Oct. 1–7, 2015 | Vol. 21 Issue 40 | www. flaglive.com |
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NEW EYES to
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The keen observations of Nahko and Medicine for the People By Kyle McDermott
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Oct. 1-7, 2015 Vol. 21, Issue 40
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Full Frontal
Letter from Home The Mother Load Hot Picks Editor’s Head
10 Screen 20 Rear View
Hightower Bartender Wisdom The Write Now
22 Pulse
On the cover: Nahko “Bear” Parayno. Photo by C. Taylor Crothers
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Feature Story New Eyes to See: The keen observations of Nahko and Medicine for the People
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Letterfromhome
Kevin and Joe By Laura Kelly
My one wild and precious life
I
didn’t recognize the incoming phone number when I took the call last week. It was a friend from college days. He and I have kept in touch over the years, but he lives in Florida, he’s not a big Facebook guy, and it’s been three years or so since we’ve seen one another or conversed. He called to tell me that Kevin, a mutual friend from our time together in college, was found dead in his apartment. Tall, lethally irreverent and good-hearted, Kevin had a head of hair that adhered to its own aerodynamic principles and synapses that ricocheted at speeds I’ll never approximate. He was a welcome satellite in a tribe of journalists and photographers who worked at the campus newspaper. Instead of majoring in journalism as the rest of us were, Kevin chose pharmacology. He said he wanted to be nearer to the drugs that had the capacity to mute or flash fry his zigzagging mind. I sat in my vacuum-sealed car on the side of the highway. Cars whizzed by and made the world blurry as my friend and I traded stories of those gonzo, swashbuckling days. When we hung up and the laughter stopped reverbing, I felt the faucets to all my feelings shut. Or maybe the faucets opened wider and everything I felt flooded my insides. El Ateneo Grand Splendid book store in Buenos Aires, Argentina. Photo courtesy of the author I spent the rest of the day in a high-funceating fortune cookies and flanking Alex The back-to-back deaths of Kevin and Joe tioning zombie trance, which is the less formal Trebek, who held notecards with questions were a one-two, dead friend punch that sent term for the onset of grief. that all asked versions of the same thing. me spiraling into a double helix of nostalgia I recognized the incoming phone number I don’t need a decoder ring, Freud or and wish fulfillment. I spent the next few days for the text I received the following morning. Deepak Chopra for this one. The way I see it, drifting into my past, a glorious, ornate library It was a friend from my Miami days, the city we all are afforded the opportunity to move with lengths of bookshelves. Inside the books I migrated toward in my late 20s. She and I through some version of this way of seeing are chapters in my own handwriting, poems and were part of a feral posse who helped colonize when someone passes. And now it’s my turn. laughter, streaming images and music. I pulled Miami Beach when the city was on the cusp I’m not interested in nominating Kevin down book after book, rereading, reawakening, of rediscovery. We were all pre-marriage, preor Joe to be canonized. Nor am I enamored of reliving. Then I saw Kevin and Joe doing bong mortgage, bulletproof and aflame. an extended crying festival. What I choose to hits, making fart noises and rolling their eyes. She called to tell me that Joe, one of think about instead is that Kevin and Joe were “Get out,” they both mouthed. our gang from those days, had died of a heart alive, and we were together for a while in this I unstuck in time and spiraled into the attack a few days earlier. Joe was an artist world radiating aliveness. They both seemed to future, lingering at the on-ramp of the present. whose apartment was a clubhouse and whose be living ferociously, and I got to be near that I careened in and out of a cloud pattern that warmth softened everyone in his orbit. I and part of that. I got the chance to love them was a skywritten question from a Mary Oliver watched both men and women fall in love with and to be loved by them. poem: “Tell me what it is you plan to do with him, as did I. When I first met him he told me These days, the deaths of those I knew and your one wild and precious life?” Everything he was accepting applications for a girlfriend loved carry with them the expected spectrum was wide and filmy. Kevin and Joe were there, and urged me to apply.
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of sadness but more importantly for me, they impart a poignant urgency, a gorgeously clarifying reminder of the ultimate deadline. They help me see the arc of my life, and they encourage me to remember the fleetingness of it all. Their deaths whisper to me: Get off your ass, my friend. You only have one wild and precious life. Ours have passed; let them spur you to radiate more deeply into yours. Laura Kelly is the executive director of the Flagstaff Arts and Leadership Academy. Kelly spent 2014 in the tiny, mountainous Central Asian nation of Kyrgyzstan teaching storytelling at the American University of Central Asia. Born a flatlander, she has called Flagstaff home for 11 years. Her book, Dispatches from the Republic of Otherness, is a collection of non-fiction essays about her experiences living and teaching overseas.
THEMOTHERLOAD
Fork renewal By Kelly Poe Wilson
W
hen my daughter, Clementine, moved out last month to go to college, she moved all the way out. Took down the posters (mostly), boxed up the winter clothes (she moved to Atlanta), and even packed up every single bottle of nail polish. This wasn’t entirely her idea, of course: if she had had her way we would have shrouded the entire room in sheets like some kind of gothic mansion, leaving it to eerily await her holiday visits. Unfortunately for her, however, we don’t live in a gothic mansion, or any kind of mansion at all; we live in a crappy little downtown house where space is at a premium. And so no sooner did she move out of her room than her little brother, Clyde, moved in. (Her room was bigger, of course.) This necessitated the emptying out of both rooms which, as tedious as that was, ended up being a good thing, and not just because it distracted me from the fact that my oldest child was “leaving the nest,” either. No, the reason this turned out to be such a good thing was because once we had emptied out both rooms we found the forks. All of them. Every single one. (No, really, I mean all of them. Go check your silverware drawer; I’m sure we have some of yours as well.) I’m not sure how I feel about this. On the one hand I’m thrilled, because, you know, forks. I can cut up my chicken without having
The prongs long gone to use two knives like I’m at some sort of a medieval banquet. And I can eat salad again at all. But on the other hand I’m worried. What if it’s too much all at once? Everyone knows those stories of the lottery winners whose lives were ruined when they won the lottery: they either end up dying trapped in their PBRstocked wine cellars or buried beneath piles of their own money. Yes, I know that there are also lottery winners—lots of them—who go on to lead very happy and productive lives. For
I’m not sure how I feel about this. On the one hand I’m thrilled, because, you know, forks. … But on the other hand I’m worried. What if it’s too much all at once?
Sundy BeSt tic
Friday, Oct 2 ket
s$
8 pm • 21+
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the sake of my argument—and to keep my bitter, bitter resentment at bay—we are going to pretend those people don’t exist. Anyway, what if my sudden fork wealth turns into the same thing? What if my newfound fork wealth makes me forget where I came from? It would have been different if we found, say, three forks. Three forks would have been easy—one for each of us in the house. But with forks-a-plenty, I fear we’ll soon get too cocky.
It’ll start out small, of course. Someone will want to take their breakfast to go. And then someone else will want to serve their birthday cake in the back yard. And finally someone will want to go on a picnic in the park down the street. Before you know it we’ll be forkless again, and this time it will be worse, because whereas before I always knew that if I really needed a fork I could always go look under Clementine’s bed (and pull it from the cold, dead grasp of the under-the-bed-monster that could survive anything but a teenager’s room), now I’ll know that they are really gone. Gone as in, “I told my class I would bring the silverware for our upcoming San Juan River trip. What? I had to contribute something.” Or maybe, after years of complaining about never being able to find a fork, I’ll suffer some sort of horrifyingly ironic fork-based death. Like I’ll trip over a pile of forks while carrying an armful of forks to the dishwasher and impale myself on 1,000 tines. (It’ll be one of those bizarre O. Henry/Final Destination mash-up kind of deaths.) Yeah. That’s totally what’s going to happen. All I ask is that at my wake everyone is in charge of bringing their own forks. Kelly Poe Wilson has lived in Flagstaff since 1985. She lives with her wonderful husband, Jim, and her dreadful children, Clementine and Clyde. More of her work can be found at www. kellypoewilson.com.
JaSon
Michael carroll Friday, Oct 9 7 pm • 21+
ti
ts e k c
$20
3404 E Route 66, Flagstaff, AZ
(928) 526-9434 themuseumclub.com
Oct. 1–7, 2015 | flaglive.com
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103 n leroux 928 779-6000
Nightly Specials Monday
35¢ wings $2.50 PBr
Tuesday
Taco Tues $1 Tacos wiTh Purchase of Beverage
Wednesday
HOTPICKS WEEK OF OCT. 1–7
RATATAT SCAT THURSDAY | 10.1
Kids eaT free
Catching Dreams, Meteor City, by Dawn Kish.
wiTh Purchase of 1 enTrée
FRIDAY | 10.2
(1 Kid meal free off of Kids menu)
Thursday
GETTING HER iKICKS ON ROUTE 66
mexican Pizza $7.50 & carne asada nachos $7.50 $2.50 PBRs • $3.00 Dos Equis
Sunday
sunday Brunch
come & waTch The game e aT The“Birds nesT”
Evan Mast (left) and Mike Stroud of Ratatat. Photo by Asger Carlson
A
t some point along the line we’ve all likely subconsciously heard a tune by Brooklynbased rocktronica duo Ratatat. Be it the uber popular “Loud Pipes,” “Wildcat” or the even more recent “Cream on Chrome,” their tracks are infectious and, in fact, they have plenty of great tunes to go around. Consisting of lead guitarist Mike Stroud and producer Evan Mast, Ratatat first burst onto the scene way back in 2004 with their self-titled debut, which saw the two buddies twisting up piercing sheets of guitar and synthesizer yoked with bass-heavy metronimics. In the years that followed they hit listeners with three more albums, 2006’s Classics, LP3 in 2008, and LP4 two years later, each craftily navigating the vast landscapes of hip-hop and old-fashioned rock. Up to that point they were on the once-standard track of releasing an album every two years, but in the years to follow the duo hit a bit of a rough patch which led to a five year hiatus. Without pause, fans stayed hungry, and to reward their patience, Ratatat mixed it back up and dropped their fifth album—bucking convention, and not named LP5—in July, Magnifique, a promised return to their core guitar-driven sound. They’re also touring once again, and making what will likely be a worthy stop in Flagtown at the Orpheum Theater, 15 W. Aspen, with opener Hot Sugar. Doors open at 8 p.m. and the music gets going at 9 p.m. Tickets are $27 in advance and $31 the day of the show. For more info, call 556-1580 or visit www.ratatatmusic.com.
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Along with all the great what-to-dos during First Friday ArtWalk, we have Flagstaff photographer extraordinaire Dawn Kish sharing her exhibit i66, a collection of Route 66 photos that she took with her iPhone. It’s such a wild thing to see the iconic Mother Road realm photographed and captured on a modern piece of technology like an iPhone. And these aren’t your mom and dad’s selfies from their last road trip to Winslow. Kish has a keen, thoughtful eye in how she times and frames each of her photos. She brings the pro and shows that the best piece of equipment photographers can take to a shoot is located between their ears. Kish is no stranger to 66 either, as she has road-tripped all up and down that thoroughfare and even served as a model for John Running during a Route 66 shoot he did around 2000. And in Arizona proper, there are tons of iconic 66 stops and locations to choose from for setting the scene: including such places as the Jack Rabbit, Meteor City, the remnants of Twin Arrows Trading Post, places such as the Museum Club and other landmarks in Flagstaff and just about every darn thing going on in Seligman. The exhibit is free at Criollo Latin Kitchen, 16 N. San Francisco, during the October First Friday ArtWalk and runs through the end of the month. The reception is 5–7 p.m. 774-0541. www.dawnkishphotography.com.
SATURDAY | 10.3 THE IMPORTANCE OF BEING FRANK
For those hardcore fans of Frank Zappa, it’s difficult to pass up a chance to catch his eldest son Dweezil when he does a Zappa Plays Zappa show. Although, yes, technically, Zappa Plays Zappa is a tribute band to the late and great
HotPicks Frank (he was born 75 years ago this year), it really gives it that added gold star for having his descendent front the band and give the music that added loving care. And there aren’t many tribute bands that can celebrate winning a Grammy Award, which this one did in 2009 for Best Rock Instrumental Performance. As a tribute band, ZPZ has much to dig into and explore both qualitatively and quantitatively. Consider that Frank Zappa recorded more than 60 albums with his band, the aptly named Mothers of Invention, and as a solo artist. His music is all over the creative map and often difficult to categorize. Experimental rock may be one banner to fly it under, but even that is limiting when one considers how much Frank reached out to all genres and even has a hand at taking on different kinds of sound collages. As for ZPZ, they have been known to bring some interesting components to the stage, such as playing along with audio clips of Frank himself or even projecting video of him while performing the song. Along with the show, Dweezil will host a guitar Master Class at Arizona Music Pro,122 E. Rte. Dweezil Zappa. Courtesy photo 66, at 3 p.m. before the show (tickets are $75 for that). Get Zappa-ed at the Orpheum Theater, 15 W. Aspen. Doors open years. The fun continues with the their Two-Year Anniversary at 7 p.m. and the show is at 8 p.m. Tickets are $39–$60. 556-1580. Party at the Brewery + Taproom, 4366 E. Huntington Drive, www.zappaplayszappa.com. which includes a full-blown pig roast courtesy of Proper Meats + Provisions, the release of a special barrel-aged anniversary AWESOMENESS TURNS TWO ale, fire-pits and s’mores and a performance by the Haymarket Two years ago Flag’s seventh brewery, Historic Brewing Co., Squares. Tickets are $15 in advance and $20 at the door, and the opened its doors on the eastside of town. Since then it’s been all whole thing goes down at 5 p.m. 707-0900. www.historicbrewingabout family, making new friends and putting 110 percent into company.com. their craft beer creations. Founded by the Kennelly family out of Williams, who also owns and operates the Grand Canyon Wine COMING TO YOU FROM A DARK PLACE Co., they were already well versed in the art of cooking up tasty Culture Shock is defined as the personal disorientation of one’s libations of the alcoholic variety, and with a belief that they could feelings due to subjection to an unfamiliar culture. For four solid mix it up in the craft brewing game, decided to factor it into the years Culture Shock Presents, Flag’s go to EDM Saturday night larger business plan. So far it’s been a success, and earlier this dance stop, has worked the term’s four phases (honeymoon, year they bought up Flagstaff’s once dingy strip club, The Joint, negotiation, adjustment, mastery) from one end to the other by downtown and transformed it into a hip and happening barrel way of some of the most headnodic beats anywhere in northern and bottle house, which serves as an intimate tasting room and Arizona. Well, they’re still at it, and this time it’s Portland, retail space for folks looking to grab a pint and partake in all the Oregon-based Phutureprimitive. He might as well be a resident “awesomeness.” And they’re not just passionate about keeping DJ because he comes through just about every year toting his it local and keeping it real, but also dialing up the good times as ambient and technical sound filled with synthy, bass-driven evidenced by any one of their beer/dinner gatherings over the
beer
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11665 N. HWY 89 FLAGSTAFF,AZ 86004 ( 6 MI NORTH OF THE FLAGSTAFF MALL) 928-526-5964 WED-SUN
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Coffee Full Menu
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melodies and dark heavy beats. But this time is different as he’s got some new tunes. Just a day before his show here in town he’ll be dropping his new release, Searching for Beauty in the Darkest Places Part 2. He writes, “We all have darkness inside. And the general instinct is to keep those parts buried. Who wants to go digging up past traumas and relive those unpleasant, frightening feelings? But when you make the conscious choice to explore your shadows, to find where they come from, and to change your relationship with them, truly beautiful things can happen.” And it’s just that, beautiful music with a harder-edged sound and drive. Catch him at the Green Room, 15 N. Agassiz. Bass Physics will open things up at 8 p.m. Tickets are $12 in advance and $15 the day of the show. 226-8669. www.phutureprimitive.com.
MONDAY | 10.5 IN THE FAR TOO DISTANT FUTURE
Do you ever think about what the future has in store? Not just your future, but that of the planet? Are you curious about what it might look like in, say, 100,000 years? Will it be a place we recognize? Or will it slowly slide into being some other kind of planet entirely? If these questions intrigue you, you should head out to see author and scientist Curt Stager, who will be at NAU to talk about—among many other cool ideas—what the long-term future holds for the home planet. He wrote the book Deep Future: The Next 100,000 Years of Life on Earth (which he somehow managed to cover in about 300 pages) and has much to say about the whole climate change issue. He also has a nifty book called Your Atomic Self, so you can understand you at a molecular level. Along with the books, Stager has published more than three dozen articles in major journals including Science and National Geographic, New York Times and Fast Company. Since 1990, he has also co-hosted Natural Selections, a weekly public radio science program that is syndicated internationally. In 2013, he was named the New York State Professor of the Year by the Carnegie Foundation. Check him out at NAU Prochnow Auditorium, a treat from the School of Forestry. The talk is from 7–8:30 p.m. It is free and open to the public. Stager will sign books and chit-chat afterward. www.curtstager.com.
upcoming music
Friday 10 pm
Pro-Teens, Ash Cashmere, Dent Sunday 2-5 pm
The Prowlers
16 East Route 66, Flagstaff, AZ • Flagbrew.com m Oct. 1–7, 2015 | flaglive.com
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editorShead
Lather, rinse, repeat By Andrew Wisniewski
B
ack in June 2012 myself and 9,449 adoring fans converged on Red Rocks Amphitheater in Colorado to catch Wilco perform on what turned out to be a perfect early summer evening of great music. Seated at eye level with the top of the stage and Denver’s skyline glowing as the sun fell, Jeff Tweedy and company walked out for what to this day remains my favorite live show. Wilco played a solid 30 songs which included not one, but two, encores. At the end of the first set the place erupted until the band returned for their first encore, and after said encore, the crowd grew even louder, demanding more music. The band returned, and following the second, Tweedy paused and said, “OK. We’re [expletive] done.” He then dropped the mic and the band exited stage left. The place shook. This past Sunday, 15 of Flagstaff’s finest descended south into the sweaty desert heat under a rare Blood Moon to see English indie rock band, Glass Animals, perform a sold out outdoor show at the Crescent Ballroom in downtown Phoenix. The music was pure magic; one of the top shows I’ve seen so far this year. But one of the odd things that stuck out to me was the encore. As the band acknowledged the crowd after their set and walked off stage, everyone fell somewhat silent. It wasn’t until after a short bit that the crowd noise started to pick up, though never reaching an emphatic roar, before the band returned to finish out the night in stellar fashion. Over the years I’ve often pondered the “encore” and why bands still do them. Yes, they’re concert standard issue, but not always the same. Some bands and artists embrace them, while others hate it—you know who they are because when the show’s over the lights immediately come up and someone else’s music takes hold of the speakers. In the case of Wilco, the fans let them know, twice, that they weren’t done. Once, El Ten Eleven simply stated that they don’t do encores. They tacked on a few more songs at the end, and that was that. After the Modest Mouse encore this past August here at the Orpheum, it almost seemed as if they left the door open for a second encore, but the crowd didn’t respond and the lights eventually came up and the show was over. And for the Glass Animals show, it seemed as if the crowd just expected it—which seems to be the norm nowadays when it comes to encores. In a 2013 article, Mental Floss gave a great little breakdown of the encore. 8
flaglive.com | Oct. 1–7, 2015
French for “again,” encores can actually be traced back to at least the 19th century when bigwig aristocrats would request that a song be played again—you know, because recorded music wasn’t a thing. Though, they were typically only reserved for “extraordinary classical musicians who put on extraordinary performances.” Today that’s not so much the case. Fast forward to when encores actually carried some real weight. In the 1960s and ’70s, when the concert experience really exploded, encores were saved for momentous shows or performances. The Who followed that formula, only returning for an encore if a show was “exceptional.” But not everyone got involved. Take Elvis Presley for example. His manager refused to let him play encores to keep fans wanting more, hence the term “Elvis has left the building.” Others, like Elvis Costello’s manager, would blare earwrecking white noise (the worst) to assure crowds that there wouldn’t be an encore, while the Beatles strayed from them for fear of mobbing fans. But when the encore did happen, it was a true bonus. Enter the Boss. In a 2004 column, former Washington Post columnist David Segal places the blame for encores becoming cliché squarely on Bruce Springsteen. Segal stated, “It was the Boss who transformed the rock show into an iron-man event, playing four-hour marathons, staggering back to the stage with the E Street Band time and again, their sweat and stamina part of the spectacle.” The fall of the encore came shortly after at the end of the ’70s when nearly every band had their own sign-off, sometimes playing up to five encores! This continued through the ’90s, and was so engrained that even the most anti-rockstar bands hand trouble resisting. And now here we are in 2015, still with encores, though it seems the thrill is gone. Once honestly rare and surprising, encores have become so commonplace they are almost an obligation for musicians while fans simply expect them. But every show isn’t encore-worthy. Should encores cease to exist? I don’t think so. But bands need to mix it up some. Perhaps play the hit song in the middle of the set and not save it for the encore. After that, find a way to make the encore feel special, unscripted. Hell, earn it. Make the crowd really want you to go another round.
UNDER CONSTRUCTION
Encountered a Bio-Hazard Like an epic adventure fail, our best laid plans for a Bio-Adversity section that highlighted misadventures and misdirections hasn’t taken off like it should. It was further marred by the discontinuance of the National Park Service Morning Report, which typically gives news about what’s going on in Park Service land. Some of it is scary and some of it is weird. So, we’re mourning the Morning Report, which was looking to be one of our sources on the side. So, meanwhile, pardon the dust this week and possibly the next one or two while we figure out which path we’d like to head down next. Kindly, the Flag Live Staff.
Get it anytime you want it! FlagLive.com
Screen
Climbing charm mountain Reviewed by Erin Shelley
T
The Intern is a slight tale about a wo films opened up last weekend that young boss learning wisdom from her older sounded interesting: the exciting tale of employee. What the movie has going for it men overcoming disaster during their is the surfeit of charm. De Niro is charming, Everest expedition, or an aged man overcoming Hathaway is charming, the co-workers are his doubting co-workers and boss at an online charming, and needless to say, Jules’ startup company. You can guess which young daughter (JoJo Kushner) has one sounds more thrilling, but I did charm to spare. not watch Everest; no, my daring Director and writer Nancy expedition was to the sweet, THE INTERN Meyers (It’s Complicated, 2009; but less-than-thrilling The Directed by Nancy Meyers Something’s Gotta Give, 2003) Intern. No pulse-pounding Rated PG-13 knows how to film tales of action occurs in this lightHARKINS THEATRES older people dealing with weight tale of a senior citilife and romance. She does it zen who volunteers to be an again with The Intern. She creintern at an Internet company. ates some smart characters that Instead of thrills, we get charm, learn life lessons from each other. and lots of it. A romance between Ben and the Robert De Niro plays Ben, a office masseuse (played by Rene Russo) widower who tries to fill his retirement is sweet and fun. Ben showing the young guys with activities, and jumps at the chance to at work how to succeed is nicely done. And the volunteer as a “senior” intern for a successful friendship that builds between overworked online company. Hired to work and trying to Jules and Ben is, well, charming. learn new ways of handling business, he meets This film could have excelled, but an his driven boss, Jules (Anne Hathaway), and unnecessary dramatic complication in the latter his other young co-workers. His goal is to do a third of the film ruins the comedy, requiring good job, but Jules is wary of Ben’s willingness.
B+
massive amounts of tears and waffling career decisions. The movie almost overstays its welcome … almost. Luckily the film has such a good cast, including Adam DeVine, Anders Holm, Christina Scherer and Andrew Rannells, that the movie succeeds despite itself.
Hey, where did everyone go?
I
remember seeing trailers on HBO last year for one of their new summer shows, The Leftovers—a bunch of people disappeared mysteriously, and this is the aftermath. Oh, great … yet another series about the survivors of some sort of apocalypse. But because it was created by Damon Lindelof (co-creator of Lost and writer of Prometheus, 2012) and Tom Perrotta (who wrote the novel Election), I thought it was worth a shot. It
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The Intern may not offer excitement, drama, or mountain-climbing thrills, but it does offer good actors in a pleasant tale of workplace relationships. Plus, Everest doesn’t offer the mountain of charm that The Intern offers.
Reviewed by Dan Stoffel
dress in white, chain smoke, and follow people around to make turned out to be one of the more unique television shows to sure people don’t get too comfortable with The Departure; come along in years. whole industries and branches of government have been Justin Theroux (Mr. Jennifer Aniston) stars as Kevin Garcreated—some for profit, some just to make people vey, the chief of police of Mapleton, N. Y. As the series feel like their country cares. opens, Mapleton and the rest of the world are getTHE Season 1 introduces a slew of characters, all ting ready to commemorate October 14. That’s the LEFTOVERS of whom are interesting in their own way, and date when, three years earlier, 2 percent of the whose stories are only revealed slowly. Ann world’s population suddenly disappeared, van(SEASON 1) Dowd stars at the head of the local Guilty Remishing out of thin air without explanation. That Created by Damon Lindelof nant chapter, and Amy Brenneman as one of her may not sound like a lot, but that’s 140 million and Tom Perrotta devotees; Christopher Ecccleston plays a revpeople. Garvey is struggling to raise teenaged Rated Unrated erend who has trouble reconciling a supposed daughter Jill (Margaret Qualley) while wonderHBO rapture that would take so many sinners while he ing if he is losing his own sanity; his own father was left behind; and Carrie Coon plays Nora Durst, (Scott Glenn), the former Chief, is in a loony bin. who was rocked by the odds when The Departure What makes The Leftovers so interesting is took her entire family from her. that, as frustrating as the ambiguity might be for some The Leftovers, with its dark imagery, allusions to 9/11 and viewers, it’s not really about discovering what happened on its abstruseness regarding 10/14, is too somber for some. I find October 14; it’s about how the world has changed because there it fascinating just the way it is, and am very much looking foris no explanation. Teenagers have gotten more reckless in their ward to the new season that begins on October 4. acting-out; cults have sprung up, like the Guilty Remnant, who
A
Extra Butter
Wednesday, Oct. 7 7pm at The Tourist Home
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65/person
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Football makes me reminisce about pre-DVR television
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What this all has really got me thinking about is trying to recapture a bit of that “I have to watch it now” feeling in other types programming. For the most part with all of the viewing options available to the average consumer, there is little need to catch a show as it airs. You can decide to pick up a show years after it’s been cancelled if you want, or grab that missed episode online the next day. In general I think it’s a good thing—I like having my entertainment delivered to me how and when I want, not at some network’s discretion. At the same time I think that some level of excitement is lost by having all our programming available on demand. Some shows have made it worthwhile to watch on the first airing. Notably, Game of Thrones has become a tough show to miss. With its savage plot twists and avid fan base, waiting to watch an episode of Game of Thrones can quickly lead to episode wrecking spoilers. I guess it has made me crave a few more shows that I can have that level of commitment to. That being said, I certainly don’t want to go back to a world where the television has an influence on my schedule, but I wouldn’t mind another program or two that was just too good to put off watching.
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ss ssaa
A
week or so into fall and it feels more summery than it did during the actual summer, but there are hints of fall in the air. The leaves are starting to change. Pumpkin spice is back, and it’s in everything. Then there is the annual return of football. I am certainly more of a casual fan than a hardcore football fanatic. Still, I enjoy spending all day parked in front of the TV watching football. Don’t get me wrong, I’m not here to tout the NFL, or to get you to watch more sporting events, but there is definitely a draw to sitting back with the rest of America and embracing football Sunday. Part of it is the live aspect of the event. It’s happening right now, and if you watch it later it loses some of its impact. Anyone who has ever recorded a sporting event knows the challenges that come with trying to avoid seeing the score, and the heartbreak of having the outcome ruined for you. In some ways it reminds me of the old days before the widespread advent of DVR. Back then, if you wanted to watch a show you had to be in front of your TV at the right time every week to watch the new episode of your show. You essentially had to watch it as it happened or you missed it.
For �ilm times check these sites HARKINS: www.harkinstheaters.com NAU FILM SERIES: www.nau.edu/filmseries NAU INTERNATIONAL FILM SERIES: www.nau.edu/intfilms MONTHLY HARKINS INDIE SERIES & SEDONA FILMS: www.sedonafilmfestival.org
Profits to the Youth Initiative help cultivate local young conservation leaders by supporting volunteer trips with Flagstaff-area students.
Profits to CCC&Y support the Parent and Community Outreach Project, ensuring parents and students have the resources and information they need to be successful in school and in life. Oct. 1–7, 2015 | flaglive.com
11
BEAT
BY LARRY HENDRICKS
Only one player takes the field R Entertainment lands the Pepsi Amp bid, again
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nother half decade. What had a rocky beginning has turned into a long-term relationship, and struggles of the past appear to be settling down. This month, the Coconino County Board of Supervisors awarded the Valley-based R Entertainment a second five-year contract to manage the Pepsi Amphitheater, one of the area’s largest entertainment venues. R Entertainment was the only bidder for the job, and the focus for the next five years will be on a more collaborative approach to managing the beautifully situated outdoor venue. “I think R Entertainment is really dialing in on the marketplace locally,” said Neal Young, deputy county manager. “They’re starting to produce really great events in a fantastic facility.” Rocky start The amphitheater, which accommodates about 3,000 people, was completed in 2006. For the first five years, it was known as the Pine Mountain Amphitheater, and a local company, The Orpheum Presents, received the first fiveyear contract. At its height, according to Arizona Daily Sun reports, the presence of the amphitheater brought $2 million to the Flagstaff area in income from visitors. But in the last year of management from the Orpheum Presents, the amphitheater brought $32,000 to county coffers, which management of the Orpheum Presents said was due to the economic recession. On a promise of delivering nearly $280,000 the first season, R Entertainment was awarded a five-year contract by the Board of Supervisors beginning in the 2011 season. The name was changed to Pepsi Amphitheater after PepsiCo paid for the naming rights for a five-year period, of which the county and R Entertainment receive percentages. Not long after, Coconino County, and particularly Flagstaff, residents began to complain about a dearth of performances aimed at them. The first season brought in just under $90,000 to the county, which was above the contractual minimum of $70,000. The venue’s revenues have never met the nearly $300,000 projection. In all, Young said that R Entertainment brought in about $302,000 the first four
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Pepsi Ampitheater. Photo courtesy of Spady Photography
seasons. The final year has yet to be tallied, but Young estimated that the final year would bring in another $40,000 to $60,000. By their own admission, R Entertainment cited difficulty in finding a balance between local and visiting audiences when booking acts for the amphitheater. And according to an Daily Sun report, surveys of attendees to the 2013 season showed that more than half came from outside of Coconino County. There was also an act of nature to contend with. Act of nature Just before the 2012 season was to get underway, a removable canopy to keep people dry during the summer monsoons was destroyed in April by heavy snow. The loss of the canopy affected the subsequent 2013 and 2014 seasons, according to reports from the Daily Sun. The 2013 season had the lowest attendance recorded, with 14,900 people attending shows at the amphitheater, which was down 10,000 from the 2012 season. R Entertainment, at the time, stated that because a guarantee to keep people dry was gone, attendance numbers would suffer. Fewer expensive acts were booked that year as a result.
A new, permanent canopy of 9,500 square feet, built by the county for more than half a million dollars, was finished before the 2015 season began. Although attendance numbers haven’t been finalized, it appears attendance was up. Among the acts booked for the 2015 season were: Roger Clyne and the Peacemakers, Michael Franti and Spearhead, Gov’t Mule, Danzig with Pennywise, for King and Country, Newsboys, Primus and the Chocolate Factory, the Flagstaff Wine and Food Festival benefit, the Made in the Shade Beer Festival benefit, Pickin’ in the Pines and more. R Entertainment management has stated that after losing money the first four years, the venue is likely to break even for the 2015 season, according to the Daily Sun. New contract Young said a new “request for proposals” was created after significant input from the Board of Supervisors and community stakeholders. According to the RFP, “The County desires to contract with a professional management team that possesses the knowledge and expertise to maximize, in a positive, ethical and community oriented way, all or a portion of the Amphitheater’s operations.”
Additionally, the RFP states, “The County is interested in creative and innovative proposals that express a vision for engaging not only high quality, nationally and regionally recognized acts, but that is also inclusive of community organizations and businesses interested in utilizing the venue for their own concerts, festivals and events. Inventive models for providing accessibility to cultural and entertainment opportunities for all individuals regardless of economic standing are concepts the County would welcome in proposals.” According to county officials, the community focus is aimed more at a sustainable, collaborative business model than bottomline numbers. The new contract specifies a minimum payment to the county of $40,000 or $2 per ticket, whichever is greater, over the next five years, Young said. In addition, if annual attendance goes in excess of 17,500, R Entertainment will pay the county an additional $10,000. Naming rights for the Amphitheater are up for grabs beginning in November, too. The 2016 season lineup has not been announced. For info about Pepsi Amphitheater, visit www.pepsiamp.com. To learn more about R Entertainment, see www.r-entertainment.com.
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MUSIC
BY DOUGLAS McDANIEL
Buckit basics Flagstaff rock band releases new album, gears up for October shows
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or every band that’s made the big time, there are an uncountable number of acts who are proud to just be local. But success on national terms isn’t easy to come by, and there should be some kind of Grammy award for those acts who never gain the notoriety, but are as hardworking and professional as they come. Such is the case for Flagstaff-based rock band Buckit. Buckit is the little band that could. The foursome is more than just a standard cover band. To prove it, they have just released a self-produced CD titled Let It Be, with original tunes in line with what they call “groove rock.” With this release, the band, consisting of Chad Cardiff (lead guitar and vocals), John Dillon (acoustic guitar, vocals), Jim Christensen (bass guitar, vocals) and Rob Ross (drums), has shown a penchant for clean bluesy guitar lines and positive, family-friendly messages. For example, “Rearview Mirror” is a song about not living in the past, and “A Lot to Live For” looks at the bright side when the chips are down. And if there’s a Flagstaff sound, a skilled musicologist could probably define it with the way Buckit trails off the harmonies with a kind of regional, perhaps southern rock drawl. “It’s groove rock, which is playing in the groove, playing in the pocket,” says Cardiff, who formed the band four years ago, and will be bringing the band to the stage for this year’s Oktoberfest on Saturday. Cardiff says he learned how to play rock with the “groove” during his early years as a musician in Nashville, where he was a member of a band called the Trailer Park Troubadors, an Americana comedy band that still exists as Antsy McClain and the Trailer Park Troubadors and tours folk and country music venues around the country. It was a big learning experience for Cardiff. “We dressed in polyester and plaid and sang about life in the trailer park,” he says. “I did it for 10 years and we put out six CDs (during his stint).” He laughs, “I just got a royalty check for that last week, which is nice.” He returned to Flagstaff in 2010 after going to Northern Arizona University in the early 1990s, a move which had always been part of his long-term life plan.
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flaglive.com | Oct. 1–7, 2015
From left: John Dillon, Rob Ross, Chad Cardiff and Jim Christensen of Buckit. Photos courtesy of the band
“I fell in love with the town and the state and always planned to come back,” he says. Around that time he formed a band called Bucket, later changing the “e” to an “i,” although, if anything, he wanted to avoid forming another comedy routine. “I started this band with a more serious light, a style of music that everybody could relate to,” he says. “At one time I played with Whiskey Rodeo, but things got way too busy for Buckit and so I decided to pursue that fully.” Appearances for the band began to increase when Dillon, whose day job is working for a non-profit organization dealing with the whitewater rafting industry, joined the band as a novice musician who decided to improve his skills with lessons. But what he really brought to the group was a business know-how.
“I was into music my whole life and I was following the band,” he says. “They asked me to join and I said I’d love to be in the band. They asked what I played; I said nothing, really, but I could sing a little bit. So I went straight down to Arizona Music Pro and bought my first guitar and learned to play in six months.” Within that year Buckit opened for George Thorogood and the Destroyers at the Orpheum Theater. Dillon says while the band has a list of around 135 cover songs it can do, “We do a lot of our own stuff, some of it we put into the album that we cut and released this month. It’s our first one together with this band. That’s a big hurdle for a startup band, a local band like that. When I started, the other guys were phenomenal musicians and no one knew. Flagstaff
is a tough town with so few venues. I agreed to handle the business side. We said, ‘Why don’t we do this and take it on?’” The result has been tremendous. Last year the band performed 43 shows, doing every festival and trade show they could find. That also included frequent gigs at Lake Powell, where they performed at the Wahweap Marina near Page. They played all kinds of fundraisers and “corporate gigs,” playing outside of town far more than locally, but always being proud to identify themselves as a Flagstaff band. Dillon says they usually only play in Flagstaff once a month because “scarcity is a good thing.” But with the release of the new album, they are in real demand this month, playing at Oktoberfest at Wheeler Park, the Pepsi Amphitheater for NAU Welcome Back Jacks Day on
MUSIC
Top: Chad Cardiff and Jim Christensen perform during the Coconino Country fair in 2014. Bottom: Drummer Rob Ross.
Oct. 17, and the NAU Walkup Skydome parking lot for the NAU Homecoming Tailgate Party on Oct. 24. What is the secret to the band’s success lately? “We have 32 originals that we regularly perform and 130 to 135 covers, which we perform about three to four hours at a time,” Dillon says. “Where we perform, it’s an added value experience, with a lot of people seeing us for the first time, but we have a lot of regulars. Our stuff is really kind of classic rock from the ’80s, with a lot of Eric Clapton, Tom Petty and Train. It’s fun dance stuff. We are a great dance band. “We really take a lot of pride in what we do. We keep it clean, family-friendly,” he adds. “Plus, we keep our commitments, even to the
point of turning down a last minute chance to open for REO Speedwagon because they were already booked. We love to market the places we play and bring people to the venue. We work hard to build their businesses. We are loyal to the people that support us and I do think that’s kind of rare.” Catch Buckit at Flagstaff’s seventh annual Oktoberfest at Wheeler Park, Humphrey’s between Aspen and Birch, on Sat, Oct. 3. They take the stage at noon and 3:30 p.m. and are sandwiched by numerous other live music acts, beer, wine, food and fun. Tickets are $5 (cash only) at the entrance and the festival runs from 11 a.m.–8 p.m. For more info, visit www.flagstaffoktoberfest.com. To learn more about the band, see www.bukitrocks.com.
Oct. 1–7, 2015 | flaglive.com
15
of Ma Photo courtesy
tt Ziegler.
16 flaglive.com 16 flaglive.com | | Oct. 1–7, 2015
NEW EYES to
SEE The keen observations of Nahko and Medicine for the People By Kyle McDermott | Photos by Josue Rivas
A
ll great things must transition, and as the sun sets and the moon rises, new light is reflected into the boundlessness of the soul. The webbing of the visual and sound dimensions creates lucid material for artists to form sublime portraits of fragmented reality.
From left: Pato, Chase Makai, Nahko “Bear” Parayno and Justin Chittams of Nahko and Medicine for the People.
For Nahko “Bear” Parayno, born and raised in Portland, the journey into the dark alleyways of the inward maze became increasingly intricate, as a fresh breeze swept his ship from the doldrums, to the stable and grounded terrestrial shores. “I was struggling with this time where this woman that I had been with for four years or so; we were recognizing that we were coming to a fork in the road,” Parayno says. “At the same time as that was a hard realization, I was also undergoing a surgery for my eyes. I was dealing with pretty much being blind from 10 years old.” Parayno, who now calls Hawaii home, had the support of his community, who banded together to raise money by playing benefit concerts, enough to pay for his LASIK surgery— gifting Parayno a revived lens, an instrument for recording and singing the songs of waking-life.
“Once I got this surgery and I could see with perfect vision, it was this irony of, well, I can finally see literally and metaphorically that this woman and I need to go a different direction,” Parayno says. “I blessed this situation without the typical jealousy and anger and recognized these feelings but let them go, and blessed you on your way, on your journey.” While the truth of the present tense had become sharp and crisp, Parayno’s future was merely in its seed stage. The expansion into Nahko and Medicine for the People was still a distant burst. Parayno recorded his emotional and spiritual journey, gleaning the track “Budding Trees” through his lightless journey on his second record Dark as Night, released in 2013. uuu
17 Oct.1–7, 1–7,2015 2015| |flaglive.com flaglive.com 17 Oct.
“I’M A CONDUIT FOR SOMETHING THAT MOVES THROUGH ME AND I JUST SURRENDER TO IT.” — Nahko “Bear” Parayno
Courtesyphoto. photo. Courtesy
“In the moon of the budding trees/ I was gifted new eyes to see/ All of the shifting/ shape and ways you can be/ Wake the dreams into realities/ Wake the dreams into realities.” A call to action, a gravitational pull, a prevailing wind that moved the stranded ship from the stagnate seas—are mere allusion to an idea so human, so divine, that it may be the principal reason we live. “I think in my soul, in my deep soul, I knew,” Parayno says, as if somewhere built into the human microcosm was a map, independent of any photon, or any doing. “There’s a knowing. There still is. I know that there’s something bigger than me at work here and I’m just along for the ride.” Parayno brings his own diverse heritage, a mix of Apache, Mohawk and Puerto Rican mother and Filipino father to his now 18 18 flaglive.com flaglive.com || Oct. 1–7, 2015
burgeoning project: Nahko and Medicine for the People. He contemplates his identity in his songwriting, exploring being adopted at a young age and raised in suburban setting by a “republican-conservative white” family. “A lot of it is this journey for self-discovery and being OK with being you and challenging yourself to be a better person every day,” Parayno says. Musically, Parayno’s contemplative wordage, gentle voice and soothing guitar riffs are a platform for the group’s well-balanced dynamic. With Hope Medford temporarily sidelined after recently welcoming a new baby into the world, Parayno is joined by fellow musicians Pato, Chase Makai and Justin Chittams. According to their website, the group self-describes the music as “spirited thump-hop storytelling.”
Nahko and Medicine for the People has grown into a holistic prescription for close followers, becoming an anthem for hope and peace—so much so Parayno jests there may be reason for concern. “I still can’t believe how that record [Black as Night] is still being discovered, how it hasn’t left from some people’s CD players for like three years,” Parayno says. “I’m like, ‘Really guys, thank you so much, but you should probably break it out—it’s good to get a refresher of other people’s music, too.’” And for those who’ve revolved through the track list more times than the Earth spins on its axis in a year—Parayno, standing tall in an L.A recording studio as he pauses to speak with Flag Live, sounds excitement through his teeth as he talks about their forthcoming album (the followup to On the Verge, released earlier this year).
“The entire record already has been written, it’s just putting it all together, he says. “We gotta slap these songs onto plastic, man.” While Parayno is ostensibly in a more illuminated space, he doesn’t intend for the new record to be titled Bright as Day. He’s kept his strings tied to the mysterious and eclipsed spaces, while stretching the canvas musically. “A lot of these songs were already written in the last three years. Some of them are really old and some of them are really new,” Parayno says. “It’s still valid to me. The old stuff is still valid to me … there’s a moral that will come out of those that I still understand … The styles will be portrayed in a new way, too. The influence of hip-hop in my life will be in there—the influence of Cuban and Jamaican music, rock 'n' roll and folk music, straight up.”
When asked about the method for his songwriting, Parayno replies, “Dude, I have no idea,” as we share laughter over his candidness. “I’m literally at a loss for words when I try to explain how my process works,” Parayno continues. “A lot of it is melody first and/or little pieces of one-liners that I’ll get from just having experiences that are happening to me currently. It really is different every time, man.” At the end of the day, or the beginning, Parayno claims little responsibility for his manifestations. He taps into his body, his meridians and chakras, and lets consciousness do the work. He tells the tales of paradox, sound, light and healing. Visualizing, he’s merely a vessel, vulnerable to the gentle and telling breeze.
“I’m a conduit for something that moves through me and I just surrender to it,” Parayno says. “It’s like, ‘OK cool, well here we go.’ A lot of people don’t understand how that works. A lot of people will be like, ‘How do you deal with all that?’ I’m just cruising, you know. Cruising on this thing, and that’s what’s so magical to me about this is that it’s just a [expletive] ride.” Join Nahko and Medicine for the People on Fri, Oct. 2 with Phoenix-based opening act the Wiley One at Orpheum Theater, 15 W. Aspen. Doors for the all-ages show open at 7 p.m. and the music starts at 8 p.m. Tickets are $20 in advance and $22 the day of the show, and can be purchased in person at Aspen Deli, Campus Coffee Bean, Animas Trading Co. and Rainbow’s End, or online at www.orpheumflagstaff.com. For more info about the show, call 556-1580. To learn more about the band, visit www.nahko.com. Oct. 1–7, 2015 | flaglive.com
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REARVIEW
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By Jim Hightower
Grassroots democracy-building in Iowa
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emocracy is never given to us, but has to be won through constant struggle against elites who keep scheming to siphon ever-more of society’s money and power from the many into their own hands. A Woody Guthrie song about outlaws tells this story in one stanza: “As through this world I’ve wandered/ I’ve seen lots of funny men/ Some will rob you with a six-gun/ And some with a fountain pen.” American democracy is the gritty history of workaday folks who get fed up with the fountain pens, get organized, and get moving to stop the thievery. Gutsy grassroots confrontation is necessary for reclaiming, maintaining, and advancing our democratic values. To see an uplifting example of organized people-power in action, look to the heartland, where a coalition called Iowa Citizens for Community Improvement has been building democracy since 1975, uniting and empowering people of all ethnic backgrounds to push back against the avarice and arrogance of big-money corporations. With more than 3,000 dues-paying, activist members, CCI is organized in every Iowa county. They’ve rallied thousands of other Iowans to join their local and statewide actions, including winning battles against
factory-farm manure polluters, corporate wage thieves that prey on low-wage workers, payday lenders that trap poor people in cycles of debt with 300 percent interest rates, gas and electric companies that gouge customers, and banking interests that were either foreclosing on or refusing to lend to good farmers. Years ago, I came across a small moving company consisting only of two guys and one truck. But they had a big, can-do attitude, summed up in their advertising slogan: “If we can get it loose, we can move it.” That’s the operating model offered by CCI—get democracy loose at the grassroots level, and the people themselves will move it forward. For more info about CCI, go to www.iowacci.org. Jim Hightower is a best-selling author, radio commentator, nationally syndicated columnist and editor of The Hightower Lowdown, a populist political newsletter. He has spent the past four decades battling the Powers That Be on behalf of the Powers that ought-to-be: consumers, working families, small businesses, environmentalists and just-plain-folks. For more of his work, visit www.jimhightower.com.
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REARVIEW
Bartender wisdom Lasting lessons
A
few weeks ago at the Orpheum during intermission for the Friday night reading at the Northern Arizona Book Festival, I spied a face I hadn’t seen for years. Looking over the single malt selection was my high school chess coach, Jack Burden. Seeing him there wasn’t a complete surprise in that his talented daughter, poet Chelsey Burden, was reading her latest writing on the main stage that evening. I’d hoped that Jack might be in the crowd. He’d taught in Kingman just a few hours away on I-40, but I didn’t know if he was still there. I thought I’d heard a rumor that he’d retired from teaching at Kingman High School. He could have left the state, be long gone. But rumors aside, there he was peering over the selection a few stools down from me. It was in the late ’80s that I first met Jack (Mr. Burden) when he started up the chess club at Kingman High during the start of my junior year. We weren’t a band of kids that looked like prize-winning chess players; we’d never be confused with the next coming of Bobby Fischer. One of our top players worked hard on a ranch, another was a lanky baseball player. There were many Metallica shirts worn, not much of an intellectual aura in the air. But, of course, appearances didn’t much matter to Mr. Burden, for Mr. Burden didn’t look like your typical high school coach. For one, he wasn’t much older than the rest of us. I believe Kingman High was just his second teaching job at that time. He was also strong and fit. I’d seen him in the weight room after school bench-pressing more than 300 pounds—with perfect form. He was disciplined, organized, and taught literature. As he coached us, it seemed like he could do just about anything. On the long van rides to tournaments in Tuba City or Phoenix, he’d drive the van and play chess without looking at the board. With his eyes on the road, hands on 10 and 2 on the wheel, Dave Lowe and I would sit in the bench seat behind him with a magnetic chessboard. Dave would say, “C4.” “E5,” Mr. Burden calmly replied. And it was on. Dave, who would later be my college roommate at NAU, and even later go on to be the youngest President of a major market in PBS history (when he was 34 years old in Sacramento) would work with me on mustering our best English Opening against whatever wild King Pawn retort Mr. Burden constructed. As the mile markers rolled by, Mr. Burden would
By James Jay
almost always win. But winning a game was irrelevant to him. He was teaching us. In the short term: polishing our three openings he’d drilled into us (English when playing white or Sicilian or Lasker’s Defense when playing black.) He kept our styles unconventional, like all of us, to throw off our opponent and to make sure the little bit that we did know we knew very well. We won a lot of games this way. But the long game was more what Mr. Burden seemed interested in. The long game: he was showing us what we could do, if we put our minds to it. This was the era of Bo Jackson and the Bo Knows ads. Bo could leap over a VW Bug. Bo could run a 4.1 40-yard dash. Bo could be an MVP in both baseball and football. Bo could sell a horde of shoes for Nike. The ads were everywhere. But, while the rest of the commercialized world had Bo Jackson, in the high desert of Kingman we had Mr. Burden, who looked like a great athlete (and was) yet emphasized the discipline and value of our minds. While we played our matches, he’d play the other team’s coaches. He’d always win and when I asked about it, he was always genuinely humble. “It was a good game,” he’d say. “I worked on using my bishops.” Later, Dave would whisper to me, “I saw it. Mr. Burden had him by move eight. Once he fianchettoed it was over.” He taught us to work on our own game. Your opponent is nearly irrelevant. Your best matches are when you work on your own weaknesses. This message was priceless for a ragtag group of teenagers. So when I caught up with him during the intermission of those wonderful readings that evening, I have to admit I was still a bit star struck. Still thankful for his teaching. The lessons of great teachers only seem to grow, to strengthen with time, to become even more legendary. Let’s raise a toast to that, a hearty thank you. Slainte. For more than 20 years, James Jay has worked in the bar business from dishwasher, bouncer, bartender, bar manager to pub owner. He is the author of two critically acclaimed books of poetry and his poems have been selected for the New Poets of the American West anthology.
m o c . e v i l g Fla Oct. 1–7, 2015 | flaglive.com
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FlagstaFF athletic club’s
kids in motion Donate $25 or more to the FusD elementary school Pe programs & receive
50% OFF
the regular initiation fee!*
OPeN hOuse: saturday, Oct 24! go to our website for a list of special activities!!! www.flagstaffathleticclub.com
the week October 19th thru the 25th your elementary school student can bring the whole family into the club for FRee, and you earn credits for your child’s school each time you come! Your membership includes: 2 clubs, 3 Pools, 4 steamrooms, 6 Jacuzzis, 2 Kids clubs, 9 courts, Plus Much More!
For 23 years, Flagstaff Athletic club has been visiting FusD elementary schools as part of an outreach program called Kids in Motion. We have donated more than $115,000 for FusD elementary Pe programs.
Over 100 group Fitness classes a week including: Yoga, cycling, Zumba, step, Pilates, aqua X, les Mills *expires October 31, 2015
FACE: 526-8652 • FACW: 779-4593 www.flagstaffathleticclub.com 22
flaglive.com | Oct. 1–7, 2015
Northern Arizona’s Daily Event Listings
VARIOUS EVENTS | THU 10.1
Coconino Center for the Arts: New exhibition, Fires of Change. Featuring artwork and installations by 11 artists as they explore the wildfire epidemic in the Southwest. Runs through Oct. 31. Gallery hours are Tue-Sat, 11 a.m.-5 p.m. Free. 2300 N. Ft. Valley Road. 779-2300 Downtown Flagstaff: Flagstaff Eats. Walking food tours in downtown Flag. Two-and-a-half hours of walking and sampling food from seven different restaurants. Tours offered every weekend Thursday through Sunday. $40 per person. Sign up on www.flagstaffeats.com. 213-9233 Flagstaff CSA and Market: Weekly harvest from local, pesticide-free farms. Spaces open for the summer share. Prorated rate: $450 for full (weekly) shares and $240 for half (bi-weekly) shares. Runs through October. Come in Thu 1-7 p.m. for CSA pick-up. Open Mon-Fri 10 a.m.-6 p.m. and Sat-Sun 10 a.m.-2 p.m. with fresh, local produce. 116 Cottage Ave. 213-6948 Flagstaff Federated Community Church: Continuing Taoist tai chi and beginner class. Every Thursday. 5:30-7:30p.m. flagstaff.az@taoist.org. 400 W Aspen. 288-2207 Flagstaff Federated Community Church: Weekly Mindfulness Meditation every Thursday. Room 24 upstairs. 6:30 p.m. instruction, 7-8:30 p.m. sitting and walking meditation. 8:30 p.m. discussion. Come and go anytime. Free and open to all. 400 W. Aspen. 814-9851 Human Nature Dance Theatre and Studio: Individualized kung fu instruction in xingyi, bagua and taji. Every Thursday. 6-8 p.m. www. flagstaffkungfu.org. 4 W. Phoenix. 779-5858 Joe C Montoya Community and Senior Center: Hour-long small group guitar classes. Ages 13 and up. Two sessions every Thursday from 3-5 p.m. Flexible format, multiple styles. Registration required. $30 for five classes, and $4 materials. 245 N Thorpe. (505) 614-6706 Joe C Montoya Community and Senior Center: Guitar for absolute beginners. Short-term class teaches tuning, terminology, basic chords, melody and simple notation. Meets first three Thursdays of each month. $25 for three classes, and $4 materials. Ages 13 and up. Registration required. 245 N Thorpe. (505) 614-6706 Mary D. Fisher Theatre: Film screening: Racing Extinction. One night only. 4 p.m. and 7 p.m. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 The Museum Club: Line dance lessons. Every Tuesday and Thursday night from 6-7 p.m. $3. 3404 E. Rte. 66. 526-9434 The Museum Club: Flagstaff Swing Dance Club presents dance lessons every Thursday night from 7-8 p.m. Different dance style taught each month. 3404 E. Rte. 66. 526-9434 Museum of Northern Arizona: Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe. Juxtaposing old and new by identifying historic sites and making new contemporary photographs via re-photography. Runs through Nov. 1. Museum hours are Mon-Sat, 10 a.m.-5 p.m. and Sunday, noon-5 p.m. Regular museum admission rates apply. $12 adults (18 and up); $8 youth, students with ID and American Indians; children 10 and under are free. 3101 N. Ft. Valley Road. 774-5213 Museum of Northern Arizona: Thirsty Thursdays. New after-hours series celebrating the Museum’s recent National Medal win. Featuring music, dance, storytelling, and hands-on activities. Cash bar and food vendor on-site. 5 p.m. $5. 3101 N. Ft. Valley Road. 774-5213 Red Rock State Park: Guided nature walk at 10 a.m. Guest speaker or a ranger/naturalist gives a 45-minute talk at 2 p.m. Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907
OCT. 1–7, 2015 Rainbow Rooftop Lounge: Partnered dance night. Featuring salsa, zouk, West Coast swing, East Coast swing, kizomba, bachata and more. Hosted by Flagstaff Latin Dance Collective and Grand Canyon Salsa Festival. Every Thursday. 7 p.m.-midnight. Free. Every Thursday. 101 S. San Francisco. 774-3523 Simply Spiritual Healing: Thursday night meditation. Every Thursday. 6-7 p.m. $20. All are invited. 105 E. Birch. 779-6322
MUSIC EVENTS | THU 10.1
Cruiser’s Café: World musician Vincent Z. Noon-2:30 p.m. Every Thursday. 233 Historic Rte. 66. Williams. 635-2445 The Green Room: Natty Vibes. Reggae and rock from Hawaii. Opener: Kill Babylon Coalition. 9 p.m. $10. 15 N. Agassiz. 226-8669 Main Stage Theater: Acoustic Happy Hour with Llory McDonald. 4-7 p.m. Free. First Thursdays with Menagerie. 8 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Monte Vista Lounge: Karaoke with Ricky Bill. 9 p.m. Free. 100 N. San Francisco. 779-6971 Orpheum Theater: Ratatat. Rocktronica duo from Brooklyn, N.Y. Opener: Hot Sugar. Doors open at 8 p.m., show starts at 9 p.m. $27 in advance, $31 the day of the show. 15 W. Aspen. 556-1580 State Bar: Giant Steps Jazz Project. Jazz from Flag. 7 p.m. Free. 10 E. Rte. 66. 226-1282 The Spirit Room: Garrick Rawlings. 8 p.m. Free. 166 Main St. Jerome. (928) 634-8809
VARIOUS EVENTS | FRI 10.2
Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: Good People. Directed by Adrienne Bischoff and Paul Kulpinski. Performances Fri and Sat at 7:30 p.m. and Sun at 2 p.m. Play runs Oct. 2, 3 and 4 and Oct. 9, 10 and 11. Tickets are $16-$19 for evening shows and $13-$16 for Sun matinees. 11 W. Cherry. www. theatrikos.com. 774-1662 Downtown Flagstaff: First Friday Art Walk. Monthly event celebrating local artists and galleries. 6-9 p.m. Various locations downtown and on the southside. www. flagstaffartwalk.com Episcopal Church of the Epiphany: Taoist tai chi. Every Friday. 9-10:30 a.m. flagstaff. az@taoist.org. 423 N. Beaver. 774-2911 Flagstaff CSA and Market: First Friday ArtWalk featuring a fun-packed evening of music, food, art and friends. 6-10 p.m. Free. 116 Cottage Ave. 213-6948 Flagstaff Elk’s Lodge: Weekly all-you-can-eat Fish Fry. Fish fry begins at 6 p.m. and bingo starts at 7 p.m. $10. Must be 18 or older to participate in bingo. All proceeds benefit Elks Children Charities. Every Friday. 2101 N. San Francisco. 774-6271 The Green Room: Indigo Art Market during First Friday ArtWalk. Featuring paintings, jewelry, art prints and more from local and regional artists. 5:30-8:30 p.m. Free entry. 15 N. Agassiz. 226-8669 Lanning Gallery: “Landscape and Wood.” Showcasing paintings and hand-turned wood vessels by Marshall Noice and Robert Cherry. 5-8 p.m. during Sedona’s First Friday ArtWalk. Artist talk at 6 p.m. Runs through Oct. 11. 431 State Rte. 179. Hozho. Sedona. (928) 282-6865 Mary D. Fisher Theatre: 18th annual Manhattan Short Film Festival. Oct. 2-4. 4 p.m. Fri; 7 p.m. Sat and Sun. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177
OCT. 1–7, 2015 Turquoise Tortoise Gallery: “Master and Son: Larry Yazzie and Cody Yazzie.” Showcasing both artists’ stone and bronze sculptures 5-8 p.m. during Sedona’s First Friday ArtWalk. Artist talk at 6:30 p.m. Runs through Oct. 11. 431 State Rte. 179. Sedona. (928) 282-2262
MUSIC EVENTS | FRI 10.2
Altitudes Bar and Grill: Flat Fives. 5-8 p.m. Free. 2 S. Beaver. 214-8218 Flagstaff Brewing Co.: Pro-Teens, Ash Cashmere and Dent. 10 p.m. Free. 16 E. Rte. 66. 773-1442 The Green Room: Electric Kingdom. Monthly dance party following First Friday ArtWalk. Featuring Just Joe, Curtis Sea and Johnny Swoope. Visuals by Jahmontee. Aerial performances by Flagstaff Aerial Arts. Art and photography by Taylor Mahoney, Megan June and Olivia Spencer. 9 p.m. $5. 15 N. Agassiz. 226-8669 Main Stage Theater: First Fridays with DJ ill.Ego and more. 9 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 The Museum Club: Sundy Best. Country dup from Kentucky. 8 p.m. $10. 3404 E. Rte. 66. 526-9434 Oak Creek Brewing Co.: The Chosen. 8 p.m. Free. 2050 Yavapai Drive. Sedona. (928) 204-1300 Orpheum Theater: Nahko and Medicine for the People. World music collective from Portland, Ore. Opener: The Wiley One. Doors open at 7 p.m., show starts at 8 p.m. $20 in advance, $22 the day of the show. All ages.15 W. Aspen. 556-1580 Rainbow Rooftop Lounge: Skoolboy. Laid back house music all night long. 7 p.m. Free. Every Friday. 101 S. San Francisco. 774-3523 The Spirit Room: Dog of the Moon Friday. 1 p.m. Free. Sugar Thieves. 8 p.m. Free. 166 Main St. Jerome. (928) 634-8809 State Bar: The Deltaz. Blues from L.A. 7 p.m. Free. 10 E. Rte. 66. 226-1282
VARIOUS EVENTS | SAT 10.3
Coconino Center for the Arts: PLATE. Annual gathering of Flagstaff Arts and Leadership Academy students and supporters to discuss FALA community based art projects. Enjoy a Simply Delicious meal, wine and live music. A vote will take place for the best proposal and the winning student will receive a $1,000 grant for their project. 5:30 p.m. Tickets are $25. 2300 N. Ft. Valley Road. 779-7223 Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: Good People. Directed by Adrienne Bischoff and Paul Kulpinski. Performances Fri and Sat at 7:30 p.m. and Sun at 2 p.m. Play runs Oct. 2, 3 and 4 and Oct. 9, 10 and 11. Tickets are $16-$19 for evening shows and $13-$16 for Sun matinees. 11 W. Cherry. www. theatrikos.com. 774-1662 Flagstaff Recreation Center: Zumba class. Every Saturday at 10:30 a.m. $5. 2403 N. Izabel. 779-1468 Galaxy Diner: Swing Dance Club every Saturday. Lessons from 7-10 p.m. Free. 931 E. Historic Rte. 66. 774-2466 James Cullen Park: Continuing Taoist tai chi. Every Saturday 9-10:30 a.m. flagstaff.az@taoist.org. Bonito/Hopi and Apache. 288-2207 Jerome: First Saturday Art Walk. Featuring various local and regional artists at various Jerome locations. 5-8 p.m. (928) 649-2277
Mary D. Fisher Theatre: 18th annual Manhattan Short Film Festival. Oct. 2-4. 7 p.m. Sat and Sun. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Mary D. Fisher Theatre: Met Live Opera: Il Travatore. Two showings. 10 a.m. (live simulcast); 3 p.m. (encore). Pre-opera talks 45 minutes before each show. $20 general admission, $18 Sedona Film Fest members, $15 students. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Murdoch Community Center: Zumba class. Every Saturday at 9 p.m. $5. 203 E. Brannen. 226-7566 Red Rock State Park: Saturday and Wednesday daily bird walks. 7 a.m. Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907 Wheeler Park: Seventh annual Flagstaff Oktoberfest. Featuring live music, food, beer, wine and fun. 11 a.m.-8 p.m. $5 at the entrance (cash only). On Humphreys between Aspen and Birch. 606-7600
MUSIC EVENTS | SAT 10.3
Altitudes Bar and Grill: Gina Machovina. 5-8 p.m. Free. 2 S. Beaver. 214-8218 Cruiser’s Café: John Carpino. Singer-songwriter from northern Arizona. 5:30-9:30 p.m. Every Saturday. 233 Historic Rte. 66. Williams. 635-2445 The Green Room: Phutureprimitive. Electronica from Portland, Ore. Opener: Bass Physics. 8 p.m. $12 in advance, $15 the day of the show. 15 N. Agassiz. 226-8669 Historic Brewing Co.: Two-Year Anniversary Party. Featuring a full-blown big roast, the release of a special barrel-aged anniversary ale, fire-pits and s’mores and a performance by the Haymarket Squares. 5 p.m. $15 in advance, $20 at the door. At the Brewery + Taproom on the eastside. 4366 E. Huntington Drive. 707-0900 Main Stage Theater: The Invincible Grins. 9 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Oak Creek Brewing Co.: Jeordie. 3 p.m. Free. Open mic with James Turner. 8 p.m. Free. 2050 Yavapai Drive. Sedona. (928) 204-1300 Orpheum Theater: Zappa Plays Zappa: One Size Fits All 40th Anniversary Tour. Doors open at 7 p.m., show starts at 8 p.m. $39-$60. All ages.(Dweezil Zappa Guitar Masterclass at Arizona Music Pro. 3 p.m. $75.) 15 W. Aspen. 556-1580 Rainbow Rooftop Lounge: Live @ 5. Featuring Jane Brooks with weekly special guests. 5 p.m. Free. Every Saturday. 101 S. San Francisco. 774-3523 The Spirit Room: David Parker and the Big Time. 2 p.m. Free. Johnny Lingo Trio and ArtWalk Saturdays. 9 p.m. Free. 166 Main St. Jerome. (928) 634-8809 State Bar: The Deltaz. Blues from L.A. 7 p.m. Free. 10 E. Rte. 66. 226-1282
Got a Money $hot?
VARIOUS EVENTS | SUN 10.4
Canyon Dance Academy: Flag Freemotion. Ballroom dance lessons and dancing every Sunday. Learn social and ballroom dancing. 5-7 p.m. No partner needed. $8, $5 for students. 853-6284. 2812 N. Izabel. 814-0157 Doris Harper-White Community Playhouse: Theatrikos Theatre Co. Presents: Good People. Directed by Adrienne Bischoff and Paul Kulpinski. Performances Fri and Sat at 7:30 p.m. and Sun at 2 p.m. Play runs Oct. 2, 3 and 4 and Oct. 9, 10 and 11. Tickets are $16-$19 for evening shows and $13-$16 for Sun matinees. 11 W. Cherry. www. theatrikos.com. 774-1662
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VARIOUS EVENTS | SUN 10.4
Flagstaff Arts and Leadership Academy: Flag Freemotion. Conscious movement/freestyle dance. Moving meditation to dance-able music. Minimum instruction and no experience required. Every Sunday. 10:30 a.m. www.flagstafffreemotion. com. 3401 N. Ft Valley Road. 225-1845 Flagstaff City Hall: Flagstaff Community Market. 8 a.m.-noon. Free. Runs through Oct. 18. www.flagstaffmarket.com. Human Nature Dance Theatre and Studio: Weekly Flagstaff Zen Sangha Meditation. 8:30 a.m. Free. Every Sunday. Sutra service, walking meditations (kinhin), and two 25 minute sitting meditations (zazen). First time come at 8 a.m. for orientation. 4 W. Phoenix. 773-0750 Mary D. Fisher Theatre: 18th annual Manhattan Short Film Festival. Oct. 2-4. 7 p.m. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Mary D. Fisher Theatre: Othello. Big screen premiere from the Royal Shakespeare Co. in England. 3 p.m. $15, $12.50 Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Monte Vista Lounge: Sunday Night Trivia with Lindsay and Savanna. Every Sunday. 9 p.m. Free. 100 N. San Francisco. 779-6971 Rainbow Rooftop Lounge: Game Night in the Whyld Ass Restaurant and Zumba with Jimmy on the rooftop. 7 p.m. Free. Every Sunday. 101 S. San Francisco. 774-3523 State Bar: Poetry Night hosted by Barley Rhymes. Every first and third Sunday of the month. 8 p.m. signup. Free. 10 E. Rte. 66. 226-1282 Tranzend Studio: Flagstaff Latin Dance Collective. Lessons: beginner and all level fundamentals, technique and musicality. 7 p.m. Open dancing in main room with salsa, bachata, merengue and cha cha; side room with zouk and kizomba until 10 p.m. Every Sunday. $10 drop-in, $8 for students. 417 W. Santa Fe. 814-2650
MUSIC EVENTS | SUN 10.4
1899 Bar and Grill: Vincent Z. Acoustic world music. Every Sunday. 6:30-8:30 p.m. 307 W. Dupont. 523-1899 Ardrey Auditorium: A Family Affair. Concert featuring the NAU Symphony and members of the NAU Community Music and Dance Academy performing Tchaikovsky’s Sleeping Beauty Suite, along with Wagner’s Ride of the Valkyries, Stravinsky’s Violin Concerto in D, and Bartok’s Roumanian Folk Dances. 3 p.m. $10 general admission, $5 seniors and NAU employees, free for students and youth. All ages. 115 S. Knoles Drive on the NAU campus. Tickets at www.ticketing.nau.edu.com. 523-5661 Cruiser’s Café: John Carpino. Singer-songwriter from northern Arizona. 5:30-9:30 p.m. Every Sunday. 233 Historic Rte. 66. Williams. 635-2445 Flagstaff Brewing Co.: The Prowlers. 2-5 p.m. Free. 16 E. Rte. 66. 773-1442 The Green Room: Super Sunday Karaoke. 8 p.m. Free. Every Sunday. 15 N. Agassiz. 226-8669 Josephine’s: Vincent Z for brunch every Sunday. Acoustic world music. 10 a.m.-1 p.m. 503 N. Humphreys. 779-3400 864-7072 The Museum Club: El Potro de Sinaloa. Conjunto and banda singer from Mexico. 9 p.m. $30. 3404 E. Rte. 66. 526-9434 The Spirit Room: The Mods. 2 p.m. Free. 166 Main St. Jerome. (928) 634-8809
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OCT. 1–7, 2015
VARIOUS EVENTS | MON 10.5
Charly’s Pub & Grill: Game night. 5-8 p.m. Free. 23 N. Leroux. 774-2731 Episcopal Church of the Epiphany: Taoist tai chi. Every Monday. 10:30 a.m.-noon. flagstaff.az@taoist.org. 423 N Beaver. 288-2207 Flagstaff Recreation Center: Zumba class. Every Monday. 6 p.m. $5. 2403 N. Izabel. 779-1468 The Green Room: Weekly trivia night hosted by Martina. Every Monday. 6:30-8 p.m. Free. 15 N. Agassiz. 226-8669 Human Nature Dance Theatre and Studio: Tango classes. Fundamentals: 6-6:30 p.m. $5. Figures and Techniques: 6:30-7:30 p.m. $10. (Both classes for dancers having completed a beginner dance series). Practica: 7:30-9 p.m. Practica included in price of class. 4 W. Phoenix. 773-0750 Mary D. Fisher Theatre: Film screening: This is Happening. 7 p.m. Mon; 4 p.m. and 7 p.m. Tue. (4 p.m. and 7 p.m. Thu, Oct. 8.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Mary D. Fisher Theatre: Made in Sedona! with film historian Jeff Berg. 4 p.m. $6. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Prochnow Auditorium: Book signing and talk with ecologist, paleoclimatologist and science journalist Curt Stager. 7-8:30 p.m. Free and open to the public. On the NAU campus. Tickets at www.nau.edu/cto. 523-5661 Uptown Pubhouse: Narrow Chimney Reading Series. Jessica Clark and Lydia Parr. For a complete list of series authors, see Facebook. 7 p.m. Free. 21 and over. 114 N. Leroux. 773-0551
MUSIC EVENTS | MON 10.5
Campus Coffee Bean: Open Mic night. Every Monday. 6-8 p.m. ccbopenmic@gmail.com. 1800 S. Milton Road. 556-0660 Cruiser’s Café: World musician Vincent Z. Noon-2:30 p.m. John Carpino. Singer-songwriter from northern Arizona. 5:30-9:30 p.m. Every Monday. 233 Historic Rte. 66. Williams. 635-2445 The Green Room: Karaoke. 8 p.m. Free. Every Monday. 15 N. Agassiz. 226-8669 Hops on Birch: Open mic night. Every Monday. 8:30 p.m. sign-up. 9 p.m. start. 22 E. Birch. 774-4011 Main Stage Theater: Karaoke Service Industry Night. 8 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Mia’s Lounge: Record Club. Weekly vinyl appreciation night with host Cory Sheward. 9 p.m. Free. 26 S. San Francisco. 774-3315 The Museum Club: Open mic night. Every Monday. 8 p.m. Free. 3404 E. Rte. 66. 526-9434 Olde Sedona Bar and Grill: Jam session/open mic every Monday. 9 p.m. 1405 W. Hwy. 89A. Sedona. (928) 282-5670
VARIOUS EVENTS | TUE 10.6
Cline Library Assembly Hall: NAU’s College of Arts and Letters Classic Film Series. “Cinematographers: Masters of Light.” Petulia (1968). Directed by Richard Lester. 7 p.m. Free. NAU campus. 523-8632 Firecreek Coffee Co.: Speak Up: Bridging the gap between local people and local politics. Forum for Flag residents to connect with local politics. 5 p.m. Free. Every Tuesday. 22 E. Rte. 66. 774-2266
OCT. 1–7, 2015 The Green Room: Tiny Punches Improv Comedy Night. Featuring NAUghty Bits. 8 p.m. Free. 15 N. Agassiz. 226-8669 Hops on Birch: Trivia night with Eric Hays. Every Tuesday. 8:30 p.m. sign-up. 9 p.m. start. 22 E. Birch. 774-4011 Mary D. Fisher Theatre: Film screening: This is Happening. 4 p.m. and 7 p.m. Tue. (4 p.m. and 7 p.m. Thu, Oct. 8.) $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 The Museum Club: Line dance lessons. Every Tuesday. 6-7 p.m. $3. 3404 E. Rte. 66. 526-9434 Ponderosa High School: Beginner Taoist tai chi. Every Tuesday 5:30-7 p.m. Followed by continuing Taoist tai chi. Every Tuesday. 7-8:30 p.m. flagstaff.az@taoist.org. 2384 N. Steves. 288-2207 Rainbow Rooftop Lounge: Cult Circus. ’80s movies. 6 p.m. Black Box talks with guest speakers. 8 p.m. Free. Every Tuesday. 101 S. San Francisco. 774-3523 State Bar: High Bar Stand-Up Comedy Night. Hosted by Barley Rhymes’ Davey Latour. Flagstaff’s finest and funniest take the stage for an evening of stand-up comedy. Every 1st and 3rd Tuesday. All are welcome to participate. 7 p.m. signup, 8 p.m. start. Free. 10 E. Rte. 66. 226-1282 Taala Hooghan Infoshop: Dharma Punx meditation group every Tuesday. 8:15 p.m. 1700 N. 2nd St. www.taalahooghan.org Temple of the Divine Mother: Unplug and Recharge Meditation: Come join us to unplug from stress and recharge your being by learning moving, sound, & guided meditation. Every 2nd and 4th Tuesday of the month. Ongoing from 7-8:30 p.m. by donation.
MUSIC EVENTS | TUE 10.6
The Green Room: Honky Tonk Tuesdays. Featuring DJ MJ. Every Tuesday. 8 p.m. Free. 15 N. Agassiz. 226-8669 Main Stage Theater: Open mic with DL Harrison. 8-11 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Mia’s Lounge: Jazz Jam. Weekly house band jam session hosted by Ron James, Brad Bays and Chris Finet 9 p.m. Free. Every Tuesday. 26 S. San Francisco. 774-3315 Monte Vista Lounge: Karaoke with Ricky Bill. 9 p.m. Free. 100 N. San Francisco. 779-6971 Oak Creek Brewing Co.: Drumz and Dance Party. Free. 6:30 p.m. 2050 Yavapai Drive. Sedona. (928) 204-1300 Orpheum Theater: Israel Vibration. Reggae from Kingston, Jamaica. Opener: Summit Dub Squad. Doors open at 7 p.m., show starts at 8 p.m. $22 in advance, $25 the day of the show. All ages.15 W. Aspen. 556-1580 Uptown Pubhouse: Poet’s Den. Bi-weekly poetry and literary night. Hosted by Molly Wood. Featuring the collective works of a new poet with each go ‘round. This time: A special hip-hop Poet’s Den. Signup at 7:30 p.m. followed by readings of the featured poet and an open mic. Every second and fourth Tuesday of the month. Free. 114 N. Leroux. 773-0551
VARIOUS EVENTS | WED 10.7
Charly’s Pub & Grill: Team trivia. 7 p.m. 23 N. Leroux. 774-2731 Firecreek Coffee Co: Poetry slam. Every Wednesday. Signup at 7 p.m., 8 p.m. start. 22 E. Rte. 66. 774-2266 Flagstaff CSA and Market: Weekly Wednesday Meditation. Guided meditation and open discussion. Anyone is welcome to join. Every Wednesday. 9-10 a.m. 116 Cottage Ave. 213-6948 Flagstaff Recreation Center: Zumba class. Every Wednesday. 7 p.m. $5. 2403 N. Izabel. 779-1468 Jim’s Total Body Fitness: Flagstaff Latin Dance Collective. Six week salsa dance fundamentals. 6-7p.m. $15 drop in, $20 for couples. Every Wednesday. www.latindancecollective.com. 2150 N. 4th St. 814-2650 Liberal Arts Building: The NAU International Film Series presents: “Watching: Surveillance and Security.” Red Road (U.K. 2006). Screening a new film every Wednesday. 7 p.m. Free. Room 120. North NAU campus. 523-8656 Lumberyard Brewing Co.: Extreme Wednesdays. Showing extreme sports videos. Free. 10 p.m. 5 S. San Francisco. 779-2739 Mary D. Fisher Theatre: Film screening: Radical Grace. One night only. 4 p.m. and 7 p.m. $12, $9 for Sedona Film Fest members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 Main Stage Theater: In House Dart and Pool Leagues. 6 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 Majerle’s Sports Grill: Trivia night. Every Wednesday. 7 p.m. 102 W. Rte. 66. 774-6463 Murdoch Community Center: Zumba class. Every Wednesday at 5:30 p.m. $5. 203 E. Brannen. 226-7566 The Peaks: Beginning ballroom dance lessons. 7-8:15 p.m. Every Wednesday. Free. No partner needed. Different dance starts each month and builds through the month. Next to the Museum of Northern Arizona. Held in the activity room. Dance calendar at www.flagstaffdance.com. 3150 N. Winding Brook Road. 853-6284 Red Rock State Park: Saturday and Wednesday daily bird walks. 7 a.m. Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907
“Fall” in love with
MUSIC EVENTS | WED 10.7
The Green Room: Soulective. DJs spinning funk, dance, hip-hop and EDM. Every Wednesday. 8 p.m. Free 15 N. Agassiz. 226-8669 Mia’s Lounge: Open mic night. Weekly talent showcase with host Jeff Nickel. 9 p.m. Free. Every Wednesday. 26 S. San Francisco. 774-3315 Rainbow Rooftop Lounge: Encore Karaoke. 7 p.m. Free. Every Wednesday. 101 S. San Francisco. 774-3523 The Spirit Room: Don Cheek hosts open mic. 8 p.m. Free. 166 Main St. Jerome. (928) 634-8809
To have an event included in the Pulse calendar e-mail calendar@flaglive.com or mail info to Flagstaff Live, Attn: Pulse Calendar Submissions, 1751 S. Thompson St., Flagstaff, AZ 86001. The deadline is every Friday by 5 p.m. for the following week’s issue. All events are subject to change, subject to editing, and may have to be cut entirely due to limited space in Flag Live. For more info, call 779-1877. Oct. 1–7, 2015 | flaglive.com
25
The Write Now Round 20 W rite now and be read! Flag Live invites you to submit your free-write for consideration for publication. With the first issue of each month we post a writing prompt followed by a 3/4 page of blank lines. You write (legibly, please!) a story, poem or creative non-fiction piece on the form or in a one-page, double-spaced Word document typed in Time New Roman, size 14 font. (Please note: submissions that exceed or do not meet the outlined criteria will not be accepted.) You can use your smartphones, digital cameras or scanners to create an image document of your writing and send it—or your one-page, double-spaced Word doc to Andrew Wisniewski at andyw@flaglive.com by Fri, Oct. 9 at 5 p.m. Author and writing mentor Mary Sojourner will read submissions and choose a writer to be featured in Flag Live the last week of the month. The cycle will continue with a new prompt and new winner each month. Watch for it … and Write on!
Round 20 Prompt: Country road, moonless night, a car/truck is half in a ditch, one or more people are crouched at the side of the vehicle. One person’s phone glows, the only light to be seen. Have at it. Work all your senses into the writing.
26 flaglive.com | Oct. 1–7, 2015
7th annual
FlagstaFF OktOberFest
this Saturday! wheeler park • 11 am – 8pm
live music, con cont tests, fun for the whole family y! Benefiting Feeding Northern Arizona’s Future Ar
kids 12 & under are free!
sponsors:
flagstaffoktoberfest.com
COmICS
to create false emissions readings when they were tested—to circumvent the EPA standards. That is just too crazy to comprehend. What is the world coming to?
Proudly presented by the staf at
May sweet, sweet Carol never learn that I’ve been working with German auto engineers to create a vehicle designed for older gentlemen who embrace their lothario-like ways. The BMW Philanderer includes waterbed-style seats that go all the way back, a trunk that converts to a hot tub, mirrored ceilings, crushedred velvet interior and a Barry White CD that is, sorry I cannot baby, stuck and won’t come out and just keeps believe the on playing as we glide into that cool, people at Volkswagen mysterious night. actually designed the car
Larry &Carol
Oct. 1–7, 2015 | flaglive.com
29
Vote For the Best!
THE ORIGINAL BEST OF FLAGSTAFF VOTERS EVENT THERE WILL BE 4 VOTING SECTIONS
➧ YOUR FAVORITES ➧ SERVICES ➧ DINING AND ENTERTAINMENT ➧ SHOPPING Each sections will have a series of “Best Of” questions and selection of nominee’s. Listed businesses where compiled from last year’s submitted nominees.
IF YOU WOULD LIKE: Add Your business in the nominee selection, A Voting Poster for your business or Information on advertising opportunities JUST CALL 928-556-2279
WHO: Anyone can vote. Only one ballot per person. WHAT: Best of Flagstaff is a yearly tradition to distinguish the best of the best! WHERE: Vote online only! Go to azdailysun.com/bestof, register using your email address, and vote for the Best! WHEN: Vote online September 30th - October 21st, 2015. All ballots must be completed before 11:59 pm on October 21st , 2015. Winners will be announced in the Best of Flagstaff Magazine published on December 13th , 2015
Classifieds ADOPTION
MISCELLANEOUS
GARAGE SALES SOUTH
ADOPTION:Happily Married Couple, Successful NYC Fashion Exec & Stay-Home Dad, Beaches, Travel, Unconditional LOVE awaits baby. Expenses paid 1-800-989-6766
• CANCER • Compensation www.cancerbenefits.com Or call 800-414-4328 SEAMLESS RAINGUTTER $3.95/FT, $65.00/Downspout Installed. Single Story, $275 min, Pro Install Lic-Bonded-Ins since 1980. Call: 928-890-8841 or Email: rainguardaluminum@yahoo.com
GIANT MOVING SALE!! Dining set, wing chairs, rockers, ceramics, glassware, lamps, household items, cookware. 362 Kiowa, Mtnaire. SAT 10/10 & SUN 10/11 7am-3pm
APPLIANCE REPAIR Appliance Repair in your home. Best in Flagstaff w/23 yrs Exp & Insured. Call Russ @928-863-1416
CONCRETE QUALITY CONCRETE Free Est. Chris 928-255-3548. Not a Licensed Contractor
FIREWOOD FIREWOOD FOR SALE Juniper $170 & Oak $240 cord. Jose (928) 863-0147 Andy (928) 600-4618 JPC HOME IMPROVEMENT SERVICES by Juvy JUNIPER, $150 cord. 928.606.6335 Dry hard clean burning barkless aspen $165/cord. Pine $135/cord. Mixed $145/ cord. 2 cords or more, save $10 per cord. Cut 16”, split & del. Allow 1wk del. 928-587-8356 Ramirez FIREWOOD FOR SALE Call 928-310-0012 Aspen & Juniper Firewood For Sale. Ready to burn. Call for info: 779-0581
HANDY PERSON
HOUSE CLEANING Hassle Free House Cleaning Detailed Reliable Service. Lic & Ins Laura @ 928-226-0349
LANDSCAPING AFFORDABLE LANDSCAPE. ALL PHASES OF LANDSCAPE, PAVERS, & MORE. OVER 25 YRS EXP. CALL 928-606-9000 Peak Prop. Maint & Landscape LLC ROC#297647 ALL-N-LANDSCAPING, Paver Patios, Walkways, Edgers, Planting, Clean-up, Irrigation Main’t Free Est. Not a licensed contractor Call Juan & Betty@ 928526-2928. Kikos Landscaping Pine Needles, Yard Clean-up Francisco Valdez 928-2219877 or 814-4787 message Not a licensed contractor All sprinkler winterizing & blow-outs, system shut-downs. 928-310-0419
MASONRY Brick, Block, Stucco, Stemwalls, & Repairs. 44 yrs Exp! 853-3310. Not a Licensed Contractor.
PAINTING “Nick the Painter”, 25 yrs exp. Top Quality, Low Prices Small Jobs OK. Ref Avail. Interior/Exterior 928-310-1862. Not a licensed contractor.
SEWING SEWING BY CATHY One Day Service - Dressmaking, Alterations & Repairs. 779-2385
SNOW REMOVAL Driveways, Sidewalks, Roofs, Bobcat and Blower Can Pre-Schedule. 928-3100419
TREE SERVICE TREEWORK: Trimming, hand pruning, removals, hedges. We love small jobs! I cut, you clean, haul option, you save $. Not a Licensed Contractor John 928-380-7820 Exp Arborist General Tree Service and Landscaping, tree, trimming, stone work, stucco, painting. 928-963-1248 Not a licensed contractor
HELP WANTED Allen’s Pumpkin Patch Now hiring lot & labor help. Call Jeff between 6p-8p at 928-214-0242 Service Tech for Golightly Tire Starts at $12/hr + training or negotiable w/ exp. Need current Driver’s License & must have flexible hours. Apply until 10/13 at 3900 E. Huntington Drive
MAINTENANCE AND REPAIR Bella Investment Group is looking for you to join one of our largest and busiest apartment communities in Flagstaff! If working with a fun, energetic team utilizing your painting skills and maintenance magic while serving our residents sounds exciting to you; then I want to hear from you! Reach out to me at: careers@ bellainvgroup.com and tell me why you are the perfect fit (include resume).
MISC FOR SALE Floral Cooler, slightly used in Flagstaff. Contact Dave or Irma at 928-526-0421. $1500
GARAGE SALES EAST Fri/Sat/Sun 8a-3p 7805 E Gemini Dr (Doney Park). BMW, Ride & Mulch mower, tools, garage benches & shelves, furniture & much more
GARAGE SALES WEST RAILROAD SPRINGS 66 COMMUNITY YARD SALE. Saturday, October 3, 2015; 8:00 AM - 2:00 PM. Old Route 66 to Railroad Springs Blvd. or Northwestern Blvd.
HOMES FOR SALE Mountainaire-5 bdrm/3bath, 2700 sq. ft., Double lot. Fenced yard, 2 car garage. Needs new flooring. 928-525-9466 FSBO Best of Flagstaff 4 bdrm/3.5 ba, 3860 sq.ft., 1.5 acre lot, (largest in Amberwood); Front = mtns/Back = forest Heated driveway! 2nd home, barely lived in. 602-620-6969 FSBO-3Bdrm House on 1 acre bordering National Forest. Adjacent lot also available. (928) 853-3692
LOTS FOR SALE RESIDENTIAL PRESIDIO IN THE PINES! 2 LOTS! BUILDERS, GET INTO THIS NEIGHBORHOOD! HOMEOWNERS, HAVE A LOCAL BUILDER BUILD YOUR MOUNTAIN DREAM HOME! CALL 928-6074895 TO MAKE AN OFFER $76,000
HOMES UNFURNISHED Parks Area 3+2 mfg. home on almost half acre, fenced, Next to RR crossing, Income producing water well, Owner carry preferred MLS#162865 Mark O/A 928-856-1144 $975/mo. markjcooper1@ gmail.com 3 bdrm/2bath, 2.5 acres, Horse Property. 1st and Last month’s rent plus deposit. 928-205-3752
APARTMENTS UNFURNISHED 2bdrm, all appliances, well insulated with dual windows and yard. Across from Killip School and near bus stop. $915/mo. 1yr lease. $1000 deposit. 928-853-7453
FOR LEASE High Visibility Location 516 N. Humphreys 918 sq. ft office space with full bath & kitchen, 32 X 28 outbuilding and 5 parking spaces. $1700 NNN Linton Real Estate (928)606-5096
DOMESTIC AUTOS Beautiful 1985 Corvette, Body by Duscho. Runs great! $9,000 or trade for 4WD. 928-637-5810
TRUCKS 1971 PUMPER FIRETRUCK American La France - Use for Fire Mgmt, Parades, Advertising, or FUN! On Lake Mary Road REDUCED $3900. 928-284-4226
4 WHEEL DRIVE 2013 Ford F250, 44K mi., 2 inch lift, automatic, supercab, loaded, 6.7 diesel, custom wheels, new Michelin tires. $37,500. 928-380-9040 03 F150 Lariat, 4X4 Off the road, Crew Cab, 5.4 L, Triton V8, Auto, Leer bed cover, 76,500 mi. $16,500 OBO (480) 694-1920
BOATS
60’ Houseboat Rental, 4days/3nights. Use between 10/01/15 to 05/15/16. $2,500. 928-380-6301
MOTORCYCLES
2007 Harley Davidson Electra Glide Classic $9,000. Great Bike, Has Stage One kit and Tuner installed, Klock Werks windshield, both tires replaced 3000 miles ago, 38,700mi. Call or text 928699-0680. CASH FOR NON RUNNING MOTORCYCLES 928-202-8654
5TH WHEELS
2015 43’ Royal Travel w/4 slides, W/D, self contained, 2 bdrms, queen size bed and bunkbeds, big appliances, $39350. 618-708-1520
BARGAIN CORNER
Shop Vac, $40; Air Compressor, $75; Pressure Washer, $100. Call 928-853-3381 Maytag Neptune Washer & Dryer, Front Loaders $300 Call 928-699-4590. Super Vintage Bianchi racing bike, $300 Piaggio with pump; 928-607-2123 Mitsubishi 55” Projection TV. HDTV, loaded with features. Excellent Condition. Only $75. 928-637-8849 Mahogany Credenza//Buffet 60”L x 20”D x35”H. 1950s, Nice, Lots of storage, Serpentine front. $225. 200 VCR movies 3/$1. 928-525-1814 JFK Campaign Button - when tilted it changes from photo to “The Man for the ‘60’s”, $50; Never used dog door insert for glass door, $49; 928-607-1082 Office size fooseball table, good condition $100. 5ft long-Salman Mosley Lithium ProX90 Alu/Stainless Snowboard $50. Snowboard boots, size 10 $40. 928527-8881 Drafting table - adjustable, melamine top, 31”Wx25”Dx33”H, $25. Call 928-5270071 Deer Rifle 8mm, 98K German; excellent shape and bore. 30 rounds of ammo, $299 firm 774-7114 Down Parka, worn 6x, $30; Mountainsmith Circuit II, never used, $150; Tecnica Icon XR, size 9, $30; K2 Axis Pro 180, $25; 928-310-6326
QUALITY ASS
URED
www.flaglive.com
Handy man, framing, roofing, repair, decks, tile & more. Reasonable prices. Call 380-4486 Not a Licensed Contractor Hire A Vet. Hard Working Marine. Truck/ Trailer, Paint, Roof, Labor. CDL Class A. Call Bill (928) 856-0539 Not a licensed contractor. Affordable Repairs. Home, Yard, Office. All Kinds! Tony 525-4586 Not a Licensed Contractor A1 Handyman! Call Mike’s Tool Box Decks, tile, doors/windows, paint. Mike, 928-600-6254 Free Estimates Not a Licensed Contractor
MOVING Professional Moving Service call Quick Move Local/long distance or labor only. 928-779-1774
SMALL MACHINERY SNOW BLOWER SALE HONDA & ARIENS FINANCING AVAIL, OAC, CALL FOR DETAILS, FLAG EQUIP 928-774-1969
COLLECTOR & ANTIQUE AUTOS
1970 Ford Stepside, 4 speed, fresh 302 V8, new tires, new wheels, disc brakes, power strg, dual exhaust, $17,500 obo Call 928-699-3067
FLAGSTAFF LIVE GENERAL INFO Phone: (928) 774-4545 Fax: (928) 773-1934 | Address: 1751 S. Thompson St. , Flagstaff, AZ 86001 Hours of Business: Monday–Friday, 9 a.m.–5 p.m. | On the Web: www.flaglive.com Distribution: Hard copies of Flagstaff Live are available free of charge every Thursday morning at more than 200 Flagstaff, Sedona and northern Arizona locations. Please take only one copy per reader. Feel free to call or e-mail us with any distribution questions or if you want to become a distribution point for Flag Live. Copyright: The contents of Flagstaff Live and its Web site are copyright ©2015 by Flagstaff Publishing Co. No portion may be reproduced in whole or in part in any form without permission. Disclaimer: Views and opinions expressed within the
Leland Roofing Laborers/Roofers Leland Roofing is looking for laborers/ roofers with own tools & transportation. Experience preferred.
Call 928-699-8517 Commercial & Residential • ROC 178580 Licensed • Bonded • Insured Voted Best Roofing Company 2015 by the Flagstaff Business Journal
pages of Flagstaff Live or its Web site are not necessarily those of Flagstaff Publishing Co. Any reader feedback can be mailed or e-mailed to the editors. Freelancers: Flagstaff Live accepts freelance submissions for its pages and Web site. Any story pitches or unsolicited work can be e-mailed or mailed to the editors at the above addresses. Advertising: For the current Flag Live advertising rate card, see www.flaglive.com, or contact Kim Duncan at (928) 556-2287 or kduncan@flaglive.com
Oct. 1–7, 2015 | flaglive.com
31
THE GREEN ROOM-REDEFINING FLAGSTAFF NIGHT LIFE
10-12-15
ON SALE NOW TODAY IS THE DAY | $12/$15 |16+ EVERYSUNDAY
SATURDAY
UPCOMING SHOWS FLAGSTAFF'S #1
KARAOKE Every Sun & Mon
10/01 NAU FILM SERIES- Shatter Sky 5pm 10/08 Big Pine Comedy Festival 10/09 BUKU 10/10 Big Pine Comedy Festival 10/12 Today is the Day (16+) 10/16 Wes Williams Band
0
EVERY WEDNESDAY
THURSDAY
SUNDAY
TUESDAY
PRESENTS $4 90 SCHILLING EVERY DAY!
10/17 ONE.DEEPER 10/20 Dead horse Trauma (16+) 10/24 Tequila Sunrise 10/24 RECESS 10/29 Gaudi 10/31 Crowbar
11/05 PIMPS OF JOYTIME 11/07 Okilly Dokilly (16+) 11/12 Russ Liquid 11/18 Random Rab/Bird of Prey 11/20 MURS/KING FANTASTIC (16+) 11/21 Fetish Ball
WWW/FLAGSTAFFGREENROOM/COM | 15 N/ AGASSIZ | (928) 226-8669
5 6
FUNDRAISERS TO DATE
BUKU / SON OF KICK | $12/$15
EVERY TUESDAY
FRIDAY
10-09-15
ON SALE NOW
3
5
BEER OF THE WEEK:
BUTTE CREEK ORGANIC PILSNER
Primo's
CHICAGO STYLE
HOT DOGS
WED-SAT 7PM12AM & SUNDAYS 10AM-12AM