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music industry madness

Where is the love?

Audiation Blitz Recordings | Black Hole Recordings | Studio Tan Kelly Pepper | Slime Recordings | Lauren Mason Limestone Recordings | GTE | Malt Barn Recordings Mike Delinquent Project | Leanne Louise | KDIH

AUDIATION

Audiation is a magazine full of music goodness.

We aim to showcase the amazing talent that does not receive the recognition it deserves.

For the love of music you will most definitely be able to find something you enjoy in our eclectic selection. Whether your groove is house, garage, dance or soul; we will cater to your desires.

Music is the voice of the soul. It is much more than sound. Music can be a comforter, party maker, career path or a way of life.

Music is passion & adrenaline rolled into a pattern of music notes that create a permanent etching of a moment in my mind.

Follow your heart and let your passion & dreams guide you.

A U D I A T I O N An imagination.. not with visuals, but with sound.

www.AudiationMagazine.com Tweet @AudiationMag Like AudiationMagazine Email info@AudationMagazine.com

www.TheSassyYank.com Simply spreading the word about great music.

Christina Johnson, aka "C.J. - The Sassy Yank" is the creator of The Sassy Yank Music Publications and Promotions, 1/3 of The Push and Pull Show, blogger and A&R for OneFold Records. Her passion, dedication to the music and determination have gamered her endorsements from several industry leaders/legends.

The Sassy Yank

www.MizzRubyX.com International Dance & Eclectic music site with a touch of lifestyle www.UKGarage.org All things good in the Garage, House & Bass world.

La musique est ma vie.. music enthusiast label management, website publications & music career advising.

Think positive. Be happy. x

Mizz Ruby

Monday 9pm Ministry Of Sound Essential Garage

Tuesday 2pm Select Radio UK Danny Blaze National Anthems Show - Club Classics

RADIO

Thursday 3pm Select Radio UK Lizzie Curious – Funky / Tech / Uplifting / Groove

Thursday 9pm Kiss FM DJ EZ – UK Garage

Thursday 10pm JazzySoul Radio DJ Soul Crush - Jazz & Soul

Thursday 10pm Freek FM The Push & Pull Show – UK Garage

Friday 7-8pm Ministry Of Sound Sister Bliss - International Dance

Friday 10-12am Vision Radio UK DJ Emma Champion – House & UK Garage

Saturday 9pm Kiss Fresh Mike Delinquent – UK Garage & Bass

Welcome to the debut edition of Audiation magazine !

DANCE MUSIC

Studio Tan featuring Lauren Ashleigh Trippin

Hailing from Essex, UK, Studio Tan have been producing and remixing for over ten years with a background in House and Garage music. Studio Tan and Lauren Ashleigh joined forces in 2014 to cowrite house/dance track Trippin'. Due for release in March 2014, the track has already picked up radio support from Capital Xtra, and the single package includes remixes by Mark Martin & Kettridge, and Justyn Cousins. The official music video premiers online via Vevo in February. Studio Tan have also worked with UK Garage legend Brasstooth on his 2014 version of Pleasure (under the name of the Final Cut Collective). Lauren Ashleigh is someone to keep a watchful eye on, having worked with various producers to date including L.I.A and Rascall Soundzone, Lauren has begun to hone her sound and is due to embark on a club tour later in 2014.

The track is available to purchase through all major music store websites, and has also been featured on four TV music channels includings Club Dance TV & Chartshow Dance.

Haugli & Lizzie Curious - Your Touch

DANCE MUSIC

Songbird 346-0 Your Touch combines the haunting production talents of up & coming producer Haugli, with spinetingling vocals from Lizzie Curious, to create a truly evocative piece of house music. From the first moment you hear the captivating organ melody and gentle rhodes keyboard, you know this track is going to be something special. Add to this crisp, minimal percussion and warm, expressive lyrics (written & performed by Lizzie) which cannot fail to touch your heart, and you will find yourself heading towards a breakdown of almost ethereal quality - watch out for goosebumps! Meanwhile, on the Tech House remixes, Lizzie Curious showcases her production skills, stepping up the tempo and injecting her Curious groove into proceedings, thanks to the rolling percussion and bouncy bass. An electrifying breakdown propels you towards a thundering crescendo, before stripping back into the undeniable groove, all the while allowing the vocals to shine through.

A dub mix is also included for those headsdown-at-6am on the dancefloor moments!

The track is available to purchase through all major music store websites.

Leanne Louise: Count My Blessings EP

I haven't enough positive words for Leanne, she is amazing and such an inspiration. I've had the pleasure of hearing her progression since she started out The first time I heard her voice was through her also musically talented producer of a brother RDubz, on a track called Crazy. At that instant, I fell in love with her vocals. Through her journey her fans have grown stronger & stronger and more people are getting to know her voice which is beyond super because she is not only talented, she also has such a kind heart and deserves every single positive aspect in the music career. I have no doubt she will achieve great things and you should all get listening! This is her very first EP!! So please support her, enjoy her voice, and keep an eye out for more to come!

Untitled Now you may think she ran out of imagination for the title but as you listen you shall realise it is all justified. This track showcases the depth of her vocals with an urban edge, and a really interesting rhythm which has me hooked!

Save Your Heart A lovely smooth piece. Nice tones on the strings which accompany the gorgeous soft sweet vocals. No More Love, this beautiful track shows not just Leanne's soft but strong vocals, it gives a little insight into her lovely soul. Glass House This track has a slighter darker tone, highlighting her soft tones with equally soft melodies. Bouncing them off nicely against rough punchy vocals. Count My Blessings A rhythmic delight with the vocals, yet with a smooth undertone of the melody.

"There are words in my heart that have never been spoke"

Leanne Louise.. The lady who will make you smile.

t. r

u

Superhand: Discipline Me

Discipline Me by Superhand featuring a “dizbusting” remix by Rednek.

Debut release from Superhand & Malt Barn Recordings from the hills o mid Wales.

“A thrilling boundary-busting meld of rock, electronica, blues and soul, ‘Discipline Me’ teams singer Inga Carlstrom and principal instrumentalist Leck Fischer with a vastly experienced crew: Jason Cooper of The Cure is on drums (band friend Duane Atherly plays bass with Mike Mason (formerly of 4AD label luminaries Swallow) producing and Cameron Craig (Placebo, UNKLE, Amy Winehouse) the Grammywinning engineer.” (Martin Aston)

!

"I'm so obviously crazy"

“I grabbed my coat, but a monstrous bass line rabbit-punched me in the back of the head and a voice made me weak at the knees. I ordere another drink and witnessed the best performance I’ve seen in years.”

(Mike Mason)

Superhand are here to break the mould, with their edgy tunes which smash down the walls of any conventional music of today." (Samantha Anderson)

Shane Blitz featuring Lauren Neko - Do You

HOUSE MUSIC

BR006

Blitz Recordings presents a seductive three track release - Do You featuring Lauren Neko.

Vocalist Lauren Neko (AUS) and Shane Blitz (UK) had a chance encounter one early morning in South East London, Giving birth to this timeless creation. This Deep House original invites in the 90s and all the pleasure that comes with it. London producer Adam Dmize presents a cheekier remix, Blending Deep House and everything thats UK, dark and gritty.

Sheckas from the Outskirts of London offers an intimate remix, with a lush Tech House treatment.

The track along with remixes can be purchased through all major music store websites and has also been featured on DJ Mag Australia.

HOUSE MUSIC

DJ AK Steppa - Knee Deep In House 12 London based House DJ A.k.Steppa has plenty of experience behind the decks, having held down weekly shows on various stations over the years through his love of music which spans early Hip Hop into Acid House, Rave, DNB & UK Garage, the list goes on...

He's also built up a worldwide listening fan base, not forgetting his regular bookings & residencies in Clubs & Bars within the UK which have included Ministry Of Sound, Pacha & Aquarium to name but a few.

As well as playing regularly in Ibiza, he's one of the hardest working DJ's and always has an ear out for whats fresh on the underground, featuring tracks on his often updated well thought out mixes that are downloaded in high demand.

The latest edition of the Knee Deep In House podcast features music from AndMe, Donaeo, Tempo Elektrik, Groove Armada. Amine Edge & DANCE and Disclosure. www.aksteppa.com

Music is more than sound.

We would like to turn your attention to these two organisations who help others through the power of music.

Nordoff Robbins use music therapy to help others who are facing challenges such as autism, depression and mental health problems.

Rhythmix gives various music making opportunities to young people in challenging circumstances, working with Crime Reduction and other youth support services.

Artists/DJs/Producers looking to increase promotions, you now have the opportunity to have your own iPhone application! Including live audio streaming, social media content and music players.

For more information contact: djpyro@me.com

GTE - I Know The brand new track from GTE is available now on all good digital sites.

This is the first releease since 2011 and the first of many this year on a new label ADAP. Tracks with MC Neat, Kelsey and American rapper Mike Dubb are all in the pipeline as well as remixes and releases with Huggy under their alias name Lapis Lazuli all set for release over the coming months.

The Music Industry This is the digital age and growth of technology has made it so easy call themselves a DJ with the press of a button. But is this right? I much prefer the pureness and love from a REAL DJ who has worked hard to get where they are today. These talented people do not get the recognition they deserve. Somehow the world has stumbled into this fake culture where suddenly being a “DJ” is a trend that anyone can jump on. The likes of Paris Hilton, Joey Essex, “Big Mo” from EastEnders and Steven Gerrard have now turnt to “DJ'ing” in order to gain more fame and money. Where is the love?!

Why is this socially acceptable? Someone mentioned “DJ qualifications” this is a great idea, you cannot call yourself a DJ if you don't have this degree!! - There are lots of great music courses for those who are seriously interested in the industry and have a passion for music.

Do what you love; with all your heart may I add. I would love to be able to do a really wicked mix or create an absolute banger or two, but I don't because I know I just don't have the skills. There are far too many no name "DJ's" who just think oooh cool I'll jump on my laptop and overuse that fade in/out feature with all the latest hyped up chart pop nonsense and now I'm a good dj! No. My respect goes to those who have been working hard in the music scene and is passionate about their work in music.

Always learning and always feeling good about what they do. Not for the money or image, but for themselves and their passion for music.

Even Jon Richardson said "Why is nobody reporting the fact that music is dead?" - in reference to Miley Cyrus.. but really thinking on an international scale gives me a headache! My advice is keep away from the fakeness and stay true to what you love doing.

Promotion: Several of the same kind of promos get recieved but simply dismissing anything in the emails that follow the same bland structure is not right. Receiving promos is always great for me, I love hearing new music and amazing talent, however I agree with the notion that impersonal mail outs sent to 100s of others all the time is a little tiresome to be raking through. When I receive a personal message from someone who has clearly done their research and has genuine passion for music then they have my full attention and respect. This may be a long process but in my opinion the work will pay off and you'll be able to build up a network and be taken seriously. For example we all get annoyed with telemarketers trying to shove a ppi claim in your face but perhaps if they took a personal touch and found people who really needed their help then they wouldn't get hung up on all the time..

Music is love. An art form, a creative outlet, not a cheesy fad.

A while ago people talked about wanting to change the name of the new style of garage, in order to re-introduce it to more people who would accept it. The term "new garage" often turns people off the idea. Going to "garage" events, people who aren't in the music scene expect and want old school, and the others want to hear the new music.. where is the middle ground? It is still the same genre so I don't believe the name is the issue, there already is "nu skool" and "future garage" but at the end of the day it is all garage, just a more evolved take on the style.

"People follow trend setters and originality is decreasing." Christopher (Permanent St8).

"We just need unity and a united vision, not division" DJ Emma Champion. “I think the important thing is for producers to move away from labeling their music as a particular genre as it can put people off listening to it. Many tunes out nowadays cross a number of genres put people will still pigeon-hole them and will continue to do so. Good music will always rise to the top if it gets the right support.� Minerals.

But evolution of music is natural right? Music is always changing, people are always learning and new talent emerging every day. Then why are there still the stereotypes of genres? Music is an expression, in this instance the new style of uk garage has come a long way since the last decade, but then why do people still associate garage as being old. Is society open to change? People need to consciously understand that there are always new things out there and genres will constantly grow and change and should not be labelled as one particular thing.

So how does it all work? All areas have links that effect each other and this works for everything including the music industry.. Producers/Artists create pieces from their own influences and loves, the media promote music to the audience, the audience will listen to what they like, the "hot" producers/artists will be booked and promoted more, the others get less acknowledgement, the media won't promote them, the audience concludes that their music is "old", and the vicious cycle continues.. leaving the talent to keep rising but no one wanting to pay attention to their views.

"I may be in line at the grocery store and hear something I like. I will pull out the phone and Shazam it to sort which tune it is. I am ALWAYS searching for new stuff." The Sassy Yank.

Growth of technology: Where do people go to hear music? The evolution has passed through vinyls, cassettes, CDs to MP3s, and now in this day and age, YouTube. Doing a quick survey, 6/10 people listen to the good old radio for new music, and the others go to music sites, predominately Youtube or Soundcloud. Music promotion has also evolved and it's all about gaining that first airplay on radios, filling up all the social networking sites and uploading to Youtube and Soundcloud.

The industry artists & producers now rely on the internet for their sales. Far from whiling away in the music stores flicking through, having a listen and getting lost in a piece of music.. it is now one click on iTunes and you can get he top ten chart.. soul less. I would like to express that I am not at all slating these companies because they do efficient work at helping people share & listen to music, I am however concerned about how people are using these tools.

The Trichordist & The Digital Music News discuss the affects on sales with the increasing technology. To all lovers of music, please support the good talent as much as you can.

"White labels, test presses, 3 copies of a track and that was it! That was underground and exclusive!" DJ Kristal.

Commercialism: Music to me is everything, and I respect those who know the industry inside out through their experiences. A lot of commercial listeners don't understand the underground scene or the works of the business Some people just want money and fame and that's not what music is about at all...

DJ's complain about only old tracks being played on majority of uk garage radio shows. But is this because it is what society wants to hear? This goes back to the topic of the genuineness of music and it's listeners. It isn't on a small scale any more, people are generally listening to the same thing that's on the popular radio and TV channels just because it is "hot right now".

“The commercial industry has never listened to REAL talent, they go after celebrity whores.”

“We still have a thriving underground scene. Full of great Djs/MCs and producers. And not a sync button in sight” DJ Ink. "There are NO shortcuts in the music biz unless you sell your soul to the devil. It takes sacrifice and GRAFT... Even if you graft there are NO guarantees So you gotta have PASSION and self-belief and do your thing REGARDLESS! I have been writing songs since I was 12, performing since I was 14 and working with major Artists touring at 21. I've performed at pubs, bars, working men's clubs, on cruise ships, theatres, parties, arenas, festivals, on TV, in studios: EXPERIENCE! I am comfortable on ANY stage in front of ANY audience. I have learned STAGECRAFT! How many of you can hold your own in ANY situation? I've performed on my own: accapella, acoustically, with backing tracks and with 16 piece live bands. All are learning curves! It takes more than riffing & over-playing to be an Artist. DISCIPLINE! Learning to embrace the space, DYNAMICS and convey EMOTION are VITAL! I have also been a vocal & performance tutor and worked at a Music School in East London for 2 years so I have seen RAW talent! I also have a Masters Degree in Music Business Management and run my own Limited Company so I KNOW what I'm talking about - I've LIVED it! I'm just reminding folk as when I comment on shows like XFactor and other Artist performances I see BEYOND the obvious. I have had a No. 13 hit single and although I'm not a "star" music is my destiny. It speaks to my soul and I have a RIGHT to be here! Its important to speak out and fight against the commercial, corporate-led misconceptions of our industry. Phew! Its great to get all fired up about music, its a GIFT and needs to be honoured and respected, not pimped, I'm pleased you all agree! I think society is waking up to the bull and are desperate for more sincere and genuine music, Its only a matter of time." Kay Jay. Taken from Mobo.com. "The appeal of UKG is that it knows not to take itself too seriously. While it was once on the outside looking in, trying to prove itself as a set of feelings and sounds - having to be serious and headstrong to some extent - it didn't have to sacrifice the fun to push on through.

And this is what's great about today's generation, the parallel stars."

Taken from Helium.com. "The question of how commercialism has hurt the music industry is more than a little bit misguided. The music industry is commercialism. Maybe that's somewhat cynical.

That does not mean it is an untrue statement. The music industry is run by people that truly do not care about music. Executives of record abels, program directors of radio stations, and anyone else who is "in charge" of the music industry care less about music than they do about selling advertising and merchandise."

Taken from an online discussion. "It does damage the variety of music that makes it's way into our record collection since bands that are loved by a minority don't get the fame or money they often deserve, and they are often forced to give up. And while commercial music is created to be enjoyed by as many people as possible, it is not being created out of simple enjoyment for music."

“It's always been about the underground, the industry take our music, water it down & fed it to the masses. Too many young ones get caught up in the bright lights” Taken from Last.FM. "I work in a (commercial) record store, and everytime I see new CD's coming in. And when Korn turns into POP-Korn*, Nelly Furtado trades her musical identity and the beautiful original (sad) use of her voice and still make happy songs to make some sort of pussycatdoll-music, and when Richard Ashcroft makes a Robbie Williams-pop CD when The Verve had so much potential, then I ask myself... is commercialism killing music?"

Solution? Whether it is society, commercialisation or DJs and producers, something needs to be done. There are already radio shows which promote new music, and dozens of various events.. but they are all aiming at specific people who make an effort to listen to the new music. We need to be thinking on a much broader scale and let the world realise that music is more than their labels. We need to work together, intervene and just really grab people's attention. There will always be a trend, unfortunately, but I think somewhere along the lines people have got stuck into these same ideas and don't appreciate music as a genuine heartfelt piece of art.

"The reason it is not underground anymore goes way deeper, it's because people just follow fashion these days, not much is underground these days! As mainstream music goes downhill in general, youth are not used to quality underground sounds. Everything is too easy these days, people used to spend all day in record shops, now they want 5 million tunes on their iPod in 5 mins without any effort made, that's why the underground has gone. Nowadays people don't even wanna pay £2 quid for a tune. I play old and new and my only stipulation is that it is GOOD. 100% just good music, not just cos it's new or cos it's old. Old skool will never die no matter how much the new skool wishes it would. It's only the djs and producers that can move it forward." DJ Emma Champion.

"It's Particularly hard as artists who enjoy experimenting with different sounds, as everyone wants to label u" Soneni and The soul.

"I think lack of decent production killed the scene off. House (especially Deep House) is killing it at the minute because it is excellent quality club music. A LOT of new garage being made is not even worthy of radio play let alone clubs. There is a couple of producers who are producing quality music but you can't build back a scene with 1 or 2 producers!! Make club bangers and get it back into the clubs." DJ Smiffy P. "People these days that use to be into UK garage think it is dead or do not wish to listen to any new stuff or give it a chance because they cannot move on from the bad associations it once had. The sound has changed a lot over the last 5 years or more and it is slowly becoming the sound it once was. Not everything is going to be liked by everyone but that would have still been the case nearly 20 years when it first began but because people hear a couple of tracks on an album they believe that it is the only sound of UK garage around and just dismiss it. I find it hard to believe that it is completely dead when I’m constantly hearing it on pirates and podcasts still. What makes me really laugh is that for example Sunship remixes a track, Kiss fm playlist it and then people really love it but have no real idea what genre it is." Rascal Soundzone.

"Old skool garage all the way can't be beat. Have to keep a close eye on my cds. I'm just a garage fan big on my old skool" Toni.

"I like the exposure social media provides to artists, makes it easier to reach audiences that would have been more difficult to reach previously. I am pleased to see growth in the amount of producers, it is nice to see more UKG coming out. Still requires searching but its def getting better I think. I definitely feel there is a difference in the sound of old garage vs new garage but speaking from an outsider yet insiders perspective I think that is a lot of people just not wanting to accept change.which is not abnormal from normal life really. You can't have UKG come back and have it sound exactly the same as before as that was a different time in history. There have been updates in music applications etc so the sounds of course are going to be different and you have had other music styles change through the years so people are drawing from within themselves, their experiences etc. I of course am at a disadvantage since I am fairly new to the garage scene. It just isn't possible for it to be like it was as it was a different era in history. But having said all that there is a lot of really good new garage music and I feel that a lot of the new garage has the potential to be more crossover music then say some of the older garage, though my fav will ALWAYS be 2 step old school." The Sassy Yank.

"Think that's this ego thing people keep throwing around. it's more the "sound" people are trying to put across rather than genres. Egos can get left at the door, all or nothing." Rudeboibrand.

"I think general society is open to change, but they see 'garage' as an era of music that happened, not as a genre like djs, and avid listeners understand. Remember that house and garage in the UK stemmed from other 'genres' yet.. we don't clamour for them like we do garage. Why? because of our fond memories associated with garage. In my opinion people need to stop trying to resurrect something that isn't dead. Music doesn't die, it just gets older, if the garage scene will once again become the focus of the UK music industry it will happen naturally...last time around 'deep house' tracks e.g. strictly rhythm, cloud9 etc preceeded garage. Deep house is prominent now. I consider myself a listener first, then a DJ because hearing the music and enjoying it is my first buzz, then I get to play it (work with it) But then I just love good music. like I can't stick my fugees or chakademus album on cos it's 'old' !! farce - exercising of egos. I'll never play music because it's 'new'.." Eamonn James.

"Old garage = sick but alot of the same tracks has been rinsed far too much over last 15 years. New garage hasn't been given a chance properly coz youngsters are still hearing oldskool tracks mainly.

Many youngsters growing up into loads of types of bass music now where as I grew up on jungle & garage they're growing up on that. Is it underground anymore ?? U say it is but u got DJ Fresh, Skrillex in the charts, dubstep & d&b list goes on educating youngsters. Underground scene was underground until mp3 took over vinyl u went to be educated now u go on YouTube. People associate garage as old because that's what it is to younger generation just like Barry whites music is to me. I agree labelling garage as old is no different from labelling Motown music as old people still love it tho. Thing is I do love garage the fact it isn't moving fwd irritates me alot. For me that's a clear sign it should stay as it is. Defo I don't believe it's anyone's fault at all, sometimes trying to changes something with a strong foundation don't work. There's so many genres, sub genres to choose from now it's like a dj feast, even with meetings nothing has been resolved, will it ever?? Not so sure" DJ Zenn.

Music is love

Lauren Mason - Would It Be Fair?

A nice smooth melody with little interesting touches, along with Lauren's gorgeous versatile vocals. The brand new track from Lauren Mason, track produced by Sticky. The track is available to purchase on the iTunes music store on Dirty Dolly Records.

Mike Delinquent Project ft Terri Walker - Tension The rhythm will certainly have you bouncing with Terri's soft & versatile vocals accompanying nicely. The beat with slight little dips & fragmented notes giving more interest & flair to the piece. The break is bringing a smooth, almost sweet soulful funky element.

Including a bumpy vip MDP edit, a mellow "midnightRnB"PresidentBeatsremixanda Matthew Bandy featuring Diane Charlemagne - Pieces Of My Dreams Limestone presents the first collaboration with Matthew Bandy & Diane Charlemagne.

The project journeys through soulful vocals, uplifting pads and a synth driven baseline.

The Layabouts support the remix with a classic 90's influenced mix, deep yet driving. www.limestonerecordings.com

Monika - Chimera

BASS MUSIC

SLM106 Slime welcomes back to the label London producer Monika. Since debuting on the imprint last year with the spellbinding ‘Devotion’ EP he has been hard at work refining his unique distillation of the autonomic sound through a prism of melody and ethereal atmospherics. For his return, he brings four beautiful cuts of forwardthinking electronic music that will capture your heart instantly.

Kelly Pepper - Drop The Bomb The gorgeous vocals of Kelly Pepper, with this great little JungleTek style track. The song is produced by up and coming drum n bass producer Drifta, and features a sample by The Ragga Twins. Drum n bass legend Ray Keith has produced the official remix for the track along with a few other remixes by Drifta, Yohann & Exist.

VISIT WALES CYMRU Nannerth Ganol & Nannerth Fach Nannerth Ganol, LD6 5HA Rhayader +447723330239

"I would highly reccommend visiting and cannot wait to stay again. The hosts are very friendly and accomadating. Enjoy a cosy peaceful cottage surrounded by amazing nature & scenery."

On 27th April over 50 UK Garage artists came together to be photographed with some of the children from Great Ormond Street Hospital. To see video's and behind the scene photos from the day please log onto www.butterflyphoto.co.uk BUY A UKG 2015 CALENDAR for just £10 by emailing: natalie@butterflyphoto.co.uk £5 will be donated to Great Ormond Street Hospital If you do not wish to buy a calendar but would like to donate to this special project, please add directly to the JustGiving page or text GRGE99 to 70070.

By donating as little as £1 you will be helping GOSH continue to support ground-breaking research and provide their wards with leading edge equipment!

Well, here we are.. you have reached the end of our very first music magazine edition. We hope you have enjoyed it as much as we have creating it! The next issue will be available 01.06.14. Please subscribe, and thank you for the continuous support. This is not only our magazine, it is yours too! There are far too many amazing musical minds that we aim to share to the world!

Send us feedback & a star rating (out of 5), please be kind :)

info@audiationmagazine.com

with love

The Sassy Yank & Mizz Ruby xx

Audiation

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