand and with a foot pedal, 107cm wide 197cm deep 104cm high turnstile 92cm diameter £400 - 600 (plus 26.4% BP) Lot 651 A cast iron single turnstile, by Sir W H Bailey & Co. Ltd., Albion Works, Manchester, with footplate, 107cm wide 100cm deep 97cm high turnstile 89cm diameter £400 - 600 (plus 26.4% BP)

651

175

OTHER FURNITURE 542-666 Lot 652 A George II-style giltwood wall mirror, with carved decoration and bevelled plate, 123cm high £300 - 500 (plus 26.4% BP) Lot 653 A gilt bronze hanging hall lantern, late 19th century, with a gas mount and a cylindrical glass shade, 72cm high £250 - 350 (plus 26.4% BP) Lot 654 A walnut and feather banded chest of drawers, in two parts, labelled ‘Elizabeth Bell & Son at the White Swan against the South Gate in St Pauls Church Yard, London’ 95.5cm wide 53.5cm deep 115cm high £400 - 600 (plus 26.4% BP) Henry Bell set up a furniture business in 1736, which was continued by his widow, Elizabeth Bell, at White Swan, St Paul’s Churchyard, London, with later assistance from her son, Philip. The label would indicate that the date of this piece would be 1745-58. Elizabeth Bell died in about 1758.

653

Literature: Christopher Gilbert’s ‘Pictorial Dictionary of Marked London Furniture 1700-1840’, p.17, and pl.75, p.89.

652

654 detail

654

176

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

655

Lot 655 An hall table, 19th century, the circular reconstituted marble top of dished form over a gilt baluster stem, on a tripartite base, with each foot surmounted by a sphinx, all on shaped bun feet and recessed castors, 100cm diameter 72cm high £2,000 - 4,000 (plus 26.4% BP)

Lot 656 A Victorian rosewood window seat, with blind tracery panels, with a pair of bolsters, 168cm wide 57cm deep 67cm high £300 - 500 (plus 26.4% BP)

656

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Lot 657 An antique wing back armchair, with embroidered rich yellow fabric upholstery, raised on mahogany legs and stretchers, with caps and castors £600 - 800 (plus 26.4% BP)

657

177

OTHER FURNITURE 542-666

658

659 660

Lot 658 A pair of brass braziers, 18th century, with scroll handles, on front lion paw feet, 57cm wide (2) £250 - 350 (plus 26.4% BP)

Lot 659 A carved wood and painted dinner gong, 20th century, modelled as two oriental men holding the pole aloft, with a gilt decorated gong slung from the pole £300 - 500 (plus 26.4% BP)

Literature: For similar items and definition, see alphabetical entry in ‘The Shorter Dictionary of English Furniture’, by Ralph Edwards.

Lot 660 A pair of Cornithian column simulated marble pedestals, carved wood and painted, each 119cm high (2) £200 - 300 (plus 26.4% BP)

Lot 661 A pair of Etruscan-style toleware table lamps, of urn form, decorated with black figures against a terracotta ground, each 90cm high approximately (2) £150 - 250 (plus 26.4% BP)

661

178

662

Lot 662 A walnut-framed wing armchair, in the Queen Anne style, with recent upholstery £400 - 600 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 180-181

542-666 OTHER FURNITURE

663 664 Lot 663 Two carved gilt wood armchairs, late 19th century, in the Louis XV-style (2) £500 - 700 (plus 26.4% BP) Lot 664 A pair of George I-style high back single chairs, on carved giltwood legs and stretchers, 123cm high (2) £500 - 800 (plus 26.4% BP) Lot 665 A George II walnut kneehole desk, the strung and crossbanded top over one long drawer and seven short drawers, around a central door, 77cm wide 49cm deep 73cm high £1,000 - 1,500 (plus 26.4% BP) Lot 666 A set of six George III mahogany bar back dining chairs, with drop-in seats, turned front legs and turned cross stretchers, two further George III mahogany chairs, together with four mahogany dining chairs (12) £400 - 600 (plus 26.4% BP)

665

666

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179

INDEX OF ARTISTS A Andreis, Alex de

447

B *Barker, Kit Barnard, Frederick Barnes, Edward Charles Beach, Circle of Thomas Benard, ... *Bliss, Douglas Percy Boys, Thomas Shotter, after George French Angas Brangwyn, Circle of Sir Frank *Bratby, John Bright, Harry Bristow, Edmund Browne, Gordon Buck, Frederick

281 465 469 314, 315 423 336 299

C Callow, John Carelli, Gabrielli Cassell, Frank Chase, Marian Churchyard, Thomas Clark, Frederick Albert Clark, Albert James Constable, Follower of John Continental School Cooper, G... J... *Cooper, Dorothy

332 327, 328 410 337 333 428 431 420 409, 454 403 452

450 407 417 391 284 457

D Diets, Jakob Domenichino, Manner of *Doyle, John Dutch School 377, Dutton, Attributed to John Frederick Harrison Dutton, John Frederick Harrison Dvorak, Franz

453 379 352 382 399 400 372

E Early 19th century 433 Elmer, Stephen 384 English School 298, 300, 301, 323, 340, 386, 392, 393, 395, 398, 401, 416, 430 Etty, Circle of William 396 F Faed, Thomas *Fortuney, Louis French School

324 349 305

G *Gantner, Bernard Gardner, William Biscombe Gilbert, Arthur Goodwin, Harry Griggs, Frederick Landseer Griset, Ernest Henri Guha, Sunil

451 322 436 353 290 334 342

H H..., E... Haghe, Louis, after David Roberts Haite, George Charles Halfpenny, Joseph Ham, Ada J Hammond, R J

449 280 422 306 338 435

Helleu, Paul César *Hepple, Norman Hermann, Circle of Ludwig Heyligers, Antoon Francois Hobbema, After Meindert Hoffman, Eduardo Holland, Attributed to James Hudson, Circle of Thomas Hunt, William Henry Hunt, Walter I Indoni, Attributed to Filippo Italian School J James, David *Johns, William Earl Joyce, Mary

369 456 445 439 385 468 326 390 316 405 441 381, 429

414 343, 344, 345, 346, 347, 348 335

K Keating, Tom *Kennedy, Cecil Kindermans, Jean-Baptiste Kinnard, Henry John Knell, William Calcott *Knox, Wilfred

458, 459 455 437 319 421 360

L Lake, Randall *Lambert, Terence Lauder, Charles James Leader, Benjamin Williams Lear, Edward Lens III, Attributed to Bernard Lloyd, Thomas Ivester Longhi, Circle of Pietro Luminais, Évariste-Vital *Lynch, James

470 362 313 312 310 295 354, 446 380 440 358

M Marson, Thomas E McLean, J... M... Mesples, J... Mitchell, John Campbell *Moore, Henry Morgan, Baxter *Moroni, Federico Mortain, Gilles Mostyn, Thomas Edwin *Munnings, Sir Alfred James

427 424 415 467 291, 292 464 355, 356 289 466 357

N *Náray, *Aurél Neapolitan School,

448 341, 370

O O’Neil, Henry Nelson Orlik, Emil

413 285

P Paice, George 404 Parker, Circle of Henry Perlee 402 *Patterson, R M 373 *Payne ‘Snaffles’, Charles Johnson 287 *Pearce, Edward Holroyd 460, 461, 462, 463 Pickenoy, Circle of Nicolaes Eliasz 388 Porter, Maud 329 Prosdocimi, Alberto 321

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

180

R Rajon, Paul-Adolphe Rigaud, Follower of Hyacinthe Rippingille, Attributed to Edward Villiers Roman School Roosenboom, Albert Rowlandson, Manner of Thomas Russell, Follower of John

394 387 293 383 443 307 303

S S..., W... 339 Sandby, Circle of Paul 308 Scarborough, Frank William 364 Schafer, Henry 434 Sealy, Allen Culpepper 406 Seymour, Thomas 418 Sickert, Follower of Walter Richard 359 304 Smith, Circle of John Raphael *Smith, John P 361 Smith, John Brandon 425 Spanish School 376 *Spencelayh, Charles 309 Spinks, Thomas 411, 412 *Stannard, Henry John Sylvester 350 *Stannard, Theresa Sylvester 363 Steer, Philip Wilson 351 Stevens, Alfred George 325 Stothard, Thomas 302 Stotz, Otto 426 Strang, William 283 Sutcliffe, Thomas 330 Swanwick, Harold 320 T Thom, James Crawford Thompson, Circle of Thomas Clement Tinney, John, After Jacques Rigaud Tuscan School

444 297 288 374

V van Bergen, Follower of Dirck Van Der Werff, Circle of Adriaen Van Dyck, After Sir Anthony Van Ruith, Horace Varley, John

378 375 296 397 311

W Walker, Edmund, after Thomas Bowler Walton, P... *Wardle, Arthur Watteau, 19th century, follower of Antoine Wicar, After Jean Baptiste Joseph Williams, Circle of Edward Charles Williams, Alfred Walter Wilson, Charles Edward Wilton..., J *Wiseman, George 365, 366, 367, Wood, Attributed to William Woollett, Attributed to Henry Charles

282 371 317 432 389 408 419 318 438 368 294 442

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attibuted to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

The addition of a question mark (?) after any of the above Circle of David Cox cataloguing terms indicates in our opinion a work from the period of the artist and showing his an element of doubt. influence. A work catalogued as ‘School’ accompanied by the name of Follower of David Cox a place or country and a date means that in our opinion the in our opinion a work executed in the style of David Cox work was executed at that time and in the location, eg. South Netherlands School, circa 1750. After David Cox in our opinion a copy of any date after a work by the artist All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the Signed/inscribed/dated purpose of cataloguing. in our opinion the work has been signed/inscribed/dated by the artist Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%. Hammer Price

Royalty

From 0 to €50,000

From €50,000.01 to €200,000

From €200,000.01 to €350,000

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

0.25%

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:  the artwork is a copyright protected work of graphic or plastic art;  it is sold for more than €1000;  it is sold in the secondary market with the involvement of an art market professional (e.g. auction house);  and it is sold in the UK or another country in the European Economic Area (EEA). This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

181

JEWELLERY AND WATCHES TUESDAY 11 JULY 2017, 10am

An Arts & Crafts citrine, peridot, silver and gold pendant, matched suite, c.1930, attributed to Dorrie Nossiter Estimate ÂŁ1,000 - 1,500

For more information contact: Catriona Smith jewellery@sworder.co.uk 01279 817778

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SILVER TUESDAY 11 JULY 2017, 10am

A Danish silver water pitcher, Georg Jensen, Copenhagen, 1925-32, designed by Jørgen Jensen in 1923 Estimate £1,200 - 1,500

For more information contact: Claire Grindey clairegrindey@sworder.co.uk 01279 817778

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20TH CENTURY DECORATIVE ART AND DESIGN TUESDAY 10 OCTOBER 2017 F U RT H E R E N T R I E S A R E I N V I T E D. C L O S I N G DAT E : F R I DAY 2 5 A U G U S T

Charles Francis Annesley Voysey (1857-1941) AN ‘HERALDIC’ WALLPAPER DESIGN, signed, dated and inscribed ‘CFA Voysey Archt 23 York Place W Sept 20 1904 / Copyright for paper belongs to Essex and Co.’, watercolour and pencil 69 x 56cm

For more information contact: John Black johnblack@sworder.co.uk 01279 817778

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HOMES AND INTERIORS SALES E V E RY F O R T N I G H T T H R O U G H O U T T H E S U M M E R

AT T H E S TA N S T E D M O U N T F I T C H E T A U C T I O N R O O M S Tuesdays at 10am - Viewing Mondays between 9am and 7pm Tuesday 4 July

Tuesday 15 August

Tuesday 18 July

Tuesday 5 September

Tuesday 1 August

Tuesday 19th September

For more information contact: James Pickup jamespickup@sworder.co.uk 01279 817778

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MODERN BRITISH ART MONDAY 13 NOVEMBER, 10am

Eduardo Paolozzi (1924-2005) ‘SELF-PORTRAIT WITH A STRANGE MACHINE’ bronze, 85cm Estimate £40,000 - 60,000

For more information contact: Amy Scanlon amyscanlon@sworder.co.uk 01279 817778

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MODERN AND CONTEMPORARY PRINTS WEDNESDAY 1 NOVEMBER, 10am F U RT H E R E N T R I E S A R E I N V I T E D Barbara Hepworth (1903-1975) MOON LANDSCAPE Lithograph printed in colours, 1972, signed and numbered in pencil, the edition of 90 Estimate £1,200-1,800

For more information contact: Shane Xu shanexu@sworder.co.uk 01279 817778

ASIAN ART TUESDAY 7 NOVEMBER, 10am am F U RT H E R E N T R I E S A R E I N V I T E D

A Chinese famille rose ‘jue’ cup, 18th century, made in imitation of an early archaic bronze form, the body raised on three tall spread legs with masks, 13.5cm high Estimate £2000-3000 Provenance: The Collection of Erik Nordström (1884-1971) Post General in Shanghai at the Royal Chinese General Post Ofﬁce,1910

For more information contact: Yexue Li yexueli@sworder.co.uk 01279 817778

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ABSENTEE BID FORM If you are unable to attend the sale we are ABSENTEE happy to execute bids BID on your FORM behalf. This ABSENTEE BID FORM

DATE OF AUCTION: Decorative Art and Design – 29 & 30 July 2014

service is free and confidential.

NAME:

Indicate your limit for each If• you are unable to attend the lot sale we are happy to If unable to we If you you are are unable to attend attend the sale weisare are execute bids on your behalf. the This sale service free and happy to execute bids on your behalf. • Your bids will be executed as cheaply as happy to execute bids on your behalf. This This confi dential. service is confidential. reserves andand other bids allow service is free free and confidential. • Indicate your limit for each lot •• Indicate limit for A buyer’syour premium of each 20% lot + VAT is payable Indicate limit for each • Your bidsyour will be executed as lot cheaply as reserves on each successful bid other bids allow •• and Your Your bids bids will will be be executed executed as as cheaply cheaply as as reserves and other bids allow All purchases mustof be22% paid collected reserves and other bids allow •• A buyer’s premium +for VATand is payable on by 5pm on the bid Friday following the auction. each successful •• A buyer’s 20% + payable If are premium unable toof collect this is time please A you buyer’s premium of 20% by + VAT VAT is payable on each successful bid • All must be forauction and collected contact Barnett at the room so on purchases each Frank successful bidpaid by 5pm on thearrangements Friday following that storage canthe beauction. made. •• IfAll purchases must be collected are unable to collect byfor thisand time please Allyou purchases must be paid paid for and collected by 5pm on Friday auction. Frank Barnett atfollowing the auction • contact If successfully purchase a lot,the orroom lots,so we byyou 5pm on the the Friday following the auction. If are to by this time that storage arrangements can made. will forward an invoice within 3 working If you you are unable unable to collect collect by be this time please please contact Barnett the auction room days. WeFrank recommend that telephone contact Frank Barnett at at theyou auction room so so Ifthat youstorage successfully purchase acan lot, be or lots, we arrangements the to check the of thatauction storageroom arrangements can success be made. made. will forward an invoice shortly after the sale your bids on the day following the auction email or within 3purchase working days by post. We •• by If If you you successfully successfully purchase aa lot, lot, or or lots, lots, we we recommend that you check the 3 success of your will forward an invoice within working • Where we receive morewithin than one bid of the will forward an invoice 3 working bids after the sale on our website.telephone days. recommend that same value, the one received will take days. We We recommend that you youfirst telephone the auction room to check the success of precedence the auction room to check • Where we receive more thanthe onesuccess bid of of your bids on day following the auction yoursame bidsvalue, on the thethe day following the one received the ﬁrstauction will take • Where appropriate, your bids will be rounded •• precedence. Where we receive more than one the down nearest amount Whereto wethe receive more than consistent one bid bid of of with the same value, the received first take • Where appropriate, your bids will bewill rounded the Auctioneer’s bidding increments same value, the one one received first will take precedence down to the nearest amount consistent with the precedence bidding increments. • Auctioneer’s Bids placed by telephone will be accepted at •• Where appropriate, your bids rounded your risk and must be confirmed Where appropriate, your bids will willinbe bewriting rounded • Please note our post is not delivered until with down to the nearest amount consistent or by fax down to the nearest amount consistent with midday, therefore postal bids need to reach us the the Auctioneer’s Auctioneer’s bidding bidding increments increments the day • on Please notepreceeding our post isthe notsale. delivered until • Bids placed by will be accepted at midday, therefore postal bids need to reach Bidsdraw placed by telephone telephone willterms be accepted at •• We attention to our full and your risk and must be confirmed in writing us on the day preceeding the sale your risk and must be confirmed in writing conditions on our website. or or by by fax fax

TITLE:OF AUCTION: INITIALS: CLIENT NO. DATE AUCTION: The 500 Summer Years of Country Printmaking (1517-2017) House Sale DATE AUCTION: Decorative DATE OF OF27 AUCTION: Decorative Art and and Design Design –– 29 29 & & 30 30 July July 2014 2014 Stansted. 24June May2017, 2017, 10am Art Tuesday 10am ADDRESS: NAME: NAME: TITLE: TITLE:

INITIALS: INITIALS:

ADDRESS: ADDRESS: POSTCODE:

TEL (DAYTIME)

LOT POSTCODE: POSTCODE:

BRIEF DESCRIPTION TEL TEL (DAYTIME) (DAYTIME)

LOT LOT

BRIEF BRIEF DESCRIPTION DESCRIPTION

CLIENT CLIENT NO. NO.

£LIMIT

(ex. VAT & premium)

£LIMIT £LIMIT

(ex. VAT & premium) (ex. VAT & premium)

•• Please Please note note our our post post is is not not delivered delivered until until midday, therefore postal bids midday, therefore postal bids need need to to reach reach us us on on the the day day preceeding preceeding the the sale sale

FOR OFFICE USE ONLY Received Date: Time: FOR FOR OFFICE OFFICE USE USE ONLY ONLY By: Received Received Date: Date: Entered Time: Time: Date: By: By: Time: By: Entered Entered Bid No. Date: Date: Time: Time: Forward to: By: By: SWORDERS FINE ART AUCTIONEERS, Bid CAMBRIDGE ROAD, STANSTED MOUNTFITCHET, Bid No. No. ESSEX CM24 8GE TEL: 01279 817778 FAX: 01279 817779 Forward www.sworder.co.uk Forward to: to: SWORDERS SWORDERS FINE FINE ART ART AUCTIONEERS, AUCTIONEERS, CAMBRIDGE CAMBRIDGE ROAD, ROAD, STANSTED STANSTED MOUNTFITCHET, MOUNTFITCHET, ESSEX ESSEX CM24 CM24 8GE 8GE TEL: TEL: 01279 01279 817778 817778 FAX: FAX: 01279 01279 817779 817779 www.sworder.co.uk www.sworder.co.uk

Please bid on my behalf for the above mentioned lots up to the limits shown, without legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms and Conditions printed in this catalogue. Please Please bid bid on on my my behalf behalf for for the the above above mentioned mentioned lots lots up up to to the the limits limits shown, shown, without without legal legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms Terms and and Signed: printed in this catalogue. Conditions Conditions printed in this catalogue. Date: Signed: Signed: Date: Date:

INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 15,000 euros equivalent. Usually any cheques will need to be cleared before you can take the goods away. Payments by credit card are subject to a charge of 2% plus VAT. Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale. Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and a storage charge of £1 per day may be charged. Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site. Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time. Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with the rates specified by the online service. These charges are 3% plus VAT and will be payable to us on top of the Hammer Price and our buyers commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 22% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe mst be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

Electrical goods These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions. 1. Definitions and interpretation To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

“Auctioneer”

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer,

as appropriate; “Bidder”

means a person who places a bid for Goods at our auction;

“Buyer”

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

“Commission”

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

“Consumer”

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

“Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery”

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will:

“FCA”

means the Financial Conduct Authority;

“Goods”

means the goods that you consign to us for sale at our auction;

“Hammer Price”

means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer;

“Premium”

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

“Price”

means the total of the Hammer Price, Premium and any applicable VAT;

7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 15,000 euros equivalent for payments in cash.

“Proceeds”

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

“Reserve”

means the minimum price at which the Goods may be sold;

“Seller”

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

“Terms of Consignment”

means these terms of consignment;

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

“Terms of Sale”

means the terms of sale for bidders or buyers at our auctions;

“Trader”

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

“VAT”

means any value added tax or equivalent sales tax; and

“Website”

means our website available at www.sworders.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it..

If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13.2.1 the catalogue description reﬂected the accepted view of experts as at the date of the auction; or

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence. 11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4.3 any liability which cannot be excluded by law.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

15.2.1 by delivering it by hand;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given:

15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 41.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email:

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

www.sworder.co.uk Sworders Fine Art Auctioneers Cambridge Road Stansted Mountfitchet Essex CM24 8GE Tel: 01279 817778 Fax: 01279 817779 Email: auctions@sworder.co.uk

Hertfordshire Office 42 St Andrew Street Hertford SG14 1JA Tel: 01992 583508 Fax: 01992 586074 Email: hertfordoffice@sworder.co.uk