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July 23–29, 2015 | Vol. 21 Issue 30 | www. flaglive.com |

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Stay Here with Me Andrea Gibson on revising poetry, reclaiming self

By Emily Hoover

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12

Screen

Stage

Ant-Man

The Fully Monty

18

Arts

Hidden Light July 23–29, 2015 | flaglive.com

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contents

July 23-29, 2015 Vol. 21, Issue 30

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Full Frontal

Letter from Home The Mother Load Hot Picks Editor’s Head NewsQuirks

10 Screen

iN backyard call out sushi bar take eat up

20 Rear View

Hightower Bartender Wisdom

21 Pulse

On the cover: Andrea Gibson. Courtesy photo

25 Comics 27 Classifieds

Feature Story

6 E. Route 66 • 928.774.6100 • karmaflagstaff.com

Stay Here with Me: Andrea Gibson on revising poetry, reclaiming self

Thurs–Sat 11 am–11 pm • Sun–Wed 11 am–10 pm Happy Hour Specials 3–6 pm & 3–10 pm Sun!

By Emily Hoover

12

Stage

18

Arts

The Full Monty swings into Theatrikos

Finding the future in the past with Hidden Light

By Diandra Markgraf

By Larry Hendricks

staff EDITORIAL Editor

Andrew Wisniewski andyw@flaglive.com (928) 913-8669

Art Director

TheMoney$hot Larry Hendricks, Kelly Poe Wilson, Erin Shelley, Sam Mossman, Adrienne Bischoff, Jim Hightower, Roland Sweet, Max Cannon, Jen Sorensen, Drew Fairweather, James Jay

Keith Hickey

BUSINESS

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Film Editor Diandra Markgraf diandram@flaglive.com (928) 913-8670

Words That Work Editor James Jay

Contributors

Laura Kelly, Emily Hoover,

FL072315

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Poet and activist Andrea Gibson.

Photo by Maria Del Naja

by Chad Nugen

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Letterfromhome

Sleep talking

By Laura Kelly

Courting nature’s sweet nurse

A

few weeks ago I was staying the night at a friend’s house. It was well past dinnertime. Clean dishes nestled into the drying rack, and a spirited conversation had ebbed. My friend’s 6-year-old daughter held my hand as she guided me up the stairs to the guest room.

I kissed her good night and told her I was going to sleep.

“But where do you go?” she asked. I pointed toward the bed. She shook her head.

“Where do you go?” she repeated. Her face scrunched into a kiddie mix of confusion and frustration. Again I pointed at the bed.

“No,” she said. “Where do you go when you go to sleep?”

I told her that I stay here, but I go away, and then I come back to the place I never really left. My answer seemed to satisfy her, but as I heard my words aloud, they sounded like something cadged from a fortune cookie.

She toddled off to bed, and I tucked into mine, thinking not so much about where I go when I sleep as why getting to sleep has become something I can no longer count on.

Sleep—with its falling and waking—has long had potent gravitational pull for me.

I’ve contended with wanderlust since my late teens. I’ve lived abroad, traveled to some of the globe’s tangier outposts, added an accordion of extra pages to my passport. All of the exotica and longitudinal otherness pales beside my all-time favorite place to go: to sleep.

Shakespeare called sleep “nature’s sweet nurse.” Coleridge claimed it as “a gentle thing beloved from pole to pole.” I read once of something called temple sleep, a restorative ritual practiced in ancient Greece. Those who chose to partake made their way to a particular sacred place. They were garbed in white, given a drink purported to induce dreaming and told to sleep the sleep of the righteous on the temple floor. Come morning, they were awakened and all was once again right in their world.

Sleep, such a primal and primitive need, used to come easily and effortlessly.

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flaglive.com | July 23–29, 2015

But years of bad sleep would have rendered my world a caustic shade of grey. I imagine it feeling as if my eyeballs had been rolled in sand and returned to my sockets. And then there is the menu of the brain-related ailments sleeplessness washes ashore in its toxic wake: risky decision making, impaired wit, quickness to irritation, lethargy, inability to focus, slurred speech, hallucinations.

In these last four or five years I haven’t reflected as much on where I go when I sleep as much as I’ve noted how I go to sleep. If fortune favors me, the hamster wheel in my head stops spinning. My anxieties lose their itchy demands for attention. I submit, go gauzy and begin to liquefy. The edges of my physical self evaporate like a darkroom photo being processed in reverse. My mind gets drifty, and I seep away from the world. I float to an enfolding, velvety place alone and surrender. I am unafraid. Sometimes dreams are there; many times not. No matter the cinematics or the duration, I come back gathered, rearranged, able.

On Monday I returned from nine days at an artists’ retreat on a small island in a lake between Minnesota and Canada. The island was unpopulated except for the 10 of us there. No cars or cell phones or alarm clocks.

Days full of rain and books and writing.

Nights ripe with unbroken sleep.

How can I go there again? How can I get out of my own way and make way for Hypnos to leave his cave and the river of forgetfulness that runs through it?

As I know, it all begins with shutting my eyes.

Asleep, 1932 by Pablo Picass

Can I get an amen here? I’ve taken that ease for granted until the past five years or so, when I’ve come to find that there are more and more nights when—despite a still mind, a good bill of health and a clear heart—sleep and all its deliciousness elude me. Even though a good sleep is only enjoyed in the past tense, in the present tense of night when I am primed and ready, it feels sometimes as

if my wish to sleep well curls back on itself and interferes with sleep coming my way.

I’m grateful that I am not in the same category as my friend Dee Dee, who has been in a lifelong wrestling match with sleep.

According to the National Institutes of Health, about 70 million Americans call their sleep problematic, elusive, a disorder. The occasional sleeplessness, OK, we all deal with that.

Laura Kelly is the executive director of the Flagstaff Arts and Leadership Academy. Kelly spent 2014 in the tiny, mountainous Central Asian nation of Kyrgyzstan teaching storytelling at the American University of Central Asia.

Born a flatlander, she has called Flagstaff home for 11 years. Her book, Dispatches from the Republic of Otherness, is a collection of nonfiction essays about her experiences living and teaching overseas.

THEMOTHERLOAD

Just be cool

By Kelly Poe Wilson

‘R

elax.” “Chill.” “Don’t worry about it.”

“It’s fine.”

New meditation mantra? Not quite. More like a list I am compiling of everything you should not say to the person whose iPhone you just spilled your slushy on. Or whose car you just backed into. Or even whose clean floor you and your 30 giggling friends just tracked mud across. Twice.

I know: it’s hard to believe that such a list is necessary, but events this summer with the teenagers I live with have proved me wrong on this score time and time again, to the point where I feel the need to pass out a few helpful pointers—an Idiot’s Guide to Being an Idiot, as it were.

Or maybe it’s not about being an idiot (or maybe not just about being an idiot.) Maybe it’s the belief that you can simply wish something into being with a really bad application of magical thinking, à la The Secret, which, if that’s the case, does nothing to detract from my first theory. (See Idiot, being one, above.)

Still, no matter how firm a believer you are in the power of positive thinking, you have to learn, at some point, that making shushing motions and repeating, “It’s fine, don’t worry about it, relax,” over and over again to the person whose work or property you just destroyed not only will not solve the problem, but outside the bonds of family might actually get you punched in the face.

Examining the chill factor Because let’s be honest here: “It’s fine” and all of its variants are actually just another way to say, “Shut up about it already.” And telling someone to shut up about their freshly destroyed iPhone—scratch that, about the iPhone that you freshly destroyed—is an excellent way to get punched in the face.

I know you don’t believe that’s true. I know you think it doesn’t matter what words come out of your mouth at that moment,

because just like with an attacking bear, it’s all about the tone and not the content, but I’m here to tell you that you are oh so wrong.

Because, unlike the bear, we can understand what you’re saying, and trust me, you’re just making it worse. (And, just to be clear, you’re probably making it worse with the bear, too.)

I completely understand the urge to make the yelling stop. I understand how annoying it must be to have someone yelling in your face

See, what you don’t understand when you’re trying to make me feel ‘better’ is I’ve already given up on feeling better. Now my only option is to make you feel worse.

just when you have finally achieved the level of mellowness that makes it possible to spill a slushy on someone’s brand-new iPhone in the first place. And I feel bad for you. Real bad.

However, not as bad as I feel for me, and my yelling at you is a way to bring those two feelings of badness into balance. See, what you don’t understand when you’re trying to make me feel “better” is I’ve already given up on feeling better.

Now my only option is to make you feel worse.

If I can just get solid proof that you feel as bad about ruining my iPhone as I do about it being ruined, maybe I will start to be able to get over it. This cannot happen when you are smiling beatifically (which, I have to tell you, looks a whole lot like idiotically) and saying, “Dude. It’s fine.”

One day you, too, will have nice things— or rather, you will have nice things that you have had to pay for yourself—and you will understand the feelings that come with watching those nice (and expensive) things get destroyed by someone who has the gall to actually giggle about it.

And when that day comes you had better believe that I’m going to have my slushy ready.

Kelly Poe Wilson has lived in Flagstaff since 1985. She lives with her wonderful husband, Jim, and her dreadful children, Clementine and Clyde. More of her work can be found at www. kellypoewilson.com.

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Doug Stone Saturday, Aug. 1 7 pm/9 pm • 21+

HOTPICKS WEEK OF July 23–29

NASHVILLE VICE FRIDAY | 7.24

8 pm • 21+

Joe Nichols. Courtesy photo

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flaglive.com | July 23–29, 2015

The Green Room will be one busy bee Friday night starting with Andrea Gibson (read more about the renowned poet and activist on page 14) and continuing with one of this hometown’s favorite rock outfits. For all those familiar with what it’s like living in hell, we’re surprised frostbite isn’t rampant because it’s been mighty chilly for some time now since Mike Seitz and Jeff Lusby-Breault came together in a cosmic fit of rock ‘n’ roll symbiosis nearly unparalleled in the genre—especially outside any metropolis.

What was certain to be a cold day in Hades arrived the day Enormodome lambasted eardrums Arizona style with their signature jams heavier than any anvil Wil E. Coyote ever encountered. And even with only two pieces, the skuzzy riff supply and headbang-worthy choruses are not in any danger of short supply.

The hits will keep flying like fists of fury as the Phoenix-based three-piece, Miles to Nowhere, kicks off the evening’s musical endeavors with their melodically punky wares fronted

by Kristen Taylor. With their current five-song EP recorder at Studio City, it’s no surprise the tracks are squeaky clean and scuffed in all the right places. Seek thee out at the Green Room, 15 N. Agassiz. Music starts at 10 p.m. Free. 2268669. www.enormodome.net.

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SATURDAY | 7.25‌

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FRIDAY | 7.24‌

t will be just another night in a hay field … ‘til Joe Nichols climbs off them four wheels, aka his tour bus, and showers Flagtown with sweet nothings about taking a twirl behind the barn and tossing three sheets to the wind when Bon Jovi starts churning out of the radio.

“Yeah,” he’ll say, and that’s it. Kidding! Surely this sassy Arkansas native has more to say than a single syllable. This singer-songwriter with a seemingly Don Johnson-esque bent and a single earring favors vintage country with lyrics that deal with the typical pop-leaning vein the genre has adopted in modernity. Give ol’ Nichols a shot of tequila, a pretty lady and scattered hay and one can imagine where this is going. Still, it’s been working for the Southern-fried gentleman as his latest album, Crickets (2013), has garnered him anything but. He’s stacked the chart-climbing ditties from his eighth studio cut, saving “Yeah” and “Hard to Be Cool” for last year. Blame it on that smile, he must even dazzle himself. Take a dip in the deep end at Pepsi Amphitheater, Exit 337 off I-17 at the Ft. Tuthill County Fairgrounds. Gates open at 6:30 p.m. and the show kicks off at 8 p.m. Tickets are $30–$59. To learn more or buy tickets, call (866) 977-6849 or visit www.pepsiamp.com. For all things Nichols, see www.joenichols.com.

The Flagstaff Mall is home to a small food court, at least a couple department stores and, during the holidays anyway, even Santa Claus. It’s not Christmas and Santa’s sleeping, but since the mall is apparently having some sort of kooky mid-life identity crisis, it will be the newest venue for the Artists’ Coalition of Flagstaff’s flagship event of the calendar year. The Prelude to Flagstaff Open Studios will give visitors the opportunity to scout for their favorite ACF artists while shopping for new socks. Two birds, one stone—amirite? That’s just courtesy, as is offering this month-long sneak peek at the 64 exhibiting artists’ work, which will be available for perusal before and during Open Studios weekend Aug. 22–23. There is no way in the world one human could visit every artist’s studio across the entirety of Flagstaff from Westside to Doney Park over just two measly days, so this is the time to get a solid gander and start making that list, checking it twice and all that. The free opening reception takes place at the Flagstaff Mall, 4650 N. U.S. 89, in the space between Charlotte Russe and Laser Tag, from 6–9 p.m. The space is also open daily through Aug. 23 from noon–6 p.m. 522-6969. www.flagstaff-arts.org.

HotPicks REAL-LIFE LITERARY YELLOW PAGES‌

Circus Bacchus. Photo by Jake Bacon

THEY ONLY COME OUT AT NIGHT‌

When all is cool and still on an enchanted summer night, the imps and fairies come out to play. Except, with Circus Bacchus’ Midsummer Night’s Circus, all these forest creatures also happen to be wildly athletic and consistently demonstrate impeccable core control and fearlessness even dangling in midair. And not only does Flag’s preeminent circus-styled troupe combine live music, quirky humor and more into their feats, but this particular show is intertwined like an aerial dancer and shimmering silks with an abridged version of Shakespeare’s comedy, A Midsummer Night’s Dream. The favorite characters from this classic will be reprised as Hippolyta belly dances in the aerialist’s forest, Bottom and Titiana swing through the air on the trapeze, and Puck aims to be as incredibly mischievous as ever amid actors twirling and juggling on stage. Flights of fancy and quirky twists abound as literary and aerial art combine at the Orpheum Theater, 15 W. Aspen. Some adult humor peeks through this show. Doors to this all-ages show open at 7 p.m. and it all takes flight at 8 p.m. Tickets are $12 in advance and $15 at the door. 556-1580. www.orpheumflagstaff.com or www.circusbacchus.org.

SUNDAY | 7.26‌

While there surely won’t be any sort of need to find more perfect weather this weekend outside of this little oasis called TEN MINUTES IN HEAVEN‌ Flagstaff, it can still get cramped, even in the thin air. Why not It’s the last Sunday of the month, and the Playwright Café is gearjust go ahead and get out of town? Say, what’s that, you also ing up for its most jam-packed iterations to date as local theatrical like books? Well, too right—the Payson Book Festival is here heavyweights with the pen and on stage come to life. In conjuncto save the day. In those similarly cool pines to the south, tion with the Northern Arizona Playwriting Showcase, Arizona’s newest literary fest is a single day with Amanda McDonald in the director’s seat packed with 60 authors of all ages, from and a handful of Theatrikos’ biggest players, all corners of this big ol’ state, includthe Café will reprise winners from NAPS ing Marshall Trimble, Arizona’s past. Still Life by Ann Beck discusses Official State Historian. It’s a a son’s difficulties speaking to his writer’s haven with workdementia-addled mother on the shops on that elusive craft phone. Haggis and Hummus of writing and intimate

by Jill Gittleman tells of a lectures from the daughter’s issues with her authors themselves. mother’s new boyfriend.

Music, food and Doug McGlothlin’s Sports prizes will round Psychology swept last out the day, and year’s contest with the even the kiddos lead’s sports-centric will have their fanaticism. Dead Man’s own happy happs Lunch by Jesse Sensibar when they meet sparks an interesting Story Monster and dilemma between a tow enjoy storytime truck driver and a police with Conrad Storad, officer at the scene of an the snake-wrangling accident. After these former writer who’s penned 10-minute bits of genius shine 50 children’s books again, the seven winners of based on nature and the 48 entrants to the 2015 science. And since contest will be announced. it’s never too early—or This year’s winning plays will too late—to pick up a Je ff be performed at the Doris Harperpen, Storad will also headLu n sb ge y( White Playhouse Tue, July 28. In the up the Young Writers workshop Ha le f ol r t a ) meantime, enjoy the Café’s latest installation for those ages 9–12. There will and C y b M ik oto e Se i at Charly’s Pub & Grill, 23 N. Leroux. Doors open be tons to look forward to in the local t z o f E n o r m o d o me . P h at 5:30 p.m. and the plays roll out at 6:30 p.m. There is world of books at Gila Community College, a $5 suggested donation. 774-1662. www.theatrikos.com or www.

201 N. Mud Springs Road, from 9 a.m.–4 p.m. 468-9269. flagstaff-printing.com/naps. www.paysonbookfestival.org.

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EDITOR’SHEAD

Analog rag in a digital world By Andrew Wisniewski

‘P

rint media is dead.” ‌I hear these four words every so often, and have heard them for more than a decade now, long before I ever found my way to the humble seven-person aisle that makes up the core of Flag Live. And the message continues to reach my eyes and ears, whispering a subtle, inevitable truth that it isn’t dead yet, just dying.

“You’re here just in time for the death rattle,” said Phillip Seymour-Hoffman as Lester Bangs, editor of the now defunct Cream magazine, in Almost Famous.

I’m not exactly sure when it all officially started. I want to say it was during my college years around the turn of the century when technology and the Internet really started to make big leaps forward. Whenever it happened, it’s been an interesting ebb and flow. Numerous publications have jumped familiar ship to go digital only, like Newsweek in 2012 after spending 79 years in print, and The Onion a year later, who nailed the cover of their last print edition with the headline: “Print Revenues Up 5000%.” Then there’s the digital natives like Huffington Post, and somewhere in the way back is us, little old Flag Live, still breathing life into yellowing pages.

More often than not there tends to be a theme or narrative that courses through the veins of a given issue of Flag Live. I can’t explain it so much as say it’s this thing that just happens. To that point, this week we ran a feature on Hidden Light LLC (see the story on page 12), who pays homage to the past by specializing in processing black and white film and printing photos using the platinum-palladium and silver-gelatin processes—which dates back to the early 1800s. In some ways, print media is en route to becoming like those photos, but we maintain hope print media will make a thoughtful resurgence as vinyl records and independent bookstores have in recent years.

People occasionally ask me if the Live will ever go completely digital, and my answer is always, “Not a chance.” I say that because I believe Flagstaff is unique in the sense that our readers still like to pick up, hold, feel and look at a hard copy of what we have to offer. It makes sense here: a free weekly publication where the movers and shakers and creative types who make Flagstaff the budding mountain town it has become can in some small way see first-hand

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flaglive.com | July 23–29, 2015

the fruits of their labor, and locals as well as tourists can hang onto a copy as they plan their weekend.

On the flipside, and to ask a question many folks have regularly asked our staff over the last 18 or so months: What’s the deal with your website?

As many are aware, we redesigned Flag Live in February of 2014. When we made the call, the tired website that had been around for so long also departed with the old layout.

What took its place was a “temporary” PDF/ flipbook that wasn’t all that temporary, and ended up hanging around for way longer than any of us had planned. We jokingly claimed we were weasel-proofing the office, which, actually is true. It was nasty and the battle raged on. But the good news is we’ve finally secured the workplace.

Beginning this week, in conjunction with our newest issue, we’ll be launching a brand new website. That’s right. It’s nothing super-duper fancy, but we hope will be more user-friendly, sexier, and yet another enjoyable way to take in Flag Live. The address will remain the same as always (see below). And for those who prefer to see the actual layout via flipbook, that will still be an option.

But the truth about any ongoing rodent invasion is they never really quit— ever. Just ask Carl Spackler. So, as we bring this sucker live, please bear with us as the site will likely require some fine-tuning over the coming weeks.

Here in the Daily Sun offices our aisle is called the “niche” aisle which, in the world of journalism, means exactly what most folks might guess: a publication that fills a specific area. In our case, those areas are the worlds of art, entertainment and culture. And we like to think we do a good job filling said gap.

Perhaps one day long down the road that term will take new meaning and refer to groups who keep the old school new and relevant for classic souls who love thumbing through pages of ink and newsprint. I hope not, but until that day comes, should it ever, we’ll be sure to keep one foot hard on the print media pedal with a finger on the digital switch. It only took a year-and-a-half, but we’re slowly catching back up. Check out the new online “us” at www.flaglive.com.

News Quirks

BY ROLAND SWEET

‌Curses, Foiled Again Police who accused Alexander Katz, 19, of stealing a car in Logan, Utah, said he and his girlfriend had to abandon the vehicle and call a cab because he didn’t know how to drive a stick shift. The car’s owner spotted the vehicle being driven off and called police, who found Katz and his girlfriend waiting outside a nearby convenience store for their cab. Police Chief Gary Jensen said that although Katz couldn’t drive a stick shift, his girlfriend could and was giving him directions while they tried making their getaway. “I’m not 100 percent certain why she doesn’t just get around and get in the driver’s seat so they can take the car and use it,” Jensen said. (Atlanta Journal Constitution) A shoplifting suspect in Okaloosa County, Fla., managed to evade sheriff’s deputies chasing him, but only after his car hit several mailboxes, which ripped off the car’s entire rear bumper. The license plate was attached. Deputies traced the plate to Devin Ramoe Stokes, 20, who told them he was sorry for the deed and the damage. (Northwest Florida Daily News)

Ablution Solution Spas in Japan now offer ramen noodle baths. The baths are filled with ramen pork broth and synthetic noodles. Soaking in the broth is said to be good for the skin and to boost metabolism. “Lately people are very concerned about having beautiful skin, and they know the effect of collagen, which is contained in our pork-based broth,” said Ichiro Furuya, owner of the Yunessan Spa House in Hakone. (Time) Azerbaijan’s Naftalan Health Center now offers oil baths, which the spa’s doctor insisted cures up to 70 ailments. “Naftalan kills everything: viruses, bacteria and fungi.

Its consistency is unique and pure. It does not contain any dirt,” Dr. Hashim Hashimov said, adding that customers are allowed only 10 minutes in the tub before scraping down and showering off the sticky substance, which is then used for the next customer.

“Usually we lose some material on each person, and every time we add material for each person. But to dump the whole thing is impossible, as the material is expensive.” (International Business Times)

Private Justice The backlog of court cases in Florida is prompting people waiting for trials to turn to private judges. They promise speedy and private settlements, “not in open courtroom, where everyone and their brother is attending,” said Robert Evans, a public judge for 20 years before he went private. “My marketing motto is: ‘How would you like your trial tomorrow?’” Orange County Chief Judge Fred Lauten conceded that “private judging comes with a cost,” pointing out that people who “can’t even afford an attorney … they’re not going to be able to afford a private judge.” (Orlando’s WKMG-TV) Los Angeles County authorities charged David Henry, Tonette Hayes and Brandon Kiel with impersonating police officers after the three showed up, two of them in uniform, as a “courtesy call” to inform sheriff’s Capt. Roosevelt Johnson they were from the Masonic Fraternal Police Department and setting up operations in the area. The agency’s website claims jurisdiction in 33 states and Mexico and, through the Knights Templar, traces the department’s roots back 3,000 years. “When asked what is the difference between the Masonic Fraternal Police Department and other police departments, the answer is simple for us,” the website says. “We were here first.” Henry, 46, identifies himself as “Chief Henry 33,” and the website refers to him as “Absolute Supreme Sovereign Grandmaster.” Johnson said the purpose of the purported police department is unclear. (Los Angeles Times)

Quirks News Anchors Away Canada’s National Defence decided to decommission a 45-year-old navy supply ship without a replacement because mechanics in Halifax were spending a “disproportionate amount of time” keeping the vessel operating, according to official documents, by trying to locate spare parts, “some of which have been procured via eBay.” The original manufacturers long ago stopped making the parts; some were reportedly “beyond acceptable limits” because corrosion was compromising structural integrity. The vessel, HCMS Preserver, had been scheduled for decommissioning but was kept afloat after the government canceled funding for its replacement in 2008. Building a new one will take at least eight years. (The Canadian Press)

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August 1 & 2 • 9am – 5pm

Sign of the Times Utah Valley University has designated a lane for texting on the stairs of its Student Life & Wellness Center. Two other dedicated lanes, distinguished by neon-green stripes, are for walkers and runners. Amy Grubbs, the school’s director for campus recreation, acknowledged that not every texter sticks to the lane, noting some “don’t even see it because they’re so consumed in their phones.”

(ABC News)

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Money Shots!

Matchmakery Iran has launched a state-supported matchmaking website. Deputy Minister of Youth Affairs and Sports Mahmoud Golzari cautioned that “Find Your Equal” is not a dating site. Its goal is to produce 100,000 new marriages in the coming year. “We have high demand for marriage and 11 million [young single adults] who are increasing every day,” Golzari said. Marriages are necessary to overcome Iran’s declining birthrate, according to the government, which last year banned vasectomies and permanent birth control measures in women. Officials, including supreme leader Ayatollah Ali Khamenei, have publicly urged couples to have more babies to repudiate “undesirable aspects of Western lifestyles.” (The Washington Post)

#FlagLive

Short Fuses Haden Smith, 18, demanded that his mother intervene to mend his relationship with his girlfriend and threatened to kill her chickens if she didn’t. Deputies in Limestone County, Ala., said Smith vowed he’d kill a chicken every 15 minutes and gave her a deadline of noon. When the deadline passed, he started sending her picture messages of each dead chicken. He got to six before deputies arrived and arrested him.

(Tribune Media Wire) Tired of waiting at a hospital’s emergency room in Morganton, N.C., Katlyn Milligan, 20, set off the sprinklers, resulting in “copious amounts of water” pouring down, according to the police report. Milligan, who was waiting for a relative to be treated, said that after two hours, she couldn’t wait any longer, so she went into a bathroom and held her lighter to the sprinkler. Cleanup delayed ER operations another two hours “at the busiest time of the day,” Nursing Administrator David Everhart said. Milligan herself had to be taken to the ER to check for effects from exposure to the sprinkler’s stagnant water. After she was released, police arrested her. (New York Daily News)

Got love for Flag?

Then head over to www.4flagtv.com and check out “#Flag,” a new weekly show highlighting the people, places and things that make Flagstaff home.

July 23–29, 2015 | flaglive.com

9

Screen

A good thing in a small package Reviewed by Erin Shelley

A

seems that technical geniuses either become nt-Man doesn’t try to be the biggest, badsuperheroes or crazed villains; Cross falls into dest Marvel film, and that’s why it works. the latter category. It will be up to Scott to put Face it, a superhero with the power to an end to Cross’ evil plans. shrink and control insects isn’t as awesome as a The story is serviceable and the cast guy in a flying iron suit or an Asgardian is good. Michael Peña gets laughs who can control weather. That’s why as Scott’s roommate. Evangeline Ant-Man doesn’t require a showy ANT-MAN Lily is effective as Pym’s distrustplot of Ant-Man saving the world, ful daughter. There are fun but relies on Ant-Man taking out Directed by Peyton Reed moments for fans of the Marvel one bad guy whose plans … you Rated PG-13 films and television shows.

HARKINS THEATRES guessed it: will hurt the world.

Appearances by Hayley Atwell as Paul Rudd is not the most Agent Carter and Anthony Mackie likely actor to play a superhero, as Falcon, plus mentions of the but he has fun with this “smaller” Avengers, tie Ant-Man’s world to the hero in the Marvel cannon. As the rest of the Marvel universe. first entry in any Ant-Man film, we get the The special effects, which includes plenty origin story of how Scott Lang (Rudd) becomes shots of giant-sized insects, are OK. Ant-Man. Michael Douglas is Hank Pym, the The action sequences are interestoriginal Ant-Man (we see old photos and one ing—what can a tiny guy leading insects do flashback of him in action). When ex-con Lang against normal-sized humans? It is a problem burglarizes Pym’s home, he steals the Ant-Man when filming our hero, who is often tiny and suit, allowing him to shrink to ant size, but it in a face-covering helmet, to grasp what is a set-up, for Pym needs Scott’s help. The exactly is going on, thus the use of radio obsessive CEO of Pym’s company, Darren Cross communication between Pym and Scott. Still, (Corey Stoll), is about to achieve the shrinking director Peyton Reed (The Break-Up, 2006; Yes technology that Pym has kept hidden away. It

B

Man, 2008) manages some inventive scenes of mayhem.

Ant-Man is an enjoyable entry of the many Marvel films. It also creates situations

for future films. Plus, seeing Paul Rudd as a superhero is entertaining.

He doesn’t take himself seriously, and neither does the film.

A railroad collision of raunchy and awkward

As with any romantic comedy, they will face difficulties, Schumer plays Amy, a woman determined to not fall in but love will find a way. In the meantime, we see both of them love. Taking the relationship advice of her father (Colin Quinn), at work: Aaron working with athletes (the film is peppered with Amy plays the field rather than settle down with one man. And multiple cameos of sports stars) and Amy working at a though her younger sister Kim (Brie Larson) has married, magazine as a writer with hopes of a promotion to ediAmy’s life is full of one-night stands and semi-regular tor. Tilda Swinton, almost unrecognizable, plays her dates with muscle-bound Steven (John Cena). Then self-centered boss. she meets Aaron, a successful sports doctor, Though the film is funny, and the actors are played by the talented Bill Hader.

TRAINWRECK enjoyable to watch, the movie spends too much Trainwreck stays away from many of the Directed by Judd Apatow time meandering through side plots. A two-hour common romantic comedy situations. Amy and Rated R running length is often too long for a comedy.

Aaron find themselves attracted to each other, HARKINS THEATRES Sustaining the humor is hard to do, and though and though Amy finds it hard to commit, Aaron Trainwreck passes the two-hour mark and dithers a is willing to work with her on building a long-term bit before the conclusion, we at least get to hang out relationship. with some very funny people—the movie has us wanting Amy gets guidance from her friend Nikki (Vanessa the best for them.

Bayer); whereas, Aaron’s relationship guide is basketball star It’s a funny movie, and it should be interesting to see what LeBron James (James is charming in this film—everyone should the future holds for Schumer. Her career is on a charmed track, have a friend like him). what with her television show and now Trainwreck. She takes The script offers plenty of comic scenes that Schumer and chances with her writing, but it often pays off. Trainwreck is an Hader deliver. The jokes are often raunchy and at times awkexcellent example of Schumer’s talent. ward, yet the two create a believable and sweet couple.

B+

A

my Schumer is having a career moment. Nominated for three Emmy awards for her television show, Inside Amy Schumer, she now stars in Trainwreck, a romantic comedy that she also wrote. Schumer not only shows off her comedy expertise, she creates a story that offers some genuine emotion about family and relationships.

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Reviewed by Erin Shelley

Extra Butter

FLAGLIVE.COM

Gaming the system Doing more (and better) with video games in film

T

his week’s release of Pixels is giving us a big screen look at video games from a new angle. Aliens invade Earth, taking the form of video games from the ’80s to cause mayhem and destruction. I must admit that I don’t have much hope for a high quality film, but I’ll likely wind up heading to the theater to check it out anyway. Adam Sandler’s latest foray into theaters has a number of elements that are going to rustle up enough nostalgia to get me to give Pixels a chance.

It would seem the marriage of video games and film would be an easy one. Hollywood delights in bringing existing intellectual properties to the silver screen, but when video games make the transition to the theater the results are typically lackluster. The list of video-games-turned-films that are even tolerable is hardly worth iterating. Few have any kind of staying power, with the possible exception of the Resident Evil series, which is getting a whopping sixth installment sometime in 2016. Even one of my favorites, Advent Children (2005), brought Final Fantasy VII into the realm of feature length film with stunning CGI animation, but still had its issues. Fans of the game are capable of finding the film enthralling, but those without ties to the source material are likely to be left more bewildered than impressed.

By Sam Mossman

When video games are tied to film in other ways the results can be quite a bit better. Wreck it Ralph (2012) gives us a look at video games from inside the box, and the concept works well in the context of that movie.

The same goes for both of the Tron films, though that franchise has a larger focus on its alternate digital reality than just the video game elements. It also bears mentioning that both Wreck it Ralph and Tron were not based on any existing game, so the story was able to take the front seat.

It’s a shame, really. There are tons of video games that have clear and clever ideas and should have the potential to make good films. It seems like just about every other media has been able to survive the transition to film without the same blundering mistakes that seem to plague the video game movie.

Over the years we’ve even seen storytelling take on a major role in video games, but we’ve yet to see it capitalized in a major way on the big screen. I can’t quite put my finger on the reason for it. Likely because there is no universal misstep that is dragging this genre of films down, so there is no effective cure-all to get them back on track. Perhaps we’ll just have to wait and see someone get it right before we really know what it is that the low quality video game films thus far are missing.

For �ilm times check these sites HARKINS: www.harkinstheaters.com MOVIES ON THE SQUARE: www.flagdba.com/movies-on-the-square MONTHLY HARKINS INDIE SERIES & SEDONA FILMS: www.sedonafilmfestival.org

your source for

flagstaff happenings flagstaff/live!

July 23–29, 2015 | flaglive.com

11

STAGE

BY DIANDRA MARKGRAF

Sha-wing!

The Full Monty swings into Theatrikos

From left: Jim Dugan, Josh Heredia, Brad Garner, Aaron Paul, Keenan Larson and Cameron Scully in Theatrikos’ The Full Monty. Photos by Diandra Markgraf

‌I

nside the darkened Doris Harper-White Community Playhouse, the spotlights are positioned, and the G-strings, oh they’re adjusted. ‌Two year’s since Theatrikos’ last musical, Jan Rominger and her crew are resetting the bar to expose the exploits of rag-tag steelworkers who’ve devised a plan to regain their assets and clamber back up the monetary mountain. Ladies and gentlemen, you’ve been warned, it’s about to get steamy with The Full Monty.

As Chase Coleman’s live band swells in the upper wings of the theatre, a group of whooping ladies in the “Rust Belt” of Buffalo, N.Y., scramble to stuff dollars into the beltline of a touring Chippendale’s dancer, Buddy “Keno” Walsh.

For the first time in their lives, they’re relishing the financial freedom that comes with “A Woman’s World” and wondering why their husbands can’t embrace confidence. Meanwhile, the

12

flaglive.com | July 23–29, 2015

men are languishing like “Scrap” as they examine just how they got to that point—unemployed, frazzled at the idea of money.

The self-assured females crack jokes in the strip club’s bathroom. The recently divorced Jerry Lukowski (Brad Garner) and his best friend, Dave Bukatinsky (Aaron Paul), cower in a stall, overhearing exactly what their respective partners, Pam (Alexia Coppell) and Georgie (Staci Dickens), think of them. After, they run into Walsh (Sean Meehan) who seems to have struck gold with his titillating gig. Their conversation leads Jerry to the next logical step to seeing his son, Nathan (Matthew Sutphen) again: strip for cash.

With his buddies on board, they will have one twist. They vie to stiffen more than their upper lips, and slip past their knickers for the full monty.

One by one, six guys pile on the train to T&A. Jerry, Dave, Ethan (Keenan Larson), Malcolm (Jim Dugan), Harold and Noah

Sean Meehan as Buddy “Keno” Walsh gets close with Kelly Gibbs as Molly MacGregor.

(Kameron Owens)—known affectionately as “Horse”—are deciding if their act is more likely to get the crowd hot or bothered.

In addition to a way to move tickets to their escapade, the stripping encompasses a larger metaphor for tearing down walls, exposing the vulnerability of human existence.

The would-be dancers contemplate their relationships, sexuality and how people may judge their bodies between bellies and narrow chests, exposing their vulnerability in tunes with maximum capacity to rattle around for hours after the curtain closes.

“Guys, we’re comfortable in our skin as long as it’s covered.

Now that we have to take our clothes off, we’re going to be evaluated just like we evaluate women,” explains Jamey Hasapis, who will tackle the role of the uptight former foreman, Harold Nichols.

The Full Monty continued on page 23

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with. v o l u o y y h w e Tell m y a d a t u o b a e Tell m through. w e h t t a h w e Tell m y a w a n i e m ll e And t i r c s e d u o y the way w o n k a n n a w I , e Se s y a d t a h t and if

Boulder, Colorado-based poet and activist Andrea Gibson will perform at the Green Room Friday night. Photo by Maria Del Naja

14 14 flaglive.com flaglive.com || July July23–29, 23–29,2015 2015

r e f e r p u o y Do snow? r e w u o y f i And t e e r t a m o fr u o y ld u o w r O harmless to th w u o y f i d n A r u o y e s u a c e b

. u o y d e v o l y e h t y h w e m ll e t n e h t , m e h e v li d ’ ved t u o y k n i h t t ’ n ld u o w u o y e f li r u o y y in

u o y o t s n a e y b t s u word home m j e m a n s ’ r e h t o m r u o y w o n k ll I’ t a y th .

8 e r e w u o y n e h w m o o r d e t a h f o ribe your be t h g i e w e h t t l e f u o y e m i t t

By Douglas McDaniel Andrea Gibson on revising poetry, reclaiming self s r i f e th . s e n o b

By Emily Hoover r u o y h t a e n e b s e l b m e r t ll sti eading Andrea Gibson’s poetry is like opening f o s e i ll e b n i e c n u o the covers of an old, dusty book of classics to b r o n i a r f o s e l d d u p find something new—something that’s hopeful n i y a l to p but also raw, unapologetic but also vulnerable. s e h c n a r b o w t p i r u o y ld u o w , n a m w o n s a re to build ? s m r a n a m w o n s g r n i u e o b y f ld o i u e b k a s to e h t r o f s s e l m r a n a m w o n s u leave your u o y r ? o f e e s r p t e e e w h e e r t e h t w o h e c i t o n u o y u o ld y e m i t y r e would, wou v e u o y g u h o t s m r a o n s a h r snowman

Stay Here with Me R

The artist’s work—performed at coffee

Gibson, who grew up in Calais, Maine,

shops and college venues and replayed on

and has lived in Boulder, Colo., since 1999,

countless computer screens around the world—

has released six albums of spoken word,

is everything good contemporary poetry should

published three books, and won several

be: it is rhythmic without rhyming, it is accessible

awards at poetry slam events from Denver

and inclusive without being safe, and it is full of

to Detroit, including being the first person to

handcrafted images that bring readers into the

win at the Women of the World Poetry Slam

moment and force us to engage directly with

in 2008. She has been touring for the better

subjects such as gender norms and identity,

part of a decade and says the only downside

the effects of war on veterans, bullying, white

to living on the road is not having a “stove

privilege, capitalism and social reform. To put

to cook a meal on and a local community

it simply: Andrea Gibson’s spoken word is like

of friends.” Clearly, existing in a space of

coming home to the house you grew up in to

change—of growth and personal expansion—

find that things have changed and deciding to be

is not a new experience for Gibson. But

there anyway, if only for a short visit, because it is

successes, as we all know, cannot come

in this place of discomfort that growth resides.

without struggle.

15 July23–29, 23–29,2015 2015 | | flaglive.com flaglive.com 15 July

Someone once told me that loneliness lives in the same part of the brain as physical pain. I believe that. And I believe that anything is tolerable if one can know it is not being tolerated alone.

— Andrea Gibson

“I started writing when I was very young, but I didn’t fall in love with writing until high school,” Gibson says. “I initially spent a lot of time writing about loss. I remember my mother worrying about how dark my stories were.”

The darkness Gibson refers to in her earliest writing is not something one should shrug off to a novice’s voice or an adolescent’s sophomoric style. It is something deeper than that.

“I spent a lot of my childhood running around the woods, catching salamanders, building tree houses,” she says. “In many ways, it was wonderful, but I also lived with a pretty consistent anxiety of being found out for who I really was, whether that be queer or just generally different, and that theme [was] certainly prevalent in my early writing.”

Gibson says this distrust or fear of self stems from the institutions she was raised in.

“I grew up in a Baptist church and went to a Catholic college,” she says. “I think a lot of the Christian imagery finds its way into my work as a sort of reclamation. Growing up, I believed in a

Andrea Gibson performing live.

Courtesy photo

16 16 flaglive.com flaglive.com || July July 23–29, 23–29, 2015 2015

god I was told would not love me if I was queer.”

Because of the fear and anxiety surrounding being accepted by others, by God and society, Gibson had to reconcile her beliefs, which meant revising, reclaiming, and reforming—the way one might chip away at an unfinished sculpture or revise a draft of a poem.

“Reframing the stories of the Bible in my current work has been part of the process of loving myself,” she says. “I don’t identify as a Christian and haven’t for several years.

When I think of God I don’t think of something outside of myself, or outside of any of us.

creating a kinder world, and it’s easy for me to engage those conversations. I can’t count the number of times in the past decade that someone has spoken to me about problems in my work, how something I have written has been hurtful in a way I did not know was

“I learn so much in conversation with folks,” she says. “I feel so blessed to be doing something for a living that is nurturing to my spirit.”

But Gibson’s fans would say it is Gibson who nurtures them. Gibson works as a suicide prevention activist, founding the website Stay

As Gibson prepares for the end of her worldwide tour—a few stops remain in Arizona and Utah before the final show takes place in San Diego, Calif., on July 31—she reflects on her first spoken word performance in Denver, Colo., all those years ago—why a teacher from Boulder

Many parts of my current spiritual life are influenced by Buddhism, but I’m generally just trying to live my life as awake as possible and to be of some service.”

However, serving the world does not come second to a poem being finished, Gibson says. Writers are also serving their audiences in addition to themselves, so having “an open ear” for critique is necessary in order to

hurtful.”

And when such critiques present themselves, Gibson says its best to honor them as valid.

“I’ve had people stand up in the audience at performances and say, ‘I’d like you to change that line of the poem and here’s the reason why …’ and I would say 99 percent of the time, the people speaking up were

Here With Me, which serves as a judgment-free space for people to share stories of trauma, mental illness, hopelessness, and “the art that keeps them here” in an effort to show people they are not alone. Gibson also speaks at LGBTQIA events, anti-war rallies, and peaceful demonstrations concerning the occupation of Palestine.

“It really helps me to remind myself that

with anxiety and stage fright would attempt something so terrifying.

“I got on stage for the first time because I’d just had my heart broken and felt like I had nothing to lose,” Gibson says. “Still, I was so nervous. I could barely form words. The paper in my hands was shaking so intensely. But I left that night feeling as if I’d come home to myself for the first time.”

promote growth.

“If someone is generally ‘mean’ to me,

absolutely right in their critique,” Gibson says.

“And I changed the poem, or stopped reading

whatever I am feeling, there are other people in the world who are feeling something similar, and

See Andrea Gibson perform at the Green Room, 15 N. Agassiz, on Fri, July 24. Tickets are

as in speaking something with the intention of hurting me, I don’t typically engage the conversation,” she says. “But most of the feedback or criticism I’ve been given throughout my writing life has been given to me by people who are truly invested in

the poem, and learned a whole lot in the process.”

Gibson says interacting with fans—having meaningful discussions with them—is the biggest reward an artist can receive when touring across the globe.

I am not alone in whatever I am going through,” she says. “Someone once told me that loneliness lives in the same part of the brain as physical pain. I believe that. And I believe that anything is tolerable if one can know it is not being tolerated alone.”

$13 in advance and $15 the day of the show, and can be purchased in person at the Green Room or online at www.flagstaffgreenroom.com. The show starts at 6 p.m. with Portland-based indie folk singer-songwriter Chris Pureka. For more info, call 226-8669 or visit www.andreagibson.org.

Photo by Maria Del Naja.

July 23–29, 23–29, 2015 2015 || flaglive.com flaglive.com July

17 17

ARTS

BY LARRY HENDRICKS

Arrested development Finding the future in the past with Hidden Light

‌P

latinum-palladium. Silver-gelatin. Enlarger, stop-bath, fixer and darkroom. ‌They are words to photography that the words “vinyl,” “tape” and “analog” are to music. They are words fading from memory in favor of another word: Digital.

But a Flagstaff company has found success in keeping the “old school” of photography alive by paying homage to it and focusing on handmade and meticulously crafted prints.

Stephen Saunders and Corey Allen are co-owners of Hidden Light LLC. The company specializes in processing black and white film and printing photos using the platinum-palladium and silvergelatin processes.

“When we first started, we were anti-digital and came out swinging,” Saunders says. “We always liked handmade prints made in the darkroom. What used to be an everyday process is now called ‘alternative.’”

The two envisioned the business in 2000 because nobody in the city was printing black and white photos at the time. They opened up the first shop in 2001 on the east side of Flagstaff.

Photographer Tom Alexander shared space with them. They eventually moved to their Southside office, and Alexander still shares space with them. The business has since grown to also include The Framing Department, where photographers and artists go to get custom frames for their projects.

On their website, Saunders and Allen state: “We feel it is important to continue making the finest black-and-white photographic prints, each print by hand in a traditional wet darkroom. Just as the fine craftsmanship is valued in a fine piece of furniture, hand-blown glass, or a priceless oil painting, we feel it should also be valued in the creation of a handcrafted black-andwhite photographic print.”

The business is one of a handful across the U.S., and the business has clients from all over the country as well, Allen says.

There are two custom-built darkrooms—one devoted to the platinum-palladium printing, the other to silver-gelatin printing.

Photos of various sizes hang throughout the business.

Matt Beaty and Taylor Mahoney round out the Hidden Light team. When Beaty isn’t working with frames, he’s working in the darkroom with platinum-palladium prints, which is Allen’s specialty. Mahoney spends the brunt of his time making the silvergelatin prints.

All four men have an abiding love for photography and printing in the darkroom. Beaty and Mahoney found they loved the darkroom while still in high school. Beaty came to Northern Arizona University specifically because they had a “wet darkroom.”

The wet darkroom at NAU shut down for a few years, but has since reopened for students to get some darkroom experience. Still, many young photographers now may never have been in a darkroom.

“They all do digital everything now,” Beaty says.

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Matt Beaty examines a platinum-palladium print of Babe Ruth at Hidden Light LLC in Flagstaff. Photos by Larry Hendricks

With enlargers in background, Taylor Mahoney sits with silver-gelatin prints.

Taylor Mahoney checks out film negatives.

ARTS

Stephen Saunders (left), Taylor Mahoney, Corey Allen and Matt Beaty in one of Hidden Light’s darkrooms.

Ask them about modern ink-jet printing, and they’ll all shrug and say, “It’s fine.” Put an ink-jet print next to a darkroom print, and the difference is apparent, all four men say.

But ask them about darkroom printing, and the conversation becomes animated and passionate. Darkroom printing brings out deeper tones and details.

It just seems to have “more soul,” Mahoney says.

Platinum-palladium printing is much more expensive than silver-gelatin printing, Allen and Beaty say. It is the preferred printing for collectible photos. Not only are the metals used in the process precious, but the process itself, which requires hand painting the chemicals onto the printing paper before exposure to an image, takes time.

“Think about platinum jewelry,” Beaty says.

One project that the business has been working on is “The Conlon Portfolios.” The project is a series of platinum-palladium prints made from glass negatives of legendary baseball players by photographer Charles M. Conlon (1868-1945).

“I can remember holding a picture of Babe Ruth’s face and just getting chills,” Allen says.

The price difference between platinum-palladium and silver-gelatin printing is considerable.

An 8-inch x 10-inch silver-gelatin print can cost between $50 and $60. A similar-sized platinumpalladium print starts off with a $325 price tag to setup the work, with an additional cost of $154 for the print. A 30-inch x 40-inch platinum-palladium print costs upward of $1,800, Allen says.

The silver-gelatin process, although cheaper, requires every bit as much skill, craft and art in reproducing images. Mahoney used terms like “dodging” and “burning.” He talked of adding and subtracting light.

Darkroom printing is a more stable process, Allen says. The photos preserve well for museums

and archiving. In the case of platinum-palladium prints, they can potentially last up to 1,500 years. Mahoney added that 100-year-old silvergelatin prints can look as good as the day they were printed.

In recent years, film has been undergoing resurgence, Saunders says. Allen added that although some companies have gone belly up in the face of digital, others have consolidated and continue to offer the material needed to keep the older technologies alive.

“There’s still a lot of people doing it,” Allen says.

Beaty, looking at Mahoney, says, “Our generation is finally like, ‘Hey, this is all right!’”

Hidden Light does its part to keep the darkroom and film alive and kicking. Their business is open for photographers and enthusiasts to learn the process. Saunders said their mission is to share the knowledge and collaborate.

“We’re open to have people coming in and working,” Mahoney says.

Beaty said that many of the clients come to relearn the process.

“The clients who come to us say, ‘Man, I used to do that when I was in high school.’”

Over time, personally and professionally, Saunders and Allen began to merge the old and the new. Now, the business can take digital photos and make handmade prints from them.

“Personally, I’m not swinging against digital anymore,” Saunders says, smiling.

Allen reiterated that the goal of the business is still “traditional handmade prints for who wants them.”

He adds, “Our plan is to keep doing it as long as we can.”

Hidden Light LLC and The Framing Department are located at 427 S. San Francisco south of the train tracks. For more info about both, call 527-1847 or visit www.hiddenlightllc.com.

July 23–29, 2015 | flaglive.com

19

REARVIEW

Being there Doug Hughes: Protecting Democracy from Plutocrats

T

Monsoon Harvesters Rainwater catchment systems are catching on throughout the Flagstaff region.

The reasons? Easier installation, lower water bills and greater worries over drought.

Photo by Jake Bacon/Arizona Daily

Read more exclusively in print this Sunday in the Arizona Daily Sun 20 flaglive.com | July 23–29, 2015

he price of liberty is said to be eternal vigilance. But just being watchful rarely does anything to stop the theft of our rights. Instead, the real price of liberty is open defiance—the courage to stand against the oppressors. And the price of that can be prison.

Doug Hughes has dared to defy the corrupt, plutocratic order that the moneyed elites, both political parties, and the Supreme Court have imposed over us. Dismayed and disgusted that We the People are blocked by big money from having our voices heard and responded to, this Florida letter carrier chose to get heard with one dramatic act of civil disobedience. In April, Hughes flew his homemade gyrocopter across Washington and onto the lawn of the U.S. Capitol to protest the usurpation of our most basic freedom: the right to be self-governing.

This was no stunt, no spur-of-themoment outburst, but a thoughtful, wellplanned, non-violent stand against the tyranny of money. Undertaken in the spirit of Henry David Thoreau and Martin Luther King, Jr., this mailman-on-a-mission was fully aware of and prepared to pay the price of civic defiance. Sure enough, on May 20, a federal grand jury indicted this messenger of democracy on a mess of charges that

By Jim Hightower

could add up to more than nine years in prison. Far from backing away, however, he’s now calling out you and me: “We spend billions protecting the United States from terrorists,” Hughes recently wrote. “It’s time for American’s to spend time protecting democracy from plutocrats.”

One time when Thoreau was in jail for his defiance of authority, his friend Ralph Waldo Emerson happened by and asked: “Henry, why are you here?” Thoreau retorted: “Why are you not here?”

We can best honor Doug’s sacrifice by “being there” in the fight to save democracy from plutocracy. To help Doug and his family during his fight, go to www. gofundme.com/sn8gc2s. And to join the fight, go to www.democracyisforpeople. org.

Jim Hightower is a best-selling author, radio commentator, nationally syndicated columnist and editor of The Hightower Lowdown, a populist political newsletter.

He has spent the past four decades battling the Powers That Be on behalf of the Powers that ought-to-be: consumers, working families, small businesses, environmentalists and just-plain-folks. For more of his work, visit www.jimhightower.com.

You must be tired, because you’ve been running through my mind all day. And I chased you around the parking lot for an hour.

Trying to win you over since 1994.

#SHIRTLESS ROCCO

REARVIEW

Bartender wisdom Fermenting minds

O

ver the years I’ve participated in dozens of whisky tastings, both as host and participant. One of those tastings that stands out from the rest was hosted by Ray Pearson, at that time the national sales ambassador for Glenfiddich. His tasting featured Glenfiddich 12 year, 15 year, 16 year, 21 year, and a one that Ray warned us would be a surprise, a blind taste tester dram to see what we thought.

Who doesn’t like surprises? So with a hint of mystery lingering on the vapors of each glass, we began to taste. We started with the 12 year Glenfiddich, which is their best known.

It’s the number one selling single malt scotch in Scotland; it’s what the Scots drink. (Glenlivet 12 year, incidentally, is the number one exported single malt scotch; it’s what the rest of us drink.) It was balanced. Folks liked it. Not much of a surprise though. We proceeded to the 15 year aged in French Limousin oak casks. Then, the 16 year Nadurra Glenlivet, cask strength and non-chill filtered, meaning it’s a higher percent of alcohol and doesn’t have the oil filtered from it. On an aside, non-chill filtered is how all single malts used to be, but once scotch began to be exported in droves to the U.S. market, where folks put ice in their whisky, they began filtering the oils from the whisky. Why? When scotch becomes cold the naturally occurring oils being aged in oak barrels turns the whisky cloudy. Folks would think there was something wrong. There was nothing wrong at all. In fact, a lot of the taste rested in those oils. This was what aging in barrels tasted like. Fortunately, more and more scotch producers are going back to non-chill filtered, which requires them to do nothing—tastes better, do less work.

Why not? I digress.

We finished the known drams with the 21 year Glenfiddich aged in rum barrels. All of these whiskeys were amazing and unique, but that curiosity of what was to come weighed over the whole tasting. About an hour had passed since the start of our tasting and Ray produced a clear decanter filled with whisky.

He poured as we waited unusually silent. We began tasting. It was exceptional! The talk resumed. “Fantastic oakiness.” “Fruity, the smell of pears.” “A long, smooth finish.“ “A little creamy, almost a butterscotch taste.”

As we finished the dram, all around the room everyone, and I mean everyone, thought this was the best scotch we’d tasted.

By James Jay

There were fans of the other varieties, but certainly this last scotch was best. What was it?

Ray walked back to the front of the room and picked up a bottle of the Glenfiddich 12 year. It was the first one we’d tried.

The only difference was that at the beginning of the hour, right before we arrived, he’d decanted the bottle and let it sit. He’d added nothing. Taken away nothing. Simply letting the whisky sit and the alcohol to evaporate a bit in that decanter had allowed the scotch to open up some. Even more importantly, he removed our expectations.

As is the case with scotch, and many things in life, we assume the more expensive product is better. We’ll assume the scotch that is aged longer is better or the one that has some special aging or addition to it tastes better.

With the mystery dram Ray allowed our taste buds free reign to work, without our minds telling us what we were to taste.

A friend of mine teaches American Literature and will open up his class by reciting a few short lines of poetry that bring up images of water, of home, of sorrow. Gorgeous lines. The students will discuss them. A good conversation on the construction of the poem, its sounds, its images ensue. He’ll then add the poem is by Langston Hughes, a tremendously important American poet and African-American poet who was a central figure in the Harlem Renaissance. Immediately, the discussion shifts to the poem being about the slave trade, or more specifically, about the Middle Passage where many of the slave boats sailed. The expectations of who the poet is take over the poem. It’s not that their conversation is wrong or poor; it’s just that it’s sometimes important to look at the poems themselves first.

Ray Pearson’s scotch tasting worked like that. His ability to teach enhanced the flavor in that tasting, simply by finding a technique that allowed us all to taste the dram on its own terms. Slainte.

For more than 20 years, James Jay has worked in the bar business from dishwasher, bouncer, bartender, bar manager to pub owner. He is the author of two critically acclaimed books of poetry and his poems have been selected for the New Poets of the American West anthology.

Northern Arizona’s Daily Event Listings

VARIOUS EVENTS | THU 7.23

Coconino Center for the Arts: New exhibition, Journey, by local artist Sei Saito.

Prescott artist Jan Marshall’s watercolor exhibition, The Space Between, will show concurrently in the Jewel Gallery. Both run through Aug. 15.

Gallery hours are Tue-Sat, 11 a.m.-5 p.m. Free.

2300 N. Ft. Valley Road. 779-2300 Flagstaff CSA and Market: Weekly harvest from local, pesticide-free farms.

Spaces open for the summer share. Prorated rate: $450 for full (weekly) shares and $240 for half (bi-weekly) shares. Runs through October. Come in Thu 1-7 p.m. for CSA pick-up. Open Mon-Fri 10 a.m.-6 p.m. and Sat-Sun 10 a.m.-2 p.m. with fresh, local produce. 116 Cottage Ave. 213-6948 Flagstaff Federated Community Church: Continuing Taoist tai chi and beginner class. Every Thursday. 5:30-7:30p.m. flagstaff.az@taoist.org.

400 W Aspen. 288-2207 Flagstaff Federated Community Church: Weekly Mindfulness Meditation every Thursday.

Room 24 upstairs. 6:30 p.m. instruction, 7-8:30 p.m. sitting and walking meditation.

8:30 p.m. discussion. Come and go anytime. Free and open to all. 400 W. Aspen. 774-7383 Freeman Huber Law Offcies: Nature Exposed Photography presents the finalists of this year’s Youth Lens: High School Photography Contest. Featuring 26 entries. Prizewinners will be announced during next month’s ArtWalk on Aug. 7. Exhibition runs through Sept.

4. Free. 19 W. Birch. (480) 398-3108 Human Nature Dance Theatre and Studio: Individualized kung fu instruction in xingyi, bagua and taji. Every Thursday. 6-8 p.m. www. flagstaffkungfu.org. 4 W. Phoenix. 779-5858 Joe C Montoya Community and Senior Center: Hour-long small group guitar classes. Ages 13 and up. Two sessions every Thursday from 3-5 p.m.

Flexible format, multiple styles. Registration required. $30 for five classes, and $4 materials.

245 N Thorpe. (505) 614-6706 Joe C Montoya Community and Senior Center: Guitar for absolute beginners. Short-term class teaches tuning, terminology, basic chords, melody and simple notation. Meets first three Thursdays of each month. $25 for three classes, and $4 materials. Ages 13 and up. Registration required.

245 N Thorpe. (505) 614-6706 Mary D. Fisher Theatre: NAU Summer Seminar Series. “Back to the Future: Using the Internet to Introduce Millennials to J.S. Bach.” Presented by Timothy Smith, Professor of Music at NAU. 5 p.m. Free. 2030 W. Hwy 89A. Sedona. (928) 282-1177 The Museum Club: Flagstaff Swing Dance Club presents dance lessons every Thursday night from 7-8 p.m. Different dance style taught each month. 3404 E. Rte. 66.

526-9434 Museum of Northern Arizona: Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe.

Juxtaposing old and new by identifying historic sites and making new contemporary photographs via re-photography. Runs through Nov. 1. Museum hours are Mon-Sat, 10 a.m.-5 p.m. and Sunday, noon-5 p.m. Regular museum admission rates apply. $12 adults (18 and up); $8 youth, students with ID and American Indians; children 10 and under are free. 3101 N. Ft. Valley Road. 774-5213 Museum of Northern Arizona: Roundball Religion. Ongoing series and new exhibition by Flag photographer Joe Cornett.

Featuring homemade and improvised basketball hoops and their backstories. Runs through Sept.

30. Museum hours are Mon-Sat, 10 a.m.-5 p.m. and Sunday, noon-5 p.m. Regular museum admission rates apply. $12 adults (18 and up); $8 youth, students with ID and American

JULY 23–29, 2015 Indians; children 10 and under are free. 3101 N. Ft. Valley Road. 774-5213 Museum of Northern Arizona: Thirsty Thursdays. New after-hours series celebrating the Museum’s recent National Medal win. Featuring music, dance, storytelling, and hands-on activities. Cash bar and food vendor on-site. 5 p.m. $5. 3101 N. Ft. Valley Road.

774-5213 Porky’s Pub: Partnered dance night. Featuring salsa, zouk, West Coast swing, East Coast swing, kizomba, bachata and more. Hosted by Flagstaff Latin Dance Collective and Grand Canyon Salsa Festival. Every Thursday. 9 p.m.-midnight. Free.

2285 E. Butler. 774-1011 Red Rock State Park: Guided nature walk at 10 a.m. Guest speaker or a ranger/naturalist gives a 45-minute talk at 2 p.m. Park is open 8 a.m.-5 p.m. $10 per vehicle.

4050 Lower Red Rock Loop. Sedona. (928) 282-6907 Rainbow Rooftop Lounge: Partnered dance night. Featuring salsa, zouk, West Coast swing, East Coast swing, kizomba, bachata and more. Hosted by Flagstaff Latin Dance Collective and Grand Canyon Salsa Festival. Every Thursday. 7 p.m.-midnight. Free.

101 S. San Francisco. 864-7072 Simply Spiritual Healing: Thursday night meditation. Every Thursday.

6-7 p.m. $20. All are invited. 105 E. Birch.

779-6322

MUSIC EVENTS | THU 7.23

Cruiser’s Café: World musician Vincent Z. Noon-2:30 p.m.

Every Thursday. 233 Historic Rte. 66. Williams.

635-2445 The Green Room: The Brothers Comatose. Americana, folk and bluegrass from San Francisco. 9 p.m. $7 in advance, $10 the day of the show. 15 N. Agassiz.

226-8669 Heritage Square: 2015 Summer Concert Series. Featuring Lucky Lenny. Americana, folk and alt-country from Flag. 5-7 p.m. Free. Downtown Flagstaff on Aspen between Leroux and San Francisco.

Hops on Birch: Snaxx Brannigan with Gravy Keys. Piano/lounge music from Flag. 9 p.m. Free. 22 E. Birch. 774-4011 Main Stage Theater: Acoustic Happy Hour with Cheap Sunglasses.

4-7 p.m. Sun Bones. 9 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Monte Vista Lounge: Karaoke with Ricky Bill. 9 p.m. Free. 100 N. San Francisco. 779-6971 Old Town Center for the Arts: Live at Studio B. Featuring Ron McLain. Doors open at 6:30 p.m., show starts at 7 p.m. $10 at the door. Every second and fourth Thursday with a new artist. 633 N. 5th Street. Cottonwood. (928) 634-0940 The Spirit Room: Ryan David Orr. 8 p.m. Free. 166 Main St. Jerome.

(928) 634-8809 State Bar: Black Lemon. Contemporary acoustic tunes from Flag. 7 p.m. Free. 10 E. Rte. 66. 226-1282

VARIOUS EVENTS | FRI 7.24

Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: The Full Monty. Directed by Jan Rominger.

Performances 7:30 p.m. Fri and Sat; 2 p.m. Sun. $25. Runs through Aug. 9. 11 W. Cherry. www. theatrikos.com. 774-1662 Pulse continued on page 22 July 23–29, 2015 | flaglive.com

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Pulse continued from page 21

VARIOUS ‌ EVENTS | FRI 7.24

Episcopal Church of the Epiphany: Taoist tai chi. Every Friday. 9-10:30 a.m. flagstaff.az@taoist.org. 423 N. Beaver. 774-2911 The Green Room: Renowned award-winning poet Andrea Gibson.

Opener Chris Pureka. 6 p.m. $13 in advance, $15 the day of the show. Ages 18 and over. 15 N. Agassiz. 226-8669 Mary D. Fisher Theatre: Film screening: Boulevard. (4 p.m. Fri and Sat; 7 p.m. Mon, Tue and Wed.) Strangerland. (7 p.m.

Fri and Sat; 4 p.m. Mon, Tue and Wed.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Orpheum Theater: Sick & Twisted Festival of Animation. Two shows: evening show at 8 p.m.; late night show at 11 p.m. $11. Ages 18 and over. 15 W. Aspen.

556-1580

MUSIC ‌ EVENTS | FRI 7.24

d n a e e f f o C

Altitudes Bar and Grill: JR and Zona. 5-8 p.m. Free. 2 S. Beaver.

214-8218 The Green Room: Enormodome. Alternative rock from Flag.

Opener: Miles to Nowhere.10 p.m. Free. Agassiz.

226-8669 Hops on Birch: Rob Nance and the Lost Souls. Americana and folk from Durham, N.C. 9 p.m. Free. 22 E. Birch.

774-4011 Main Stage Theater: Acoustic Happy Hour with D.L. Harrison.

4-7 p.m. DJ Pablo Funk. 9 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Mia’s Lounge: Laura and the Killed Men. Americana from Tucson. 9 p.m. Free. 26 S. San Francisco.

774-3315 Monte Vista Lounge: California Celts. Ska, rock and Celtic music from Yucca Valley, Calif. 9 p.m. Free. 100 N. San Francisco. 779-6971 The Museum Club: Kevin Fowler. Country music from Lake Havasu City. 8 p.m. $5. 3404 E. Rte. 66. 526-9434 Oak Creek Brewing Co.: Sugar Man. 8 p.m. Free. 2050 Yavapai Drive.

Sedona. (928) 204-1300 Pepsi Amphitheater: Joe Nichols. Country music from Arkansas. Gates open at 6:30 p.m., show starts at 8 p.m. $30-$59.

Exit 337 off I-17 south of Flagstaff at Ft. Tuthill County Fairgrounds. (866) 977-6849 Rainbow Rooftop Lounge: Jurasik’s Park. Live music with DJ Jurasik. 6 p.m.midnight. Free. 101 S. San Francisco. 864-7072 State Bar: Karl Jones. Acoustic rock, folk and Celtic music from Flag. 8 p.m. Free. 10 E. Rte. 66. 226-1282 Zane Grey Ballroom: Zane Grey After Dark. DJs and dancing. Have a ball in the ballroom! 9:30 p.m. Free. 23 N. Leroux.

774-2731

VARIOUS ‌ EVENTS | SAT 7.25

Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: The Full Monty.

Directed by Jan Rominger. Performances 7:30 p.m.

Fri and Sat; 2 p.m. Sun. $25. Runs through Aug. 9. 11 W. Cherry. www.theatrikos.com. 774-1662 Flagstaff Mall: Prelude to Open Studios. Free opening reception from 6-9 p.m. Featuring entertainment, refreshments, and the annual event’s largest art exhibition

22

flaglive.com | July 23–29, 2015

July 23–29, 2015 ever. Attendees can choose their favorites among the 64 exhibiting artists to visit on Open Studios Weekend Aug. 22 and 23. Prelude runs through Aug. 23 daily from noon-6 p.m. 4650 N. U.S. 89.

774-5269 Flagstaff Recreation Center: Zumba class. Every Saturday at 10:30 a.m. $5. 2403 N. Izabel. 779-1468 Flagstaff Artful Gardens Tour: Visit seven creative gardens and outdoor living areas on a self-directed tour. 10 a.m.-3 p.m. Maps will be available the day of the event at Viola’s Flower Garden, 2654 E. Rte. 66, at 8 a.m. $12 per person. For more info or to make reservations, call 853-0315 Galaxy Diner: Swing Dance Club every Saturday. Lessons from 7-10 p.m. Free. 931 E. Historic Rte. 66. 774-2466 Heritage Square: Movies on the Square: Night at the Museum (2006).

Pre-show entertainment at 5 p.m. by Hannah Staudinger. Movie at dusk (7:30-8 p.m.). Free. Aspen between Leroux and San Francisco downtown.

779-2300 James Cullen Park: Continuing Taoist tai chi. Every Saturday 9-10:30 a.m. flagstaff.az@taoist.org. Bonito/Hopi and Apache. 288-2207 Local Works: City of Flagstaff Fix-It Clinic. Volunteers fix broken household items for community members for free.

10 a.m.-1 p.m. Free. 1926 N. 4th St. #9. 351-7404 Mary D. Fisher Theatre: Film screening: Boulevard. (4 p.m. Sat; 7 p.m. Mon, Tue and Wed.) Strangerland. (7 p.m. Sat; 4 p.m. Mon, Tue and Wed.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Mary D. Fisher Theatre: Met Opera Encore: The Merry Widow. On the big screen. 1 p.m. $12.50. 2030 W. Hwy 89A. Sedona.

(928) 282-1177 Murdoch Community Center: Zumba class. Every Saturday at 9 p.m. $5. 203 E. Brannen. 226-7566 Orpheum Theater: Circus Bacchus Presents: Midsummer Night’s Circus.

Adaptation of Shakespeare’s A Midsummer Night’s Dream combining theatre and circus. Doors open at 7 p.m., show starts at 8 p.m. $12 in advance, $15 the day of the show. All ages. 15 W. Aspen.

556-1580 Pepsi Amphitheater: Findlay Series Family Frozen Fun Day. Ana and Elsa live appearance, crafts and Frozen (2013) movie screening. Noon. Free tickets available at Findlay Toyota. Exit 337 off I-17 south of Flagstaff at Ft. Tuthill County Fairgrounds. (866) 977-6849 Red Rock State Park: Saturday and Wednesday daily bird walks. 7 a.m.

Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907 Shuvani Studio: Monthly Sound Meditation. Crystal and brass bowls with drums. Safe environment. Doors open at 6 p.m., meditation runs from 6:30-7:30 p.m.

Minimum $5 donation suggested. Bring yoga mat, pillow and blanket for comfort. Next to Mama Burger, corner of Fort Valley Road and Humphreys Street. (951) 781-9369

MUSIC ‌ EVENTS | SAT 7.25

Altitudes Bar and Grill: Flat Fives. 5-8 p.m. Free. 2 S. Beaver. 214-8218 Cruiser’s Café: John Carpino. Singer-songwriter from northern Arizona. 5:30-9:30 p.m. Every Saturday. 233 Historic Rte. 66. Williams. 635-2445 The Green Room: Japhys Decent, Desert Beats and False North.

8 p.m. Free. 15 N. Agassiz. 226-8669

STAGE The Full Monty continued from page 12 Rominger adds, “And they were willing to “We’re such a Photoshop generation, go the full monty.” and here are people with all their flaws that, I Musicals typically consider singing, dancthink, are beautiful, human flaws,” Rominger ing and acting. “Then we had this fourth eleadds. “They’re not flaws, they’re just natural ment—this attributes. elephant in the None of us are room—which paint brushed.” is, are you willHasapis’ ing to take all own experiyour clothes ence diving off in front into Harold’s of people?” personality, During complete with auditions, at faux glasses, is least one actor vastly different asked if he than his own. should address But, he does this item on identify with the checklist his character’s right then and insecurities and there. Stifling compulsion her smile, to hide them.

Rominger When people remembers are suddenly saying, “No, staring at job keep your loss, he says, it’s clothes on.” simply a means But when of reinvention. the curtain “I know unbuttons on so many The Full Monty, people who’ve there will be lost their no hesitation jobs who’ve to let it all recreated fly “with a themselves little theatre in one way magic,” as or another,” Rominger says, Hasapis adds. “I adding lightsee this as the ing technician six characters Janice Gary is recreating the go-to for themselves.” setting a quick This blackout. “But extreme examthese guys are ple illustrates all willing to the unyielding do whatever determination Alexia Coppell as Pam Lukowski and Staci Dickens as Georgie Bukatinsky it takes to of men and share a moment in the strip club bathroom. do what is women when written in the pushed to the script. Oh my goodness, they’re so brave!” brink. Each actor in the show proved willingness to Hasapis adds, laughing, “We are, but then go the distance in song and dance—even though when it comes up to it, the panic starts setRominger and Leslie Ptak Baker’s charming choting in.” reography was designed for men who aren’t the The Full Monty bears all Fri, July 24 through most experienced movers.

Aug. 9. Fri and Sat performances start at “We guys don’t really dance anyway,” Hasapis 7:30 p.m. and Sun matinees start at 2 p.m. All interjects. “We’re picking up pretty quickly. We’re tickets are $25. To learn more or buy tickets, call not trained dancers, so we’re really those guys; we 774-1662 or visit www.theatrikos.com. don’t have to act.”

July 23–29, 2015 Hops on Birch: Rye Boy Ellis. Americana from Flag. Free. 9 p.m.

Free. 22 E. Birch. 774-4011 Main Stage Theater: DJ Soulece. 9 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Monte Vista Lounge: Tex-Ola. American grit from Flag. 9 p.m. Free. 100 N. San Francisco. 779-6971 The Museum Club: The Wiley Ones. Acoustic hip-hop, blues, reggae and folk from Phoenix. 9 p.m. $10. 3404 E. Rte. 66. 526-9434 Oak Creek Brewing Co.: Zona and the Boys. 3-6 p.m. Free. Open mic with James Turner at 8 p.m. Free. 2050 Yavapai Drive.

Sedona. (928) 204-1300 Rainbow Rooftop Lounge: Live @ 5. Resident vocalists Clove and Jane Brooks with weekly special guests. 5 p.m.midnight. Free. 101 S. San Francisco. 864-7072 The Spirit Room: Cadillac Angels. 2 p.m. Free. Amy Mendoza.

9 p.m. Free. 166 Main St. Jerome. (928) 634-8809 State Bar: Blues Dawg. Blues from the Verde Valley. 8 p.m.

Free. 10 E. Rte. 66. 226-1282

VARIOUS ‌ EVENTS | SUN 7.26

Canyon Dance Academy: Flag Freemotion. Ballroom dance lessons and dancing every Sunday. Learn social and ballroom dancing. 5-7 p.m. No partner needed. $8, $5 for students. 853-6284. 2812 N. Izabel. 814-0157 Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: The Full Monty.

Directed by Jan Rominger. Performances 7:30 p.m. Fri and Sat; 2 p.m. Sun. $25. Runs through Aug. 9. 11 W. Cherry. www.theatrikos. com. 774-1662 Flagstaff Arts and Leadership Academy: Flag Freemotion. Conscious movement/freestyle dance. Moving meditation to dance-able music.

Minimum instruction and no experience required.

Every Sunday. 10:30 a.m. www.flagstafffreemotion.com. 3401 N. Ft Valley Road. 225-1845 Flagstaff City Hall: Flagstaff Community Market. 8 a.m.-noon. Free.

Runs through Oct. 18. www.flagstaffmarket.com.

Human Nature Dance Theatre and Studio: Weekly Flagstaff Zen Sangha Meditation.

8:30 a.m. Free. Every Sunday. Sutra service, walking meditations (kinhin), and two 25 minute sitting meditations (zazen). First time come at 8 a.m. for orientation. 4 W. Phoenix. 773-0750 Mary D. Fisher Theatre: Globe on Screen: Titus Andronicus. 3 p.m. $15, $12.50 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Monte Vista Lounge: Sunday Night Trivia with Lindsay and Savanna.

Every Sunday. 9 p.m. Free. 100 N. San Francisco.

779-6971 Tranzend Studio: Flagstaff Latin Dance Collective. Lessons: beginner and all level fundamentals, technique and musicality. 7 p.m. Open dancing in main room with salsa, bachata, merengue and cha cha; side room with zouk and kizomba until 10 p.m. Every Sunday. $10 drop-in, $8 for students. 417 W. Santa Fe. 814-2650 Zane Grey Ballroom: Poet’s Den. Bi-weekly poetry and literary night.

Hosted by Molly Wood. Featuring the collective works of a new poet with each go ‘round. This time: Sylvia Plath. Sign-up at 7:30 p.m. followed by readings of the featured poet and an open mic. Every second and fourth Sunday of the month. Free. 23 N. Leroux. 774-2731

MUSIC ‌ EVENTS | SUN 7.26

1899 Bar and Grill: Vincent Z. Acoustic world music. Every Sunday. 6:308:30 p.m. 307 W. Dupont. 523-1899 Altitudes Bar and Grill: Delta Blues Band. 3-6 p.m. Free. 2 S. Beaver. 214-8218 Cruiser’s Café: John Carpino. Singer-songwriter from northern Arizona. 5:30-9:30 p.m. Every Sunday. 233 Historic Rte. 66. Williams. 635-2445 The Green Room: Karaoke. 8 p.m. Free. Every Sunday. 15 N. Agassiz.

226-8669 Josephine’s: Vincent Z for brunch every Sunday. Acoustic world music. 10 a.m.-1 p.m. 503 N. Humphreys. 779-3400 Oak Creek Brewing Co.: Kenzo. 3-6 p.m. Free. 2050 Yavapai Drive. Sedona.

(928) 204-1300 Rainbow Rooftop Lounge: Decompression Sundays. Ambient downtempo summer house music. 3 p.m.-midnight. Free. 101 S. San Francisco. 864-7072 The Spirit Room: Cadillac Angels. 2 p.m. Free. 166 Main St. Jerome.

(928) 634-8809

VARIOUS ‌ EVENTS | MON 7.27

Charly’s Pub & Grill: Game night. 5-8 p.m. Free. 23 N. Leroux. 774-2731 Episcopal Church of the Epiphany: Taoist tai chi. Every Monday. 10:30 a.m.-noon. flagstaff.az@taoist.org. 423 N Beaver. 288-2207 Flagstaff Recreation Center: Zumba class. Every Monday. 6 p.m. $5. 2403 N. Izabel. 779-1468 The Green Room: Weekly trivia night hosted by Martina. Every Monday. 6:30-8 p.m. Free. 15 N. Agassiz. 226-8669 Human Nature Dance Theatre and Studio: Tango classes. Fundamentals: 6-6:30 p.m. $5.

Figures and Techniques: 6:30-7:30 p.m. $10. (Both classes for dancers having completed a beginner dance series). Practica: 7:30-9 p.m. Practica included in price of class. 4 W. Mary D. Fisher Theatre: Film screening: Strangerland. (4 p.m. Mon, Tue and Wed.) Boulevard. (7 p.m. Mon, Tue and Wed.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177

MUSIC ‌ EVENTS | MON 7.27

Campus Coffee Bean: Open Mic night. Every Monday. 6-8 p.m. ccbopenmic@gmail.com. 1800 S. Milton Road. 556-0660 Cruiser’s Café: World musician Vincent Z. Noon-2:30 p.m. John Carpino. Singer-songwriter from northern Arizona.

5:30-9:30 p.m. Every Monday. 233 Historic Rte. 66.

Williams. 635-2445 Firecreek Coffee Co.: Ekstasis. Ethereal indie folk from Olympia, Wash.

Opener: Them Savages. 8:30 p.m. Free. 22 E. Rte. 66. 774-2266 The Green Room: Karaoke. 8 p.m. Free. Every Monday. 15 N. Agassiz.

226-8669 Hops on Birch: Open mic night. Every Monday. 8:30 p.m. sign-up.

9 p.m. start. 22 E. Birch. 774-4011 Main Stage Theater: Karaoke Service Industry Night. 8 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 The Museum Club: Open mic night. Every Monday. 8 p.m. Free. 3404 E. Rte. 66. 526-9434 Pulse continued on page 24 July 23–29, 2015 | flaglive.com

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1/2 off

MUSIC ‌ EVENTS | MON 7.27

Olde Sedona Bar and Grill: Jam session/open mic every Monday. 9 p.m. 1405 W. Hwy. 89A. Sedona. (928) 282-5670 Rainbow Rooftop Lounge: Industry Appreciation Night. Drum and bass. 6 p.m.midnight. Free. 101 S. San Francisco. 864-7072

initiation fee

*

Summ

Me Mbe R e r S AvAiL Ab hiPS Le

Your membership includes: 2 Clubs, 3 Pools, 4 Steamrooms, 6 Jacuzzis, 2 Kids Clubs, 9 Courts, Plus Much More!

Best of Flagstaff • Weight Rooms • Cardio Rooms • Functional Training Areas • Over 100 group fitness classes a week

FAC has raised over $260,000.00 for Cancer Research!

Come climb with us to raise more!

*expires 8/15/15

FAC East 1500 N Country Club Rd. • 928-526-8652 FAC West 1200 W Rt. 66 • 928-779-4593 www.flagstaffathleticclub.com Like us on Facebook: www.facebook.com/FlagstaffAthleticClub 24 flaglive.com | July 23–29, 2015

Pulse continued from page 23

VARIOUS ‌ EVENTS | TUE 7.28

Firecreek Coffee Co.: Speak Up: Bridging the gap between local people and local politics. Forum for Flag residents to connect with local politics. 5 p.m. Free. Every Tuesday.

22 E. Rte. 66. 774-2266 Hops on Birch: Trivia night with Eric Hays. Every Tuesday. 8:30 p.m. sign-up. 9 p.m. start. 22 E. Birch. 774-4011 Mary D. Fisher Theatre: Film screening: Strangerland. (4 p.m. Tue and Wed.) Boulevard. (7 p.m. Tue and Wed.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 The Museum Club: Line dance lessons. Every Tuesday. 6-7 p.m. $3.

3404 E. Rte. 66. 526-9434 Orpheum Theater: Orpheum Summer Film Series. Screening: Little Miss Sunshine (2006). Two showings. 7 p.m. and 10 p.m. $3. Tickets available at the door. All ages.

15 W. Aspen. 556-1580 Ponderosa High School: Beginner Taoist tai chi. Every Tuesday 5:30-7 p.m.

Followed by continuing Taoist tai chi. Every Tuesday. 7-8:30 p.m. flagstaff.az@taoist.org. 2384 N. Steves. 288-2207 Rainbow Rooftop Lounge: ‘80s movies and guest speakers. 6 p.m.-midnight.

Free. 101 S. San Francisco. 864-7072 Taala Hooghan Infoshop: Dharma Punx meditation group every Tuesday.

8:15 p.m. 1700 N. 2nd St. www.taalahooghan.org Temple of the Divine Mother: Unplug and Recharge Meditation: Come join us to unplug from stress and recharge your being by learning moving, sound, & guided meditation. Every 2nd and 4th Tuesday of the month. Ongoing from 7-8:30 p.m. by donation.

MUSIC ‌ EVENTS | TUE 7.28

The Green Room: Honky Tonk Tuesdays. Featuring DJ MJ. Every Tuesday. 8 p.m. Free. 15 N. Agassiz. 226-8669 Main Stage Theater: Open mic with D.L. Harrison. 8-11 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Mia’s Lounge: Jazz Jam. 9 p.m. Free. 26 S. San Francisco. 774-3315 Monte Vista Lounge: Karaoke with Ricky Bill. 9 p.m. Free. 100 N. San Francisco. 779-6971 Oak Creek Brewing Co.: Drumz and Dance Party. Free. 6:30 p.m. 2050 Yavapai Drive. Sedona. (928) 204-1300

VARIOUS ‌ EVENTS | WED 7.29

Charly’s Pub & Grill: Team trivia. 7 p.m. 23 N. Leroux. 774-2731 Firecreek Coffee Co: Poetry slam. Every Wednesday. Signup at 7 p.m., 8 p.m. start. 22 E. Rte. 66. 774-2266 Flagstaff CSA and Market: Weekly Wednesday Meditation. Guided meditation

July 23–29, 2015 and open discussion. Anyone is welcome to join.

Every Wednesday. 9-10 a.m. 116 Cottage Ave. 213-6948 Flagstaff Recreation Center: Zumba class. Every Wednesday. 7 p.m. $5. 2403 N. Izabel. 779-1468 Heritage Square: Kids Squared. Fun and educational programs for children ranging from ages 2-12. This week: Steppin’ Up Dance and Movement Classes. Classes incorporating creative movement, jazz, hip-hop, and other styles including making your own dances, by the staff at Canyon Dance Academy. 10-11 a.m.

Free. Runs through July 29. Downtown Flagstaff on Aspen between Leroux and San Francisco.

Heritage Square: Dancing on the Square. Free lesson from 7-8 p.m., followed by open dancing until 10. Lessons taught by volunteers, alternating between Latin and swing each week. All ages welcome. No partner needed.

7-10 p.m. Free. Runs through Aug. 26. Downtown Flagstaff on Aspen between Leroux and San Francisco.

Jim’s Total Body Fitness: Flagstaff Latin Dance Collective. Six week salsa dance fundamentals. 6-7p.m. $15 drop in, $20 for couples. Every Wednesday. www.latindancecollective.com. 2150 N. 4th St. 814-2650 Lumberyard Brewing Co.: Extreme Wednesdays. Showing extreme sports videos. Free. 10 p.m. 5 S. San Francisco. 779-2739 Mary D. Fisher Theatre: Film screening: Strangerland. 4 p.m. Boulevard.

7 p.m. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Main Stage Theater: In House Dart and Pool Leagues. 6 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Majerle’s Sports Grill: Trivia night. Every Wednesday. 7 p.m. 102 W. Rte. 66. 774-6463 Murdoch Community Center: Zumba class. Every Wednesday at 5:30 p.m. $5. 203 E. Brannen. 226-7566 Red Rock State Park: Saturday and Wednesday daily bird walks. 7 a.m.

Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907 The Rendezvous: Classic Horror Movie Wednesdays. This week: Dementia 13 (1963). 8 p.m. Free movie and popcorn. 100 N. San Francisco. 779-6971 State Bar: Wings and Wine. Pairing Pillsbury Winery from Cottonwood with Wil’s Grill from Flag. 6 p.m. 10 E. Rte. 66. 226-1282

MUSIC ‌ EVENTS | WED 7.29

The Green Room: Soulective. DJs spinning funk, dance, hip-hop and EDM. Every Wednesday. 8 p.m. Free 15 N. Agassiz. 226-8669 Mia’s Lounge: Open mic night. 9 p.m. Free. 26 S. San Francisco.

774-3315 Monte Vista Lounge: Metal at the Monte V: Ice Sword, Xoth, Zorakarer and Deadspwan. Metal from Flag, Seattle, Wash., and Portland, Ore. 9:30 p.m. Free. 100 N. San Francisco. 779-6971 Rainbow Rooftop Lounge: Open mic nigt. 6 p.m.-midnight. Free. 101 S. San Francisco. 864-7072 The Spirit Room: Becky Dalke hosts open mic. 2 p.m. Free. 166 Main St. Jerome. (928) 634-8809

To have an event included in the Pulse calendar e-mail calendar@flaglive.com or mail info to Flagstaff Live, Attn: Pulse Calendar Submissions, 1751 S. Thompson St., Flagstaff, AZ 86001. The deadline is every Friday by 5 p.m. for the following week’s issue. All events are subject to change, subject to editing, and may have to be cut entirely due to limited space in Flag Live. For more info, call 779-1877.

COmICS

new novel Go Set A Watchman, some 55 years after To Kill a Mockingbird. I wonder why it took so long and why they decided to release it. It’ll be intriguing to watch this story unfold.

Proudly presented by the staff at

May sweet, sweet Carol never know that I have written a memoir about all of my bad trips called To Mock a Killingbird. The title segment is about the time I drank a mix of Salvia Divinorum and mescaline and the pink pterodactyls swooped down out of the cotton candy sky. I kept laughing and cracking jokes about them.

As I have learned, never laugh at the pink pterodactyls, It’s been especially when they’re being ridden by angry so interesting to leprechauns. hear about Harper Lee’s

Larry &Carol

July 23–29, 2015 | flaglive.com

25

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Classifieds LOST AND FOUND

PEST CONTROL

SEWING BY CATHY One Day Service - Dressmaking, Alterations & Repairs. 779-2385

1 Bedroom/1 Bath. Small Mobile Home. 2600 E 4th Ave Spc 41. $6,000 OBO. As Is. 928-600-9683

CASH FOR NON RUNNING MOTORCYCLES 928-202-8654

HELP WANTED

COMML & INDUST PROPERTIES

1991 32ft Aljo 5th wheel. Ready to Move. Fully Equipped. Very Good Condition. $5000. 928527-0394

PET SITTING

CONCRETE FIREWOOD

Firewood for Sale. Will Deliver. (928) 600-1579 JPC HOME IMPROVEMENT SERVICES by Juvy JUNIPER, $150 cord. 928.606.6335 Aspen & Juniper Firewood For Sale. Ready to burn.

Call for info: 779-0581 Clean, barkless aspen $150, hard pinon $160, ponderosa $125, mixed $145, juniper avbl. All wood buy 2 cords save 15% Full cords 16” split & delivered (928) 587-8356

HANDY PERSON

A&V Handyman Bobcat, Plumbing, Framing, Painting, Electric, Roofing, Tile, Concrete Driveways, Maintenance, Decks. Adrian 928-6079297 Not a licensed contractor AZ NATIVE HANDYMAN Major/Minor home repairs, decks, roofing, drywall, fencing, welding, storage sheds & auto repairs. Quality Assured.

Free local estimates. 928-814-0497 Not a licensed contractor Father & Son Handyman Window Cleaning, Paint, Plumbing, Floors, Shingles & Yard Cleaning.

Whatever You Want! 928-380-7021 Not a Licensed Contractor All Home Repair & Remodeling. (928)-310-9800.

Carpentry, decks, drywall, stone & tilework, painting, roofing, flooring, landscaping & maintenance.

Not a licensed contractor Full Remodel, Carpentry, Roof, Tile, Drywall, Concrete, Landscaping, Painting, Plumbing, Doors & Windows, Electrical. 928-221-4036 Not a licensed contractor A1 Handyman! Call Mike’s Tool Box Decks, tile, doors/windows, paint. Mike, 928-600-6254 Free Estimates Not a Licensed Contractor

HOUSE CLEANING

Housecleaning, services not limited. I have tools & 25 yrs. experience. Please call 853-2874 Mom & Sons Cleaning Services Residential & Commercial Pet Friendly Call (928)699-0218

LANDSCAPING

ALL-N-LANDSCAPING, Paver Patios, Walkways, Edgers, Planting, Clean-up, Irrigation Main’t Free Est. Not a licensed contractor Call Juan & Betty@ 928-526-2928.

AFFORDABLE LANDSCAPE. ALL PHASES OF LANDSCAPE, PAVERS, & MORE. OVER 25 YRS EXP. CALL 928-606-9000 Peak Prop. Maint & Landscape LLC ROC#297647 Kikos Landscaping Pine Needles, Yard Clean-up Francisco Valdez 928-221-9877 or 814-4787 message Not a licensed contractor HANDY SAL Complete Yard Clean-up, Hedges & weed wacking. 928-221-7931 Not a Licensed Contractor

MASONRY

Brick, Block, Stucco, Stemwalls, & Repairs. 44 yrs Exp! 853-3310. Not a Licensed Contractor.

MASSAGE

Receive a Massage or Reflexology session in the comfort of your home. Call Gudi Cheff at 2217474.

MOVING

Professional Moving Service call Quick Move Local/long distance or labor only. 928-779-1774

PAINTING

“Nick the Painter”, 25 yrs exp. Top Quality, Low Prices Small Jobs OK. Ref Avail. Interior/Exterior 928-310-1862. Not a licensed contractor.

PERSONAL SERVICE

CERTIFIED CAREGIVERS Available For In Home Care Call Us 928-225-9780

I OFFER HOUSE & PET SITTING Dogs, cats, birds etc. Ref. available.

Michael. 928-6999321. Thank you!

PLUMBING

LINCARE Leading National Respiratory co. seeks customer service representative, exp. req. Strong attention to detail, highly organized, and able to multi task. Medical & insurance background a plus. Salary DOE. Please fax resume to 928779-4498 Sportsman’s Warehouse is Now Hiring for ALL Positions: Hunting, Camping, Fishing, Archery, Janitorial, Receiving Manager & Customer Service.

Call Lonnie (307) 509-9050

INSTRUCTION AND SCHOOLS

Seeking Certified/ Highly Qualified Teachers Page Unified School District in Page, AZ SPED, Math, English, Elementary, CTE, Admin, and More Will work with motivated, Bachelor degree holding applicants interested in becoming certified in SPED or Math through ADEÕs Alternative Pathways Certification program Apply online at www.pageusd.org

SKILLED TRADE

Goodman Electric is looking for Qualified Electricians & Service Technicians to begin work this month. Call (928) 526-0256 or email office@ goodmanelectric.net

MISC FOR SALE

Home Winemakers Page Springs Zinfandels available mid to late August. Call (928) 300-1167.

FEEDS

HAY FOR SALE. Grass, alfalfa, & grass/alfalfa mix hays. Located on farm 50 min. west of Page.

3835 N. Johnson Cyn Rd. Kanab UT 84741 (435) 644-8936

HOME FURNISHINGS

Beautiful glass-top coffee table w/ matching glasstop end tables, floor lamp & table lamp: $500 for set. Call (928) 774-4007

GARAGE SALES SOUTH

Huge Parking Lot/Estate Sale at Church of Christ 2203 N. East St. Fri 10-4, Sat 8-3: fabric, furniture, kitchen, antiques, 32” TV, tools, clothes, sewing.

SPORTING GOODS

Mathews Compound Bow 40 to 70 pound draw weight, men, women or young person; Ready to go, comes with many extras $500 Call 928-8140428

HOMES FOR SALE

FLAGSTAFF/N. ARIZONA DISTRESSED HOMES FOR SALE. Foreclosures, Short Sales, Fixer Uppers. Receive free list w/pics of all properties.

Free recorded message. 800-791-3831 ID #1042 Free Home Values are Up in Flagstaff! FIND OUT WHAT YOUR HOME IS WORTH ONLINE FOR FREE! Visit www.Flagstaffhomevalue.net. Courtesy of Grand View North Realty NO OBLIGATION FREE Best of Flagstaff 4 bdrm/3.5 ba, 3860 sq.ft., 1.5 acre lot, (largest in Amberwood); Front = mtns/ Back = forest Heated driveway! 2nd home, barely lived in. 602-620-6969 FSBO-3Bdrm House on 1 acre bordering National Forest. Adjacent lot also available. (928) 8533692

CONDOS FOR SALE

1bd/1ba Arbors Condo. Fully upgraded, granite countertops, in-unit w/d. 1st floor unit w/enclosed porch. 1 mi from NAU and downtown. Call/ text 623-221-4103 for showing. $139,999

8000 sq ft old charter school building, 2301 N. 4th St. Selling for appraisal price of $750K. 928526-0300

LOTS FOR SALE RESIDENTIAL

3 acres in Doney Park. Area of nice homes. Septic in. Water/Electric/ 2car detached garage included. $135K 928-607-0928

4 WHEEL DRIVE

1986 Jeep Wrangler Soft Top High performance transmission 350 Big Block Engine, $6800 Steve 928-525-4183 or Dorothy 928-526-0300 or cell 928-266-2884 1994 Chevy Z71 1/2 ton 4x4 Truck 110k mi. on rebuilt motor & transm. includes camper shell. $1,500 Call (928) 606-7984

MOTORCYCLES

RV TRAVEL TRAILERS

5TH WHEELS

2010 Cyclone 3010 Toy Hauler, Full Amenities, Load Dampening King Pin, Furnace/AC, 5.5 kw Generator, $37,000. For more info/details, call (928) 660-1980.

BARGAIN CORNER

Gas Dryer Fisher Paykel. Maytag Centennial Washer. $150 each OBO. Works Great! In Flagstaff call (952) 250-6798 Mitsubishi 55” Projection TV. HDTV, loaded with features. Excellent Condition. Only $99. 928637-8849 Age 8+ Telescope w/diag.mirror & tripod 20/30/40 pwr. $20; Eclipse Ultra-Wheels, sz.12 w/knee &elbow pads $20 Call (623) 399-3331 Designer Game OR Dining Table 32”x32”, 30” high; all wood, checker board top insert reverses for cards, as well as other various gaming features. $75 (928) 522-5938 5th Wheel Trailer Hitch for pickup - short or long bed, $100. Call (928) 527-1909 Hide-a-bed couch, 71” long x 35” deep, $100. Fireproof safe for jewelry, papers, $30. GE microwave 2 cb. ft. 1200 watts, $50. (928) 525-6471 New Electric Maytag Dryer $125, Old Electric Maytag Dryer $45. 928-221-7560 Old Craftsman Table Saw-Cast Iron Table, Needs a few small parts. $50 928-525-1373

HOMES FURNISHED

3000 sq ft, 4 br 2.5 ba. 1/3 acre backing National Forest. 2-car garage. Clean, quiet neighborhood.

Move-in date negotiable. Fully furnished. No smoking. No pets. Deposit required. $2600/mo.

Contact Blaze Austin 256-283-3179

HOMES UNFURNISHED

Beautiful Munds Park 4Br 4Ba 2500sqft 2.5 car garage on .5acre, washer / dryer. Large private deck vaulted ceilings gas fireplace, small pet considered. $1700 / month. Andy at (928)890-4350 Ponderosa Trails, 4 bed, 3 bath, 2 car garage, 2100sq.ft. This beautiful home backs private forest land in one of Flagstaff’s favorite neighborhoods! Available August. (928) 607-4895 $2100/ mo.

APARTMENTS UNFURNISHED

Nice East Side, 2bd/1.5ba, deck/patio, $730/ mo.+dep & lease. 928-699-4775 2bdrm, all appliances, well insulated with dual windows and yard. Across from Killips School and near bus stop. $915/mo. 1yr lease. $1000 deposit. 928-853-7453 1 & 2 bdrm apt-house in Sunnyside $700-$999/ mo. Call Mary @ 928-526-7909.

2012 N. 2nd Street, Apt D 2 bdrm in a 4-plex, 2 resvd prkng sp W/D hookups, NP, NS, Rent $775, Dep $775. Call (928) 853-7573

TOWNHOME UNFURNISHED

3bed/1ba, 1100 sq. ft. Duplex, Avail 08/08, appliances incl. 2315 N Center #2, $1125/mo. 1 yr lease Do Not Disturb Tenant. Call John 928527-3787

QUALITY ASS

URED

www.flaglive.com

SEWING

MOBILE HOMES FOR SALE

APPLIANCE REPAIR

QUALITY CONCRETE Free Est. Chris 928-2553548. Not a Licensed Contractor

1978 Dodge Power Wagon P/U 400 Big Block Engine, Clean Lift Kit and Winch, $7800. Steve 928-525-4183 or Dorothy 928-526-0300 Cell 928266-2884

Plumbing Needs, Repairs, Add-ons & Remodels.

(928)-890-8462 Not a licensed contractor.

High Country Pest Control LLC Spraying For Ants, Spiders, Bees, Wasps & other Pests. Humane Animal Removal - Skunks, Squirrels etc. Lic. & Ins. #9184. App#110560. Don: 928-221-3324

Appliance Repair in your home. Best in Flagstaff w/23 yrs Exp & Insured. Call Russ @928-8631416

MFG HOMES SALES

Parks Area 3+2 mfg. home on almost half acre, fenced, Next to RR crossing, Income producing water well, Owner will carry OAC MLS#162865 Mark O/A 928-856-1144 markjcooper1@gmail. com $169,900 Started Remodeling...can sell “as is” now or later at a different price. 3 bd 2 ba on 2 lots, close to Oak Creek River. Call for “as is” price. Call 928-853-5199.

1998 Cavco-Corner lot, fully furnished, additional room, large deck, AC/heat pump, Munds Park RV Resort #181. $51,900 602-684-9726 or 602738-6093

FOUND: Man’s neck chain, W. Flg, claim by description & location lost. Call (623) 363-7879 Found Set of Keys on San Francisco St. lostandfound78@yahoo.com.

FOR LEASE

5 Acres for Lease (or portion) HEAVY INDUSTRIAL. 3 miles from Winona Exit/off Hwy 40. Contact 928-380-5000

ROOM FOR RENT

Quiet Nat’l.Forest, Room to Rent Util, Cable, Intrnt incld, N/S, N/P $350/mo.+ dep. Call 928-6006769 1 Rm Avail Now, $525mo Incl util, in 3bd/1ba furn house. W/D, CATV-Internet, N/P, N/S. 1 Mile FMC, 2 mi NAU, 9 mo lease. Call for appointments, Showing July 7th & 8th. (520) 247-4961

STORE AND OFFICE RENTALS

Various Retail Store Front Space & Office Space on 4th St & 7th Ave, some w// utils incl. 526-0300.

Old jewelry store 2300 N. 4th St 2600 sf, $1,700/mo Water & garbage provided Call 928-526-0300

DOMESTIC AUTOS

2010 Cadillac CTS AWD, Low miles mint condition, lots of options, sunroof and navigation, warranty, like new, $26,000. 928-699-3358 1983 Lincoln Town Car-Very Good Condition Inside and Out, Low Miles, (102K), New Fuel Injectors, Fuel Pump, Fan Clutch, Cold A/C, Well Kept, $2000 Firm. In Page, AZ (928) 640-3826

TRUCKS

2012 F-250 Super Duty 4x4 Lariat loaded, only 23,000 miles, 2-tone, like new, $37,500. Call 928-699-3358

FLAGSTAFF LIVE GENERAL INFO Phone: (928) 774-4545 Fax: (928) 773-1934 | Address: 1751 S. Thompson St. , Flagstaff, AZ 86001 Hours of Business: Monday–Friday, 9 a.m.–5 p.m. | On the Web: www.flaglive.com Distribution: Hard copies of Flagstaff Live are available free of charge every Thursday morning at more than 200 Flagstaff, Sedona and northern Arizona locations. Please take only one copy per reader. Feel free to call or e-mail us with any distribution questions or if you want to become a distribution point for Flag Live.

Copyright: The contents of Flagstaff Live and its Web site are copyright ©2015 by Flagstaff Publishing Co. No portion may be reproduced in whole or in part in any form without permission.

Disclaimer: Views and opinions expressed within the

pages of Flagstaff Live or its Web site are not necessarily those of Flagstaff Publishing Co. Any reader feedback can be mailed or e-mailed to the editors.

Freelancers: Flagstaff Live accepts freelance submissions for its pages and Web site. Any story pitches or unsolicited work can be e-mailed or mailed to the editors at the above addresses.

Advertising: For the current Flag Live advertising rate card, see www.flaglive.com, or contact Kim Duncan at (928) 556-2287 or kduncan@flaglive.com

July 23–29, 2015 | flaglive.com

27

THE GREEN ROOM-REDEFINING FLAGSTAFF NIGHT LIFE

07-31-15

ON SALE NOW

08-23-15

JUST ANNOUNCED

ZEBBLER ENCANTI | $5/10

0

FEAR FACTORY | $20

WEDNESDAY

WEDNESDAY

FRIDAY

SATURDAY

5 5

FUNDRAISERS TO DATE

3

5

THURSDAY

WEEKLY EVENTS Mic SUNDAY: Open Karaoke Night MONDAY: Trivia Karaoke hour Karaoke TUESDAY: Happy $3 Drinks DRINKS WEDNESDAY: 50CENT Soulective EVERY DAY “Happiest Hour” 6-8pm

8pm-Close

7-8:30pm

8:30pm-Close

5:30-8:30pm

5:30-7pm

8-9pm

8pm-close

Dance Party

5:30-7:00pm | $3

FRIDAY

UPCOMING SHOWS FLAGSTAFF'S #1

KARAOKE Every Sun & Mon

07/30 Raashan Ahmad/Wake Self 07/31 ZEBBLER 08/01 Miss Lonely Hearts 08/02 SUPER SUNDAY KARAOKE CONTEST $200 prize

PRESENTS $4 90 SCHILLING EVERY DAY!

08/06 Grand Canyon Trust fundraiser 08/08 MOKA ONLY 08/13 The Mystic Circus 08/14 The Appleseed Collective 08/20 Science on Tap

08/21 ONE.DEEPER 08/23 Fear Factory 09/05 Wild Reeds 09/15 Devon Allman 09/16 Reverend Peyton

WWW/FLAGSTAFFGREENROOM/COM | 15 N/ AGASSIZ | (928) 226-8669

BEER OF THE WEEK: ODELL

Primo's

CHICAGO STYLE

HOT DOGS

OPEN WED-SUN 8PM-CLOSE