16 minute read
ART FENG SHUI Using the healing powers of art to transform spaces with Noyes Art Designs.
Saving Spaces
How one full-service, COLORADO ART CONSULTING FIRM is transforming residences, hospitals, corporations and more, one piece of art at a time.
By Kathryn O’Shea-Evans
JUST LIKE MUSIC AND FOOD, the right visual art can practically have medicinal properties. Just ask Nancy Noyes, founder and president of Noyes Art Designs—which has been making art magic since 1978. “We’re a full-service art consulting firm, and we specialize in what we call the ‘constructive healing cycle’ as our process of design,” she says. “I long ago made up my mind that art has to be more than décor. It has to be part of healing, whether that’s in healthcare, or in the corporate world, or in a residence.”
The goal, Noyes says, is “to create the same harmony in your home or your facility that’s found in nature in its most balanced state,” says Noyes. The firm’s recent projects have included everything from residential art curation and placement to creating curated art pieces and even Denver-inspired signage (like imagery of the Denver Botanic Garden) at the new Denver Health Outpatient Medical Center. Some of her favorite Colorado artists? Carol Ann Waugh, who “does beautiful fiber art and it’s just fabulous,” and an encaustic artist named Victoria Eubanks. “She does really wonderful work with wax, and so her work really becomes soft even though it’s very contemporary.”
Curating art pieces in therapeutic ways is vital work, and especially important in today’s harried world. But it wasn’t always easy to explain in the pre-self-care era. “I’ve been doing
PHOTOS: COURTESY NOYES ART DESIGNS
this for 43 years,” she says. “In the earlier days you really couldn’t mention feng shui to heads of hospitals or corporations, because they’d just glaze over, thinking you’re a total ‘lala.’”
How times have changed, for the benefit of all. “Right now, the whole emphasis on biophilic design—which means bringing the outside in for comfort and protection—has really made everything we’ve been doing for years come alive,” Noyes says. “And so when I say we design with intent, that means that there’s all the outside elements of the constructive healing cycle, which is our coined phrase, is water, wood, fire, earth and metal. And so each one of those elements has a meaning, a shape, a color, and a material... If I need a water piece, I could use the color black or blue as the color. The
shape is sort of wavy, the meaning is flexibility and flow, and the material is glass, water, anything that would emulate the water.”
The final effect is inexplicably fabulous. “Nobody has to understand it, actually, but they will feel it,” says Noyes. “Whether you’re going into a corporate setting, or a healthcare setting, or somebody’s home, it really makes a difference to create that harmony.” Noyes’ staff of 10 is equally invested and includes her son (and business partner) and a designer and head of the art division who previously managed a gallery in Sweden. “We do all of our projects from start to finish, from proposal to installation, in-house.”
In private homes, Noyes begins by asking clients what it is they want to achieve. If the answer is ‘a warm home,’ they may retain elements of their existing art collection “and create a flow so that we can create that constructive healing,” she says. “Every piece of art in your home, you should love, in my opinion.” And keeping things within a certain color palette isn’t pertinent when it comes to connecting with your soul. “If you find a piece of art that you absolutely love, we’ll find a way to make that integrate into your design,” she says. “It’s our desire to make people really feel comfortable in their environment and feel a harmony within it.”
Only one art bugaboo bothers Noyes: “People generally hang their art too high. They think that if their husband is six foot two, that they need to hang their art high. The ideal midpoint of a piece of art should be 60 inches [from the floor,] and then it works for everybody.”
NOYES ART DESIGNS 303.332.8838; noyesartdesigns.com
NANCY NOYES
CUSTOM ARTWORK BY JULIE MAREN
DENVER HEALTH MEDICAL OFFICE
PHOTOS: COURTESY NOYES ART DESIGNS
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Beauty is in the Brain
the Brain of the Beholder
Local architect Don Ruggles is on a crusade to inform the next generation of architects why beauty must play a role in built environments.
By Heather Shoning
“IN SCHOOL, I never really hear the word ‘beauty’ thrown around. There was always a cerebral explanation for why something did or didn’t make sense,” says Melissa Mabe, principal architect at Ruggles Mabe Studio
Architecture + Interiors
in Denver. “So, when I started working with Don, we would get into projects and I’d bring something to his desk for him to review and he’d say, ‘Oh, well, that’s just beautiful.’ And about a year into working for him, he said that, and I looked at him and said, ‘I don’t know what you mean by that.’”
Like many other architects fresh out of school, no one taught Mabe how a built environment can be beautiful in the sense that Ruggles was meaning. “Honestly the education system indicates that beauty is seen as a frivolous idea,” Ruggles says. “What you have to realize is: beauty is a pleasure response. And pleasure is one of the two driving components, we’re born with it. It’s part of our DNA. And those two components—pleasure and survival—work against and with each other to create balance in your nervous system. And that balance is known as homeostasis and it’s extremely important.”
PHOTOS: COURTESY RUGGLES MABE STUDIO
THE SCIENCE BEHIND DESIGN
Ruggles has a lifelong interest in science and as an outgrowth of being asked time and time again to design a “timeless” home, he began to ponder what makes a home timeless—that’s to say what about it makes a person content in the space throughout a lifetime. When Mabe volunteered Ruggles speak on the topic at a non-profit fundraiser for Children’s Hospital in Denver in 2009, he delved into serious research. In doing so, he stumbled upon The Academy of Neuroscience for Architecture. “I found there was some fascinating research going on there,” Ruggles says. It’s where he discovered the answer to his question: What is timeless design? And it provided the reasoning behind it which is the idea that beauty is a pleasure response and it’s necessary for human survival.
“So, it’s been fascinating to realize that our built environment affects us subliminally, and we need to understand what it is about the built environment that’s good for us, and what’s not,” Ruggles says. “And this is a new field of study called neuroaesthetics.”
Artwork Signage Installation
WeListen. WeLearn. WeCreate.
PHOTOS: COURTESY RUGGLES MABE STUDIO So, how does a built environment translate into timeless design—or beauty—that subconsciously affects us in a positive manner? Ruggles says, there are three components. First, your brain recognizes the space, then the brain determines if it is safe and, finally, it determines if there is potential for pleasure. All of this happens without your awareness in mere microseconds. When those three things happen with positive results, your brain will relax. It goes into rest and relaxation mode. And it doesn’t go into stress mode.
“Rest and relaxation releases important hormones into your system that result in a feeling of pleasure,” Ruggles says. “And if the feeling of pleasure is strong enough, then it will result in the proclamation, ‘It’s beautiful!’ Therefore, beauty is a physical reaction to patterns that generate a pleasure response.”
PHOTO: COURTESY RUGGLES MABE STUDIO PRACTICAL APPLICATION OF PATTERNS
One of the most basic ways this science works in practice is through what’s called the three-by-three pattern. Imagine a tic-tac-toe board. And it’s not something new: The pattern is evident in many of the built spaces that, as a society, we deem “beautiful,” including Notre Dame, St Paul’s Cathedral in London or the U.S. Capitol Building. “These buildings are made of the same pattern,” says Ruggles. “We respond positively to the pattern when we see it. And the reason that we honor and protect these buildings is because they’re pleasure-inducing.”
This pattern originates with a facial pattern. “Just take out a loved one’s photograph and put the two eyes in the upper left and upper right corner of a tic tac toe board, and then complete the three squares by three squares arrangement, and you’ll be shocked,” Ruggles says. “When a child is born, they don’t see very well, it’s all quite hazy and fuzzy. But what they can see is three dark spots, and it’s two eyes and a mouth. A child must find that pattern in order to survive. A newborn human cannot survive on its own. DNA instructs the newborn to find that pattern.”
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Mabe says it’s one of the easiest organizing principles: “I always explain it like a recipe: If you follow it, things tend to come out just right.” It applies to the architecture, but also to the interior design, which Ruggles Mabe Studio provides for clients as well. The pattern, among others explained in Ruggles’ book, is apparent in the firm’s projects throughout the world and, specifically, in Denver homes. It can be seen in the way a front door is situated on the main floor with windows flanking it on the floor above, in the grid of a coffered ceiling or a fireplace grounded between windows. Mabe says when you have a strong pattern in the architecture, placing furniture becomes easy. She and the firm’s interior design team use furnishings to reinforce the pattern.
Ruggles points out another practical application of the pattern. “A fireplace could become the mouth, and then two pieces of art above the fireplace become the eyes. Or in your kitchen arrangement where you have the stove and then cabinets on upper left and upper right.” Using these simple and practical placements creates the pattern, which, in turn, creates the subliminal messaging to the brain that this is a recognized space that is safe and provides pleasure. It is beautiful.
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BRINGING IT FULL CIRCLE
This three-by-three pattern is just one small slice of what’s involved in this approach to built spaces. The concept is multi-faceted, all of this is to say, Ruggles is churning out this knowledge to promote new breadth to the art of architecture— one rooted in neuroscience. He first published the book Beauty, Neuroscience & Architecture, where he outlines these principles in detail while demonstrating how certain patterns are recognizable in famous architectural designs. In addition, he explores the effect of beauty and patterns on our well-being.
During promotion for the book, a representative from Rocky Mountain PBS suggested a movie based on the book. Today, the movie has been in circulation at various film festivals with a variety of screenings across the country for more than a year. “The movie has led to a lot more presentations, lectures, question and answer sessions and roundtables, as well as participating in conferences worldwide,” Ruggles says. “And all of this has focused on the notion that beauty is good for our health, and the fact that it’s not talked about very much in architecture or design.”
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Ruggles says that architecture education focuses on creating exciting, unique, “wow moments.” But it’s not the wow moments that create a beautiful space according to the neuroscience definition of beauty. “It’s important that you understand that you’ve got to create pleasure moments as well, otherwise known as rest and relaxation” he says. His message to students and the education system is that architects and designers must pay attention to both.
“I had a 17-year-old intern this summer at the office,” Ruggles says. “She came to the office because she read my book. She has an interest in architecture. And she’s doing research on her own for looking into neuroscience, and how this can all make the world a better place. We all want to make a difference—even young people. They aspire to do things that improve our world, and young people are paying attention. And that’s where I’m really trying to focus.”
< DON RUGGLES
RUGGLES MABE STUDIO ARCHITECTURE + INTERIORS
Ruggles Mabe Studio has designed more than 1,000 residential and commercial projects since 1970 when it opened its doors in Denver. The firm has projects in sixteen states and eight countries.
303.355.2460 rugglesmabe.com
< MELISSA MABE
