Ο Χώρος και ο Χρόνος στα Φτερά του Έρωτα

! "#$%& '() % "$*+%& ,-( .-/$0 -%1 2$3-( -%1 Wim Wenders*

* µ!" #$%&%'()*) +), (µ%+-)µ.(+/&(", %µ0%$&!",

1-(+%$. 1"(%0$*+2µ$.

3µ2µ" 40$5.$(6(!",, 7/*6( 5"$ 1.8$+$*µ.'

179 1.8$+$*+$52 :$";%!&$*)

:$086µ"+$52 4&<"*!" =">$+*-(.? @>&.5Aµ) ‘B CA&., 5"$ . C&D(., *+" E+%&- +.? F&6+" +.? Wim Wenders’

40$>8/0.?*" G"H)<2+&$" 1"&"#%!*) 7"&!"

40$+&.02 :. G">>"H-, 4. E.?(+.?8-5)

© 5%!µ%(.: =">$+*-(.? @>&.5Aµ) I.'($., 2012

2

4/$56787

J (µ%+-)µ.(+/&(" %µ0%$&!" 0.? >$A(%+"$ "0D +.( *'<;&.(. -(H&60. µ/*" "0D +.( ;A&. 5"$ +. ;&D(. K"!(%+"$ (" >&!*5%+"$ *+. %0!5%(+&. +6( 0&.>8)µ"+$*µA( +.? Wim Wenders, 5"HA, *+. µ%<"8'+%&. µ/&., +.?

5$()µ"+.<&"K$5.' +.? /&<.? +. "*+$5D +.0!., "88- 5"$ ) 5!()*) µ/*" *% "?+D, %;.?( %L"$&%+$5- *)µ"(+$52 H/*). 9+)( %&<"*!" "?+2 #$%&%?(-+"$ 06,, *+)( +"$(!" T! "#$%& #'( )%*#!, ) "*+$52 %µ0%$&!" <!(%+"$ "$*H)+2 µ/*" "0D +. ;A&. 5"$ +.( ;&D(. +6( "<</86( 5"$ +6( "(H&A06(, µ/*" "0D +)( 5!()*) 0.?

0&.*K/&.?( +" µ/*" µ%+"K.&-, *+)( 0D8), µ/*" "0D +)( 5!()*) +), !#$", +), 5-µ%&",. 3" *?µ0%&-*µ"+" 0.? H" 0&.5'M.?( "K.&.'( +)( +.0.H/+)*) +), !#$", +), +"$(!", *+. (µ%+-)µ.(+/&(. *5)($5D 0.? 5"+"*5%?-N%$ . Wenders <$" +.?, 2&6%, +.?.

Abstract The (post)modern experience encountered by the contemporary man in space and time seems to be the focal point of Wim Wenders’ contemplations, since the urban setting, as well as the movement inside it play an immense part in his cinematographic work. In this study we investigate the way, that the urban experience becomes observable in the movie Wings of Desire through the angels and humans perception of space and time, through the movement that the urban means of transport offer, and through the movement of the camera itself. The conclusions reached will concern the placement of the movie itself in the (post)modern setting that Wenders constructs for his leading characters.

3

9% /("( -<<%8.

9% %*/("

4

4?;"&$*+!%, O" 2H%8" (" %?;"&$*+2*6 +. P#&?µ" G&"+$5A( Q0.+&.K$A( <$" +)( .$5.(.µ$52 ?0.*+2&$L) 5"HR D8) +)( #$-&5%$" +6( µ%+"0+?;$"5A( µ.? *0.?#A(.

40!*), H" 2H%8" (" %?;"&$*+2*6 +.( "("08)&6+2 5"H)<)+2 S. 1"0"56(*+"(+!(.? +.? 1"(%0$*+)µ!.? O%**"8!",, 3µ2µ" @&;$+%5+D(6( 7);"($5A(, <$" +)( >.2H%$" 5"$ ?0.*+2&$L) +.?.

3/8.,, H" 2H%8" (" %?;"&$*+2*6 H%&µ- +)( %0$>8/0.?*" 5"H)<2+&$" µ.?, 5. 7"&!" 1"&"#%!*) <$" +$, 0.8'+$µ%, *?µ>.?8/, +), 5"H’ D8) +) #$-&5%$" *?<<&"K2, +), #$086µ"+$52, µ.? %&<"*!",.

5

4/$)/9*µ/+(

:),(;3;< -% (µ/-0)µ%+-=$+% 11_. ;A&., 5"$ . ;&D(., 14_) 5!()*) *+. ;A&. 5"$ *+. ;&D(.

16_) 0D8)

>)+7µ(-%;$0?%&, 9#$%&, 9$*+%& 17_+. 5$()µ"+.<&"K$5D µ/*. 6,

(µ%+-)µ.(+/&(.

19_) 5!()*) 22_.$ 5&?K.! ;A&.$

@( .-/$0 -%1 2$3-(

25_. ;A&., 5"$ . ;&D(., +6( "<</86( 41_B ;A&., 5"$ . ;&D(., +6( "(H&A06(

A1µB/$0,µ(-( C)D6)%;$(?5( 4($0$-7µ(

6

7

“+,-#%./#$ µ'( 0! ,&* ,12* 2#30 !%45.

6&,'#$ 5µ'(0 7*8%&9':. +;$10' ,'( µ$ $0<-.9$%$ 5#!0 ' 4=%':, 7*8%&9-7! !2#-;& #',1! ;!- #',1! (,!1>%'(. )8-0! ;-03µ!#'8%!9-2#5: ?#!0 2(03<$-#','132! ,*: 3 7*8%!9-;5 <$0 >! µ$ ,&$- ,'(>$0&. )@$-,$ ;&#!,? #3 7*8%!9-;5, ?,*: ;!- !,? #-: 7*8%!9-.: µ'(.

A!’#!0 ,'@B $B;'@' 0! ,* ,*: .@$-,$ 7*5. C;.9#3;! ,*: !(#? ,'( .@$-,$ 5#!0 µ1! ;!#!0?323 #'( 4%?0'(. )#2?#!0 D$;1032! 0! ;-03µ!#'8%!9=, >$=%32! #'0 $!(#? µ'( *: .0! 7*8%&9' #'( 4=%'( <$2µ$(µ.0' !,? #' 4%?0'.”

Wim Wenders The Logic of Images

8

:),(;3;<

B 5$()µ"+.<&-K., +.? Wim Wenders %!("$ "5&$>A, "?+D: µ-! 5"+"8%!95 +), 5!()*), %(D, 0%&$)<)+2 *+. K?*$5D 5"$ "*+$5D +.0!..

G"$ "0D -0.M) µ.&K2, 5"$ 0%&$%;.µ/(.?, . 5$()µ"+.<&"K$*+2, Wim Wenders #)µ$.?&<%!

/("

5$()µ"+.<&-K.

+),

0%&$08-()*),,

$;()8"+A(+",

µ$"

#$"#&.µ2

#$"*+"?&A*%6( +.? µ.(+/&(.? 5"$ µ%+"µ.(+/&(.? .0+$5.' +.0!.?. «B$ ;A&.$, .$ +D0.$ +.? 5D*µ.?, .$ %<5"+"8%$µµ/(.$ .&!N.(+%, 5"$ .$ <%µ-+.$ #&Dµ.$ +.?, %!("$ /(" %!#., .0+$52, "&;$+%5+.($52, µ/*6 +), .0.!", ) 5$(.'µ%() µ"+$- +), +"$(!", 0%&$08"(-+"$, "5&$>A, D06, 5"$ .$ 0%&$0"+)+/, - 2&6%, +.? Wenders 0%&$08"(A(+"$ µ/*6 +.? ;A&.? 5"$ +.? ;&D(.? 0&., µ!" *?(-(+)*) µ% +.?, -88.?,».1 B$ 0%&$**D+%&%, 5&$+$5/, 5"$ µ%8/+%, 0.? /;.?( <&"K+%! <$" +$, +"$(!%, +.? Wim Wenders, +$, 5"+)<.&$.0.$.'( %!+% 6, µ.(+/&(%, 2 µ%+"µ.(+/&(%,, %!+% 6, µ!" /5K&"*) +), +-*), µ%+"L' "?+A( +6( #'. *?(H)5A(. E! 9#$%& #'( .%*#! %!("$ µ!" +/+.$" +"$(!", <$" +)( .0.!" $5"(.0.$)+$5D, D<5., 5%$µ/(6( /;%$ ?0.*+)&!L%$

06,

%5K&-N%$

"?+2

"5&$>A,

+)(

+-*).

J

+"$(!"

;"&"5+)&!N%+"$

%0!*), "0D µ$" *%$&- #$0D86(: 0(%'µ" - '8), 8D<., – %$5D(", "*0&Dµ"?&. – /<;&6µ., 5+$*µ/(. – -5+$*+., µ"5&$(- 08-(" – 5.(+$(- 08-(", 5"$ -88".

S$"

("

<!(%$

µ%+"µ.(+/&(.?, H"

Dµ6,

5"+"(.)+2

)

%µ0%$&!"

+.?

µ.(+/&(.?

5"$

+.?

0&/0%$ 5"(%!, (" µ%8%+2*%$ +. 0A, >$A(%+"$ . ;A&., 5"$ .

;&D(., *% "?+/, +$, #'. *?(H25%, 5"$ 0A, "88-N%$ ) "(+!8)M) µ", "&;$5- 6, 0&., +$, /((.$%, "?+/, "88- 5"$ ) "(+!8)M) µ", <$" +)( 0&"<µ"+$5D+)+" µ/*" "0D "?+/,. 7% 8!<" 8D<$" 0A, . -(H&60., "(+$8"µ>-(%+"$ +. ;A&. 5"$ +. ;&D(. <'&6

+.?

*+)(

*?(H25)

+),

(µ%+-)µ.(+/&(",

%µ0%$&!",,

"88-

5"$

0A,

"(+$8"µ>-(%+"$ +.( *'<;&.(. 5D*µ. µ/*" "0D +$, #$"*+-*%$, +.? ;A&.? 5"$ +.? ;&D(.?.

3.

5$()µ"+.<&"K$5D

µ/*.

%!("$

+.

08/.(

5"+-88)8.

µ/*.

<$"

+)(

"("0"&-*+"*) µ$", +/+.$", 0&"<µ"+$5D+)+",, 5"HA, D06, ?0.*+)&!N.?( 0.88.!

H%6&)+$5.!

+.?

5$()µ"+.<&-K.?,

0&D5%$+"$

<$"

/("

0&.TD(

+),

*'<;&.(),

%µ0%$&!",.

J +"$(!" 0.? 0&D5%$+"$ (" "("8?H%!, E! "#$%& #'( )%*#!, %!("$ µ!" +"$(!" ) .0.!" #!(%$ $#$"!+%&) *)µ"*!" *+) «*'88)M) +), /((.$", +6( (.)µ-+6( +.?

;A&.?

5"$

+.?

;&D(.?»,

"("K/&%$

.

David

Harvey

2

.

3"

0$.

*)µ"(+$5-

%&6+2µ"+" 0.? 0&.5'0+.?( D+"( #%$ 5"(%!, +)( +"$(!" %!("$ +" %L2,: S$"+! . *5)(.H/+), 5$()µ"+.<&"K%! +.?, 5%(.', ;A&.?, +), 0D8),; S$"+! 5$()µ"+.<&"K%! +.?, 5%(.', ;&D(.?, +6( "(H&A06( – ;&D(.?, >$6µ/(.?, *% µ/*" µ%+"K.&-,, *% *+"Hµ.', "("µ.(2, 2 0%&0"+A(+", "08- *+)( 0D8); B Wenders ;&)*$µ.0.$%! +$, #$"*+-*%$, +.? ;A&.? 5"$ +.? ;&D(.? 0&.5%$µ/(.? (" 5"+"*5%?-*%$

5"$ ("

(.)µ"+.#.+2*%$ +)( "K2<)*) +.?. 3$ 0&.*0"H%! (" %0$5.$(6(2*%$ µ% "?+D +.( +&D0.; 1&.*0"H%! (" 5-(%$ "$*H)+2 µ$" %µ0%$&!" +), (µ%+-)µ.(+/&(", 0D8), 5"$ !*6, 5"$ µ$" %µ0%$&!" %(D, (µ%+-)µ.(+/&(.? %"?+.'.

1

Desiderio, M. J., Wandering: Seeing the Cinema of Wim Wenders through Cultural Theory and Naturalized Phenomenology, I"(.?-&$., 2011, %$*"<6<2.

2

Harvey, D., F ;!#&2#!23 #3: µ$#!0$*#$%-;?#3#!:, <-$%$B0323 #*0 ,'@-#-2#-;5: µ$#!G'@5:, µ+K&. @*+%&!.?, 4., @H2(", 7%+"!;µ$., 2007, 405.

!,!%4=0

#3:

9

9+)(

0"&.'*"

%&<"*!",

*+.

0&A+.

µ/&.,,

H"

0&.*0"H2*.?µ%

("

0&.*%<<!*.?µ% +$, "88"</, 0.? %0$K/&%$ *+)( "(+!8)M) <$" +. ;A&. 5"$ +. ;&D(.

)

µ.(+/&("

5"$

µ%+"µ.(+/&("

5"+-*+"*).

O"

<!(%$

µ!"

0&.*0-H%$"

5"+"(D)*), +6( *?(H)5A( "?+A( µ/*" "0D +$, /((.$%, +.? ;A&.? 5"$ +.? ;&D(.?

5"HA, 5"$ +.? +&D0.? µ% +.( .0.!. +. ?0.5%!µ%(. "(+$8"µ>-(%+"$ "?+/, +$, #$"*+-*%$,

µ/*"

*+)(

*'<;&.()

*?(H25).

O"

µ%8%+)H%!

+.

0A,

"88-N%$

)

"(+!8)M) +.? µ/*" "0D +)( 5!()*) +.? *+. ;A&. 5"$ +.( ;&D(. - µ/*" "0D +$, +%;(.8.<!%, +), *?<5.$(6(!", 5"$ +), %0$5.$(6(!",, 5"$ .$ "88)8%0$#&-*%$, +), 0D8), µ% +)( (µ%+-)µ.(+/&(" *+"H%&-. 9+) *?(/;%$" H" 0&.*0"H2*.?µ% (" #.'µ% 0A, +. µ/*. +.? 5$()µ"+.<&-K.? "0.+%8%! !*6, +) 5"+"88)8D+%&) µ.&K2 +/;(), <$" +)( "$*H)+.0.!)*) +), (µ%+-)µ.(+/&(", %µ0%$&!",, 5?&!6, 8D<6 +), $5"(D+)+", +.? (" ;%$&!N%+"$ +$, #$"*+-*%$, +.? ;A&.? 5"$ +.? ;&D(.?. 9+. +%8%?+"!. µ/&., +), %&<"*!", H" <!(%$ ) "(-8?*) +), +"$(!", µ% >-*) +" 0"&"0-(6 H%6&)+$5- %&<"8%!", 0&.5%$µ/(.? (" <!(%$ 5"+"(.)+D, . +&D0., µ% +.( .0.!. ;&)*$µ.0.$%! . *5)(.H/+), +" %&<"8%!" +.? ;A&.? 5"$ +.? ;&D(.? <$" (" µ$82*%$ <$" +)( *?(H25) µ/*" *+)( .0.!" N%$ . *'<;&.(., -(H&60.,, <$" +$, %0$#&-*%$, +6( #'. "?+A( #$"*+-*%6( *+)( M?;.*'(H%*) +.? ?0.5%$µ/(.? 5"$ +/8., <$" +)( "(!;(%?*) µ$", +"?+D+)+", µ/*" "0D +. ;6&.;&.($5D 0&.*#$.&$*µD +.?.

10

-% (µ/-0)µ%+-=$+%: % 9#$%& '() % 9$*+%&

7% +)( /8%?*) +), µ.(+/&(", %0.;2, .$ /((.$%, +.? ;A&.? 5"$ +.? ;&D(.? µ%+"+&/0.(+"$ *% ‘5%(/,’ 5"+)<.&!%,, #$";6&$*µ/(%, ) µ!" "0D +)( -88) 6, "0D8?+" #$"5&$+/, #$"*+-*%$, +), '0"&L),, "("K/&%$ . Anthony

Giddens 3 , %(A

%5K&-*%$, "?+.' +.? ‘"#%$-*µ"+.,’ +.? ;A&.? 5"$ +.? ;&D(.? /&;.(+"$ µ/*" "0D +.( 0"<5D*µ$. ;-&+), ‘0"<5D*µ$. ;6&$D’ "88$A,, 5"$ +.( &?HµD +), µ);"($52, "(-0+?L),.

9'µK6("

µ%

+)

;"&"5+)&$*+$52

#$"+'06*)

+.?

David

Harvey,

)

*'<;&.() 5.$(6(!" *)µ"#%'%+"$ "0D µ!" «*?µ0!%*) +.? ;A&.? 5"$ +.? ;&D(.?». B 9+"'&., 9+"?&!#),, H" $*;?&$*+%! 06, *% +.'+. «*?(%&<%! ) +%&-*+$" "(-0+?L) +6(

+%;(.8.<$A(

+),

*?<5.$(6(!",,

+6(

8%<Dµ%(6(

µ/*6(

µ%+"K.&-,,

5"$

)

%L!*.? $8$<<$A#), "(-0+?L) +6( +%;(.8.<$A( #$"5!()*), +), 08)&.K.&!", 5"$ µ%+">!>"*), *)µ-+6(».4 1&.5%$µ/(.? (" µ%8%+)H%! ) %µ0%$&!" +.? ;A&.? 5"$ +.? ;&D(.? *+)( µ.(+/&(" 5"$ µ%+"µ.(+/&(" *?(H25), H" %0$;%$&)H%! µ$" 0&.*/<<$*) +6( %((.$A( "?+A(, #)8"#2 +.? µ.(+/&(.? 5"$ +.? µ%+"µ.(+/&(.? L%;6&$*+- "88- 5"$ +), *;/*), µ%+"L' +6( #'. "?+A( *?(H)5A(. O" <!(%$ "&;$5- µ$" 0&.*0-H%$" (" #oH%! /(", .&$*µD, <$" "?+/, +$, #'. #$"K.&%+$5/, *?(H25%, +.? *'<;&.(.?

5D*µ.?. 7$" "0D0%$&" >/>"$" "?*+)&2, 5"+)<.&$.0.!)*), H" 2+"( "0.+?;)µ/(), 5"HA, .$ #'. "?+/, 5"+"*+-*%$,, 0.? 0%&$<&-K.?( 0.8$+$*µ$5/, %µ0%$&!%,, 5"$ 0.? #$"K/&.?( 0.*.+$5- 5"$ 0.$.+$5- µ%+"L' +.?,, *?;(- *?("(+$.'(+"$ 5"$ *?;(-

*?(?0-&;.?(

*+.

*'<;&.(.

0%&$>-88.(

µ",

-

.

8D<.,

"?+2,

+),

‘*?('0"&L),’ +6( #'. "?+A( +-*%6( H" .#)<2*%$ 5"$ *+)( ;&2*) %(D, µ%$5+.'

D&.?

*+)(

%&<"*!"

"?+2,

0.?

%µ0%&$/;%$

5"$

+$,

#'.

"?+/,

/((.$%,:

+.

(µ%+-)µ.(+/&(.. @($;(%'.(+", 8.$0D( /("( .&$*µD +), µ.(+/&(", %µ0%$&!",, #$"0$*+A(.?µ% 06, "?+2 ;"&"5+)&!N%+"$ "0D +)( 0%&$08-()*), +$, +%;(.8.<!%, +), *?<5.$(6(!", 5"$ +), %0$5.$(6(!",, +)( %(!*;?*) +.? .0+$5.' H%-µ"+., µ/*" "0D +)( K6+.<&"K!" 5"$ +.( 5$()µ"+.<&-K., %(A ) µ%+"µ.(+/&(" "0D +. %$5.($5D +"L!#$ *+. ;A&. 5"$ +. ;&D(. µ/*" "0D +$, +%;(.8.<!%, +), %0$5.$(6(!", 5"$ +)( 0"&"<6<2 ?0%&&%"8$*+$5A( +.0!6( µ/*" "0D +.( 0.88"08"*$"*µD +), %$5D(",. 5 G.$(D ;"&"5+)&$*+$5D +6( #'. "?+A( *?(H)5A( "0.+%8%! ) *'(#%*$µD+)+" +6( ?0.5%$µ/(6( 5"$ +6( *)µ%!6( +.? ;A&.? 5"$ +.? ;&D(.? µ/*6 +), +%;(.8.<!",, %!+% +), *?<5.$(6(!",, %!+% +), %0$5.$(6(!",.

9+) *'<;&.() %0.;2, -(#&%, 5"$ <?("!5%, *% D8. +.( 5D*µ. µ.$&-N.(+"$ /("( «+&D0. N6+$52, %µ0%$&!", - %µ0%$&!", +.? ;A&.? 5"$ +.? ;&D(.?, +.? %"?+.' +.?, 5"$ +6( -886(, +6( #?("+.+2+6( 5"$ +6( 5$(#'(6( +), N62,». 6 9+.( µ.(+%&($*µD ) 0&"<µ"+$5D+)+" "?+2 <!(%+"$ "(+$8)0+2 *"( µ$" *?µ0"<2, 5"$ "(+$5%$µ%($52 "82H%$" ) .0.!" %!("$ #?("+D( (" "("8'%+"$ 5"$ (" 5"+"(.%!+"$ µ/*" "0D #$-K.&%, #?("+/, 0&.*%<<!*%$, - *+.$;%!", %(A ) 0&"<µ"+$5D+)+" *+.

3

Friedland, R., Boden, D., NowHere: Space, California Press, I"(.?-&$., 1995, %$*"<6<2.

Time,

and

Modernity,

University

of

4

9+"?&!#),, 9., H,? #30 ,?@3 '>?03 2#30 ,?@3 2;305, @H2(", 488)($5- S&-µµ"+", 2002, 150.

5 Desiderio, M.J., D.0., %$*"<6<2.

6

Uerman, M., *+. Harvey, D., D.0., 32.

11

µ%+"µ.(+/&(.

%!("$

µ$"

*?('0"&L)

#$"K.&%+$5A(

5"$

%(#%;Dµ%("

"(+$K"+$5A(

µ.&KA( 0&"<µ"+$5D+)+", .$ .0.!%, *?<5.88.'(+"$ 5"$ "88)8.*?µ08/5.(+"$ µ%+"L' +.?,.7 O" µ0.&.'*"µ% µ% -88" 8D<$" (" $*;?&$*+.'µ%, 06, 5"$ *+$, #'. "?+/, *?(H25%, ) 0&"<µ"+$5D+)+" <!(%+"$ "(+$8)0+2 *"( 5"+"+µ)µ/(), *"( /(" *'(.8., #)8"#2, "0D µ$5&D+%&" *+.$;%!" +" .0.!" 5"$ +)( *?<5&.+.'(, ) *+-*) Dµ6, "0/("(+$

*%

"?+2(

+)(

5"+-+µ)*)

#$"K/&%$.

J

#$"K.&-

/<5%$+"$

*+.

%L2,

*)µ%!.: «+. µ.(+/&(. 5!()µ" 5"+">-8%$ 0&.*0-H%$" (" L%0%&"*+%! +. <%<.(D, +), 5"+-+µ)*), 5"$ (" %(+.0$*+%! µ!" 8.<$52, /(", (Dµ., 2 /(", .&HD, 8D<., 0.? (" µ0.&/*%$ (" %(.0.$2*%$ "?+2( +)( 0&"<µ"+$5D+)+". 3. µ%+"µ.(+/&(., "( 5"$

"0.#/;%+"$

0&.*0-H%$"

+.

A*+%

<%<.(D,

+%8$5-

("

+),

5"+-+µ)*),,

+)(

L%0%&-*%$

#%(

"*5%!

%(.0.$A(+",

5"µ!" +"

.?*$"*+$52

*+.$;%!"

+),

0&"<µ"+$5D+)+", *% /(" *?(%5+$5D *'(.8.».8 F+*$ ) µ%+"µ.(+/&(" %µ0%$&!" %!("$ µ!"

H&"?*µ"+$52

%µ0%$&!"

;6&!,

5"µ!"

0&DH%*)

%(.0.!)*),

D86(

"?+A(

+6(

H&"?*µ-+6( 5-+6 "0D µ!" 5"H.8$52 "82H%$".

7%<-8., %!("$ 5"$ . D<5., +6( 5%$µ/(6( 0.? 0&"<µ"+%'.(+"$ +)( *;/*) +6(

#'.

"?+A(

*?(H)5A(.

4!("$

"82H%$",

0A,

.

µ%+"µ.(+%&($*µD,

/0%+"$

"(+$H%+$5- 6, 0&., +.( µ.(+%&($*µD, 5"+"&<A(+", +.( 5"$ ?0.>-88.(+", (/.?, 5"(D(%,, 2 0&D5%$+"$ <$" µ!" *?(/;%$", %L/8$L) +), µ.(+/&(", 5"+-*+"*),; B David Harvey H" "(+$µ%+60!*%$ +. *'(.8. +), 0.8$+$*+$52, #)µ$.?&<!", 6, µ$" /5K&"*) +), *;/*), µ.(+/&(.? - µ%+"µ.(+/&(.?. 9 G"$ .$ #'. "?+/, +-*%$, *?;(#$"*+"?&A(.(+"$ µ/*" *+)( *'<;&.() 0&"<µ"+$5D+)+" 5"$ <!(.(+"$ "(+$8)0+/, 5?&!6, µ/*" "0D +)( %µ0%$&!" +.? ;A&.? 5"$ +.? ;&D(.?.

9+)( µ.(+/&(" %µ0%$&!" 5%(+&$52 H/*) /;%$ 5"$ . #$";6&$*µD, +.? ;A&.?

5"$ +.? +D0.?. G"HA, .$ "0.*+-*%$, µ%$AH)5"( 5"$ .$ ;A&.$ µ%+"µ.&KAH)5"( "0D +)( "?L)µ/() 5$()+$5D+)+" +.? µ.(+/&(.? "(H&A0.?, . ;&D(., 5"$ . ;A&., D8.

5"$

0%&$**D+%&.

"0.*?(#/%+"$.

B

Anthony

Giddens

$*;?&!N%+"$

06,

.

µ.(+%&($*µD, %0"("0&.*#$.&!N%$ +. ;A&. µ% #'. +&D0.?,: #$";6&!N%$ +. ;A&.

5"$ +. ;&D(., 5"$ #$";6&!N%$ +.( ;A&. 5"$ +.( +D0..

@( . +D0., .&!N%$ µ$"

+.0$52 2 <%6<&"K$5- *?<5%5&$µ/() 0%&$.;2, . ;A&., %!("$ µ!" 0$. "K)&)µ/() /((.$", µ% "("K.&- *+.( 5.$(6($5D 5"HA, 5"$ +.( %((.$.8.<$5D ;A&.. 10 4(A . µ.(+%&($*µD, ;"&"5+)&!N%+"$ "0D +.( #$";6&$*µD +.? ;A&.? 5"$ +.? +D0.?, µ% +.( µ%+"µ.(+%&($*µD ?0-&;%$ µ$" %µµ.(2 *+.?, µ) +D0.?,. J %µ0%$&!" "?+A( +6( µ)

+D06(,

"0.*'(#%*),.

;A&6( B

"("µ.(2,

;A&.,

+.?

5"$ µ)

µ%+->"*), +D0.?

#%(

#%(

%!("$

#)µ$.?&<%!

"08.'+%

µ!"

%µ0%$&!"

+"?+D+)+"

.'+%

*;/*%$,, µD(. "0.µD(6*) 5"$ .µ.$D+)+".11 9% *;/*) µ% +)( /((.$" +.? ;&D(.? 0-8$ %(+.0!N.(+"$ 5-0.$%, #$"K.&/, "(-µ%*" *% "?+/, +$, #'. +-*%$,, µ% 5.$(D 0-(+" Dµ6, ;"&"5+)&$*+$5D 5"$ *+$, #'., "?+D +), /((.$", +), +";'+)+",.

7

G"?5"8-,, S., I$#!µ'0#.%0'- ;!-%'1, O%**"8.(!5), 1"&"+)&)+2,, 70.

8

V.0., 73.

9

V.0., 32.

10 11

Friedland, R., 5.-., D.0., %$*"<6<2.

Sturken, M., 5.-., Technological Visions, The Hopes Technologies, Philadelphia, Temple University Press, 79.

and

Dreams

that

Shape

New

12

B µ.(+/&(., ;&D(., 0&.;6&%! 0&., +" µ0&.*+-, «H%6&A(+", 5-H% 5!()*) 5"$ 8%0+D 0&., +. µ/88.( µ$" %L/8$L), µ$" 5"+-H%*) +), *)µ"*!", +), 0&.D#.?. @88-

"?+2

)

<&"µµ$5D+)+"

-&;$*%

("

"µK$*>)+%!+"$,

5"$

*+)

µ%+"µ.(+/&("

*?(H25) #%( 0"&"+)&%!+"$ 0$" "?+2 ) 0!*+) <$" +)( <&"µµ$52 0&D.#.». 9+)( µ%+"µ.(+/&("

*?(H25)

.

;&D(.,

%!("$

5-+$

µ%

+.

.0.!.

µ0.&%!

5"(%!,, (" +.( "88-L%$, (" +.( "(+$*+&/M%$ 2 (" +.( %0$+";'(%$

(" 12

0"!L%$

, (" +.(

5"+"+µ2*%$ 5"$ (" +.( %(.0.$2*%$ L"(-.

1A, 5"$ 0D+% 0&"<µ"+.0.$2H)5% Dµ6, "?+2 ) "88"<2 *+)( %µ0%$&!" +.? ?0.5%$µ/(.?,

"0D

«Q0.*+)&!N6»,

+)(

µ.(+/&("

"("K/&%$

.

#)8"#2

David

*+)(

Harvey

µ%+"µ.(+/&(" *+.

F

%µ0%$&!";

;!#&2#!23

#3:

µ$#!0$*#$%-;?#3#!:, <-$%$B0323 #*0 !,!%4=0 #3: ,'@-#-2#-;5: µ$#!G'@5:, D+$, «+$, #%5"%+!%, +.? 1970-80, >$A*"µ% µ$" µ%<-8) K-*) *?µ0!%*), +.? ;&D(.?;A&.?, ) .0.!" /;%$ "0.0&.*"("+.8$*+$5/, 5"$ #$"8?+$5/, %0$0+A*%$, 0.8$+$5/, 5"$ .$5.(.µ$5/, 0&"5+$5/,, *+)( $*.&&.0!" +"L$5A( #?(-µ%6(

*+$, 5"$

*+)( 0.8$+$*µ$52 5"$ 5.$(6($52 N62». B Frederic Jameson, H" "0.#A*%$ +)( *+&.K2 *+.( µ%+"µ.(+%&($*µD *+)( 5&!*) +.? +&D0.? µ% +.( .0.!. >$A(.?µ% +. ;A&. 5"$ +. ;&D(., 5&!*) *+)( .0.!" .$ ;6&$5/, 5"+)<.&!%, 5?&$"&;.'( 0-(6 *+$, ;&.($5/, 5"+)<.&!%,.13 J ;6&.0.!)*) +.? ;&D(.?, 0.? 5?&$"&;%! 5"$ *+.( Wenders, 0"&"0/µ0%$ 5"$ *+$, H%6&!%, +.? Virilio <$" +)( µ%+"µ.(+/&(" 0D8). B Virilio H" µ$82*%$ <$" µ$" µ.("#$52 ;&.($5D+)+" µ/*" *+)( 0D8), 5"$ <$" µ!" %(D+)+" ;A&.? ;6&!, +)( *?(%5+$5D+)+" +.? ;&D(.?, H" "("K/&%$ ) Kaplan *+. #.5!µ$. +),.

B$ *?µ>.8$5/, #$"+-L%$, +.? ;A&.? 5"$ +.? ;&D(.? 0"&/;.?( /(" 08"!*$. <$" +)( %µ0%$&!" µ/*6 +.? .0.!.? µ"H"!(.?µ% 0.$.! %!µ"*+% 2 +! %!µ"*+% *+)( 5.$(6(!". B Jameson 14 H" "("K%&H%! *% µ!" 5.?8+.'&"

D8. 5"$ 0$. 5"H.&$*µ/()

"0D +. ;A&. 5"$ +) ;6&$52 8.<$52. G"HA, +. ?0.5%!µ%(. #%( µ0.&%! 0$" (" .&<"(A*%$

+.

0"&%8HD(

5"$

+.

µ/88.(

*%

µ!"

*?(%5+$52

%µ0%$&!",

+"

#)µ$.?&<2µ"+" +), 5.?8+.'&", +.? #%( µ0.&%! 0"&- (" %!("$ "0.*0"*µ"+$5- 5"$ )

0&"5+$52

+.?

("

;"&"5+)&!N%+"$

"0D

µ$-

#$"*5.&0$*µ/()

%+%&.</(%$"

5"$

+?;"$D+)+".

9% "?+2 +)( *5/M) +.? Jameson <$" +. H&"?*µ"+$5D 5"$ +. *?(%5+$5D .

Wim Wenders H" #A*%$ µ!" -88) .0+$52: “E' «>%!B2µ!» 4=0$#!- ,-' G!>-& 2#3 µ05µ3 !,’ ?#- #' ‘,@5%$:’. E' >%!B2µ! .4$- µ-! ;&,*: #%!4-& $,-9&0$-!, !,’?,'( 3 µ05µ3 µ,'%$1 0! ,-!2#$1. C#3 @$1! $,-9&0$-! #'( «,@5%'(:», 3 µ05µ3 8@-2#%&$-. 6!#& ;&,'-'0 #%?,', µ-! ,?@3 '%17$#!- !,? #'0 @!0>&0'0#! !0#1;#(,' #3: 2#3 µ05µ3 2'(, ;- (,&%4'(0 µ.%3 ,'( <$0 2'( <10'(0 #1,'#! 8-! 0! >(µ&2!-”15

12

Sturken, M., 5.-., D.0., 77.

13

Harvey, D., D.0., 271.

14

Jameson, F., E' µ$#!µ'0#.%0', 5, F ,'@-#-2µ-;5 @'8-;5 #'( B2#$%'( ;!,-#!@-2µ'B, µ%+K&. U-&*.,, S., W%K/8), 1999.

15

Wenders, W., Kollhoff, H., I-! 2(75#323 8-! #30 ,?@3, @H2(", @(%0!5"$&%,, 1993, 34.

13

+. (µ%+-)µ.(+/&(.: 7 '5+7,7 ,-% 9#$% '() ,-% 9$*+%

J

5!()*)

%!("$

µ!"

*)µ"(+$52

0"&-µ%+&.,

+),

µ.(+/&(",

%0.;2,.

3.

µ.(+/&(. ?0.5%!µ%(. ;"&"5+)&!N%+"$ "0D +)( (µ%+-)5!()*): µ%+"5$(%!+"$ "0D 0D8)

*%

0D8),

+"L$#%'%$

µ%

"%&.08-(.

5"$

+&/(.

µ%<-8%,

"0.*+-*%$,,

;&)*$µ.0.$%! "?+.5!()+., +&D8%X, +&"µ 5"$ µ%+&D <$" (" µ%+"5$(%!+"$ "0D 5"$ 0&.,

#$-K.&.?,

%L$*A(%+"$

0&..&$*µ.',.

µ%

+)(

G-0.$%,

%µ0%$&!"

+),

K.&/,

%0.;2,

)

%µ0%$&!"

+.?

µ.(+%&($*µ.'

+),

"(-#?*),

+6(

>$.µ);"($5A(

+%;(.8.<$A(. 70.&%! 5"(%!, (" *5%K+%! +)( *?(H25) +.? µ.(+%&($*µ.' /L6 "0D +.

08"!*$.

+),

+%;(.8.<$52,

%L/8$L),;

16

3"

0&6+"&;$5-

*'µ>.8"

+.?

µ.(+%&($*µ.' %!("$ .$ *$#)&D#&.µ.$, +" "%&.08-(", .$ ?0D<%$.$ *$#)&D#&.µ.$, +. "*+$5D +.0!..

J !#$" ) µ.(+/&(" 0D8) %!("$ 5"+"*5%?"*µ/() A*+% (" +)(

0%&0"+- 2 (" +"L$#%'%$ 5"(%!, *+. %*6+%&$5D +),, (" <!(%+"$ "(+$8)0+2 µ/*" "0D +)( 5!()*).

B *$#)&D#&.µ., /;%$ ;"&"5+)&$*+%! 6, +. 0$. *)µ"(+$5D +/;()µ" +.? µ.(+%&($*µ.'.

B

*$#)&D#&.µ.,

"88-N%$

+"

+.0!"

+"

.0.!"

#$"*;!N%$,

5"$

5?&$.8%5+$5-, 5"HA, #)µ$.?&<.'(+"$ +.'(%8 5"$ <!(.(+"$ 5"$ +&.0.0.$2*%$, *+. +.0!. <$" (" +.0.H%+)H.'( .$ <&"µµ/,, "88- 5"$ µ%+"K.&$5- "88-N.(+", +)( "(+!8)M) +.? +"L$#$A+) <$" +. +.0!.. 9+)( .?*!" %0"("0&.*#$.&!N%$ +)( /((.$" +.? +.0!.? 5"$ %0$+";'(%$ +)( %µ0%$&!" +), 0"&"+2&)*),. 3. (/. "?+D +.0!. *+$, "&;/, +.? 19.? "$A(" #%( µ0.&.'*% (" <!(%$ "0.#%5+D "0D +.?, +"L$#$A+%,, .$ .0.!.$ +. H%A&)*"( µ.(D+.(. 5"$ +. +"L!#$ 5"+"0$%*+$5- "($"&D. B Paul Virilio "("K/&%$ 06, . 19., "$A(", D&$*% +)( %0.;2 +), %0$+-;?(*),. 7% +)( >$.µ);"($52 %0"(-*+"*) . Virilio H" $*;?&$*+%! 06, . 0.8$+$*µD, +)(

%0.;2

µ%$A(%$

+.?

+.(

K&/(.? ;&D(.

%0"("(.)µ"+.#.+%!

*+)( µ%

+)(

%0.;2

+.( %((.$"

+),

.0.!.

+";'+)+",. +"L$#%'.?(

+.?

;&D(.?

µ%

B .$

+)(

0/&"*% "0D

*$#)&D#&.µ., -(H&60.$ %0$+-;?(*).

#)8"#2,

"88-

5"$

7%

+)(

<&"µµ$5D+)+" +.? "?+2 . *$#)&D#&.µ., 8%$+.?&<%! *?µ>.8$5- 6, 0&., +)( /((.$" +), µ.(+/&(", *?(H25), - 5$(%!+"$ 0&., +" %µ0&D,, 0&., +)( 0&D.#., +)( %L/8$L), +. µ/88.(. @("5"+"*5%?-N%$ +)( /((.$" +.? ;&D(.? 5"$ +.? ;A&.? µ% 0&..&$*µD +. µ/88.(, (/.?, +D0.?, 5"$ (/.?, 0&..&$*µ.',.17 J "?L"(Dµ%() +";'+)+" Dµ6, D8. 5"$ 0%&$**D+%&. "0.*?(#/%$ +" µ/*" µ%+"K.&-, "0D +. 0%&$>-88.( +.?,. «@5Dµ" 5"$ "( +. µD(. 0.? "0.µ/(%$ *"( "(+$8)0+$5D %&/H$*µ" <$" +.( +"L$#$A+) %!("$ %$5D(%, +.? 0%&$>-88.(+., 0.? ‘+&/;.?(’ "*+"µ-+)+", D8. 5"$ 0$. 0.8' "?+/, .$ %$5D(%, 5$(.'(+"$ µ% +/+.$" +";'+)+" 0.? 5"(%!, #%( 0&.8">"!(%$ (" +$, "(+$8)KH%!, (" +$, %(+-L%$ #)8"#2 *% /("( %$&µD µ% (D)µ", (" "("*?*+2*%$ "0D H&"'*µ"+" 5"$ %&%H!*µ"+" +. <%($5D ;"&"5+2&" µ$", 0D8),, %(D, +.0!.? 2 µ$", +.0.H%*!",».18 3" µ/*" µ%+"K.&-, /#6*"( *+)( 0D8) µ!" (/" %µ0%$&!" +.? ;A&.? 5"$ +.? ;&D(.?

5"$

+%;(.8.<!"

-88"L"( +6(

+)(

"(+!8)M)

*?<5.$(6($A(

µ",

%!("$

)

5"$

+.(

?8$52

+&D0.

0.?

+)(

/5K&"*)

+),

#?("+D+)+",

>$A(.?µ%.

J

+),

5!()*),, 5"$ 5"+’ %0/5+"*) ) ?8$52 /5K&"*) +), "(+!8)M), +.? ;A&.? 5"$ +.?

16

Sturken, M., 5.-., D.0., 72.

17

V.0., 77.

18

9+"?&!#),, 9., D.0., 151.

14

;&D(.?

+.?

0%&$08"(Aµ%(.?.

5.$(6($5.0.8$+$*µ$52,

«@(

;6&.;&.($52,

/("

*+"H%&-,

*)µ"(+$5D µ%+">8)H%!,

*+.$;%!. "?+D

H"

µ$",

%0)&%-*%$

.8D58)&) +) #.µ2, 5"$ ) "(+!8)M) µ", <$" +. ;A&. 5"$ +. ;&D(. H" ;-*%$ +.( *?(2H) +), 0&.*"("+.8$*µD», H" "("K/&%$ ) Kaplan *+. #.5!µ$. +), Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space and Memory in the Postmodern Metropolis, 5"$ H" .8.58)&A*%$ +) *5/M) +), 8/<.(+",

06,,

"(+!8)M),

µ",

*?<5.$(6($A(

«.$ <$"

(/%, +.

5"$

+%;(.8.<!%,

;A&.

+),

5"$

+.

µ%+">-88.?(

;&D(.».

%0$5.$(6(!",

7/*"

.8D58)&) "0D

+$,

5"+"*5%?-N%+"$

#.µ2

+),

+%;(.8.<!%,

+6(

)

+)

(µ%+-)µ.(+/&("

;&.($5D+)+".

B ;A&., . .0.!., µ/*" "0D +$, +%;(.8.<!%, +), %0$5.$(6(!", +"L$#%'%$ 2 µ%+"K/&%+"$ S!(%+"$

µ/*"

/(",

"0D

5"8A#$",

‘%(#$-µ%*.,

*?µ0$/N%+"$

;A&.,’

5"$

5"$

D;$

0"!&(%$

/(",

µ!"

-88)

0&..&$*µD,.

µ.&K2.

@("K/&%$

.

Schivelbusch: «@0D +) µ!" 08%?&- . *$#)&D#&.µ., -(.$L% +)( %µ0%$&!" µ", *% (/.?, +D0.?, .$ .0.!.$ #%( 2+"( %'5.8" 0&.*>-*$µ.$ 0&$(, "0D +)( -88) Dµ6, 5"+/*+&%M% +. ;A&., 5?&!6, +. ;A&. µ%+"L' #'. *)µ%!6(. @?+D, ;A&.,,

.

.0.!.,

#)µ$.?&<!" *)µ%!"

2+"(

0"&"+)&2*$µ.,

"0D

+"

"&<-

µ/*"

. %(#$-µ%*.,

µ%+"K.&-,,

µ%

+)(

+.? *$#)&D#&.µ.? %L"K"(!*+)5%. B *$#)&D#&.µ., "("<(6&!N%$ µD(.

"(";A&)*),

5"$

0&..&$*µ.'».

F+*$

H"

*?(%;!*%$

)

Sturken,

.

*$#)&D#&.µ., µ%+"+&/0%$ 5-0.$%, 0%&$.;/, *% %(#$-µ%*.?, +D0.?,, +D0.?, ;6&!, 5-0.$. .&$*µ/(. *5.0D. 7% +.( !#$. +&D0. .$ +%;(.8.<!%, +), %0$5.$(6(!", µ%+"+&/0.?( +.?, +D0.?, µ/*" "0D +.?, .0.!.?, +"L$#%'%$ ) 08)&.K.&!" *% %(#$-µ%*.?, +D0.?,.19 45+D,

Dµ6,

"0D

+)(

5!()*)

+),

%$5D(",

5"$

+.?

?0.5%$µ/(.?

µ%

+)

>.2H%$" +), +%;(.8.<!", +6( *?<5.$(6($A( 5"$ +), 5!()*), µ/*" "0D +" #!5+?" +), %0$5.$(6(!",, ?0-&;%$ 5"$ ) 5!()*) µ/*" *+)( 0D8), +.? 0%&$08"(Aµ%(.?, +.? 0.8!+) #)8"#2 0.? #$"*;!N%$ +)( 0D8) 6, 0%&$0"+)+2,, µ% -88" 8D<$" ) 5!()*)

%(D,

*'<;&.(.?

flâneur.

O

flâneur

"0.+%8%!

µ$"

.(+D+)+"

0.?

;"&"5+)&!N%+"$ "0D +)( 5!()*), /(", 0"&"+)&)+2, 0.? 0%&0"+- ;6&!, 5-0.$.

0&..&$*µD 2 *5.0D. 20 1&D5%$+"$ <$" /(" µ.(+/&(. %L%&%?()+2 +), 0D8),, /("( "($;(%?+2 +), "*+$52, %µ0%$&!",.

B .&$*µD, +.? Charles Baudelaire <$" +.( flâneur: /(", -(H&60., 0.?

0%&0"+- *+)( 0D8)

0&.5%$µ/(.? (" +)( >$A*%$. 3. (" 0%&0"+- 5"(%!, *+)( 0D8)

*)µ"!(%$ (" %!("$ %5+D, +), .$5!", +.?, (" %!("$ µ"5&?- "0D +. <(6*+D 5"$ (" %5+!H%+"$ *+. #$"K.&%+$5D 5"$ +. -<(6*+..

B

flâneur

"("N)+-

5"+"K'<$.

µ/*"

*+.

082H.,,

H"

0%$

o

Walter

21

Benjamin . B flâneur "("N)+- +. %K2µ%&., +. µ%+">"+$5D 5"$ +. %(#%;Dµ%(.. J +&.;$- +.? .#)<%! *+. 0.?H%(- 5"$ /&;%+"$ "0D +. 0.?H%(-. 4!("$ µ!" +&.;$;6&!, .&$*µ/(%, *?(+%+"<µ/(%,, #)8"#2 #%( ?0-&;%$ 5-0.$. *)µ%!. "("K.&-, "0D +. .0.!. (" µ0.&%! (" 5-(%$ 5"(%!, 0&.>8/M%$, <$" +. µ/88.( +.?. G"HA, .

19

Sturken, M., 5.-., 78.

20

V.0., 82.

21

Benjamin, W., Paris, Capital of the 19th century, *+. Benjamin, W., Reflections: essays, aphorisms, autobiographical writtings, Knopf Doubleday, 156.

5.-., 1986,

15

flâneur %!("$ µ!" .(+D+)+" ;6&!, 0"&%8HD( 5"$ µ/88.(, %!("$ µ!" .(+D+)+" ;6&!, +"?+D+)+".22 J 0%&$2<)*) "?+2 *+. "*+$5D +.0!. /;%$ (" 5-(%$ 0%&$**D+%&. µ% /("( µ.(+/&(.

+&D0.

N62,,

/("(

+&D0.

N62,

0.?

5%(+&$5D

&D8.

0"!N.?(

.$

+%;(.8.<!%, +), *?<5.$(6(!", 5"$ +), %0$5.$(6(!",. B µ%+"µ.(+/&(., flâneur >&!*5%+"$ 0%&$**D+%&. *% %$5.($5.', ;A&.?,, -?8.?,. F+*$ µ% +.( !#$. +&D0.

0.?

.

flâneur

0%&$)<%!+"$

*+.

µ.(+/&(.

"*+$5D

*5)($5D,

.

µ%+"µ.(+/&(.,

0%&$0"+)+2, ;-(%+"$ *% %$5.($5.', 5D*µ.?,, *% H&"?*µ"+$5- 0%&$>-88.(+", D0.? . ;A&., 5"$ . ;&D(., 0"!&(%$ -88%, #$"*+-*%$,.

3. (µ%+-)µ.(+/&(.: 7 B*67

“J! ;&#- 23µ!0#-;? 2$ µ1! ,?@3: 0! 2'( $,-#%.,$0! ,!%!;'@'(>52$-: #3 <'(@$-& #'( 4%?0'(.

C#-: µ$8&@$: ,?@$-:, !;?µ! ;!- ' 4%?0': µ,'%$1 0! G-=0$#!- <-!9'%$#-;&” Wim Wenders

J %µ0%$&!" +), (µ%+-)µ.(+/&(", 0D8), ;"&"5+)&!N%+"$ "0D D8" "?+- +" .0.!"

/;.?(

2#)

%$06H%!

<$"

+)(

*'<;&.()

%µ0%$&!".

3)(

%µ0%$&!"

+.?

(µ%+-)µ.(+/&(.? ;A&.? 5"$ ;&D(.?, +)( 5!()*) *+. %*6+%&$5D +), 0D8),, +$, +%;(.8.<!%, *?<5.$(6(!", 5"$ %0$5.$(6(!",, +)( 0%&$08-()*). J %µ0%$&!" *+. %*6+%&$5D +), 0D8), 0&.5"8%! 5-+$ 0.? /;%$ .(.µ"*+%! ‘*.5 +), µ)+&D0.8),’, *.5 0.? 0&./&;%+"$ "0D +)( «%(+"+$5.0.!)*) +), (%?&$52, #$/<%&*), ) .0.!"

0&.5"8%!+"$

"0D

+)

<&2<.&)

%*6+%&$5A( %&%H$*µ-+6(».

23

5"$

"#$-5.0)

µ%+">.82

+6(

%L6+%&$5A(

5"$

B 9+"'&., 9+"?&!#), H" "("K/&%$ 06, 5"$ +. µ/<%H.,

5"$ . &?HµD, #$"#.;2, +/+.$6( %&%H$*µ-+6( %!("$ 0&-<µ"+$ ;6&!, 0&.)<.'µ%(..

«92µ%&"

0$"

+.

"*+$5D

+.0!.

0%&$8"µ>-(%$

+%&-*+$"

5+!&$",

#&Dµ.?,

"#$->"+.?,, 0"&’ D+$ *?;(- +%&-*+$.?,, %(+?06*$"5D D<5. "0D K6+%$(/, 5"$ 0.8';&6µ%, %0$<&"K/,. G"HA, +. +.0!. µ%+">-88%+"$ /*+6 5 %0$K"(%$"5-, .$ %(+?0A*%$, +6( +"L$#$6+A( "0"&+!N.(+"$ "0D /(" -H&.$*µ" H&"?*µ-+6( ;&D(.?

5"$ ;A&.? 0.? #$"#/;.(+"$ +. /(" +. -88. µ% %(+?06*$"52 +";'+)+"»24.

J +";'+)+" µ% +)( .0.!" +"L$#%'%$ 5"(%!, µ/*" *+)( 0D8) #%( %0$+&/0%$ ("

0"&"+)&2*%$

D8"

+),

+"

*)µ%!".

J

0D8)

#)8"#2

<!(%+"$

"(+$8)0+2

"0.*0"*µ"+$5-, +. >8/µµ" +.? +"L$#$A+) 0&.*0%&(- ;A&.?, 5"$ +D0.?, µ% +D*. µ%<-8) +";'+)+", #)µ$.?&<A(+", /+*$ /(" µ6*"T5D %$5D(6( 5"$ %(+?0A*%6( +.?

5D*µ.?, /(" µ%+"µ.(+/&(. #)8"#2 *5)($5D. 3. 5-+6 µ/&., µ$", </K?&",, /(" 5%(D .$5D0%#., +. 0!*6 µ/&., µ$", 0.8?5"+.$5!",, D8" 5.µµ-+$" %(D, 0"N8 0.? "("*?(H/+%$ µ$" 0&"<µ"+$5D+)+" +), *'<;&.(), %µ0%$&!",. B Wim Wenders H" <.)+%?+%! "0D "?+.', +.?, +D0.?, 5"$ E! "#$%& #'( )%*#! H" "0.+%8/*.?(, µ% *;%#D( #$-H%*) +%5µ)&!6*),, µ$" +"$(!" 5"+"<&"K2, +6( *)µ%$"5A( "?+A( +.0!6( +), 0D8),.

22

Watson, S., 5.-., Postmodern cities and spaces, Oxford, UK: Blackwell, 1995, 103.

23

Simmel, G., *+. 9+"?&!#), 9., D.0.

24

9+"?&!#),, 9., D.0., 19.

16

>)+7µ(-%;$0?%&, 9#$%&, 9$*+%&: -% ')+7µ(-%;$(?)'* µ=,% 3& (µ/-0)µ%+-=$+%

“K- #!-01$: $10!- ;!- ,%'L?0 ;!- ;'µµ&#- #'( !2#-;'B ,$%-G&@@'0#':” Wim Wenders

«B 5$()µ"+.<&-K., %µK"(!*+)5%, µ"N! µ% +) K6+.<&"K!", *+. 08"!*$. +), 0&A+), µ%<-8), /5&)L), +.? 0.8$+$*µ$5.' µ.(+%&($*µ.', 5"$ "0.+%8%! µ!" µ.&K2 +/;(), 0.? /;%$ !*6, +)( µ%<"8'+%&) $5"(D+)+" (" ;%$&!N%+"$ +" *?(?K"*µ/(" H/µ"+" +.? ;A&.? 5"$ +.? ;&D(.? µ% #$#"5+$5.', +&D0.?,», H" "("K/&%$ . David Harvey, 5"$ H" *?(%;!*%$ 8/<.(+", 06,, «) ;&2*) %$5D(6( *+) *%$&- 5"$ ) $5"(D+)+"

("

0)<"!(%$

0!*6

5"$

µ0&.*+-

*+.

;&D(.

5$()µ"+.<&-K. "0D 0.88.', K?*$.8.<$5.', 0%&$.&$*µ.',».

7!"

"µK$8%<Dµ%()

H/*)

%!("$

06,

.

"0%8%?H%&A(.?(

+.(

25

µ.(+/&(.,

0.8$+$*µD,

2+"(

‘5$()µ"+.<&"K$5D,’ 0&$( "0D +)( !#$" +) *?(H25) +.? µ.(+/&(.?. B Desiderio 26, 0"&"H/+%$

+)

+%8%?+"!.,

#.?8%$-

+.?

Singer,

$*;?&!N%+"$

#$"*+"?&A(.(+"$

*%

06,

+&%!,

.

Melodrama

and

Modernity,

µ.(+%&($*µD,

5"$

"88)8.5"8?0+Dµ%(%,

.

*+)(

.0.!"

.

5$()µ"+.<&-K.,

?0.H/*%$,:

1&A+.(,

+.

5$()µ"+.<&"K$5D /&<. ‘µ.$-N%$’ µ% +.( µ.(+%&($*µD 8D<6 +.? D+$ H?µ!N%$ +)( ?0.5%$µ%($52 %µ0%$&!" +.? "*+$5.' µ.(+%&($*µ.', #%'+%&.(, +. 5$()µ"+.<&"K$5D /&<. ?0-&;%$ µ/*" *+) *?(H25) +.? µ.(+/&(.? 5"$ "88)8%0$#&- µ% +" K"$(Dµ%(" +), 5"+-*+"*), "?+2,, «%0.µ/(6,», H" *?(%;!*%$ . Desiderio, «.$ +"$(!%,, %!("$ /(" 0&.TD( +.? µ.(+%&($*µ.' 5"$ %!("$ "#$";A&$*+%, "0D +$, %5K&-*%$, "?+.'». J +%8%?+"!" ?0DH%*), 5"$ ) 0$. "µK$8%<Dµ%() 5"+- +.( Desiderio, %!("$ 06, . 5$()µ"+.<&-K., 2+"( *?(/0%$" +.? µ.(+%&($*µ.', #%!;(.(+", /+*$ µ$"

"$+$"+2

*;/*).

S$"

+.(

Wenders

D06,

5"$

<$"

+.?,

H%6&)+$5.',

+.?

µ.(+/&(.? . 5$()µ"+.<&-K., "("#'%+"$ "0D +)( N62 *+)( 0D8): «B$ 0D8%$, "08/0&%0%

("

?0-&;.?(

#)µ$.?&<2*.?( *?(#/*%$,

+.(

µ%+"L'

5$()µ"+.<&-K.»,...

+6(

0D8%6(,

+.?

«",

"&;!*6

"*+$5.'

8/<.(+",

*;%#$"*µ.'

5$()µ"+.<&-K.?. J 5$()µ"+.<&-K)*) %!("$ "*+$52 +/;() (city art)».

5"$

06, +.?

27

3. 5$()µ"+.<&"K$5D µ/*. K/&%$ 0.88- 5.$(- ;"&"5+)&$*+$5-, 6, 0&., +)( .0+$52 "(+!8)M) 0.? #)µ$.?&<%! *+.( H%"+2, µ% +)( "(+!8)M) 0.? #$"µ.&KA(.?( .$

+%;(.8.<!%,

+),

*?<5.$(6(!",

*+.(

+"L$#$A+),

.$

.0.!%,

0"&-<.?(

µ!"

H&"?*µ"+$52 H/"*), 0"&Dµ.$" µ% %5%!() 0.? #)µ$.?&<%! ) %("88"<2 +6( 5.(+$(A( 5"$ µ"5&$(A( 08-(6(, ) %("88"<2 +), 0&..0+$52,. J 0.$5$8!" +6( 0&..0+$5A( "?+A( *+)( +"$(!" 0.? µ%8%+.'µ%, 0"(.&"µ$5- 5"$ 5.(+$(- 08-(", %($*;'.?( +)( "(+!8)M) "?+2 5"$ µ", *?(#/.?( 0%&$**D+%&. µ% µ!" .$5%!" %µ0%&!", "?+2 +), (µ%+-)µ.(+/&(", Kracauer

*?(H25),.

0"&.µ.$-N%$

+)(

9+)(

A$*%1!

"0.*0"*µ"+$52

#'(

6-03µ!#'8%&9'(

"(+!8)M)

+.?

H%"+2

. µ%

Siegfried "?+2(

+.?

0%&$0"+)+2.

«J

%("88"<2

µ%+"L'

+),

"0D*+"*),

5"$

+),

%<<'+)+",

%!("$

0.8'

*)µ"(+$52 *+. 5$()µ"+.<&"K$5D µ/*.», $*;?&!N%+"$ ) Kaplan, *+. Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space 25

Harvey, D., D.0., 404.

26

Desiderio, J.M., D.0., 3.

27

V.0., 3.

17

and Memory in the Postmodern Metropolis, «+. .0.!. !*6, 0%&$**D+%&. "0D 5-H% -88) µ.&K2 +/;(), *?(#/%$ +$, #'. "?+/, 0&..0+$5/, *% /(" *'(.8.», 5"$ *?(%;!N%$ 0"&"H/+.(+", /(" "0D*0"*µ" +.? Benjamin, . .0.!., +.(!N%$ "?+D +. *)µ%!. D+"( *?<5&!(%$ +.( .0%&"+/& µ% +.( N6<&-K.: “K 7*8%&9': <-!#3%$1 2#' .%8' #'( µ-! 9(2-;5 !,?2#!23 !,? #30 ,%!8µ!#-;?#3#!. K ',$%!#.% <-$-2<B$- G!>-& µ.2! 2$ !(#5. M,&%4$µ1! #%'µ!;#-;5 <-!9'%& µ$#!DB #*0 $-;?0*0 ,'( !-4µ!@*#17'(0. H(#5 #'( 7*8%&9'( $10!- µ1! 2(0'@-;5 $-;?0!, !(#5 #'( ',$%!#.% !,'#$@$1#!- !,? ,'@@& >%!B2µ!#!, #! ','1! $0=0'0#!- µ$ .0!0 0.'

0?µ'. N-’!(#?, 8-! #'0 2B84%'0' &0>%*,', 3 !0!,!%&2#!23 #3: ,%!8µ!#-;?#3#!: µ.2! !,? #'0 ;-03µ!#'8%&9' $10!- !2B8;%-#! ,-' 23µ!0#-;5 !,? $;$103 #'( 7*8%&9'(, ;!>=: ,%'29.%$-, !;%-G=: @?8* #3: <-!,.%!23: #3: ,%!8µ!#-;?#3#!: µ$ µ34!0-;? $D',@-2µ?, µ1! ,#(45 #3: ,%!8µ!#-;?#3#!: !,!@@!8µ.03 !,? ;&>$ $1<'(: $D',@-2µ?.”

J Kaplan $*;?&!N%+"$ 06,, ) +"$(!" +)( .0.!" 0&D5%$+"$ (" "("8'*.?µ% 5"H$*+-

+.

5$()µ"+.<&"K$5D

µ/*.

6,

/("

µ%+"µ.(+/&(.

µ/*.,

8D<6

+),

$5"(D+)+", +.? (" "0.5"8'0+%$ +.?, L%;"*µ/(.?, ;A&.?, +), µ)+&D0.8),. YD<6 #)8"#2 +), $5"(D+)+", +.? (" "0.5"8'0+%$ *+.( H%"+2 – +"L$#$A+) +), 0D8),, D8" %5%!(" +" *)µ%!" +), 0D8), 0.? #%( %!("$ -µ%*" .&"+- *+.( >$"*+$5D 0%&"*+$5D. 40!*), ) /(6*) "?+2 +6( H&"?*µ-+6( +.? ;A&.? 5"$ +.? ;&D(.? *+.( 5$()µ"+.<&-K. µ/*" "0D +. µ.(+-N, "( 5"$ +$, 0%&$**D+%&%, K.&/, +" H&"'*µ"+" "?+-

>&!*5.?(

*?(.;2

µ/*"

*+)(

"K2<)*),

µ",

H?µ!N%$

+)(

%µ0%$&!"

+),

µ%+"µ.(+/&(", *?(H25),, µ$" #)8"#2 H&"?*µ"+$52 %µ0%$&!" +.? 5D*µ.?. «:%( 2+"( %L"("<5"*µ/(., . 5$()µ"+.<&-K., *+$, "0"&;/, +.? (" µ$µ%!+"$ +) K?*$52 "(+!8)M);» H" "("&6+)H%! . Deleuze *+. 6-03µ!#'8%&9': O, F $-;?0!;10323, «5"$ %0$08/.( *% +$ 5"+-*+"*) 2+"( *+$, "0"&;/, +.?; @K%(D,, ) <6(!"

82M), 2+"( *+"H%&2, %0.µ/(6, +. 08-(. 2+"( ;6&$5D 5"$ "0.8'+6, "5!()+., "K%+/&.?

)

µ);"(2

82M),

5"$

)

µ);"(2

0&.>.82,

2+"(

/("

5"$

+.

"?+D,

#$"H/+.(+", /("( .µ.$Dµ.&K., "K)&)µ/(. ;&D(.». @( H%6&2*.?µ% #)8"#2 06, *+$, "0"&;/, +.? 5$()µ"+.<&"K$5.' µ/*.? "?+D .&!N%+"$ 6, µ.(+/&(., 2 6, *?(/0%$" +.?

µ.(+/&(.?,

"0.*0"*µ-+6(

+D+%

;A&.?

µ%

5"$

+)(

'0"&L)

;&D(.?,

H"

+.?

µ.(+-N,

µ0.&.'*%

("

µ%

+)(

H%6&)H%!

*'(#%*) 6,

#)8"#2

µ%+"µ.(+/&(.,

5?&!6, 8D<6 +), .µ.$D+)+", +.? µ% +)( H&"?*µ"+$52 %µ0%$&!" +), µ%+"µ.(+/&(", *?(H25),.

J %L/8$L) +.? 5$()µ"+.<&-K.?, ) 5"+-5+)*) +), .?*!", 2 +), 5"$(.+.µ!", +.?, %0$+?<;-(%+"$ µ% +. µ.(+-N, +)( 5$()+2 5-µ%&" 5"$ +)( "0%8%?H/&6*) +), 82M),,

D+"(

0$"

#$";6&!N%+"$

"0D

+)(

0&.>.82.

F+*$

+.

08-(.

0"'%$

("

"0.+%8%! 5"+)<.&!" 5"$ <!(%+"$ ;&.($5D, %(A ) +.µ2 (*+$<µ$"!" %$5D(") "0D "5!()+) <!(%+"$ 5$()+2.

28

28

Deleuze, G., 6-03µ!#'8%&9': O, F +-;?0! – 610323, µ+K&. 7"+*-,, 7., @H2(", W2*.,, 2009, 19.

18

G$()µ"+.<&-K.,, ;A&.,, ;&D(.,: 7 '5+7,7 “K ;-03µ!#'8%&9': .4$- #3 <(0!#?#3#! 0! ;-03>$1 µ.2! 2#' ,$%-G&@@'0 µ!:, µ.2! 2#-: ,?@$-:. I,'%$1 0! ;-03>$1 ,%': µ1! ;!#$B>(023, µ,'%$1 0! !,'µ!;%(0>$1, µ,'%$1 0! #!D-<./$- !,? 4=%! 2$ 4=%!. K ;-03µ!#'8%&9': ;-0$1#!µ.2! 2#'0 ;?2µ' µ!:” Wim Wenders

J "(+!8)M) µ", <$" +. ;&D(., D06, 5"$ ) "(+!8)M) µ", <$" +. ;A&., %!("$ *+%(- #%µ/(%, µ% +)( %µ0%$&!" +), 5!()*),. S$" (" µ%+"5$()H%! 5"(%!, *+. ;&D(.

0&/0%$

("

#$"*;!*%$

+.

;A&..

B

Desiderio

H"

5-(%$

"("K.&-

*+.(

;"&"5+)&$*µD +.? Corrigan, <$" +.( 5$()µ"+.<&-K. 6, µ);"(2 %0$H?µ!", 0.? +&.K.#.+%!+"$ "0D +)( 5!()*) +6( )&A6(, %(A . Mark Johnson, H" 0&.*H/*%$ 06, «(.)µ"+.#.+.'µ% +. ;&D(. µ/*6 *?*+)µ"+$5A( *?µ>.8$*µA( +), ;6&$52, 5!()*),, µ/*" *+.?, .0.!.?, . ;&D(., <!(%+"$ 5"+"(.)+D, 6, *;%+$52 5!()*) *+. ;A&.. B ;&D(., /&;%+"$ 0&., +" %µ-, 5"$ µ", 0&.*0%&(-, *"( (" 2+"( /(" 0.+-µ$, 2 5$(.'µ"*+% µ/*" *+. ;&D(. *"( (" 2+"( /(" +.0!.».29 4(A ) 5!()*) *+)( 5"H)µ%&$(D+)+" %L"&+-+"$ "0D +)( %µ0%$&!" +.? ;A&.?

5"$ +.? ;&D(.?, 0$. *6*+- "0D +)( %µ0%$&!" ;A&6( *+. ;&D(., 5"$ .$ 0D8%$, .&!N.(+"$ "0D +.?, ;A&.?, *+.?, .0.!.?, 0&"<µ"+.0.$%!+"$ ) 5!()*) "?+2, *+.( 5$()µ"+.<&-K.

.

D&.,

5!()*)

"0.+%8%!

"08-

/("

%&<"8%!.

0&.5%$µ/(.?

("

%8!**%+"$ *+. ;&D(.. Q0-&;%$ #)8"#2 ) 5!()*) +), %$5D(",, µ% +. &"5D& +6( 08-(6(, ) 5!()*) +), 5-µ%&", 5"$ +/8., ) 5!()*) µ/*" *+. 5-#&., µ/*" #)8"#2 *+.( 5$()µ"+.<&"K$5D ;A&..

J 5!()*) +), %$5D(", 9'µK6(" µ% +) H%6&!" +.? Deleuze, . 5$()µ"+.<&-K., 8%$+.?&<%! µ% >-*) #'. #%#.µ/(" 0.? *?µ08)&A(.?( +. /(" +. -88.: +$, *+$<µ$"!%, +.µ/,, 0.? +$, "0.5"8.'µ%

%$5D(%,,

5"$

µ$"

5!()*)

2

/("

;&D(.

"0&D*60),,

.µ.$Dµ.&K),,

"K)&)µ/(),, "D&"+), 2 µ) "(+$8)0+2, ?K2,, 0.? >&!*5%+"$ ‘µ/*"’ *+) µ);"(2 5"$

;-&)

*+)(

$*;?&!N%+"$,

.0.!"

06,

.

%("88-**.(+"$

5$()µ"+.<&-K.,

#$"#.;$5#%(

µ",

%$5D(%,.

#!(%$

µ$"

30

O

Deleuze

%$5D("

*+)(

Dµ6, .0.!"

0&.*+!H%+"$ ) 5!()*), 0"&- µ", #!(%$ %L"&;2, µ$" %$5D("–;10323. 9?(%;!N%$ 8/<.(+",

0A,,

«"(

"("&6+)H.'µ%

0A,

*?<5&.+2H)5%

)

%$5D("-;10323

2

0A,

"0.#%*µ%'+)5% ) 5!()*) "0D +" 0&D*60" 5"$ +" 0&-<µ"+", #$"0$*+A(.?µ% D+$ ) #$"#$5"*!" "?+2 0&.*/8">% #'. #$"K.&%+$5/, µ.&K/,, %L!*.? "(%0"!*H)+%, 5"$ *+$,

#'.

0%&$0+A*%$,:

"K%(D,

>/>"$",

;-&)

*+)(

5$()+$5D+)+"

+),

5-µ%&",

.0D+% +. !#$. +. 08-(. /<$(% 5$()+D• "88-, "K%+/&.?, 5"$ ;-&) *+. µ.(+-N, #)8"#2

;-&)

*+.

&"5D&

+6(

08-(6(,

0.?

D8"

2

+"

0%&$**D+%&"

µ0.&.'*"(

5-88$*+" (" 0"&"µ%!(.?( *+"H%&-. 7% "?+D( +.( +&D0. µ0.&.'*% (" %0$+%?;H%! µ$" 5"H"&2 5$()+$5D+)+", 0.? %L"<D+"( "0D +)( 5!()*) +6( )&A6(, %(A ) 5-µ%&" 5$(.'(+"( %8-;$*+"»31.

29

Desiderio, J. M., D.0., 104.

30

Deleuze, G., D.0., 18.

31

V.0., 41.

19

B 5$()µ"+.<&-K., – ) <&"K2 #)8"#2 +), 5!()*), – %L"&+-+"$ -µ%*" "0D +)( K6+.<&"K!" – <&"K2 +.? K6+D, %$5D(%,,

.

5$()µ"+.<&-K.,

32

. 4(A Dµ6, ) K6+.<&"K!" 0"&-<%$ *+"+$5/,

µ/*6

+.?

µ.(+-N

#!(%$

5!()*)

*%

"?+/,.

B

5$()µ"+.<&-K., #)8"#2 0"&-<%$ "&;$5- *+"+$5/, %$5D(%,, .$ .0.!%, µ/*6 +), +%;(.8.<!",

µ0"!(.?(

0&"<µ"+$5D+)+",.

3.

*%

5!()*)

µ.(+-N

5"$

5"$ )

0"&-<.?(

5!()*)

"?+A(

µ$" +6(

"("0"&-*+"*) *+"+$5A(

+),

%$5D(6(

#)µ$.?&<.'( +. 5$()µ"+.<&"K$5D /&<..

J *'(#%*) +6( 08-(6( µ%+"L' +.?, *% µ!" #$"K.&%+$52 *?(/;%$" "0D %5%!() 0.? +&">2;+)5"( "&;$5-, #)µ$.?&<%! *;/*%$, µ%+"L' +6( %$5D(6( 0.? #$"5D0+.?( +)( *?(/;%$" +.? ;A&.? 5"$ +.? ;&D(.?. 9+)( 0&"<µ"+$5D+)+" µ0.&%! (" K/&%$ 5.(+- *)µ%!" +.? ;A&.? 5"$ +.? ;&D(.? µ% +/+.$. +&D0. 0.? H" 2+"( "#'("+. (" *?µ>%! *+)( 0&"<µ"+$5D+)+". 9+)( H%6&!" +.?, . Eisenstein 33 H" 0%! 06,, +. µ.(+-N µ.$-N%$ µ% µ$" >D8+" *+)( 0D8), %(A, . Tarkovsky *+. Cµ-@$B'0#!: #'0 P%?0', H" 0"&.µ.$-*%$ +) #.?8%$- +.? 5$()µ"+.<&"K$*+2 µ% "?+2 +.? <8'0+), 8/<.(+",: «V06, . <8'0+), 0"!&(%$ /(" 5.µµ-+$ µ-&µ"&. 5"$, 5"HA, <(6&!N%$ µ/*"

+.?

+"

;"&"5+)&$*+$5-

*+.$;%!"

+.?

+%8%$6µ/(.?

/&<.?,

"K"$&%!

D,+$

%!("$ 0%&$++D, /+*$ 5"$ . 5$()µ"+.<&"K$*+2,, "0D /(" “5.µµ-+$ ;&D(.” 0.? +. *?<5&.+%!

µ$"

0%8A&$"

5"$

*?µ0"<2,

#/*µ)

N6(+"(A(

<%<.(D+6(,

5D>%$

5"$

0%+-%$ D+$ #%( +.? ;&%$-N%+"$ "K2(.(+", µD(. D*" H" <!(.?( *+.$;%!" +), .8.58)&6µ/(),

%$5D(",,

D*"

H"

"0.#%$;+.'(

"("0D*0"*+.

5.µµ-+$

+),

5$()µ"+.<&"K$52, %$5D(",».

B Eisenstein, *% 5-H% %?5"$&!" ?0%(H?µ!N%$ 06, +. µ.(+-N *?($*+- +. ?@'0 µ$", +"$(!",, +)( I#/". «S$"+! Dµ6, +. ?@'0 "0.+%8%! "(+$5%!µ%(. +.? µ.(+-N;» H" "("&6+)H%! . Deleuze 5"$ H" "0"(+2*%$ 8/<.(+", 06,, "0D +)( "&;2 6, +. +/8., *% µ$" +"$(!" 5-+$ "88-N%$, 5-+$ /;%$ "88-L%$: «"08A,, "?+D +. ?@'0 0.? "88-N%$, . ;&D(., "?+D, 2 ) #$-&5%$", K"!(%+"$ 06, µ0.&%! (" <!(%$ 5"+"(.)+D µ.(-;" /µµ%*", *% *;/*) µ% +$, %$5D(%,-;10323 0.? +. %5K&-N.?(. 3. µ.(+-N %!("$ ) #$%&<"*!" 0.? .#)<%! *+$, %$5D(%,-;10323, "0D +$, .0.!%, H" "("#%$;H%! +. ?@'0, ) I#/", #)8"#2 ) %$5D(" +.? ;&D(.?».34 1"&"5-+6 0%&$<&-K%$, . !#$.,, +) #.µ2 +.? %8$5.%$#.', ;&D(.? . .0.!., "("#'%+"$ "0D +. µ.(+-N 6, µ!" /µµ%*) %$5D(" +.? ;&D(.?: “K,'#$<5,'#$ ' 4%?0': .4$- 2(24$#-2#$1 µ$ #30 ;10323, ','#$<5,'#$ .4$- '%-2#$1 *: 3 µ'0&<! µ.#%323: #3: ;10323:, <B' µ'%9.: 4%?0'( .4'(0 !,';!@(9>$1: !,? #30 µ1! ,@$(%& ' 4%?0': *: ?@'0, 2!0 .0!: µ$8&@': ;B;@': 5 2,$1%!, ,'( ,!%!2.%0$- µ!71 #3: #' 2B0'@' #3: ;10323:, ;!- !,? #30 &@@3 ' 4%?0': 2!0 <-&2#3µ!, #' ','1' ;!>'%17$- #3 µ-;%?#$%3 µ'0&<! ;10323: 5 <%&23:. K 4%?0': *: ?@'0, #' 2B0'@' #3: ;10323: µ.2! 2#' 2Bµ,!0, $10!- #' ,#30? ,'( 1,#!#!-, <-!8%&9'0#!: 2(0$4=: µ$8!@B#$%'(: ;B;@'(:. +0= 3 !%->µ3#-;5 µ'0&<! #3: ;10323: $10!- #' 9#$%'B8-2µ!, #' 2(0$4=: µ$-'Bµ$0' <-&2#3µ! µ$#!DB <B' ;-052$*0 5 <%&2$*0. K 4%?0': 2!0 <-&2#3µ! $10!- #' $,-#!4(0?µ$0' µ$#!G@3#? ,!%?0, ;!- ' 4%?0': *: ?@'0 $10!- µ1!

32

Uordwell, D., 5.-., +-2!8*85 2#30 E.403 #'( 6-03µ!#'8%&9'( @H2(", 7.&K6+$5D P#&?µ" 4H($52, 3&"0/N),, 2009, 193.

33

4isenstein, S., “Montage and Architecture”, Assemblange, 10, :%5/µ>&$., 1989, 111131.

34

Deleuze, G., D.0., 49.

20

2,$1%! !0'-4#5 !,? #! <B' &;%!, 3 !,$%!0#'2B03 #'( ,!%$@>?0#': ;!#'( µ.@@'0#':.35 J 5!()*) +), 5-µ%&", Q0-&;.?( #$-K.&" %!#) 5!()*), +), 5-µ%&",: *+$, 5$(2*%$, 0"(.&"µ!5 5"$ >%&+$5-8, ) µ);"(2 0"&"µ/(%$ *+"H%&2 *% /(" *)µ%!. %(A 5$(%!+"$ <'&6 "0D /(" µD(.

-L.(",

5"+"5D&?K.

5"$

.&$ND(+$.

"(+!*+.$;",

%(A

*+$,

5$(2*%$,

+&->%8$(<5 5"$ 08-(. <%&"(.', ) 5-µ%&" 5$(%!+"$ 0&., .0.$"#20.+% 5"+%'H?(*), *+)( 0&A+) 0%&!0+6*) 0-(6 *+. /#"K.,, *+) #%'+%&) 0-(6 "0D "?+D. 1"&"88"</, +.? 08-(.? <%&"(.' %!("$ 5"$ +" 08-(" %8$5.0+/&.? 5"$ "%&.08-(.?.

3. 5$(.'µ%(. 5-#&., µ/*" "0D +)( 5!()*) +), 5-µ%&",, "88-N%$ *?(%;A, <6(!"

82M),,

"0D*+"*),

.&$N.(+$D+)+"

5"$

'M.,.

F("

+&->%8$(<5,

<$"

0"&-#%$<µ" 0&., +" %µ0&D, µ0.&%! (" "88-L%$ +)( "0D*+"*) +), 5-µ%&", 5"$ +.

08-(.

("

<!(%$

"0D

µ"5&$(D

*%

5.(+$(D.

4KD*.(

+.

5"#&-&$*µ"

µ",

0&.*"("+.8!N%$ *% *;/*) 0-(+" µ% +)( %$5D(", >8/0.?µ% *?;(- +.( %"?+D µ", (" 5$(%!+"$ µ"N! µ% +. 5-#&.. 7% "?+D( +.( +&D0. µ0.&.'µ% (" 08)*$-*.?µ% /(" 0&D*60. 2 /(" "(+$5%!µ%(. 2 (" "0.µ"5&?(H.'µ% "0D "?+D, (" 0%&$*+&"K.'µ% <'&6 +.? 2 (" +. 0&.*0%&-*.?µ%.36 B$

5$(2*%$,

+),

5-µ%&",

0-(+.+%

"*5.'*"(

<.)+%!"

*+.?,

5$()µ"+.<&"K$*+/,. J "82H%$" %!("$, D06, "("K/&.?( .$ Bordwell 5"$ Thompson, 06,

.$

5$(2*%$,

+),

5-µ%&",

/;.?(

%(+?06*$"5-

"0.+%8/*µ"+",

5"HA,

*?;(-

%0"?L-(.?( +$, 08)&.K.&!%, <$" +. ;A&.. 9?;(- "0.5"8'0+.(+"$ "5Dµ) 5"$ (/" "(+$5%!µ%(" 2 0&D*60". 3" 5$()+- 08-(" %( </(%$ #)µ$.?&<.'( µ!" "!*H)*) *?(/;%$", 5"$ +"'+$*), +.? 0&"<µ"+$5.' µ% +.( K$8µ$5D ;&D(.. 4!("$ #'*5.8. (" µ)( #.'µ% +)( 5!()*) +), 5-µ%&", 6, ?0.5"+-*+"+. +), #$52, µ", 5!()*),, H" *?(%;!*.?( .$ +%8%?+"!.$, «%!("$ *"( (" 08)*$-N.?µ% 2 (" "0.µ"5&?(Dµ"*+% "0D

+"

"(+$5%!µ%("...J

5!()*)

+),

5-µ%&",

0"&/;%$

"&5%+/,

0%$*+$5/,

%(#%!L%$, <$" +)( 5!()*) µ/*" *+. ;A&.. 1&-<µ"+$, "?+/, .$ %(#%!L%$, %!("$ +D*. $*;?&/, 0.? .$ 5$()µ"+.<&"K$*+/, 5-(.?( *?;(- +$, 5$(2*%$, +), µ);"(2, 82M%6, ?0.5%$µ%($5/, – +$, "$+$.8.<.'( "K)<)µ"+$5- 6, "("0"&"*+-*%$, +.? .0+$5.'

0%#!.?

0.?

/;%$

/(",

5$(.'µ%(.,

;"&"5+2&",...

F+*$

%!+%

%!("$

"K)<)µ"+$5- ?0.5%$µ%($5D %!+% D;$, +. 0%&$08"(Aµ%(. µ-+$ +), 5-µ%&",, +.

5$(.'µ%(. 5"#&-&$*µ" +.? 08-(.?, 8%$+.?&<%! 6, ?0.5"+-*+"+. +.? #$5.' µ", µ"+$.'».

37

J 5-µ%&" %(#/;%+"$ (" µ%+"+.0$*+%! <$" (" 0"&"5.8.?H2*%$ 0&D*60" 5"$ 5$(.'µ%(" "(+$5%!µ%(". F(" 0"(.&"µ!5 µ0.&%! (" 5&"+2*%$ /(" "?+.5!()+. 0.? +&/;%$

*+.

;"&"5+2&"

5/(+&.

"0D

+.?

#6µ-+$.

5-#&.?, *%

/("

#6µ-+$.,

+&->%8$<5 2

"5Dµ"

µ0.&%!

/("

("

08-(.

"5.8.?H2*%$

<%&"(.'

/("(

µ0.&%!

("

5?()<2*%$ /(" "%&D*+"+. 0.? "(?MA(%+"$. 3. 5$(.'µ%(. >/>"$" 5-#&. #%( %!("$ "0"&"!+)+. (" ?0.+-**%+"$ *+)( 5!()*) +6( 0&.*A06( 5"$ µ0.&%! (" 5$(%!+"$ "(%L-&+)+"

"0D

"?+2(.

9?(2H6,

Dµ6,

8%$+.?&<%!

A*+%

("

"0.5"8'M%$

5-+$

*)µ"(+$5D <$" +)( "K2<)*). «4!+% Dµ6, %L"&+-+"$ "0D +)( 5!()*) +6( 0&.*A06( 35

Deleuze, G., D.0., 52.

36

Bordwell, D., 5.-., D.0., 278.

37

V.0., 280.

21

%!+% D;$, +. 5$(.'µ%(. 5-#&. %0)&%-N%$ >"H'+"+" +.( +&D0. 0.? "(+$8"µ>"(Dµ"*+%

+.

;A&.

µ/*"

*+.

5-#&..

:$"K.&%+$5-

%!#)

#)µ$.?&<.'( #$"K.&%+$5/, "(+$82M%$, <$" +. ;A&.».

5$(2*%6(

+),

5-µ%&",

38

@88- ) 5!()*) +), 5-µ%&", #%( "88-N%$ µD(. +)( "(+!8)M) µ", <$" +. ;A&. "88- 5"$ <$" +. ;&D(.. J "!*H)*) 0.? /;.?µ% <$" +)( #$-&5%$" 5"$ +. &?HµD

%0)&%-N.(+"$

"0D

+.

5$(.'µ%(.

5-#&..

S$"

0"&-#%$<µ"

*%

/("

08-(.

*%5-(,, /(" 08-(. #)8"#2 D0.? ) #&-*) %(*6µ"+A(%+"$ *% /(" µD(. 08-(. 5"$ ) 5!()*)

+),

5-µ%&",

"5.8.?H%!

+)(

#&-*)

;6&!,

("

#$"5D0+%+"$,

.

;&D(.,

0&.>.82, +6( "("0"&$*+Aµ%(6( <%<.(D+6( +"?+!N%+"$ µ% +.( 0&"<µ"+$5D 5"$ . ;A&., #$"+)&%! +) *?(/;%$" +.?, ;6&!, (" +%µ";!N%+"$ *% %0$µ/&.?, +µ2µ"+". B Bazin, +.(!N%$ D+$ µ% +. 08-(. *%5-(, "0"$+%!+"$ %(%&<)+$5D+%&) *?µµ%+.;2 "0D +.( H%"+2 5"$ /+*$ ) 5$()µ"+.<&"K$52 "K2<)*) +"?+!N%+"$ 0%&$**D+%&. µ% +)( 0&"<µ"+$5D+)+".39 G$()µ"+.<&-K.,, ;A&.,, ;&D(.,: %) '$1?%5 9#$%)

“Q3#&* !,? µ-! #!-01! 0! µ'( !,';!@B/$- ;&#-” Louis Buñuel

3.

5$()µ"+.<&"K$5D

*?µ>"!(%$

*+)(

0D8)

+";'+)+",

5"(%!,

µ%

#%(

/&<. +)

µ0.&%!

#%(

;&2*) ("

#%!

#$"<&-K%$ +6( D8"

;A&.?,

+%;(.8.<$A( +"

5"$

µ(2µ%,,

µ%+"K.&-,,

0&-<µ"+"

<'&6

+.?.

0.?

D06, 8D<6

@(+!H%+"

0&D5%$+"$ <$" /(" %0$5.$(6($"5D µ/*. +. .0.!. %!("$ $5"(D (" %0$>&"#'(%$ +. ;&D(. 5"$ (" %0$+&/M%$ *+.( H%"+2 (" #%! "?+/, +$, *+$<µ/, +), 0D8),.

9'µK6(" µ% +.( Benjamin, +. 5$()µ"+.<&"K$5D /&<. %!("$ 0&6+.0.&$"5D "5&$>A, %0%$#2 %!("$ $5"(D (" #$%$*#'*%$ *+)( 0&"<µ"+$5D+)+" "(+! "08- (" +)( 0"&"+)&2*%$ "0D "0D*+"*) D06, *?µ>"!(%$ µ% +)( N6<&"K$52: «7% +" <5&D08"(,

µ%

;&2*),,

+.( µ%

+.($*µD

+)(

5&?µµ/(6(

%L%&%'()*)

8%0+.µ%&%$A(

*?()H$*µ/(6(

*+"

;A&6(

"(+$5%!µ%(" 5-+6

"0D

5"H)µ%&$(2,

+)(

µ%<"8.K?2

5"H.#2<)*) +.? K"5.', "?L-(%$ +)( 5"+"(D)*) +6( "("<5"$.+2+6( 0.? #$/0.?( +)( '0"&L) µ",, 5"+"K/&(%$ "0D +)( -88) µ%&$- (" µ", %L"*K"8!*%$ "K-(+"*+) %8%?H%&!" 5$(2*%6(. 7% +. <5&.-08"( #$"*+/88%+"$ . ;A&.,. J µ%</H?(*) #%( %!("$ µD(. µ$" "082 #$"*-K)*) "?+.' 0.? /+*$ 5$ "88$A, >8/0%$ 5"(%!, "*"KA,, "88- K/&(%$ *+. K6, .8D+%8" 5"$(.'&$%, #.µ/, +), '8),»40. :%*µ%?µ/(. *+)( #?*#$-*+"+) .HD() +. 5$()µ"+.<&"K$5D /&<. *!<.?&" #%( µ0.&%! (" "(+"("58- +)( "(H&A0$() "(+!8)M) µ% /("( K?*$5D +&D0., -*;%+" "0D +.

0D*.

5"8-

µ0.&%!

("

"("0"&"*+2*%$

+)(

+%;(.8.<$52

"(+!8)M)

0.?

#)µ$.?&<%!+"$ "0D +.?, µ.(+/&(.?, +&D0.?, µ%+"5!()*),, "("K/&%$ ) Kaplan, 5"$ *?(%;!N%$ 8/<.(+", 06,, "(%L-&+)+" "0D +. <%<.(D, D+$ +. 5$()µ"+.<&"K$5D µ/*. #%( µ0.&%! (" "0%$5.(!*%$ +)( "(H&A0$() %µ0%$&!" µ% /("( "#$"µ%*.8->)+. +&D0., µ0.&%! (" "0.5"8'M%$ ;A&.?, .$ .0.!.$ *?(2H6, 0"&">8/0.(+"$.

9+.

A$*%1!

#'(

6-03µ!#'8%&9'(,

3

H,$@$(>.%*23

#3:

"(2-;5:

R%!8µ!#-;?#3#!:, . Siegfried Kracauer, %5H/+%$ +)( µ.("#$52 $5"(D+)+" +.?

38

Bordwell, D., 5.-., D.0., 285.

39

76&"T+.?, @., K P=%': ;!- ' P%?0': 2#'0 6-03µ!#'8%&9' #'( O. Welles, 179 9;%#$"*µD,, CA&.,, 1.8$+$*µD,, 471, 46.

40

Benjamin, W., S';1µ-! 8-! #30 #.403, µ+K&. G.'&+.>$5, :., @H2(", G-8>.,,1978, 30.!

22

5$()µ"+.<&-K.?

("

#$%$*#'%$

*+)(

0&"<µ"+$5D+)+".

I*;?&!N%+"$

06,

+.

5$()µ"+.<&"K$5D /&<. D;$ µD(. 5"+"<&-K%$ +)( 0&"<µ"+$5D+)+", "88- 0-%$ "5Dµ) 0$. 0/&" 5"$ "0.5"8'0+%$ +) K?*$52 0&"<µ"+$5D+)+" *% %µ-,. Q0-&;.?( 0&-<µ"+" +" .0.!" #%( 0"&"+)&.'µ% *+)( 5"H)µ%&$(D+)+" µ",, D06, 5&?µµ/(" *.5-5$" 5"$ µ$5&/, 8%0+.µ/&%$%, *+$, "&;$+%5+.($5/, #.µ/,, 5"$, *'µK6(" µ% +.( !#$., +.

5$()µ"+.<&"K$5D /&<. %L?0)&%+%! "?+2 +) 8%$+.?&<!" +), µ%+"+&.02, *% .&"+"?+- +" 5"+- +" -88" "D&"+" 0&-<µ"+": «E' ,$<1' <%&23: #3: ;-03µ!#'8%!9-;5: µ34!05: $10!- !,$%-?%-2#', $10!- ' $D*#$%-;?: ;?2µ': ,'( $;#$10$#!- ,%': ?@$: #-: ;!#$(>B02$-:.

T2#?2' (,&%4'(0 µ.2! 2$ !(#?0 #'0 ;?2µ' !0#-;$1µ$0! ,'( µ,'%$1 0! >$*%3>'B0 ‘;-03µ!#'8%!9-;&’, $,$-<5 ?,*: 9!10$#!- !2;'B0 -<-!1#$%3 .@D3 2#' ;-03µ!#'8%!9-;? µ.2'. A!’@$8$ ;!0$1: ?#- ' ;-03µ!#'8%&9': ,%''%17$#!- (;!- 9@.8$#!- !,? #30 $,->(µ1!) 0! #! ,!%'(2-&2$-»41 9+) *?(/;%$" #$"$&%! +" #$-K.&" K?*$5- K"$(Dµ%(" 5"$ "(+$5%!µ%(", 0.?, ?0D 5"(.($5/, *?(H25%,, L%K%'<.?( "0D +)( 0"&"+2&)*) µ",, *% +&%$, 5"+)<.&!%,. J 0&A+)

0%&$8"µ>-(%$

$*;?&!N%+"$

"(+$5%!µ%("

"0.#!#%+"$

0.8'

µ$5&-

5$()µ"+.<&"K$5-

µ%

2 +)

0.8' µ.&K2

µ%<-8". +.?

3.

µ$5&D

<5&D-08"(.

B

Eisenstein "("K/&%$ 06, ) 5'&$" 8%$+.?<!" +.? <5&. 08"(, «#%( %!("$ +D*. (" #%!;(%$

2

("

0"&.?*$-N%$,

D*.

("

*)µ"!(%$,

("

#!(%$

(D)µ",

("

;"&"5+)&!N%$».42 3"

µ%<-8"

0"(.&-µ"+",

"88-

"(+$5%!µ%(" 5"$

+$,

"K.&.'(

"(H&A0$(%,

+$,

";"(%!,

µ-N%,:

.$

0%#$-#%,,

0"&"#.*$"5/,

5-H%

%!#.?,

0"&"*+"+$5/,

+/;(%, *+-H)5"( "(!5"(%, (" "K.µ.$A*.?( 5"$ (" "("0"&"*+2*.?( "&;$5- +$, "(H&A0$(%, µ-N%, 0.? 5"+/58?N"( +$, µ)+&.0D8%$,. V06, "("K/&%$ . Kracauer, «µD(. . 5$()µ"+.<&-K., 2+"( $5"(D, (" *?88->%$ +" 082H) %( 5$(2*%$». 9% "?+2 +)( 0%&!0+6*), «+. D&<"(. +), "("0"&"<6<2, <%((2H)5% *;%#D( +"?+D;&.(" µ’/(" "0D +" 5'&$" "(+$5%!µ%(" +.?». F+*$ %L)<%!+"$ ) /8L) 0.? "*5.'*"( .$ µ-N%, *+$, 5$()µ"+.<&"K$5/, 5-µ%&%,. 9?(%;!N.(+", +)( *5/M) +.? <$" +. µ%<-8., H" 0%$ 06, 5-H% µ%<-8. "(+$5%!µ%(., D06, <$" 0"&-#%$<µ" /(" µ%<-8. +.0!., /(" "*+$5D +.0!. *+)( 0%&!0+6*) +), +"$(!", 0.? "("8'%+"$, µ0.&%! (" 5"+"<&"K%! µ% /(" µ"5&$(D 08-(..

3. µ%<-8. #$"K/&%$ "0D +. µ$5&D "0D +)( -0.M) D+$ µ0.&%! (" %L"(+8)H%! µD(.

µ/*"

"0D

/("

*?(#?"*µD

%$5D(6(

"0D

#$"K.&%+$5/,

82M%$,.

«J

5$()µ"+.<&"K$52 +"$(!" 0&/0%$ (" 8%$+.?&<2*%$ D06, /(", +.?&!*+", . .0.!., 0%&$#$">"!(.(+", /(" +.0!., "K2(%$ +" µ-+$" +.? (" 0%&$08"()H.'(, /+*$ A*+% ) +%8$52 +.? %$5D(" <$’"?+D +. +.0!. (" *?(+!H%+"$ "0D #$-K.&%, 8%0+.µ/&%$%, 5"$

0"(.&"µ$5/,

+&->%8$(<5,

0.?

"0DM%$,». #%!;(%$

@?+-

+"

#$"#.;$5-

5"H25.(+" +.

*'(.8.

µ0.&%!

5"$

("

+"

#$-K.&"

%508)&A*%$ *+.$;%!"

+. +.?

*?(D8.?. @88- ) 0$. *?()H$*µ/() µ/H.#., %!("$ (" "(+$0"&"+!H%(+"$ µ"5&$(5"$ 5.(+$(- 08-(". 3. "( /(", +/+.$., *?(#?"*µD, %$5D(6( "&;!N%$ µ% /(" 5.(+$(D 08-(. 2 µ% /(" µ"5&$(D %!("$ +. !#$. "#$-K.&. D*. 5"$ . "&$HµD, +6( 08-(6( 0.? ;&)*$µ.0.$.'(+"$. @?+D 0.? /;%$ *)µ"*!" %!("$ (" 0"&"*'&.?( +"

41

Kracauer, S., A$*%1! #'( 6-03µ!#'8%&9'(, F !,$@$(>.%*23 #3: "(2-;5: R%!8µ!#-;?#3#!:, µ+K&. G.'&+.>$5, :., @H2(", G-8>.,,1983, 74.

42 V.0., 82.

23

#$"#.;$5- 08-(" +.( H%"+2 *% µ$" 5!()*) 0.? +.? %0$+&/0%$ 0&"<µ"+$5- (" *?88->%$

+.

µ/<%H.,

%(D,

"*+$5.',

<$"

0"&-#%$<µ",

+.0!.?.

J

"5.8.?H!"

µ"5&$(D 08-(., 5.(+$(D 08-(., µ"5&$(D 08-(., 5...5. 0&.*0"H%! (" 5"+"(.2*%$ +" µ%<-8" *'(.8" 5"$ +%8$5- +)( !#$" +)( K'*).43 J #%'+%&) 5"+)<.&!", 0.? L%K%'<%$ K?*$.8.<$5- "0D +)( 0"&"+2&)*) µ", 5"$

<!(%+"$

.&"+2

µ/*"

"0D

+.

5$()µ"+.<&"K$5D

"(+$5%!µ%(., *'µK6(" 0-(+" µ% +.( Kracauer.

µ/*.,

"K.&-

+.

0"&.#$5D

«J 5$()µ"+.<&"K$52 +"$(!"», H"

0%$, «K"!(%+"$ (" /;%$ $#$"!+%&) 0&.+!µ)*) <$" +" 8$<D+%&. *+"H%&- *+.$;%!" +.? 0%&$>-88.(+., µ",. 70.&%! 5"(%!, (" 0%$ D+$ . #&Dµ.,, µ% +)( %?&'+%&) *)µ"*!" +), 8/L),, %!("$ /(", ;A&., D0.? "("<5"!" #)µ$.?&<.'(+"$ %(+?0A*%$, "?+.' +.? %!#.?,».

44

F0%$+", H" 0"&"H/*%$ +" 8D<$" +.? Aragon, . .0.!.,

%5K&-N%$ +.( %(H.?*$"*µD +.? <$" +)( +-*) +.? µ/*.? <$" +. %K2µ%&.: «.

5$()µ"+.<&-K., µ", #!#"L% µ/*" *% 8!<" ;&D($" 0%&$**D+%&" <$" +.( -(H&60.

"0D

D*"

µ",

#!#"L"(

"$A(%,

.8D58)&.$

N6<&"K$52,:

K%?<"8/%,

%5K&-*%$,,

*+-*%$, *;%#D( "0!*+%?+%,, <.)+%!" 5"$ #?*µ.&K!"».

J +&!+) 5"$ +%8%?+"!" 5"+)<.&!" µ$8- <$" +$, +?K8/, 5)8!#%, +.? (.? blind spots of the mind. O Kracauer %#A "("K/&%+"$ *+)( *?(2H%$" 5"$ +) 0&.5"+-8)M)

0.?

/;.?µ%

5"$

µ",

%µ0.#!N.?(

("

"(+$8)KH.'µ%

*)µ%!"

+.?

0%&$>-88.(+., µ",. @( 5"$ %#A "("K/&%+"$ *+. &D8. 0.? 0"!N.?( 5?&!6, .$ 0"&"#D*%$,

5"$

µ0.&.'*"µ%

("

+"

0.8$+$*+$5-

$*;?&$*+.'µ%

06,

0&D+?0" µ%

+.(

*+$, !#$.

#$"#$5"*!%, +&D0.

"0"8.$K2,,

µ%+"+&/0%+"$

*%

H"

+?K82

5)8!#" +.? (.? /(" 5%(D .$5D0%#. µ/*" *+. 0?5(.#.µ)µ/(. $*+D +), 0D8),.

«1.88-

"(+$5%!µ%("

5.$+-µ%»,

"("K/&%$

0%&(.'( %(A,

"0"&"+2&)+"

«.$

<$"

+.(

5$()µ"+.<&"K$5/,

"08D

8D<.

+"$(!%,

#%(

D+$ /;.?(

#%(

+"

+/+.$%,

"("*+.8/,, "0%("(+!",, "?+D 0.? *?(2H6, 0&.+$µ-µ% (" "<(..'µ% +$, %85'%$, "5&$>A, %L"$+!", +), <%($52, "#$"K.&!", 0.? *?("(+-%$».

B

Kracauer

.8.58)&A(%$

+.(

*?88.<$*µD

+.?

"?+D

*%

*;/*)

µ%

+)(

"0.5-8?M) +), K?*$52, 0&"<µ"+$5D+)+", µ% +" 0"&"5-+6 8D<$": «G"+"<&-K.(+", 5$ %L%&%?(A(+", +) K?*$52 0&"<µ"+$5D+)+", . 5$()µ"+.<&-K., µ", "0.5"8'0+%$ /(" 5D*µ. 0&6+D<(6&., /(" 5D*µ. +. !#$. "0"&"+2&)+. D*. 5"$ +. 58%µµ/(. <&-µµ"

+.?

1D%,

0.?

5"(%!,

#%(

µ0.&.'*%

("

+.

>&%$

<$"+!

2+"(

*?(%;A,

µ0&.*+- *+" µ-+$" D86(. V*. 0"&-L%(. 5$ "( K"(%!, 0"&D8. 0.? .$ #&Dµ.$, +" 0&D*60", .$ *$#)&.#&.µ$5.! *+"Hµ.! 580. >&!*5.(+"$ µ0&.*+- *+" µ-+$" µ",, 6, +A&" /µ%("( *;%#D( "D&"+.$... B 5$()µ"+.<&-K., 5-(%$ .&"+D 5-+$ 0.? #%( >8/0"µ%

5$

!*6,

.'+%

µ0.&.'*"µ%

("

#.'µ%

0&$(

"0D

+.(

%&;.µD

+.?...

G?&$.8%5+$5- "0%8%?H%&A(.?µ% "?+D +.( 5D*µ. "0D +.( 82H"&<. +.?, "0D +)( .?*$"*+$52 "(?0"&L!" +.?, %0$;%$&A(+", (" +.( >$A*.?µ% µ/*" "0D +. K"5D +), 5-µ%&",.

G$

%!µ"*+%

%8%'H%&.$

("

+.(

>$A*.?µ%,

%0%$#2

%!µ"*+%

5"+"5%&µ"+$*µ/(.$. B 5$()µ"+.<&-K., µ0.&%! (" .&$*H%! 6, /(" µ/*. -&$*+" %L.08$*µ/(.

<$"

("

0&"<µ"+.0.$2*%$

+)(

"0%8%?H/&6*)

+),

K?*$52,

0&"<µ"+$5D+)+",. B$ %$5D(%, µ", %0$+&/0.?( <$" 0&A+) K.&-, (" "K.µ.$A*.?µ% +" "(+$5%!µ%(" 5"$ +" K"$(Dµ%(" 0.? "0.+%8.'( +) &.2 +), ?8$52, N62,”.45

43 44 45

Kracauer, S., D.0., 88.

V.0., 90.

V.0., 425.

24

!" #$%&' $() *&+$": % 9#$%& '() % 9$*+%& -3+ (;;=63+

9+" "#$%& #'( )%*#! #'. -<<%8.$, . Damiel 5"$ . Cassiel, 0%&$08"(A(+"$ *% #$-K.&" µ/&) +.? U%&.8!(.? 5"$ *?;(- /85.(+"$ "0D +.?, 5%(.', ;A&.?, +), 0D8), 5"$ "0D +D0.?, - +%5µ2&$" $*+.&$52, 5"+"*+&.K2,. B$ -<<%8.$ 5"$ .$ -(H&60.$ N.?( *% #$"K.&%+$5/, ;&.($5/, 58!µ"5%,. B$ 0&A+.$ N.'( *+.( #$"&52 5"$ "$A($. ;&D(., %(6 .$ #%'+%&.$ *% /("( -88. 5.$(6($5- 5"+"*5%?"*µ/(. ;&D(. 5"$ ;A&..

9%

µ$"

0&.*0-H%$"

#$";6&$*µ.'

+),

+"$(!",

*%

(.)µ"+$5/,

*%5-(,,

#$"5&!(.?µ% #'. µ%<-8%, 0%&$D#.?,. 9+)( 0&A+) ) 5-µ%&" +"?+!N%+"$ µ% +)( 5$(.'µ%() µ"+$- +6( "<</86( 5"$ +. K$8µ %!("$ "*0&Dµ"?&., %(6 *+) #%'+%&) 0%&!.#. ) 5-µ%&" 5$(%!+"$ *+. %0!0%#. +6( µ"+$A(, 5"$ +. K$8µ 0"!&(%$ ;&Aµ".

9+)(

"(-8?*)

+),

+"$(!",,

0.?

"5.8.?H%!,

H"

;&)*$µ.0.$)H%!

)

!#$"

5"+)<.&$.0.!)*), 5"HA, . +&D0., 0.? ;%$&!N%+"$ . *5)(.H/+), +$, /((.$%, 5"$ +" N)+2µ"+" +.? ;A&.? 5"$ +.? ;&D(.?, #$"K.&.0.$%!+"$ *)µ"(+$5- *+$, #'. "?+/, 0%&$D#.?,.

J +"$(!" L%5$(- µ% +)( "K2<)*) *+!;6( *% K6(2 .KK 5"$ *% <5&. 08-(. +. ;/&$ 0.? <&-K%$ +.?, *+!;.?, "?+.',: «U#!0 #' ,!-<1 5#!0 ,!-<1 ,$%,!#'B2$ µ$ !-*%'Bµ$0! 4.%-!

5>$@$ #' %(&;- 0! $10!- ,'#&µ#' ,'#&µ-, .0!: 4$1µ!%': ;- !(#5 3 @!;'BG!, 3 >&@!22! ?#!0 #' ,!-<1 5#!0 ,!-<1 <$0 5D$%$ ,*: 5#!0 ,!-<1 #! ,&0#! 5#!0 8$µ&#! 7*5 ;!- 3 7*5 5#!0 7*5 ?#!0 #' ,!-<1 5#!0 ,!-<1 <$0 $14$ 80=µ3 8-! #1,'#! <$0 $14$ 2(05>$-$: ;!>?#!0 2(40& µ$ 2#!(%*µ.0! ,?<-!, .#%$4$, $14$ .0! #2'(@'B9- 2#! µ!@@-& ;!- <$0 .,!-%0$ ,?7$: ?#!0 9*#'8%!9-7?#!0»

7%+- +.?, +!+8.?, +), "&;2,, *"( 0&A+. 08-(. +), +"$(!", . Wenders +.0.H%+%! *% <5&. 08-(. +. µ-+$ %(D, "<</8.?. 7% "?+D( +.( +&D0. 0&.*0"H%! (" #%!L%$ 06, *+$, *5)(/, 0.? H" "5.8.?H2*.?(, *;%#D( *% D8. +. 0&A+. µ$*D +), +"$(!", H" <!(%$ µ!" +"'+$*) +.? >8/µµ"+., +), 5-µ%&", µ% +. >8/µµ" +6( "<</86(. F+*$ +. %0Dµ%(. 0"(.&"µ$5D 08-(., 0$H"(D( 08-(. %8$5.0+/&.?, 0.? "$6&%!+"$ 0-(6 "0D +)( 0D8) +.? U%&.8!(.? 0"&"0/µ0%$ *+)( "$6&.'µ%() µ"+$+6( "<</86(.

9+. 0&A+. µ/&., +), +"$(!",, ) 5-µ%&" "$6&%!+"$, 5$(%!+"$, 0-(6 5"$ µ/*" *+)( 0D8) +.? U%&.8!(.? *;%#D( %8%'H%&", %(A .$ -<<%8.$ 5&'>.(+"$ 0!*6 "0D +)( 5!()*) "?+2. J "(+!8)M) +6( "<</86( %!("$ "0%&$D&$*+), +D*. +.? ;A&.? D*. 5"$ +.? ;&D(.?. 9?;(- Dµ6, ) 5-µ%&" %0$*+&/K%$ *+) <), *+)( 0D8), 5"$ µ% 0$. 5.(+$(- 08-(" #$%$*#'%$ *+$, N6/, +6( 5"+.!56( +),. F+*$, +.

25

0&A+.

µ/&.,

+),

+"$(!",,

"?+D

0.?

µ",

#!(%+"$

µ/*"

"0D

+)(

µ"+$-

+6(

"<</86(, ;"&"5+)&!N%+"$ "0D µ$" 0.$5$8!" µ"5&$(A( - 0"(.&"µ$5A( 08-(6( +), 0D8), 5"$ 5.(+$(A( 08-(6( +), N62, *+)( 0D8). J %("88"<2 +), 0&..0+$52,, µ/*"

"0D

"?+2

+)(

%("88"<2

+6(

08-(6(,

#)µ$.?&<%!

*+.(

H%"+2

µ$"

"0.*0"*µ"+$52 "(+!8)M) +), 0&"<µ"+$5D+)+", 5"$ µ", H?µ!N%$ µ$" H&"?*µ"+$52 %µ0%$&!",

"?+2

+.?

µ%+"µ.(+/&(.?

5D*µ.?

µ",.

O?µ!N%$

"5Dµ)

5"$

+)(

"0.*0"*µ"+$52 "(+!8)M) +.? +"L$#$A+) D+"( 5$(%!+"$ µ% <&2<.&%, +";'+)+%, µ/*" *+)( 0D8) 2 "(-µ%*" *% 0D8%$,.

9+. %0Dµ%(. 08-(., . *5)(.H/+), µ", *?*+2(%$ /("( -<<%8., 5"H$*µ/(. *+)( 5.&?K2 %(D, 5+$&!.?. B -<<%8., 5.$+- 0&., +" 5-+6, >8/0.(+", +.( 5D*µ. (" 0%&0"+- 5"$ (" #$"*;!N%$ +.( #&Dµ., %(A ) 5-µ%&" *% 08.(N/ "5.8.?H%! +. >8/µµ" +.?: /(" µ$5&D 5.&!+*$ *+"µ"+- 5"$ +.( 5.$+-N%$, 5"$ ) 5-µ%&" <?&!N%$ 5.(+& 08.(N/, "5.8.?HA(+", +A&" +. >8/µµ" +.? µ$5&.' 5.&$+*$.', #%!;(.(+", +. 5+!&$. 0.? 5-H%+"$ . -<<%8., µ% /(+.() 0&..0+$52. 7/*" *% /(" *;.8$5D 8%6K.&%!.

#'.

0"$#$-

5.$+-N.?(

M)8-,

<(6&!N.(+",

+)(

'0"&L)

+.?

"<</8.?

#%!;(.?( 0&., +. 5+!&$.. 3" 0"$#$- /;.?( +)( $5"(D+)+" (" >8/0.?( +.?, "<</8.?,.

J %µµ.(2 +.? Wenders (" +.0.H%+%! 0"$#$- *+$, +"$(!%, +.?, %&µ)(%'%+"$ %( µ/&%$ 5"$ "0D +)( %0$&&.2 +.? Reiner Maria Rilke, *+) #.?8%$- +D*. +.?

Wenders D*. 5"$ +.? 0.$)+2 5"$ *?<<&"K/" Peter Handke. B +%8%?+"!., H" *?(%&<"*+%! *?;(- µ% +.( *5)(.H/+), %(A *+" "#$%& #'( )%*#! H" <&-M%$ +.?, 0%&$**D+%&.?, #$"8D<.?,, 5"HA, 5"$ +. 0.!)µ" Song of Chilhood 46 , "0.*0-*µ"+" +.? .0.!.? #$"+&/;.?( D8) +)( +"$(!". S$" +.( Rilke +" 0"$#$- *+/5.(+"$ 0-(+" *% /(" ;A&. %(#$-µ%*.: V%$: #3: ,!-<-;5: µ!: 3@-;1!:, ,'( #?#$ '- µ'%9.: <$0 .;%(G!0 µ'0&4! ,!%$@>?0 ;!- µ,%': µ!: <$0 (,5%4$ µ.@@'0. W.G!-! µ$8!@=2!µ$, ;!µ-& 9'%& G-!7?µ!2#!0 ,'@B, @-8&;- ;!- 8-! 4&%3 ?2*0 #1,'#$ <$0 $14!0 ,-! $;#?: !,? #' 0! $10!- µ$8&@'-.

T2#?2', 2#3 µ'0!4-;5 #%'4-& µ!:, µ!: .<-0$ 4!%& ?#- <-!%;.:, ;!- 2#.;!µ$ $;$1, 2$ 4=%' $0<-&µ$2', !0&µ$2!

2#' 2Bµ,!0 ;!- 2#' ,!-40-<&;- µ!:, 2’.0!0 #?,' #!8µ.0' $D!%45: 2’.0! 2(µG&0 ;!>!%?.47 9;%#D( *"( +" 0"$#$- *+.( Rilke /+*$ 5"$ ) +"$(!" +.? Wenders

5$(%!+"$ *%

/("( ;A&. 0-(+" %(#$-µ%*.. 9+.( 5%(D ;A&. 0.? .&!N%+"$ "(-µ%*" "0D +" 5+!&$" +.?

U%&.8!(.?,

*?<5.$(6(!",

5"$

*+.( +),

%(#$-µ%*.

;A&.

%0$5.$(6(!",,

0.?

*+.(

.&!N.?(

;A&.

0.?

.$

.&!N%$

+%;(.8.<!%, )

µ.(+/&("

+), 5"$

µ%+"µ.(+/&(" %µ0%$&!".

J 5-µ%&" 0%&$*+&/K%+"$ %8%'H%&", <'&6 "0D +. !#$. 5+!&$., µ% /(" 0"(.&"µ$5D 08-(. 5"$ %(A "5.'<.(+"$ M!H?&.$ "0D K6(/, "(H&A06(. @$6&.'µ%()

46

U8/0% 0"&-&+)µ", 55.

47

V.0., 60.

26

*?(%;!N%$ +)( 5!()*) +), 0&., +.?, #&Dµ.?, +), 0D8), µ% 0$. 5.(+$(- 08-(", %*+$-N.(+", µ%µ.(6µ/(" *+.?, 5"+.!5.?, +), 0D8), 5"$ +$, *5/M%$, +.?,. J 5!()*) +), 5-µ%&", +"?+!N%+"$ µ% +)( 5!()*) +6( "<</86( 0&., +. %0!0%#. +), <),, %(A . !#$., . *5)(.H/+), H" K&.(+!*%$ (" µ", +. #%!L%$ "?+D µ% /(" 08-(. +6( K+%&A( +.? "<</8.? (" 5$(.'(+"$ *"( (" 0&D5%$+"$ (" 0%+-L.?(. F+*$ 0%+- 5"$ +. >8/µµ" +), 5-µ%&", µ"N!.

B #&Dµ., %!("$ /(", ;A&., 0.? 5$()µ"+.<&"K%! 0.8' *?;(- . Wenders. B !#$., "("K/&%$ 06, «.$ $*+.&!%, µ.? L%5$(.'( µ% +D0.?,, 0D8%$,, +.0!" 5"$ #&Dµ.?,.

F(",

;-&+),

#$"*+"?&A(.(+"$

D8.$

%!("$ .$

*"(

/("

-(H&60.$,

*%(-&$.

5$(.'(+"$,

<$"

%µ/("».

>&!*5.(+"$

48

9+.(

*+)(

#&Dµ.

.?*!"

+),

0D8),. 9+.( #&Dµ. #$"*+"?&A(%+"$ 5"$ . -(H&60., µ% +.( -<<%8..

B Kracauer 0%&$<&-K%$ +)( %µ0%$&!" +.? 0%&$0"+)+2 *+. ;A&. +.? #&Dµ.?: «K <%?µ':, µ$ #30 $(%B#$%3 23µ!21! #3: @.D3:, <$0 $10!- µ?0' #' >.!#%' 9$(8!@.*0 $0#(,=2$*0 ;!- #(4!1*0 2(0!0#52$*0, !@@& .0!: 4=%': ?,'( 3 %'5 #3: 7*5: <$0 µ,'%$1 ,!%& 0! !0!<$-4#$1. R&@- >! 2;$9#$1 ;!0$1: ;(%1*: #' <%?µ' #3: ,?@3:, µ$ #' !$-;103#' !0=0(µ' ,@5>': #'(. E! ;!@$-<'2;',-;& >$&µ!#! !0!;!#$B'0#!- µ$ !,%'2<-?%-2#! 245µ!#!, µ$ !,'2,!2µ!#-;& ',#-;& 2(µ,@.8µ!#!, ;!- !,';@$1'0#!- !µ'-G!1!, $µ,'<17'0#!: .#2- #'0 >$!#5 0! ,!%!;'@'(>52$- <-$D'<-;& ;&,'-$: !,? #-: !0!%1>µ3#$: 0BD$-: ,'( ;&0'(0. H(#? ,'( G@.,$- ' >$!#5: <$0 $10!- #?2' &0>%*,'- µ$ 2!95 ,$%-8%&µµ!#!, !,'%%'93µ.0'- !,? #-: !24'@1$: #'(:, ?2' 4!@!%& ,@5>3 !,? !<%.:, $0#$@=: !,%'2<-?%-2#$: 9-8'B%$:. F ;!>$µ-& #'(: .4$- ;- !,? µ-! -2#'%1!, !@@& !(#5 3 -2#'%1! <$0 $10!- <$<'µ.03.

H0#1>$#!, $µ9!017$#!- µ-! !;!#&,!(2#3 %'5 !,? <(0!#?#3#$: ;!- 24$<?0 !2B@@3,#! 0'5µ!#!. H(#5 3 %'5 !-4µ!@*#17$- µ$ #30 µ!8-;5 #3: .@D3 #'0 ,@&03#!, 5 !;?µ! ;!- #'0 <3µ-'(%8$1. K ,@&03#!: µ$>&$- µ$ #3 7*5 #'( <%?µ'( – µ$ #3 7*5 ,'( !-=0-! <-!@B$- #-: µ'%9.:, ,%-0 ;!@& ;!@& #-: <-!,@&2$-».49 O"

"5.8.?H2*%$

µ$"

*%$&-

"0D

08-("

-

H&"'*µ"+",

+6(

"(H&A06(

0.?

5$(.'(+"$ µ/*" *+)( 0D8). B$ -<<%8.$ /;.?( +)( $5"(D+)+" (" "5.'(% +) *5/M) +6( "(H&A06(. F(", -(+&", µ% /(" µ6&D *5/K+%+"$ 5"HA, ) 5-µ%&" +.( 08)*$-N%$ "0D M)8- 5"$ "5.'<%+"$ *% K6() .KK ) *5/M) +.?: «H 0"&)<.&$- +.? (" *)5A(%$ 5"(%!, +. 5%K-8$ 5-0.$.?, ) 0"&)<.&$- +.? (" >8/0%$ 5"(%!, +. ;&Aµ", +. .0.!. K6+!N%+"$ "0D +.( 28$. *+" µ-+$" D86( +6( "(H&A06(», µ$" (%"&2 <?("!5" µ% +. 0"$#! +), 0-(6 *% /(" 0.#28"+. 5$(%!+"$ *5%K+Dµ%(), 0-8$ *% K6(2 .KK: «40$+/8.?,

+&%82,

%0$+/8.?,

D;$

0$"

µD()!

E0$+/8.?,

+&%82,

%0$+/8.?,

8?+&6µ/()! 40$+/8.?, +&%82, %0$+/8.?, *% )*?;!"!». @?+2 ) "!*H)*) +), H&"?*µ"+$5D+)+", 5"$ "*?(/;%$",, 0.? "("#'%+"$ "0D +)( %("88"<2 +6( 08-(6(, *?(H/+%$ /(" µ%+"µ.(+/&(. *5)($5D, µ$" 5"+%+µ)µ/() #)8"#2 0&"<µ"+$5D+)+" ;6&!, 5"µ!" 0&DH%*) %(.0.!)*), +6( H&"?*µ-+6( "?+A(. B +&D0.,

"?+D,

5$()µ"+.<&-K)*),

"0.*0"*µ"+$5A(

*+/5%+"$ *+.( "(+!0.#" +6( "K)<2*%6( +.?

08-(6(

#$"K.&%+$5A(

;A&6(,

Hollywood, .$ .0.!%, +%!(.?( ("

48

Wenders, W., Impossible stories, Talk given at a Colloquium on Narrative Technique, *+. Cook, R. F., 5.-., The Cinema of Wim Wenders, Image Narrative and the Postmodern Condition, Detroit, Wayne State University Press, 1997.

49

Gracauer, S., D.0., 118.

27

%*+$-N.?( *% µ!" +.0.H%*!", "5.8.?HA(+", 0%&$**D+%&. µ$" ;&.($52 0"&- µ$" ;6&$52 *%$&- +6( <%<.(D+6(.50 J 5-µ%&" <?&(- 0&., +.( .?&"(D "$;µ"86+!N.(+", /(" "%&.08-(. *+. 5-#&. +),. 9+. %0Dµ%(. 08-(., µ/*" 0$" *+. %*6+%&$5D +.? "%&.08-(.? .$ +"L$#$A+%, +.?, "0.8"µ>-(.(+", +" .K/8) +6( +%;(.8.<$A( +), *?<5.$(6(!",, 5"+"&<.'( +$, "0.*+-*%$, µ/*" "0D +)( +";'+)+" 5"$ "88-N.?( +" "(+$8)0+$5- D&$" +.? ;A&.?

5"$ +.? ;&D(.?. B -<<%8., 0.? 0%&$K/&%+"$ *+. "%&.08-(., *+"µ"+- (" "5.'*%$ +$, *5/M%$, %(D, µ$5&.' 5.&$+*$.': «Q0-&;%$ /(" µ$5&D *0!+$, µ% #'. %0!0%#" 5"$ µ!" +"&-+*", 5"$ 5-H% µ/&" 0)<"!(.?µ% <$" µ0-($.. G"$ . -(+&", 0.? N%$ %5%!...», +. >8/µµ" +.? "<</8.? 5$(%!+"$, µ"N! 5"$ ) 5-µ%&" 0&., /("( -(#&" 0.? 5-H%+"$ *+. 0!*6 5-H$*µ", +.( Peter Falk, «...U%&.8!(.,.. 3D5?., G$D+., 1"&!*$, Y.(#!(., 3%&</*+), U%&.8!(.». @("K/&.(+", D8%, "?+/, +$ 0D8%$, 0.? /;%$ >&%H%! 5"$ #.?8/M%$ *+)( 5"&$/&" +.? . )H.0.$D, Peter Falk, #%!;(%$ 06, .$ +%;(.8.<!%, +), *?<5.$(6(!",, D06, +. "%&.08-(. µ/*" *+. .0.!. >&!*5%+"$, 5"+"&<.'( +" ;6&$5- D&$" µ%+"L' +6( 0D8%6(, 5"+"&<.'( +$, "0.*+-*%$, µ%+"L' +.?,

5"$

#)µ$.?&<.'(

µ$"

(/"

"(+!8)M)

+),

0&"<µ"+$5D+)+",

*+.(

*'<;&.(.

-(H&60..

B Wenders H" ;&)*$µ.0.$2*%$ +$, +%;(.8.<!%, +), *?<5.$(6(!", *% D8) +) #$-&5%$" +), +"$(!",. J *5)(2 "?+2 +.? "%&.08-(.?, D06, 5"$ -88%, 0.? H" "5.8.?H2*.?(,

K"(%&A(.?(

+)(

*)µ"*!"

+6(

+%;(.8.<$A(

µ%+"K.&-,

*+)(

(µ%+-)µ.(+/&(" 0D8) 5"$ %0$08/.( K"(%&A(.?( +)( %0!#&"*) +6( +%;(.8.<$A( "?+A( *+)( "(+!8)M) µ",. 1&.*0"H%!, "5Dµ), (" 5"+"#%!L%$ +) #$-8?*) +6( K?*$5A(

.&!6(

*+)

*'<;&.()

*?(H25).

J

$5"(D+)+"

+6(

+%;(.8.<$A(

+),

µ%+"K.&-, (" %0"("#.µ2*.?( +)( "(+!8)M) µ", *% *;/*) µ% +. ;A&. 5"$ +. ;&D(. /;%$ 2#) "("K%&H%! *+. 0&A+. µ/&., +), %&<"*!",.

J 5-µ%&" 0-8$ "$6&%!+"$ *;%#D( µ/*" *+" *'((%K", 0%&(- "0D /("( *+"HµD +)8%0$5.$(6($A(,

%(A

"5.'µ%

+)(

K6(2

0.88A(

&"#$.K6($5A(

0"&"<6<A(

+"?+D;&.(", #%!;(.(+", %#A +.( $#$"!+%&. &D8. 0.? 0"!N.?( .$ +%;(.8.<!%, +), %0$5.$(6(!", *+)( (µ%+-)µ.(+/&(" %µ0%$&!". J 5-µ%&", *?(%;!N%$ +)( 5!()*) +), µ% 0"(.&"µ$5- 08-(" +), 0D8), 5"$ +6( "?+.5$()+D#&.µ6( +),, 5"$ "µ/*6, µ%+- µ% 5.(+$(- 08-(", +&?0A(%$ *% /(" #$"µ/&$*µ". 45%! 0-8$ "5.'µ% +$, *5/M%$, +6( "(H&A06(, µ$", <?("!5", 5"$ /(D, 0"$#$.', /0%$+" *% /(" -88. *0!+$, µ$" <?("!5" 0.? >-K%$ /("( +.!;., *% /(" -88. *0!+$, /(", -(+&", H" *5%K+%! +)( %µµ.(2 +), µ)+/&", +.? (" *?88/<%$, "5Dµ) 5"$ %$*$+2&$" +.? µ%+&D: «J µ)+/&" µ.?, ) µ)+/&" µ.?. 1.+/ #%( 2+"(. B 0"+/&", µ.? 2+"( .

0"+/&", µ.?. 45%!() /;%$ 0%H-(%$. V;$ #-5&?", D;$ H8!M). P*6, "&<D+%&"». B -<<%8., - ) 5-µ%&", %0"(/&;%+"$ *+. 0&.)<.'µ%(. *0!+$, D0.? ) !#$" <?("!5" 5"0(!N%$ %(A 0"&"+)&%! +.( >"µµ/(. +), 0$" +.!;.. J 5-µ%&" *?(%;!N%$ +)( 5!()*) +), "0D +. 08-(. +), <?("!5", 5"$ ><"!(%$ "0. +. 0"&-H?&., 5$(%!+"$ 0&., +" 5-+6, 0&., 5-0.$" #&.µ-5$" 0.? 0"!N.?( 0"$#$-, 5"$ /0%$+" %0$*+&/K%$ L"(-

0&.,

+"

0-(6,

µ%

%8%'H%&)

0-(+"

5!()*)

5"$

µ0"!(%$

*%

/("

-88.

50

Kaplan, S., Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space and Memory in the Postmodern Metropolis, University of North Carolina.

28

#$"µ/&$*µ".

F#A

"0.<.)+%?µ/(.,

/(",

"0D

µ$-

(%"&D,

*5/K+%+"$

%&6+$52

*;/*),

%(A

5"H$*µ/(., .

*+.

*5)(.H/+),

5&%>-+$

µ",

+.?,

L%("<%!

*+.

%*6+%&$5D +.? *0$+$.', µ% +)( 5-µ%&" (" 0%&(- "0D "K"(%!, 8%0+.µ/&%$%,, D06, +"

#$"5.*µ)+$5-

"(+$5%!µ%("

*+"

&-K$"

µ$",

>$>8$.H25),.

F0%$+"

µ/*"

*+.

08-(. %µK"(!N.(+"$ .$ <.(%!,, *;%#D( *"( #$"5.*µ)+$5- "(+$5%!µ%(", -M?;.$ 5"$ "?+.!, "()*?;.'(, -0&"<.$ <$" +. 0"$#! +.?,. B 0"+/&", +.? 0"&"5.8.?H%! +)8%D&"*) >?H$*µ/(., *+$, *5/M%$, +.? <$" +.( <$D +.?, %(A ) µ)+/&" +.? µD() +),

*+)(

5.?N!("

µ.$&-N%+"$

+)(

!#$"

"()*?;!".

J

5-µ%&"

*?(%;!N%$

("

5$(%!+"$, 0%&(- µ/*" "0D +.!;.?, - .$ -<<%8.$ #%( <(6&!N.?( .'+% 0(%?µ"+$5.'+% K?*$5- %µ0D#$", <$" "?+.', . ;A&., %!("$ %(.0.$)µ/(., - 5"$ +&?0A(%$ <$" -88) µ$" K.&- *% /(" #6µ-+$. D0.? +&!" 0"$#$- 0"!N.?(. @5.'<%+"$ ) K6(2 +.? -<<%8.? Damiel (" "00"<</8%$ *+!;.?, "0D +. 0.!)µ" 0.? "02<<%$8% *+)( "&;2 +), +"$(!", *% K6(2 .KK: «U#!0 #' ,!-<1 5#!0 ,!-<1, !(#?: 5#!0 ' ;!-%?: #*0 $%*#52$*0: N-!#1 $1µ!- $8= ;!- ?4- $2B; N-!#1 $1µ!- $<= ;!- ?4- $;$1; R?#$ D$;1032$ ' 4%?0':, ;!- ,'( #$@$-=0$- ' 4=%':; S$0 $10!- 3 7*5 ;&#* !,? #'0 5@-' !,@& .0! ?0$-%';» 7%

+.?,

+%8%?+"!.?,

*+!;.?,

.

Damiel

>&!*5%+"$

*+.

#6µ-+$.

%(D,

µ$5&.'

5.&$+*$.' µ% 0&.>82µ"+" 5$()+$5- 5"$ D&"*),. 3. µ$5&D 5.&!+*$ H" "("<(6&!*%$ +)( 0"&.?*!" +.?. O" *?(%;!*%$ . Damiel: «S$0 $10!- ?#- G@.,*, !;'B* ;!- µ(%17* !,@=: µ-! !0#!0&;@!23 #'( ;?2µ'( ,%-0 !,? #'0 ;?2µ'; M,&%4$- 2#’!@5>$-! #' ;!;? ;!- (,&%4'(0 &0>%*,'- ,'( $10!- ,%!8µ!#-;& ;!;'1; R*: 810$#!- $8=, ,'( $1µ!- $8= 0! µ30 5µ'(0 ,%-0 0! $1µ!;!- µ$%-;.: 9'%.: $8=, !(#?: ,'( $1µ!<$0 >! $1µ!- ,-! !(#?: ,'( $1µ!-;» 9+. 0.!)µ" +.? "?+D . Peter Handke H/+%$ %L"$&%+$5- N)+2µ"+" +.? ;A&.?

5"$ +.? ;&D(.?, "88- 5"$ +.? 0&.*#$.&$*µ.' +), '0"&L), µ/*" "0D +$, #'. "?+/, /((.$%,. “S$"+! %!µ"$ %#A 5"$ D;$ %5%!; 1D+% L%5!()*% . ;&D(., 5"$ 0.? +%8%$A(%$

.

;A&.,;”,

%&6+2µ"+"

0.?

H/+.?(

.$

-<<%8.$,

<(6&!N.(+",

+)(

"0-(+)*) +.?,.

J 5-µ%&" ><"!(%$ 0-8$ "0D +. #6µ-+$. +.? 5.&$+*$.' 5"$ "$6&.'µ%() *+.( .?&"(D +.? U%&.8!(.?, µ% 0"(.&"µ$5- 0-8$ 08-(", "5.8.?H%! +)( *%$&2(" %(D, "*H%(.KD&.? 0-(6 "0D +.?, <%µ-+.?, "0D "?+.5!()+" 5"$ "(H&A0.?, #&Dµ.?, +), 0D8),. 9+. %0Dµ%(. 08-(. >8/0.?µ% +. %*6+%&$5D +.? "*H%(.KD&.?, *% 5.(+$(D 08-(. µ$- <?("!5" %<5?µ.(.'*" >&!*5%+"$ L"086µ/(). B Damiel H" "<<!L%$ +)( 5.$8$- +),. J 5-µ%&" K%'<%$ "0D +. "*H%(.KD&. 5"$ 0)<"!(%$, 0-8$ µ% 5.(+$(D 08-(., *+. "?+.5!()+. 0.? 5$(%!+"$ #!08" +.?, D0.? /(" N%?<-&$ 8.<.µ";%!, 5"$ /0%$+" *% /(" -88. "?+.5!()+., D0.? µ$" )8$5$6µ/() 5?&!" µ% +. *5'8. +), M-;(%$ +. (%5&.+"K%!., "K.' /;%$ ;-*%$ +. #&Dµ. <$" -88) µ$" K.&-.

29

J 0&"<µ"+$5D+)+" "?+2 0.? 0%&$<&-K%+"$ µ/*" "0D +" µ-+$" +6( "<</86( 5"$ 5"+’%0/5+"*) +)( 5!()*) +), 5-µ%&",, %!("$ µ!" H&"?*µ"+$52 0&"<µ"+$5D+)+". O&"'*µ"+" ;A&.? 5"$ ;&D(.? "0D +$, N6/, "(H&A06( 0.? N.?( *+)( 0D8).

J "0.*0"*µ"+$5D+)+" +6( 08-(6( µ", 0"&"0/µ0%$ *+)( "0.*0"*µ"+$5D+)+" +), *'<;&.(), %µ0%$&!", 0.? >$A(%$ . 5-+.$5., +), µ)+&D0.8),. B$ M!H?&.$ +.?,, +"?+D;&.(.$, *;%#D( *"( >.?)+D, H?µ!N.?( µ$" *;$N.K&%($52 '0"&L), *"( µ/*" *+.

?0.5%!µ%(.

("

"("0"&-<.(+"$

+"?+D;&.("

#$-K.&%,

0&"<µ"+$5D+)+%,-

H&"'*µ"+", µ% "0.+/8%*µ" . -(H&60., (" K"!(%+"$ "0.L%(6µ/(.,, "0.&&.K)µ/(., *+.(

µ0%&#%µ/(.

*;%#D(

8'+&6*)

"?+D µ/*"

5D*µ.

"0D

+.?,

+)(

>?H$*µ/(.,

5"+-*+"*)

*+$,

"?+2:

*5/M%$,

«40$+/8.?,

+.?,

("

µD(),

($AH%$

%0$+/8.?,

+&%82».

3" "&;$5- "?+- 08-(" 0.? 0%&$<&-K)5"( 0"&"0-(6 %!("$ 0.8' *)µ"(+$5-, 5"HA, %5H/+.?( +)( +-*) +), +"$(!", (" 0%&$<&-M%$ +)( 0&"<µ"+$5D+)+" +), *'<;&.(),

N62,,

µ"5&.*5.0$5-

"88-

5"$

µ$5&.*5.0$5-.

40!*),

H/+.?(

+.(

0&.>8)µ"+$*µD +), +"$(!", *% H/µ"+" *;%+$5- µ% +)( "(+!8)M) +.? ;A&.? 5"$ +.? ;&D(.?.

B Damiel >&!*5%+"$ 5"H$*µ/(., *+) H/*) +.? *?(.#)<.' 5"$ %(A ) 5-µ%&" *+&/K%+"$ 5"$ %µ0%&$/;%$ +)( 5%(2 H/*) +.? .#)<.', *+. "µ/*6, %0Dµ%(. 08-(., . Cassiel, /(", -88., -<<%8.,, 5-H%+"$ *+)( 5%(2 H/*) +.? .#)<.'. 3. 08-(.

"88-N%$, <!(%+"$ *+"H%&D 5"$ 0%&$/;%$ 5"$ +.?, #'. (" >&!*5.(+"$ 5"H$*µ/(.$ *+. "(.$;+D "?+.5!()+., µ/*" *% µ!" /5H%*) "?+.5$(2+6(. B #$-8.<., µ%+"L' +.?, H/+%$ %L"$&%+$5- N)+2µ"+" ;A&.? 5"$ ;&D(.?, %(A %L$*+.&.'( . /(", *+.( -88. D+$ +.?, /5"(% %(+'06*) 5"$ /;.?( 5"+"<&-M%$: «@("+.82 +.? )8!.? *+$, 7:22, #'*) *+$, 4:28» "("K/&%$ . Cassiel *+.( Damiel 5.$+A(+", +. µ$5&D +.? *)µ%$6µ"+-&$., «:$"5D*$" ;&D($" 0&$( . Blanchard 0/+"L% 0-(6 "0D +)( 0D8) µ% /(" µ0"8D($» - !*6, µ$" "("K.&- +), 0"(.&"µ$52, .0+$52, +6( "<</86( 5"$ +6( µ.(+/&(6(

+"L$#$6+A(,

«...F(",

K?8"5$*µ/(.,

µ$"

"("K.&-

8!<.

0&!(

*+$,

;?02*%$

µ.(+/&(%, +.

+%;(.8.<!%,

5%K-8$

+.?

*+.(

µ%+"K.&-,, +.!;.

%!0%

‘+A&"’...» 5"$ H" *?(%;!*%$ . Damiel «4!("$ ?0/&.;. (" N%$, µ/*" "0D µ$" 0(%?µ"+$52 '0"&L), (" +%5µ)&$A(%$, µ/&" µ% +) µ/&" <$" µ$" "$6($D+)+", +) *5/M)

+6(

"(H&A06(».

4#A

.

Damiel

0%&$<&-K%$

+.(

"K)&)µ/(.,

?0%&>"+$5D

;&D(.. @?+D, %!("$ . ;&D(., D06, <!(%+"$ "(+$8)0+D, "0D M)8-, "0.5.µµ/(., "0D +. 0"&D(, *% "0D*+"*) D06, .$ #&Dµ.$ 5-+6 "0D +. 5+!&$. 0.? *+/5%+"$ .

Damiel. «@88- µ%&$5/, K.&/, µ% 5.?&-N%$ ) 0(%?µ"+$52 µ.? '0"&L). @(+! (" "$6&.'µ"$ "$A($", H" 0&.+$µ.'*" (" ($A*6 /(" >-&., µ/*" µ.?, (" +%8%$A*%$ +.

-0%$&. 5"$ (" #%HA *+) <). O" 0&.+$µ.'*" *% 5-H% >2µ", 5-H% K'*)µ" +.? "(/µ.?, (" µ0.&A (" 06 ‘+A&"’. ‘3A&"’ 5"$ ‘+A&"’. G"$ D;$ 0$" ‘<$" 0-(+"’ 5"$ ‘<$" µ$" "$6($D+)+"’. W" 5-+*6 *% /(" -#%$. 5"+-*+)µ" *% /(" +&"0/N$ 5"$ 5-0.$.,

("

µ%

;"$&%+2*%$,

"5Dµ)

5"$

µ%

/("

(%'µ".

G-H%

K.&-

0.?

*?µµ%+%!;"µ%, 2+"( µ$" 0&.*0.!)*)...%0$H?µA (" %0$*+&/M6 µ!" µ/&" *0!+$ µ.?

5"$ (" +"Z*6 +) <-+" µ.?..., (" /;6 µ"'&" #-;+?8" "0D +)( %K)µ%&!#"... %0$+/8.?, (" µ"(+%'6, "(+! (" <(6&!N6 0-(+.+%». O Damiel µ% +" 8D<$" "?+%5K&-N%$ +)( %0$H?µ!" +.? (" µ0%! *+.( 5D*µ. +6( H()+A(, D0.? . ;&D(., <!(%+"$ "(+$8)0+D, "0D +. %(*Aµ"+. ?0.5%!µ%(.. O" *?(%;!*%$ . Cassiel: «(" 30

µ/(%$, µD(.,, (" "K2(%$, +" 0&-<µ"+" (" *?µ>.'(...» %(A 0%&$<&-K%$ 5 %5%!(., +.( +&D0. 0.? >$A(%$ +)( 0(%?µ"+$52 +.? '0"&L): «7D(. (" 0"&"5.8.?H.'µ%. W" *?88/<.?µ%,

("

+%5µ)&$A(.?µ%,

("

#$"+)&.'µ%.

7D(.

("

µ/(.?µ%

0(%'µ".

W"

5&"+-µ% "0.*+-*%$,».

B Cassiel *+)( "&;2 5"+"<&-K%$ +. 0/&"*µ" +.? ;&D(.?, +)( "("+.82 5"$ #'*) +.? )8!.?. F0%$+" ) 5"+"<&"K2 +6( <%<.(D+6( "5.8.?H%! µ$" ;6&$52 0"&µ$"

;&.($52

*?(/;%$",

#%!;(.(+",

/+*$

+)(

#?("+D+)+"

+6(

"<</86(

("

5$(.'(+"$ *+.( ;A&. ;6&!, %µ0D#$". B Damiel H" %5K&-*%$ Dµ6, +)( %0$H?µ!" +.? (" "$*H"(H%! +)( ?8$52 0&"<µ"+$5D+)+" +6( "(H&A06(, +.( 0%&$.&$*µ/(.

"0+D ;A&. 5"$ ;&D(. +.?,, (" ?0-&;%$ µ/*" *+)( 0D8), 0"&- 0-(6 "0D "?+2.

1"&"#DL6,,

.

Damiel

%5K&-N%$

"?+2

+.?

+)(

%0$H?µ!"

*%

/("

0"&5"&$*µ/(.

"?+.5!()+.. P*6, µ% "?+D . *5)(.H/+), 0&.*0"H%! (" #%!L%$ +.( 5%(+&$5D &D8.

0.? 0"!N.?( .$ +%;(.8.<!%, +), *?<5.$(6(!", *+)( (µ%+-)µ.(+/&(" %µ0%$&!", *+)( "(+!8)M) +.? ;A&.? 5"$ +.? ;&D(.? µ/*" *+)( 0D8).

9+.

µ?H$*+D&)µ"

+.?

Flaubert,

K

,$-%!2µ?:

#'(

!81'(

H0#*01'(,

0"&"8)&%! . @(+A($.,: «+,->(µ= 0! ,$#&D*, 0! ;'@(µ,52*, 0’!@(4#52*, 0! µ'(;!052*, 0! '(%@-&D*. A!’>$@! 0!’4* 9#$%&, ;!B;!@', 9@'B<!, 0! G8&7* ;!,0?, 0’ !,';#52* ,%'G'2;1<!, 0! ;'(@'(%-&2* #' ;'%µ1 µ'( 2! 91<-, 0! µ'-%!2#= ,!0#'B, 0!’µ!- 2’?@! µ.2!, 0! D$4(>= µ$ #-: µ(%*<-.:, 0! D$#(@-4#= 2!0 #! 9(#&, 0! #%.D* 2!0 #' 0$%?, 0! <'0-2#= 2!0 #'0 54', 0! @&µ/* 2!0 #' 9*:, 0! ,&%* ?@$: #-: µ'%9.:, 0! µ,* 2$ ;&>$ &#'µ', 0! ;!#.G* *: #' G(>? #3: B@3: - 0! 810* 3 B@3!»51 F+*$ 5"$ . Damiel %5K&-N%$ +)( %0$H?µ!" +.? (" <!(%$ '8) µ% ;6&.;&.($5/, *?(+%+"<µ/(%,.

B$ #'. -<<%8.$, >&!*5.(+"$ 0"<6µ/(.$ *% µ$" ;6&.-;&.($52 "$6($D+)+".

52

J 5!()*) +.?, #%( %!("$ ) 5!()*) +6( "(H&A06( +.?, .0.!.?, 0"&"+)&.'(, +6( U%&.8$(/N6( 0.? .#)<.'(, 0%&0"+.'(, 5"$ 0%&$08"(A(+"$ *+)( 0D8). J "(+!8)M) +.?, <$" +. ;&D(. %!("$ 0"<$#%?µ/() *% µ$" 0"(.&"µ$52 -0.M) +), $*+.&!", 5"$ +), "$6($D+)+",. :%( 5$(.'(+"$ *+. ‘+A&"’ , 0"&- "$6&.'(+"$ -?8.$ *+. ;&D(..

B$ -<<%8.$ 5"+"<&-K.?( +)( 0&"<µ"+$5D+)+" µ% /(" +&D0. "0.*0"*µ"+$5D, H&"'*µ"+"

µ$",

L%;"*µ/(),

5"H)µ%&$(D+)+",.

B$

$*+.&!%,

0.?

*?<5%(+&A(.?(

"(25.?( *+)( 0&"<µ"+$5D+)+" %5%!() 0.? *?(2H6, #%( <!(%+"$ "(+$8)0+2 8D<6 +), &.2, +), "*+$52, %µ0%$&!",. S&-K.?( µ% µ!" (.*+"8<$52 #$-H%*) <$" +.

H&"?*µ"+$5D 0"&D(, +. .0.!. D(+", /L6 "0D +. #$5D +.?, ;A&. 5"$ ;&D(., +.?, 0&.5"8%! µ$" %0$H?µ!" <$" µ$" *?(%$#)+.0.!)*) +.? 0"&D(+., *+. 0"&D(, <$" µ$" *?(%$#)+.0.!)*) +.? +A&" *+. +A&".

3"

+%8%?+"!"

*?88/<.?µ%,

("

"?+-

8D<$"

+%5µ)&$A(.?µ%,

+.?

("

Cassiel

#$"+)&.'µ%.

«7D(.

("

7D(.

("

0"&"5.8.?H.'µ%. µ/(.?µ%

0(%'µ".

W" W"

5&"+-µ% "0.*+-*%$,» H" µ0.&.'*"( (" ;&)*$µ.0.$)H.'( <$" (" .&!*%$ 5"(%!, +.( &D8. +.? 5$()µ"+.<&"K$5.' µ/*.?. B 5$()µ"+.<&-K., 0"&"5.8.?H%!, +%5µ)&$A(%$, #$"+)&%!, 5&"+-%$ "0.*+-*%$,. V06, .$ -<<%8.$, /+*$ 5"$ . 5$()µ"+.<&-K.,, 5-(%$ .&"+2 µ$" 0&"<µ"+$5D+)+" 0.? %!("$ L%;"*µ/(), 0.? #%( <!(%+"$ %'5.8" 51

Jameson, F., D.0., 17.

52

Desiderio, 7.,J., D.0., 99.

31

"(+$8)0+2 "0D +.( >$"*+$5D 5-+.$5. +), µ)+&D0.8),. 40"("8"µ>-(.(+", +" 8D<$" +.?

Kracauer:

«K ;-03µ!#'8%&9': ;&0$- '%!#? ;&#- ,'( <$0 G@.,!µ$ ;- 12*: 'B#$ µ,'%'B2!µ$ 0! <'Bµ$ ,%-0 !,? #'0 $%4'µ? #'(. I!: 2(µ,!%!2#.;$#!!,'#$@$2µ!#-;& 2#30 ,%'2,&>$-! 0! !0!;!@B/'(µ$ #'0 (@-;? ;?2µ', µ!71 µ$ #-: /(4'9(2-;.: !0#-2#'-41$: #'(. 6(%-'@$;#-;& !,$@$(>$%=0'(µ$ !(#? #'0 ;?2µ' !,? #'0 @5>!%8' #'(, !,? #30 '(2-!2#-;5 !0(,!%D1! #'(, $,-4$-%=0#!: 0! #'0 G-=2'(µ$ µ.2! !,? #' 9!;? #3: ;&µ$%!:. 6- $1µ!2#$ $@$B>$%'- 0! #'0 G-=2'(µ$, $,$-<5 $1µ!2#$ ;!#!;$%µ!#-2µ.0'-. K ;-03µ!#'8%&9': µ,'%$1 0! '%-2>$1 *: .0! µ.2' &%-2#! $D',@-2µ.0' 8-! 0! ,%!8µ!#','-52$- #30 !,$@$(>.%*23 #3: 9(2-;5: ,%!8µ!#-;?#3#!:. K$-;?0$: µ!: $,-#%.,'(0 8-! ,%=#3 9'%&, 0! !9'µ'-=2'(µ$ #! !0#-;$1µ$0! ;!- #! 9!-0?µ$0! ,'( !,'#$@'B0 #3 %'5 #3: (@-;5: 7*5:» J 5-µ%&" #%( +"?+!N%+"$ µD(. µ% +)( µ"+$- +6( "<</86(, "88- 5"$ µ% +)( "0.*+.82 +.?,. W" 5-(.?( #)8"#2 %µK"(2 +)( 0&"<µ"+$5D+)+" %5%!() 0.?

L%K%'<%$ "0D +" µ-+$" µ",, ;A&.?, 0.? L%K%'<.?( "0D +)( "(+!8)M) µ",.

J %0Dµ%() *5)(2 0%&$<&-K%$ +.( %*6+%&$5D ;A&. µ$", >$>8$.H25),. 3. >8/µµ" - 5-µ%&" 5$(%!+"$ "0D +. +">-($ *+. %*6+%&$5D, %(A "5.'<.(+"$ .$ *5/M%$, D86( +6( "(H&A06( 0.? >&!*5.(+"$ %5%!. 7% +.?, M$H'&.?, +6( "(H&A06( 5"$

+.?,

'µ(.?,

7%+"+&/0%+"$

*%

0.? /("

"5.'(

.$

H&)*5%?+$5D

-<<%8.$, +D0.

)

D0.?

)

>$>8$.H25) H&)*5%!"

µ%+"µ.&KA(%+"$.

%!("$

)

<(A*),

)

$*+.&!", ) <&"K2. 9+.( ;A&. >&!*5.(+"$ 5"$ -88.$ -<<%8.$. 4!("$ +. *)µ%!. *?(-(+)*), 5"$ L%5.'&"*), +.?,. B$ -<<%8.$ "K.?<5&-N.(+"$ +$, *5/M%$, +6( "(H&A06(.

F("

µ$5&D

0"$#!

5"+"8">"!(%$

+)(

0"&.?*!"

+.?

Damiel

5"$

+.(

5.$+-N%$. J 5-µ%&" µ", L%("<%! *% D8. +. %*6+%&$5D +), >$>8$.H25),, µ/*" "0D +" µ-+$" %(D, 0%&$08"(Aµ%(.? "<</8.?. [!H?&.$ 5"$ 'µ(.$ "5.'<.(+"$ %(A .$ -<<%8.$ *+/5.(+"$ 5"$ +.?, "5.'( µ% 58%$*+- µ-+$". B Damiel H" 5"H!*%$ *% µ$" 0.8?H&D(" 5"$ H" "08A*%$ +" ;/&$" +.? *+" 5-<5%8" µ% +/+.$. +&D0. 0.?

H?µ!N%$ *+"'&6*). 9+) *?(/;%$", *+$, *5-8%,, µ", *?*+2(%+"$ . Vµ)&.,, .

"K)<)+2, $*+.&$A(, «7% +. ;&D(., "?+.! 0.? µ% -5.?<"( /<$("( .$ "("<(A*+%, µ.?. :%( 5-H.(+"$ Dµ6, 0$" *% 5'58., 0"&- 5-H.(+"$ µ"5&?-, 5"$ . /(", #%( L/&%$ +!0.+% <$" +.( -88.».

9+. (µ%+-)µ.(+/&(. 5D*µ. ?0-&;.?( 0.88- *+"?&.#&Dµ$" ;A&.? 5"$ ;&D(.?.

F("

"0D

"?+-

5"+-

+.(

Foucault

%!("$

5"$

.

+D0.,

µ$",

>$>8$.H25),.

«4+%&.+.0!%, .$ .0.!%, *?**6&%'.?( ;&D(.», %L%$#$5%?µ/(.$ ;A&.$, .$ .0.!.$ %µK"(!N.(+"$ /L6 "0D +. ;&D(. 5"$ +) KH.&- +.?.

7% µ%<-8) +";'+)+" . *$#)&D#&.µ., +.? µ%+&D 0%&(- µ/*" *+. 5-#&., #)µ$.?&<A(+", µ$" H.82 %$5D(". 7/*" 0$" *+. +&/(. . Damiel, H" "5.'%$ +$, *5/M%$,

+6(

"<"0)µ/(6( *5/M%$,

+"L$#$6+A(.

0&.*A06(,

+.?,

@()*?;!%,

?0"&L$"5-

#)µ$.?&<.'(

/("(

<$"

%&6+2µ"+", ;A&.,

+.(

+)(

5"H)µ%&$(D+)+",

.$5.(.µ$5.0.!.

0&.>82µ"+",

#$"*;!N%$

.

H?µ2*%$, D8%,

Damiel.

.$

9+)(

%0Dµ%() *5)(2 +.( >&!*5.?µ% (" 0%&0"+- µ/*" *+.?, *+%(.', #&Dµ.?, +), 0D8),.

1"&"+)&%!

+"

0"$#$-

0.?

0"!N.?(,

%(A

/("

"0D

"?+-

+.(

5.$+-.

B

Damiel

<?&!N%$ +. 5%K-8$ 0&., +.( .?&"(D %(A "5.'<%+"$ . 2;., %(D, "%&.08-(.?.

32

J +";'+)+" +.? *$#)&D#&.µ.?, H.8A(%$ +)( "(+!8)M) +.? +"L$#$A+) <$" +. ;A&.

5"$

+.

;&D(..

9+)(

0&"<µ"+$5D+)+",

%(A

+.

+&/(.

+&/;%$

µ%

µ%<-8)

+";'+)+", .$ -(H&60.$ µ/*" *% "?+D µ.$-N.?( "5$()+.0.$)µ/(.$, *% µ$" 5-M.?8" ;&D(.?, *"( (" µ)( 5$(.'(+"$ .'+% µ0&., .'+% 0!*6, 5-H.(+"$ "5!()+.$ *+.

0"&D(,

>?H$*µ/(.$

µ%+"+&/0%+"$

*%

"0%$5.(!N%+"$

*+$, /("(

6,

)

*5/M%$,

+.?,.

%(#$-µ%*.

0&6+"&;$52

B

;A&.,

;A&.,

0.?

#$"*;!N%$

"0&.*#$D&$*+.,

#$-*+"*),

*%

/("

H.8D.

+D0.

D0.?

+.

J

+&/(.,

+";'+)+"

.0.$.*#20.+%

;6&$5D, 2 ;&.($5D, 0&.*#$.&$*µD, µ.$-N%$ "?H"!&%+.,. 9+)( 0&"<µ"+$5D+)+" ) ?0D<%$"

H/*)

.0.$.#20.+%

+.?

µ%+&D

#)8"#2

"&(%!+"$

+.0$5D

.0.$.#20.+%

0&.*#$.&$*µD

"88-

0$H"(D 5"$

0&.*"("+.8$*µD,

.0.$"#20.+%

;&.($52

53

"("K.&- . B ;&D(., +6( "(H&A06( *+" µ/*" µ%+"K.&-,, %!("$ /(", 5%(D, ;&D(., 0.? <%µ!N%$ "0D *5/M%$, 5"$ "()*?;!%,, /(", ;&D(., 0.? *;%#D( 5"+"&<%! +)( +";'+)+" µ% +)( .0.!" +"L$#%'%$ . *$#)&D#&.µ.,.

9+. %0Dµ%(. µ"5&$(D 08-(., %µK"(!N%+"$ /(" +*!&5. 5"#&"&$*µ/(. µ/*" "0D +" D&$" µ!", *+.-,. B Damiel H" *?("(+2*%$ <$" 0&A+) K.&- +)( Marion %#A, *+. +*!&5. %(A %L"*5%!+"$ *+. (.'µ%&. +), 8!<. 0&$( +)( 0"&-*+"*2 +),.

E.&A(+", *+)( 08-+) +), M%'+$5" K+%&- "<</8.?, "$6&%!+"$ %(A . ?0%'H?(., +.? +*!&5.?

+),

5.?($/*"$

#!(%$

"08-.

.#)<!%,:

1/+"L%!

«Marion»,

4!*"$

/(",

K6(-N%$,

-<<%8.,».

«V;$ B

/+*$!O%/

Damiel,

µ.?!...

/(",

7)(

0&"<µ"+$5D,

-<<%8.,, +)( 0"&"+)&%!. J Marion #$"5D0+%$ "0D+.µ" +. (.'µ%&. +), 5"HA,, /&;.(+"$ +" (/" 06, +. +*!&5. H" 58%!*%$ 5"$ 06, H" 5-(%$ +. (.'µ%&. +), <$" µ!" "5Dµ) 5"$ +%8%?+"!" K.&-. 1"&"µ/(.(+", %0-(6 *+)( 5.'($" +), *5/K+%+"$ +$ (" 5-(%$, «B ;&D(., H" H%&"0%'*%$», *5/K%+"$, «G$ "( . ;&D(., %!("$ ) "*H/(%$";» H" "("&6+)H%!.

0.$-

H"

<!(6.

«40$+/8.?, /L6 "0D +)( 0D8), H" µ-H6 0.$- %!µ"$,

1%&$µ/(6

µ!"

"$6($D+)+"

<$"

("

"5.'*6

µ!"

8/L)

"<-0),...G-0.$., 0.? H" 0%$ “9’ "<"0A +D*. 0.8' *2µ%&"”...1.$- %!*"$; :%( <(6&!N6 0$". 3. µD(. 0.? L/&6 %!("$ D+$ #%( %!µ"$ 5"88$+/;(), +.? +*!&5.?

08/.(...G%(D».

4#A . *5)(.H/+), H/+%$ H/µ"+" +"?+D+)+",. FL6 "0D +)( %µ0%$&!" +), 0D8), ) Marion H%6&%! 06, H" "("5"8'M%$ 0.$- %!("$, 0.$- H" <!(%$. 9% D8) +) #$-&5%$" +), +"$(!",, . ;A&., "88- 5"$ . ;&D(., +6( "(H&A06(, 5"HA, 5"$ .

0&.*#$.&$*µD, +.?, µ/*" "0D +)( %µ0%$&!" +), (µ%+-)µ.(+/&(", "*+$5D+)+",, H/+%$ N)+2µ"+" +"?+D+)+",.

B

Damiel

H"

+)(

"5.8.?H2*%$

*+.

+&/$8%&

+),.

45%!,

)

Marion,

H"

L"08A*%$ *+. 5&%>-+$ +), %(A . -<<%8., "5.'%$ +.( %*6+%&$5D +), µ.(D8.<.. J µ$N"(*/( %!("$ <%µ-+) K6+.<&"K$5- 5-#&", 5"$ . µ.(D8.<., +), Marion %!("$ %L"$&%+$5- 0.$)+$5D,. «7)( *5/K+%*"$ +!0.+"», H" 0%$ *+.( %"?+D +),, «@08(" ?0-&;%$,», %5K&-N.(+", +)( %0$H?µ!" +), "08- (" ?0-&;%$ *6µ"+$5- 5"$ D;$ 0(%?µ"+$5-.

B

Damiel

5-H%+"$

*+.

08-$

+),,

;6&!,

%5%!()

("

+.(

>8/0%$

K?*$5-. 3. 08-(. 0%&$/;%$ 5"$ +.?, #'., µ% +)( Marion (" 5.$+-%$ "(+!H%+" "0D

%5%!

0.?

>&!*5%+"$

.

Damiel,

%(A

%5%!(.,

5.$+-

0&.,

+.

µ/&.,

+),.

9?(%;!N%$ ) Marion: «U%&.8!(.. 4!µ"$ µ$" L/() %#A, 5$ Dµ6, %!("$ D8" +D*.

53

Kaplan, S., D.0.

33

.$5%!".

1-(+"

5"+"82<%$,

*+.

3%!;.,.

1%&$µ/(6

+)(

K6+.<&"K!"

µ.?

*+.(

K6+.<&"K$5D H-8"µ., 5"$ ><"!(%$ +. 0&D*60. 5-0.$.? -88.?». J "("K.&- *+.

3%!;., #!(%$ -88. /(" *+.$;%!. 0&.*#$.&$*µ.' +), +"?+D+)+", +),. @0.58%!%+"$ (" ;"H%!, 0-(+" 5"+"82<%$ *+. 3%!;.,. S$" +.?, "(H&A0.?, %!("$ /(" K?*$5D 5"$ 0(%?µ"+$5D %µ0D#$., 5-+$ 0.? #%( $*;'%$ <$" +.?, "<</8.?,.

B

Damiel

*)5A(%+"$

"0D

+.

5&%>-+$

5"$

0"&"+)&%!

+$,

5&%µ"*µ/(%,

K6+.<&"K!%, +), Marion, .$ .0.!%, "$6&.'(+"$ *+. ;&D(. "5&$>A, D06, 5"$ . !#$.,.

7%

/("

08-(.

#$082,

/5H%*),

.

Damiel

*)5A(%$

µ!"

0/+&"

"0D

+.

+&"0/N$. J 0&"<µ"+$52 0/+&" 0"&"µ/(%$ 0-(6 *+. +&"0/N$, 5"$ µD(. ) -?8) +), %$5D(" µ%+"K/&%+"$ µ"N! µ% +. ;/&$ +.? Damiel (+. !#$. "(+$5%!µ%(. H" 5&"+*+" ;/&$" +.? "&<D+%&" D+"( H" <!(%$ H()+D,). «W" %!*"$ 5.(+- *+" ;&Aµ"+"» H" 0%$ ) Marion %(A L%5.?µ0A(%$ +. 5.*+.'µ$ +),. B Damiel <?&!N%$ 5"$ +)( 0"&"+)&%!, 5"$ +. 08-(. µ%*"!. 5.(+$(D +A&" *+. 0&D*60. +.? %(A 0"&"+)&%! +)( <?µ(2 08-+) +), Marion. 3. K6, 0.? µ0"!(%$ "0D +. 0"&-H?&. 0%&$<&-K%$ +)( <&"µµ2 +), 6µ.08-+), +), Marion *% /(" 08-(. µ%*"!. 5.(+$(D, %(A +. ;/&$ +.? Damiel %$*/&;%+"$ *+. 08-(.. 3)( *+$<µ2 0.? +)( "<<!N%$ +. ;/&$ +.? ) 7arion *?(%;!N%$ +.( %*6+%&$5D +), µ.(D8.<., «40$H?µA...», %(A </&(%$ +.

5%K-8$ +), 0&., +. ;/&$ +.? Damiel *"( (" /($6H% +. -<<$<µ" +.?, «40$H?µA /("

5'µ"

"<-0),

("

K.?*5A*%$

µ/*"

µ.?».

4(A

.

Damiel

"0.µ"5&'(%+"$,

5&"+A(+", "5Dµ) +)( 0/+&" *+" ;/&$" +.?, ) Marion *?(%;!N%$, «@?+D µ% 5-(%$ +D*. "#/L$", ) /88%$M) +), %?;"&!*+)*),. J %0$H?µ!" (" "<"0A».

3. 08-(.

"(.!<%$ 5"$ 0%&$<&-K%$ D8) +) K$<.'&" +), Marion %(A %!("$ <?µ(2, 5"H$*µ/() *+. 5&%>-+$, µ% +)( 08-+) <?&$*µ/() 0&., +)( 5-µ%&". @<<!N%$ +.( Aµ. +), *+. *)µ%!. 0.? +)( -<<$L% . Damiel 5"$ *?(%;!N%$ +)( *5/M) +),: «40$H?µ!" (" "<"0A!».

7%

"?+2

+)(

+%8%?+"!"

K&-*)

+.?

%*6+%&$5.'

"*0&Dµ"?&) %$5D(" µ%+"+&/0%+"$ *% /<;&6µ), *?µ>.8!N.(+",

+),

µ.(D8.<.?,

)

µ!" µ%+->"*) "0D

+)( -;&.() 5"$ -?8) %µ0%$&!" +6( "<</86( *% µ!" %µ0%$&!" 0$. 5.(+- *+.( ?8$5D 5.*µ. - *% /("( 5D*µ. D0.? ) "(H&A0$() %0"K2 %!("$ #?("+2. @0D %#A 5"$ *+. %L2, . Damiel, #%( H" 0"&"+)&%! +.?, 5"+.!5.?, 5"$ #%( H"

0%&$08"(-+"$

-*5.0"

*+)(

0D8).

O"

"&;!*%$

("

0"&"5.8.?H%!

/("

*?<5%5&$µ/(. 0&D*60., +)( Marion. J "(+$5%$µ%($52 H/"*) 0.? #!#%+"$ µ/*" "0D +)(

.0+$52

+6(

"<</86(

H"

"(+$5"+"*+"H%!

"0D

/("(

?0.5%$µ%($5D

+&D0.

"(+!8)M), . .0.!., *)µ"+.#.+%!+"$ 5$()µ"+.<&"K$5- "0D +)( µ%+->"*) "0D +. "*0&Dµ"?&. *+. /<;&6µ. K$8µ.

3. +*!&5., *+)( "&;2 +), *5)(2,, %µK"(!N%+"$ "0D "0D*+"*), µ% +.?, +.!;.?,

µ$",

*+.-,

0.?

#)µ$.?&<%!+"$

"0D

/("(

"?+.5$()+D#&.µ.,

("

#)µ$.?&<.'( /(" 5-#&. µ/*" *+. 5$()µ"+.<&"K$5D 5-#&.. J 5-µ%&", . -<<%8.,, 0&.*%<<!N%$ +. +*!&5. "&<- µ% µ$" µ%8"<;.8$52 *;%#D( (.*+"8<$52 µ.?*$52 (" "5.'<%+"$. 1&D5%$+"$ <$" /("( .?+.0$5D, .(%$&$5D ;A&. µ% M%'+$5.?, "<</8.?,, +&.µ0%+!*+%,, .$5%!%, 0"$#$5/, µ.&K/,, 0"&"µ?H/($%,, /("( +D0. 0.? 5"(%!, *?("(+- 0"8$.', K!8.?,, 0"$#$5- D(%$&", *;%#D( /(", 0"&-#%$*.,. B Wenders H" 0%$: «F ,$%-'45 !(#5 µ'( .<*2$ #30 $0#B,*23 $0?: '0$-%-;'B 4=%'( µ.2! 2#30 ,?@3, ;!- !0!@'812#3;! ?#- <$0 >! .µ$0$ .#2- 8-! ,'@B. CX?@$: µ'( #-:

34

#!-01$:, .0! !,' #! ;%-#5%-! $,-@'85: #*0 4=%*0 5#!0 ;!- #' ,?2' !;?µ! !(#'1 '- 4=%'- >! µ,'%'B2!0 0! µ$10'(0 ?,*: 5#!0, !0!@@'1*#'-»54 9+.( 5D*µ. +.? Wenders +. +*!&5. %<5"+"8%!0%+"$ *"( µ.&K2 +/;(), 5"$ 0"!&(.?( +) H/*) +.? -88%, (%D+%&%,, D06, . 5$()µ"+.<&-K.,.55 J /µK"*) 8.$0D( *+. +*!&5. *+" "#$%& #'( )%*#!, %L)<%!+"$ "0D +. D+$ 0&D5%$+"$ <$" µ$" L%;"*µ/()

+/;(),

*;%#D(

(%5&2.

B

Wenders

*?;(-

/85%+"$

"0D

;A&.?,

*+"

0&DH?&" +), %L"K-($*),. G$()µ"+.<&"KA(+", +.?, H%6&%! D+$ *AN%$ 5-+$ "0D +)( '0"&L) +.?,, #$"+)&%! +)( µ(2µ) +.?,, D06, 5-(.?( .$ -<<%8.$, .$ .0.!.$ 0&.*0"H.'( (" #$"*A*.?( *)µ%$A(.(+", *+. µ$5&D +.?, ;"&+! +$, 5"H)µ%&$(/, 0&-L%$, 5"$ *5/M%$, +6( "(H&A06(. O" µ0.&.'*"µ% %0!*), (" $*;?&$*+.'µ% 06, D06, +. +*!&5. /+*$ 5"$ . 5$()µ"+.<&-K., "0.+%8%! µ.&K2 +/;(), 0.? >&!*5%+"$ *% µ!" %0$5!(#?() H/*), 5?&!6, 8D<6 +6( +%;(.8.<$A( +), +)8%D&"*), 5"$ +.? #$"#$5+'.?. \886*+%, +. D(.µ" +.? +*!&5.? Alekan 0"&"0/µ0%$ *+.( 5$()µ"+.<&"K$*+2 Jenri Alekan, 0.? %!("$ 5"$ . #$%?H?(+2, K6+.<&"K!", +), %( 8D<6 +"$(!",.

O

Wenders

%L)<%!

06,

*+.

U%&.8!(.

?0-&;%$

0-(+"

/("

+*!&5.

%0%$#2

?0-&;.?( /(" *6&D 5%(.! ;A&.$. «B0.$"#20.+% *+$<µ2 %!*"$ *!<.?&., 06, 5-0.?

H" >&%$, /(" 0%&$08"(Aµ%(. +*!&5.». @?+.! .$ 5%(.! ;A&.$ .&!N.?( +.?, +D0.?, %5%!(.?, D0.? 5-0.+% ?02&;"( *0!+$", 5+!&$" 5"$ *$#)&.#&.µ$5.! *+"Hµ.!, 0&$( "0D +.( 0D8%µ., 0&$( "0D +.( >.µ>"&#$*µD +.?,. 4!("$ 5%(- +" .0.!" /;.?( %0$>8)H%! 5?&$.8%5+$5- "0D M)8- *+)( K?*$.<(6µ!" +), 0D8),. J '0"&L) *?(%;A, +/+.$6( +*!&56( *+. U%&.8!(. .K%!8%+"$ "5&$>A, *% "?+D +. >!"$. *;)µ"+$*µD +), 0D8),. G"+"8"µ>-(.?( ;A&.?,, .$ .0.!.$ /;.?( "(.$;+%! "0D +)( !#$" +)( $*+.&!". J 0%&$08-()*) +6( +*!&56( µ/*" 5"$ /L6 "0D +)( 0D8) +.? U%&.8!(.?, "0D 5%(D ;A&. *% 5%(D ;A&., "5.8.?H%! +" !;() +), #$"#&.µ2, - 5"+"*+&.K2, +.? 0.8/µ.? 5"$ "(+$0"&"H/+%$ *+.( 0"8$D ;-&+) +), 0D8), /("( (/., K+"<µ/(.

"0D +)( "0.?*!" 5"$ +. 5%(D, ;"&"<µ/(. "0D +. 0"8$D "*+$5D ?8$5D.56 J %$5D(" ;-(%$ +. ;&Aµ" +), L"(-. G$(%!+"$ <&2<.&" 0-(6 *% µ!" </K?&" 0&., +. µ/&., %(D, +&"?µ"+$*µ/(.?, µD8$,, "0D "+';)µ" "(H&A0.?. @5.'µ% +$, +%8%?+"!%, *5/M%$, +), N62, +.? %(A . Damiel 0&.*0"H%! (" +.( 5"H.#)<2*%$ 0(%?µ"+$5#$"*;!*%$

µ% L"(-

µ$" +)(

0&.*%?;2. </K?&".

E%'<.(+", J

</K?&"

"0D

"?+2

+.

*)µ%!.

%!("$

-88.,

+.? /(",

"+?;2µ"+., +D0.,

H"

0.?

.

Wenders H" #$"K?8-L%$ µ% +)( 5"+"<&"K2 +.? *+)( +"$(!". Y!<%, µ/&%, µ%+- +. +/8., +6( <?&$*µ-+6( ) </K?&" "?+2 H" <5&%µ$*+%!.

9+)(

%0Dµ%()

*5)(2

)

5-µ%&"

5$(%!+"$

0-(6

*+$,

<&"µµ/,

+.?

*$#)&.#&Dµ.? µ% +";'+)+". 9+. %0Dµ%(. 08-(. . Damiel 5-H%+"$ *% /(" *)µ%!. +), 0D8), M)8-, 0"&"+)&A(+", +.?, "?+.5$()+D#&.µ.?,, +. +.0!. +), 0D8),, +.( .?&"(D +.? U%&.8!(.?. 4L-88.? . 0&6+D+?0., +!+8., +), +"$(!", %!("$: ‘Der Himmel über Berlin’, #)8"#2 ‘K '(%!0?: ,&0* !,? #' W$%'@10'’.

40$*+&/K.?µ% *+)( >$>8$.H25), D0.? . Cassiel "5.8.?H%! +$, *5/M%$, +.?

Vµ)&.?. J 5-µ%&" 0-8$ *% 5!()*), 0%&$*+&/K%+"$ <'&6 "0D +.( Vµ)&. 5"HA, 54

Wenders, W., 5.-., D.0., I-! 2(75#323 8-! #30 ,?@3, 16.

55

Casarino, C., Fragments on “Wings of Desire”, Social Text, 24, 1990, 168.

56

V.0., 16.

35

%5%!(.,

*5/K+%+"$:

«1&/0%$

("

+"

0"&"+2*6

+A&";

@(

+.

5-(6,

+D+%

)

"(H&60D+)+" H" ;-*%$ +.( "K)<)+2 +),. G"$ "( ) "(H&60D+)+" ;-*%$ µ$" K.&+.( "K)<)+2 +),, +D+% H" ;-*%$ 5"$ +)( 0"$#$52 +), )8$5!". B Cassiel H" "5.8.?H2*%$

+.(

Vµ)&.

µ/*"

*+)(

0D8),

%(A

%5%!(.,

M-;(%$

+)(

08"+%!"

Potsdamer. [-;(%$ *% /(" +D0. *+)( 0D8) -#%$., 5%(D: «4#A; @0.58%!%+"$ (" %!("$ %#A... P*6, 5-0.? %#A. :%( µ0.&%! (" %!("$ %#A ) 08"+%!" Potsdamer.

G"$ 5"(%!, 0.? (" µ0.&%!, (" &6+2*%$,». J +"$(!" H" %0"(/&;%+"$ *?;(- *% +/+.$.?, 5%(.', +D0.?,. B Wenders H" 0%$: «1&/0%$ (" 06 06, µ/;&$ +A&" "<"0A +" 5%(- +.0!" D06, .$ /&)µ.$ 5"$ -88", *;%#D( +D*. D*. 5"$ +$, 0D8%$,. @( +.

L"("*5%K+A, %!("$ *"( (" *?("(+$.'(+"$ +" "(+!H%+", ?0-&;.?( +.0!" +), 0D8), +" .0.!" H?µ!N.?( %&2µ.?,», %(A *% /(" -88. 5%!µ%(. +.? H" "("K/&%$ 06,: «)4* .0! <(0!#? !12>3µ! 8-! #' W$%'@10',... ,*: '- ;$0'1 #?,'$,-#%.,'(0 2#'0 $,-2;.,#3 ;!- #'(: !0>%=,'(: #'( W$%'@10'( 0! <'(0 µ.2! !,? #' !2#-;? #',1'. U4- µ?0' µ$ #30 .00'-! ,*: µ,'%'B0 0! <'(0 ,%!8µ!#-;& µ.2! !,? #' 4=%', ;- !;?µ3 0! <'(0 ;!- #'0 '%17'0#!... !@@& µ,'%'B0 !;?µ3 0! <'(0 µ.2! !,? !(#? #! ;$0& µ$ .0! #%?,' ,'( µ,'%'B0 ;!- µ.2! !,? #' 4%?0'. C#30 7*5, ' 4%?0': '%17$- #30 -2#'%1!. C$ µ1! #!-01! µ,'%$1 ;!0$1: 0! G-=2$- ;&#- ,!%?µ'-'. I$%-;& 9-@µ $10!- 2!0 ;@$-2#'1 #'14'-: <$0 (,&%4$- #' ,!%!µ-;%? ;$0? µ$#!DB #*0 $-;?0*0, #' ','1' >! 2'( $,.#%$,$ 0! <$-: '#-<5,'#$ &@@' ,.%! !,? !(#? ,'( 2'( <$140$- 3 #!-01!. E! µ&#-! 2'( ;!- ' 0'(: 2'( <$0 $,-#%.,$#!- 0! ,$%-,@!03>'B0».57 J "(+!8)M) µ", <$" +.( ;A&. *?(2H6, .&!N%+"$ µ/*" "0D +$, KD&µ%, 5"$ D;$ "0D +. 5%(D. G$()µ"+.<&"KA(+", . Wenders 5%(.', +D0.?, *+)( 0D8) +.?

U%&.8!(.?, %0$8/<.(+", +/+.$.?, ;A&.?, *"( *5)($5-, 0&.*0"H%! (" #A*%$ /(" (/.

+&D0.

"(+!8)M),

5"$

%µ0%$&!",

+),

0D8),,

µ%+"+&/0.(+",

*%

.&"+.',,

;A&.?, .$ .0.!.$ #%( <!(.(+"$ "(+$8)0+.! *+)( 5"H)µ%&$(D+)+" +.? 5"+.!5.?.

F+*$ ;&)*$µ.0.$%! +. 5$()µ"+.<&"K$5D µ/*. <$" (" 5-(%$ "$*H)+- +" *)µ%!" %5%!(" +), 0D8), 0.? 8D<6 +), +";'+)+", µ% +)( .0.!" 5$(.'µ"*+% *% "?+2, #%( +" 0"&"+)&.'µ%.

B Cassiel 0"&"+)&%! /("( 5Dµ>. "?+.5$()+D#&.µ6(. 3. "*+$5D +.0!. %!("$ $#$"!+%&" /(+.(. 5"H’D8) +) #$-&5%$" +), +"$(!",. «Q0-&;.?( "5Dµ) *'(.&";» "5.'<%+"$ *% K6(2 .KK %(A /(" "?+.5!()+. "0.µ"5&'(%+"$, «+A&" 0%&$**D+%&.

"0D

0.+/.

>&!*5%+"$

G-H% µ/*"

#&Dµ., *+.

/;%$

+"

"?+.5!()+.

D&$" "?+D,

+.?».

9+)(

>8/0.(+",

%0Dµ%() /L6

"0D

*5)(2 +.

.

Cassiel

0"&-H?&.

+$,

%$5D(%, %(D, 0"8"$D+%&.? U%&.8!(.?, 5"HA, *?(%;!N%+"$ ) "K2<)*) *% K6(2 .KK, «B$ S%&µ"(.! %!("$ ;6&$*µ/(.$ *% +D*%, ;A&%, D*%, %!("$ 5"$ .$ "+.µ$5D+)+%,.

G"$ "?+/, .$ µ$5&/, ;A&%, %!("$ 5$()+/,. G"H/(", +)( 5.?>"8- µ"N! +.? 5"$ N)+-

("

082&A*%$

#$D#$"

D0.$.,

%0$H?µ%!

("

µ0%!».

4#A

.

Cassiel

H"

µ%+"5$()H%! *% -88. ;&D(. µ/*6 +), 5!()*), +.? *+. ;A&.. S$" +.( Cassiel +" *'(.&", +" D&$" 0.? H%6&%!+"$ 06, 5"+2&<)*% . *'<;&.(., 0.8$+$*µD, µ/*" "0D +)(

%L/8$L)

0%&$**D+%&.

57

+), "0D

+%;(.8.<!",, 0.+/

.$

+A&"

-(H&60.$

%!("$

%!("$

0%&$**D+%&"

"0.L%(6µ/(.$:

"0D ?2$:

0.+/.

4=%$:

3A&" #?2$:

Desiderio, M.J., D.0., 86.

36

!#'µ-;?#3#$:. 1"&- +)( %?5.8!" +), %0$5.$(6(!", 5"$ +), K?*$52, *?(%'&%*),, +A&" 0%&$**D+%&. "0D 0.+/ . *'<;&.(., -(H&60., "0.µ.(A(%+"$.

3. "?+.5!()+. K+-(%$ *+. ;A&. +6( <?&$*µ-+6( +), +"$(!", *+)( .0.!"

0&6+"<6($*+%! . Peter Falk. B Cassiel H" 0"&"5.8.?H2*%$ +" <?&!*µ"+" +), +"$(!", 5"$ +$, *?(.µ$8!%, +.? Falk µ% +.?, *?(%&<-+%, +.?,. 1&D5%$+"$ <$" µ$" +"$(!" +), %0.;2, +.? 0.8/µ.? *+)( S%&µ"(!". :$"*;!N.(+", +" *5)($5- +), +"$(!", .$ -<<%8.$, "5.'(% +$, *5/M%$, +6( )H.0.$A(. 7$" <?("!5", 5.µ0-&*., *+)( +"$(!", *5/K+%+"$ +. 0"&%8HD(, 5"$ %$5D(%, 5"+"*+&.K2, "0D (+.5?µ"(+/& µ", .#)<.'( *+)( *5/M) +),. 45%!, *+.( ;A&. +6( <?&$*µ-+6(, . Damiel H" N)+2*%$ "0D +.( Cassiel (" +.( "5.8.?H2*%$.

O" +.( .#)<2*%$ *+o ;A&. +.? +*!&5.?, *+)( +%8%?+"!" 0"&-*+"*) +), Marion. 3. +*!&5. %!("$ <%µ-+. µ% µ$5&- 0"$#$- 0.? K6(-N.?(, 0"&"5.8.?H.'( +.?, 5"88$+/;(%, +.? +*!&5.?, <%8-(%. 9% K6(2 .KK *?(%;!N%+"$ ) "0"<<%8!" +.? 0.$2µ"+., +.? Handke: «U#!0 #' ,!-<1 5#!0 ,!-<1 ,0-8?#!0 µ$ #' 2,!0&;-, #! µ,-7.@-!, #' %(7?8!@' ;!- #' G%!2#? ;'(0'(,1<;!- #=%! #! #%=$- ?@! !(#& ?4- $,$-<5 ,%.,$U#!0 #' ,!-<1 5#!0 ,!-<1 DB,032$ µ1! 9'%& 2$ &80*2#' ;%!G&#;!- #=%! 2(0$4=: ,'@@'1 &0>%*,'- 9!10'0#!0 ?µ'%9'- #?#$ !@@& ?4- ;!- #?2' ,'@@'1 ,-! $14$ µ-! D$;!>!#3 $-;?0! 8-! #'0 ,!%&<$-2' ;!- #=%! µ,'%$1 µ?0' 0! µ!0#./$<$0 µ,'%'B2$ 0! 9!0#!2#$1 #' #1,'#! ;!- 25µ$%! !0!#%-4-&7$- µ$ #30 -<.! #'( U#!0 #' ,!-<1 5#!0 ,!-<1 .,!-7$ µ$ $0>'(2-!2µ? ;!- #=%! µ$ #?2$: $,-,@';.: µ?0' ?#!0 !9'%& #30 <'(@$-& #'(» 3" 0"$#$- >8/0.?( +.?, "<</8.?,, 0"!N.?( µ"N! +.?,, +.?, "<5"8$-N.?(. 4(A L%5$(- +. (.'µ%&. +), 7arion, . Damiel +)( 0"&"+)&%! µ% 0&.*.;2.

«O?µ-*"$ +)( 0&A+) µ", %0!*5%M) %#A;» H" &6+2*%$ . Casiel, «) I*+.&!" #%( %!;% "5Dµ" "&;!*%$», H" "0"(+2*%$ . Damiel. «@K2("µ% +" >&-#$" 5"$ +" 0&6$(- (" 0%&(.'(, 5"$ %µ%!, 0%&$µ/("µ%», µ% µ$" *%$&- *+"+$5A( %$5D(6( . *5)(.H/+), 0&.*0"H%! (" "0.#A*%$ +. ;&D(. 5"$ +. ;A&. 0&$( /&H.?( .$ -<<%8.$ *+) <). B$ %$5D(%, "?+/, +), µ.(";$52, K'*), H" "5.8.?H)H.'( "0D %$5D(%, 5%(A( +.0!6( µ/*" *+)( 0D8), %(A .$ -<<%8.$ 0%&$08"(A(+"$ µ/*" *% "?+-. S$" +)(

"5&!>%$"

.$

#'.

-<<%8.$

0%&0"+.'(

0"&-88)8"

µ%

+.

3%!;.,.

«3.

0&"<µ"+$5-;», H" &6+2*%$ . Cassiel, «W"$, H/86 (" K+$-L6 µ!" $*+.&!"

H%, <$"

+.( %"?+D µ.?. @?+D 0.? µ.? /µ"H% +. "$A($. >8/µµ" µ.? 0&., +" 5-+6 H/86 (" +. µ%+"+&/M6 *% µ$" µ"+$-, *% /(" %0$KA()µ", µ$" L$(2 µ?&6#$-. F;6 ?0-&L%$ %5+D, <$" "&5%+D 5"$&D. @0A( <$" "&5%+D 5"$&D. @&5%+D 5"$&D /L6 "0D +.( 5D*µ.», H" "0"(+2*%$ . Damiel %(A ) 5-µ%&" 5$(%!+"$ *+.?, -#%$.?, #&Dµ.?, +), 0D8),, ;"µ)8-, *+. 'M., +.? >8/µµ"+., +.? "<</8.? 5"$ /0%$+" L"(- "0D 37

M)8-, #%!;(.(+", +. "*+$5D +.0!.. B$ #'. -<<%8.$ *?(%;!N.?( +)( 0%&$08-()*) *+"

*)µ%!"

%5%!("

+),

0D8),

0.?

*?(2H6,

0%&(.'(

"0"&"+2&)+",

D06,

/("

0-&5$(<5 "?+.5$(2+6( 5"$ µ$5&.! #&Dµ.$.

3)( #%'+%&) K.&- 0.? *?("(+$.'(+"$ . Damiel 5"$ . Cassiel A*+% (" µ%8%+2*.?( 0%&"*µ/(" <%<.(D+" %L$*+.&.'( +)( %L/8$L) 5"HA, 5"$ +)( -(.#. 5"$ 0+A*) +), "(H&60D+)+", *% µ$" µ.&K2 "88)<.&!",. 9% "?+D +. *)µ%!. <!(%+"$ *"K/, 06, .$ -<<%8.$ /;.?( ?0-&L%$ *% "?+D +.( +D0. "0D +)( "&;2 +.? +D0.?.

C"&"5+)&$*+$5D

+6(

"<</86(

%!("$

)

$5"(D+)+"

+.?,

("

>$A(.?(

0"&%8HD(+"

5.µµ-+$" ;&D(.? *"( (" 2+"( +. 0"&D( 5"$ (" 0%&(.'( "0D +)( µ!" %0.;2 *+)( -88).

J 5"+-*+"*) "?+2 <!(%+"$ "KD&)+) <$" +.( Damiel. EH.(%! +)( $*+.&!" +6( "(H&A06(, +. ‘+A&"’ +.?,, 5"$ "0.K"*!N%$ (" <!(%$ H()+D,. @0D +. -0%$&. *+. 0%0%&"*µ/(., "0D +. (" >&!*5%*"$ 0"(+.' *+. (" >&!*5%*"$ µD(. %5%! 0.? *+/5%*"$, "0D +)( "H"("*!" 5"$ +)( "$6($D+)+" *+. (" /;%$, µD(. µ!" N62. 7% -88" 8D<$", "0D +) K?8"52 +), "0D8?+), %8%?H%&!", *+)( K?8"52 +.? (" %!*"$ 58

5.µµ-+$ +), $*+.&!",, µ% +)( #$52 *.? H()+2 $*+.&!".

F;%$ "&5%+D %(#$"K/&.( 06, D+"( .$ -<<%8.$ #$"*;!N.?( +.?, #&Dµ.?, +.?

U%&.8!(.? 5"$ 0"&"+)&.'( +)( 0&"<µ"+$5D+)+" +), 5"H)µ%&$(2, N62,, *?;(-, *% D8) +) +"$(!", /85.(+"$ "0D +.?, 5%(.', ;A&.?, +), 0D8),. @?+.! .$ +D0.$, 5&?µµ/(.$

"0D

+"

0"(.&"µ$5-

08-("

0.?

5?&$"&;.'(

*+"

"&;$5-

08-("

+),

+"$(!",, <!(.(+"$ .&"+.! µ/*" "0D +)( 0%&$08-()*) +6( "<</86( *+.?, #&Dµ.?, +.? U%&.8!(.?.

4!("$

L%5-H"&.

%<5"+"8%8%$µµ/(.?,

06,

;A&.?,

.$

+),

-<<%8.$

0D8),

"0D

+.? +.

Wenders

K8'"&.

0&.+$µ.'(

5/(+&.

+),

+.?,

µ.(+/&(",

µ)+&D0.8),. 9+)( H%6&!" +.? Kracauer 0.? /;%$ 2#) "("K%&H%!, %5+!H%+"$ ) $5"(D+)+" +.? 5$()µ"+.<&"K$5.' µ/*.? (" "0.5"8'0+%$ +.?, L%;"*µ/(.?, "?+.', ;A&.?,,

+"

+?K8-

+"?+$*µ/(%,

5"$

*)µ%!" .$

+),

#'.

µ%

"0.5"8'M.?(

*+.(

H%"+2

+"

#)µ$.?&<.'(

*+.(

H%"+2

5"$

0D8),. +)(

J

5!()*)

5!()*)

5%(-

*)µ%!"

0%&$0"+)+2

5"$ +),

+)(

5"$ +)

)

µ"+$-

µ"+$-

0D8),,

+6(

+),

5-µ%&",,

H&"'*µ"+"

%µ0%$&!"

µ$",

"<</86(,

;A&.?,

H" 0.?

(µ%+-)µ.(+/&(",

%5#.;2, +.? 5D*µ.?.

«7D(. .$ &6µ"T5.! #&Dµ.$ .#)<.'( 5-0.?. 7D(. +" 0$. "&;"!" %&%!0$" .#)<.'( 5-0.?... @5Dµ" 5"$ +. U%&.8!(. /;%$ +" 5&?µµ/(" 0%&-*µ"+" +.?, 5"$ %5%! "5&$>A, %!("$ 0.? L%5$(- ) ;A&" µ.?, ) ;A&" +), $*+.&!",» "5.'<%+"$ ) K6(2 +.? Vµ)&.?, %(A 0-8$ >&$*5Dµ"*+% *% /(" 5%(D *)µ%!. +), 0D8),, +. .0.!.

0%&$<&-K%+"$

µ%

µ$"

5?58$52

5!()*)

+),

5-µ%&",

/6,

D+.?

*?("(+2*%$

5"$

+.0.H%+)H%! µ%, +. 5-#&. . Vµ)&., 5"$ . Cassiel.

F0%$+" . Cassiel H" *+"H%! (" "5.'*%$ +$, *5/M%$, %(D, (%"&.' . .0.!., H/8%$

("

"?+.5+.(2*%$

"%&.08-(.

5-(%$

*?(+&$>%!...1D*.

3.?8-;$*+.(

L/&6

«O"

5'58.?, "&<0.?

2H%8"

("

0-(6

"0D

%!("$; %!("$

B )

0%+-L6 +.

µ%

"%&.08-(.

U%&.8!(.,

28$.,

#'%$.

Y.<$5-

#'*)...

1-(+"

/0"$&("

µ$"

5-0.$"

"?+2 +.

%!("$ µ%+&D

µ/&".

3.

µ/&"

H"

)

#'*).

0&.,

+)(

58

Kyndrup, M., “Like a Film, Like a Child, Knowledge and Being in Wings of Desire”, P.O.V., 8, :%5/µ>&$., 1999.

38

"("+.82... B 28$., 0!*6 µ.?, *+" "&$*+%&- µ.? +. "*+/&$... 3. U%&.8!(. #%( *)µ"!(%$ +!0.+" <$" %µ/("... J "("+.82; 4!("$ 5?&$.8%5+$5- 0"(+.'. 1"&-L%(.$ -(H&60.$,

K6(-N.?(...

3D*%,

*5/M%$,.

O"

0&.+$µ.'*"

0&"<µ"+$5-

("

µ)(

*5/K+.µ"$ 0$"». 1/K+%$ *+. 5%(D. 1-8$ %#A . Wenders H" "*;.8)H%! µ% +" H/µ"+" +.? ;&D(.?, +6( +%;(.8.<$A( +), *?<5.$(6(!",, µ% +.?, 5%(.', +D0.?,, µ% +)( 0D8) +.? U%&.8!(.?.

4!("$ (';+" 5"$ . Cassiel >&!*5%+"$ 0-(6 *% /(" -<"8µ" 5"$ 0/K+%$ 0&., +) <). 3. -8µ" "?+D 0&., +" 5-+6 H" +. 0%&$<&-M%$ ) 5-µ%&" µ% µ$" <&2<.&) 5!()*),

0"&"*?&µ/()

@5.8.?H.'(

0.88-

"0D

µ$5&2,

+)(

<&2<.&)

#$-&5%$",

5!()*)

08-("

+.?

0.?

"<</8.?

*?(#/.(+"$

0&.,

µ%+"L'

+)

<).

+.?,

µ%

<&2<.&) 5"$ %8%'H%&) 5!()*) +), 5-µ%&", µ% "0.+/8%*µ" µ$" %$5D(" *;%#D( H.82,

µ$"

%$5D("

0.?

H?µ!N%$

0.8'

+)(

%µ0%$&!"

+.?

+"L$#A+)

*+"

µ/*"

µ%+"K.&-,, D0.? . ;A&., ;-(%$ +) *)µ%$"5D+)+- +.? 5"$ µ%+"+&/0%+"$ *% /(" %($"!. ;A&.. 18-(" *% #)µD*$.?, ;A&.?,, *5-8%,, *+"Hµ.', *$#)&.#&.µ$5.',, #&Dµ.?,, >$+&!(%, 5"+"*+)µ-+6(, 08-(" "0D -*+%<.?,, "(+$5%!µ%(", 0$("5!#%,, %(A 0"&%µ>-88.(+"$ 5"$ 5.(+$(- 08-(" +.? 0&.*A0.? +.? Cassiel 5"$ +6( K+%&A( +.?, #)8A(.(+", 06, D8) "?+2 ) 5!()*) +), %$5D(", %!("$ *+)( 0&"<µ"+$5D+)+" ) 5!()*2 +.? µ/*" *+)( 0D8). J %$5D(" %$*;6&%! *% #$"µ%&!*µ"+", %µK"(!N.(+", #'*5.8%, *;/*%$, "(H&A06(, %(A /(" µ$5&D 0"$#! 5-0.? *+)( 0D8) /;%$ ;-*%$ +) µ"µ- +.?. 7% /(" 08-(. K+%&.?<$*µ-+6( +.? "<</8.?, µ%+"K%&Dµ"*+% *+.( .?&"(D +.? U%&.8!(.? D0.? +" >.µ>"&#$*+$5- 0%+.'*"(, 5"$ µ% /(" "5Dµ) K+%&.'<$*µ" >&$*5Dµ"*+%

µ0&.*+-

*%

%$5D(%,

5"+"*+&.K2,,

*+)(

>.µ>"&#$*µ/()

0D8)

+.?

U%&.8!(.?, D0.? 5"!<.(+"$ 5+!&$", "5.'<.(+"$ *%$&2(%,, 5"$ µ%+-, L"(- *+. +A&". B Cassiel <$" -88) µ$" K.&- µ% /(" K+%&.'<$*µ" H" µ%+"5$()H%! *+. ;&D(. 5"$ *+. ;A&., *+. U%&.8!(. %( µ/*6 0.8/µ.?.

9+.( '0(. +), ) Marion H" #%$ +.( Damiel K.&A(+", µ!" 0"(.08!", %(A H" "5.'<.(+"$

*%

K6(2

.KK

.$

*5/M%$,

+),,

*+!;.$

"0D

+.

0.!)µ"

+.?

Peter

Handke: «U#!0 #' ,!-<1 5#!0 ,!-<1, !(#?: 5#!0 ' ;!-%?: #*0 $%*#52$*0: N-!#1 $1µ!- $8= ;!- ?4- $2B; N-!#1 $1µ!- $<= ;!- ?4- $;$1; R?#$ D$;1032$ ' 4%?0':, 6!- ,'( #$@$-=0$- ' 4=%':; S$0 $10!- 3 7*5 ;&#* !,? #'0 5@-' !,@& .0! ?0$-%';» 9+)( +%8%?+"!.

%0Dµ%() 5-H$*µ"

*5)(2

)

>&!*5%+"$

5-µ%&" .

"5.8.?H%!

Cassiel.

F0%$+"

/(" )

8%6K.&%!., 5-µ%&"

D0.?

"5.8.?H%!

*+. µ%

+&->%8$(<5 +.( Peter Falk, . .0.!., 0%&0"+- *% /(" 5%(D *)µ%!. +), 0D8),, *+"

%&%!0$"

%(D,

0"8$.'

*+"Hµ.':

«W"

0%&0"+-,.

W"

5.$+-,

5"$

("

>8/0%$,...@?+D, 0&/0%$ (" %!("$ . *+"HµD, 0.? µ.? /8%<"(, µ% +. 0"&-L%(.

D(.µ". V;$ . *+"HµD, 0.? *+"µ-+)*% +. +&/(.. @88-, . *+"HµD,.. 0.? *+"µ-+)*% . *+"HµD,».

B Peter Falk %!("$ 2#) <(6*+D, "0D +)( +)8%.0+$52 *%$&- Columbo, D0.? ?0.#'%+"$ +.( (+%(+/5+$> Frank Columbo. B Wenders H" ;&)*$µ.0.$2*%$ "?+2 +)( 39

M%'+$5) +"?+D+)+" +.? Peter Falk 5"$ *+" "#$%& #'( )%*#!. 4#A D06, /(", flâneur /+*$ 5"$ /(", (+%(+/5+$> 0%&$08"(-+"$ *?(%;A,, 5-(.(+", +.( #&Dµ. *0!+$ +.?. E! "#$%& #'( )%*#!, &$N6µ/(" *% /(" µ.(+/&(. +.0!., >8/0.?( +.( 5D*µ. µ% /(" 0%&$)<)+$5D >8/µµ", *"( "?+D +6( "<</86(. B H%"+2, 0"!&(%$ +) H/*) %(D, flâneur, %(D, 0%&$08"(Aµ%(.? *+.?, ;A&.?, +.? µ.(+/&(.?. \88%, *+$<µ/,, 0-8$, >8/0%$ +.( 5D*µ. ‘M)K$"5-’, µ/*" "0D +" "0.*0"*µ"+$5/, 5"$ H.8/, %$5D(%,. B ;A&., #)8"#2 5"$ . ;&D(., *?µ0$/N%+"$. J %("88"<2 +6( 08-(6( #$"&5%!",, D0.? ) 5-µ%&" ;"&"5+)&!N%+"$ "0D µ!" *?(%;2 5!()*) *+. ;A&., 5"$ +6( "0.*0"*µ"+$5A( 08-(6( +), N62, *+)( 0D8), %($*;'.?( "?+2 +) #$"K.&%+$5D+)+". @?+.! .$ #'. #$"K.&%+$5.! +'0.$ .0+$52, %µ0%$&!",, . /(", µ.(+/&(.,

5"$

.

-88.,

µ%+"µ.(+/&(.,,

/(",

0&.*"("+.8$*+$5D,

5"$

/(",

"0.0&.*"("+.8$*+$5D,, . /(", *?(%;2,, . -88., H&"?*µ"+$5D,, "0.5"8'0+.?( +)( +-*) +), +"$(!", (" >&!*5%+"$ *?(%;A, "(-µ%*" *+)( %µ0%$&!" 0.? 0&.5'0+%$ "0D +)( µ.(+/&(" 5"$ µ%+"µ.(+/&(" *?(H25).

40$*+&/K.?µ% L"(- *+. -#%$. 8%6K.&%!. 0.? >&!*5%+"$ . Casssiel. F(" 08-(. 5.(+$(D *+. 0&D*60. +.? 5"$ /(" 08-(. 0.? #%!;(%$ +. 5%(D 8%6K.&%!. %!("$ D8) ) *5)(2. J 5-µ%&" "5.8.?H%! +.( Damiel *+) 5"(+!(" 0.? >&!*5%+"$ *%

/("

%&)µ$5D

µ/&.,.

1!*6

"0D

+)(

5"(+!("

K"!(%+"$

+.

0!*6

µ/&.,

+6(

5+$&!6(, +" .0.!" .&!N.?( +.( 5%(D "?+D ;A&. *+)( 0D8). 45%! . -<<%8., H" *?("(+2*%$ +.( Peter Falk. B +%8%?+"!., "("<(6&!N%$ +)( '0"&L) +.? "<</8.?, ;6&!, (" +.( >8/0%$. 1&.*0"H%! (" +.? µ%+"K/&%$ +)( %µ0%$&!" +), ?8$52, N62,: «7"5-&$ (" µ0.&.'*" (" *% 5.$+-L6 *+" µ-+$" 5"$ (" *.? 06, 0D*. 5"8%!("$ %#A. W" µ0.&%!, (" "<<!L%$, 5-+$... W" 5"0(!*%$,, (" 0$%!, 5"K/, 5"$ "( 5-(%$, 5"$ +" #?D µ"N! %!("$ K"(+"*+$5-. ] (" *;%#$-N%$,... W" +&!>%$, +" ;/&$" <$" (" N%*+"H.'(. 4!("$ +D*" 0.88-».

B Cassiel <$" -88) µ$" K.&- 0%&0"+- *+.?, #&Dµ.?, +), 0D8),, 5.(+- *+. +%!;.,, 5"$ ) 5-µ%&" 0.? +.( "5.8.?H%! 0%&(- 0-(6 "0D "?+D, *"( (" µ)( "("<(6&!N%$ K?*$5- %µ0D#$" "5&$>A, D06, 5"$ . -<<%8.,. :$-K.&%, "("8'*%$, +), +"$(!", ?0.*+)&!N.?( 06, "?+2 "5&$>A, ) %8%'H%&) 5!()*) +6( "<</86( 5"$ +), 5-µ%&", 0-(6 "0D +. 3%!;.,, 0&.µ)('%$ +)( 0+A*) +.?, 8!<" ;&D($" 0&$( "?+D *?µ>%! 0&"<µ"+$5-. 9+)( -88) 08%?&- +.? 3%!;.?, ) 5-µ%&" *?("(+- +.( Damiel 5"$ %5%!(., µ% +) *%$&- +.? +.( Cassiel: «5"$;» &6+- o Cassiel, «H" µ06 *+. 0.+-µ$» "0"(+- . Damiel "("K%&Dµ%(., *+. 0.+-µ$ +.? ;&D(.?. J +"$(!" %#A µ% +. 0/&"*µ" "0D +.( "$A($. 5"$ *?(%;2 ;&D(. *+.( 0%0%&"*µ/(. 5"$ "0.*0"*µ"+$5D ;&D(. 5"$ ;A&. +6( "(H&A06(, H" µ0.&.'*% (" *?µ>.8!N%$ +.

0/&"*µ" "0D µ!" %0.;2 *% µ$" -88). 3. 0/&"*µ" "0D +)( %0.;2 µ$", %($"!", H%A&)*), +.? *'µ0"(+.,, µ$", 5"H.8$52, 5"$ µ.("#$52, "82H%$",, *+. 0/&"*µ" µ$", %0.;2, H&"?*µ"+$52, H%A&)*), +.? 5D*µ.? 5"$ +.? %"?+.'. 3. 0/&"*µ" "0D +)(

µ.(+/&("

%µ0%$&!"

+),

*?(%5+$5D+)+",

*+)(

µ%+"µ.(+/&("

%µ0%$&!"

+.?

"0.*0-*µ"+.,.

«4µ0&D, *+. 0.+-µ$ +.? ;&D(.?, *+. 0.+-µ$ +.? H"(-+.?. 3. (" 5.$+5"(%!, #%( *)µ"!(%$ (" 5.$+- "0D M)8-, "88- *+. %0!0%#. +6( µ"+$A(». J 5-µ%&" 5$(%!+"$ 5"$ "0.5"8'0+%$ +$, 0"+)µ"*$/, +.? Damiel *+. ;Aµ" 5"$ +.

K$8µ

0"!&(%$

;&Aµ".

B

Damiel

>&!*5%+"$

0$"

*+.

;A&.

5"$

*+.

;&D(.

+6(

"(H&A06(.

40

E! "#$%& #'( )%*#!: % 9#$%& '() % 9$*+%& -3+ (+E$#B3+

J #%'+%&) (.)µ"+$52 *%5-(, #$"&5%! 0.8' 8$<D+%&. "0D +)( 0&A+) 5"$ L%5$(-

µ%

+)(

0+A*)

+.?

Damiel

*+.(

?8$5D

5D*µ.

+6(

"(H&A06(.

7%

/("

+&->%8$(<5 +), 5-µ%&", 0"&-88)8" µ% +. 3%!;.,, ;-(.?µ% 5"$ L"(">&!*5.?µ% µ/*" *+. 08-(. +.( Cassiel 5"$ +.( H()+D 0$" Damiel. 1%*µ/(., . Damiel 08-$ *+. 3%!;.,, µ% +" <&-K$+$ 5"$ +" /(+.(" ;&Aµ"+" (" 5?&$"&;.'( *+. 5-#&., L?0(- µ% +)( 0+A*) +), 0"(.08!", 0-(6 *+. 5%K-8$ +.?. J 5-µ%&" 5$(%!+"$ *+.

'M., +6( µ"+$A( 5"$ "5.8.?H%! +.( -<<%8. 5"HA, 0%&0"+- 0"&-88)8" µ% +.

3%!;.,. 9?("(+- /(" 0%&"*+$5D 5"$ +.( &6+- "( +. "!µ" *+. ;/&$ +.? "0D +. ;+'0)µ" +), 0"(.08!", %!("$ 5D55$(.. =)+- (" µ-H%$ 5"$ +" ?0D8.$0" ;&Aµ"+" *+$, N6<&"K$/, +.? 3%!;.?,. B Damiel 0%&0"+- *+.?, #&Dµ.?, +), 0D8),, %(A +. "*H%(.KD&. 0.? 0"8$D+%&" +. />8%0% "0D M)8- +A&" *+"µ"+- <$" (" 0%&-*%$ "0D µ0&.*+- +.? *+. #&Dµ.. O" *+"µ"+2*%$ *% µ$" 5"(+!(" *+. #&Dµ. 5"$ H" N)+2*%$ (" 0$%$ 5"K/, "5&$>A, D06, +.? %!;% 0%$ . Peter Falk. O" *?(%;!*%$ +)( 0%&$08-()*) +.?, *+.?, #&Dµ.?, +), 0D8), 0-(+" 5&"+A(+", +)( 0"(.08!" +.?.

9% K6(2 .KK "5.'<.(+"$ .$ *+!;.$ "0D +. +&"<.'#$ +), 0"$#$52, )8$5!",: «U#!0 #' ,!-<1 5#!0 ,!-<1 7'B2$ µ$ µ5@! ;!- /*µ1 ;!- 5#!0 !%;$#& ;!- $10!- .#2- !;?µ3 U#!0 #' ,!-<1 5#!0 ,!-<1 #! µ'B%! .,$9#!0 2!0 µ'B%! 2#' 4.%- #'( ;!- .#2- $10!- !;?µ3 "%.2;! !µB8<!@! .;!0!0 #3 8@=22! #'( #%!4$-& ;!- .#2- $10!- !;?µ3 C#30 ;'%(95 ;&>$ G'(0'B, $,->(µ'B2$ 8-! .0! !;?µ3 /3@?#$%' G'(0? ;!- 2$ ;&>$ ,?@3, $,->(µ'B2$ µ-! µ$8!@B#$%3 ,?@3 ;!- .#2- $10!- !;?µ3 )9#!0$ 2#30 ;'%(95 #'( <.0#%'( 8-! #! ;$%&2-! $0>'(2-!2µ.0' ;!- .#2- $10!- !;?µ3 Y#!0 0#%',!@? µ,%'2#& 2$ D.0'(: ;!- .#2- $10!- !;?µ3 R$%1µ$0$ 8-! #' ,%=#' 4-?0;!- .#2- ,$%-µ.0$- !;?µ3» G"$ H" *?(%;!*%$ +)( 0%&$08-()*) +.? µ/*" *+.?, #&Dµ.?,, 5-+6 "0D </K?&%,, 5-+6 "0D *$#)&.#&.µ$5/, <&"µµ/,. 4#A . -<<%8.,, /(", 0%&$)<)+2, +), 0D8),, /(", 08-()+", +.? 5D*µ.?, µ% +)( %L%&%?()+$52 +.? #$-H%*), D;$ 0$" "?+2 +.? "<</8.? 0.? +" <(6&!N%$ D8", 0.? +" 5.$+-N%$ D8" "0D "0D*+"*), "88"?+2 +.? "(H&A0.? 0.? #%( <(6&!N%$ +!0.+", 5"$ 0.? >&!*5%+"$ µ/*" *% D8".

U&!*5%+"$ 0$" µ/*" *+)( 0D8), 5"$ D;$ 0-(6 "0D "?+2, >$A(%$ +)( "*+$52 %µ0%$&!", #%( +)( 0"&"+)&%! "08-: 0%&0"+- "(-µ%*" *% "?+.5!()+", *% 5!()*), 2 0"&5"&$*µ/(", "(-µ%*" *% "(H&A0.?,. O Wenders H" 0%$, H/8.(+", (" #%!L%$ 0D*.

*)µ"(+$52

%!("$

)

*?µµ%+.;2

D86(

+6(

"$*H2*%6(

*+)(

5"+"(D)*)

+), 41

"*+$52, %µ0%$&!",: «J 0%&$<&"K2 0D8%6( %!("$ µ$" +/;() 0.? #%( +)( *?("(+-, *?;(-. 9?(2H6,, #%( µ0.&.'µ% (" *?88->.?µ% +)( 0%&$<&"K2 µ$", 0D8),, <$"+! %!("$ -0%$&" "?+- 0.? "(+$8"µ>"(Dµ"*+% µ% +)( D*K&)*), +)( "5.2, +)( D&"*), µ% +)( %( </(%$ 0"&.?*!" µ",%$5.(.0.!)*)

#)8"#2

+.?

0-(6 "0’ D8" Dµ6, µ% +)( D&"*)». J %$5D(", )

;A&.?,

%!("$

)

0$.

*)µ"(+$52

0"&-µ%+&.,

<$"

("

0%&$<&-M%$ 5"(%!, +)( %µ0%$&!" µ$", 0D8),, *'µK6(" µ% +.( *5)(.H/+). S$" "?+D +. 8D<., . 5$()µ"+.<&-K., H%6&%!+"$ 6, ) 5"+"88)8D+%&) +/;() 0.? µ0.&%! (" "("0"&"*+2*%$ µ% +.( 5"8'+%&. +&D0. µ$" +/+.$" %µ0%$&!". V06, /;%$ 2#) "("K%&H%!

*+.

0&A+.

µ/&.,

+),

µ%8/+),

"?+2,,

+.

5$()µ"+.<&"K$5D

µ/*.

"("#'%+"$ "0D +)( !#$" +)( N62 *+)( 0D8), 0&D5%$+"$ #)8"#2 <$" +)( +/;() +), 0D8),.

9% /(" 5"+-*+)µ" H" "(+"88-L%$ +" &.';" 5"$ +)( 0"(.08!" +.? µ% -88" &.';", ;&6µ"+$*+-. F(" µ$5&D 0"$#! H" N)+2*%$ .#)<!%, <$" +.( 0&..&$*µD +.? µ/*" *+)( 0D8) "0D +.( -<<%8., . .0.!., +)( <(6&!N%$ 0-&" 0.8' 5"8-.

B Damiel H" 0-%$ (" >&%! +.( Peter Falk *+" <?&!*µ"+" +), +"$(!",.

45%! . +%8%?+"!., H" &6+2*%$ +.( Damiel: «0D*. 5"$&D», H/8.(+", (" µ-H%$ 0D*. 5"$&D %!("$ H()+D, 0$", «Y%0+-, A&%,, µ/&%,, %>#.µ-#%,, µ2(%,, ;&D(.,!»

8/%$ %(H.?*$"*µ/(., . Damiel, . .0.!., 0$" "(+$8"µ>-(%+"$ +.( ;&D(. 6, 5-+$ .&$*µ/(., *?<5%5&$µ/(., 5-+$ 0.? µ0.&%! (" µ%+&)H%!. 45%! H" "0.5"8'M%$ .

Falk 06, ?02&L% 5$ %5%!(., -<<%8.,, 0.? %0/8%L% (" ‘0/*%$’ *+) <). «H/86 (" L/&6 +" 0-(+"», H" 0%$ . Damiel 5"$ . Falk H" "0"(+2*%$ 06, +A&" 0$" H" 0&/0%$ (" +" "("5"8'M%$ D8" µD(., +.?.

9+)( %0Dµ%() *5)(2, *+. ;A&. D0.? >&$*5D+"( +. +*!&5., .$ -(H&60.$ +.?

K%'<.?( µ% +" "?+.5!()+" 5"$ +" +&/$8/& +.?, #!(.(+", &"(+%>.' µ% +) Marion <$" +)( %0Dµ%() *%ND(. @0.5"8'0+%+"$ µ% /(" 0"(.&"µ$5D 08-(. D8., . 5%(D, ;A&., 5"$ +. 0!*6 µ/&., +6( 5+$&!6( 0.? +. .&!N.?(. J 5-µ%&" >&!*5%$ +.( Cassiel 0-(6 *+. -<"8µ", "$6&%!+"$ 0-(6 "0D +)( 0D8) 5"$ +%8$5- K+-(%$ 5.(+*+)( <). 3. K$8µ /;%$ <!(%$ "0&Dµ"?&., 5"HA, ) 5-µ%&" +"?+!N%+"$ 0-8$ µ% +. >8/µµ" +6( "<</86(. 9+) µ/*) µ/(%$ µD() ) Marion. U&!*5%+"$ +A&" *% /(" -#%$. ;A&.: «:%( µ0.&A (" 06 0.$- %!µ"$. :%( /;6 +)( 0"&"µ$5&2 $#/". 4!µ"$ 5-0.$" ;6&!, &!N%,, ;6&!, $*+.&!", ;6&!, ;A&". 4!µ"$ %#A, %!µ"$ %8%'H%&).

70.&A (" K"(+"*+A +" 0-(+". V8" %!("$ 0$H"(-...3A&", *% "?+D +. µ/&.,, /(" "!*H)µ" %?+?;!",». 3. K$8µ 0"!&(%$ L"(- ;&Aµ", %(A *+. 5-#&. ?0-&;%$ /(", +.!;.,

5+$&!.?

;6&!,

"(.!<µ"+",

µ%

µ$"

N6<&"K$-

%(D,

µ$5&.'

?0/&<%$.?

0"&"#%!*.?. J Marion 0"&"+)&%! +" 5+!&$" 5"$ +. >8/µµ" +),, µ"N! 5"$ ) 5-µ%&" *+&/K%+"$ 0&., +.( .?&"(D, *% /(" "%&.08-(. 0.? 0%&(-.

4(A +. +*!&5. %<5"+"8%!0%$ +. ;A&. 5"$ *+)( H/*) +.? µ/(%$ /(" 5%(D 0$", ) Marion, *+) µ/*) "?+.' +.? ;A&.?, 0"&"#.µ/() *+$, "0%&$D&$*+%, 5"$ %80$#.KD&%, #?("+D+)+%, 0.? %5K&-N%$ /(", -#%$., ;A&.,, H/+%$ <$" -88) µ$" K.&- N)+2µ"+" +"?+D+)+",. @?+2 +) K.&- Dµ6, ) *+-*) +), %!("$ 0%&$**D+%&. "$*$D#.L). :%!;(%$ (" "0.8"µ>-(%$ +. +.0!. <'&6 +), 5"$ +. "%&.08-(. 0.?

0%&(- µ% µ$" #$-H%*) %8%?H%&!",, *"( +. +.0!. 5"$ .$ +%;(.8.<!%, (" %!("$ "?+-

0.?

H"

+)(

"0%8%?H%&A*.?(

?0.*+)&$;H%!

"0D

5&$+$5.',,

06,

+%8$5-.

S$"

0&D5%$+"$

+)( <$"

*?<5%5&$µ/() µ!"

0&.K)+$52

*5)(2

/;%$

*5)(2.

J 42

0&.K)+%!" "K.&- +)( 0+A*) +.? 3%!;.?, - µD8$, #'. ;&D($" "&<D+%&" "0D +)( 0&.>.82 +), +"$(!",, +. 5%(D 0.? "K2(%$ 0!*6 +.? µ%+- +)( 5"+%#-K$*) +.?, 5"$ +$, -0%$&%, #?("+D+)+%, 0.? "("#'.(+"$.

G"$

.

*?()H$*µ/(., %µ0.#!N.(+", 0"&5"&$*µ/("

Damiel "0D +",

+)(

0%&0"+-?8)

+&/;%$,

"?+.5!()+".

B

L"(-

'0"&L2

µ/*" +.?

0&.*0%&(Wenders

*+)(

0D8).

*+/5%+"$ "(H&A0.?,,

H%6&%!

+.(

:$"*;!N%$

µ0&.*+0%N.',,

;A&.

+),

#&Dµ.?,,

"0D

"?+.5!()+"

µ%

0.#28"+",

0D8),

/("(

;A&.

µ.("#$5D: «R-2#$B* ?#- (,&%4$- µ-! 'µ'%9-& ,'( µ?0' 2#30 ,?@3 µ,'%$1: 0! #3 G%$-:... H(#5 3 !12>323 ,38&7$- !,? .0!0 -<-!1#$%' #%?,' µ$ #'0 ','1' ‘!,'@!µG&0$-:’ ;&#-. J'µ17* ?#- 3 -<.! $0?: <%?µ'( µ$ !(#';103#! ,'( #%.4'(0, µ$ ;@&D'0 ,'( ;'%0&%'(0, µ$ ,$7'B: ,'( 2(0*2#17'0#!-, ,'( ,$%-µ.0'(0 #! 9!0&%-! 8-! 0! ,$%&2'(0 !,.0!0#-, ..., !(#? 23µ!10$- 0! 7$-: 2$ µ1! ,?@3». 59 G"$ *?(%;!N%$: «H(#? >.@* !,? µ1! ,?@3: 0! µ$ <-$8$1%$-. +D’ '%-2µ'B, ;&>$ $1<'(: ,'@$'<'µ-;?: 24$<-!2µ?: #$10$- 2$ ;&,'-! 'µ'-'8.0$-!. F ,?@3 #' !0#-µ&4$#!- !(#?. F ,?@3 !(#',%'2<-'%17$#!- µ.2! !,? !0#->.2$-:, >.@$0! $;%!8$1... U,*: ;&>$ µ'%95 8@=22!:, ?,*: .0! ,'13µ! 5 µ-! $-;?0!, ;&#- !8*017$#!- 0! ,&%$- µ'%95, ,@3%?#3#!, ;!- 3 <-.8$%23 <3µ-'(%8$1#!µ?0' 2#-: %*8µ.:, $;$1 ,'(, D!90-;&, ?@! ,&0$ 2#%!G&. C#! µ.%3 ?,'( ?@! #!-%-&7'(0 !,?@(#!, <$0 µ.0$- #1,'#!».60 B Damiel K+-(%$ +%8$5- *+.( 5%(D 0$" ;A&. +.? +*!&5.?. J Marion /;%$ 0$" K'<%$.

B Damiel 5"$ ) Marion +%8$5- H" *?("(+)H.'( *% µ!" *?("?8!". J Marion ;.&%'%$ *;%#D( ?0(6+$*µ/() 5"$ . Damiel +)( "("N)+- µ/*" *+. 082H.,, %(A . +&"<.?#$*+2, %0"("8"µ>-(%$ +.( *+!;. ‘from her to eternity’ 61 , "0D %5%!() *+)( "$6($D+)+". 9+. µ0"& +.? ;A&.? o Damiel *+/5%+"$ 5"$ ) Marion +.( "("<(6&!N%$. F(", +/+.$., ;A&., %K2µ%&), #$"*5/#"*),, %($*;'%$ +)( "!*H)*) +), "0A8%$", +), +"?+D+)+",, 5-+$ +. .0.!. +"8"$06&%! +)( M?;2 5"$ +)( *5/M) +), Marion.

J Marion 0!(%$ "0D +. 0.+D +.? Damiel 5"$ *+"µ"+- +)( 5!()*) +.? 0&., +. µ/&., +), µ% +. ;/&$ +), 0-(6 *+. *+2H., +.? 5"$ +" 8D<$" +),: «1&/0%$ %0$+/8.?, (" <!(%$ *.>"&D. 9?;(- 2µ.?( µD(), "88- #%( /N)*" 0.+/ µD(). V+"( 2µ.?( µ% 5-0.$.(, *?;(- 2µ.?( %?+?;$*µ/(). @88- +"?+D;&.(", D8" /µ.$"N"( µ$" *'µ0+6*). @?+.! .$ -(H&60.$ 2+"( .$ <.(%!, µ.?. @88- H" µ0.&.'*% (" 2+"( 5"$ 5-0.$.$ -88.$. S$"+! "?+D +. "<D&$ µ% +" 5"*+"(- µ-+$" 2+"( . "#%8KD, µ.?

5"$ D;$ +. "<D&$ µ% +" 0&-*$(" µ-+$" *+)( "0/("(+$ %L/#&";» 4#A ) Marion #%!;(%$ +)( "#?("µ!" +), (" +.0.H%+2*%$ +.( %"?+D +), *% /(" 08"!*$. µ% *?<5%5&$µ/(%, "("K.&/,. J +?;"$D+)+" "5Dµ" 5"$ *+" 0&D*60" 0.? >&!*5.(+"$ *+. .$5.<%(%$"5D +), 0%&$>-88.( +), 0&.5"8%! ">%>"$D+)+" 5"$ "()*?;!".

«G.!+"L% µ% 2 D;$», *?(%;!N%$. «:A*% µ.? +. ;/&$ *.? 2 D;$. V;$. 7) µ.? #!(%$, +. ;/&$ *.? 5"$ 5.!+"L% "88.'. W.µ!N6 *2µ%&" %!("$ ) (/" *%82().

59

Wenders, W.,5.-., D.0. 31.

60

V.0., 37.

61

9+!;., "0D +. +&"<.'#$ +.? Nick Cave, ‘From Her to Eternity’.

43

J 0$. 2*?;) (';+". G"µ$- "$µ"+.;?*!" *% D8) +)( 0D8). :%( /0"$L" 0.+/ µ% 5"(/("( 5"$ #%( -(.$L" 0.+/ /6, +A&" +" µ-+$" µ.? <$" (" 06: 3A&" %!("$ *.>"&D. 40$+/8.?, <!(%+"$ *.>"&D. F+*$ µ%<-86*". ]µ.?( ) µ.("#$52 0.? #%( 2+"( *.>"&2; 4!("$ .$ 5"$&.! µ", 0.? #%( %!("$ *.>"&.!; :%( 2µ.?( 0.+/ µD(), %!+% D+"( 2µ.?( µD(), %!+% D+"( 2µ.?( µ% -88.?,. @88- %0$+/8.?, H" 2H%8" (" %!µ"$ µD(). 7.(";$5D+)+" *)µ"!(%$ (" %!µ"$ %0$+/8.?, .8D58)&). 3A&" µ0.&A (" +.

06,

"0D

*2µ%&"

;"&"5+)&$*+$5D

+&D0.

%!µ"$ +)(

%0$+/8.?, *'<;&.()

µD()».

%µ0%$&!"

J +.?

Marion

>$A(%$

5D*µ.?

µ",.

µ%

+.(

40$+/8.?,

0$.

H"

($A*%$ .8D58)&) µ/*" "0D +)( /(6*) µ% +.( Damiel, "88- µ/*" *% µ!" 0"&-L%() *?(H25): µ/*" *+)( *?(H25) +), µ.(";$5D+)+", "$*H-(%+"$ +)( .8.582&6*).

«1&/0%$ (" >-86 /(" +/8., *+)( *'µ0+6*). J (/" *%82() +), "0DK"*),. :%(

L/&6

"(

%!("$

µ.$&"!.,

"88-

?0-&;%$

µ$"

"0DK"*).

@0.K-*$*%!

4µ%!,

%!µ"*+% .$ 5"$&.!. V;$ µD(. .8D58)&) ) 0D8) "88- .8D58)&., . 5D*µ., 0"!&(%$ µ/&., *+)( "0DK"*) µ",. 4µ%!, .$ #'. +A&" %!µ"*+% 0%&$**D+%&.$ "0D %µ-, +.?, #?.. 4(*"&5A(.?µ% 5-+$. 4!µ"*+% . 5D*µ., +A&" 5"$ D8., . 5D*µ., .(%$&%'%+"$ +. !#$. D(%$&.. @0.K"*!N.?µ% +. 0"$;(!#$ D86(. 4!µ"$ /+.$µ). 3A&", %!("$ ) *%$&- *.?. 4*' 5&"+-, +. 0"$;(!#$ *+" ;/&$" *.?. 3A&" 2 0.+/. 7% ;&%$-N%*"$.

O" µ% ;&%$-N%*"$. :%( ?0-&;%$ 0$. Dµ.&K) $*+.&!" "0D +)( #$52 µ",, %(D, -(#&" 5"$ µ$", <?("!5",. O" %!("$ µ$" $*+.&!" <$<-(+6(, "D&"+6(, 5$()+A(, µ$"

$*+.&!"

(/6(

0&.<D(6(.

G.!+"L%,

+"

µ-+$"

µ.?,

%!("$

)

%$5D("

+),

"("<5"$D+)+",, +.? µ/88.(+., +.? 5D*µ.? D8.?. CH%, >&-#?, .(%$&%'+)5" /("( L/(., +.( -(H&60. µ.?. 7D(. µ% "?+D( H" µ0.&.'*" (" %!µ"$ µD(), (" "(.$;+A *% %5%!(.(, %(+%8A,, %(+%8A, <$" %5%!(.(. W" +.( 5"86*.&!*6 .8D58)&. µ/*" µ.?, (" +.( 0%&$>-886 µ% +.( 8">'&$(H. +), 5.$(2, %?+?;!",. ^/&6, %!*"$ %*'».

J +"$(!" H" +%8%$A*%$ µ% +. ;/&$ +.? "<</8.? (" <&-K%$ 5"$ *% K6(2 .KK . Damiel: «^/&6 +A&", D+$ #%( L/&%$ 5"(%!, -<<%8.,». 9+. +%8%?+"!. 08-(. +. "*+$5D +.0!. 5"$ . .?&"(D, 0-(6 "0D +. U%&.8!(..

44

A1µB/$0,µ(-(

1&.5%$µ/(.? (" #$%&%?()H.'( +" *+.$;%!" 0.? "("#%$5('.?( +. 08"!*$.

0.? >$A(%+"$ ) (µ%+-)µ.(+/&(" %µ0%$&!", *+. 0&A+. µ/&., +), %&<"*!", "?+2, #DH)5% /µK"*) *+. 0A, "(+$8"µ>-(%+"$ . *'<;&.(., -(H&60., +.( ;A&. 5"$ +. ;&D(. *+) *'<;&.() *?(H25), "88- 5"$ *+)( (µ%+-)5!()*) µ/*" *% "?+2. 70.&%!

5"(%!, µ% %?5.8!" (" *;.8$-*%$ 06, ) +"$(!" E! "#$%& #'( )%*#! +.? Wim Wenders, "88- 5"$ +. *'(.8. +.? /&<.? +.? *5)(.H/+), %!("$ µ!" 0&.*0-H%$" "$*H)+$52,

%&µ)(%!",

+),

(µ%+-)µ.(+/&(",

%µ0%$&!",.

7%

-88"

8D<$",

µ!"

0&.*0-H%$" "(!;(%?*), +.? +&D0.? µ% +.( .0.!. . (µ%+-)µ.(+/&(., -(H&60., "(+$8"µ>-(%+"$ +. 0%&$>-88.( +.? 5"$ %0$08/.( +.( %"?+D +.? µ/*" "0D +.

0%&$>-88.( +.? "88- 5"$ µ/*" "0D

+$, µ%+">.8/, +6( #$"*+-*%6( +.? ;A&.? 5"$

+.? ;&D(.?.

J +"$(!" E! "#$%& #'( )%*#! ;6&!N%+"$ *% #'. #$"5&$+- µ/&): +. 0&A+. µ/&., +), +"$(!", µ", #!#%+"$ µ/*" "0D +)( "(+!8)M) +6( "<</86( <$" +.( 5D*µ., µ/*" "0D +.( "0/&"(+. ;A&. +.?, 5"$ +.( "+%8%!6+. ;&D(. +.?,, µ/*" "0D +)( 0"(.&"µ$52 +.?, .0+$52 5"$ +)( "0.*0"*µ"+$52 H/"*) +.? *'µ0"(+.,, %(A *+. #%'+%&. µ/&., +), +"$(!", ) .0+$52 +.? H%"+2 µ%+"K/&%+"$ *+. %0!0%#. +), <),, D0.? +. ;&Aµ" ("88- 5"$ +. ;&2µ") 5?&$"&;.'( *% /(" ;A&. 5"$ ;&D(. ?0"&5+D, "0+D. 9+. 0&A+. µ/&., +), +"$(!", ) 0&"<µ"+$5D+)+" 0.? "(+$8"µ>-(%+"$ .

H%"+2, %!("$ µ!" "0.*0"*µ"+$52 0&"<µ"+$5D+)+". G"HA, .$ -<<%8.$ 5$(.'(+"$ µ/*" *+)( 0D8), µ"N! 5"$ ) 5-µ%&", µ% 5$(2*%$, %!+% *?(%;%!, "0D ;A&. *% ;A&., %!+% µ% #$"#.;$5- 08-(" µ$5&2, #$-&5%$",, µ", 0"&"*'&.?( *% /(" +&D0. "(+!8)M), +.? 5D*µ.? <'&6 µ",, 0.? µ", H?µ!N%$ "?+D 0.? >$A(.?µ% 6, *'<;&.() *?(H25). O&"'*µ"+" #)8"#2 ;A&6( 0.? +" 0"&"+)&.'µ% 6, 0%&$0"+)+/, *+)( 0D8), %!+% µ/*" "0D +$, +%;(.8.<!%, +), µ%+"K.&-,, %!+% 6, "08.! 0%&$)<)+/, .$ .0.!.$ "0.&&.K.'( +), %$5D(" +), 0D8), +µ)µ"+$5-.

O *?(%;2, 5"$ -0%$&., ;&D(., 0.? >$A(.?( .$ -<<%8.$ µ", H?µ!N%$ +.( ;&D(.

6,

?@'0

+.?

Deleuze

0.?

/;%$

2#)

"("K%&H%!

*+.

0&A+.

µ/&.,

+),

%&<"*!",. B !#$., H" µ$82*%$ <$" #'. %!#) ;&D(.? *+)( 0&.*0-H%$" +.? (" .&!*%$ +.( %8$5.%$#2 ;&D(. 0.? "("#'%+"$ "0D +. µ.(+-N. B 0&A+., ;&D(.,, . ;&D(., 6, D8.(, «*"( /(", µ%<-8., 5'58., 2 *0%!&"», %!("$ "?+D, 0.? H?µ!N%$ +.( ;&D(. +6( "<</86(: «. ;&D(., 6, D8.(, +. *'(.8. +), 5!()*), µ/*" *+. *'µ0"(, %!("$ +. 0+)(D 0.? !0+"+"$», D06, !0+"(+"$ .$ -<<%8.$ 0-(6 "0D +)( 0D8) +.? U%&.8!(.?. B ;&D(., *"( #$-*+)µ", 0.? .&!N%$ . Deleuze 6, #%'+%&. ;&D(.,

+.

.0.!.

5"H.&!N%$

+)(

µ$5&D+%&)

µ.(-#"

#&-*),

2

5!()*),,

µ",

0"&"0/µ0%$ *+. ;&D(. +6( "(H&A06(, /(" ;&D(. *?<5%5&$µ/(., 0%0%&"*µ/(., /(" *'(+.µ. #$-*+)µ".

9+)( "(-8?*) +), +"$(!", /;.?µ% 2#) 0"&"88)8!*%$ 5"$ +.( *5.0D +6( "<</86(

µ%

"?+D(

+.?

5$()µ"+.<&"K$5.'

µ/*.?.

B$

-<<%8.$

D06,

5"$

.

5$()µ"+.<&-K., 5-(%$ .&"+- µ/&) 5"$ *)µ%!" +), 0D8), 0.? *?(2H6, #$"K%'<.?( "0D

+)(

"(+!8)M)

µ",,

5&?K.',

"0D

+)(

5"H)µ%&$(2

µ",

0%&$2<)*)

;A&.?,,

5"H$*+A(+", /+*$ +. 5$()µ"+.<&"K$5D µ/*. µ/*. "("0"&-*+"*), +), *'<;&.(), %µ0%$&!",. J 5"+"<&"K2 "0D +.?, "<</8.?, +), K?*$52, 0&"<µ"+$5D+)+",, +6( 45

#$"*+-*%6( +.? ;A&.? 5"$ +6( ;&D(.? 5"$ +.? +&D0.? µ% +.( .0.!. .$ -(H&60.$ +$, >$A(.?(, 5"HA, 5"$ ) +"'+$*) +.? >8/µµ"+., +6( "<</86( µ% +)( %$5D(" 0.?

0"&-<%$ ) 5-µ%&", 5-(%$ +.?, "<</8.?, µ$" 0&6*.0.0.!)*) +.? 5$()µ"+.<&-K.?: «.

5$()µ"+.<&-K.,

6,

"#$-5&$+.,

0"&"+)&)+2,

5-H%

%!#.?,

K"$(.µ/(.?,

"$;µ"86+!N%$ +)( 5&?K2 0&"<µ"+$5D+)+", +.?, 5&?K.', ;A&.?, 5"$ #$"+)&%! +$, 62

%$5D(%, "?+/, *+. ;&D(.».

@?+D 0.? *?µ0%&"!(.?µ% 5"+- +) #$-&5%$" +), +"$(!",, %!("$ 06, 0"&’D8) +)( '0"&L) +6( +%;(.8.<$A( +), %0$5.$(6(!",, "5Dµ) 5"$ +6( *?<5.$(6($A( 0.? *?µ0$/N.?( +$, "0.*+-*%$, 5"$ +.?, ;&D(.?, *% µ!" 0D8), ) %0$5.$(6(!" µ%+"L' +6( 5"+.!56( +.? U%&.8!(.? %!("$ %8-;$*+). 9+)( 0&"<µ"+$5D+)+" D8.$ "?+.! .$ -(H&60.$ %!("$ µD(.$ 5"$ "0.L%(6µ/(.$. B$ *5)(/, *+.( ?0D<%$. *$#)&D#&.µ., D0.? .$ -<<%8.$ 0%&(A(+", #!08" "0D +.?, "(H&A0.?, "5.'( +$, %*6+%&$5/, +.?, *5/M%$,, H?µ!N.?( +)( %0$5.$(6(!" 0.? 0&.5'0+%$ "0D µ$" 5"+-*+"*), *"( "?+2 0.?

0%&$<&-K%+"$

"0D

+.(

G"?5"8-

*+.

I$#!µ'0#.%0'-

;!-%'1:

.

µ%+"µ.(+%-

&($*µD, "("N)+A(+", +)( H&"?*µ"+$5D+)+" +), %µ0%$&!", 5"$ +), "(+!8)M), 5"$ "0.&&!0+.(+",

+.(

%($"!.

;"&"5+2&"

+),

0&"<µ"+$5D+)+",,

0&.5"8%!

µ$"

#?*-&%*+) 5"+-*+"*) *+. %*6+%&$5D +.? ?0.5%$µ/(.?, *+. .0.!. *?(?0-&;.?( 0.88.! 5"$ #$"K.&%+$5.! 5D*µ.$ 5"$ "("0"&-<.(+"$ D8" %5%!(" +" %&%H!*µ"+" +" .0.!" 0&/0%$ . -(H&60., (" #$";%$&$*+%!, µ% *;$N.K&%($5/, *?(/0%$%,. 3%8$5-, D8%, "?+/, .$ *5/M%$,, .$ M!H?&.$, µ.$-N.?( (" 0&./&;.(+"$ +%8$5- "0D /("( 5"$ µD(. -(H&60., +.( (µ%+-)µ.(+/&(. -(H&60., D0.? µ/*" +.? «"("0"&-<.(+"$ D8%, .$ #$"K.&%+$5/, %5#.;/, 5"$ 5"+"*+-*%$, 0.? /0%*"( *+)( "(+!8)M) +.?

0&.*6&$(-

2

5"$

µ.($µD+%&"

5"$

*?(?0-&;.?(

;6&!,

5"µ!",

",

+.

0.'µ%,

#?("+D+)+" *'<58$*), 2 *?(.;2,, *% µ!" *?(%5+$52 %$5D(" +.? 0"&%8HD(+., 2 +.? µ/88.(+.,.»63 B Wenders, 5$()µ"+.<&"KA(+", 5%(.', +D0.?,, 5%(.', ;&D(.?,, H&"'*µ"+" %0$5.$(6(!", µ%+"L' +6( "(H&A06( 5"$ D8" "?+- 5-+6 "0D +)( *?(.;2 µ$", "K2<)*),, µ$", %&6+$52, $*+.&!",, 0&.*0"H%! (" "$*H)+$5.0.$2*%$ +)( %µ0%$&!" +.? *'<;&.(.? "(H&A0.? µ/*" *+.( 5.$(6($5- 5"+"*5%?"*µ/(. ;A&. 5"$ ;&D(..

9?(.M!N.(+",

+$,

0"&"0-(6

*)µ%$A*%$,,

)

#.?8%$-

+.?

Wim

Wenders,

µ.$-N%$ (" *?µK6(%! µ% +.( .&$*µD +.? David Harvey *+. F ;!#&2#!23 #3: µ$#!0$*#$%-;?#3#!:, <-$%$B0323 #*0 !,!%4=0 #3: ,'@-#-2#-;5: µ$#!G'@5:, <$" +. µ%+"µ.(+/&(., 6, «5"H.8$52 "0.#.;2 +.? %K2µ%&.?, +.? "0.*0"*µ"+$5.', +.? "*?(%;.',

5"$

+.?

;".+$5.'».

9+.

*?<5%5&$µ/(.

>$>8!.

.

David

Harvey

"K$%&A(%$ /(" .8D58)&. 5%K-8"$. *+)( "(-8?*) +), +"$(!", E! "#$%& #'( )%*#!, 5"+"82<.(+", 06, ) +"$(!" /;%$ µ%+"µ.(+/&(" ;"&"5+)&$*+$5-, µ% +. #%'+%&. µ$*D +), +"$(!", (" K/&%$ ;"&"5+)&$*+$5- +.? µ.(+/&(.?. P*6, +. #%'+%&. µ$*D (" "0.+%8%! µ!" 0&.*0-H%$" +.? *5)(.H/+) (" «%0"("K/&%$ 5-+$ "0D +. 0(%'µ" +.? µ.(+/&(.? *;%+$5- µ% +)( "(H&A0$() %0$5.$(6(!", 5"$ (" "("<%(()H%! . *'<;&.(., -(H&60., µ/*" "0D +$, *+-;+%, +.? µ.(.;&6µ"+$5.' µ%+"µ.(+/&(.? +.0!.?», H" $*;?&$*+%! . Harvey.

B Wenders H/+%$ +. N2+)µ" +), +-*), 0.? #)µ$.?&<%!+"$ "(-µ%*" *+. µ.(+/&(.

5"$

+.

µ%+"µ.(+/&(..

62

Graf, A., The Cinema of Wallflower Press, 2002, 116.

63

Wim

J

*'<;&.()

Wenders,

the

0.8$+$*µ$52 Celluloid

#)µ$.?&<!"

Highway,

Great

-886*+% Britain,

G"?5"8-,, S., D.0., 41-3.

46

%µK"(!N%+"$ 6, µ!" +-*) "(-µ%*" *% "?+/, +$, #'. *?(H25%,. 64 7% H&"'*µ"+" 0&"<µ"+$5D+)+",

;6&.;&.($52,

.

Wenders

"<<!N%$

+.

µ%+"µ.(+/&(.,

µ%

+)(

"0D0%$&" µ$", *'(#%*), *% /(" D8. +6( H&"?*µ-+6( "?+A(, µ% +)( +%8%?+"!" *5)(2

+),

"*K-8%$"

Marion +),

5"$

+.?

µ.(+/&(",

Damiel,

0&.*0"H%!

*?(H25),,

D06,

("

"("5+2*%$

"("K/&%$

5-+$

5"$

.

"0D

+)(

Harvey.

J

0&"<µ"+$5D+)+" Dµ6, %!("$ 06, #%( 5"+"K/&(%$ (" 0&.*K/&%$ +)( "*K-8%$" "?+2 +),

µ.(+/&(",

%µ0%$&!",,

5"HA,

+"

8D<$"

+),

Marion

µ.$-N.?(

("

%!("$

0%&$**D+%&. *"( H&"'*µ" 5"$ o Damiel #%( "0.5&!(%+"$ 5"$ #%( *?µµ%+/;%$ %(%&<- *% "?+2 +)( %0$5.$(6(!". 3. %&A+)µ" *?(.M!N%+"$ *+.( Jameson65: «+&0

<$4#'Bµ$

?#-

'

‘>&0!#':

#'(

µ'0#.%0'(’

$10!-

µ1!

!0!µ9-2G5#3#3 ,%!8µ!#-;?#3#!, #'#$ !(#?: ' >&0!#': 23µ!10$- #' #.@': µ-!:

2(@@'8-;5:

,!%&0'-!:,

#30

!,$@$(>.%*23

#'(

!0>%=,'(

!,?

#'

‘#%'µ!;#-;? ?@'’ 5 µ5,*: '<38$1 4*%1: ,!%$;;@12$-: 2#30 !,=@$-! ;!- #'( #$@$(#!1'(

2#3%18µ!#':

,'(

<-!>.#$-

'

&0>%*,':,

2#30

$D!9&0-23

#'(

2(%%-;0*µ.0'( $%8!@$-!;'B Z?8'(;» F+*$ 5"$ ) Marion µ.$-N%$ (" µ)( /;%$ *+2&$<µ" *+. µ.(D8.<. +), "?+D. 4(A 5-(%$ 0&.*0-H%$" (" K/&%$ 5.(+- +), +.( Damiel µ% +" 8D<$" +),, K"(+-N%$ *"(

µ$"

+%8%?+"!"

0&.*0-H%$"

("

%0"("K/&%$

+.

"!*H)µ"

+),

.8D+)+",

0.?

0"&"+)&.'µ% *+)( µ.(+/&(" %µ0%$&!": «S$0 5µ'(0 ,'#. µ?03, $1#$ ?#!0 5µ'(0 µ?03, $1#$ ?#!0 5µ'(0 µ$ &@@'(:. H@@& $,-#.@'(: >! 5>$@! 0! $1µ!- µ?03.

I'0!4-;?#3#! 23µ!10$- 0! $1µ!- $,-#.@'(: '@?;@3%3. E=%! µ,'%= 0! #' ,*, !,?

25µ$%! $1µ!- $,-#.@'(: µ?03». @?+D Dµ6, #%( K"!(%+"$ (" +. 0%+?;"!(%$. B Damiel >&!*5%+"$ #!08" +), #%!;(.(+", (" *?µµ%+/;%$ 5"$ (" %($*;'%$ +)( "0%8%?H/&6*) +), Marion, 5-+$ Dµ6, 0.? #%( "0.#%$5('%+"$ "0D µ!" 0&"<µ"+$52, "0+2

%0$5.$(6(!"

µ.(";$5D+)+"

µ%+"L'

;6&!,

+.

+.?,.

"!*H)µ"

7.$-N%$ +),

/+*$

)

.8.582&6*),,

Marion µ$"

("

>$A(%$

µ.(";$5D+)+"

µ$" ;6&!,

"("K.&/,.

B 8D<., "?+2, +), #$%&%'()*), +), ;6&.;&.($52, 0&"<µ"+$5D+)+", *+" "#$%&

#'(

)%*#!

+.?

Wim

Wenders

%0$;%$&2H)5%

0&.5%$µ/(.?

("

<!(%$

µ!"

0&.*/<<$*) *+)( 5"+"(D)*) +.? +&D0.? µ% +.( .0.!. . *5)(.H/+), 5"+"*5%?-N%$ 5"$ (.)µ"+.#.+%! +)( "K2<)*) +.?, H!<%$ N)+2µ"+" 0.? "K.&.'( +)( N62 *+)( 0D8), +)( %µ0%$&!" +), "*+$52, 0%&$08-()*),, +)( µ%+">.82 *+)( "(+!8)M) 0.?

0&.*K/&.?( .$ +%;(.8.<!%, +), *?<5.$(6(!", 5"$ %0$5.$(6(!",. O!<%$ +/8., N)+2µ"+" +"?+D+)+",

5?&!6, µ/*" "0D +.( ;6&$5D 5"$ ;&.($5D 0&.*#$.&$*µD +.?

?0.5%$µ/(.?. 3" 8D<$" +), Marion %5K&-N.?( "5&$>A, "?+2 +)( "(!;(%?*) +.? %"?+.': «U#!0 #' ,!-<1 5#!0 ,!-<1, !(#?: 5#!0 ' ;!-%?: #*0 $%*#52$*0: N-!#1 $1µ!- $8= ;!- ?4- $2B; N-!#1 $1µ!- $<= ;!- ?4- $;$1; R?#$ D$;1032$ ' 4%?0':, ;!- ,'( #$@$-=0$- ' 4=%':; S$0 $10!- 3 7*5 ;&#* !,? #'0 5@-' !,@& .0! ?0$-%';

64 65

Harvey, D., D.0., 404.

Jameson, F., D.0., 11.

47

C)D6)%;$(?5(

1_Barber, S., Projected cities: cinema and urban space, London, Reaction Books, 2002.

2_Benjamin, W., Paris, Capital of the 19th century, *+.

Benjamin, W., Jephcott, E., Reflections : essays, aphorisms, autobiographical writtings, Knopf Doubleday, 1986.

3_Benjamin, W., S';1µ-! 8-! #30 #.403, µ+K&. G.'&+.>$5, :., @H2(", G-8>.,, 1978.

4_Bordwell, D., Thompson, K., E-2!8*85 2#30 #.403 #'( ;-03µ!#'8%&9'(, µ+K&.

G.55$(!#), G., @H2(", 7.&K6+$5D P#&?µ" 4H($52, 3&"0/N),, 2009.

5_Baudrillard, J., Simulacra Michigan Press, 1994.

and

Simulation,

Michigan,

University

of

6_Clarke, D., The cinematic city, London, New York, Routledge, 1997.

7_Cook.R.F, Gemunden,G., The cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition, Detroit, Michigan, Wayne State University Press, 1997.

8_Debord, G., F ;'-0*01! #'( >$&µ!#':, µ+K&. 3*";"</", 1., @8%L!.?, W., @H2(", 48%'H%&., 3'0.,, 1986.

9_Deleuze, G., 6-03µ!#'8%&9': OO, 3 P%'0'$-;?0!, @H2(", W2*.,, 2010.

10_ Deleuze, G., 6-03µ!#'8%&9': O, F +-;?0! – 610323, µ+K&. 7"+*-,, 7., @H2(", W2*.,, 2009.

11_Desiderio, M. J., Wandering: Seeing the Cinema of Wim Wenders through Cultural Theory and Naturalized Phenomenology, UMI, Dissertation Publishing, I"(.?-&$., 2011.

12_Friedland, R., Boden, D., NowHere: Space, Time, and Modernity, University of California Press, I"(.?-&$., 1995.

13_Frisby, D., Fragments of modernity: Theories of Modernity in the Work of Simmel, Kracauer and Benjamin, Cambridge, Polity Press, 1985.

14_Foucault, M., Of other Spaces, *+.: Mirzoeff, N., Ehe visual culture reader, London, Routledge, 1998.

15_Graf, A., The cinema of Wim Wenders: the celluloid Figh-way, London, New York, Wallflower Press, 2002.

16_Grob,N., Wenders, Berlin, Edition Film,

1991.

17_Harvey, D., F ;!#&2#!23 #3: µ$#!0$*#$%-;?#3#!:, <-$%$B0323 #*0 !,!%4=0 #3: ,'@-#-2#-;5: µ$#!G'@5:, µ+K&. @*+%&!.?, 4., @H2(", 7%+"!;µ$.,2007.

18_Jameson, F., The geopolitical Aesthetic-cinema and space in the world system, London, Indiana University Press, 1992.

19_Jameson, F., E' µ$#!µ'0#.%0', 5, F ,'@-#-2µ-;5 ;!,-#!@-2µ'B, µ%+K&. U-&*.,, S., W%K/8), 1999.

@'8-;5

#'(

B2#$%'(

48

20_Jameson, F., K- !%4!-'@'81$: #'( µ.@@'0#': : 3 $,->(µ1! ,'( @.8$#!'(#',1! ;!- &@@$: $,-2#3µ'0-;.: 9!0#!21$:, µ+K&. 7"?&6(-,, 7., @H2(", 3D0.,,2008.

21_G"8>!(. P+"8., O- !?%!#$: ,?@$-:, 0.'8.?, 9., @H2(", B#?**/",, 1989.

µ+K&.

@*8"(!#),,

4.S.,

G"0.<$"((.-

22_G"8$"5µ-(),, @., 9+%&<$.'8),, @., K !2#-;?: 4=%': µ.2! !,? #' .%8' #'( Wim Wenders, @H2(", 2000.

23_ G"?5"8-,, S., I$#!µ'0#.%0'- ;!-%'1, O%**"8.(!5), 1"&"+)&)+2,, 1992.

24_Kolker, R.P., Beichen, P., K- #!-01$: #'( Wim Wenders :' ;-03µ!#'8%&9': *: ?%!µ! ;!$,->(µ1!, µ+K&.

9$#)&.0.'8.?, @., O%**"8.(!5), 1"&"+)&)+2,,1997.

25_G.8.>D,, W., 6'-0*0-'@'81! #'( ;-03µ!#'8%&9'(, @H2(", @$<D5%&6,,1988.

26_!"#$%&'(, )., ! "#$#%µ& '() #*'+%(, "(-+'+*µ(,, #". '/ µ(0'1$0# *'/ µ!"#µ$%"&'%# !($)* +#, #(- "$ .,/!/!01!',2µ- 2"3 µ#4,+* 53µ$+'#"6#, !"#$%, !"µ#$%&, 1999.

27_Kracauer S., A$*%1! #'( ;-03µ!#'8%&9'(: 3 !,$@$(>.%*23 ,%!8µ!#-;?#3#!:, µ+K&. G.'&+.>$5, :., @H2(", G-8>.,, 1983.

#3:

9(2-;5:

28_Lyotard, J.F., F µ$#!µ'0#.%0! ;!#&2#!23, µ+K&. 1"0"<$A&<),, G., @H2(", S(A*),1988.

29_McLuhan, 7., @H2(", G-8>.,.

Media,

'-

,%'$;#&2$-:

#'(

!0>%=,'(,

µ+K&.

7-(#&.,,

9.,

30_Mazierska, E., Rascaroli, L., From Moscow to Madrid: post-modern cities, european cinema, London, I.B. Tauris,2003.

31_ 76&"T+.?, @., K P=%': ;!- ' P%?0': 2#'0 6-03µ!#'8%&9' #'( O. Welles, 179 9;%#$"*µD,, CA&.,, 1.8$+$*µD,, 471.

32_^?#-, 4., F $88%!95 #3: ,?@3: 2#30 #.403 #3: ;10323: – Wim Wenders, #!

9#$%& #'( .%*#!, @H2(", 2001.

33_Pallasma, J., The architecture of image : existential space in cinema, Helsinki, Rakennustieto, 2007.

34_Penz Francois, Thomas Maureen, Cinema and architecture : Melies, MalletStevens, Multimedia, London, BFI Publishing, 1997.

35_Redhead, S., Press, 2004.

The

Paul

Virilio

reader,

New

York,

Columbia

University

36_Schivelbusch, W., The Railway Journey: the industria-lization and perception of time and space in 19th century, Los Angeles, University of California Press, 1986.

37_Schwarzer, M., Zoomscape: Architecture in Motion and Media, New York, Princeton Architectural Press,2004.

38_Shiel, M., Fitzmaurice, T., Cinema and the City, Film and Urban societies in a global context, Oxford, Wiley Blackwell,2001.

49

39_Simmel, G., R?@3 ;!- /(45, µ+K&. Y?5$"&#D0.?8.,, S., @H2(", 4&"*µ.,,1993.

40_Simmel, G., R$%-,@&0323 2#3 0$*#$%-;?#3#!: ;'-0*0-'@'8-;&, 9-@'2'9-;& ;!!-2>3#-;& ;$1µ$0!, µ+K&. 9"<5&$A+),, S., 9+"H-+.?, V., @H2(", @8%L-(#&%$", 2004.

41_Sorlin Pierre, 6'-0*0-'@'81! #'( ;-03µ!#'8%&9'(: µ$@@'0#-;5 -2#'%1!, @H2(", 7%+"!;µ$., 2006.

42_Sorlin Pierre, +(%*,!L;?: 1990, @H2(", W%K/8), 2004.

43_9+"?&!#),, 9., S&-µµ"+", 2002.

H,?

#30

;-03µ!#'8%&9':

,?@3

'>?03

2#30

-

,%''1µ-'

+(%*,!L;.:

,?@3

2;305,

8-!

;'-0*01$:

@H2(",

#3

1939-

488)($5-

44_Studio E.U. et.al., Berlin Wall(k), *+. Ferguseon, F., Talking cities:the micropolitics of urban space, Basel, Boston, Berlin, Birkhauser, 2006.

45_Sturken, M., Thomas, D., S.J., Ball-Rokeach, Philadelphia, Temple University Press, 2004.

46_Thompson, K., Bordwell, McGraw-Hill, 2003.

47_3&$"(+"K'88.?, 1990.

9.,

48_Watson, S., Gibson, Blackwell, 1995.

D.,

Film

History.

6-03µ!#'8%!93µ.0$:

K.,

Postmodern

An

,?@$-:,

cities

Technological

introduction,

@H2(",

and

49_Wenders, W., F @'8-;5 #*0 $-;?0*0: ;$1µ$0! ;!7"($-+),, 1., 1%&#$5.<$-((),, S., @H2(", 9/8",, 1991.

50_Wenders, W., Emotion Pictures: Essays Frankfurt, %5#. +.? *?<<&"K/", 1986.

und

visions,

Boston,

9'<;&.()

spaces,

Oxford,

2(0$0#$BD$-:,

Filmkritiken,

40.;2,

UK:

µ+K&.

1968-1984,

,

51_Wenders,W, The act of seeing, Frankfurt am Main, %5#. +.? *?<<&"K/", 1992.

52_Wenders, W., Hofmann, M., The logic of images: essays and conversations, London, Faber & Faber, 1992.

53_Wenders, W., Kollhoff, @(%0!5"$&%, 45#D*%$,, 1993.

H.,

I-!

2(75#323

8-!

#30

,?@3,

,

@H2(",

54_Wenders, W., Handke, P., Der Himmel über Berlin: ein Filmbuch, Frankfurt am Main, Suhrkamp, 1987.

F$E$(

1_Casarino, C., “Fragments on ‘Wings of Desire’”, Social Text, 24, 1990, 167-181.

2_Caldwell, D., Rea, P.W., “Handke's and Wenders's Wings of Desire: Transcending Postmodernism”, The German Quarterly, 64, No1, X%$µA(", 1991, 46-54.

50

3_Claydon, A., “CityScope: The Cinema and the City”, GBER, 5, W.1, 57-68.

4_4isenstein, S., “Montage and Architecture”, Assemblange, 10, :%5/µ>&$., 1989, 111-131.

5_ Kyndrup, M., “Like a Film, Like a Child, Knowledge and being in Wings of Desire”, P.O.V., Danish journal of Film Studies, No 8, :%5/µ>&$., 1999.

6_Light, @., “Wim Wenders and the Everyday Aesthetics of Technology and Space”, The Journal of Aesthetics and Art Criticism, 55, \(.$L) 1997, 215229.

7_Oksiloff, @., “Eden is Burning: Wim Wenders's Techniques of Synaesthesia”, The German Quarterly, 69, C%$µA(", 1996, 32-47.

8_Paneth, I., “Wim and his Wings”, Film Quarterly, 42., No1., EH$(D06&.

1988, 2-8.

9_Rogowski, C., “‘To be continued’: History in wim Wender’s Wings of Desire and Thomas Brach’s Domino”, German Studies Review, 15, W.3, B5+A>&$., 1992, 547-563.

G%'5µ)(

1_Jaccaud, S., Urban Memory in Germany: The City as a Trace of History in Christa Wolf's Kindheitsmuster and Wim Wenders' Der Himmel Über Berlin, Lincoln College, Oxford.

2_Kaplan, S., Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space and Memory in the Postmodern Metropolis, University of North Carolina.

H6/'-$%+)'=& B7;=&

1_Wim Wenders, The Official Site, http://www.wim-wenders.com 2_P.O.V., The Danish Journal of Film Studies, http://pov.imv.au.dk/POV.html 3_Jstor, U-*) :%#.µ/(6( @5"#)µ"T5A( 1%&$.#$5A(, http://www.jstor.org

51

4($0$-7µ(

Reiner Maria Rilke B$ 48%<%!%, +.? W+.?!(.66 J 3/+"&+) 48%<%!" :/(+&" N62,, 0D+% H" ;%$µ6($-*%+%; :%( %!µ"*+% "&µ.($5.!. :%( /;.?µ% +) *'µ0(.$" +6( "0.#)µ)+$5A(. ^%0%&"*µ/(.$, DM$µ.$, L-K(.? *+.( -(%µ. >"&"!(.?µ% 0.8' 5"$ 0/K+.?µ% *% +/8µ" "#$"K.&!",. \(H$*) 5"$ µ"&"*µD +" <(6&!N.?µ% +" #?. µ"N!.

G$ 6*+D*., 5-0.? "5Dµ" H" 0%&0"+.'( +" 8$.(+-&$"• 5$ D*. 5&"+.'( +) µ%<"8.0&/0%$" H" "<(..'( +)( "#?("µ!".

Vµ6, %µ%!,, 0&$( *?();2*.?µ% 5"8- 5"8-, . -88., µ", K"!(%+"$ 2#) 0%&!**$.,.

7", %!("$ "?+.(D)+) ) /;H&". 9-µ06, .$ %&"*+/, 0.? 0/&"+" ?0D*;.(+"(, 5?(2<$", 0"+&!#" #%( 0/K+.?(% *% D&$" 0.? *?<;/.(+"$, #$"&5A,; S$" +. *5$+*-&$*µ" µ!", *+$<µ2, µ% 5D0. %+.$µ-N%+"$ KD(+. "(+!H%*),, A*+% (" #.'µ% +. *5!+*. ;-&) *’"?+2(• µ", %L)<.'(+"$ D8" µ% *"K2(%$". ^/&.?µ% µD(.( D,+$ "0’/L6 #!(%$ *;2µ" *+" "$*H2µ"+", µ" +. 0%&!<&"µµ" +.?, +. "<(..'µ%.

1.$D, -&"<% #%( 5-H$*% *K$<µ/(., µ0&D, *+)( "?8"!" +), 5"&#$-, +.?; 7D8$, *)5A(%+"$, +. *5)($5D: "0.;"$&%+$*µD,. 3. 0$-(%$, %'5.8".

B 520., . <(6*+D,, 58?#6($ND+"( %8"K&-: µ.(-;" +D+% ><"!(%$ . ;.&%?+2,.

V;$ $;$10':. @&5%+-! G$ "( 5-(%$ +.( "(-8"K&., %!("$ µ"*5"&%µ/(.,, H" <!(%$ "*+D, 5"$ H" 0)<"$(./&;%+"$ µ%, +. #$"µ/&$*µ" 0%&(A(+", "0D +)( 5.?N!(".

G"8'+%&" +) µ"&$.(/+", #%( +$, H/86 "?+/, +$, µ-*5%, +$, µ$*.<%µ-+%,.

4!("$ 082&), "?+2. O/86 (’ "(+/L6 +. (2µ", +. 0%&!>8)µ", +. 0&D*60. +),, *5/+) %0$K-(%$". 4#A, µ0&.*+- +), *+/56.

G$ (" *>2*.?( +" KA+", 5$ "( µ.? 0.?(: 0-%$ +%8%!6*% – 5"$ µ’/(" <5&!N. &%'µ" 66

Rilke, Rainer Maria, K- +@$8$1$: #'( J#'(10', 7%+-K&"*), 9;D8$", 40!µµ%+&.: 3.0-8)

7"&!", %5#. 1"+-5), 2011

52

. "/&", 5"+%>-*%$ +. 5%(D "0’ +) *5)(2, +. K/&%$ 0&., +" #6, 5$ "0’+.?, 0&.<D(.?, +.?, *$60)8.', 5"(/(", 0$" #%( 5-H%+"$ µ"N! µ.?, .'+% <?("!5" .'+% 5"( +’"<D&$ µ% +. "882H6&. +. 5"*+"(D +.? µ-+$: H" µ%!(6 µ.8"+"'+". Q0-&;%$ 0-(+" H/"µ".

:%( /;6 #!5$.; 1"+/&", 0.? <$" µ/(" <%'+)5%, +D*. 0$5&2 N62, 5"HA, #.5!µ"N%, H.8D +. 0&A+. %5;'8$*µ" +.? 0&/0%$ +.? #$5.' µ.?, <$"+! µ%<-86(" 5"$ +. #.5!µ"N%, L"(-, L"(-, H.&?>)µ/(., "0D %0!<%?*) +D*. L/(.? µ/88.(+.,, 5"$ µ’/8%<;%, 0.? *256(" #?. µ-+$" D8. *?((%K$-, 0"+/&", %*', 0.? µ/*" µ.? >"H$-, *% D,+$ %80!N6, "KD+.? 0/H"(%, +&/µ%$, <$" µ/(", "K2(.(+", +) (%5&$52 *.? "+"&"L!", +)( "?+.5&"+.&!" +), <"82(),, <$" +. µ$5&D +. 0%0&6µ/(. µ.?, #%( /;6 #!5$.; G$ %*%!, 0.? µ’"<"02*"+% <$" +)( %8-;$*+) "<-0) 0.?’#6*" 5"$ 0-(+" 5"+D0$( /K%?<", <$"+! . ;A&., <$(D+"( *+)( DM) *", *'µ0"(, <$"+! %<A +.( "<"0.'*", 5"$ +D+% %*%!, #%( 2*"*+"( 08/.( %5%!...:%( /;6 #!5$.; 9"( 5-(6 5/K$ 0%&$µ/(6 µ0&D, *+. 5.?58.H/"+&., ] µ-88.( D;$: +. 5.$+A µ% +D*) N/*) 0.?, *% "(+$*+-Hµ$*µ" +.? >8/µµ"+., µ.?, %(+/8%$ 0&/0%$ 5-0.$., -<<%8., (" <!(%$ 5.?58.0"!;+),, +$, µ"&$.(/+%, (" *)5A(%$. \<<%8., 5"$ 5.'58": (" %0$+/8.?, 0"&-*+"*) 5$ %(A(%+"$ D’+$ %µ%!,, D(+", 0"&D(+%, +. #$;-N.?µ% #$"&5A,.

7.(-;" +D+% .$ %0.;/, +), N62, µ", <&-K.?(% 082&) +.( 5'58. +6( "88"<A(.

G"$ 0/&", 0-(6 "0D µ", . -<<%8., (" 0"!N%$. :%, +.?, %+.$µ.H-("+.?,, (" µ)( +. ($AH.?( -&"<% 06, %!("$ D8. 0&D*;)µ" "?+D 0.? 0%+?;"!(.?µ% %#A; G"$ +!0.+% #%( %!("$ . %"?+D, +.?. _&%, +), 0"$#$52, µ", )8$5!",, 0.? +D+% .$ µ.&K/, #%( /5&?>"( µ.(-;" 0"&%8HD( 5"$ µ0&., µ", #%( ?02&;% µ/88.(. U/>"$" µ%<"8A*"µ%, 5"µ$- K.&- >$"NDµ"*+"( 0.8', 8$<-5$ 5"$ <$" ;-&) D*6( +!0.+% #%( %!;"( 0$" %5+D, "0D +. (" %!("$ µ%<-8.$. `*+D*., *+) µ.(";$52 +&.;$- µ",, µ", /#$(% ;"&- D+$ #$"&5/,, 53

5"$ *+/5"µ% %5%!, *% ;A&. %(#$-µ%*., "(-µ%*" *+. *'µ0"( 5"$ *+. 0"$;($#-5$ µ",, *’/("( +D0. +"<µ/(. %L"&;2, *’/(" *?µ>-( 5"H"&D.

1.$D, #%!;(%$ /(" 0"$#!, /+*$ "5&$>A, D06, %!("$; 3. H/+%$ "(-µ%*" *+" -88" +’"*+/&$", >-N.(+", +.? *+. ;/&$ +. µ/+&. +), "0D*+"*),; 1.$D, K+$-;(%$ "0D <5&$N60D M6µ!, 1.? <!(%+"$ *58)&D, +.( H-("+. %(D, 0"$#$.' – 2 0-8$ +.( "K2(%$ µ%, *+. *+Dµ" +. *+&.<<?8D, *"( +. 5.5.'+*$ 6&"!.? µ28.?;...3.?, #.8.KD(.?, (" +.?, 5"+"8->%$,, %'5.8.. Vµ6, +.'+. %#A: +.( H-("+., D8.( +.( H-("+., ,%-0 5"( "0’+) N62 (" +.( 0%&$/;%$, +D*. <8?5-, ;6&!, H?µD, %$(’"0%&!<&"0+..

J F("+) 48%<%!"

S$"+!, 8.$0D(, D+"( K+-(%$ ) A&" (" K/&.?µ% 08/.( *% 0/&", 3) #$.&!" +), '0"&L),, D06, ) #-K(), %8-;$*+" 0$. *5%+%$(2 "0D D8%, +$, -88%, +$, 0&"*$(-#%,, *% 5-H% K'88.? +)( -5&) µ$5&D+"+.?, 5?µ"+$*µ.', (*"( +. ;"µD<%8. +.? "(/µ.?)-:<$"+! 0&/0%$ +D+% (" 0&-++.?µ% "(H&A0$(" – 5"$ "0.K%'<.(+", +. 0%0&6µ/(., +.? 0%0&6µ/(.? (" 5"!%$ %(+D, µ", . 0DH.,;...

U4- %0%$#2 (,&%4$- %?+?;!"

9+. D+$ µ% >$-*) #&/0.?µ% .K/8) "0A8%$", 0.? %0!5%$+"$.

V;$ "0D 0%&$/&<%$" 2 (’"*5)H%! ) 5"&#$-, 0.? 5"$ *+) #-K() >! (,5%4$....

@88- <$"+! %!("$ 2#) 0.8' +. (" %!*"$ %#A 5"$ <$"+!, 5"HA, K"!(%+"$, D8" +" %#A µ", ;&%$-N.(+"$, "?+- +" %K2µ%&", D*" 0"&-L%(" µ", "K.&.'(. 4µ-,, +.?, 08/.( %K2µ%&.?,. I1! K.&+. 5"H/(" +.?,, µ1! µ.(-;" K.&-. I1! K.&- 5$ D;$ 0$". F+*$ 5$ %µ%!,, µ1! K.&-. 1.+/ L"(-. Vµ6, +.'+) +) 54

µ1! K.&- +. (" /;%$, ?0-&L%$, "( 5"$ µ1! µ.(-;" K.&-: 85-0': ("’;%$, ?0-&L%$, "(/558)+. µ.$-N%$.

G$ /+*$ %0%$<Dµ"*+%, H/8.?µ% (" +. 0%+';.?µ%, W" +. 5&"+2*.?µ% H/8.?µ% *+’"08- µ", ;/&$", 9+. >8/µµ" <%µ-+. D*. #%( 0-%$ 5"$ *+)( 5"&#$- #!;6, 8D<$".

W" <!(.?µ% "?+D. W" +. #A*.?µ% 0.'; G"8'+%&" (" +" K?8-L.?µ% D8" <$" 0-(+"...Vµ6,, "8!µ.(., *-µ06, 5"$ +$ H" 5&"+2*%$, µ"N! *.? "(+!0%&"; 7206, +) H/"*), 0.? +D*. #'*5.8" µ-H"µ% %#A, 2 µ206, 5-0.$. *?µ>-( +.' %#A; 3!0.+%. \&" +.?, 0D(.?,. \&" 0&.0-(+6( +. >-&.,, +) µ"5&- %µ0%$&!" +.? /&6+", 0&-<µ"+" 0/&" <$" 0/&" "(%!06+". Vµ6, "&<D+%&", 5-+6 "0D +’-*+&", "; +$ +" H/8%$,: 5"8'+%&" "(%!06+" +.'+".

G$ . .#.$0D&., "0D M)8-, "0’+$, 08"<$/, +6( >.?(A(#%( H" K/&%$ *+)( 5.$8-#" µ$" ;.'K+" <),, <$" D8.?, "(%!06+),, µ" H" K/&%$ µ$" 8/L) 0.? 5/&#$*%, "+DK$", +) <%(+$"(2 +) <"8-N$" 5"$ 5!+&$(). 4!µ"*+% -&"<% $<= <$" (" 0.'µ%:*0!+$, <%K'&$, 0)<-#$, 0'8), 5"(-+$, .06&.KD&., 0"&-H?&., /*+6 5"$ 5!.(",, 0'&<.,...µ" (" µ-@52'(µ$, 5"+-8">% +., 6, (" µ$82*.?µ% #?2' >"H$- 0.? +" !#$" +" 0&-<µ"+" #%( H" +. 0!*+%?"( 06, H"’+"( +/+.$". :%( %!("$ #D8., 5&?KD, D+"( +.'+) ) <), ) "0.*$60)µ/(), +.?, %&"*+/, +.?, 6H%! (’ "<5"8$-*.?( *+. "!*H)µ" +.?, +. 5"H%+! 5"$ 5"H%+! µ"<%µ/(. (" ($AH%$; G"+AK8$: %'5.8., "82H%$", 0"$;(!#$, <$" #'. %&"*+/,, µ% +) *%$&- +.?, 5$ "?+.! (" 0"+2*.?(, (" 8$6*.?(% 8!<., 0"8$D +. 5"+AK8$ +), 0D&+", +.?,, µ%+- "0D +D*.?, 0.88.', 5"$ µ0&.*+- "0D %5%!(.?, 0.? H"’&H.?(....

4#A ) 0"+&!#" +), 8/L),, . 5"$&D, +), $<=.

7!8", µ"&+'&". U.?8$-N.?( *0&6<µ/(" "0D µ$" 0&-L) #!;6, %$5D(", 0.? µ0"!(%$ *+) H/*) +.?,, ;-(.(+"$ "?+- 0.? H" µ0.&.'*%, (" +" >$A*%$,.

1&-L) ?0D<%$", 0&DH?µ" *0-N%$ 5$ ) 5&.'*+" µD8$, %(+D, +), ) #&-*) >8"*+2*%$ 5"$ >-8%$ "88$A+$5" D&$". @(+/;%$ ) 5"&#$- µ", µ%, +" *K?&$-, 0.? 6*+D*. 0-(+", 0-(+.+% "?+2 %L?µ(%!.

3.'+. +.( 5D*µ. *+.( -<<%8. (" %L?µ(2*%$,, D;$ +.( "(%!06+., #%( +.( H"µ0A(%$, $;$10'0 µ% +. ?0/&.;" "$*H"(+$5D•%!*"$ "&;-&$., 55

µ/*" *+. *'µ0"(, "?+D, +. "$*H-(%+"$ "$*H"(+$5D+"+.,. :%!L’+.?

8.$0D( +. "08D, 0.? #.?8%µ/(., 0-00.? 0&., 0-00.?, N%$ *"( #$5D µ", 08-$ *+. ;/&$ 5"$ µ/*" *+. >8/µµ".

1%, +.? +" 0&-<µ"+". F508)5+., H% (’"0.µ%!(%$•D06, 5 %*' µ0&.*+- *+), aAµ), +.( *;.$(.0.$D, +.( "<<%$.08-*+) *+.( W%!8.. :%!L% +.? 0D*. ;"&.'µ%(. µ0.&%! (" %!(’/(" 0&-<µ", 0D*. #$5D µ", 5$ "HA., 0D*. "5Dµ" 5$ . 0D(., . H&)()+$5D, "0.K"*!N%$ (" 8->%$ µ.&K2 5"H"&2, H)+%'%$ 6, 0&-<µ" 2 µ/*" *% 0&-<µ" 0%H"!(%$-,5$ "0’+. >$.8! *+. %0/5%$(" K%'<%$ µ"5-&$., 5"$ 0-%$. G"$ +.'+" +" 0&-<µ"+" 0.? N.?( "0’+)( "0.#)µ!", *"( +" #.L-N%$, +. ($AH.?(•D(+", %K2µ%&" /;.?(% 0!*+) 5"$ 0&.*#.5!" *’%µ-,, +.?, 08/.( %K2µ%&.?,, <$" 5-+$ *6+2&$..

40$H?µ.'( (" +" +&/M.?µ% 082&6, µ%, +)( 5"&#$- +)( "H/"+), *% – 6 "$A($. – *% %"?+D µ",! V0.$.$ 5$ "( %!µ"*+% %(+/8%$.

S), "?+D #%( %!("$ 0.? H/8%$, 5$ %*': !>.!#3 %(+D, µ", (’"("*+)H%!,; :%( %!(’"?+D +’D(%$&. *.?, (" ?0-&;%$, "H/"+) 5-0.+%;-S)! "H/"+)!

3$, %-( D;$ µ%+"µD&K6*), H"’+"( <$" */(" 5"H25.( %0$+"5+$5D; S), "<"0)µ/() %*', ("$ +. H/86. ` 0!*+%M% µ%, #%( H" ;&%$"ND+"(% -88) µ$" -(.$L) <$" (" 5%&#!*%$, %µ/(" – µ1! +.?,, µ!" µ.(-;" %!("$ 5$D8", 0.8' <$" +. "!µ".

F&;.µ"$ "0D µ"5&$- #!;6, 8D<$", +"<µ/(., *% */(".

1-(+" *+. µ/&., *.? 2+"( +. #!5$. 5$ $%&2 *.? %0$(D)*) B H-("+.,, /µ0$*+.,.

G.!+", %<A N6. @0D +$; :%( 8$<.*+%'.?( .'+% +. µ/88.( µ" .'+% ) 0"$#$52 )8$5!"......9+)( 5"&#$- µ.? "(">8'N%$ "0&.*µ/+&)+) '0"&L).

56

Song of Childhood #'( Peter Handke When the child was a child it walked with its armw swinging, wanted the Brook to be a river, the river to be a torrene, and this puddle to be the sea.

When the child was a child, it didnâ&#x20AC;&#x2122;t know that it was a child, everything was soulfull, and all souls were one.

When the child was a child, it had no opinion about anything, had no habits, it often sat cross-legged, took off running, had a cowlick in its hair, and made no faces when photographed.

When the child was a child, it was the time for these questions: Why am I Me, and why not you? Why am I here, and why not there? When did time Begin, and where does space end? Is life under the sun just a dream?

Is what I see and hear and smell not just an illusion of a world before The world? Given tha facts of evil and people. Does evil really exists?

How can it be that I, who I am, didnâ&#x20AC;&#x2122;t exist before I came to be, and that, someday, I, who I am, will no longer be who I am?

When the child was a child, it

choked on spinach, on peas, on rice pudding,

and on steamed cauliflower, and eats all of those now, and not just because it has to.

When the child was a child, it awoke once in a strange bed, and now does So again and again. Many people, then, seemed beautiful, and now only a Few do, by sheer luck.

It has visualized a clear image of Paradise, and now at most guess, could not conceive of nothingness, and shudders today at the thought.

When the child, it played with enthusiasm, and, now, has just as much excitement as then, but only when it concerns its work.

When the child was a child, it was enough for it to eat only an apple, bread and so it is even now.

When the child was a child, berries filled its hand as only berries do, and do even now, French walnuts made its tongue raw, and do even now, it had, on every mountaintop, the longing for a higher mountain yet, and in every city, the longing for an even greater city, and that is still so, it reached for cherries in topmost branches of trees with an elation it still has today, has a shyness in front of strangers, and has that even now. It awaited the first snow, and waits that way even now.

When the child was a child, it threw a stick like a lance against a tree, and it quivers there still today.

57