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Audiation NEEV EXCLUSIVE

Get the lowdown on KISSTORY and Neev's aspirations

EDM goes live with Mon Frère

MC Vapour gets brutally honest about the industry Lauren Neko discusses women in the biz

Audiation

For the love of music.. Magazine presenting a variety of genres and exclusive industry content.

Music magazine giving exposure to the freshest music sounds and talent, as well as discussing industry related topics. We aim to showcase the amazing unheard talent in the International & Underground music scene.

For the love of music you will most definitely be able to find something you enjoy in our eclectic selection. Whether your groove is house, garage, dance or soul; we will cater to your desires. www.AudiationMagazine.com

"Music is the voice of the soul. It is much more than sound. Music can be a comforter, party maker, career path or a way of life. " Mizz Ruby, Company Director "Music joins people together from all around the world, without music life would be pretty boring."

Rokuro, Associate Editor.

"The birth of one's child is the only feeling that comes close to getting lost in music."

Cessle, Associate Editor.

"Music is a form of art that reveals a truth in a world full of mystery."

Sarah, Staff Writer.

"No matter what's happening in life, it's usually great music will keep you going.."

Malachi, Staff Writer.

"Music is life. It's a universal language that has no barriers. It unifies people around the world. It brings people joy. " Andy, Contributing Editor

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2am WLUW Dave Gee - The G Spot

THURSDAY

8am Empire London Pintsize & D'Elle's Big Breakfast

WEDNESDAY

2pm Select Radio UK Danny Blaze National Anthems - Club Classics

TUESDAY

9pm Ministry Of Sound Essential Garage

6pm South Star Radio DJ Junior UK - UK Garage & Bass

MONDAY

10pm Empire LDN Heartbreak – UK Garage

4pm Vision Radio UK DJ Pyro - House & UK Garage

12pm WLUW Sarah Becker - Independent Music

FRIDAY

9pm Kiss FM UK Majestic – UK Garage

8pm Empire London DJ X-Ray – House & UK Garage

8pm Silk City Shakedown Show - House & Garage

2pm Silk City WisK & OSG - House, Garage & Bass

10am Silk City Wally B & Johnson - House & Garage

SUNDAY

9pm Kiss Fresh Mike Delinquent – UK Garage & Bass

8pm Shine EssnVee – House & UK Garage

2pm HouseHeadsRadio Adam Dmize - House

12 am - Kiss FM UK Wideboys - Lovers off Music & Bass

SATURDAY

UK Time Zone

4pm Select Radio UK Lizzie Curious – Funky / Tech / Groove

3pm Pure Music 24/7 AK Steppa - House

RADIO

Audiation

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MUSIC HAS NO LIMITS

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Shazam "Forever (Pt. II)" by Snakehi ps to win tickets to Wildlife Festival!

Snakehips ‘Forever (Pt. II)’ featuring in demand vocalist Kaleem Taylor, was featured as BBC Radio 1’s Track of The Day and now via Shazam, you can win 2 VIP tickets to see them at the Disclosure and Rudimental curated Wildlife festival. All you have to do is Shazam ‘Forever (Pt.II)’ for a chance to win this incredible prize.

At home, and across the pond in the US, Snakehips have been busy in the studio and the result is an impressive five track EP in the form of 'Forever (Pt. II)'. The package demonstrates the duo's uplifting production and killer songwriting skills, and true to form showcases a stand-out roster of featured vocalists.

Noisey premiered the video for the EP’s title track featuring Japanese choreographers, models and dancers AyaBambi. Capturing a London meets Tokyo vibe, the futuristic styling and seamless dance performance is an unexpected yet perfect fit for the track. The boys are in the midst of a UK tour and will embark on a US tour starting in May.

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Mon Frère

I'm also really digging “Bounce” featuring Vocalist Alex Pick. Seriously funky playful Disco Electro Hailing from he South Coast of the UK, are Pharrel Williams/Get Lucky-esque groove, the talented duo and brothers, Matt and with hints of Reggae and Hip hop. Very Paul. From the city Of Brighton, With their clever transitions eclectic blend of EDM, Pop, Disco and all of styles going down on this track wicked things Dance, these guys are definitely ones stuff. to watch out for the future.

“Exposed” is another stand out track on the album. Live drums and rhythm guitar that breaks in to a great EDM style chord, epic synth riff making this track one of the most memorable on the album.

The Urban Glow Album kicks of with an uptempo EDM Pop number called “The Sun Shines Through’ featuring the Awesome vocals of Kate wild who features on a number of tracks on the album. This Track has a really cool vibe, pounding beats and bass, with a trancey chord progression riff reminiscent of Swedish House Mafia, Definitely a peak time club floorfiller.

All in all this is a seriously good debut album featuring some very talented Musicians and Vocalists from Brighton, UK. If you're a fan of uptempo Dance in a range of many different styles and grooves I would definitely recommend checking it out and you can decide your favourites for yourself ;-)..

The second track and title track for the album "Urban Glow" has a heady Electro Daft Punk kind of Vibe, synthy guitars and live sax solo from Dan Leavers, The vocal comes courtesy of Josh Oliver who is lead singer of Glass City Vibe, making this one of the stand out Tracks on the album.

“Im On fire” has a wicked old school Disco Chic / Nile Rodgers Fender Stratocaster rhythm guitar kind of sound, again featuring the vocal delights of Kate Wild. This track still retain's the uptempo vibe clocking in around 125bpm and is one I keep going back and listening to over and over again.

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Urban Glow is out now on iTunes

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Hey guys, great to meet you! As brothers do you have separate tasks in the band? i.e. does one of you do more production work and the other play live instruments and lyric writing etc... Or do you both do a bit of everything?

The Mon Frere project came into life when Paul began producing some epic dance music tracks. Paul is a professional drummer and has a real skill in creating interesting grooves. The initial tunes were techno-heavy dance tracks. So, Paul came to me (Matt) to discuss creating a more commercial sound. He already had a track in mind. I had a listen and could envisage a real dance anthem. I created some catchy lyrics and our first single ‘Hero’ came to life.

Paul composes the tracks and is the engineer and producer, then I create a theme and compose the lyrics. Together we then choose the right singer to add the final piece of magic.

Brighton. This helps to give 'Urban Glow' an organic edge. We use Cubase as the DAW, and the Native Instruments 'Komplete' packages amongst other popular synths such as Sylenth. We recorded the vocals on an AKG C214 (the baby brother of the 414) which we feel produced great results.

Needless to say, most of the album was created 'in the box' but we will always be looking to reinvest and add to our studio.

You have a great array of featured singers on the album, including Kate Wild who we featured a couple of months ago in Audiation Magazine.

Where did you discover the singers on the album. And have you worked with any of them before?

We feel very lucky to live and work in Brighton. To me, Brighton is now the Manchester of the 90’s. There is so much musical talent coming out of Brighton at present. Look at Royal Blood who stole the show at The Brits and you’ve also got the dance music God himself, Fatboy Slim and Could you tell us a bit about the his Big Beach events. You can also walk equipment you worked on for your new album, Urban Glow. What's your down the street and bump into David Gilmore or Nick Cave, so Brighton really is DAW of choice and do you use buzzing with a creative energy. It attracts a Hardware or Software, or a lot of young aspiring musicians to study combination of both? and perform. Paul has worked with a lot of The whole album was written and recorded the featured vocalists on the function and session scene and as a producer. He also in our own studio which we have been studied at The Brighton Institute of Modern developing over the last couple of years, which as the readers will know, is no mean Music which has a great network of musicians and contacts. When we write a feat in setting up. Getting the acoustics song, we review a list of potential right in your own environment is a candidates from Paul’s past, then we look challenge and we had some fun sticking loads of sound treating materials over the at their Soundcloud, Facebook or YouTube sites to watch them in action. We then walls and ceiling. As Brighton is blessed choose the singer that fits the track the with so much musical talent, we used some local session musicians who Paul has best. Then we contact them and try and charm them into working with us. All of the worked with on the session scene. For singers have been tremendous. We invited example, on the title track, Urban Glow, you can hear a fantastic sax solo from Dan them all round for dinner one day Leavers who lives and gigs in and around 99

and told them that we wanted to help them raise their own profiles, so we created our own little agreement to help promote each other. If we can assist people like Kate Wild gain more exposure and become a household name, then we will enjoy that as much as getting there ourselves.

would lend itself in this capacity.

Do You guys think Dance music has become over-saturated with Artists easily being able to get their tracks released on digital labels and Beatport these days, or do you see it as healthy competition?

Your sound is quite a diverse eclectic selection of dance music. Ranging from some Trancey/EDM elements on the track “Hero", through to the Funky Disco infused track. “Im On Fire”.

Where do you get your inspirations from, and do you have any favourite artists you would like to mention?

The music industry has changed so much in the last 20 years, and yes, with social media and instant connections through email/Facebook etc, it is easier for people to get their music out there. This doesn't mean that everyone is guaranteed success however. It is great though, that with initiative, creativity and hard work (not just The idea behind our debut album was to in the music but in the promotional aspect really throw down a collection of songs of your product) that the playing field has that show the potential of Mon Frere. We been levelled somewhat. In theory, if the began by trying to create dance music along music is good enough, you should be able to the lines of Swedish House Mafia and Avicii. get it heard by your target demographic, However we soon realised that we could one way or another, and develop a genuine impart our own influences to create fan base. This spurs us on because we something different. The funk and disco vibe believe in what we are doing and have been has come from Paul's years of playing with very inspired by the feedback we have had covers bands at local clubs and functions, so far. covering tracks by artists such as Jamiroquai, Jackson 5, Sister Sledge, James Are you planning any tours or gigs to Brown, Bruno Mars etc. My earlier influences coincide with your studio tracks and as a DJ, such as great live acts like The album releases?

Prodigy, Underworld and Orbital have also played a role in shaping Mon Frere's heavier Our first live gig takes place this summer in sound. So our sound ventures across the Brighton. It will feature a full session band of landscapes of pop, trance, house, disco and live musicians with our own singers from the funk. We just couldn’t help it. And we are album at the helm. Matt will also be really passionate about the possibilities of performing a DJ set either side of the synchronising our songs to films. The first performance featuring some of our heavier, time I watched the film Trainspotting, I was more instrumental dance tracks amongst blown away by the soundtrack. I had to go other popular dance artists. It should be back and watch it four times before I quite the event; we are already putting aside realised that the amazing tracks were all by money to replace the roof on the venue! We Underworld. We would be very proud if one will then be working towards the dance day Mon Frere could create the score for a tents of the festival circuit in 2016, where great film and live for eternity. The last track we will have a large visual effects on our album 'Depths of Time' is a nod to a more cinematic/epic style of music that we are also passionate about creating that 10

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platform to compliment the uplifting music.

The future is very bright for Mon Frere and it gives us goose pimples thinking about the live plans that begin this summer. We always envisaged Mon Frere as a festival band – euphoric, sing along music playing to an excitable crowd in the sunshine.

How did the band name "Mon Frere" come about?

It simply means ‘My Brother’ in French, so that one is pretty self-explanatory.

Sometimes in the past I would address emails to Paul as 'howdy mon frere' or sign off as 'laters mon frere', So it was just a fun nickname which seemed perfect for this project when we were considering names.

We also had an elder brother who sadly isn’t with us anymore. Mon Frere is also a tribute to a guy we think about every day and who would be proud of what we are accomplishing together. Family is everything to us and we really enjoy the fact that the whole family are behind us and are helping us every step of the way. They are as active at promoting our project as we are!

Paul can’t seem to stop composing! We have three tracks which are ready and waiting for some vocal sessions, and a list on the studio wall! Each time we write a new track we feel we are getting better, so we won’t stop until we hit the number one spot and get that dream Glastonbury headline slot.

We also have two tracks in the final stages of the International Songwriting Competition. This is a prestigious songwriting competition with previous winners including Passenger. We are also in the process of writing a track featuring Bermuda – yes the paradise island. We have had some success in Bermuda with our song, Exposed, being played on the radio and in clubs out there – so we plan to give something back to the Island. We have lined up a fantastic Bermudian singer and we’re writing what we hope will be a future Bermuda party anthem. The Lennox family lived in Bermuda for 12 years and so it is a home away from home to us and has certainly played a part in shaping Mon Frere's sound too.

And finally, can you tell us what's next up for Mon Frere in 2015, any exciting news and are you currently writing any Feature by Rokuro new material at the moment?

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SingingWithAmy Singing advice for beginners to advanced.

Slime Recordings is one of Beatport's Top Forward-Thinking Bass Labels!

"Slime leans toward experimental electronic grooves." Sean Lewis www.news.beatport.com/10-forward-thinkingbass-labels-that-are-not-trouble-bass/

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A CREATIVE CLASH OF RHYTHMIC JAZZ AND A FAST-PACED ROCK STYLE ATTITUDE.

Chris Washburne & SYOTOS - Low Ridin' This debut CD of Chris Washburne & The SYOTOS Band for ZOHO showcases Latin Jazz instrumental versions of 1960s and 70s Classic Rock songs - called Acid Mambo by its musicians. Afro-Latin jazz on a psychedelic trip! Zeppelin, Hendrix, the Doors etc. - meet Tito Puente! The band's name "SYOTOS" is a word coined by Chris Washburne in 1992, created as an acronym for "See You On The Other Side" - a term which has subsequently been widely used as military jargon among computer gamers. www.chriswashburne.com/groups/syotos

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IN THE PRESS On March 1st London was blessed with clear blue skies and a day party that was highly anticipated and perfectly timed. The weather was amazing, the 1st day of British Spring had arrived and Studio 338 (which has one of the largest Terrace areas in Europe) opened it doors for the Abode Terrace Party.

The event boasted of a huge line up that had Underground Dance music heads travelling near and far to enjoy the sun while taking in their favorite DJ’s & favorite tracks. Rising stars such as G W Harrison soundcloud.com/djgwharrison, Will Taylor https://www.facebook.com/DJWilltaylor and Ellie Cocks https://soundcloud.com/dj-ellie-cocks started the day's entertainment by sharing some of their favorite Dance floorfillers throughout the Afternoon period.

Abode Resident Jimmy Switch, who is currently building a loyal following among lovers of his intense high energy DJ sets, later joined them.

As the sun began to disappear the later arrivers began to filter in. Late arrivers or not they came with smiles on their faces and a common interest. A love for real Underground Dance Music.

By the time Studio 338 had reached its capacity, the party was already in full swing. The crowd were blessed with an amazingly performed heavy hitting DJ set

by Jnr Windross (B.A.R.E), a DJ who has been catching the attention of many party goers over the last 6 months. He was able to bring the crowd to the point of no return. Yeah… you know that feeling.. Yeah he has everyone feeling like that by his last tune, which was ‘Show Me Love’ by Robin S. Robert James and Russ Yallop both played sets that seemed to make people smile in appreciation after each mix and every big drop.

Abode saved a huge surprise until the night. Sam Divine made an unannounced guest appearance in good spirit and with passionate cheer, everybody showed their gratitude. She then went on to please the crowd with one of her best DJ sets ever.

Abode returns to Studio 338 on Sunday 26th April 2015 with a Heavy line up.

Milan duo Flashmob and London based DJ trio Longplay will be playing alongside Abode resident DJ’s. Abode will also be hosting a tent that they plan to fill with heavy basslines and infectious synths at We Are Festival on 30th - 31st May 2015.

by Malachi

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First, I want to congratulate my college's radio station, 88.7 WLUW, on being nominated for an mtvU Woodie Award! I feel so lucky to have been given an opportunity to host a show and promote the station across the city, so I am filled with pride seeing its success. Although we did not win, it was still such an honor to be placed in the national category.

This semester has been a complete reverse from my life last semester. Only a couple months ago, I was hosting an independent music radio show, interning for two music venues and streaming applications like Pandora and Spotify actually worked. (They haven’t been established in Italy yet…) Even my school projects for my communication and journalism classes were about music. I was definitely multiplying my musical taste and knowledge by a gazillion.

Here in Italy, I am living in an opposite manner. Even though I am getting a complete cultural experience, I am being taken away from the music scene.

Which is super depressing since the European music scene is legendary. I was getting very sick of walking into our campus cafeteria to hear hits from last summer, or walking into Italian stores and clubs and hearing the top dance tunes on iTunes Top 100…

So, I contacted some of my girlfriends from the radio station back in Chicago on some of their favorite new music rotations. This is what they recommended..

I Love You, Honeybear - American folk musician Josh Tilman, under the stage name F ather John Misty, released this concept album about himself after departing from the band Fleet Foxes. Released on February 10, this album has a similar sound to Hozier. Most of the album is indie rock and folk, my favorite track, called “True Affection,” has a more psychedelic and electronic sound. www.fatherjohnmisty.com

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I Want to Grow Up - Filled with intense lyrics and anxious thoughts on turning 30-years-old, LA songstress Colleen Green delivers her thoughts on adulthood. Released on February 20, this indie rock and pop punk album explores topics not usually found in mainstream music.

Although I am still a teenager, I connect the most to her song “TV,” that talks about television being her friend. I mean, don’t we all feel the same? www.colleengreen.bandcamp.com/album/iwant-to-grow-up

How to Die in the North - After relocating to Manchester, UK in 2011, Brian Christinzio, nicknamed BC Camplight B.C. released this little album on January 19. His sound resembles that of 70’s rock and pop. Since I am a huge fan and advocate of that type of music, I highly recommend taking a listen to his song “You Should’ve Gone to School.” www.bccamplightmusic.com

Bless their souls, it was refreshing to be able to write an article like this again. Xoxo.

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DEPICTING THE DEMISE OF ROMANCE. THE VOCALS WORK PERFECTLY IN THIS PEICE WITH DARK LOWS YOU COULD GET LOST IN AMONG PASSIONATE HIGHS. MAHA ROCKS' SOUNDS ARE ALL VERY UNIQUE, AND SIMPLY EDGY AND SEXY, JUST GREAT MUSIC. I'M CERTAINLY LOOKING FORWARD TO HEARING MORE FROM THIS ECLECTIC UKRAINIAN ARTIST.

This song is written by American songwriter Kevin Nevel and performed by Ukrainian singer MaHA Rocks. "The Same Old Thing" is a love story pop song.

MaHA Rocks: "When Kevin sent me this song, I definitely liked it a lot. It is so nice, smooth and touching... Despite, I'm a rocker and I prefer to write and perform rock music, I could not dismiss my love to this particular pop song "The Same Old Thing". It is special, emotional and lovable."

MaHA Rocks started writing and performing music since 2011, when her debut album “In My Mind” saw the world. “I was pleased to see on my shows that people like my music, in fact the first tunes I ever wrote. People inspired me that time, so I’ve decided to continue my musical adventure.” One of the songs got place in TOP 100 of the best songs the next year.

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Modec Dehl Mah Having reached 1k Soundcloud followers, Modec decided to treat his fans and give away a free track courtesy of Nightcap Records.

Dehl Mah is a playful track in the way it has been produced with touches of interest. This house track with bassy notes is great to get you in a party mood for those summer nights.

Grab your free copy www.nightcap-records.toneden.io/spotlight/modec-dehl-mah

Sweet Streams Round 1: Freemium gives little prospects to the artist.

Round 2: Putting a halt to these outlets would be like taking candy from a baby.

Round 3: Streaming has a substancially positive rise and makes getting music out to the global audience much easier.

Round 4: The free service could make a massive negative impact on the industry as a whole if sales figures continue to decrease.

Round 5: Stopping freemium could revert people to piracy.

Round 6: Royalties on a lot of services don't quite satisfy the industry.

Ding. Ding Ding. It's a draw.

The world is growing digital and people want quick instant access for minimal effort. But, does this take away the industry's soul?

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NEEV When I started out, it took me about 5 years to get my break in radio. In those 5 years, I I’m Neev and I’m the mid-morning presenter worked at every Asian station imaginable, on KISS FM UK. I’ve been at the station for made amazing cups of tea and mainly perfected my skill of being a presenter. No about 9 years now and I did lunchtime for job is too small for me, I read traffic and about 8 of those 9 years. I’ve just recently moved over to take the legendary KISSTORY travel, I used to do bits on other people’s shows, I produced the Rishi Rich Project show and the mid-morning program. My show is on from 9 in the morning till midday show at KISS FM UK and that’s how I got my break.

Monday to Friday.

Tell us about yourself and KISSTORY

A little bit about your background, you went from drama to radio and tea making! How does it feel to now be such a well known personality?

KISSTORY started from an hour-a-day show, what is it like to experience the development?

When I started at KISS 9 years ago,

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KISSTORY was a massive phenomena but it wasn’t such an enormous brand that it is today. Monday to Friday we had one hour, it then extended to Monday to Sunday. So, now there’s one hour everyday at eleven on KISS FM UK. And now we have a monster of a radio station dedicated to nothing but old school 24/7. The KISSTORY channel is doing amazingly, I think it’s already got well over a million listeners and we’re looking at branching it out even further as well. Not only do we do the radio stuff, we do a lot of big nights as well and if you haven’t been to a KISSTORY night you need to come down because it’s the best night in London.

audio, everything is very visual. That’s why KISSTORY will post up a picture everyday, like a throwback picture to a cartoon or a film or some trainers that are really in fashion and try and get people to interact with us in that way. That’s why the club nights do so well as well, as it’s a live experience and you feel like you’re part of the brand and those moments. Things have changed dramatically, as they would really.

In regards to how music has changed, would you say Dance music has begun to overshadow everything else in the charts over the past few years?

What are your favourite old school tracks?

It’s weird because Hip hop and R&B really took over at the beginning of the 2000’s, everyone wanted to make a hip hop track, It’s really difficult to pick my favourite our whole culture was very hip hop and it KISSTORY tracks. Hip Hop wise, Mo Money became the coolest thing. We take a lot of Mo Problems, Notorious B.I.G. Garage wise, influence from the states, so we’re kind of Mis-Teeq - Why. Jungle wise, Original always trying to copy them in a way. We Nuttah. House wise, BeatFreakz have our own music, indie, rock, Brits are Somebody’s Watching Me. really known for that. When it comes to dance music, I don’t think anyone does it The 90’s was great for culture and better than the Europeans. I think the music, if you could bring back one thing Swedes have got a lot to offer, they just can from that decade what would it be? make absolute bangers. But, Garage, huge scene, the states are now copying us.

The fashion, because it was awesome.

Garage, as we know, came back last year There was lots of baggy trousers, bright with Disclosure and that House & Garage colours, outlandish hairstyles. It was a sound, soulful vocal and the Garage beat. It’s wicked time, can we just go back to the good to see somewhere as big as America nineties it was amazing! going crazy for DJ EZ as an example. We know what we’re doing when it comes to What do you think about the industry that style of music. how it is now?

There’s a new sound, a lot of people will I think things are different on so many levels call it Deep House, but it’s not actually Deep House, It’s more of a Bass House now from what they were back in the day. culture. Us as British we come from a The internet has massively changed the music scene, it’s massively changed how we bass driven culture, regardless of race, gender or culture. listen to music, play music to friends, how we dress, how we act. Social media is like a weird social experiment really. Radio has had It does annoy me that everyone labels it as Deep House, really it should be called chilled to keep up with the times with that, what we offer now isn’t something that is just 21

house or progressive house in some cases, but Deep House is the umbrella that everyone has put it under to make it a cool new thing even though it actually came from Chicago in the 90’s. Then we took some influences from here and there. I grew up listening to Michael Jackson and my parents Bollywood music and the Gipsy Kings, Bobby Brown and all these crazy influences. Then I got massively into rock and I was a Goth for a couple of years. Then I got really into Hip hop and R&B, and then Jungle. Jungle was massive, I got into Jungle around the time of Original Nuttah, I was too young to really be into that sound but that’s when the addiction for bass really began.

Dubstep. That’s difficult. I’m not sure, I’m working it out.

I think Dance music has probably become the most popular at the moment. But, at the same time, there’s a lot of chilled stuff coming in, if you look at the KISS playlists, whether it’s Years and Years or it’s a new Ed Sheeran, Rudimental track which is like chilled Drum and Bass. Even the track that came out last by Nico and Vinz, very chilled. I think the industry is constantly moving and developing, the real question is what’s the next big thing, as I’m trying to make music so I’m trying to figure out what’s next. Is it going to be Dub Hip!? It does go in trends, let’s just bring back the 80’s, that’s what I want.

It’s hard to predict that. Also they’re all KISSTORY tunes basically like Sub Focus, Breach, it’s old sounds. Even to an extent some of Example’s stuff from the album and Example says that himself, it’s got that 90’s piano with similar drops. So I do think that we are in a place where that music that makes you reminisce, all that nostalgic feeling, is something that blends really well with current music.

If you could put a time scale on it?

I think something will switch up by summer because it always does. The DJs in Ibiza and Vegas and all the residencies picking up songs and then the sound changes, then people pick it up at the end of the summer and it becomes their summer anthem. So it’s interesting to see how music develops within a year of what is underground becoming commercial.

That’s something I pay attention to a lot, I was with the Dirtybird team I grew up around Ragga music and that around the time Breach handed the had different influence on me, Then over the ‘Jack’ track over to Claude Von came the first Outlaw parties in 92/93, Stroke. As soon as I heard the track now looking at how the music scene is, early the next year just when it was there’s so much more dance music on released on the underground, I kind of the radio. predicted the rise that it would have.

How long would you say before “Derp House Music” (as Derrick Carter calls it) phases out ?

I don’t know, I think obviously like you watched Dubstep come into the scene and then quickly disappear, which I was kind of happy about because I can’t dance to Dubstep. I don’t think anyone can dance to 22

Considering a good majority of people who are in the industry at this point like ourselves, we all grew up on garage.

Would you say it’s a bit coincidental that everything that’s coming out now is reminiscing all the things that we used to grow up with?

I think it’s a natural thing, it’s an age specific thing as well. You grow up with your friends,

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you listen to music, you start going out, you have your first experiences of going to your first festival and first this and that. Then it gets to a point where you lose touch with those people and you move on. Then you get into your mid-twenties, late-twenties and you actually really yearn to be taken back to those moments. And I think then when current music reflects that moment, you start to feel that real nostalgic feeling and that’s probably why the music has come back round again. That’s my prediction anyway. At the moment, I’m working on producing a few things myself. I’ve done two tunes and I’ve got another two that I’m working on at the moment. They are all within a KISSTORY vein, with taking an oldschool vocal from an old gem that hasn’t been rinsed and putting a new flavour on it without, and this is the hard part, ruining the original.

What advice do you have to aspiring music minds?

but they take so much work. They’re so competitive, you have to be so dedicated and you have to know that it’s not about that part of the game, it’s about what you can offer that’s different and relevant and cool. If you can make people smile and music makes them happy, you can change their day or influence them in a positive way, then you’re winning.

What does music mean to you?

Music is life, music is my life. It’s every single thing that I live and breathe, from the moment I wake up to the moment I sleep. I just love the way that it can literally carry your mood. I say to so many who people who say “I feel down, and I feel this and that”, I’m like, If you feel down listen to something positive. It will either drive you to do exercise which will make you feel great or take you back to a brilliant moment where you had a fantastic positive time with your friends. I just think music is so powerful that you should embrace it and beyond just putting some tunes on an ipod and listening to it.

Really get into and see what you like and what makes you tick and what you love.

The best advice I could give someone who wants to get into the music industry or wants to be creative, is to really consider what makes you stand out. What is your niche market, what could you do that would You are a role model for the Asian fill a gap and really focus all your attention on community, you spoke about rising to getting that done. Also, lower your British radio and wanting to present on expectations for the first few years. People various TV shows. Do you think that thought it was ludicrous that I was working the music and media are open to at an Asian station in Slough above a different ethnicities and cultures? shopping centre, as did my parents, but I was like I’ve got a plan. My plan is that I’m going to It took me a very long time to get an do every bit of radio I can to get experience opportunity at a commercial station. When I and I’m not going to be a snob about it. The started out, people would say to me, sorry first time that KISS asked me to do a show, we don’t have an Asian show at our station they were like are you ready? And I went, I so we can’t hire you, it was ludicrous. I broke am ready! I’d had 5 years of all types of a lot of barriers within radio and I’m very experience, and I think the problem is that a proud of that because it means that a lot of lot of people are just obsessed with this younger Asians out there can go to their overnight celebrity status. They don’t think parents and say “I want to this as a job and you have to put work in, You have to put so look Neev did it.” I had nobody to refer to. My much work in. Our jobs are great, yes they’re Dad would just go, “you should be on dream jobs and we’re really grateful for them 24

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BBC Asian Network, and stay there.” So it was really difficult as I had to please my parents but I had other ideas in my mind.

I’ve done radio now for twelve years, I love it, I love being a DJ, I love that side of it. But like anything in life, if you can put a tick next to something, that tick is there. And I want my next challenge, I want to present X Factor, Big Brother, Strictly Come Dancing. I want to break down the barriers that I broke down in radio for Asians, all around the world wide not just in this country, on TV. And that’s my goal and that’s what I’m working towards.

Tell us about your comedy performances As this journey from going from radio to television has been quite bumpy and difficult, somebody suggested to me that I should do stand up. When I say somebody, the biggest TV agent in the country, John Knoll. John Knoll said to me, “you're quite funny, you should do stand up.” I made the mistake of saying to him that I thought I was quite funny and I'd written a lot of comedy and had it in my phone a bit like a female younger Alan Partridge so, he challenged me to do stand up, and I’ve been doing it now for just over a year. I’ve done about 15 gigs, might not sound like a lot, but trust me it is, probably a gig a month. I really enjoyed the experience but I’m not entirely sure I want to be a stand up comedian, yet, now. I think stand up doesn't really have an age limit on it. I feel like it’s about life experiences and the more life

experience I have, the funnier I’ll be. Right now for me, I have to concentrate on one thing and that has to be television. Stand up has been brilliant, I would recommend it to people who are crazy and want to really put themselves under more pressure than is ever imaginable. It’s good to do things that really aren’t in your comfort zone, they make you a bit fearless which is apparently a good thing I am still doing it, I’m just going to take a bit of time off. The problem with trying to do so many things is that you have that Jack of all trades, master of none. What I want to do really is concentrate on one specific thing, in order to do that you have to let go of a few other things, but it’s not over yet.

Anything else you’d like to say?

I’ll tell you about KISSTORY, it’s something you need to experience live so find out where your local KISSTORY event is going to be and make sure you get tickets. And don’t forget, if one hour of the day is not enough for you, you can listen to KISSTORY 24/7 on our KISSTORY radio station. It’s on Freeview channel 714, on DAB and online.

Thank you!

Interview by Cessle & Mizz Ruby Special thanks to Baeur Media

DAB KISS KUBE Freeview channel 714

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!

W O N OUT uro t u F El gs n i d r Reco

This album contains the exclusive Tomorrowland track, made for the performance on 10 Years Tomorrowland in 2014. In addition, the 3.11 AM track is also featured on the mixed album, next to popular tracks such as Wavecatcher, U & I, Love At Breakfast and Land Of The Future.

Wavecatcher is supported by Armin van Buuren and featured in his popular radioshow A State Of Trance, edition 550 Los Angeles. Laurent Garnier has been supporting this track before the actual release. U & I was announced as most requested song on Belgian National danceradio Topradio and was also featured in playlist of Belgian National radio's Studio Brussel, MNM, next to many foreign radio's. Love At Breakfast is featured with the Hazem Beltagui remix. Hazem is nowadays heavily supported by Armin van Buuren and being seen as one of the future worldstar producers. The Love At Breakfast videoclip was nominated for the International Kortfilm Festival in Belgium capturing images of Miss Belgium 2011, Justine De Jonckheere and actor Eric Kempeneers.

The Tomorrow EP holds the Tomorrowland 2014 and 3.11 AM tracks as djfriendly separated tracks. All tracks are made with his longtime coproducer, Synoptic.

WWW.MIXCLOUD.COM/JOSHLASDEN

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Tech Twin (Ben Murphy) DAWN AFTER HOURS I’ve been the DJing for about three years now and producing for two years. I always was into music, I did music at school then did a course at college too, but the main thing that got me into it was when I got old enough to start going out and go to clubs. I used to stand there watching the DJs do their thing and watching the crowd going Through the years, Vauxhall in South mad while they drop their tracks in. I knew London had been known for its amazing straight away that I wanted to be the one up after hours culture that has thrived off of great music in an iconic venue coupled with there looking at the crowds getting the reaction, playing that music so as soon as I party goers who have a real love for had the chance I got straight into it and underground electronic Music. Some have never looked back. I still get the same feeling no knowledge of what is happening under the archways of Vauxhall, many others are when I’m up there now looking at the crowd fully aware of the countless parties that are and seeing their reactions to the music. happening almost continuously throughout Tell us what a day in the studio with the week and weekend. It's great to know you is like. that while a DJ is getting ready to jump on the decks, that there's a fruit and veg man 100 meters away selling the most amazing A day in the studio with me.. It’s the place where I get to wind down after a heavy fresh fruit across the way in New Covent weekend after a lot of gigs, and pick up the Gardens/Nile Elms market. These 24hour energy and vibe that I felt through the liscensed clubs being home to events such as DAWN AFTER HOURS have been a great weekend and put it into one of my beats.

When I go out, I hear new sounds and get asset to London’s cultural industries and have been given the opportunity for many of new ideas, I bring ‘em back to the studio, put them down and see what they sound like.

Londons’ rising stars to make their mark.

One of whom is DAWN resident Tech Twin Sometimes I can spend two days in the studio with no sleep.. Lot’s of coffee!!!

Ben Murphy who is currently creating an That’s where the main and most important absolute storm wherever he goes. With a number of huge releases on Plus Recordings work gets done. & Minimal Recordings that have received support from Joseph Capriani, Richie Hawtin and a list of other names. He now has a new release that has been in heavy rotation all over the world. One of South London's hardest working young man is set to make a big impact on the Minimal Techno scene. I was lucky enough to catch up with Ben Murphy to ask him a few questions and find out more.

Tech twin Ben Murphy is currently taking the London Underground scene by storm with support from Tech House Lovers from far and wide. He definitely knows how to keep the people dancing from Dusk till Dawn.

So Ben, let the readers know how long you’ve been doing what you are doing.

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Talking of studio, you have a huge release out now on Plus recordings called Nightmare. Tell us a little more about that record.

My new release, Nightmare, is the track that got my name out big time, it was Dawn's favorite track at one point.

Everyone knew Tech Twin as the person who made nightmare. The people loved it and the track just when absolutely crazy on the scene. And to be fair got me where I am now.

always seem help my creative thinking when writing songs. I would have to say him.

Obviously there are so many others that have had an impact on me but I would say his sound is what I find myself really listening to closely.

Can you name 3 tracks that you're currently listening to in your free time?

I can't really answer that question. I don’t really sit there listening to the same songs, I find so much new music, I literally listen to hundreds of songs over a short period of time so I can't really name three songs just like that.

You are currently a resident at The biggest after hours party within the South Circular. Tell us more about how long you’ve been doing that and if you I do know what you mean I’m asking could describe the event to our readers questions that I possibly couldn’t answer! So what’s next for you? in three words what would they be?

I’ve been a Resident DJ at DAWN now for two years and it's been amazing. I can 100% say it's the best after hours party in London by far. There’s no better. The music, the vibes, the people who regularly attended everything is just right. We play mainly the Minimal Techno sound and that's just what the people who come to continue, or at times begin, their Dancing session. If I had to describe in three words I would say…… an epic, amazing experience. To be fair it’s all good me sitting here saying it’s epic, it’s amazing and what not, but once the people come out and experience it, they will understand.

Well Tech twins used to be a duo act and Ive recently just became a solo act. Since doing that I’ve been signed by Sebastian Ledher to Play Groove Recordings which is based in Madrid. I released my first EP with them, it’s about just getting more and more tracks out there to different sorts of labels. The bookings from abroad have started to come in, so we are looking at really giving that a big push. Basically it's just about getting the music to the people, I've got so many tracks that our unsigned that right now the focus is getting the music to the fans via the appropriate labels.

www.soundcloud.com/techtwin Who has been your biggest inspiration www.facebook.com/Techtwin www.twitter.com/techtwinmurphy throughout your career?

This is a hard one because there are so many to pick from. There are so many DJ’s Interview by Malachi that have had an impact on me. There’s a DJ who some people may or may not know his name, is Maxsim Dark. He's got that minimal techno sound, every track he’s released, I’ve bought. He uses mad little sounds which 29

Saytek Say the name SAYTEK to yourself and you’ll most likely find that your mind whiskers off and begins to envision a hard hitting super-powered Japanese Kung Fu legend. Some kind of relation to cartoon hero’s Goku & Gohan, spiky blonde haired Super Saiyans from Dragon Ball Z. But the Saytek aka Joseph Keevil that we speak of is, to put it simply a highly talented House & Techno artist from the UK shores who captivates dance floors with an array of synths, FXs, a Roland MC909 and controllers. Once hearing him play live such a thought is a fair representation of an individual that pulls all the punches during his shows and whom we believe to be a mere mortal, just like the rest of us.

The art of playing live always seems to offer a different feel to a set played by a disc jockey. A DJ set consists of an artist playing a selection of records all made by a range of different producers, whilst an artist that plays ‘live’ delivers music with a whole different concept. The artist uses their allocated time and simply creates their own sound by throwing in their kicks, hats, snares, selection of samples and bass lines as they please. In a nutshell, the artist is creating a 2 hour long track, LIVE in your face. This is art form that Saytek seems to have mastered. In all honesty he was the 1st act that I’d ever seen play live, in fact Saytek was my 1st ever credible booking and he kindly offered to play for free, helping to raise money for the St Mungo’s charity back in 2012. Even watching back his video recorded performances on Dancetrippin.tv and Be-At.tv, you can see the energy that he inputs into his live sets and that same energy transcends onto the dance floor, evidently.

Please feel free to correct me if i’m wrong, but the range and style of tracks that an artist produces will more often than not mirror the style of music that is delivered in their live sets. Saytek being one of the artists that could be said to fit that particular mould. This not being the case for a number of DJs. He can proudly sit back and boast a back catalogue of 118 releases (found on Beatport), that date back to 2006 on acclaimed labels such as Wiggle, Soma, Cubism and John Digweed’s Bedrock Music with his latest offering dropping this April on Republic Artists Records. The 3 track EP entitled ‘Challenging Behaviour’, is a stone cold reflection of the kind of range that Saytek is able to reach during his live sets with. From ‘Bubbling Over’ with its menacing synth hooks and droning bass lines to the more up-tempo ‘Another Acid Track’ and title track ‘Challenging Behaviour’, built on solid grooves, heavy kick drums and clever percussion.

Considering live acts don’t play other people's records, the mind does boggle as to how it works with somebody wanting to hear a particular track from the act that they produced. Ahead of the release and his up coming performance at Warehouse LDN for part 2 of the Quest launch series Audiation Magazine managed to catch up with the man that is Saytek and a delve into his mind.

www.sayteklive.com

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Challenging Behaviour EP Release Date: 9 April 2015 Label: Republic Artists www.soundcloud.com/republic-artis ts/preview-saytek-challengingbehaviour-ep-rep ublic-artists-records-ra003

Heya Saytek, thanks for taking part in this quick Q&A for Audiation Magazine.

Where in the world are you and what was the first piece of music you listened to today?

music, so it was pretty natural to me. I collected music technology as a kid and used to get old synths and drum machines from car boot sales. So it was natural for me to pursue it as a career.

I am at my flat taking a day off music related business (well apart from this interview), I listened to the masters of my release on KMS this morning as they arrived in the middle of the night via email from Detroit.

How does the energy of playing in front of a live audience differ to making tracks in the studio?

The concept of playing live is completely different to the art of DJ'ing. For those who may not quite understand the difference would you like to explain what playing live is?

It's totally different. Live is a buzz, its about adrenaline and feeling the vibe. In the studio after the initial creative buzz its about sculpting something more of a slow but satisfying process.

Your 1st release came way back in 2006 with the release of Beatdrop on It's me performing my own music live, not in Evolved records. How has your style changed over the past 9 years? the traditional way of playing instruments but more like I have made the music and stripped it down into its individual elements Well actually that was my first digital release. I had 4 releases on vinyl before the (kicks, claps, hats, bass, synth, Vox ect.) as days of the downloads from 2001 to 2003. loops and patterns on my machines and I My style is always changing. When I first arrange this live whilst controlling effects started I was very specific in my sound but and creating new beats and synth lines on playing live has taught me to be more the fly.

How did you get into playing live sets?

Since being a young boy I have been a geek heavily into music technology and electronic

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diverse. My sets are a bit of a journey, so now I create lots of different shades of underground house and techno not one sub genre.

2013 no doubt a good year for you, DJ Mag nominated you best live act and a Mixmag credited you with Album of the Month for Live on Cubism Volume 3.

What was the inspiration behind the cubism project?

Well Cubism is the record label I run with Mark Gwinnett. Its sole aim is to put out good quality underground house and techno and throw the occasional party. We have done 6 nights at fabric and 4 at the Source Bar in Maidstone as well as other across london. The Live On Cubism is a snap shot of my live show released as an Album on CD for diehard fans but we always offer a free stream / download as well.

The Challenging Behaviour EP. Firstly why such a name?

actually start making something a happy mistake or a random tweak can lead to the best moments of inspiration.

Do you have a regular process that you go through in preparing tracks?

Not really I love hardware and use so many bits of equipment and different software that a track can start and finish In many different ways.

Being an act that plays live, you don't play other people's records. How does it work in regards to you playing tracks you’ve produced or does it just never happen?

It's the other way round, my live material ends up as tracks. I have to rework the music, it's almost like remixing my live show.

I start with the raw elements and then build a track with them in a more traditional way adding new ideas as I go, sometimes it ends up sounding completely different to the live version.

Haha that's because my oldest son has hit his terrible two's as anyone who has had kids What's next on the cards for Saytek? knows this presents some challenging behaviour.

Just to keep doing what I do I suppose keep making and releasing music and touring :) What particular things do you draw inspiration from in producing the tracks You can catch Saytek performing next for your EP’s? at Warehouse London on April 11th for part 2 of the Quest launch series Depends on the EP, inspiration comes from many places, can come from a recent gig or sometimes just comes in a flash. Other Feature by Cessle times the inspiration doesn't come until I 32

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Probably my favourite track around at the moment is Kygo’s “Stole the Show” featuring Parson James. Great Tropical House vibe to this. Lovely piano stabs and emotive strings that build with Parson James' vocal that breaks into an awesome Portamento style Tropical Flute riff. At Around 100bpm Kygo still manages to get some great danceability into this track. With an awesome video to boot, expect to see this signed up by a major label and in the UK top 10 over the Spring. Out Now on Kygo Music Next up is another guy doing great things at the moment, Sam Felt, with his rem ix of Zweete feat Molly, Jazzy Piano riff and Sam’s trademark brass section make this a great Summer club anthem. Out now on Spinnin Recrds https://soundcloud.com/samfeldt/zwette-ft-molly-rush-sam-feldt-remix-1 Also out on Spinnin, are artists that feature regularly in my Audiation reviews column, Redondo and Ferrick Dawn with their track “Something Else” These guys always manage to inject a great deal of funkiness and groove into their tracks which sets them apart from your regular deep house acts. https://soundcloud.com/spinnin-deep/redondo-ferreck-dawn-something-elseavailable-january-26 If your looking for great Jackin House, you should head over to Mr Belt And Wesol’s Soundcloud page. These guys have a couple of new ones out this month and they are both excellent. https://soundcloud.com/mrbeltandwezol/alle-farben-sometimes-feat-grahamcandy-mr-beltwezol-remix-preview https://soundcloud.com/mrbeltandwezol/yellow-claw-ft-ayden-till-it-hurts-mrbelt-wezol-remix Duke Demount is back, In 2012 Duke Dumont released 'The Giver' and that summer was dominated by the chunky house roller. The Duke has now unveiled a new version which was premiered on Annie Mac’s BBC Radio 1 show as her 'Hottest Record'. The updated version reveals the full vocal sample from Kim English’s ‘Time For Love’ and will be released on June 21 via Virgin EMI and Duke’s label Blasé Boys Club. Big Support From Radio one on this already. https://soundcloud.com/dukedumont/the-giver-reprise-fearne-cotton-radio-1-rip Next Up is Kerri Watt - You, this is the remix by one of my favourite producer Oliver Nelson. Oliver delivers is trademark Funky Beach Disco Tropical Groove.

This is a great Track to get you in the summer mood. https://soundcloud.com/olivernelson/kerri-watt-you-oliver-nelson-remix-1 More Funky Disco, This time more uptempo, Freddy Verano & De Hofnar & Mowe - Crazy Love. Jazzy Piano chords with funky Grace notes, Disco chord licks and synth stabs with a great vocal make this one to watch. https://soundcloud.com/freddyverano/freddy-verano-de-hofnar-mowe-crazy-loveoriginal-edit

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A fantastic Free Download on Offer at Soundcloud is the Matoma remix of Jay Z’s “Roc Boys’. Awesome Funky beach Tropical track this one. Motoma manages to seamlessly incorporate Jay Z’s Vocal with his trademark Tropical House. It's a Winner.

Liking Motoma’s Facebook is enough to get you a fantastic selection of his tracks, So I totally recommend you check it out. https://soundcloud.com/matoma-official/jay-z-roc-boys-matoma-remix https://www.facebook.com/artistmatoma More great beachy sounds comes courtesy of Klingande feat Broken Back, with a track called Riva (Restart The Game). This has a Country vibe to it complete with a great harmonica solo Riff. https://soundcloud.com/klingande/klingande-feat-broken-back-riva-restart-the-gameoriginal-mix Other notable tracks this month definitely worth checking out are: MHE - The Thrill Is Gone | Out now on D Vision https://soundcloud.com/dvisionrecords/mhe-the-thrill-is-gone-available-20-march Listenbee - Save me (London Bridge Remix) https://soundcloud.com/londonbridge-3/listenbee-saveme-londonbridge-remix Gregory Porter - Liquid Spirit (Claptone Remix) Inner City - Pennies From Heaven (Ibitaly Remix) https://soundcloud.com/ibitalymusic/preview-inner-city-pennies-from-heaven-ibitalyremix

See you next month, Rokuro

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MC VAPOUR

music. We used to swap tapes and be ‘Walkman’ crazy. Jungle gave me my first real insight into DJ’ing and MC’ing. The first MC’s I heard were local guys messing about Tell us about yourself and Taylor Made on Unity FM which was an amateur pirate Music station in my area, then came Boogie Times Record shop in Romford, then came tape Well, if i start explaining from the beginning cassette packs with MC GQ etc etc. of my journey we’ll be here for weeks haha, i’ll just skim the edges...

Before long I met someone on Force FM and that was it. I would write lyrics down and Im Vapour, the MC best known for my UK literally practice them live on air, it was just Garage Anthem from the year 2000 called a hobby, I didn’t decide wanted to be an MC “Move Your Body” or as its more popularly until I started getting unexpected respect known “I Remember When I Was At and realising that I already was one.

School”. And a number of pirate radio rips that made the internet and went viral back As for the music industry, I wouldn’t in the early 00’s. Started in 1998 on Force necessarily say that I'm IN IT, I would say FM, built a fanbase bigger and quicker than I that I'm someone who has put so much ever could’ve imagined at that time, with time and effort into music that I am more what people call my “Skippy Flows”. Once recognised BY IT. This is the reason I have my first release sold over 5000 vinyl copies my own label. The music industry in my in 2 weeks and made the leading opinion is more the machine behind what commercial garage compilation of the time, goes commercial or gets supported by my career was pretty much underway media, and is a part of the game that I've before I was even able to realise that I had never really been part of. Most of my one! Over the years, while on my journey I success has been without support from watched and learned carefully, as thats my commercial or industry standard radio, TV nature.... channels, award ceremonies and Internet platforms.

Cutting an extremely long story to a very short one, 17 years and 3 solo albums later, Ive often felt like a kind of underated here i am with my own record label, Taylor underdog who is underground, but who Made Music which has really only just everyone has heard before, or is aware of. begun. I want to start signing new music on the platform as well as using it to release ‘Dexplicit’ once said... “Vapour doesn’t have my own. The label caters for both Dance a following, he has a Cult”.... haha.. I like that and Rap genres, which I feel covers quite a quote. lot of modern music. The label will also be a platform where a lyricist like myself doesn’t What makes a good track, and what do have to water down the content in order to you look out for when listening to make the shop shelf. submissions?

How did you find your niche for MC'ing I love such an array of music that it makes and get into the music industry? that question a hard one to answer...

When I was at school... (no pun intended)...

Me and my mates were heavily into Jungle 36

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"Love what you do, but be emotionally strong and ready for some hard knocks inbetween the good times!"

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I have skippy flows, so I definitely like a As a baby my mum switched my dummy for skippy beat... or I like stories that are so real headphones to pacify me so I had it in my they make me go cold. ears since my high chair and bib.

I think an artist has to be believable for me to like them. If it's clearly fake, manufactured, uncomfortably cheesy or just amateur, It's not attractive or entertaining for me personally.

In school it was a huge social connection between me and my friends.

As a young man it was where I found myself and a way to express the man I was becoming.

I like real music and musical talent, not novelty acts.

Now that I'm grown, it's still the biggest player in my life and is the reason behind When listening to submissions for the label I most of my ups and downs. I used to have so listen for that believability that I just many aspirations in my destinations for my mentioned, something different, fresh, music but I've learnt that it's a journey and impressive and exciting that people would you cant really plan it that way. So I just ride want to hear and share. the wave and as a result the music takes up a majority of my life because my passion has Underground vs Commercial. What are been so strong for so long. your thoughts?

Who are your influences?

A lot of what's commercial now derived from so many elements of underground Random people and things that have music. definitely defined the way I look at music would be: I've heard Dubstep, Grime, Drum&Bass, Hip Hop, Trap and all sorts on commercial radio. My Mum & Dad, DJ Hype, Suburban Base Even POP music specifically made for the Records, The London Pirate Radio Scene of charts with elements of all of the above. the 1990’s, Busta Rhymes, Dr Dre, Phil Collins.. Different things for different The commercial market in a way dictates to reasons. people what's current and has the power to override the underground. However, if What makes the Taylor Made Music something is big on the streets, whether it label unique? has a ‘commercially viable’ sound or not, the commercial market is usually the first to I think it's unique because its not surrounded jump on the bandwagon and claim it. by hype or any marketing falsehood.

Really, most music starts on an underground circuit and filters through to the commercial scene. Generally speaking.

What does music mean to you?

t's a raw platform for raw talent, but please remember that it only launched as an official label in February 2015 so the first release is still fresh. The first release was a garage track, the next release might be more house, or more grime, but it caters for

Music is a huge part of who I am as a human.

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everyone within the spectrum between and Jumpers which are doing good so far.

Dance and Rap and I like to think that once it catches on it will be recognised for it's high Obviously we’re going to be looking for new quality of talent that it consists of. artists and music who would credit the label, but who we can also be a credit to in What advice would you give to aspiring return. music minds?

The next move is to release a follow up to You want honesty? Here are some things the "BIRTHDAY" track that I just released I've learned in the last 17 years... last month which had remixes from Tuff Culture, Zodiac and Drifta. I'm going through Be ready to be fully committed if you take the indecisive stage this week!! I can't yourself seriously because there is a lot of choose! competition and obstacles out there and it's not a smooth ride. You have to work for it, it Anything else you'd like to tell our won't all come to you. readers?

A dream is a dream but reality is reality, if you see my point? To let promises get your hopes up is to let yourself down.

Yes, you can follow my Twitter and Facebook page to stay updated on new music, clothing merchandise, Video’s and the label in general.

Love what you do, but be emotionally strong and ready for some hard knocks inbetween Wanna say thanks to everyone who bought the good times! the albums and Tshirts and support what I do, In this day and age and ‘industry’ you need to be ready to sacrifice many things, at times Peace, Love, Music & Equality! over the years I've gone without food, stable home, luxuries, money, I've been taken advantage of, and taken for granted, had www.twitter.com/taylormademusix people try and pull stunts. Everyone wants www.facebook.com/pages/Taylorsomething for free. You’ve got to stay Made-Musix positive and focused and be ready for some challenging times, Perseverance is a key Interview by thing!!

If you want it and you go for it that much, you cant lose.

Tell us about the developments and ideas we can look out for in the future from you and the brand.

I don’t share my ideas haha, ideas get ROBBED! The label has just started a range of Tshirts 39

Taking a more bumpy summery tone, this is the track to boost your self-confidence and take the world in it's stride. Vocals bouncing off each other nicely creating a fun attitude. Zettin also puts his touch on the remix with a darker twist.

An electronic updeat dance track paired with vibrant vocals, This is a great lively piece to get you pumped up!

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The Stick Figures - Dusk The Stick Figures are Brazilian duo Rodrigo Freire (22) and Fabricio von Finck (20).

Both Rodrigo and Fabricio play all the instruments you hear on the recordings and experiment with many instruments and many styles, but there is a solid Indie / Pop base underpinning everything, dark but tuneful, credible but accessible .

“Our motto is pretty much we do what the song asks for and not what we imagine it being.”

The EP, ‘Dusk’, is the first of two EPs that The Stick Figures plan to complete before releasing an Album later in the year.

AN INTOXICATING MELD OF GUITAR RIFFS AND TEXTURE. THE VIDEO MOVING ALONG WITH PECULIAR ANGLES AND CREATIVE LIGHING USE. "POPPY SONG" IS A SWEET, RAW, EDGY AND MESMERISING. 41

Derek Darker - Conversations With Rose Darker encapsulates powerful, emotional and meaningful music coupled with an onstage warmth that lures audiences to join him as he revisits the ups and downs of life. The Dubliner who’s made London his home, invites you to share in his tales with his debut release ‘Conversations With Rose’ all recorded under the watchful eye of Will Baker at Vendetta Music.

There’s a poignant feel to “Conversations”. Rock Hard or gut-wrenchingly slow, it touches in every way - something of the past, his life of the now, and all that's inbetween. Darker revealed the first taste of the EP with the lyric video to the beautiful ballad 'Numb' which has now been played on BBC Introducing Hereford and Worcester.

The song is stripped back and allows him to showcase his soulful, heartfelt vocals. The Yorkshire Times described it as ‘one of the most tender, honest and beautifully raw ballads you will hear in 2014’. Discussing the song he mentions how it has to be about an experience, something real otherwise he won't believe in what he does. He says, “I’m incapable of sitting down, and writing a piece just to write ‘a hit’. It can’t be anything but real, must come from the heart”. There is a great sense of pride when he discusses the record in particular with reference to Numb as he says it's the first song he wrote on piano that he knew just "felt right".

As the record progresses we see that it's not all heart-breaking ballads. Darker has an incredible ability to change the style instantly and hit us hard, as we hear in the song 'Demons'. The powerful drum beat accompanied by the rasp, raw vocal drives the sentiment home as he looks for answers to overcome his personal demon, the greatest of which is the concept of love something that he "doesn't get". Nevertheless, we are treated to the brighter side of life with the song 'Home' featuring Malaysian singersongwriter Natallie Ng. Darker reveals that he doesn't always view life through miserable eyes. “It’s not all doom and gloom,” Derek is quick to protest. “I love Rudimental. They just lift you up, man, and the sentiment behind it all is so real. Sam Smith, Naughty Boy, great producer, Jessie Ware – she’s excellent! But, just too many to mention". 'Home' showcases his soulful, playful side as he motors through the song over electric piano and a marching drumbeat that adds a positive summer feel. The addition of the guest vocalist takes the style down a different route to the others and really shows the versatility of the record. The EP finishes with 'Hold On' a song that Darker dedicates to his late Grandfather, one of his biggest supporters and the first man to have ever inspired him.

Darker won’t compare his music to another artist, because that would be “too scary” – doubling the pressure, and the feeling is lost however it wouldn't look out of place alongside the likes of Emeli Sande and Sam Smith. 'Conversations with Rose' will be released digitally on October 19th distributed via Right Track Records/Universal Music UK. www.facebook.com/DerekDarker www.twitter.com/DerekDarker

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DJ Geri & Elitist - Keep On Running An amazing blend of groovy drums and melodies.from the Spanish duo.

"After a while thinking about producing an EDM track, we got down to it. We have pushed ourselves out of our comfort zone to create a progressive and catchy tune, made of thick synths and a snappy groove which invites you to dance the night away with a smiling face. When it drops, it is the perfect tune to rock the dance floor!" Dj Geri & Elitist Genre: House - Progressive House Release Date: 15.04.2015

Keiron Raven - Witch Doctor AWJ Recordings present a jungle terror sound from debut artist Keiron Raven with his brand new tune Witch Doctor. Lets go tribal madness with some amazing drums.

Genre: House - Electro Release Date: 22.04.2015

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Lauren Neko has come to prominence in the last few years as a singer who’s beautiful vocal delivery is in demand from established producers across multiple scenes including Roni Size and Nicky Romero. Equally adept live on stage as well as in the studio, her industry experience is now being focused into establishing her own record label alongside ambitious new projects. On the eve of releasing her brand new single ‘Serenity’ in collaboration with UK producer Hoffman, we caught up with her to get the lowdown on all things Neko.

You changed your surname to Neko, what are the origins of your artist name?

I often get asked by people ‘do you know what your name means in Japanese?’ – ‘Of course. It’s CAT. I had it changed legally.’ I 44

get quite a mixed lot of responses from people! I decided I didn’t want to have an alter-ego or professional identity that differed from who I was known as outside of my music. Simply because my music and all that comes with it is who I am. My affiliation for cats goes back a long way, but I was known for wearing cat ears to raves long before Primark was pumping out sets for two quid! I was affectionately called ‘electro kitten’ or ‘candy cat’ by people. I also figured I may not want to wear cat ears when I’m older, but I wanted that young raver spirit to stay with me always!

How did you originally find your way into becoming an artist?

I had the privilege of starting my music journey at a very young age. I’ve always sung since before I could remember, coupled with years of music lessons from around age 10.

The journey really begun www.AudiationMagazine.com

though when I was 18 studying Jazz at university. I serendipitously started chatting with some strangers at the Adelaide UniBar when I met my first electronic music producer; we soon began working on some trip-hop tracks. That was the defining point where my love for electronic music began. It was getting involved with those preserving the 90’s rave community though that really cemented my passion.

Throughout your life, who has inspired you as an artist?

That’s actually a really tricky question to answer because it changes so often!

However there are bands, sounds, genres, songs that you always return to. I was in love with all kinds of music when I was growing up. I still absolutely adore (the late) Melanie Thornton from La Bouche, she really was taken before her time. Progressing into my mid-teens and liking a lot of alternative rock and metal (surprising for some I know!)

I remember picking up ‘Kid A’ from a CD store after liking the quirkiness of the artwork and remembering loving the song ‘Paranoid Android’ from about age 10, so I thought I would give it a go. Listening to ‘Everything in its right place’ for the first time was like being taken to another world.

Such a powerful track and album, I wish I could borrow Thom Yorke’s brain for a day!

There were however three key sounds that really captured me. First of all it was the 90’s Acid House and Rave and Break-beat sounds. The depth and soul of the music combined with the most amazing vibes, I’m still not over it! Take me back to 1993 any day of the week! I also continued to fall in love with anything Trip-Hop and Drum and Bass. This is ultimately what brought me to Bristol from Australia five years ago.

How does the music scene in Australia compare to other countries you’ve worked in?

When I first started going out age 18, it really was more of an underground scene.

Like what’s happened in the US, only recently, Australia has made the migration from guitars and bands to synths and DJs. The scene here is really diverse which is fantastic. Of course with heavy consumer interest comes having to filter through terrible EDM productions and venues playing terrible music. However there are so many Australian’s making moves internationally which is great to see. Unfortunately with such a small population here and fewer opportunities for artists to thrive, many do migrate overseas. That said I love travel and can’t wait to make a move to the Northern Hemisphere again myself in the next year or two.

You’ve travelled around the world and recorded with many celebrated artists.

What are some of the highlights for you and the favourite places that you’ve made music in?

Working with Roni Size in Bristol was quite amazing. At first when the opportunity arose I didn’t actually believe it was real, coming from the other side of the planet it seemed crazy! He’s now a great friend and good inspiration to keep doing what you love. I’ve worked in some nifty studios in my time, but sometimes it’s just being camped up in someone’s tiny makeshift space that brings out that creativity. Some of my favourite releases are with people I’ve never met thanks to the internet! I think you just have to make creativity work for you the best way you can.

Last year you launched your own record label, Turn The Night. What was the objective behind creating that imprint?

There were a few incentives actually. The main one being that as an artist I hate being pigeonholed into a genre or sound 45

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times d n a , lf myse o t s ve my e de i a s h t I c . in th le o dist n the midd o self; on w t e k I hav t blends i er-Ne e-Lauren. v a r i c i e wher e, energet r, reflectiv bl ke excita ide the dar atest as l y m s or y’ other spot f – ‘Serenit t f o s have a Recordings le and dark y l e t i I defin with Slime e vulnerab th e releas ompletely Emil sc y b x i that i side. m the re lly n e e r v u o l a L ta ,I of me it is’ – it to e d i s o e Nek his is what at really t. h t r o F h ocalis .

‘T t v r s a o f e g b in vi ke on Perss s the rave sion for be very cat-li l, as re captu ated my p and playfu lid ky is the y a s conso a bit chee uld so e, I wo was the l d d It’s al i m which f the n the i ’ t s h t g e i e the N label o gy e it m Wher track ‘Turn hrough my lifting ener t up al origin ck released fresh and th and a p ra first t ame. It has ouch of de t n a same till having s whilst to it. ry myste

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because my love of music is too diverse to limit myself that way. I wanted to create a platform for myself and others, where they could create good electronic music that is not expected to conform to a genre. As long as it has some vocals or instrumental elements, and utilises some classic dance music sounds, that’s the aim. Also, I wanted to position the brand against all the crap ‘EDM’ commercial sounds going about. This in itself has been very well received. The label has only had the one release so far, however from mid-year we’re looking to up the ante and to get more artists on board, so if this is you, give us a holla!

people out there to be creative with.

From your own experiences, have you got any advice for artists starting out?

Apart from my advice to women above…

Collaborate. Experiment. Don’t feel stuck in one genre. For a long time I feel like I’ve darted around between genres, which made me feel ‘flakey.’ However I realised that what I do isn’t confined to a genre, only the sounds that resonate with me. After some time, you know your sound because you’ll keep returning to it. Also, don’t take it all too seriously! Make sure you’re in it for the music, otherwise your self-worth will take a beating.

Gender is still an issue in dance music today. As a woman do you feel you have been treated negatively or positively in What does the future hold for Lauren the industry?

Neko?

When I started out in the industry there were fewer female artists, particularly DJs. However what I’ve found is that the female DJ has become commoditized, especially when you have DJs stripping off whilst pretending to mix. Bring back podium dancers and visual fanfare and let the DJs mix. Whoever puts on/or requests these kinds of acts I find is a total insult to women and men, who have or seek to have a genuine music career. I have found in the past that dealing with promoters and producers who think because they can create work opportunities for you, that you owe them something. Yes that kind of ‘something.’ I have less of this now, which is great. I think now that I’m older and now that I’m sought out for my work rather than actively having to seek opportunity, there is a different level of respect. Although it is sad how many projects and working relationships get burnt and lost due to this kind of behaviour. My advice to any woman in the industry (or any industry really) – don’t ever feel like you owe anyone anything. Your talent and creativity is enough. Walk away if you feel like you’re not respected. There are so many other genuine

So much possibility, but my crystal ball isn’t always so clear! I have quite a few vocal single projects on the go right now, so I expect quite a few releases this year! Turn the Night is searching hard for artists to help create the sound and vision I have in mind.

Without giving too much away, from midyear I will be commencing the biggest project I have ever undertaken from a creative perspective. Although I think 2015 will showcase many fresh tunes, I think 2016 is the year a lot more of the world will see what I’m made of.

‘Serenity’ featuring Lauren Neko is available worldwide from the 13th April on Slime Recordings.

www.soundcloud.com/laurenneko www.soundcloud.com/turnthenight www.ssoundcloud.com/slimetime

Interview by Andy.

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FESTIVAL GUIDE Awakenings Easter Special 2 - 3 April 2015 Amsterdam, Netherlands

Insane Festival 18 - 19 April 2015 Avignon, France

Annia Mac presents: Lost and Found Future Fusion Festival Festival 24 - 26 April 2015 3 - 5 April 2015 Manzini Wild Life Resort, South Limits of Rabat, Malta Africa

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Awakenings Easter: Adam & Joseph 3 - 4 April 2015 Amsterdam, Netherlands

Kingshouse 27 April 2015 Utrecht, Netherlands

Trancefusion: Time to Say Goodbye 4 - 5 April 2015 Prague,Czech Republic

Tomorrowland Brasil 30 April - 3 May 2015 Sao Paulo, Brazil

Awakenings Easter Special 4 - 5 April 2015 Amsterdam, Netherlands

MAYDAY Dortmund 30 April - 1 May 2015 Dortmund, Germany

DGTL Festival 4 - 5 April 2015 Amsterdam, Netherlands

Geheime Liefde 2 May 2015 Utrecht, Netherlands

Time Warp Manheim 5 April Manheim, Germany

Mumbai Color Festival 5 May 2015 Utrecht, Netherlands

Awakenings Easter: Ben & Marcel 5 - 6 April 2015 Amsterdam, Netherlands

Marvellous Island 8 - 10 May 2015 Paris, France

Caprices Festival 9 - 12 April 2015 Crans-Montana, Switzerland

Nuits Sonores 13 - 17 May 2015 Lyon, France

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Papillions de Nuit 22 - 24 May 2015 Saint-Laurent-de-Cuves, France

Common People 23 - 24 May 2015 Southamptom, United Kingdom

Pfingst Open Air 22 - 24 May 2015 Straubing, Germany

Primavera Sound 28 - 30 May 2015 Barcelona, Spain

Pacha Festival 23 May 2015 Amsterdam, Netherlands

Der Ring - Grune Holle Rock 29 - 31 May 2015 Nurburg, Germany

Common People 23 - 24 May 2015 Southamptom, United Kingdom

Wychwood Festival 29 - 31 May 2015 Cheltenham, United Kingdom

Primavera Sound 28 - 30 May 2015 Barcelona, Spain

Rockavaria 29 - 31 May 2015 Munich, Germanycrowdcro

Der Ring - Grune Holle Rock 29 - 31 May 2015 Nurburg, Germany

Electronic Beats Festival Cologne 29 May 2015 Cologne, Germany

Wychwood Festival 29 - 31 May 2015 Cheltenham, United Kingdom

We Are FSTVL 30 - 31 May 2015 Upminster, United Kingdom

Rockavaria 29 - 31 May 2015 Munich, Germanycrowdcro

We Love Green 30 - 31 May 2015 Paris, France

Electronic Beats Festival Cologne 29 May 2015 Cologne, Germany

Loveland 909 31 May 2015 Amsterdam, Netherlands

Pacha Festival 23 May 2015 Amsterdam, Netherlands

Spring Break Island 2 - 7 June 2015 Novalia, Croatia

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50

Distortian 3 - 7 June 2015 Copenhagen, Denmark

HOT 6 with

Field Day 6 - 7 June 2015 London, United Kingdom

Zrce Spring Break 4 - 7 June 2015 Island of Pag, Croatia

Isle of Wight Festival 11 - 14 June 2015 Isle of Wight, United Kingdom

NOS Primavera Sound 4 - 6 June 2015 Porto, Portugal

Bergenfest 11 - 14 June 2015 Bergen, Norway

Rock In Vienna 4 - 6 June 2015 Vienna, Austria

Download Festival 12 - 14 June 2015 Derby, United Kingdom

Rock For People 4 - 6 June 2015 Hradec Kralove, Czech Republic

NorthSide 12 - 14 June 2015 Aarthus, Denmark

The Governors Ball Music Festival 5 - 7 June 2015 New York, United States

Sonar Barcelona 18 - 20 June 2015 Barcelona, Spain

MORE Festival 5 - 8 June 2015 Venice, Italy

Southside Festival 19 - 21 June 2015 Tuttlingen, Germany

World Club Dome 5 - 7 June 2015 Frankfurt, Germany

Best Kept Secret 19 - 21 June 2015 Hlivarenbeek, Netherlands

World of Pleasure 6 June Utrecht, Netherlands

Azkena Rock Festival 19 - 20 June 2015 Vitoria-Gastelz, Spain

Parklife Festival 6 - 7 June 2015 Manchester, United Kingdom

Hellfest Open Air 19 - 21 June 2015 Clisson, France

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Secret Solstice 19 0 21 June 2015 Reyjavik, Iceland Hurrican Festival 19 - 21 June 2015 ScheeĂ&#x;el, Germany INmusic Festival 22 - 24 June 2015 Zagreb, Croatia

27 - 28 June 2015 Spaarnwoude, Netherlands Roskilde Festival 27 June - 4 July 2015 Roskilde, Denmark Hideout Festival 28 June - 3 July 2015 Novalja, Croatia

Rock Werchter 25 - 28 June you 2015 ever bought?

1st record Werchter, RUN DMC Belgium - RUN DMC in 1984 i snuck out of a school field trip and went to the record store instead of the museum. i got back before anyone noticed.

Bravalla 25 - 27 Junetrack 2015 you have made?

Favourite Norrkoping, Sweden Aundy. I made it for my wife and i think the sounds it in are really special.

DANCE OpenAir FavouriteSt. kitGallen for making music?

THE 25 - 28 June Abelton Live2015 + Native instruments Maschine is my go to combination. Then I St. Switzerland useGalen, a bunch of keyboards and out board gear to mess with that but allH the T N I G core ideas almost always start in Maschine for loops and then move to Tuska Open Air building.

Ableton for track AWAY 26 - 28 June 2015 Helsinki, Finland Your Dream Line up (self included) Tribe Called Quest Reuinited, Rage Against the Machine Re-united, James Garorock Brown back from the dead, Portishead Re-united, Prince, Cameo, Funkadelic, 26 - 28 June 2015 Led Zeppelin Marmande, France If you had to DJ a 3hr set of a different Genre what would it be?

Tinderbox Hip-hop 26 - 28 June 2015 Odense SV, Denmark One sentence that defines house and techno music?

The formula has always been the same and maybe the solid form of it is why Holi Fusion people haveNijmegen figured out every possible which way to squeeze creativity in 27between June 2015these same 4 kick drums per measure. Human beings are attracted Nijmegen, Netherlands to this pattern, that is for sure.

Awakenings Festival 51

On the cover: Neev www.neevspencer.com Issue AM012

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With love

Mizz Ruby, Rokuro, Cessle, Sarah, Malachi & Andy xx

Audiation AM012 Copyright 2015 Š Audiation Magazine Ltd