SHMTHEADS by DOUGLAS WILLIAMS directed by KEVIN GLACCUM
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2016-2017 FEBRUARY 22 - MARCH 12, 2017
PROSCENIUM THEATRE AT THE DRAKE
PRODUCTION SPONSORS ROBIN & PATRICK TRACY
SEASON
A Z U K AT H E AT R E . O R G
Kevin Glaccum Producing Artistic Director
Robin & Patrick Tracy Production Sponsors
AZUKA THEATRE presents
SHMTHEADS by DOUGLAS WILLIAMS
Starring AKEEM DAVIS* CHARLOTTE NORTHEAST* DAVID PICA HARRY WATERMEIER Scenic Design APOLLO MARK WEAVER
Lighting Design J. DOMINIC CHACON
Costume Design NATALIA DE LA TORRE
Sound Design LARRY D. FOWLER, JR.
Dramaturg MICHELE VOLANSKY
Properties AVISTA CUSTOM THEATRICAL, LLC
Production Manager BEN LEVAN
Production Stage Manager TERRY MITTELMAN
Directed by KEVIN GLACCUM
WORLD PREMIERE!
February 22 - March 12, 2017 Azuka Theatre is a 501(c)(3) Not for profit organization Shitheads was developed with the support of PlayPenn, Paul Meshejian, Artistic Director
CAST Alex......................................................... Akeem Davis* Brandon.................................................... Harry Watermeier Izzy.......................................................... Charlotte Northeast* Spider...................................................... David Pica TIME: 2012. LOCATION: Manhattan. There will be NO intermission. Please turn OFF all electronic devices prior to the performance. Photography or recording of this production, including cell phones, is strictly prohibited.
The noted Actors in this production are members of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States. The Dramaturg is a member of the Literary Managers and Dramaturgs of America (LMDA).
Azuka Theatre is a member of the Greater Philadelphia Cultural Alliance (GPCA). Azuka Theatre is a proud participant in the Barrymore Awards for Excellence in Theatre, a program of Theatre Philadelphia. Azuka Theatre is an Associate Member of the National New Play Network (NNPN).
Support provided in part by the William Penn Foundation, the Wyncote Foundation, The Barra Foundation, the Greater Philadelphia Cultural Alliance, and the Pennsylvania Council on the Arts.
FROM THE DIRECTOR I love working on new plays. Over the last 18 years Azuka Theatre has produced 16 World Premieres and I’ve been involved in one way or the other in helping to bring those stories to the stage. I often wonder how aware our audiences are of the long path from page to stage. I’ve worked on plays where entire story lines have been removed, where characters are cut, added or combined, locations changed and don’t even get me started on endings! It can be a challenging, frustrating and invigorating process, and when we get it right, it’s incredibly rewarding. When Doug first showed me Shitheads, the bike shop had two levels (way too big for Azuka!), the lead character was a forty-something Latino with a lazy eye (impossible to cast!) and I think there were 5 or 6 characters (too expensive!). Over the years, and through a LOT of work, (I’ve lost count of the drafts the play has gone through) we have come to the story you will see tonight. Thanks in particular to PlayPenn for a much-needed workshop last year that helped us get the play to where it is. I have special places in my heart for stories about work places. Where we work can so define who we are and how we view ourselves, and the people we work with do indeed become a sort of family—and like most families, work families can be just as dysfunctional as any biological one. Of course the main difference between “real” and work families is the job itself; the daily tasks we perform, the language we use to describe them are so unique we usually don’t even realize how unique until we try and “translate” what we say and do to an outsider. We spoke frequently in rehearsal about how much the world of the play reminded us of working in theater: how all of your friends are of the same world as you and speak the same language, how these jobs call for a very specific skill set, yet don’t command much remuneration in the market place and most importantly how your job isn’t just a job but a lifestyle--a particular way of looking at the world. Being a theater artist today brings particular challenges. I have never felt so uncertain about what the future holds for my country or for the world. I want so much to affect change, but realize that my voice may not carry very far. So I will continue to do what I do best; make theater that offers a view into the lives of the people around us, in particular the ones we may not pay much attention to and show how similar those lives are to our own. This is what theater has always done, as Hamlet said “is to hold, as ‘twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.” I can’t imagine a time when we needed this more.
– Kevin Glaccum
SEASON PARTNER
Proud sponsor of Azuka Theatre
Cheers to great art in Philadelphia!
WHO’S WHO Akeem Davis (Alex) Akeem is from Miami, FL, and is a graduate of Florida State University. Based in Philadelphia, Akeem has regional credits with the Folger Shakespeare Library: District Merchants; South Coast Repertory Theatre: District Merchants; People’s Light and Theatre Company: All My Sons; InterAct Theatre Company: Dangerous House of Pretty Mbane, Marcus/Emma; Theatre Horizon: In The Blood, Lobby Hero; Simpatico Theatre Project: The Brothers Size. Akeem is a proud man of Omega Psi Phi Fraternity, Inc. and is the 2015 F. Otto Haas Emerging Theatre Artist Award winner. Charlotte Northeast (Izzy) Graduate: Circle in the Square Theatre School. Azuka Debut! Charlotte has worked with: Act II Playhouse, CCTC, Theatre Exile, New City Stage, Passage Theatre, Luna Theatre, Swim Pony, Gas & Electric Arts, Montgomery Theatre and Walnut Street Theatre. She is an Artistic Associate for the Philadelphia Artists’ Collective (“PAC”) and has performed in Duchess of Malfi, Changes of Heart, Timon of Athens, and Mary Stuart and directed Creditors and Fair Maid of the West. Barrymore Awards: Skin in Flames (InterAct) and Emma (Lantern). Love to Damon, Julian and the fur-children. Up next: The White Devil with PAC, Coriolanus with Shakespeare in Clark Park and other adventures to be announced. David Pica (Spider) Pica has most recently been seen in Revolution Shakespeare’s King John, Commonwealth Classic’s The Lion in Winter, Greenfield Collective’s The Magnus Effect, Lantern Theater’s 36 Views, and Inis Nua’s The Radicalisation of Bradley Manning. He trained at Millikin University, the Royal Conservatoire of Scotland, and in London with The Factory. He rides a Brompton. Harry Watermeier (Brandon) After graduating from Indiana University, where he studied theatre and film, Harry participated in the Arden Theatre Company’s Professional Apprentice Program. After completing said program, Harry headed back to his home state of Indiana, where he worked with the Indiana Repertory Theatre as a Production Assistant, Young Actor Liaison, and, finally, Conservatory Coordinator. Harry then returned to Philadelphia to pursue acting, and has since worked with the Simpatico Theatre Project, Tiny Dynamite, The Lantern Theatre Company, and Commonwealth Classic Theatre Company. Harry is thrilled and honored to work with Azuka, and would like to thank his friends, family, and Sarah -- for their support and encouragement. Douglas Williams (Playwright) Douglas is a Playwright-In-Residence at Azuka Theatre and a founding member of Orbiter 3, a playwrights producing collective. Plays include Moon Cave (Azuka Theatre), Breathe Smoke (Orbiter 3) and Waterboarding, But Fun. Williams has had two plays developed at PlayPenn (Moon Cave, Shitheads) both under the
direction of Kevin Glaccum. He was a finalist for the Lark’s Playwrights Week, the Bay Area Playwrights Festival, and InterAct’s 20/20 Commission. His plays have also been developed at Bristol Riverside Theatre, New York Theatre Experiment, Act II Playhouse, Distilled Theatre Company, and the Philadelphia New Play Initiative. Williams’ experimental and collaborative work has been produced in the SoLow Fest (Four’s the Floor, Solstice) and the FringeArts Festival (Holly’s Dead Soldiers, Safe Space). Playwright Sam Shepard presented him with the Silver Award from the National Foundation for Advancement in the Arts.Williams is a former member of the Foundry, a lab for new plays, and a company member of the Apocalypse Club. He is a graduate of Temple University. Kevin Glaccum (Director) Kevin has been a member of Azuka Theatre since their inaugural production of La Rue des Faux. For Azuka he has directed 19 productions including eight World Premieres (Lights Rise on Grace, Moon Cave, Pookie Goes Grenading, Everyone and I, Hope Street and Other Lonely Place, Whisky Neat, Azuka One-Acts, The Boys ) and one musical (Hedwig and the Angry Inch—Best Director Barrymore Nomination; Best Director of a Musical, Philadelphia Weekly). Other credits include Say Goodnight, Gracie (Act II Playhouse) Iron Kisses (Philadelphia Gay and Lesbian Theater Festival), The Shoes (Philadelphia Fringe Festival) and The Rocky Horror Show, Club California, Proof and The Brothers Grimm Spectaculathon at Arcadia University where he’s also an adjunct professor. He is a member of Lincoln Center’s Directors Lab and the Board of Directors of Theatre Philadelphia. Thanks to HP. Apollo Mark Weaver (Scenic Designer) Apollo has spent the past 16 years as a professional scenic artist and freelance set designer. He is currently completing his final semester in Temple’s MFA program, where he is designing their forthcoming productions (yes, productions) of Caryl Churchill’s Love and Information. Other recent designs include Azuka’s Moth, Merrimack Rep’s The Making of a Great Moment, Geva Theatre Center’s Tinker to Evers to Chance and No Child…, and Son of a Dog at the Walnut’s Studio 5. J. Dominic Chacon (Lighting Designer) Dominic is very happy to be back at Azuka this season! Thanks to the entire Artistic and Production team for everything. A graduate of The University of Iowa and Temple University, he currently teaches at Drexel University and is the Lighting Coordinator at the Lang Performance Arts Center. Favorites: Peter and the Starcatcher, Red, Proof, The Rise and Fall of Little Voice (WST); Ordinary Days (11th Hour); Aladdin (People’s Light); Dave and Aaron Go to Work (1812). Natalia de la Torre (Costume Designer) Natalia is a freelance costume designer, crafts artisan and scenic painter based in Philadelphia. Natalia is one of five Resident Designers at the Philadelphia Design Center for the 2016/17 season. She previously served as costume shop manager for the Lantern Theater Company and has designed for Ohio University, Drexel University, Lantern Theater Company, Azuka, Interact, EgoPo, Almanac Dance Theater, Team Sunshine, Revolution Shakespeare, Simpatico Theater Company, MIRO Dance Theater, Flashpoint Theater Company, Shakespeare in Clark Park, Commonwealth Classic Theater Company, BRAT Productions, Philadelphia Shakespeare Company, Johnny Showcase, Tribe of Fools, and Upper Darby Summer Stage. Education: M.F.A. in Production Design, Ohio University.
Larry D. Fowler, Jr. (Sound Designer) Larry is honored to be part of the production team on Shitheads. He has been sound designing in Philadelphia and neighboring counties for a number of years. His most recent work includes Informed Consent (Lantern Theater), Notes of a Native Song (Wilma/Fringe Arts), The Elementary Space Time Show (UArts/Fringe Arts), In My Body (Flying Bulldog Prods), and Carols In Color (Eleon Dance). Larry is a producer for online radio programming and is currently the Master Sound Design Lecturer at The University of the Arts. Thanks to Kevin, Azuka, and his ladies Maureen, Olivia, and Lupita. Avista Custom Theatrical, LLC (Properties) Owned by Jennifer Burkhart and Amanda Hatch, Avista was founded in 2007 as a properties design and construction firm. Avista specializes in period paper goods and newspapers, custom prop construction, upholstery, soft goods construction, and maintains a 7,000 square foot rental warehouse in Norristown. This season Avista will be working with Opera Philadelphia, Azuka Theatre, 1812 Productions, InterAct Theatre, Delaware Theatre Co, Inis Nua Theatre, Mauckingbird, Temple University, and Drexel University. Terry Mittelman (Stage Manager) Terry is a recent graduate of the Directing, Playwriting, and Production program with a focus in Stage Management and Production Management at University of the Arts. Recent credits; Annie Wilson: At Home With the Humorless Bastard, Applied Mechanics: FEED, Azuka Theatre: Moth, Simpatico Theatre Project: Watership Down, Sam Tower + Ensemble: Nowhere Fast Cabaret, 901 Nowhere Street, Philadelphia Young Playwrights: Paula Vogel Mentor Program Festival, 1219 Project, UArts: Polyphone. Ben Levan (Production Manager) Ben is happy to be back at Azuka for another season! He is a freelance Production Manager, Master Electrician, Lighting Designer, and Playwright living in Philadelphia. Recent PM credits include: I Am Not My Motherland (Orbiter 3), Brewers Fayre (Tiny Dynamite), Local Girls (Azuka). Recent ME credits include: 36 Views (Lantern Theater Company), Invisible Hand (Theatre Exile), A Fierce Kind of Love (Temple University Institute on Disabilities.) He is also a proud new member of The Foundry, a Philadelphia based playwriting workshop. Michele Volansky (Dramaturg) Michele is Chair and Associate Professor of Theatre at Washington College and an Associate Artist for PlayPenn. She has worked on over one-hundred and fifty new and established plays in her professional career and has served on the artistic staffs at Actors Theatre of Louisville (1992-95), Steppenwolf Theatre Company (1995-2000) and Philadelphia Theatre Company (2000-2004). She has served as an artistic consultant for the TCG playwright residency program, a reader for the Eugene O’Neill Center’s National Playwrights Conference and the New York Shakespeare Festival/The Joseph Papp Public Theatre’s Emerging Voices Program and is the 1999 inaugural co-recipient of the Elliot Hayes Award for Dramaturgy. She is a past president of LMDA, the Literary Managers and Dramaturgs of the Americas (2002-2004). Her book on playwriting and collaboration with Bruce Graham entitled The Collaborative Playwright was published in March, 2007 by Heinemann Press. She holds a B.A. in English from Washington College, an M.A. from Villanova University and a PhD from the University of Hull (England); her dissertation explores the politics and advocacy of the critics Kenneth Tynan and Frank Rich.
Lena Barnard (Assistant Stage Manager) Lena is a playwright and freelance stage manager. As a playwright, her work has been presented in SoLow Fest, Azuka Theatre’s Spotlight Series and PlayPenn. She is also an alum of the Foundry, a Philadelphia playwright’s lab. As a stage manager she has worked with the Philadelphia Artists Collective, Azuka, Revolution Shakespeare and Murmuration Theater. This year she is one of the organizers of SoLow Fest. She is a graduate of Bryn Mawr College. Kristopher Karcher (Assistant Dramaturg) Kristopher is a freelance dramaturg and recent graduate of Arcadia University. While at university, he worked as the dramaturg on the world premiere productions of Midway by Alisa Sicklora Kleckner and the W Trilogy by Kathleen Jones. Other favorite projects at Arcadia included Stop Kiss, Eurydice, and The Prescott Method. Outside of school, Kristopher has worked as as a dramaturg with The Riant Theatre, Out Front Theatre Company, and the Eugene O’Neill Theatre Center. Johanna Austin (Production Photographer) Johanna of AustinArt has had the pleasure of working with Azuka since she fell in love with them and their Nerve (April 2010 production). For 16 years Johanna has been exploring her perceptions of the world through photography. Her work is inspired by a desire to create still lifes out of performance art. She thrives on constructing images that would otherwise be forgotten, and often, not even seen at all. With her calm, unobtrusive presence, clients find her to be a joy to work with as she captures the energy and spirit of the moment.
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THIS THEATRE IS A PROUD PARTICIPANT IN THE
BARRYMORE AWARDS
FOR EXCELLENCE IN THEATRE a program of THEATRE PHILADELPHIA
www.theatrephiladelphia.org Visit today for the best of what’s on stage now in Philadelphia-area theatres
STAFF & CREDITS BOARD OF DIRECTORS
PRODUCTION CREW & CREDITS
2016-2017
Technical Director Joe Daniels
Tamanya Garza – President Natalie Diener – Vice-President Andrea Sheaffer – Treasurer Roz DeKett – Secretary Mark H. Andrews Heather Evans David Fedor Kevin Glaccum Lee Porter Ross Radish
AZUKA THEATRE STAFF Producing Artistic Director Kevin Glaccum Associate Artistic Director Allison Heishman Marketing Director Mark H. Andrews Artistic Associate Emily Acker Playwrights in Residence Jacqueline Goldfinger Douglas Williams Resident Dramaturg Sally Ollove PR Representative Kory Aversa, Aversa PR & Events LLC
Master Electrician Lucas Nguyen Audio Engineer John Kolbinski Electricians Stephanie DiBona Scott Halstead Carpenter Adam Rzepka Scenic Artists Cassidy Strackbein Anthony Wiegand Photo Credits Johanna Austin / Austinart.org Graphic Design Mark H. Andrews & Derek Carnegie IT & Maintenance Andrew Nelson Website Design PIC Designs Printing Quaker Printing
SPECIAL THANKS
AZUKA THEATRE
1700 Sansom Street, Suite 800 Philadelphia, PA 19103 215.563.1100 AzukaTheatre.org
Brad Levan, Paul Meshejian & PlayPenn, Nora Rennick-Reinhart, Terry Brennan, Lesley Berkowicz-Zac, Beckah Smith, Shelly Salamon & the staff of Fairmount Bicycles, Vicky & Clarissa at Transport Bicycles, Aziz Naouai, Leigh Goldenberg, Joseph Samala, Jeff Bazemore, Aaron Cromie, Josh Wallace, Firehouse Bicycles.
SUPPORT FOUNDATION SUPPORT
Barra Foundation Charlotte Cushman Foundation CHG Foundation Dolfinger McMahon Samuel. S. Fels Fund Independence Foundation Lida Foundation Linback Foundation MKM Foundation Philadelphia Cultural Fund Philadelphia Foundation Producer’s Fund Puffin Foundation William Penn Foundation June & Steve Wolfson Family Foundation Wyncote Foundation
PRODUCERS CIRCLE Honorary Producers
Ken Goldenberg Joanne & Jon Harmelin Andi Sheaffer Pat & Robin Tracy Anne Vogelmann June & Steve Wolfson Executive Producers
Louis Bluver David Fedor Kevin Glaccum Dr. Stephen Heishman David & Karen Jones Dr. Joel Porter Gayle & David Smith Producers
Mark H. Andrews & Derek Carnegie Associate Producer Christopher J. Baughman Martin Bodtmann Natalie Diener & Michael Cosenza Tamanya Garza & Brent Kreiser Maria Gasior Elizabeth Gemmill Anne Goldenberg Drs. Ken & Julie Kendall Thomas Korman & Anne Kirschner Susan Mock Michael Norris & Matt Varrato Lee Porter Lee & Christopher Van de Velde Anonymous (1)
Azuka Theatre thanks all of our donors for their continued support of the work we do. If you have questions about supporting Azuka, please call Kevin Glaccum at 215.563.1100
INDIVIDUAL SUPPORT Idealist ($100 - $499) Maureen & Michael Acker Judy Adamson & Fred Jackes Robert & Mary Anne Andrews Hilary Barnes John Barry Nancy & Jay Berkowitz Sherry & Alan Blumenthal Anthony Braithwaite Thomas Carragher Cindy Carter James Crawford & Judith Dean Phyllis Cohen Donato J. D’Albis Emily Darigan Karen DiLossi & Josh Schulman Heather Evans Michael & Jill Feighan Mary Q. Frantz Dan Gannon Narinder & Patricia Garg Paul Gallagher Bryan & Kathleen Glaccum Maureen Glaccum & David Spears Michael Glaccum Greg Gephart Grace Grillet Terry & Paul Guerin Ted & Betsy Hershberg Stephen & Jane Heumann David Ingram & Melanie Finister Michael Kauffman Dan Kern & Nancy Boykin James A. Kirby Sara Lathrop Stephen Mandato Christopher McCarrick Elle McComsey Paul Meshejian Gigi Naglak Judie Nodler Howard Pardue Laura Grace Pattillo Clifford Pearlman Dan Perelstein Matthew Pettigrew Steven Peitzman Stephen Platt & Robin Schaufley Ross W. Radish Sandra Singer Caitlin Speers Miriam Szapiro The Tallman Family Noreen & Eric Tarr Kristin & Ryan Toner Mark Wade Noris Weiss-Malvey David J. Wierz Peter C. Wool Anonymous (1)
Realist (up to $99) Carol Aaron Emily Acker Shari Adler Michael Ambler Debi Armstrong Alexandria Ast Harry Bambrick B. A. Bigham The Biringers Sara Blumenthal Carl Boccuti Alex Bock Katie Bohri Kim Bonner Barbara Bosha David Bradley Jennifer Brandabur Vern Brunton Brandi Burgess Mary Ann Butterworth Timothy P. Carey Steven Carey J. Dominic Chacon Christopher Colucci Paige Conway Thomas Conway Gabrielle Corsaro Aisha Crellin Joseph Croft Michael Dees Charlie DelMarcelle Stefanie Dockery Elaina Di Monaco Russel Dorwart Stacy Maria Dutton m. a. early Gehrett Ellis Anthony & Susan Faillace Janet Ferguson Edward Fians Allison Frisbee Jacqueline Fox Tom Fusco Matt Garfield Jill Garland & John Frisbee Johnathan Gelfand Connie & Bill Georgov Carrie & Chad Gorn Emma Goidel Grace Gonglewski Rob Goodman Mark Gorson Laura Gould Andrew Guyon James Hargrave Kate Heaney Brian Henes Diego Hernandez Elizabeth G. Hersh & Greg H. Goldman David Jackson Janelle Kauffman Leonard Kelly Eloise King Eric & Carolanne Kinsey Brett Krasnov Licco Lee Diane Leslie Ruth Levikoff Margaret Lonzetta
Freddie Lozzi Gianna Lozzi Anne Lynn Carlo Mabilog Brett Mapp Ralph Marano Dana Marcus Tim Martin Kevin Meehan Samia Merritt Kristen McLagan Susan E. Murphy Joseph Murphy Marta Nolan-Alley Charlene Nolten Brian Norris Charlotte Northeast Brendan O’Brien Lauren Oleckna Sally Ollove Cybele Perry Lyndsey Piecyk & Kevin McCormick Minou Pourshariati Marguerite Price Nora Quinn Darnelle Radford Tom Reing Peter Reynolds Kevin Riordan Vera Rios Carl Roa Adelle Rubin Elizabeth Scanlon Raymond Scannell Marion Sindoni Mary Sisto Megan Slater Anna Smith Margaret R. Spencer Sandra J. Stevens Arin Sullivan & Andrea Taylor Tara Swartz Bradley Tarr Royal Tettemer Jacques-Jean Tiziou Joanne Trovato-Brown Mary Tuomanen Annemarie Vaeni & Scott Case Anneliese Van Arsdale Joseph Vereneault Stephen Vineberg Bob Weick Jessica Weinstein Judy Wicks Adrena Williams Douglas Williams Kay Williams Meghann Williams Brian Wilson Erin Wilson Kaylin Womack R. Zach Zecha Shirley Young Anonymous (5)
Denotes a sustaining member
+ Denotes a matching member
(List complete as of February 11, 2017)
SHITHEADS by Douglas Williams was developed at PlayPenn in 2015 in cooperation with Azuka Theatre
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