S t eve T r ev i ñ o –
A m e r i ca ’s F a vo r i t e
H u s b a n d
S E P T E M B E R 1 6
SEPTEMBER 2023
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THEATRE INFORMATION
The Kentucky Center (Whitney Hall, Bomhard Theater, Clark-Todd Hall, MeX Theater) 501 West Main Street; Brown Theatre, 315 W. Broadway; and Old Forester’s Paristown Hall, 724 Brent Street. Tickets: The Kentucky Performing Arts Box Office, 502.584.7777 or KentuckyPerformingArts.org. Reserve wheelchair seating or hearing
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SEPTEMBER 2023 PROGRAM Bluey's Big Play The Kentucky Center-Whitney Hall 6 Steve Treviño − America's Favorite Husband The Brown Theatre..................................... 12 Brian Culbertson − The Trilogy Tour The Kentucky Center-Bomhard Theater ..... 14 Staff & Support ............................................................. 17 Theatre Services............................................................ 22
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WELCOME TO OUR 40 TH ANNIVERSARY SEASON!
Thank you for joining us this evening as we continue our 40th Anniversary Season! Recently, we kicked off the season long celebration with a free Community Celebration at the place where it all began, The Kentucky Center for the Performing Arts. Hundreds of people from throughout our community enjoyed a day of performances and workshops from YAPA, Redline Performing Arts, Sweet G & the Shine, The Jesse Lees, Keen Dance Theatre, River City Drum Corp, StageOne Storytellers, and LaNita Rocknettes, along with art activities from The Healing Walls Project and a delightful dance party with Louisville Silent Disco.
The Season continues with exciting events to suit every taste, including the return of PNC Broadway in Louisville’s Wicked, Kentucky Opera’s production of Hansel and Gretel, Louisville Orchestra’s Lasting Legacies, StageOne Family Theatre’s Bunnicula, and Louisville Ballet’s Giselle. Kentucky Performing Arts Presents brings in a wide variety of unique programming including the Academy-Award Winning film Spider-Man: Into the Spider-Verse Live in Concert, the hilarious Nurse Blake, and the incomparable Dance Theatre of Harlem. I encourage you to visit our website, KentuckyPerformingArts.org , to see the full calendar.
We hope you enjoy tonight’s programming and thank you for your support as we continue our work of connecting and inspiring through the arts.
Kim Baker President and CEO, Kentucky Performing Arts
P.S. Before tonight’s event, scan this QR code to see a short video of Kentucky Performing Arts’ history.
To learn more about Kentucky Performing Arts, please scan this QR code or visit KentuckyPerformingArts.org/About-KPA
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SEPT 29, 2023–JAN 7, 2024
AMERICAN ART FROM THE PRINCETON UNIVERSITY ART MUSEUM
Tickets at speedmuseum.org
This exhibition is made possible by the leadership support of the Terra Foundation for American Art and organized by the Princeton University Art Museum.
Additional major support provided by:
Carol Sharpe Harper, Grafton
Harper and Spencer Harper III
DAV FAM Art Fund
Carol and Tracy Farmer
Max and Ellen Shapira
Media sponsor
Exhibition season sponsored by: Cary Brown and Steven E. Epstein
Sociable Weaver Foundation
Debra and Ronald Murphy
DAV FAM Art Fund
Detail: Renee Cox, born 1960, Colgate, Jamaica; active New York, NY
The Signing, 2018, printed 2022
Inkjet print
28 3/4 x 84 in.
Princeton University Art Museum Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art © Renee Cox
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Kentucky Performing Arts presents
BLUEY’S BIG PLAY
Friday, September 15 - Sunday, September 17, 2023
The Kentucky Center – Whitney Hall
When Dad feels like a little bit of Sunday afternoon time out, Bluey and Bingo have other plans! Join them as they pull out all of the games and cleverness at their disposal to get Dad off that bean bag. Bluey’s Big Play is a brand-new theatrical adaptation of the Emmy® award-winning children’s television series, with an original story by Bluey creator Joe Brumm, and new music by Bluey composer, Joff Bush. Join the Heelers in their first live theatre show made just for you, featuring brilliantly
created puppets, this is Bluey as you’ve never seen it before, brought to real life. Bluey’s Big Play is presented by BBC Studios and Andrew Kay in association with Windmill Theatre Co.
CAST
CHARLES BALL (Bandit/ Pat) Charles earned a Bachelor of Fine Arts (Dance Performance) from QUT in 2014. Through various artistic
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collaborations and a continually evolving personal practice, he has created and performed works around Australia and internationally in multiple disciplines including contemporary dance, ballet, theatre, aerial, and puppetry. Charles has performed with Queensland Theatre, Queensland Ballet, Opera Australia, Legs on the Wall, Dead Puppet Society, Red Leap Theatre, The Farm, Broad Encounters, Expressions Dance Company and he was part of the Australian national tour of Bluey's Big Play. He also remains an active member of the independent dance community, frequently collaborating with local artists and researching experimental creative processes in the pursuit of meaningful and engaging original works. Charles’ choreography has been featured at Supercell Festival of Contemporary Dance, Dark World Festival and The IndepenDANCE Project.
AAROD VAWSER (Bandit/Pat) Aarod
Vawser is an actor, writer, video editor and puppeteer, and is thrilled to be a part of Bluey’s Big Play as it tours the US. In 2020, Aarod graduated with an Honours degree in Drama at Flinders University. He is a co-founder of South Australian theatre company, the CRAM Collective. He has co-produced and starred in productions for CRAM since its conception in 2021. He has won awards for his playwriting and filmmaking. These include a merit award for the Flinders University & STCSA Young Playwrights Award for his play We Need To Talk About Julia, and an award at Orlando Filmapalooza for the 48-hour film competition. Two short films he co-created were shortlisted for Helpmann Awards. He was Assistant Director of the Flying Penguin production of David
Mamet’s Glengarry Glen Ross, directed by David Mealor. Aarod works as a video editor and filmographer for Replay Creative. He is a proud member of MEAA.
CHRIS WHITE (Bandit/ Pat) Chris White is a passionate actor and singer from the Gold Coast, Australia. Fresh off the back of the Australian tour of Bluey’s Big Play (HVK), he is extremely excited to tour the USA for the first time. Previously, Chris was a member of internationally renowned children’s entertainment group Hi-5 and in the Male Ensemble for pop-sensation Adele’s World Tour. He has also performed for Prince Charles and created original content with the Yellow Wiggle, Greg Page. Television appearances include Young Officer in “Nautilus” (Disney+)
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Offering an artsintegrated curriculum Inspired Learning For Children from birth through 8th grade 3110 Rock Creek Dr. Louisville, KY 502-327-0122 www.waldorflouisville.com @waldorfschoollouisville
and Cheeko in “Team Rescue” (ABC Kids). Theatrical highlights include Simon Gallaher’s The Pirates of Penzance, Johnny Casino in Grease: The Arena Experience (HRTC), Roger in RENT (Brisbane Powerhouse), Chris in Miss Saigon (HOTA), Ken in Barbie: Anything is Possible (Pen2Stage - Dubai), Sky in Mamma Mia! (Packemin), Jeremy in Sentinel Chickens (JUTE) and the development of new musicals, State of Origin: The Musical & Julie (QPAC).
RACHEL BURKE (Bingo)
Rachel is a graduate of Flinders University
Drama Centre in South Australia. Since graduating in 2015, she has performed in Beep (Windmill Theatre), Macbeth, A Doll’s House, In the Club, Sense and Sensibility (STCSA Ensemble), Jasper Jones and Decameron 2.0 (STCSA), Angelique (isthisyours?), Cranky Bear, The Lighthouse (Patch), Limit, Red Sky Morning (STCSA Umbrella), Tartuffe (STCSA/Brink), The Wolves (RUMPUS), Speak Out (ActNow), Foolz (Flinders University), My Beautiful Radio Station (Expressway Arts), and This Storm (The Unrest Cure). Her screen credits include “Beep and Mort” (Windmill Pictures) and the webseries “Dead Centre” (Jupeter Films). She directed Di and Viv and Rose (RUMPUS), worked as assistant director on Girls and Boys (STCSA), As One (Tiny Bricks) and Love and Information (Flinders Drama Centre) and was an Intimacy Consultant on Requiem (Adelaide Festival).
JOANNA HALLIDAY (Bingo) Born and raised in Melbourne, Joanna has trained in Music Theatre at Showfit and completed her Bachelor in Acting at The
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Victorian College of the Arts. Upon graduating in 2018 Joanna debuted as Juliet in Melbourne Shakespeare Company’s Romeo and Juliet (dir. Jennifer Sarah Dean). Since then she has performed as Gwendolen Carr in Travesties (dir. Jennifer Sarah Dean), Cherie in Blackrock (dir. Nicola Bowman), As You Like It (dir. Jennifer Sarah Dean), A Comedy of Errors (dir Ben Adams). In 2019 Joanna appeared in the feature film “Ride Like a Girl” as Young Burnadette, featuring Sam Neill and Teresa Palmer (dir. Rachel Griffiths.) and has guest appeared in “Miss Fisher’s Modern Murder Mysteries, Come Die with Me” (dir Lynn Hegarty). Joanna is trained in singing, classical piano, violin, and classical dance. Joanna has been involved with Bluey’s Big Play since March 2020 and has played various roles since! This USA tour she’s excited to be playing Bingo… for real life!
JESS MINAS (Bingo)
Jess Minas is an Adelaide based artist working in dance, theatre, puppetry, and film. Jess danced in Anifex’s award winning stop motion animation titled “The Better Angels” (2019). In 2020, Jess began working as a puppeteer for Windmill Theatre Company and HVK Productions on their Australian tour of Bluey’s Big Play, directed by Rosemary Myers. Jess worked as Movement Director on Lachlan Barnett’s ActNow Theatre MakeSpace Residency (2021) whilst also puppeteering on Windmill Pictures production of “Beep and Mort”, supported by the ABC. Most recently Jess worked as a dancer/ collaborator on “Projekt Moxie”, directed by Lina Limosani and Daniel Jaber (2022), as well as “Dance Launchpad” a dance double bill directed by Tobiah Booth-Remmers and Amanda Phillips, produced by The
Mill Adelaide (2022). Jess’s choreographic/ directorial achievements include “Salute” (2020) as part of “Rip Drag and Ruminate” in the Adelaide Fringe Festival, winning Best Dance Show at the Adelaide Fringe Awards (2020), as well as two movementbased short films, “Snail Mail” (2020) and “Depart 222” (2022).
JESS GOLLÉ (Bluey)
Jess is a Brisbane based artist with a background in dance, acting, film and theatre. In 2019, Jess graduated from Queensland University of Technology with a Bachelor of Communication (Entertainment Industries) with Distinction as well as establishing herself in a variety of performing roles: Performer for The Walt Disney Company (Tokyo Disneyland 2015-2018), performer for Dreamworld
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and Village Roadshow Theme Parks (2013-2019) and working with the Starlight Children’s Foundation (2022-present). In late 2019, Jess went on to developing, co-ordinating and performing with Bluey Live and opened the first Bluey Live Experience in QLD as female host. Her roles and responsibilities further expanded in 2021 to Production assistant for Bluey Live Australia events. As a continuation, Jess was cast as a puppeteer for Bluey’s Big Play, Australian National Tour (2021-2022). Jess is beyond excited to now be representing Australia as part of the opening cast for Bluey’s Big Play USA tour.
JESSA KONCIC (Bluey)
Jessa is a born Melbournian! She has studied performing arts in both Australia and Indonesia. After training with the Australian Youth Theatre for 8 years, Jessa went on to graduate from the Victorian College of the Arts (VCA) Melbourne University, with a BFA in Acting. She also trained for a time in Bali studying Mask. Jessa joined the cast of Bluey’s Big Play in 2020.
Some of her credits include Bluey in Bluey’s Big Play (Development 2020) (National Tour 2021, 2022), Hero Woman in “A Theory of Incompleteness” (Runner up Sony Film Festival, 2021), Geb, Fidgeter, and Santa in The Great Australian Play (Theatre Works, 2020), Hunter in F***ing A (VCA, 2019), and Fefu in Fefu and her Friends (VCA, 2018).
STEPHANIE STEPHENS (Bluey) Stephanie Stephens is a dedicated performer who is passionate about bringing joy to children and families. She has
seen every episode of “Bluey” (at least twice) and is very excited to be back on stage with Bluey’s Big Play (HVK). After performing multiple roles in the show throughout Australia, she is more eager than ever to conquer America as her favorite little blue heeler. Stephanie has over 10 years of experience working with characters, including Walt Disney World in Orlando, Florida. She has also performed on Disney Cruise Line, Disney International Christmas Tours and completed a Disney Articulated Training course in puppetry. Other career highlights include performing alongside The Wiggles at Sydney ICC, working with Hi-5 at Marina Bay Sans in Singapore and bopping with pop sensation Ricki-Lee at the Sydney Opera House. Television appearances include “Carols in the Domain” (Channel 7), The Today Show (Channel 9), and a commercial for Disney on Ice.
LOUISA REID (Chilli)
Louisa attended the Victorian College of the Arts, graduating with a Bachelor of Fine Arts in Acting in 2018. Louisa first worked as a professional puppeteer on the 2021 Australian tour of Bluey's Big Play in the role of Chilli. She continues this role for the North American Tour.
ALLANAH SARAFIAN (Chilli) Allanah Sarafian is a puppeteer, visual artist and teacher originally from Brisbane and now residing in Melbourne, Australia.
Allanah began her career in the arts by studying fashion, which then morphed into working in costume, circus, and finally puppetry. While working as a performance and visual artist, Allanah also completed a primary education
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qualification and has been a primary art teacher for the last eight years. Allanah’s debut into puppetry began six years ago when she started working with Trash Puppets. Since then she has performed with and built puppets for Erth Visual and Physical Inc, POPOMOCO, A Blanck Canvas, Private Function, Moomba and White Night among others. In 2022 Allanah was a participant in Lemony S Puppets' inaugural training program; Puppet Lab. Allanah enjoys working with and making art inspired by the outlook of children.
KRISTAL WALCOTT
(Chilli) Kristall Walcott is a 26 year-old Caribbean born dancer/entertainer. She started dancing when she was 8 and
professionally trained full-time at Ikin Dance on the Gold Coast. While training, Kristall received many opportunities to dance in music videos, corporate events, festivals, and musical theatre productions. Kristall’s most recent achievements outside of dance have been appearing in major feature films such as the Elvis biopic, “Godzilla vs Kong,” and Disney productions, as well as modeling for fashion brands and catwalk opportunities. However, her most exciting venture will be the upcoming US tour of Bluey’s Big Play where she will be one of the puppeteers of the character Chilli. Kristall can’t wait to step into this new role alongside amazing performers, while bringing her own brand of zany energy and child-like joy.
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Kentucky Performing Arts and Icon Concerts present
STEVE TREVIÑO – AMERICA’S FAVORITE HUSBAND
Saturday, September 16, 2023 | 8:00pm | Brown Theatre
Comedian Steve Treviño is “America’s Favorite Husband.” He can “speak wife fluently,” he never calls “the guys” for help on a home project, and he knows better than to “make his own decisions,” since decision-making is a privilege reserved solely for his wife, Renae.
His relatable approach affirms his status as one of the country’s fastestrising comics, viewed over 223 million times, selling out shows coast-to-coast, amassing over 2 million total social media followers, and headlining specials for Amazon, NETFLIX, Showtime,
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and more. He started cutting his teeth in Dallas, Texas, working as a door guy at the Improv and earning himself a spot to open the iconic 2001 Three Amigos Comedy Tour. He quickly earned his stripes and an audience on the comedy club circuit, and he began headlining on his own by the age of 25. He delivered side-splitting performances on The Late Late Show and Comics Unleashed, and produced and wrote for international GRAMMY® Award-winning superstar Pitbull’s La Esquina.
His first Showtime special, Grandpa Joe’s Son, staked out a spot in the Nielsen Top 20. He funded, produced, and shot his 2014 runaway NETFLIX hit Relatable. To promote the special, he uploaded a clip titled “When Your Wife Comes Home From Shopping.” It exploded, generating 56 million views on Facebook alone and paving the way for heavily shared clips such as “When You Ask Your Wife If She Wants McDonald’s” (21 million views) and “When Going to Vegas With Your Wife Goes Wrong” (4 million views). Co-produced by Nacelle, the follow-up special, Steve Trevino ’Til Death, arrived in 2018. Steve maintained his momentum by broadening his social media presence through fans redoing
bits of his comedy specials and posting them to TikTok. In less than two years, that grassroots effort helped him build a worldwide fanbase on the platform from the ground up, amassing 4.8 million likes and over 50 million views on the platform, while also changing up his entire social media game.
In 2020, he and his wife, Renae, unveiled a joint weekly podcast entitled “Steve Treviño and Captain Evil,” that has generated over 1.5 million views/streams and is now in Season 3. He also filmed his fourth self-produced comedy special, My Life in Quarantine, which was picked up by Amazon Prime. The once-in-alifetime pandemic special was shot in front of a masked, socially distant crowd and focused on the ups and downs of getting through quarantine.
He regularly raises money for Helicopters for Heroes, an organization benefiting veterans, for whom he helped raise over $1.5 million in the past two years.
Steve's self produced fifth special filmed in Waco, Texas, entitled I Speak Wife, independently released on Friday, October 21, for free exclusively to his global audience on YouTube.
www.stevetrevino.com
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Kentucky Performing Arts presents
BRIAN CULBERTSON – THE TRILOGY TOUR
Wednesday, September 27, 2023 | 7:30pm | The Kentucky Center – Bomhard Theater
Over the course of crafting a 25-album catalog and architecting nearly 40 Billboard No. 1 singles as a multiinstrumentalist, songwriter and producer, Brian Culbertson has charted his own unique course in music. Label him jazz and he makes a funk record. Call him an R&B artist and he drops an acoustic jazz trio collection. Brand him pop and he
creates a 32-minute New Age opus. And you’d be hard pressed to name another instrumentalist of his ilk who can mount an elaborately designed concert production that will keep him on the road for three consecutive months.
Culbertson burst onto the scene in 1994 with a chart-topping album that
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he recorded in his college apartment featuring keyboard-led contemporary jazz tracks. “Long Night Out” landed him a lengthy record deal and signaled that a star was born.
Flash forward to present day, Culbertson composed thirty songs that populate the three albums in “The Trilogy” that describes the three-part arc of a longterm relationship: the hot and steamy “falling in love” phase, the rocky middle when perhaps they even break up for a bit, and the couple reunites to live “happily ever after” phase. The Trilogy Tour will feature a mix of songs from The Trilogy Albums, as well as the greatest hits from Brian Culbertson’s catalog.
“Hearing the three albums in a row provides the context. All the songs on Red (October 2021) were clearly about passion and love. Blue is melancholy and sad songs, breakup songs and ‘losing people’ songs. Once you get to part three, is all about songs that have an uplifting feel to them. Stylistically, they all feel similar even though they are emotionally broad," said Culbertson.
Possessing style, panache and a savvy business mind capable of moving the needle in music and beyond, Culbertson founded and curates the annual Napa Valley and Chicago Jazz Getaways, which have attracted guests from all over the globe to experience his premier events.
Whether you’re listening to music from “The Trilogy” on record or live in concert, you’re hearing an eclectic, entertaining and engaging set from an artist at the peak of his power.
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A U D I E N C E 16 at the Trager Family JCC 2023-24
August 2023 17, 19, 20, 24, 26 & 27 November 2023 2, 4, 5, 9, 11 & 12 February 2024 22, 24, 25 & 29 March 2024 2 & 3 May 2024 9, 11, 12, 16, 18 & 19 jcclouisville.org/centerstage
Season
KENTUCKY PERFORMING ARTS
BOARD OF DIRECTORS
Gregory J. Bubalo, Chair • Robert M. Klein, Vice-Chair
Mary R. Nixon, Secretary • Phil Lynch, Treasurer
Laura Melillo Barnum JP Davis
Hannah L. Drake
Dr. Maryanne Elliott
Paula Harshaw
Madeline Abramson
Owsley Brown II (1942–2011)
Wendell Cherry (1935–1991)
William H. Jones
Kate Latts
Joseph Leavell
Patricia A. Mathison
James K. Murphy
DIRECTORS EMERITI
Gordon B. Davidson (1926–2015) C. Edward Glasscock
Stephen T. Owen
Dr. Rahul Reddy
Lindy Street
Rev. Dr. Valerie Washington
Sarah Yarmuth
Robert W. Rounsavall, III
Rose Lenihan Rubel (1922–2002)
KENTUCKY PERFORMING ARTS FOUNDATION, INC.
BOARD OF DIRECTORS
Todd Lowe, Chair
Kim Baker, Vice-Chair • Open, Secretary • Cindy Zipperle, Treasurer
Carolle Jones Clay
J. Tim Galbraith
Lillian Hunt
Brad Keller
Chris Kipper
R. Charles Moyer
Doug Owen Rolf Provan
Eileen Saunders
Diane Tobin, Ph.D.
Ruth Wimsatt Trautwein
Lisa Zangari
KENTUCKY PERFORMING ARTS EXECUTIVE STAFF
Kim Baker President and CEO
Heather Weston Bell
Senior Vice President, Community Engagement
Tamekka Cornelius, Ph.D. Director of Diversity, Equity & Inclusion
Nick Covault Vice President, Education and Community
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Loren Mills Vice President, Human Resources
Will Richards
Vice President, Facilities & Production
Julie Roberts
Vice President, Development & Advocacy
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Christian Adelberg
Vice President, Marketing & Communications
KENTUCKY PERFORMING ARTS ENCORE SOCIETY
The Encore Society recognizes individuals who have demonstrated support for the long-term well-being of Kentucky Performing Arts with an estate gift or notification of their bequest intention or other planned gift.
The Honorable & Mrs. Jerry E. Abramson Anonymous
Mr. and Mrs. Tom & Robbie Bell
Ms. Jennifer L. Bobbitt
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Sharon Sanak
Ms. Helen Stockton
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Jeanne D. Vuturo
Jennifer Love Webb
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ANNUAL SUPPORT
Commonwealth of Kentucky, The Honorable Andy Beshear, Governor
Tourism, Arts & Heritage Cabinet | The Honorable Lindy Casebier, Secretary | The Kentucky General Assembly
The Honorable & Mrs. Jerry E. Abramson, matched by Hardscuffle, Inc.
In Memory of Alan & Carol Adelberg
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Harry Pickens
PNC Bank
PNC Broadway in Louisville/ Louisville Theatrical Association
PNC Foundation
Mr. Stuart Pollard
C.F. Pollard Foundation
Henry & Sharon Potter
Carol & Hank Preston
Jeff & Leigh Anne Preston
Rolf Provan & Yamilca Rodriguez
Gordon and Patty Rademaker
Mr. & Mrs. Teddy H. Redmon
Rick & Becky Reed
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Ms. Linda Remington
Republic Bank
Dr. Jeffrey Richardson
For Louise V. Richter
Laura Rigenberger
Mr. & Mrs. J. Daniel Rivers
Jonathan & Julie Roberts
Robert & Clarice Rogers
Mr. & Mrs. Robert W. Rounsavall, III
Mark & Kay Rountree
Mr. Anthony & Mrs. Jane Ruhl
Beth Ruley
John W. Russ & Cheryl
Ungerleider
Jamie & Michelle Sanders
Billy Santos
Scantland Family Fund
Stephanie Schaefer
Chris Schinaman
Rob Schmidlapp
Dr. Marilyn Schorin
In Memory of Eudora Vance
Scott
Seelbach Hotel**
Ellen & Max Shapira
Linda Shelman
Dr. Nicholas Silvestros
Joseph & Joan Sireci
Larry Sloan & Helen Cohen
Christopher Smith & Jennifer Bertrand
Irvin & Connie Smith
Jerry Smith
Nathan Smith, matched by GE Appliances, a Haier Company
Mr. & Mrs. Kenney M. Snell
Mary Ann Sodrel
Whitney & Trevor Soergel
George & Karin Sonnier
South Arts
Dr. Charles Sowder
Phillip & Karen Sparkes
SquarePeg Group Inc.
Peggy Stamps
Bob & Silvana Steen
Robert Steinmetz & Barbara Elliot
Mary Clay Stites
Stock Yards Bank & Trust Company
Bill Stone
William Stout
Drs. Catherine Newton & Gordon Strauss
Lindy Street
Dr. & Mrs. Gerald F. Sturgeon
David & Carolyn Tandy
Malissa Taylor
Dr. & Mrs. Arthur Thacker
Ms. Brenda Thompson
Karen Thompson
Mark & Martha Thompson
Dr. Diane Tobin & Mr. Charles Friedman
Josh & Olesia Toole
Tourism, Arts & Heritage Cabinet
Toyota Motor Manufacturing, Kentucky
Bryan & Ruth Trautwein
Laura G. Turner Charitable Foundation
Bob & Vicky Ullrich
University of Kentucky
College of Design**
University of Kentucky
College of Fine Arts**
University of Kentucky
Office of the Provost**
Sally & Robert Vail
Jonathan Voet
Robert & Bonnie Vogt
Volunteers of the Kentucky Center*
Dina Vuturo
Cindy Walker
Gary Wall
Beth Ward
Russ Wardlaw
Nathan & Olivia Webb
Dr. John & Mrs. Linda Weeter
James & Marianne Welch
Ann Waterman & Niles Welch
Welch Printing**
John & Marilyn Werst
Ms. Rebecca West
WHAS 11**
Edyth Wheeler
Stephen & Patricia Wheeler
Chad & Jayne Willett
Benjamin Wiseman
Michael & Jeannie Wright
Ralph Wright
In Memory of Mrs. Irma Yatros
David F. Young & Cheryl Cahill
Dominic & Lisa Zangari
Dr. Kenneth & Shelly Zegart
Mr. Brian Zehnder & Ms. Melissa Rolf
Ms. Susan G. Zepeda & Dr. Fred P. Seifer
Mrs. Ann Zimmerman
Cynthia and Joel Zipperle
*Kentucky Performing Arts
Volunteers’ value of donated time is more than $100,000 annually
**In-Kind Donation
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SUPPORT
CORPORATE AND FOUNDATION SUPPORT
We salute the following organizations for their support of Kentucky Performing Arts:
B. J. KILLIAN FOUNDATION
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Printing
Welch
TOURISM, ARTS AND HERITAGE CABINET
THEN & NOW
Frankfort & Story Avenues, 1945 vs. 2022
The intersection of the bricked road joining Frankfort and Story Avenues forms a gateway to Butchertown, one of Louisville's largest German settlements. In the late 1900s, the area around this view of Seitz Drugs became popular as creative local residents rehabilitated houses and business venues.
In the historic photograph, the man at the left is looking at the demolition of the Bray-Robinson Clothing Co., which operated, alongside the Semple
Manufacturing Co. (makers of girths, blankets, and twine), into the 20th century.
Several decades back, two buildings on Story Avenue, including the one that housed Seitz Drugs, were removed to create direct access to the river down Ohio Street. Old Ohio Street, which connected to River Road, was renamed Frankfort Avenue to give the corridor a continuous identity from River Road to St. Matthews.
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LOUISVILLE LANDMARKS
Read more articles like this in the latest issue of Audience Magazine! Read free at issuu.com/A502.
The corner of Frankfort and Story avenues in downtown Louisville, Kentucky. Photos courtesy of University of Louisville’s Archives and Special Collections.
KENTUCKY PERFORMING ARTS SERVICES
TICKETS
For complete event information and to order tickets by phone, call Kentucky Performing Arts Ticket Service at (502) 584-7777 or order tickets online at KentuckyPerformingArts.org . Kentucky Performing Arts Ticket Service’s hours are 10 a.m. to 6 p.m., Monday through Saturday, and 1 p.m. to 6 p.m. on Sunday. Drive-thru ticket service is open 11 a.m. to 6 p.m., Monday through Friday. Tickets purchased by phone and online are subject to service charges. On performance dates, the ticket office is open one-half hour past curtain time. Gift certificates are available in any dollar amount at the Box Office and are not redeemable for cash.
MAIN PHONE NUMBER
(502) 562-0100
PARKING
More than 2,000 parking spaces offer direct access to The Kentucky Center from Sixth St. The elevators located in the garage will take you to the main lobby. You may also enter the Riverfront Garage from Fourth or Sixth Sts. Level C of the garage also will give you direct access to the main lobby. At the Brown Theatre, parking is available in the lot across from the theatre, and parking garage entrances are located on Third St., north of Broadway or on Fourth St., north of Broadway. At Old Forester’s Paristown Hall, parking is available in the neighboring Swan Street and Vine Street lots.
FACILITIES RENTAL
From a wedding reception to a convention, Kentucky Performing Arts’ venues, The Kentucky Center, the Brown Theatre and Old Forester’s Paristown Hall, are the perfect place to “stage” your event. For more information, contact Stacey Hallahan, shallahan@kentuckyperformingarts.org.
KPA DONORS
Kentucky Performing Arts donors receive a variety of benefits, including buying tickets before the public, priority seating, and no handling fees. For more information, contact (502) 566-5144 or visit SUPPORT KPA on our website. For Corporate Membership benefits, contact Julie Roberts at (502) 562-0100, Ext. 105, or jroberts@kentuckyperformingarts.org .
VOLUNTEERS
The Volunteer Program offers the public a chance to be a part of the great events at The Kentucky Center, the Brown Theatre and Old Forester’s Paristown Hall. To volunteer, contact the Volunteer Hotline at (502) 566-5141.
COURTESY
• As a courtesy to the performers and other audience members, please turn off all audible message systems.
• The emergency phone number to leave with babysitters or message centers are (502) 566-5128 (The Kentucky Center) and (502) 566-5188 (The Brown Theatre).
• Be sure to leave your theater and seat number for easy location.
• Cameras and recording devices are not allowed in the theaters.
• Latecomers will be seated at appropriate breaks in the program, as established by each performing group. Please be considerate of your fellow audience members during performances. Please remain seated after the performance until the lights are brought up.
• Children should be able to sit in a seat quietly throughout the performance.
• To properly enforce fire codes, everyone attending an event, regardless of age, must have a ticket.
ACCESSIBILITY
Wheelchair accessible seating at Kentucky Performing Arts venues is available on every seating and parking level, as well as ticket counters and personal conveniences at appropriate heights.
FM and infrared hearing devices are available to provide hearing amplification for patrons with hearing disabilities in all spaces of The Kentucky Center, the Brown Theatre, and Old Forester’s Paristown Hall, including meeting spaces.
Audio Description is available for selected performances for patrons who are blind or have low vision.
Caption Theater is available for selected performances as a service for patrons who are deaf or hard of hearing.
Program materials are available in large-print from your usher.
Please make reservations for services at the time you purchase your ticket through the Box Office to ensure the best seating location for the service requested. Call (502) 566-5111 (V), 711 (TRS), or email access@kentuckycenter.org for more information about the range of accessibility options we offer, or to receive this information in an alternate format.
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