Choral Music 2016/2017 by Baerenreiter

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BÃ¤renreiter Urtext

Your next performance is worth it.

BÄRENREITER CHORAL MUSIC CATALOGUE · CONTENTS Bärenreiter stands in a long tradition of choral music publishing and over the years we have come to be regarded as one of the most internationally acclaimed publishers in this area. The blue vocal scores represent our hallmark for singers and are at the cutting edge of musicological scholarship. At the same time they provide a spacious layout, excellent printing and binding as well as clear and uncluttered piano reductions. In addition to the vocal scores we also publish choral collections as well as high-quality facsimiles of choral works. Sacred and Secular Works ................................................................................................ 6-38 Popular Choral Music and Collections ....................................................................... 39-40 Facsimiles ..............................................................................................................................41-42 Promotional Gifts .................................................................................................................... 43

From: Mozart, Requiem K. 626 · New revised edition. BA 4538-90

ABBREVIATIONS AND KEY TO FIGURES Ed. Bc/bc Cz Eng Fr Ger Ital Lat BA BE H SM TP V.s.

Editor Basso continuo Czech text English text French text German text Italian text Latin text Bärenreiter Edition Bosse Edition Bärenreiter Praha Süddeutscher Musikverlag Study score Vocal score (includes all solo voices, choral voices and a piano reduction)

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Contents Review Performance material available on sale Performance material available on hire Best Edition Prize awarded by the German Music Publishers Association

Content valid as of June 2016. Errors excepted and delivery terms subject to change without notice. Cover design with a photograph by Edition Paavo Blåfield.

Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG International Department P.O. Box 10 03 29 34003 Kassel · Germany Printed in Germany 4/1606/17 · SPA 30 www.baerenreiter.com info@baerenreiter.com www.facebook.com/ baerenreiter www.twitter.com/ BarenreiterUK www.youtube.com/ BaerenreiterVerlag

“They said I was a musical genius. Only time will tell.”

But what is an urtext edition? At Bärenreiter the label “urtext” describes a scholarly-critical edition based on all known sources. In the past, it has often been difficult for musicians to really know if what they were performing was true to the composer’s intentions. Publications were heavily elaborated with editors’ own – often questionable – additions and interpretations. In order to adequately judge the quality of an edition, musicians would need to examine manuscripts and sources themselves.

What does the word urtext mean? The German prefix ur-literally means “original” or “earliest”. The earliest use of the term urtext goes back to the 19th century where it appeared in connection with literary texts. It referred to the original texts of writers such as Goethe or Shakespeare which scholars tried to restore and free from editorial additions. In music urtext now is a label used for scholarlycritical editions based on all known sources.

Bärenreiter takes on all this background work for you, our aim being to produce urtext editions reflecting the latest musicological research. Our editors, experts in their field, strive to set down a work as closely as possible to the composer’s intentions. This isn’t as easy as it sounds. Bärenreiter’s musicologists often have to travel around the world to track down sources for a composition. They work like detectives, deciphering manuscripts which are sometimes almost illegible and evaluating conflicting sources. 3

“After so many cantatas I only play for fun. My original work is for the fans.”

Isn’t urtext just a copy of the autograph? As a musician you certainly can appreciate how difficult it can be to grasp what the composer actually intended, especially when we have no recordings of the performances. Simply looking at the autograph – assuming it exists – is not enough. What if the composer made corrections in the first printed edition? Obviously in this case the autograph only provides part of the story of a composition. As many sources as possible need to be assessed in order to compile a Bärenreiter Urtext edition including sketches, letters, autographs, manuscript copies, proofs, first editions, first editions with autograph corrections, contemporary reviews and comments by contemporaries. No cost or effort is spared by Bärenreiter when it comes to amassing and piecing together all the available information. An indispensable part of every urtext edition is the critical commentary where all editorial decisions and discrepancies between the sources are meticulously recorded. Only in this way can the true genius of the composer and his work be revealed.

What else can I expect from a Bärenreiter Urtext edition? A trustworthy musical text alone does not yet justify the label Bärenreiter Urtext. Integral parts of Bärenreiter Urtext editions are: • Information on the genesis and history of the work • A description of the sources • Valuable notes on performance practice • A critical commentary explaining all source discrepancies and editorial decisions. But it’s not all about musicology. Bärenreiter also satisfies your practical needs as a performer. Bärenreiter Urtext editions offer: • Page turns and cues where you need them • In the case of vocal scores straight-forward idiomatic piano reductions • A well-presented layout and a user-friendly format • Excellent print quality • First-class paper and binding • Solid, “Made in Germany” quality

“I like the digital age, but nothing compares to the original.”

Think of your next performance With print-outs from downloads you miss out. Your performances miss out. Don’t waste time by messing with loose paper copies. Build your personal music library with Bärenreiter Urtext editions. Make our editions your own. Take advantage of our expertise and complement it with your personal markings and comments which you will be able to refer to all your life. Make a Bärenreiter Urtext edition a life-time investment. Your next performance is worth it.

The Bärenreiter film … Renowned conductor and musicologist Christopher Hogwood takes you on a journey through Bärenreiter. Come with us behind the scenes. You will be given an insight into the editorial and production process of a Bärenreiter Urtext edition. The history of this family-owned company is also revealed.

at www.baerenreiter.com

SACRED AND SECULAR WORKS BWV 36 Schwingt freudig euch empor (Ger) Cantata for the First of Advent Urtext / Ed. A. Dürr Piano reduction by G. Müller BA 10 036-90 ° V.s. TP 1036 PoD Study score

Bach, Carl Philipp Emanuel (1714-1788) Magnificat Wq 215 Choir & Organ series → page 29 BA 7517 Score Bach, Johann Sebastian (1685-1750)

BWV 39 Brich dem Hungrigen dein Brot / Break with hungry men thy bread (Ger/Eng) Cantata for the 1st Sunday after Trinity Urtext / Ed. A. Dürr Piano reduction by J. Eichhorn BA 10 039-90 V.s. TP 1039 Study Score

Cantatas BWV 1 Wie schön leuchtet der Morgenstern / How bright and fair the morning star (Ger/Eng) Cantata for the Feast of Annunciation Day Urtext / Ed. M. Wendt Piano reduction by M. Focke BA 10 001-90 ° V.s. BA 10 001-91 Choral score TP 1001 Study score BWV 4 Christ lag in Todes Banden / Christ lay by death enshrouded (Ger/Eng) Cantata for Easter Sunday Urtext / Ed. A. Dürr Piano reduction by E. R. Barthel BA 10 004-90 ° V.s. TP 1004 Study score BWV 6 Bleib bei uns, denn es will Abend werden (Ger) Cantata for Easter Monday Urtext / Ed. A. Dürr Piano reduction by H. Ruf BA 10 006-90 ° V.s. BWV 12 Weinen, Klagen, Sorgen, Zagen / Weeping, crying, sorrow, sighing (Ger/Eng) Cantata for the Sunday Jubilate Urtext / Ed. A. Dürr Piano reduction by M. Focke BA 10 012-90 ° V.s. TP 1012 Study score BWV 18 Gleichwie der Regen und Schnee vom Himmel fällt / Like as the Raindrops and Snow from Heaven fall; Leipzig Version (Ger/Eng) Cantata for Sunday Sexagesimae Urtext / Ed. W. Neumann Piano reduction by W. Stockmeyer BA 10 018-90 ° V.s. BA 10 018-91 Choral score TP 1018 Study score

NEW 2015

BWV 10 Meine Seele erhebt den Herrn / Now my soul exalts the Lord (Ger/Eng) Cantata for the Feast of Visitation B. V. M. Urtext / Ed. U. Wolf Piano reduction by M. Grünert BA 10010-90 ° V.s. TP 1010 Study score  Bach cantata with a small

instrumental ensemble  Based on the Urtext of the

New Bach Edition  Performance duration

of 20-25 minutes BWV 21 Ich hatte viel Bekümmernis / Lord my God, my heart and soul were sore distrest (Ger/Eng) Cantata for the 3rd Sunday after Trinity Urtext / Ed. P. Brainard Piano reduction by M. Focke BA 10 021-90 ° V.s. TP 1021 Study score BWV 31 Der Himmel lacht! Die Erde jubilieret / The Heavens laugh, the earth exults in gladness (Ger/Eng) Cantata for the 1st Easter Day Urtext / Ed. A. Dürr Piano reduction by O. Kroupova BA 10 031-90 ° V.s. TP 1031 Study score

BWV 45 Es ist dir gesagt, Mensch, was gut ist (Ger) Cantata for the 8 th Sunday after Trinity Urtext / Ed. A. Dürr Piano reduction by W. Stockmeier BA 10 045-90 ° V.s. TP 1045 Study score BWV 51 Jauchzet Gott in allen Landen / Praise ye God thruout creation (Ger/Eng) Solo Cantata for the 15 th Sunday after Trinity Urtext / Ed. M. Wendt Piano reduction by M. Focke BA 10 051-90 ° V.s. TP 1051 Study score BWV 56 Ich will den Kreuzstab gerne tragen / I will my cross-staff gladly carry (Ger/Eng) Cantata for the 19th Sunday after Trinity Urtext / Ed. M. Wendt Piano reduction by A. Kroupova BA 10 056-90 ° V.s. TP 1056 Study score BWV 61 Nun komm, der Heiden Heiland (Ger) Cantata for the First Sunday of Advent Urtext / A. Dürr Piano reduction by G. Raphael BA 10 061-90 ° V.s. BA 10 061-91 Choral score TP 1061 Study score

SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685-1750) BWV 130 Herr Gott, dich loben alle wir / Lord God, we praise Thee all of us (Ger/Eng) Cantata for the Feast of St. Michael Urtext / Ed. M. Helms Piano reduction by E. Wernhard BA 10 130-90 ° V.s. TP 1130 Study score BWV 132 Bereitet die Wege, bereitet die Bahn (Ger) Cantata for the 4th Sunday of Advent Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 132-90 ° V.s. BA 10 132-91 Choral score From: Bach, Wake ye maids! hark, strikes the hour BWV 140 · BA 10140-90

BWV 62 Nun komm, der Heiden Heiland (Ger) Cantata for the First Sunday of Advent Urtext / A. Dürr Piano reduction by G. Raphael BA 10 062-90 ° V.s. TP 1062 Study score BWV 68 Also hat Gott die Welt geliebt (Ger) Cantata for Whit Monday Urtext / Ed. A. Dürr, A. Mendel Piano reduction by A. Dürr BA 10 068-90 ° V.s. BA 10 068-91 Choral score BWV 78 Jesu, der du meine Seele / Jesu, by Thy Cross and Passion (Ger/Eng) Cantata for the 14th Sunday after Trinity Urtext / Ed. W. Neumann Piano reduction by W. H. Bernstein BA 10 078-90 ° V.s. TP 1078 Study score

BWV 80 Ein feste Burg ist unser Gott / A Mighty Fortress is Our God (Ger/Eng) Cantata for the Feast of Reformation Urtext / Ed. F. Rempp Piano reduction by E. R. Barthel BA 10 080-90 ° V.s. TP 1080 Study score

BWV 134 Ein Herz, das seinen Jesum lebend weiss (Ger) Cantata for Easter Tuesday; third version Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 134-90 ° V.s. BA 10 134-91 Choral score

BWV 91 Gelobet seist du, Jesu Christ (Ger) Cantata for Christmas Day Urtext / Ed. A. Dürr, G. Raphael Piano reduction by G. Raphael BA 10 091-90 ° V.s. BA 10 091-91 Choral score TP 1091 Study score BWV 106 Gottes Zeit ist die allerbeste Zeit / Mighty God, His time is ever best (Actus tragicus) (Ger/Eng) Urtext / Ed. R. Higuchi Piano reduction by E. Wernhard BA 10 106-90 ° V.s. TP 1106 Study score

BWV 140 Wachet auf, ruft uns die Stimme / Wake ye maids! hark, strikes the hour (Ger/Eng) Cantata for the 27 th Sunday after Trinity Urtext / Ed. A. Dürr Piano reduction by A. Dürr BA 10 140-90 ° V.s. TP 1140 Study score

SACRED AND SECULAR WORKS

Johann Sebastian Bach The Complete Cantatas, Chorales and Motets 19 study scores in paperback TP 2004 Winner of the Best Edition Prize 2008 awarded by the German Music Publishers Association ●

The complete Bach cantatas, motets, chorales and sacred songs together in a set

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Urtext from the New Bach Edition

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With an introduction by Christoph Wolff (German/English)

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Clear notation, excellent layout, compact format (16.5 x 22.5 cm)

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18 volumes + 1 index volume

2008 Best Edition Prize

“… the set is well worth acquiring … and when you think about it, the cost relative to the number of pages is pretty good value for money!” (The Organ) Bach, Johann Sebastian (1685-1750) BWV 143 Lobe den Herrn, meine Seele/ Praise thou the Lord, o my spirit (Ger/Eng) Urtext / Ed. A. Glöckner Piano reduction by A. Köhs Revised edition BA 10 143-90 ° V.s. TP 1143 Study score BWV 147 Herz und Mund und Tat und Leben / Heart and lips, thy whole behaviour (Ger/Eng) Cantata for the Feast of Visitation B.V.M. Urtext / Ed. U. Wolf Piano reduction by O. Kroupová BA 10 147-90 ° V.s. TP 1147 Study score ° = Performance material available on sale

BWV 158 Der Friede sei mit dir (Ger) Cantata for Easter Tuesday Urtext / Ed. A. Dürr Piano reduction by A. Dürr BA 10 158-90 ° V.s. BA 10 158-91 Choral score BWV 166 Wo gehest du hin (Ger) Cantata for the 4th Sunday after Easter Urtext / Ed. A. Dürr Piano reduction by A. Dürr BA 10 166-90 ° V.s. BA 10 166-91 Choral score BWV 172 Erschallet, ihr Lieder (Ger) Cantata for Whitsunday; C maj version Urtext / Ed. D. Kilian Piano reduction by D. Kilian BA 10 172-90 ° V.s. BA 10 172-91 Choral score TP 1172 Study score

BWV 175 Er rufet seinen Schafen mit Namen / He calleth His own sheep each by name (Ger/Eng) Cantata for Whit Tuesday Urtext / Ed. A. Dürr Piano reduction by A. Dürr BA 10 175-90 ° V.s. BA 10 175-91 Choral score TP 1175 Study score BWV 176 Es ist ein trotzig und verzagt Ding (Ger) Cantata for Trinity Sunday Urtext / Ed. R. Freeman BA 10 176-91 ° Choral score TP 1176 Study score BWV 208 Was mir behagt, ist nur die muntre Jagd “Congratulatory Cantata” (Ger) Urtext / Ed. A. Dürr Piano reduction by A. Dürr BA 10 208-90 ° V.s.

SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685-1750) BWV 211 Schweigt stille, plaudert nicht / Be quiet, chatter not “Coffee Cantata” (Ger/Eng) Urtext / Ed. W. Neumann Revised edition Piano reduction by A. Köhs BA 10 211-90 ° V.s. TP 1211 Study score BWV 212 Mer hahn en neue Oberkeet/ The Chamberlain is now our Squire “Peasant Cantata” (Ger/Eng) Urtext / Ed. W. Neumann Piano reduction by A. Köhs BA 10 212-90 ° V.s. TP 1212 Study score

Festive Choral Settings from Cantatas Choir & Organ series → page 29 BA 7527 Score

Ascension Oratorio – Praise God in his Kingdoms BWV 11 (Ger/Eng) Urtext / Ed. P. Brainard Piano reduction by J. Eichhorn BA 10011-90 ° V.s. TP 1011 Study score Christmas Oratorio BWV 248 (Ger/Eng) Urtext / Ed. W. Blankenburg, A. Dürr Piano reduction by A. Dürr BA 5014-90 ° V.s. Choral parts also available separately TP 85 Study score Choral movements from the Christmas Oratorio Part I-III BWV 248 Choir & Organ series → page 29 BA 7525 Score Freut euch alle BWV 207a (Ger) Festive chorus for mixed choir (SATB) and piano; woodwind ad lib. Arranged by U. Zimmer, Piano part by R. Schweizer BA 6905 ° Score; Choral score

From: Bach, Christmas Oratorio BWV 248 · BA 5014-90 Lutheran Masses BWV 233-236 (Lat) Urtext / Ed. E. Platen Piano reductions by A. Köhs - Mass in F maj BWV 233 BA 5182-90 ° V.s. BA 5182-91 Choral score - Mass in A maj BWV 234 BA 5183-90 ° V.s. BA 5183-91 Choral score - Mass in G min BWV 235 BA 5184-90 ° V.s. BA 5184-91 Choral score - Mass in G maj BWV 236 BA 5185-90 ° V.s. BA 5185-91 Choral score

Magnificat in D maj 2nd version with the 4 inserts from the E-flat maj version (transposed) BWV 243 (Lat) Urtext / Ed. A. Dürr Piano reduction by E. Müller BA 5103-90 ° V.s. BA 5103-91 Choral score TP 2 Study score Magnificat in E-flat maj BWV 243a (Lat) Urtext / Ed. A. Dürr Piano reduction by E. Müller, C. Heimbucher BA 5208-90 ° V.s. TP 58 Study score

SACRED AND SECULAR WORKS

“Uwe Wolf’s masterful treatment of the sources and problems presented in the Mass in B Minor should afford scholars and performers for generations to come many opportunities to carefully examine the diverse complexities of Bach’s masterpiece.” (Notes)

J. S. Bach · Mass in B Minor BWV 232 in a Revised Edition

Mass in B min BWV 232 (Lat) Urtext / Ed. U. Wolf Piano reduction by A. Köhs BA 5935-90 ° Vocal score TP 1232 Study score For the first time the “Dresden parts” of 1733 which were largely written by Bach are included as valuable additional source material. Also for the first time, annotations by J. S. Bach and C. P. E. Bach can be differentiated by using ink analysis (x-ray spectography of over 500 places in the score). This method also enables in-depth-analysis of areas which have been eroded to a large extent by iron ink gall erosion.

SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685-1750) Mass in B min BWV 232 (Lat) Urtext / Ed. U. Wolf Piano reduction by A. Köhs BA 5935-90 ° V.s. TP 1232 Study score → page 10 Facsimile edition ISBN 978-3-7618-2194-7 → page 41 Still available: Mass in B min BWV 232 (Lat) Urtext / Ed. F. Smend Piano reduction by G. Müller BA 5102-92 ° V.s. Mass in B min, early versions Missa BWV 232I (version of 1733). Credo in unum Deum BWV 233II/1 (early version in G maj). Sanctus BWV 232III (version of 1724) (Lat) Urtext / Ed. U. Wolf Piano reduction by A. Köhs BA 5293-90 ° V.s.

Der Geist hilft unser Schwachheit auf BWV 226 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5130 ° Score BA 5131 Choral score Jesu, meine Freude BWV 227 (Ger) Motet for mixed choir (SSATB) Urtext / Ed. K. Ameln BA 5132 ° Score; Choral score Fürchte dich nicht, ich bin bei dir BWV 228 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5133 ° Score; Choral score Komm, Jesu komm BWV 229 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5134 ° Score; Choral score Lobet den Herrn, alle Heiden BWV 230 (Ger) Motet for mixed choir (SATB) and bc Urtext / Ed. K. Ameln BA 5135 ° Score; Choral score

Motets of Doubtful Authenticity Ich lasse dich nicht, du segnest mich denn BWV Anh. 159 / Jauchzet dem Herrn, alle Welt BWV Anh. 160 (Ger) Motets for two mixed choirs (SATB+SATB) Urtext / Ed. F. Rempp BA 5239 Score Motets BWV 225-230 (Ger) Urtext / Ed. K. Ameln Piano reduction by O. Kroupová BA 5193-90 V.s. BA 5193 Choral score Separate Editions: Singet dem Herrn ein neues Lied BWV 225 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5129 ° Score; Choral score

St. Mark Passion BWV 247 A reconstruction (Ger) Ed. A. H. Gomme Piano reduction by A. H. Gomme BA 5209-90  V.s.

St. John Passion BWV 245 (Ger/Eng) Urtext / Ed. A. Mendel Piano reduction by W. H. Bernstein BA 5037-90 ° V.s. Choral parts also available separately TP 197 Study score

St. Matthew Passion BWV 244 (Ger/Eng) Urtext / Ed. after M. Schneider by A. Dürr Piano reduction by A. Dürr BA 5038-90 ° V.s. Choral parts also available separately TP 196 Study score Facsimile edition ISBN 978-3-7618-2294-4 → page 41 St. Matthew Passion Early version BWV 244b (Ger/Eng) Urtext / Ed. A. Glöckner Piano reduction by M. Focke BA 5099-90 ° V.s.

 Please see Bärenreiter’s website www.baerenreiter.com for more detailed information on individual editions. 11

SACRED AND SECULAR WORKS

Ludwig van Beethoven New scholarly-critical edition The Mass in C major, completed and premiered in 1808, has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, decidedly modern piece of church music.

NEW 2016

Beethoven, Ludwig van (1770-1827) Mass in C major op. 86 (Lat) Urtext / Ed. B. Cooper Score with full realization of the organ part Piano reduction by A. Campora BA 9039-90 ° V.s.

Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword (Eng/Ger) and a Critical Commentary (Eng).

Beethoven, Ludwig van (1770-1827) Symphony No. 9 in D min op. 125. Finale (Ger) Urtext / Ed. J. Del Mar Piano reduction by E. Wernhard BA 9009-90 ° V.s. TP 909 Study score Facsimile edition ISBN 978-3-7618-2169-5 → page 41 Berlioz, Hector (1803-1869) La damnation de Faust (Fr/Ger) Urtext / Ed. J. Rushton Piano reduction by E. Wernhard BA 5448-90  V.s. L’Enfance du Christ / The Childhood of Christ (Fr/Eng) Sacred Trilogy Urtext / Ed. D. Lloyd-Jones Piano reduction by E. Wernhard BA 5451-90 (Fr/Ger) V.s. BA 5451-73 (Fr/Eng)  V.s. Grande messe des morts “Requiem” (Lat) Urtext / Ed. J. Kindermann Piano reduction by M. Töpel, D. Woodfull-Harris BA 5449-90  V.s. TP 332 Study score Messe solennelle (Lat) Urtext / Ed. H. Macdonald Piano reduction by E. Wernhard BA 5463-90 V.s. TP 333 Study score Roméo et Juliette (Fr) Symphonie dramatique Urtext / Ed. D. K. Holoman Piano reduction by E. Wernhard BA 5458-90 V.s. TP 334 Study score Te Deum (Lat) Urtext / Ed. D. McCaldin Piano reduction by O. Taubmann BA 5782-90 V.s.

° = Performance material available on sale  = Performance material available on hire

SACRED AND SECULAR WORKS

A Requiem masterpiece in German Brahms, Johannes (1833-1897)

NEW 2017

Ein deutsches Requiem op. 45 (Ger) Ed. P Schmitz Piano reduction based on Brahms' version for solo piano BA 7600-90 ° V.s. in preparation Among large-scale works, Brahms’s German Requiem is second to none in the importance it attaches to the choir. No wonder this magnum opus of the Romantic era belongs to the core repertoire of every ambitious choir. After a turbulent gestation, the Requiem was performed in Leipzig on 18 February 1869 with seven movements in the present order. Brahms took the words entirely from the Old and New Testaments, combining them into a unique “music of solace” unmatched to the present day. Our edition is based mainly on the original print of the score – a publication authorised by Brahms himself. The piano reduction reproduces Brahms’s own version for solo piano.  Scholarly-critical edition

based on all accessible sources

Brahms, Johannes (1833-1897) Sacred Choral Music a cappella (Ger) Urtext / Ed. P. Schmitz BA 7575 The sacred a cappella choral compositions by Brahms are among the most important Romantic works in the genre.

 Vocal score based on the

 Bilingual foreword (Ger/Eng)

composer’s autograph and engraver’s copy

and critical commentary (Eng)

This authoritative scholarlycritical edition brings them altogether in one volume.

Bruckner, Anton (1824-1896)



“This volume represents a competitively priced treasure trove of the finest German unaccompanied choral music … How monstrously fine music is this, and how well printed it is here.” (Choir & Organ)

Sacred Songs (Lat/Ger) for mixed choir (SSAATTB, SATB and SSATB) SM 2815 Singing score Te Deum WAB 45 (Lat) Choir & Organ series → page 29 BA 7524 Score

SACRED AND SECULAR WORKS Bunk, Gerard (1888-1958) Sacred Choral Works (Ger) Urtext / J. Boecker, K. E. Müller BA 7548 Buxtehude, Dietrich (1637-1707) Befiehl dem Engel, dass er komm / Command the Angels BuxWV 10 (Ger/Eng) Choral cantata for mixed choir (SATB), strings and bc Ed. B. Grusnick BA 541 ° Score with parts BA 541-91 Choral score Cantate Domino / Lobsinget Gott, dem Herrn BuxWV 12 (Lat/Ger) Motet for soloists (SB) ad lib., choir (SSB) and bc Ed. B. Grusnick BA 542 Score BA 542-91 Choral score

Buxtehude, Dietrich (1637-1707) Missa brevis (Kyrie and Gloria) (Lat) for mixed choir (SSATB) and bc Ed. W. Gurlitt BA 265 Choral score, playing score Das neugebor‘ne Kindelein / The newborn babe, the heavenly child (Ger/Eng) BuxWV 13. Cantata for mixed choir (SATB), strings and bc Ed. B. Grusnick BA 717 ° Score with parts BA 717-91 Choral score

For further information: www.baerenreiter.com

Der Herr ist mit mir BuxWV 15 (Ger) Cantata for mixed choir (SATB), strings and bc Ed. B. Grusnick BA 3198 ° Score with parts BA 3198-91 Choral score Erhalt uns Herr, bei deinem Wort BuxWV 10 (Ger) Chorale cantata for mixed choir (SATB) BA 3196 ° Score with parts BA 3196-91 Choral score

Caldara, Antonio (1670-1736) Regina coeli laetare (Lat/Ger) for choir (SATB), piano (organ) ad lib. Ed. T. Kohlhase BA 6236 Choral score, playing score Caldara, Antonio (1670-1736)

In dulci jubilo BuxWV 52 (Lat/Ger/Eng) for mixed choir (SAB), two violins and bc Ed. B. Grusnick BA 620 ° Score with parts BA 620-91 Choral score

Stabat Mater (Lat) for soloists (SATB), mixed choir and orchestra Piano reduction by A. Köhs Revised edition BA 8955-90° V.s.

Jesu, meine Freude / Jesu, my heart’s treasure BuxWV 60 (Ger/Eng). Cantata for soloists (SSB), mixed choir (SSB), two violins, bassoon (violoncello) and bc Ed. B. Grusnick BA 487 ° Score with parts BA 487-91 Choral score

The Stabat Mater is the bestknown of Caldara’s smaller vocal works. This publication is based on E. Mandyczewski’s edition which has, until now, been the definitive edition. The notation and key signatures have been adapted to today’s standards. Any discrepancies between the score and vocal score have been corrected, and the work is now presented in a modern, clear layout. The orchestral parts are available in computer print for the first time.

Magnificat anima mea BuxWV-Anh. 1 (Lat/Ger/Eng) Motet for mixed choir (SSATB), strings and bc Ed. B. Grusnick BA 543 ° Score with parts BA 543-91 Choral score

Bärenreiter Study Score Reader

Charpentier, Marc-Antoine (1643-1704) In nativitatem Domini canticum H. 416 (Lat) Urtext / Ed. J. Schwindt Piano reduction by J. Schwindt BA 7673-90 ° V.s. Messe de Minuit pour Noël H 9 (Lat) Urtext / Ed. H. SchauerteMaubouet Piano reduction by M. Focke BA 7592-90 ° V.s. Te Deum H 146 (Lat) Urtext / Ed. H. SchauerteMaubouet Piano reduction by A. Köhs BA 7593-90 ° V.s. Te Deum H 148 (Lat) for mixed choir (SATB) and bc Urtext / Ed. H. SchauerteMaubouet BA 7591 Score

SACRED AND SECULAR WORKS

Famous early 19th-century Requiem

Cherubini, Luigi (1760-1842)

NEW 2015

Requiem in C minor (Lat) Missa pro defunctis Urtext / Ed. H. Schellevis Piano reduction by the editor BA 8961-90 ° V.s. Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and

Distler, Hugo (1908-1942) Choralpassion nach den vier Evangelien op. 7 (Ger) for soloists (TB), mixed choir (SSATB) BA 633 Choral score Es ist ein Ros entsprungen (Ger) Chorale motet from the Weihnachtsgeschichte op. 10 for mixed choir (SATB) BA 681 Singing score

its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by

Lobe den Herren, den mächtigen König der Ehren (Ger) Chorale-motet op. 6/2,1 for mixed choir (SATB) Gothic print BA 589 Choral score Singet dem Herrn ein neues Lied (Ger) Motet on Psalm 98/1, 4-9a op. 12/1 from Geistliche Chormusik op. 12 for mixed choir (SATB) Gothic print BA 751 Choral score

hand) but also the first edition and a copyist's manuscript. Rounding off this exemplary Urtext publication is an informative Introduction (Eng/Ger) and a Critical Commentary (Eng).

Totentanz (Ger) Motet no. 2 from Geistliche Chormusik op. 12 for mixed choir (SATB) and flute ad lib. BA 752 Choral score Die Weihnachtsgeschichte (Ger) for soloists (SSTB) and choir (SATB) Gothic print BA 690 Singing score

° = Performance material available on sale

SACRED AND SECULAR WORKS

Dvořák’s Requiem with a chamber orchestra arrangement Dvořák, Antonín (1841-1904) Requiem op. 89 (B165) (Lat) Arrangement for Soloists, Choir and Chamber Orchestra by J. Linckelmann BA 9582 ° Score Instrumental parts available separately Dvořák, Antonín (1841-1904) Mass in D maj op. 86 (Lat) Choir & Organ series → page 29 BA 7511 Score Requiem op. 89 (Lat) Piano reduction by K. Šolc H 2924-90 V.s. Six Moravian Duets (Cz/Ger) for mixed choir (SATB) and piano arranged by Leoš Janáček Ed. V. Nìmec H 7718 Choral score Stabat Mater op. 58 (Lat) Piano reduction by K. Šolc H 1882  V.s. Stabat Mater op. 58 (Lat) Ed. J. Kachlík, M. Srnka Vocal score based on Dvořák‘s original piano version H 7920  V.s. H 2268 Study score Te Deum op. 103 (Lat) Piano reduction by K. Šolc H 4523-90 V.s.

 Please see Bärenreiter’s website www.baerenreiter.com for more detailed information on individual editions. 16

Dvořák's Requiem is one of the highlights within the international choral repertoire. Now this work is presented in a chamber orchestra arrangement by Joachim Linckelmann based on the full score from the Complete Edition of the Works by Antonín Dvořák. The arrangement dispenses with all the brass instruments except for a single horn; all that remains of the percussion are the timpani; the organ has also been taken out. The cor anglais and bass clarinet parts

The Spectre‘s Bride op. 69 (Cz/Ger/Eng) Ed. F. Bartos, A. Cubr Piano reduction by K. Šolc BA 9544-90  V.s. Eben, Petr (1929-2007) Salve Regina Cantico della Creature / Canticle of the Sun of Francis of Assisi (Lat/Ital [Umbrian]) for mixed choir (SATB) BA 6429 Singing score Ubi caritas et amor dei (Lat/Ital) for mixed choir (SSATBB) BA 5404 Singing score

can be replaced by an oboe and clarinet (ossia staves in score and parts). This arrangement, which judiciously reduces the richness of Dvořák's original orchestration, makes the work available to a broader range of performers outside professional circles. The edition is in keeping with the vocal score H 2924-90.

Fauré, Gabriel (1845-1924) Requiem (Lat) BA 9481-90 ° V.s.  page 17 Requiem op. 48 (Lat) Choir & Organ series BA 7513 Score → page 29 Furrer, Beat (*1954) Enigma I-IV and VI (Ital) (2007) for mixed a cappella choir Texts by Leonardo da Vinci from Profezie (2006-13) BA 11052

SACRED AND SECULAR WORKS

Urtext edition of Fauré’s Requiem

Handel, George Frideric (1685-1759) Acis and Galatea HWV 49b Serenata in tre parti (2nd version) (Eng/Ital/Ger) Urtext / Ed. A. Heinrich Piano reduction by A. Köhs BA 10700-90 V.s. Alexander’s Feast or The Power of Musick HWV 75 (Eng/Ger) Text by J. Dryden Urtext / Ed. K. Ameln Piano reduction by K. Ameln Revised edition BA 4001-92  V.s. Anthems:

Fauré, Gabriel (1845-1924) Requiem (Lat) Urtext / Ed. C. M. Stahl, M. Stegemann Piano reduction by M. Focke BA 9461-90 ° V.s. The Messe de Requiem is probably the internationally best-known and most frequently performed work by Gabriel Fauré. The composer’s first version was limited to just five movements and smallscale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition. Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both

soloists and choir give the work a gentle and optimistic character. The vocal score is based on the volume of the Complete Works of Gabriel Fauré (BA 9461). It is important to note that this vocal score is also compatible with the first small-scale version as well as the second chamber orchestra version.  High-quality Urtext based

on the Complete Works of Gabriel Fauré  First systematic evaluation

of all sources  Based on the large orchestral

version of 1900  Foreword (Ger/Eng)  Vocal score suitable for all

versions of the requiem

“Of particular interest is

the clear engraving and the well-presented layout with optimum page-turns - much more appealing than in earlier publications of this work.” (La Lettre du Musicien)

Anthem for the Funeral of Queen Caroline HWV 264 (Eng/Ital) Original unabridged version Urtext / Ed. A. Landgraf Piano reduction by M. Focke BA 4267-90 ° V.s. As pants the hart HWV 251e (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4265-90 ° V.s. I will magnify thee HWV 250b (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4264-90 ° V.s. Let God arise HWV 256b (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4266-90 ° V.s. Continued on page 18

SACRED AND SECULAR WORKS

The best-known Handel Coronation Anthems in Urtext editions for the first time Handel, George Frideric (1685-1759)

NEW 2016

Zadok the Priest HWV 258 (Eng) Urtext / Ed. S. Blaut Piano reduction by A. Köhs V.s. BA 10258-90 ° The King shall rejoice NEW HWV 260 (Eng) Urtext / Ed. S. Blaut Piano reduction by A. Köhs V.s. BA 10259-90 °

2016

Zadok the Priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from Zadok the Priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the Halle Handel Edition.

Handel, George Frideric (1685-1759) Anthems (continued): The Lord is my light HWV 255 (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4268-90 ° V.s.

My song shall be alway HWV 252 (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4292-90 ° V.s. O come let us sing HWV 253 (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4293-90 ° V.s.

O praise the Lord with one consent HWV 254 (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4291-90 ° V.s. O sing unto the Lord HWV 249a (Eng/Ger) Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4263-90 ° V.s.

SACRED AND SECULAR WORKS Dixit Dominus HWV 232 (Lat) Psalm 109 Urtext / J. H. Marx Piano reduction by A. Köhs Revised edition BA 10704-90 ° V.s. BA 10704-91 Choral score

NEW 2016

Handel, George Frideric (1685-1759) Te Deum for the Victory at the Battle of Dettingen HWV 283 (Lat) Urtext / Ed. A Babington Piano reduction by A. Köhs BA 10706-90 ° V.s. The “Dettingen Te Deum” was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the “Te Deum” and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.

Esther HWV 50a (Eng) First Version 1720. Text by J. Arbuthnot and J. Pope Urtext / Ed. H. Server Piano reduction by A. Köhs BA 4047-90  V.s.

NEW 20 Esther II (Eng) Urtext / Ed. A. Landgraf Piano reduction by A. Köhs BA 10710-90  V.s. in preparation

Israel in Egypt HWV 54 (Eng/Ger) Includes versions 1739 and 1756-7 Urtext / Ed. A. Landgraf Piano reduction by A. Köhs BA 4063-90  V.s. Jephtha HWV 70 (Lat) Urtext / Ed. K. Nott Piano reduction by M. Focke BA 4014-90  V.s.

Ode for the Birthday of Queen Anne HWV 74 (Eng/Ger) Urtext / Ed. W. SiegmundSchultze Piano reduction by I. Chrysander, W. Siegmund-Schultze BA 4007-90  V.s. BA 4007-91 Choral score La Resurrezione HWV 47 (Ital) Oratorio in two parts Urtext / Ed. T. Best Piano reduction by A. Köhs BA 4096-90 V.s. Samson HWV 57 (Eng) Text by N. Hamilton Urtext / Ed. H. D. Clausen BA 4099-90  V.s. Saul HWV 53 (Eng/Ger) Oratorio in three acts Urtext / Ed. P. M. Young Piano reduction by H. Moehn, A. Köhs BA 4020-90  V.s. Solomon HWV 67 (Eng) Oratorio in three acts HWV 67 Urtext / Ed. H. D. Clausen Piano reduction by A. Köhs BA 10709-90  V.s. Theodora HWV 68 (Eng) Text by T. Morrell after R. Boyle’s The Martyrdom of Theodora and Didymus (London, 1687) and the play Théodore, vierge et martyre by P. Corneille (1645). Urtext / Ed. C. Timms Piano reduction by M. Focke / A. Campora Revised edition BA 4085-90  V.s.

This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.

Athalia HWV 52 (Eng, partially Ital) Text by Samuel Humphreys after Jean Racine's Athalie Urtext / Ed. S. Blaut Piano reduction by A. Köhs BA 4082-90  V.s.

Occasional Oratorio HWV 62 (Eng). Text by N. Hamilton Urtext / Ed. M. Channon Piano reduction by A. Köhs BA 4089-90 ° V.s.

Messiah HWV 56 Urtext / Ed. J. Tobin Piano reduction by M. Schneider BA 4012-90 (Ger/Eng) ° V.s. BA 4012-73 (Eng) ° V.s. TP 175 Study score

Utrecht Te Deum HWV 278 (Eng) Urtext / Ed. G. Hendrie Piano reduction by L. H. Nysten BA 4246-90 ° V.s.

Facsimile edition ISBN 978-3-7618-2109-1 → page 42

SACRED AND SECULAR WORKS Haydn, Joseph (1732-1809) Die drei- und vierstimmigen Gesänge (Ger) No. 1 Hob. XXVb:3 for STB and piano, No. 2 Hob. XXVb:1 for SAT and piano, Nos. 3-11 Hob. XXVc:1-9 for SATB and piano Ed. P. Paumgartner BA 901 Choral score, playing score

Joseph Haydn: The Creation

Missa brevis in F maj Hob. XXII:1 (Lat) Urtext / Ed. J. Dack, G. Feder Piano reduction by A. Köhs BA 4644-90 ° V.s. Missa brevis Sancti Joannis de Deo “Little Organ Mass” Hob. XXII:7 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4653-90 ° V.s. Missa brevis Sti Joannis de Deo "Little Organ Mass" (Hob. XXII:7) (Lat) Bärenreiter Female Choir series BA 5694-90 ° V.s. → page 26 Missa Cellensis in honorem Beatissimae Virginis Mariae “Cecilia Mass” Hob. XXII:5 (Lat) Urtext / Ed. J. Dack, G. Feder Piano reduction by O. Kroupová BA 4643-90 ° V.s. Missa Cellensis “Mass for Mariazell” Hob. XXII:8 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4654-90  V.s. BA 4654-91 Choral score Missa in angustiis “Nelson Mass” Hob. XXII:11 (Lat) Urtext / Ed. G. Thomas Piano reduction by H. Moehn BA 4660-90 ° V.s. TP 98 Study score Missa in B-flat maj “Creation Mass” Hob. XXII:13 (Lat) Urtext / Ed. I. Becker-Glauch Piano reduction by J. Sommer BA 4656-90 ° V.s. BA 4656-91 Choral score

The Creation / Die Schöpfung Hob. XXI:2 (Ger/Eng) Libretto by Gottfried van Swieten. Urtext / Ed. A. Oppermann Piano reduction by A. E. Müller, A. Köhs BA 4648-90 ° V.s.

 Based on the Urtext from

  “Bärenreiter offers its

 The musical text of the

usual high standard of scholarly precision married to musical accessibility and practicality, as well as affordability”. (The Organ)

the Joseph Haydn Works, published by G. Henle Verlag  The contemporary piano

reduction by A. E. Müller has been revised by A. Köhs full score is closely reflected in this piano reduction

SACRED AND SECULAR WORKS Haydn, Joseph (1732-1809) Missa in B-flat maj “Harmony Mass” Hob. XXII:14 (Lat) Urtext / Ed. F. Lippmann Piano reduction by H. Moehn BA 4659-90 ° V.s. TP 97 Study score Missa in B-flat maj “Theresa Mass” Hob. XXII:12 (Lat) Urtext / Ed. G. Thomas Piano reduction by H. Moehn BA 4661-90 ° V.s. TP 99 Study score Missa in E-flat maj in honorem Beatissimae Virginis mariae “Great Organ Mass” Hob. XXII:4 (Lat) Urtext / Ed. J. Dack, M. Helms Piano reduction by O. Kroupova BA 4646-90 ° V.s. Missa in Tempore Belli “Mass in Time of War” Hob. XXII:9 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4652-90 ° V.s. BA 4652-91 Choral score TP 94 Study score Missa Sancti Bernardi von Offida “Heilig” Mass Hob. XXII:10 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4651-90 ° V.s. BA 4651-91 Choral score Missa Sancti Nicolai “Nicolai Mass” Hob. XXII:6 (Lat) Urtext / Ed. J. Dack, M. Helms Piano reduction by O. Kroupová BA 4645-90 ° V.s. Sechs Psalmen Hob. XXIII: Anhang (Eng/Ger) Based on an English psalm adaptation by J. Merrick for mixed choir (SAB) Ed. U. Zimmer BA 6232 Choral score Stabat Mater Hob. XXbis (Lat) Urtext / Ed. M. Helms, F. Stoltzfus Piano reduction by E. R. Barthel BA 4642-90 ° V.s.

Haydn, Joseph (1732-1809) The Seasons / Die Jahreszeiten Hob. XXI:3 (Ger/Eng/Fr) Libretto by G. van Swieten Urtext / Ed. A. Raab Piano reduction by A. E. Müller BA 4647-90 ° V.s.  Based on the Urtext from

the Joseph Haydn Works, published by G. Henle Verlag  New straightforward piano

reduction  Clear and uncluttered

appearance on the page

The Seven Last Words of our Saviour on the Cross Hob. XX:2 (Lat) Libretto by Gottfried van Swieten Urtext / Ed. H. Unverricht Piano reduction by H. Unverricht BA 4655-90  V.s. TP 92 Study score Haydn, Michael (1737-1806) Laudate pueri Dominum (Lat) for female/boys‘ choir (SSA), strings and bc Ed. I. Sulyok BA 6219 ° Score BA 6219-91 Choral score Janáček, Leoš (1854-1928) Drei gemischte Chöre (Cz/Ger) for mixed choir (SATB) Ed. J. Trojan BA 6389 Choral score The Eternal Gospel /Vecné evangelium (Cz/Eng/Ger) Cantata for solo voices (ST), mixed choir (SATB) and orchestra Urtext / Ed. L. Faltus, M. Štĕdroň Piano reduction by L. Faltus BA 6860-90  V.s.

Janáček, Leoš (1854-1928) Mša glagolskaja / Glagolitic Mass Final authorised version (Old Church Slavonic) Urtext / Ed. J. Zahrádka, L. Faltus Piano reduction by M. Zehn BA 6862-90 V.s. TP 862 Study score Hradcany Songs (Cz/Ger/Eng) Words by F. S. Procházka for female choir (SSAA) H 4248 Choral score The Lord’s Prayer (Cz/Ger) for mixed choir (SATB) and ensemble Ed. B. Štĕdroň H 3712 Score Mass in E-flat maj “Unfinished Mass” (Lat) for soloists (SATB), choir (SATB) and organ Ed. V. Petrzelka BA 5421 Score True Love (Folk Poetry) (Ger/Eng) for male choir (TTBB) H 3026 Choral score Jansson, Mårten (*1965) Sacred Choral Works  page 23 Krenek, Ernst (1900-1991) Sechs Motetten op. 169 (1959) (Ger) after words by F. Kafka for mixed choir (SATB) BA 3945 Score Liszt, Franz (1811-1886) Christus (Lat) Oratorio on passages from the Holy Bible and the Catholic liturgy Urtext / Ed. D. Friddle Piano reduction by the composer BA 7680-90  V.s.

SACRED AND SECULAR WORKS

“… excellent new edition of this masterwork.”

(Choir & Organ)

Martin, Frank (1890-1974) Mass for Double Choir a cappella (Lat) Urtext / Ed. A. Wissemann Performing score BA 7594 Martin's style of composition is characterized by elements of French Impressionism, modern tonality and expressive musical language. His double choir a cappella mass was composed between 1922 and 1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by Bärenreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and the church.

 First Urtext edition of

Frank Martin’s masterwork based on the autograph and preliminary studies

 Newly engraved in a larger

format (23 x 30 cm)  Preface (Ger/Eng) and

Critical Commentary (Eng) Loewe, Carl (1796-1869) Das Sühnopfer des neuen Bundes (Ger) Libretto based on the Holy Scriptures by William Telschow. Urtext / Ed. C. Mücke Piano reduction by the composer BA 7678-90 ° V.s.

Martin, Frank (1890-1974) Ode à la Musique for baritone, mixed choir (SATB) and orchestra BA 6725-90 ° V.s. BA 6725-91 Choral score

Martinů, Bohuslav (1890-1959) Romance from the Dandelions (Cz/Ger/Eng) for solo soprano and mixed choir (SSATB) H 2997 Choral score

Sacred Choral Works by Mårten Jansson

NEW 2016 Missa brevis in E-flat minor

Ingenting utanför NEW 2016 Missa Popularis NEW 2016 [SSA (TB)] and String Quartet Nothing Beyond

(SATB) (Lat) BA 8521 To appear in October 2016

SSMezAA (Swed/Eng) BA 8522 To appear in October 2016

(VI, VII, Va, Vc) (Lat) BA 7420-90 ° V.s.

Already published: In the Light of God (SMezATB) (Swed/Eng) BA 7417

NEW 2015 NEW 2015

Es ist ein Ros entsprungen (Arrangement for SSAATTBB) (Ger/Eng/Swed) BA 7418 W 2015

“It is worthwhile to explore these pieces and to perform them.” (Musik und Kirche)

God Rest Ye Merry, Gentlemen (Arrangement for SATB) (Eng) BA 7419 Fear Thou Not (SSMezAA) (Eng) BA 7411 The Choirmaster’s Burial (SSATBB) (Lat SSA/Eng TBB) BA 7413 Maria (IV) (SATB) (Swed/Eng) BA 7412 Cantate Domino (SSAATTBB) (Lat) BA 7414 I Never Saw a Moor (SSMezMezAA) (Eng) BA 7415 Cantate Domino (TTBB) (Lat) BA 7416

Order our new flyer (SPA 50_64) and sample score (SPA 227). Both are available for download at: www.baerenreiter.com. See for video samples

23 23

SACRED AND SECULAR WORKS Mendelssohn Bartholdy, Felix (1809-1847) Denn er hat seinen Engeln befohlen / For He shall give His angels charge (Ger/Eng) for mixed choir a cappella (SSAATTBB) Urtext / Ed. C. Heimbucher BA 8933 Score Die erste Walpurgisnacht / The First Walpurgis Night op. 60 (Ger/Eng) Text by Johann W. von Goethe Urtext / Ed. J. M. Cooper Piano reduction by the composer BA 9072-90  V.s. Elijah op. 70 (Ger/Eng) Oratorio. Text compiled by the composer from the Old and New Testaments Urtext / Ed. D. Seaton Piano reduction by the composer, partially adjusted by A. Köhs BA 9070-90 ° V.s.  Urtext edition including

numbers from the original version for the first time  English and German singing

Psalm settings by Mendelssohn Mendelssohn Bartholdy, Felix (1809-1847) Three Psalms op. 78 (Ger/Eng) for mixed choir (SSAATTBB) and organ Urtext / Ed. H. Hoshino BA 8941 Choral score Separate editions from op. 78 (without introduction or critical commentary): Psalm 2 Why rage fiercely the Heathen / Warum toben die Heiden (Ger/Eng) for mixed choir (SSAATTBB) BA 8938 Choral score Psalm 22 My God, why hast Thou forsaken me / Mein Gott, warum hast du mich verlassen (Ger/Eng) for mixed choir (SSAATTBB) BA 8940 Choral score

texts  Critical commentary (Eng)

 “The production is well

up to the high standards we have come to expect from Bärenreiter”. (Organists’ Review)

St. Paul op. 36 (Ger/Eng) Urtext / Ed. J. M. Cooper Piano reduction by the composer, partially adjusted by A. Köhs BA 9071-90 ° V.s.

 Please see Bärenreiter’s website www.baerenreiter.com for more detailed information on the individual editions. 24

Psalm 43 Judge me, O God / Richte mich, Gott und führe meine Sache (Ger/Eng) for mixed choir (SSAATTBB) BA 8939 Choral score

Psalm 42 As the Hart pants / Wie der Hirsch schreit op. 42 (Ger/Eng) for mixed choir (SATB) and soloists (STTBB) Urtext / Ed. J. M. Cooper BA 9074-90 ° V.s.  Psalm with a large

orchestral scoring in an Urtext edition  Original German as well as

English text

NEW 2016

Psalm 98 Sing to the Lord a new made Song / Singet dem Herrn ein neues Lied MWV A 23 / op. posth. 91 (Ger/Eng) for soloists (SATB) and two mixed choirs (SATB[2]) Urtext / Ed. J. M. Cooper Piano reduction based on first edition BA 9076-90 ° V.s. Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work for publication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions, which tend to treat the autograph as a subordinate source. The piano reduction is based on the first printed edition, published by F. Kistner and Evers & Co. in 1851.

SACRED AND SECULAR WORKS Mendelssohn Bartholdy, Felix (1809-1847) Three Motets op. 69 (Ger/Eng) for mixed choir (SATB) Urtext / Ed. J. M. Cooper BA 8937 Choral score

New musical and performing insights

Separate editions from op. 69 (without introduction and critical commentary): Lord now lettest Thou Thy servant depart in peace / Herr, nun lässest du deinen Diener in Frieden fahren (Ger/Eng) for mixed choir (SATB) BA 8934 Choral score My soul doth magnify the Lord / Mein Herz erhebet Gott, den Herrn (Ger/Eng) for mixed choir (SATB) BA 8936 Choral score O be joyful in the Lord / Jauchzet dem Herrn, alle Welt (Ger/Eng) for mixed choir (SATB) BA 8935 Choral score Wer nur den lieben Gott lässt walten (Ger) Cantata for solo soprano, mixed choir (SATB) and strings (organ) Ed. B. Oswald BA 6380 Score BA 6380-91 Choral score Mendelssohn Bartholdy, Felix (1809-1847) Bach, Johann Sebastian (1685-1750) St. Matthew Passion BWV 244 (Ger). Oratorio by J. S. Bach in the arrangement by F. Mendelssohn Bartholdy Urtext / Ed. K. Winkler Piano reduction by K. Winkler BA 9088-90  V.s. Monteverdi, Claudio (1567-1643) Canzonetten (Ital/Ger) For female choir (SSA) German text in Gothic print BA 1562 Choral score

Monteverdi, Claudio (1567-1643) Vespro della Beata Vergine (Lat) Urtext / Ed. H. Schulze et al. BA 8794-90 ° V.s.  Scholarly-critical Urtext

edition orientated towards performance practice  Detailed critical

commentary (Eng) in the full score  Movements 10, 13 and 14 are

included in their original high clef in the appendix of the full score.

 These movements are also

available with piano reduction as print-ondemand.

 “What a monumental

publication! The comprehensive and remarkably documented foreword ... is musicologically, historically and liturgically of great significance for the understanding of the work and its interpretation. Regarding the score, it presents the optimum in layout and readability.” (L’Education musicale)

SACRED AND SECULAR WORKS

Bärenreiter Female Choir Series The choral scene is in a state of change! More and more choirs are lacking in male voices and at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. The Bärenreiter Female Choir series responds to these trends by presenting arrangements for female choir (mostly SMezA) of well-known, frequently-performed works. Haydn, Joseph (1732-1809) Missa brevis Sti Joannis de Deo “Little Organ Mass” (Hob. XXII:7) (Lat) Arranged for female choir SMezAA by H. Breuer BA 5694-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 4653. Mozart, Wolfgang Amadeus (1756-1791) Missa brevis in D maj K. 194 (186h) (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5690-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 5342. Missa in C maj “Coronation Mass” K. 317 (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5691 Score BA 5691-90 ° V.s.

carefully retains the substance of the original works, at the same time giving them a completely new sound quality. Pergolesi, Giovanni Battista (1710-1736)

The vocal score is compatible with the performance material of the original work BA 4880 (arranged without trombones).

Stabat Mater (Lat) Arranged for female choir (SMezA) by M. Bruno BA 5692 Score BA 5692-90 ° V.s.

Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Arranged for female choir (SMezA) by H. Breuer BA 5693 Score BA 5693-90 ° V.s

The vocal score is compatible with the performance material of the original work BA 7679.

The vocal score is compatible with the performance material of the original work BA 5343. With great skill and sensitivity to the music, Heribert Breuer

aus: Missa in C major “Sparrow Mass” K. 220 · BA 5693-90

In this edition, the outer movements and no. 8 are now scored for three-part choir (SMezA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material.

Vivaldi, Antonio (1678-1741) Gloria RV 589 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8953 Score BA 8953-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 7674. Kyrie RV 587 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8954 Score BA 8954-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 8950.

 “The Bärenreiter edition

is flawless”. (Kirchenmusik im Bistum Aachen)

SACRED AND SECULAR WORKS Mozart, Wolfgang Amadeus (1756-1791) Alma Dei creatoris K. 277 (272a) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4889-90 ° V.s. BA 4889-91 Choral score

Exsultate, jubilate K. 165 (158a) (Lat) with additional material from the Salzburg version Urtext / Ed. H. Federhofer, R. Münster Piano reduction by M. Focke BA 4897-90 ° V.s. Hosanna in G maj K. 223 (166e) (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5347-90 V.s. Inter natos mulierum K. 72 (74f) (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 4788-90 ° V.s. BA 4788-91 Choral score Kyrie in D min K. 90 (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5346-90 ° V.s.

Ave verum corpus K. 618 (Lat) Urtext / Ed. H. Federhofer Piano reduction by C. Heimbucher BA 4946-90 V.s. BA 4946 Playing score

Dixit et Magnificat K. 193 (186g) (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 5340-90 ° V.s. BA 5340-91 Choral score

Litaniae Lauretanae B.M.V. in B-flat maj K. 109 (74e) (Lat) Urtext / Ed. H. Federhofer, R. Federhofer-Königs Piano reduction by M. Focke BA 4890-90 ° V.s. BA 4890-91 Choral score Litaniae Lauretanae B.M.V. in D maj K. 195 (186d) (Lat) Urtext / Ed. H. Federhofer, R. Federhofer-Königs Piano reduction by M. Focke BA 4891-90 ° V.s.

Benedictus sit Deus K. 117 (66a=47b) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4884-90 ° V.s. BA 4884-91 Choral score Betulia liberata K. 118 (Ital/Ger) Text by P. Metastasio / E. Schmidt Urtext / Ed. F. Tagliavini Piano reduction by H. G. Kluge BA 4521-90  V.s.

Laudate Dominum from the Vesperae solennes de Confessore K. 339 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 5339-90 ° V.s.

Kyrie in D min K. 341 (368a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4702-90 ° V.s. Kyrie in F maj K. 33 (Lat) Urtext / Ed. M. Holl Piano reduction by A. Köhs BA 5345-90 ° V.s.

Litaniae de venerabili altaris Sacramento in B-flat maj K. 125 (Lat) Urtext / Ed. H. Federhofer, R. Federhofer-Königs Piano reduction by M. Focke BA 4763-90 ° V.s. BA 4763-91 Choral score Litaniae de venerabili altaris Sacramento in E-flat maj K. 243 (Lat) Urtext / Ed. H. Federhofer, R. Federhofer-Königs Piano reduction by M. Focke BA 4892-90 ° V.s. BA 4892-91 Choral score

° = Performance material available on sale  = Performance material available on hire

SACRED AND SECULAR WORKS Mozart, Wolfgang Amadeus (1756-1791) Misericordias Domini K. 222 (205a) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4789-90 ° V.s. BA 4789-91 Choral score Missa brevis in G maj K. 49 (47d) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4769-90 ° V.s. BA 4769-91 Choral score Missa brevis in D min K. 65 (61a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 5341-90 ° V.s. Missa in C maj “Dominicus Mass” K. 66 (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4791-90 ° V.s. BA 4791-91 Choral score

Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Choir & Organ series → page 29 BA 7521 Score

Missa brevis in C maj “Credo Mass” K. 257 (Lat) Choir & Organ series → page 29 BA 7520 Score

Missa brevis in G maj K. 140 (Anh. 235d) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4736-90 ° V.s. BA 4736-91 Choral score

Missa in C maj K. 258 (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4851-90 ° V.s. BA 4851-91 Choral score

Missa in C maj “Trinity Sunday Mass” K. 167 (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4783-90 ° V.s. BA 4783-91 Choral score Missa brevis in F maj K. 192 (186f) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4770-90 ° V.s. BA 4770-91 Choral score Missa brevis in D maj K. 194 (186h) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 5342-90 ° V.s. BA 5342-91 Choral score

Missa in C maj “Organ Solo Mass” K. 259 (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4852-90 ° V.s. BA 4852-91 Choral score Missa longa in C maj K. 262 (246a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4853-90 ° V.s. BA 4853-91 Choral score Missa brevis in B-flat maj K. 275 (272b) (Lat) Urtext / Ed. M. Holl Piano reduction by M. Focke BA 5344-90 ° V.s. BA 5344-91 Choral score

Missa brevis in D maj K. 194 (186h) (Lat) Bärenreiter Female Choir series BA 5690-90 ° V.s. → page 26 Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 5343-90 ° V.s. BA 5343-91 Choral score

Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4858-90 ° V.s. BA 4858-91 Choral score

° = Performance material available on sale  = Performance material available on hire

Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Choir & Organ series → page 29 BA 7522 Score Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Bärenreiter Female Choir series BA 5693-90 ° V.s. → page 26 Missa brevis in C maj “Credo Mass” K. 257 (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4859-90 ° V.s.

Missa in C maj “Coronation Mass” K. 317 (Lat) Urtext / Ed. M. Holl Piano reduction by M. Focke BA 4880-90 ° V.s. BA 4880-91 Choral score TP 316 Study score

SACRED AND SECULAR WORKS

Bärenreiter Choir & Organ Series “Choir & Organ presents a great opportunity for all choirs to sing the great choral repertoire without the need for an orchestra – these versions will help to keep these works alive and in the hearts of all lovers of choral music.” (Bob Chilcott) ● Ideal for choral conductors

and choirs who wish to perform well-known choral works without the expense of an orchestra ● Only one edition needed

for soloists, singers and organists ● Choir and solo parts remain

true to the original: original orchestral parts are transcribed into easy-to-play organ parts ● Scoring mostly for soloists

(SATB), mixed choir (SATB) and organ

From: Fauré, Requiem op. 48 · BA 7513 Bach, Carl Philipp Emanuel Magnificat Wq 215 Arranged by A. Köhs BA 7517 Score Bach, Johann Sebastian Festive Choral Settings from Cantatas Arranged by I. Bredenbach for mixed choir (SATB) and organ BA 7527 Score Separate organ part BA 7527-67 PoD Choral movements from the Christmas Oratorio Part I-III BWV 248 Arranged by H. Gehring for mixed choir (SATB) and organ BA 7525 Score Bruckner, Anton Te Deum WAB 45 (Lat) Arranged by A. Köhs BA 7524 Score

Dvořák, Antonín Mass in D maj op. 86 (Lat) Urtext / Ed. J. Burghauser, A. Cubr BA 7511 Score Fauré, Gabriel Requiem op. 48 (Lat) Arranged by I. Bredenbach BA 7513 Score Mozart, Wolfgang Amadeus Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Arranged by M. Focke BA 7521 Score Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Arranged by M. Focke BA 7522 Score Missa brevis in C maj “Credo Mass” K. 257 (Lat) Arranged by M. Focke BA 7520 Score Missa in C maj “Coronation Mass” K. 317 (Lat) Arranged by M. Focke BA 7519 Score

Mozart, Wolfgang Amadeus Requiem K. 626 (Lat) Arranged by M. Focke BA 7518 Score Shorter Sacred Works Arranged by A. Köhs BA 7523 Score Saint-Saëns, Camille Oratorio de Noël op. 12 “Christmas Oratorio” (Lat) Arranged by A. Köhs BA 7514 Score Schubert, Franz Missa in G maj D 167 (Lat) Arranged by M. Gerisch BA 7512 Score Vivaldi, Antonio Introduzione al Gloria. Gloria in D maj RV 642, 589 (Lat) Arranged by M. Focke BA 7515 Score Magnificat RV 610/611 (Lat) Arranged by A. Köhs BA 7516 Score

SACRED AND SECULAR WORKS Mozart, Wolfgang Amadeus (1756-1791) Missa in C maj “Coronation Mass” K. 317 (Lat) Choir & Organ series → page 29 BA 7519 Score

Regina coeli in C maj K. 108 (74d) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4886-90 ° V.s. BA 4886-91 Choral score

Missa in C maj “Coronation Mass” K. 317 (Lat) Bärenreiter Female Choir series BA 5691-90 ° V.s. → page 26

Scande coeli limina K. 34 (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4882-90 ° V.s. BA 4882-91 Choral score Shorter Sacred Works Choir & Organ series → page 29 BA 7523 Score Tantum ergo K. 142 (Anh. 186d) (Lat) Mozart’s arrangement of Friedrich Zachow’s Tantum Ergo with newly composed Amen Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4752-90 ° V.s. BA 4752-91 Choral score

Missa in C maj “Missa solemnis” K. 337 (Lat) Urtext / Ed. M. Holl Piano reduction by M. Focke BA 4881-90 ° V.s. BA 4881-91 Choral score

Regina coeli in B-flat maj K. 127 (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4887-90 ° V.s. BA 4887-91 Choral score

Tantum ergo K. 197 (Anh. 186e) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4753-90 ° V.s. BA 4753-91 Choral score

Regina coeli in C maj K. 276 (321b) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4888-90 ° V.s. BA 4888-91 Choral score Requiem K. 626 (Lat) BA 4538-90 ° V.s. → page 31 Requiem K. 626 (Lat) Choir & Organ series BA 7518 Score → page 29

Missa in C min K. 427 (417a) (Lat) Credo in unum Deum, Et incarnatus est, Sanctus, Hosanna. Reconstructed and completed by Helmut Eder Urtext / Ed. M. Holl Piano reduction by M. Focke BA 4846-90  V.s. TP 255 Study score

Requiem K. 626 Facsimile of the autograph score held in the Austrian National Library ISBN 978-3-7618-2346-0 → page 42 Sancta Maria, mater Dei K. 273 (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4751-90 ° V.s. BA 4751-91 Choral score

Te Deum laudamus K. 141 (66b) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4885-90 ° V.s. Veni Sancte Spiritus K. 47 (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4883-90 ° V.s. BA 4883-91 Choral score Venite populi K. 260 (248a) (Lat) Urtext / Ed. H. Federhofer Piano reduction by A. Köhs BA 4899-90 ° V.s. BA 4899-91 Choral score

SACRED AND SECULAR WORKS

A newly revised vocal score of Mozart's Requiem 

Now with a Foreword (Ger/Eng) by Christoph Wolff



Revised vocal score, critically evaluated



Newly engraved with larger notation and new typeface



New idiomatic piano reduction



Compatible with all existing performance material (BA 4538)

NEW 2016

Requiem K. 626 (Lat) Mozart’s fragment in the version completed by Franz Xaver Süssmayr Urtext / Ed. L. Nowak Piano reduction by H. Moehn (Reviewed and revised by A. Wissemann) BA 4538-90 ° V.s. To appear in November 2016 TP 152

Study score

Mozart’s final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, is a historical source in its own right with utmost proximity to Mozart’s thoughts. The Requiem score, published in the New Mozart Edition, served as the basis for this vocal score edition which now appears in a revised form and newly engraved. The musical text has been reviewed, the vocal parts made easier to read and the piano accompaniment easier to play. Christoph Wolff, an authoritative Requiem connoisseur, has supplied a Foreword with a clear and concise account of the work’s genesis and basic musical features.

SACRED AND SECULAR WORKS Mozart, Wolfgang Amadeus (1756-1791) Vesperae solennes de Confessore K. 339 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 4894-90 ° V.s. BA 4894-91 Choral score Vesperae solennes de Dominica K. 321 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder Piano reduction by M. Focke BA 4893-90 ° V.s. BA 4893-91 Choral score The Messiah K. 572 (Ger) Urtext / Ed. A. Holschneider Oratorio by G. F. Handel in the arrangement by W. A. Mozart Piano reduction by E. Barthel BA 4529-90 V.s. Mozart, Wolfgang Amadeus (1756-1791) / Handel, George Frideric (1685-1759) Das Alexander-Fest / Alexander’s Feast K. 591 (Ger) Cantata in two parts by G. F. Handel in the arrangement by W. A. Mozart Urtext / Ed. A. Holschneider Piano reduction by K. Ameln and A. Wissemann BA 4527-90  V.s. Pachelbel, Johann (1653-1706) Christ lag in Todesbanden / Christ lay in grim death’s prison (Ger/Eng). Easter Cantata for soloists (SATB), choir (SATB), strings, bassoon and bc Ed. H. H. Eggebrecht BA 2875 ° Score BA 2875-91 Choral score Magnificat anima mea (Lat) Motet for mixed choir (SATB) and bc Ed. H. H. Eggebrecht BA 2877 Singing score Nun danket alle Gott / Now thank we all our God (Ger/Eng) Motet for mixed choir (SATB+SATB) and bc Ed. H. H. Eggebrecht BA 2873 Singing score, playing score

Pergolesi, Giovanni Battista (1710-1736)

NEW 2016

Mass in F major “Missa Romana” (Lat) Urtext / Eds. M. Bruno, C. Ritchie Piano reduction by the editor BA 8958-90 ° V.s. This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for a performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.

This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.

SACRED AND SECULAR WORKS Pergolesi, Giovanni Battista (1710-1736) Vespro della Beata Vergine / Vespers (Lat) A reconstruction. Ed. M. Bruno, E. Higginbottom, R. Ross Piano reduction by M. Bruno BA 7675-90  V.s.

To celebrate the Reger centenary This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished Acht Grabgesänge (1900).

Stabat Mater for Soprano, Alto, Strings and Basso continuo (Lat) Urtext / Eds. M. Bruno, C. Ritchie Piano reduction by M. Bruno BA 7679-90 ° V.s. Stabat Mater (Lat) Bärenreiter Female Choir series BA 5692-90 ° V.s. → page 26

The pieces are arranged in chronological order.

 Tantum ergo (1895), Maria

Purcell, Henry (1659-1695) Evening Service Magnificat and Nunc dimittis (Ger/Eng) for soloists (SSATB or small choir) and choir (SATB) Ed. J. Just BA 2923 Choral score O, sing unto the Lord / Singt, o singt dem Herrn (Ger/Eng) Anthem for soloists (SATB), choir (SATB) and strings Ed. J. Just BA 2901 ° Score BA 2901-91 Choral score

Reger, Max (1873-1916)

NEW 2016

Sacred Choral Music a cappella (Ger) Urtext / Ed. M. Chizzali BA 7549 2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity – organ music – his choral compositions form another major part of his œuvre.

Himmelsfreud (1899-1900), Acht Grabgesänge (ca. 1900), Acht Marienlieder op. 61D (1901), Sechs Trauergesänge op. 61G (1901), Palmsonntagmorgen (1902), Vier Kirchengesänge (1904), Easter motet: Lasset uns den Herren preisen (1911), Abschiedslied (1914), Acht geistliche Gesänge op. 138 (1914)

Rossini, Gioachino (1792-1868) Petite Messe solennelle BA 10501-90 → page 34 Ryba, Jakub Jan (1765-1815) Czech Christmas Mass (Cz/Ger) for soloists (SATB) and mixed choir (SATB) H 5572 V.s.

° = Performance material available on sale  = Performance material available on hire

SACRED AND SECULAR WORKS Saint-Saëns, Camille (1835-1921)

The Claude Palisca Prize 2010

This edition presents Rossini‘s original chamber music setting of the Petite Messe solennelle for two pianos and harmonium. This unusual instrumentation is entirely in keeping with the Neapolitean keyboard tradition of the 18 th century which was cultivated in France during Rossini‘s day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example Liszt and Bruckner.  Based on the Urtext of the

Rossini, Gioachino (1792-1868) Petite Messe solennelle (Lat) Urtext / Ed. P. B. Brauner, P. Gossett Piano reduction by A. Köhs BA 10501-90 ° V.s. Winner of the Claude Palisca Prize 2010 awarded by the American Musicological Society for Best Musical Edition

series Works of Gioachino Rossini  Foreword (Eng/Ital/Ger)  With a separate

harmonium part and one part for pianos I and II

 “… it is very difficult to

imagine anyone arriving at a more scholarly, accurate, and practically useful text than this.” (Classics today)

Oratorio de Noël op. 12 “Christmas Oratorio” (Lat) Choir & Organ series → page 29 BA 7514 Score Schein, Johann Hermann (1586-1630) Die mit Tränen säen Motet no. 3 from “Israelsbrünnlein” for mixed choir (SSATB) and bc BA 2553 Choral score, playing score Ich freue mich im Herren (Ger) Motet no. 14 from "Israelsbrünnlein" for mixed choir (SSATB) and bc BA 2564 Choral score, playing score Schubert, Franz (1797-1828) German Mass D 872 (Ger) Second definitive version Urtext / Ed. M. Kube Piano reduction by M. Kube BA 7599-90 ° V.s. BA 7599-91 Choral score Missa in A-flat maj D 678 (Lat) (Second version) Urtext / Ed. D. Finke-Hecklinger Piano reduction by A. Köhs BA 5623-90 ° V.s. Missa in B-flat maj op. post. 141 D 324 (Lat) Urtext / Ed. R. Dalmonte Piano reduction by O. Kroupová BA 5621-90 ° V.s. BA 5621-91 Choral score Missa in C maj op. 48 D 452 (Lat) Urtext / Ed. P. P. Scattolin Piano reduction by O. Kroupová Revised edition BA 5622-90 ° V.s. BA 5622-91 Choral score Missa in F maj D 105 (Lat) Urtext / Ed. T. Pecker Berio Piano reduction by O. Kroupová BA 5624-90 ° V.s. BA 5624-91 Choral score

SACRED AND SECULAR WORKS Schubert, Franz (1797-1828)

Schütz, Heinrich (1585-1672)

Missa in G maj D 167 (Lat) Choir & Organ series → page 29 BA 7512 Score Die schöne Müllerin arranged for mixed choir a cappella (SATB) BA 6596 Singing score Schütz, Heinrich (1585-1672) Deutsches Magnificat 1671 “Meine Seele erhebt den Herrn” SWV 494 (Ger) from Der Schwanengesang for two mixed choirs (SATB+ SATB). Transposed a whole tone higher. Ed. K. Ameln BA 2155 Choral score

Die sieben Worte Jesu Christi am Kreuz SWV 478 (Ger) for soloists (SATTB), mixed choir (SATTB), strings and bc Solo voices / instrumental parts available separately Ed. B. Grusnick Gothic print BA 1577 ° Score BA 1577-91 Choral score

NEW 2017

Historia der Geburt Jesu Christi (Ger) for mixed choir (SSATTB) Urtext / Ed. B. Varwig BA 5925-90 ° V.s. in preparation

Magnificat SWV 468 (Ger) for favoritchoir (SATB[solo)], 2 capellchoirs (SATB [tutti)], 2 instrumental choirs and bc BA 4334-91 ° Choral score BA 4334-92 ° Choral score BA 4334-93 ° Choral score Singet dem Herrn ein neues Lied SWV 35 (Ger) Psalm no. 98 for two mixed choirs (SATB+SATB) Ed. W. Ehmann BA 2398 Choral score Zwölf Geistliche Gesänge (Ger) for mixed choir (SATB) and bc ad lib. BA 6948 Choral score

Revised edition of “Geistliche Chor-Music” Selected motets available in individual octavo editions:  With modern notation and

layout, retention of the original keys and an integrated figured bass realisation  The ‘choral’ parts can be

performed by instruments as well as voices. For purely instrumental performances order parts under BA 5901 and BA 5902 Verleih uns Frieden genädiglich SWV 372 (No. 4) BA 7964 Choral score Schütz, Heinrich (1585-1672) Sacred Choral Music Urtext / Based on Werner Breig’s edition published in The New Schütz Edition

Gib unsern Fürsten und aller Obrigkeit SWV 373 (No. 5) BA 7965 Choral score Unser keiner lebet ihm selber SWV 374 (No. 6) BA 7966 Choral score

The five-part motets (Nos. 1-12, SWV 369-380) (Ger) BA 5901 ° Choral score

Herr, auf dich traue ich SWV 377 (No. 9) BA 7969 Choral score

The six and seven-part motets (Nos. 13-29, SWV 381-397) (Ger) BA 5902 ° Choral score

Die mit Tränen säen, werden mit Freuden ernten SWV 378 (No. 10) BA 7970 Choral score

So fahr ich hin zu Jesu Christ SWV 379 (No. 11) BA 7971 Choral score Also hat Gott die Welt geliebt SWV 380 (No. 12) BA 7972 Choral score O lieber Herre Gott, wecke uns auf SWV 381 (No. 13) BA 7973 Choral score Das Wort ward Fleisch SWV 385 (No. 17) BA 7977 Choral score Die Himmel erzählen die Ehre Gottes SWV 386 (No. 18) BA 7978 Choral score Das ist je gewisslich wahr SWV 388 (No. 20) BA 7980 Choral score Ich bin ein rechter Weinstock SWV 389 (No. 21) BA 7981 Choral score Selig sind die Toten SWV 391 (No. 23) BA 7983 Choral score

SACRED AND SECULAR WORKS

In celebration of the Telemann Year 2017 · 250th Anniversary

NEW 2016

Telemann, Georg Philipp (1681-1767) Die Auferstehung und Himmelfahrt Jesu TWV 6:6 (Ger) Urtext / Ed. R.J. Reipsch Piano reduction by A. Köhs BA 5851-90  V.s. To appear in November 2016 This oratorio (c. 1760) is one of Telemann’s last large-scale vocal compositions. The libretto, by K. W. Ramler, recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative, da capo arias and festive choruses, Telemann succeeds in producing a vivid and effective musical interpretation.

2016

NEW Christus, der ist mein Leben TWV 1:138 (Ger) Urtext / Ed. U. Poetsch Piano reduction by A. Köhs BA 5897-90 ° V.s. To appear in October 2016

This is the first scholarlycritical edition of the highly successful chorale setting (1754) of the church hymn Christus, der ist mein Leben, based on M. Vulpius’s melody from the Hamburg Hymnal. The work is especially wellsuited to display Telemann’s

From: Telemann, Auferstehung und Himmelfahrt Jesu · BA 5851-90 mastery in depicting the words of the chorale. The so-called ‘Ausfüllungsbass’ (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches. Donnerode TWV 6:3 (Ger) Oratorio in two parts Urtext / Ed. W. Hobohm Piano reduction by A. Köhs BA 5900-90  V.s. Du aber, Daniel, gehe hin (Ger) Funeral cantata for soloists (SB), mixed choir (SATB), flute, oboe, strings and organ Ed. G. Fock BA 3583-91 ° Choral score Gelobet sei der Herr TVWV 1:602/1216 (Ger) Oratorio for St John's Day Urtext / Ed. U. Poetzsch Piano reduction by A. Köhs BA 5899-90  V.s BA 5899-91 Choral score Telemann’s two-part oratorio appeared as part of the “great oratorio year” of 1730/31.

 Richly scored hitherto

unknown work  Interesting addition to the

repertoire for church as well as concert choirs Gelobet seist du, Jesu Christ / We praise your name TWV 1:612 (Ger/Eng). Cantata for the Second Day of Christmas Urtext / Ed. U. Poetzsch-Seban Piano reduction by A. Köhs BA 7676-90 ° V.s.



“All in all high-quality music which has been evaluated “in the field” for performers.” (Journal Kirchenmusik)

NEW 2016 Gott der Hoffnung erfülle euch TWV 1:634 (Ger). Cantata for the first day of Whitsun Urtext / Ed. M. Richter Piano reduction by A. Köhs BA 5898-90 ° V.s In 1717 Telemann composed this cantata based on a text by Erdmann Neumeister. It forms part of the Concerten-Jahrgang, also known as Das Harmonische Zion or Italienischer Jahrgang

SACRED AND SECULAR WORKS Seither, Charlotte (*1965)

of his death

Vivaldi, Antonio (1678-1741)

Guarda in giù for 12-part Choir (Ger) (2012). For mixed choir (SSSAAATTTBBB) BA 11027 Choral score

and has been colourfully scored. Vocal soloists, choir and instruments have equal musical standing in this festive cantata. Die Hirten bei der Krippe zu Bethlehem TWV 1:797 (Ger) Sacred Cantata Urtext / Ed. W. Hobohm Piano reduction by M. Focke BA 5852-90 ° V.s. Der jüngste Tag wird bald sein Ziel erreichen / The Last of Days shall reach its destination TWV 1:301 (Ger/Eng) Cantata for the Second Advent Urtext / Ed. U. Poetzsch-Seban Piano reduction by A. Köhs BA 7671-90 ° V.s. Laudate Jehovam “Auf! Lobet den Herren” (Lat/ Ger). Psalm no. 117 for mixed choir (SATB), two violins and bc Ed. E. Valentin BA 2900-91 ° Choral score

Gloria RV 589 (Lat) Bärenreiter Female Choir series BA 8953-90° V.s. → page 26 Introduzione al Gloria. Gloria in D maj RV 642, 589 (Lat) Choir & Organ series → page 29 BA 7515 Score

Trojahn, Manfred (*1949) Ungewisses Licht (Ger) (2014) 4 fragments for 8-part choir for mixed choir (SSAATTBB) BA 11061 Choral score

Kyrie RV 587 (Lat) Urtext / Ed. M. Bruno Piano reduction by M. Bruno BA 8950-90 ° V.s. The Kyrie RV 587, scored for two choirs and two groups of stringed instruments, is purely a choral work without solo passages. The date of its composition remains unclear.

Verdi, Giuseppe (1813-1901) Messa da Requiem (Lat) BA 7590-90 → page 38

Kyrie RV 587 (Lat) Arranged for female choir (SSAA) Bärenreiter Female Choir series BA 8954-90° V.s. → page 26

Vivaldi, Antonio (1678-1741) Gloria RV 589 (Lat) Urtext / Ed. M. Bruno Piano reduction by M. Bruno BA 7674-90 ° V.s. BA 7674-91 Choral score

Magnificat RV 610/611 (Lat) Choir & Organ series → page 29 BA 7516 Score richly scored work, marks a highlight in the œuvre of Zelenka. It was composed in 1729 while he was working at the Dresden court.

Nun komm der Heiden Heiland / Come thou of man the Saviour TWV 1:1174 (Ger/Eng). Cantata for the First Sunday of Advent Urtext / Ed. U. Poetzsch-Seban Piano reduction by A. Köhs BA 7677-90 ° V.s. Johannespassion (1745) “Ein Lämmlein geht und trägt die Schuld” TWV 5:30 (Ger) Urtext / Ed. W. Hirschmann Piano reduction by O. Kroupová BA 5310-90  V.s. Matthäus-Passion (1746) for mixed choir (SATB) (Ger) SM 2349-91  Choral score

NEW 2015 Der Tod Jesu TWV 5:6 (Ger) Urtext / Ed. W. Hobohm Piano reduction by A. Köhs BA 5853-90  V.s.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

Zelenka, Jan Dismas (1679-1745) NEW 2016

 Magnum opus of Zelenka’s

music and the Bohemian Baroque

Missa Divi Xaverii ZWV 12 (Lat) for soloists, mixed choir and orchestra Urtext / Ed. V. Luks Piano reduction by P. Kornfeld BA 9594-90  V.s. The Missa Divi Xaverii ZWV 12, an expansive and unusually

 Scholarly-critical first edition  Welcome addition to the

sacred choral repertoire

 Also suitable for ambitious

amateur choirs

SACRED AND SECULAR WORKS

“… Obviously, this is the latest and most comprehensive edition and the one that should supplant all others on music library shelves.” (The American Organist) The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.

 Verdi's monumental work in

a Bärenreiter Urtext edition  Trilingual preface in the

score (Ital/Eng/Ger)  Detailed Critical

Commentary (Eng)  Idiomatic well-presented

piano reduction

Verdi, Giuseppe (1813-1901) Messa da Requiem (Lat) Urtext / Ed. M. Uvietta Piano reduction by A. Campora BA 7590-90 ° V.s. For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered. As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Bärenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work.

Digital flyer available for download: www.baerenreiter.com

POPULAR CHORAL MUSIC AND COLLECTIONS Best of Jazz im Chor (Eng) for mixed choir (mostly SATB) Ed. C. Schönherr BE 488 Choral score This edition contains the most attractive and frequently sung pieces from the series Jazz im Chor. The pieces include jazz standards, ballads and gospel numbers. Chor aktuell Female Voices (SSAA/SMA) Ed. K. Suttner, S. Kalmer, K. Ehmer, M. Frey BE 2498 Chor aktuell Female Voices contains more than 70 choral arrangements of sacred as well as secular songs from all over the world which cover musical styles such as pop, gospel, avant-garde and folk. Distribution rights for Europe and Japan

Christmas for female voices Ed. G. Buckland BA 7598 This collection includes many well-known Christmas melodies in traditional as well as more popular settings from many countries around the world. All pieces are arranged for two female voice parts with a piano accompaniment but a third optional voice part is also included in many cases.

 A selection: A child this day is born / Es ist ein Ros entsprungen / Entre le bœuf / Joy to the world / Les anges de nos campagnes / O Heiland, reiß die Himmel auf / Orientis partibus / Quando nascette ninno / The Carol of the Drum / The first Nowell Groove Sisters (Eng) for female voices (SSAA) and piano Ed. M. Carbow BE 499 Choral score Groove Sisters brings together rock-jazz songs and gospel numbers in a selection for female voices. The arrangements come with a piano accompaniment but can also be sung a cappella.

 A selection: He Is Always Close To You / He Is The Lord / I Set My Sail / He Is Making Us Sing / Free Your Soul / A Rainy Day / Lift Your Head Up High Christmas a cappella for mixed choir (SATB) Ed. G. Buckland BA 7573



“The greatest strength of this collection is its sheer scope, containing over 170 carols many of which are the traditional favourites. For this fact alone, many choirs will find this book excellent value for money.” (Church Music Quarterly)

Hits from Jesus Christ Superstar (Eng) 4 pieces for mixed choir (SATB) a cappella Ed. S. Kalmer BE 429 Choral score

 Everything’s alright / I Don’t Know How to Love Him / The Last Supper / King Herod’s Song Worldwide distribution rights excluding the USA and Canada

Let's Get Singing for mixed choir (mostly SATB) Ed. K. Suttner, S. Kalmer, B. G. Mettke, M. Frey BE 2439-01  Over 100 pieces from

more than 30 countries  Includes sacred as well

as secular pieces and Christmas music  Of moderate difficulty

Audio CD Contains spoken texts to assist in the pronunciation of the foreign languages used. 99 tracks, approx. 70 minutes ISBN 978-3-7649-2437-9 Münden, Gerd-Peter (*1966) Six Motets for Christmas for mixed choir (SSATBB), children’s choir, youth choir (SSA), organ ad. lib. (Ger/Eng) BA 8957 BA 8957-91

Full score Choral score mixed choir BA 8957-97 Choral score for children’s choir, equal-voice choir (SSA) This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults’ or children’s choir.

 There comes a galley, laden / O Saviour, open heaven’s gate / O Lord, how shall I meet you / Angels, from the realms of glory / As I was watching o’er my Sheep / Good Christian men, rejoice  Please see the websites www.baerenreiter.com and www.bosse-verlag.de for more detailed information on individual editions. 39

POPULAR CHORAL MUSIC AND COLLECTIONS 64 Spirituals a cappella (Eng) for mixed choir (SATB to 10 parts) Ed. G. Buckland BA 7574 This collection offers a treasure trove of the most beautiful gospel and spiritual numbers which every choir will want to sing over and over again.

 A selection: Go down Moses / Amen / Michael row the boat ashore / Rock my soul / This little light of mine / The Gospel train

33 Spirituals for Upper Voices (Eng) for female choir or children's choir (SMezA) and piano. Ed. G. Buckland BA 7572 This edition offers exciting original arrangements that have never before appeared in print, written in an authentic idiom for three women’s or girls’ voices with piano accompaniment. All the arrangements can be combined with the already published edition 64 Spirituals (BA 7574) which is for SATB. To give you an example: a children’s choir working with our new edition can appear with a mixed chorus that has already mastered the settings of BA 7574. In addition twelve of the arrangements can be enhanced by instrumental accompaniments. These are to be found in the ComboCom series Spirituals edition (BA 6699) which offers flexible instrumental settings.

From: 33 Spirituals for Upper Voices · BA 7572

Stevens, Cat Wild World (Eng) for mixed choir (SATB) Ed. S. Kalmer BE 727 Weltmusik für Chor / World Music for Choir for mixed choir (SATB) Ed. R. Dost BE 468 with audio CD

This edition contains nine specially chosen pieces from countries all over the world in vibrant arrangements which should appeal particularly to the younger choir singer. The accompanying CD includes complete performances of all the pieces, recordings of the individual vocal parts as well as instructive information on the background, interpretation and pronunciation.

FACSIMILES Bach, Johann Sebastian (1685-1750) “Allein zu dir, Herr Jesu Christ” BWV 33 Cantata for the 13 th Sunday after Trinity. Edited by Christoph Wolff and Peter Wollny. Autograph score, original parts, text from 1724. Facsimile series Bachscher Werke und Schriftstücke, New Series, Volume V Boxed set of 24 pages (score), 54 pages (parts), 16 pages (text) and 16 pages (commentary) ISBN 978-3-7618-2201-2 Mass in B min BWV 232 Facsimile of the autograph score in the Staatsbibliothek zu Berlin. Edited by Christoph Wolff. 218 pages of facsimile and a 36 page introduction (Eng/Ger/Jap); Linen-bound with silver embossing Documenta Musicologica II/35 BÄRENREITER FACSIMILE ISBN 978-3-7618-2194-7

Johann Sebastian Bach St. Matthew Passion BWV 244 St. Matthew Passion BWV 244 Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz With a commentary by Christoph Wolff, Martina Rebmann and Barbara Schneider-Kempf (Eng/Ger) Documenta musicologica II,47 168 pages facsimile and 26 pages of commentary BÄRENREITER FACSIMILE Half-leather binding, hardback ISBN 978-3-7618-2294-4

 “This facsimile edition is

a model for the presentation of musical sources, both in appearance and in documentation. Wolff ’s facsimile will serve as foundational tools”. (Notes, December)

Beethoven, Ludwig van (1770-1827)

Winner of the Best Edition Prize 2011 awarded by the German Music Publishers Association

Symphony No. 9 op. 125. Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, the Beethoven-Haus Bonn and the Bibliothèque nationale de France. 422 + 11 pages of facsimile and 40 pages introduction (Eng/Ger/Jap); half-linen, hardback Documenta Musicologica II/42 BÄRENREITER FACSIMILE ISBN 978-3-7618-2169-5



“What a joy for all of us to have a readily available facsimile of Beethoven 9 at last. Del Mar’s work on the symphonies has become the gold standard of contemporary editing for us all, an astonishing work of scholarship which is miraculously practical. These two virtues are not often bedfellows … I welcome his guiding hand on this new project, and look forward to a fascinating exploration.” (Sir Simon Rattle)

2011 Best Edition Prize 41

FACSIMILES

Handel, George Frideric (1685-1759) Messiah HWV 56 Facsimile of the autograph score in the British Library, London. Edited by Donald Burrows. 284 pages of facsimile and a 56 page introduction (Eng/Ger/Jap); half-linen Documenta Musicologica II/40 BÄRENREITER FACSIMILE ISBN 978-3-7618-2109-1 No distribution rights for the UK

Buxtehude, Dietrich (1637-1707) Herr, ich lasse dich nicht BuxWV 36 Facsimile of the autograph set of parts in the Uppsala University Library including a new full score critical edition. Edited by P. Wollny with a foreword (Ger/Eng). Documenta Musicologica II/37 ISBN 978-3-7618-1958-6

Mozart’s Requiem · Truth and Legend Wolfgang Amadeus Mozart Requiem K. 626  “I have never experienced such silence or seen an audience moved in this way.”

Felix Mendelssohn Bartholdy

NEW 2015

Facsimile of the autograph score held in the Austrian National Library. With a commentary by Christoph Wolff and Günter Brosche. 200 pp. of facsimile and 35 pp. of Commentary (Eng/Ger), half-leather binding, pages individually trimmed. BÄRENREITER FACSIMILE ISBN 978-3-7618-2346-0 Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.

PROMOTIONAL GIFTS · THE BÄRENREITER FILM

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Gifts items

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A student lesson book A general note book A gift

Format: DIN A 6 (10.5 cm x 14.8 cm / 4.1 inches x 5.8 inches) 32 pages · binding: stapled BA 8100 BA 8100-20

Mozart red Schubert yellow

NEW 2016

Ç J^[o iW_Z ? mWi W cki_YWb ][d_ki$ Edbo j_c[ m_bb j[bb$È

Notes

Set of 5 postcards (Bach, Beethoven, Brahms, Mozart, Schubert) BA 8097-15

Notes ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................

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10 pencils in a set

The Musicians’ Choice

BA 8099-15

The Bärenreiter Film

 Please see Bärenreiter’s website www.baerenreiter.com for more detailed information on individual editions.

Renowned conductor and musicologist Christopher Hogwood takes you behind the scenes at Bärenreiter. You will be given an insight into the editorial and production process of an Urtext edition. The history of this family-owned company is also revealed.

www.baerenreiter.com 43

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