Czech Music 2017/2018 Bärenreiter Praha

CZECHMUSIC

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SALES CATALOGUE 2017 / 2018 Bärenreiter Praha

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CONTENTS

Piano Solo (piano two hands) ��������3 Piano Duet (piano four hands) �����11 Piano Concertos ������������������������������� 13

HARPSICHORD Harpsichord Solo �������������������������������14 Harpsichord Concertos �������������������14

ORGAN Organ Solo �������������������������������������������14 Organ Concertos ������������������������������� 15

ACCORDION ���������������������������������������� 15

PERCUSSION ��������������������������������������37 Baerenreiter_COVER_A5+4mm 26.02.17 22:48 Stránka 1

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Violin Solo �������������������������������������������� 17 2 Violins Solo ���������������������������������������18 Violin and Piano ��������������������������������18 Violin Concertos �������������������������������� 21

VIOLA Viola Solo ����������������������������������������������23 Viola and Piano ����������������������������������23 Viola Concertos ����������������������������������23

VIOLONCELLO Violoncello Solo �������������������������������� 24 Violoncello and Piano �������������������� 24 Cello Concertos ��������������������������������� 25

DOUBLE BASS ����������������������������������26 HARP ��������������������������������������������������������32 GUITAR ���������������������������������������������������32 WINDS Recorder ������������������������������������������������32 Flute �������������������������������������������������������33 Oboe (English Horn) ������������������������33 Clarinet ������������������������������������������������ 34 Saxophone �������������������������������������������35 Bassoon �������������������������������������������������35 French Horn ���������������������������������������36 Trumpet �����������������������������������������������36 Trombone ��������������������������������������������36

b SALES CATALOGUE 2017 2018 /

Bärenreiter Praha

www.baerenreiter.com

148

VIOLIN

CZECHMUSIC

offering the best

of Czech music Piano Trio ����������������������������������������������41 Piano Quartet �������������������������������������41 Piano Quintet ������������������������������������ 42 String Duo ������������������������������������������� 42 String Trio �������������������������������������������� 42 String Quartet ����������������������������������� 43 String Quintet �����������������������������������46 String Sextet ��������������������������������������46 Wind Ensembles ������������������������������46 Wind Ensembles and Piano ��������� 47 Miscellaneous Ensembles ������������ 47 Miscellaneous Ensembles and Piano ��������������������������������������������49 Bärenreiter Praha • SPA 314

PIANO / KEYBOARD

ORCHESTRA String Orchestra �������������������������������� 51 Chamber Orchestra ������������������������ 52 Symphony Orchestra �����������������������53

SOLO VOICE (VOICES) ����������������� 60 CHORAL MUSIC / SACRED AND SECULAR WORKS Collections ����������������������������������������� 66 Children's Choir �������������������������������� 67 Female Choir �������������������������������������� 67 Male Choir ������������������������������������������ 67 Mixed Choir ����������������������������������������68

4mm

148

This catalogue can be downloaded as a PDF from www.baerenreiter.cz www.baerenreiter.com

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OPERA �����������������������������������������������������75 THEMATIC CATALOGUES ����������75 Index of composers ������������������������� 76 Promotional Gifts �����������������������������77 Index of edition numbers ��������������77 The catalogue contains a wide selection of Czech music titles from the production of Bärenreiter music publishing house.

For more information about the complete offer, please see our website www.baerenreiter.cz / www.baerenreiter.com

Contents valid as of February 2017.

Errors excepted and delivery terms subject to change without notice.

Printed by Bärenreiter Praha s.r.o., náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, in March 2017. www.baerenreiter.cz

1

CONTACTS

PIANO / KEYBOARD

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ABBREVIATIONS AND KEY TO FIGURES B Jarmil Burghauser: Antonín Dvořák. Thematic Catalogue BA Bärenreiter editions H Bärenreiter Praha editions taken up from the production of Editio Supraphon and its predecessors, or new titles with contemporary Czech music H. Harry Halbreich: Bohuslav Martinů. Werkverzeichnis und Biografie TP study score of Bärenreiter editions

ADCE Antonín Dvořák Complete Edition [Complete Edition of the Works of Antonín Dvořák] AMO Adam Michna z Otradovic – Compositiones BMCE The Bohuslav Martinů Complete Edition LJCE Leoš Janáček Complete Edition [Complete Critical Edition of the Works of Leoš Janáček] MAB Musica Antiqua Bohemica MKCE Miloslav Kabeláč Complete Edition [Complete Critical Edition of Miloslav Kabeláč's Works]

Cz Czech Eng English Fr French Ger German Ital Italian Lat Latin Ru Russian Sp Spanish arr. arranged Ed. / Eds. Editor / Editors IMC International Music Competition maj major min minor rev. revised Vol. Volume

Piano Solo (piano two hands)

Pieces for Children and Youth / Educational Works / Collections

(offered for selected out-of-print titles) • Bärenreiter-Verlag Kassel production Contents 2

Performance material ° available on sale ♦ Performance

material available on hire

Largo from Symphony No. 9 in E min “From the New World” Op. 95 Arr. by L. Láska in an easy style H 1810

Classici boemici II Dusík, Rejcha, Škroup, Tomášek, Voříšek Ed. V. J. Sýkora MAB I/20 H 1356

Classics and Their Contemporaries II Beethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W. A. Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Rev. by A. Sarauer, D. Křížková H 5077 Czech Piano Music Dusík, Dvořák, Fibich, Janáček, Martinů, V. Novák, Smetana, Suk, Tomášek, Voříšek Rev. by K. Šolc H 5033 Czech Sonatinas J. A. Benda, Dusík, Dušek, L. Koželuh, Mysliveček, Vaňhal, Voříšek Eds. K. Emingerová, O. Kredba MAB I/17 H 1122 Dlouhý Milan (*1938) Tell Me, Tell Me, Dandelion (Ptám se, ptám se, pampeliško) A cycle of instructive pieces (Cz/Ger/Eng) Rev. by J. Uxová H 7781

Twelve Melodic Studies for Piano Op. 16 COPY Ed. V. J. Sýkora MAB I/21 H 907

The Story of Ten Brothers (O deseti bratrech) Op. 32 Easy exercises and etudes for young fingers (Cz/Ger/Eng) H 2242 Hradecký Emil (*1953) A Little Jazz Album (Cz/Ger/Eng) H 7325 Jazz Etudes for Young Pianists Ed. Š. Krejčí (Cz/Ger/Eng) H 7974

Classics and Their Contemporaries I Dusík, Rejcha, Škroup, Tomášek, Voříšek Rev. by A. Sarauer, D. Křížková H 4497

Dusík Jan Ladislav (1760–1812) COPY Authorised copy on request

Dvořák Antonín (1841–1904)

Hradecký Emil (*1953) NEW 2017

Dvořák Milan (*1934) Jazz Piano Studies (Cz/Ger/Eng) H 5020 Vol. 1 H 7082 Vol. 2 Eben Petr (1929–2007) The World of Children (Svět malých) 20 little compositions Rev. by I. Hurník H 3211 Three Pieces in C H 6421 For Young People from Modern Czech Composers Ed. V. Jůzlová H 7591 Graham Peter (*1952) Subversive Etudes (Jinakosti) BA 9585 → see more on the next page Hanuš Jan (1915–2004) Moments in Nature (Vteřiny v přírodě) Op. 18 A cycle of ten miniatures for the youngest pianists Rev. by E. Doležalová H 2031

Two-Part Piano Miniatures on One Page (Dvouhlasé klavírní skladbičky na jednu stránku) Illustrations (black-and-white)

by Andrea Tachezy (Cz/Ger/Eng) H 8034 To appear in August 2017 This album offers imaginative piano miniatures of diverse character and style, which are easy to play, have interesting melodies, and are cleverly composed to really have just two parts, one for each hand. ●

1 5 easy and short performance pieces for beginning pianists

●

nother original Czech A contribution to educational piano literature

Hurník Ilja (1922–2013) Jazz piccolo (Džezík) easy piano pieces (Cz/Ger) H 6329 Studies (Etudy) H 6474 Korte Oldřich F. (1926–2014) Excursion (Exkurse) A cycle of instructive pieces (Cz/Ger/Eng) H 7948 3

PIANO / KEYBOARD

PIANO / KEYBOARD

For open-minded teachers and inquisitive kids

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Martinů Bohuslav (1890–1959) NEW 2016

Easy Piano Pieces and Dances Ed. L. Harasim Berná BA 9586

 

Black Bottom H 165, Foxtrot H 126bis, Crotchets and Quavers (Čtvrtky a osminky) H 257, One-step H 127bis, Foxtrot Born “On the Corner” (Foxtrot narozený „Na růžku”) H 123bis, Christmas (Vánoce) H 167

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Though Bohuslav Martinů produced a lot of educational works for the piano, not all of them have been published and many delightful pieces have remained unknown.

Graham Peter (*1952) Subversive Etudes (Jinakosti) for piano Illustrations by Andrea Tachezy BA 9585 Graham’s witty piano miniatures offer a natural means of practising finger technique, rhythm, and aural imagination.

The melodies are distinctive and appealing, and the rhythms are simple yet original. The short pieces help students to develop their sense of polyphony and flexibility of play, and they enrich the students’ range of expression in ways which are rarely found in piano teaching literature.

These simple genre paintings offer glimpses into the musical cultures of different countries (e.g. Gamelan, Balkan Dance, African Games), music history and styles of composers like Janáček, Debussy, or Satie, and into musical genres (opera, film).

Peter Graham (actually Jaroslav Šťastný) teaches composition at the Janáček Academy of Arts in Brno. ●

iniature recital pieces for M piano with amusing illustrations

Martinů's four-part piano cycle Crotschets and Quavers, appears for the first time. The work, composed in Paris in 1937, was previously known only from his correspondence and was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One-step, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’s autograph. ●

S ix appealing pieces, two of them published for the first time

● S imple

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reface (Cz/Eng/Ger) and P fingering by the editor

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welcome addition to the piano teaching literature and entertaining genre paintings to moderate level of difficulty

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Martinů3Bohuslav 2 Innocence (Nevinnost), Love 3 2 3 4     4  maj  4      4         4   (Láska), (1890–1959)    (op.   in E-flat         Polka posth.), Album Leaves (Lístky Fables (Bajky) H. 138 do památníku) Op. 2 Nos. 2,3, 5 pieces in moderate level of 25 2 1    2 in E maj, difficulty    maj, 3          2            6, Polkas   in E-flat    in E 43min, 4 4 in G min, Idyll (Idyla), H 3363 Souvenir (Vzpomínka), A Pleasant Christmas (Le Noël /Vánoce) Landscape (Přívětivá krajina) 3 2 3 4      H.  1674      4         Treasure    of Melodies II Three pieces: Sleigh (Sáně), Christmas Carol (Vánoční koleda), BA 9586 5 easy instructive pieces in increasing level of difficulty Childern's Lullaby (Dětská Ed. H. Séquardtová ukolébavka) H 4499 Rev. by K. Šolc H 5081 Sonatinas and Rondos I Spring in the Garden Clementi, Dusík, Kuhlau (Jaro v zahradě) H. 125 Rev. by V. Kurz 4 children's pieces H 235 Ed. A. Březina H 3257 Suk Josef (1874–1935) Slavický Klement About Mother (De maman / (1910–1999) O matince) Op. 28 COPY 12 Small Studies “Simple piano pieces for my little Rev. by E. Kleinová son” H 4149 Ed. B. Selva H 297 Smetana Bedřich (1824–1884) Love Song (Píseň lásky) Op. 7 A selection of Piano No. 1 Compositions I Arr. by P. Blažek, rev. by K. Šolc Ed. V. Štěpán, rev. by K. Šolc H 2424 moderate level of technical difficulty H 1979

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Sonate I–XVI Ed. V. J. Sýkora MAB I/24 H 1796 Dusík Jan Ladislav (1760–1812) Sonate I–VII COPY Ed. V. J. Sýkora MAB I/46 H 3099

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Repertoire Works

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Sonate VIII–XVI Ed. V. J. Sýkora MAB I/53 H 3289

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Sonate XVII–XXIII Ed. V. J. Sýkora MAB I/59 H 3413 Sonate XXIV–XXIX Ed. V. J. Sýkora MAB I/63 H 3756 Dušek František Xaver (1731–1799) NEW 2016

Complete Sonatas for Keyboard Urtext / Ed. V. Spurný BA 11513 Vol. I BA 11514 Vol. II → see more on the next page Dvořák Antonín (1841–1904) Dumka Op. 35, Furiant Op. 12, Two Little Pearls (Dvě perličky) B 156 ADCE V/3 H 6676 Humoresque in G-flat maj Op. 101 No. 7 Urtext / Eds. P. Kvasničková, M. Štědronská Preface (Cz/Eng/Ger), critical commentary (Cz/Eng) and facsimile pages BA 9503 Humoresques Op. 101 ADCE V/4 H 1274 Impromptu B 129, Humoresque B 138 ADCE V/3 H 2850 5

PIANO / KEYBOARD

PIANO / KEYBOARD

Dvořák Antonín (1841–1904) Mazurkas Op. 56 ADCE V/2 H 2907 Piano Compositions 1 H 7040-01

This edition in two volumes contains all 23 of his surviving piano sonatas, many of which were previously accessible only in old prints or manuscripts.

They are presented in chronological order by publication date.

A commentary by the editor offers useful tips on performance practice.

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Dumka Op. 35, Eclogues B 103, Furiants Op. 42, Piano Pieces Op. 52, Silhouettes Op. 8, Tema con variazioni Op. 36, Waltzes Op. 54 Piano Compositions 2 H 7040-02

Vol. I comprises 10 sonatas that where published in Dušek's lifetime by Breitkopf. The original prints of eight of them were lost. Thus the only sources for the current critical edition were period copies of the works.

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Mazurkas Op. 56, Impromptu in D min B 129, Dumka and Furiant Op. 12, Poetic Tone-Pictures Op. 85, Suite in A maj Op. 98, Humoresques Op. 101, Dances: Polka in E maj B 3, Minuets Op. 28 and Scottish Dances Op. 41, Album Leaves B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humoresque in F-sharp maj B 138, Two Little Pearls B 156, Lullaby, Capriccio B 188/1, 2 Piano Compositions Op. 52 Eclogue, Gigue, Impromptu, Intermezzo ADCE V/2 H 3177

NEW 2016

Complete Sonatas for Keyboard Urtext / Ed. V. Spurný BA 11513 Vol. I BA 11514 Vol. II The Czech composer František Xaver Dušek was one of the leading figures in the musical life of late 18th century Prague.

He was an outstanding pianist, composer and teacher whose pupils included Leopold Koželuch.

Poetic Tone-Pictures (Poetické nálady) Op. 85 Eds. J. Burghauser, A. Čubr ADCE V/3 H 338 Silhouettes Op. 8 12 piano pieces ADCE V/1 H 1763

Suite in A maj Op. 98 ADCE V/4 H 2226

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F ive previously unpublished sonatas

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reface (Cz/Eng/Ger) and P critical commentary (Eng) by the editor

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Veni creator spiritus Improvisation on the Gregorian Theme H 7744 Fibich Zdeněk (1850–1900) Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 Rev. by K. Šolc H 384 Vol. I H 425 Vol. II H 675 Vol. III H 676 Vol. IV

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 

  

  





 

         

                

                      

 

19



Allegro         2       4     

 



 







 





  

                             [ ]

                      

   

                                                       

Fišer Luboš (1935–1999) Dreams and Waltzes (Sny a valčíky) H 7795

A Recollection (Vzpomínka) COPY

Ed. J. Trojan H 5781 NEW 2018

Complete Works for Pianoforte New Urtext edition Ed. O. Pivoda BA 11545 (replaces H 6070p) In preparation In the Mists (V mlhách) Urtext with fingering Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil New preface by J. Zahrádka BA 9500

On an Overgrown Path (Po zarostlém chodníčku) Series I–II Urtext with fingering Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil New preface by J. Zahrádka BA 9502

Fišer Luboš (1935–1999) Complete Sonatas for Piano by one of the most distinctive figures of Czech music of the 20th century. His 2nd Sonata (1957) was subsequently removed from his compositional repertoire by the composer himself.

H 7911 Sonata I H 7957 Sonata III H 7988 Sonata IV H 7757 Sonata V H 7758 Sonata VI “Fras” (The Devil) H 7766 Sonata VII H 7989 Sonata VIII

Jírovec Vojtěch (1763–1850) 12 Waltzes for Piano Ed. V. Müllerová H 4738

Janáček Leoš (1854–1928)

Lachian Dances (Lašské tance) Arr. by J. Máslo H 6065

asy to play and suitable for E teaching purposes

František Xaver Dušek (1731‒1799)

Slavonic Dances Op. 72 (Series II) Arr. by K. Šolc COPY H 1428

Waltzes Op. 54 ADCE V/2 H 1498

●

Universi Liturgical movement for piano Prague Spring IMC Commission (2004) H 7917

Sonata XI

Slavonic Dances Op. 46 (Series I) Arr. by K. Šolc H 1359

Tema con variazioni Op. 36 ADCE V/1 H 1126

Vol. II contains 13 sonatas left unpublished in Dušek's lifetime and preserved in manuscript form. Three of them appear here for the first time.

Dušek František Xaver (1731–1799)

Eben Petr (1929–2007)

Sonata 1. X. 1905 Urtext with fingering Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil New preface by J. Zahrádka BA 9501 Tema con variazioni (Zdenkas Variations / Zdenčiny variace) Rev. by R. Kvapil H 6070-01 Ježek Jaroslav (1906–1942) Bugatti Step H 3156

Kabeláč Miloslav (1908–1979) Eight Preludes for Piano Op. 30 COPY

H 2461 Motifs from Exotic Lands (Cizokrajné motivy) Op. 38 Ed. Z. Nouza † MKCE V/4 H 7906 Seven Pieces for Piano Op. 14 Ed. Z. Nouza † MKCE V/5 H 7857 Short Pieces for Piano (Drobné skladby pro klavír) Ed. Z. Nouza † MKCE V/6 H 7842 Kalabis Viktor (1923–2006) Entrata, aria e toccata Op. 41 COPY

H 6354 Piano Sonata No. 3 Op. 57 H 7415

A virtuosic piano foxtrot (1931) was influenced by the composer's fascination with the Bugatti car.

7

PIANO / KEYBOARD Korte Oldřich F. (1926–2014)

PIANO / KEYBOARD Martinů Bohuslav (1890–1959)

Mysliveček Josef (1737–1781)

Smetana Bedřich (1824–1884)

Six Sonatas Rev. by V. Němec Preface on the composer and his works by O. Zuckerová (Cz/Ger/Eng) H 7330

Sonata H 1842

A selection of Piano Compositions III Ed V. Štěpán, rev. by K. Šolc advanced level of technical difficulty H 3374 Macbeth and the Witches (Macbeth a čarodějnice) Op. posth., On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák

Novák Vítězslav (1870–1949) Sonatinas Op. 54 Nos. 1, 2 Rev. by F. Rauch H 475

Koželuh Leopold (1747–1818)

Album Leaves (Lístky do památníku) Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9525

8

Schulhoff Erwin (1894–1942)

Rejcha Antonín (1770–1836)

Puppets (Loutky) I-III H. 137, H. 116, H. 92 Ed. A. Březina H 7875 Vol. I H 7946 Vol. II H 7963 Vol. III H 7970 All 3 volumes combined The charming pieces composed between 1912 and 1925 differ from one another in character.

They take characters of Italian commedia dell´arte as their theme: Pierrot, Colombina and Harlequin.

●

F irst complete scholarlycritical edition

●

F ills a gap in Czech and Central-European Classical repertoire

●

uitable for amateurs as well S as professionals; ideal for teaching purposes

● D etailed

●

etailed preface (Eng/Cz/Ger), D critical commentary (Eng) by the editor and facsimile pages

● F ingering

preface and critical commentary by the editor (Cz/Ger/Eng/Fr)

by Giorgio Koukl

Quatre Mouvements H. 170 Rev. by I. Popelka H 6156

Compositions from the years 1840–1849: Bagatelles et impromptus, Six morceaux caractéristiques Op. 1, Wedding Scenes (Svatební scény), first Polkas: Louisa's (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj NEW 2018

Film en miniature H. 148 Cycle of six pieces Ed. V. Kafková H 5709

Complete Sonatas for Keyboard Urtext / Ed. Ch. Hogwood † BA 9511 Vol. I BA 9512 Vol. II BA 9513 Vol. III BA 9514 Vol. IV BA 9515 Set of all 4 volumes (special set price) 50 keyboard sonatas from Leopold Koželuch (also Koželuh), the foremost representative of Czech music in the 18th century Vienna, span his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the evolution of the “classical sonata” during three decades (1773–1806). The sonatas are presented chronologically according to the date of their first publication.

Early Piano Works Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9527

36 Fugues for Piano Ed. V. J. Sýkora Preface by R. Dykast (Cz/Eng/Ger) BA 9541 The Czech composer Antonín Rejcha (also Anton Reicha) was famous as both an experimental composer and a teacher and theorist. His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “WellTempered Piano of the new ages”, basing the traditional Baroque fugue on radically new fundaments.

Simon Ladislav (1929–2011) Piano Sonata No. 2 H 7445

Jazz Inspired Works Urtext / Ed. M. Kube BA 9559

Album Leaves (Lístky do památníku) Opp. 2, 3, Sketches (Črty) Opp. 4, 5, Posthumous Compositions (Skladby z pozůstalosti), Compositions for Various Occasions (Skladby příležitostně uplatněné)

Partita (1922) / Cinq études de jazz (1926) / Esquisses de jazz: Six pièces faciles pour piano (1927) / Hot Music: Ten Syncopated Studies (1928) / Suite dansante en jazz (1931) Sonatas Nos. 1 – 3 Urtext/ Ed. M. Kube BA 9560 Erwin Schulhoff was a Prague German-speaking composer. His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times. ●

First Urtext editions

●

refaces (Ger/Cz/Eng) and P critical commentaries (Eng) by the editor

Czech Dances Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9507 (replaces H 7308) Series I: Polkas in F-sharp min, in A min, in F maj, in B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná

Macbeth and the Witches (Macbeth a čarodějnice) Op. posth.

Sketch to a scene from Shakespeare Urtext / Ed. J. Gabrielová BA 11537 In preparation ● F irst-ever

edition

scholarly-critical

Macbeth and the Witches is one of Smetana's virtuosic ‘Lisztian’ compositions. Based on motifs from the opening scene of Act IV of Shakespeare's tragedy, it originated in 1859 as a piano sketch and was probably meant to be orchestrated. It falls into Smetana's Swedish period, which gave rise to three symphonic poems, including one on Shakespeare's Richard III. Later the work took hold as a piano piece and was orchestrated by Jarmil Burghauser.

On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně) included also Allegro capriccioso and Etude in A min Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9519

9

PIANO / KEYBOARD

PIANO / KEYBOARD

Bagatelles et impromptus and other early piano compositions: Polkas (Betty's, Louisa's, Dahlia, Polka in E-flat maj), Duet, Impromptu I, Impromptu II, Impromptu III, Composition without name, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň) Piano Compositions 5 Ed. J. Novotný H 7460 Six morceaux caractéristiques Op. 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku) Piano Compositions 6 Ed. J. Novotný H 7215 Dreams (Rêves / Sny), Wedding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I) Polkas Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9506 Three Drawing-Room Polkas (Tři salonní polky) Op. 7, Three Poetic Polkas (Tři poetické polky) Op. 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp. 12, 13, Polkas from the 1850s (Polky z let padesátých)

        

41



p dim.

       

     

44



     

    

    

   

             

       poco



   

  

              

    

2

2

pp



Suk Josef (1874–1935) Lullabies (Ukolébavky) Op. 33 Rev. by K. Šolc H 4154

Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto Radúz and Mahulena Op. 13 Music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin (Roman Veselý)



   

 

pp



Jindřich Kàan z Albestů

Andante sostenuto

4

                                                / Sny) Rêves (Dreams    poco Six morceaux caractéristiques pour le piano Urtext with fingering / Ed. J. Gabrielová    *)  48                     BA 9529                          Livedand Dreamt Things   The six pieces of “Rêves” were (Životem a snem) Op. 30 pp leggiero  written in 1875, when Smetana Ten Pieces for Piano           had alreadylost his hearing. / Ed. J. Gabrielová       Urtext               This significant work by the  BA 9561  composer was not included in the Complete Edition of The cycle Things Lived and Works for Piano. This new Dreamt (Životem a snem) poco sostenuto edition is based on the first  the has called  been     “diary    printed edition of 1879 by     51                Although  artist”. of Suk's Emanuel Starý.      an            musical language never pp dim. ● F irst critical edition the   of tonality,     bounds    exceeds            of resources,     his      ● P reface (Cz/Eng/Ger)     the          wealth        and         harmony,      (Eng)         flexible chords of critical commentary         meticulous     by the editor stacked thirds and   *) See Critical Report. performance instructions were ● W ith the historical fingering new to the Bohemia of his day.

by Smetana's contemporary,

Piano Compositions Op. 7 Rev. by K. Šolc H 5766

10

  

The autograph contains many cuts, overwritings and barely decipherable passages, yet it is carefully prepared and largely identical to the first edition of 1909. This first scholarly-critical edition takes all source variants into account for the first time. ● M agnum

music

opus of Suk's piano

● F irst

ever scholarly-critical edition

● P reface

(Cz/Eng/Ger) and critical commentary (Eng) by the editor

9

III

9





 

25



mp

 68     Vivace

  

      

  

       

          mp        

  





         

    

   



   

      

 



    

  

      

 

sempre dolcissimo

   

               



dolce

poco

                

            

        

pp

                                                                                     

          

                          poco  poco

poco

Piano Duet (piano four hands) Pieces for Children and Youth / Educational Works Dvořák Antonín (1841–1904)

pp poco

                                       

17



6   8   

(Tajemně a velmi vzdušně) (Mysterious and very airy) (Geheimnisvoll und sehr duftig)



Piano Compositions 1 Ed. J. Novotný H 7333

Spring (Jaro) Op. 22a Five pieces for piano a tempo Rev.sempre by pK.molto Šolc     H 298          



8

 

Smetana Bedřich (1824–1884)

Scottish Dances Op. 41 piano four hands arrangement of the original piece for two hands (in piano album Dances, ADCE V/1) (Cz/Ger/Eng) H 5851 Eben Petr (1929–2007) The Little Green Forest (Hájíčku zelený) Arrangements of Folk Songs (Cz/Ger/Eng) Rev. by J. Němcová, V. Němec H 6657

                                                          poco marcato ma pp poco marc. pp

sempre pp e dolcissimo

   

32      Lived   and From: Josef Suk,Things Op.  Dreamt    30 • BA   9561                       





           Tomášek   Václav Jan (1774–1850)

pp

mf marcato il basso

    Jan Václav    Voříšek      Hugo            (1791–1825)      

Eclogues pour le pianoforte I COPY

(Opp. 35, 39, 47, 51) Ed. A. Borková MAB I/73 H 4872 Eclogues pour le pianoforte II COPY

(Opp. 63, 66, 83) Ed. A. Borková MAB I/74 H 5390 Vaňhal Jan Křtitel (1739–1813) Twelve Sonatines (Dodici Sonatine) Rev. by V. Němec Preface by O. Zuckerová (Cz/Ger/Eng) H 7461

dim.

perdendosi

pp



 

Composizioni per piano solo Ed. O. Zuckerová MAB I/52 H 3237 Impromptus Op. 7 Ed. V. Helfert MAB I/1 H 2182

XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI) Ed. V. J. Sýkora MAB I/78 H 6036 XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII–XII) COPY

Ed. V. J. Sýkora MAB I/79 H 6114 Sonata in B-flat min Op. 20 Ed. O. Zuckerová MAB I/4 H 7133

Hradecký Emil (*1953) Jazz Pieces for Twenty Fingers (Cz/Ger/Eng) piano four hands arrangements of popular dances – Waltz, Ragtime, Samba, Tango etc.

H 7975 Hurník Ilja (1922–2013) Playing with Four Hands (Cz/Ger) H 6155 Kopelent Marek (*1932) Two (Dva) H 6474 11

PIANO / KEYBOARD

PIANO / KEYBOARD

Repertoire Works

Fibich Zdeněk (1850–1900)

Piano Concertos

Sonata in B-flat maj for Piano Four Hands Op. 28

Bořkovec Pavel (1894–1972)

COPY

Concerto No. 1 for Piano and Small Orchestra H 4985 study score ♌

Eds. A. Pokorný, K. Šolc H 3879 Hurník Ilja (1922–2013)

Smetana Bedřich (1824–1884)

Innocenza Rev. by J. Němcovå, V. Němec H 7717

Vltava (The Moldau) Symphonic poem from the cycle My Country (Må vlast) in the original version for piano duet Urtext / Ed. H. Macdonald Preface by O. MojŞíťovå BA 9549

HurnĂ­k LukĂĄĹĄ (*1967)

â—? P opular

piano miniatures, which can be played also individually and are ideal as encore pieces

masterpieces of European music for domestic use and concert performance preface by Hans-Joachim Hinrichsen and Ivana Rentsch (Ger/Eng/Cz)

Legends (Legendy) Op. 59 Eds. F. BartoĹĄ, A. PokornĂ˝, K. Ĺ olc ADCE V/6 H 1801

Voříťek Jan Våclav Hugo (1791–1825) Symphony in D maj H 7323 piano reduction

for four hands

(Karel Šolc) (score and orchestral parts – see section ORCHESTRA)

H 3598

From: Antonín Dvořåk, Slavonic Dance No. 1 (furiant) from the Slavonic Dances Op. 46 four hands • BA 9547 2

2

3

4 ff

3

4

10

18

p

SECONDO

PRIMO

PRIMO

1

1

1

1

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3

4 ff

3

4

10

[ fz]

18

1.

1.

2.

p

pp

p

ff

28

[ pp ]

pp ] a poco cresc. [poco poco a poco cresc.

3

4

2.

pp

3

4

Antonín Dvořåk,Antonín op. 46 Dvořåk, op. 46

[ fz]

p

Dvořak's Piano Concerto in G minor Op. 33 (1876) acquired a reputation as a thankless, pianistically difficult and ineffective work and has therefore led a wallflower existence in the shadow of his

SECONDO

28

12

(score and orchestral parts – see section ORCHESTRA)

COPY

engraved with Primo and Secondo parts printed on facing pages

NEW 2018 Concerto in G min for Piano and Orchestra Op. 33 Urtext / Ed. R. van Steijn BA 10420 score BA 10420-90 p iano reduction ♌ (Antonín Dvořåk) (will replace H 1780) In preparation

and Secondo parts printed on facing pages

Small Suite (MalĂĄ suita) Op. 42

â—? N ewly

(will be replaced by BA 10420-90)

â—? P rimo

KabelĂĄÄ? Miloslav (1908–1979)

â—? N ew

preface by HansJoachim Hinrichsen and Ivana Rentsch (Ger/Eng/Cz) and Secondo parts printed on facing pages

Sinfonietta H 7741 piano reduction for four hands (FrantiĹĄek JĂ­lek)

â—? U nique

â—? N ew

â—? P rimo

preface including a contribution

by Smetana scholar Olga MojŞíťovå (Cz/Eng/Ger)

Presto Presto

43

ff

3

4

10

10

3

fz fz

1.

1.

18

18

3

Antonín Dvořåk,Antonín op. 46 Dvořåk, op. 46

In the third cycle for piano four hands, following Slavonic Dances and Legends, Dvořåk drew his inspiration from the countryside that he enjoyed visiting in his free time.

â—? I nformative

JanĂĄÄ?ek LeoĹĄ (1854–1928)

In the Spinning-room (Na přåstkĂĄch), By the Black Lake (U ČernĂŠho jezera), Walpurg's Night (Noc filipojakubskĂĄ), In the Wait (Na Ä?ekĂĄnĂ­), Silent Woods (Klid), From Troublous Times (Z bouĹ™livĂ˝ch dob)

NEW 2016

Slavonic Dances (SlovanskÊ tance) Op. 46 and Op. 72 Ed. J. Burghauser BA 9547 Op. 46 / Series I BA 9548 Op. 72 / Series II

From the Bohemian Forest (Ze Ĺ umavy) Op. 68 Cycle of six characteristic pieces Ed. A. ÄŒubr BA 9565

Hot-Suite Rev. by J. Němcovå, V. Němec H 7638

Dvořåk Antonín (1841–1904)

Dvořåk Antonín (1841–1904) Concerto in G min for Piano and Orchestra Op. 33 COPY With two solo parts (scored in parallel) – the original by the composer and an arrangement

by V. Kurz ADCE III/10 H 1780 piano reduction ♌ (Karel Šolc)

p

p

[

26

2.

26

[p]

2.

[p]

[ pp ]

]

[ pp

]

pp

poco [ pp ] fz

a

poco poco cresc. fz a

fz poco

cresc.

fz

Violin and Cello Concertos. Today, it is considered inadvisable to ‘remedy’ DvoĹ™ak’s music in any way, and we prefer to return unconditionally to the authentic text, avoiding all adjustments and ‘improvements’.

This new edition proceeds from the autograph score and the complete printed edition issued

by Hainauer of Breslau in 1883. It also includes an edition of the composer’s original piano reduction, with a second piano taking the place of the orchestra.

FiĹĄer LuboĹĄ (1935–1999) Concerto da camera for piano and chamber orchestra score ♌ H 5422 JanĂĄÄ?ek LeoĹĄ (1854–1928) Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds. L. Faltus, J. ProchĂĄzkovĂĄ LJCE E/5 cloth bound score BA 6856• with parts Urtext / Eds. L. Faltus, J. ProchĂĄzkovĂĄ Preface by J. ProchĂĄzkovĂĄ BA 9535 score and parts in slipcover The Capriccio was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann, an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in persuading Bohuslav MartinĹŻ, Erwin Schulhoff and JanĂĄÄ?ek to do this. JanĂĄÄ?ek did not want, as he put it, to compose a “dance for one legâ€?, but finally wrote a four-movement work with associations to military music.

♌

Performance material available on hire

13

HARPSICHORD / ORGAN / ACCORDION Janáček Leoš (1854–1928) Concertino for piano, 2 violins, viola, clarinet, French horn and bassoon H 4342 score with parts Martinů Bohuslav (1890–1959) Concerto for Piano and Orchestra No. 4 “Incantation” H. 358 BA 4318-90• piano reduction ♦ (Karel Šolc)

Harpsichord Solo Dušek František Xaver (1731–1799) Sonate per il clavicembalo in F, C, G, G, D, A, F, E-flat maj Rev. by M. Knotková, A. Němec MAB I/8 H 380

ORGAN / ACCORDION Organ Solo

Harpsichord Concertos Benda Jiří Antonín (1722–1795) Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello (double bass) Ed. V. Bělský MAB I/10 score with parts ♦ H 7438 Due concerti per cembalo violin I II, viola, violoncello (double bass) in F maj, in G maj Ed. V. Bělský MAB I/77 H 5805 score ♦

COPY

Tre concerti per cembalo violin I II, viola, violoncello (double bass) in F min, in B min, in G maj Ed. V. Bělský MAB I/45 H 2981 score (♦ only in F and B min)

Černohorský Bohuslav Matěj (1684–1742) Composizioni per organo COPY Ed. J. Šafařík MAB I/3 H 4346 Dvořák Antonín (1841–1904) Largo from the Symphony No. 9 in E min “From the New World” Op. 95 Arr. by M. Kampelsheimer in an easy style H 1809 Symphony No. 9 in E min “From the New World” Op. 95 Transcription for organ by Z. Szathmáry BA 8472• ● Welcome

addition to the organ repertoire ● Outstanding virtuoso organ writing Preludes and Fugues for Organ B 302 Eds. J. Burghauser, A. Čubr ADCE VII/3 H 6334

Eben Petr (1929–2007)

Novák Jan (1921–1984)

Musica dominicalis (Nedělní hudba) (Cz/Ger/Eng) H 3761 ● Eben's

most famous composition for organ

● Revised

edition with notes on interpretation by Jan Hora in cooperation with the composer

Ten Chorale Preludes H 7845 Fišer Luboš (1935–1999) Relief H 7967 Janáček Leoš (1854–1928) Organ Works Eds. M. Buček, L. Faltus LJCE F/2 BA 6852-01• cloth bound score Urtext / Eds. M. Buček, L. Faltus With preface by J. Zahrádka (Cz/Eng/Ger) BA 9524 Three Pieces for Organ from Prague Studies in 1874–1875 (Overture, Varyto, Choral Fantasy), Two Pieces for Organ selfpublished in 1884, Postludium – the penultimate part of the famous Glagolitic Mass

Seger Josef Ferdinand Norbert (1716-1782) Composizioni per organo (Preludi e fughe) COPY Ed. V. Bělský MAB I/56 H 3364

V/12

Organ Concertos Brixi František Xaver (1732–1771) Concerto Fa maggiore per organo principale 2 French horns, violin I II, viola, basso continuo Ed. J. Reinberger MAB I/26 H 1852 score ♦ Due concerti per organo 2 clarinas in D, violin I II, viola, violoncello and double bass in D maj, in G maj Ed. V. Bělský MAB I/75 H 4923 score ♦

Accordion

Slavický Milan (1947–2009) Sursum corda H 7873

Havlíček Ilja – Machalíčková Františka – Ondruš Ján School of Accordion Playing (Cz/Ger) H 3204

SOUBORNÉ KRITICKÉ VYDÁNÍ KRITISCHE GESAMTAUSGABE COMPLETE CRITICAL EDITION

Dvě fantazie Zwei Fantasien Two Fantasias op. 32

Rychlík Jan (1916–1964)

ORGAN

Hommaggi gravicembalistici per cembalo Rev. by K. Šrom H 5318

H 8028 BÄRENREITER PRAHA

Kabeláč Miloslav (1908–1979) NEW 2017

14

Organ Compositions of Old Czech Masters František X. Brixi, Jan K. Vaňhal, Jan K. Kuchař, Karel F. Pitsch Ed. B. Geist, rev. by M. Kampelsheimer H 4506

KABELÁČ

Plays for Harpsichord (Hry pro cembalo) Prague Spring IMC Commission (2005) H 7896

•

Old Czech Organ Christmas Josef Seger, Jakub V. Paus, František X. Brixi, Jiří I. Linek, Jan K. Vaňhal, Jan K. Kuchař, Karel B. Kopřiva Ed. J. Smolka H 7690

Miloslav

Gemrot Jiří (*1957)

B ärenreiter-Verlag Kassel production

Iubilationes per organo H 7865

From: Petr Eben, Musica dominicalis • H 3761

Two Phantasies Ed. J. Hora H 8028

Štědroň Miloš (*1942) Claudio Monteverde: Praga 1595 Prague Spring IMC Commission (2006) H 7969 Teml Jiří (*1935) The Alchemists (Alchymisté) H 7976

♦

P erformance material available on hire

15

KLAVÍR

VIOLIN

NEW BÄRENREITER PUBLICATIONS OF ŠEVČÍK'S PRINCIPAL WORKS

Violin School for Beginners Op. 6 Ed. N. Kubát H 257 Book 1 H 54 Book 4 H 55 Book 5 H 258 Book 7

Violin Solo (with accompaniment)

Edited by Jaroslav Foltýn based on authentic sources from the early 20th century and Ševčík's posthumous papers

Educational Works

ŠKOLA HOUSLOVÝCH ETUD I ETÜDENSCHULE FÜR DIE VIOLINE I

barva papíru Salzer



I. POLOHA

I. LAGE

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

ŠEVČÍK

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

SEŠIT

Škola houslové techniky School of Violin Technique Schule der Violintechnik

op. 1 Sešit 1 / Book 1 / Heft 1

Škola houslové techniky School of Violin Technique Schule der Violintechnik

op. 1 Sešit 2 / Book 2 / Heft 2 1. poloha / 1st Position / 1. Lage

op. 1 Sešit 3 / Book 3 / Heft 3

ŠEVČÍK

ŠEVČÍK

Škola houslové techniky School of Violin Technique Schule der Violintechnik

Výměny poloh a průprava ke cvičení stupnic Changes of Position and Preparatory Scale Studies

op. 1

Vierzig Variationen für Violine

op. 8

Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics Übungen mit Doppelgriffen und Flageolett -Tönen

Bärenreiter

BA 9557 Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies / Lagenwechsel und Tonleiter-Vorstudien · op. 8

BA 9555 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 4 / Book 4 / Heft 4 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

ISMN 979-0-2601-0722-9

Bärenreiter

ISMN 979-0-2601-0727-4

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Bärenreiter Praha · www.baerenreiter.cz

Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com 1 · 15

School of Violin Technique Op. 1 BA 9552 Book 1: 1st Position BA 9553 Book 2: 2nd–7th Position BA 9554 Book 3: Changing Positions BA 9555 Book 4: Exercises in Double Stops and Harmonics

kod v K.-černá

lát = HKS 41 K / barva papíru Salzer

Bärenreiter

Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter

1 · 14

● T he

pivotal work of a leading violin pedagogue ● T he most frequently used system of practising scales and broken chords worldwide to this day ● For intermediate and advanced violinists ● Lifelong study material even for professionals

Changes of Position and Preparatory Scale Studies Op. 8 BA 9557 ● E xercises

devoted to changes of position and preparatory studies for scales over three octaves (in thirds, sixths, octaves and tenths) ● Moderate level of difficulty

pozor kod v K.-černá

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer

pozor kod v K.-černá

ŠEVČÍK

ŠEVČÍK

Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 1 / Volume 1 / Band 1

Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 2 / Volume 2 / Band 2

ŠEVČÍK

ŠEVČÍK

Škola smyčcové techniky

Průprava k trylku a výcvik prstového úhozu

School of Bowing Technique Schule der Bogentechnik

Preparatory Trill Studies and the Development of Double-Stopping

op. 2

Triller-Vorstudien und Entwicklung des Finger-Anschlags

Svazek 3 / Volume 3 / Band 3

op. 7

op. 1

BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Svazek 1 / Volume 1 / Band 1 BA 9556 Ševčík, Průprava k trylku a výcvik prstového úhozu / Preparatory Trill Studies and the Development of Double-Stopping / Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7

Bärenreiter

ISMN 979-0-2601-0711-3

BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Svazek 1 / Volume 1 / Band 1 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

ISMN 979-0-2601-0711-3

Bärenreiter

Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

School of Bowing Technique Op. 2 BA 9591 Book 1: Exercises for the Right Arm BA 9592 Book 2: Exercises for the Wrist I BA 9593 Book 3: Exercises for the Wrist II

16

Bärenreiter

1 · 15

● A n

exceptional work of educational violin literature for the right hand ● T he famous “four thousand” variations of systematically ordered bowing exercises ● D ivided into three sections, this new edition combines the original six volumes in groups of two ● I ncreasing order of difficulty: easy – moderate – advanced

Violin Technique (Cz/Ger/Eng) BA 9550 Vol. 1 BA 9551 Vol. 2 The exercises in this two-part textbook are intended for violinists who already have a basic knowledge of how to shift position and how to play double stops. The method used in both volumes is fundamentally different from those of other violin textbooks, and it brings a new approach to exercising finger technique.

The author sees the left hand technique as constituting the basis of violin play. ● New

ISMN 979-0-2601-0760-1

Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

Bärenreiter

1 · 14

Gola Zdeněk (*1929)

method for practising left hand technique

● Around

Preparatory Trill Studies and the Development of Double-Stopping Op. 7 BA 9556 ● E xercises

dealing with the position of the fingers, their placement on the strings, practising finger-stopping and shifting along the fingerboard in the basic positions ● M oderate to advanced level of difficulty

500 position combinations

● Progressive

method for achieving, renewing and maintaining confidence in both positioning and intonation

● Preface

and commentaries to the exercises (Cz/Ger/Eng)

● Advanced

difficulty

level of technical

School of Violin Studies II Playing in Positions (Cz/Ger) H 6187 Vol. 3, 4 Ševčík Otakar (1852–1934) Changes of Position and Preparatory Scale Studies Op. 8 Ed. J. Foltýn BA 9557 → see more on the facing page Preparatory Trill Studies and the Development of DoubleStopping Op. 7 Ed. J. Foltýn BA 9556 → see more on the facing page Preparatory Exercises in DoubleStopping Op. 9 Ed. N. Kubát H 2090 School of Violin Technique Op. 1 Ed. J. Foltýn BA 9552 Book 1 BA 9553 Book 2 BA 9554 Book 3 BA 9555 Book 4

op. 3

Bärenreiter

School of Violin Studies I 1st Position (Cz/Ger) H 5993 Vol. 1, 2

Bärenreiter

BA 9554 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 3 / Book 3 / Heft 3 ISMN 979-0-2601-0721-2

Čtyřicet variací pro housle

Krůček Václav (*1927)

Lagenwechsel und Tonleiter-Vorstudien

Sešit 4 / Book 4 / Heft 4 Výměny poloh / Changing Positions / Lagenwechsel

BA 9553 ík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 2 / Book 2 / Heft 2

ŠEVČÍK

BÄRENREITER PRAHA H 5993

ik · op. 1

Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

HEFT

Forty Variations for the Violin

2.– 7. poloha / 2nd– 7th Position / 2.– 7. Lage

ISMN 979-0-2601-0712-0



1– 2

ŠEVČÍK

DVOŘÁK · Dumky · op. 90

ŠEVČÍK

Škola houslové techniky School of Violin Technique Schule der Violintechnik

Bärenreiter

NEW 2017

Forty Variations for Violin Op. 3 Ed. P. Kudelásek BA 11521 (replaces H 2627) To appear in November 2017 This relatively small one-volume work by Otakar Ševčík holds a special place in his extensive educational oeuvre. It follows up on his systematic “stepby-step” work with the right hand, which is meticulously detailed in the preceding Opus 2, but it can also be seen as an independent source of stimuli for the violinist's daily chores or as an extremely effective and condensed means of mastering the broad range of motions of the right hand – from basic to virtuoso. An ideal set of exercises for the hurried age of today. ●

New edition of another of Ševčík's works for practising the right hand

●

Follows up on the School of Bowing Technique Op. 2

●

Preface (Cz/Eng/Ger) by the editor, the prominent Prague Conservatoire pedagogue Pavel Kudelásek

●

Moderate to advanced level of difficulty

→ see more on the facing page School of Bowing Technique Op. 2 Ed. J. Foltýn BA 9591 Book 1 BA 9592 Book 2 BA 9593 Book 3 → see more on the facing page

17

VIOLIN Repertoire Works Benda FrantiĹĄek (1709–1786) Caprice COPY for violin solo Rev. by J. ÄŒeleda H 3133 FiĹĄer LuboĹĄ (1935–1999) Crux for violin, timpani and bells Reproduction of the autograph from the property of I. Ĺ traus H 7966 performance score HanuĹĄ Jan (1915–2004) A Zest for Life (ChuĹĽ Şít) Op. 127 A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin's Thoughts Rev. by P. MaceÄ?ek H 7881

VIOLIN 2 Violins (solo / with accompaniment)

Educational Works Micka Josef (1903–1993) Elementary Studies for violin with the 2nd violin accompaniment H 5450 First Encounter with Masters 14 short pieces for violin in the 1st position with the 2nd violin accompaniment (or piano accompaniment) H 3089

Repertoire Works Dvořåk Antonín (1841–1904) Humoresque in G-flat maj Op. 101 No. 7 for two violins Arr. by J. Žemla H 1591-03 parts Feld Jindřich (1925–2007) Sonatina for Two Violins parts H 1927 Kramåř-Krommer Frantiťek Vincenc (1759–1831)

LoudovĂĄ Ivana (*1941) Canto solitario for violin solo Prague Spring IMC Commission (2003) H 7859 Ĺ porcl Pavel (* 1973) NEW 2017

Where Is My Home (Kde domov mĹŻj) virtuoso variations on the Czech national anthem for violin solo H 8039

18

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder) Martinů Bohuslav (1890–1959) Concerto for Two Violins and Orchestra H. 329 Duo concertante for Two Violins and Orchestra H. 264 (both works – see section Violin Concertos) Suk Josef (1874–1935) Melody for two violins Ed. Z. Nouza †H 7951 score with parts

Tůma Frantiťek Ignåc Antonín (1704–1774) Composizioni strumentali Sonatas / Partitas / Sinfonias for two violins and basso continuo Ed. V. Bělský MAB I/69 score H 4376

Violin and Piano Pieces for Children and Youth Dvořåk AntonĂ­n (1841–1904) Humoresque in G-flat maj Op. 101 No. 7 Rev. by L. LĂĄska, A. PokornĂ˝ H 1592 score with part Largo from Symphony No. 9 in E min “From the New Worldâ€?

Op. 95 Arr. by A. Pokorný in an easy style H 1811 score with part Slavonic Dances Op. 46 Nos. 1–4 Arr. by A. Pokorný H 3235 score with part Two Waltzes Op. 54 Nos. 1, 4 for violin / viola and piano Arr. by J. Kocian, viola part rev. by K. Moravec H 1890 score (violin version) with viola part Eben Petr (1929–2007) Sonatina semplice for violin / flute and piano Rev. by B. Purger, V. Žilka H 2414 score with parts Martinů Bohuslav (1890–1959) Intermezzo H. 261 4 compositions for violin with piano accompaniment Rev. by V. Nopp, K. Šolc H 5259 score with part

Micka Josef (1903–1993) First Encounter with Masters 14 short pieces for violin in the 1st position with piano accompaniment (or the 2nd violin accompaniment) H 3089 Suk Josef (1874–1935) Compositions for Violin and Piano Arr. by J. Suk, J. Kocian in an easy style H 7823 score with part Melody (Melodie), Bagatelle (Bagatela), Lullaby (UkolĂŠbavka), Evening Mood (VeÄ?ernĂ­ nĂĄlada), Village Serenade (VesnickĂĄ serenĂĄda), Song of Love (PĂ­seĹˆ lĂĄsky

Romance in F min Op. 11 Urtext / Ed. J. HĂĄjek BA 9571 score with part

Sonatas Op. 69 Nos. 1, 2 Eds. J. Ĺ tÄ›droĹˆ, B. Ĺ tÄ›droĹˆ MAB I/41 score with part H 2704 Dvořåk AntonĂ­n (1841–1904) Capriccio B 81 Concert Rondo Eds. J. Burghauser, A. ÄŒubr ADCE IV/1 H 5543 score with part Mazurek Op. 49 Eds. J. HanuĹĄ, K. Ĺ olc ADCE IV/1 score with part H 1550

â—? F irst

edition of a piano version based on Dvořåk's autograph of the piano part

Our edition is the first to avail itself of the autograph of Dvořåk's own version for violin and piano. Compared to the well-known piano reduction

by Josef ZubatĂ˝, it differs from

â—? D etailed

preface by David R. Beveridge (Cz/Eng/Ger)

â—? C ritical

commentary (Eng) by the editor

Benda Frantiťek (1709–1786)

Dusík Jan Ladislav (1760–1812)

Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.

Originally written for violin and orchestra between 1873 and 1877, Dvořåk's Romance immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement.

Repertoire Works

Quatro sonate in A maj, in A min, in G maj, in A maj Eds. J. Ĺ tÄ›droĹˆ, B. Ĺ tÄ›droĹˆ MAB I/57 H 3578 score with part

the orchestral version in several important respects and is also one bar shorter.

Dvořåk Antonín (1841–1904)

! "#$% &'

Sonatina H. 262 Rev. by V. Nopp H 2172 score with part

19

VIOLIN Dvořák Antonín (1841–1904) Romantic Pieces (Romantické kusy) Op. 75 Eds. A. Pokorný, K. Šolc New preface by D. R. Beveridge and fingering by J. Micka BA 9576 score with part Sonata in F maj Op. 57 COPY Eds. A. Pokorný, K. Šolc Violin part rev. by S. Novák ADCE IV/1 score with part H 2178 Sonatina in G maj Op. 100 Ed. A. Čubr Violin part rev. by J. Feld ADCE IV/1 H 1364 score with part Fibich Zdeněk (1850–1900) Idyll (Selanka) Op. 16 for clarinet / violin and piano Violin transcription by the composer score with parts H 3754 Sonatina Op. 27 Violin part rev. by V. Snítil H 1442 score with part Fišer Luboš (1935–1999) Hands (Ruce) Sonata for Violin and Piano Violin part rev. by I. Štraus H 3884 score with part Hanuš Jan (1915–2004) Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 Rev. by S. Šorm H 465 score with part Janáček Leoš (1854–1928) A Blown-Away Leaf (Lístek odvanutý) from the piano cycle On an Overgrown Path Arr. by J. Štědroň H 2043 score with part Dumka Revised version based on composer's autograph of the violin part Ed. A. Němcová H 7743 score with part 20

VIOLIN Janáček Leoš (1854–1928) Works for Violin and Piano Romance, Dumka, Sonata Eds. J. Krejčí, A. Němcová LJCE E/1 BA 6849• cloth bound score with part Works for Violin and Piano Romance, Dumka, Sonata Urtext / Eds. J. Krejčí, A. Němcová New preface by A. Němcová BA 11512 score with part ● W ith

a revised version of Dumka with original dynamic markings

Kocian Jaroslav (1883–1950) Serenade in D maj Violin part rev. by V. Snítil H 7938 score with part Three Compositions for Violin and Piano Op. 19 Nos. 1, 2, 3 Mélodie, Chanson printanière, Lullaby score with part H 7874 Trois pièces d'impression pour violin et piano Op. 18 Nos. 1, 2, 3 Méditation du soir, Intermezzo pittoresque, Hymne au printemps H 7825 score with part Two Compositions for Violin and Piano Op. 17 Nos. 1, 2 Serenade in G maj, Humoresque Violin part rev. by V. Snítil H 7802 score with part Korte Oldřich F. (1926–2014) Dialoghi filosofici (Philosofical Dialogues) Violin part rev. by I. Štraus H 6582 score with part Kubelík Jan (1880–1940) Burlesque Violin part rev. by V. Snítil H 7914 score with part Minuet H 7817

score with part

Kubička Miroslav (*1951) Sonata H 7916

B ärenreiter-Verlag Kassel production

Key violin concertos of the 20th century

(solo / 2 violins)

score with part

Martinů Bohuslav (1890–1959) Impromptu H. 166 Three Compositions for Violin and Piano Ed. I. Popelka H 5906 score with part Matys Jiří (*1927) Capriccio Violin part rev. by B. Kotmel H 5317 score with part Novák Jan (1921–1984) Sonata super “Hoson Zes…” for violin / flute and piano Ed. J. Čižmář H 7855 score with 2 parts Ondříček František (1857–1922) Scherzo capriccioso Op. 18 Violin part rev. by V. Snítil H 7915 score with part Smetana Bedřich (1824–1884)

Dvořák Antonín (1841–1904)

NEW 2016

NEW 2017

Concerto No. 2 for Violin and Orchestra H. 293 Violin part rev. by B. Bělčík BA 11529-90 piano reduction ♦ (replaces H 5286) (Karel Šolc)

Concerto in A min for Violin and Orchestra Op. 53 → see more on the next page Feld Jindřich (1925–2007)

The Violin Concerto No. 1 (written in Paris 1932–33) was never performed during the composer's lifetime and was even considered lost after his death. It was not until 1961 that this concerto was discovered.

The world premiere was given

by Czech violinist Josef Suk with the Chicago Symphony under G. Solti in 1973.

Concerto for Violin and Orchestra H 6696 piano reduction ♦ Janáček Leoš (1854–1928) The Wandering of a Little Soul (Putování dušičky) Violin Concerto Eds. L. Faltus, M. Štědroň LJCE H/4 score ♦ H 7738 H 7504 piano reduction (Leoš Faltus) Kalabis Viktor (1923–2006) Concerto No. 2 for Violin and Piano Op. 49 Violin part rev. by J. Suk H 6674 score ♦

From the Homeland (Z domoviny) Two Duets for Violin and Piano Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc Violin part rev. by I. Štraus New preface by M. Ottlová BA 9526 score with part

Bohuslav Martinů (1890–1959)

[The score for Concerto No. 1 (BA 6720 / H 5798) also available on sale]

After hearing the Boston Symphony Orchestra perform Martinů's Symphony No. 1 in New York, Mischa Elman commissioned the composer to write a violin concerto for him.

Martinů thereupon composed his Violin Concerto No. 2 in 1943.

That same year Elman played the solo part at the world premiere with S. Koussevitzky conducting the Boston Symphony.

● S olo

● B oth

NEW 2016

Concerto No. 1 for Violin and Orchestra H. 226 Violin part rev. by J. Suk BA 11527-90 piano reduction ♦ (replaces H 5797) (Karel Šolc)

parts of both concertos revised by leading Czech violinists and internationally respected performers of Martinů's music Violino

Vaňhal Jan Křtitel (1739–1813)

concertos with new prefaces by Martinů scholar Sandra Bergmannová (Cz/Eng/Ger)

Koncert č. 2 / Concerto No. 2 / Konzert Nr. 2 I

Sonata per il pianoforte con violino obligato Rev. by J. Panocha, A. Dítětová H 5445 score with part Voříšek Jan Václav Hugo (1791–1825) Sonata in G maj Op. 5 COPY Eds. J. Štědroň, B. Štědroň MAB I/30 score with part H 2078 ♦

•

Violin Concertos

P erformance material available on hire

Bohuslav Martinů (1890–1959)

Kaprálová Vítězslava (1915–1940) Concertino for Violin, Clarinet and Orchestra Op. 21

20

COPY

Based on the composer's draft, realised by M. Štědroň, L. Faltus H 7919 score ♦

25

30

35

21 45

VIOLIN

VIOLIN / VIOLA Martinů Bohuslav (1890–1959)

New Urtext edition of a romantic concerto masterpiece Dvořák Antonín (1841–1904)

Violino solo

Joseph Joachim zugeeignet

Koncert pro housle Violin Concerto Konzert für Violine I

NEW 2017

An important component of our Urtext edition is the original piano reduction, which probably stems from Dvořák himself, and in which we published Joseph Joachim's fingering.

c 

   

6

          

         





 



     

Antonín Dvořák, op. 53

     



3

   

cresc.

   



 6

  

  

    

f

         f

5

      11                                     rit.

14



23





54



59

6

     

    

f

3





    

dim.

63



66



Urtext edition of the original piano reduction

● V ariants

in the solo part rendered as ossia passages on the work's genesis (Ger/Cz/Eng) and detailed critical commentary (Eng) by the editor



    

5

6

6

The Way of the Heart (Cesta srdce) Story for violin solo, winds, percussion, celesta and harp H 6931 score – facsimile ♦ Vranický Antonín (1761–1820) Concerto in B-flat maj for Violin and Orchestra Eds. F. Krejčí, V. Straka Violin part rev. by F. Krejčí MAB I/16 H 916 piano reduction

Concerto for Two Violins and Orchestra H. 329 study score ♦ BA 3842• BA 3842-90• piano reduction (Karel Šolc) Duo concertant for Two Violins and Orchestra H. 264 BA 4317• study score ♦ BA 4317-90• p iano reduction (Karel Šolc)

♦

Performance material available on hire

Bärenreiter Study Score Reader •

Bärenreiter-Verlag Kassel production

3

BärenreiterStudy Study Score Bärenreiter ScoreReader Reader



© 2017 by Bärenreiter Praha

DVOŘÁK B Ä R E N R E I T E R

U R T E X T

Koncert a moll pro housle a orchestr

Concerto in A minor Konzert a-Moll für Violine und Orchester

op. 53

Bärenreiter

● P reface

QuickQuick start with a free demo versionofof the score with a freedemo demo version the scorescore Quick start start with a free versiond’un of the to Debussy’s Prélude à l’après-midi faune! to Debussy’s Prélude à l’après-midi d’un faune! to Debussy's Prélude à l’après-midi d’un faune!

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Build your own mobile Build your own mobile music library Option of entering personal music library markings and annotations Constantly expanding library Constantly expanding library of digitalized scores Gradually library of digitalizedexpanding scores For detailed information: of digitalized scores www.baerenreiter.com For detailed information: www.baerenreiter.com For detailed information: www.baerenreiter.com

39

New Publications 2/2014 · The Programme

New Issue Title

39

22

Kolář Augustin School of Viola Playing for Beginners (Cz/Ger) H 6791 four books in slipcover

Viola and Piano Pieces for Children and Youth Feld Jindřich (1925–2007) Little Sonatina for Viola and Piano COPY H 5850

Repertoire Works

Feld Jindřich (1925–2007)

New Issue Title

erformance material ° Pavailable on sale

Educational Works

Two Waltzes Op. 54 Nos. 1, 4 for violin / viola and piano Arr. by J. Kocian, viola part rev. by K. Moravec H 1890 score (violin version) with viola part

cresc.

BA 10422-90

Viola Solo

Dvořák Antonín (1841–1904)





 

                           3 cresc. rit.  A           I, II      in tempo 22 Viol.       3       ff  §                                 3   3       f                3                               3 3   ff                       3                   6 ff #                           B 1          3  

  

27

  in tempo 4    6

3

for Violin and Orchestra

● F irst

  3

Concerto da camera H. 285 for violin, string orchestra, piano and percussion Eds. S. Bergmannová, J. Franková, P. Silverthorne BMCE III/1, 7 (in one volume with Rhapsody-Concerto for Viola and Orchestra H. 337) BA 10578-01 cloth bound score In preparation

Slavický Milan (1947–2009)



This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvořák's autograph which served as a master copy for the engraving into consideration.

A fresh assessment of Dvořák's manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation.

    

Viol. I



Dvořák's Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with František Ondříček as soloist.

Allegro ma non troppo



Concerto in A min for Violin and Orchestra Op. 53 Urtext / Ed. I. Cividini BA 10422 score ° (replaces H 1597) BA 10422-90 piano reduction (Antonín Dvořák?) (replaces H 1005) TP 422 study score (TP 422 appears in November 2017)

NEW 2018

Concertante Music for Viola and Piano H 7528 score with part

Viola Concertos Feld Jindřich (1925–2007) Concerto for Viola and Orchestra H 7987 piano reduction ♦ Martinů Bohuslav (1890–1959) Rhapsody-Concerto for Viola and Orchestra H. 337 study score ♦ BA 4316• BA 4316-90• p iano reduction (Jürgen Sommer)

New Publications 2/2014 · The Programme

23

VIOLA / VIOLONCELLO Martinů Bohuslav (1890–1959) NEW 2018

Rhapsody-Concerto for Viola and Orchestra H. 337 Eds. S. Bergmannová, J. Franková, P. Silverthorne BMCE III/1, 7 (in one volume with Concerto da camera H. 285) BA 10578-01 cloth bound score In preparation

VIOLONCELLO

Kukal Ondřej (*1964) Violoncelliana – 2nd Rhapsody for Solo Violoncello Op. 32 Prague Spring IMC Commission (2012) H 8021

NEW 2016

Concerto in C maj for Viola and Orchestra Viola part rev. by J. Plichta BA 11531-90 piano reduction ♦ (replaces H 3586) (Vilém Blažek) The Bohemian composer Jan Křtitel Vaňhal/Johann Baptist Vanhal (1739–1813) settled in Vienna around 1763. There he wrote several concertos for various instruments, of which two for viola have survived. Both are evidently not original compositions, but arrangements of Vaňhal's own works by his contemporaries.

The Viola Concerto in C major is based on Vaňhal's cello concerto in the same key. ● P opular

repertoire piece from the Viennese Classical period available once again

● S olo

part with cadenzas for each movement

● N ew

preface by Phillip Schmidt (Ger/Cz/Eng)

24



NEW 2018

Tichý Vladimír (*1946) Exclamation Prague Spring IMC Commission (2006) H 7949

Violoncello and Piano Repertoire Works Dvořák Antonín (1841–1904) Cello Compositions Slavonic Dances Op. 46 Nos. 3, 8, Polonaise in A maj B 94 Ed. J. Burghauser Cello part rev. by J. Chuchro ADCE IV/3 H 5305 score with part Polonaise in A maj Op. post.

(B 94) Ed. K. Storck BA 6965• score with part Rondo in G min Op. 94 ADCE IV/3 H 1487 score with part Silent Woods (Klid) Op. 68 No. 5 Ed. A. Čubr ADCE IV/3 H 1532 score with part

10

  



NEW 2017

Slavonic Dances Op. 46 for violoncello and piano Arr. by J. Gemrot BA 9568 score with part In 1891 Dvořák arranged the final, eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jiří Gemrot (b. 1957) has followed his example and has arranged the remaining dances for the same scoring.

However in order to approach Dvořák's ideal sound Gemrot based his arrangements on the composer's orchestral score.

Dvořák's own arrangement of Slavonic Dance No. 8 has been taken from the ADCE IV/3 (see Cello Compositions H 5305). ● First

complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jiří Gemrot

● A

welcome addition to the violoncello repertoire

● Includes

Dvořák's own arrangement of Dance No. 8

● With

fingering and bowing

by Tomáš Jamník

  



fz

fz

fz

fz

     

f

cresc.



 



p

         







 

dim.



      













                                                   dim.

pp



fz

fz

 fz





 dim.















 



the four-movement version of A Tale

Martinů Bohuslav (1890–1959) Sonata No. 3 H. 340 Ed. A. Březina, Cello part rev. by M. Sedlák H 7893 score with part

♦

P erformance material available on hire

Concerto in A maj for Violoncello and Orchestra B 10 COPY Eds. J. Burghauser, K. Šolc Cello part rev. by M. Sádlo ADCE VII/2 H 5674 piano reduction by the composer ♦

fz

p molto espress.

● W ith

Dvořák Antonín (1841–1904)

 

                Kabeláč Eben  Petr                 Miloslav     (1908–1979) (1929–2007) p dolce p molto espress.             balladica Suita                   Sonata      Op. 9 H 2156 score with part Ed. Z. Nouza †   Cello part rev. by D. Veis Fišer Luboš MKCE IV/3 (1935–1999) H 7793 score with part Sonata COPY Kaprálová Vítězslava H 7778 score with part (1915–1940) Janáček Leoš Ritornel Op. 25 (1854–1928) Eds. M. Štědroň, L. Faltus H 7827 score with part Works for Violoncello and Piano Kopelent Marek A Tale (Pohádka), Presto (*1932) Urtext / Eds. J. Fukač, B. Havlík, J. Zahrádka Karrak Preface by J. Zahrádka Cello part rev. by J. Bárta (Cz/Eng/Ger) H 7725 score (facsimile) BA 9509 score with part with part

by Eva Velická (Cz/Eng/Ger)

B ärenreiter-Verlag Kassel production



From:27 Antonín Dvořák, arr. by Jiří Gemrot, Slavonic Dances Op. 46 for            piano    • BA    9568 violoncello and                   

● Preface

•

  

                                                dim. p                                            

18





      2   4                                                    p p cresc. f     42                                   p

Ševčík Otakar (1852–1934) School of Bowing Technique for Violoncello Op. 2 originally for violin, now in transcription for violoncello Ed. T. Jamník BA 11547 Book 1 BA 11548 Book 2 BA 11549 Book 3 In preparation

Cello Concertos

V Allegro vivace           42                               

Educational Works

Repertoire Works

Vaňhal Jan Křtitel (1739–1813)

32

Violoncello Solo

Variations on a Slovakian Theme H. 378 BA 3969• score with part

Concerto in B min for Violoncello and Orchestra Op. 104 Urtext / Ed. J. Del Mar BA 9045• score ° BA 9045-40• c ritical commentary (Eng) BA 9045-90• piano reduction by the composer study score TP 620• ● W ith

Dvořák's final and definitive version of the solo cello part, now published for the first time since 1896

● W ith

hundreds of corrections in the solo cello part as well as the orchestral parts

● W ith

hitherto unknown details regarding the collaboration between Dvořák and Wihan

● With

Dvořák's original piano reduction

● W ith

Feuermann's and Casals' alternatives to a passage in the first movement 25

VIOLONCELLO / DOUBLE BASS Dvořák Antonín (1841–1904) Concerto in B min for Violoncello and Orchestra Op. 104 Cello part rev. by L. Zelenka Piano part by the composer rev.

by K. Šolc ADCE III/12 H 1598 score COPY H 1200 piano reduction by the composer ♦ Martinů Bohuslav (1890–1959) Sonata da camera H. 283 for violoncello and chamber orchestra study score ♦ BA 4319• BA 4319-90• piano reduction Vaňhal Jan Křtitel (1739–1813) Concerto in A maj for Violoncello and Orchestra H 6973 piano reduction (Josef Rut)

Double Bass Educational Works Černý František (1861–1940) Technical Studies for Double Bass (Cz/Ger) H 4179

Repertoire Works Kubička Miroslav (*1951) Fierce and Frolicsome (Hrátky hravé i dravé) Rondo for double bass and piano H 7982 score with part

Academy of Music in Prague.

An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities.

He also wrote successful concert and educational works for his instrument.

Hertl František (1906–1973) NEW 2016

Sonata for Double Bass and Piano Double bass part rev. by J. Hudec BA 11530 score with part (replaces H 2068)

Composed in 1946, Hertl’s only Sonata for Double Bass and Piano in three movements is a work of artistic and technical challenges that has maintained its place in the double bass repertoire to the present day. The musical text of our edition is based on the original publication (1956), this time with a new revision of the solo part by Jiří Hudec, the first double bass player of the present Czech Philharmonic.

Bärenreiter Urtext is a seal of quality assigned only to

● New

scholarly-critical editions. It guarantees that the musical

edition of a major repertoire piece for double bass

The renowned Czech bass player, composer and conductor František Hertl (1906–1973) led the double bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatoire and the

BÄRENREITER URTEXT offering the best of Czech music

● Solo

part revised by respected Czech double bass virtuoso Jiří Hudec

● Preface

by Hertl’s last pupil, Jan Balcar (Cz/Eng/Ger)

text represents the current state of research, prepared in accordance with clearly defined editorial guidelines.

Bärenreiter Urtext: the last word in authentic text – the musicians' choice.

Sonáta / Sonata / Sonate I

František Hertl (1906 –1973)

Contrabbasso

Pianoforte

Your next performance is worth it. www.baerenreiter.cz

•

B ärenreiter-Verlag Kassel production

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Performance material available on hire

26

27

KLAVÍR

KLAVÍR

Why choose Bärenreiter Urtext?

What else can I expect from a Bärenreiter Urtext edition?

Think of the time you spend practising and rehearsing for lessons and concerts. Can you really be sure that the music you play from reflects what the composer wanted?

A trustworthy musical text alone does not yet justify the label of Bärenreiter Urtext. Integral parts of Bärenreiter Urtext editions are:

Indeed, works have always been edited reflecting the taste of the time, often leading to a gradual deviation from what the composer had in mind. Most copied or downloaded music comes from old, heavily edited or even faulty editions. How disappointing to realise that you have wasted your time and energy on a musical text you cannot trust.

With Bärenreiter Urtext editions you can have confidence in the validity of the musical text.

Isn't urtext just a copy of the autograph?

But what is an urtext edition?

At Bärenreiter the label “urtext” describes a scholarly-critical edition based on all known sources.

In the past, it has often been difficult for musicians to really know if what they were playing was true to the composer's intentions.

Publications were heavily elaborated with editors' own – often questionable – additions and interpretations. In order to adequately judge the quality of an edition, musicians would need to examine manuscripts and sources themselves.

Bärenreiter takes on all this background work for you, our aim being to produce urtext editions reflecting the latest musicological research.

Our editors, experts in their field, strive to set down a work as closely as possible to the composer's intentions. This isn't as easy as it sounds. Bärenreiter's musicologists often have to travel around the world to track down sources for a composition. They work like detectives, deciphering manuscripts which are sometimes almost illegible and evaluating conflicting sources.

28

As a musician you certainly can appreciate how difficult it can be to grasp what the composer actually intended, especially when we have no recordings of the performances. Simply looking at the autograph – assuming it exists – is not enough. What if the composer made corrections in the first printed edition? Obviously in this case the autograph only provides part of the story of a composition. As many sources as possible need to be assessed in order to compile a Bärenreiter Urtext edition including sketches, letters, autographs, manuscript copies, proofs, first editions, first editions with autograph corrections, contemporary reviews and comments by contemporaries.

No cost or effort is spared by Bärenreiter when it comes to amassing and piecing together all the available information. An indispensable part of every urtext edition is the critical commentary where all editorial decisions and discrepancies between the sources are meticulously recorded.

Only in this way can the true genius of the composer and his work be revealed.

• Information on the genesis and history of the work • A description of the sources • Valuable notes on performance practice • A critical commentary explaining all source discrepancies and editorial decisions.

But it's not all about musicology. Bärenreiter also satisfies your practical needs as a performer. Bärenreiter Urtext editions offer: • Page turns, fold-out pages, and cues where you need them • For solo string works additional parts with fingering and bowing • In the case of solo concertos and vocal scores, straightforward piano reductions • A well-presented layout and a user-friendly format • Excellent print quality • Superior paper and binding • Solid, “Made in Germany” quality

What does the word urtext mean?

The German prefix ur- literally means “original” or “earliest”. The earliest use of the term urtext goes back to the 19th century, where it appeared in connection with literary texts. It referred to the original texts of writers such as Goethe or Shakespeare which scholars tried to restore and free from editorial additions. In music, urtext is now a label used for scholarly-critical editions based on all known sources.

29



KLAVÍR

          

92

A







 

 

         

[ ff ]

    

  

  

       

   

         



    Let's    take this    as an   example                

ff

[

]







   





illegible wedge

 

missing ff

missing wedge



      

     

      ff

       



             KLAVÍR    [ ]



      









       

ff

D

 







ff

 

ff





    

    

  

  

 

the initial fortissimo in the piano part. Seeing         almost   not  certainly that this    omission was intentional, but rather a mere oversight,  in our       to thedynamic   edition  (picture D ) we return markings of the first edition. As we can see, it   possibleto merely was not   the second     reprint          edition of  thequartet  from  1924;   a study of the sources shows that even that edition was not without errors, due to inconsistent proofreading.

Suk's Piano Quartet Op. 1 was published twice ff  lifetime. in the Thesecond edition       composer's   revision,    noted incorporated   by  the composer's         first    edition Otakar Šourek into a copy of the  (which was used as the engraver's copy for the [ ff ]  second edition). The altered firstmovement was   one of many examples that    Bärenrei   shows This      condensed string-instrument imitation       with           ter Urtext is not simplya 4  of the autograph    andwith  copy  semiquaver passages in the piano,  and or a re-engravingof the first edition; it reprethiscompositional arrangement of fifteen   bars examination of all aspects of sents a thorough (Suk'sautograph of the changes is missing) had a work enriching our understanding of it with to be re-engraved. But an oversight caused the conclusive results. omission of several dynamic markings, although

 

 



these certainly still belong in the modified version of the passage. Therefore, the Urtext edition re-inscribes these markings according to the first edition and comments on this decision in the critical commentary.

C

30



     ff   



 

                                    ff   ff                                                    

95

B

  





 

    

   



    ff    

     

In picture A we see the version from the first edition from 1892. Every two bars the crescendo wedge and ff marking confirm that the music should retain a strong dynamic. Otakar Šourek (and possibly Suk himself before that) marked these wedges only into the piano part of the amended section (picture B ). This sole wedge is also somewhat illegible because that area of the page is muddled by the boundary between two glued pieces of paper. The second edition (picture C ) omitted even this last wedge, together with

 

 



Think of your next performance With print-outs from downloads you miss out.

Your performances miss out.

Don't waste time by messing with loose paper copies. Build your personal music library with Bärenreiter Urtext editions. Make our editions your own. Take advantage of our expertise and complement it with your personal markings and comments which you will be able to refer to all your life.

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31

HARP / GUITAR / WINDS

WINDS Losy Jan Antonín (1650–1721)

Harp

Pièces de guitare Ed. J. Pohanka MAB I/38 H 2498

MUSICA ANTIQUA BOHEMICA 22

Recorder / 2 Recorders

JAN LADISLAV DUSÍK

SIX SONATINES

(solo / with accompaniment)

POUR LA HARPE

Pieces for Children and Youth / Educational Works BÄRENREITER PRAHA H 1748

Dusík Jan Ladislav (1760–1812) Six Sonatinas for Harp Ed. M. Zunová MAB I/22 H 1748 Teml Jiří (*1935) Calligrams (Kaligramy) 7 compositions for harp Rev. by M. Šimečková-Spitzerová H 7414

Guitar Educational Works / Pieces for Children and Youth

Rak Štěpán (*1945) Minute Solos (Minutová sóla) Short Compositions for Guitar Beginners (Cz/Ger/Eng) H 7236

32

Prelude in Jazz / Canzonetta Prelude in Jazz for solo guitar Canzonetta for solo guitar with the 2nd guitar ad lib.

H 7828 Suite Azure (Recuerdos para Laurindo Almeida) H 7869

Compositions for Flute Solo Ed. Z. Nouza † MKCE IV/5 H 7910 Short Suite (Partita piccola) Op. 13, Improvisation on the Own Theme Op. 29b (from Six Lullabies Op. 29 No. 3)

Flute / 2 Flutes and Piano Pieces for Children and Youth

Sonatina semplice for flute / violin and piano Rev. by V. Žilka, B. Purger H 2414 score with parts Hradecký Emil (*1953)

Hybler Martin (*1977)

Joy of Bossa Nova H 7796

Kabeláč Miloslav (1908–1979)

Sketch for C.B. (Skica pro C. B.) for 2 flutes and piano H 7135 score

Repertoire Works

Happy Waltz H 7792

Repertoire Works

Eben Petr (1929–2007)

Collection for Guitar I (Album pro kytaru I) Short performance pieces from easy to advanced level of difficulty (Cz/Ger) H 6415

Jirmal Jiří (*1925)

School of Guitar Playing for Beginners (Cz/Ger) H 5194

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder)

Zelenka Milan – Obrovská Jana (*1939 / 1930–1987)

The Scent of Faded Shades (Vůně vyhaslých stínů) Op. 14 H 7876

Jirmal Jiří (*1925)

Kramář-Krommer František Vincenc (1759–1831)

Flute Solo

Nykl Jan 35 Studies for Soprano Recorder for intermediate players, can also be used for the flute and other wind instruments H 7132

Repertoire Works Finger Gottfried (1656–1730) Sonata in F maj for alto recorder and basso continuo Ed. M. Klement H 7850 score with parts

Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts

Hurník Ilja (1922–2013)

Fils Antonín (1733–1760)

Partita in A per flauto e piano H 3819 score with part Kubička Miroslav (*1951) Sonatina for Flute and Piano H 7890 Novák Jan (1921–1984) Sonata super “Hoson Zes…” for flute / violin and piano Ed. J. Čižmář H 7855 score with 2 parts Other chamber works with flute – see section CHAMBER MUSIC

Flute Concertos Benda František (1709–1786) Tre concerti per flauto traverso ed orchestra da camera COPY in G maj, in E min, in A maj Ed. V. Bělský MAB I/80 H 6211 score ♦ JINDŘICH FELD

KO N C E R T

PRO F L É T N U A SM YČCOV Ý ORCH E S T R , K L AV ÍR , H A R F U A BICÍ NÁ S T ROJ E

KO N Z E R T

F ÜR F L ÖT E , S T R EICHORCH E S T ER , K L AV I ER , H A R F E U N D S CH L AG Z EUG

CONCERTO

FOR F LU T E A N D S T R I NG ORCH E S T R A , PI A NO, H A R P A N D PERC US SIONS

KLAVÍRNÍ VÝTAH KLAVIERAUSZUG PIANO REDUCTION

Repertoire Works Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts

BÄRENREITER PRAHA

Concerto Re maggiore per flauto ed orchestra Eds. H. Kašlík, F. Suchý With cadenza by F. Suchý MAB I/18 H 53 piano reduction (František Suchý) with part ♦ Mysliveček Josef (1737–1781) Concerto in D maj for Flute and Orchestra Ed. M. Munclinger H 4721 score ♦

Oboe (English Horn) and Piano Pieces for Children and Youth Rychlík Jan (1916–1964) Studies for English Horn with piano Lullaby, Rondo H 1276 score with part

Repertoire Works Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts Pelikán Jaroslav (*1970) Sonatina for Oboe and Piano Prague Spring IMC Commission (2008) H 7991 score with part

Feld Jindřich (1925–2007) Concerto for Flute and string orchestra, piano, harp and percussions H 3869 piano reduction ♦

Hlaváč Miroslav (1923–2008) Two Pastorales for flute and piano H 7149 score with part

♦

Performance material available on hire

33

WINDS

WINDS

KLEMENT SLAVICKÝ

S U I TA

PRO HOBOJ A K L AV ÍR

SUITE

Zákostelecký Bedřich (*1942)

SUITE

Con moto (h. = 60)

 3   4  

Slavický Klement (1910–1999) Suite for Oboe and Piano H 3723 score with part Other chamber works with oboe – see section CHAMBER MUSIC

Oboe Concertos Kramář-Krommer František Vincenc (1759–1831) Concerto in F maj for Oboe and Orchestra Op. 52 Ed. F. Suchý MAB I/27 H 1933 piano reduction (František Suchý) with part ♦

Four Polonaises for 3 basset horns or clarinets (Cz/Ger) Ed. J. Kratochvíl H 7750 score with 3 parts

       

Repertoire Works

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder) Teml Jiří (*1935) Chap-Book (Špalíček) easy pieces for two clarinets Rev. by J. Krejčí H 7830 score 34

Sonata for Clarinet and Piano (after the Sonata for Violin and Piano) Arr. by S. Brill BA 9581 score with part addition to the clarinetist's repertoire

● J anáček's

masterpiece in a convincing arrangement for clarinet based on the LJCE, Vol. E/1 by the arranger, Israeli clarinetist Shirley Brill (Eng/Cz/Ger)

● A

competition piece of the Leoš Janáček International Competition 2014 in Brno (Czech Republic)

Klusák Jan (*1934)

Pieces for Children and Youth / Educational Works Kramář-Krommer František Vincenc (1759–1831)

      

● P reface

Clarinet / 2–3 Clarinets Solo

Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts Fibich Zdeněk (1850–1900) Idyll (Selanka) Op. 16 for clarinet / violin and piano Clarinet part rev. by M. Kostohryz H 3754 score with parts

Leoš Janáček (1854–1928) Arr. Shirley Brill

Recitativo e canto per clarinetto e piano Prague Spring IMC Commission (2002) H 7867 score with part Matějů Zbyněk (*1958) Smorfia (Grimace /Škleb) for clarinet and piano H 7788 score with part Other chamber works with clarinet – see section CHAMBER MUSIC

  



f

  

 

  



1

slap tongue *)

    

3

f

a tempo                    

 

 

Tempo I, un poco più mosso

16

Janáček Leoš (1854–1928)



 

Adagio

● W elcome

Clarinet and Piano

 

8

Three Studies for Solo Clarinet Prague Spring IMC Commission (2008) H 7992 Nudera Vojtěch (1746–1811)

senza rigore

mf sf

Repertoire Works Husa Karel (1921–2016)

BÄRENREITER PRAHA

Sonáta / Sonata / Sonate I

F ÜR OBOE U N D K L AV I ER

FOR OBOE A N D PI A NO

Bassoon Solo

Clarinetto in Sib/B

School of Clarinet Playing (Cz/Ger) H 5631 Vol. 1 H 6339 Vol. 2



     p

       3 f espress.

Pivoňka Karel (1907–1986) 62          Rhytmical for Bassoon   Etudes     H 3291 3

3

3

          

28

3

    Works Repertoire  

     cresc.

  

mf espress.

    



  



rit.

dim.

Adagio

         

 rit.

p

p dolce

(q = 160)

1

  



                 

37

  Gemrot Jiří (*1957)

accel.

Meno mosso (q = 94)



1

  

 



 

 

a tempo (q = 90)

1



3

1.

 



f

Un poco meno

p

cresc.

Un poco meno (q = 160) accel.

Clarinet    Saxophone    Concertos

          f *) optional; alsoVítězslava in b. 78 Kaprálová (1915–1940) BA 9581 49





        

  

p

cresc.

© 2014 by Bärenreiter Praha

Concertino for Violin, Clarinet and Orchestra Op. 21 COPY Based on the composer's draft, realised by M. Štědroň, L. Faltus H 7919 score ♦

Clarinettino – Concertino for Clarinet and Strings H 7898 piano reduction (Radek Škeřík) with part ♦

1

   



Other chamber works Menowith mosso (q = 94) rit.

88 bassoon – see section CHAMBER              MUSIC    

Bassoon Concertos 1       95

    Neruda Janf Křtitel Jiří (1707–1780)

      dim.

a tempo (q = 90) Meno

2 3 Concerto Do maggiore       per fagotto ed archi      f Ed. E. Drápela H 7567 score H 7646 piano reduction (Julie Drápelová) 102

   

Pauer Jiří (1919–2007) Concerto per fagotto ed orchestra COPY Bassoon part rev. by K. Bidlo H 2544 piano reduction ♦

(Jiří Pauer)

Kramář-Krommer František Vincenc (1759–1831) Concerto in E-flat maj for Clarinet and Orchestra Op. 36 Ed. J. Kratochvíl MAB I/13 H 888 piano reduction ♦ (Ladislav Simon) (practical edition) Kukal Ondřej (*1964)

 

mf

42a  From: Brill, Sonata for Clarinet and Piano •      2.Janáček, arr. by Shirley Leoš    BA 9581             sf

4

 

81 Rapsodia        per fagotto e pianoforte       H 7406 p score with part

sf

accel.

  

Bassoon and Piano



74

22

3

Virtuoso Etudes for Bassoon H 1217 67         

1

    

Clarinetto in S

(q = 160)

3 Works   Educational  55

Pelikán Jaroslav (*1970) Gruber Rudolf (*1944) Etudes for Saxophone (Cz/Ger) H 5215 ♦

Concertino Variazioni per fagotto, orchestra d'archi, arpa e timpani Prague Spring IMC Commission (2002) H 7854 piano reduction (Miloš Bok) with part

Performance material available on hire

35

WINDS

WINDS / PERCUSSION

French Horn / 2–4 French Horns Solo

Repertoire Works

Trombone and Piano Eben Petr (1929–2007)

Educational Works / Collections

Windows (Okna) Four Movements for Trumpet and Organ after Marc Chagall Trumpet part rev. by L. Kozderka Organ part rev. by M. Šlechta H 6390 score with part

Kaucký Emanuel – Petr Miloš Short Studies for Horn H 6837 Old Hunting Fanfares Anonymous, Ondřej Anton, Leopold Koželuh, Albín Mašek, Leopold E. Měchura for 4 French horns Ed. O. Zuckerová, rev. by J. Štefan H 4562 score

Repertoire Works Kalabis Viktor (1923–2006)

instruments retain a great deal of independence, progressing in their own rhythmic patterns, intersecting in places 21

Invocation Op. 90 H 7804

24 Duets for French Horns Ed. F. Šolc H 4422 score

Simon Ladislav (1929–2011)

French Horn Concertos

Fantasia per trombone e pianoforte Prague Spring IMC Commission (2004) H 7913 score with part

Pauer Jiří (1919–2007) Concerto for French Horn and Orchestra COPY H 2955 piano reduction ♦

(Jiří Pauer)

Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts H 7931 ncd score with parts + CD 36

Hradecký Emil (*1953)

Repertoire Works

Other chamber works with French horn – see section CHAMBER MUSIC

Hradecký Emil (*1953)

Studies for Side Drum (Cz) H 4156

Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts H 7931 ncd score with parts + CD

Stich-Punto Jan Václav (1746–1803)

Pieces for Children and Youth

Tuzar Josef

● b oth

by Chagall's stainedglass windows for the synagogue in Jerusalem

Other chamber works with trombone – see section CHAMBER MUSIC Kučera Jan (*1977) The Joker for trumpet nad piano Prague Spring IMC Commission (2010) H 8001

Trombone Solo Repertoire Works Kurz Ivan (*1947) H 6390

Other chamber works with trumpet – see section CHAMBER MUSIC

A Soloist's Sustenance (Sólistův chléb) for tenor trombone Prague Spring IMC Commission (2011) Rev. by J. Sušický H 8019

Kubánek Libor (*1964)

School of Side Drum Playing (Cz/Ger) Easy to advanced level of difficulty H 7753

of the composer's most frequently performed pieces worldwide since its creation in 1976

● I nspired

Educational Works

School of Percussion Playing (Cz/Ger) H 7745

● O ne

21

Trumpet and Piano / Organ

Pieces for Children and Youth

Percussion

Repertoire Works Fišer Luboš (1935–1999) Crux for violin, timpani and bells reproduction of the autograph from the property of I. Štraus H 7966 performance score Ištvan Miloslav (1928–1990) Capriccio for vibraphone, marimba and percussion H 7932 score with parts

Kabeláč Miloslav (1908–1979) 8 invenzioni Op. 45 per strumenti a percussione for 6 players Ed. Z. Nouza † MKCE IV/10 H 7993 score 8 ricercari Op. 51 per strumenti a percussione for 1–6 players Ed. Z. Nouza † MKCE IV/11 H 7994 score ● 8

invenzioni – one of the composer's most famous works

● 8

ricercari – first printed edition

● B oth

From: Miloslav Kabeláč, 82 8 invenzioni Op. 45 (final bars) • H 7993

compositions written for and premiered by Les Percussions de Strasbourg

Trombone Concertos Matěj Josef (1922–1992) Concerto No. 1 for Trombone and Orchestra COPY H 2726 piano reduction (with part) by the composer ♦ ♦

Performance material available on hire

37

KLAVÍR

KLAVÍR

B OH USLAV MARTI N Ů The First Ten Volumes

THE COMPLETE EDITION Subscription offer Bärenreiter is publishing The Bohuslav Martinů Complete Edition, a scholarly-critical edition that will present the complete oeuvre of this major twentieth century composer for the first time.

Martinů’s works in all their versions and arrangements, as well as newly discovered and previously unpublished compositions will be included.

The Edition

The Structure

Editorial Board Peter Ackermann, Sandra Bergmannová, Dietrich Berke (†), Aleš Březina, Klaus Döge (†), Jarmila Gabrielová, Jonáš Hájek, Christopher Hogwood (†), Adéla Kovářová, Kateřina Maýrová, Marek Pechač, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Eva Velická, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

I Stage works and film music II Orchestral music III Concertos and other concertato works IV Chamber music V Keyboard works VI Choral works and songs VII Piano reductions by the composer VIII Supplements and varia

Commissioned by the Bohuslav Martinů Foundation (Prague).

Edited by the Bohuslav Martinů Institute (Prague).

Director: Aleš Březina

Each volume includes a detailed Foreword and a Critical Report, both in English and Czech, format: 25.5 x 32.5 cm, cloth bound.

38

Eight series (indicated

by Roman numerals) divided into subseries (indicated by Arabic numerals). Approx.

100 volumes in total.

Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed. Aleš Březina already published Series II/1, 4 Symphony No. 4, H 305, Ed. Sharon Andrea Choa already published Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3,

H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374,

Ed. Jitka Zichová already published Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354,

Legenda z dýmu bramborové nati (The Legend of the

Smoke from Potato Tops), H 360, Romance z pampelišek

(A Dandelion Romance), H 364,

Mikeš z hor (Mikesh from the Mountains), H 375 already published Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268,

String Quartet No. 6, H 312, String Quartet No. 7, H 314 2017 Series III/2, 4 Concerto for String Quartet and Orchestra, H 207,

Sinfonia concertante, H 322 2018 Series III/1, 7 Concerto da camera for Violin, String Orchestra,

Piano and Percussion, H 285,

Rhapsody-Concerto for Viola and Orchestra, H 337 2018 Series III/1, 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto

in B-flat for Piano and Orchestra (Fantasia concertante), H 366 Series VI/2, 2 Svatební košile (The Spectre's Bride), H 214.I A,

Polní mše (Field Mass), H 279, Ed. Paul Wingfield

Series I/1, 12 Ariane, Lyric Opera in One Act, H 370

BA 10571-01 BA 10572-01

BA 10574-01

BA 10575-01 BA 10576-01 BA 10577-01

BA 10578-01 BA 10579-01 BA 10573-01 BA 10580-01

The Subscription

Available on complete subscription or partial subscription by series at reduced prices.

The volumes can also be purchased individually.

Please ask for the brochure “Bohuslav Martinů · The Complete Edition” (Eng/Ger) · SPA 275

39

CHAMBER MUSIC Piano Trio (piano, violin, violoncello – if not mentioned otherwise)

16 4_

16 3_

Emmanuel Villaume Contempuls / Space & Sound Music in the Stalinist Era

16 2_

Jiří Nekvasil

Clara Nováková Leopold Koželuh Socialist Realism

CZECH MUSIC QUARTERLY

Czech Ear Project

16 1_

Richard Šeda

Improvised Music South Pole Rudolfine Prague Composers

Czech Music Quarterly is a magazine in English focused on Czech classical music.

Czech Music Quarterly provides a wide spectrum of information for music professionals and the general music public alike.

Czech Music Quarterly offers interviews and portraits of Czech composers and performers, often with a special focus on contemporary classical music, information about current events, reviews and wide-ranging articles from leading Czech musicologists.

Czech Music Quarterly has been published every 3 months since 1995.

Published by Czech Music Information Centre Besední 3, 118 00 Prague 1, Czech Republic info@czech-music.net www.musica.cz

40

NEW 2016

Piano Trio in B-flat maj Op. 21 Ed. A. Čubr With a new preface by D. R. Beveridge (Eng/ Cz/Ger) BA 9578 score with parts (replaces H 1128)

Suk Josef (1874–1935) Elegy Op. 23[a] “Under the Influence of Zeyer's Vyšehrad” the composer's own arrangement for piano trio H 7807 score with parts (original version – see section Miscellaneous Ensembles)

Piano Trio in F min Op. 65 Ed. F. Bartoš With a new preface by H.-J. Hinrichsen and I. Rentsch (Ger/ Cz/ Eng) BA 9564 score with parts

Pavel Haas Socialist realism in Czechoslovakia?

Charles IV and Music

Dvořák Antonín (1841–1904)

Dvořák Antonín (1841–1904) NEW 2016

Dumky Op. 90 Urtext / Ed. Ch. Flamm BA 9567 score with parts (replaces H 1551) The dumka is a Slavic folk song or dance of a melancholy character. Dvořák's magnum opus in the piano trio genre takes its name from its dumka movements, which he composed in Prague in 1890-91. After long hesitation Dvořák also prepared a piano arrangement four hands while he was in the United States in the summer of 1893.

Piano Trio in G min Op. 26 Eds. A. Pokorný, K. Šolc With a new preface by E. Velická (Cz/Eng/Ger) BA 9538 score with parts Feld Jindřich (1925–2007) Trio for Violin / Flute, Violoncello and Piano H 7962 score with parts Hanuš Jan (1915–2004) Frescoes (Fresky) Op. 51 H 7860 score with parts Martinů Bohuslav (1890–1959) Concertino for Piano Trio and String Orchestra H. 232 COPY H 284 score ♦

Our new edition draws on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák's sketches as well as his later four-hand piano arrangement. A critical commentary provides detailed information on the work's sources, tempo markings and formal divisions of the movements.

● S upplemented

by the initial, draft version of dumka No. 3

● F irst

Urtext edition

● T wo

alternative versions and scorings of the work

● P reface

(Eng/Ger/Cz ) and critical commentary (Eng) by the editor

(piano, violin, viola, violoncello – if not mentioned otherwise) Dvořák Antonín (1841–1904)

edition reflecting the latest musicological research preface (Ger/Cz/Eng) and critical commentary (Eng) by the editor

Trio in E-flat maj Op. 27 for piano, violin / clarinet and violoncello Urtext / Ed. M. Harlow BA 9521 score with parts

Piano Quartet

● U rtext

● D etailed

Škroup František Jan (1801–1862)

Smetana Bedřich (1824–1884) Piano Trio in G min Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9518 score with parts

Bagatelles (Maličkosti) Op. 47 for two violins, violoncello and piano / harmonium Eds. A. Pokorný, K. Šolc ADCE IV/10 H 2271 score with parts

♦

Performance material available on hire

41

CHAMBER MUSIC

CHAMBER MUSIC Fibich Zdeněk (1850–1900) Quartet Op. 11 COPY for violin, viola, violoncello and piano H 3331 score with parts Suk Josef (1874–1935) Piano Quartet in A min Op. 1 Urtext / Ed. Z. Nouza † BA 9546 score with parts ● F irst

scholarly-critical edition

● P reface

Dvořák Antonín (1841–1904) NEW 2017

Piano Quartet in D maj Op. 23 Urtext / Ed. R. Tait BA 9574 score with parts in slipcover (replaces H 2552) To appear in May 2017 Dvořak's Piano Quartet in D major, though composed at the height of his artistic maturity, is to date unjustly overshadowed by his more popular works. It was written within the space of 18 days in the summer of 1875 and was later revised, probably in preparation for its publication. This revision, which was also taken into account for the first edition issued by the publisher Schlesinger, Berlin in 1880, serves as the primary source for this new Urtext edition. The premiere took place in Prague in 1880. ● N ew

Urtext edition

● D etailed

preface (Eng/Cz/Ger)

by Dvořák scholar David R. Beveridge

● C ritical

commentary (Eng) by the editor

Piano Quartet in E-flat maj Op. 87 Eds. A. Pokorný, K. Šolc With a new preface by E. Velická (Cz/Eng/Ger) BA 9537 score and parts in slipcover 42

(Cz/Eng/Ger) and critical commentary (Eng) by the editor

Piano Quintet (piano, 2 violins, viola, violoncello)

Dvořák Antonín (1841–1904) Piano Quintet in A maj Op. 81 Ed. A. Čubr With a new preface by D. R. Beveridge (Eng/Ger/Cz) BA 9573 score with parts in slipcover Eben Petr (1929–2007) Piano Quintet H 7719 score with parts Fibich Zdeněk (1850–1900) Quintet in D maj Op. 42 COPY for violin I, clarinet / violin II, French horn / viola, violoncello and piano H 3998 score with parts Suk Josef (1874–1935) Quintet Op. 8 COPY for two violins, viola, violoncello and piano Ed. by V. Musil H 5330 score with parts

String Duo

Dvořák Antonín (1841–1904) NEW 2017 Piano Quintet in A maj Op. 5 Eds. J. Burghauser, K. Šolc With a new preface by D. R. Beveridge (Eng/Cz/Ger) BA 11539 score with parts in slipcover (replaces H 2783) To appear in June 2017 In 1887 Dvořák revised several of his works from the 1860s and 1870s, most of them he then published for the first time.

He thoroughly revised also his Piano Quintet in A major Op. 5, but he declined to publish it.

Instead, he wrote a new one in the same key – the famous Op. 81. Dvořak's first Piano Quintet in A major was never published during his lifetime.

Kukal Ondřej (*1964) Present – Duo for Violin and Violoncello H 7964 score with parts

String Trio Dvořák Antonín (1841–1904) Miniatures (Drobnosti) Op. 75a / Gavotte B 164 Miniatures – for two violins and viola Gavotte – for three violins ADCE IV/4 H 3392-01 parts in slipcover Terzetto in C maj Op. 74 for two violins and viola Composed as an occasional composition for amateurs Ed. J. Burghauser BA 9543 parts in slipcover

Martinů Bohuslav (1890–1959) Serenade No. 2 H. 216 COPY for two violins and viola H 1501 parts H 6508 score String Trio No. 1 H. 136 for violin, viola and violoncello Ed. E. Velická Preface and critical commentary by the editor (Cz/Ger/Eng/Fr) H 7965-22 parts in slipcover H 7965 study score Mysliveček Josef (1737–1781) Trio in G maj COPY for violin, violoncello and double bass H 5649 score with parts Teml Jiří (*1935) Koledníček popular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello string parts rev. by M. Škampa H 7852 parts in slipcover

String Quartet Dvořák Antonín (1841–1904) Cypresses (Cypřiše) B 152 Ed. F. Bartoš ADCE IV/7 H 6663 parts in slipcover H 2306 study score Quartet Movement in F maj B 120 ADCE IV/7 H 6902-01 parts in slipcover String Quartet No. 1 in A maj Op. 2 Eds. J. Burghauser, A. Čubr Original Burghauser's preface updated and expanded by H. Schick BA 9539 parts in slipcover TP 539 study score String Quartet No. 2 in B-flat maj B 17 Eds. A. Pokorný, K. Šolc BA 9540 parts in slipcover TP 540 study score

String Quartet No. 3 in D maj B 18 ADCE IV/5 H 3813 parts in slipcover String Quartet No. 4 in E min B 19 ADCE IV/5 H 4592 parts in slipcover String Quartet No. 5 in F min Op. 9 Eds. J. Burghauser, A. Čubr Original Burghauser's preface updated and expanded by H. Schick BA 9545 parts in slipcover TP 535 study score String Quartet No. 6 in A min Op. 12 ADCE IV/5 H 6549 parts in slipcover String Quartet No. 7 in A min Op. 16 ADCE IV/6 H 2849 parts in slipcover String Quartet No. 8 in E maj Op. 80 ADCE IV/6 H 1834 parts in slipcover H 1835 study score

Feld Jindřich (1925–2007) String Quartet No. 6 H 7764 score with parts Fibich Zdeněk (1850–1900) String Quartet in A maj H 100 parts

COPY

Fišer Luboš (1935–1999) Variations on an Unknown Theme (Variace na neznámé téma) for string quartet First printed edition H 8023 score with parts Janáček Leoš (1854–1928) On an Overgrown Path (Po zarostlém chodníčku) Arr. by J. Burghauser H 6173 score with parts

String Quartet No. 9 in D min Op. 34 ADCE IV/6 H 1481 parts in slipcover String Quartet No. 10 in E-flat maj Op. 51 ADCE IV/6 H 1595 parts in slipcover String Quartet No. 11 in C maj Op. 61 ADCE IV/7 H 1791 parts in slipcover String Quartet No. 12 in F maj Op. 96 “American” ADCE IV/7 H 1594 parts in slipcover H 1304 study score String Quartet No. 13 in G maj Op. 106 ADCE IV/7 H 1732 parts in slipcover String Quartet No. 14 in A-flat maj Op. 105 ADCE IV/7 H 1569 parts in slipcover Two Waltzes Op. 54 No. 1 in A maj, No. 4 in D-flat maj ADCE IV/6 H 2803 parts in slipcover

String Quartet No. 1 “Inspired by Tolstoy's Kreutzer Sonata” Urtext / Eds. L. Faltus, M. Štědroň BA 9520 parts in slipcover TP 520 study score String Quartet No. 2 “Intimate Letters” Eds. L. Faltus, M. Štědroň LJCE E/4 BA 6857 / H 7832 cloth bound score with parts Urtext / Eds. L. Faltus, M. Štědroň BA 9533 parts in slipcover TP 533 study score

43

CHAMBER MUSIC

CHAMBER MUSIC Martinů Bohuslav (1890–1959)

JANÁČEK Mládí

úprava pro smyčcové kvarteto

Youth

arrangement for String Quartet

Die Jugend

JANÁČEK

Bearbeitung für Streichquartett

Mládí úprava pro smyčcové kvarteto

Hlasy / Parts / Stimmen

Youth

arrangement for String Quartet

Die Jugend Bearbeitung für Streichquartett

Bärenreiter

Concerto for String Quartet and Orchestra H. 207 Eds. Ch. Hogwood †, M. Pechač, P. Žůrek BMCE III/2/4 (in one volume with Sinfonia concertante H. 322) BA 10577-01 cloth bound score In preparation NEW 2017

Bärenreiter

Janáček Leoš (1854–1928) NEW 2017

Youth (Mládí) for String Quartet (after the wind sextet Youth) Arr. by K. Mařatka BA 11543 parts in slipcover TP 521 study score To appear in November 2017 The French-based Czech composer Kryštof Mařatka (b. 1972) is a great admirer of Janáček, and with his arrangement of Janáček's wind sextet Youth he hopes to expand the repertoire options for string quartets.

Janáček's masterpiece was written in the height of his creativity in 1924. Mařatka was able to transform the zestful nature of the winds, which give the work its unique character, into the vibrant timbre of strings, thus creating the “third string quartet” of Leoš Janáček. ● A

welcome addition to the string quartet repertoire

● J anáček's

wind sextet masterpiece in a convincing arrangement for string quartet

● P reface

by the arranger, Czech composer Kryštof Mařatka (Cz/Eng/Ger)

Kukal Ondřej (*1964) String Quartet Op. 9 H 7958 score with parts 44

NEW 2018

String Quartets Nos. 4–7 No. 4 H. 256 (1937), No. 5 H. 268 (1938), No. 6 H. 312 (1946), No. 7 H. 314 (1947) Ed. A. Březina and the Bohuslav Martinů Institute BMCE IV/3/2 BA 10576-01 cloth bound score To appear in June 2017 → see more about the BMCE on pp. 38-39 With eight string quartets, Martinů is one of the major representatives of the genre in twentieth-century music.

The present critical edition differs considerably from all the previous practical editions, including the recent Urtext ones, as it was preceded by thorough heuristic research, which helped uncover numerous new musical and non-musical sources.

Knowledge of this complete source material enabled the creation of editions of the utmost precision and also elucidated the aesthetic and formal foundations of the works. In the light of these findings, Martinů's string quartets can be seen as a systematically developed series of compositions that share an ingenuously structured and innovative connection of form and musical matter.

Martinů Bohuslav (1890–1959)

supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St Wenceslas hymn. The hymn's message – a plea for the wellbeing of the Czech people, directed at their patron saint – was immediately understood by the audience.

String Quartet No. 4 H. 256 Eds. A. Březina, I. Štraus H 7844-22 parts in slipcover H 7844 study score String Quartet No. 5 H. 268 Eds. A. Březina, A. Klemens H 7941-22 parts in slipcover H 7941 study score

The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 (the version for string orchestra in November 1914). That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ.

String Quartet No. 6 H. 312 Eds. A. Březina, I. Štraus H 7968-22 parts in slipcover H 7968 study score Matys Jiří (*1927) String Quartet No. 1 Op. 21 H 6428 score with parts String Quartet No. 3 Op. 37 H 3986 score with parts String Quartet No. 6 Prague Spring IMC Commission (2005) H 7944-22 parts in slipcover H 7944 study score Smetana Bedřich (1824–1884) String Quartet No. 1 in E min “From My Life” Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9516 parts in slipcover TP 516 study score

Suk Josef (1874–1935) NEW 2016

● F irst

Josef Suk played the 2nd violin in the Bohemian String Quartet.

Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to

● F irst

Urtext edition

● I ncludes

both versions of the 4th movement – the original one from 1896 and the late revision from 1915, which could be played also separately as an encore

● P reface

(Cz/Eng/Ger) and critical commentary (Eng) by the editor

Urtext edition

● I nformative

preface (Cz/Eng/ Ger) and critical commentary (Eng) by the editor

● T wo

versions published in two separate editions

Prof. D ru Ferd. Pečírkovi v upřímném přátelství

Meditace na staročeský chorál „Svatý Václave“

Josef Suk, op. 35a Violino I

 c 



2 4



 c         

Violino II

c



2 4



c 

Adagio, ma con moto

Suk Josef (1874–1935)

con sord.

sempre molto p con sord.



con sord.

 c     42   c 

Viola

Violoncello



c





2 4

con sord.



c

 



       

   

 







sempre molto p poco

7

 

   

● D etailed

 



 







sempre molto p

p espress.

         

ever scholarly-critical edition



sempre molto p

● F irst

preface (Aleš Březina) and critical commentary by the editors from the Bohuslav Martinů Institute (Eng/Cz)

String Quartet No. 1 in B-flat maj Op. 11 Urtext / Ed. Z. Nouza † BA 9530 parts in slipcover TP 530 study score

This first Urtext edition was prepared in two scorings – one for string quartet and another for string orchestra. The orchestral arrangement differs from the quartet version in some details in connection with the added part for double bass.

Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a for String Quartet Urtext / Ed. Z. Nouza † BA 9583 parts in slipcover TP 583 study score (Orchestral version – see section String Orchestra)

String Quartet No. 2 in D min Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9517 parts in slipcover TP 517 study score

Minuet COPY for string quartet Ed. M. Nový H 6967 score with parts

Suk Josef (1874–1935)



  3  2

 cresc.

                 23      



 c

 cresc.

     c       

         c 3             2   cresc.               c    23      cresc.

cresc.

cresc.

12          f



         dim.

molto dim.

molto p

              

f

dim.

molto dim.

 2 4  c  

perdendo

2 4  c

dim.

   

  2

    poco cresc.

molto p

         

molto p

   

    dim.

dim.

      

molto p

poco cresc. dim.

String Quartet No. 2 Op. 31 Urtext / Ed. Z. Nouza † BA 9536 parts in slipcover TP 536 study score The single-movement String Quartet No. 2 by Josef Suk was written at the height of his compositional powers.

Completed in Křečovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. ● F irst

Urtext edition

● P reface

(Cz/Eng/Ger) and critical commentary (Eng) by the editor 45

CHAMBER MUSIC Vranický Pavel (1756–1808) Quartetti per archi II Op. 16 Nos. 1–6 Ed. S. Ondráček Preface by O. Zuckerová (Cz/Ger/Eng) MAB I/84 H 7481 score (parts for each individual quartet available upon request) Zámečník Evžen (*1939) Meditation for string quartet H 6406 score with parts

String Quintet Dvořák Antonín (1841–1904) Nocturno in B maj Op. 40 for 2 violins, viola, violoncello and double bass Eds. J. Burghauser, M. Nový ADCE III/24 H 6590 score with parts String Quintet in A min Op. 1 for 2 violins, 2 violas and violoncello ADCE IV/9 H 6782-22 parts in slipcover String Quintet in E-flat maj Op. 97 for 2 violins, 2 violas and violoncello Ed. F. Bartoš A new preface by D. R. Beveridge BA 9542 parts in slipcover TP 532 study score String Quintet in G maj Op. 77 for 2 violins, viola, violoncello and double bass Eds. F. Bartoš, A. Pokorný BA 9577 parts in slipcover TP 577 study score ● D vořák's

famous quintet with double bass

● T his

edition also includes the Intermezzo from the original five-movement version of the quintet

CHAMBER MUSIC Kubička Miroslav (*1951) Dialogues (Rozhovory) for string quintet H 7923 score with parts Mysliveček Josef (1737–1781) Tre quintetti d'archi IV–VI COPY for 2 violins, 2 violas and double bass Ed. V. Bělský MAB I/83 H 7037 score

String Sextet Dvořák Antonín (1841–1904) String Sextet in A maj Op. 48 for 2 violins, 2 violas and 2 violoncellos Eds. J. Burghauser, A. Čubr BA 9566 parts in slipcover Schulhoff Erwin (1894–1942)

Quintetto COPY (Variations on chorale) for 2 trumpets, French horn and 2 trombones H 5166 score with parts Quintetto per stromenti a fiato COPY

for flute, oboe, clarinet, French horn and bassoon H 4397 score with parts Feld Jindřich (1925–2007) Wind Quintet No. 2 COPY for flute, oboe, clarinet, French horn and bassoon H 5196 score with parts Hanuš Jan (1915–2004) Music of the Tower (Hudba věže) Op. 88 (Tribute to Bohuslav Martinů) for 2 trumpets, French horn and 2 trombones H 6477 score with parts

Sextet for 2 violins, 2 violas and 2 violoncellos Ed. M. Rische BA 7488-22•parts in slipcover BA 7488• study score

Blatný Pavel (*1931) Scena con ottoni (Scéna pro žestě) for 2 trumpets, 2 trombones and French horn H 6214 score with parts Dušek František Xaver (1731–1799) Six Parthias for 2 oboes and bassoon Ed. M. Klement H 5628 score with parts

by David R. Beveridge (Eng/Cz/Ger)

•

B ärenreiter-Verlag Kassel production

Kalabis Viktor (1923–2006) Piccola musica da camera Op. 27 for flute, oboe, clarinet, French horn and bassoon H 4757 score with parts Kramář-Krommer František Vincenc (1759–1831) Trio in F maj and Variations on Pleyel's Theme COPY for 2 oboes and French horn Ed. M. Klement H 5808 score with parts Mysliveček Josef (1737–1781) Tre ottetti per due oboi, due clarinetti, due corni e due fagotti COPY

in E-flat maj, in E-flat maj, in B-flat maj Ed. C. Schoenbaum MAB I/55 H 3406 score with parts Rejcha Antonín (1770–1836) Tre quintetti – Parte I, Op. 88 No. 3 COPY for flute, oboe, clarinet, French horn and bassoon Eds. R. Hertl, V. Smetáček, rev. by M. Špeťko MAB I/33a H 7140 parts in slipcover Serenate Boëme, partite e notturni

Wind Ensembles

● P reface

46

Eben Petr (1929–2007)

Janáček Leoš (1854–1928) Youth (Mládí) Wind Sextet for flute / piccolo, oboe, clarinet, French horn, bassoon and bass clarinet Urtext / Eds. J. Doležal, L. Faltus BA 9528 parts in slipcover study score TP 528 Kabeláč Miloslav (1908–1979) Wind Sextet Op. 8 COPY for flute, English horn, 2 clarinets, French horn and bassoon H 2023 study score ♦

Antonín Kammel, Jiří Družecký, František X. Dušek, Vincenc Mašek for 2 oboes, 2 French horns and bassoon Ed. V. Bělský MAB I/35 H 2304 score Trojan Václav (1907–1983) Divertimento per quintetto a fiato COPY for flute, oboe, clarinet, French horn and bassoon H 6250 score with parts

Vranický Antonín (1761–1820) Marches for Wind Instruments for 2 oboes, 2 clarinets, 2 French horns, trumpet, 2 bassoons and contrabassoon Ed. A. Myslík H 4890 score with parts

Wind Ensembles and Piano Eben Petr (1929–2007) Music for Oboe, Bassoon and Piano H 7452 score with parts Hanuš Jan (1915–2004) Impromptus Op. 45 COPY for trumpet / flute, oboe, clarinet and piano H 3843 score with parts Janáček Leoš (1854–1928) Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds. L. Faltus, J. Procházková LJCE E/5 cloth bound score BA 6856• with parts Urtext / Eds. L. Faltus, J. Procházková Preface by J. Procházková BA 9535 score and parts in slipcover (French horn part included)

Miscellaneous Ensembles Dvořák Antonín (1841–1904) NEW 2016

Serenade in D min Op. 44 for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib., 3 French horns, violoncello and double bass → see more about the edition in section Chamber Orchestra on p. 51

Fiala Josef (1748–1816) Two Duets for oboe and viola / violoncello Ed. M. Klement H 7787 score with parts Two Oboe Quartets COPY for oboe, violin, viola and violoncello Ed. and rev. by M. Klement H 4203 score with parts Fišer Luboš (1935–1999) Crux for violin, timpani and bells Reproduction of the autograph from the property of I. Štraus H 7966 performance score Kalabis Viktor (1923–2006) Nonet No. 2 “In Honour of Nature” Op. 44 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bass H 6465 score ♦ Kramář-Krommer František Vincenc (1759–1831) Two Oboe Quartets in C maj, in F maj for oboe, violin, viola and violoncello Ed. J. Pohanka MAB I/42 H 2705 score with parts Martinů Bohuslav (1890–1959) Chamber Music for 6-9 Instruments I Ed. J. Zichová BMCE IV/4, 1 BA 10574-01 cloth bound score Les Rondes H. 200 [with piano], Serenade No. 1 H. 217, Serenade No. 3 H. 218, Stowe Pastorals (Pastorely ze Stowe) H. 335, Nonet No. 2 H. 374 → see more about BMCE on pp. 38-39

♦

Performance material available on hire

47

n • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • ysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • ORCHESTRA CHAMBER MUSIC ma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek antišek Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • MichMusica Antiqua Bohemica of theJosef 17th Antonín and 18th century 1969 this instrumental a AdamThe z Otradovic • Mysliveček Josef • Plánický • Rejchaand Antonín • In Rössler-Rosetti Františekseries Antonín • Seger (MAB) edition series is a collection at Antonín the courts of their domestic complemented another, sef Ferdinand Norbert • Tůma František Ignác • Vejvanovský Pavel Josef •was Voříšek Jan Václav by Hugo • Vranický Antonín • of the compositions of various nobility. The series has published vocal one, which includes signifianický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík authors of Czech origin ranging critical editions of the works of Jiří cant representations of works by n Ladislav Dušek František • Fils • Koželuh • Kramář-Krommer František Vincenc • Linek from•the Baroque periodXaver to that of Antonín Antonín Benda, Leopold Antonín Rejcha, Jan Dismas Zelenka and Jiří Anto-Jiří Ignác • sy Janearly Antonín • Michna ItAdam z Otradovic •František Mysliveček Josef • Plánický Josef Antonín • Rejcha Rössler-Rosetti FranRomanticism. was begun Xaver Dušek, the most nín Benda; theAntonín youngest•author ek Antonín Seger Josefmusicologist Ferdinand Norbertrevelational • Tůma František Ignác Antonín PavelisJosef • Voříšek Jan Václav in 1934• by the Brno editorial impact can • Vejvanovský chronologically Jan Václav Hugo ugo • Vranický • Vranický Pavel • Zach Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Vladimír Antonín Helfert; after a wartime be Jan seen• in the multi-volume Voříšek (1791–1825). breakŠimon and the death Jan of the origi- • Dušek inclusions of Xaver Jan Ladislav Dusík, • Koželuh Leopold • Kramář-Krommer František aver • Brixi • Dusík Ladislav František • Fils Antonín editor, was taken

by Antonín the Pavel Josef Vejvanovský, Jan •Václav it is merely an incomplete ncenc nal • Linek JiříitIgnác • LosyupJan • Michna Adam z Otradovic MyslivečekAlthough Josef • Plánický Josef Antonín • Rejcha publisher Supraphon Hugo Voříšek, and otherNorbert authors • Tůmastudy on Czech history, the ntonínPrague • Rössler-Rosetti František and Antonín • Seger Josef Ferdinand František Ignácmusic Antonín • Vejvanovský Pavel later Bärenreiter Praha, and its last who had previously been largely MAB edition series constitutes a sef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří volume was published in 2003. underestimated. 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U R T E X T

Nonet č. 2 Nonet No. 2 Nonett Nr. 2 H 374

Bärenreiter

Martinů Bohuslav (1890–1959) NEW 2017

Nonet No. 2 H. 374 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bass Urtext / Ed. J. Zichová TP 440 study score ♦ (replaces H 3022) To appear in October 2017 Martinů wrote Nonet No. 2 in the last year of his life as a commission for the Czech Nonet, which gave the world premiere at the Salzburger Festspiele on 27 July 1959.

Nonet No. 2 was published posthumously in autumn later that year.

Promenades H. 274 for flute, violin and harpsichord BA 3327• score with parts Serenade No. 1 H. 217 COPY for clarinet, French horn, 3 violins and viola H 1500 parts H 362 study score (also available on hire) Serenade No. 3 H. 218 COPY for oboe, clarinet, 4 violins and violoncello H 1502 parts H 365 study score (also available on hire) Mysliveček Josef (1737–1781) Four Sonatas COPY for flute, violin and violoncello Ed. M. Klement H 6033 score with parts Rejcha Antonín (1770–1836) Tre quartetti Op. 98 Nos. 1–3 in G min, in C maj, in G maj for flute, violin, viola and violoncello Ed. K. Janetzki, rev. by J. Ruis MAB I/65a H 3917-22 parts in slipcover

The main source for the edition is the autograph score. The referential sources consists of a copy of the autograph score, the first printed edition, which contains partly authorised amendments by the Czech Nonet, and corrections found in the extant correspondence between Martinů and violinist Emil Leichner, the artistic director of the Czech Nonet.

Unlike the BMCE version, this edition transposes the clarinet part to B-flat. ● F irst

Urtext edition based on the Bohuslav Martinů Complete Edition IV/4/1 (Chamber Music for 6–9 Instruments I)

● C larinet

B-flat

● P reface

editor

part transposed to

(Cz/Eng/Ger) by the

Rössler-Rosetti František Antonín (1746–1792) Notturno in D COPY for flute, violin, viola, violoncello and Frech horn in D Ed. V. Bělský MAB I/32 H 2171 score Suk Josef (1874–1935) Elegy Op. 23 “Under the Influence of Zeyer's Vyšehrad” for violin solo, violoncello solo, string quartet, harmonium and harp Eds. K. Řehák, M. Svobodová H 7404 score with parts Village Serenade (Vesnická serenáda) s. op. the composer's own arrangement (originally for piano solo) for 2 clarinets, 3 violins, viola, violoncello and double bass suitable for amateur musicians Ed. M. Nový H 7952 score with parts Teml Jiří (*1935) Koledníček popular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello H 7852 parts in slipcover

Miscellaneous Ensembles and Piano Feld Jindřich (1925–2007) Trio for Flute / Violin, Violoncello and Piano H 7962 score with parts Fibich Zdeněk (1850–1900) Tre quartetti Op. 98 Nos. 4–6 in E min, in A maj, in D maj for flute, violin, viola and violoncello Ed. S. Ondráček MAB I/85, I/85a H 7800-22 parts in slipcover H 7800 score

Quintet in D maj Op. 42 COPY for violin I, clarinet / violin II, French horn / viola, violoncello and piano H 3998 score with parts

•

B ärenreiter-Verlag Kassel production

♦

Performance material available on hire

ISMN 979-0-2601-0248-4

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Martinů Bohuslav (1890–1959)

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49

CHAMBER MUSIC Hurník Ilja (1922–2013) Sonata da camera for flute, oboe / violin, violoncello, harpsichord / piano H 3002 score with parts Hurník Lukáš (*1967) Fusion Music for oboe, clarinet, bassoon and piano H 7863 score with parts

ORCHESTRA Feld Jindřich (1925–2007)

String Orchestra

The Bärenreiter film ...

(concertos with string orchestra – see individual instruments)

Renowned conductor and musicologist Christopher Hogwood takes you on a journey through Bärenreiter. Come with us behind the scenes.

This Urtext edition is based on the composer's autograph score.

It corrects numerous mistakes in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1st edition) copy of the work. For the first time, the editor incorporates omitted passages from the autograph, marking them with Vi-de. This reconstruction makes it possible to clarify the piece’s structure.

Janáček Leoš (1854–1928) Concertino for piano, 2 violins, viola, clarinet, French horn and bassoon H 4342 score with parts Martinů Bohuslav (1890–1959)

NEW 2016

Serenade in E maj for String Orchestra Op. 22 Urtext / Ed. R. Tait BA 10423 score ° (replaces H 971)

Sonata for Flute, Violin and Piano H. 254 BA 3326• score with piano

Bagatelle “Carrying a Bouquet” („S kyticí v ruce“) for flute (violin ad lib.), violin and piano H 7820 score with parts Škroup František Jan (1801–1862) Trio in E-flat maj Op. 27 for piano, clarinet / violin and violoncello Urtext / Ed. M. Harlow BA 9521 score with parts ● F irst

Urtext edition

● Two

alternative versions and scorings of the work

● Preface

(Eng/Ger/Cz ) and critical commentary (Eng) by the editor

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preface (Cz/Eng/Ger)

by Kateřina Nová, Head of the Dvořák Museum in Prague, and critical commentary (Eng) by the editor

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You willbe given an insight into              the editorial and production process of an Urtext edition. history of this    The                  family-owned company is also revealed.

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Ella-Polka violin I II, viola, violoncello, double bass and triangle for string orchestra arr. by the composer Ed. M. Nový H 7953 score and parts

● D vořák's

Dvořák's Serenade in E major Op. 22 is one of his most popular and frequently played works.

It was written in the spring of 1875. The score and parts were published by Bote & Bock, Berlin, in 1879.

Suk Josef (1874–1935)

Suk Josef (1874–1935)

The instructive preface by Kateřina Nová offers profound insight into the work, its manuscript history, and the mystery of Dvořák's revision of the work.

Dvořák Antonín (1841–1904)

Les Rondes H. 200 for oboe, clarinet, bassoon, trumpet, 2 violins and piano H 208 study score ♦

Sinfonietta da camera per archi violin I II, viola, violoncello, double bass H 5643 score ♦

  

 f

♦

    dim.

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 dim.

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



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 

This first Urtext edition was prepared in two scorings – one for string quartet and another for string orchestra. The orchestral arrangement differs from the quartet version in some details in connection with the added part for double bass. ● F irst

Urtext edition

● I nformative

preface (Cz/Eng/ Ger) and critical commentary (Eng) by the editor

versions published in two separate editions

  available on hire        

p

NEW 2016

Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a for String Orchestra Urtext / Ed. Z. Nouza † BA 9584 ° (Chamber version – see section String Quartet)

● T wo

Performance material



Suk Josef (1874–1935)

51

ORCHESTRA Suk Josef (1874–1935) Sousedská [A type of Czech folk dance] violin I–V, double bass / violoncello, cymbals, triangle, snare drum and bass drum Ed. Z. Nouza † H 7954 score and parts Šesták Zdeněk (*1925) Concerto per orchestra d'archi violin I II, viola, violoncello, double bass H 6429 score Vodička Václav (1720–1774) Sinfonia in C violin I II, viola, violoncello, double bass, harpsichord Rev. by H. Krupka, J. Snížková H 3740 score ♦

ORCHESTRA with a bass part for violoncello and double bass.

Dvořák Antonín (1841–1904) NEW 2016

Serenade Op. 44 for Wind Instruments, Violoncello and Double Bass Urtext / Ed. R. Tait BA 10424 score (replaces H 1928) BA 10424-22 s et of parts in slipcover In 1878 Dvořák visited Vienna and was so impressed by a performance of Mozart's Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart's piece as his model, he supplemented the wind bound

(concertos with chamber orchestra – see individual instruments) Benda Jiří Antonín (1722–1795) Sinfonie I–III in D maj, in G maj, in C maj flute, oboe, French horn I II, violin I II, viola, violoncello, double bass, harpsichord Ed. J. Pohanka MAB I/58 H 3555 score and parts Sinfonie IV–VI in F maj, in G maj, in E-flat maj flute I II, oboe I II, French horn I II, violin solo, violin I II, viola, violoncello, double bass, harpsichord Ed. J. Pohanka MAB I/62 H 3789 score and parts Performance material available on hire

52

● D etailed

preface by Dvořák expert David R. Beveridge (Eng/Cz/Ger)

● C ritical

commentary by the editor (Eng)

I Antonín Dvořák, op. 44

Moderato quasi Marcia

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  c     

Fagotto I, II

Contraffagotto (ad libitum)



  c      f

 c          

Corno I, II in Fa/F

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

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Violoncello

 c       f

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 c        f

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   

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        

               

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   

    

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Concertino pastorale for three solo instruments (flute, oboe, clarinet / violin) and string orchestra (violin I II III, viola, violoncello, double bass) H 7877 score H 7877-22 parts COPY Fils Antonín (1733–1760) Sei sinfonie per orchestra 2 flutes, 2 French horns, violin I II, viola, double bass Ed. J. Pohanka MAB I/44 H 2958 score ♦ Koželuh Leopold (1747–1818) Tre sinfonie in D maj, in F maj, in G min 2 oboes, 2 bassoons, 2 French horns, strings Ed. M. Poštolka MAB I/72 H 4585 score ♦ Martinů Bohuslav (1890–1959) Divertimento (Serenade No. 4) H. 215 violin solo, viola solo, 2 oboes, piano, strings H 1503 parts H 366 study score COPY (also available on hire)

]

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      6

Ob I, II

                                                                                                                                                          

a2   c               

Oboe I, II

BA 10424

♦

Urtext edition of Dvořák's popular wind serenade

Serenade

f

Chamber Orchestra

● F irst

Herrn Louis Ehlert zugeeignet

Zach Jan (1699–1773) Cinque sinfonie d'archi violin I II, viola, double bass Ed. J. Pohanka MAB I/43 H 2852 score and parts

The Serenade Op. 44, which also delighted Johannes Brahms, was issued by Dvořák's publisher Simrock shortly after its premiere. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.

Eben Petr (1929–2007)

Rejcha Antonín (1770–1836) Symphony in E-flat maj Op. 41 flute, 2 oboes, 2 bassoons, 2 French horns, timpani, strings Ed. V. Bělský MAB I/76 H 5270 score ♦ Tomášek Václav Jan (1774–1850) Symphony in D maj Op. 30 flute, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, timpani, strings Ed. Š. Jedličková H 7568 score ♦

© 2016 by Bärenreiter Praha

Performance material available

° on sale

Vejvanovský Pavel Josef (1640–1693) Composizioni per orchestra Ed. J. Pohanka MAB 1/47–49 H 3079 Vol. 1 score ♦ H 3171 Vol. 2 score ♦ H 3230 Vol. 3 score ♦ Serenate e sonate per orchestra for 2 clarinas, strings and basso continuo Ed. J. Pohanka MAB I/36 H 2334 score ♦ Zelenka Jan Dismas (1679–1745) Composizioni per orchestra I Sinfonia, Hipocondrie, Capriccio I–V Eds. C. Schoenbaum, O. Pulkert MAB I/61 H 3788 score ♦

Symphony orchestra (concertos with symphony orchestra – see individual instruments) Blatný Pavel (*1931) Bells (Zvony) H 7311 study score ♦ In modo classico Variations for string quartet and jazz orchestra H 6614 study score ♦ Bořkovec Pavel (1894–1972) The Pied Piper (Krysař) Ballet in two scenes based on an old Saxon story (Cz/Ger) H 1648 score ♦ Dvořák Antonín (1841–1904) Czech Suite Op. 39 ADCE III/17 H 519 score ♦

COPY

Josef Kajetán Tyl Op. 62 Incidental music to the play by František Ferdinand Šamberk ADCE I/9 H 5849 score ♦

Dvořák Antonín (1841–1904) NEW 2017

Slavonic Rhapsody in D maj Op. 45/1 Urtext / Ed. R. Simon BA 10401 score ° To appear in June 2017 NEW 2018

Slavonic Rhapsody in G min Op. 45/2 Urtext / Ed. R. Simon BA 10402 score ° In preparation NEW 2018

Slavonic Rhapsody in A-flat maj Op. 45/3 Urtext / Ed. R. Simon BA 10403 score ° In preparation Dvořák's Slavonic Rhapsodies Op. 45 were composed in 1878 and issued by the publisher Simrock, Berlin the following year. These three independent orchestral works were published with the same opus number and mark the beginning of his so-called Slavonic period.

The Slavonic Rhapsody op. 45/1 in D major now appears in an Urtext edition. The editor has made use of the first edition, authorised by the composer, as the principal source of his new scholarly-critical edition. ● A

work marking the beginning of Dvořák’s so-called Slavonic period

● P reface

(Eng/Cz/Ger) and critical commentary (Eng) by the editor 53

ORCHESTRA Dvořák Antonín (1841–1904) Suite in A maj Op. 98b ADCE III/17 H 2307 score ♦

COPY

Symphony No. 1 in C min B 9 “The Bells of Zlonice” („Zlonické zvony“) Ed. F. Bartoš TP 501• study score ♦ Symphony No. 2 in B-flat maj Op. 4 Ed. F. Bartoš TP 502• study score ♦ Symphony No. 3 in E-flat maj Op. 10 Ed. F. Bartoš TP 503• study score ♦ Symphony No. 4 in D min Op. 13 Ed. F. Bartoš TP 504• study score ♦ Symphony No. 5 in F maj Op. 76 Ed. F. Bartoš TP 505• study score ♦ Symphony No. 6 in D maj Op. 60 Ed. F. Bartoš TP 506• study score ♦ Symphony No. 7 in D min Op. 70 Urtext / Ed. J. Del Mar BA 10417• score ° BA 10417-40• critical commentary (Eng) study score TP 617•

Symphony No. 7 in D min Op. 70 Ed. F. Bartoš TP 507• study score ♦ Symphony No. 8 in G maj Op. 88 Ed. F. Bartoš TP 508• study score ♦ Symphony No. 9 in E min Op. 95 “From the New World” Ed. F. Bartoš TP 509• study score ♦ Feld Jindřich (1925–2007) Symphony No. 2 H 7178 score ♦ Hanuš Jan (1915–2004) Symphony No 3 Op. 38 H 2741-66 study score ♦ Symphony No. 4 for Large Orchestra Op. 49 H 3506 study score ♦ Hurník Ilja (1922–2013) Con brio per orchestra H 7803 score ♦ Janáček Leoš (1854–1928)

● F irst

Urtext edition

● C ontains

the original London version of the 2nd movement

● Detailed

preface by the editor (Cz/Eng/Ger)

54

Two Dances Cossack Dance (Kozáček), Serbian Reel (Srbské kolo) Ed. J. Burghauser BA 6171 / H 4657 score ♦ Lachian Dances (Lašské tance) Eds. J. Burghauser, R. Eliška LJCE D/4 BA 6845• cloth bound score ♦ H 6571 score (practical edition) ♦ Entr'actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky) Arr. by F. Jílek H 7505 study score Suite from the opera From the House of the Death (Suita z opery Z mrtvého domu) Arr. by F. Jílek H 7506 study score Sinfonietta H 7741 piano reduction for four hands only (František Jílek) ♦

Dvořák's Symphony No. 7 received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the 2nd movement was shortened by some 40 bars and the work was published in this form in 1885

by Simrock.

The editor of this new scholarly-critical edition has drawn on all the available sources including letters. The original version of the 2nd movement appears in the appendix as well as in the performance material.

The Danube symphony with four movements was written intermittently over the course of five years from 1923 to 1928.

Janáček's death prevented it from being finished. Based on the composer’s autograph draft and other sources, the score was completed by leading Janáček experts and eminent editors of the LJCE, Miloš Štědroň and Leoš Faltus. This is the first time the complete score was published in print.

Taras Bulba Rhapsody for Orchestra Eds. J. Burghauser, J. Hanuš LJCE D/7 cloth bound score ♦ BA 6842• H 3616 score (practical edition) ♦ The Danube (Dunaj) symphony (with soprano solo) critical reconstruction of the composer's unfinished symphony Eds. L. Faltus, M. Štědroň LJCE H/3 BA 6861 / H 7950 c loth bound score ♦

•

B ärenreiter-Verlag Kassel production

♦

Performance material available on hire

material available ° Ponerformance sale

55

ORCHESTRA

KABELÁČ YEAR 2018 Discover the eminent Czech composer Miloslav Kabeláč (1908–1979)

Janáček Leoš (1854–1928)

Martinů Bohuslav (1890–1959)

Taras Bulba Rhapsody for Orchestra Urtext / Eds. J. Burghauser, J. Hanuš TP 842 study score ♦ ● 2 0th

century repertoire piece available in a new study score

● N otation

D/7

based on the LJCE

● W ith

a new preface by Jiří Zahrádka (Cz/Eng/Ger)

PIANO ORGAN VIOLONCELLO FLUTE PERCUSSION

Find your inspiration for the 2018/2019 concert season in the Bärenreiter catalogue

The Fiddler's Child (Šumařovo dítě) Ballad for Orchestra Eds. J. Burghauser, R. Eliška LJCE D/6 BA 6848• cloth bound score ♦ H 6798-02 score ♦ H 6798 score (practical edition) ♦ Kabeláč Miloslav (1908–1979) Mystery of Time (Mysterium času) Op. 31 COPY Passacaglia per grande orchestra H 2799 study score ♦ Kalabis Viktor (1923–2006) Symphony No. 2 – Sinfonia pacis Op. 18 H 3759 study score ♦

ORCHESTRAL WORKS available on hire (selection) • Symphony No. 1 in D Op. 11 (for strings and percussion) • Symphony No. 2 in C Op. 15 (for large orchestra) • Symphony No. 3 in F Op. 33 (for organ, brass and timpani) • Symphony No. 4 in A “Camerata” Op. 36 (for chamber orchestra) • Symphony No. 5 in B-flat minor “Dramatic” Op. 41 (for soprano solo and large orchestra) • Symphony No. 7 Op. 52 (for reciter and large orchestra) • Symphony No. 8 “Antiphonies” Op. 54 (for soprano solo, mixed choir, percussion and organ) Premiere recording of complete Kabeláč symphonies now on Supraphon (2016) • Overture No. 2 Op. 17 (for large orchestra) • Mystery of Time Op. 31 (for large orchestra) • Reflections Op. 49 (for large orchestra) • Eufemias Mysterion Op. 50 (for chamber orchestra and soprano solo) • Metamorphoses II Op. 58 (for large orchestra and piano solo) 56

Smetana Bedřich (1824–1884)

Korte Oldřich F. (1926–2014) Concerto grosso H 7554 study score ♦ The Story of the Flutes (Příběh fléten) COPY H 3684 study score ♦ Krejčí Iša (1904–1968) XX variazioni per orchestra to an original theme in folk song style H 5553 score

NEW 2018

Sinfonia concertante H. 322 for oboe, basson, violin, violoncello and small orchestra Eds. Ch. Hogwood †, M. Pechač, P. Žůrek BMCE III/2/4 (in one volume with Concerto for String Quartet and Orchestra H. 207) BA 10577-01 cloth bound score In preparation Symphony No. 4 H. 305 Ed. S. A. Choa BMCE II/1, 4 BA 10572-01 cloth bound score ● F irst

ever scholarly-critical edition

● Detailed

preface and critical commentary by the editor (Eng/Cz)

→ see more about BMCE on pp. 38-39 Slavický Klement (1910–1999) Moravian Dance Fantasias (Moravské taneční fantazie) H 1211-66 study score ♦ Rhapsodic Variations (Rapsodické variace) for large orchestra H 2888 study score ♦ Symfonietta III Concerto per orchestra H 7004 score ♦

•

Bärenreiter-Verlag Kassel production

My Country (Má vlast) the most representative and best-known cycle of tone poems in Czech music Urtext / Ed. F. Bartoš With a new preface by M. Ottlová TP 557 study score My Country (Má vlast) Practical performance revision of each of the tone poems based on the critical edition Ed. J. Burghauser Vyšehrad COPY H 6427-01 score ♦ Vltava COPY H 6427-02 score ♦ Šárka COPY H 6427-03 score ♦ From Bohemian Fields and Groves (Z českých luhů a hájů) COPY

H 6427-04 score ♦ Tábor H 6427-05 score ♦ Blaník COPY H 6427-06 score ♦ March for the Shakespeare Celebration (Pochod ke slavnosti Shakespearově) H 3096-66 study score ♦ Prague Carnival (Pražský karneval) H 4054-66 study score ♦

♦

Performance material available on hire

57

ORCHESTRA

ORCHESTRA

New Urtext editions of Smetana's famous symphonic poems

Suk Josef (1874–1935) NEW 2017

“Asrael” Symphony Op. 27 → see more on the facing page Scherzo fantastique Op. 25 Rev. by V. Musil H 5183 score The Winter's Tale (Pohádka zimního večera) Op. 9 COPY Concert overture for large orchestra HM 941 score ♦

Smetana Bedřich (1824–1884) Vltava / The Moldau Urtext / Ed. H. Macdonald BA 9558 score ° TP 558 study score (the composer's own version for piano four hands – see section Piano Duet) Vyšehrad and Vltava (The Moldau), the first two symphonic poems of the sixpart cycle My Country, were composed in quick succession in 1874.

They were first published in the composer’s arrangement four hands in December 1879, followed by the score and orchestral parts, which were proofread by Smetana himself, in the first half of 1880.

● P reface

on the creation and reception of the work by Olga Mojžíšová (Cz/Eng/Ger) on the edition (Cz/Eng/ Ger) and a detailed critical commentary (Eng) by the editor

NEW 2017

Šárka Urtext / Ed. H. Macdonald BA 11532 score ♦ To appear in December 2017

Teml Jiří (*1935) Concerto grosso (Hommage à Haendel) H 7531 study score

Smetana composed Šárka, the third work of the cycle My Country, in January and February 1875. While the composer's own arrangement four hands was published by Urbánek in 1880, the score was not printed until 1888, four years after the composer's death.

3 přímé barvy - viz VZOR!!!

Due to the grave defects of the posthumous first edition of the score, the editor assessed the main source to be the autograph score with markings by conductor Adolf Čech, who headed the premiere of Šárka on 17 March 1877. The autograph and printed versions for piano duet served as referential sources.

M USICA ANTIQUA BOHEMICA 34

JAN VÁCLAV (HUGO) VOŘÍŠEK

SINFONIA Re maggiore

PARTITURA

ISMN 979-0-2601-0248-4

9 790260 102484

● P reface

by the eminent Smetana scholar Olga Mojžíšová (Cz/Eng/Ger)

● N ote

on the edition (Cz/Eng/ Ger) and a detailed critical commentary (Eng) by the editor

NEW 2018

From Bohemian Fields and Groves (Z českých luhů a hájů) Urtext / Ed. H. Macdonald BA 11533 score ♦ In preparation

Voříšek Jan Václav Hugo (1791–1825) Symphony in D maj 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, timpani, strings Ed. J. Racek, rev. by F. Bartoš MAB I/34 H 2262 score ♦ H 7323 piano reduction for four hands (Karel Šolc) material available ° Ponerformance sale ♦

Vznešené památce Dvořákově a Otilčině.

Dem teuren Andenken Anton Dvořáks und seiner Tochter, meiner Gattin Otilie.

NEW 2017

“Asrael” Symphony Op. 27 Urtext / Ed. J. Hájek BA 9532 score ♦ (replaces H 3978) To appear in December 2017

Symfonie / Symphony / Symphonie (Asrael) Andante sostenuto

Flauto piccolo (Flauto grande)

°  3  4

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 3  4

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I II

Oboe

When Antonín Dvořák died on 1 May 1904, his son-in-law Josef Suk decided to honour his memory with a funeral symphony. Suk began drafting his second symphony around February 1905, but his work was interrupted by another tragedy – the death of his beloved wife Otilie. This event had a significant impact on the composition (he discarded his initial draft of the fourth movement and replaced it with a completely new one).

The five-movement symphony named after the Angel of Death is dedicated to Dvořák and his daughter.

“Asrael” Symphony was premiered in the National Theatre in Prague on 3 February 1907 under the baton of Karel Kovařovic. The score was published by Breitkopf & Härtel in Leipzig that very year, the piano reduction by Roman Veselý found its way to print five years later.

The main source of the present edition is the first print, supplemented by Suk’s September 1921 corrections, which were sparked by Václav Talich, chief conductor of the Czech Philharmonic. Talich made note of the corrections in his own printed copy of the score. The biggest change is the addition of the fifth and sixth horn ad libitum to the orchestra.

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BA 9532 BA 9532

● F irst-ever

I

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Josef Suk, op. 27

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I Flauto grande II

[I. díl / Part I / I. Teil] I

© 2017 by Bärenreiter Praha

© 2016 by Bärenreiter Praha

scholarly-critical

● D etailed

preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

SUK B Ä R

E

N

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T

Symfonie / Symphony / Symphonie

„Asrael“

● C ontains

Suk's later corrections, including the fifth and sixth horn ad libitum

op. 27

Partitura / Score / Partitur

Bärenreiter

● N ote

Smetana Bedřich (1824–1884)

Suk Josef (1874–1935)

DVOŘÁK · Dumky · op. 90

Owing to the large number of misprints in the Urbánek first edition of The Moldau, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer’s own version for piano duet.

Radúz and Mahulena Op. 13 Music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin only (Roman Veselý)

First scholarly-critical edition of “Asrael” the famous symphony in memory of Dvořák and his daughter

Bärenreiter

Performance material available on hire

58

59

SOLO VOICE

Dvořák Antonín (1841–1904) Biblical Songs (Biblické písně) Op. 99 for voice and piano to words from the Book of Psalms (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/2 H 1758-96 for high voice H 1560-97 for low voice (will be replaced by BA 10425, BA 10426) orchestral arrangement by A. Dvořák (the first five songs) and J. Burghauser with J. Hanuš (the second five songs) available on hire (only for low voice) NEW 2018

Biblical Songs (Biblické písně) Op. 99 for voice and piano to words from the Book of Psalms (Cz/Eng/Ger) Urtext / Ed. Eva Velická Preface by D. R. Beveridge BA 10425 for high voice (will replace H 1758) BA 10426 for low voice (will replace H 1560) In preparation A masterpiece of Dvořák’s song oeuvre. The cycle of ten Biblical Songs was composed in New York in spring 1894. While still in New York, Dvořák prepared orchestral arrangements of the first five songs in the first January week 1895. The original piano version of the cycle was first published

by Simrock in Berlin in early 1895.

Cypresses (Cypřiše) B 11 for tenor and piano Song cycle to words by Gustav Pfleger-Moravský (Cz) Urtext / Ed. A. Frese BA 9569 ● F irst

ever Urtext edition of 18 love songs by young Dvořák

● L iteral

translations of the lyrics included (Eng/Ger)

● W ith

a detailed preface by David R. Beveridge (Eng/Ger/ Cz) and a critical commentary (Eng) by the editor

60

Evening Songs (Večerní písně) Opp. 3, 9 COPY for voice and piano to words by Vítězslav Hálek (Cz/Eng) Ed. A. Čubr ADCE VI/1 H 553 (will be replaced by a new Urtext edition as part of the volume Songs I – BA 11515, BA 11516) Gypsy Songs (Cigánské melodie) Op. 55 for voice and piano to words by Adolf Heyduk (Cz/Eng/Ger) Ed. A. Čubr ADCE VI/1 H 1559 for high voice H 1739 for low voice (will be replaced by BA 10431, BA 10432) orchestral arrangement by J. Teml available on hire (only for low voice)

přerozkošně zní), 3. Silent and lone the woods around (A les je tichý kolem kol), 4. Songs my mother taught me (Když mne stará matka), 5. Tune thy strings, oh gipsy!

(Struna naladěna), 6. In his wide and ample, airy linen vesture (Široké rukávy), 7. Cloudy heights of Tatra (Dejte klec jestřábu) Dvořák composed the song cycle Gypsy Songs Op. 55 to the words by Czech poet Adolf Heyduk in early 1880 by request of the tenor Gustav Walter, a member of the Vienna Court Opera, to whom the cycle is dedicated. Dvořák wrote the music directly for the German translations of the poems, which were provided for this purpose by the poet himself.

The songs were first published

by Simrock in German in summer 1880; the same publisher released another version including lyrics in Czech and English a year later.

Editor Veronika Vejvodová chose the first edition as the main source. The cycle is published in two transpositions for high and low voice. ● T hird

volume of the new five-volume Urtext edition of Dvořák’s complete songs for voice and piano

● O ne

NEW 2017

Gypsy Songs (Cigánské melodie) Op. 55 for voice and piano to words by Adolf Heyduk (Cz/Eng/Ger) Urtext / Ed. V. Vejvodová BA 10431 for high voice (replace H 1559) BA 10432 for low voice (replaces H 1739) To appear in October 2017 1. I chant my lay, a hymn of love (Má píseň zas mi láskou zní), 2. Hark, how my triangle (Aj! Kterak trojhranec můj

of the most popular and most famous Romantic song cycles

● D etailed

preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

Moravian Duets (Moravské dvojzpěvy) Opp. 20, 32, 38 for two voices (soprano and tenor / soprano and alto) and piano to words of Moravian folk songs (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/3 H 337 Rusalka's Song to the Moon (Píseň Rusalky o měsíčku) Aria for soprano and piano from the 1st act of the opera Rusalka Text by Jaroslav Kvapil (Cz/Ger/Eng) H 4460 vocal score ♦ (Karel Šolc) Russian Songs (Ruské písně) COPY

for two female voices and piano (Cz/Ru) ADCE VII/5 H 441

NEW 2018

Songs I (Písně I) for voice and piano Lyrics: Cz/Eng/Ger Urtext / Ed. V. Vejvodová BA 11515 for high voice BA 11516 for low voice In preparation Two Songs for Baritone (Dvě písně pro baryton) s. op.

(B 13), Songs to Words by Eliška Krásnohorská (Písně na slova Elišky Krásnohorské) s. op.

(B 23), The Orphan (Sirotek) Op. 5, Rosemary (Rozmarýna) s. op. (B 24bis), Four Songs to the Words of Serbian Folk Poems (Čtyři písně na slova srbské lidové poezie) Op. 6, Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královédvorského) Op. 7, Evening Songs (Večerní písně) Opp. 3, 9 This volume includes songs from Dvořák's early period, many of them are almost unknown and rarely performed. Some songs were previously unpublished.

Now they appear in the first Urtext edition.

♦

Performance material available on hire

DVOŘÁK SONG PROJECT A new five-volume Urtext edition

Antonín Dvořák's complete vocal works for solo voice and piano Cypresses B 11 18 love songs for tenor and piano by young Dvořák in their original form Songs I An album of songs from composer's early period, unknown pieces included Songs II An album of songs from composer’s late period, unknown pieces included Gypsy Songs Op. 55 One of the most popular and most famous Romantic song cycles Biblical Songs Op. 99 Dvořák’s last song cycle, a masterpiece of his song oeuvre

● T hree

song cycles and two albums with songs issued in chronological order

● N ew

Urtext and first Urtext editions, with some songs published for the first time ever

● E ach

volume published in two versions – for high and low voice (except for Cypresses, written for tenor)

● L yrics

in three languages (Cz/ Eng/Ger) for each vocal part in all volumes (except for Cypresses in Czech with literal translations in English and German)

● D etailed

prefaces (Cz/Eng/ Ger) and critical commentaries (Eng) by the editors Veronika Vejvodová (Songs I, Songs II, Gypsy Songs), Eva Velická (Biblical Songs) and Andreas Frese (Cypresses)

National Museum – Czech Museum of Music

Solo Voice (Voices)

SOLO VOICE

61

SOLO VOICE

TREASURY OF THE GREATEST CZECH MUSIC 100

Ukolébavka/Lullaby/Wiegenlied

  3   8 

Three Modern Greek Songs (Tři novořecké básně) Op. 50 (B 84a, B 84b), Songs on Poems

by Gustav Pfleger-Moravský (Písně na slova Gustava PflegraMoravského) Op. 2 (B 123–124), Two Czech Folk Poems (Dvě písně na lidové texty) s. op. (B 142), In Folk Style (V národním tónu) Op. 73 (B 146), Four Songs (Čtyři písně) Op. 82 (B 157), Love Songs (Písně milostné) Op. 83 (B 160), Lullaby (Ukolébavka) s. op. (B 160), Song from The Smith of Lešetín (Zpěv z Lešetínského kováře) op. posth.

(B 204) Songs II comprises mature works from Dvořák's late period.

Besides the well-known cycle Love Songs, the volume also contains some less-known or entirely unknown and previously unpublished pieces. ● S econd

volume of the new five-volume Urtext edition of Dvořák's complete songs for voice and piano

● F irst

Urtext edition with detailed preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● F irst-ever

the songs

62

print of some of

tem - ná fal - len Nacht kommt

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mf        

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noc se Night has dun - kle

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 

        

kva-pem blí - ží, spá dark and som - bre, eye ei - lig nä - her, Schlaf

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nek ví lids droop be - schwert

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ma - lá hea - vy Au - gen

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pou

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pát

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ko!

Simona Šaturová soprano Essener Philharmoniker conductor Tomáš Netopil

-

MARTINŮ / CANTATAS

 

sleep, ce lan dine!

- ber, Eben Petr Songs from the Dvůr Králové my schlaf, mein Her ze lein!

- der, (1929–2007) Manuscript (Písně z Rukopisu       COPY   královedvorského) Op. 7             Nursery    (Říkanky)   Songs   for voice and piano  for soprano and piano pp  (Cz/Ger/Eng)          to words of English     limericks      Ed. A. Čubr   songs,  children'sfavourite   ADCE VI/1 suitable for teaching English H 3082 (Eng/Cz) (will be replaced by a new Urtext H 7810 edition as part of the volume Secret Songs (Písně nejtajnější / Songs I – BA 11515, BA 11516) Heimliche Lieder) Songs to Words by Eliška for low voice and piano Krásnohorská B 23 COPY Love songs to words by various for voice and piano authors (Cz/Ger/Eng) (Cz/Ger) Eds. J. Burghauser, A. Čubr H 3533 ADCE VI/1 Six Songs of Love (Šestero piesní H 2632 milostných / Sechs Minnelieder) (will be replaced by a new Urtext for low voice and piano edition as part of the volume Six songs to original medieval Songs I – BA 11515, BA 11516) love poetry (in 5 original languaThree Spiritual Songs ges with translations into Czech) (Tři duchovní zpěvy) Op. 19b (Cz/Eng/Ger/Ital/Fr) for low voice and organ (Lat) H 2464 Eds. J. Burghauser, A. Čubr ADCE VI/1 Songs from Teschen (Písně H 4956 z Těšínska / Lieder aus dem Teschnerland) Ave Maria, Hymnus ad for lower voice and piano laudes in festo SS. Trinitatis, Ave to words of Silesian folk songs maris stella (Cz/Ger) H 5311



MARTINŮ / ARIANE, DOUBLE CONCERTO

Sunday Times Album of the Week

-

tempo rit. first time) from the volume From: Antonín Dvořák,in Lullaby (published for the 14 pp    SongsII• BA 11517            - ží,

The first complete recording

tko; mine. lein;

SU 4205-2

p

    



   

  

ma - lé che - rub, klei - nes

Prague Philharmonic Choir conductor Lukáš Vasilek Gramophone Editor’s Choice BBC Music Magazine Choral & Song Choice

MARTINŮ / THE COMPLETE PIANO TRIOS Smetana Trio Diapason d´Or BBC Music Magazine Disc of the Month BBC Music Magazine Award Nomination Sunday Times Album of the Week

SU 4197-2

NEW 2017 Songs II (Písně II) for voice and piano Lyrics: Cz/Eng/Ger Urtext / Ed. V. Vejvodová BA 11517 for high voice BA 11518 for low voice To appear in May 2017

bou - be - le - té lit - tle gol - den wo - nne-vo - lles

Prague Radio Symphony Orchestra conductor Marko Ivanović

MARTINŮ – HUSA – KALABIS – FELD VIOLA SONATAS Kristina Fialová viola Igor Ardašev piano

DVOŘÁK / SONGS

CYPRESSES, EVENING SONGS, GYPSY SONGS Pavol Breslik tenor Robert Pechanec piano

SU 4215-2

 3    8    

7

Dvořák Antonín (1841–1904)

zla - té ten - der gol - dnes

   

SU 4202-2

Spi, mé Sleep, my Schlaf, mein



     

  

SU 4198-2

  3p    8  

KABELÁČ / THE COMPLETE SYMPHONIES Antonín Dvořák, B 194

SU 4211-2

Andante

SUPRAPHON LION IN THE WORLD OF MUSIC SUPRAPHON a. s. www.supraphon.com | info@supraphon.com www.facebook.com/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

63

SOLO VOICE

SOLO VOICE

Eben Petr (1929–2007)

for a beautiful gypsy girl is one of his great vocal masterpieces.

Songs for a Lute (Písně k loutně) for voice and lute / guitar to words of medieval and Renaissance love poetry (in original languages) (Cz/Eng/Fr/Ger) a small pendant to the cycle Six Songs of Love, suitable for an amateur singer and guitarist in one Rev. by J. Tichota H 6300 Foerster Josef Bohuslav (1859–1951) Erotikon Op. 23 Four songs for high voice and piano (Cz/Ger) H 7849 Hanuš Jan (1915–2004) Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103 Three songs for bass and large orchestra to words by Jaroslav Seifert (Cz) (with literal English and German translations of the lyrics) H 7439 study score ♦ Janáček Leoš (1854–1928) Four Ballads (Čtyři balady) for medium voice and piano to words of folk poetry (Cz/Ger) Rev. by J. Trojan H 6497

This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda. The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects.

NEW 2016

The Diary of One Who Disappeared (Zápisník zmizelého) for tenor, alto, three female voices and piano to words by Ozef Kalda (Cz/Eng/Ger) Urtext / Ed. J. Zahrádka BA 9575 score (replaces H 935) arrangement for chamber orchestra by M. Štědroň and M. Orson Štědroň available on hire

♦

64

Urtext edition

● Detailed

preface (Cz/Eng/Ger) with new information on the genesis of the work and critical commentary (Eng) by the editor

● Numbers

IX to XI which include the alto and three female voices behind the scene also available online in a PDF form on our website for download

I *) Andante (q . = 76)

6  16 

Tenore

Pianoforte





  

pp

 

6

    ne

 

sf

- sla lithe as leicht schritt



 

sa a sie





2

  

sf

2

       

on Brust

 



2

né her die

 



2

4

4







 



 

 

přes pr - sa black hair lay schwarz auf der

   





sf 2

cresc.

 

 

ky her das



 

 

o - či a eyes were deep Au - ge ein



2

2

2

                  4

°

 





2

4

        



        

2

le - lí shoul - ders, Zöp - fe,

 



2

4

  -

ci - gán - ku, Gyp - sy girl, Zi - geu - ne - rin,

 

laň, she, Reh,

4

° 11

     čer

 

mla - dou met a jun - ge

 

        

 2

 

        

 2

Leoš Janáček

accel.

      

2

        ja - ko deer was wie ein

 

Po - tkal sem One day I traf ei - ne

Ich

 6  16  6 16

mf

 



°

Performance material available on hire

● First

Janáček's intimate chambermusic drama about the passionate love of a simple farm boy

Moravian Folk Poetry in Songs (Moravská lidová poezie v písních) for voice and piano (Cz/Ger) H 4570 Silesian Songs (Slezské písně) for low voice and piano to words from a collection of folk songs by Helena Salichová (Cz) Rev. by B. Štědroň H 1403

Composed in 1917–19, the Diary was premiered in Brno in 1921 from a manuscript prepared

by Gustav Homola. The same manuscript served as a basis for the first edition which was issued by the Brno publisher Oldřich Pazdírek in 1921 as well as for this current first Urtext edition.

Janáček Leoš (1854–1928)

  

bez as finst



Five Romantic Songs about Love to Words by R. M. Rilke (Pět romantických písní o lásce na slova R. M. Rilka) Op. 38 for high voice and piano (Ger/Cz) H 7841 Kaprálová Vítězslava (1915–1940) Love Carol (Koleda milostná) for medium / high voice and piano (together with Love Carol by Bohuslav Martinů) (Cz/Ger) Ed. I. Popelka H 5585 Kopelent Marek (*1932) Excited Song (Zjitřený zpěv) for baritone and brass quintet (2 trumpets, French horn, 2 trombones) to words by Josef Hora (Cz) H 7791 score with parts

Bohuslav Martinů

NEW 2017

LIEDER AUF EINER SEITE SONGS ON ONE PAGE

Canto e Piano

BÄRENREITER PRAHA H 5094

Songs on One Page (Písničky na jednu stránku) H. 294 for high voice and piano Seven songs on Moravian folk poetry (Cz/Eng) H 5094 orchestral arrangement by J. Teml available on hire

Bohuslav Martinů

Martinů Bohuslav (1890–1959) Four Songs on Czech Folk Poetry (Čtyři písně na slova české lidové poezie) H. 282bis for voice and piano (Cz/Ger/Eng) Ed. A. Březina H 7809 Love Carol (Koleda milostná) H. 259 for medium / high voice and piano (together with Love Carol

by Vítězslava Kaprálová) (Cz/Ger) Ed. I. Popelka H 5585 New Chap-Book (Nový Špalíček) H. 288 for voice and piano Eight songs on Moravian folk poetry (Cz/Ger) Ed. I. Popelka H 6132

Michna Adam Václav z Otradovic (1600–1676)

LIEDER AUF ZWEI SEITEN SONGS ON TWO PAGES

Canto e Piano

BÄRENREITER PRAHA H 5095

Songs on Two Pages (Písničky na dvě stránky) H. 302 for high voice and piano Seven songs on Moravian folk poetry (Cz/Eng) H 5095 Two Songs to the Text of Negro Folk Poetry (Dvě písně na texty negerské poezie) H. 232bis for voice and piano (Cz/Ger) Ed. I. Popelka H 5988

The Czech Lute (Loutna česká) A collection of 13 songs for two voices, two violins and basso continuo to words by the composer (Cz) Ed. P. Daněk H 8040 parts with particell in slipcover To appear in December 2017 The Czech Lute is a 1653 collection of 13 strophic songs. Each of them is introduced by an instrumental ritornel; the cycle represents the first occurrence of ritornel songs in Czech.

Until recently the notation of the instrumental ritornels was unknown because the parts of the first and second violins were lost. The discovery of the part of the first violin in January 2014 by the editor of this edition was unique accomplishment that enabled the first reliable reconstruction of the work with the help of the basso continuo part, even though the notation of the second violin remains missing.

The premiere CD recording of this authentic version of The Czech Lute was created by Adam Viktora and Ensemble Inégal for Nibiru in 2015. ● M ost

famous song collection of the Czech Baroque

● R econstruction

of the work based on the newly discovered part of the first violin

● F irst-ever

edition of instrumental ritornels with the reconstructed part of the second violin and the fully notated basso continuo by Adam Viktora

● P reface

(Cz/Eng/Ger) and critical commentary (Eng) by the editor

4

   -

Kalabis Viktor (1923–2006)

dna the rer

  zhlaň. see.

See.



65     

SOLO VOICE / CHORAL MUSIC / SACRED AND SECULAR WORKS Mysliveček Josef (1737–1781) Tre notturni COPY for 2 sopranos, 2 clarinets, 2 French horns and strings (Ital) Ed. V. Bělský MAB II/7 H 5182 score ♦ Petrarch Songs (Písně na Petrarku) Songs for medium voice and piano on poems by Francesco Petrarca 19 songs in different languages from 19 European composers from 18th to 20th centuries (Ital/Fr/Cz/Eng/Ger) Ed. M. Bruns H 7934 Plánický Josef Antonín (1691–1732) Opella ecclesiastica Twelve sacred cantatas (Lat) for soprano, alto and bass solo, 2 bassoons, strings, and organ Ed. J. Sehnal MAB II/3 H 4496 score Rychlík Jan (1914–1964) South Bohemian Folk Songs (Jihočeské písně a písničky) for voice, violin, clarinet, bass clarinet and piano (Cz/Ger) H 5489 score with parts Sluka Luboš (*1928) Renaissance Songs (Písně renesanční) Three songs for mezzo-soprano / baritone and piano (Cz/Ger) H 3402 Smetana Bedřich (1824–1884) Evening Songs (Večerní písně) for low voice (arr. by J. E. Zelinka) and piano Five songs to words by Vítězslav Hálek (Cz/Ger/Eng) Rev. by K. Šolc H 2844

Collections Music of the Piarist Monasteries I Moravian church compositions of the 17th and 18th centuries for mixed choir, 2 horns, strings and organ (Lat) Ed. T. Hanzlík H 7905 score COPY Repertorium troporum bohemiae medii aevi, pars I–IV Tropi proprii missae – pars I (Lat) Ed. H. Vlhová-Wörner H 7878 Tropi ordinarii missae – pars II Kyrie eleison Gloria in excelsis Deo (Lat) Ed. H. Vlhová-Wörner H 7959 Tropi ordinarii missae – pars III Sanctus (Lat) Ed. H. Vlhová-Wörner H 8017 Tropi ordinarii missae – pars IV Agnus Dei (Lat) Ed. H. Vlhová-Wörner H 8030

Pastorelle boemiche Czech Christmas Pastorals Daniel A. F. Milčinský (instrumental ), Tomáš N. Koutník, Jiří I. Linek, Jan Michalička for soloists (soprano, tenor, bass), mixed choir and chamber orchestra (Cz) Ed. J. Berkovec MAB I/23 H 1819 score ♦ The five volume editorial project Repertorium troporum bohemiae medii aevi introduces the texts and musical editions of mass tropes from Czech sources from the 11th–16th centuries. The tropes are edited along with their native chants; as such, these publications would interest both the academic community, as well as those interested in performance.

Many of the texts and melodies are made accessible for the very first time. The edition contains numerous commentaries, introductory studies (Cz/Eng) and enclosed facsimilies.

The internationally respected musicologist Hana Vlhová-Wörner is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Hymnal.

CHORAL MUSIC / SACRED AND SECULAR WORKS Children's Choir Eben Petr (1929–2007) Alleluia Epilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr. by Ph. Brunelle (original Greek of Plato's Apologia Sokratus) H 7900 score The Twig Grows Green (Zelená se snítka) 14 songs for children's choir and piano (Cz/Ger) H 2335 score Hurník Ilja (1922–2013) Children's Choruses A selection from the author's cycles of children's choruses a cappella (Cz) H 7136 choral score Missa Vinea Crucis for children's / female choir and orchestra or organ (Lat) H 7768 score (organ version) orchestral version available on hire Pololáník Zdeněk (*1935) Cantus laetitiae for children's or female choir a cappella (Lat) H 7885 choral score

Female Choir Eben Petr (1929–2007) Of Swallows and Girls (O vlaštovkách a dívkách) Nine folk songs for female choir a cappella (Cz) H 4233 choral score ♦

Performance material

Eben Petr (1929–2007) Greek Dictionary (Řecký slovník) Nine female choruses with harp/ piano accompaniment (to single Greek words) Harp part rev. by L. Váchalová H 6145 score Hurník Ilja (1922–2013) Missa Vinea Crucis for children's / female choir and orchestra or organ (Lat) H 7768 score (organ version) orchestral version available on hire Janáček Leoš (1854–1928) Hradčany Songs (Hradčanské písničky) for female choir with flute and harp accompaniment to words by František S. Procházka (Cz/Ger/Eng) H 4248 score Kašpar Rucký Ballad for female choir a cappella with soprano solo to words by František S. Procházka (Cz/Ger) H 6001 choral score The Wolf's Track (Vlčí stopa) for female choir and piano to words by Jaroslav Vrchlický (Cz/Ger) H 4515 score Martinů Bohuslav (1890–1959) Opening of the Wells (Otvírání studánek) H. 354 Cantata for soprano, alto and baritone solos, reciter, female choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger) H 2122 score with instrumental parts → see more on p. 73

Pololáník Zdeněk (*1935) Cantus laetitiae for children's or female choir a cappella (Lat) H 7885 choral score Smetana Bedřich (1824–1884) Female Choruses Three three-part female choruses a cappella Má hvězda, Přiletěly vlaštovičky, Za hory slunce zapadá (Cz) H 7811 choral score

Male Choir Dvořák Antonín (1841–1904) Choral Songs (Sborové písně) B 66 COPY for male choir (Cz) HM 150 choral score Eben Petr (1929–2007) In honorem Caroli Cantata for male choir and orchestra to words from the Foundation Charter of Charles University (Cz/Lat/Ger) H 6615 score ♦ Janáček Leoš (1854–1928) Ave Maria COPY for male choir a cappella to words by Lord Byron (Cz) Ed. J. Trojan H 6276 choral score Čarták on Soláň (Na Soláni čarták) Cantata for male choir and orchestra to words by Martin Kurt (pseudonym of Maxmilián Kunert) (Cz/Ger/Eng) Eds. J. Hanuš, M. Štědroň LJCE B/3 cloth bound score ♦ BA 6844• H 6450 score (practical edition) ♦ H 2576-90 vocal score (Břetislav Bakala)

available on hire

66

67

CHORAL MUSIC / SACRED AND SECULAR WORKS Janáček Leoš (1854–1928) Echoes of Folk Songs (Ohlas národních písní) for male choir a cappella (Cz) Ed. J. Trojan H 5951 choral score True Love (Láska opravdivá), I Am Most Astonished (Divím se milému), The Sunken Garland (Vínek stonulý) Four Male Partsongs (Čtveřice mužských sborů) for male choir a cappella H 2486 choral score (Cz) H 2486-01 choral score (Ger) The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé) Four Moravian Male Choruses (Čtvero mužských sborů moravských) for male choir a cappella to words of Moravian folk poetry (Cz) H 7769 choral score You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení) Male Choruses I (Mužské sbory I) for male choir a cappella (Cz/Ger/Eng) Eds. L. Faltus, P. Oliva LJCE C/1 cloth bound choral BA 6847• score Ploughing (Orání), Fickleness of Love (Nestálost lásky), Lonesome without Solace I (Osamělá bez těchy I), True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý), Wailing Melancholy (Zpěvná duma), You Cannot Escape from Fate (Osudu neujdeš), Two Doves in a Fir Tree (Na košatej jedli), At the Ferry (Na prievoze), Four Male Partsongs (Čtveřice mužských sborů): The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé), Parting (Loučení), The Dove (Holubička), The Jealous Lover (Žárlivec), Birch Tree (Což ta 68

naše bříza), Seek Repose (Odpočiň si), Festive Chorus (Slavnostní sbor), Lonesame without Solace II (Osamělá bez těchy II) Male Choruses II (Mužské sbory II) for male choir a cappella (Cz/Ger/Eng) Eds. L. Faltus, P. Oliva LJCE C/2 BA 6858 / H 7840 cloth bound choral score Ave Maria, The Wreath (Vínek), Four Moravian MaleVoice Choruses on Moravian folk poetry (Čtvero mužských sborů moravských): You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení), Halfar the Schoolmaster (Kantor Halfar), Maryčka Magdónova (1st version), Maryčka Magdónova (2nd version), The Seventy Thousand (Sedmdesát tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Wandering Madman (Potulný šílenec), Our Flag (Naše vlajka), Chorus for laying the foundation stone of the Masaryk University in Brno, various supplements The Wandering Madman (Potulný šílenec) for male choir a cappella with soprano solo to words by Rabindranath Tagore (Cz/Ger) H 6003 choral score The Seventy Thousand (Sedmdesát tisíc) for mail choir a cappella to words by Petr Bezruč (Cz) H 6002 choral score True Love (Láska opravdivá) for male choir a cappella to words of folk poetry (Ger/Eng) H 3026 choral score Wailing Melancholy (Zpěvná duma) for male choir a cappella to words by František L. Čelakovský (Cz/Ger) Ed. J. Trojan H 6256 choral score

•

B ärenreiter-Verlag Kassel production

♦

Performance material available on hire

KLAVÍR

We’ve been with you for over eight decades now

Martinů Bohuslav (1890–1959) Brigand Songs (Zbojnické písně) H. 361 COPY Ten male choruses a cappella to words of Moravian folk poetry (Cz/Ger/Eng) H 2880 choral score Field Mass (Polní mše) H. 279 COPY

Cantata for male choir with baritone solo and orchestra to words by Jiří Mucha (Cz) literal translations of the lyrics (Ru/Eng/Fr) included H 277 score ♦ Smetana Bedřich (1824–1884) Festive Chorus (Slavnostní sbor) COPY

for male choir a cappella to words by Emanuel Züngel (Cz) H 5561 choral score

Mixed Choir Brixi Šimon (1693–1735) Magnificat Cantata for mixed choir, 2 trumpets (clarinas), strings and organ (Lat) Ed. V. Bělský MAB II/2 H 4151 score Dvořák Antonín (1841–1904) Hymnus “Heirs of the White Mountain” („Dědicové Bílé Hory“) Op. 30 Short cantata for mixed choir and orchestra to words by Vítězslav Hálek (Cz/Ger/Eng) ADCE II/5 H 3530 score ♦ COPY H 3750 vocal score (Karel Šolc) COPY In Nature's Realm (V přírodě) Op. 63 COPY for mixed choir a cappella to words by Vítězslav Hálek (Cz) ADCE VI/4 H 522 choral score

See our website at www.philharmonicchoir.cz

TRUSTEE

69

CHORAL MUSIC / SACRED AND SECULAR WORKS Dvořák Antonín (1841–1904) Mass in D maj Op. 86 (organ version) for soloists, mixed choir and organ (Lat) Eds. J. Burgauser, A. Čubr ADCE II/7 H 4952 score (with preface

by J. Burghauser) (will be replaced by BA 10434) NEW 2018

Mass in D maj Op. 86 (organ version) for soloists, mixed choir and organ (Lat) Urtext / Ed. H. Utidijan BA 10434 score (with newly discovered cello and double bass parts) (will replace H 4952) BA 10435 choral score with organ In preparation Psalm 149 (Žalm 149) Op. 79 for mixed choir and orchestra (Cz/Ger/Eng) ADCE II/6 H 4508 vocal score ♦ (Karel Šolc)

Six Moravian Duets (Šest moravských dvojzpěvů) for mixed choir and piano to words of Moravian folk songs (Cz/Ger) Arr. by L. Janáček, with original piano part Ed. V. Němec H 7718 choral score (will be replaced by BA 10429) NEW 2018

Urtext / Ed. K. Viktorová BA 10429 choral score (will replace H 7718) In preparation St Ludmila (Svatá Ludmila) Op. 71 Oratorio for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) ADCE II/3 H 4027 vocal score ♦ (František Bartoš) Stabat Mater Op. 58 Cantata for soloists, mixed choir and orchestra (Lat) Ed. A. Čubr ADCE II/1 H 2268 study score ♦ H 1882 vocal score (Karel Šolc)

Requiem Op. 89 for soloists, mixed choir and chamber orchestra Arr. by J. Linckelmann (Lat) BA 9582 score ° choral work with a manageable reduced orchestration stylistically appropriate as well as tried and tested arrangement

Requiem Op. 89 for soloists, mixed choir and orchestra (Lat) ADCE II/4 H 2924-90 vocal score ♦ (Karel Šolc) 70

Eben Petr (1929–2007) Alleluia Epilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr. by Ph. Brunelle (original Greek of Plato's Apologia Sokratus) H 7900 score Love and Death (Láska a smrt) COPY

for mixed choir a cappella to words of folk poetry (CZ/Ger) H 3863 choral score

The Night (Noc) for mixed choir a cappella to words by Karel Hynek Mácha (Cz/Ger/Eng) H 7847 choral score

● A

keeping with the vocal score H 2924-90

The Spectre's Bride (Svatební košile) Op. 69 Ballad to words by Karel Jaromír Erben for soloists, mixed choir and orchestra (Cz/Ger/Eng) ADCE II/2 With a new preface by D. Philippi BA 9544-90 v ocal score ♦ (Karel Šolc)

Salve Regina / Cantico delle creature Canticle of the Sun of Francis of Assisi for mixed choir a cappella (Lat/Ital [Umbrian]) BA 6429• choral score

● S tandard

● I n

Te Deum Op. 103 for solo soprano and bass, mixed choir and orchestra (Lat) ADCE II/6 H 4522 score COPY H 4523-90 vocal score ♦ (Karel Šolc)

Stabat Mater Op. 58 Cantata for soloists, mixed choir and orchestra (Lat) Vocal score based on Dvořák's original piano version Urtext / Eds. J. Kachlík, M. Srnka H 7920 vocal score by the composer ♦

•

B ärenreiter-Verlag Kassel production

Ubi caritas et amor for mixed choir a cappella to words by anonymous (Lat/Ital) BA 5404• choral score Fišer Luboš (1935–1999) Caprichos double-chorus composition a cappella for chamber and mixed choirs H 4439 score

CHORAL MUSIC / SACRED AND SECULAR WORKS Janáček Leoš (1854–1928) Amarus Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) Eds. L. Faltus, M. Kučerová, M. Štědroň LJCE B/1 BA 6851• cloth bound score H 7382-01 score H 7735 vocal score ♦ (Zdeněk Král) Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) Cantata for tenor solo, mixed choir and piano to words by Marie N. Vevericová (Cz/Ger/Eng) Ed. T. Straková H 2572 score Festive Chorus (Slavnostní sbor) for male solo quartet, female and male choir with piano to words by K. Kučera (Cz/Ger) Ed. J. Trojan H 5264 score Glagolitic Mass (Glagolská mše / Mša glagolskaja) for soloists, mixed choir, organ and orchestra (Old Church Slavonic text) Eds. L. Faltus, J. Zahrádka LJCE B/5–I Preface (Cz/Ger/Eng/Fr/Ru) and critical commentary (Cz/Ger) by J. Zahrádka BA 6862 / H 7935 cloth bound score, final authorised version ♦ LJCE B/5–II BA 6863 / H 8020 cloth bound score, “September 1927” version ♦ Urtext / Eds. L. Faltus, J. Zahrádka (final authorised version) Preface (Cz/Eng/Ger) by J. Zahrádka With translation of an Old Church Slavonic text into Cz/Ger/ Eng in the vocal score TP 862 study score BA 6862-90 v ocal score (Martin Zehn) Graduale in festo Purificationis B. V. M. for mixed choir a cappella (Lat) Ed. J. Trojan H 4698 choral score

Hail Mary (Zdrávas Maria) Ave Maria for soprano / tenor, mixed choir (ad lib.), violin, piano / organ (Cz/Ger) Ed. B. Bakala H 6252 score Mass in B-flat maj According to “Messe pour orgue”

by F. Liszt for mixed choir and organ (Lat) Ed. J. Burghauser H 6239 score Mass in E-flat maj (Unfinished Mass) for soloists, mixed choir and organ (Lat) Ed. J. Trojan, Credo completed by V. Petrželka H 5086 score ♦ Lord Have Mercy upon Us (Hospodine!) for soloists, 2 mixed choirs, 4 trumpets, trombone, tuba, harp and organ (Cz/Ger) Ed. J. Trojan H 4700 score (with harp part) ♦ BA 6079• score °

The Eternal Gospel (Věčné evangelium) Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) Eds. L. Faltus, M. Štědroň LJCE B/4 BA 6860• cloth bound score ♦ H 7736-01 score ♦ Urtext / Eds. L. Faltus, M. Štědroň BA 6860-90 vocal score (Leoš Faltus) The Lord's Prayer (Otčenáš) for mixed choir with tenor solo, harp and organ (Cz/Ger) Ed. B. Štědroň H 3712 score H 3712-64 harp part

material available ° Ponerformance sale

Three Mixed Choruses for mixed choir a cappella (Cz/Ger) Ed. J. Trojan H 6154 choral score Píseň v jeseni (Herbstlied), Kačena divoká (Die Wildente), Naše píseň (Unser Lied) Kopřiva Václav Jan (1708–1789) Offertorium ex D “Vox clamantis in deserto” for mixed choir, chamber orchestra (2 trumpets – clarinas, strings) and organ (Lat) Ed. Z. Šesták H 7442 score

Linek Jiří Ignác (1725–1791) Missa pastoralis ex F / Pastorella for mixed choir with solos, 2 horns, strings and organ (Missa: Lat, Pastorella: Cz/Ger) Ed. J. Berkovec MAB II/13 H 7226 score ♦ Madelka Simon Bar Jona (cca 1550–1598) Seven Penitential Psalms (Sedm kajících žalmů) For five voices (Lat) Ed. M. Klement H 7999 choral score

♦

Performance material available on hire

71

CHORAL MUSIC / SACRED AND SECULAR WORKS Martinů Bohuslav (1890–1959) Opening of the Springs (Otvírání studánek) H. 354 The Legend of the Smoke from Potato Tops (Legenda z dýmu bramborové nati) H. 360 A Dandelion Romance (Romance z pampelišek) H. 364 Mikesh from the Mountains (Mikeš z hor) H. 375 Lyrics in the original Czech Ed. V. Zouhar BMCE VI/2/3 BA 10575-01 cloth bound score → see more about BMCE on pp. 38-39

The need for a critical edition of these cantatas stems from the fact that the composer did not participate in the publication of any of them, aside from his cursory post-publication proofreading of Opening of the Springs.

The previous editions of these works contained numerous minor errors, inconsistencies and solutions that went against the intentions of the composer.

Martinů was often inspired by Czech and Moravian folk music in his compositions. However, in the late 1950s his intense focus on the poems of Bureš, which drew on folk customs, had another, personal dimension.

● F irst

ever scholarly-critical edition

● D etailed

preface and critical commentary by the editor (Eng/Cz)

● L iteral

translation of the lyrics

by Adam Prentis included (Eng)

BA 10575-01 Partitur 7K B&O 25/01/2016 26

           

353 Bar solo

z ru - ky do ru - ky si po - dá - vá - me

Vl I

Pf

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358 Bar solo

S

∑

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ko,

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A

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72

∑

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Martinů Bohuslav (1890–1959)

Through these four cantatas, Martinů could return to his homeland at least in a spiritual way. The cantatas are primarily choral works augmented with solo voices or minor instrumental accompaniment.

NEW 2017

CHORAL MUSIC / SACRED AND SECULAR WORKS

Legend from the Smoke of Potato Fires (Legenda z dýmu bramborové nati) H. 360 Cantata for solo soprano, alto and baritone, mixed choir and instrumental ensemble (flute, clarinet, French horn, accordion, piano) to words by Miloslav Bureš (Cz/Eng/Ger) H 2996 score H 2996-22 instrumental parts

Martinů Bohuslav (1890–1959) The Epic of Gilgamesh (Epos o Gilgamešovi) H. 351 Oratorio for soloists, narrator, mixed choir and orchestra Libretto in original English version Ed. A. Březina BMCE VI/2, 1 BA 10571-01 cloth bound score → see more about BMCE on pp. 38-39 For fourteen long years Martinů mused over a composition “of the genre of Cavalieri's ‘Rappresentatione di anima e di corpo'”, before finally composing his masterly choral work at the turn of December 1954 and January 1955, thus creating one of the most impressive choral scores of the 20th century. He compiled the libretto from the texts of one of the oldest extant works of literature, the Ancient Babylonian Epic of Gilgamesh.

The greatest contribution of this critical edition is the discovery and first publication of the composer's detailed requirements for a semi-theatrical staging of the work and the extension of the Narrator's role in accordance with Martinů's original intentions.

Madrigals (Part-Song Book) H. 380 Four madrigals for mixed choir a cappella on Moravian folk songs (Cz/Ger) 1. Am Donaustrom (Tam s tej strany Dunaja) BA 3755• choral score 2. Ej, steht ein Wäldchen (Ej, jeden hájek) BA 3756• choral score

•

Romance from the Dandelions (Romance z pampelišek) H. 364 Cantata for mixed choir with soprano solo to words by Miloslav Bureš (Cz/Eng/Ger) H 2997 choral score

Performance material available on hire

Bureš Cantatas – Martinů choral masterpieces practical editions: H 2122 / H 2992 / H 2996 / H 2997

Michna Adam Václav z Otradovic (1600–1676) Czech Marian Music (Česká mariánská muzika) Cantilenae sacre bohemicae ad honorem Beatae Mariae Virginis 63 four-part songs (Cz) Ed. J. Sehnal, texts rev. by L. Štukavec AMO 1 H 7240 choral score Holy Year Music (Svatoroční muzika) Cantiones sacre per tempus totius anni 118 four-part songs (Cz) Eds. F. Malý, J. Sehnal, texts rev.

by L. Štukavec AMO 5 H 7824 choral score Missa Sancti Wenceslai for mixed choir and instrumental ensemble (Lat) Ed. J. Sehnal MAB II/1 H 4035 score ♦ Officium vespertinum – pars I: Psalmi I for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 6 H 7837 score ♦ Officium vespertinum – pars II: Psalmi II for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 7 H 7880 score ♦

● T he

cycle of Martinů's chamber cantatas frequently performed worldwide

● A ll

● D etailed

● B ureš

preface and critical commentary by the editor (Eng/Cz)

Mikesh from the Hills (Mikeš z hor) H. 375 Cantata for solo soprano and tenor, mixed choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger) H 2992 score H 2992-22 instrumental parts

♦

Bärenreiter-Verlag Kassel production

● F irst

ever scholarly-critical edition

3. Auf der Erde hat nichts Weile (Na tom světě nic stálého) BA 3757• choral score 4. Glaubst du, daß ich wohl nichts wüßte? (A ty si myslíš) BA 3758• choral score

four masterpieces are written to words by Miloslav Bureš, a fellow native of the composer from Polička Cantatas, composed between 1955–59, express the composer's deep feeling of homesickness, especially in the Opening of the Wells, the most known and the most popular of them

Officium vespertinum – pars III: Compositiones ad honorem B. M. V. / Falsi burdoni a due core for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 8 H 7979 score ♦ Sacra et litaniae – pars I: Missa I for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 2 H 7332 score ♦

73

CHORAL MUSIC / SACRED AND SECULAR WORKS Michna Adam Václav z Otradovic (1600–1676) Sacra et litaniae – pars II: Missa II for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 3 H 7595 score ♦ Sacra et litaniae – pars III: Missa III for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 4 H 7808 score ♦ Sacra et litaniae – pars IV: Missa IV for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 9 H 7990 score ♦ Sacra et litaniae – pars V: Missa V for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 10 H 7995 score ♦ Sacra et litaniae – pars VI: Missa pro defunctis for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 11 H 7996 score ♦ Sacra et litaniae – pars VII, VIII, IX – Litaniae de SS. nomine Jesu, Litaniae B. M. V. / Te Deum for 4 soloists, mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 12 H 7997 score ♦ Novák Jan (1921–1984) Aesopia (VI Phaedri fabellae cantatae atque saltatae cum prologo et epilogo) 1st version for mixed choir, soloists and piano (Lat) H 7882 score ♦

♦

Performance material available on hire

74

OPERA / THEMATIC CATALOGUES

Ryba Jakub Jan (1765–1815)

Zelenka Jan Dismas (1679–1745)

Czech Christmas Mass (Česká mše vánoční) for soloists, mixed choir, orchestra and organ the most popular Czech Christmas Mass of all times (Cz/Ger) H 5572 vocal score ♦ (Josef Hercl)

Psalmi et Magnificat for mixed choir, orchestra and organ (Lat) Ed. V. Bělský MAB II/5 score (♦ selection) H 4974 Sub olea pacis et palma virtutis COPY

Slavický Klement (1910–1999) Psalmi for solo voices, mixed choir and organ (Lat) H 7383 score Smetana Bedřich (1824–1884) Czech Song (Česká píseň) Cantata for mixed choir and orchestra to words by Jan z Hvězdy H 7402 vocal score ♦ (Karel Šolc) (Cz) H 7402n vocal score ♦ (Karel Šolc) (Ger) Šesták Zdeněk (*1925) Laudate Dominum, omnes gentes for mixed choir a cappella (Lat) H 7924 choral score Teml Jiří (*1935) Krédo Cycle of mixed choruses a cappella with baritone solo to words by Jan Tůma (Cz) H 7858 choral score Voříšek Jan Václav Hugo (1791–1825) Missa in B (Missa solemnis Op. 24) for mixed choir, solo voices and orchestra (Lat) Eds. J. Berkovec, O. Zuckerová MAB II/15 H 7739 score ♦

Zelenka Jan Dismas (1679–1745) Missa Divi Xaverii ZWV 12 for soloists, mixed choir and orchestra (Lat) Urtext / Ed. V. Luks BA 9594 score BA 9594-90 v ocal score ♦ (Václav Luks) Missa Divi Xaverii ZWV 12, an expansive and unusually richly scored work, marks a highlight in Zelenka's œuvre. It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text. ● M agnum

opus of Zelenka's music and the Bohemian Baroque

● S cholarly-critical

first edition

● S ignificant

enrichment to sacred choral repertoire

● A lso

suitable for ambitious amateur choirs

● I nstructive

preface (Cz/Eng/ Ger) by J. Stockigt and critical commentary (Eng) by the editor

(melodrama de Sancto Wenceslao) (Lat) Ed. V. Bělský MAB II/12 H 6825 score

Opera Dvořák Antonín (1841–1904) Kate and the Devil (Čert a Káča) Op. 112 COPY opera in 3 acts libretto by Adolf Wenig (Cz/Ger) Eds. J. Burghauser, A. Pokorný H 454 vocal score by the composer Rusalka Op. 114 lyric fairy tale in 3 acts libretto by Jaroslav Kvapil (Cz/Ger/Eng) German translation by E. Schmidt, English translation

by D. Rusbridge New preface by J. Gabrielová Urtext / Ed. J. Burghauser BA 9510-90 vocal score (Karel Šolc) The Jacobin (Jakobín) Op. 84 opera in 3 acts libretto by Marie ČervinkováRiegrová (Cz/Ger) Eds. F. Bartoš, A. Pokorný ADCE I/10 score in 2 volumes H 3955

Janáček Leoš (1854–1928) NEW 2016

Fate (Osud) opera in 3 acts libretto by Leoš Janáček and Fedora Bartošová (Cz/Ger/Eng) Ed. J. Zahrádka German translation by C. H. Henneberg, English translation by R. Blumer Preface by the editor (Cz/Eng/Ger) LJCE A/5 BA 9562-01 / H 8038-01

cloth bound score ♦ Urtext / Ed. J. Zahrádka (Cz/Ger) BA 9562-90 vocal score (Rasmus Baumann) NEW 2018

The Makropulos Case (Věc Makropulos) “Brno version” opera in 3 acts after the eponymous play by Karel Čapek libretto by Leoš Janáček (Cz/Ger) Ed. T. Hanus German translation by K. Lücker LJCE A/9 BA 9579-01 c loth bound score ♦ BA 9579-90 v ocal score (David Švec) In preparation Smetana Bedřich (1824–1884) The Bartered Bride (Prodaná nevěsta) comic opera in 3 acts libretto by Karel Sabina (Cz/Ger) German translation by K. Honolka New preface by M. Ottlová Overture for piano solo arr. by Jindřich Kàan z Albestů Urtext / Ed. F. Bartoš BA 9534-90 vocal score by the composer ♦ The Kiss (Hubička) COPY opera in 2 acts libretto by Eliška Krásnohorská (Cz) Ed. F. Bartoš H 2819 vocal score by the composer

The Secret (Tajemství) opera in 3 acts libretto by Eliška Krásnohorská (Cz) Ed. F. Bartoš H 1630 vocal score (Karel Šolc)

Thematic Catalogues Burghauser Jarmil Antonín Dvořák. Thematic Catalogue 844 pages (Cz/Ger/Eng) Bibliography by J. Burghauser, J. Clapham H 7755 Hudec Vladimír Zdeněk Fibich. Thematic Catalogue 854 pages (Cz/Ger/Eng) H 7843 Nouza Zdeněk – Nový Miroslav Josef Suk. Thematic Catalogue of the Works 550 pages (Cz/Eng) H 7955 Padrta Karel Franz Krommer. Thematischer Katalog seiner musikalischen Werke 428 pages (Ger) H 7759 Schnierer Miloš Rev. by L. Peřinová Vítězslav Novák. The Thematic and Bibliographical Catalogue 522 pages (Cz/Eng) H 7814 Zuckerová Olga Jan Hugo Voříšek. Thematic Catalogue 96 pages (Eng) H 7777

♦

Performance material available on hire

75

INDEX OF COMPOSERS B Benda František 18, 19, 33 Benda Jiří Antonín 5, 14, 52 Blatný Pavel 46, 53 Bořkovec Pavel 13, 53 Brixi František Xaver 15 Brixi Šimon 68 Burghauser Jarmil 75 Č Černohorský Bohuslav Matěj 14 Černý František 26 D Dlouhý Milan 3 Dusík Jan Ladislav 3, 5, 19, 32 Dušek František Xaver 5, 6, 14, 46 Dvořák Antonín 3, 5, 6, 11, 12, 13, 14, 18, 19, 20, 21, 22, 23, 24, 25, 26, 41, 42, 43, 46, 47, 51, 52, 53, 55, 60, 61, 62, 67, 68, 70, 75 Dvořák Milan 3 E Eben Petr 3, 7, 11, 15, 18, 25, 33, 36, 42, 46, 47, 53, 62, 64, 67, 70 F Feld Jindřich 18, 21, 23, 33, 34, 41, 43, 46, 49, 51, 55 Fiala Josef 47 Fibich Zdeněk 7, 12, 20, 34, 42, 43, 49 Fils Antonín 33, 53 Finger Gottfried 32 Fišer Luboš 7, 13, 15, 18, 20, 25, 37, 43, 47, 70 Foerster Josef Bohuslav 64 G Gemrot Jiří 14, 35 Gola Zdeněk 17 Graham Peter 3, 4 Gruber Rudolf 35 H Hanuš Jan 3, 18, 20, 41, 46, 47, 55, 64 Havlíček Ilja – Machalíčková Františka – Ondruš Ján 15 Hertl František 26 Hlaváč Miroslav 33 Hradecký Emil 3, 11, 33, 36, 37 Hudec Vladimír 75 Hurník Ilja 3, 11, 12, 33, 50, 55, 67 Hurník Lukáš 12, 50 Husa Karel 34 Hybler Martin 32 I Ištvan Miloslav 37

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INDEX OF EDITION NUMBERS J Janáček Leoš 7, 12, 13, 14, 15, 20, 21, 25, 34, 43, 44, 46, 47, 50, 55, 57, 64, 67, 68, 71, 75 Ježek Jaroslav 7 Jirmal Jiří 32 Jírovec Vojtěch 7 K Kabeláč Miloslav 7, 12, 15, 25, 33, 37, 46, 57 Kalabis Viktor 7, 21, 36, 47, 57, 65 Kaprálová Vítězslava 21, 25, 35, 65 Kaucký Emanuel – Petr Miloš 36 Klusák Jan 34 Kocian Jaroslav 20 Kolář Augustin 23 Kopelent Marek 11, 25, 65 Kopřiva Václav Jan 71 Korte Oldřich F. 3, 8, 20, 57 Koželuh Leopold 8, 53 Kramář-Krommer František Vincenc 18, 32, 34, 35, 47 Krejčí Iša 57 Krůček Václav 17 Kubánek Libor 37 Kubelík Jan 20 Kubička Miroslav 20, 26, 33, 46 Kučera Jan 36 Kukal Ondřej 24, 35, 42, 44 Kurz Ivan 36 L Linek Jiří Ignác 71 Losy Jan Antonín 32 Loudová Ivana 18 M Madelka Simon Bar Jona 71 Martinů Bohuslav 4, 5, 8, 14, 18, 20, 21, 23, 24, 25, 26, 41, 43, 44, 47, 49, 50, 53, 57, 65, 67, 68, 72, 73 Matěj Josef 37 Matějů Zbyněk 34 Matys Jiří 20, 44 Micka Josef 18, 19 Michna Adam Václav z Otradovic 65, 73, 74 Mysliveček Josef 8, 33, 43, 46, 47, 49, 66 N Neruda Jan Křtitel Jiří 35 Nouza Zdeněk – Nový Miroslav 75 Novák Jan 15, 20, 33, 74 Novák Vítězslav 8 Nudera Vojtěch 34 Nykl Jan 32 O Ondříček František 20

P Padrta Karel 75 Pauer Jiří 35, 36 Pelikán Jaroslav 33, 35 Pivoňka Karel 35 Plánický Josef Antonín 66 Pololáník Zdeněk 67 R Rak Štěpán 32 Rejcha Antonín 8, 47, 49, 53 Rössler-Rosetti František Antonín 49 Ryba Jakub Jan 74 Rychlík Jan 14, 33, 66 S Seger Josef Ferdinand Norbert 15 Schnierer Miloš 75 Schulhoff Erwin 9, 46 Simon Ladislav 8, 37 Slavický Klement 5, 34, 57, 74 Slavický Milan 15, 23 Sluka Luboš 66 Smetana Bedřich 5, 9, 10, 13, 20, 41, 44, 57, 58, 66, 67, 68, 74, 75 Stich-Punto Jan Václav 36 Suk Josef 5, 10, 18, 19, 41, 42, 44, 45, 49, 50, 51, 52, 58, 59 Š Šesták Zdeněk 52, 74 Ševčík Otakar 17, 24 Škroup František Jan 41, 50 Šporcl Pavel 18 Štědroň Miloš 15 T Teml Jiří 15, 32, 34, 43, 49, 58, 74 Tichý Vladimír 24 Tomášek Václav Jan 11, 53 Trojan Václav 47 Tůma František Ignác Antonín 18 Tuzar Josef 37 V Vaňhal Jan Křtitel 11, 20, 24, 26 Vejvanovský Pavel Josef 53 Vodička Václav 52 Voříšek Jan Václav Hugo 11, 13, 20, 58, 74 Vranický Antonín 23, 47 Vranický Pavel 46 Z Zach Jan 52 Zákostelecký Bedřich 34 Zámečník Evžen 46 Zelenka Jan Dismas 53, 74, 75 Zelenka Milan – Obrovská Jana 32 Zuckerová Olga 75

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BA 3326•...................................... 50 BA 3327•.......................................49 BA 3755•........................................73 BA 3756•.......................................73 BA 3757•........................................73 BA 3758•.......................................73 BA 3842•.......................................23 BA 3842-90•................................23 BA 3969•......................................25 BA 4316•........................................23 BA 4316-90•................................23 BA 4317•........................................23 BA 4317-90•.................................23 BA 4318-90•................................ 14 BA 4319•....................................... 26 BA 4319-90• .............................. 26 BA 5404•..................................... 70 BA 6079•.......................................71 BA 6171 / H 4657........................55 BA 6429•..................................... 70 BA 6842•......................................55 BA 6844•..................................... 67 BA 6845•.......................................55 BA 6847•......................................68 BA 6848•......................................57 BA 6849•..................................... 20 BA 6851•.........................................71 BA 6852-01• ................................15 BA 6856•................................13, 47 BA 6857 / H 7832.......................43 BA 6858 / H 7840 ....................68 BA 6860•.......................................71 BA 6860-90.................................71 BA 6861 / H 7950......................55 BA 6862 / H 7935.......................71 BA 6862-90..................................71 BA 6863 / H 8020......................71 BA 6965•......................................24 BA 7488•...................................... 46 BA 7488-22•................................ 46 BA 8100.........................................77 BA 8100-20..................................77 BA 8100-21...................................77 BA 8100-24..................................77 BA 8472•....................................... 14 BA 9045•......................................25 BA 9045-40• ..............................25 BA 9045-90•...............................25 BA 9500.......................................... 7 BA 9501........................................... 7 BA 9502........................................... 7 BA 9503........................................... 5 BA 9506........................................10 BA 9507...........................................9 BA 9509........................................25 BA 9510-90..................................75 BA 9511.............................................8

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INDEX OF EDITION NUMBERS BA 9512............................................8 BA 9513............................................8 BA 9514............................................8 BA 9515............................................8 BA 9516........................................ 44 BA 9517......................................... 44 BA 9518.......................................... 41 BA 9519...........................................9 BA 9520.........................................43 BA 9521...................................41, 50 BA 9524..........................................15 BA 9525...........................................9 BA 9526........................................ 20 BA 9527...........................................9 BA 9528........................................ 46 BA 9529.........................................10 BA 9530.........................................45 BA 9532........................................ 59 BA 9533.........................................43 BA 9534-90..................................75 BA 9535...................................13, 47 BA 9536.........................................45 BA 9537.........................................42 BA 9538......................................... 41 BA 9539.........................................43 BA 9540........................................43 BA 9541............................................8 BA 9542........................................ 46 BA 9543.........................................42 BA 9544-90................................ 70 BA 9545.........................................43 BA 9546.........................................42 BA 9547......................................... 12 BA 9548......................................... 12 BA 9549.........................................13 BA 9550..........................................17 BA 9551...........................................17 BA 9552..........................................17 BA 9553..........................................17 BA 9554..........................................17 BA 9555..........................................17 BA 9556..........................................17 BA 9557..........................................17 BA 9558.........................................58 BA 9559...........................................9 BA 9560..........................................9 BA 9561.........................................10 BA 9562-01 / H 8038-01.........75 BA 9562-90.................................75 BA 9564........................................ 41 BA 9565......................................... 12 BA 9566....................................... 46 BA 9567......................................... 41 BA 9568........................................24 BA 9569.......................................60 BA 9571..........................................19 BA 9573.........................................42 BA 9574.........................................42 BA 9575........................................64 BA 9576........................................ 20 BA 9577........................................ 46

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BA 9578 ........................................ 41 BA 9579-01 .................................75 BA 9579-90.................................75 BA 9581..........................................34 BA 9582........................................ 70 BA 9583 ........................................45 BA 9584 °.......................................51 BA 9585.......................................3, 4 BA 9586 .........................................4 BA 9591..........................................17 BA 9592..........................................17 BA 9593..........................................17 BA 9594........................................74 BA 9594-90.................................74 BA 10401.......................................53 BA 10402......................................53 BA 10403.......................................53 BA 10417•......................................55 BA 10417-40•...............................55 BA 10420 ......................................13 BA 10420-90................................13 BA 10422.......................................22 BA 10422-90................................22 BA 10423........................................51 BA 10424 ......................................52 BA 10424-22.................................52 BA 10425......................................60 BA 10426 .....................................60 BA 10429...................................... 70 BA 10431.......................................60 BA 10432......................................60 BA 10434...................................... 70 BA 10435...................................... 70 BA 10571-01..................................72 BA 10572-01 ...............................57 BA 10574-01 ................................47 BA 10575-01 ................................72 BA 10576-01 ............................... 44 BA 10577-01 .........................44, 57 BA 10578-01 .........................23, 24 BA 11512........................................ 20 BA 11513....................................... 5, 6 BA 11514...................................... 5, 6 BA 11515..........................................61 BA 11516.........................................61 BA 11517......................................... 62 BA 11518........................................ 62 BA 11521..........................................17 BA 11527-90................................. 21 BA 11529-90................................. 21 BA 11530....................................... 26 BA 11531-90..................................24 BA 11532.........................................58 BA 11533.........................................58 BA 11537...........................................9 BA 11539........................................42 BA 11543 ....................................... 44 BA 11545 .......................................... 7 BA 11547.........................................24 BA 11548........................................24 BA 11549........................................24

INDEX OF EDITION NUMBERS H H 53.................................................33 H 54.................................................17 H 55..................................................17 H 100..............................................43 H 208............................................ 50 H 235................................................ 5 H 257...............................................17 H 258...............................................17 H 277.............................................68 H 284.............................................. 41 H 297................................................ 5 H 298.............................................10 H 337..............................................61 H 338................................................6 H 362.............................................49 H 365 ............................................49 H 366.............................................53 H 380............................................. 14 H 384................................................ 7 H 425................................................ 7 H 441..............................................61 H 454..............................................75 H 465............................................. 20 H 475................................................8 H 519..............................................53 H 522.............................................68 H 553.............................................60 H 675................................................ 7 H 676............................................... 7 H 888.............................................35 H 907............................................... 3 H 916..............................................23 H 1110...............................................6 H 1122............................................... 3 H 1126...............................................6 H 1200.......................................... 26 H 1211-66.......................................57 H 1217.............................................35 H 1274............................................... 5 H 1276............................................33 H 1304............................................43 H 1356.............................................. 3 H 1359..............................................6 H 1364........................................... 20 H 1403...........................................64 H 1428 .............................................6 H 1442........................................... 20 H 1481.............................................43 H 1487............................................24 H 1498.............................................6 H 1500..........................................49 H 1501.............................................43 H 1502...........................................49 H 1503............................................53 H 1532.............................................24 H 1550............................................19 H 1559...........................................60 H 1560-97....................................60 H 1569............................................43

H 1591-03...................................... 18 H 1592............................................ 18 H 1594............................................43 H 1595............................................43 H 1598........................................... 26 H 1630...........................................75 H 1648...........................................53 H 1732.............................................43 H 1739...........................................60 H 1748............................................32 H 1758-96....................................60 H 1763..............................................6 H 1780.............................................13 H 1791.............................................43 H 1796.............................................. 5 H 1801 ........................................... 12 H 1809........................................... 14 H 1810.............................................. 3 H 1811.............................................. 18 H 1819...........................................66 H 1834............................................43 H 1835............................................43 H 1842..............................................8 H 1852.............................................15 H 1879..................................... 10, 58 H 1882........................................... 70 H 1890.....................................18, 23 H 1927............................................ 18 H 1933............................................34 H 1979.............................................. 5 H 2023.......................................... 46 H 2031.............................................. 3 H 2043.......................................... 20 H 2078.......................................... 20 H 2090...........................................17 H 2122........................................... 67 H 2156............................................25 H 2171............................................49 H 2172............................................. 18 H 2178........................................... 20 H 2182............................................. 11 H 2226.............................................6 H 2242.............................................. 3 H 2262...........................................58 H 2268.......................................... 70 H 2271............................................. 41 H 2304...........................................47 H 2306...........................................43 H 2307...........................................55 H 2334............................................53 H 2335........................................... 67 H 2414......................................18, 33 H 2424............................................. 5 H 2461.............................................. 7 H 2464.......................................... 62 H 2486..........................................68 H 2486-01...................................68 H 2498...........................................32 H 2544 ..........................................35 H 2572.............................................71 H 2576-90................................... 67

H 2632.......................................... 62 H 2704...........................................19 H 2705...........................................47 H 2726...........................................37 H 2741-66.....................................55 H 2799...........................................57 H 2803...........................................43 H 2819 ...........................................75 H 2844..........................................66 H 2849...........................................43 H 2850............................................. 5 H 2852............................................52 H 2880..........................................68 H 2888...........................................57 H 2907.............................................6 H 2924-90................................... 70 H 2955 ......................................... 36 H 2958...........................................53 H 2981............................................ 14 H 2992...........................................73 H 2992-22.....................................73 H 2996..........................................73 H 2996-22....................................73 H 2997...........................................73 H 3026..........................................68 H 3079...........................................53 H 3082.......................................... 62 H 3089....................................18, 19 H 3096-66...................................57 H 3099............................................ 5 H 3133............................................. 18 H 3156.............................................. 7 H 3171.............................................53 H 3177...............................................6 H 3204............................................15 H 3211............................................... 3 H 3230...........................................53 H 3235............................................ 18 H 3237............................................. 11 H 3257.............................................. 5 H 3289............................................. 5 H 3291............................................35 H 3331.............................................42 H 3363.............................................. 5 H 3364............................................15 H 3374..............................................9 H 3392-01.....................................42 H 3402..........................................66 H 3406..........................................47 H 3413.............................................. 5 H 3506...........................................55 H 3530..........................................68 H 3533........................................... 62 H 3555............................................52 H 3578............................................19 H 3598........................................... 12 H 3616............................................55 H 3684...........................................57 H 3712..............................................71 H 3712-64.......................................71 H 3723............................................34

H 3740...........................................52 H 3750..........................................68 H 3754.................................... 20, 34 H 3756.............................................. 5 H 3759............................................57 H 3761.............................................15 H 3788...........................................53 H 3789...........................................52 H 3813............................................43 H 3819............................................33 H 3843...........................................47 H 3863.......................................... 70 H 3869...........................................33 H 3879........................................... 12 H 3884.......................................... 20 H 3917-22.....................................49 H 3955............................................75 H 3986.......................................... 44 H 3998................................... 42, 49 H 4027.......................................... 70 H 4035...........................................73 H 4054-66...................................57 H 4149............................................. 5 H 4151............................................68 H 4154............................................10 H 4156............................................37 H 4179........................................... 26 H 4203 ..........................................47 H 4233........................................... 67 H 4248.......................................... 67 H 4342....................................14, 50 H 4346........................................... 14 H 4376........................................... 18 H 4397.......................................... 46 H 4422.......................................... 36 H 4439.......................................... 70 H 4460..........................................61 H 4496.........................................66 H 4497............................................. 3 H 4499............................................ 5 H 4506...........................................15 H 4508.......................................... 70 H 4515........................................... 67 H 4522........................................... 70 H 4523-90................................... 70 H 4557..................................... 33, 34 H 4562.......................................... 36 H 4570..........................................64 H 4585...........................................53 H 4592...........................................43 H 4698...........................................71 H 4700...........................................71 H 4721............................................33 H 4738.............................................. 7 H 4757............................................47 H 4872............................................ 11 H 4890..........................................47 H 4923............................................15 H 4952.......................................... 70 H 4956.......................................... 62 H 4974...........................................75

H 4985............................................13 H 5020............................................. 3 H 5033............................................. 3 H 5077............................................. 3 H 5081 ............................................. 5 H 5086...........................................71 H 5094......................................... 65 H 5095.......................................... 65 H 5166........................................... 46 H 5182...........................................66 H 5183............................................58 H 5194............................................32 H 5196........................................... 46 H 5215.............................................35 H 5259........................................... 18 H 5264............................................71 H 5270...........................................53 H 5305...........................................24 H 5311............................................ 62 H 5317............................................ 20 H 5318............................................ 14 H 5330...........................................42 H 5390............................................ 11 H 5422.............................................13 H 5445.......................................... 20 H 5450........................................... 18 H 5489..........................................66 H 5543............................................19 H 5553............................................57 H 5561...........................................68 H 5572............................................74 H 5585........................................... 65 H 5628.......................................... 46 H 5631............................................34 H 5643............................................51 H 5649...........................................43 H 5674...........................................25 H 5709.............................................8 H 5766...........................................10 H 5781.............................................. 7 H 5805........................................... 14 H 5808...........................................47 H 5849...........................................53 H 5850...........................................23 H 5851............................................. 11 H 5862..............................18, 32, 34 H 5906......................................... 20 H 5951...........................................68 H 5988.......................................... 65 H 5993............................................17 H 6001.......................................... 67 H 6002.........................................68 H 6003.........................................68 H 6033..........................................49 H 6036........................................... 11 H 6065............................................ 7 H 6070-01...................................... 7 H 6114............................................. 11 H 6132........................................... 65 H 6145........................................... 67 H 6154.............................................71

H 6155............................................. 11 H 6156..............................................8 H 6173............................................43 H 6187.............................................17 H 6211.............................................33 H 6214........................................... 46 H 6239............................................71 H 6250...........................................47 H 6252............................................71 H 6256..........................................68 H 6276.......................................... 67 H 6300.........................................64 H 6329............................................. 3 H 6334........................................... 14 H 6339...........................................34 H 6354............................................. 7 H 6390......................................... 36 H 6406......................................... 46 H 6415............................................32 H 6421.............................................. 3 H 6427-01.....................................57 H 6427-02....................................57 H 6427-03....................................57 H 6427-04....................................57 H 6427-05....................................57 H 6427-06....................................57 H 6428.......................................... 44 H 6429...........................................52 H 6450......................................... 67 H 6465...........................................47 H 6474........................................3, 11 H 6477.......................................... 46 H 6497..........................................64 H 6508..........................................43 H 6549...........................................43 H 6571............................................55 H 6582.......................................... 20 H 6590......................................... 46 H 6614...........................................53 H 6615........................................... 67 H 6657 ........................................... 11 H 6663..........................................43 H 6674........................................... 21 H 6676............................................ 5 H 6696.......................................... 21 H 6782-22.................................... 46 H 6791............................................23 H 6798-02....................................57 H 6798...........................................57 H 6825...........................................75 H 6837.......................................... 36 H 6902-01....................................43 H 6931............................................23 H 6967......................................... 44 H 6973.......................................... 26 H 7004..........................................57 H 7037.......................................... 46 H 7040-01......................................6 H 7040-02.....................................6 H 7082............................................. 3 H 7132.............................................32

79

INDEX OF EDITION NUMBERS H 7133.............................................. 11 H 7135.............................................33 H 7136........................................... 67 H 7140............................................47 H 7149............................................33 H 7178............................................55 H 7215.............................................10 H 7226............................................71 H 7236...........................................32 H 7240...........................................73 H 7311.............................................53 H 7323......................................13, 58 H 7325.............................................. 3 H 7330.............................................8 H 7332............................................73 H 7333............................................10 H 7382-01......................................71 H 7383............................................74 H 7402...........................................74 H 7402n........................................74 H 7404..........................................49 H 7406...........................................35 H 7414............................................32 H 7415............................................... 7 H 7438............................................ 14 H 7439..........................................64 H 7442.............................................71 H 7445..............................................8 H 7452............................................47 H 7460...........................................10 H 7461............................................. 11 H 7481........................................... 46 H 7504........................................... 21 H 7505...........................................55 H 7506...........................................55 H 7528............................................23 H 7531.............................................58 H 7554............................................57 H 7567............................................35 H 7568...........................................53 H 7591.............................................. 3 H 7595............................................74 H 7638........................................... 12 H 7646...........................................35 H 7690...........................................15 H 7717............................................. 12 H 7718........................................... 70 H 7719............................................42 H 7725............................................25 H 7735.............................................71 H 7736-01......................................71 H 7738............................................ 21 H 7739............................................74 H 7741.......................................12, 55 H 7743........................................... 20 H 7744.............................................. 7 H 7745............................................37 H 7750...........................................34 H 7753............................................37 H 7755 ...........................................75 H 7757.............................................. 7

80

H 7758.............................................. 7 H 7759............................................75 H 7764...........................................43 H 7766............................................. 7 H 7768.......................................... 67 H 7769..........................................68 H 7777............................................75 H 7778............................................25 H 7781.............................................. 3 H 7787............................................47 H 7788...........................................34 H 7791........................................... 65 H 7792............................................32 H 7793............................................25 H 7795.............................................. 7 H 7796...........................................32 H 7800.........................................49 H 7800-22...................................49 H 7802.......................................... 20 H 7803...........................................55 H 7804.......................................... 36 H 7807........................................... 41 H 7808...........................................74 H 7809......................................... 65 H 7810........................................... 62 H 7811............................................ 67 H 7814............................................75 H 7817........................................... 20 H 7820.......................................... 50 H 7823............................................19 H 7824...........................................73 H 7825........................................... 20 H 7827............................................25 H 7828...........................................32 H 7830...........................................34 H 7837............................................73 H 7841........................................... 65 H 7842............................................. 7 H 7843...........................................75 H 7844.......................................... 44 H 7844-22.................................... 44 H 7845............................................15 H 7847........................................... 70 H 7849..........................................64 H 7850...........................................32 H 7852.................................... 43, 49 H 7854...........................................35 H 7855.....................................20, 33 H 7857.............................................. 7 H 7858...........................................74 H 7859........................................... 18 H 7860.......................................... 41 H 7863.......................................... 50 H 7865............................................15 H 7867...........................................34 H 7869...........................................32 H 7873.............................................15 H 7874........................................... 20 H 7875..............................................8 H 7876...........................................32 H 7877............................................53

H 7877-22......................................53 H 7878..........................................66 H 7880...........................................73 H 7881............................................ 18 H 7882...........................................74 H 7885.......................................... 67 H 7890..........................................33 H 7893...........................................25 H 7896........................................... 14 H 7898...........................................35 H 7900...................................67, 70 H 7905..........................................66 H 7906............................................ 7 H 7910...........................................33 H 7911............................................... 7 H 7913............................................37 H 7914........................................... 20 H 7915........................................... 20 H 7916........................................... 20 H 7917.............................................. 7 H 7919......................................21, 35 H 7920.......................................... 70 H 7923.......................................... 46 H 7924...........................................74 H 7931.............................. 33, 36, 37 H 7932...........................................37 H 7934..........................................66 H 7938.......................................... 20 H 7941........................................... 44 H 7941-22..................................... 44 H 7944.......................................... 44 H 7944-22.................................... 44 H 7946.............................................8 H 7948............................................. 3 H 7949...........................................24 H 7951............................................ 18 H 7952..........................................49 H 7953.............................................51 H 7954...........................................52 H 7955............................................75 H 7957.............................................. 7 H 7958.......................................... 44 H 7959..........................................66 H 7962....................................41, 49 H 7963.............................................8 H 7964...........................................42 H 7965...........................................43 H 7965-22.....................................43 H 7966............................. 18, 37, 47 H 7967............................................15 H 7968.......................................... 44 H 7968-22................................... 44 H 7969...........................................15 H 7970.............................................8 H 7974............................................. 3 H 7975 ............................................ 11 H 7976............................................15 H 7979...........................................73 H 7982.......................................... 26 H 7987...........................................23 H 7988............................................. 7

H 7989............................................. 7 H 7990..........................................74 H 7991............................................33 H 7992...........................................34 H 7993...........................................37 H 7994...........................................37 H 7995...........................................74 H 7996..........................................74 H 7997...........................................74 H 7999...........................................71 H 8001.......................................... 36 H 8017...........................................66 H 8019.......................................... 36 H 8021............................................24 H 8023...........................................43 H 8028............................................15 H 8030.........................................66 H 8034............................................. 3 H 8039.......................................... 18 H 8040......................................... 65 HM 150......................................... 67 HM 941..........................................58

TP TP 422............................................22 TP 440..........................................49 TP 501•...........................................55 TP 502•..........................................55 TP 503•..........................................55 TP 504•..........................................55 TP 505•..........................................55 TP 506•.........................................55 TP 507•..........................................55 TP 508•..........................................55 TP 509•.........................................55 TP 516............................................ 44 TP 517............................................ 44 TP 520............................................43 TP 521............................................ 44 TP 528........................................... 46 TP 530............................................45 TP 532............................................ 46 TP 533.............................................43 TP 535.............................................43 TP 536............................................45 TP 539............................................43 TP 540............................................43 TP 557.............................................57 TP 558 ...........................................58 TP 577............................................ 46 TP 583 ...........................................45 TP 617•...........................................55 TP 620•.........................................25 TP 842............................................57 TP 862.............................................71

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SPA SPA 481 481 (Ger)(Ger) TheThe catalogue catalogue includes includes works works for mixed, for mixed, male, male, female female andand children's children's choir choir a cappella a cappella andand other other choral choral sacred sacred andand secular secular works. works.

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SPA SPA 30 (Eng) 30 (Eng) TheThe catalogue catalogue includes includes sacred sacred andand secular secular choral choral works works as as wellwell as choral as choral collections, collections, selected selected facsimiles, facsimiles, andand books books relating relating to vocal to vocal music. music.

SPA SPA 494494 (Ger)(Ger) TheThe catalogue catalogue contains contains a wide a wide range range of books of books on on music, music, facsimiles, facsimiles, andand reprints reprints of historical of historical editions. editions.

YouYou willwill findfind a PDF a PDF of these of these catalogues catalogues on www.baerenreiter.com on www.baerenreiter.com under under “Service”.

“Service”.

AskAsk for for thethe printed printed catalogues catalogues at your at your music music dealers. dealers.

BÄRENREITER URTEXT offering the best of Czech music BÄRENREITER URTEXT is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines.

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