New Publications 2/2015 by Baerenreiter

Bärenreiter The Musicians’ Choice

The Programme New Publications Sheet Music 2/2015 New Issue Title 1

New Publications 2/2015 · The Programme

Contents

Piano

Chamber Music

Satie: Le fils des étoiles. BA 10814...................................... 3 Satie: Avant-dernières Pensées. BA 10849..........................4 Satie: Embryons desséchés. BA 10811................................. 5 Koželuch: Complete Sonatas for Keyboard, Volume IV. BA 9514......................................................... 6 Haydn: Late Piano Sonatas. BA 10804............................... 7 Schumann: 43 Piano Pieces for the Young op. 68 “Album for the Young”. BA 9641............................ 8–9 Dvořák: From the Bohemian Forest op. 68 for Piano Duet. BA 9565...............................................10 Graham: Subversive Etudes BA 9585............................................................................... 11

Dvořák: Dumky for Piano, Violin and Violoncello op. 90. BA 9567.............................................................. 20 Beethoven: Sextet for Piano, two Violins, two Violas and Violoncello after the Piano Concerto No. 4 in G major op. 58. BA 9034.......................................... 21

Strings Janáček: Works for Violin and Piano. BA 11512 ............................................................................. 12 Hummel: Sonata for Pianoforte and Violoncello op. 104. BA 10904 ............................................................... 13 Franck: Sonata in A major, Andantino quietoso op. 6, Mélancolie for Piano and Violin. BA 9425............... 14 Franck: Sonata in A major. Arrangements for - Piano and Violoncello. BA 10917.............................. 15 - Piano and Viola. BA 10918......................................... 15

Strings / Educational Music Ševčík: Preparatory Trill Studies op. 7. BA 9556..............................................................................16 Mollenhauer: The Infant Paganini. Fantasia - for Violin and Piano. BA 10691 ................................ 18 - arranged for Cello and Piano. BA 10693 .............. 19 Mollenhauer: The Boy Paganini. Fantasia - for Violin and Piano. BA 10692 ............................... 18 - arranged for Cello and Piano. BA 10694 .............. 19

Bohuslav Martinů........................................................... 22–23 Jean-Philippe Rameau...................................................36–37 New Publications..................................................................38

Choir Jansson: Sacred Choral Works a cappella. BA 7417–7419.............................................................24–25 Pergolesi: Missa Romana. BA 8958................................. 26 Cherubini: Requiem in C minor. BA 8961........................27 Handel: Dettinger Te Deum HWV 283. BA 10706....... 28

Vocal Score / Opera Handel: Lucio Cornelio Silla HWV 10. BA 10701-90.... 29

Organ Vierne: Complete Organ Works, Volume IV. BA 9224............................................................................30 Handel: Complete Organ Works. BA 11226.................... 31 Organ plus One. Praise and Thanks/ Baptism and Wedding. BA 8505............................... 32 Enjoy the Organ 3. BA 11209.............................................. 33

Contemporary Music......................................... 34 Orchestra Haydn: Symphony in E-flat major No. 91 Hob. I:91. BA 10978...........................................................................35

Ready to Play George A. Speckert: Tango Classics for Cello and Piano. BA 10632........................................17

Music Book Wolff: Bach – A Life in Pictures ISBN 978-3-7618-2280-7................................................ 39

Flute Franck: Sonata in A major. Arrangement Issue...................................... Title for Piano and Flute.New BA 8734. 15

New Publications 2/2015 · The Programme

Complete Editions

Your Contacts.............................................................40

Piano

Rediscovery: Le fils des étoiles

Erik Satie: Le fils des étoiles for Piano BÄRENREITER URTEXT

Satie’s progressive incidental music of 1891-92, though explicitly aimed against French Wagnérisme, is not intended as a parody. Commissioned by the Rosicrucian master and ardent Wagnerian Joséphin Péladan, this plain, purely instrumental music proceeds independently from the dramatic action.

Edited by Steffen Schleiermacher with notes on performance practice BA 10814 · approx. € 19.95 To appear in August 2015 No distribution rights for the USA and France

This is the first Urtext edition to present Satie’s complete music to all three acts together with a synopsis of the plot. For this publication the editor was able to consult a previously unknown autograph manuscript. In addition, the three popular Préludes in both their versions are included for the first time. Notes on performance practice and a detailed Foreword introduce this exciting, moderately difficult work, which formed the basis of Satie’s early reputation as a composer and which he considered one of his most important compositions. • First Urtext edition • Moderate level of difficulty • Includes a glossary (Fr/Ger/Eng) • Notes on performance practice (Ger/Eng) • Detailed Foreword (Ger/Eng) and Critical Commentary (Eng)

ISMN 979-0-006-54443-1

9 790006 544431

New Issue Title

Contents Le fils des étoiles. Pastorale Kaldéenne du Sar Josephin Peladan (incidental music) Le fils des étoiles. Wagnérie Kaldéenne du Sar Peladan. Préludes New Issue Title of the three Préludes) (printed version

New Publications 2/2015 · The Programme

Piano

In celebration of the 150th Satie jubilee:

Erik Satie: Avant-dernières Pensées for Piano BÄRENREITER URTEXT Edited by Jens Rosteck with notes on performance practice by Steffen Schleiermacher BA 10849 · approx. € 6.95 To appear in November 2015 No distribution rights for the USA and France ISMN 979-0-006-55798-1

9 790006 557981

New Issue Title

Already published: Erik Satie Ogives Gymnopédies BA 10806 · € 6.50 Gnossiennes Issue BANew 10807 · €Title 7.95

New Publications 2/2015 · The Programme

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title Embryons desséchés (Dessicated Embryos). The notation without barlines, the ‘stories’ beneath the music and the spoofs of well-known pieces of music, most strikingly the Funeral March from Chopin’s Piano Sonata in B minor, make the work a barrel of musical fun. The atmospheric cycle Avant-dernières Pensées (Next-to-last Thoughts) of 1915, with its underlaid words, likewise belongs to Satie’s ‘story pieces’. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness.

Piano

New Urtext editions

Erik Satie: Embryons desséchés for Piano BÄRENREITER URTEXT

These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.

Edited by Jens Rosteck with notes on performance practice by Steffen Schleiermacher BA 10811 · approx. € 6.95 To appear in August 2015 No distribution rights for the USA and France

• Urtext editions based on all the sources and latest research findings • Easy to moderately difficult pieces • Ideal for teaching purposes • Optimum page-turns • Translations of all of Satie’s French texts (Ger/Eng)

ISMN 979-0-006-52106-7

• Notes on performance practice (Ger/Eng) • Informative Forewords (Ger/Eng) and Critical Commentaries (Eng) 9 790006 521067

New Issue Title

New Publications 2/2015 · The Programme

Piano

First complete edition of Koželuch’s sonatas

Leopold Koželuch: Complete Sonatas for Keyboard Volume IV BÄRENREITER URTEXT Edited by Christopher Hogwood BA 9514 · approx. € 41.95 To appear in August 2015 ISMN 979-0-2601-0504-1

9 790260 105041

New Issue Title

Complete Sonatas for Keyboard Set of all 4 volumes: BA 9515 Special set price: approx. € 99.00 To appear in August 2015 Already published: Complete Sonatas for Keyboard Volume I: BA 9511 · € 39.95 Volume II: BA 9512 · € 39.95 Title Volume III: BANew 9513Issue · € 44.95

New Publications 2/2015 · The Programme

The composer, pianist and piano teacher Leopold Koželuch (1747-1818) was one of the leading Czech musicians in 18 th-century Vienna. His 50 sonatas for keyboard bear witness not only to the transition from the harpsichord or clavichord to the pianoforte, but also to the evolution of the classical sonata at the turn of the 19th century. Until now there have been few modern editions of this music. Our new edition, prepared by Christopher Hogwood, is the first to present all of Koželuch’s sonatas for solo keyboard. Each of the four volumes contains 12 to 13 sonatas in chronological order by date of initial publication. The fourth volume, edited with the assistance of Ryan Mark, contains the last sonatas and those handed down only in manuscript form. • First complete edition of the sonatas for keyboard • Suitable for professionals and amateurs alike • Ideal for teaching purposes • Detailed Foreword (Eng/Cz/Ger), Critical Commentary (Eng) and facsimile pages

Piano

The quintessence of Haydn’s sonatas

Joseph Haydn: Late Piano Sonatas BÄRENREITER URTEXT

Haydn’s late piano sonatas Hob. XVI:40–42 (1784) and Hob. XVI:48–52 (1788-95) reveal him to be a distinctive and consummate master in terms of form and expression. These technically brilliant works, the quintessence of his sonata output, reflect the fresh inspiration he received in London.

Edited by Bernhard Moosbauer and Holger M. Stüwe With notes on performance practice and fingering by Rebecca Maurer BA 10804 · approx. € 22.50 To appear in November 2015

This new Urtext edition presents these piano sonatas in a spacious engraving. The early version of the second movement of the Sonata in C major, Hob. XVI:50, is reproduced in the appendix. Rounding off this performing edition are historically informed fingering and valuable notes on period performance practice by Rebecca Maurer, a highly acclaimed harpsichord and fortepiano player. • Critical performing edition at the cutting edge of musicology ISMN 979-0-006-53847-8

• Valuable notes on period performance practice (Ger/Eng) • Includes historically informed fingering • Practical page turns

9 790006 538478

• Informative Foreword (Ger/Eng) and Critical Commentary (Eng) New Issue Title

New Publications 2/2015 · The Programme

Piano

Multi-faceted new edition

Robert Schumann: 43 Piano Pieces for the Young op. 68 “Album for the Young” BÄRENREITER URTEXT Edited by Holger M. Stüwe Fingering and notes on performance practice by Ragna Schirmer BA 9641 · approx. € 11.95 To appear in November 2015

In 1848, after finishing an album of little piano pieces for his daughter Marie, Schumann devised the plan of compiling a ‘children’s album’. Since then the resultant collection of 43 pieces has enjoyed unparalleled success. Schumann’s Album for the Young is now presented in an Urtext edition which meets the needs of performers. In addition to the famous ‘Advice to Young Musicians’ (in German, English and a French translation by Liszt), other pieces related to this work but left unpublished during Schumann’s lifetime can be found in the appendix. For the first time this edition also includes Clara Schumann’s original pedal markings. Clara’s fingering served Ragna Schirmer as an important point of departure for her own thoughts on fingering. • Urtext edition at the cutting edge of scholarship

ISMN 979-0-006-53964-2

• Many additional pieces and ‘Advice to Young Musicians’ in the appendix

9 790006 539642

• Original pedal markings by Clara Schumann and fingering by Ragna Schirmer

New Issue Title

New Publications 2/2015 · The Programme

• Detailed Foreword (Ger/Eng) and detailed Critical Commentary (Eng)

Piano

Already published

Robert Schumann Scenes from Childhood op. 15 BA 9639 · € 5.95 Forest Scenes op. 82 BA 9640 · € 8.50 Scenes from Childhood op. 15 and Forest Scenes op. 82 have been published in scholarly-critical Urtext editions, reflecting the latest state of research.

• Urtext editions based on all known sources and the latest research

The fingering takes contemporary performing practise as well as playing on the modern concert grand piano into consideration.

findings • With fingering and notes on performance practice by Ragna Schirmer • Informative Foreword (Ger/Eng) and Critical Commentary (Eng) to each edition

New Issue Title

New Publications 2/2015 · The Programme

Piano

Miniatures for piano duet

Antonín Dvořák: From the Bohemian Forest op. 68 for Piano Duet (one piano – four hands) Edited by Antonín Čubr BA 9565 · approx. € 18.95 (replaces H 2153) To appear in August 2015 ISMN 979-0-2601-0702-1

9 790260 107021

New Issue Title

From the Bohemian Forest, a set of six character pieces for piano duet, was written at the turn of the year 1883-84 at the instigation of Dvořák’s publisher Fritz Simrock and appeared in print in the spring of 1884. After the Slavonic Dances and Legends, this was already his third cycle of piano duets to be inspired by much-loved locations. This edition presents the musical text from the Complete Edition of the Works of Antonín Dvořák, Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvořák scholarship. • Popular piano miniatures which can be played individually and are

Contents 1. In the Spinning-Room (Na přástkách) 2. By the Black Lake (U Černého jezera) 3. Walpurgis Night (Noc filipojakubská) 4. On the Watch (Na čekání) 5. Silent Woods (Klid) New Issue Title 6. In Troubled Times (Z bouřlivých dob)

New Publications 2/2015 · The Programme

ideal as encore pieces • New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng) • Well-presented division of Primo and Secondo parts printed on facing pages

Piano

For open-minded teachers and inquisitive kids

Peter Graham: Subversive Etudes for piano BA 9585 · approx. € 14.50 To appear in October 2015 These piano miniatures are a distinctive and unusual addition to the teaching literature – genre paintings in contrasting styles with musical wit and inventive sounds and rhythms. They offer glimpses into the musical cultures of different countries (Hunting in Hungary, Gamelan, Balkan Dance, African Games) and music history (Medieval Feast for the Left-Handed). Besides training finger technique, the pieces help students to think in terms of counterpoint and to develop an expressive delivery. Peter Graham (actually Jaroslav Šťastný, b. 1952) teaches composition at the Janáček Academy of Arts in Brno. • Miniature recital pieces for piano with amusing illustrations by Andrea Tachezy • A welcome addition to the piano teaching literature

ISMN 979-0-2601-0751-9

• Simple and entertaining genre paintings • Easy to moderate level of difficulty

9 790260 107519

New Issue Title

New Publications 2/2015 · The Programme

Strings

Revised edition

Leoš Janáček: Works for Violin and Piano BÄRENREITER URTEXT Edited by Jan Krejčí and Alena Němcová Score with part BA 11512 · approx. € 16.95 (replaces BA 9508) To appear in November 2015

This edition contains all of Janáček’s works for violin and piano: the Sonata as well as the Romance and Dumka, composed while he was still a student. Though probably written as early as 1914, Janáček’s Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leoš Janáček (Vol. E/1) with a clearer notation to optimise readability. For the Dumka the editor has drawn on the sole autograph source, the violin part (still considered lost when the above mentioned Complete Edition volume was published), and the revised version contained therein. Unlike the first edition, it also contains Janáček’s detailed dynamic markings.

ISMN 979-0-2601-0761-8

• Newly engraved edition with notation adapted to conform with modern usage 9 790260 107618

New Issue Title

New Publications 2/2015 · The Programme

• Revised version of Dumka with original dynamic markings • Foreword by leading Janáček scholar Alena Nĕmcová (Cz/Eng/Ger)

Strings

A delightful sonata for violoncello

Johann Nepomuk Hummel: Sonata for Pianoforte and Violoncello op. 104 BÄRENREITER URTEXT

Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778–1837) studied with Mozart, befriended Beethoven and taught Carl Czerny. Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 – a delightful early Romantic piece in three movements supported by a capricious piano part. The expressive cello cantilena in the Romance will capture the heart of every cellist.

Edited by Mark Kroll BA 10904 · approx. € 15.95 To appear in November 2015

Our edition, edited by Mark Kroll, is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript, which served as a master copy for the engraving. A comparison of the sources brought to light a number of details overlooked in the first edition, especially with regard to dynamics. ISMN 979-0-006-55800-1

• A must for all cellists and lovers of chamber music • Notes on performance practice in the Foreword (Ger/Eng) • Detailed Critical Commentary (Eng)

9 790006 558001

New Issue Title

New Publications 2/2015 · The Programme

Strings

A seminal work of French Romanticism

César Franck: Sonata in A major Andantino quietoso op. 6 Mélancolie for Piano and Violin BÄRENREITER URTEXT Edited by Douglas Woodfull-Harris With an Introduction by Gudula Schütz BA 9425 · approx. € 19.95 To appear in November 2015

ISMN 979-0-006-55916-9

9 790006 559169

New Issue Title

New Publications 2/2015 · The Programme

César Franck’s Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe. A reading of the correspondence proves definitively that Franck was directly involved in the printing of this work. Consequently, our new scholarly performing edition draws mainly on the first edition of the separate violin part and the first edition of the piano part from the version for violoncello and piano, which appeared during Franck’s lifetime. In the violoncello version, many engraver’s errors found in the first printing of the violin version were corrected. In addition to these sources, both autograph scores of the violin sonata were consulted to clarify questionable readings. Rounding off the edition is a complete list of sources, editorial notes and a Critical Commentary.

Strings / Flute

This new Urtext edition of the Violin Sonata is complemented by a scholarly-critical performing edition of the work in the version for violoncello and piano. It was penned by Jules Delsart, a cellist who numbered among Franck’s friends and was authorised by the composer. After Franck’s death in 1890 the original French publisher, Jules Hamelle, announced further arrangements of the work, one for flute and piano and another for viola and piano. The arrangements presented here closely follow the original: the flute part employs octave transpositions only where the violin plays in its low register, whereas the viola arrangement is based on the version for cello. In all three editions the piano part was left intact and retains the original musical text from the Violin Sonata. • Pioneering new Urtext editions • Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng) • Two small individual movements for violin and piano published for the first time

César Franck: Sonata in A major Arrangements

• Detailed Critical Commentary (Eng)

Edited by Douglas Woodfull-Harris With an Introduction by Gudula Schütz

- for Piano and Violoncello BÄRENREITER URTEXT BA 10917 · approx. € 19.50

- for Piano and Viola ISMN 979-0-006-55915-2

ISMN 979-0-006-55914-5

ISMN 979-0-006-55917-6

BA 10918 · approx. € 16.95

- for Piano and Flute 9 790006 559152

9 790006 559145

9 790006 559176

BA 10917

BA 10918

BA 8734

New Issue Title

BA 8734 · approx. € 16.95 To appear in November 2015 New Issue Title

New Publications 2/2015 · The Programme

Strings / Educational Music

Standard work for violinists

Otakar Ševčík: Preparatory Trill Studies op. 7 Edited by Jaroslav Foltýn BA 9556 · approx. € 11.95 (replaces H 254 + H 255) To appear in October 2015

ISMN 979-0-2601-0760-1

New Issue Title

9 790260 107601

Already published: School of Violin Technique op. 1 Book 1: BA 9552 · € 7.50 Book 2: BA 9553 · € 7.50 Book 3: BA 9554 · € 7.50 Book 4: BA 9555 · € 7.50 School of Bowing Technique op. 2 Book 1: BA 9591 · € 9.95 Book 2: BA 9592 · € 9.95 Book 3: BA 9593 · € 9.95 Changes of Position and Preparatory New Issue Scale Studies op. 8. BA 9557 · €Title 7.50

New Publications 2/2015 · The Programme

Ševčík’s complete works cover every area of violin technique, from the elementary level and special exercises on individual technical problems all the way to analytical studies of the standard violin concertos. His Preparatory Trill Studies deal with the placement of the fingers, their pressure on the strings and their action on the fingerboard in elementary positions, proceeding from slow movements to trills. This edition is essentially based on the original print published at the outset of the 20th century, along with other sources from Ševčík’s posthumous papers. The editor, Jaroslav Foltýn, is a professor of violin at Prague Conservatory, as was Ševčík himself. • Fundamental pedagogical work by a leading violin teacher • With methodological notes by the editor (Cz/Eng/Ger) • Moderate to advanced level of difficulty

Tango for Cello

George A. Speckert: Tango Classics for Cello and Piano BA 10632 · approx. € 14.95 To appear in October 2015 George A. Speckert has arranged the loveliest Argentine tangos for cello with piano accompaniment. Among them are such classics as El Choclo, gems by Eduardo Arolas and Rosendo Mendizabal, and lesser known titles such as El día que me quieras by Carlos Gardel – simple but effective for the cellist, concise and stylistically apt for the pianist. The arranger George A. Speckert is a composer, writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles. • The loveliest tangos for cello and piano • Effective recital pieces

ISMN 979-0-006-56109-4

9 790006 561094

New Issue Title

Already published: George A. Speckert Tango Classics for Violin and Piano BA 10614 · € 12.95 The Roots of Jazz for Violin and Violonello BA 10606 · € 13.50 Popular Movie Hits for Violin and Piano New Issue ·Title BA 10605 € 14.50

New Publications 2/2015 · The Programme

Strings / Educational Music

For young violinists and cellists The Boy Paganini

Editor: Kurt Sassmannshaus Edward Mollenhauer: The Infant Paganini Fantasia for Violin and Piano Violin part with enclosed violin/piano score BA 10691 · approx. € 8.95

Edward Mollenhauer: The Boy Paganini Fantasia for Violin and Piano Violin part with enclosed violin/piano score BA 10692 · approx. € 8.95 New Issue Title To appear in October 2015

New Publications 2/2015 · The Programme

Born in Erfurt, the composer Edward Mollenhauer (1827–1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for violin and piano and, for the first time, in an arrangement for cello and piano by Christoph Sassmannshaus. The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato. This showpiece can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4. It can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.

Strings / Educational Music

The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the violin, the technical requirements call for first to fifth position whereas on the cello, the student must be able to play in first to fourth position. Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work. • Popular recital pieces for young violinists and cellists • Both works form an ideal continuation of the Sassmannshaus Early Start methods • Pieces originally scored for violin now also available for the first time for cello Already published: Oskar Rieding Concerto in B minor op. 35, for violin and piano

BA 8971 · € 8.25

Friedrich Seitz Concerto in G major op. 13, for violin and piano

BA 8972 · € 8.75

Oskar Rieding Concerto in B minor op. 35, for cello and piano

BA 8984 · € 10.25

Friedrich Seitz Concerto in D major op. 22, for cello and piano

BA 8987 · € 9.95

a. o. ISMN 979-0-006-55973-2

ISMN 979-0-006-55975-6

9 790006 559732

New Issue Title

9 790006 559756

BA 10691

ISMN 979-0-006-55974-9

BA 10693

9 790006 559763

BA 10692

New Issue Title

Edward Mollenhauer: The Infant Paganini Fantasia for Cello and Piano Cello part with enclosed cello/piano score BA 10693 · approx. € 8.95

Edward Mollenhauer: The Boy Paganini Fantasia for Cello and Piano Cello part with enclosed cello/piano score BA 10694 · approx. € 8.95

ISMN 979-0-006-55976-3

9 790006 559749

New Issue Title

Editors: Kurt Sassmannshaus, Christoph Sassmannshaus

BA 10694

Issuein Title ToNew appear October 2015

New Publications 2/2015 · The Programme

Chamber Music

Dumky in an Urtext edition

Antonín Dvořák: Dumky for Piano, Violin and Violoncello op. 90 BÄRENREITER URTEXT Edited by Christoph Flamm Score with parts BA 9567 · approx. € 19.95 (replaces H 1551) To appear in October 2015

The dumka is a Slavic folk song or dance of a melancholy character. Dvořák’s magnum opus in the piano trio genre takes its name from its dumka movements, which he composed in Prague in 1890-91. After long hesitation Dvořák also prepared a piano reduction while he was in the United States in the summer of 1893. The previous year he had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan. The editor of our new edition, Christoph Flamm, took the Simrock print as his starting point. However he also carefully distinguished between the various reissues and consulted Dvořák’s sketches as well as his piano reduction. A Critical Commentary provides detailed information on the work’s sources, tempo markings and formal divisions of the movements.

ISMN 979-0-2601-0715-1

• Urtext edition reflecting the latest musicological research 9 790260 107151

New Issue Title

New Publications 2/2015 · The Programme

• Detailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editor • Contains previously unknown music (draft version of dumka no. 3)

Chamber Music

First appearance in print This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation. No piano part has been handed down; indeed, the original sets of parts probably omitted the piano. The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861). The sextet version deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart’s piano concertos K. 413 to 415 and later for the Chopin concertos. This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.

• First ever publication of this arrangement • Includes a separate solo part as was customary in Beethoven’s day • Provides new possibilities for soloists to perform this work

Ludwig van Beethoven: Sextet for Piano, two Violins, two Violas and Violoncello after the Piano Concerto No. 4 in G major op. 58 BÄRENREITER URTEXT Edited by Jonathan Del Mar Score and six parts BA 9034 · approx. € 32.95 To appear in October 2015

ISMN 979-0-006-55983-1

9 790006 559831

Jonathan Del Mar

New Issue Title

New Publications 2/2015 · The Programme

BOHUSL AV

MARTINŮ

T H E COMPL E T E ED I T I O N Subscription offer Bärenreiter is publishing the Bohuslav Martinů Complete Edition, a scholarly-critical edition that will present the complete œuvre of this major twentieth century composer for the first time. Martinů’s works in all their versions and arrangements, as well as newly discovered and previously unpublished compositions will be included.

The Edition

The Structure

Commissioned by the Bohuslav Martinů Foundation (Prague).

Eight series (indicated by Roman numerals), divided into subseries (indicated by Arabic numerals). Approx. 100 volumes in total.

Edited by the Bohuslav Martinů Institut (Prague). Director: Aleš Březina

Each volume includes a detailed Foreword and a Critical Report in English and Czech, format: 25.5 cm x 32.5 cm, cloth bound. New Issue Title

New Publications 2/2015 · The Programme

Editorial Board Peter Ackermann, Sandra Bergmannová, Dietrich Berke (†), Aleš Březina, Klaus Döge (†), Jarmila Gabrielová, Jonáš Hájek, Christopher Hogwood (†), Adéla Kovářová, Kateřina Maýrová, Marek Pechač, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Annette Thein, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

I II III IV V VI VII VIII

Stage works and film music (approx. 43 volumes) Orchestral music (approx. 16 volumes) Concertos and other concertato works (approx. 17 volumes) Chamber music (approx. 9 volumes) Keyboard works (approx. 3 volumes) Choral works and songs (approx. 8 volumes) Piano reductions by the composer (approx. 7 volumes) Supplements and varia (approx. 1 volume)

The First Ten Volumes Series VI/2 Volume 1 Series II/1

The Epic of Gilgamesh, H 351. Ed. Aleš Březina

already published BA 10571-01 € 390.00

Volume 4 Symphony No. 4, H 305. Ed. Sharon Andrea Choa already published BA 10572-01 € 335.00

Series VI/2 Volume 2 Svatební košile (The Spectre’s Bride), H 214.I A, Polní mše (Field Mass), H 279. Ed. Paul Wingfield Series IV/4 Volume 1

2016 BA 10573-01

Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3, H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374. Ed. Jitka Zichová

2016 BA 10574-01

Series VI/2 Volume 3 Otvírání studánek (The Opening of the Springs), H 354, Legenda z dýmu bramborové nati (The Legend of the Smoke from Potato Tops), H 360, Romance z pampelišek (The Romance from the Dandelions), H 364, Mikeš z hor (Mikesh from the Mountains), H 375

BA 10575-01

Series IV/3 Volume 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268, String Quartet No. 6, H 312, String Quartet No. 7, H 314

BA 10576-01

Series III/2 Volume 4 Concerto for String Quartet and Orchestra, H 207, Sinfonia concertante, H 322

BA 10577-01

Series III/1 Volume 7 Concerto da camera for Violin, String Orchestra, Piano and Percussion, H 285, Rhapsody-Concerto for Viola and Orchestra, H 337

BA 10578-01

Series III/1 Volume 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto in B-flat for Piano and Orchestra (Fantasia concertante), H 366

BA 10579-01

Series I/1

Volume 12 Ariane, Lyric Opera in One Act, H 370

BA 10580-01

The Subscription Available on complete subscription or partial subscription by series at reduced prices. The volumes can also be purchased individually.

from: The Epic of Gilgamesh BA 10571

New Issue Title

Please ask for the brochure »Bohuslav Martinů · The Complete Edition« (Eng/Ger), SPA 275.

New Publications 2/2015 · The Programme

sacred chor al work

BA 7417 In the Light of God / I Guds Ljus: I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece, various aspects of these relationships are conveyed.

Mårten Jansson (*1965)

BA 7418 Es ist ein Ros entsprungen / Lo, How a Rose E’er Blooming (Arrangement): I have embedded this internationally well-known melody in a harmonic room of bells which is rendered by the male voices. To enhance the feeling of two independent entities, the melody and the bell ostinato are performed in different metres. Tension increases in the second verse when the melody is performed in a canon but dissipates at the end of the piece.

BA 7419 God Rest Ye Merry, Gentlemen (Arrangement): This wonderful carol melody is sung by the altos and is accompanied by an ostinato “motor” in the male voices. New Issue Title The soprano part moves independently and comments, so to speak, on the melodic happenings.

New Publications 2/2015 · The Programme

s by mårten jansson ww

Mårten Jansson: Choral Works a cappella In the Light of God (SMezATB) (Swed/Eng) BA 7417 · approx. € 9.95

Es ist ein Ros entsprungen (Arr. for SSAATTBB) (Ger/Eng/Swed) BA 7418 · approx. € 6.95

s Sample page d: oa nl for dow ter.com w.baerenrei /64 Flyer SPA 50 n in preparatio

Already published: Fear thou not (SSMezAA) (Eng) BA 7411 · € 3.95 Maria (IV) (SATB) (Swed/Eng) BA 7412 · € 3.95 The Choirmaster’s Burial (SSATBB) (Lat SSA/Eng TBB) BA 7413 · € 5.95 Cantate Domino (SSAATTBB) (Lat) BA 7414 · € 4.95 I never saw a moor (SSMezMezAA) (Eng) BA 7415 · € 4.95 Cantate Domino (TTBB) (Lat) BA 7416 · € 4.95

God Rest Ye Merry, Gentlemen (Arr. for SATB) (Eng) BA 7419 · approx. € 4.95

Order the sample score SPA 241, To appear in October 2015

also available for download at: New Issue Title www.baerenreiter.com

New Publications 2/2015 · The Programme

Choir

Pergolesi’s well-known mass – for two or four choirs

Giovanni Battista Pergolesi: Missa Romana BÄRENREITER URTEXT Edited by Malcolm Bruno Piano reduction by the editor Score BA 8958 · approx. € 49.95 Vocal score (Lat) BA 8958-90 · approx. € 29.95 Wind set BA 8958-65 · approx. € 9.95 Coro I: Violino I BA 8958-15 · approx. € 7.95 Violino II BA 8958-16 · approx. € 7.95 Viola BA 8958-17 · approx. € 7.95 Bassi BA 8958-18 · approx. € 7.95 Organo BA 8958-60 · approx. € 9.95 Coro II: Violino I BA 8958-25 · approx. € 7.95 Violino II BA 8958-26 · approx. € 7.95 Viola BA 8958-27 · approx. € 7.95 Bassi BA 8958-28 · approx. € 7.95 Organo BA 8958-61 · approx. € 9.95 New Issue Title To appear in November 2015

New Publications 2/2015 · The Programme

The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi’s lifetime. This Urtext edition presents the work for the first time in the fourchoir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng). • First publication with choirs III and IV • Can be performed with both two or four choirs • Idiomatic, well-presented piano reduction ISMN 979-0-006-55760-8

ISMN 979-0-006-55761-5

BA 8958-90

BA 8958 9 790006 557608

New Issue Title

9 790006 557615

New Issue Title

Choir

Famous early 19th-century Requiem

Luigi Cherubini: Requiem in C minor Missa pro defunctis BÄRENREITER URTEXT

BA 8961

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng). • Cherubini’s well-known Requiem in a definitive Urtext edition • Bilingual Foreword (Eng/Ger)

Edited by Hans Schellevis Piano reduction by the editor Score BA 8961 · approx. € 59.00 Vocal score (Lat) BA 8961-90 · approx. € 10.50 Wind set BA 8961-65 · approx. € 36.95 Violin I BA 8961-74 · approx. € 6.50 Violin II BA 8961-75 · approx. € 6.50 Viola I BA 8961-79 · approx. € 6.50 Viola II BA 8961-80 · approx. € 6.50 Violoncello BA 8961-82 · approx. € 6.50 Double bass BA 8961-85 · approx. € 6.50 To appear in October 2015 ISMN 979-0-006-55924-4

• Idiomatic, uncluttered piano reduction 9 790006 559244

New Issue Title

BA 8961-90

New Publications 2/2015 · The Programme

Choir

First Urtext edition of the “Dettinger Te Deum”

George Frideric Handel: Dettinger Te Deum HWV 283 BÄRENREITER URTEXT Edited by Amanda Babington Piano reduction by Andreas Köhs Score BA 10706 · approx. € 39.95 Vocal score (Lat) BA 10706-90 · approx. € 16.95 Wind set BA 10706-65 · approx. € 19.95 Organ BA 10706-67 · approx. € 15.95 Violin I BA 10706-74 · approx. € 5.75 Violin II BA 10706-75 · approx. € 5.75 Viola BA 10706-79 · approx. € 5.75 Violoncello/Double bass BA 10706-82 · approx. € 5.75

BA 10706

The Dettinger Te Deum was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed. This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition. • First Urtext edition • Includes a Foreword (Eng/Ger) • Idiomatic, well-presented piano reduction ISMN 979-0-006-54436-3

ISMN 979-0-006-54435-6

To appear in December 2015 9 790006 544363

New Issue Title

New Publications 2/2015 · The Programme

New Issue Title

9 790006 544356

BA 10706

New Issue Title

BA 10706-90

Vocal Score / Opera

Tyrant on the opera stage

George Frideric Handel: Lucio Cornelio Silla HWV 10 Opera in tre atti Libretto by Giacomo Rossi BÄRENREITER URTEXT The libretto of Handel’s shortest opera is based on Plutarch’s account of the life of the cruel Roman consul and dictator Lucius Cornelius Sulla. He was a figure who went down in history above all for his reign of terror, his libertine life-style and his unexpected abdication and withdrawal to private life. As Sulla voluntarily declined his rulership, Handel was able to provide a lieto fine – the happy ending typical of Baroque opera. This new edition based on the Halle Handel Edition has been used for the premiere of this opera at the Halle Handel Festival in 2015.

Edited by Terence Best Piano reduction by Andreas Köhs Vocal Score (Ital/Ger) German translation by Peter Brenner BA 10701-90 · approx. € 37.95 Performance material available on hire To appear in November 2015

• Urtext edition based on the Halle Handel Edition • Singing translation in German • Comprehensive bilingual Foreword (Ger/Eng) • Uncluttered, idiomatic piano reduction

ISMN 979-0-006-50237-0

9 790006 502370

New Issue Title

New Publications 2/2015 · The Programme

Organ

Organ symphony newly evaluated Louis Vierne (1870–1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition. Vierne’s Symphony No. 4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation – see the detailed Foreword in this new edition for further information.

Louis Vierne: L’Œuvre d’Orgue Complete Organ Works Volume IV: Symphony No. 4 op. 32 BÄRENREITER URTEXT

The registration of this seminal work in the organ literature is in parts reminiscent of César Franck’s Chorale in B minor. In general terms, Franck’s influence was already singled out by reviewers of the first performance. • Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work’s genesis and notes on performance practice • Comprehensive Critical Commentary (Fr/Eng/Ger) • New source material • Many illustrations and facsimile pages

Edited by Helga Schauerte-Maubouet BA 9224 · approx. € 27.95 To appear in July 2015

ISMN 979-0-006-53438-8

9 790006 534388

New Issue Title

New Publications 2/2015 · The Programme

Already published: Louis Vierne Organ Works BA 9221 · € 25.95 Volume I: Symphony No. 1 op. 14 BA 9222 · € 24.95 Volume II: Symphony No. 2 op. 20 BA 9223 · € 23.95 Volume III: Symphony No. 3 op. 28 BA 9225 · € 28.95 Volume V: Symphony No. 5 op. 47 BA 9226 · € 27.95 Volume VI: Symphony No. 6 op. 59 Pièces de Fantaisie en quatre suites BA 9227 · € 20.50 Volume VII.1: Livre I, 1–6 op. 51 BA 9228 · € 23.95 Volume VII.2: Livre II, 7–12 op. 53 BA 9229 · € 23.95 Volume VII.3: Livre III, 13–18 op. 54 Volume VII.4: Livre IV, 19–24 op. 55 BA 9230 · € 23.95 Pièces en style libre pour orgue ou harmonium Volume VIII.1: Livre I, 1–12 op. 31 BA 9235 · € 23.95 Volume VIII.2: Livre II, 13–24 op. 31 BA 9236 · € 25.95 Volume IX: Masses, Individual Liturgical Works BA 9237 · € 30.95

Organ

Complete works for solo organ

George Frideric Handel: Complete Organ Works BA 11226

BÄRENREITER URTEXT The Halle Handel Edition presents Handel’s fugues in their versions for harpsichord. The original organ versions are merely described in the Critical Commentary, although they sometimes differ markedly from their harpsichord counterparts.

Edited by Siegbert Rampe BA 11226 · approx. € 41.95 To appear in November 2015 ISMN 979-0-006-55995-4

This performing Urtext edition contains, for the first time in a single volume, the Six Fugues or Voluntaries that Handel himself published in 1735. In addition there are six further organ fugues which have never been published before and where the original versions are also included in this edition. Furthermore there are three separate works which in part should be performed with pedal. The musical text contains all the relevant alternative readings from various sources which are recorded in the enclosed Critical Commentary. A detailed Foreword includes notes on performance practice. • First single-volume performing Urtext edition of Handel’s complete works for solo organ • With previously unpublished original versions • Includes all relevant alternative readings from the sources • Detailed Foreword (Ger/Eng) with notes on performance practice and a Critical Commentary (Ger/Eng)

9 790006 559954

New Issue Title

Contents Fuga 1.st in C minor HWV 610 / Fuga 2.do in G minor HWV 605 / Fuga 3.d in B-flat major HWV 607 / Fuga 4.th in E minor HWV 429/1 / Fuga 5.th in G major HWV 606 / Fuga 6.th in A minor HWV 609 / Fuga 7.th in F major HWV 611 / Fuga 8.th in F minor HWV 433/2 / Fuga 9.th in B minor HWV 608 / Fuga 10.th in D minor HWV 428/2 / Fuga [11.th] in F-sharp minor HWV 431/3 / Fuga [12.th] in F major HWV 427/4 / Voluntary in E major HWV 612 / O the pleasure of the plains in G major HWV 474 / Newmeine Issue Title Jesu, Freude in G minor HWV 480

New Publications 2/2015 · The Programme

Organ

Sacred music for church services and concerts The organ plus one series was conceived primarily with semiprofessional church musicians and instrumentalists in mind. Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales, both original works and arrangements. Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.

ORGAN PLUS ONE Praise and Thanks / Baptism and Wedding Original works and arrangements for church services and concerts Edited by Carsten Klomp Score with parts BA 8505 · approx. € 18.50 To appear in August 2015

Among the pieces in this edition are John Alcock, Fuga; Christlieb Siegmund Binder, Prelude in F major; Nicolas Jacques Lemmens, Fanfare; Marx Philipp Zeyhold, Concerto in A major; Johann Sebastian Bach, Was Gott tut, das ist wohlgetan; Karl Hoyer, Liebster Jesu, wir sind hier; Carl Piutti, Lobe den Herren, den mächtigen König; and Carsten Klomp, Grosser Gott, wir loben dich. “Organ plus one closes a gap in the repertoire. We wish the series every success and widespread distribution.” (Kirchenmusik im Bistum Mainz)

Already published: ORGAN PLUS ONE Advent and Christmas BA 8501 · € 18.50 Passion and Easter BA 8503 · € 18.50 Death and Eternity / Funeral Service BA 8504 · € 18.50

ISMN 979-0-006-54070-9

9 790006 540709

New Issue Title

New Publications 2/2015 · The Programme

Divine Service BA 8506 · € 18.50 Communion BA 8507 · € 18.50

Organ

Easy concert pieces for organ

ENJOY THE ORGAN 3 A Selection of easy-to-play pieces Edited by Karl-Peter Chilla BA 11209 · € 14.95 Already published Volume 3 in our successful Enjoy the Organ series offers attractive organ pieces from the 17 th to 20th centuries suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time. Among the pieces in Volume 3 are Juan Cabanilles, Batalla Imperial I; Johann Baptist Vanhal, Sonatina in F major; Robert Schumann, Adagio from op. 70; Gabriel Fauré, Cantique de Jean Racine, op. 11; and Pietro Yon, Humoresque. These pieces are intended primarily for the amateur organist but will also appeal to professional church musicians who will find the collection useful as literature for sight reading and as a starting point for improvisation. • Geared towards amateur church musicians and organists

ISMN 979-0-006-55906-0

9 790006 559060

New Issue Title

Already published: ENJOY THE ORGAN 1 BA 11207 · € 13.95

• Collection of easy-to-play concert pieces for organ • Also effective on smaller instruments

ENJOY THE ORGAN 2 BA 11208 · € 13.95 New Issue Title

New Publications 2/2015 · The Programme

Contemporary Music

New publications up to April 2015 Works for hire Beat Furrer la bianca notte Opera on texts by Dino Campana and documentary material (2013-15) BA 11131-72 Two Studies for Orchestra (2015) BA 11148-72 Philipp Maintz upon a moment’s shallow rim for violoncello and large orchestra (2014-15) BA 11142-72 Miroslav Srnka No Night No Land No Sky for chamber orchestra (2014) (new version) BA 11130-72 move 01 for large orchestra (2015) BA 11144-72 move 02 for large orchestra (2015) BA 11145-72

Works for sale Rudolf Kelterborn Quartet Fragments (String Quartet 7) Score BA 11056 Parts in slipcover BA 11056-22 Giselher Klebe Poèma romantico for violin, violoncello and piano, op. 145 Full score with two performance scores New Issue Title BA 11041

New Publications 2/2015 · The Programme

from: Furrer, la bianca notte · BA 11131-72 Giselher Klebe Il Giardino un Adagio per tre for violin, clarinet in A and piano, op. 147 Full score with two performance scores BA 11024

Orchestra

Haydn’s last symphony for small orchestra

Joseph Haydn: Symphony in E-flat major No. 91 (Hob. I:91) BA 10978

This four-movement work with a slow introduction is Haydn’s last symphony for ‘small’ orchestra, i.e. without trumpets and timpani. However it has long passages for solo violoncello and is also scored for two bassoons. The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers. Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn’s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.

URTEXT Edited by Andreas Friesenhagen Score BA 10978 · approx. € 41.95 Wind set BA 10978-65 · approx. € 44.95 Violin I BA 10978-74 · approx. € 9.95 Violin II BA 10978-75 · approx. € 9.95 Viola BA 10978-79 · approx. € 9.95 Violoncello BA 10978-82 · approx. € 9.95 Double bass BA 10978-85 · approx. € 9.95 To appear in July 2015 ISMN 979-0-006-55960-2

• Based on the Henle Complete Edition of the Works of Joseph Haydn • Orchestral parts in a large format (25.5 × 32.5 cm)

9 790006 559602

New Issue Title

Score BA 10978

New Publications 2/2015 · The Programme

Jean-Philippe Rameau

A popular pastorale in a new scholarly-critical edition

Jean-Philippe Rameau Acante et Céphise ou La sympathie (RCT 21) Pastorale héroïque in three acts Symphonies, SJPR-OOR IV.21s Edited by Nathalie Berton-Blivet BA 8897 · € 30.95 Already published Performance material available on hire

The genre pastorale héroïque is a legacy of the grand siècle of Louis XIV. However in the 18 th century it only rarely reached the stage. But in the second period of his career Rameau turned to this genre again: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action, stage décor and musical virtuosity compared to the tragédie lyrique. This is demonstrated to masterly effect in Acanthe et Céphise (1751), where even the ballets are fully integrated into the plot. This edition contains all the instrumental numbers from this popular pastorale in a new critical edition by Nathalie Berthon-Blivet.

ISMN 979-0-006-56144-5

9 790006 561445

New Issue Title

New Publications 2/2015 · The Programme

Jean-Philippe Rameau

Jean-Philippe Rameau: “Airs d’opéra” Series Edited by Sylvie Bouissou, Benoît Dratwicki and Julien Dubruque. Piano reductions by François Saint-Yves, with the support of the Société Jean-Philippe Rameau (SJPR), based on the Opera Omnia Rameau (OOR). A publication of the Centre de musique baroque de Versailles (CMBV).

Already published:

Airs d’opéra : Grand dessus / Operatic arias: Soprano and Mezzo-soprano CAH.265/OOR IVa5 / BA 9195 · € 52.00 This volume contains all the great monologues, arias and ariettas which Rameau composed for grand dessus and which are sung by sopranos and mezzo-sopranos today. Arias for soprano and mezzo-soprano from the operas Castor et Pollux (Minerve, Phébé) / Dardanus (Vénus) / Les Fêtes de l’Hymen et de l’Amour (Orthésie) / Les Fêtes de Polymnie (Polymnie, Stratonice) / Hippolyte et Aricie (Phèdre) / Les Indes galantes (Hébé, Phani, Zaïre) / Platée (Junon) / La Princesse de Navarre (Une Devineresse) / Les Surprises de l’amour (Uranie, Hersilide) / Le Temple de la Gloire (Lydie, Plautine) / Zéphyre (Diane) / Zoroastre (Érinice).

Airs d’opéra : Haute-contre / Operatic arias: Tenor, Volume 1

The following volumes will appear within the next few months:

CAH.266/OOR IVa6 / BA 9196 · € 52.00 This volume contains half of the great monologues, arias and ariettas which Rameau composed for haute-contre, and which are sung by tenors today. Arias for tenor from the operas Acanthe et Céphise (Acanthe) / Anacréon (Batile) / Castor et Pollux (Castor, un Athlète) / Daphnis et Églé (Daphnis) / Dardanus (Dardanus) / Les Fêtes de l’Hymen et de l’Amour (Osiris, Aruéris, un Égyptien) / Les Fêtes de Polymnie (Alcide) / (Mercure) / La Guirlande (Myrtil) / Hippolyte et Aricie (Un Amour, Hippolyte) / Les Indes galantes (Valère) / Naïs (Neptune).

BA 9197 BA 9191 BA 9198 BA 9192 BA 9193 BA 9194

Haute-contre (Tenor), Vol. 2 Dessus (Soprano), Vol. 1 Basse-taille et Basse (Baritone and Bass) Dessus (Soprano), Vol. 2 Dessus (Soprano), Vol. 3 Dessus (Soprano), Vol. 4

• D etailed historical introduction (Fr/Eng) • I diomatic piano reduction arrangements based on the Opera Omnia Rameau • Each piece is introduced by a précis of the dramatic situation and an English translation of the vocal text

ISMN 979-0-006-56113-1

ISMN 979-0-006-56114-8

• Co-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau • Distributed exclusively by Bärenreiter

9 790006 561131

9 790006 561148

New Issue Title BA 9195

BA 9196

New Publications 2/2015 · The Programme

Complete Editions

New publications up to May 2015 Christoph Willibald Gluck Complete Works Series IV, Volume 10: L’Arbre enchanté, ou Le Tuteur dupé Edited by Bruce Alan Brown BA 5811-01

Johann Pachelbel Complete Vocal Works Volume 9: Concerti III Edited by Thomas Röder with assistance from Wilhelm Binder BA 10559-01

George Frideric Handel Halle Handel Edition, Series II, Volume 3 Agrippina Edited by John E. Sawyer BA 4092-01

Works of / Opere di Gioachino Rossini Le comte Ory Critical Commentary Edited by Damien Colas BA 10508-40 Emmanuel Chabrier L’Étoile L’Opéra français, Volume 3 Edited by Hugh Macdonald and Paul Prévost BA 8708-01 The Bohuslav Martinů Complete Edition, Series VI/2, Volume 1 The Epic of Gilgamesh, H 351 Edited by Aleš Březina BA 10571-01 The Bohuslav Martinů Complete Edition, Series II/1, Volume 4 Symphony No. 4, H 305 Edited by Sharon Andrea Choa New Issue Title BA 10572-01

New Publications 2/2015 · The Programme

Franz Schubert New Edition of the Complete Works Series II, Volume 9 Rosamunde, Fürstin von Cypern Edited by Christine Martin and Walther Dürr BA 5570-01

Music Book

The definitive picture book on Johann Sebastian Bach What did Johann Sebastian Bach’s world look like? Which people were close to him? Who did he work with? What writings document his life and work? This lavish picture book helps to bridge the 300-year historical gap and vividly brings to life Bach’s personal history. The illustrations, mostly in colour, present Bach’s life from his beginnings in Eisenach, Ohrdruf and Lüneburg, through his years as an organist in Arnstadt, Mühlhausen and Weimar and his period as Kapellmeister in Cöthen, to his tenure in Leipzig as music director and cantor at St. Thomas’s. Each illustration is accompanied by a brief caption to reveal its importance while leafing through the pictures. For deeper study, detailed explanations are given in the appendix.

Christoph Wolff: Bach A Life in Pictures New Bach Edition Revised Edition (NBArev) Volume 4 Edited by the Bach Archive Leipzig approx. 496 pp. in German and English approx. 550 illustrations, mostly in colour Hardcover with dust jacket BVK 2280 · approx. € 372.00 To appear in November 2015

1 stadtansicht eisenach (Merian 1650) ◊ Johann sebastian Bach verbrachte Kindheit und erste schuljahre in seiner Geburtsstadt eisenach, 1685–1695.

View of the town eisenach (Merian 1650) ◊ Johann sebastian Bach spend childhood and early school years in his birthplace eisenach, 1685–1695.

3 stadtplan eisenach (ende 17. Jahrhundert) ◊ ab 1671 wirkte Johann ambrosius Bach in eisenach als Direktor der Rats- und stadtmusik sowie Mitglied der herzoglichen hofkapelle. er wohnte mit seiner Familie in einem nicht mehr erhaltenen haus (heute Lutherstr. 35). street map eisenach (late 17th century) ◊ From 1671, Johann ambrosius Bach worked in eisenach as director of the town music company and member of the ducal court capelle. he lived with his family in a house no longer standing (today Lutherstrasse 35).

eisenach (1685–1695)

New Issue Title

New Publications 2/2015 · The Programme

Your Contacts

Sales and Marketing International

Sales and Marketing Germany · Austria

Director of Sales and Marketing Corinne Votteler Tel. ++49 (0) 561 3105-175 votteler@baerenreiter.com

Director of Sales and Marketing Ivan Dorenburg Tel. ++49 (0) 561 3105-162 dorenburg@baerenreiter.com

Switzerland · France · Belgium · Luxembourg · Italy

Gerlinde Möller Tel. ++49 (0) 561 3105-188 moeller@baerenreiter.com

Dr. Christiane Loskant Tel. ++49 (0) 561 3105-112 loskant@baerenreiter.com

Scandinavia · Netherlands · Spain · Portugal · Latin America · Middle East Catriona Glatthaar Tel. ++49 (0) 561 3105-179 glatthaar@baerenreiter.com

USA · Canada · Greece Petra Woodfull-Harris Tel. ++49 (0) 561 3105-173 pwoodfull-harris@baerenreiter.com

Asia Corinne Votteler Tel. ++49 (0) 561 3105-175 votteler@baerenreiter.com

UK · British Commonwealth Bärenreiter Ltd. Burnt Mill, Elizabeth Way Harlow, Essex CM20 2HX, GB Christopher J. Jackson Patrick J. Abrams Tel. ++44 (0) 1279 828930 Fax ++44 (0) 1279 828931 info@barenreiter.co.uk

Franziska Watzl Tel. ++49 (0) 561 3105-170 watzl@baerenreiter.com

Institutions, Libraries Carolin Jetter Tel. ++49 (0) 561 3105-177 jetter@baerenreiter.com

Public Relations Johannes Mundry Tel. ++49 (0) 561 3105-154 Fax ++49 (0) 561 3105-310 mundry@baerenreiter.com

Hire Material Bärenreiter · Alkor Alkor-Edition Heinrich-Schütz-Allee 35 34131 Kassel Tel. ++49 (0) 561 3105-288/289 Fax ++49 (0) 561 3 77 55 order.alkor@baerenreiter.com www.alkor-edition.com

Central and Eastern Europe · Russia Bärenreiter Praha s. r. o. náměstí Jiřího z Poděbrad 112/19 130 00 Praha 3 Czech Republic Director of Sales and Promotion Central and Eastern Europe Maxim Belčikov Tel. ++420 274 001 932 Fax ++420 222 220 829 New Issue Title belcikov@baerenreiter.cz

New Publications 2/2015 · The Programme

Imprint Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG Heinrich-Schütz-Allee 35-37 34131 Kassel · Germany

Cover design: +Christowzik Scheuch Design with photograph by TTstudio

www.baerenreiter.com Errors excepted; price changes info@baerenreiter.com and delivery terms subject to change without notice. Content Printed in Germany valid as of June 2015. 1/1506/3 · SPA 042