On Art
A Ticket to Other Lives
Gregarious and passionate, the photographer Aparna Jayakumar has made Doha her new home and hopes the city will serve as a springboard to explore the region and document the lives of its people. BY AYSWARYA MURTHY PHOTOGRAPHS COURTESY APARNA JAYAKUMAR
IMAGE COURTESY OF ALBERT KLEBEL
THE SOLITARY PHOTOGRAPHER "My camera is my access to the world, my ticket to meet different kinds of people. So many people just let you into their lives when you say you want to take their picture."
APARNA JAYAKUMAR’S creative subjects proclaim her penchant for humanism, though that doesn't necessarily come from her training in psychology, she says. Rather, she attributes this interest to her years as a student in some of Mumbai’s more well-known left-leaning colleges. “Having studied under the likes of Palagummi Sainath, it’s only natural that a level of socio-consciousness and awareness set in quite early,” she says. And Jayakumar’s growing love for the camera helped her focus these energies and gave her a unique perspective on the lives of those she photographed, while living vicariously through
the spectrum of society. She found herself in a solitary bubble that encased her in a moment, a time and place. “My camera is my access to the world, my ticket to meet different kinds of people, from taxi drivers to movie stars,” says Jayakumar. “So many people just let you into their lives when you say you want to take their pictures. For me it’s important to inhabit different kinds of worlds and photography gives me that opportunity.” Ever since she started shooting with her first camera, a Nikon FM10 that was a gift from her mother when she turned 19, the people of Mumbai became her constant muse. “As a city girl
July - August 2015
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