Woolley & Wallis Old Masters, British & European Paintings by Auction Technology Group

WOOLLEY & WALLIS SALISBURY SALEROOMS

Old Masters, British & European Paintings Tuesday 12th September 2017

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Old Masters, British & European Paintings Including Portrait Miniatures and a Private Collection of Icons Tuesday 12th September 2017 at 10am VIEWING TIMES Friday 8th September Saturday 9th September Monday 11th September Tuesday 12th September

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

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Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE

COLLECTION OF LOTS

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ALL lots will be moved from the saleroom back to Salt Lane on 13th, 14th and 15th September - collection of lots on these days and Saturday 16th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

for this lot – please see our Terms & Conditions, Section 21, for details CITES

λ This symbol indicates that Cites regulations may apply. Please see the auction information page GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

From 18th September collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES TELEPHONE BIDDING

ILLUSTRATIONS Front cover: Lot 182 (detail) Back cover: Lot 513 Overleaf: Lot 350 Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post)

Please note that requests for telephone bids cannot be accepted after 5pm on 11th September LIVE BIDDING

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INDEX Miniatures Prints Watercolours

1-59 63-83 84-291

A Private Collection

269-289

The Dr Ventia Newall

292-345

Collection of Icons Oil Paintings

Member of The Society

348-586

of Fine Art Auctioneers

MINIATURES 1. λ English School c.1810 Portrait miniature of an Irish Officer, head and shoulders, wearing uniform Oval, in the original gold frame with a hair back 77 x 63mm £400-600 2. λ John Smart (1741-1811) Portrait miniature of Baron Crewe, head and shoulders, wearing a green coat and waistcoat Signed with initials and dated 1781 Oval, in later gold and gilt metal frame 47 x 34mm Provenance: The Crewe Family, Scotland £2,000-3,000 1

3 3. λ English School 17/18th Century Portrait miniature of a gentleman, head and shoulders wearing a doublet with a gorget collar Inscribed verso partially indistinctly Mr Bertie... Oval, in a wooden frame 73 x 54mm A resemblance to Shakespeare has been noted £80-120

4 4. English School 18th Century Portrait miniature of a gentleman, head and shoulders in a blue coat and yellow waistcoat Oval, on copper, gilt frame 38 x 30mm £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

5 5. λ English School c.1790 Portrait miniature of a gentleman head and shoulders, wearing a blue coat with a red collar, in profile facing left Oval, gold frame, hair back with initials JCB in gold 46 x 37mm £200-300

4 6. λ Charles Shirreff (c.1750-c.1809) Portrait miniature of an officer, head and shoulders in uniform Oval, in the original gold frame, the reverse decorated with a cannon, arms, locks of hair and a blue glass disc with initials RJ 61 x 51mm £1,000-1,500

7. λ Jeanne-Philiberte Ledoux (French 1767-1840) Portrait miniature of a young lady, head and shoulders, wearing a white dress with red shawl Signed and dated 1808 Circular, in the original gold frame 60mm diameter Ledoux was a pupil of Jean-Baptiste Greuze £1,000-1,500

8. λ William Bate (c.1759-c.1845) Portrait miniature of Ninon de L’Enclos (1620-1705), head and shoulders, in a blue dress Inscribed on the reverse of the enamel, set into the lid of a tortoiseshell and gold rectangular box 42 x 35mm; the box 80 x 60mm Provenance: Lawrence Gould Antiques 12/11/08 Ninon de L’Enclos, author and courtesan, was revered as a freethinker and although always of independent means she mixed in the highest circles in Parisian life. This miniature seems to be based on the portrait etching of her by Antoine-Jean-Baptiste Coupé £500-800 8

9. λ Abraham Daniel (c.1760-1806) Portrait miniature of a lady, bust length, in a white dress with frilled collar Oval, in the original gold frame with blue and white enamel 40 x 32mm £400-600 10. λ Jean-Baptiste Légé (French 1779-1846) Portrait miniature of a gentleman, head and shoulders wearing a red embroidered jacket Signed and dated 1790 Oval, in an ebonized rectangular frame 55 x 41mm £200-300 9

10 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

13 11. λ English School c.1720 Portrait miniature of a young James III, head and shoulders, wearing armour Oval, in the original metal locket frame 45 x 37mm £700-1,000

12. λ English School 18th Century Portrait miniature of Matthews Beachcroft, Director of The Bank of England (died 16th July 1759), head and shoulders, wearing a bright blue coat and yellow waistcoat Inscribed on frame verso Watercolour on paper, oval in the original gold frame and leather case 34 x 30mm £800-1,200

13. Nicolas André Courtois (French 1734-c.1797) Portrait miniature of a gentleman, head and shoulders, wearing crimson with a white stock Signed Enamel, oval, in the original decorative gold frame 35 x 28mm Painted c.1775 £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

14. λ English School 18th Century Portrait miniature of the Earl of Northampton, head and shoulders, wearing a bright blue coat with white trim Oval, in a gold frame with engraved crown and initial N verso 40 x 32mm £300-500

6 15. λ English School 19th Century Portrait miniature of a lady head and shoulders, in white with a lace bonnet Oval, in a gilt frame 66 x 49mm £150-250 16. λ Continental School 19th Century Portrait miniature of a lady, half length seated, wearing black Oval in a silvered frame 55 x 46mm £150-250 17. λ French School late 19th Century Portrait miniature of Napoleon Bonaparte and Josephine A pair, both in filigree frames Each 80 x 63mm (2) £150-200 15

18. λ Charles Dixon (fl. 1748-1798) Portrait miniature of a gentleman in academic robes, mortar board, and a powdered bag wig Oval, gilt frame 42 x 35mm Provenance: Bonham’s 3rd June 1999, lot 147 With another of a gentleman, 19th Century continental, in a gilt frame, 30mm diameter (2) and a cased photographic plate (3) £120-180 19. λ French School c.1815 Portrait miniature of Daniel Hardy, head and shoulders, in uniform Inscribed verso: Daniel Hardy fils de Daniel et ........ Guille sa femme né le 25 Octobre 179? et mort à la Jamaique le 1er Juillet 1819 Oval, in a gilt surround and ebonized rectangular frame 63 x 50mm Hardy was Deputy Assistant Commissary General in 1814 Provenance: Phillip’s London 26th February 1986, lot 346 £400-600 20. λ Irish School c.1790 Portrait miniature of a gentleman, bust length, wearing a dark coat with a blue waistcoat Oval, in a diamond set frame with a blue glass back 45 x 37mm The diamonds approx. 5 carats in total £1,000-1,500 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

19 21. λ Abraham Daniel (c.1760-1806) Portrait miniature of a lady with curly hair, bust length, wearing white with a blue trim Oval, in a gilt frame with a blue glass back 51 x 43mm £500-700

22. λ Richard Cosway (1742-1821) Portrait miniature of an Officer of the 1st Royal Regiment of Foot as worn in the period of 1796-1816, head and shoulders, wearing uniform and a white jabot Believed to be signed and dated 1809 verso Oval, in a gilt frame with blue glass, pearls and a lock of hair 81 x 71mm £1,500-2,500

21 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

8 23. λ French School 1826 Portrait miniature of a lady, head and shoulders in blue Signed indistinctly Fr (or HC) Hermon? and dated 1826 Oval in a gilt frame 57 x 43mm With another of a gentleman, head and shoulders in a blue coat, 53 x 41mm (2) £200-300 24. λ English School mid 19th Century Portrait miniature of two girls and a boy, all head and shoulders Three, all ovals in gilt metal frames in the empire style Each 41 x 34mm (3) £150-250

26. λ English School 19th Century Portrait miniature of a lady, head and shoulders, wearing black and a white lace bonnet Oval, green leather case 80 x 55mm With another of an elderly gentleman with a beard, oval 76 x 61mm (2) £120-180

27. λ English School 19th Century Portrait miniature of a boy, head and shoulders, wearing blue Oval, in a gilt metal frame, hair back and red leather case 58 x 46mm £200-300

25. λ English School c.1800 Portrait miniature of a young girl, head and shoulders, in a white and pink dress Oval, in a gilt frame, hair back with central initials GCA in seed pearl on a blue glass lunette, red leather case 83 x 65mm £200-300

28. λ English School 19th Century Portrait miniature of a gentleman, head and shoulders in a blue coat and striped waistcoat Oval, in a red leather case 65 x 55mm With another of a lady in black, oval in an ebonized frame, 49 x 35mm (2) £120-180

28 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

9 29. λ Jacques-François Carbillet (French 1766-1828) Portrait miniature of a lady, half length, standing wearing a white dress and pearl headress Signed with a monogram and dated 1804 Oval, in a wooden frame 55 x 45mm £150-250 30. λ Andrew Robertson (1771-1845) Portrait miniature of a gentleman, head and shoulders, wearing a brown coat, black stock and white silk Signed with initials and dated 1826 Oval, in a gold frame with blue glass and hair back 84 x 65mm £700-1,000

31. λ English School late 18th Century Portrait miniature of a gentleman, head and shoulders, wearing blue Signed with a monogram PL Oval, gilt frame 46 x 40mm £200-300 32. λ English School 19th Century Portrait miniature of a lady, half length holding a dove Rectangular, in a gilt frame 160 x 120mm £400-600 33. λ Andrew Plimer (1763-1837) Portrait miniature of a young boy, head and shoulders, with long brown hair, a navy jacket and white frilled shirt Oval, in a chased foliate gold frame with a blue glass back 63 x 51mm Painted c.1790 £600-800 34. λ Pierre Rouvier (French 1742-c.1815) Portrait miniature of La Comtesse de Bloud née Comtesse de Launay, head and shoulders, wearing purple with a pearl band in her hair Inscribed with the names of the sitter and dated 1776 on a paper verso Circular in a gold frame 62mm diameter £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

10 35. λ Christian Wilhelm Jacob Unger (German 1775-1855) Portrait miniature of Ida, Princess Zu Schaumburg-Lippe, wife of Prince Georg Wilhelm, Prince of Schaumburg-Lippe, daughter of Prince Georg Ze Waldeck (1795-1869), head and shoulders, wearing white with a red cloak Signed and dated 1816 Oval, in the original 18ct gold locket frame 65 x 51mm £1,500-2,500

37. λ English School early 19th Century Portrait miniature of a gentleman, head and shoulders, facing right, wearing a dark blue coat with a black collar Oval in a gold plated frame 65 x 53mm £200-300

38. λ English School c.1800 Portrait miniature of a gentleman, head and shoulders, facing right, wearing a light blue coat with a black collar Oval, modern gold plated frame, blue glass back 65 x 53mm £200-300

36. λ Charles Jagger (1770-1827) Portrait miniature of a lady with gold curls, head and shoulders, wearing a white lace dress and blue cloak Rectangular, in an ormolu frame 85 x 65mm £600-800

39 39. λ English School c.1800 Portrait miniature of a young gentleman, bust length, wearing blue Oval, gilt frame 34 x 27mm £250-350 40. λ Jean Baptiste Désiré Troivaux (French 1788-1860) Portrait miniature of a lady, half length, wearing white with a blue sash and blue ribbon-trimmed bonnet Signed and dated 1826 Oval in a gilt and rectangular wood frame 87 x 70mm £250-350

41. λ John Cox Dilman Englehart (1782/4-1862) Portrait miniature of Miss Sarah Reynolds, head and shoulders, wearing a white empire frock and lilac shawl Signed, dated 1810 and inscribed 88 Newman Street verso Oval in a gilt surround and a rectangular ebonized frame 75 x 61mm With a further miniature of a lady in a similar frame (2) The Victoria and Albert Museum have a miniature of her sister Harriet painted in the same year Provenance: Phillip’s London, 26th February 1986, lot 320 £150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

42 42. λ Austrian School c.1815 Miniature painting of a young lady in a garden, wearing white with a paisley shawl, writing on a tree The tree inscribed La vie est le rêve d’une ombre In an ormolu frame 212 x 147mm £2,500-3,500

43 43. Mathieu Deroche (French fl.1866-1904) Portrait miniature of a gentleman Enamel on metal Oval, in a gilt metal and malachite standing frame 127 x 100mm Painted c.1875 £600-800

45. λ English School c.1810 Portrait miniature of a lady and a gentleman, both head and shoulders A pair, framed together in a double sided oval gilt metal frame 70 x 60mm £300-500

44. λ Attributed to John Cox Dilman Englehart (1782/4-1862) Portrait miniature of a gentleman, head and shoulders, wearing a dark coat Oval in an ebonized rectangular frame 68 x 56mm £200-300

46. William Derby (1786-1847) Portrait of James Corbet Taylor Signed Watercolour on paper, oval 16 x 13.5cm; 6¼ x 5¼in £50-70

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

12 47. English School 19th Century A set of silhouettes of the Eyston family of Oxfordshire Painted and bronzed Oval, in ebonized frames Each 83 x 70mm (4) £200-300

47 48. John M. Field (1772-1848) Sir John and Lady Nicholl, both bust length Brown and bronzed silhouettes in profile, in ebonized rectangular frames 75 x 60mm Judge Sir John Nicholl (1759-1838) of 28 Curzon Street, fellow of St John’s College Oxford, was knighted in 1798 when he became King’s Advocate. He was an M.P. between 1802-32 £120-180

48 49. George Atkinson (c.1806-1826) Silhouette of a lady in profile, bust length, in a bonnet In gold and black on buff card, in an ebonized frame 75 x 62mm With a second in a similar style of a lady in a lace bonnet, 60 x 50mm (2) £150-250

49 50. E. Whittle (fl.1830-80) A pair of cut silhouettes in profile of a lady and a gentleman Ovals, in rectangular ebonized frames Each 70 x 55mm (2) With a further silhouette of a lady signed R. West 1892 (2) £120-180

50 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

13 51. Louis-Nicolas Van Blarenberghe (French 1716-1794) The Battle of Lawfeld, 2nd July 1747 Signed and dated 1777 Gouache 15 x 22cm; 6 x 8¾in In a red leather case £2,500-3,500 52. Dutch School c.1780 Still life of hollyhocks, roses, flowers and a dove in a landscape Watercolour on paper Circular, in a gilt frame 81mm diameter £250-350 53. Italian School 18th Century Vue des environs de Rome faites sur le tour Gilded and painted guilloche metal Circular, in a gilt frame 73mm diameter £250-350

54. German School 19th Century after Guido Reni Portrait of Beatrice Cenci On porcelain 72 x 58mm With two others of a lady and a gentleman (3) £200-300 55. λ Indian School 19th Century Indian temples and monuments Four, all ovals in carved wooden frames Each 38 x 49mm (4) £150-200

56. English School 19th Century Salisbury Cathedral from the water meadows Gilt frame 43 x 27mm £150-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

14 57. λ Christiaen van Pol (Dutch 1752-1813) Miniature still life of flowers in a basket on a ledge Signed with initials Circular in a gilt frame 90mm diameter £1,500-2,500 58. Italian School 20th Century Virgin and Child after Hans Memling Signed indistinctly and dated 1980 Watercolour 120 x 74mm A copy of half of a Diptych in the Groeningemuseum, Bruges, Belgium This copy is said to be painted by a Vatican nun specialising in these small copies £200-300 59. λ Continental School 19th Century Susanna and the Elders In a rectangular gilt metal frame 45 x 75mm £300-400

60 60. Large easel with tourney feet 198cm (h), 68cm (w), 61cm (d) £100-150 61. A Florentine maple leaf pattern carved giltwood frame 21 x 16cm; 8¼ x 6¼in (sight size) (45.5 x 36cm frame size) £200-300

62. A large Victorian gilt picture frame 91 x 156cm; 36 x 61½in (sight size), 113 x 178cm; 44½ x 70in (frame size) £200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

PRINTS

63 63. Rembrandt Harmensz Van Rijn (Dutch 1606-1669) Portrait of a boy in profile Etching, 1641 (Bartsch 310) 9 x 6.5cm; 3½ x 2½in £4,000-6,000

64 64. Rembrandt Harmensz Van Rijn (Dutch 1606-1669) The Quack Salver Etching 1635 (Bartsch 129) 8.2 x 4cm; 3¼ x 1½in £700-1,000

65. After Rembrandt Harmensz Van Rijn The Windmill; The Entombment Two, both reproductions 15 x 21cm; 6 x 8¼in and similar (2) £100-150

65 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

16 66. After John Crome Sandy road through woodland Signed and dated 1813 in the print Engraving 37 x 27cm; 14½ x 10½in £100-150

69. After Charles Hunt Cheltenham Annual Grand Steeple Chase The set of four aquatints published by I.W. Laird in 1842 Each 41 x 60cm; 16 x 23½in (4) £150-250

67. After Henry Alken The First Steeple-Chace on Record A set of four aquatints published by J. Harris in 1839 Each 37.5 x 42cm; 14¾ x 16½in (4) £100-200

70. After John Frederick Herring Fox Hunting plates from Fores’s National Sport, The Meet; The Find and The Kill Three (of 4) all aquatints by J. Harris, published 1852 Each 63 x 114cm; 25 x 41in (plate size) (3) £400-600

68. After George Henry Andrews The Old School 1755, Eight months to India; The New School 1855, Sixty days to Australia A pair, both aquatints published by Lloyd Brothers & Co., 1855 Each 41 x 61cm (2) £200-400

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

73 71. After Augustus Pugin and Thomas Rowlandson Tattersall’s; South Sea House; Freemason’s Hall; Coal Exchange; Great Subscription room at Brooks’s Five, all aquatints, engraved by Sunderland, Stadler, Hill, published 1808/9 at R. Ackermann’s Repository, London Each 20 x 26cm; 8 x 10¼in (5) £100-200

74 72. After Eugene von Guérard Australian views, view on the upper Mitta Mitta; Fitzroy Gardens, Melbourne Two, both aquatints, published by Melbourne Album office 26 x 35.5cm; 10 x 14in (2) £80-120

73. After Elizabeth Southernden Thompson, Lady Butler (1846-1933) The Roll Call [Crimean War] Mixed method engraving by W. T. Hulland, published 1882 by The Fine Art Society 38 x 76cm; 15 x 30in £70-100

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

74. English School 19th Century View of Widcomb, Bath, with Claverton Road, Widcombe Crescent, Lincomb Road and Widcomb Church Lithograph 28 x 56cm; 11 x 22in £100-200

75. After Sir Oswald Walters Brierly (1817-1894) Fatshan Creek [Opium Wars] Chromolithograph, by E. Walker 33 x 59cm; 13 x 23in £70-100

77. After Benjamin West Death of Lord Viscount Nelson, K.B. Coloured engraving by Leighton Brothers 43 x 55cm; 17 x 21½in £100-150

76. American School 19th Century Battle of Atlanta, Death of Gen. James B. McPherson, July 22nd 1864, Army of the Tennessee engaged Lithograph published by Kurz & Allison, Chicago, 1888 44.5 x 64cm; 17¼ x 25in £150-250

78. After John Singleton Copley R.A. Death of Major Pierson and the defeat of the French, St. Helier’s, Jersey, January 6th 1781 Engraving by A. Kessler 46 x 59cm; 18 x 23¼in £80-120

79. After Hubert and Jan van Eyck The lower panels of the Ghent Alterpiece as a triptych 5 interior and 4 exterior panels, with printed images In an ebonized frame 51 x 77cm; 20 x 30in (closed) £200-300 80. Currier & Ives (Publishers) Ltd. (American, established 1837-1907) after F. F. Palmer The Happy Family (Ruffed grouse and young) Lithograph, published 1866 50 x 70cm; 19¾ x 27½in £100-150

80 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

81 81. An album of photographs of Egypt and Venice mainly by Pascal Sebah and Antonio Beato c.44 photographs of Egypt and c.11 of Venice in a brown leather album £200-400 82. William Walcot (1874-1943) New York x 2; The Strand; Cornhill; York Minster 7, all signed Etchings, all unframed 18 x 19.5cm; 7 x 7¾in and smaller (7) £100-150

83. ‡ Frank Henry Mason (1876-1965) Tyne Dock; Hull A pair, both signed and titled Both etchings 35.5 x 42.5cm; 14 x 16¾in (2) £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

WATERCOLOURS 86. Dutch School 18th Century The card game Pen, ink and wash 17.5 x 28cm; 7 x 11in £100-200 87. Italian School c.1800 A religious procession with the Pope being carried in the street Pen ink and grisaille washes 18 x 22cm; 7 x 8½in £100-150

84 84. Paul Sandby R.A. (1730-1809) Pastoral view over a river Watercolour 11.25 x 13cm; 4¼ x 5¼in Provenance: William Sandby John Manning, London £150-200

85 85. Attributed to Paul Sandby R.A. (1725-1809) Figures on the way to market Two, both watercolour, framed together 7.25 x 8cm; 2¾ x 2in and similar Provenance: Sandford Gallery, London, 18th & 19th Century Art, March 82, No. 24 £100-150

88. Lieutenant James Kennett Willson (fl.1812-1830) A frigate in calm waters off a headland, possibly St Helena Pen and ink 24 x 28cm; 9¼ x 11in £150-250 89. Attributed to Anthony Devis (1729-1817) Figures in a wooded park with mountains beyond Said to be inscribed Pen, ink and watercolour, circular 11.5cm; 4½in diameter With a pencil, pen, ink and wash of pirates on the coast by the same hand 13 x 17cm; 5 x 6¾in (2) Provenance: Sandford Gallery, London, March ‘82, No. 26 & 32, Ref. SG/86/81 £100-150

89 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

21 90. Circle of Thomas Gainsborough R.A. Figures in a cart being pulled by a horse and oxen in a landscape Bears signature Pencil, unframed 14 x 21cm; 5½ x 8¼in Provenance: John Fitchett Marsh (1818-1880), 1/535, collector’s stamp lower right Marsh was a Warrington lawyer whose sale was at Sotheby’s 23-24 May, 1882, Amsterdam, 1921, p.264 £100-200 91. Follower of Thomas Gainsborough R.A. Cottage in the woodland Pen, ink and wash 16 x 23cm; 6¼ x 9in £200-300 92. Attributed to Thomas Gainsborough R.A. (1727-1788) A house in a wooded landscape Pencil 27 x 37cm; 10½ x 14½in Provenance: Squire Gallery, London Ex. Coll. Reitlinger, Old Master Drawings, Illustrated pl. 64 £100-150 93. Follower of Thomas Girtin Cattle by a river with a castle beyond Sepia watercolour 23 x 33cm; 9 x 13in £100-150

94. Attributed to Anthony Devis (1729-1817) Travellers with cattle, passing a cottage Watercolour and pencil 23 x 30cm; 9 x 12in With 3 further works, a drawing of the River Nith by Thomas Sunderland, a watercolour of putti by Lady Diana Beauclerk and a portrait by Edward Lutterell (4) £100-200

95. Follower of Willem Van de Velde Three marine scenes of ships in a storm, one ship’s portrait Four, two pen, ink and wash, one pencil and wash and one pen and ink 19 x 30cm; 7½ x 12in and smaller (4) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

96. Attributed to Leonard Bramer (1596-1674) Christ and the woman of Samaria at the well Pen and ink with chalk and wash 24 x 28cm; 9½ x 11in Provenance: Xanthus Gallery, Norwich £150-250 97. James Ward R.A. (1769-1859) Lord Spencer’s Durham Cow Signed with initials Watercolour 15 x 21cm; 6 x 8¼in £200-300

98. Attributed to Benedetto Gennari (Italian 1633-1715) Three Amoretti Red chalk on laid paper 20 x 40cm; 8 x 15¾in Provenance: Hal O’Nians Fine Art, London £200-300 99. John Samuel Hayward (1778-1822) Easby Abbey, Yorkshire Signed with initials, dated Sept. 13th 1813 and inscribed The ruins of the Abbey of St. Agatha near Richmond, York Pen, ink and pencil, mounted, unframed 13.5 x 37cm; 5¼ x 14½in £100-150

100. Follower of Peter de Wint Loading a hay cart near Hunstanton, Norfolk Bears signature Watercolour 19.5 x 48cm; 7½ x 19in £50-100 101. Attributed to William James Muller (1812-1845) Fishermen in an Eastern Mediterranean port Signed Pen, ink and watercolour 15 x 31.5cm; 6 x 12¼in £100-200

100

101 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

23 102. David Cox Snr. O.W.S. (1783-1859) Figures on the coast with flocks of gulls Signed Watercolour 20 x 32cm; 8 x 12½in £400-600 103. David Cox Snr. O.W.S. (1783-1859) The Bass Rock Watercolour 17 x 23.5cm; 6¾ x 9¼in Provenance: Collection of William Bennett Christie’s, 9-10-96, lot 186 £80-150 104. David Cox Snr. O.W.S. (1783-1859) A lady on a country lane Watercolour 19 x 26cm; 7½ x 10in Provenance: From the Collection of the Hon. Mrs. Verey The Fine Art Society, August 1940 £300-500 105. David Cox Snr. O.W.S. (1783-1859) Avenue, Duke’s fields, looking towards Coventry Park, Streatham, London Said to be titled and dated 7th August 1839 on an old mount by a later hand Watercolour 16 x 24cm; 6¼ x 9½in £300-500 106. David Cox Snr. O.W.S. (1783-1859) Cader Idris from Kymmer Abbey Watercolour 15.25 x 20.75cm; 6 x 8in

102

103

105 Bears a resemblence to the engraving of this subject after Cox published in Thomas Roscoe’s Wanderings and Excursions in North Wales, published in 1836 £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

104

106

107

108 107. Nicholas Pocock (1740-1821) Children leading a goat in a wooded landscape Pencil and watercolour with scratching out 39 x 56cm; 15¼ x 22in Provenance: Christie’s, 28/3/02, lot 33 (part) £300-500

109

108. Nicholas Pocock (1740-1821) Battle ships at anchor on the Nile and in full sail in a harbour, possibly the Pyramids beyond Pencil 22.5 x 42cm; 9 x 16½in £200-300 109. Nicholas Pocock (1740-1821) On the Avon at Bristol Signed and dated 1792 Pen, ink and watercolour 11 x 15.5cm; 4¼ x 6in Provenance: Christie’s, 21/5/13, lot 366 £150-250

110

110. Rev. James Bourne (1753-1854) Figures by a cottage in a hilly landscape Watercolour 29.5 x 42cm; 11½ x 16½in £200-300 111. Edmund Dorrell (1778-1857) Figures on a track by a cottage Signed, bears inscription verso Broom House Gardens, Fulham Watercolour 15.5 x 25.5cm; 6 x 10in £80-120 112. No lot

111 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

25 113. John Varley O.W.S. (1778-1842) Figures in an extensive mountain landscape Signed and dated 1813 Watercolour 27 x 64.5cm; 10½ x 25¼in Provenance: Abbott & Holder, London £500-700

113

115

114 114. John Varley O.W.S. (1778-1842) Travellers by a tree and lake, a castle beyond Watercolour 29.5 x 24cm; 11½ x 9¼in £250-350 115. John Varley O.W.S. (1778-1842) A Welsh view with shipping and a rowing boat Signed, also inscribed View in Wales on a label verso Watercolour 13 x 19.5cm; 5 x 7¾in Provenance: Walker Galleries, London, c.1956 £300-500

116 116. John Varley O.W.S. (1778-1842) Landscape with a cottage and windmill by a river Watercolour 12 x 16.25cm; 4¾ x 6½in Provenance: J. Leger & Son, London, June 1952 Said to be from a sketchbook of 18 similar drawings £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

117

118

119

120

121 117. Attributed to John Varley O.W.S. (1778-1842) The Marketplace, Leominster c.1800/01 Pen, ink and watercolour 27.5 x 39cm; 10¾ x 15¼in £400-600 118. Follower of John Varley Snowdon from Capel Curig Watercolour 18 x 26cm; 7 x 10in £200-300

122 119. Attributed to Charles Bentley (1806-1854) Shipping in a swell Pen, ink and watercolour 12 x 17.5cm; 4¾ x 7in £80-120 120. The Rev. Joseph Wilkinson (1764-1831) A view in the Lake District, possibly Patterdale Watercolour over pencil 30.5 x 45cm; 12 x 17¾in £200-300

121. Samuel Hieronymus Grimm (Swiss 1733-1794) View of the coast at Dieppe Signed and dated 1770 Pen, ink and watercolour 27 x 34cm; 10½ x 13¼in £400-600

122. Bernard Eyre Walker (1886-1972) Am Basteir and Sgurr a’ Fionn Choire, The Cuillins, Skye, Scotland Signed, also signed and titled on a label verso Watercolour 25 x 35cm; 10 x 13¾in Provenance: Arthur Tooth & Sons, London £150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

27 123. After Sir Thomas Lawrence P.R.A. Portrait of Sarah Siddons, bust length in a white dress with a blue cloak Pastel, oval in an ornate rococo revival frame 55 x 44cm; 21½ x 17¼in (sight size) (126 x 71cm frame size) With another Attributed to Catherine Read (1723-1778) Portrait of a lady, bust length, with a white shawl and bonnet Pastel, oval, in a matched frame 60 x 46cm; 23½ x 18in (sight size) (128 x 72cm frame size) (2) £1,000-1,500

123

124. Attributed to Edmund Ashfield (fl.1669-90) Portrait of Charles II Pastel on brown paper 26.5 x 21.5cm; 10½ x 8¼in Provenance: 1st Viscount Townshend, Raynham Hall, Norfolk Christie’s Townshend Heirlooms sale, 5th March 1904, £600-800 125. John Downman (1750-1824) Portrait of a lady thought to be Anne Clarke Signed, dated 1797 and inscribed verso indistinctly and inscribed Watercolour and pencil 21 x 18cm; 8¼ x 7in £400-600

124

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125

126

127 126. English School 18/19th Century Portrait of Mrs Catherine Compton c.1790; Portrait of Henry Combe Compton (1789-1866) Two, both pastel 30 x 24cm; 11¾ x 9½in and 27 x 21.5cm; 10½ x 8¼in (2) £300-500

128 127. Lady Diana Beauclerk (1734-1808) A lady and her children in a woodland Signed and dated 1777 verso Watercolour 27 x 32cm; 10½ x 12½in £150-250

128. Attributed to Nicholas Maes Study of a boy Pastel, in a carved wood frame 33 x 18cm; 13 x 7in Exhibited: National Gallery of South Africa £150-250

129 129. Continental School late 17th Century Study of a hand and a sandalled foot Red Chalk 24 x 17cm; 9½ x 6¾in Provenance: Sandford Gallery, London, Late 17th Century, No. 41 £100-150

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

130

131 130. Lewis Vaslet of Bath (1742-1808) Portrait of a gentleman, head and shoulders wearing a gold coat; Portrait of John Compton (1750-1803), head and shoulders wearing a beige-collared coat Two, one signed and dated 1780 on a label verso Both pastel Each 29 x 24cm; 11½ x 9½in (2) £400-600

132 131. Joseph Farington (1747-1821) The Chateau at Mons Signed, titled and dated Septr. 2, 1793 Pen and ink 20 x 14cm; 8 x 5½in £100-150

133 132. Attributed to William Hoare of Bath (1707-1792) Portrait of a girl reading Pencil 25 x 20cm; 9¾ x 8in £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

133. Follower of John Sell Cotman Duncombe Park, Yorkshire; Fishing boats by a town One bears signature One watercolour, the other pencil and wash 19 x 34.75cm; 7½ x 5½in and 17 x 24.5cm; 6½ x 9½in (2) £100-150

134

135 134. Sir George Bulteel Fisher (1764-1834) Distant views of the Galtee Mountains, Co. Tipperary, Ireland Two, one said to be inscribed verso Both watercolour 47 x 64cm; 18½ x 25in and 40 x 59cm; 16 x 23in (2) £400-600

137

136 135. Attributed to David Cox Snr. O.W.S. (1783-1859) A view on the river Colne Watercolour 12 x 16cm; 4¾ x 6¼in £80-120

136. David Cox Jnr. A.R.W.S. (1809-1885) Figures below Conwy Castle Signed Watercolour 36 x 55cm; 14 x 21¾in Provenance: Christie’s, 23/3/05, lot 73 £300-500

138

137. Amelia Long, Lady Farnborough (1762-1837) After Thomas Girtin Figures by a cottage in a country lane Watercolour 24 x 35.5cm; 9½ x 14in Provenance: Dudley Snelgrove, Sotheby’s, 19 Nov. 1992, lot 340 (part) Literature: H. L. Mallalieu, The Dictionary of British Watercolour Artists up to 1920, 1979, Vol. II, repr. p.376 £200-300 138. Amelia Long, Lady Farnborough (1762-1837) View from Bromley Hill Inscribed and dated 1811 indistinctly Pencil and grisaille wash on grey paper 30 x 46cm; 12 x 80in Provenance: Dudley Snelgrove, Sotheby’s, 19 Nov. 1992, lot 340 (part) £150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

139

140

139. William Samuel Howitt (c.1765-1822) Cattle and a cart by a byre Pen, ink and watercolour 26 x 36cm; 10 x 14in £80-120 140. Sir John Gilbert R.A. (1817-1897) The Tempest, Act 2, Scene 2, Trinculo, Stephano and Caliban Watercolour 15 x 20cm; 6 x 8in £500-700 141. Samuel Prout (1783-1852) Watertowers on an estate c.1800 Signed Pen, ink and wash 18 x 26cm; 7 x 10in £80-120 142. Samuel Prout (1783-1852) Figures by a working mill Signed with a monogram Watercolour 19 x 26cm; 7½ x 10¼in £300-400

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143. George Chinnery (1774-1852) Landscape with a figure by a river Pencil 14.5 x 21cm; 6¾ x 8¼in Provenance: Appleby Bros. Ltd., Christmas Exhibition, 1962, No. 79/0 £60-120

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

144. Attributed to George Chinnery (1774-1852) Cattle watering by a clump of trees Watercolour 16 x 21cm; 6¼ x 8¼in £100-200

145 145. William Prinsep (1794-1874) The Pyramids of Saqqara Pen, ink and watercolour 25.5 x 36cm; 10 x 14in Provenance: Martyn Gregory, London, The Overland Route of William Prinsep, No. 46 £400-600

146 146. English School late 18th Century Cattle by a farmstead and barns with a river beyond Watercolour 27 x 41.5cm; 10½ x 16¼in It has been suggested this could be by John Fisher £150-200

147. John Harding (c.1777-1857) Wash day Signed Watercolour 18.5 x 22cm; 7¼ x 8¾in Provenance: Bonhams, 13th March 1996, lot 72 Abbott & Holder, London £150-200

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148

148. Thomas Sunderland (1744-1828) The upper end of Ullswater with Place Fell Signed indistinctly Pencil with pen, ink and wash 23 x 34cm; 9 x 13½in £300-500 149. Thomas Sunderland (1744-1828) Caldron Linn, River Devon, Clackmannanshire, Scotland Pencil and wash 33 x 24cm; 13 x 9½in £200-300 150. William Moore (1790-1851) Three children playing Signed and dated 1885 Watercolour with pencil 40 x 36cm; 15¾ x 14in £100-200

149

150 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

151 151. William Samuel Howitt (c.1765-1822) Travellers on the road A pair, both pen, ink and watercolour Each 14 x 20cm (2) £200-300 152. Thomas Leeson Scarse Rowbotham (Irish 1783-1853) Indians by moonlight in a mountainous landscape with a waterfall Said to be signed and inscribed American Scene / 1.0.0 verso Grisaille watercolour with scratching out 20 x 28cm; 8 x 11in £150-250

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153

153. William West (1801-1861) Warriors resting in a mountainous landscape by moonlight Said to be inscribed West 5/ verso Sepia watercolour with scratching out 20.5 x 16.25cm; 8 x 6½in Provenance: The Miles Family, Leigh Comb, Nr. Bristol R. E. Summerfield Christie’s, 20 Mar 1990, lot 51 £150-250 154. James Baker Pyne (1800-1870) Mother and child in the moonlight with cattle on a lane Said to be signed verso Grisaille watercolour with scratching out 22.25 x 18cm; 9 x 7in Provenance: The Miles Family, Leigh Comb, Nr. Bristol R. E. Summerfield Christie’s, 20 Mar 1990, lot 61A £150-250

154

155. Paul Falconer Poole (1807-1897) A figure by a wooded pool Said to be signed and dated 2/6 verso Sepia watercolour with scratching out 22 x 20cm; 8¾ x 8in £150-250

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155

34 156. Thomas Hartley Cromek (1809-1873) San Benedetto, Subiaco, Italy Signed Watercolour on buff paper 30 x 41cm; 11¾ x 16in £200-300

156

157

158 157. Louis Block (1879-1909) The interior of St. Stephen’s Church, Walbrook, London Signed Watercolour over pencil 30.5 x 35cm; 12 x 13¾in £300-500

159 158. John Buckler (1770-1851) Christchurch College, Oxford Signed and dated 1830 Pencil and sepia wash 36 x 27cm; 14 x 10½in £400-500

159. John Buckler (1770-1851) Sheldonian Theatre, Oxford Signed and dated 1815, also dedicated below to Lord Grenville, Chancellor of the University of Oxford Pencil and sepia wash 44 x 61cm; 17¼ x 24in £1,000-1,500 160. John Chessell Buckler (1793-1894) Views of Lyte’s Carey Manor, Somersetshire A pair, both signed and dated 1834 Both pen, ink and wash in burr wood veneered frames 24.5 x 33cm; 9½ x 13in (2) £300-500

160 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

161 161. John Nixon (c.1760-1818) Caverns in the Rocks South of Portland Signed with initials and dated 1789 Pen, ink and watercolour 15 x 25cm; 6 x 9¾in Provenance: Christie’s, Nov. 21, 1978, lot 31 The Hospital of La Providence £50-80

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162. Abraham Teerlink (Dutch 1776-1857) Villagers skating on a canal in winter Signed and dated 1812 Watercolour 20.5 x 30cm; 8 x 12in £500-800 163. Andrew Nicholl (Irish 1804-1886) Garron Point from Glenarm, Co. Antrim, N. Ireland Signed, also said to be inscribed verso Watercolour over pencil 19 x 31cm; 7½ x 12in Provenance: By descent from the artist Sotheby’s, 12 June 2003, lot 173 (part) £300-500

165 164. Andrew Nicholl (Irish 1804-1886) Ballyreagh Castle, near Portrush, Co. Antrim, N. Ireland Signed, also said to be inscribed verso Watercolour with scratching out 25.5 x 36.5cm; 10 x 14¼in Provenance: By descent from the artist Sotheby’s, 12 June 2003, lot 173 (part) £300-500

166 165. Attributed to John Thomas Serres (1759-1825) Men o’ War on a high sea Watercolour 41 x 62.5cm; 16 x 24½in £300-500 166. Henry Gastineau (1791-1876) A view of Lucerne Watercolour 39 x 64cm; 15¼ x 25in £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

36 169. Sir John James Steuart (Scottish 1779-1849) Fleeing the battle Watercolour with bodycolour 21 x 28cm; 8¼ x 11in Provenance: Abbott & Holder, London £200-300

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168

167. ‡ Alexander Carruthers Gould (1870-1948) Windsor from the water-meadows; Haymaking by a ruined castle Two, both signed Both watercolour 27 x 44.5cm; 10½ x 17½in (2) Exhibited: (The second at) Royal Academy 1899 £150-250

169

168. Henry Mayle Whichelo (1800-1884) Capston Hill, Ilfracombe Signed and titled on a label verso Watercolour 23 x 33.5cm; 9 x 13in With another distant view of Port Eliot, Cornwall by the same hand 31 x 53cm (2) £300-400

171. Richard Westall R.A. (1765-1836) Charles I making a pronouncement (possibly refusing his assent to the Militia Bill) Watercolour and gouache 33.5 x 45.5cm; 13 x 18in Exhibited: Royal Academy 1790 £500-700 172. Richard Westall R.A. (1765-1836) An audience in a General’s tent Signed Watercolour with bodycolour 31.5 x 42cm; 12½ x 16½in £400-600

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171

170. Emile Aubert Lessore (French 1805-1876) Grace before meat Signed and dated 1849 Pen, sepia ink and watercolour 24 x 34cm; 9½ x 13¼in £150-250

172 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

173 173. Sir Anthony Vandyke Copley Fielding R.A. (1787-1855) Extensive view of Robin Hood’s Bay, Yorkshire Signed Watercolour heightened with white and scratching out 42 x 89cm; 16½ x 35in Provenance: Stanley W Fisher Exhibited: Old Watercolour Society 1838, no. 85 £2,500-3,500 174. William Roxby Beverley (1811-1889) Robin Hood’s Bay Signed and dated 1864 Watercolour 24 x 33.5cm; 9½ x 13in £400-600

174

175. Domenico Gararrone (Italian 1821-1874) The Brig Jane Brown of Amble, Captn. John Duthie, Leaving Genoa, 1868 Signed, titled and dated Pen, ink and watercolour 48 x 70cm; 19 x 27½in £800-1,200

175 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

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180 176. Attributed to Samuel Alken (1784-c.1825) A horse and groom in a stable Watercolour and gum arabic over pen and ink 15 x 21cm; 6 x 8¼in £100-150 177. Henry Alken Sen. (1774-1850) A difficult hedge Watercolour, unframed 27 x 37cm; 10½ x 14½in £200-300

181 178. Martin Snape (1852-1930) Sheep in a meadow by a river, a town beyond Signed Watercolour 30.5 x 45cm; 15 x 17¾in £100-150 179. Robert Thorne Waite R.W.S. (1842-1935) Harvesters in a landscape, possibly Sussex Watercolour 33 x 50cm; 13 x 19¾in Provenance: Professor Sir David Smithers Arnold Thorne Waite, the artist’s son £150-250

180. George Goodwin Kilburne (1839-1924) A Fireside Smoke Signed with initials Watercolour 11 x 16.5cm; 4¼ x 6½in £200-300 181. J. Hodson (19/20th Century) Workhorses and farm-hands on a midday rest Signed and dated 1899 Watercolour 17.5 x 23cm; 7 x 9in £200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

182 182. William Callow (1812-1908) Isola dei Pescatori, Lago Maggiori, Italy Signed and dated 1872 Watercolour 22 x 35cm; 8½ x 13¾in Provenance: Sotheby’s 18th March 1980, lot 161 £5,000-7,000

183. English School early 19th Century View over an Italian town and river Inscribed indisctinctly verso Watercolour 34 x 53cm; 13½ x 21in £150-200

183

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

184. Arthur Glennie (1803-1890) View of St. Mark’s Basilica and Clock Tower, Venice Watercolour with bodycolour 14.5 x 20.5cm; 5¾ x 8in £150-250

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186

187 185. Paul Marny (1829-1914) Old Clock, Rouen Signed and titled Watercolour 61 x 106cm; 24 x 41¾in £400-600 186. Edwin Toovey (1826-1906) On the coast of Devon Signed and dated 1873 Watercolour 17 x 24cm; 6¾ x 9½in With a further watercolour of Cadgwith, The Lizard by William Roxby Beverley 15 x 22cm (2) £150-200

189

188 187. William Gershom Collingwood (1854-1932) Timber boats beating up the fjord to Stockholm; Ardtornish Castle, Sound of Mull Two, both signed, also signed and titled on a board verso Both watercolour over pencil 16 x 23cm; 6¼ x 9in and 12 x 24cm; 4¾ x 9½in (2) £300-400 188. Arthur Wilde Parsons (1854-1931) Homeward Bound Signed and dated 1902 Watercolour 48.5 x 74cm; 19 x 29in Provenance: Frost & Reed, London, 24.8.70, No. R4257 £200-400

189. J. Hill (19/20th Century) Sailing barges in choppy seas; Fishing boats at anchor at sunset Two, both signed Both watercolour Each 20 x 40cm; 8 x 16in (2) £400-600 190. Ernest Stuart (act.1889-1915) Coastal seascape with a ship on the horizon Signed Watercolour 25 x 70cm; 10 x 27½in £200-300

190 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

191 191. Louise Rayner (1832-1924) A street scene in Chester Signed Watercolour 30 x 46cm; 12 x 18in £6,000-8,000 192. Thomas Bush Hardy R.B.A. (1842-1897) Blake and Von Tromp in the Straits of Dover, May 1652 Signed, titled and dated 1873 Watercolour 72 x 125cm; 28¼ x 49in This depicts the Naval Battle of Goodwin Sands, at the start of the First Anglo-Dutch war on 19th May 1652 £700-1,000 192

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

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194

195

193. General Sir John James Hood Gordon K.C.B. (1832-1908) Six large views of India including: Pir Panjal Range and Valley of Cashmere; Vale of Cashmere x2, 16 smaller views including Engadin, St Moritz and other Swiss views, other smaller views of India including Lucknow, Kashmir and other unknown views 22, some signed and inscribed All watercolour, unframed, in acid free mounts Large ones 26 x 43cm; 10¼ x 14in, smaller ones 24 x 34cm; 9½ x 13½in and similar (22) Together with a copy of John James Hood Gordon Artist and General by Martyn Everett, published by Newport News 2017 with several of the works here illustrated in the book £1,000-1,500

194. Anglo Indian School 19th Century View from Colgong on the Ganges East Bengal, India Inscribed View from Colgong and dated Dec’b 1830 Pen, ink and grisaille watercolour, unframed 23 x 50cm; 9 x 20in With an unframed pen and ink drawing of the Ruins of the Ramalingum Pagoda, signed with initials G.R.D. and dated 31st March 1828 (2) £150-250 195. Colonel George Strahan (1839-1913) Views of the Marble Rocks, Jubbulpore, India Two, both said to be signed inscribed and dated March 5th & 6th, 1883 and with an inscription by the artist’s wife dated 1913 confirming the attribution verso Both watercolour 24 x 33cm; 9½ x 13in and 33 x 24cm; 13 x 9½in (2) £250-350

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

43 196. Indian School 19th Century Views of Indian Palaces with scenes of daily life including banquets, manufacturing goods, festivals and concerts Eight, all inscribed Each 26 x 43cm; 10¼ x 17in (8) £1,000-1,500

197. Indian School 19th Century Scene’s from Indian tales including the Monkey king, Shiva, a King on horseback All reverse glass Each 49.5 x 35cm; 19½ x 13¾in £600-800 196

197 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

198 198. R.H.W. (British c.1845) View of Smyrna Signed with initials and dated 1845 Watercolour, unframed 21.5 x 29cm; 8½ x 11½in £100-200

199 199. Charles Frederick de Brocktorff (Danish 1755-1850) Maltese scenes with elegant figures in a cart and a farmer ploughing Two, both signed Both watercolour, unframed Each 14 x 26cm; 5½ x 10in (2) £300-400

200. John Chase (1810-1879) Nether Hall, Roydon, Essex Signed and dated 1855 Watercolour 47.5 x 33cm; 18¾ x 13in Nether Hall was the home of Jane Colt who was the first wife of Sir Thomas More £150-250 201. French School 19th Century Portrait of Napoleon Bonaparte Pencil on buff paper 10.75 x 8.5cm; 4¼ x 3¼in £200-300 202. Charles Edward Conder (1868-1908) Designs for a fan Two, both signed, one dated 1904 Both watercolour on silk Approx. 28 x 48cm; 11 x 19in and 23 x 48cm; 9 x 19in (2) Provenance: T & R Annan & Sons, Glasgow Exhibited: British Council Fine Arts Committee, 1939 No. 227 £800-1,200

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Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

45 203. Sir Edwin Henry Landseer R.A. (1802-1873) Study of a stag and hind Signed with initials and dated 1866 Pen and sepia ink and wash on pale blue paper 21.5 x 35cm; 8½ x 13¾in Provenance: Collection of The Earl of Sutherland £2,000-3,000 204. Sir Edwin Henry Landseer R.A. (1802-1873) A retriever with a rabbit Signed with initials (partially under mount) and dated ‘66 Pen and sepia ink and wash on pale blue paper 21.5 x 35cm; 8½ x 13¾in Provenance: Collection of The Earl of Sutherland £1,500-2,500

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205. English School 18th Century After Thomas Gainsborough The brook by the way Watercolour 30 x 38.5cm; 12 x 15in A loose copy of the original in the Tate Gallery, London £80-120 206. English School 1865 A terrier and a butterfly in a landscape Signed with a monogram ACD and dated 1865 Watercolour 28.5 x 38cm; 11¼ x 15in £300-500 204

205 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

206

46 207. French School c.1830 A flautist Pencil in a Kent style frame 30 x 25cm; 11¾ x 9¾in £400-600 208. Michael Angelo Rooker (1743-1801) Llandaff Cathedral, Wales Signed and dated 1795 Grisaille watercolour 37.5 x 38cm; 14¾ x 11in £500-800

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208

209. Attributed to Jean-Baptist Joseph Wicar (French 1762-1834) Portraits of two gentlemen A pair, both pencil Each 20.5 x 15.5cm; 9 x 6in (2) Provenance: Prince Vladimir Galitzine Yvonne Tan Bunzl, Exhibited 1972 £200-300 210. George Lance (1802-1864) Still life of fruit and vessels on a table Signed, dedicated and dated April 20 1854 Pen, ink and wash 56 x 48.5cm; 22 x 19in £150-250

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211. Thomas Stothard R.A. (1755-1834) Scene from Sir Walter Scott’s poem The Lady of the Lake Signed Watercolour, unframed 34 x 31cm; 13½ x 12in Together with 14 further unframed watercolours by other hands including F.E. Weirotter; Arthur A. Fraser and Benjamin Sigmund (15, folder) £100-150 212. Francisco Diaz Correno After Diego Velasquez Don Gaspar de Guzman, Count-Duke of Olivares Signed Watercolour 34 x 27cm; 13¼ x 10½in £200-300

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212 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

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213. Cecil Charles Windsor Aldin (1870-1935) A Scottie Signed Pen, black ink, coloured chalk and bodycolour 9 x 12cm; 3½ x 4¾in £400-600

216. George Finch Mason (1850-1915) A happy family Signed and titled Pen and ink 21 x 34.25cm; 8¼ x 13½in £80-120

214. Edward Lear (1812-1888) Study of a black swan Signed and dated April 17, 1846 Pen and ink, unframed 10 x 15cm; 4 x 6in £250-350

217. Oskar Schafft (German b.1870 -?) A bison in a landscape Signed and inscribed Munchen Pencil 43 x 60cm; 17 x 23½in Exhibited: Grosse Berliner Kunst-Ausstellung 1905 £150-250

215. English School late 19th Century Dauntless and Pansy, two hounds Inscribed Black and red chalk 17 x 21cm; 6¾ x 8¼in £50-80

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218 220

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221 218. After Helen Beatrix Potter Hunca Munca and her cradle and with a dustpan and broom A pair, both painted on menu cards Each 14 x 9cm; 5½ x 3½in (2) £200-300

221. Octavia Gardyne (French 19th Century) Still life of grapes and flowers on a ledge Signed and dated 1843 Watercolour on vellum 26 x 34cm; 10¼ x 13¼in £300-500

219. F.A.B. and G.H.B. (c.1883) An album of approx. 63 costume designs including characters such as Polly Pluckrose, Black-Eyed Susan, Frivoli, Lord Mountararat, Maid Marian, Cinderella, Boccaccio Most signed with initials and titled, the first page inscribed At the Fisheries Exhibition 1883 Most pen, coloured inks and watercolour Each 18 x 11.5cm; 7 x 4½in (the album 27 x 34.5cm; 10½ x 13½in missing covers) £300-400

222. English School 19th Century Studies of uniformed soldiers Twelve, signed Cartoucher and each titled The Fifth Royal Irish; The Life Guards; The 17th Death or Glory; The 3rd Carabiniers; The K.D.G.; The 5th Cavalry Indian Army; The R.H.G.; The 11th (P.H.O.) Hussars; The Greys; Ubique; The 16th Queen’s Lancers; The 21st Lancers All gouache Each 33 x 19cm; 13 x 7½in (and similar) With 3 further studies of The Queen’s Bays; The XIXth; The 9th Queen’s Royal Lancers in different hands (15) £200-300

220. James Holland (1799/1800-1870) Floral Studies Four, all signed All watercolour heightened with gum arabic 19.5 x 26cm; 7¾ x 10¼in (4) £200-400

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

49 223. Alfred Heaton Cooper (1864-1929) Geiranger Fjord, Norway Signed and dated 1911 Watercolour on Whatman paper dated 1908 37.5 x 54cm; 14¾ x 21in £400-600 224. Edgar E. West (1821-1884) Mountainous river view, Norway Signed and inscribed indistinctly Luster (?), Norway Watercolour with bodycolour 48 x 67cm; 19 x 26¼in £150-250 225. George Sheffield (1839-1892) Extensive wooded landscape Signed, dated 1875 and dedicated For the Heys Fund Watercolour 55 x 94cm; 21½ x 37in £400-600 226. Charles Grant Davidson (1824-1902) Figures near a church and woodland Signed Watercolour, unframed 40 x 60cm; 15½ x 23½in With 12 further unframed watercolours by other hands including 2 pen, ink and wash studies of Ypres by W. Cecil Dunford; F.W. Woledge; Harriet Lister and Henry Schafer (13, folder) £100-150

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225

227 227. English School 19th Century High Force, Teesdale, Co. Durham Signed with initials, titled and dated Early May/66 Pen, ink and watercolour 34 x 49cm; 13¼ x 19¼in With a watercolour of a ruin in a landscape and a castle on the Rhine (3) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

224

226

228 228. Stephen J. Bowers (act.1874-1892) Windsor Castle from the river Signed Watercolour 35 x 50cm; 13¾ x 19¾in £200-300

50 229. Harry Bright (1846-1895) Great white Heron; Song Thrush; Cormorant; Female Blackbird Set of four, all signed and dated 1884 All watercolour Each 28 x 22cm; 11 x 8¾in (4) £600-800 230. Harry Bright (1846-1895) A labour of love Signed, titled and dated 1883 Watercolour 28 x 41.5cm; 11 x 16¼in £300-500

229 231. Harry Bright (1846-1895) Merry spring; Winter time A pair, both watercolour, oval Each 28 x 23.5cm; 11 x 9¼in (2) £300-500 232. ‡ Philip Rickman (1891-1982) Autumn in the Spey valley, crested tits and goldcrests Signed and dated 1962 Watercolour with bodycolour 58 x 40cm; 23 x 15¾in Provenance: The Tryon Gallery Ltd., London £400-600 230

231

232

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

233

236 233. Leslie William Lang (1886-?) Portrait of a lady full length holding a parasol; Portrait of a lady full length A pair, both signed and dated 1905 Both watercolour Each 48 x 24cm; 19 x 9½in (2) £300-500 234. Louis Charles Goddard (19/20th Century) Portrait of a lady in a black plumed hat and an ermine trimmed coat Signed Watercolour 33 x 25cm; 13 x 9½in £300-500

234

237 235. Millicent Phelps (act.1890-1921) Portrait of Constance Ellinor Wilson Patten, later The Hon. Mrs. Osbert Lumley (1864-1933) Signed and dated 1892 Red chalk 60 x 47cm; 23½ x 18½in Provenance: The Parker Gallery, London £300-500 236. Attributed to Ozias Humphrey (1742-1810) Portrait of Ozias Thurston Linley (1765-1831) Black and white chalk on blue paper 25 x 19cm; 9¾ x 7½in £350-450

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

235

238 237. Manner of James Abbot McNeill Whistler Portrait of a young girl Bears inscription Miss Cicely Alexander and coloured butterfly Grisaille watercolour heightened with white on brown paper 58 x 37cm; 22¾ x 14½in £150-250 238. Geoffrey Edwards (19/20th Century) Fifty years ago Signed and dated ‘99 Watercolour 32.5 x 22.5cm; 12¾ x 9in £200-300

239

240

241 239. William Sidney Morrish (1844-1917) The Jungfrau and Silberhorn above Lauterbrunnen Signed and dated 1881 Watercolour with bodycolour 72 x 48.5cm; 28¼ x 19in £300-500 240. Raffaele Mainella (Italian 1858-1907) Gondolas on a busy backwater, Venice Signed Watercolour 31.5 x 16cm; 12¼ x 6¼in £300-500

242 241. Alberto Prosdocimi (Italian 1852-1925) A gondola on a backwater, Venice Signed Watercolour 29 x 17cm; 11½ x 6¾in £300-500

242. Alberto Prosdocimi (Italian 1852-1925) View of San Giorgio Maggiore, Venice Signed Watercolour 17 x 29cm; 6¾ x 11½in £300-500

243. Eugenio Bonivento (Italian 1880-1956) The Grand Canal Venice Signed Watercolour 27 x 41cm; 10½ x 16¼in £150-200

243 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

245

244 244. Gideon Matthew Fidler (1857-1942) A workhorse resting; The open air dairy Two, both watercolour 12.5 x 16cm; 5 x 6¼in and smaller (2) Provenance: (Horse only) The collection of Ron Lever Treffont £150-250

245. Gideon Matthew Fidler (1857-1942) Tying up the great Sunflower; News from Old England Two, both signed One oil on paper, one mixed media 16.5 x 12cm; 6½ x 4¾in and similar (2) £300-500

246 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

246. ‡ Arthur Reginald Willett (1868-1951) Keeper’s Lodge, Hanmer; A meet, Southdown Hounds near Plumpton A pair, both signed Both watercolour Each 17.5 x 48cm; 7 x 19in (2) £200-300

54 247. Frederick Williamson (1835-1900) On the South Downs Signed Watercolour 24 x 38cm; 9½ x 14¼in £600-800 248. John Skinner Prout O.W.S. (1806-1876) A church in Brittany Signed and dated 1865 Watercolour with bodycolour 29 x 50cm; 11½ x 19¾in Provenance: Abbott & Holder, London £200-300

247

249. James Towers (1852-c.1934) Two women at a well Signed and dated 1890 Watercolour 18.5 x 24cm; 7¼ x 9½in £200-300

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250. Henry John Kinnaird (fl.1880-1920) Old Mill near Winchester Signed and titled Watercolour 18 x 28cm; 7½ x 11in £200-300

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251. James Orrock (1829-1913) Durham Cathedral; Warkworth Castle Two, both signed Both watercolour over pencil 25 x 36cm; 10 x 14in (2) £150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

55 252. James Thomas Watts R.C.A., R.B.S.A. (1853-1930) A quiet grey day Signed Watercolour 32.5 x 58cm; 12¾ x 23in £500-700 253. George Phoenix (1863-1935) The Severn at Bridgnorth Signed Watercolour 36 x 52cm; 14 x 20½in £150-250 252

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255 254. Joseph John Jenkins (1811-1885) Storm in Harvest Signed and dated 1863 Watercolour 37 x 61cm; 14½ x 24in £200-300

256 255. Wilmot Clifford Pilsbury R.W.S. (1840-1908) Ploughing a field in a wooded autumn landscape Signed Watercolour 18.5 x 28cm; 7¼ x 11in £250-350

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

256. Percy Dixon (1862-1924) Table Mountain, Cape Town, South Africa Signed Watercolour 26.5 x 36cm; 10½ x 13in £150-250

257

258 257. George Hughes (19th Century) A cottage in Autumn Signed Watercolour 29.5 x 44.5cm; 11½ x 17½in Provenance: The Collection of Sir George White of Bristol, defender of Ladysmith Christie’s February, 1917 Frost & Reed, Bristol, No. 2662 £200-300 258. Henry Stannard (1844-1920) Pheasants in a bluebell patch Signed Watercolour 32 x 47cm; 12¼ x 8½in £300-500

259

259. Edward J. Duval (act.1876-1916) Cattle on a riverbank by a village Signed and dated 1882 Watercolour 46 x 73cm; 18 x 28¾in £100-150

260. Henry John Yeend King (1855-1924) Milton’s Cottage, Chalfont St. Giles Signed Watercolour 27 x 37cm; 10½ x 14½in £200-300 261. Anna E. (Blunden) Martino (1829-1915) Polurrian Cove looking towards Mullion Island, Cornwall Signed and dated 1900 Watercolour 48 x 83cm; 19 x 23½in £200-300 262. Anna E. (Blunden) Martino (1829-1915) View on a North Italian Lake Signed and dated 1898 Watercolour 29 x 47.5cm; 11 x 18½in £150-250

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262 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

263 263. Colin Campbell Cooper (American 1856-1937) Bruges Signed, titled and dated 1896 Watercolour 28 x 43cm; 11 x 17in Provenance: From the Estate of Colin Campbell Cooper Collection Helene Seeley, Cooper’s niece Sherrill Helene Seeley Henderson, Cooper’s grandniece £400-600

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264. Colin Campbell Cooper (American 1856-1937) La Palma Majorca Signed Watercolour with bodycolour 24 x 42cm; 9½ x 16½in Provenance: See lot 263 £400-600 265. Colin Campbell Cooper (American 1856-1937) View of St. Mark’s Basilica, Venice Signed with initials, dated June 1929 and inscribed Venice Watercolour on buff paper 37 x 45cm; 14½ x 17¾in Provenance: See lot 263 £500-800

267 266. Colin Campbell Cooper (American 1856-1937) Chartres Signed, titled and dated Octr. 5th 1900 Watercolour 23 x 31cm; 9 x 12¼in Provenance: See lot 263 £200-300

268 267. Y. Gianni (Italian 19/20th Century) The Bay of Naples Signed Gouache 19 x 25cm; 7½ x 10in £100-150

For two oils by this artist, please see lots 581 and 582

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

268. Arthur Melville (Scottish 1855-1904) A coastal view in North Spain Signed and dated 1892 Watercolour 24 x 34.5cm; 9½ x 13½in Said to be painted during the artist’s tour of the area with Frank Brangwyn £150-250

Lots 269 to 289 - A Private Collection of Watercolours by Hercules Brabazon Brabazon 269. Hercules Brabazon Brabazon (1821-1906) Venice Signed with initials, also titled verso Pastel, unframed 16.5 x 22.5cm; 6½ x 9in £450-650

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270. Hercules Brabazon Brabazon (1821-1906) A canal with gondolas, Venice Signed with initials Watercolour with bodycolour on blue paper, unframed 16 x 22.5cm; 6¼ x 5in £500-700 271. Hercules Brabazon Brabazon (1821-1906) A city view, possibly Venice Signed with initials Pastel, unframed 14.5 x 18.5cm; 5¾ x 7¼in £350-450 272. Hercules Brabazon Brabazon (1821-1906) Algiers Signed with initials and titled Watercolour and graphite, unframed 16 x 25cm; 6¼ x 9¾in £500-700

273 273. Hercules Brabazon Brabazon (1821-1906) Boats on a canal, Venice Signed with initials twice and titled Venice Graphite with pastel on blue paper, unframed 17 x 23.5cm; 6¾ x 9¼in £500-700

274 274. Hercules Brabazon Brabazon (1821-1906) Mountainous view of the Rhine Valley; A view of Coblenz Signed with initials One watercolour with bodycolour and the other pencil with pastel, both unframed 11.75 x 16.75cm; 4½ x 6½in and 17.75 x 20.75cm; 7 x 8¼in (2) £500-700

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

59 275. Hercules Brabazon Brabazon (1821-1906) A lake and mountainous landscape; A small sunset landscape Two, both signed Both watercolour over pencil 16 x 15cm; 6¼ x 6in and smaller (2) £500-600 276. Hercules Brabazon Brabazon (1821-1906) Venice, after J.M.W. Turner Signed with initials Watercolour, unframed 18 x 25.5cm; 7 x 10in £500-700 277. Hercules Brabazon Brabazon (1821-1906) Dresden, midday Signed with initials and inscribed Dresden Pastel, unframed 17 x 24cm; 6¾ x 9½in Provenance: The Pastel Society, London, No. 5 £450-550 278. Hercules Brabazon Brabazon (1821-1906) Harbour scene Signed with initials and inscribed on backing paper After Van der Capelle Pastel with graphite, unframed 16.5 x 21cm; 6½ x 8¼in £400-600

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279. Hercules Brabazon Brabazon (1821-1906) From Taormina Signed with initials and titled Watercolour, unframed 19 x 29cm; 7½ x 11½in £350-450

280

280. Hercules Brabazon Brabazon (1821-1906) Menaggio Signed with initials and titled Graphite with pastel, unframed 13 x 23cm; 5 x 9in £300-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

60 281. Hercules Brabazon Brabazon (1821-1906) Portrait of Captain John Hamilton as a Russian Boyar after Sir Joshua Reynolds Signed with initials Watercolour on buff paper, unframed 21 x 19.5cm; 8¼ x 7¾in £300-500

281

282. Hercules Brabazon Brabazon (1821-1906) Portrait of a North African gentleman Signed with initials Watercolour with bodycolour on blue paper, unframed 31.5 x 24.5cm; 12¼ x 9½in £400-500

282

283. Hercules Brabazon Brabazon (1821-1906) A view of a Palazzo in Venice Signed with initials Graphite with pastel on grey paper, unframed 15 x 20cm; 6 x 8in £500-700

284. Hercules Brabazon Brabazon (1821-1906) Figures in an Algiers street Signed with initials Graphite heightened with bodycolour on grey paper, unframed 29 x 19.5cm; 11½ x 7¾in £400-500 285. Hercules Brabazon Brabazon (1821-1906) Still life of flowers and a pot Signed with initials Watercolour heightened with white, unframed 17.5 x 12cm; 7 x 4¾in £500-700 286. Hercules Brabazon Brabazon (1821-1906) A house in a wooded valley Inscribed on backing paper After Constable, Nat Gall in a different hand Graphite and coloured chalks, heightened with bodycolour, unframed 19.5 x 13.5cm; 11½ x 9¼in £400-500

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286 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

61 287. Hercules Brabazon Brabazon (1821-1906) On the Rhine Signed with initials, inscribed on backing paper After Turner Watercolour, unframed 17 x 25cm; 6¾ x 9¾in £300-500 288. Hercules Brabazon Brabazon (1821-1906) Sailing boats off Egypt Signed with initials Pastel with graphite, unframed 10 x 17.5cm; 4 x 7in £350-450 289. Hercules Brabazon Brabazon (1821-1906) Lago Venice Signed with initials Pastel, unframed 11 x 15cm; 4¼ x 6in £350-450

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Other Properties

290 290. Hercules Brabazon Brabazon (1821-1906) On the Riveria Signed with initials Pastel on grey paper 23 x 30cm; 9 x 12in £300-500

291 291. Hercules Brabazon Brabazon (1821-1906) Algerian scene Signed with initials Watercolour heightened with white 11.5 x 24.5cm; 4½ x 9¾in £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

Lots 292 to 345 The Dr Venetia Newall Collection of Icons The late Dr. Venetia Newall (1935-2017), a Research Fellow at University College London, was for twenty years Secretary and then President of the Folklore Society. Her field of study took her frequently to eastern Europe where she formed a particular love of Orthodox Church icons. Over four decades she wrote an annual monograph on some aspect of the art, publishing these well informed studies as extended adjuncts to her Christmas cards and where available these are included with the icons. 292. Russian School c.1854 Icon of the Founding Fathers of the Church, Saints Basil, Gregory, Nazianzus and John Eleimon Dated lower right 1854 in cyrillic numerals Painted and gilded on panel 35.5 x 30.5cm; 14 x 12in £400-600

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293

293. Russian School 18th Century Icon of a group of eight saints, with King David with saints Nicholas, Basil and Nikita Painted and gilded on panel with a repoussé riza 31.5 x 27cm; 12 x 10½in £500-800 294. Russian/Greek School 19th Century Icon of The Exaltation of the True Cross Painted, gilded and inscribed on panel 36 x 20cm; 14 x 7¾in £400-600 295. Russian 19th Century Icon of The Synaxis of the Archangels Michael and Gabriel Painted and gilded on panel 27 x 22cm; 10½ x 8½in £400-600

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295

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

296

298 296. Russian School 18th Century Icon of The Anastasis (Descent into hell and resurrection) Painted on panel 34 x 29cm; 13½ x 11½in £600-800

297

299 297. Russian School 18/19th Century Icon of ‘All Creation Rejoices’ Painted on panel 30.5 x 26cm; 12 x 10¼in £600-800 298. Russian School 19th Century Icon of the Three Saints Painted on panel 31 x 26cm; 12 x 10¼in £200-300

299. Russian School 18/19th Century Icon of The Hagia Sophia or Holy Wisdom, Christ as the holy wisdom flanked by the Mother of God and St. John the Baptist Painted and gilded on panel 27 x 22cm; 10½ x 8¾in £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

300 300. Jordan Shentov (Bulgarian 20th Century) Icon of The Nativity Painted and gilded on panel 43 x 32.5cm; 17 x 12¾in £80-120

301

304 301. Greek School 19th Century Icon of St. Dimitrios on a horse Painted on panel 40 x 29cm; 15¾ x 11½in Provenance: Maria Andipa Gallery, London £150-250 302. Macedonia c.1800 Icon of Virgin and Child, flanked by angels Painted and gilded on panel 37.5 x 28cm; 14¾ x 11in Provenance: Maria Andipa Gallery, London £100-150

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303

305 303. Russian School 19th Century Icon of St. John the Warrior, standing holding the cross of martyrdom Painted with embossed gilding on panel 22 x 17.5cm; 8¾ x 7in £200-300 304. Russian School 19th Century Icon of the Mother of God of Joy to those who suffer (or the Pokrov) Painted and gilded on panel 31 x 24.5cm; 12¼ x 9½in £300-500

306 305. Greek School 19th Century Icon of Saints Constantine and Helena with the true cross Painted and gilded on panel 34 x 26cm; 13½ x 10¼in Provenance: Maria Andipa Gallery, London £200-300 306. Russian School 18/19th Century Icon of the Annunciation Painted and gilded on panel 42 x 30cm; 16½ x 11¾in £100-200

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

308

307

309 307. Russian School 18th Century Quadripartite icon of The Pokrov; The Procession of the icon, Moscow; The Exaltation of the True Cross; The Installation of the Girdle of the Mother of God Painted and gilded on panel 32 x 27cm; 12½ x 10½in £700-1,000

310 308. Russian School late 19th Century Icon of the Doubting of Thomas Painted and gilded on panel 35 x 29cm; 13¾ x 11½in Provenance: With a certificate from the Ikonen Museum Schloss Autenried Bei Gunzburg/ Donau 1966 £1,000-1,500

309. Russian School 19th Century Icon of two saints, Nikita and Eupraxia Painted and gilded on panel 18 x 15cm; 7 x 6in £150-250 310. Russian School 19th Century Icon of the Mother of God of the Burning Bush Painted on panel 35.5 x 28cm; 14 x 11in £250-350

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

311 311. Russian School 19th Century Icon of St. John the Baptist Prodromos Painted and gilded on panel with a contemporary riza halos 41 x 31cm; 16 x 12in £300-500

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314 312. Greek School A triptych showing the Virgin and Child with saints in the wings Painted on panel 30 x 19cm; 11¾ x 7½in (closed) £100-150 313. Russian School 18th Century Icon of the four sainted Metropolitan’s of Moscow - Saints Ionas, Peter, Alexius and Phillip Painted and gilded on panel 32.5 x 28cm; 12¾ x 11in £300-500

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314. Greek Orthodox School Icon of St. Georges and St. Dimitris Painted on panel 34 x 28cm; 13½ x 11in £100-200 315. Jordan Shentov (Bulgarian 20th Century) Icon of ‘The Hole Virgin’ surrounded by saints Painted and gilded on panel 42 x 33.5cm; 16½ x 13in £50-100 316. Balkan School 19th Century or later Icon of the Birth of St. John the Baptist with St. Elizabeth and St. Zachariah Painted and gilded 41 x 26.5cm; 16¼ x 10½in £300-500 317. Spanish School early 19th Century An ex-voto icon of a supplicant praying to the Virgin and Child Painted on panel 19.5 x 25.5cm; 7¾ x 10in £150-250

317 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

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318. Russian School 19th Century Icon of The Baptism of Christ Painted and gilded on panel 35.5 x 30cm; 14 x 11¾in £400-600

320. Russian School 18th Century Icon with Scenes from Elijah Painted and gilded on panel 37 x 30cm; 14½ x 11¾in £300-500

319. Russian School 19th Century Icon of the ‘New Testament’ Holy Trinity Painted and gilded on panel 31 x 26cm; 12¼ x 10¼in £400-600

321. Russian School 20th Century Icon of the last supper Painted on panel 18 x 13cm; 7 x 5in £50-100

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

322 322. Russian School 19th Century Icon of St. Michael, the strong Victorious Champion Painted and gilded on panel 22 x 17.5cm; 8½ x 6¾in £200-300

323 323. Russian School 19th Century Icon of the Virgin and Child Painted and gilded on panel 23 x 18cm; 9 x 7in Provenance: Maria Andipa Icon Gallery, London Together with an icon depicting St. Basil, St. John and St. Gregory by A. Rafail (Russian School) 12.5 x 9.5cm; 5 x 3¾in (2) £100-200

325

324 324. Russian School 19th Century Icon of the face of Christ on his burial shroud held by angels Painted and gilded on panel 31 x 26cm; 12¼ x 10¼in £200-300 325. Russian School Icon of the Birth of the Mother of God Painted on panel 20.5 x 17cm; 8 x 6¾in £100-150

326

326. Russian School 19th Century An icon in two registers of Archangel Michael?; The Mother of God with 3 hands; Saints Justinia, Cyprian, Nikita and Glykeria with the Guardian Angel Painted and gilded on panel 35 x 31cm; 13¾ x 12¼in £250-350 327. Russian Orthodox School 19th Century Icon of the Virgin and Child by a river, a town beyond Painted on panel 24.5 x 19.5cm; 9¾ x 7¾in £200-300

327

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

328 328. D. Corles (Mexican) Nuestra Senora de la Soledad de Oaxaca Carved, gilded and painted wood in a box frame 34cm; 13½in high £200-300

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330

329. D. Corles (Mexican) A devotional sculpture of the Virgin Mary Carved, gilded and painted wood in a box frame 36cm; 14in high £200-300

331. A 19th Century polychrome painted wooden cross in the Palekh manner 26cm; 10¼in high £100-150 332. Italian School 17/18th Century Reliquaries dedicated to St. Francis of Assisi and St. Mary Frances of Naples in oval brass frames Each 12 x 10.25cm; 4¾ x 4in (2) £100-150

330. Full length portrait of a saint depicted holding the bible in a tabernacle frame 48 x 31cm; 18¾ x 12in Provenance: Maria Andipa Icon Gallery, London £300-500

331 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

332

70 333. Italian School 16/17th Century A female Saint, possibly Mary Magdalene Oil on panel 55 x 39cm; 21.75 x 15.25in £600-800 334. Russian School 19th Century Icon of Christ Pantocractor Painted and gilded With a contemporary repoussé riza, mounted on a photographic copy of the icon 31 x 26cm; 12½ x 10¼in (2) £1,000-1,500 333

335 335. Russian Orthodox School 20th Century Icon of the Mother of God Eleousa [of Tenderness] Covered with a repoussé riza 17.5 x 14cm; 7 x 5½in £70-100 336. Russian School 19th Century The Crucifixion (Pomorian Old Believer) Cast copper alloy inset with lapis lazuli 26.5cm; 10½in high With a further metalwork relief of an angel holding Christ as a baby (2) £100-150

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336

337 337. Continental School 19th Century Icon of Mary Magdalene holding an urn of myrrh Painted on panel in a tabernacle frame 16.5 x 12cm; 6½ x 4¾in Previously attributed to Lo Spagna Provenance: Collection of Smith Barry Esq., of Marbury Hall, Cheshire Sotheby’s, 1st May 1946, lot 87 Exhibited: Art Treasures, Manchester, 1857, No. 106 £200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

338

340 338. Russian School 18th Century Icon of The Mother of God of Vladimir Painted and gilded on panel 31 x 27cm; 12¼ x 10½in £1,000-1,500 339. Russian School 17/18th Century Icon of The Anastasis (Descent into Hell and Resurrection) Painted and gilded on panel 36 x 31cm; 14¼ x 12¼in £1,200-1,800

339

341 340. Russian School 19th Century Icon of The Founding Fathers of the Church, Saints Gregory, Nazianzus, Basil and John Eleimon Painted and gilded on panel 31 x 26cm; 12¼ x 10¼in Provenance: With a certificate from the Ikonen Museum Schloss Autenried Bei Gunzburg/Donau 1966 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

342 341. Peruvian School 19th Century St. Michael the Archangel, holding his sword and the scales of justice Painted on tin 27 x 19cm; 10½ x 7½in £300-500 342. Russian School 19th Century Icon of the All seeing Eye Painted and gilded on panel 25.5 x 30cm; 14 x 11¾in £200-300

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344

343. Continental School 19th Century St. Luke Reverse glass painting/print in a rosewood frame 35 x 25cm; 13¾ x 9¾in With 3 others of a similar date (4) £100-200

345

344. Southern Bohemian School (Buchers) 19th Century The Coronation of the Virgin Hinterglas painting with 4 other hinterglas works by different hands including a pastoral scene by Marija Peti, 1978 and St. Andrew by Frau Rita Mayer from Silesia Various sizes (5) £100-200

345. German School 19th Century after Albrecht Durer Christ taking leave of the Mother Reverse glass painting with 5 other reverse glass prints and paintings of religious subjects Various sizes (6) £100-200

Other Properties 346. Russian School early 19th Century Twelve Feasts with a central icon of Easter Oil on panel 53.5 x 44cm; 21 x 17½in Provenance: Christie’s, Rome, 5th December 2000, lot 422 £1,000-1,500 347. Greek School 19th Century A seated saint Oil on panel, unframed 38 x 29cm; 15 x 11½in £300-500 346

347

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

OIL PAINTINGS 348. Continental School 17th Century Portrait of an Augustinian monk with a skull, rosary and a scroll Oil on canvas, unframed 83 x 62cm; 32½ x 24¼in £1,500-2,000 349. Circle of Gerrit van Honthorst Portrait of a gentleman, traditionally identified as a member of the Van Tuyll ban Serooskerken family Oil on canvas 79 x 64cm; 31 x 25in £2,000-3,000

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350. Attributed to William Wissing (1656-1687) Portrait of a Gentleman, thought to be William Duke of Orange as a young man, three-quarter length, wearing armour Oil on canvas 111 x 88cm; 43¾ x 33½in £2,000-3,000 351. English School c.1700 Portrait of Sir James Stanley, 4th Baronet of Alderley Hall, Chester (d.1746) Oil on canvas 76 x 63cm; 30 x 25in £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

352

353

352. Follower of Jean Baptiste Monnoyer Still life of spring and summer flowers Oil on canvas 76 x 95cm; 30 x 37½in £1,500-2,500

354. Follower of Jean Baptiste Monnoyer Still life of summer flowers in an urn Oil on canvas 58 x 47cm; 23 x 18½in £400-600

353. Follower of Elias van den Broeck Still life of roses, lilies and summer flowers in an urn on a shelf Oil on canvas 63 x 49cm; 25 x 19¼in £700-1,000

355. Dutch School 18th Century Still life of flowers in an urn Oil on canvas 56 x 46cm; 22 x 18in £200-300

354

355 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

75 356. English School early 19th Century Portrait of an officer, half length, wearing a bearskin with a red plume Oil on canvas 91 x 72cm; 36 x 28½in £600-800 357. English School late 17th Century Portrait of a lady, half length standing by a window, a landscape beyond Oil on canvas 76 x 64cm; 30 x 25in £400-600

356

357

358 358. Circle of Carle Van Loo Portrait of the Duchess de Broglie Half length, wearing a red dress Oil on canvas, in a painted stone lunette 77 x 64cm; 30 x 25in £700-1,000

359 359. After Sir William Beechey Portrait of the Prince Regent later George IV Head and shoulders, in uniform with the Order of the Garter Oil on canvas 76 x 64cm; 30 x 25in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

360 360. Circle of Philippe Mercier Portrait of a lady with a boy playing a lute and a girl playing the triangle, possibly an allegory for the sense of sound Oil on canvas 127 x 104cm; 50 x 41in £1,500-2,500

361 361. John Hoppner R.A. (1758-1810) Portrait of a boy, head and shoulders Oil on canvas 58 x 47cm; 23 x 18½in £1,000-1,500

362. Dutch School 18th Century Portrait of a lady wearing a bonnet and red cloak Signed indistinctly Oil on copper 29 x 23cm; 11½ x 9in £400-600

363. Louis Lassalle (French 1810-1870) Children and their dog by a well Signed Oil on panel 32 x 24cm; 12½ x 9½in £600-1,000 364. Attributed to François Bunel (1552-c.1599) Portrait of Henri IV, King of France (1553-1610), threequarter length, standing, wearing a green and gold doublet and a white ruff and sash Inscribed Henricus.4 D.G. Rex. Francorum / Et Navare. Aetatis suae 40/1.5.9.1. and charged with a coat of arms Oil on canvas 99 x 72cm; 39 x 28¼in £5,000-7,000

362

363 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

364 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 147

365

367

366

365. English School 18th Century An extensive landscape with a waggon and horses and figures by a tavern Oil on canvas 100 x 130cm; 40 x 51in £2,000-3,000 366. Follower of Barend Gael Village scene with figures by a river Oil on board 24.5 x 32cm; 9½ x 12½in £500-700

368

367. Attributed to Jacques Stella (French, 1596-1657) The Presentation in the Temple Oil on canvas, unframed, unstretched and rolled 350 x 230cm; 138 x 90in Provenance: The Vicar and Churchwardens, All Saints’ Church, Gazeley, Newmarket, Suffolk Given to the Church by Trinity Hall, Cambridge, in 1957 Given to the Chapel of Trinity Hall, Cambridge, by the son of Dean Chetwode in 1729 Acquired in Flanders in 1700 by the father of Dean Chetwode, a Fellow of Trinity Hall, Cambridge £100-200

368. John Sell Cotman (1782-1842) On the Yare Signed, titled and inscribed verso Oil on panel 23 x 30cm; 9 x 12in £400-600

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

369 369. Jakob Bogdani (Hungarian 1660-1724) Still life of grapes, peaches, pomegranate and flowers on a stone plinth in a landscape with a butterfly Signed Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: The Collection of Henry F. Pulitzer, The Pulitzer Gallery, 5 Kensington High Street, London W8 A Private Collection ÂŁ8,000-12,000 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 147

370

370. Follower of Jacopo da Ponte called Jacopo Bassano (Italian 1510-1592) Jacob’s Return to the Land of Canaan Oil on canvas 134 x 183cm; 53 x 72in This lot depicts the biblical story of Jacob returning to Canaan. Jacob tricks his father Isaac into giving him livestock then runs away to his uncle Laban who becomes his father-in-law. After fourteen years of labour he returns to Canaan. Here we see Jacob and his wives Rachel and Leah, returning to Canaan in secret. (Genesis 21: 17-21).

371. Jan Frans Van Bloemen called Orizzonte (Flemish 1662-1749) Soldiers with a blacksmith shoeing a horse, a fort beyond Oil on canvas 119 x 97cm; 43 x 38in £4,000-6,000

Jacopo Bassano’s The Journey of Jacob, part of the Royal Collection acquired by Charles I, depicts an almost identical setting. Both are early examples of the pastoral landscape, one of Jacopo’s specialities, admired by his contemporaries. Bassano is known to experiment with styles to suit commissions and The Journey of Jacob has Mannerist qualities which are typical of his early works, long, sinuous figures arranged in a decorative and stylised fashion. £3,000-5,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

371 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 147

82 372. Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of a gentleman, believed to be William Wellesley-Pole, 3rd Earl of Mornington (1763-1845) Oil on canvas in a period Carlo Maratta frame 76 x 63.5cm; 30 x 25in Painted c.1810-1815, The stretcher is incised Brown, High Holborn Provenance: Entered Christie’s London for appraisal 8th March 1921 (541 DH) by Eva Charlotte Yorke Long, Clairville, Wray Common Road, Reigate. Her great grandfather was Edward Bligh (1797-1872) who was the brother-in-law of Helena Paterson/Bligh who became the second wife of the sitter’s son, William Pole-Tylney-Long-Wellesley, 4th Earl of Mornington (1788-1857) Private English Collection Private St. Louis Collection, USA who donated in 1970s to: The H. Leslie Perry Library, Henderson, North Carolina Private English Collection William Wellesley-Pole was the brother of Arthur Wellesley, 1st Duke of Wellington and Richard Colley Wellesley, 1st Marquess Wellesley. He was an Anglo-Irish politician and in 1821 was created 1st Baron Maryborough. He held various offices including Master of the Mint and Postmaster-General, he was also Clerk of the Ordnance around the time of the Battle of Trafalgar. On his death in 1845 his son William inherited his titles. Both Wellesley-Pole’s brothers had portraits painted by Lawrence. £5,000-8,000 372

373 373. English School 19th Century Portrait of a gentleman, head and shoulders, wearing a green coat Oil on panel, oval, unframed 31 x 25cm; 12 x 10in £200-400

374 374. English School 18th Century Portrait of a lady, seated reading a book in an interior Oil on panel, oval 28 x 22cm; 11 x 8½in An attribution to Rembrandt Peale has been proposed £800-1,200

375 375. English School c.1790 Portrait of a gentleman, half length wearing a blue coat Oil on canvas 76 x 62cm; 30 x 24½in Previously thought to be George Washington £300-500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

377

376

378 376. Louis de Moni (Dutch 1698-1771) The fish vendor Signed Oil on canvas laid on panel 42 x 33.25cm; 16½ x 13¼in £1,000-1,500

377. Nathaniel Hone (1718-1784) Portrait of Ann Anderson, wife of Alexander Balmanno as ‘Flora’ Oil on canvas 62 x 51cm; 24¼ x 20in £1,000-1,500

379 378. After Francesco Salviati The Three Fates Oil on canvas 85 x 63cm; 33½ x 25in £700-1,000

379. Attributed to the studio of Giovanni Battista Salvi (Il Sassoferrato) (Italian 1609-1985) The Madonna at prayer With the stamp of the liner Francis Leedham on the stretcher Oil on canvas in a carved wood frame 51 x 41cm; 20 x 16in Provenance: Private Collection, Poland Private Collection, England £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

380 380. Follower of Jacob Van Stry Travellers on a bridge in a landscape Seals verso Oil on panel 40 x 53cm; 15¾ x 21in £1,000-1,500

381

381. Continental School 18/19th Century Portrait of a gentleman wearing a feathered turban Oil on canvas laid on panel, unframed 22 x 19.75cm; 8¾ x 7¾in £150-250

382. Continental School 19th Century Still life of summer flowers Oil on leather 50 x 39.5cm; 19¾ x 15½in £100-200

382

383. Continental School 18th Century The empty tomb, in a painted roundel with a decorative border Oil on stamped leather 43 x 36cm; 16½ x 14in £200-300

383

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

384

385

384. Joseph Goupy (1686-1783) Baptism of Christ Oil on paper laid down on canvas 49 x 110cm; 19 x 43¼in Provenance: The Estate of the late David Ackroyd £1,000-1,500

386

385. After Correggio The Mystic Marriage of St. Catherine Oil on canvas 32 x 24.5cm; 12½ x 9½in A copy of the original in the Louvre, Paris £300-500

386. Continental School 19th Century Elizabeth and Mary Oil on canvas in a carved wood frame 77 x 57cm; 30¼ x 22½in £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

387

387. After Caspar Netscher A lady at her toilet Oil on panel 61 x 45cm; 24 x 17¾in A copy of the original work at Apsley House, London £300-500

86 388. Studio of Domenico Fetti Adam and Eve at work Oil on canvas, in a carved wood frame 84 x 67cm; 33 x 26¼in A version of the work in The Courtauld Collection, London £3,000-5,000 389. Follower of Jan Steen Figures eating oysters in an interior Inscribed indistinctly on foot-rest Oil on panel 40 x 33cm; 16 x 13in £400-600 390. English School c.1800 Young boy with a horse and groom Oil on panel 56 x 42cm; 22 x 16½in £500-800 391. Attributed to John Riley (1646-1691) Portraits of a lady and Gentleman of the Pennington Legh family of Norbury Booths Hall, Knutsford, likely to be Peter Legh and his wife Ruth. Peter Legh was the son of John Legh who died 1660 A pair, both oil on canvas 119 x 96cm; 47 x 38in and similar (2) Provenance: Norbury Booths Hall, Knutsford By family descent to the present owner £5,000-8,000 391A. Daniel Macnee P.R.S.A. (Scottish 1806-1882) Portrait of David Jeffrey, full length, seated Signed and dated 1876 on a label verso Oil on canvas 130 x 105cm; 51 x 41¼in £400-600

388

392. Thomas Hudson (1701-1779) Portrait of Henrietta Godolphin, Duchess of Newcastle (d.1776) Inscribed Ds. of Newcastle Oil on canvas 126 x 104cm; 49½ x 41in Provenance: Norbury Booths Hall, Knutsford By family descent to the present owner £2,000-3,000

389

390 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

391

391A Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 147

392

Lots 393 to 404 - A Private Collection The Cooper Penrose Collection – Cooper Penrose, was a significant Irish merchant of the late 18th Century building much of his success on the manufacture of Waterford and Cork glass and involvement with family timber and property businesses. He and his wife were somewhat unconventional Quakers but also great lovers and patrons of the arts - filling their home, Woodhill House in Montenotte, Cork with Irish and Continental art. Many works from his collection were donated to the Crawford Art Gallery in Cork where it still resides.

393

394 393. Follower of Jan Josefsz. van Goyen Figure on a bridge by a cottage Oil on canvas 40 x 49cm; 15¾ x 19¼in Provenance: The collection of Cooper Penrose £700-1,000

395

394. Follower of Charles François Grenier de la Croix, Lacroix de Marseilles View of an estuary with a tower and city, possibly Istanbul, beyond Oil on canvas 37 x 49cm; 14½ x 19¼in Provenance: City of Sheffield Art Galleries, LI/29 The collection of Cooper Penrose £800-1,200 395. Follower of Philipp Peter Roos, called Rosa de Tivoli Couples making merry while watching the sheep Oil on canvas 47 x 64cm; 18½ x 25in Provenance: The collection of Cooper Penrose £500-700 396. Follower of Nicholas Poussin Figures with livestock in an Italianate landscape Oil on canvas 58 x 68.5cm; 23 x 27in Provenance: The collection of Cooper Penrose £600-800

396 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

89 397. Northern European School 18th Century Portrait of a boy seated, holding a pen and book, wearing a blue coat Oil on canvas 126 x 102cm; 49½ x 40in Provenance: The collection of Cooper Penrose Exhibited: Exhibition of Arts, Industries & Manufactures, Exhibition Palace, Dublin (part-)label on the frame verso £1,000-1,500 398. Follower of Nicolaes Berchem Travellers with livestock by a ruin Oil on canvas 31 x 35cm; 12¼ x 13¾in Provenance: The collection of Cooper Penrose £400-600 399. Emile Charles Lambinet (French 1815-1877) Figure in a boat on the shore of the Meuse Signed and dated ‘58, also inscribed verso Oil on panel 24 x 33cm; 9½ x 13in Provenance: The collection of Cooper Penrose £200-300

397

398 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

399

400

401

402 400. Follower of Adriaen Brouwer Figures in an interior, a gentleman with a fur hat and a lady with her dog at her feet Oil on panel 39 x 32.5cm; 15¼ x 12¾in Provenance: The collection of Cooper Penrose £500-800 401. Dutch School 18th Century A couple in an interior, with a clay pipe and rummer Oil on panel 28 x 21.5cm; 11 x 8½in Provenance: The collection of Cooper Penrose £400-600 402. Dutch School 18th Century Four figures in a tavern interior with a pewter jug Oil on panel 26 x 22cm; 10 x 8½in Provenance: The collection of Cooper Penrose £500-800 403. Dutch School 18th Century Portrait of a lady standing, with a lace-making pillow on a chair in a landscape Oil on canvas 99 x 73cm; 39 x 28¾in Provenance: The collection of Cooper Penrose £600-800

403

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

91 404. Cornelis Kuypers (Dutch 1864-1932) Water meadow landscape with a distant tower Signed Oil on canvas 36 x 86.5cm; 14 x 34in Provenance: The collection of Cooper Penrose £300-500

404

Other Properties 405. Attributed to Joseph Stannard (1797-1830) Pile driving on the Norfolk Broads Oil on panel 33 x 43cm; 13 x 17in £1,000-1,500 406. Robert Terry (18th Century) At the Ostlers; The Landlord’s visit A pair, both signed and dated 1772 Both oil on panel Each 16.5 x 21cm; 6½ x 8¼in (2) £800-1,200

405

406 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

407

408

409 407. Dutch School 17th Century Ecce Homo Oil on panel 28 x 21cm; 11 x 8½in Provenance: Sotheby’s 13th September 1995, lot 541 £400-600

410 408. After Raphael Sanzio D’Urbino The Holy Family with St John Oil on canvas 90 x 63cm; 35½ x 24¾in A 19th century copy after the work in the National Gallery of Scotland, Edinburgh £800-1,200

409. Anthonius Panat (17th Century) The Deposition Signed and dated 1674 Oil on canvas, unframed 97 x 131cm; 38 x 51½in £400-600

410. William James Muller (1812-1845) Hagar and Ishmael in the wilderness Signed and dated 1841 Oil on panel 32 x 43cm; 12½ x 17in £600-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

93 411. Jan Josef Horemans (Flemish 1682-1759) A musical evening Oil on canvas 40 x 32.5cm; 15¾ x 12¾in £2,000-3,000 412. Attributed to Jean-Baptiste Nollekens (Flemish 1665-1720) An artist and patrons in a studio Oil on canvas 51 x 61cm; 20 x 24in £2,000-3,000

411

412 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

94 413. Italian School 17th Century Portraits of bearded gentlemen wearing hats A pair, both oil on metal in Florentine carved wood frames Each 11 x 9.5cm; 4¼ x 3¾in (paintings) 43 x 23cm; 17 x 9in (frames) (2) £700-1,000

413

414. Follower of Andries Vermeulen Winter scene with figures by a lake Bears signature Oil on canvas 35 x 44cm; 13¾ x 17½in £500-700

414

415. Jean François Hue (French 1751-1823) Figures on a track and fishermen in a classical landscape Signed Oil on canvas 61 x 48cm; 24 x 19in £800-1,200

415

416. Follower of Jean Baptiste Nollekens Figures in a tavern Oil on panel 31 x 24.5cm; 12 x 9½in £300-500

416

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

417 417. Follower of Alessandro Allori The Preaching of St. John the Baptist Oil on canvas 69 x 86cm; 27 x 34in £800-1,200

418. Manner of Jean-Antoine Watteau The bird-trapper with a lady and a shepherdess and flock Oil on canvas, in a carved wood and painted frame 107 x 109cm; 42 x 43in £600-800

418 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

419. Dutch School 18th Century Western and oriental merchants trading oriental porcelain by a river Oil on canvas 64 x 89cm; 25 x 35in £600-800

419

96 420. George Morland (1763-1804) Horses, a pig and a dog in a farmyard Oil on canvas 63.5 x 76cm; 25 x 30in £2,000-3,000

420 421. George Morland (1763-1804) A white cart horse in a stable with a groom, his daughter and two spaniels Signed and dated 1778 Oil on canvas 51 x 61cm; 20 x 24in £2,000-3,000

421 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

422 422. George Morland (1763-1804) The Homestead Signed Oil on canvas 36 x 44.5cm; 14 x 17½in Provenance: Thomas Agnew & Sons, London Sir Joseph Buchan Collection 1917 P. Huth Collection 1917 £2,000-3,000

423. English School 19th Century A river landscape Signed with initials J.S. or T.S. Oil on panel, unframed 31 x 38cm; 12 x 15in £150-250

423 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

424. George Morland (1763-1804) A family on the coast with a fish seller by a cottage Oil on canvas, in a carved wood frame 64 x 76cm; 25 x 30in £400-600

424

98 425. English School 19th Century Portrait of a gentleman, half length, in a black coat and white waistcoat Oil on canvas 76 x 63cm; 30 x 25in £250-350 426. English School 19th Century Portrait of a gentleman Half length holding a riding crop Oil on panel 33 x 25cm; 13 x 10in Provenance: Leggatt Hayward and Leggatt 79 Cornhill, London £200-300 425

426

427. English School 19th Century Portrait of a gentleman wearing a dark coat and white stock Oil on canvas 66 x 56cm; 26 x 22in £200-300 428. H. Dawson (18/19th Century) Portrait of Lord Byron writing Inscribed and signed verso Oil on panel, unframed 32 x 25cm; 12½ x 9¾in £100-150

427

428 429. Attributed to John Hoppner R.A. (1758-1810) Portrait of Charles Warren (1762-1823), head and shoulders, wearing a blue coat and white stock Oil on canvas, in a period frame 76.5 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter Private Welsh Collection 2006 Private English Collection Charles Warren was a famous London born engraver who enjoyed a wonderful reputation for his engravings of small book illustrations. He was President of The Artist’s Fund Society and became a member of The Society of Arts in 1804. He is best known for his development of steel plates for engraving and received a Gold medal in 1823 by the Society of Arts for this work £500-700

429 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

430 430. Paul Sandby R.A. (1731-1809) An extensive landscape with elegant figures in the foreground near a manor house with a river and castle beyond, possibly Arundel Oil on canvas 81 x 112cm; 32 x 40in Provenance: The collection of Miss Flora Marsh of Grosvenor House, Bath Miss Violet Marsh (m. William Leyson) Major Michael Leyson of Neath, S. Wales Christie’s, London 14th July 1989, lot 50 Legatt Brothers, London, from where purchased by the current owner £8,000-12,000

431. Peter de Wint (1784-1849) The Watering place Oil on canvas 36 x 50.5cm; 14 x 20in Provenance: Thomas Agnew & Sons Ltd., No. 15520 Christie’s, 13 April 2010, lot 382 £300-500

431 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

432

432. Eugene Deshayes (French 1828-1890) Figures by a bridge on a river Signed Oil on panel 32.5 x 50.5cm; 11¾ x 20in £200-300

100 434. Sir Herbert Hughes-Stanton (1870-1937) Path through the wood, Cagnes, France Signed Oil on canvas 35 x 44cm; 13¾ x 171/4in £400-600

433

435. William Greaves (1852-1938) A mill and crags near Knaresborough Signed, inscribed with artist’s address, titled indistinctly and dated 1876 verso Oil on board, unframed 25.5 x 35.5cm; 10 x 14in £300-400

436. Attributed to Thomas Barker of Bath Rural landscape with cattle and a logging cart by a river Oil on canvas 41 x 54cm; 16 x 21¼in £300-500 437. Frederick Foot (19th Century) A fisherman on a Devon river Oil on canvas 36 x 54cm; 14 x 21¼in £300-500

433. Eugene Pierre François Giraud (1806-1881) Elegant lady in a sunlit forest Oil on panel 33 x 41cm; 13 x 16in £400-600

434

435

436

437 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

101

438

439 438. John Moore (1824-1909) Wreckers off the coast Signed Oil on canvas 31 x 51cm; 12 x 20in £1,000-1,500

439. Franz Johan Wilhelm Hunten (German 1822-1887) The Royal London Yacht Club Yacht Merrimac off the coast of Holland, near Cuxhaven in 1864 Signed Oil on canvas 43 x 71cm; 17 x 28in £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

102 440. Thomas Luny (1759-1837) Portreath, Cornwall, a fishing boat and rowing boat by a pier Signed and dated 1827, also titled verso Oil on panel 22.5 x 30.5cm; 9 x 12in £1,500-2,500

440 441. Thomas Luny (1759-1837) Beached fishing boats with fishermen hauling nets, sailing ships at anchor beyond Oil on panel 20.5 x 25.5cm; 8 x 10in £1,500-2,500

441

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

103 442. Thomas Luny (1759-1837) A beached fishing boat by a cliff with fishermen and women Signed and dated 1837 Oil on metal 19 x 25.5cm; 7½ x 10in £1,200-1,800

442 443. Thomas Luny (1759-1837) Fishing boats and figures in a rowing boat in choppy seas by a rocky coast Signed and dated 1834 Oil on panel 20.5 x 25.5cm; 8 x 10in £800-1,200

443 444. Thomas Luny (1759-1837) Fishing boats and figures by a cottage on the coast Signed and dated 1827 Oil on panel 22.5 x 30.5cm; 9 x 12in £800-1,200

444 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

104

445

446

447 445. Claude T. Stanfield Moore (1853-1901) The Pool of London Signed and dated 75 Oil on canvas 31 x 46cm; 12 x 18in £600-800

448

446. Thomas Christopher Hofland (1777-1843) A view of the Thames at Twickenham Oil on panel 29 x 41cm; 11½ x 16in £600-800

449

447. Fong Qua (Chinese 19th Century) A junk off the coast Artist’s label verso Oil on canvas 15.5 x 23cm; 6¼ x 9in £300-500

448. English School 19th Century The barque Kishon shown port and starboard A pair, both oil on canvas Each 60 x 46cm; 24 x 18in With another of the barque Kedron from starboard (3) Kishon was launched in 1872 possibly in Amble, which did have a small shipyard, but may have been built in Sunderland for an owner from Amble. In 1890, being towed to Appledore, Cornwall for repairs she parted her tow and was driven ashore on Bude breakwater. The Kedron was built in Kingsport, Nova Scotia and launched in 1881 £100-200

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

105 449. Attributed to Johann Friedrich Steinkopf (1737-1825) Rustic with livestock by a ruin and in a landscape A pair, both oil on canvas Each 16.75 x 22.5cm; 6½ x 8¾in (2) £200-300 450. Edmund Bristow (1787-1876) A setter in a landscape Signed Oil on canvas 25 x 31cm; 10 x 12½in £500-800 451. Edmund Bristow (1787-1876) The Creditors Signed, inscribed Windsor Oil on canvas laid down on panel 20 x 24cm; 8 x 9½in £300-500 452. Edmund Bristow (1787-1876) Horses chickens and pigs by a barn Signed and dated 1852 Oil on panel 24 x 31cm; 9½ x 12¼in £400-600

450

453. Edmund Bristow (1787-1876) Cattle by a river Signed and dated 1831 (below frame) Oil on panel 24 x 30cm; 9½ x 12in £400-600

451

452 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

453

106 454. Walter Heath Williams (1835-1906) Wharfe Bridge; Figures fishing A pair, both signed with initials, also both signed and titled, one indistinctly, on the stretcher verso Both oil on canvas Each 25.5 x 20cm; 10 x 8in (2) £400-600 455. Walter Heath Williams (1835-1906) Grange over Sands Signed with initials, also signed and titled on stretcher verso Oil on canvas 15.5 x 20cm; 6 x 8in £200-300 456. Edmund Ward (Waterfall) Gill (1820-1894) A small waterfall on a river Signed with initials Oil on board 17.5 x 14.5cm; 6¾ x 5¾in £300-500

454

457. Edmund Ward (Waterfall) Gill (1820-1894) Fall at head of Loch Lomond; Fall at Entwistle, Nr. Bolton A pair, one signed with initials, both signed and titled on a label verso Both oil on board Each 24 x 20.5cm; 9½ x 8in (2) £400-600 458. Edmund Ward (Waterfall) Gill (1820-1894) Bridge over a river in summer Signed Oil on canvas 30.5 x 25.5cm; 12 x 10in £300-500 455

456

457

458 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

107

459 459. David Bates (1840/41-1921) Rocky landscape with sheep near a river Signed and dated 1886 Oil on canvas 46 x 36cm; 18 x 14in £400-600 460. James Burrell Smith (1822-1897) Aberfeldy Falls, Scotland Signed and dated 1877 Oil on canvas 46 x 36cm; 18 x 14in £1,000-1,500

460A. English School 19th Century Boys fishing on a bridge by the Red Lion Inn, thought to be Olney, Bedfordshire Oil on canvas 43 x 53cm; 17 x 21in £150-250

460 461. John Nost Sartorius (1759-c.1830) Near Rochester Oil on panel 22 x 31cm; 8½ x 12¼in £300-500

462. English School 19th Century The card game Oil on panel 15 x 19cm; 6 x 7½in £150-250

460A

461 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

462

108

463. Thomas Sewell Robins (1810-1880) Shipping off the coast, a cliff and lighthouse beyond, possibly Beachy Head Signed and dated 1874 Oil on canvas 30.5 x 56cm; 12 x 22in £1,500-2,500

463

464. Attributed to Henry Redmore (1820-1887) British merchantmen off a pier in heavy seas Signed indistinctly Oil on canvas 61 x 91.5cm; 24 x 36in £1,500-2,500

464 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

109

465 465. Girolamo Gianni (Italian 1837-1895) Grand Harbour, Valletta, Malta, by day and night A pair, both signed and dated 1885 Both oil on board Each 22 x 53cm; 8¾ x 21in £4,000-6,000

466. Circle of William Lionel Wyllie R.A. Shipping in Southampton Water Bears signature Oil on canvas 61 x 92cm; 24 x 36in £400-600

466 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

467. Frederick Haynes (19th Century) Shipping off Dover Signed Oil on canvas 40 x 61cm; 16 x 24in £300-500

467

110 468. Scottish School late 19th Century Portraits of a boy and a girl A pair, both oil on canvas 53.5 x 33cm; 21 x 13in (2) £600-800

469. English School 19/20th Century Portrait of a lady, in a black dress with ringlets in her hair Oil on canvas 77 x 64cm; 30 x 25in £250-350

468 470. Circle of William Beechey Portrait of a botanist, seated with his books at hand and glasshouses beyond Oil on canvas 91 x 71cm; 36 x 28in £500-700

469

470

471. British School c.1875 Portrait of a lady, bust length Signed with monogram, AP, inscribed with device and dated in Roman Numerals: MDCCCLXXV.VIII Oil on board 29cm; 11½in diameter £250-350

472. Louis E. C. de Koek (French c.1815-?) Coastal scenes A pair, one signed Both oil on board, oval Each 17 x 21cm; 6¾ x 8¼in (2) £200-300

471

472 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

111 473. Attributed to Ferdinand I de Braekeleer (1792-1883) A family gathering in the courtyard of a townhouse Oil on panel 57.5 x 77cm; 22½ x 30¼in £1,000-1,500 474. Auguste Paul Charles Anastasi (French 1820-1899) Sunset on a canal Signed and dated 1857 Oil on panel 30.5 x 51cm; 12 x 20in £1,000-1,500

473

474

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

112

475

476 475. Sarah Louise Kilpack (1839-1909) Mount Orgueil Castle, Jersey; A stormy day A pair, both signed Both oil on board Each 25 x 38cm; 10 x 15in (2) £1,000-1,500 476. Sarah Louise Kilpack (1839-1909) A fine day, Roque de Ouet, Cobo, Guernsey; Figures by a boat A pair, both signed Both oil on board Each 15 x 23cm; 6 x 9in (2) £600-800

477

477. Sarah Louise Kilpack (1839-1909) Fisherman’s cottage, Bouley Bay, Jersey Oil on board 27 x 50cm; 10½ x 19¾in £400-600 478. Sarah Louise Kilpack (1839-1909) Figures on a track on the coast by some cottages Signed Oil on board 24 x 45cm; 9½x 17¾in £300-500

478 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

113

479 479. Sarah Louise Kilpack (1839-1909) Rocks near L’Etacq, Jersey; Fishermen on the rocks A pair, both signed Both oil on board Each 16 x 21cm; 6¼ x 8¼in (2) Provenance: Christie’s, Maritime Art, 24th Nov. 2011, lots 106 & 109 £400-500 480. Sarah Louise Kilpack (1839-1909) Fisherman hauling his nets in a rocky inlet Signed Oil on board 50.5 x 30.5cm; 20 x 12in £300-500 481. Sarah Louise Kilpack (1839-1909) Figures on a rocky coast with lobster pots Signed Oil on board 52 x 30.5cm; 20½ x 12in £400-600

480

481

482. Sarah Louise Kilpack (1839-1909) Evening on the Beach Signed Oil on board 13.5 x 30cm; 5¼ x 12in £300-500

482 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

114 484. George Henry Jenkins (1843-1914) Salcombe Harbour Signed Oil on board 21 x 35cm; 38¼ x 13¾in £300-500 485. George Henry Jenkins (1843-1914) The Tamar Estuary Signed Oil on board 25 x 37cm; 10 x 14½in £250-350 486. George Henry Jenkins (1843-1914) On the Devon coast Signed Oil on board 26 x 45cm; 10¼ x 17¾in £250-350 487. John Fraser (1858-1927) Off the Devon coast Signed and dated 1883 Oil on canvas 46 x 82cm; 18 x 32¼in £300-500

483 483. Thomas Christopher Hofland (1777-1843) A view of Bolton Abbey Oil on panel 29 x 41cm; 11½ x 16in £600-800

484

486

485

487 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

115

488 488. Benjamin Williams Leader R.A. (1831-1923) The Moon lake, Llewelyn Signed and dated 1875, also signed and titled indistinctly verso Oil on canvas 41 x 61cm; 16 x 24in £6,000-8,000

489. Adelsteen Normann (Norwegian 1848-1918) Pleasure trips on a Norwegian fjord Signed, dated 1880 and inscribed Düsseldorf Oil on canvas 103 x 156cm; 40½ x 61½in £4,000-6,000

489 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

116 490. Ladislaus Bakalowicz (Polish 1833-1904) Judgement of Charles I, 27 Janvier 1649 Signed, titled and dated 1885 Oil on canvas 85 x 127cm; 33½ x 60in £1,500-2,500

490 491. Attributed to Henry Lejeune (1820-1904) A girl resting with a basket by a stream Oil on canvas 46 x 36cm; 18 x 14in £400-600 492. Follower of William Beechey c.1830 Portrait of a boy with his spaniel Oil on canvas 41 x 30.5cm; 14 x 12in £200-300

491

493. Circle of John Partridge (1789-1872) Portrait of Lord Charles Thynne (1813-1894), later Reverend, full length, wearing a black coat and resting on a plinth Oil on canvas 21 x 30cm; 8¼ x 11¾in Provenance: Christie’s, British and Victorian pictures, 6/9/2001, sale No. 9184, lot number 86. The sitter was the 7th son of Thomas Thynne, 2nd Marquess of Bath and Isabella Byng £300-500

492

494. Frederick Richards Pickersgill (1820-1900) The Enchanted Forest Signed, also signed and titled on a label verso Oil on board 41.5 x 59cm; 16 x 23in £2,500-3,500

493

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

117

494 495. Attributed to Narcisse Virgile Diaz de la Pena (French 1808-1876) Venus surrounded by Cherubs Signed and dated 54 Oil on panel over pencil 27 x 35cm; 10½ x 13¾in Provenance: Marlborough Fine Art, London, March 1951, No. 18 £1,500-2,500

496. Narcisse Virgile Diaz de la Pena (French 1808-1876) A nymph being draped with a garland of flowers Signed Oil on panel 44 x 25cm; 17¼ x 9¾in £1,500-2,500

495 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

496

118

497

498

499 497. William Broome of Ramsgate (1838-1892) Ships by a lighthouse with a boat recovering a broken mast Signed and dated ‘85 Oil on canvas 50 x 76cm; 19½ x 30in £600-800

498. William Broome of Ramsgate (1838-1892) A lifeboat under tow in heavy seas off the east coast Oil on canvas 36 x 61cm; 14 x 24in £400-600

501

500 499. William Broome of Ramsgate (1838-1892) Off Ramsgate Pier Signed Oil on canvas 44 x 81cm; 17¼ x 32in Provenance: James Duffield Fine Paintings £500-700

500. William Broome of Ramsgate (1838-1892) Off Yarmouth Signed Oil on canvas 44 x 81cm; 17¼ x 32in Provenance: James Duffield Fine Paintings £500-700

501. William Broome of Ramsgate (1838-1892) Shipping off the coast Oil on canvas 30 x 43cm; 12 x 17in £300-500

502 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

119 502. Nicholas Matthew Condy (1799-1857) Frigate in Plymouth Harbour Oil on panel 17.5 x 23cm; 7 x 9in Exhibited: Venue unknown, Marine paintings by British artists of the 18th & 19th Century, No. 38 £200-300 503. Edmund John Niemann (1813-1876) A view of the Yorkshire Coast Signed and dated ‘65 Oil on canvas 36 x 46cm; 14 x 18in Provenance: Burlington Paintings, London, No. S2804 £800-1,200 504. Edward Frederick Brewtnall (1846-1902) A coach and horses on a heath, possibly Blackheath with St Paul’s beyond, at dusk Signed with initials Oil on canvas 22 x 33cm; 8¾ x 13in £400-600

503

505. Follower of Clarkson Stanfield Crossing the Margra Inscribed verso Copy of ‘Crossing the Margra, The Carrara Mountains in the distance of C. Stanfield in the possession of Jacob Bell Esq. by J. J. C. June 47 Oil on canvas 30.5 x 46cm; 12 x 18in £100-150 506. Henry Thomas Dawson (c.1841-c.1896) Harbour Approach Signed with initials and dated 1868 Oil on panel 25 x 35.5cm; 10 x 14in £200-400

505 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

504

506

120 507. English School 19th Century Coaching scenes A set of four, all oil on canvas Each 35.5 x 51cm; 14 x 20in (4) £800-1,200 508. English School 19th Century Pointers in a meadow; Greyhounds hare coursing A pair, both oil on board Each 13.5 x 19.5cm; 5¼ x 7¾in (2) £100-150 509. William Walker Morris (act.1850-1871) Rats Signed with initials Oil on canvas 25.5 x 36cm; 10 x 14in £300-500 510. Henri Boisgontier (French 1850-1940) Figures in a wooded landscape at sunset Signed Oil on panel 33 x 41cm; 13 x 16in £300-500

507

508

511. John Aborn (?-1915) A grey morning Signed, also signed, titled and numbered 4 on a label verso Oil on canvas 46 x 61cm; 18 x 24in £300-500

509

510

511 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

121

512

512. Mihály von Munkácsy (Hungarian 1844-1900) Still life of flowers Signed and dedicated Souvenir à Mlle Varnay Oil on panel 30.5 x 46cm; 12 x 18in £2,000-3,000 513. Antoine Vollon (French 1833-1900) Still life of lettuce and plums in a bowl Signed Oil on canvas 60 x 74cm; 23½ x 29in £1,200-1,800

513 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

122 514. William Gray (c.1828-?) The Undercliff, Black Gang Chine, Ventnor, Isle of Wight Signed with initials, also signed and titled on a label verso Oil on canvas 23 x 33cm; 9 x 13in £800-1,200 515. Sir Charles D’Oyly (1781-1845) Cattle on the hills, Figures in a coastal scene Two, both signed Both oil on card, framed together 11.25 x 20.25cm; 41/2 x 8in and similar £300-500 516. Henry Martin (1835-1908) A mother and children by a stream Signed Oil on canvas 40.5 x 60.5cm; 16 x 24in £200-300

514

517. Henry Bowser Wimbush (1861-1910) Sheep in a moorland landscape by a stream Signed Oil on canvas 71 x 90cm; 28 x 35in £400-600 515

516

517

518. English School 19th Century An old landgate Oil on panel, unframed 16 x 20.5cm; 6¼ x 8in £100-200

518

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

123 519. Thomas Smythe (1825-1907) The Duke of Wellington’s charger Copenhagen Signed, dated 1830 and inscribed Oil on canvas 43 x 53cm; 17 x 21in £1,000-1,500 520. Davis Charles Jenkins 19th Century Onchan Point from Jack’s Bay, Isle of Man Signed and dated ‘09, also titled verso Oil on canvas 25.5 x 46cm; 10 x 18in £200-200 521. H. C. Wilson (19th Century) A racehorse with a jockey up and racecourse and stand beyond Signed Oil on canvas 43 x 54cm; 17 x 21in £120-180 519

520

521

522 522. English School 19th Century A Souvenir of Henrietta Titled and dated 29 August 1879 Oil on board 10.5 x 23cm; 4¼ x 9in £200-300

523 523. English School 19th Century Fishing boats on the coast Oil on canvas 25 x 45cm; 10 x 17¾in £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

124 524. David Cox Snr. O.W.S. (1783-1859) Betws-y-Coed, Wales Signed and dated 1846 Oil on canvas 33 x 48cm; 13 x 19in £700-1,000 525. English School 19th Century The London to Brighton coach Oil on canvas laid on board 40 x 56cm; 16 x 22in £400-600 526. Leon Delderenne (Belgian 1864-1921) Tracks through a winter landscape Signed and dated 1902 Oil on canvas 61 x 81cm; 24 x 32in £300-500

524

527. R. Robinson (19th Century) A duck and chicks; A hen and chicks A pair, both signed Both oil on canvas 26 x 36cm; 10 x 14in (2) £200-300 525

527

526

528. English School early 19th Century Figures on a path in a wooded lake landscape Oil on panel 23.5 x 30cm; 9¼ x 11¾in £100-150

528

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

125 529. English School 19th Century View of the Doge’s Palace and Santa Maria della Salute, Venice Oil on canvas 76 x 102cm; 30 x 40in £500-800 530. Wassilij Powlowitsch Schreiber (Russian 1850-?) A couple by ruins in Cimiez, Nice, France Signed in cyrillic and inscribed Cimiez, Nice Oil on panel 26 x 40cm; 10¼ x 15¾in £600-800 531. Simon van der Ley (Dutch 19th Century) A winter street scene; Moonlit street scene A pair, one signed Both oil on panel 20.5 x 18cm; 8 x 7in (2) Provenance: J. Barber, Woking £200-300

529

532. George Perfect Harding (1779-1843) Portraits of a gentleman and a lady, three quarter length, standing A pair, both watercolour in pierced carved wood frames Each 31 x 22cm; 12 x 8¾in (2) £500-700

530

531 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

532

126 533. Reuben Hunt (1879-1962) Children with a dog and cart and a donkey at harvest time Signed indistinctly Oil on canvas 51 x 76cm; 20 x 30in Provenance: Sir Lewis Amherst Selby-Bigge, 1st Bt, KCB, Edith Katherine Bowes-Lyon (d.1971) and Captain Geoffrey Francis Bowes-Lyon (1886-1954) Mrs Ross Llewellyn, nee Caroline Anne Lindsey Bowes-Lyon £1,500-2,500

533

534

535

536 535. English School 19th Century View of Rochester Bridge with the Castle and church beyond Oil on canvas 30.5 x 46cm; 12 x 18in £400-600

534. William Joseph Julius Caesar Bond (1833-1926) Shipping in Peel Harbour, Isle of Man Signed Oil on board 31 x 46cm; 12 x 18in £300-500

537 536. English School c.1900 Livestock on a bridge in a landscape Oil on canvas 40.5 x 56cm; 16 x 22in £200-300

537. Leopold Rivers (1852-1905) A Surrey lane Signed, titled on a typed label verso Oil on canvas 36 x 53cm; 14 x 21in £400-600

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

127 538. Follower of Johan-Barthold Jongkind Moonlight over river with figures and a barge Bears signature and dated 1871 Oil on canvas 27 x 40cm; 10½ x 15¾in £1,000-1,500 539. Adolphus Knell (British fl.c.1860-c.1890) Shipping off the coast A pair, both signed Both oil on board Each 30 x 23cm; 11¾ x 9in (2) £1,500-2,500

538

539

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

128

540 540. Eden Upton Eddis (1812-1901) Portrait of Eleanor Frederica Fisher-Rowe (d.1958) Signed with initials and dated 1895 Oil on canvas 61 x 51cm; 24 x 20in Provenance: The sitter was the wife of Hon. Archibald Dudley Ryder, 2nd Son of 4th Earl of Harrowby (1867-1898), elder daughter of Edward R Fisher-Rowe (E Ravensworth). Victoria Ryder Susan Collingwood-Cameron £2,000-4,000

542

541 541. Talbot Hughes (1869-1942) Remembrance Signed, also signed and titled verso Oil on canvas 37 x 30cm; 14½ x 12in £500-800

543. Alfred Dever (fl.1859-1876) Still life of peonies in a glass vase Signed and dated 1886 Oil on canvas 51 x 41cm; 20 x 16in £200-300

542. English School 19/20th Century Portrait study of the head of a man Oil on canvas 40.5 x 36cm; 16 x 14in £300-500

544. Alfred Joseph Woolmer (1805-1892) A young lady adorning her hair watched by her pet dog Oil on canvas 61 x 51cm; 24 x 20in £600-800

543

544

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

129

545

546

547 545. François Vandeverdonck (Belgian 1848-1875) Cock fighting scenes A pair, both signed and dated 1860 Both oil on panel Each 15 x 19cm; 6 x 7½in (2) £600-800

546. ‡ Jef Louis van Leemputten (Belgian 1865-1948) Chicken by a farmstead; Chickens by a haystack A pair, both signed and dated 1868 Both oil on panel Each 32 x 48cm; 12½ x 16½in (2) £600-1,000

548 547. Cornelis van Leemputten (Belgian 1841-1902) Chickens and ducks in a landscape Signed and dated 1863 Oil on panel 14 x 21cm; 5½ x 8¼in £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

548. Follower of Walter Hunt The water jump Bears signature and dated 1904 Oil on canvas laid down on panel 23 x 29.5cm; 9¼ x 11¾in £100-150

130 549. Thomas Faed R.A. (1826-1900) A family in a cottage interior Signed Oil on canvas 29 x 38cm; 11½ x 15in £800-1,200 550. Follower of James Pollard The Exeter mail coach Bears signature Oil on canvas laid on board, unframed 46 x 61cm; 18 x 24in £200-300 551. Leopold Rivers (1852-1905) A mother and child on a harvest cart Signed Oil on canvas 41 x 61cm; 16 x 24in £200-300 552. Joseph Horlor (1809-1887) Figure and cattle on a track by a river in a mountainous landscape Signed and dated 1854 Oil on canvas, in an arched frame 25.5 x 35.5cm; 10 x 14in £300-500

549

550

553. John McColvin (act.1880-1910) Italian ladies gathering grapes by a lake Signed Oil on canvas 51 x 77cm; 20 x 30in £150-250

551

552

553 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

131

554 554. William Banks Fortescue (1850-1924) A young soldier on a visit Signed Oil on canvas 71 x 92cm; 28 x 36in £1,500-2,500

555. Margaret Isabel Dicksee (1858-1903) The village blacksmith Signed and dated 1886 Oil on canvas laid on board 79 x 120cm; 31 x 47in Exhibited: Royal Academy 1886, no.575 £600-800

555 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

556. English School 19th Century A Quiet Afternoon Signed with a monogram JM and dated 1878 Oil on canvas 77 x 102cm; 30½ x 40in £400-600

556

132

557

558

557. Circle of Thomas Faed Interior scene with a fisherman and his family Oil on canvas 62 x 50cm; 24½ x 19¾in £500-800 558. Herbert Clayton Desvignes (1831-1863) A milkmaid and cattle in a landscape Signed Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: Sir Lewis Amherst Selby-Bigge, 1st Bt, KCB, Edith Katherine Bowes-Lyon (d.1971) and Captain Geoffrey Francis Bowes-Lyon (1886-1954) Mrs Ross Llewellyn, nee Caroline Anne Lindsey Bowes-Lyon £800-1,200

559

560

559. ‡ Otto Eichinger (Austrian 1922-2004) A jolly monk A pair, both signed Both oil on board Each 26 x 20cm; 10¼ x 8in (2) Provenance: Harrods Ltd., London £400-600 560. Follower of Henry Alken Hunting scenes and a horse in a stable Oil on canvas, in one frame, mounted as five small paintings 24 x 24cm; 9½ x 9½in £200-300

561. Alfred Arthur Brunel de Neuville (French 1852-1941) Red and white currants in a basket Signed Oil on canvas in a Florentine style frame 38 x 55cm; 15 x 21½in £500-700

561 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

133 562. Benjamin Williams Leader R.A. (1831-1923) On the Lledr Signed and dated 1868 twice Oil on canvas 35 x 51cm; 14 x 20in £3,000-5,000

562

563 563. John P. Burr (1831-1893) A romantic walk Signed Oil on panel 30 x 23cm; 12 x 9in £150-250

564 564. Andrew McCallum R.A. (1821-1902) Self portrait of the artist in a rocky landscape Signed Oil on canvas 75 x 56cm; 29½ x 22in Provenance: Label verso inscribed by Andrew McCallum, husband of Cousin Susan Tetlow, my Grandfather John Heginbotham’s 1st Cousin JRAS £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

565 565. C. Thompson (19/20th Century) Portrait of a lady, seated wearing a hat with a dog on her lap Signed and dated Sept. 10th 1908 Oil on canvas 75 x 55cm; 29½ x 21½in £400-600

134

566 566. A. Popov (Russian early 20th Century) Scene from the Russian occupation of Northern Manchuria in the early 19th Century following the Boxer Rebellion with a parade of Cossacks and a Manchurian waving a horses tail, the symbol of the Cossacks, outside a temple Signed and dated 1907 Oil on canvas 81 x 135cm; 32 x 53in Provenance: From the collection of John Newall Esq. Sotheby’s, 14.11.88, lot 72 The Cossacks depicted are Far Eastern Cossacks or Amur Cossacks £2,000-3,000 567. Attributed to Nikolai Semenovich Samokish (Ukranian 1860-1904) Soldiers resting with livestock Signed and dated 1904 Oil on canvas-board 23 x 37.5cm; 9 x 143/4in Provenance: From the collection of John Newall Esq. £400-600

567 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

135

568

569

570

568. William Clarkson Stanfield R.A. (1793-1867) Harbour scene at sunset; Sailing ships in a rough sea A pair both signed and dated 1859 Both oil on board Each 16 x 30.5cm; 10 x 12in (2) £600-1,000 569. Thomas Creswick R.A. (1811-1869) The passing shower, Folkstone Signed with initials Oil on canvas 49 x 71cm; 19¼ x 28in £400-600 570. Alexander Fraser Jr. (c.1828-1899) Fishermen on the shore Signed Oil on canvas 27 x 48cm; 10½ x 19in £400-600 571. After Sir Edwin Landseer R.A. King Charles Spaniels (The Cavalier’s Pets) Oil on canvas 71 x 91cm; 28 x 36in A copy of the original in the Tate Gallery £400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

571

136 572. Joseph Schippers (1868-1950) Taunton Signed, titled and dated 1918 Oil on canvas 227 x 108cm; 89¼ x 42½in £600-800

572 573. Daniel Sherrin (1868-1940) Sunset on the sea Signed Oil on canvas 41 x 102cm; 16 x 40in £300-500

573A. William Holmes Sullivan (fl.1870-1908) On the way to battle possibly William of Orange Signed and dated 1881 Oil on canvas 86 x 113cm; 34 x 44½in £300-500

574. ‡ John Haanstra (b.1945) Winter skating scenes A pair, both signed Both oil on panel Each 30 x 40cm; 12 x 16in (2) Provenance: Certificates verso £300-500

573

574

575. L’Aubiniere (20th Century) Coastal views A pair, both signed Both oil on canvas board Each 20 x 30cm; 8 x 12in (2) £200-300

573A

575 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

137 576. August Löhr (German 1843-1919) Somerset House, City of Mexico Signed, titled and dated 1909 Oil on canvas 61 x 106.5cm; 24 x 42in £3,000-4,000 577. Frederick Ifold (1816-1897) Children playing in a village street, a church beyond Signed and dated 1850, the house on left inscribed Cobb Plendid Ale X Oil on canvas 31 x 46cm; 12 x 18in £300-500 578. Ernest Parton (1845-1933) A river landscape Signed Oil on canvas 23 x 35cm; 9 x 13¾in £300-500

576 579. George Boyle (1826-1899) Cattle watering in a meadow Signed Oil on canvas 43 x 54cm; 17 x 21¼in £600-800

577

579 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 147

580. Circle of William Lee-Hankey A cart in a sunny clearing Oil on canvas 61 x 75cm; 24 x 29½in £300-500

578

580

138

581 581. Colin Campbell Cooper (American 1856-1937) On the Thames Signed and dated 1911 Oil on board 13 x 21cm; 5 x 81/4in Provenance: From the Estate of Colin Campbell Cooper Collection Helene Seeley, Cooper’s niece Sherrill Helene Seeley Henderson, Cooper’s grandniece £400-600

582 582. Colin Campbell Cooper (American 1856-1937) Canal at Malines, Belgium Signed and dated 1906 Oil on board 28 x 35cm; 11 x 133/4in Provenance: From the Estate of Colin Campbell Cooper Collection Helene Seeley, Cooper’s niece Sherrill Helene Seeley Henderson, Cooper’s grandniece £400-600

583. Frederick Vezin (American 1859-1942) A picnic by the river Signed and dated 83 Oil on panel 15 x 25.5cm; 6 x 10in £200-300

584. William Henry James Boot R.I. (1848-1919) Salcombe Church and Harbour A pair, both inscribed with titles verso and dated Sept and Aug 1912 Both oil on board Each 21 x 27cm; 8¼ x 10½in (2) £200-300

583

585

584

586

585. A. Middlemas (Scottish Exh.1895-1902) Canty Bay, North Berwick, Scotland Signed, also titled and dated 1901 verso Oil on canvas 30.5 x 46cm; 12 x 18in £200-300 586. Alexander Frew (Scottish 1863-1908) The moon rising over a loch Signed and dated 1894 Oil on canvas 30.5 x 40.5cm; 12 x 16in £100-150

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

139

INDEX OF ARTISTS A Aborn, John After Rembrandt Aldin, Cecil Charles W Alken, After Henryt Alken, Attrib. to S Alken, Foll. Of H Alken, Henry Allori, Foll. Of A American School Anastasi, Auguste P C Andrews, George H Anglo Indian School Ashfield, Attrib. to E Atkinson, George Austrian School

Continental School 511 65 213 67 176 560 177 417 76 474 68 194 124 49 42

B Bakalowicz, Ladislaus 490 Balkan School 316 Barker, Attrib. to T 436 Bassano, Jacopo 370 Bate, William 8 Bates, David 459 Beauclerk, Lady D 127 Beechey, After Sir Wm 359 Beechey, Circle of Wm 470 Beechey, Foll. Of Wm 492 Bentley, Attrib. to Ch 119 Berchem, Foll. Of N 398 Beverley, William R 174 Blarenberghe, Louis-N van 51 Block, Louis 157 Bloemen, Jan F van 371 Bogdani, Jakob 369 Boisgontier, Henri 510 Bond, William J J C 534 Bonivento, Eugenio 243 Boot, William H 584 Bourne, Ref. J 110 Bowers, Stephen J 228 Bowser, Henry 517 Boyle, George 579 Brabazon, Hercules B 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286, 287, 288, 289, 291 Braekeleer, Attrib. to F I de 473 Bramer, Attrib. to L 95 Brewtnall, Edward F 504 Brierly, After Sir O W 75 Bright, Harry 229, 230, 231 Bristow, Edmund 450, 451, 452, 453 British School 471 Brocktorff, Charles F de 199 Broeck, Foll of E van den 353 Brouwer, Foll. Of A 300 Buckler, John 158, 159 Buckler, Joh n C 160 Burr, John P 563 Burrell, James 460 C Callow, William Carbillet, Jacques-F. Chase, John Chinnery, Attrib. to G Chinnery, George Collingwood, William G Concy, Nicholas M Condor, Charles E

182 29 200 144 143 187 502 202

16, 59, 129, 337, 343, 348, 381, 382, 383, 386 Cooper, Alfred H 223 Cooper, Colin C 263, 264, 265, 266, 581, 582 Copley, After John S 78 Corles, D. 328, 329 Correggio, After 385 Cosway, Richard 22 Cotman, Foll. Of J Sell 133 Cotman, John S 368 Courtois, Nicolas Andre 13 Cox, Attrib. to David 135 Cox, David Jr. 136 Cox, David Snr. 102, 103, 104, 105, 106, 524 Creswick, Thomas 569 Crome, After John 66 Cromek, Thomas H 156 Currier & Ives 80 D Daniel, Abraham 9, 21 Davidson, Charles G 226 Dawson, H 428 Dawson, Henry T 506 Delderenne, Leon 526 Derby, William 46 Deroche, Mathieu 43 Deshayes, Eugene 432 Desvignes, Herbert C 558 Dever, Alfred 543 Devis, Attrib. to Anthony 89, 94 Diaz de la Pena, Attrib. to N V 495 Diaz de la Pena, Narcisse V 496 Diaz, Francisco C 212 Dicksee, Margaret I 555 Dixon, Charles 18 Dixon, Percy 256 Dorrell, Edmund 111 Downman, John 125 Dâ&#x20AC;&#x2122;Oyly, Sir Charles 515 Dutch School 52, 86, 355, 362, 401, 402, 403, 407, 419 Duval, Edward J 259 E Easel 60 Eddis, Eden U 540 Edwards, Geoffrey 238 Eichinger, Otto 559 Englehart, Attrib. to J C D 44 Englehart, John Cox D 41 English School 1, 3, 4, 5, 11, 12, 14, 15,24, 25, 26, 27, 28, 31, 32, 37, 38, 39, 45, 47, 56, 74, 123, 126, 146, 183, 205, 206, 215, 227, 351, 356, 357, 365, 373, 374, 375, 390, 391, 423, 425, 426, 427, 448, 460A, 462, 469, 507, 508, 518, 522, 523, 525, 528, 529, 535, 536, 542, 556 Eyck, After H and J van 79 F F A B and G H B Faed, Circle of Thomas Faed, Thomas Farington, Joseph Fettic, Studio of Domenico Fidler, Gideon M Field, John M Fielding, Sir Anthony V C Fisher, Sir George Bulteel Fong Qua Foot, Frederick Fortescue, William B

219 557 549 131 388 244, 245 48 173 134 447 437 554

Frame 61, 62 Fraser, Alexander 570 Fraser, John 487 French School 17, 19, 23, 201, 207, 209, 364 Frew, Alexander 586 G Gael, Foll. Of Barend Gainsborough, Attrib. to Gainsborough, Circle of T Gainsborough, Foll. Of Gararrone, Domenico Gardyne, Octavia Gastineau, Henry Genari, Attrib. to B German School Gianni, Girolamo Gianni, Y Gilbert, Sir John Giraud, Eugene P F Girtin, Foll. Of Thos. Glennie, Arthur Goddard, Louis C Gordon, Gen. Sir John J H Gould, Alexander C Goupy, Joseph Goyen, Foll. Of Jan J van Gray, William Greaves, William Greek School Grenier Foll. of C F de la C Grimm, Samuel H Guerard, After Eugene von

366 92 90 91 175 221 166 98 54, 345 465 267 140 433 93 184 234 193 167 384 393 514 435 301, 305, 312, 314 394 121 72

H Haanstra, John Harding, George P Harding, John Hardy, Thomas B Haynes, Frederick Hayward, John Samuel Herring, After John F Hill, J Hoare, Attrib. to Wm Hodson, J Hofland, Thomas C Hofland, Thomas C Holland, James Hone, Nathaniel Honthorst, Circle of Hoppner, Attrib. to J Hoppner, John Horemans, Jan J Horlor, Joseph Howitt, William S Hudson, Thomas Hue, Jean Francois Hughes, George Hughes, Talbot Hughes-Stanton, Sir H Humphrey, Attrib. to Ozias Hunt, After Charles Hunt, Foll. Of W Hunt, Reuben Hunten, Franz J W

574 532 147 192 467 99 70 189 132 181 446 483 220 377 349 429 361 411 552 139 392 415 257 541 434 236 69 548 533 439

I Ifold, Frederick Indian School Irish School Italian School

577 55, 196, 197 20 53, 58, 87, 332, 333, 413

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INDEX OF ARTISTS J Jagger, Charles Jenkins, David C Jenkins, George H` Jenkins, Joseph J Jongkind, Foll. Of J-B K Kenn, Adolphus Kilburne, George G Kilpack, Sarah Louise King, Henry J Yeend Kinnaird, Henry J Koek, Louis E C de Kuypers, Cornelis

36 520 484, 485, 486 254 538 539 180 475, 476, 477, 478, 479, 480, 481, 482 260 250 472 404

L Lambinet, Emile C 299 Lance, George 210 Landseer, After Sir E 571 Landseer, Sir Edwin H 203, 204 Lang, Leslie W 233 Lassalle, Louis 363 L’Aubiniere 575 Lawrence, Sir Thomas 372 Leader, Benjamin W 488 Leader, Benjamin W 562 Lear, Edward 214 Ledoux, Jeanne-P. 7 Lee-Hankey, Circle of Wm 580 Leemputten, Cornelis van 547 Leemputten, Jef L van 546 Lege, Jean-Baptiste 10 Lejeune, Attrib to H 491 Lessore, Emile A 170 Ley, Simon van der 531 Lohr, August 576 Long, Amelia, Lady F 137, 138 Loo, Circle of Carle van 358 Luny, Thomas 440, 441, 442, 443, 444 M Macedonia 302 Macnee, Daniel 391A Maes, Attrib. to N 128 Mainella, Raffaele 240 Marny, Paul 185 Martin, Henry 516 Martino, Anna E 261, 262 Mason, Frank Henry 83 Mason, George F 216 McCallum, Andrew 564 McColvin, John 553 Melville, Arthur 268 Mercier, Circle of P 360 Middlemas, A. 585 Moni, Louis de 376 Monnoyer, Foll. Of J-B 352, 354 Moore, John 438 Moore, William 150, 151 Morland, George 420, 421, 422, 424 Morris, William W 509 Morrish, William S 239 Muller, Attrib. to W J 101 Muller, William J 410 Munkacsy, Mihaly von 512 N N. European School Netscher, After Caspar Neuville, Alfred A B de Nicholl, Andrew

397 387 561 163, 164

Niemann, Edmund J Nixon, John Nollekens, Attrib to J-B Nollekens, Foll. Of J-B Normann, Adelsteen

503 161 412 416 489

O Orrock, James

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P Panat, Anthonius 409 Parsons, Arthur W 188 Parton, Ernest 578 Partridge, Circle of John 493 Phelps, Millicent 235 Phoenix, George 253 Photographs 81 Pickersgill, Frederick R 494 Pilsbury, Wilmot 255 Plimer, Andrew 33 Pocock, Nicholas 107, 108, 109 Pol, Christiaen van 57 Pollard, Foll. Of J 550 Ponte, Foll. Of J da 370 Poole, Paul Falconer 155 Popov, A. 566 Potter After H Beatrix 218 Poussin, Foll. Of N 396 Prinsep, William 145 Prosdocimi, Alberto 241, 242 Prout, John Skinner 248 Prout, Samuel 141, 142 Pugin, After A 71 Pyne, James Baker 154 R R H W Ramsgate, William Broome of

198 497, 498, 499, 500, 501 Raphael, After R S d’Urbino 408 Rayner, Louise 191 Redmore, Attrib. to H 464 Rembrandt, H van Rijn 63, 64 Rickman, Philip 232 Rivers, Leopold 537, 551 Robertson, Andrew 30 Robins, Thomas S 463 Robinson, R 527 Rooker, Michael A 208 Roos, Foll. Of Philipp P 395 Rouvier, Pierre 34 Rowbotham, Thomas L S 152 Rowlandson, After T 71 Russian School 292, 293, 294, 295, 296, 297, 298, 299, 303, 304, 306, 307,308, 309, 310, 311, 313, 318, 319, 320, 321, 322, 323, 324, 325, 326, 327, 334, 335, 336, 338, 339, 340, 342, 346 S S. Bohemian School Salvi, Attrib. to Studio of G V Salviati, After Francesco Samokish, Attrib to Nikolai S Sandby, Attrib. to Paul Sandby, Paul Sandby, Paul Sartorius, John N Schafft, Oskar Schippers, Joseph Schreiber, Wassilij P Scottish School Serres, Attrib. to J T Sheffield, George

344 379 378 567 85 84 430 461 217 572 530 468 165 225

Shentov, Jordan Sherrin, Daniel Shirreff, Charles Smart, John Smythe, Thomas Snape, Martin Spanish School Stanfield Moore, C T. Stanfield, Foll. Of Clarkson Stanfield, William C Stannard, Attrib. to J Stannard, Henry Steen, Foll. Of Jan Steinkopf, Attrib. to J F Stella, Jacques Steuart, Sir John J Stothard, Thomas Strahan, Co. George Stry, Foll. Of Jan van Stuart, Ernest Sullivan, William H Sunderland, Thomas

300, 315 573 6 2 519 178 317 445 505 568 405 258 389 449 367 169 211 195 380 190 573A 148, 149

T Teerlink, Abraham Terry, Robert Thompson, After E. S. (Lady Butler) Thompson, C Toovey, Edwin Towers, James Troivaux, Jean Baptiste D U Unger, Christian Wilhelm J

162 406 73 565 186 249 40 35

V Vandeverdonck, Francois 545 Varley, Attrib. to J 117 Varley, Foll. Of 118 Varley, John 112, 113, 114, 115, 116 Vaslet, Lewis of Bath 130 Velde, Foll. Of W van de 95 Vermeulen, Foll. Of A 414 Vezin, Frederick 583 Vollon, Antoine 513 W Waite, Robert T Walcot, William Walker, Bernard E Ward, Edmund Ward, James Watteau, Manner of J-A Watts, James T West, After Benjamin West, Edgar E West, William Westall, Richard Whichelo, Henry M Whistler, Manner of J A M Whittle, E. Wilkinson, Rev. J Willett, Arthur R Williams, Walter H Williamson, Frederick Wilson, H C Wilson, Lieut. James K Wint, Foll of P de Wissing, William Woolmer, Alfred J Wyllie, Circle of W L

179 82 122 456, 457, 458 97 418 252 77 224 153 171, 172 168 237 50 120 246 454, 455 247 521 88 100, 431 350 544 466

Tribal Art & Antiquities Wednesday 20th September 2017

A. Harriott after John Webber A Man of the Sandwich Islands, with his Helmet Pen and wash, late 18th / early 19th century 28cm x 23.5cm Estimate: Â£4,000-6,000

ENQUIRIES: Will Hobbs | Tel:+44 (0)1722 339752 | wh@woolleyandwallis.co.uk

Furniture, Works of Art & Clocks Wednesday 4th October 2017

From a private collection of over thirty ivory carvings, 18th and 19th centuries, 51cm max. Provenance: from a distinguished naval family. Estimates from ÂŁ300-8,000

ENQUIRIES: Mark Yuan-Richards | Tel:+44 (0)1722 411854 | myr@woolleyandwallis.co.uk

Design Tuesday 17th October 2017

Dame Elisabeth Frink R.A. Horse and Rider A limited edition wall hanging, 251 x 186cm Estimate: ÂŁ3,000-5,000

ENQUIRIES: Michael Jeffery | Tel:+44 (0)1722 424505 | mj@woolleyandwallis.co.uk

Asian Art Tuesday 14th November 2017 Entries are being accepted for this sale

Cheong Soo Pieng (1917-1983) A waterside village, 1960 Ink and colour painting on paper, signed, with a red seal, mounted on silk 43.5cm x 94.5cm Estimate: ÂŁ10,000-20,000 ENQUIRIES: John Axford | Tel:+44 (0)1722 424506 jea@woolleyandwallis.co.uk

Modern British & 20th Century Art Wednesday 29th November 2017 Entries are being accepted for this sale

Harold Speed (1872-1957) The Heart of the City - depicting St. Paulâ&#x20AC;&#x2122;s Cathedral during the Blitz in WW2 Signed and dated 1942 Oil on canvas, 89 x 102cm Estimate: ÂŁ2,500-3,500 ENQUIRIES: Victor Fauvelle | Tel:+44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel:+44 (0)1722 424592 | jb@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom. com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form Old Masters, British & European Paintings Tuesday 12th September 2017 PW120917

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Email �� All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% inclusive of VAT thereafter at the appropriate rate. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

151 Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

152 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Auction Calendar Paintings 12th September 2017 – Old Masters, British & European Paintings 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk Tribal Art & Antiquities 20th September 2017 Will Hobbs +44 (0) 1722 339469 • wh@woolleyandwallis.co.uk Furniture, Works of Art & Clocks 4th October 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk 20th Century Design 17th October 2017 – Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk English & European Ceramics & Glass 18th October 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Silver 24th & 25th October 2017 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk Jewellery 26th October 2017 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Asian Art 14th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk Arms & Armour, Medals & Coins 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk