The paper 07 28 16

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Volume 46 - No. 30

July 28, 2016

by Friedrich Gomez

This year 2016 marks the 90th anniversary of Harry Houdini’s death in 1926 and yet, despite the passing of nearly a century, he remains the most powerful and most recognized name in the world of magic, today. No other magician -short of Merlin himself -- even laps his historic legacy. There is no one remotely close enough to even stand in his long shadow. Houdini certainly has no shortage of detractors among magicians. Some guilty of hidden professional jealousy, no doubt. Others carp that he had great faults. All human beings have great faults. Those who attest otherwise are relegated to the humorous line: “Those people who think they are perfect really upset those us who are!”

So, the question remains – whereupon does Houdini’s immortality rest? Because, like it or not, he remains unchallenged as the most famous magician that ever breathed air. This does not sit well with some people, especially some magicians. Yet, his name remains immovable as the most recognized, the most celebrated, in all magical history (which extends over 7,000 years, possibly longer).

Harry Houdini. The mere mention of his name conjures up a kaleidoscope of images and meanings that seem as boundless as the man, himself. In the entire sweep of human history, and especially entertainment, Houdini occupies a secure place in the consciousness of the general populace, on a worldwide level. His magical career is a classic example of what many of today’s entertainers refer to as a ‘cross-over hit.’ He was the world’s first, true “superstar,’ whose celebrity cut across most cultural boundaries, unlike opera singers, music composers, or literary icons whose prose were not always well received internationally.

Will Rogers, America’s beloved satirical genius, sized him up as, “The greatest showman of our time – by far!” Ireland’s Nobel laureate, playwright, and social commentator, George Bernard Shaw, went even further when he evaluated Houdini as one of the three most renowned individuals in the world! At his zenith, he was a pioneer aviator (one of the first to conquer flight over Australian skies on a controlled aircraft), inventor, author, and the Grand Inquisitor to the world of Spiritualism. He virtually lived on The Paper - 760.747.7119

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the front pages of cosmopolitan newspapers. Unless one lived during his age, it is difficult for contemporaries to feel the true pulse and vibrancy of his influence, as when he walked the earth.

During his day he was the number one box office draw as a live performer on the vaudeville stage. In 1920, he set an unprecedented record as the highest-paid solo entertainer when he earned the staggering sum of $3,750 a week at the London Palladium! Even by today’s 2016 standard, that would be a gargantuan weekly paycheck. Houdini’s weekly salary of $3,750 a week at the

London Palladium back in 1920 would be the equivalent of earning $47,000 a week today! In his heyday, his annual income was more than double that of the U.S. President!

Ever the quipster, Houdini once said about all this fanfare: “With due modesty, I recognize no one as my peer.” Humor reminiscent of Oscar Wilde.

As a movie star he not only acted in several Hollywood feature films, such as “The Grim Game” for Paramount Aircraft Pictures (1919), but he eventually wrote, produced, and created his own Houdini Picture Corporation.

Houdini Continued on Page 2

Born Erik Weisz, in the Hungarian capital of Budapest, on March 24, 1874, the scion of a Jewish rabbi, his early beginnings lost no time in becoming shrouded in mystery. As a young child, he was brought to Appleton, Wisconsin. After their arrival, ironically, it was Houdini’s mother, Cecilia Weisz (formerly, Miss Steiner), who began the Man of Mystery’s enigmatic life. After their Wisconsin settlement, she arbitrarily claimed Appleton as his place of birth, and April 6 as his birthday. It has been asserted that she wanted to jettison her son’s Hungarian birth so that young Erik would assimilate quicker, thinking he was American, not an immigrant’s son.


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