Woolley & Wallis Sale News

SALE NEWS Autumn/Winter 2018

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AUCTION CALENDAR SEPTEMBER 11th

Old Masters, British & European Paintings

19th

Tribal Art & Antiquities

FREE AUCTION VALUATIONS We offer a free auction valuation service on the first Friday of every month, 10am – 1pm, no appointment necessary.

For further information please call 01722 424 509 or visit our website. *All sale prices quoted include buyer’s premium at 25%.

OCTOBER 3rd

Furniture, Works of Art & Clocks

16

English & European Ceramics & Glass

17th

Design

30th

Fine Silver & Objects of Vertu

31

The Dr. Anne Shannon Collection of Jewellery

th

st

NOVEMBER 1st

Fine Jewellery

13th

Asian Art

13th & 14th

Chinese Paintings

14

Japanese Works of Art

21

Medals & Coins, Arms & Armour

th st

DECEMBER 4th

Modern British & 20th Century Art

12

th

British Art Pottery

2019 JANUARY 9th

Furniture, Works of Art & Clocks

22 & 23

Silver & Objects of Vertu

24

Jewellery & Watches

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rd

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FEBRUARY 19th

Fine Porcelain & Pottery

20th

Tribal Art & Antiquities

MARCH 6th

Old Masters, British & European Paintings

20th

Clarice Cliff, Art Deco & Design

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Front Cover.

Gerrit van Honthorst (Dutch 1590-1656) Shepherdess Holding Apples Signed upper right, oil on canvas, 78 x 63.5cm.

Provenance: Catton Hall, Osmaston, Coll. Sir Robert Horton, 1811.

Estimate: £40,000 – 60,000 To be sold 11th September.

Below.

An 18th century Chinese pale grey celadon jade mountain carving, 14.5cm.

Provenance: Christies Swire, Hong Kong 1991, 2nd October, lot 1424.

Estimate: £50,000 – 60,000 To be sold 13th November.

Opposite.

A 19th century hei-tiki pendant, New Zealand, 10cm high.

Estimate: £4,000 – 6,000 To be sold 19th September.

Back Cover.

A Medieval inspired musician pendant by Omar Ramsden, pendant 7cm high, necklace 81cm long.

Estimate: £3,000 – 5,000 To be sold 31st October.

Issue 124

CONTENTS 4

Old Masters, British & European Paintings

6

Tribal Art & Antiquities

8

Furniture, Works of Art & Clocks

10

English & European Ceramics & Glass

12

Design

14

Fine Silver & Objects of Vertu

16

The Dr. Anne Shannon Collection of Jewellery

18

Fine Jewellery & Watches

20

Asian Art

22

Chinese Paintings

24

Japanese Art

26

Medals & Coins, Arms & Armour

28

Modern British & 20th Century Art

30

British Art Pottery

32

Sales Review

33

Events & News

chairman’s introduction

The city of Salisbury must have had more press coverage in the last six months than at any time in its 800 year history but sadly for all the wrong reasons. The Skripal/ Novichok/Amesbury events have received global coverage in the media and this has left people worried about coming here. Many of the local shops have suffered as a result and as you walk about the city the diminished number of visitors and tourists is very apparent.

Here in the salerooms, because all our sales can be viewed online combined with the ease of internet and telephone bidding, thankfully our results have not been affected at all, in fact quite the reverse. Our half-yearly figures are excellent and with some terrific sales lined up for the autumn it looks like 2018 could be one of our best-ever years.

All of us here very much hope that despite recent events, we will have the pleasure of welcoming you to the salerooms in the coming months.

As ever, we are very much open for business!

Paul Viney Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire, SP1 3SU T: +44 (0) 1722 424 500 enquiries@woolleyandwallis.co.uk www.woolleyandwallis.co.uk

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS 11th September 2018

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SPECIALISTS: VICTOR FAUVELLE +44 (0) 1722 446 962 vf@woolleyandwallis.co.uk

JO BUTLER +44 (0) 1722 446 961 jb@woolleyandwallis.co.uk

A Dutch Golden Age painter, Gerrit van Honthorst (image 1) was influenced by the chiaroscuro of Caravaggio, adopting a similar style and becoming a leading portrait painter in the Netherlands. The painting has not been on the market for more than 100 years – it was in the collection of Sir Robert Horton in the 19th century at Catton Hall and then passed down through the Anson family.

The painting features in the catalogue raisonné

by J. Richard Judson where he notes it has ‘the same soft surface quality and physiognomy that one finds in Honthorst’s paintings dating from the years around 1622-23’. He also suggests it may be related to a ‘lost pendant’ – a similar portrait, where the lady may be offering fruit to a person, perhaps a shepherd to her right where her smiling gaze is cast. She symbolises temptation and the apples are a reference to Eve’s seduction of Adam. Apples were also often used as symbols of fertility, the beauty of the female form and of love.

The pose, costume and model clearly hold strong similarities to the famous painting by Honthorst of the young woman playing the 1

Opposite. Abraham Jansz

1. Gerrit van Honthorst

Storck (1644-1708) The Gouden Leeuw (Golden Lion) arriving at her anchorage and receiving a salute off Amsterdam (detail).

Signed, also dated 1685, oil on canvas, 137 x 178cm.

Provenance: Crichel House, Dorset.

Estimate: £60,000 – 80,000

(Dutch 1590-1656) Shepherdess Holding Apples Signed upper right, oil on canvas, 78 x 63.5cm.

Provenance: Catton Hall, Osmaston, Coll. Sir Robert Horton, 1811.

Estimate: £40,000 – 60,000

viola da gamba. She appears in several of his paintings, often holding a musical instrument, which at the time were a conventional motif of brothel scenes. It is clear in this painting, from her suggestive pose and provocative dress, that she is a courtesan. Her warm and appealing smile resulted in her being called ‘The Laughing Girl’ by the vendor’s family.

The painting below (image 2) is by Czechborn Italian painter Antonietta Brandeis. She perfected her skills as a meticulous painter of landscapes and cityscapes, as well as portraits and religious subject matter. In 1899, she painted a St. Luke which illustrated the sparkling colours and free impasto typical of her plein air oil painting. This painting shows her skill at dealing with the soft Venetian light and fine detail of the ancient architecture of the Doge’s palace.

2. Antonietta Brandeis (Austrian 1848-1926) Courtyard of the Doge's Palace, Venice with the Giant's Staircase Signed, oil on canvas, 50 x 40.5cm.

Estimate: £6,000 – 8,000

busy with craft and people. His technical skill showed close observation of the ships he depicted. His paintings also included sea battles, seascapes and townscapes.

The central feature of Storck's painting is the Gouden Leeuw (Golden Lion), a Dutch ship of the line armed with 80 cannon. She was built for the Admiralty of Amsterdam in 1666 during the second Anglo-Dutch War. During the third Anglo-Dutch War, she served as the flagship at the Battle of Texel in 1673, with the Irishman Thomas Tobiasz as flag captain. She is shown in this painting flying Tromp’s double-prince flag and also features in a painting by Willem Van de Velde the Younger of this battle.

Abraham Jansz Storck was a Dutch baroque painter born in Amsterdam in 1644 as the youngest son of painter Jan Jansz Storck (opposite). Known for his marine scenes and fine draughtsmanship, his favourite subjects were the harbour of his native Amsterdam, 2

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TRIBAL ART & ANTIQUITIES 19th September 2018

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SPECIALIST: WILL HOBBS +44 (0) 1722 339 752 wh@woolleyandwallis.co.uk

Opposite. A detail from a Papuan Gulf gope board, 126cm high.

Provenance: Sotheby’s, London, 6th July 1982, lot 50.

Estimate: £3,000 – 4,000

3. A Sioux beaded blanket

1. A Sioux breastplate,

fragment, New Kingdom, circa 1295–1069BC, 43cm x 57cm.

Provenance: Khawam Brothers, Cairo, Egypt, acquired circa 1940.

Private Collection Switzerland, acquired 1966.

Estimate: £4,000 – 6,000

band, 152cm long.

Provenance: The Ian West Collection.

Estimate: £400 – 600

4. An Egyptian limestone relief

64cm high.

Provenance: The Ian West Collection.

Estimate: £2,000 – 3,000

2. An Inuit sea otter amulet, 8cm long.

Provenance: Ernest Ohly, Berkeley Galleries.

Estimate: £1,000 – 1,500

The Ian West Collection consists of nearly two hundred lots of Native American Indian artefacts covering a wide range, including clothing, clubs, tobacco bags, quirts (riding whips), pipes and sheaths for knives and guns. A collection that started from a childhood interest and an early acquaintance with Edward H. Blackmore developed into a lifelong passion, keeping detailed records of each piece, including provenance, materials used and tribal origins. Ian eventually consolidated the collection into his own museum in Sussex, open to the public and attracting visitors from around the world.

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5. Three Fiji cannibal forks, 26.2cm, 21cm, 25.5cm long.

Provenance: forks, left to right – Methodist Missionary Society, London. James Hooper, Arundel, UK. Christie’s, London, The James Hooper Collection, 19th June 1979, lot 130. Private Collection.

Christie’s, London, 3rd July 1990, lot 81.

Estimates from: £400 – 1,200

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6. A Plains style feather

headdress, 48cm high.

Provenance: The Ian West Collection.

Estimate: £600 – 800

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The enchanting Inuit carved amulet in the form of a sea otter (image 2), reflects the belief that sea otters were formally human beings, with their internal organs looking the same and with the visible ribs and spine, perhaps because an otter’s soul was believed to reside in its skeleton. Its bones were returned to the sea so a new otter could be born. These amulets were fastened to the inside of the kayak cockpit, through holes in the back.

The three Fijian four pronged ‘cannibal forks’ or ceremonial forks (image 5) were used by priests or chiefs when eating human and other flesh. They were also used by high ranking individuals who, as living representations of gods, could not handle the food. These men were often fed by attendants who carefully placed consecrated flesh in the person’s mouth avoiding contact with their lips.

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FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018

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Opposite. A rare Charles II needlework embroidered casket, 37cm high.

Estimate: £15,000 – 20,000

SPECIALIST: MARK YUAN-RICHARDS +44 (0) 1722 411 854 myr@woolleyandwallis.co.uk

1. A George III dockyard

model of a boat, 121cm long.

Estimate: £2,000 – 3,000

1 The highlight of our 3rd October 2018 Furniture, Works of Art & Clocks sale is the wonderful Charles II embroidered needlework casket featured opposite. This rare survivor from the 17th century is worked in multicoloured silk and metal threads with various types of stitches and techniques including: couched work, satin stitches, spit and tent stitches and French knots.

The larger panels on the casket depict popular scenes of the period and would have been adapted from contemporary engravings and pattern books. The front depicts the Queen of Sheba playing a lyre before Solomon and the right side depicts Daniel in the lion’s den. It is amazing to think that this casket was produced domestically. The techniques were learnt at a young age by girls completing samplers and these skills were developed over time on more elaborate pieces.

The sale will also feature a good selection of antique furniture from private collections and estates. One of the more interesting pieces is the George II Irish mahogany side chair (image 4) which has a wonderful scrolling splat back and sits on boldly carved claw and ball feet. We think of the ‘claw and ball foot’ as being typically European but in fact this design traces its roots back to the East and in particular China. It is believed that a claw or talon is a dragon’s grasping a pearl or crystal ball. In Chinese mythology the image of a dragon's claw gripping a precious stone had been a common symbol for centuries symbolising the Emperor’s protection of wisdom or purity.

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2. A matched pair of Victorian tub armchairs by Howard & Sons, 76cm wide.

Estimate: £800 – 1,200 3. A George III mahogany serpentine commode attributed to Gillows, 105.5cm wide.

Estimate: £3,000 – 4,000

5. A 19th century French cast iron and bronze console table, 128cm wide.

Estimate: £3,000 – 5,000

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Continuing our recent success with Howard & Sons upholstered furniture, the October auction will feature three easy armchairs and this wonderful matched pair of Howard tub chairs, a similar pair in our April auction sold for £3,000

hammer. It is worth checking if the back legs and/or castors of any easy armchairs or sofas are stamped with ‘Howard & Sons’ as you might find that you are sitting on a goldmine!

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F urniture , W orks

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4. A George II Irish mahogany side chair, 96cm high.

Estimate: £1,000 – 1,500

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ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018

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SPECIALIST: CLARE DURHAM +44 (0) 1722 424 507 cd@woolleyandwallis.co.uk

From their first years of production, porcelain factories across Europe included figural ornaments in their output alongside traditional ‘useful’ table wares. Tricky to produce, such items required the work of a skilled sculptor, from whose work were produced small moulds, sometimes breaking figures down into constituent parts. A worker called a repairer would then use

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Opposite. A Meissen figure of a map seller, modelled

by J J Kändler from the Cris de Paris series, mid 18th century, 14.7cm.

Provenance: from a private collection in Northamptonshire, included in the sale.

Estimate: £800 – 1,200

1. A pair of Longton Hall

“snowman” type figures of horses (one pictured), circa 1750-52, 18.5cm.

Estimate: £5,000 – 8,000.

2. A Meissen figure of Paris holding the golden apple, mid 18th century, 12cm.

Provenance: From a private collection in Northamptonshire, included in the sale.

Estimate: £500 – 800

liquid clay (known as slip) to piece the figure together before firing. In the early years of each factory, when the materials were still somewhat experimental and where ambitions produced figures on a large scale, the kiln often took its toll on these delicate little people, and figures still turn up today with missing limbs, hands twisted at impossible angles and heads curiously turned, all of which have occurred during the firing and not as the result of a much later careless flick with a feather duster.

Derby figures especially are subject to large firing cracks in the bases.

Subject matter varied widely during the 18th century. Birds and animals were popular at most factories, as were Classical subjects, and romanticised versions of peasants and hawkers. The Meissen factory in Germany, whose output was echoed throughout Europe with imitations and homages to favourite subjects, often took inspiration from contemporary prints, including the famous Cris de Paris series of street vendors (opposite). The figures from a similar Meissen series, Cris de St Petersburg, differ markedly from those figures of hawkers and peasants produced within Russia a century later (image 4), which have a grittier honesty and reflect more accurately the poverty and hardship experienced by that part of society.

3. A rare Derby figure of

Britannia, circa 1760, 26.5cm.

Provenance: From a private collection in Northamptonshire, included in the sale.

Estimate: £500 – 800

4. Four Russian biscuit

porcelain figures from the Gardner Factory, late 19th/ early 20th century, 20.5cm max.

Estimate: £1,500 – 2,000

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Oddities and rarities turn up from all factories, sometimes because output was low and survivals few, such as the pair of Longton Hall horses (image 1) which date from the earliest years of a shortlived concern; sometimes because only a few examples of a particular figure were produced, for whatever reason. An identical figure of Britannia (image 3) is in the Bowes Museum at Barnard Castle and suggestion has been made that the figure was made especially for the Earls of Strathmore, the lion and boar on the shield perhaps a rebus for the Lyon-Bowes (whose name was changed to Bowes-Lyon by the 13th Earl in the 19th century) family.

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DESIGN 17th October 2018

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SPECIALIST: MICHAEL JEFFERY +44 (0) 1722 424 505 mj@woolleyandwallis.co.uk

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Opposite. Age of Jazz,

a Clarice Cliff Bizarre table centrepiece, model no.433, 20.5cm high.

Estimate: £6,000 – 10,000

Dancing alongside the Age of Jazz centrepieces are bronze and ivory figures by Ferdinand Preiss, Gerda Iro (Gerdago) and Demetre Chiparus – three of the greatest Art Deco sculptors. Another bronze sculpture comes in the form of a rarely seen figural table lamp, La Voie Lactée (The Milky Way) by Leo LaporteBlairsy, which is considered an Art Nouveau masterpiece.

1. Summer Dancer, a bronze and ivory figure of a dancer

by Ferdinand Preiss, 23.5cm high.

Estimate: £6,000 – 10,000

2. Temple Dancer, a fine

bronze and ivory figure by Gerdago, 47.5cm high (detail).

Estimate: £8,000 – 12,000

The auction also includes the collection of the late Rodney Bewes, famed for his work on stage and screen and who is probably best remembered as one of The Likely Lads.

Consigned from his 1960s architect designed house in Henley-on-Thames, the collection reflects his taste in contemporary furniture and includes pieces by Charles & Ray Eames, Achille Castiglioni and Arne Jacobsen.

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In 1929, the year of the great crash on Wall Street, Clarice Cliff introduced her iconic Age of Jazz figures. These ceramic sculptures were designed to adorn the centre of fine dining tables and five different designs were made.

Two were modelled as groups of musicians, two as dancing couples and the largest featured two pairs of dancers.

Following the success of the Age of Jazz centrepiece of two dancing couples (model 434) which sold for a record price of £15,000 in our March Art Deco auction, another set of dancers – a pair this time (opposite) - has been consigned from a private collection.

The figures are illustrated before a backdrop painting of similar jazz period dancers which hangs on the wall of the ballroom at Burgh Island Hotel, a magnificent Art Deco time capsule, also built in 1929. It will be sold in a section of Clarice ceramics which includes good examples of May Avenue, House and Bridge and Honolulu.

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FINE SILVER & OBJECTS OF VERTU 30th October 2018

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SPECIALISTS: RUPERT SLINGSBY +44 (0) 1722 424 501 rs@woolleyandwallis.co.uk

LUCY CHALMERS +44 (0) 1722 424 594 lc@woolleyandwallis.co.uk

Opposite. A pair of Queen

2. A late-Victorian novelty

4. A pair of George II

1. A pair of George I cast

3. A James I silver Apostle spoon, St. James the Greater, by Martin Hewett, London 1615, 18.2cm long.

Estimate: £3,000 – 4,000

5. A William III silver two-

Anne silver candlesticks, by John Barnard, London 1705, 27cm high.

Estimate: £15,000 – 20,000

silver candlesticks, by David Green, London 1721, 17.3cm high.

Estimate: £5,000 – 7,000

Following the success of the April and July Silver sales, the October Fine Silver sale will comprise antique silver, Scottish and Irish silver, flatware, modern and Post War silver, foreign silver and objects of vertu. Also in the auction are several private collections, including one of George II/III silver spurs with estimates ranging from £300-600.

A feature of the sale is early silver, and the market remains high for both flatware and hollowware. We will be selling Part III of a private collection of Queen Anne spoons, a highlight being a rare pair of Scottish provincial silver Dog-nose spoons, by David Dunlop, Canongate circa 1703. The sale also contains another small private collection of early silver Apostle spoons which includes a James I example (image 3) by Martin Hewett, London 1615. Included in the sale is a pair of Queen Anne candlesticks (opposite) by John Barnard, London 1705, which were purchased from Mrs How, and a pair of George I silver candlesticks (image 1), by David Green, London 1721.

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silver-gilt budgerigar pepper pot, by Walker and Hall, Sheffield 1898, 11.6cm long.

Estimate: £300 – 400

provincial silver spurs, no apparent maker's mark, Chester 1729, 7cm long.

Estimate: £400 – 600

handled porringer and cover,

by Seth Lofthouse, London 1697, 24cm high.

Estimate: £6,000 – 8,000

6. A George III silver eagle's wing caddy spoon,

by Joseph Willmore, Birmingham 1814, 7.6cm long.

Estimate: £700 – 900 7. An 18th century Maltese silver sugar bowl and cover, marked MA with an eightpointed cross, circa 1730, no maker's mark, 12.5cm high.

Estimate: £400 – 600

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Caddy spoons and novelty items have a strong following, especially for rarer pieces. Novelty items were particularly popular during the George III and Victorian period and two good examples in the sale are the eagle’s wing (image 6), by Joseph Willmore, and silver-gilt budgerigar pepper pot (image 7), by Walker and Hall.

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THE DR. ANNE SHANNON COLLECTION 31st October 2018

We are delighted to be offering a substantial selection of late 19th century to Arts & Crafts period jewellery from the collection of Dr. Anne Shannon.

Anne has had a lifelong interest in jewellery which began while she was pursuing a career as a GP in London. She started collecting Georg Jensen silver jewellery and as her knowledge in jewellery grew over the following 50 years, so her collection developed.

A chance meeting with Muriel Wilson (news editor of Jewellery History Today) led to them volunteering at Goldsmiths Hall, spending a day a week over several years organising and archiving a very large bequeathed collection of Omar Ramsden/Ramsden & Carr design drawings. Her close ongoing involvement with this work led Anne to start purchasing a variety of their pieces to create her own collection.

This project grew in parallel with continuing additions she made to her Georg Jensen range with emphasis on his early work. In this, she was advised and guided by Michael von Essen, curator of Jensen’s antique department and museum in Copenhagen for over 40 years. She came to embrace a range of British and European designers whose work she began collecting; one of her notable Castellani bracelets was selected by the BARD Graduate Center in New York for display in an exhibition of classical revival jewellery in 2004-2005. Anne has now retired and lives with her husband in Buckinghamshire. We are honoured to be offering her comprehensive collection for auction.

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SPECIALISTS: MARIELLE WHITING FGA +44 (0) 1722 424 595 mw@woolleyandwallis.co.uk

JONATHAN EDWARDS FGAA (CONSULTANT) +44 (0) 1722 424 504 je@woolleyandwallis.co.uk

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Opposite. A garnet, pearl

and diamond pendant with enamel chain by Giuliano, pendant 5.2cm high, necklace 42cm long.

Estimate: £5,000 – 10,000

2. An opal-set silver foliate pendant by Georg Jensen, design no. 5, circa 19091914, pendant 7.5cm high, necklace 43cm long.

Estimate: £800 – 1,200

4. A gold and chrysoprase

1. Five graduated enamel

3. An Etruscan Revival

enamel bracelet by Giuliano, the twelve stones representing the twelve apostles, 19cm long.

Estimate: £2,000 – 3,000

butterfly brooches by Child & Child.

Estimates from: £400 – 2,000

bracelet by Omar Ramsden, spelling out ‘Anne’, 19.5cm long.

Estimate: £2,000 – 3,000

6. A diamond, enamel &

pearl pendant by Giuliano, pendant 6.5cm high, necklace 42cm long.

Estimate: £5,000 – 10,000

5. A gem-set gold and

gold bracelet attributed to Giacinto Melillo, 19.5cm long.

Estimate: £6,000 – 8,000

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FINE JEWELLERY 1st November 2018

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SPECIALISTS: MARIELLE WHITING FGA +44 (0) 1722 424 595 mw@woolleyandwallis.co.uk

JONATHAN EDWARDS FGAA (CONSULTANT) +44 (0) 1722 424 504 je@woolleyandwallis.co.uk

Opposite. An abstract gold and watermelon tourmaline necklace, circa 1970, 19cm high.

Estimate: £2,000 – 3,000

1. A diamond foliate corsage,

circa 1950, dividing into two clips, 10cm.

Estimate: £15,000 – 20,000

2. An Egyptian Revival

gem-set platinum brooch, 4.5cm.

Estimate: £4,000 – 6,000

3. A Belle Époque diamond bracelet by Boucheron, converting to a bandeau, approx. 20cm.

Estimate: £8,000 – 12,000

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4. An early 20th century Egyptian Revival gold tiara, 36cm circumference, 5cm high.

Estimate: £5,000 – 7,000

6. A Louis XV box inlaid

with shell and hardstone by Antoine Daroux, Paris 1747, 8cm long x 4.5cm wide.

Estimate: £10,000 – 15,000

5. A late George III diamond necklace, with fitted case, 38cm long.

Estimate: £5,000 – 7,000

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ASIAN ART 13th & 14th November 2018

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Opposite. A pair of

SPECIALISTS: JOHN AXFORD +44 (0) 1722 424 506

rare Chinese cloisonné cockerels, 18th century, 36.5cm.

Provenance: formerly in the collection of YsenburgBuedinger, purchased from Spink & Son 5th January 1954, and thence by descent.

Estimate: £40,000 – 60,000

jea@woolleyandwallis.co.uk

JEREMY MORGAN +44 (0) 7812 601 098 jm@woolleyandwallis.co.uk

VIEWING London: 3rd – 6th Nov (Highlights) Salisbury: 10th – 14th Nov

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1. A fine Chinese Imperial

famille verte wine cup, Kangxi (1662-1722), 5.2cm.

Provenance: J Sparks Ltd, and then an English private collection purchased from Sydney L Moss in 1963 for £60.

Estimate: £30,000 – 50,000

3. A Chinese blue and white and underglaze-red 'dragon and tiger' bottle vase, Qianlong 1736-95, 37cm.

Provenance: W W Winkworth collection.

Estimate: £10,000 – 20,000

2. A Chinese rhinoceros horn 'dragon' libation cup, 18th century, 15.4cm.

Provenance: a Monégasque private collection.

Estimate: £15,000 – 20,000

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A Red Cliff, A Crouching Tiger, A Hidden Dragon The wucai cup offered in the November sale (image 1) is a rare example where the Kangxi mark corresponds with the production period.

It is painted with a scene from a famous poem by Su Shi (1037-1101) from the Chibi fu ('Ode to the Red Cliff'). It depicts the poet and his friends enjoying a picnic in a boat and marvelling at the cliffs. Su Shi was exiled to the provinces, and his visit to the famous battle site made him reflect on the transient quality of life and the nature of people.

The poem to the reverse reads: 'I raised my wine cup and toasted my guests, joining them in chanting the Ode to the Bright Moon and the Song of Sylphs'.

It also bears a seal which reads: 'Elegance'.

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The dynamic struggle between a tiger and a dragon depicted on this elegant vase (image 3) from the Qianlong period is an ancient symbol of balance between Yin and Yang energy, ensuring harmony of feng shui.

Its provenance can be traced to the collection of William Wilberforce Winkworth and it was offered at Sotheby's in London on the 12th December 1972, and was later sold by Bluett & Son in 1973 for £2,950. It will be included in the November sale with an estimate of £10,000-20,000.

Along with fine Chinese porcelain, our November sale will include the impressive pair of cloisonné cockerels illustrated opposite (estimate £40,000 - 60,000) and the rhinoceros horn libation cup (image 2) carved with chilong (estimate £15,000-20,000).

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CHINESE PAINTINGS 13th November 2018

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Opposite.

SPECIALIST: FREYA YUAN-RICHARDS +44 (0) 1722 424 589

Attributed to Shen Zhou Autumn landscape, 134cm x 44.5cm Estimate: £15,000 – 25,000

fyr@woolleyandwallis.co.uk

VIEWING London: 3rd – 6th Nov (Highlights) Salisbury: 10th – 14th Nov

Following the successful Spring sale, the November auction is already shaping up well; it includes a good selection of old masters and modern Chinese paintings with interesting provenance. We are delighted to be offering the ink landscape painting (opposite) depicting views of Jiang Nan Autumn mountain, which was consigned from the collection of Long Yun (1884-1962) the late governor and general of Yunnan. Long was an extraordinary man, known as the ‘King of Yunnan’. General Long governed Yunnan for eighteen years and was appointed commander-in-chief of the Army of the Nationalist party of China, when fighting the Japanese. This extravagant and high quality painting closely follows the style of Shen Zhou, the quintessential Ming scholar, poet and painter. Zhou preferred to live in retirement rather than risk the vicissitudes of government service and devoted his life to scholarly pursuits and self-expression by depicting the interior world of the mind and heart through landscape painting.

1. Wu Da Cheng

(1835-1902) Squirrels and pine tree together with butterflies, 25cm.

Estimate: £500 – 800

2. Zhao Shao Ang

(1905-1998) Magpies and bamboo, 117cm x 53cm.

Estimate: £6,000 – 8,000

3. Liu Hai Su

Yellow Mountain, 135cm x 67.5cm.

Estimate: £8,000 – 12,000

Magpies are always an auspicious symbol - birds of good fortune and love. The first character for the name of the bird, xi que, has the same sound as xi, ‘happiness’. Magpies are also a symbol of the wish for a happy marriage, success at examinations and for getting rich.

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This lovely magpies and bamboo painting (image 2) by Zhao Shao Ang (1905-1998) is from the collection of Li Fook Kow (d.2011) and Edith Li (d.1992). Zhao’s adherence to form and realism allowed him to infuse his magpies with exceptional vitality, using sharp brushstrokes dotted with colours of white and blue, giving the bird a solid form. Every single brushstroke is executed with vigour, resulting in a lively and animated portrayal of the fullness of Spring and the heroic stance of the bamboo.

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JAPANESE WORKS OF ART 14th November 2018

The Genius of Namikawa Yasuyuki The dishes pictured above are two highlights from our November 2018 sale. Dating from circa 1903, they are rare examples of Namikawa Yasuyuki’s later work and illustrate his interest in landscapes, a subject rarely depicted in Japanese cloisonné enamels. Namikawa Yasuyuki (1845-1927) is regarded as one of the most eminent artists of the Meiji period. These dishes display many of the techniques he developed over his career.

Translucent enamels and the wide range of colours, with subtle nuances and shadings, are some of the revolutionary aspects of his work.

Namikawa became highly successful both in Japan and in the West. The Emperor Meiji appointed him Imperial Craftsman to the Court in 1896, an honour only bestowed upon a handful of artists. He regularly took part in international exhibitions, winning countless awards, and Westerners travelling to Japan often visited his studio in Kyoto. Famous customers include King Edward VIII, Sir Rutherford Alcock and Rudyard Kipling, who was particularly taken by the lengthy process of making cloisonné: “...I saw a man who had only been a month over the polishing of one little vase [...] When I am in America he will be polishing still, and the ruby-coloured dragon […] will be growing more lovely…”.

Comparable dishes are among the best collections of Japanese Art in the world, including the Khalili and the Baur Collections and we are delighted to be offering these two examples in our forthcoming sale.

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SPECIALIST: ALEXANDRA AGUILAR DOMÉRACKI +44 (0) 1722 424 583 aad@woolleyandwallis.co.uk

VIEWING London: 3rd – 6th Nov (Highlights) Salisbury: 10th – 14th Nov

Opposite. Two rare Japanese cloisonné enamel dishes by Namikawa Yasuyuki, circa 1903, 11.8cm.

Provenance: The Weber Family Collection, Bristol, acquired in the early 20th c.

Left dish Estimate: £1,000 – 2,000 Right dish Estimate: £3,000 – 5,000

1. A Tokyo School ivory

okimono carving of a monkey holding a snail signed Komei, Meiji (1868-1912), 17cm.

Estimate: £15,000 – 25,000

3. A selection of Japanese Kakiemon pieces, circa 1680-1700.

Estimates from: £1,500 – 15,000

2. Detail from a set of four oshi-e padded silk pictures, Meiji (1868-1912), 83cm x 50cm.

Estimate: £12,000 – 15,000

The Japanese Spirit Of A Tokyo School Okimono The Japanese sale features another remarkable work by an Imperial Craftsman to the court: the charming ivory carving of a monkey gently holding a snail (image 1). This delicate okimono (literally 'ornament for display') was carved by Ishikawa Komei (1852-1913) in the Meiji era and is a typical example of Tokyo School carving.

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Komei grew up in a family of wood sculptors during an era that saw the Japanese government encouraging traditional crafts for export. The Industrial Promotion Policy had the dual purpose of developing national prosperity by selling artworks to Westerners, but also to display the superiority of Japanese art to other nations. Komei was celebrated for his traditional style of sculpture and he was keen to protect Japanese art from Western influences. In 1881, he became a founding member of the Carvers' Foundation Committee – later renamed the Tokyo Carvers' Association - with the aim of encouraging fellow sculptors to create works in traditional Japanese style. He was later appointed Professor of the Sculpture Department at the Tokyo Art School (1891) and taught a new generation of artists. The resulting aesthetics, known today as the 'Tokyo School' style, display very high-quality craftsmanship whilst retaining the 'Japanese spirit' so dear to Komei.

Painting With Fabric: The Delicate World Of Oshi-E Pictures Another illustration of the Meiji government's Industrial Promotion Policy is this rare set of textile panels (image 2). Using the traditional craft of oshi-e (pressed or padded silk), these four pictures depict typical Japanese industries which would have appealed to Western customers for their 'exoticism': sericulture, porcelain-making, rice cultivation and tea production. Oshi-e pictures were made of paper or silk scraps covering cotton paddings, thus creating a three-dimensional effect.

Regarded as a feminine craft, oshi-e pictures were notably displayed at the Philadelphia Centennial Exhibition (1876) in the 'Fancy Articles' section. These fragile 19th century artworks are scarce and so this set of four is a very rare occurrence.

The Japanese sale on the 14th of November will also include a private collection of fan paintings on paper, high-quality porcelain, further metalwork pieces and a selection of netsuke and lacquer inro, including pieces from the Tomkinson collection. Following the sales of a rare Kakiemon boy and a beauty in May 2018, the November sale will also feature high-quality vases and figures in the same style from the late 17th century (image 3).

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J apanese W orks

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MEDALS & COINS, ARMS & ARMOUR 21st November 2018

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SPECIALIST: NED COWELL +44 (0) 1722 341 469

Opposite. Privateering: a

collection of scarce original documents.

Estimates from £1,500

nc@woolleyandwallis.co.uk

1. The Hundred Days

Offensive Military Cross group to Captain J.A. Cheston, Royal Fusiliers, 10cm.

Estimate: £800 – 1,200

Closing date for entries, 12th October

Courage and leadership…in any emergency

It is the final centenary year of the Great War, and a fitting time to consider an episode in the period leading up to the German defeat on the Western Front. According to a significant (and erroneous) strand of popular thought, the British war effort was an endless round of futile bloodletting initiated by an incompetent and callous officer class; while in the minds of many Germans their invincible army was betrayed by a sinister combination of unpatriotic elements on the home front. The truth is that the Germans were defeated militarily, and although the achievements of British arms were only one of a number of factors in this, it must be acknowledged that by 1918 the Army had evolved into a highly effective force.

Swelled by a successful recruiting and conscription effort and informed in its tactical and operational thinking by the lessons of the hard years since August 1914, it was not merely holding out against the enemy – it was outfighting him.

was quite exemplary: “During the attack on the strongly held enemy system about the Canal du Nord on the 11th and 12th September, 1918, he led his company deep into the hostile trenches, overcoming a fierce resistance and accounting for numbers of the enemy, besides taking many prisoners. In the heavy bombardment of a counter-attack, he moved his men from the main trench to forward shell holes, thereby saving many lives as the trench was obliterated. His courage and leadership could be depended upon in any emergency.”

of his group speaks of a man who set aside his drawing instruments in the hour of his country’s need and acquitted himself brilliantly, before returning to his civilian occupation. He never forgot the men who had been his responsibility in the trenches, and expended much efforts in organising the affairs of veterans’ associations.

A hero and a paragon, we anticipate lively competition for his medals on the 21st November.

Captain Cheston was a hero – we feel no apprehension that we will be accused of immoderate use of the word. Furthermore, he was a highly competent officer. He did not wear the numerous awards of a career soldier – the brevity 1

A personal example of this is provided by Captain John Alford Cheston of the 24th Battalion Royal Fusiliers – one of the great number of ‘New Army’ battalions added to the strength of established regiments. Captain Cheston, an architect by calling, did not arrive in the theatre of war until January 1917. Our November auction will offer collectors the chance to acquire his medal group, in which the two campaign medals that are standard to men who joined the fighting after 1915 are preceded by a Military Cross – the normal gallantry award for junior officers.

Although this combination cannot be called uncommon, Captain Cheston’s M.C. act

Pirates by Appointment to the King 1807: the war against Napoleon’s France rages on land and sea; a legal document is endorsed

by King George III granting permission for a private armed sloop, the ‘Betsy’ under its Captain Charles Chant, to make war on the vessels of the Dutch – old enemies now in thrall to the Emperor. In the months that follow the Betsy attacks and captures four enemy trading vessels (to add to the many that she has taken under previous Captains) in actions that are little other than officially sanctioned piracy.

Readers will recognise this as the description of a ‘Letter of Marque’ – or to give it its full title ‘Letter of Marque and Reprisal’.

The original purpose of such instruments was to authorise retaliatory raids across territorial boundaries by individuals who had suffered harm at the hands of a foreign power. Here ‘Marque’ derives from an Old English word for a boundary marker and ‘Reprisal’ speaks for itself. The usage evolved over time and the term became synonymous with what had been known, more prosaically, as a Privateering Commission. The effect was to grant permission for Chant to “…set forth in a warlike manner…….by force of arms to apprehend, seize and take….ships, vessels and goods…”

The Betsy’s letter will be offered for sale in our November auction, alongside other similar documents. It is thrilling to hold in one’s hands the legal instrument by which the King brought down the ravages of irregular naval warfare on the heads of his enemies!

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MODERN BRITISH & 20TH CENTURY ART 4th December 2018

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SPECIALISTS: VICTOR FAUVELLE +44 (0) 1722 446 961 vf@woolleyandwallis.co.uk

JO BUTLER +44 (0) 1722 446 962 jb@woolleyandwallis.co.uk

Closing date for entries, 17 October th

Opposite. Mary Fedden RA (1915-2012) Still Life, Lansdowne Crescent, (Bath) Signed and dated 1981, oil on canvas, 51 x 61cm.

Estimate: £6,000 – 8,000

1. Felix Kelly (1914-1994) Fairground, Moscow Signed and dated 70, oil on board, 46 x 71cm.

Estimate: £3,000 – 5,000

2. William Roberts RA (1895-1980) Gas Alert Signed, titled and dated 1919, pencil and watercolour, 20.5 x 14.75cm.

Estimate: £20,000 – 30,000

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Felix Kelly was a New Zealand artist who worked in England for most of his life.

War-time illness caused him to focus on his painting and he tried his hand at illustration and stage design as well as painting. Kelly was influenced by the Surrealists but as his commissions increased, his paintings began to take on a more romantic style and the surrealist traits became less marked in his works due to his patrons’ preferences towards the romantic. Kelly’s work is notable for its mystical, evocative, nostalgic ambience which can be seen in this work which presents an unsettling, eerie atmosphere in this depiction (image 1) of an abandoned fairground ride, unmanned save for one lone figure.

3. John Bellany RA

(Scottish 1942-2013) Red Tulips Signed, titled and dated 94, oil on canvas, 91 x 91cm.

Estimate: £4,000 – 6,000

4. Robert McLellan Bateman OC OBC RCA (Canadian b.1930) The Immigrants Signed and dated 1987, oil on board, 45.5 x 61cm.

Estimate: £3,000 – 5,000

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William Roberts was a British artist and before World War 1 was a pioneer of abstract images and a proponent of Vorticism. In later years, he described his approach as that of an “English Cubist”. In 1916 Roberts enlisted in the Royal Regiment of Artillery as a gunner, serving on the Western Front in the Ypres sector and in 1918 he returned to London as an official war artist with the proviso that the work should not be in the cubist style. He painted a number of works depicting his experiences at the front line which rival the bitterness and social realism of German artists Otto Dix and George Grosz. Roberts was commissioned to paint his experiences at the front and produced ‘A Shell Dump, France’ and a group of twelve watercolour drawings during this period (image 2).

Robert Bateman, was born in 1930 and is a Canadian naturalist and painter who had a strong interest in the natural world from an early age and spent his childhood recording his sightings of birds. From 1957 to 1958 Bateman travelled around the world with Bristol Foster in a Land Rover during which time Bateman painted and sketched what he saw. He found inspiration in the Group of Seven and abstractions of nature until he settled on a realistic style from the mid-1960s.

Bateman himself wrote of this painting (image 4) ‘Everything in this painting represents immigration to North America. The building was built by the first or second generation of people who came from Britain or Ireland to Canada. Another immigrant is the proud, singing starling who is proclaiming his territory. A flock of rock doves flies by. Their native haunts were the cliffs and ledges of England and Europe. We call them pigeons.’

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BRITISH ART POTTERY 12th December 2018

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SPECIALIST: MICHAEL JEFFERY +44 (0) 1722 424 505 mj@woolleyandwallis.co.uk

Opposite. A large

stoneware vase by John Maltby, 55cm high (and other pieces).

Estimate: £3,000 – 5,000

1. A fine stoneware bottle

vase by Dame Lucie Rie, 35.5cm high.

Provenance: from the collection of the potter Sara Pearch.

Estimate: £20,000 – 30,000

2. A fine sgraffito bottle vase

with flaring rim by Dame Lucie Rie, 22cm high.

Estimate: £15,000 – 25,000

Closing date for entries, 19th October

The British Art Pottery auction in December will once again showcase the work of the major studio potters of the twentieth century alongside the commercial Art Potteries of the late nineteenth and twentieth centuries. Lucie Rie’s work continues to achieve consistently strong prices at auction, reflecting a truly global interest in her vases and bowls. The auction highlights two fine, but contrasting vases made by Rie: a tall stoneware bottle, in a pale blue pitted volcanic glaze is delicately decorated with pink and blue swirls

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(image 1), while a porcelain bottle vase, with flaring neck, glazed in bronze manganese and bands of matt blue is incised with cut sgraffito line decoration reveals (image 2).

Contemporary to the stoneware vase is a large slab-built vase by John Maltby (opposite).

Maltby is believed to have made two versions of this vase, one for the New Craftsman Gallery, St. Ives and another, in reserve, which stayed with the potter.

Also consigned is a rare ceramic sculpture of a female circus acrobat riding side-saddle

on a black horse by Margaret Hine, who was a member of a group of potters (including William Newland and Nicholas Vergette) known as the picassiettes after their admiration of Picasso's work.

Ceramics by The Martin Brothers, Royal Doulton, Minton, Moorcroft and Della Robbia which represent the height of the Art Pottery movement of the late Victorian and Edwardian period will, as always, form the backbone of this sale.

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SALES RE VIEW APRIL

Furniture, Works of Art & Clocks

Fine Silver & Objects of Vertu

Fine Jewellery & Watches

An early 19th century Italian Roman specimen marble and micromosaic Grand Tour table top, 88.2cm diameter, 4cm thick, 73.7cm high.

Sold for £36,250

A pair of James II silver candlesticks, probably made for Thomas Dymock, London 1685, 24.5cm.

Sold for £77,500

A pair of diamond and sapphire scroll earrings

by Rubel Frères, circa 1935, 4.2cm.

Sold for £35,000

English & European Ceramics & Glass

Medals & Coins, Arms & Armour

Asian Art

A Tournai egg cup from the Duc d'Orleans service circa 1787-92, 8cm.

Sold for £15,000

A good 18th Century Scottish basket hilted sword, having putative Jacobite provenance: single edged blade 34.25 inches.

Sold for £11,000

A large Chinese imperial ru-type brush washer with an integral porcelain stand, six character Yongzheng mark and of the period 1723-35.

Sold for £350,000

MAY

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SALES RE VIEW MAY

JUNE

Chinese Paintings

Japanese Art

Wang Jian Zhang (17th century) quails and millet in the Song dynasty style. A rare Chinese scroll painting, ink and colour on silk.

Sold for £15,000

A Japanese Kakiemon porcelain figure of a beauty, bijin, circa 1690.

Sold for £33,750

JUNE

JULY

Arts & Crafts

Furniture, Works of Art & Clocks

Jewellery & Watches

A rare Della Robbia Pottery three-branch candlestick by Marian de Caluwe.

Sold for £8,750

A late 17th century South German ivory relief plaque in the manner of Balthasar Permoser.

Sold for £24,375

An intricate cabochon sapphire enamel and gem-set pendant by H.G. Murphy.

Sold for £70,000

*All sale prices quoted include buyer’s premium at 25%

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Modern British & 20th Century Art

Lucien Pissarro (French 1863-1944) East Hill and Old Town, Hastings, oil on canvas.

Sold for £42,500

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EVENTS

The Chalke Valley History Festival On Tuesday 26th June, Woolley and Wallis were honoured to sponsor a talk by the eminently knowledgeable and respected writer, Hugo Vickers entitled ‘Cecil Beaton: Malice in Wonderland’ at The Chalke Valley History Festival.

There are very few people who do not, at the very least, know the name Cecil Beaton. He was a British institution and a very complex character, who created stunning, timeless images of celebrities, friends and of course, the Royal Family.

In his lecture, Hugo told Cecil’s story with wit and a true understanding of the man behind the camera.

Hugo Vickers speaks about legendary photographer Cecil Beaton

‘Beaton moved easily and elegantly through many worlds of the 20th century. He was a traveller, arbiter of taste and fashion, war photographer, painter and exceptionally wicked caricaturist. What was Beaton's secret? I think he produced a kind of magic.

Not only did he photograph most of the interesting, alluring and important people of the 20th century, but he made them look stunning.’

We look forward to next year's festival!

Chairman Paul Viney Installed as Master of The Arts Scholars Livery Company

The Dr. Anne Shannon Collection of Jewellery – A Lecture by John Benjamin 26th October 2018

In May our Chairman Paul Viney was elected Master of the Worshipful Company of Arts Scholars.

We are pleased to announce that Woolley and Wallis will be hosting a lecture on a recently consigned major collection of 19th and 20th century jewellery on Friday 26th October. The collection has been amassed over the course of fifty years by jewellery enthusiast and retired doctor, Anne Shannon. The lecture will be delivered by imminent Jewellery specialist John Benjamin. A regular on Antiques Roadshow, Mr Benjamin is a fellow of the National Association of Goldsmiths’ Institute of Registered Valuers and a historian, author and lecturer.

Further details on the sale can be found on pages 16 and 17.

Like all Livery companies, the Arts Scholars is a charitable institution based in the City of London. As well as supporting the Lord Mayor and the City of London Corporation, the Arts Scholars charitable aims focus primarily on training and education in the decorative arts, particularly where they can make a real difference.

Paul commented “I’m honoured and delighted to have been elected Master and much look forward to what will undoubtedly be a fairly hectic year ahead.” He is the fifth generation of his family to have been elected Master of a Livery company.

Tickets are £15 with all proceeds donated to Salisbury Hospice.

For further information and to reserve tickets please contact: Amanda Lawrence +44 (0)1722 424509

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SPECIALISTS Chairman

Deputy Chairman

Managing Director

Paul Viney ASFAV

John Axford MRICS ASFAV

Clive Stewart-Lockhart FRICS FRSA

T: +44 (0) 1722 424 502

T: +44 (0) 1722 424 506

T: +44 (0) 1722 424 598

pslv@woolleyandwallis.co.uk

jea@woolleyandwallis.co.uk

csl@woolleyandwallis.co.uk

20th Century Design

Asian Art

Asian Art

Michael Jeffery

Jeremy Morgan

Marta Olszewska

T: +44 (0) 1722 424 505

T: +44 (0) 7812 601 098

T: +44 (0) 1722 424 591

mj@woolleyandwallis.co.uk

jm@woolleyandwallis.co.uk

mo@woolleyandwallis.co.uk

Chinese Paintings

English & European Ceramics & Glass

Furniture, Works of Art & Clocks

Freya Yuan-Richards

Clare Durham

Mark Yuan-Richards

T: +44 (0) 1722 424 589

T: +44 (0) 1722 424 507

T: +44 (0) 1722 411 854

fyr@woolleyandwallis.co.uk

cd@woolleyandwallis.co.uk

myr@woolleyandwallis.co.uk

Japanese Art

Jewellery

Jewellery (consultant)

Alexandra Aguilar DomĂŠracki

Marielle Whiting FGA

Jonathan Edwards FGAA

T: +44 (0) 1722 424 583

T: +44 (0) 1722 424 595

T: +44 (0) 1722 424 504

aad@woolleyandwallis.co.uk

mw@woolleyandwallis.co.uk

je@woolleyandwallis.co.uk

Medals & Coins, Arms & Armour

Paintings

Paintings

Ned Cowell

Victor Fauvelle

Jo Butler

T: +44 (0) 1722 341 469

T: +44 (0) 1722 424 503

T: +44 (0) 1722 424 592

nc@woolleyandwallis.co.uk

vf@woolleyandwallis.co.uk

jb@woolleyandwallis.co.uk

Silver

Silver

Tribal Art & Antiquities

Rupert Slingsby

Lucy Chalmers

Will Hobbs

T: +44 (0) 1722 424 501

T: +44 (0) 1722 424 594

T: +44 (0) 1722 339 752

rs@woolleyandwallis.co.uk

lc@woolleyandwallis.co.uk

wh@woolleyandwallis.co.uk

Insurance & Probate Valuations

Asian Art

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