Interior Design Portfolio - Ayush Temani

PORTFOLIO INTERIOR DESIGN

SELECTED WORKS

2015 - 2019

AYUSH TEMANI ayushtemani7@gmail.com +91 - 7878308929

Another human on earth loves to fulfill human as well as environmental requirements through various perspectives. I have a keen interest in exploring various methods of designing. In my spare time, I usually click pictures of light and shadow, watch movies, cook or go out on the roads to explore.

NAME - AYUSH TEMANI D.O.B - 11.09.1997 NATIONALITY - INDIAN CONTACT DETAILS:+91-7878308929 ayushtemani7@gmail.com INSTAGRAM:PRIVATE PAGE - temaniayush7 PHOTOGRAPHY - ayeee_ayush PAGE

EDUCATION

PUBLICATION

SOFTWARE SKILLS

BACHELOR OF DESIGN (INTERIOR DESIGN) S.E.D.A NAVRACHANA UNIVERSITY, VADODARA 2015-19

THESIS - EXTENDING SPACES THROUGH MURALS, METAPHYSICAL PAINTINGS AFFECTING SPACES 2019

AUTOCAD

10 + 2 DEGREE MAHESHWARI VIDYAPEETH SCHOOL, SURAT 2015

EXHIBITION ADAPTIVE REUSE EXHIBITED AT ANNUAL ARCHITECTURAL DESIGN EXHIBITION, SEDA 2016 STOOL, LOUNGE CHAIR, 905 CHAIR EXHIBITED AT ANNUAL ARCHITECTURAL DESIGN EXHIBITION, SEDA 2017, 2018, & 2019 THEATRE DESIGN PROJECT EXHIBITED AT ANNUAL ARCHITECTURAL DESIGN EXHIBITION, SEDA 2017, 2018, & 2019

WORKSHOP

VOLUNTEERING LANDSCAPE WEEK, TYPES OF LANDSAPE PROJECTS AND HISTORY 2017 THESIS BY NIMESH MEWADA, ROLE OF NATURAL FIBRES IN IMPROVING STRENGTH OF COMPRESSED & STABILIZED EARTH BLACKS. 2016

LANGUAGE

SKETCHUP RHINO PHOTOSHOP ILLUSTRATOR INDESIGN LUMION KEYSHOT MICROSOFT OFFICE VRAY

ENGLISH - FLUENT HINDI

- FLUENT

HUNNARSHALA, SUSTAINABLE CONSTRUCTION BHUJ, GUJARAT 2015

INTERESTS PHOTOGRAPHY

LAWN TENNIS

PLANNING

BAMBOO WORKSHOP (TENSILE STRUCTURE) VADODARA, GUJARAT 2018

TRAVELLING

SOCIAL WORK

CONCEPT DEVELOPING

DANCING

GARBA

ART AND ARCHITECTURE (SPACES FROM ART) VADODARA, GUJARAT 2019

COOKING TREKKING

OTHER SKILLS

DRAFTING MODEL MAKING

TABLE OF CONTENTS

01

02

03

EXTENDING SPACES THROUGH MURALS (THESIS)

LANA MARKS DESIGN STUDIO

BRITANNIA CORPORATE STUDIO

(page no - 01)

08 WORKING DRAWING (page no - 44)

(page no - 16)

09 FOUNDATION STUDIO (page no - 50)

(page no - 22)

10 ART AND ARCHITECTURE WORKSHOP (page no - 58)

04

ADAPTIVE REU

(page n

11

BAMBOO W

(page n

4

USE STUDIO

no - 28)

1

WORKSHOP

no - 60)

05

06

07

SYMMETRY STOOL

LOUNGE CHAIR

905 CHAIR BY VICO MAGISTRETTI

(page no - 32)

(page no - 36)

DESIGN STUDIO FURNITURE DESIGN STUDIO 12 PHOTOGRAPHY (page no - 62)

BUILDING CONSTRUCTION DRAWINGS OTHERS

(page no - 40)

01

THESIS

(Extending Spaces Through Murals)



Metaphysical Art                                                     



       “ ”                                



Elements from the City Name of the Elements

Elements in Mural

Elements in the City

Staircase

Door



Connecting Perspective from Real Space to Mural

Mural 1

Mural 2



Modification in Visual Frames Site Mural 1 View



Site Mural 2 View





Multiple Perspective





    



    







Extended Elements from Mural

 

                 







                

Rendered Extended Mural Views



Colors



Pictures of Model

 



 

 





 



 

 

 



02

RETAIL DESIGN STUDIO (DESIGNED FOR LANA MARKS)

LANA MARKS

Lana Marks is a fashion accessories brand that specializes in exotic leathers and is known for creating some of the world's most expensive handbags. The exercise focus on developing design on existing site with site contraints and to create a luxury outlet with minimal complexities.

The outlet designed with brass and Italian marble which is the essence of the store. The 30mm metal strip running in patern through the store gives it a classy catch with Italian marbles.











CONCEPT







PLAN

               

                                                     

SECTION SECTION AA'

SECTION BB'

SECTION CC'



ELEVATION FRONT FACADE ELEVATION

144MM THICK STUDWALL 3MM THICK BRASS FRAME GLASS HOLDER 3MM THICK ACRYLIC

DETAILS

PLAN



24MM THICK PLYWOOD 75MM LONG WOOD STUD 24MM THICK PLYWOOD

DISPLAY UNIT ISO VIEW

SECTION

SIDE SECTION

SIDE FACADE ELEVATION PLAN

DISPLAY UNIT 2 ISO VIEW

SECTION 1

SECTION 2





03

CORPORATE DESIGN STUDIO (Corporate office for Britannia)



                                     

   

                     

                     

                              



PROCESS



     

     

        

        









AXO VIEW







 

PLAN LOWER LEVEL PLAN

UPPER LEVEL PLAN



04

ADAPTIVE REUSE

(Restoration of Heritage spaces)                                                   



CONCEPT    















CONCEPTUAL MODELS MOVEMENT PLAN



GROUND FLOOR

SECOND FLOOR

THIRD FLOOR

                          

ZONNING

GROUND FLOOR

SECOND FLOOR

THIRD FLOOR



05

S

YMMETRY TOOL (Compact Furniture)

                                      





EXPLODED VIEW

PLAN



A X O V I E W



06

LOUNGE CHAIR (Furniture Design Studio iii)





PROCESS





07

905 CHAIR

(Designed by Vico Magistretti)                                                             





                                       





08

WORKING DRAWING

(SELECTED WORK OF WASHROOM AND KITCHEN)













09

FOUNDATION STUDIO

                     

Space Vocabulary

Movement and pause 

Directional

Hierarchy



Cube Transformation

Wall Excercise

                         

Livinig Space

          



Fold and Swirl

   

Space Transformation

                    



Musical Instrument Trophy

History - Robbie House

            



Abstraction

 



Building Construction Design Studio



              

History - Entenza House Case Study



 

SKETCHES

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



10

ART AND ARCHITECTURE WORKSHOP PAINTING BY LASZLO MOHOLY NAGY

Initial Sketch

           





11

BAMBOO WORKSHOP





12

PHOTOGRAPHY

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







THANK YOU