Live 22 12

March 17–23, 2016 |

Vol. 22 Issue 12

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FREE

The Good Ship Lolipop Records rights its course

By Diandra Markgraf

10

SCREEN

10 Cloverfield Lane

12

18

Eliza Gilkyson

Elephant Revival

MUSIC

MUSIC

CONTENTS

curbside to fireside

» VO L . 2 2 , I S SU E 1 2

M A RC H 17 – 2 3 , 2 0 1 6

Max Pain and the Groovies will perform as part of the Lolipop Caravan at Flag Brew and Firecreek on Wednesday night. Courtesy photo

drive-up pick up starting at 4 pm daily

FL031716

14 FEATURE STORY The Good Ship: Lolipop Records rights its course

By Diandra Markgraf

6 E. Route 66 • 928.774.6100 • karmaflagstaff.com

12 MUSIC

Folk rock legend Eliza Gilkyson tells it like it is, with some hope to boot

By Seth Muller

4 FULL FRONTAL Letter from Home Letters to Ducey Hot Picks Editor’s Head Crows on Clouds

Thurs–Sat 11 am–11 pm • Sun–Wed 11 am–10 pm Happy Hour Specials 3–6 pm & All Day Sunday!

18 MUSIC

Elephant Revival returns with a new album and wonderment for musical emotion

By Larry Hendricks

10 SCREEN 10 Cloverfield Lane Sleeping with Other People

20 REAR VIEW Hightower Bartender Wisdom

20 PULSE 25 COMICS 27 CLASSIFIEDS

ON THE COVER: Photo courtesy of Lolipop Records.

THE MONEY $HOT by Merion Sharp

STAFF Editorial Editor Andrew Wisniewski andyw@flaglive.com (928) 913-8669 Assistant Editor Diandra Markgraf diandram@flaglive.com (928) 913-8670 Art Director Keith Hickey Graphic Artists Kelly Lister Candace Collett Photographers Jake Bacon Taylor Mahoney

Contributors Tony Norris, Larry Hendricks, Kristen Edge, Nicole Walker, Adrienne Bischoff, Erin Shelley, Sam Mossman, Jim Hightower, Max Cannon, Jen Sorensen, Drew Fairweather, James Jay

Let us acknowledge the evils of alcohol and strive to eliminate the wine cellar

ONE GLASS AT A TIME at Cuvee!

Business General Manager Seth Muller sethm@flaglive.com (928) 913-8668 Retail Advertising Colleen Brady, Advertising Director: (928) 913-2294 Kim Duncan, Sales Representative: (928) 556-2287

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Classified Line Ads Lydia Smith, (928) 556-2272

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March 17-23, 2016 | flaglive.com | 3

LETTER FROM HOME

Angels unaware A whale of a problem ‌ eep calleth unto deep at the noise of thy D waterspouts: all thy waves and thy billows are gone over me. Psalm 42:7 (King James Version)

‌T

he fingernail beach that welcomes the Sea of Cortez into Cantu Cove is about a mile long. During the final days of the old year I stood in the center of its arc and looked seaward. I sometimes get the startling sensation that I’m peeking out through the lens of a great blue eye. I drew a very deep breath and remarked to myself that it’s a big world out there. I didn’t need enhanced vision to see the dead whale Tony Norris on the beach. If your worldview includes a vista of the ocean you could see any number of different whales steaming by—or on your shore. If you don’t see them you probably aren’t really looking. On a recent visit to Hawaii I saw whales often when I stood among crowds of oblivious ground gazers.

One man who saw whales with me told me he was from Alaska and modestly mentioned his private gold mine. He then unwrapped a chamois to expose a gleaming slightly flattened hemisphere of buttery gold as full as a young woman’s breast.

“It’s a life-sized model of a humpback whale’s eye.” He grinned. “Want to hold it?” It must have weighed 10 pounds.

The dead juvenile female humpback whale arrived on the beach at Cantu Cove on Christmas day, proceeding our return by a few days. I’m not sure if she rode the waves into my little corner of paradise or if a civic-minded fisherman towed her carcass around the point and away from the downtown public beaches. There’s an old country expression: “big as a dead horse”. I’ve experienced that certainty on the farm and a dead horse is bigger than life. This didn’t prepare me for a dead whale, however. At 40 feet and maybe 35 tons, the presence of the whale beggared comparisons. The grooved throat and belly flowed into the broad flat head and the thin wings of the forward fins seemed ephemeral by comparison. The long body

4 | flaglive.com | March 17-23, 2016

flocks of zipolotes and coyotes and the powerful wave action. Alas the elephant in the room was a whale bigger than many elephants piled up in a celebration of festering decay. The scale of things is hard to grasp. The heart of a great blue may weigh 4,000 pounds and be the size of a VW bug. A nursing mother may produce 100 gallons of super-rich cream each day, which allows a calf to gain 250 pounds per day! After dining, an adult whale may have one ton of food in its stomach at a time.

We were encouraged when animal control officers returned and dusted the deceased with powdered lye. The logic was that the thick layers of blubber would break down from the reaction with the lye and flow away. However the next high tide rinsed the white powder and our hopes away. The process was repeated with similar results a few days later. There was universal wailing and gnashing of teeth over our prospects. Each new voice added to the conversation followed the same cycle of questions: Why don’t they tow it out to sea? Why don’t they bury it? Why don’t A dead whale found on the shore of Cantu Cove, San Felipe in Baja California. they blow it up? Indeed, why don’t they …?

Photo by Raine Fisher Today the city sent out a Transformer version of a backhoe—a massive, muscurounded form exposed again. tapered abruptly into a strong spreading lar carnivore painted Tonka Toy yellow.

Salvation appeared in the guise of an tail. The skin was the density and color The operator braced it and began digging expert in the area of historical whaling of rubberized canvas. It was beginning to a hole beside the remains. Much is gone in the Pacific Northwest. He wanted the give off a distinct odor. This whale had skeleton and he would completely remove but much remains. The skin has taken no eyes. A great convocation of zopilotes on the sheen of old dry vinyl. It is sooty all the body if allowed to dismember it waddled up to the body, tucked in their black streaked with dirty white and brown into manageable pieces. With kitchen dusty wings and leaned into the work at hand. Coyotes by night and gulls and vul- knives, machetes, a bum leg and a paid as- stains. A lot of the remaining skeleton is sistant he attacked the mountain of flesh. revealed amidst the wreckage that looks tures by day tunneled through feet-deep blubber to the dark muscle underneath. A It did not yield easily to his onslaught. Af- like a collision between El Dia de los ter days of hacking he freed the jaw bones Muertos and an abandoned water bed. The strong onshore breeze blew a funky mist machine operator is making short work of of decay and salt air through our windows and the feathered wing fins. A passing Navy boat informed him that he could not digging deeply into the wet sand. Soon a and doorway, leaving a greasy film on grave 8 feet by 20 feet opens its mouth to proceed without the proper permit. He everything. the sky. With a deft hook of the bucket he sought the halls of the city for the proper The urge to make this problem go away permit in vain, but no one could enlighten pulls the carcass headfirst into the grave. was overpowering. Our pleas to La ProIn a slow motion collapse the sinuous him. He was not doing well with his infepa, the Mexican Fish and Game, were fected leg and he left the whale and Mex- spine follows and the tail taps a shave and deflected to the Navy and then on to the a haircut as it disappears from view. town of San Felipe. Ultimately the animal ico for a U.S. hospital.

We asked the land owner to use her dual control office picked up the gauntlet and citizenship and mastery of the Spanish sent out a crack team that piled sand on Tony Norris is a working musician, storyteller and language to address the elephant in the top of the corpse where it lay well below folklorist with a writing habit. He’s called Flagroom. She was optimistic and predicted high tide line. The high tide that night staff home for 30-plus years. Visit his website at nature would sort things out between the www.tonynorris.com. rinsed away the sand, leaving the long

LETTERS TO DUCEY

Erasing walls In short supply of prevailing abundance Dear Governor Ducey, In a study about squirrels eating and caching habits, Mikel Delgado published an article in the Open Access forum PLOS. This article, “Fox Squirrels Match Food Assessment and Cache Effort to Value and Scarcity,” sought to discover how squirrels make the decision rather to cache or eat food. The study asked: Do squirrels make decisions based on scarcity and abundance? Do squirrels evaluate whether certain foods should be cached depending Nicole on the likely abundance of Walker nuts? Can squirrels predict the ephemeral nature of the seasons? When food is scarce, do the squirrels invest more time in caching their food?

Apparently they do. In the summer, when the trees produce fewer nuts, squirrels are much more sensitive to the food value (peanuts provide more nutrition than hazelnuts).

They are more aware and observant of other squirrels around them, making sure other squirrels don’t see where they hide their nuts.

Paranoid and stingy, the squirrels become. In the fall, when the seeds are more abundant, squirrels eat more freely. They don’t keep checking over their shoulders to see if someone is eyeing their cache.

Universities are supposed to be collaborative places. Researchers are meant to bring their work into the classroom where they share with their students what they do. They’re supposed to perform their research so the students can imitate them. They’re supposed to be this place of a free exchange of ideas between

surprising groups of people, places where scientists see art that inspires them, and writers discover squirrel research and write about it.

It’s supposed to be this place filled with music that inspires music theorists and musicians theorizing about resonance that inspires physicists to study resonance.

Since the budget cuts last year, scarcity is the prevailing mood. Everyone is keeping their heads down, doing their work. We are teaching and researching, but when you’re not sure what’s going to come next, if you’re colleagues will still have jobs, if there will be more centralization, if there will be more “do more with less,” you teach your heart out and write your own research to make sure that at least maybe you will survive this scarce season. I remember when I first moved here. Before the 2008 crash. Before the 2015 decimation of higher education budgets. Then, I began to work

with Colorado Plateau researchers, forestry scholars, mushroom scientists. I co-taught a printmaking class. It’s been harder lately to collaborate. It’s expensive to have two professors from different disciplines teach one class.

It’s hard to make it to lectures across campus when most of your time is spent finding ways to fund your graduate students and program, or have emergency meetings about how the latest budget cuts will affect your plans.

The past two days, I have been reminded of the season of abundance. The graduate students hosted the Peak Conference—The English Department’s annual conference for NAU students and other graduate students across the country. One of the panels I chaired had two students from our graduate program, but also a grad student from San Jose and one of our undergrads. Bringing together people from different places and cohorts reminded

A section of the wall disappeared. She inspired some of us to paint. She inspired some of us to think about what it means to erase borders, which is supposedly what the university is meant to do: erase the walls of thinking in our minds.

me of the times of the university where ideas to scaffold the next big thing began. A professor from NAU whose work on the resilience of the Glen Canyon after Lake Powell’s water receded could lead to a new chapter in a book that I’m working on called Resistance and Resilience. It could lead to a new movement to let Glen Canyon recover. It could lead to scientists being allowed into this National Recreation area to study the idea of resistance and resilience. Later, Ana Teresa Fernandez, an artist from San Francisco, brought images of the border wall in Tijuana she painted to match the ocean and the sky. A section of the wall disappeared. She inspired some of us to paint. She inspired some of us to think about what it means to erase borders, which is supposedly what the university is meant to do: erase the walls of thinking in our minds. As one of my colleagues said about Fernandez’s paintings: “It’s one thing to talk about erasing borders. It’s another to physically see them erased.” This conference reminded me of what the university is supposed to be: an abundance of ideas and ideals of the students and professors. What I would give for that feeling of abundance to prevail.

Nicole Walker is an associate professor at Northern Arizona University, and is the author of Quench Your Thirst with Salt and a collection of poems, This Noisy Egg. She edited, with Margot Singer, Bending Genre: Essays on Creative Nonfiction, and is the recipient of a fellowship from the National Endowment from the Arts. The thoughts expressed here are hers alone and not necessarily those of her employer. This letter is from March 1, 2016.

hello spring! see what’s happening around town at flaglive.com

March 17-23, 2016 | flaglive.com | 5

Hot Picks

BRUNCH IS COMING

TO THE BAR

W E E K O F M arc h 17 - 2 3

» Tuesday | 3.22

This time of year is all about tradition.

As lush green carpets this desert Eden returning to life after winter, so do the wardrobes of Americans nationwide. And Flag’s own green-tinged tradition packs in a long-standing linchpin in the Knockabouts. The revered local Celtic outfit sports five pieces of professional musicianship and an all-together vocal harmony including whistler John McGregor (after all, the group’s foundation cemented in his kitchen). Jacquie McGregor and Hannah Prizznick hold down the flute and fiddle, respectively. Craig Yarbrough handles the six string and Mark Markley the mandolin, and all the while Julianne Layton supplies percussive elements with bodhran and djembe. If the Knockabouts are known for anything, it’s blending button-up tradition with an old-fashioned ruckus complete with pub tunes and sing-a-longs. Collins Irish Pub & Grill, 2 N. Leroux, is the place to be for a hoot, a holler—not to mention some green beer—beginning at 6 p.m.

Free. 214-7363. www.theknockabouts.org

STARTING MARCH 26TH

SATURDAYS AND SUNDAYS

The Dwarves play the Green Room Tuesday with the Queers. Courtesy photo

BRUNCH OPENS AT 11:00

17 N San Francisco St ONE FLIGHT UP 928-773-9463 flgterroir.com Find Us on Facebook 6 | flaglive.com | March 17-23, 2016

» Thursday | 3.17 SHIPPING UP TO FLAGSTAFF‌

‘The Little People’ was already taken I

n the history of punk rock, there are few still swinging who’ve put up as much of a fight as the two-fer coming to Flag with the Dwarves and the Queers. With blasphemy, sex and a litany of repugnant and simultaneously lauded antics keeping them busy for 30-some-odd years, the Dwarves managed to squeeze an impressive music career into it all as the Blag Dahlia-fronted outfit trekked from a garage punk blitzkrieg with heavy psychedelia influence to find their melodic center. On-stage sex and blood and guts don’t make it to the forefront these days, but the group will always be known for throwing that up on their album covers—you can spot the Dwarves’ records a mile away at Bookmans. Just know Dahlia is the very same who sang SpongeBob SquarePants’ “Doing the Sponge” (1999). And that’s why that giddy little sponge is one of the most punk rock things to ever exist. Cut from the melodic side of the punk rock cloth, the Queers quickly outgrew their New England following with their throwback-style salutes to punk life and the girls and predecessor bands who come with it. This rowdy time is yours for the taking at the Green Room, 15 N. Agassiz, with Get a Grip and the Blissins. This 21-and-over show begins at 7 p.m. Tickets are $13 in advance and $15 the day of the show. 226-8669. www.flagstaffgreenroom.com.

» Saturday | 3.19 DESERT DUST IN THE WIND‌ Jesse Daniel Edwards is a man with many hats—not that we’ve ever seen his closet or anything. No, no, we’re talkin’ about this man and his talents, and oh there are a few. As far as singer-songwriters go, it’s a laid-bare style like the musical version of spoken word poetry. Any musician with a song to be sung and an instrument in hand deserves awards, but Mr. Edwards here truly has garnered himself a few. Though steeped in California waves, his soulful timbre tries on a coat of desert dust. With the one-two punch of a disarming vocal instrument and smart lyrics smudged by life’s wear and tear, Edwards does well to communicate his unrelenting spirit that is both willful yet unpretentious—just search through his something like a dozen recordings and his track record sharing stages with Gary Jules and Bela Fleck at home and abroad.

Edwards has recently ventured out on the open road solo again, stopping at Macy’s European Coffee House, 14 S. Beaver, at 2 p.m. A show with his full band, Poor Mister Rich kicks off the night at the Monte Vista Cocktail Lounge, 100 N. San Francisco. Music starts at 9:30 p.m.

Free. 779-6971. www.jessedanieledwards.com.

Hot Picks » Monday | 3.21 HI, NEIGHBOR!‌ They might yell about your late-night gatherings or throw their own parties on work nights, but certainly we more than likely all have them. Neighbors are like the moon, sometimes dark and wicked; other times fun as s***. When it comes to the musical variety of Neighbors, specifically the grip hailing from Seattle streets, the vibe times are 100 percent solid. With a brand new record, Very Rare Expensive Jewelry, structured melodies stuffed with heavy fuzz take shape over a darkwave-esque tapestry draped atop lyricisms that look up, up and away. Flag is lending hometown neighborly love with three local groups hopping on the bill, including Dragons‘ dreamy pop-rock dance party that wraps you up in a harmonic hug. Coffee Pot has swung their psychedelic sensibilities back to town from a west coast tour, and Feral Moan supplies an amped-up electro take on pop melodies fitted with stories and samples.

Neighbors’ Seattle rock comes to Mia’s Lounge Monday. Courtesy photo Singer-songwriter Jesse Daniel Edwards.

Dance and dream at Mia’s Lounge, 26 S. San FranCourtesy photo cisco, with this free show beginning at 9 p.m. 774-3315.

Check out the event page on Facebook for links to all the bands’ Bandcamp pages.

Clackner and Lucy Cochran of Stump Tail Dolly, they by Jamie Garry and Chris King on tour (they played their very first show on Dec.11, 2015), the experiments are finding out either way. Founded just last year, the duo out of Nashville, Tenn., has been tricking the genre keep coming, with the four-piece assembling tunes real THERE’S NO SHOT FOR THIS ONE‌ horror show that would make the likes of Lemmy to Rob minding on their maiden voyage across the ol’ U.S. of Zombie proud. Sneak a peek at the creation at Flagstaff A with their sped-up Frankenstein of a music collecWhen a lightning-fast guitarist and an award-wintion, hyping up their debut EP, Americonoclasm, which Brewing Co., 16 E. Rte. 66. Music gets going at 8 p.m. ning contest fiddler come together, country edges blur There is no cover to this 21-and-over show. 773-1442. dropped in late 2015 and gave fans the only reason they over the line into metal—or metal into country … it really depends where you’re coming from. But for Ryan should ever, ever need to say they caught an STD. Joined www.stumptaildolly.com.

Renovation Specials

Breakfast Specials Daily Check out our Huevos Rancheros with our Ranch Fresh Eggs! $2 Mimosas Daily (mention this ad for a free mimosa w/ breakfast entrée purchase)

PET OF THE WEEK

Thank you Flagstaff locals for all of your support during our historic restoration project GOPHER HOLE: Open for lunch and dinner Hours- 11:00am-Close CHARLY’S IN THE EXCHANGE PUB AND STARBUCKS Hours- 8:00am-close

The Hotel Weatherford • 23 N. Leroux Street, Downtown Flag • 928.779.1919

11665 N. HWY 89 FLAGSTAFF,AZ 86004 ( 6 MI NORTH OF THE FLAGSTAFF MALL) 928-526-5964 WED-SUN

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March 17-23, 2016 | flaglive.com | 7

EDITOR’S HEAD

Popping my M3F cherry

‌A

mong many walks of people is the mindset that “experiences”—often shared—far outweigh “things.” That in the ongoing pursuit of discovering and maintaining happiness in this life, time and money spent on those one-off moments lasts infinitely longer than possessing some physical object, which the appeal of only fades as time passes.

Andrew ‌Some of those widely popWisniewski ular one-off experiences are concerts, and this past weekend the 13th annual McDowell Mountain Music Festival reaffirmed why Jack Kerouac was spot on when he said, “The only truth is music.” And to push that statement a bit further—especially in the live setting.

Regrettably having never been to M3F in the many years that it’s existed, I wasn’t entirely sure what to expect. What I got hit with was a well-thought-out festival that, minus a few musical misses, hit just about every single note.

In last week’s column I mentioned that here in Flagstaff we’re often separated by less than the normal six degrees of separation.

And once again, that theory proved true.

As I entered the night of day one, just a few steps through the entrance, I glanced toward my first stop—the Oskar Blues tent, naturally—where two good friends from town were standing, and who were followed by two more, and then two more, and yes, two more.

All of whom I had no clue would be there, but nonetheless helped set the weekend in motion.

The first stage we stepped up to featured L.A.-based producer Jackson Stell, aka Big Wild. Big Wild first caught my ear on Spotify with the song “Aftergold,” highlighted by faint handclaps, wind chimes and deep thrusts of bass topped off with slivers of vocals. I knew I had to see him, and I was not disappointed. Throughout the set, Stell, who accompanies his songs with his own live electric drum beats, had the whole crowd groovin’ hard. As part of Odesza’s Foreign Family Collective label, I felt like I was watching an artist poised to make big moves in the future, like Odesza did not long after opening for Little People and Emancipator at the Green Room back in 2013.

The heavy hitter that followed was Beck.

He needs no introduction. Long on my bucket list of artists to see live, Beck did exactly as I’d expected: packed the lawn and peppered the crowd with hit song after hit

8 | flaglive.com | March 17-23, 2016

song, Beck raps, and closed with an encore of “Loser” and “Where It’s At.” He also played a few great acoustic tracks from 2014’s Morning Phase and 2002’s Sea Change, which at the end of it all had me adding an all-acoustic Beck set onto my bucket list.

Day two was kind of a bust musically.

Aside from the warm, 75-degree and sunny weather, Bloc Party was OK, GRiZ was fun but still GRiZ, Porter Robinson was loud and hit hard but didn’t offer much else, and Kid Cudi, who I’ve never been a fan of but gave a chance, underperformed. On the flipside, Goldfish, who I’d never heard of prior to M3F, stole the day with their upbeat mix of electronica and live saxophone, flute, keyboard and stand-up bass, while St. Lucia brought their full, ’80s synth-pop sound and well-produced stage presence with complete measure.

What day two lacked, day three easily made up for. The Oh Hellos, with their nine band members and anthemic indie-folk for days, looked to have the most fun, and were the biggest welcome surprise of the weekend. But easily the best thing that happened was when, out of some dumb luck thanks to a good friend, I found myself backstage, seated cross-legged for what I’m calling blues storytime with Gary Clark Jr.—a set that sent me to another place and will go down as one of my all-time favorite live performances. He absolutely ripped the place apart. The Avett Brothers followed and closed things out, delivering exactly as expected, leaving the crowd with a nice folk rock exit.

In the many years I’ve sat idle as M3F’s lineup has been announced, it’s apparent that the slate of musicians continues to get bigger and better, and this year was, again, par for the course. But what impressed me the most—while the lineup was large in scope— was how intimate it all felt. With thousands of people cycling through, the overall vibe amongst everyone was perfect. And man, was the place clean. As I noted in a feature last week, this is the first year M3F has instituted a zero-waste goal, which was noticeable throughout all three days. In catching up with festival organizers, they’re still waiting on the results, but it’s hard to imagine they didn’t at least come close.

The McDowell Mountain Music Fest has a good thing going. And 48 hours after Gary Clark Jr. played his final note and offered a soft farewell to a crowd grateful for what they had just witnessed, my head remains jarred with an experience and memory that will last much longer than any “thing” ever could.

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CROWS ON CLOUDS

Attack of the zombies

and then forgetting about it (obviously, this would never happen in a tiny house fridge, but bear with me) and thinking, once I find it a year later, that I can just go throw it on the grill with no consequences. I shouldn’t care about how it has changed in my refrigerator because I’m sure it is still fine. In this hat do The Zombie Survival Guide, in our locality unless they were a detriment case, the food poisoning I would inevitably The Walking Dead, and World War to the Grand Canyon and its natural inhab- get is embodied in the repercussions of reopening these old mines without updating itants. This brought about a whole slew Z all have in common with Flagthem or checking them out. staff? It may seem obvious, but yes, the an- of new questions. How do zombies affect My second question was how bad can an swer is zombies. However, we aren’t dealing ecosystems? Are they beneficial because they kill off humans, preventing them from old mine really be? Well … the answer is with dead people coming back to life and trying to eat ravaging the world, or since the zombies are pretty bad. Canyon Mine, a uranium mine near the entrance to the Grand Canyon, so bloodthirsty, are they actually more of a the rest of us, we are conwill be reopened next year after having sidering dead mines coming nuisance as they wreck the world in selfish been shut down 21 years prior. The EPA back to life—Zombie Mines, desire to bring about World War III?

By Kristen Edge had found high amounts of uranium in the Luckily, I don’t need to find the answers if you will. ‌When I first saw this term, to these very important questions because groundwater before its reopening. But let’s Kristen not think about that. Let’s assume, as I did Zombie Mines have nothing to do with I wondered what on earth Edge with that hunk of meat, that everything the actual walking dead. Instead, they are some dead mines could will be fine and brush off the uranium in mines that were closed for one reason or possibly do to me, and if the water as we would scrape off the bluanother, and according to current federal they are dangerous, why haven’t I seen a ish-purple mold from the gray-brown law, they can just be reopened without survival guide for this possibility (Flagstaff any inspection of the facilities that may be meat. After all, uranium may sound scary, Better Business Bureau, get on it!). Maybe decades old. Old mines are governed by old but does it really matter? A little extra the zombie mines are hideouts for the zomlaws that didn’t necessarily account for the uranium in one’s diet never hurt anyone, bies in the coming apocalypse? I pondered.

But no, why would the Grand Canyon Trust people or life around the mine. I equate this right? Its radioactivity may cause cancer, care about zombies manifesting themselves to putting a piece of raw meat in my fridge but people say that everything causes can-

Mining near the Grand Canyon

‌W

cer today, and when consumed, the metal itself can lead to kidney failure, but copious amounts of alcohol likewise cause kidney issues. I see no need to worry, not when the real zombies are out roaming about.

In spite of the innocuous nature of uranium, in 2012, the Grand Canyon Trust, in conjunction with other groups within the community, campaigned to ban new uranium mines around the Grand Canyon for the next 20 years with goals of making it a permanent ban. But these Zombie Mines are exempt. I would assume zombies themselves would be exempt from human laws too, so it makes good sense.

But maybe the term “Zombie Mine” isn’t far off. Maybe the affected groundwater will make zombie animals, plants, or even humans. Then, at least, the title “Zombie Mines” would be more accurate. On the good side, with all of the books and movies out right now, we should feel pretty well prepared for this possibility.

Kristen Edge is currently pursuing her Masters of Rhetoric degree at NAU. She has taught high school English, been a social worker, and struggled with yoga and Krav Maga; however, naps and excellent books are what she likes most of all.

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WWW.GREENHOUSEPRODUCTIONS.NET March 17-23, 2016 | flaglive.com | 9

SCREEN

Kept in the dark

and a shackle. But according to Howard, this is all for her protection.

There are several factors that make ‌10 Cloverfield Lane such a fun experience.

First and foremost is its unpredictability.

The screenplay by Josh Campbell, MatDan Stoffel thew Stuecken and Damien Chazelle, from a story by Campbell saw two impressive feature debuts this Stuecken, unfolds past weekend: writer/director Robert 10 Cloverfield and from Michelle’s perEggers’ chilling and atmospheric period Lane spective. We the viewpiece, ‌The Witch, a film I highly recomers are just as much in mend; and director Dan Trachtenberg’s Directed by Dan the dark as she is; we superb ‌10 Cloverfield Lane, a fantastic little Trachtenberg depend on Howard and three-character thriller. The latter, perEmmett to clue us in as haps set in the same cinematic universe as Rated PG-13 to what’s going on, and 2008’s ‌Cloverfield (also produced by J.J. HARKINS that happens only as Abrams), is one of this year’s early mustTHEATRES quickly as they want it sees.‌ to happen. Moreover, ‌Mary Elizabeth Winstead (‌Scott Pilgrim since we don’t have vs. the World, 2010) stars as Michelle, a any information comyoung woman whose impulse when confrontation arises is to flee. That’s just what ing from the outside world, we don’t have she’s doing after a fight with her boyfriend, any evidence to substantiate what they say.

Lending to this lack of information— when a car crash leads her to wake up in a and I can’t stress how important this was bunker occupied by Howard (John Goodand how impressed I am with the studio’s man) and Emmett (John Gallagher Jr., ‌The Newsroom). Here, her flight instinct is kept choices—is ‌10 Cloverfield Lane’s marketing campaign … or rather, the lack thereof. in check by an injured leg, a locked door

‌I

A

The film was announced scarcely two months ago, and in that time only a couple of trailers were released. Neither of these exposed the entire plot, as is the case with so many films these days when I finish the two-minute preview thinking, “Well, I don’t have to see that now.” Instead, I entered 1‌ 0 Cloverfield Lane knowing only the fewest details, and that made a world of difference.

A fresh, tense story and tight direction are bolstered by fantastic acting. Winstead is completely convincing as Michelle, naturally freaked out by her predicament but determined to get through it. And Goodman, as usual, hits it out of the park; he’s such an underrated asset, elevating just about any material he’s given. What a satisfying start for Trachtenberg. I look forward to seeing what he does next.‌

discussions and scenes are funny. Sudeikis and Brie make a funny and charming leading couple. They get plenty of supporting help from Natasha Lyonne, Andrea Savage and Jason Mantzoukas, as friends.

The charm in this comedy is that it accepts that our heroes are not chaste and does not require that we feel disgust at what they do. How nice to have a female

protagonist who is not slut-shamed for her sexual peccadilloes (leading men have more leeway for sexualizing). The script is clever and builds our interest in these two crazy kids. We want them to find peace and love with each other. Available for streaming on Amazon Video, ‌Sleeping with Other People is a clever and enjoyable take on the romantic comedy. ‌

Friends with some benefits

lost their virginity with each other. When these two meet again at a sex addiction meeting, a friendship is born. Knowing a romantic relationship will fail, the two aim for something more platonic.

The movie has fun playing with some of Erin Shelley the romantic-comedy tropes, including the classic two people who ‌inding a new slant on romantic comhave no intention of falledies is getting harder and harder to Sleeping ing in love then discover do. There are only so many versions with Other romance by the final reel. of two people ending up in love that can Jake and Lainey enjoy also make audiences laugh. ‌Sleeping with People each other’s company, Other People found something new with Directed by and we can understand a tale about two like-minded people who are also sex addicts. How can these two fall Leslye Headland their reluctance in ruining that friendship, but in love when they cannot trust that each Rated R hey, this is a r‌ omantic can be faithful? Though this sounds like a AMAZON comedy, so some change hard-hitting drama, ‌Sleeping with Other PRIME is required. The movie People manages to be a pleasant comedy throws in a couple wrinabout two people who are perfect for each kles: romance between other … once the usual, and unusual, comJake and his boss Paula plications are overcome.‌ (Amanda Peet), while Lainey fights the ‌Jason Sudeikis (‌Horrible Bosses, 2011) destructive urge to see Matthew (Adam plays Jake, a womanizer who cannot remain faithful. Alison Brie (‌Mad Men, Com- Scott), the man she obsesses over.

With a plot about sex addiction, you can munity) is Lainey, a serial cheater whose obsession over an ex-boyfriend ruins hap- count on mature themes. Discussions about piness with any other man. Jake and Lainey sex, plus some sexual scenes give the film a well-deserved R rating. Happily, those have a shared past. Years before they both

‌F

B+

10 | flaglive.com | March 17-23, 2016

EXTRA BUTTER

Hit film offspring with a twist Sam Mossman he spinoff: an age old tradition of taking a story and making something congruent to it, but with some different characters or focus. I must admit I was under the impression that as of late there was going to be a huge number of spinoff films, and was pleasantly surprised to find out that the list is relatively modest. In a world where Hollywood seems to jump on any chance to make a buck, I was expecting every movie that hit number one at the box office would wind up with a spinoff or two, but that really isn’t the case. Perhaps even more surprising is the fact that 2008’s found footage film ‌Cloverfield, with its lackluster box office numbers and middle of the road quality, spawned a spinoff last week with ‌10 Cloverfield Lane.‌ ‌Ultimately, there are really only two valid reasons for making a spinoff. First is to expand on characters that have a story left to tell. Films like ‌Minions (2015), ‌Penguins of Madagascar (2014), ‌This is 40 (2012) and ‌Get Him to the Greek (2010), all attempt to give us more time with characters that had a reason to stand out, but were not the protagonists in their parent film’s story.

As a general rule, this kind of spinoff can work, assuming the characters that are thrust to center stage can handle the load.

There isn’t much doubt that giving audi-

‌T

ences more time with the Minions is an outstanding idea. Spending more time with Russell Brand as Aldous Snow in ‌Get Him to the Greek, not such a great idea.

The second type of spinoff wants to give us more time in the parent film’s setting, but not necessarily with the same characters. T ‌ he Bourne Legacy (2012) works this way, giving us new characters adrift in a world of chemically enhanced super spies, but leaving the central story of Jason Bourne aside. We’re seeing that in a couple of other big franchises right now, with ‌Harry Potter fans getting ‌Fantastic Beasts and Where to Find Them while ‌Star Wars fans will be treated to ‌Rogue One before the year is out. Disney has shown time and again with the Marvel Cinematic Universe that they can intertwine any number of threads and do some great storytelling (and make huge piles of cash). So it comes as no surprise that they’re going to try a similar tact as they sit at the helm of the ‌Star Wars franchise.

Honestly, at the end of the day, labeling a film as a spinoff doesn’t really matter all that much. Over the years I have been known to rant on about sequels, prequels, remakes, reboots and now spinoffs, but in the end I just want to sit back and enjoy a movie like everyone else, regardless of a film’s lineage.‌

For film times check these sites HARKINS: www.harkinstheaters.com NAU FILM SERIES: www.nau.edu /fi lmseries NAU INTERNATIONAL FILM SERIES: www.nau.edu /intfi lms MONTHLY HARKINS INDIE SERIES & SEDONA FILMS: www.sedonafi lmfestival.org

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March 17-23, 2016 | flaglive.com | 11

MUSIC

In darkness and in light Folk rock legend Eliza Gilkyson tells it like it is, with some hope to boot Seth Muller he name Eliza Gilkyson towers high on the list of best and most influential female folk singer-songwriters on the scene. A two-time Grammy-nominated singer, her albums have spanned six decades—from her 1969 debut , Eliza ’69, to her latest album, The Nocturne Diaries, released in 2014—and her songs have been covered by Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash. She’s a darling of the festival circuit and a regular voice on various NPR music shows, as well as an Austin City Limits favorite. ‌What makes her music so alluring is how Gilkyson runs the spectrum from the dark and difficult topics of the day (she’s penned songs-as-eulogies for the victims of the 2004 Indian Ocean Tsunami and Hurricane Katrina) to upbeat and romantic ballads about being in love or finding happiness. Sometimes, her songs are both, such as the opener “Emerald Street” on her album Beautiful World (2008). “Whole world’s goin’ up in smoke and/Hard times comin’, I ain’t jokin’/Just tryin’ to keep my heart wide open” she sings on the same song where she celebrates being in love.

Gilkyson is bringing her signature bittersweet vibe and full love to Flagstaff for a St. Patrick’s Day show on Thu, March 17 at the Orpheum Theater, 15 W. Aspen. Doors open at 7 p.m. and the show starts at 8 p.m.

Tickets are $17 in advance and $21 the day of the show, and can be purchased at Rainbow’s End, Aspen Deli and Anima’s Trading Co., or online at www.orpheumflagstaff.com. For more info, call 556-1580 or visit www.elizagilkyson.com.

Gilkyson took some time recently to talk on the phone about her latest album, her music, her gushy feelings for the American Southwest and more.

too. In my hippie days, I got stuck in Flagstaff on the Williams side of town and we were stopped by cops. In the old days, it was known that the Flagstaff police were bad***.

The rumor was that they would shave your head if they arrested you. Well, we didn’t get arrested, but we got harassed … I’ve also been snowed in in Flagstaff and stayed in the Monte Vista for days and days.

‌T

Seth Muller: So, let’s talk first about your latest record The Nocturne Diaries (2014). I read that you recorded it with your son and that critics consider it a more eclectic and personal record.

How do you see the record? What stands out about it to you?

Eliza Gilkyson: The songs that come in the night are often different than what you think about during the day. In the night, you’re in a more vulnerable place.

I’m thinking about my grandkids’ future. And I’m worried. And the things I’m worried about do show up. I worry about what my grandchildren will inherent when we’re gone. Most of the time, when you wake up at night worried, you talk yourself down. But I stayed up and wrote my way through what was happening. At night, I’m also acutely aware of the things that give me hope … I focus on the people I love and my admiration for the people who are still fighting the good fight.

12 | flaglive.com | March 17-23, 2016

The music I’m most familiar with of yours, aside from some of your early work, are the albums that came out in the mid-2000s—Land of Milk and Honey, Paradise Hotel, Beautiful World—all which seemed to have songs among them that are political or social.

To what extent have politics and social issues influenced your songwriting, and is it a constant source of inspiration or does it ebb and flow?

I think my overriding interest is in the human condition and the fall and redemption along the human journey.

What does it mean to be human in this time and place? I find that if you really are trying to be the best human being you can be, you have to care about others. I have to fight against the things that keep people locked into scenarios that cause so much suffering. And, for this reason, my spiritual journey has also become a political one.

These political songs often have this kind of cautious optimism. You seem to acknowledge the darkness of the times, but also appear to be looking for hope. Do you see this as a common theme for your music, and maybe even for your own point of view?

It comes up in my music and comes up in my life. You can’t have redemption without having a fall. You crash and burn and collect yourself. Endorphin-wise, I’m a positive person. But I don’t know if we can technologically write our way out of the problems we’ve created. What I’m focused on are the threads of humanity and the remnants of decency that I believe still exist. I’m focusing on those Eliza Gilkyson will perform at the Orpheum Theater on good, solid things that exist in our world. Those things Thursday night. Courtesy photo that ultimately give us hope.

We’re here in Arizona and you yourself have some pretty strong connections to the Southwest. You have spent quite a bit of time in Santa Fe and Taos, outside of your home base in Austin. Do you find this part of the country has influence on your music in any way, either directly or indirectly?

Absolutely! I am a Southwestern woman through and through. I only moved to Texas because it’s in driving distance of the Southwest. It’s in my music and in my heart.

I have a house in Taos still, and it’s a place that feeds my soul and feeds my heart. I have a lot of family memories tied with the Southwest. I grew up in L.A., but we came to Santa Fe every summer. I’ve spent a lot of time in Flagstaff,

Tell me about the kind of shows you’re doing with your current tour. Are you focused on new material? A mix of newer and older? And, is it more of a high-energy show or intimate affair?

I’m bringing with me an amazing guitar player named Nina Gerber. Nina isn’t just one of the greatest women guitar players. She’s just one of the world’s greatest guitar players, period. We’ve played together for years, and during shows I give her a lot of space to explore. It’s really fun. For my shows, I do two sets and the first set is the newer material. On the second set, I have the audience write the set list for me. We leap and land and we have a blast and it’s vulnerable, but we also have a lot of laughs along the way.

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Plastic Pinks. All photos courtesy

Go!Zilla

Max Pain and the Groovies

Plastic Pinks

Thee MVPs. Photo by Paul Hudson

14 | flaglive.com | March 17-23, 2016

The Good Ship Lolipop Records rights its course

By Diandra Markgraf

O

ne year ago, the roving Burger Caravan sporting 17 musical acts descended upon late night-loving Flagstaff. Fate stacked local rosters that very same evening with other well-known offerings that were sure to sell out. Still, the sultry hum of tube amps toggled to blow down the walls of Firecreek and Flag Brew lured savvy locals and passersby in from the windblown streets until the venues teemed with head bangers straining to see the eclectic offerings that flowed in parallel veins of blues, garage rock and surf-style punk.

Go!Zilla

Tamar Aphek

Max Pain and the Groovies

Now, as the tour vans rev up again on the annual pilgrimage to and fro out of Texas’ fattest conglomeration of music, speech and brand R&D—South by Southwest—the Caravan is unpacking its wares again in Flagstaff—this time thanks to Lolipop Records.

As we catch up with Echo Park, California-based label/ shop Lolipop co-runner, Louis Filliger, we find the jams have already been kicked to 11, as have the wily parties. Filliger joined the caravan of bands that, with Onward Indian Touring’s booking work, has sported a freshly arranged lineup almost every night of this 17-stop adventure. Last weekend’s romp at Las Vegas’ Neon Reverb Festival got at least this part of the group a little more than they bargained for—but, hey, that’s life on the open road.

“Had a rough night,” Filliger writes in a recent email.

“Myself and Dan from [the caravanning band] Friendly Males entered the wrong backyard after playing poker at the Flamingo, and we were cold so we made a bonfire and played three games of rummy. Turns out we were at the wrong house and the cops were called. So embarrassing.”

The center of the ‘pop

But it’s not every night strangers’ backyards are ablaze with the fire and love of visiting musicians. With a shoestring budget and a grip of support from the greater community of garagerock startups, shufflers and, of course, fans, Lolipop Records has built a machine, and steered it directly into the mouth of a beast clicking its tongue like a metronome between pop and psychedelic garage rock. This tour de force maintains humble  March 17-23, 2016 | flaglive.com | 15

Janelane

roots in Southern California, though it has crafted a scene built on collaboration with the likes of its neighbors and “big bros” Burger Records, and splayed tentacles the world over.

Some years ago, before the label’s official 2011 “launch,” founder Wyatt Blair, with his penchant for comedy-based bands, was struck with the idea to collect them wherever they hid and set off a label to populate the genre. With vinyl already getting its second life in the sun, the first Lolipop band, Your Ugly Sister, helped morph the moniker and further the cassette tape resurgence. Next thing they knew, the Lolipop practice space became a full-blown recording studio where much of the magic happens behind its aqua blue walls. A brick and mortar store component trailed down the line, and now the duplex headquarters sports a veritable candy store of music.

“Lolipop was originally meant to be a comedy label in theory, but the name has kind of taken on a life of its own,” Filliger says. “We definitely all have a taste for juicy, cheeky pop music.”

As Blair and co-founder and bandmate in Mr. Elevator and the Brain Hotel, Thomas Dolas, watched their own records fly off the shelves, more SoCal bands hopped on board to give the label an edge—and some material. Lolipop, with co-founders Iggy Gonzales and Daniel Quintanilla, has since pressed thousands of cassettes for bands under their tag, only taking to heart their philosophy to release

The Lolipop Guild at the caravan's Las Vegas stop.

16 | flaglive.com | March 17-23, 2016

material that connects—not ups their cool factor. Blair and Co. even dug ’60s garage rock phenoms, the Sloths, out of hiding and recorded their full-length LP, Back from the Grave, just last year. Even more bands, influential in their own right, like Thee Oh Sees and second-year caravanning counterparts Max Pain and the Groovies and the Roaring 420s out of Germany, all line the walls of Lolipop Records with wax and jewel cases of every candy-colored hue.

Filliger adds, “We aren’t sure if it’s a movement or anything like that, but for me seeing Lolipalooza sell out [renowned venue] the Echoplex and all the kids there kind of blew my mind. It still doesn't make sense that anyone cares. We are always grateful and humbled every day.”

Sticking like glue

Lolipop—between recording, record sales and trades, plus constant events from festivals like their blowout Lolipalooza and a regular podcast with Blair and Filliger from the studio—has aimed true, backed by bands chartering these sonic seas armed with psych rock sensibilities with a layer of fuzz.

Joining Flag’s Caravan stop are a dozen prime examples of what’s going on in garage-type attachments and underground clubs across the lower 48. Caravanning bands include Plastic Pinks from Miami, Fla., with Lolipop long-timers Rudy de Anda, Janelane, Max Pain and the Groovies and Friendly Males. Add to the mix the

overseas acts like Italy’s Go!Zilla, the U.K.’s jangly rockers Thee MVPs, plus the soaring sounds of the Roaring 420s out of Dresden, Germany, Tamar Aphek from Tel Aviv, Israel and Sydney, Australia’s Big White.

With such a beefy offering, subsets of psych and surf-driven pop are able to commingle on the road.

As for Lolipop’s operating philosophy, the crew digs on bands wherever they can find them, and in this digital age, it’s more accessible than ever to prepare a tape or tour.

“We find bands all different sorts of ways,” Filliger explains. “We literally just listen for a pure intent in the music, and it can be any type of music. If it’s honest we want to get behind it.”

Local bands in cities nationwide serve as keystones for these caravan adventures into small towns with a hefty rock scene, like Flag’s Coffee Pot and Dragons, as the slots offer touring folk a quick introduction to what happens in the non-Austins across America. Jacques “Cazo” Seronde blasts away on drums with local four-piece rockers Heebie Jeebies, who will close out the night at Flag Brew.

“I feel it’s good for local bands to play as a way of reminding everyone that rock and roll is not happening in a vacuum, and we are part of it as the audience and as performers,” he says. “So many people care so much about rock and roll music. The more we can support kids doing what they want to do in a healthy and growing way the better.”

Seronde explains this concept of “rock and roll glue” that holds the scene together, and gives the caravan-types something to build on in the future. With a town like Flag with a cemented community that cares enough to organize, attend and participate in the offerings of Lolipop and Burger, it’s obvious how much this town craves the distorted offerings slathered in grit.

And for Lolipop to bubble ever forward in the future, the entire crew acknowledges the community has to stick together. After all, that’s what’s brought them all to this pivotal point with sweet, sweet waves rippling far beyond their SoCal home base, and far outside of California. No doubt when the history books are penned, Lolipop will conceive its own chapter.

“We don’t really concern ourselves with that because we are so wrapped up in the present moment and busy, busy, busy,” Filliger adds. “But if we changed one life or stimulated one mind, then I think we can call that a success.”

Lolipop Caravan takes over the allages Firecreek Coffee Co., 22 E. Rte. 66, and ages 21-and-over Flagstaff Brewing Co., 16 E. Rte. 66, on Wed, March 23 beginning at 7 p.m. $6 snags admission to both venues sporting locals Coffee Pot, Dragons and Heebie Jeebies. To learn more, call 773-1442 or 774-2266, or visit Lolipop Records on Facebook. To keep up with all the releases and what’s new with Lolipop, visit www.lolipoprecords.com.

Big White

Rudy De Anda

Go!Zilla

Friendly Males

March 17-23, 2016 | flaglive.com | 17

MUSIC

Petal feels Elephant Revival returns with a new album and wonderment for musical emotion Larry Hendricks escribing the band’s sound is like trying to chase down a piece of shell in an egg white.

A hint of folk floats on a musical line.

A smattering of Celtic bubbles along the edges. Bluegrass tones emerge at times.

Gospel harmonies, country flavors, even rock spice settles at various spots along the musical palate.

The members of Colorado-based Elephant Revival have made a career out of opening their creativity into wider musical territories. Their newest album, Petals, set for release on April 1, takes that musical exploration even farther.

The first tour date of the formal release of the album to the world happens March 22 in Flagstaff at the Orpheum Theater.

“We just had so many wonderful tunes that had yet to see the daylight,” says Daniel Rodriguez, who sings, plays guitar, double bass and more in the band.

“We really wanted to experiment with these new songs and these new sounds.

The time was right. We made, what I feel like, is our best album to date.”

D

The remaining members of Elephant Revival are: Bonnie Paine on washboard, cello, djembe, musical saw and stomp box; Bridget Law on fiddle; Charlie Rose on pedal steel, banjo, cello, guitar, horns and double bass; and Dango Rose on double bass, banjo and mandolin.

Elephant Revival went into the studio last summer to record Petals, and the album represents an expansion and maturity of their musical creativity.

“There are so many emotions that go through you during the recording process,” Rodriguez says, adding that now that the recording is done, the album tells a story. “When I listen to it, I feel an overall mood and an overall vibe was captured, completely different from our other albums.”

The band’s debut, self-titled album came out in 2008. They subsequently recorded Break in the Clouds in 2010; an EP, It’s Alive in 2012; These Changing Skies in 2013; and Sands of Now, a live album record at Boulder Theater in Colorado, in 2015.

Rodriguez says describing the band’s sound is a tough proposition. It’s not an easy question to answer, and the release

of Petals won’t make answering that question any easier.

“We have a lot of acoustic elements with electric wanderings,” Rodriguez says. “I usually mention that if you saw the instrumentation, you’d think we’re a bluegrass band, but we have more of a post-rock kind of style.”

Rodriguez adds, “I usually say, ‘Just

come to the show,’ and then I ask them the question after the show.”

To get that sound unique to Elephant Revival, Rodriguez says every single member contributes to the songwriting process.

“We usually, on our own time, in our own space, with our own inspirations, write on our own and bring it back to the band,” Rodriguez says, adding that if the other band members like the tune, the band will arrange it and put it into the repertoire. Other songs are complete band collaborations.

Music lovers can expect to have a good time at an Elephant Revival show, Rodriguez says. They will leave the show inspired by the experience. “We like to think of them as community gatherings,” he says.

The band name speaks to community more than anything. Rodriguez says the band took its name from the story of three elephants at the Lincoln Park Zoo. Rose, who is from Chicago, became aware of the story of the elephants, who had been together for more than 15 years, when they died after being separated.

From left: Bonnie Paine, Dango Rose, Daniel Rodriguez, Charlie Rose and Bridget Law of Elephant Revival. Courtesy photo.

18 | flaglive.com | March 17-23, 2016

Northern Arizona’s Mountain Living magazine Featuring Our Women in Busin

ess Special Section

A'S NO RTH ERN ARI ZON

MAG AZIN E

Women

Elephant Revival plays the Orpheum Theater on Tuesday night. Photo by Lisa Siciliano “It just became more and more apparent “This idea of these huge beings, that’s that we all carried a similar vision to bring all they really had was companionship,” this into a larger dream,” Rodriguez says.

Rodriguez says. “When they were sepa“We all just made that decision and that rated, they had nothing else to live for.” commitment.”

By that time the band members had all He adds, “Here we are today, 10 years met each other. They each had a shared later, playing Red Rocks.” vision, and they had come together.‌ Elephant Revival has been to Flagstaff The “Petals” release tour starts in before, back in the Flagstaff and will fall of 2013. end up back in “There are so many emotions “It’s a really Colorado for a headlining perthat go through you during wonderful place, and I think our formance at the the recording process. When sound fits in there famed Red Rocks well,” Rodriguez Amphitheatre in I listen to it, I feel an overall says. “We’re looklate May. forward to it.

“It’s our first mood and an overall vibe ing It’s like our little time headlining is going to there,” Rodriguez was captured, completely baby take the first steps says. “We were in Flagstaff.” there twice bedifferent from our other Elephant Revival fore. It’s the first albums.” plays at the Ortime it’s our show, pheum Theater, 15 which is really in— Daniel Rodriguez W. Aspen, on Tue, credible.”‌ March 22. Doors Elephant Revival for the all-ages show open at 6:30 p.m. and began to take shape more than a decade North Carolina-based folk duo Mandolin ago when Rodriguez was running an open mic at a club on the East Coast. It is where Orange will open things up at 7:30 p.m.

Tickets are $17 in advance and $19 the he met Paine. day of the show, and can be purchased at “She came in and she sang,” Rodriguez Rainbow’s End, Aspen Deli and Anima’s says. “She just had everybody there with Trading Co., or online at ‌www.greenhousejaws dropped and captivated.” productions.net. For more info about the He played music with her on the roof of show, call 556-1580. To learn more about that club until the sun came up. The other members came along, and the playing around the band and hear songs from their new album, visit ‌www.elephantrevival.com. ‌ campfires and jam sessions deepened.

Going Epic

From—Some Portraits of—and Thoughts r Athletes doo Out ale of Flagstaff’s Fem

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Rock Climb er Lexi Keene

Top in Flagstaff Microbrew Beer Rising to the New Toasted Owl Café Art of the Power Lunch at the Pronghorn Antelope The Fast and the Curious: The

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We’re excited to feature portraits and thoughts from four Flagstaff outdoor adventure women, with rock climber Lexi Keene of Flagstaff Climbing Center on the cover

also Featuring Our Women in Business Special Section March 17-23, 2016 | flaglive.com | 19

THE PULSE NO RT H E R N A R I ZO NA’S D AI LY E VE N T L I ST I NGS » MA RC H 17 -2 3 , 2 016

Various Events | Thu 3.17

Hops on Birch: The Cabin Project with Ben Stalets. Indie and country music from Portland, Ore., and Toledo, Ohio.

9 p.m. Free. 22 E. Birch. 774-4011

Coconino Center for the Arts: Youth Art Exhibition. Featuring 300 artworks, including paintings, drawings, photography, Main Stage Theater: Weekly “Bottom Line Jam” with the ceramics and more from Flagstaff students and schools. Free. Bottom Line Band. 7 p.m. Free. 1 S. Main St. Cottonwood.

Runs through March. Gallery hours are Tue-Sat, 11 a.m.-5 p.m. (928) 202-3460 2300 N. Ft. Valley Road. 779-2300 Mia’s Lounge: Andy See and His Swinging Jamboree.

Downtown Flagstaff: Flagstaff Eats. Walking food tours in Rockabilly from Flag. 9 p.m. Free. 26 S. San Francisco. downtown Flag. Two-and-a-half hours of walking and sam- 774-3315 pling food from seven different restaurants. Tours offered every weekend Thursday through Sunday. $40 per person. Sign up Monte Vista Lounge: St. Patrick’s Day Karaoke. Hosted

by Ricky Bill. 9 p.m. Free. 100 N. San Francisco. 779-6971 on www.flagstaffeats.com. 213-9233 Flagstaff Federated Community Church: Continuing Tao- The Museum Club: Restless Heart. Country music from ist tai chi and beginner class. Every Thursday. 5:30-7:30p.m. Nashville, Tenn. Doors open at 7 p.m., show starts at 9 p.m. $30. Ages 21 and over. 3404 E. Rte. 66. 526-9434 flagstaff.az@taoist.org. 400 W Aspen. 288-2207 Flagstaff Federated Community Church: Weekly Mindful- Orpheum Theater: Eliza Gilkyson. Folk, roots and Ameriness Meditation every Thursday. Room 24 upstairs. 6:30 p.m. cana from Austin, Texas. Doors open at 7 p.m., show starts instruction, 7-8:30 p.m. sitting and walking meditation. at 8 p.m. $17 in advance, $21 the day of the show. 15 W. 8:30 p.m. discussion. Come and go anytime. Free and open Aspen. 556-1580 to all. 400 W. Aspen. 814-9851 Raven Café: Sarko Russell Quartet. 8-9 p.m. Free. 142 N. The Green Room: Science of Tap: “The E. Coli Issue with Cortez. Prescott. (928) 717-0009 Oak Creek.” Presented by the Oak Creek Watershed Council. The Spirit Room: Matthew Frantz. 8 p.m. Free. 166 Main 6:30-8 p.m. Free. Ages 21 and over. 15 N. Agassiz. 226-8669 St. Jerome. (928) 634-8809 Human Nature Dance Theatre and Studio: Individualized State Bar: St Patricks Day with Black Lemon. Contemkung fu instruction in xingyi, bagua and taji. Every Thursday. porary acoustic trio from Flag. 7 p.m. Free. 10 E. Rte. 66.

6-8 p.m. www.flagstaffkungfu.org. 4 W. Phoenix. 779-5858 226-1282 Joe C Montoya Community and Senior Center: Hour- Uptown Pubhouse: St. Patrick’s Day Celebration. Music long small group guitar classes. Ages 13 and up. Two sessions by Flag’s newest Irish band, Trouble with Whiskey, featurevery Thursday from 3-5 p.m. Flexible format, multiple styles. ing Aly Jay, Conor Madden and Cindy Binkley. Music starts Registration required. $30 for five classes, and $5 materials. at 6:30 p.m. Free. 114 N. Leroux. 773-0551 245 N Thorpe. (505) 614-6706

Various Events | Fri 3.18

Mary D. Fisher Theatre: Film screening: Carol. 4 p.m. The Danish Girl. 7 p.m. $12, $9 Sedona Film Fest Members. 2030 Episcopal Church of the Epiphany: Taoist tai chi. Every W. Hwy 89A. Sedona. (928) 282-1177 Friday. 9-10:30 a.m. flagstaff.az@taoist.org. 423 N. Beaver.

The Museum Club: Line dance lessons. Every Tuesday and 774-2911 Thursday night from 6-7 p.m. $3. 3404 E. Rte. 66. 526-9434 Flagstaff Elk’s Lodge: Weekly all-you-can-eat Fish Fry. The Museum Club: Flagstaff Swing Dance Club presents Fish fry begins at 6 p.m. $12. All proceeds benefit Elks Childance lessons every Thursday night from 7-8 p.m. Different dren Charities. Every Friday. 2101 N. San Francisco. 774-6271 dance style taught each month. 3404 E. Rte. 66. 526-9434 Mary D. Fisher Theatre: Film screening: Trumbo. (4 p.m.

Museum of Northern Arizona: David Christiana’s Portraits Fri, Sat and Tue; 7 p.m. Wed and Thu, March 24.) Where to of Petrichor. Examining the Wupatki-Sunset National Monu- Invade Next. (7 p.m. Fri, Sun and Tue; 4 p.m. Wed and Thu, ment Loop. Runs through May 30. Museum hours are Mon-Sat, March 24.) $12, $9 Sedona Film Fest Members. 2030 W. 10 a.m.-5 p.m. and Sunday, noon-5 p.m. Regular museum ad- Hwy 89A. Sedona. (928) 282-1177 mission rates apply. $12 adults (18 and up); $8 youth, students with ID and American Indians; children 10 and under are free.

3101 N. Ft. Valley Road. 774-5213 Altitudes Bar and Grill: Jimmy Deblois. 7-10 p.m. Free.

Red Rock State Park: Guided nature walk at 10 a.m. Guest 2 S. Beaver. 214-8218 speaker or a ranger/naturalist gives a 45-minute talk at 2 p.m.

Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Firecreek Coffee Co: The Blenders, Le Trebuchet and Kyle Beloin. 8 p.m. $3. 22 E. Rte. 66. 774-2266 Rock Loop. Sedona. (928) 282-6907 Gopher Hole: Soul Summit. Funk rock, soul and blues from Flag. 9 p.m. Free. 23 N. Leroux. 774-2731

Music Events | Fri 3.18

Music Events | Thu 3.17

Collins Irish Pub & Grill: St. Patrick’s Day celebration with The Green Room: Nosferatu: Invincible Czars original the Knockabouts. Celtic and traditional Irish music from Flag. scoring with Gog and Maniac Cop. 8 p.m. $5 cover at the door. Ages 21 and over. 15 N. Agassiz. 226-8669 6 p.m. Free. 26 S. San Francisco. 774-3315

REAR VIEW

Screen print sponsors Transforming humans into billboards

B

illboards must be living creatures, for they appear to propagate, spreading everywhere, growing to enormous size, shouting corporate messages at us—and even watching and tracking us with their digital eyes.

Now, though, rather than billboards becoming human, we humans are becoming billboards.

Literally. For the love of money, the National Basketball Association is Jim transforming its chief huHightower man asset—i.e., basketball players – into advertising placards that run, dribble, leap, twist and dunk.

While individual golfers and racecar drivers have long splattered themselves with their sponsors’ logos, NBA teams are now planning to become the first major U.S. sports league to sell ad space on their players’ game-day jerseys. Chintzy? Well, yes—but not cheap. Team owners expect brand-name corporations to pay at least $100 million to have their logos plastered on the chests of basketball stars.

Calling this a “stylistic move,” the mammon-worshipping owners say the ads will be modest—just a two-and-a-

half-inch patch displaying the corporate brand of, say, Budweiser, Bank of America, Hooters, or Viagra. The ad size seems small, but ESPN’s high-def TV cameras will focus on them and show them to viewers hundreds of times in every game.

And, of course, to squeeze ever-more cash out of each human billboard, both the owners and advertisers will steadily expand the commercial space to cover the entire uniform.

Actually, I’m not 100-percent opposed to ads on uniforms, for I’ve been saying since the first Clinton Administration that presidents and congress critters should have to put the corporate logos of their big funders on their suits, shirts, skirts, etc. so We the People can know at a glance whom they really represent. It’s my Truth-in-Politics proposal—and I hope you’ll push it, too.

Jim Hightower is a best-selling author, radio commentator, nationally syndicated columnist and editor of The Hightower Lowdown, a populist political newsletter. He has spent the past four decades battling the Powers That Be on behalf of the Powers that ought-to-be: consumers, working families, small businesses, environmentalists and just-plain-folks. For more of his work, visit www.jimhightower.com.

FLAGLIVE.COM Hey mom … this year I finally, finally landed the role of Peter Cottontail in the Golden Banana Ladies Club All-Male Carrots-for-Bunnies Erotic Easter Revue. It’s just me and a puff of cotton.

Flagstaff Brewing Co.: Katie Mahady and Friends. 10 p.m. Hops on Birch: The Regrettables. Bluegrass from Flag.

9 p.m. Free. 22 E. Birch. 774-4011 Free. 16 E. Rte. 66. 773-1442 The Green Room: Search & Annoy. DJ Larue and more spin- Main Stage Theater: Come As You Are Fest. Featuring ning ’70s and ’80s punk and metal all night. 8 p.m. Free. Ages DJ ill.Ego and more. 9 p.m. Free. 1 S. Main St. Cottonwood.

(928) 202-3460 21 and over. 15 N. Agassiz. 226-8669

Pulse continued on page 21 » 20 | flaglive.com | March 17-23, 2016

Makin’ sure your eggs get colored real good since 1994.

REAR VIEW

Bartender Wisdom A shot of history, culture and verse It’s not that often, but occasionally I’ll still be asked, by a smiling and well-meaning person on St. Patrick’s Day: Do you have green beer? No. The answer is no, has always been no, and will continue to always be no. Over the years I’ve worked at many different bars with a variety of clientele and themes, and fortunately I never had to dump green food coloring into pitchers filled with crappy, mass produced American beer and fob it off as Irish.

Now, make no mistake, I don’t blame the person asking me this question for doing so. It’s not their fault. They’ve been sold on this idea by advertising teams that want to boil Irish culture down to something like a frat boy with a goatee wearing a James shamrock shirt and a top Jay hat who gets blackout drunk while hollering “top of the morning to you.” We live in a culture where advertisers seek to reduce all of our identities into some sort of commodity to which they can sell things. The green beer is just one of many cons. Cinco de Mayo carries the same insulting sales spins. The Fourth of July gets boiled down to a bunch of barbeques and noise. Do I need to even mention Christmas? I could go on and on, but holidays that could hold some significance and interest become silly by products to be bought.

This St. Patrick’s Day I’m not suggesting that you should spend the whole day in church revering the patron Saint of Ireland. You can still have a pint of Guinness or Murphy’s. Maybe put back a shot of John Powers or Jameson. But if the point is to celebrate Saint Patrick and Irish culture in general, then why not do so without corporate advertisers clobbering you with a shillelagh? Here are three Irish poets I’d suggest giving a read to help counter commercialization.

Eavan Boland. Boland is one of the most important Irish poets writing today. She grew up on the outskirts of Dublin and worked as a teenager in the tourist shops in the center of downtown Dublin. There, she was able to see the ways in which Ireland and being Irish was marketed both to those overseas and to the actual citizens of Ireland itself. In her 2011 book, A Jour-

ney with Two Maps: Becoming a Woman Poet, she writes, “a national tradition is a willful editor” and examines how tradition both served to invigorate the national idea of being Irish and at the same time limit those Irish who didn’t fit into that mold. She writes of the people of Ireland and its history and insists to write about these things on their own terms. Outside History (1990) is a terrific book to begin with.

Patrick Kavanagh grew up in the mid20th century and worked as a cobbler and eventually a farmer in Monaghan, a rural and tough county north of Dublin.

While the toil of the farm took its toll on his body, he did eventually find some considerable success as a writer and left to live in Dublin. It would be like a person now leaving Flagstaff to move to Hollywood to become an actor, and actually becoming a famous celebrity. The people in Monaghan thought Kavanagh was crazy. It was a big risk. But talent and luck propelled him to success. A few years ago, The Irish Times took a survey of Irish citizens to determine their 50 favorite Irish poems. Kavanagh had six of his poems listed. Norton published a Collected Poems in 1964 that will give you a dearth of his writing.

Steelworker and peace activist Dennis Greig is one of my favorite poets as well.

He lives in the North in Belfast. A strikingly independent voice, he identifies as neither a Republican nor a Loyalist. He calls himself “a Belfast man,” and writes passionately about his city that has seen so much bloodshed along with incredible acts of kindness and beauty. His books are difficult to find in the U.S., but you can get them directly from the publisher, Lapwing Press, whose origins as a publisher date back to 1632. Morning in Belfast (1963) is an amazing collection. December Days (1999) is downright gut-wrenching.

This St. Patrick’s Day, here’s to chasing down that Guinness with a shot of history, culture and verse. The hangover will last you a lifetime. Slainte.

For more than 20 years, James Jay has worked in the bar business from dishwasher, bouncer, bartender, bar manager to pub owner. He is the author of two critically acclaimed books of poetry and his poems have been selected for the New Poets of the American West anthology.

THE PULSE NORTHER N A RIZONA’S DAI LY EVENT LI STI NGS » MARCH 17-23, 2016

» Pulse continued from page 20 Mia’s Lounge: Strangeways with DJ Marty Marr. 9 p.m. Free. Main Stage Theater: The Cheek Tones. 9 p.m. Free. 1 26 S. San Francisco. 774-3315 S. Main St. Cottonwood. (928) 202-3460 The Museum Club: Restless Heart. Country rap from Nash- Mia’s Lounge: The Shiners. Alt-country from Flag. 9 p.m. ville, Tenn. Doors open at 7 p.m., show starts at 9 p.m. $20. Free. 26 S. San Francisco. 774-3315 Ages 21 and over. 3404 E. Rte. 66. 526-9434 Monte Vista Lounge: Jesse Daniel Edwards with his Oak Creek Brewing Co.: Cadillac Angels. 8 p.m. Free. 2050 band Poor Mister Rich. Americana and indie rock from Yavapai Drive. Sedona. (928) 204-1300 San Diego. 9:30 p.m. Free. 100 N. San Francisco. 779-6971 Raven Café: Jesse Daniel Edwards. 8-9 p.m. Free. 142 N. The Museum Club: Metalachi. Heavy metal mariachi Cortez. Prescott. (928) 717-0009 band from Mexico. Doors open at 7 p.m., show starts at The Spirit Room: Dog of the Moon Friday. 1 p.m. Free. Dutch 9 p.m. $15. Ages 21 and over. 3404 E. Rte. 66. 526-9434

Oak Creek Brewing Co.: Kenzo. 3-6 p.m. Free. Open State Bar: Blues 66. Blues from Flag. 8 p.m. Free. 10 E. Rte. mic with James Turner. 8 p.m. Free. 2050 Yavapai Drive.

Sedona. (928) 204-1300 66. 226-1282 Old Town Center for the Arts: New West Guitar Group.

7 p.m. (Complimentary wine tasting at 6:15 p.m.) $18 in advance, $20 at the door, $25 priority. 633 N. 5th Street.

Flagstaff Recreation Center: Zumba class. Every Saturday Cottonwood. (928) 634-0940 at 10:30 a.m. $5. 2403 N. Izabel. 779-1468 Raven Café: Faultline. 8-9 p.m. Free. 142 N. Cortez.

Galaxy Diner: Swing Dance Club every Saturday. Lessons Prescott. (928) 717-0009 from 7-10 p.m. Free. 931 E. Historic Rte. 66. 774-2466 The Spirit Room: Cadillac Angels. 2 p.m. Free. MuskelKinksters: Monthly kink party. Theme: Halloween Cake and lunge. 9 p.m. Free. 166 Main St. Jerome. (928) 634-8809 Sodomy. Alcohol and drug-free event. Please bring soda and munchies. Doors open at 7 p.m. and close at 8 p.m. For more State Bar: Paul Miller. Roots, rock and reggae from Flag. info and directions, call 853-1600 or email railman3@hotmail. 8 p.m. Free. 10 E. Rte. 66. 226-1282 com Holly. 8 p.m. Free. 166 Main St. Jerome. (928) 634-8809

Various Events | Sat 3.19

Various Events | Sun 3.20

Marshall Elementary School: Continuing Taoist tai chi.

Every Saturday 9-10:30 a.m. flagstaff.az@taoist.org. 850 N. Canyon Dance Academy: Flag Freemotion. BallBonito. 288-2207 room dance lessons and dancing every Sunday. Learn Mary D. Fisher Theatre: Film screening: Trumbo. 4 p.m. Sat social and ballroom dancing. 5-7 p.m. No partner and Tue; 7 p.m. Wed and Thu, March 24. $12, $9 Sedona Film needed. $8, $5 for students. 853-6284. 2812 N. Izabel. 814-0157 Fest Members. 2030 W. Hwy 89A. Sedona. (928) 282-1177

Mary D. Fisher Theatre: Zenprov Comedy: Laugh Potion Firecreek Coffee Co: Pinestories. Story slam event #9. 7:30 p.m. $12 in advance, $15 day of the show. 2030 W. in which participants share true stories (without notes) related to an ever-changing theme. Winners Hwy 89A. Sedona. (928) 282-1177 of each slam are chosen by audience vote and are Murdoch Community Center: Zumba class. Every Satur- advanced to a yearly grand slam making them eligiday at 9 p.m. $5. 203 E. Brannen. 226-7566 ble for special prizes. First and third Sunday of the Red Rock State Park: Saturday and Wednesday daily bird month. 4-6 p.m. $2. All ages. 22 E. Rte. 66. 774-2266 walks. 7 a.m. Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Flagstaff Arts and Leadership Academy: Flag Lower Red Rock Loop. Sedona. (928) 282-6907 Freemotion. Conscious movement/freestyle dance.

Moving meditation to dance-able music. Minimum instruction and no experience required. Every Sunday. 10:30 a.m. www.flagstafffreemotion.com. 3401 Altitudes Bar and Grill: The Porchlights. 7-10 p.m. Free. 2 N. Ft Valley Road. 225-1845 S. Beaver. 214-8218 Mary D. Fisher Theatre: Film screening: Where to Firecreek Coffee Co: Low Cotton, Nelson Muntz and Home Invade Next. 7 p.m. Sun and Tue; 4 p.m. Wed and Thu, Invasion. 8 p.m. $3. 22 E. Rte. 66. 774-2266 March 24. $12, $9 Sedona Film Fest Members. 2030 Flagstaff Brewing Co.: CRUNK FANGS. Industrial/goth W. Hwy 89A. Sedona. (928) 282-1177 dance night. 10 p.m. Free. 16 E. Rte. 66. 773-1442 Mary D. Fisher Theatre: As You Like It . Big screen

Music Events | Sat 3.19

Gopher Hole: Tommy Dukes. Arizona blues legend. 9 p.m. premiere from the National Theatre of London. 3 p.m. $12.50 in advance, $15 the day of the show. 2030 W. Free. 23 N. Leroux. 774-2731 Hwy 89A. Sedona. (928) 282-1177 The Green Room: Recess. Classic vibes and throwback hits with Blake Brady and Just Joe. 9 p.m. Free. Ages 21 and over. Monte Vista Lounge: Trivia with Lindsay and Savanna. Every Sunday. 9 p.m. Free. 100 N. San Fran15 N. Agassiz. 226-8669 cisco. 779-6971 Hops on Birch: Viola and the Brakemen. Americana from State Bar: Poetry Night hosted by Barley Rhymes.

Flag. 9 p.m. Free. 22 E. Birch. 774-4011 Every first and third (and occasional fifth) Sunday Macy’s Coffee House: Jessie Daniel Edwards. Americana of the month. 7 p.m. signup. 7:30 p.m. start. Free. 10 and acoustic indie rock from San Diego. 2 p.m. Free. 14 Beaver.

E. Rte. 66. 226-1282 774-2243

Pulse continued on page 22 » March 17-23, 2016 | flaglive.com | 21

From Mississippi to Oregon Core Campus has built Hub complexes across the nation, and with mixed receptions.

THE PULSE NORTHERN A R IZONA’S DAI LY EVENT LI STI NGS » MARCH 17-23, 2016

» Pulse continued from page 21 Tranzend Studio: Flagstaff Latin Dance Collective. Lessons: beginner and all level fundamentals, technique and musicality. 7 p.m. Open dancing in main room with salsa, bachata, merengue and cha cha; side room with zouk and kizomba until 10 p.m. Every Sunday. $10 drop-in, $8 for students. 417 W. Santa Fe. 814-2650

Music Events | Sun 3.20

Music Events | Mon 3.21 Campus Coffee Bean: Open Mic night. Every Monday.

6-8 p.m. ccbopenmic@gmail.com. 1800 S. Milton Road.

556-0660 Flagstaff Brewing Co.: Stump Tail Dolly. Experimental country and metal from Nashville, Tenn. 8 p.m. Free. 16 E. Rte. 66. 773-1442

1899 Bar and Grill: Vincent Z. Acoustic world music. The Green Room: Mondo Drag. Heavy psych rock from Every Sunday. 6:30-8:30 p.m. 307 W. Dupont. 523-1899 Oakland, Calif. Openers: Le Trebuchet and Bleed the InFlagstaff Brewing Co.: Planet Sandwich. Rock from sects. 8 p.m. Free. Ages 21 and over. 15 N. Agassiz. 226-8669 Flag. 2-5 p.m. Free. 16 E. Rte. 66. 773-1442

Hops on Birch: Open mic night. Every Monday. 8:30 p.m. sign-up. 9 p.m. start. 22 E. Birch. 774-4011

The Green Room: Exmortus. Metal from Southern California. Openers: Warhead and SaintBreaker. 7 p.m. $8 in Main Stage Theater: Karaoke Mondays. Hosted by Red advance, $10 the day of the show. Ages 21 and over. 15 Bear. Every Monday. 8 p.m. Free. 1 S. Main St. Cottonwood.

(928) 202-3460 N. Agassiz. 226-8669 Main Stage Theater: Speakeasy Sundays: Electro Mia’s Lounge: Neighbors, Dragons and Coffee Pot. Rock Swing Night. Classic cocktails. Classic movies. 7 p.m. from Seattle and Flag. 9 p.m. Free. 26 S. San Francisco.

774-3315 Free. 1 S. Main St. Cottonwood. (928) 202-3460 The Spirit Room: Cadillac Angels. 2 p.m. Free. 166 Main The Museum Club: Open mic night. Every Monday. 8 p.m.

Free. 3404 E. Rte. 66. 526-9434 St. Jerome. (928) 634-8809

Various Events | Mon 3.21 Various Events | Tue 3.22

Episcopal Church of the Epiphany: Taoist tai chi. Cline Library Assembly Hall: NAU’s College of Arts and Every Monday. 10:30 a.m.-noon. flagstaff.az@taoist. Letters Classic Film Series. “Cinematographers: British Academy of Film and Television Award Winners and Nomorg. 423 N Beaver. 288-2207 inees.” Jesus Christ Superstar (1973). Cinematographer: Flagstaff Recreation Center: Zumba class. Every Douglas Slocombe. Directed by Norman Jewison. 7 p.m.

Monday. 6 p.m. $5. 2403 N. Izabel. 779-1468 Free. NAU campus. 523-8632 Gopher Hole: Game night. 9 p.m. Free. 23 N. Leroux. Hops on Birch: Trivia night with Eric Hays. Every Tuesday.

774-2731 8:30 p.m. sign-up. 9 p.m. start. 22 E. Birch. 774-4011 The Green Room: Weekly trivia night hosted by Mar- Jim’s Total Body Fitness: Line dancing. All levels. 5:30tina. Every Monday. 6:30-8 p.m. Free. 15 N. Agassiz. 6:30 p.m. First class free. Every Tuesday. 2150 N. 4th St. 226-8669 606-1435 Hozhoni Art Gallery: Autistic Expressions with Sharin Jonas. Annual Autism Awareness exhibit. Opening reception on Sat, March 26 from noon to 2 p.m. Exhibit runs through April 29. Gallery hours are Mon-Wed and Friday 11 a.m.-4 p.m. Closed Sat and Sun. 2133 N. Walgreen Blvd. 526-7944 Human Nature Dance Theatre and Studio: Tango classes. Fundamentals: 6-6:30 p.m. $5. Figures and Techniques: 6:30-7:30 p.m. $10. (Both classes for dancers having completed a beginner dance series).

Practica: 7:30-9 p.m. Practica included in price of class.

4 W. Phoenix. 773-0750

For more on the story, see Sunday’s Arizona Daily Sun.

Jim’s Total Body Fitness: Yoga for Absolute Beginners with Sabrina Carlson. Six-week class. Tuesdays 6-7:30 p.m. $97. Yoga mat and props provided. Signup at www.sabrinacarlsonyoga.com/store/beginners. 2150 N. 4th St. 8635002 Mary D. Fisher Theatre: Film screening: Trumbo. (4 p.m. Tue; 7 p.m. Wed and Thu, March 24.) Where to Invade Next. (7 p.m.

Tue; 4 p.m. Wed and Thu, March 24.) $12, $9 Sedona Film Fest Members. 2030 W. Hwy 89A. Sedona. (928) 282-1177 The Museum Club: Line dance lessons. Every Tuesday.

6-7 p.m. $3. 3404 E. Rte. 66. 526-9434

Ponderosa High School: Beginner Taoist tai chi. Every Mary D. Fisher Theatre: Art & Architecture in Cinema Tuesday 5:30-7 p.m. Followed by continuing Taoist tai chi.

Series: Florence and the Uffizi Gallery. 4 p.m. and 7 p.m. Every Tuesday. 7-8:30 p.m. flagstaff.az@taoist.org. 2384 $15, $12.50 Sedona Film Fest Members. 2030 W. Hwy N. Steves. 288-2207 89A. Sedona. (928) 282-1177 Taala Hooghan Infoshop: Dharma Punx meditation Monte Vista Lounge: Mario Kart Monday with Nick. group every Tuesday. 8:15 p.m. 1700 N. 2nd St. www.taPlay your favorite old-school video games on the big alahooghan.org screen. Every Monday. 9 p.m. Free. 100 N. San Francisco.

Uptown Pubhouse: Poet’s Den. Bi-weekly poetry and 779-6971 literary night. Hosted by Brittney Kay. Featuring the colUptown Pubhouse: Narrow Chimney Reading Series. lective works of a new poet with each go ‘round. This time: Emily Regan and Andie Francis. For a complete list of Patrick Kavanagh. Signup at 7:30 p.m. followed by readings series authors, see Facebook. 7 p.m. Free. 21 and over. of the featured poet and an open mic. Every second and fourth Tuesday of the month. Free. 114 N. Leroux. 773-0551 114 N. Leroux. 773-0551

Pulse continued on page 24 » 22 | flaglive.com | March 17-23, 2016

thursday, march 24 SNL'S

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membership includes: • 2 Clubs, 3 Pools, 4 Steamrooms, 6 Jacuzzis, 2 Kids Clubs, 9 Courts, State of the art weight and cardio equipment, plus much more!

• Personal training, massage therapy, Physical therapy and tanning on site, small Group training

over 110 Group Fitness Classes a week including: • We offer 20 Yoga classes per week (included in your membership) • We have instructors trained in hatha, Kundalini, Flow, Vinyasa, Ashtanga, Anasura, Yin, Yin/Yang and iyengar • Cycling, Zumba, Step, Pilates, Aqua x, Les mills BodYComBAt tm, Les mills BodYPumP tm, Les mills rPmtm, willPower and grace®, PouNd, Nia & more!

• Check our website for a schedule of classes! *expires 3/31/16

FAC East 1500 N Country Club Rd. • 928-526-8652 FAC West 1200 W Rt. 66 • 928-779-4593

www.flagstaffathleticclub.com Like us on Facebook: www.facebook.com/FlagstaffAthleticClub

24 | flaglive.com | March 17-23, 2016

THE PULSE NORTHERN A R IZONA’S DAI LY EVENT LI STI NGS » MARCH 17-23, 2016

» Pulse continued from page 22

Music Events | Tue 3.22

Lumberyard Brewing Co.: Extreme Wednesdays. Showing extreme sports videos. Free. 10 p.m. 5 S. San Francisco.

The Green Room: Dwarves. Punk rock from San Francisco. 779-2739 Opener: The Queers, Get a Grib and the Blissins. 7 p.m. $13 Main Stage Theater: In-House Dart and Pool Leagues. in advance, $15 the day of the show. Ages 16 and over. 15 6 p.m. Free. 1 S. Main St. Cottonwood. (928) 202-3460 N. Agassiz. 226-8669 Majerle’s Sports Grill: Trivia night. Every Wednesday.

Main Stage Theater: Karaoke Tuesdays. Hosted by Red 7 p.m. 102 W. Rte. 66. 774-6463 Bear. Every Tuesday. 8 p.m. Free. 1 S. Main St. Cottonwood.

Mary D. Fisher Theatre: Film screening: Where to In(928) 202-3460 vade Next. (4 p.m. Wed and Thu, March 24.) Trumbo. (7 p.m.

Mia’s Lounge: Jazz Jam. 9 p.m. Free. Every Tuesday. 26 S. Wed and Thu, March 24.) 2030 W. Hwy 89A. Sedona. (928) San Francisco. 774-3315 282-1177 Monte Vista Lounge: Karaoke with Ricky Bill. 9 p.m. Free. Murdoch Community Center: Zumba class. Every 100 N. San Francisco. 779-6971 Wednesday at 5:30 p.m. $5. 203 E. Brannen. 226-7566 The Museum Club: Karaoke. Every Tuesday. 8 p.m. Free. The Peaks: Beginning ballroom dance lessons. 7-8:15 p.m.

3404 E. Rte. 66. 526-9434 Every Wednesday. Free. No partner needed. Different dance Oak Creek Brewing Co.: Drumz and Dance Party. Free. starts each month and builds through the month. Next to the Museum of Northern Arizona. Held in the activity 6:30 p.m. 2050 Yavapai Drive. Sedona. (928) 204-1300 room. Dance calendar at www.flagstaffdance.com. 3150 Orpheum Theater: Elephant Revival. Folk and Americana N. Winding Brook Road. 853-6284 from Nederland, Colo. Opener: Mandolin Orange. Doors open at 6:30 p.m., show starts at 7:30 p.m. $17 in advance, Red Rock State Park: Saturday and Wednesday daily $19 the day of the show. All ages. 15 W. Aspen. 556-1580 bird walks. 7 a.m. Park is open 8 a.m.-5 p.m. $10 per vehicle. 4050 Lower Red Rock Loop. Sedona. (928) 282-6907

Various Events | Wed 3.23

Uptown Pubhouse: Team trivia with Carly Strauss.

Firecreek Coffee Co: Poetry slam. Every Wednesday. 7:30 p.m. Free. 114 N. Leroux. 773-0551 Signup at 7:30 p.m., 8 p.m. start. $2. 22 E. Rte. 66. 774-2266

Music Events | Wed 3.23

Flagstaff CSA and Market: Weekly Wednesday Meditation. Guided meditation and open discussion. Anyone is The Green Room: CloZee. Glitch-hop, future bass and welcome to join. Every Wednesday. 9-10 a.m. 116 Cottage trip-hop from France. Openers: Ahee, JxChristo, Dusted, Clay, and Grackle Beats 8 p.m. $7 in advance, $10 the day Ave. 213-6948 of the show. Ages 21 and over. 15 N. Agassiz. 226-8669 Flagstaff Recreation Center: Zumba class. Every Main Stage Theater: Bingo night. Hosted by Penny Wednesday. 7 p.m. $5. 2403 N. Izabel. 779-1468 Smith. 7 p.m. Free. 1 S. Main St. Cottonwood. (928) 202Gopher Hole: Team Trivia. 9 p.m. Free. 23 N. Leroux. 7743460 2731 Monte Vista Lounge: Kingz of the Jungle Presents: Liberal Arts Building: The NAU International Film SeIllektrolab with Kip Killagain. 9:30 p.m. Free. 100 N. San ries presents: “Great Authors: Playing with Form.” Film Francisco. 779-6971 screening: Hamlet (U.S., U.K. and France, 1948). Directed

by Franco Zeffirelli. 7 p.m. Free. Room 120. North NAU cam- The Spirit Room: Christy Fisher hosts open mic night.

8 p.m. Free. 166 Main St. Jerome. (928) 634-8809 pus. 523-8656 To have an event included in the Pulse calendar e-mail calendar@flaglive.com or mail info to Flagstaff Live, Attn: Pulse Calendar Submissions, 1751 S. Thompson St., Flagstaff, AZ 86001. The deadline is every Friday by 5 p.m. for the following week’s issue. All events are subject to change, subject to editing, and may have to be cut entirely due to limited space in Flag Live. For more info, call 779-1877.

e call Answering th since 1994

COMICS

hype about this Batman versus Superman movie. I can’t believe these violent and crazy superhero movies are still being made. And I thought Batman and Superman would get along. I just don’t understand it.

Proudly presented by the staf at

May sweet, sweet Carol never learn that I have penned a number of adult ilm titles pivoted on superheroes, hero conlicts and crossovers, as well as relevant social problems they face: The Flash in: Charged with Indecent Exposure, Ant-Man’s Adventures Across Wonder Woman, Losing the Invisible Woman During Fantastic Foreplay and Dr. Strangepants.

I’ve seen all the

Larry &Carol

March 17-23, 2016 | flaglive.com | 25

­

CLASSIFIEDS ACCOUNTING

HOME IMPROVEMENT

LMA Accounting Service, Tax prep for Businesses and Individuals. And Bookkeeping. Call 699-9183.

Luky Handyman Flagstaff Licensed Remodeling Contractor Creative, Clean, Reliable www.lukyhandymanflagstaff. com ROC #235891 - 928.300.7275 Huff Construction LLC All home improvement, repairs, remodeling & additions. ROC #230591 928-2424994

APPLIANCE REPAIR Appliance Repair in your home. Best in Flag w/27 yrs Experience! Insured.

Call Russ @928-863-1416

EQUIPMENT Annual Equipment Service Special Service most makes of Farm, Construction, & Lawn Equipment Pick up/Delivery Available 774-1969 www.flagequip.com

FIREWOOD Aspen & Juniper Firewood For Sale.

Ready to burn. Call for info: 7790581

HANDY PERSON Licensed Contractor for all Your Home Remodel or Repair Needs. ROC# 265086. (928)-525-4072 Father & Son Handyman Window Cleaning, Paint, Plumbing, Floors, Shingles & Yard Cleaning. Whatever You Want! 928-380-7021 Not a Licensed Contractor A1 Handyman! Call Mike’s Tool Box Decks, tile, doors/windows, paint.

Mike, 928-600-6254 Free Estimates Not a Licensed Contractor A&V Handyman Bobcat, Plumbing, Framing, Painting, Electric, Roofing, Tile, Concrete Driveways, Decks, Maintenance. Adrian 928-607-0370 Not a Licensed Contractor AZ NATIVE HANDYMAN Major/Minor home repairs, decks, roofing, drywall, fencing, welding, storage sheds & auto repairs. Quality Assured. Free local estimates. 928-814-0497 Not a licensed contractor The Handyman Plumbing Repairs Electric. Call 928-221-4499 Insured Not a Licensed Contractor

HAULING Flag Hauling, Yard Clean Up, Haul Off Misc Debris, Metal, Wood, Batteries, etc. Fast, Reliable & Reasonable Rates, Lic/Ins 928-606-9000

HOUSE CLEANING G&C Cleaning. Excellence Makes a Difference! 928-600-4186 Daulton’s Premier Cleaning Services for residential, rentals, offices, constr.

Lic. 928-699-2368 Hassle Free House Cleaning Detailed Reliable Service. Lic & Ins Laura @ 928-226-0349

LANDSCAPING Kiko’s Landscaping Pine Needles & Yard Clean-up Francisco Valdez @ 928-221-9877 or 814-4787 leave message. Not a licensed contractor

LAWN CARE Garden Keeper. Detailed, Reliable Plant Watering Service Laura 928-2260349

MASSAGE Receive a Massage or Reflexology session in the comfort of your home.

Call Gudi Cheff at 221-7474.

MISCELLANEOUS Licensed & Certified Personal Caregiver/CNA/Companion. Excellent references. Non-agency in home care since 1997. Serving Flagstaff/ Williams/Parks/Sedona. Long shifts.

(928) 853-4437 Downwinders Cancer Cases www. cancerbenefits.com Flagstaff Office 928-774-1200 Now buying elk and deer antlers. 928853-1419 or 928-214-0242. CALL JEFF AND GET PAID!

MOVING Professional Moving Service call Quick Move Local/long distance or labor only. 928-779-1774

PAINTING

“Nick the Painter”, 25 yrs exp. Top Quality, Low Prices Small Jobs OK. Ref Avail. Interior/Exterior 928-2552677 Not a licensed contractor.

PEST CONTROL High Country Pest Control LLC Humane Animal Removal - Skunks, Squirrels etc.Spraying For Ants, Spiders, Bees, Wasps & other Pests. Lic. & Ins. #9184. App#110560. Don: 928-2213324

PET SERVICES Gofer Girl Friday. Pet Care & Personal Assistant. 928-607-1951 All Things Possible, LLC

PLUMBING Plumbing Needs, Repairs, Add-ons & Remodels. (928)-890-8462 Not a licensed contractor.

SEWING SEWING BY CATHY One Day Service Dressmaking, Alterations & Repairs.

779-2385

SNOW REMOVAL Driveways, Sidewalks, Roofs, Bobcat and Blower Can Pre-Schedule. 928310-0419

HELP WANTED Now is your opportunity to join our growing team and be a part of changing someone’s life while using your healthcare experience. Currently we are accepting applications for multiple positions. Apply at www. goodeyes.com or call 602-508-4877.

Grand Canyon Coaches now Hiring CDL positions, min. 2 yr. exp. Full time positions w/ benefits & housing avail.

Call Ric (928) 638-7134, ric.ovalle@ papillon.com HIRING BONUS - Merry Maids hiring Residential Cleaners. Must be avail M-F 8:30-5pm. Must have own reliable car. Call 928-522-0197 Experienced Housekeepers Hilton Garden Inn, Flagstaff MUST APPLY IN PERSON 350 W. Forest Meadows

INSTRUCTION AND SCHOOLS Coconino County Accommodation

School District Teacher Openings Page, AZ Location: Math teacher - Tse’ Yaato High School - 183 day contract (signing bonus of $2000.)

Flagstaff, AZ Location: Special Education teacher - Ponderosa High School and Juvenile Detention School - 226 day contract. Competitive salary and benefits. www.ccasdaz.org or call 928.526.5570

MAINTENANCE AND REPAIR Maintenance Technician. Exp. prfrd.

Hilton Garden Inn Apply@350 W. Forest Meadows.

MEDICAL Travel RNs Needed Correctional Care.

Committed Careers. Corizon Health.

Regardless of your area of interest, correctional nursing provides a rewarding career in a specialized field that encompasses ambulatory care, health education, urgent care and infirmary care. Corizon Health, the provider of health services for the Arizona Department of Corrections, has excellent opportunities for Travel Registered Nurses at Winslow Correctional Complex in Winslow, AZ. Position includes lodging and will be 3-12 hour shifts.

Corizon Health offers competitive rates, excellent benefits and the opportunity to try something new in this growing specialty field. New graduates welcome! Please contact: Kelly Herberholt 314.919.9536 Kelly.

Heberholt@ Corizonhealth.com OR Apply for positions & view additional opportunities at: www.corizonjobs. com EOE/AAPTR

MUSICAL INSTRUMENTS Mint condition Limited Production Collector’s Edition REMO Master Touch Drum Set. Appraised $6000, sale $1995. Call (707) 291-9868.

GARAGE SALES EAST Tools, electric fireplace, king size bed w/brass hdbrd, mattress covered like new, couch, assrtd dishes & kitch. items, books, & art. 4960 E. Empire .

Sat. 3/19 7:30-1 TWO SISTERS ESTATE SALE Fri/Sat, 8am-1pm, 2900 Saddleback Way. RUGS, MODERN ART, Sealy BEDS, FURNITURE, and more! Info at www. twosistersestate.com

MOBILE HOMES FOR SALE

BARGAIN CORNER

Mfg. Home or Vacation Property, Premier Adult Park, W Rte 66-Small but efficient living space. 1BR,1B w/ extra bedroom or studio option.

Designed/remodel thruout, fenced yard, landscape, laundry, carport, quiet privacy-a must see. Reduced $59,500. 928.221.3234

Morton Salt collector set of 4 mugs in original box, $30; Dansk Bistro serving platter, $10; 5 pink luncheon plates, $15. Call 928-527-2991 02 Ford F-350 parts. Head light, tail light assembly’s, $30 each. Grill $45.

928-607-1701 New 22K Gold enlisted female hat badge, $45. 4”x3” mini-tablet,$50.

Call 928-679-0691 (1) New, Chef’s Mate “thermal, electric fridge”, w/ inside light, adj. shelves, white, $50; (4) Zenith 25” digital, color TV’s, $10 each. Call 928-6004520 Turn of century Elliott daybed. Hand forged, w/ white finish, $265.

(480)813-7956.

LOTS FOR SALE RESIDENTIAL 3 1/2 acres near Winona. Doney Park water, power, phone available. Septic in! 2 car detached garage. $125,000.

928-607-0928

APARTMENTS UNFURNISHED Studio apt., single occupancy, no pets.

Rent $725/mo. Deposit req’d. Call (928) 774-7727.

TOWNHOME UNFURNISHED 3 bdrm/1ba, 1100 sq. ft. Duplex, Avail now, appliances incl. pets Ok, small fenced yard. 2315 N Center #2, $1100/ mo. 1 yr lease. $3300 move-in. Call 928-527-3787

STORE AND OFFICE RENTALS 2223 A & B, 1 unit, a former literacy program space, 2700 sq. ft. $2600/ month. Water & Garbage Provided.

Call 928-526-0300.

Various Sizes of Store and Office Space on 4th St & 7th Ave, Some with Utilities Included. 928-526-0300.

Office for rent in Downtown Flagstaff, 308 N. Agassiz Street. Please call (928) 774-1433 for questions or to schedule an appointment for viewing. $1000-1500

WANTED TO RENT Established Flagstaff Family of 3 seeks 3BR SFH for 1year (+) Rental.

Availability 7.1 - 9.1.2016. References upon request. Serious inquiries only. $1400-$1900 Jay 928.707.4916 ext. 1 Teacher wants studio or 1 bdrm apt for short term lease. Contact 928774-0097

DOMESTIC AUTOS Little Gem - 2004 Ford Taurus LX, red, 42,000mi., new tires, all the bells and whistles, great shape. $4700 obo. Call 928-310-2989.

MOTORCYCLES 2011 Yamaha Star 250, 4085 mi., like new, $2950 obo. 928-526-4674

FLAGSTAFF LIVE GENERAL INFO

Phone: (928) 774-4545 Fax: (928) 773-1934 | Address: 1751 S. Thompson St. , Flagstaff, AZ 86001 Hours of Business: Monday–Friday, 9 a.m.–5 p.m. | On the Web: www.flaglive.com Distribution: Hard copies of Flagstaff Live are available free of charge every Thursday morning at more than 200 Flagstaff, Sedona and northern Arizona locations. Please take only one copy per reader. Feel free to call or e-mail us with any distribution questions or if you want to become a distribution point for Flag Live.

Copyright: The contents of Flagstaff Live and its Web site are copyright ©2016 by Flagstaff Publishing Co. No portion may be reproduced in whole or in part in any form without permission.

Disclaimer: Views and opinions expressed within the pages of Flagstaff Live or its Web site are not necessarily

those of Flagstaff Publishing Co. Any reader feedback can be mailed or e-mailed to the editors.

Freelancers: Flagstaff Live accepts freelance submissions for its pages and Web site. Any story pitches or unsolicited work can be e-mailed or mailed to the editors at the above addresses.

Advertising: For the current Flag Live advertising rate card, see www.flaglive.com, or contact Kim Duncan at (928) 556-2287 or kduncan@flaglive.com Fair Housing: In accordance with the federal Fair Housing Act, we do not accept for publication any real estate listing that indicates any preference, limitation, or discrimination based on race, color, religion, sex, disability, family status, on national origin. If you believe a published listing states such a preference notify this publication at fairhousing@lee.net.

Mar. 17-23, 2016 | flaglive.com | 27

THE GREEN ROOM JUST ANNOUNCED

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5.31.16

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MARCH 21

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5.3.16 $12/15 18+

UPCOMING SHOWS 3.24 3.25 3.27 3.29 3.31 4.01 4.01 4.02 4.03 4.07 4.08 4.09 4.12 4.15 4.16 4.17 4.22 4.29 4.30

FALSE NORTH THE MOVES COLLECTIVE NAPALM DEATH LYDIA CAN'T BREATHE HEMLOCK INDIGO ART MARKET ELECTRIC KINGDOM Chris Pureka UNEARTH HAYSEED DIXIE VAUD AND THE VILLAINS Father Figures CARNIFAX STYLES & COMPLETE BOWIE BALL VOODOO GLOW SKULLZ EMPTY SPACES jackLNDN XTRA TICKET

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| (928) 226-8669