Bestseller Katalog China 2014 by Baerenreiter

B채renreiter 1

CONTENTS Ⳃᔩ CONTENTS 䩶⨈ 䬂Ⲭ 䩶⨈ 䬂Ⲭ 䩶⨈ 䩶⨈ 䬂Ⲭ 䩶⨈ 䩶⨈ 䬂Ⲭ 䬂Ⲭ Piano Keyboard 䩶⨈ /䬂Ⲭ 䩶⨈ 䩶⨈ 䬂Ⲭ 䬂Ⲭ Collections Solo ......... 66 䩶⨈⣀༣԰ક䲚 ........................ 䩶⨈ 䬂Ⲭ for Piano

Piano Soloü–԰᳆ᆊ Composers ............. 77 䩶⨈⣀༣ ................... Piano Duet // 䩶⨈Ѡ䞡༣ Two Pianos – Collections ....16 ঠ䩶⨈ ü ԰ક䲚 ............... 16 Piano Duet / 䩶⨈Ѡ䞡༣ / – Composers ....16 Two Pianos ü ԰᳆ᆊ ............... 18 16 Pianoঠ䩶⨈ Concertos .......................... 䩶⨈ण༣᳆ ................................ 18 ㅵ亢⨈ ㅵ亢⨈ ㅵ亢⨈ ㅵ亢⨈ Organ ㅵ亢⨈ ..................................................22 ㅵ亢⨈ ........................................... 22 ᓺФ఼üᇣᦤ⨈ ㅵ亢⨈ ᓺФ఼üᇣᦤ⨈ ᓺФ఼üᇣᦤ⨈ ㅵ亢⨈ – Violin ᓺФ఼üᇣᦤ⨈ Strings ᓺФ఼üᇣᦤ⨈ ㅵ亢⨈ ᓺФ఼üᇣᦤ⨈ ᓺФ఼üᇣᦤ⨈ Educational Music for Violin .. 24 ᓺФ఼üᇣᦤ⨈ ᓺФ఼üᇣᦤ⨈ Violin Solo / 2–4 Violins – ᇣᦤ⨈䷇Фᬭ㚆к㈡ ................. 24 ᓺФ఼üᇣᦤ⨈ Composers .............................. ᇣᦤ⨈⣀༣ / 2ü4 ᡞᇣᦤ⨈ ü 26 1–2 Violins Keyboard ԰᳆ᆊ and ................................ 26 Instrument – Composers ... 26 1ü2 ᡞᇣᦤ⨈Ϣ䬂ⲬФ఼ ü ԰᳆ᆊ ᓺФ఼üЁᦤ⨈ Strings – Viola..........................….. 26 ᓺФ఼üЁᦤ⨈ ᓺФ఼üЁᦤ⨈ ᓺФ఼üЁᦤ⨈ Viola and Keyboard ᓺФ఼üЁᦤ⨈ ᓺФ఼üЁᦤ⨈ Collections ...............................32 ᓺФ఼üЁᦤ⨈ ᓺФ఼üЁᦤ⨈ Ёᦤ⨈Ϣ䬂ⲬФ఼ ᓺФ఼üЁᦤ⨈ Viola and Keyboard

԰ક䲚 …………..….….….. 32 Instrument – Composers ....32 Ёᦤ⨈Ϣ䬂ⲬФ఼ Strings – Violoncello ԰᳆ᆊ .........................….. 32 ᓺФ఼ü໻ᦤ⨈ ᓺФ఼ü໻ᦤ⨈ Violoncello Solo – ᓺФ఼ü໻ᦤ⨈ ᓺФ఼ü໻ᦤ⨈ ᓺФ఼ü໻ᦤ⨈ Composers ...............................33 ᓺФ఼ü໻ᦤ⨈ ᓺФ఼ü໻ᦤ⨈ 1–2 Violoncellos ᓺФ఼ü໻ᦤ⨈ ໻ᦤ⨈⣀༣ ü and ᓺФ఼ü໻ᦤ⨈ Keyboard Instrument ...........33 ԰᳆ᆊ ................................ 33 1–2 Violoncellos and 1ü2 ᡞ໻ᦤ⨈Ϣ䬂ⲬФ఼ Keyboard Instrument –........ 33 1ü2 ᡞ໻ᦤ⨈Ϣ䬂ⲬФ఼ ü Composers ...............................35 ԰᳆ᆊ ............................... 35 Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈ Double Bass ..................................... 39 Ԣ䷇ᦤ⨈

Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈ ..................................... 39 Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈

䩶⨈ 䬂Ⲭ オ⨈ オ⨈ オ⨈ オ⨈ オ⨈ オ⨈ Harp .........................................39 39 オ⨈ 䭓ワ .................................................... オ⨈ 䭓ワオ⨈ 䭓ワ䭓ワオ⨈ 䭓ワ Flute 䭓ワ䭓ワ䭓ワ䷇Фᬭ㚆к㈡Ϣ 䭓ワ Educational Music and 䭓ワ䷇Фᬭ㚆к㈡Ϣ 䭓ワ

԰ક䲚 .............................. 40 Collections for Flute ............40 ԰ક䲚 .............................. 40 ü– ԰᳆ᆊ …………. 40 䭓ワ⣀༣ Flute Solo Composers ...........40 䭓ワ⣀༣ ü ԰᳆ᆊ …………. 40 ㅵ亢⨈ 䭓ワϢ䬂ⲬФ఼ ü Flute(s) and Keyboard 䭓ワϢ䬂ⲬФ఼ ü Instrument – Composers ... 42 ԰᳆ᆊ ……………..……… 42 ԰᳆ᆊ ……………..……… 42 ᓺФ఼üᇣᦤ⨈ ঠㇻㅵ ঠㇻㅵ ঠㇻㅵ …………………………. 43 ঠㇻㅵ Oboe ঠㇻㅵ....................................................43 ঠㇻㅵ ऩㇻㅵ …………………………. 43 ঠㇻㅵ ऩㇻㅵ ঠㇻㅵ …………………………. 44 ऩㇻㅵ ऩㇻㅵ ঠㇻㅵ ............................................... Clarinet 44 ऩㇻㅵ ऩㇻㅵ 㧼‫ܟ‬ᮃㅵ…………………………. 44 ऩㇻㅵ 㧼‫ܟ‬ᮃㅵ 㧼‫ܟ‬ᮃㅵ ऩㇻㅵ 㧼‫ܟ‬ᮃㅵ …………………….… 44 㧼‫ܟ‬ᮃㅵ ऩㇻㅵ Saxophone ........................................ 44 㧼‫ܟ‬ᮃㅵ 㧼‫ܟ‬ᮃㅵ …………………….… 44 ໻ㅵ 㧼‫ܟ‬ᮃㅵ ໻ㅵ 㧼‫ܟ‬ᮃㅵ ໻ㅵ ໻ㅵ ……………………………. 45 Bassoon ..............................................45 㧼‫ܟ‬ᮃㅵ ໻ㅵ ᓺФ఼üЁᦤ⨈ ໻ㅵ ೚ো ……………………………. 45 ໻ㅵ ೚ো ໻ㅵ .................................................... ೚ো 46 Horn ೚ো ໻ㅵ ……………………………. 46 ೚ো ೚ো ……………………………. 46 ᅸ‫ݙ‬Ф ೚ো ᅸ‫ݙ‬Ф ೚ো ᅸ‫ݙ‬Ф Chamber Music ᅸ‫ݙ‬Ф ೚ো ᅸ‫ݙ‬Ф 䩶⨈ϝ䞡༣ …….………..…….. 47 Piano Trio .......................................47 ᅸ‫ݙ‬Ф ᅸ‫ݙ‬Ф ᅸ‫ݙ‬Ф 䩶⨈ಯ䞡༣ .............................. 48 Quartet .............................. 48 Piano 䩶⨈ϝ䞡༣ …….………..…….. 47 ᅸ‫ݙ‬Ф Piano Quintet / Quintet 䩶⨈Ѩ䞡༣ /.............................. ᓺФ఼ü໻ᦤ⨈ 䩶⨈ಯ䞡༣ 48 for Piano/ and Strings............. ........... 49 䩶⨈ϢᓺФѨ䞡༣ 49 䩶⨈Ѩ䞡༣ String Duo .................................... 49 …………………… 49 ᓺФѠ䞡༣ 䩶⨈ϢᓺФѨ䞡༣ ............. 49 String Trio ..................................... 50 ᓺФϝ䞡༣ …………………… …………………… 49 50 ᓺФѠ䞡༣ String Quartet ............................ 50 ᓺФಯ䞡༣ …………………….. 50 ᓺФϝ䞡༣ …………………… 50 String Quintet ..............................53 ᓺФѨ䞡༣ …………………… 53 ᓺФಯ䞡༣ 50 String Sextet…………………….. .................................53 ᓺФ݁䞡༣ …………………… …………………… 53 53 ᓺФѨ䞡༣ Ԣ䷇ᦤ⨈ String Orchestra ............................. 54 ᓺФ݁䞡༣ …………………… 53 ᓺФ䯳 …………………………….. 54 ᓺФ䯳 ᓺФ䯳 ᓺФ䯳 ᓺФ䯳 Miscellaneous Chamber ᓺФ䯳 …………………………….. 54 ໮⾡໮ḋⱘ ᓺФ䯳 ໮⾡໮ḋⱘ Ensembles .................................... 54 ᓺФ䯳 ໮⾡໮ḋⱘ ໮⾡໮ḋⱘ ᓺФ䯳 ᅸ‫ݙ‬Ф ໮⾡໮ḋⱘ ᅸ‫ݙ‬Ф ……..........…............…. 54 ᅸ‫ݙ‬Ф ໮⾡໮ḋⱘ ໮⾡໮ḋⱘ ᅸ‫ݙ‬Ф ᅸ‫ݙ‬Ф ໮⾡໮ḋⱘ ᅸ‫ݙ‬Ф ……..........…............…. 54 ໮⾡໮ḋⱘ ᅸ‫ݙ‬Ф ᅸ‫ݙ‬Ф ᅸ‫ݙ‬Ф

オ⨈ 䭓ワ ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ Chamber for Winds ᅸ‫ݙ‬ㅵФ Music ..................................... 56 ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ Woodwind ................... 56 ᳼ㅵѨ䞡༣ Quintet ............................. 56 ᅸ‫ݙ‬ㅵФ

Various Wind Ensembles ......... 58 ৘⾡ㅵФড়༣ .......................... 58

ᅫᬭϢϪ֫ ᅫᬭϢϪ֫ ᅫᬭϢϪ֫ ᅫᬭϢϪ֫ ᅫᬭϢϪ֫ ড়ଅ԰ક ড়ଅ԰ક ᅫᬭϢϪ֫ ড়ଅ԰ક Sacred and Secular ড়ଅ԰ક ᅫᬭϢϪ֫ ড়ଅ԰ક ড়ଅ԰ક ᅫᬭϢϪ֫ Works ............................. 59 Choral ঠㇻㅵ ………….……...... 59 ᅫᬭϢϪ֫ ড়ଅ԰ક ᅫᬭϢϪ֫ 㟲ৄ԰ક ড়ଅ԰ક ড়ଅ԰ક 㟲ৄ԰ક 㟲ৄ԰ક ড়ଅ԰ક 㟲ৄ԰ક 㟲ৄ԰ક 㟲ৄ԰ક ऩㇻㅵ Stage Works .................................... 64 㟲ৄ԰ક ………………….…… 64 ⣀ଅໄ䚼㟲ৄ԰ક 㟲ৄ԰ક ⣀ଅໄ䚼 ⣀ଅໄ䚼㟲ৄ԰ક ⣀ଅໄ䚼 ⣀ଅໄ䚼㧼‫ܟ‬ᮃㅵ ⣀ଅໄ䚼 ⣀ଅໄ䚼 66 Solo Voice .................................. .........................................66 ㅵᓺФ䯳ᘏ䈅 ⣀ଅໄ䚼 ⣀ଅໄ䚼 ㅵᓺФ䯳ᘏ䈅 ㅵᓺФ䯳ᘏ䈅 ⣀ଅໄ䚼 ㅵᓺФ䯳ᘏ䈅 ໻ㅵ ㅵᓺФ䯳ᘏ䈅 ㅵᓺФ䯳ᘏ䈅 ㅵᓺФ䯳ᘏ䈅 ............................... 70 Orchestral Scores .......................... 70 䋱໮㢀ⱘ ㅵᓺФ䯳ᘏ䈅 ㅵᓺФ䯳ᘏ䈅 ೚ো 䋱໮㢀ⱘ 䋱໮㢀ⱘ ㅵᓺФ䯳ᘏ䈅䋱໮㢀ⱘ 䋱໮㢀ⱘ ㄀бѸડ᳆ 䋱໮㢀ⱘ ㄀бѸડ᳆ ㄀бѸડ᳆ ㄀бѸડ᳆ AppBeethoven’s 䋱໮㢀ⱘ ㄀бѸડ᳆ App ㄀бѸડ᳆ 䋱໮㢀ⱘ ᅸ‫ݙ‬Ф 䋱໮㢀ⱘ th㄀бѸડ᳆ 74 䋱໮㢀ⱘ 9 Symphony .......................... ..............................74 ⷨдᘏ䈅㄀бѸડ᳆ ㄀бѸડ᳆ ⷨдᘏ䈅 ⷨдᘏ䈅㄀бѸડ᳆ ⷨдᘏ䈅 ⷨдᘏ䈅 ⷨдᘏ䈅 ⷨдᘏ䈅 ………………………. 75 Study Scores .....................................75 健❞຿ⷨдᘏ䈅 ⷨдᘏ䈅 ⷨдᘏ䈅健❞຿ⷨдᘏ䈅健❞຿ⷨдᘏ䈅 ⷨдᘏ䈅健❞຿ⷨдᘏ䈅健❞຿ⷨдᘏ䈅䯙䇏఼ 健❞຿ⷨдᘏ䈅䯙䇏఼ 䯙䇏఼ 䯙䇏఼ AppBärenreiter 健❞຿ⷨдᘏ䈅䯙䇏఼ App Study Score App 䯙䇏఼ 健❞຿ⷨдᘏ䈅健❞຿ⷨдᘏ䈅䯙䇏఼ ...................................79 79 健❞຿ⷨдᘏ䈅 Reader .......................................... 80 ᔧҷ䷇Ф 䯙䇏఼ ................................... 79 䯙䇏఼ ᔧҷ䷇Ф ᔧҷ䷇Ф 䯙䇏఼ ᔧҷ䷇Ф ᔧҷ䷇Ф ᔧҷ䷇Ф ᔧҷ䷇Ф ………………………. 81 Zeitgenössische Musik ................. 81 খ㗗к㈡ ………………………. ᔧҷ䷇Ф ᔧҷ䷇Ф 81 খ㗗к㈡ খ㗗к㈡ ᔧҷ䷇Ф খ㗗к㈡ খ㗗к㈡ ䷇Фк㈡ খ㗗к㈡ ䷇Фк㈡ ䷇Фк㈡ ䷇Фк㈡ খ㗗к㈡ / ䷇Фк㈡ Reference Works / ䷇Фк㈡ খ㗗к㈡ / ............................. 84 খ㗗к㈡ ䷇Фк㈡ ᓺФ䯳 খ㗗к㈡ Books on Music ......................... 84 ᕅॄ⠜੠‫ݡ‬⠜ ䷇Фк㈡ ............................. 84 ䷇Фк㈡ ᕅॄ⠜੠‫ݡ‬⠜ ᕅॄ⠜੠‫ݡ‬⠜ ䷇Фк㈡ ᕅॄ⠜੠‫ݡ‬⠜ ᕅॄ⠜੠‫ݡ‬⠜ ᕅॄ⠜੠‫ݡ‬⠜ ໮⾡໮ḋⱘ …................…… 84 ᕅॄ⠜੠‫ݡ‬⠜ Facsimiles and Reprints ............... 84 ܼ䲚 ᕅॄ⠜੠‫ݡ‬⠜ ᕅॄ⠜੠‫ݡ‬⠜ …................…… 84 ᅸ‫ݙ‬Ф ܼ䲚 ܼ䲚 ᕅॄ⠜੠‫ݡ‬⠜ ܼ䲚 ܼ䲚 ܼ䲚 ܼ䲚 ……………………………. 87 Gesamtausgaben ........................... 87 ܼ䲚 ܼ䲚 ܼ䲚 ……………………………. 87

㓽‫ݭ‬Ϣヺো䇈ᯢ

Span

㓪䕥㗙 Editor Basso continuo 䗮༣Ԣ䷇ Czech ᥋‫ܟ‬᭛ text German text ᖋ᭛ English text 㣅᭛ French text ⊩᭛ Italian text ᛣ໻߽᭛ Latin text ᢝϕ᭛ text Spanish 㽓⧁⠭᭛

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Alkor Edition Bärenreiter Edition Alkor ߎ⠜⼒ߎ⠜ 健❞຿ߎ⠜⼒ߎ⠜ Bärenreiter Praha Edition ᏗᢝḐ健❞຿ߎ⠜⼒ߎ⠜ Hortus Musicus Series Hortus Musicus ㋏߫ Study Score ⷨдᘏ䈅

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ⓨߎᴤ᳝᭭ଂmaterial °° Performance ⓨߎᴤ᭭ߎ⾳ available on sale Performance Ⳃᔩ material available on hire 㹿ᖋ೑䷇Фߎ⠜ଚणӮ 㹿ᖋ೑䷇Фߎ⠜ଚणӮ Contents ᥜќ᳔Շ⠜ᴀᥜќ᳔Շ⠜ᴀ Best Edition Prize awarded ⠜ᴀᏺ᳝ৃᡬ঴义䴶 ⠜ᴀᏺ᳝ৃᡬ঴义䴶 by the German Music Publishers Association ⬅ DW Cre8tive 䆒䅵ᇕ䴶 Edition with fold-out pages

g direkt an Ihren Fachhändler. Coverᇕ䴶䆒䅵Փ⫼ design by DW Cre8tive Paavo Blåfield ⱘ఼ Фϧ䕥✻⠛Ǆ⬉ᄤ䚂ӊ˖ Titelgestaltung unter Verwendung eines paavo@blofield.de Fotos der Instrumenten-Edition Paavo www.blofield.de Blåﬁeld. E-Mail: paavo@bloﬁeld.de

Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG International Department P.O. Box 10 03 29 34003 Kassel · Germany Content valid as of June 2014. Errors excepted and delivery terms subject to change without notice. www.baerenreiter.com info@baerenreiter.com Printed in Germany 5/1406/4 · SPA 471

ᅸ‫ݙ‬ㅵ

ᅫᬭϢ ড়

㟲ৄ԰

⣀ଅໄ

ㅵᓺФ

䋱㄀

ⷨдᘏ

健䯙

ᔧҷ䷇

খ㗗к ䷇Ф

ᕅॄ⠜ ܼ䲚

“They said I was a musical genius. Only time will tell.”

Bärenreiter Urtext – was ist das? Bärenreiter verwendet den Begriff »Urtext« für wissenschaftliche Notenausgaben, die nach Prüfung aller überlieferten Quellen erstellt werden.

Gute Musik

㕢཭ⱘ䷇Ф aus schlechten Noten? ߎ㞾ࡷ䋼Ф䈅৫˛ So viel Zeit fürs Üben! Doch sind Sie wirklich sicher, dass Sie spielen, was der Komponist im Kopf hatte? Kopien und Download-Noten stammen fast 㢅䌍њ䖭М໮ᯊ䯈ᴹ㒗дʽ✊㗠ˈᙼⳳⱘ⹂ᅮ immer von alten, durch Herausgeber veränderten oder sogar fehlerhaften Ausgaben. Denn früher ᙼ᠔ⓨ༣ⱘህᰃ԰᳆ᆊᖗЁ᠔ᗱ৫˛໡ࠊϢϟ䕑ⱘ wurden musikalische Werke in der Regel nach Ф䈅޴Тᘏᰃߎ㞾㓪㗙ᬍࡼⱘ៪㗙㟯䫭䖲㆛ⱘᮻ⠜ dem Geschmack der jeweiligen Zeit herausᴀǄ಴Ў䖛এ䗮ᐌᰃձ✻ᕐᯊⱘᯊᇮ䍷ੇᴹ㓪䕥䷇ gegeben. So haben sich gedruckte Noten immer Ф԰કⱘǄ಴ℸˈ᠔ॄࠊⱘФ䈅ᘏᰃ⾏԰᳆ᆊⱘ߱ weiter von den ursprünglichen Absichten des 㹋⏤㸠⏤䖰Ǆᙼⳳⱘᜓᛣ೼ℸ㉏Ф䈅Ϟ᣹䳡ᯊ䯈Ϣ Komponisten entfernt. Wollen Sie Zeit und ㊒࡯৫˛ Energie mit solchen Noten vergeuden? Demᙼሑৃֵ䌪健❞຿ॳ԰䈅Ǆ BÄRENREITER URTEXT können Sie vertrauen.

In der Vergangenheit war es für Musiker kaum möglich, festzustellen, ob die Noten, aus denen sie spielen, die Absichten des Komponisten wiedergeben oder nicht. Die Ausgaben enthielten zahlreiche Fehler und nicht selten auch fragwürdige Bearbeitungen und Zusätze des Herausgebers. Um die Qualität einer Ausgabe zu beurteilen, war es nötig, sich anhand von Manuskripten und weiteren Quellen selbst ein Bild zu machen.

健❞຿ॳ԰䈅 ü ԩᮍ⼲೷˛

Bärenreiter übernimmt diese aufwändige Arbeit, um zuverlässige Urtext-Ausgaben auf dem neuesten wissenschaftlichen Stand zu veröffentlichen. Unsere Herausgeber sind Experten auf ihrem Gebiet. Sie konzentrieren sich darauf, einen Notentext zu erstellen, der dem Willen des Komponisten so nah wie möglich kommt. Leichter gesagt als getan! Unsere Musikwissenschaftler reisen oft um die ganze Welt, um Quellen ausfindig zu machen und mit eigenen Augen zu prüfen. Sie entziffern kaum lesbare Handschriften und werten die Quellen aus, die sich nicht selten widersprechen.

“After so many cantatas I only play for fun. My original work is for the fans.”

Urtext – einfach eine Abschrift des Autographs? aphs? Als Musiker können Sie verstehen, wie schwierig es ist, die Absicht des Komponisten zu erfassen – besonders dann, wenn es keine Aufnahmen hmen gibt. Da reicht es nicht, nur das Autograph (das das Werk in der Handschrift des Komponisten) heranzuziehen anzuziehen … wenn es überhaupt erhalten ist. Hat der Komponist zum Beispiel Korrekturen im m Erstdruck vorgenommen, sind sie im Autograph utograph nicht zu finden.

Urtext – was ist das? Der Begriff »Urtext« geht auf das 19. Jahrhundert zurück. Man verwendete ihn im Zusammenhang mit literarischen Texten z. B. von Shakespeare oder Goethe, deren originalen Zustand man wiederherzustellen versuchte, indem man sie von späteren Hinzufügungen der Herausgeber befreite. In der Musik verwendet man »Urtext« für historisch-kritische Ausgaben, die auf der Basis aller erhaltenen Quellen entstehen.

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“I like the digital age, but nothing compares to the original.”

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᳝ԩᳳᕙ˛

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健❞຿ॳ԰䈅гᖙ乏⒵䎇ᅲ䰙䳔㽕˖

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Bärenreiter Urtext:

健❞຿ॳ԰䈅˖ Eine Investition in健❞຿ॳ԰䈅˖ Ihre Zukunft ᇍ᳾ᴹⱘ ᡩ䌘 Mitᇍ᳾ᴹⱘ schlecht edierten Ausgaben, minderwertigen Download-Ausdrucken und kopierten Blättern sollte sich niemand zufriedengeben. ᇍѢ㓪᷵㉫㊭ⱘ⠜ᴀǃࡷ䋼ϟ䕑ᠧॄӊ੠໡ॄ

ᡩ䌘

䈅义ˈ≵᳝ҎӮ⒵ᛣǄ

Stellen Sie sich Ihre eigene Bibliothek an hochwertigen Noten zusammen. Diese 㒘ᓎᙼ㞾ᏅⱘӬ䋼Ф䈅кᑧ৻Ǆ䖭ѯ⠜ᴀ᳝ᙼ Ausgaben mit Ihren persönlichen Anmerkungen ҆ヨ䆘⊼ˈᇚԈᙼ㒜⫳Ǆ werden Sie ein Leben lang begleiten.

ϟ⃵ⓨߎˈᙼህ⠽᳝᠔ؐǄ

Your next performance is worth it.

䩶⨈ 䬂Ⲭ 䩶 ⨈⣀༣ Collections 䩶⨈⣀༣ ԰ક䲚༣ . for Piano......... Solo ......... ԰ક䲚༣ 䩶⨈⣀༣ ԰ક䲚༣

ǉ䩶⨈䷇ФǊ Music for Piano ǉ䩶⨈䷇ФǊ 2014/2015 2014/2015 SPA 233 SPA 233 The catalogue Music for Pianoǉ䩶⨈䷇ФǊⳂᔩ˄㣅᭛˅ࣙ৿ (in English) includes 健❞຿ܼ䚼ॳ԰䈅кⳂˈ᮶᳝ᬭ㚆㉏ Bärenreiter’s complete Urtext 䌘᭭ˈѺ᳝⣀༣Ϣಯ᠟㘨ᔍϧ䕥Ǆ䩶 programme as well as all ⨈ᅸ‫ݙ‬ФѺ೼݊߫ǄⳂᔩࣙᣀᇕ䴶ᦦ educational titles and collections for solo and four೒ǃ䆌໮䷇Фᅲ՟ǃ䩶⨈㓽㓪䈅԰ hand piano. Also chamber 㗙ǃᇍӫ໮ϧ䕥ⱘҟ㒡ˈ䖬᳝䆘䆎ᨬ music ᔩǄ with piano is listed. The catalogue contains cover illustrations, many musical ᙼৃҹ೼健❞຿㔥キĀ᳡ࡵā乍 samples, authors of piano pdf ᭛ḷǄ texts ϟᡒࠄᴀⳂᔩⱘ reductions, descriptive for numerous editions, as well as excerpts from reviews. You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

健❞຿䩶⨈᳆䲚健❞຿䩶⨈᳆䲚㓈г㒇স‫݌‬Ф⌒ 㓈г㒇স‫݌‬Ф⌒ 健❞຿䩶⨈᳆䲚 Bärenreiter Piano Album 㓈г㒇স‫݌‬Ф⌒ Vienna Classic Ed. 㓪䕥M.M.Töpel ⡍Խᇨ ᯧ༣㒣‫݌‬䩶⨈᳆ BA BA 8756 8756 ᯧ༣㒣‫݌‬䩶⨈᳆ ᯧ༣㒣‫݌‬䩶⨈᳆ Easy Classics for Piano 36 Originals from Bach to Satie 36 佪ҢᏈ䌿ࠄ㧼㩖ⱘॳ԰ Ed. 㓪䕥M.M.Töpel ⡍Խᇨ BA BA 8758 8758

From Handel to Ravel 39 Easy Originals for Piano NEW BA 8771

39 Stücke von Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Händel, Haydn, Liszt, Mendelssohn, Mozart, Ravel, Satie, Schubert, Schumann und Tschaikowsky. Beliebte Stücke vom Barock bis zur frühen Moderne Leichter Schwierigkeitsgrad

Ò 䇋ᶹ䯙

Please see 健❞຿ߎ⠜⼒ⱘ㔥キ Bärenreiter’s website www.baerenreiter.com www.baerenreiter.com for more information on the ᳝݇৘⾡ऩ⣀⠜ᴀⱘ䆺㒚ֵᙃ individual editions, such as ↨བᅠᭈⱘখ㗗кⳂ䌘᭭ǃ complete bibliographical data, ᇕ䴶ᦦ೒ǃᅲ՟义䴶ǃ cover illustrations, sample pages,ᅠᭈⱘк㈡Ⳃᔩ complete contents, andҹঞᦣ䗄᭛ᴀǄ descriptive texts.

健❞຿䩶⨈᳆䲚 Piano Album Bärenreiter 健❞຿䩶⨈᳆䲚 ᔧҷ԰᳆ᆊ Contemporary Composers ᔧҷ԰᳆ᆊ 健❞຿䩶⨈᳆䲚 Ed. M. Töpel 㓪䕥 M. ⡍Խᇨ BA 8762 ᔧҷ԰᳆ᆊ BA 8762

Mit praxiserprobten

ҢѼᖋᇨࠄᢝ࿕ᇨ Fingersätzen 39 佪䩶⨈᳆ Praktische Wendestellen ᯧ༣⠜ॳ䈅 BA 8771 Ꮘ䌿ǃ䋱໮㢀ǃࢗᢝྚᮃǃ㙪䙺ǃᖋᔾ㽓ǃḐ䞠ḐǃѼᖋᇨǃ⍋ 乓ǃᴢᮃ⡍ǃ䮼ᖋᇨᵒǃ㥿ᠢ⡍ǃᢝ ࿕ᇨǃ㧼㩖ǃ㟦ԃ⡍ǃ㟦᳐੠᷈⾥໿ ᮃ෎ⱘ 39 佪Ф᳆

Klavier-Festival Ruhr 剕ᇨ䩶⨈㡖 Bärenreiter Piano Album 健❞຿䩶⨈᳆䲚 Contemporary music ᔧҷ䷇Ф two and four hands for Ў䩶⨈⣀༣੠ಯ᠟㘨ᔍ㗠԰ Ed. T. Bleek, M. Töpel. 㓪䕥 T.fingering Ꮧࢦ‫ܟ‬ǃ M. With by⡍Խᇨ P.-L. Aimard, T. Stefanovich P. - L. 㡒偀ᇨᖋǃ T. ᮃ⡍޵䇎 ᏺ⬅ BA 9659 㓈༛㓪‫ⱘݭ‬ᣛ⊩ BA page 9659 81

Æ 㾕㄀ 81 义

Diese Sammlung neuer Klavierwerke für zwei und 䖭Ͼᮄ䩶⨈⣀༣੠ಯ᠟㘨ᔍ԰ક vier Hände zeigt, dass zeitgeϧ䕥ᰒ⼎ˈ᮴䆎ᰃ‫ܓ‬ス䖬ᰃ៤ᑈҎˈ nössische Musik Kinder und ᮴䆎ҪӀᇍ䷇Фⱘⶹ䆚੠݈䍷໮Мϡ Erwachsene mit ganz unterschiedlichen musikalischen ৠˈᔧҷ䷇Ф䛑㛑໳▔䍋ҪӀⱘ݈ Vorkenntnissen und Interessen 㟈Ǆ begeistern kann. 䆹԰કϧ䕥ࣙᣀ⣀ᆊ佪⃵ߎ⠜

The album includes exclusively ⠽Ǆ publications. first

䩶⨈ 䬂Ⲭ ǉᛣ໻߽ण༣᳆Ǌ ǉᛣ໻߽ण༣᳆Ǌ 䩶⨈⣀༣ ü Ă Ă Italian ǉᛣ໻߽ण༣᳆Ǌ Concerto BWV971 971 䩶⨈⣀༣ ü Ă Ă ǉᛣ໻߽ण༣᳆Ǌ ॳ԰䈅 ǉᛣ໻߽ण༣᳆ǊBWV 䩶⨈⣀༣ ü Ă Ă ॳ԰䈅䩶⨈⣀༣ ü Ă Ă Piano Soloü – Ă Ă 䩶⨈⣀༣ Urtext ॳ԰䈅 ǉᛣ໻߽ण༣᳆Ǌ / Ed. W. Emery ԰᳆ᆊ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 W. ඗咬䞠䩶⨈⣀༣ ü Ă Ă ԰᳆ᆊ ԰᳆ᆊ 5194 BA ॳ԰䈅 Composers ԰᳆ᆊ ԰᳆ᆊ.............................. BA 5194 ԰᳆ᆊ ǉᛣ໻߽ण༣᳆Ǌ ǉᛣ໻߽ण༣᳆Ǌ ǉᛣ໻߽ण༣᳆Ǌ Italian Concerto BWV 971 ǉᛣ໻߽ण༣᳆Ǌ 䩶⨈⣀༣ ü Ă Ă ǉᛣ໻߽ण༣᳆ǊBWV ǉᛣ໻߽ण༣᳆Ǌ ॳ԰䈅ᏺᣛ⊩ 971 ॳ԰䈅ᏺᣛ⊩ Bach, Johann Sebastian Urtext with fingering / ॳ԰䈅 ॳ԰䈅ᏺᣛ⊩ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ǉᛣ໻߽ण༣᳆Ǌ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ॳ԰䈅ᏺᣛ⊩ Johann Sebastian Bach 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ԰᳆ᆊ Bach, Johann Sebastian Ed. W. Emery/ ॳ԰䈅ᏺᣛ⊩ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) ǉ䌟Ḑⱘ㡎ᴃǊ Art of Fugue BWV 1080 The ǉ䌟Ḑⱘ㡎ᴃǊ ǉ䌟Ḑⱘ㡎ᴃǊ ǉ䌟Ḑⱘ㡎ᴃǊ ॳ԰䈅 Urtext / Ed. K. Hofmann 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ǉ䌟Ḑⱘ㡎ᴃǊBWV 1080 ॳ԰䈅㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ॳ԰䈅 ॳ԰䈅 BA 5207 ǉ䌟Ḑⱘ㡎ᴃǊ ॳ԰䈅 / 㓪䕥 K. 䳡໿᳐ ॳ԰䈅 BA 5207 Chromatic Fantasy and Fugue ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ ǉ䌟Ḑⱘ㡎ᴃǊ ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ in Dᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ min BWV 903 ॳ԰䈅 D ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ Urtext / Ed. U. Wolf ॳ԰䈅 ॳ԰䈅 ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ BWV 903 BA 5236 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 U. ≗ᇨ໿ ᇣ䇗ञ䷇䰊ᑏᛇ᳆Ϣ䌟Ḑ ॳ԰䈅 BA 5236

ॳ԰䈅

Goldberg Variations BWV 988 Fourth Part of the Clavier ǉៜᖋ෵ব༣᳆ǊBWV 988 Übung 䬂Ⲭ㒗д᳆㄀ಯ䚼ߚ Urtext / Ed. C. Wolff ॳ԰䈅 BA 5162 / 㓪䕥 C. ≗ᇨ໿ BA 5162 W NE988 Goldberg Variations BWV Fourth Part of the Clavier ǉៜᖋ෵ব༣᳆ǊBWV 988 Übung 䬂Ⲭ㒗д᳆㄀ಯ䚼ߚ Urtext with fingering / ॳ԰䈅ᏺᣛ⊩ C. Wolff / Ed. 㓪䕥 C. ≗ᇨ໿ Fingering for the modern piano ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ⬅ R.Schirmer 㽓ᇨ㥿㓪‫⦄ݭ‬ҷ䩶⨈ᣛ⊩ by R. ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ BA 10848 BA 10848 ॳ԰䈅 ॳ԰䈅 ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ॳ԰䈅 ॳ԰䈅 BWV 772-801and Sinfonias Inventions ǉ߯ᛣ᳆ϢѸડ᳆Ǌ ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ॳ԰䈅 / 㓪䕥 G. v. 䖒ᖋᇨỂ BWV 772-801 ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ BWV 772-801 ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ BA 5150//㓪䕥 ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ Urtext Ed. G. ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ॳ԰䈅 G.v.v.Dadelsen 䖒ᖋᇨỂ BA 5150 ॳ԰䈅 BA 5150 ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ Inventions BWV 772-801and Sinfonias ǉ߯ᛣ᳆ϢѸડ᳆Ǌ BWV 772-801/ ǉ߯ᛣ᳆䲚ϢѸડ᳆Ǌ ॳ԰䈅ᏺᣛ⊩ BWV 772-801 Urtext with fingering / 㓪䕥 G. ‫ރ‬g䖒ᖋᇨỂ G. von Dadelsen Ed. ॳ԰䈅ᏺᣛ⊩ / ॳ԰䈅ᏺᣛ⊩ BA 5241 BA 5241 㓪䕥 G. ‫ރ‬g䖒ᖋᇨỂ BA 5241

ॳ԰䈅ᏺᣛ⊩ BA 5244 㓪䕥 W. ඗咬䞠 ǉᛣ໻߽ण༣᳆Ǌ BA 5244 ǉᛣ໻߽ण༣᳆Ǌ Italian Concerto BWV 971, ॳ԰䈅ᏺᣛ⊩ ǉᛣ໻߽ण༣᳆Ǌ ǉᛣ໻߽ण༣᳆Ǌ French Overture BWV 831 ǉᛣ໻߽ण༣᳆Ǌ ǉ⊩೑ᑣ᳆Ǌ ǉᛣ໻߽ण༣᳆ǊBWV 971ǃ ǉ⊩೑ᑣ᳆Ǌ ǉ⊩೑ᑣ᳆Ǌ (with early version BWV 831a) ǉ⊩೑ᑣ᳆Ǌ ǉᛣ໻߽ण༣᳆Ǌ ǉ⊩೑ᑣ᳆ǊBWV 831Clavier Second Part of the ǉ⊩೑ᑣ᳆Ǌ BWV 831a˅ ˄ᏺ᳝ᮽᳳ⠜ᴀ Übung ॳ԰䈅 ǉᛣ໻߽ण༣᳆Ǌ Urtext ॳ԰䈅䬂Ⲭ㒗д᳆㄀Ѡ䚼ߚ ॳ԰䈅 / Ed. W. Emery ॳ԰䈅 ǉ⊩೑ᑣ᳆Ǌ BA 5161/ 㓪䕥 W. ඗咬䞠 ॳ԰䈅 ॳ԰䈅 BA 5161 ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક Keyboard Arrangements of ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક Works by Other Composers I-III ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક I-III ॳ԰䈅 / Ed. K. Heller Urtext ॳ԰䈅 ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક ॳ԰䈅 / 㓪䕥 K. 咥ࢦ ㄀ϔ䕥˖ ㄀ϔ䕥˖ ॳ԰䈅 I: Six Concertos ㄀ϔ䕥˖ Volume ㄀ϔ䕥˖ ᬍ㓪݊Ҫ԰᳆ᆊⱘ䬂ⲬФ఼԰ક after Vivaldi and Others ㄀ϔ䕥˖ᬍ㓪㞾㓈⪺ᇨ䖾੠݊Ҫ԰᳆ ॳ԰䈅 BWV 972-977 BWV 972-977 ㄀ϔ䕥˖ ᆊⱘ݁佪ण༣᳆ BA 5221 5221 BA ㄀Ѡ䕥˖ ㄀Ѡ䕥˖ ㄀ϔ䕥˖ ㄀Ѡ䕥˖ ㄀Ѡ䕥˖ Volume II: Seven Concertos ㄀Ѡ䕥˖ᬍ㓪㞾㓈⪺ᇨ䖾੠݊Ҫ԰᳆ after Vivaldi and Others ㄀Ѡ䕥˖ ᆊⱘϗ佪ण༣᳆ BWV 978-984 BWV 978-984 ㄀ϝ䕥˖ BA 5222 5222 ㄀ϝ䕥˖ ㄀Ѡ䕥˖ ㄀ϝ䕥˖ ㄀ϝ䕥˖ Volume III: Five Concertos after ㄀ϝ䕥˖ᬍ㓪㞾㓈⪺ᇨ䖾੠݊Ҫ԰᳆ Vivaldi and Others BWV 985㄀ϝ䕥˖ ᆊⱘѨ佪ण༣᳆ BWV 985-987ǃ 987, 592a, 972a (First edition). 592aǃ972a˄߱⠜˅Ǆ 2㄀ϝ䕥˖ Sonatas and Fugue after ᬍ㓪㞾䌪಴ḍⱘϸ佪༣号᳆Ϣ䌟Ḑ᳆ Reinken BWV 965, 966, 954 BWV 965ǃ966ǃ954 BA 5223 ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ BA 5223 ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ ॳ԰䈅 Little Preludes and Fughettas ॳ԰䈅 ॳ԰䈅 / Ed. A. Dürr, Urtext ॳ԰䈅 ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ Plath, U. ⾥ᇨજ Wolf T. Kohlhase, ॳ԰䈅 / 㓪䕥 W. A. 䖾ᇨǃTh. ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ BA 5238 ⋑ǃW. ᱂ᢝ⡍ǃU. ≗ᇨ໿ ᇣࠡ༣᳆Ϣᇣ䌟Ḑ᳆ ॳ԰䈅 ǉ䷇Фⱘ༝⤂Ǌ BA 5238 Offering BWV 1079 ǉ䷇Фⱘ༝⤂Ǌ ॳ԰䈅 Musical ǉ䷇Фⱘ༝⤂Ǌ ǉ䷇Фⱘ༝⤂Ǌ Volume 1: Ricercari for ॳ԰䈅 ǉ䷇Фⱘ༝⤂ǊBWV 1079 harpsichord ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Urtext / Ed. C. Wolff ㄀ϔ䕥˖㖑ㅵ䬂⨈߽ߛवᇨ ǉ䷇Фⱘ༝⤂Ǌ BA 5154/ 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 ǉ䷇Фⱘ༝⤂Ǌ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ BA 5154 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ॳ԰䈅 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ Notebook for Anna Ф䈅ヨ䆄㈓ˈ ᑈ Ф䈅ヨ䆄㈓ˈ ᑈ ॳ԰䈅 Ф䈅ヨ䆄㈓ˈBach,ᑈ ᑈ1725 Magdalena Ф䈅ヨ䆄㈓ˈ ॳ԰䈅 ॳ԰䈅 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ॳ԰䈅 Urtext / Ed. G. v. Dadelsen ॳ԰䈅 Ф䈅ヨ䆄㈓ˈ1725 ᑈ BA 5164 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ॳ԰䈅 / 㓪䕥 G. v. 䖒ᖋᇨỂ Ф䈅ヨ䆄㈓ˈ ᑈ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ Notebook Ф䈅ヨ䆄㈓ˈ ᑈ BA 5164 for Anna ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ Ф䈅ヨ䆄㈓ˈ ᑈ ॳ԰䈅 Ф䈅ヨ䆄㈓ˈ ᑈ Magdalena Bach 1725 ॳ԰䈅 Ф䈅ヨ䆄㈓ˈ ᑈ Ф䈅ヨ䆄㈓ˈ ᑈ ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / ॳ԰䈅ᏺᣛ⊩ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ Ed. G. von Dadelsen Ф䈅ヨ䆄㈓ˈ1725 ᑈ ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ BA 5242 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘ ॳ԰䈅ᏺᣛ⊩ / Ф䈅ヨ䆄㈓ˈ ᑈ Ф䈅ヨ䆄㈓ˈ ᑈ 㓪䕥 G. v. 䖒ᖋᇨỂ Notebook for Friedemann Bach ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ Urtext BA 5242/ Ed. W. Plath BA 5163

ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ The Six English Suites ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ ॳ԰䈅 ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ ॳ԰䈅 ॳ԰䈅 ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ BWV 806-811 ॳ԰䈅 ॳ԰䈅/ 㓪䕥 W. ᱂ᢝ⡍ Urtext ॳ԰䈅 BA 5163 / Ed. A. Dürr BA 5165 ݁佪㣅೑㒘᳆ ݁佪㣅೑㒘᳆ ᓫ䞠ᖋ᳐gᏈ䌿ⱘヨ䆄㈓ ݁佪㣅೑㒘᳆ BWV 806-811 ݁佪㣅೑㒘᳆ ॳ԰䈅 The Six French Suites ݁佪㣅೑㒘᳆ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 A. 䖾ᇨ ݁佪㣅೑㒘᳆ ॳ԰䈅 812-817 BWV ॳ԰䈅 BA 5165 A and B as well as the Versions ॳ԰䈅 alternative BWV versions BWV 814a, ݁佪⊩೑㒘᳆ ݁佪㣅೑㒘᳆ ݁佪⊩೑㒘᳆ 812-817 ݁佪⊩೑㒘᳆ 815a / and the Two Suites ݁佪⊩೑㒘᳆ ॳ԰䈅 ݁佪⊩೑㒘᳆ ᮶᳝A⠜г᳝B⠜ˈ䖬᳝໛䗝ⱘ BWV 818, 819, 818a, 819a ݁佪⊩೑㒘᳆ BWV814aǃ815a 䖬᳝ϸ༫㒘᳆ Urtext / Ed. A. /Dürr BWV 818ǃ819ǃ818aǃ819a BA 5219 ॳ԰䈅 ݁佪⊩೑㒘᳆ / 㓪䕥 A. 䖾ᇨ ॳ԰䈅 ॳ԰䈅 The Six French Suites ॳ԰䈅 BA 5219 ॳ԰䈅 BWV 812-817 ॳ԰䈅 EmbellishedBWV version ݁佪⊩೑㒘᳆ 812-817 ݁佪⊩೑㒘᳆ ݁佪⊩೑㒘᳆ Urtext / Ed. A. Dürr ݁佪⊩೑㒘᳆ 㺙佄⠜ ॳ԰䈅 / 㓪䕥 A. 䖾ᇨ ॳ԰䈅 ॳ԰䈅 ݁佪⊩೑㒘᳆ BA 5166 ॳ԰䈅 BA݁佪⊩೑㒘᳆ 5166ॳ԰䈅 ॳ԰䈅 Six Partitas. First Part of the ॳ԰䈅 ݁佪Ꮹ㩖ศ Clavier Übung BWV 825-830 ݁佪Ꮹ㩖ศ ݁佪⊩೑㒘᳆ ݁佪Ꮹ㩖ศ ݁佪Ꮹ㩖ศ 䬂Ⲭ㒗д᳆㄀ϔ䚼ߚ BWV Urtextॳ԰䈅 / Ed. R. D. Jones825-830 ݁佪Ꮹ㩖ศ BA 5152 / 㓪䕥 R. D. ⨐ᮃ ॳ԰䈅 ॳ԰䈅 ݁佪Ꮹ㩖ศ ॳ԰䈅 BA 5152 ॳ԰䈅 ॳ԰䈅 ݁佪Ꮹ㩖ศ ॳ԰䈅

ॳ԰䈅

݁佪Ꮹ㩖ศ ݁佪Ꮹ㩖ศ ݁佪Ꮹ㩖ศ ݁佪Ꮹ㩖ศ ॳ԰䈅ᏺᣛ⊩ ݁佪Ꮹ㩖ศ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ ݁佪Ꮹ㩖ศ Six Partitas. First Part of the ॳ԰䈅ᏺᣛ⊩ ݁佪Ꮹ㩖ศ Clavier Übung BWV 825-830 ᠬवศ ᠬवศ ॳ԰䈅ᏺᣛ⊩ ᠬवศ 䬂Ⲭ㒗д᳆㄀ϔ䚼ߚ BWV 825-830 Urtext with fingering / ᠬवศ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅ᏺᣛ⊩ Ed. R. D. Jones ॳ԰䈅 / 㓪䕥 R. D. ⨐ᮃ ॳ԰䈅 ᠬवศ BA5247 5247 BA ॳ԰䈅 ᠬवศ ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 Toccatas BWV 910-916 ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 ᠬवศ BWV 910-916 ॳ԰䈅 ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 Urtext / Ed. ॳ԰䈅 P. Wollny ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 P. ≗ᇨሐ BA 5235 ॳ԰䈅 ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 BA 5235 ॳ԰䈅 Clavier I The Well-Tempered ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚 BWV 846-869 ॳ԰䈅 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀ϔ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚 ॳ԰䈅 Urtext / Ed. ॳ԰䈅 A. Dürr/ 㓪䕥 A. 䖾ᇨ ॳ԰䈅 BWV 846-869 ॳ԰䈅 BA5191 5191 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚 BA

ॳ԰䈅 Clavier II 䩶⨈⣀༣԰કܼ䲚 The Well-Tempered ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚䩶⨈⣀༣԰કܼ䲚 ᑇഛᕟ䩶⨈᳆䲚㄀Ѡ䲚䩶⨈⣀༣԰કܼ䲚 BWV 870-893 ॳ԰䈅䩶⨈⣀༣԰કܼ䲚 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 BWV 870-893 Urtext / Ed. ॳ԰䈅 A. Dürr/ 㓪䕥 A. 䖾ᇨ ॳ԰䈅 BA5192 5192 䩶⨈⣀༣԰કܼ䲚 BA ॳ԰䈅䩶⨈⣀༣԰કܼ䲚 Complete Piano Solo Works 䩶⨈⣀༣԰કܼ䲚 Urtext. 4 Study scores in a set ॳ԰䈅4ोⷨдᘏ䈅⠜༫㺙 ॳ԰䈅 TP 2002 page 75 TP 2002 Æ 㾕㄀75义

PIANO / KEYBOARD Johannes Brahms Johannes Brahms 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ Johannes Brahms 健❞຿ॳ԰䈅ᮄ⠜ New Bärenreiter Urtext Editions

Brahms, Johannes JohannesJohannes Brahms Brahms, 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ (1833-1897) (1833-1897)

Albumblatt for Piano ǉ䩶⨈㑾ᗉ‫ݠ‬义Ǌ Urtext / Ed. C. Hogwood / 㓪䕥 C.·䳡Ḑӡᖋ ॳ԰䈅 BA 9606 BA 9606 During his research, Hogwood came೼ⷨお䖛⿟Ёˈ䳡Ḑӡᖋ‫ي‬ᇨথ across an unpublished source which had not been ⦄њ᳾㒣থ㸼ⱘॳྟ䌘᭭ˈ䖭೼‫ࠡܜ‬ taken into consideration for any ৘⠜ᴀЁഛ᳾乒ঞࠄǄ೼ϔᴀ⬭㿔㈓ previous edition. In a guest book Ϟ˄ࣙᣀ㔫ԃ⡍g㟦᳐Ϣ‫ܟ‬ᢝᢝg㟦 – which included contributions from Robert and Clara Schumann, ᳐ǃ䮼ᖋᇨᵒǃ➩ྂgᵫᖋǃ㔫㽓ሐ Mendelssohn, Jenny Lind, Rossini Ϣᴢᮃ⡍ഛ᳝ⴔ๼˅ˈࢗᢝྚᮃ㒭ϔ and Liszt – Brahms had notated 佪䩶⨈ᇣ᳆䆄䈅Ǆॳྟ䌘᭭⬅䖭䚼ᴈ a short piano piece. The source ᅲ᮴ढⱘǉ㑾ᗉ‫ݠ‬义Ǌ˄ࢗᢝྚᮃ᳾ consists of a one-page autograph of this literal Albumblatt (untitled ԰ੑৡ˅ⱘϔ义᠟䗍㒘៤ǄकѠᑈ by Brahms). The composer Aused ᇣ䇗 ৢˈ԰᳆ᆊᇍᅗ԰њׂ䅶ˈҢ it 12 years later – revised and 䕀䇗៤䰡 A ᇣ䇗ˈ⫼೼݊೚োϝ䞡༣ transposed from A minor to ЁǄ minor – in his Horn Trio. A-flat 10 10 Ballads ভџ᳆ op.op. Urtext with fi/ ngering / Ed. C. Köhn ॳ԰䈅ᏺᣛ⊩ 㓪䕥 C. ‫ܟ‬ᘽ Fingering and suggestions 㓪䕥㒭ߎᣛ⊩Ϣⓨ༣ᓎ䆂 for performance by the editor BA 9601 BA 9601 ᑏᛇ᳆ op. 116 Fantasies op. 116

/ 㓪䕥 C. ‫ܟ‬ᘽ ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / BA 9628 Ed. C. Köhn BA 9628 ϝ佪䯈༣᳆ op. 117 Three Intermezzi 117 / 㓪䕥 C.op. ॳ԰䈅ᏺᣛ⊩ ‫ܟ‬ᘽ Urtext BA 9629with fingering / Ed. C. Köhn BA 9629

Piano Pieces op. 118 op. 118 䩶⨈԰ક Urtext with fingering / / 㓪䕥 C. ‫ܟ‬ᘽ ॳ԰䈅ᏺᣛ⊩ Ed. Köhn BA C. 9630 BA 9630 䩶⨈԰ક op.119 / 㓪䕥 C. ‫ܟ‬ᘽ ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / BA C. 9631 Ed. Köhn BA 9631 ೚㟲᳆ op. 39 Waltzes op. 39 / 㓪䕥 C. ‫ܟ‬ᘽ ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / 㓪䕥㒭ߎᣛ⊩Ϣⓨ༣ᓎ䆂 Ed. Köhn BA C. 9602 Fingering and suggestions for performance by the editor BA 9602

Piano Pieces op. 119

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Emmanuel Chabrier

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Ă&#x20AC; Son Altesse Monseigneur le Prince Charles de Lichnowsky

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Claude Debussy ⋯ᖋgᖋᔾ㽓 Claude Debussy · ‫ܟ‬ Claude Debussy French Impressionism ⊩೑ॄ䈵ЏН

Claude Debussy Debussy, Claude ‫ܟ‬ ⋯ᖋgᖋᔾ㽓 Debussy, Claude (1862-1918) ǉᛣ䈵䲚Ǌ Images ॳ԰䈅ᏺᣛ⊩ Urtext with /fingering / Ed. D.D.Woodfull-Harris 㓪䕥 ӡᖋᆠᇨ—જ䞠ᮃ Preface and notes on ⬅ B. ᐁᵫü⥟᪄‫ࠡݭ‬㿔Ϣⓨ༣ᦤ⼎ ‫⋯ܟ‬ᖋgᖋᔾ㽓 performance practice by B. Schilling-Wang ǉᛣ䈵䲚Ǌ㄀ϔ䲚 ǉᛣ䈵䲚Ǌ ˄ǉ∈Ё‫צ‬ᕅǊǃǉ৥ᢝ㥿㟈ᭀǊǃ Images 1re série ॳ԰䈅ᏺᣛ⊩ ǉ䖤ࡼǊ˅ (Reflets dans l’eau, Hommage BA 10821 Mouvement) ㄀ϔ䲚 à Rameau, BA 10821 Volume 1 ǉᛣ䈵䲚Ǌ㄀Ѡ䲚 ǉᛣ䈵䲚Ǌ㄀ϔ䲚 Images 2e série ˄ǉᵫ䯈䩳ໄǊǃǉ᳜㨑সࠍǊǃ (Cloches à travers les feuilles, ǉ䞥剐Ǌ˅ Et la lune descend㄀Ѡ䲚 sur le temple BA 10822 qui fut, Poissons㄀ϔ䲚 d’or) BA 10822 Volume 2 䩶⨈ࠡ༣᳆䲚 ǉᛣ䈵䲚Ǌ㄀Ѡ䲚 ˄㄀ϔ䲚˅ ॳ԰䈅ᏺᣛ⊩ / Préludes pour Piano NEW 㓪䕥 T. व↨ᮑ (1er livre) BA 10818 ㄀ϔ䲚 Urtext with fingering / Ed. T. Kabisch 䩶⨈ࠡ༣᳆䲚 BA 10819 10818 Volume㄀Ѡ䲚 1 ˄㄀ϔ䲚˅ ᕙߎ BA 10819 Volume 2 ॳ԰䈅ᏺᣛ⊩ In preparation ㄀ϔ䲚㄀Ѡ䲚

ǉ‫ܓ‬スФುǊ

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ǉϸ佪䰓ᢝԃ亢Ḑ᳆Ǌ Ф䈅䗝㞾˖ ᖋᔾ㽓ⱘ ǉᛣ䈵䲚Ǌ㄀ϔ䲚ˈBA 10821 From: Debussy, Images 1re série · BA 10821

Children's Corner ǉ‫ܓ‬スФುǊ ǉ䩶⨈㒘᳆Ǌ BA 8767 BA 8767

Deux Arabesques ǉϸ佪䰓ᢝԃ亢Ḑ᳆Ǌ ǉ䋱ࡴ㥿㒘᳆Ǌ BA 8768 BA 8768

Pour le piano ǉ䩶⨈㒘᳆Ǌ BA BA 8770 8770

Suite bergamasque ǉ䋱ࡴ㥿㒘᳆Ǌ BA BA 8769 8769

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Volume IV marks the start of ă&#x201E;&#x20AC;ŕ˛Żä˛&#x161;áˇ&#x203A;á&#x2013;Ťâ´&#x201D;â?&#x2039;äš&#x201C;äŠśâ¨&#x2C6;ŕźŁĺ?ˇáł&#x2020;Üź the publication of Haydnâ&#x20AC;&#x2122;s ä˛&#x161;ŕĽłÔ°ä&#x2C6;&#x2026;â &#x153;âą&#x2DC;ß&#x17D;â &#x153;ŕ¨&#x192;ŕĄźÇ&#x201E;ă&#x201C;Şä&#x2022;ĽĐ&#x17D;äˇ&#x2021;Đ¤ complete piano sonatas in á&#x2020;&#x160;â&#x20AC;Ťäˇ&#x2021;Ý?â&#x20AC;ŹĐ¤á&#x201E;şá&#x2020;&#x160;Ô&#x192;á&#x2DC;˝ŕŞ&#x153;á&#x2013;&#x2039;găĽżáŽ&#x192;ĺ&#x2030;Ąá&#x2021;¨Ë&#x2C6; Urtext editions. The editor is ŇŞĎ§áŹ?áŽ˝áłłäˇ&#x2021;Đ¤Ç&#x201E; Bernhard Moosbauer, a musician and musicologist who â&#x201E;¸â &#x153;ă¸šâ&#x20AC;ŤÜ&#x2122;â&#x20AC;ŹŃ&#x161;áŁ&#x203A;â&#x160;ŠË&#x2C6;Ö&#x2014;á&#x;¤áĄ&#x17E;ŕĽ&#x161;ŕ§&#x2020;Ď&#x17E; specializes in early music. â&#x201C;¨ŕźŁáĄ&#x201D;á&#x17D;ťâą&#x2DC;ä&#x17E;Ąă˝&#x2022;áŽ?ä´śá&#x2018;¨âŤźŕ &#x201E;âŚ&#x201E;ŇˇäŠśâ¨&#x2C6; The edition is supplemented Ď&#x17E;Ë&#x2C6;ä&#x2020;šâ &#x153;ä&#x2013;Źŕš˛ă¸šŃ&#x161;á&#x2021;?ŕĽ&#x161;ŕ§&#x2020;Ď&#x17E;â&#x201C;¨ŕźŁá&#x2026;˛ä?&#x2030; by fingering, which enables âą&#x2DC;ä&#x2021;&#x2C6;áŻ˘Ç&#x201E; important aspects of historical playing technique to be applied to the modern pianoforte, as well as notes on historial performance practice.

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䩶⨈ 䬂Ⲭ Piano Solo – Composers ⶷㣺Ⱑ䔁 ᱋ 䔘㤛コ䔁䔁䔁䔁

䔁䔁 Janáček, Leoš Leoš Janáþek Janáček, Leoš 㦅༹ҔgѮ㒇ߛ‫ܟ‬ (1854-1928) (1854-1928) 䔁䔁㦅༹ҔgѮ㒇ߛ‫ܟ‬ In the Mists / V mlhách Urtext with fingering / ǉ೼䳒ЁǊ Ed. L. Kundera, ॳ԰䈅ᏺᣛ⊩ / J. Burghauser ǉ೼䳒ЁǊ BA 9500 㓪䕥 L. ᯚᖋᢝǃJ. ᏗḐ䈾⋑ 㦅༹ҔgѮ㒇ߛ‫ܟ‬ ॳ԰䈅ᏺᣛ⊩ BAX.9500 1. 1905 “Sonáta” Urtext with fingering / 1905Ǌ ǉ༣号᳆1.X. L. Kundera, J. Burghauser Ed. ǉ೼䳒ЁǊ BA 9501 / Ǌ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ ǉ༣号᳆ 㓪䕥 L. ᯚᖋᢝǃJ. ᏗḐ䈾⋑ ॳ԰䈅ᏺᣛ⊩ On an Overgrown Path / BA 9501 Po zarostlém chodnícku Urtext with fingering / ǉ೼㇛৊ϯ⫳ⱘᇣᕘϞǊ ǉ༣号᳆ Ǌ L. Kundera, J. Burghauser Ed. ॳ԰䈅ᏺᣛ⊩ / 㓪䕥 L. ᯚᖋᢝǃ ॳ԰䈅ᏺᣛ⊩ BA 9502 ǉ೼㇛৊ϯ⫳ⱘᇣᕘϞǊ J. ᏗḐ䈾⋑ ॳ԰䈅ᏺᣛ⊩ BA 9502

Martinů, Bohuslav Bohuslav MartinĤ Bohuslav Martinů, म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ (1890-1959) (1890-1959)

म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ

Puppets / Loutky I-III ǉ᳼‫ي‬㒘᳆ǊI—III Short pieces for piano 䩶⨈⣀༣ᇣક Revised edition by A. Březina ǉ᳼‫ي‬㒘᳆Ǌ H Volume I ⬅7875 A. Ꮧ䌪唤㒇ׂ䅶 म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ H 7946 Volume II ㄀ϔ䕥 H 7875 H 7963 Volume III H 7946 ㄀Ѡ䕥㄀ϔ䕥 Hǉ᳼‫ي‬㒘᳆Ǌ 7963 ㄀ϝ䕥㄀Ѡ䕥㄀ϝ䕥

Liszt, Franz Franz Liszt, Franz Liszt (1811-1886)

ᓫᳫ㣼gᴢᮃ⡍

NEW

(1811-1886) Sonata in B min for Piano ᓫᳫ㣼gᴢᮃ⡍ Urtext / Ed. M. Kube ǉB9650 ᇣ䇗䩶⨈༣号᳆Ǌ BA ॳ԰䈅 / 㓪䕥 M. ᑧ䋱 ǉ ᇣ䇗䩶⨈༣号᳆Ǌ ᓫᳫ㣼gᴢᮃ⡍ Scholarly-critical Urtext BA 9650 ॳ԰䈅 edition based on the latest research z musicological ෎Ѣ᳔ᮄ䷇Фᄺⷨおⱘᄺᴃ᷵ࢬ ᇣ䇗䩶⨈༣号᳆Ǌ ǉ With optimum page turns ॳ԰䈅⠜ ॳ԰䈅 Informative preface z (Eng/Ger) 䜡᳝Ӭ࣪㗏义 and critical notes (Eng) on questionable and deviations in z readings ࠡ㿔ᆠ᳝ਃথᗻ˄㣅᭛/ᖋ᭛˅ˈ the sources ᷵ࢬ᡹ਞ˄㣅᭛˅䆎ঞॳྟ䌘᭭ Ёᄬ⭥ⱘ᭛ᴀ㾷䇏Ϣᓖ᭛

䩶⨈԰કܼ䲚 ü Ѩो༫㺙

㄀ϔ䕥㄀Ѡ䕥㄀ϝ䕥

䩶⨈⣀༣԰કܼ䲚 ॳ԰䈅

ǉ೼㇛৊ϯ⫳ⱘᇣᕘϞǊ ॳ԰䈅ᏺᣛ⊩

㥿ᠢ⡍ Mozart’s Complete Piano Worksü– 䩶⨈԰કܼ䲚 Five Volumes Ѩो༫㺙 in a㥿ᠢ⡍ Slipcase

ϝ䕥ড়䲚 All 3 editions in 1 volume H 7970 7970 Special price ⡍Ӌ ϝ䕥ড়䲚 H 7970 ⡍Ӌ Theǉ᳼‫ي‬㒘᳆ǊⱘϝϾ⠜ᴀҹ䗚ᑣ䈅 three editions of Puppets were composed between 1912 ‫ݭ‬Ѣ1912㟇1925ᑈ䯈ˈ԰ક৘ᓖˈྟ ǉ᳼‫ي‬㒘᳆ǊⱘϝϾ⠜ᴀҹ䗚ᑣ䈅 and 1925 in reverse order. The ϝ䕥ড়䲚 Ѣϡৠⱘ㕢ᄺ䍋⚍ˈ䖘Ѣ៤❳ⱘ䩶⨈ works all differ from another, ‫ݭ‬Ѣ1912㟇1925ᑈ䯈ˈ԰ક৘ᓖˈྟ 亢ḐǄ beginning with different aeѢϡৠⱘ㕢ᄺ䍋⚍ˈ䖘Ѣ៤❳ⱘ䩶⨈ sthetic starting points and 亢ḐǄ ending with mature piano Felix Mendelssohn Bartholdy writing. 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Felix Mendelssohn Bartholdy (1809-1847) 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Mendelssohn Bartholdy, Felix (1809-1847) ǉ᮴䆡℠Ǌ Bartholdy, Felix Mendelssohn (1809-1847) ॳ԰䈅ᏺᣛ⊩ / ǉ᮴䆡℠Ǌ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾㓪䕥 R. ᢝ䞠gᠬᖋ / Words ॳ԰䈅ᏺᣛ⊩ without Songs BA 9069 R. with 㓪䕥 ᢝ䞠gᠬᖋ Urtext fingering / Ed. R. Larry Todd BA 9069 ǉ᮴䆡℠Ǌ ϗ佪ᷛ乬԰ક op. 7˗ BA 9069 ॳ԰䈅ᏺᣛ⊩ op. 72 ݁佪‫ܓ‬スᇣક ϗ佪ᷛ乬԰ક op. 7˗ Sieben Charakterstücke op. 7; ॳ԰䈅ᏺᣛ⊩ / 72 ݁佪‫ܓ‬スᇣક op. Sechs op. 72 㓪䕥 H.Kinderstücke M. ᮑ㩖䶺 ॳ԰䈅ᏺᣛ⊩ / Urtext with fingering / BA 9083 㓪䕥 M. ᮑ㩖䶺 ϗ佪ᷛ乬԰ક H.H.Stüwe Ed. BA 9083 9083 ݁佪‫ܓ‬スᇣક 䩶⨈ব༣᳆ ॳ԰䈅ᏺᣛ⊩ op. 54ǃop. 82ǃop. 83 Variations for Piano 䩶⨈ব༣᳆ / ॳ԰䈅ᏺᣛ⊩ op. 54, op. 82, op. 83 op. 54ǃop. 82ǃop. 83 Urtext fingering / M. ᮑ㩖䶺㓪䕥 H. with ॳ԰䈅ᏺᣛ⊩ H. Stüwe/ Ed. BA 9082 䩶⨈ব༣᳆ H. M. ᮑ㩖䶺㓪䕥 BA 9082 BA 9082 ॳ԰䈅ᏺᣛ⊩

䩶⨈⣀༣԰કܼ䲚 Complete Works ॳ԰䈅 / 㓪䕥 for Piano SoloW. ᱂ᢝ⡍ǃW. 䳋ྚǃ K. v. 㧆㟡ᇨ Urtext / Ed. W. Plath, W. Rehm, ㄀ K. 䕥˖ BAv.5749 Fischer ㄀ BA䕥˖ 5749 ㄀㄀䕥˖ 1 䕥˖䩶⨈༣号᳆ϔ 1: Piano Sonatas I ㄀䕥˖ 2 䕥˖䩶⨈༣号᳆Ѡ ㄀ Volume Volume 2: Piano Sonatas II ㄀ 3 䕥˖䩶⨈԰કऩ᳆ড়䲚㄀ Volume 䕥˖ 3: Miscellaneous Works ㄀ 4 䕥˖ব༣᳆ Volume 4: Variations ㄀ 5 䕥˖㥿ᠢ⡍ྤᓳФ䈅䲚 Volume 5: Notebooks of Mozart and His Sister

Bärenreiter presents z Only 健❞຿ߎ⠜⼒⣀ᆊᦤկ㥿ᠢ⡍ piano music with Mozart’s 䩶⨈䷇Ф䜡᳝ǉᮄ⠜㥿ᠢ⡍ the definitive Urtext from ܼ䲚Ǌⱘᴗ࿕ॳ԰䈅 the New Mozart Edition z Bärenreiter 健❞຿ॳ԰䈅೼೑䰙㥿ᠢ⡍ Urtext at the forefront ෎䞥Ӯऴ᥂䞡㽕ഄԡ of international scholarship Mozart

Wolfgang Amadeus AmadeusMozart Mozart Wolfgang Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart, (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ǉଞˈཛྷཛྷˈ៥㽕ᇍᙼ䇈Ǌ ǉଞˈཛྷཛྷˈ៥ᇚᇍᙼ䆆Ǌ “Ah, vous dirai-je Maman” C ໻䇗कѠ↉䩶⨈ব༣᳆ कѠ佪 Cvariations ໻䇗䩶⨈ব༣᳆ Twelve in C maj ǉଞˈཛྷཛྷˈ៥ᇚᇍᙼ䆆Ǌ K. (300e) K. 265 265 (300e) for piano K. 265 (300e) ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ / Urtext with /fingering / Fischer Ed. 㓪䕥 v. 㓪䕥K.K. K.von v. 㧆㟡ᇨ 㧆㟡ᇨ ॳ԰䈅ᏺᣛ⊩ BA 5765 BA 5765 5765

䩶⨈ 䬂Ⲭ WolfgangWolfgang Amadeus Mozart Mozart, Amadeus Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791)

vous dirai-je Maman” “Ah, ǉଞˈཛྷཛྷˈ៥ᇚᇍᙼ䆆Ǌ ǉଞˈཛྷཛྷˈ៥㽕ᇍᙼ䇈Ǌ Twelve variations in C maj for कѠ佪 C ໻䇗䩶⨈ব༣᳆ C ໻䇗कѠ↉䩶⨈ব༣᳆ piano K. 265 (300e) K. 265 (300e) Urtext / Ed. K. v. Fischer ॳ԰䈅 / 㓪䕥 K. v. 㧆㟡ᇨ BA 4779 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 4779 Complete Piano Sonatas Urtext / Ed. W. Plath, W. Rehm 䩶⨈༣号᳆ܼ䲚 ǉଞˈཛྷཛྷˈ៥ᇚᇍᙼ䆆Ǌ ॳ԰䈅 / 㓪䕥 W. ᱂ᢝ⡍ǃW. 䳋ྚ Volume 1 Nos. 1-9 K. 279-284, 309-311 ॳ԰䈅㄀ϔ䕥 BA 4861 ㄀ 1-9 佪ˈK. 279-284ǃ309-311 BA 4861 2 Volume 䩶⨈༣号᳆ܼ䲚 Nos. 10-18 K. 330-333, 457, 475, ॳ԰䈅 533 + 494, 545, 570, 576 ㄀Ѡ䕥 BA 4862佪ˈK. 330-333ǃ457ǃ ㄀ 10-18 ㄀ϔ䕥 475ǃ533 + 494ǃ545ǃ570ǃ576 Complete Variations for Piano BA 4862/ Ed. K. v. Fischer Urtext BA 5746 ㄀Ѡ䕥䩶⨈ব༣᳆ܼ䲚 ॳ԰䈅㓪䕥 K. v. 㧆㟡ᇨ ॳ԰䈅 / BA 5746 䩶⨈ব༣᳆ܼ䲚 ॳ԰䈅

ᇣ䇗ᑏᛇ᳆ Fantasy in D min K. 397 (385g) ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / Ed. W. Plath D ᇣ䇗ᑏᛇ᳆ K. 397 (385g) BA 5764 ॳ԰䈅ᏺᣛ⊩ / 㓪䕥 W. ᱂ᢝ⡍ 䩶⨈԰કऩ᳆ড়䲚 BA 5764 ॳ԰䈅 Miscellaneous Works for Piano Urtext / Ed. W. Plath 䩶⨈԰કऩ᳆ড়䲚 BA 5745 ॳ԰䈅 / 㓪䕥 W. ᱂ᢝ⡍ ໻䇗༣号᳆Āᆍᯧā BA 5745 Sonata in C maj “facile” K. 545 ॳ԰䈅ᏺᣛ⊩ Urtext with fingering / C ໻䇗༣号᳆ĀᆍᯧāK. 545 Ed. W. Plath, W. Rehm ॳ԰䈅ᏺᣛ⊩ / 㓪䕥 W. ᱂ᢝ⡍ǃ BA 5763

W. 䳋ྚ ໻䇗༣号᳆˄৿ǉೳ㘇݊䖯㸠 BA 5763 in A maj (with the Sonata

᳆Ǌ˅ alla turca”) K. 331 “Rondo

A ໻䇗༣号᳆˄৿ǉೳ㘇݊䖯㸠 Urtext with fingering / ॳ԰䈅ᏺᣛ⊩ ᳆Ǌ˅K. 331 W. Rehm Ed. W. Plath, ॳ԰䈅ᏺᣛ⊩ / 㓪䕥 W. ᱂ᢝ⡍ǃ BA 9178 W. 䳋ྚ BA 9178

Jean-Philippe Rameau Rameau, Jean-Philippe

Jean-Philippe Rameau, 䅽ü㧆߽᱂gᢝ㥿䅽ü㧆߽᱂gᢝ㥿 (1683-1764) (1683-1764)

de Clavecin Pièces 㖑ㅵ䬂⨈᳆䲚㖑ㅵ䬂⨈᳆䲚 With the composer’s original ᏺ᳝԰᳆ᆊⱘ᳾ߴ㡖䰘ࡴ᭛ᴀॳӊᑊ appended texts unabridged 䰘໮Ͼᕅॄӊ and with several facsimile 㓪䕥 E. R. 䲙৘↨ reproductions 䅽ü㧆߽᱂gᢝ㥿 Ed. E. R. Jacobi BA 3800 BA 3800 㖑ㅵ䬂⨈᳆䲚㖑ㅵ䬂⨈᳆䲚㖑ㅵ䬂⨈᳆䲚 Pièces de Clavecin ᅠᭈ⠜ ᅠᭈ⠜ Édition intégrale ܼ䚼䬂ⲬФ఼԰ક I-III Works I-III ܼ䚼䬂ⲬФ఼԰ક Complete Keyboard ॳ԰䈅 / /㓪䕥 S.Rampe ᢝྚԽ ॳ԰䈅 Urtext Ed. S. I: The Books fromᑈ䗝䲚 Volume ㄀ϔ䕥˖ ㄀ϔ䕥˖1705/1706 Ϣ 1724

Mussorgsky, Modest Modest Mussorgsky Mussorgsky, Modest 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ (1839-1881) (1839-1881) Pictures at an Exhibition NEW ǉሩ㾜ӮϞⱘ೒⬏Ǌ A Remembrance of 㑾ᗉ㓈‫ܟ‬໮gજ⡍᳐ Viktor Hartmann ᓫᢝྚ ॳ԰䈅 / /㓪䕥 Urtext Ed. C. Flamm BA 9621 9621

㖑ㅵ䬂⨈᳆䲚 1705/6 & 1724 • La Dauphine ǉབྷᄤǊǃǉᇣ䫸ᄤǊ ᅠᭈ⠜ Les petits marteaux BA 6581 ܼ䚼䬂ⲬФ఼԰ક BA 6581 ॳ԰䈅

㄀Ѡ䕥˖ ㄀Ѡ䕥˖1726/1727 Ϣ 1741 ᑈ䗝䲚 Volume II: The Books

BA 6582 ㄀ϔ䕥˖ from 1726/27 & 1741

BA 6582 ㄀ϝ䕥˖ ㄀ϝ䕥˖ǉ↋ࢸⱘॄഄҎǊˈ Volume III: Les Indes Galantes. 㢁㭒ˈ㓽Ўಯ佪໻ण༣᳆ reduitᑈ˅ a quatre grands ㄀Ѡ䕥˖ Balet, ˄1735/1736 concerts(1735/36) BA 6583 BA 6583

The䩶⨈༫᳆ǉሩ㾜ӮϞⱘ೒⬏Ǌ䈅 piano cycle Pictures at an ㄀ϝ䕥˖ Exhibition, composed in 1874, ϝ䕥ܼ༫㺙 ϝ䕥ܼ༫㺙 ‫ݭ‬Ѣ 1874 ᑈˈϡҙᰃ〚㋶ᇨᮃ෎ᇍ Set of all three volumes: is not only Mussorgsky’s most 6584 BA 6584 Special⡍Ӌ price 䩶⨈᳆Ⳃⱘ᳔䞡㽕䋵⤂ˈ㗠Ϩ㋻ᠷϢ important contribution to the 㓈‫ܟ‬໮gજ⡍᳐೒⬏ⱘ݇㋏ˈᑊϨᇚ piano repertoire, but holds ℸЏ乬䕀࣪៤᳆԰ˈ೼ 19 Ϫ㑾䩶⨈ through its relationship to ᳆ⳂЁ‫݋‬᳝⣀⡍ⱘഄԡǄ Viktor Hartmann’s pictures ϝ䕥ܼ༫㺙 and the translation of this idea into a composition, a unique z Ӭ࣪㗏义 place in 19th century piano repertoire. z ᇍ᭛ᴀ԰ᮄ㾷䇏 z

Optimum page turns ᳝݇԰કⱘᑓ⊯ֵᙃҹঞ⍝ঞⓨ New readings ༣ⱘ䯂乬 Extensive information on the work and performancerelated issues

Ravel, Maurice Maurice Ravel Maurice Ravel, 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937) (1875-1937) Pavane pour une infant ǉᚐᗉ݀ЏⱘᏩ޵㟲᳆Ǌ défunte pour piano 䩶⨈⣀༣ Urtext / Ed. R. Back, ॳ԰䈅 / 㓪䕥 R. Ꮘ‫ܟ‬ǃ Woodfull-Harris D. BA 9632 D. ӡᖋᆠᇨ—જ䞠ᮃ BA 9632

䩶⨈ 䬂Ⲭ ⶷㣺Ⱑ䔁 ᱋ 䔘㤛コ ............... Piano Solo – Composers

䩶⨈༣号᳆Пϔ Piano Sonatas I 䩶⨈༣号᳆Пϔ ᮽᳳ༣号᳆ Early Sonatas ᮽᳳ༣号᳆ Urtext ॳ԰䈅 / Ed. W. Litschauer / 㓪䕥 W. ߽Шᇨ ॳ԰䈅 BA 5642 䩶⨈༣号᳆Пϔ BA 5642 ᮽᳳ༣号᳆ Sonata in G maj D 894 op. 78 ॳ԰䈅 ໻䇗༣号᳆ / Ed.DW. 894Litschauer op. 78 GUrtext ໻䇗༣号᳆ ॳ԰䈅 BA 5630 / 㓪䕥 W. ߽Шᇨ ॳ԰䈅 BASonata 5630 in C min D 958 ໻䇗༣号᳆

၎㉿సg ⫝̸

ǉᇪᣅǊ ǉ㻌ԧ℠㟲Ǌ ॳ԰䈅

ǉ⥘⾬᳆Ǌ ॳ԰䈅

Satie, Erik Erik Satie Satie, Erik ၎㉿సgਘ⫝̸ (1866-1925) (1866-1925) Ogives ǉᇪᣅǊ Gymnopédies Urtext / Ed. J. Rosteck ǉ㻌ԧ℠㟲Ǌ for performance Suggestions ॳ԰䈅 / 㓪䕥 J. 㔫ᮃ⡍‫ܟ‬ by S. Schleiermacher ⬅ S. ᮑ㦅ᇨ偀䌿㒭ߎⓨ༣ᓎ䆂 BA 10806 BA 10806 Gnossiennes NEW ǉ⥘⾬᳆Ǌ Urtext / Ed. J. Rosteck performance Suggestions ॳ԰䈅 / 㓪䕥 J.for 㔫ᮃ⡍‫ܟ‬ by S. ᮑ㦅ᇨ偀䌿㒭ߎⓨ༣ᓎ䆂 Schleiermacher ⬅ S. BA 10807 BA 10807 Mit der Edition aller sieben 䗮䖛ߎ⠜ܼ䚼ϗ佪ǉ⥘⾬᳆Ǌ健 Gnossiennes legt Bärenreiter ❞຿ᇚ䖯ϔℹ᥼ߎ㧼㩖ⱘ݊Ҫ䞡㽕䩶 weitere zentrale Klavierwerke ⨈԰કⱘॳ԰䈅⠜Ǆ‫ڣ‬ǉ㻌ԧ℠㟲Ǌ Saties im Urtext vor. Wie die Gymnopédies (BA 10804) eignen ˄BA 10804˅ϔḋˈ䖭ѯǉ⥘⾬᳆Ǌ sich die Gnossiennes durch ihren ᇍ䩶⨈ⓨ༣ᡔᎻⱘ㽕∖гሲѢ߱㑻੠ leichten bis mäßigen spieltech䗖ᑺˈᇸ݊䗖ড়䩶⨈ᬭᄺǄ㧼㩖ⷨお nischen Anspruch in besonderer ϧᆊᮑ⡍㢀gᮑ㦅ᇨ偀䌿ᇍⓨ༣ᅲ䏉 Weise auch für den Klavierunⱘᦤ⼎ˈҹঞ㨫ৡ䷇Фᄺᆊᓊᮃg㔫 terricht. Aufführungspraktische ᮃ⡍‫ܟ‬᪄‫ⱘݭ‬䆺ሑࠡ㿔䛑ᇍ԰કⱘ䆲 Hinweise des Satie-Spezialisten Steff en Schleiermacher sowie ein ⫳ǃᛣН੠䆴䞞ᦤկњᅱ䌉ⱘֵᙃǄ ausführliches Vorwort des renommierten Musikwissenschaftlers Jens Rosteck geben wertvolle Informationen zu Entstehung, Bedeutung und Interpretation.

Schubert, Franz Franz Schubert Franz Schubert, ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) (1797-1828) Editions with new engraving 䞡ᮄࠊ⠜ϧ䕥 ॳ԰䈅ᏺᣛ⊩ W. Dürr / Ed. ॳ԰䈅ᏺᣛ⊩ 㓪䕥 W. 䖾ᇨ With detailed information 䞡ᮄࠊ⠜ϧ䕥 historical performance ॳ԰䈅ᏺᣛ⊩ z on 䜡᳝݇Ѣग़৆Ϟⓨ༣ᅲ䏉ⱘ䆺㒚 practice as well as on ֵᙃˈг䆎ঞ೼⦄ҷ䩶⨈Ϟⱘⓨ performing on the modern ༣ piano ᓫᳫ㣼g㟦ԃ⡍ 䞡ᮄࠊ⠜ϧ䕥 Urtext with fingering /

Urtext / Ed. W. Litschauer ॳ԰䈅 ᇣ䇗༣号᳆ C BA ᇣ䇗༣号᳆ 5632 D 958 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 W. ߽Шᇨ NEW BASonata 5632 in A maj D 959 ᇣ䇗༣号᳆ With a supplement booklet ॳ԰䈅 ໻䇗༣号᳆ all of Schubert’s drafts A with ໻䇗༣号᳆ D 959 Urtext / Ed. W. Litschauer 䜡᳝䰘‫ݠ‬ BA 10861 ‫ݙ‬᳝㟦ԃ⡍ⱘܼ༫㤝〓 in preparation ໻䇗༣号᳆ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 W. ߽Шᇨ BA 10861 ᕙߎ ॳ԰䈅

NE Fantasie in C Dmin C ᇣ䇗ᑏᛇ᳆ 2 ED/ 2 E / ᇣ䇗ᑏᛇ᳆ Fantasia in C maj “Grazer C ໻䇗ᑏᛇ᳆ǉḐᢝ㣼ᑏᛇ᳆Ǌ Fantasy” D 605 A / ໻䇗ᑏᛇ᳆ǉḐᢝ㣼ᑏᛇ᳆Ǌ D 605 A / in C maj “Wanderer Fantasia ᇣ䇗ᑏᛇ᳆ C ໻䇗ᑏᛇ᳆ǉ⌕⌾㗙ᑏᛇ᳆Ǌ Fantasy” D 760 op. 15 ໻䇗ᑏᛇ᳆ǉ⌕⌾㗙ᑏᛇ᳆Ǌ ໻䇗ᑏᛇ᳆ǉḐᢝ㣼ᑏᛇ᳆Ǌ D 760 op.15 Urtext / Ed. W. Dürr ॳ԰䈅 / 㓪䕥 W. 䖾ᇨ BA 10862 ॳ԰䈅 ໻䇗ᑏᛇ᳆ǉ⌕⌾㗙ᑏᛇ᳆Ǌ BA 10862 W Fantasy in C maj op. 15 – DNE 760 “Wanderer piano ॳ԰䈅 C ໻䇗ᑏᛇ᳆Fantasy” op.15 — for D 760 ໻䇗ᑏᛇ᳆ BA 10870 ǉ⌕⌾㗙ᑏᛇ᳆Ǌ䩶⨈᳆ BA 10870 Impromptus D 899 op. 90 ໻䇗ᑏᛇ᳆ and D 935 op. post. 142 899 op. 90 ੠ ǉे݈᳆ǊD BA 9648 ǉे݈᳆Ǌ D 935 op. post 142 Late Piano Pieces BA 9648 BA 9634 ǉे݈᳆Ǌ ᰮᳳ䩶⨈԰ક Ungarische Melodie D 817 / ᰮᳳ䩶⨈԰ક BA 9634 in C min D 915 / Allegretto

Sonata in B-flat maj for Piano D 960 䰡 ໻䇗䩶⨈༣号᳆ / Ed. W. Litschauer 䰡Urtext ໻䇗䩶⨈༣号᳆ ॳ԰䈅 BA 10860 ॳ԰䈅 NEW D 960 䰡 B ໻䇗䩶⨈༣号᳆ Scholarly-critical edition New Schubert / 㓪䕥 on W.the ߽Шᇨ ॳ԰䈅based Edition BA 10860 Newly engraved with a z ෎Ѣǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌⱘᄺᴃ clear layout ᷵ࢬ⠜ With notes on performance practice z 䞡ᮄࠊ⠜ˈ⠜ᓣᯢᖿ (Ger/Eng) by M. Aschauer

Drei Klavierstücke D 946 ᰮᳳ䩶⨈԰ક ࣜ⠭߽ᮟᕟ D 817 / C ᇣ䇗ᖿᵓ Musicaux D 915 / Moments D 780 op. 94 D 946 ϝ佪䩶⨈᳆ BA 9647

A. 䰓㒡ᇨ᠔᪄ⓨ༣ᅲ䏉䇈ᯢ z 䜡᳝ M. 䰓㒡ᇨ᠔᪄ⓨ༣ᅲ䏉䇈ᯢ With practical page turns ˄ᖋ᭛/㣅᭛˅ Schubert’s drafts to this work can be viewed on the z 䜡᳝ᅲ⫼㗏义 Bärenreiter website

ǉ䷇Фⱘⶀ䯈Ǌ ǉ䷇Фⱘⶀ䯈Ǌ D 780 op. 94 BA 9647 ǉ䷇Фⱘⶀ䯈Ǌ

z 㟦ԃ⡍ℸ԰㤝〓ৃ೼健❞຿㔥义 Ϟ⌣㾜

䩶⨈ 䬂Ⲭ

Schulhoff, Erwin Erwin Schulhoff ඗ᇨ⏽g㟦ᇨ䳡໿ Schulhoff, Erwin ඗඗ᇨ⏽g㟦ᇨ䳡໿ ᇨ⏽g㟦ᇨ䳡໿ (1894-1942) (1894-1942) Stücke Jazz-inspirierte ⠉຿Ф㾺থⱘ䩶⨈԰ક ⠉຿Ф㾺থⱘ䩶⨈԰ક ⠉຿Ф㾺থⱘ䩶⨈԰ક für Klavier BA 9559 BA 9559

Ѯग़ቅ໻gᮃ‫ܟ‬䞠Ѯᆒ

NEW

ǉᏩ㩖ศǊ˄1922˅/ Ѩ佪⠉຿㒗 Partita (1922) / Cinq Études

д᳆jazz op. op. 58˄1926˅/⠉຿Фᵘᗱˈ݁ de 58 (1926) / Esquisses op. 64˄1927˅/ Hot 佪ᯧ༣԰ક de jazz. Sechs leichte Stücke op. 64 (1927) / Hot Music. Zehn Musicˈक佪ߛߚ㒗д᳆ op. 67 synkopierte Etüden op. op.74 67 ˄1928˅/ ⠉຿㟲㒘᳆ (1928) / Suite dansante en jazz ˄1931˅ op. 74 (1931)

NEW 䩶⨈༣号᳆Nr. 1—3 䩶⨈༣号᳆ Sonaten 1-3ো für Klavier ॳ԰䈅 ॳ԰䈅 / /㓪䕥 M. ᑧ䋱 ॳ԰䈅 Urtext Ed. M. Kube in preparation BA 9560 9560 ᕙߎ Schumann, Clara Clara Schumann Schumann, ‫ܟ‬ᢝᢝg㟦᳐ ‫ܟ‬ᢝᢝg㟦᳐ Clara ‫ܟ‬ᢝᢝg㟦᳐ (1819-1896) (1819-1896)

AleksandrAleksandr Skrjabin Skrjabin, Ѯग़ቅ໻gᮃ‫ܟ‬䞠Ѯᆒ Aleksandr Skrjabin, (1871-1915) (1871-1915) 䩶⨈༣号᳆ܼ䲚 ॳ԰䈅 Complete Piano Sonatas 䩶⨈༣号᳆ܼ䲚 Urtext / Ed. C. Flamm ॳ԰䈅 / 㓪䕥 C. ᓫᢝྚ ㄀ϔो˖ Volume I: Youth Sonatas BA 9616 ㄀ϔो˖䴦ᑈ༣号᳆ BA 9616 II: Sonatas Nos. 4 and 5 Volume ㄀Ѡो˖ BA 9617 ㄀Ѡो˖༣号᳆ ㄀ 4ǃ㄀5ো Volume IV: Sonatas BA 9617 ㄀ಯो˖ Nos. 9 and 10 NEW BA 9619 in preparation ㄀ಯो˖༣号᳆ ㄀ 9ǃ㄀10ো ItBA was Skrjabin who,ᕙߎ unlike any 9619 other composer of his generation, contributed to the ᮃ‫ܟ‬䞠Ѯᆒϡ‫ڣ‬Ҫ䙷ϔҷⱘ԰᳆ continuation of the sonata ᆊˈℷᰃҪᇍ༣号᳆Ӵ㒳ⱘᓊ㓁԰ߎ tradition. Particular milestones

in his output were Sonatas nos. њ䋵⤂Ǆ݊԰કЁ⣀⡍ⱘ䞠⿟⹥ᰃ 4 and 5 of 1903 and 1907, in 1903ᑈ੠1907ᑈⱘ㄀4ো੠㄀5ো༣ which we hear forms and 号᳆ˈ៥ӀҢЁ਀ࠄ‫ࠡܜ‬ϡ᳒਀㾕䖛 harmonies not heard previously. ⱘ᳆ᓣϢ੠ໄǄ䖭ѯ԰ક‫✊ي‬㹿ੑৡ When these works are occasionally ЎĀ䆫ᗻā༣号᳆ˈህ㸼ᯢᅗӀᑨᯊ given the name “Poème” Sonatas, this indicates that they 㗠⫳ˈᱫᣛϢᮃ‫ܟ‬䞠Ѯᆒ໻㚚ⱘㅵᓺ stem from the time and allude Ф԰કǉ⼲೷П䆫Ǌ੠ǉ⢖୰П䆫Ǌ to the compositional context ೼߯԰Ϟ᳝݇㘨Ǆ㓪䕥‫ܟ‬䞠ᮃᠬ of Skrjabin’s daring orchestral ໿gᓫᢝྚЎ֘㔫ᮃ䷇Фǃᇸ݊ᰃ䩶 works Le Divin Poème and ⨈䷇Фᮍ䴶ⱘϧᆊǄЎњ㓪䕥ᮃ‫ܟ‬䞠 Le Poème de l´exstase. The editor Christoph Flamm Ѯᆒⱘ㄀5ো༣号᳆ˈҪ䖤⫼њϡЙ is an expert in Russian music, ࠡ䖬㹿㾚Ўᬷ䕊៪ᵕ䲒ᶹ䯙ⱘॳྟ䌘 particularly piano music. For ᭭Ǆ his edition of Skrjabin’s Sonata no. 5, he has drawn on sources z ෎Ѣ᳔ᮄⷨお៤ᵰⱘ᷵ࢬᅲ䏉ॳ which were until recently ԰䈅⠜ᴀ regarded as lost or could only be consulted with great difficulty. z ߽⫼њ᠔᳝҆ヨ᠟〓䌘᭭ǃᵘᗱ Kritisch-praktische Urtext੠㤝〓 Edition auf dem neuesten Forschungsstand z ᅲ⫼ⱘ㗏义໘ Auswertung aller autographen Quellen, z ᆠ᳝ਃ䖾ⱘࠡ㿔˄ᖋ᭛/㣅᭛˅੠ Skizzen und Entwürfe 䆺ሑⱘ᷵ࢬ᡹ਞ˄㣅᭛˅ Praktische Wendestellen ᮃ‫ܟ‬䞠Ѯᆒ䩶⨈༣号᳆ܼ䲚 Kenntnisreiches Vorwort (dt. /engl.) und detaillierter ᇚߚಯोߎ⠜Ǆ ᮃ‫ܟ‬䞠Ѯᆒ䩶⨈༣号᳆ܼ䲚 Kritischer Kommentar ᇚߚಯोߎ⠜Ǆ (engl.) Skrjabin’s Complete Piano Sonatas will be published in 4 volumes.

Romantic Piano Music ⌾⓿䩶⨈䷇Ф ⌾⓿䩶⨈䷇Ф ⌾⓿䩶⨈䷇Ф BA 6550 Volume ㄀1 䲚 BA 6550 1 䲚 BA 6556 Volume㄀2㄀䲚㄀䲚 BA 6556 2 䲚㄀㄀䲚 Schumann, Robert Schumann, Robert Robert Schumann 㔫ԃ⡍g㟦᳐ (1810-1856) 㔫ԃ⡍g㟦᳐ 㔫ԃ⡍g㟦᳐ (1810-1856) (1810-1856) Album for the Young, op. 68 ǉ䴦ᇥᑈ᳆䲚Ǌ Urtext with fingering / 68 ǉ䴦ᇥᑈ᳆䲚Ǌop. ǉ䴦ᇥᑈ᳆䲚Ǌ Ed. H. Stüwe ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ 㓪䕥 H. ᮑ㩖䶺 ॳ԰䈅ᏺᣛ⊩ BA 9641 in /preparation BA 9641 ᕙߎ Kinderszenen / ǉスᑈᚙ᱃Ǌ Scenes from Childhood op. 15 ǉスᑈᚙ᱃Ǌop.15 ǉスᑈᚙ᱃Ǌ ॳ԰䈅ᏺᣛ⊩ Urtext with /fingering / ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ Ed. H. Stüwe H. ᮑ㩖䶺㓪䕥9639 BA BA 9639 ǉỂᵫᚙ᱃Ǌ Waldszenen op. 82 ǉỂᵫᚙ᱃Ǌop.82 ǉỂᵫᚙ᱃Ǌ Urtext with fingering / ॳ԰䈅ᏺᣛ⊩ H. Stüwe/ 㓪䕥 H. ᮑ㩖䶺 Ed. ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ BA 9640 BA 9640

䩶⨈Ѡ䞡༣ 䩶⨈ 䬂Ⲭ

ঠ䩶⨈ ü ԰ક䲚

䩶⨈Ѡ䞡༣ 䩶⨈Ѡ䞡༣ ..䩶䩶 ⨈Ѡ䞡༣ ………….. Piano Duet / 剕ᇨ䩶⨈㡖 ঠ䩶⨈ ü ԰ક䲚 ঠ䩶⨈ ü ԰ક䲚 ..ঠ䩶⨈ ü ԰ક䲚............ Two Pianos – Collections 健❞຿䩶⨈᳆䲚 Klavier-Festival 剕ᇨ䩶⨈㡖剕ᇨ䩶⨈㡖 Ruhr 剕ᇨ䩶⨈㡖 Bärenreiter Piano Album 健❞຿䩶⨈᳆䲚健❞຿䩶⨈᳆䲚健❞຿䩶⨈᳆䲚 Contemporary music ᔧҷ䷇Ф for two and four hands Ў䩶⨈⣀༣੠ಯ᠟㘨ᔍ㗠԰ Ed. T. Bleek, M. Töpel BA T. Ꮧࢦ‫ܟ‬ǃ M. ⡍Խᇨ 㓪䕥9659 BA 9659 䩶⨈Ѡ䞡༣ page 81

3 Morceaux en forme NEW ǉṼᔶ᳆ϝ↉Ǌ ǉᇪᣅǊ de poire for piano duet 䩶⨈ಯ᠟㘨ᔍ ǉ㻌ԧ℠㟲Ǌ Urtext / Ed. J. Rosteck ॳ԰䈅 / 㓪䕥 on J. 㔫ᮃ⡍‫ܟ‬ notes performanceWith ॳ԰䈅䜡᳝ S. ᮑ㦅ᇨ偀䌿᠔᪄㸼ⓨⳌ݇䇈ᯢ related issues by BASchleiermacher 10809 S. BA 10809

ঠ䩶⨈ ü ԰᳆ᆊ 㾕㄀81义 Æ

ǉᮃᢝ໿㟲᳆Ǌ 䩶⨈Ѡ䞡༣

ǉᮃᢝ໿㟲᳆Ǌ 䩶⨈Ѡ䞡༣ 䩶⨈Ѡ䞡༣ ǉᮃᢝ໿㟲᳆Ǌ ǉᮃᢝ໿㟲᳆Ǌ ..䩶⨈Ѡ䞡༣ ………….. Slavonic ㄀ϔ䲚 Dances Piano Duet / 䩶⨈Ѡ䞡༣ 䩶⨈Ѡ䞡༣ 䩶⨈Ѡ䞡༣ for Piano Duet ঠ䩶⨈ ü ԰᳆ᆊ ঠ䩶⨈ ü ԰᳆ᆊ ..ঠ䩶⨈ ü ԰᳆ᆊ............ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Two Pianos – Composers Ed. 㓪䕥J.J.Burghauser ᏗḐ䈾⋑

Bach, Johann Sebastian Johann Sebastian Bach ঠ㖑ㅵ䬂⨈ण༣᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ॳ԰䈅 (1685-1750) (1685-1750) a due Cembali Concerto ঠ㖑ㅵ䬂⨈ण༣᳆ ঠ㖑ㅵ䬂⨈ण༣᳆ BWV 1061a ঠ㖑ㅵ䬂⨈ण༣᳆ senza ripieno BWV 1061a ॳ԰䈅 ॳ԰䈅 / K. Heller, H. J.J.Schulze ॳ԰䈅㓪䕥 ⍋ࢦǃ H. 㟦ᇨㄪ Urtext / Ed. K. ⓨ༣䳔ϸ༫ᘏ䈅 ᓫᳫ㣼g㟦ԃ⡍ scores are required Two 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ for performance BA 5245 BA 5245 Johannes 䩶⨈Ѡ䞡༣԰કПϝ ໻䇗㄀Brahms োᇣ໰᳆ Brahms, Johannes 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ ॳ԰䈅 Johannes Brahms, (1833-1897) ॳ԰䈅 (1833-1897) ໻䇗㄀ োᇣ໰᳆ োᇣ໰᳆ op.11 D ໻䇗㄀ ໻䇗㄀1োᇣ໰᳆ No. 1 in D maj op. 11 Serenade 䩶⨈Ѡ䞡༣ for໻䇗㄀ piano োᇣ໰᳆ duet ॳ԰䈅 ॳ԰䈅 / /㓪䕥 ॳ԰䈅 Urtext Ed. C. ‫ܟ‬ᘽ Köhn BA 6570 6570 ॳ԰䈅 Serenade No.োᇣ໰᳆ 2 inop.16 A maj op. 16 ໻䇗㄀ োᇣ໰᳆ A ໻䇗㄀ ໻䇗㄀2োᇣ໰᳆ for piano duet 䩶⨈Ѡ䞡༣ Urtext / Ed. C. Köhn ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ᅝϰᅕgᖋ≗໣‫ܟ‬ BA 6571/ 㓪䕥 C. ‫ܟ‬ᘽ BA 6571 Dvořák, Antonín 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 Antonín DvoĜák Dvořák, Antonín ǉ㞾⊶Ꮰ㉇ѮỂᵫǊ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) ǉӣᇨศ⪺⊇Ǌ the Bohemian Forrest From op. 68 for piano duet 68 ǉ㞾⊶Ꮰ㉇ѮỂᵫǊ ǉ㞾⊶Ꮰ㉇ѮỂᵫǊ ǉ㞾⊶Ꮰ㉇ѮỂᵫǊop. Ed. C. Köhn / Revised by ॳ԰䈅䩶⨈Ѡ䞡༣ ǉӴ༛᳆Ǌ F. Bartoš 㓪䕥 C. ‫ܟ‬ᘽ / ⬅ F. ᏈᇨᠬҔ᷵䅶 BA 9565 BA 9565 Legends op. 59 for piano duet ǉӴ༛᳆Ǌ ǉӴ༛᳆Ǌ Revised by F. Bartoš, A. Èubr ǉӴ༛᳆Ǌop. 59 H 1801 䩶⨈Ѡ䞡༣ ⬅ F. ᏈᇨᠬҔǃA. ඗Ꮧࢦ᷵䅶 H 1801

Satie, Erik Erik Satie Satie, Erik⫝̸ ၎㉿సgਘ⫝̸ ၎㉿సg (1866-1925) (1866-1925)

z 佪Ͼᄺᴃ᷵ࢬॳ԰䈅⠜

ǉ⥘⾬᳆Ǌ First scholarly-critical ॳ԰䈅 edition z Urtext 䲒ᑺЁㄝᯧ༣

NEW

st Series op. 46 1㄀Ѡ䲚㄀ϔ䲚㄀ϔ䲚㄀ϔ䲚 op.46 BA 9547 BA 9547 2nd Series op. 72 BA 9548 ㄀Ѡ䲚㄀Ѡ䲚㄀Ѡ䲚 op. 72 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 9548Wolfgang Amadeus Mozart, Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart (1756-1791) ঠ䩶⨈ܼ䲚

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅ᏺᣛ⊩

Complete (1756-1791)Works for two Pianos Urtext with fingering / E. F. Schmid Ed. ঠ䩶⨈ܼ䲚 ঠ䩶⨈ܼ䲚 ঠ䩶⨈ܼ䲚 (K. 426 and 448 and fragments) ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ ॳ԰䈅ᏺᣛ⊩ / and F. Ferguson/W. Rehm 㓪䕥 E. F. ᮑᆚᖋ (Larghetto and Allegro in E-flat maj, K.6 deest), based on the F. ੠᳾ᅠ៤԰ક˅Ϣ ˄K. 426ǃ448 edition by 䳋ྚ˄䰡 G. Croll. ( ໻䇗᜶ᵓ੠ᖿ 䌍ḐỂ / W. BA 9161 deest˅෎Ѣ G. ‫ܟ‬㔫ᇨⱘ⠜ ᵓˈK.6 ᴀ BA 9161

Easy to moderate level of z difficulty ࣙ৿᠔᳝㸼䖒੠䗳ᑺ䆄ো䆥᭛ ˄⊩᭛/ᖋ᭛/㣅᭛˅

Includes translations of all expression and tempo z ࠡ㿔䆺ሑˈ䜡᳝ⓨ༣ᅲ䏉䇈ᯢ markings (Fr/Ger/Eng) ˄ᖋ᭛/㣅᭛˅Ϣ᷵ࢬ᡹ਞ

Detailed ˄㣅᭛˅ foreword with notes on performance practice (Ger/Eng) and Critical Commentary (Eng) Franz Schubert ᓫᳫ㣼g㟦ԃ⡍

(1797-1828) Schubert, Franz Schubert, Franz NEW 䩶⨈Ѡ䞡༣԰કПϝ (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 / 㓪䕥 W. ߽Шᇨˈ for Piano Duet III Works W. 䰓ᖋ䳡ᇨᖋ Urtext / Ed. W. Litschauer, BA 䩶⨈Ѡ䞡༣԰કПϝ 9645 䩶⨈Ѡ䞡༣԰કПϝ Aderhold W. 䩶⨈Ѡ䞡༣԰કПϝ BA 9645 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

䋱ᖋ᮹䌿gᮃ㕢ศ䙷

Works for Piano Duet Urtext / Ed. W. Rehm, M. Töpel

BA 9179 䩶⨈Ѡ䞡༣԰ક 䩶⨈Ѡ䞡༣԰ક

NEW

ॳ԰䈅㓪䕥 W. 䳋ྚˈM. Part I: /Original works ⡍Խᇨ BA 9179 for piano duet; ㄀ϔ䕥˖ Part II: 1. Completions of the ㄀ϔ䕥˖䩶⨈Ѡ䞡༣ॳྟ԰ક fragments K. 357 (Fr 1787i and ㄀Ѡ䕥˖1. 1787i ੠ Frof Fr 1791a); K. 2. 357˄Fr Transcriptions ㄀Ѡ䕥˖ 1791a˅᳾コ〓㸹ܼǄ2. individual pieces by㥿ᠢ⡍Ўㅵ亢 Mozart for ⨈੠ᴎẄㅵ亢⨈᠔԰৘԰કⱘᬍ㓪᳆Ǆ Organ and Mechanical Organ

BedĜich Smetana ǉӣᇨศ⪺⊇Ǌ Smetana, Bedřich 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷 Smetana, (1824-1884)Bedřich ॳ԰䈅 (1824-1884) ǉӣᇨศ⪺⊇Ǌ ǉӣᇨศ⪺⊇Ǌ ǉӣᇨศ⪺⊇Ǌ / The Moldau Vltava NEW ԰᳆ᆊᬍ㓪ⱘ䩶⨈Ѡ䞡༣⠜ᴀ Version for piano duet by the ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 ॳ԰䈅 composer ॳ԰䈅 Urtext BA 95459 / Ed. H. Macdonald BA 9549 ӥg呺‫ܟ‬૤㒇㓪䕥ⱘᮄॳ԰䈅⠜ Hugh Macdonalds‘s new Urtext ᴀਜ⦄њ԰᳆ᆊⱘ䩶⨈Ѡ䞡༣⠜ǉӣ edition presents the composer‘s ᇨศ⪺⊇Ǌⱘॳྟ⠜ᴀǄ original version of The Moldau for piano duet.

䩶⨈ 䬂Ⲭ

健❞຿ЁढҎ⇥݅੠೑⡍߿⠜ Bärenreiter Sonderedition V. R. CHINA ⣀ϔ᮴Ѡⱘ⡍Ӌǃ㟇催䋼䞣 Höchste Qualität zum einmaligen Sonderpreis 健❞຿Ф䈅⠜ֱ䆕Ф䈅໘Ѣᔧࠡⱘⷨお∈‫ޚ‬ϞǄᅗӀ಴Ϲϱড়㓱ⱘ㓪䕥ǃ Bärenreiter Notenausgaben garantieren einen Notentext auf dem aktuellen Stand ᮴ৃᣛ䋷ⱘॄࠋϢߎ㡆ⱘ㺙䅶㗠ߎӫǄ der Forschung. Sie zeichnen sich durch editorische Genauigkeit, durch einwandfreien Druck 䖭⾡さߎⱘ䋼䞣Փ健❞຿៤Ўܼ⧗乚‫䷇ⱘܜ‬Фߎ⠜⼒ПϔǄ und hervorragende Bindung aus. Diese überragende Qualität hat Bärenreiter zu einem der weltweit führenden Musikverlage gemacht. ⬅Ѣ᳝њা䗖⫼ѢЁढҎ⇥݅੠೑ⱘϔϾ⡍߿⠜ᴀˈ 䖭ѯध䍞ⱘ⠜ᴀЁ᳝ϔѯ⦄೼ᇍЁ೑໻ᄺ⫳ᴹ䇈г䋳ᢙᕫ䍋њǄ䖭ѯ⠜ᴀⱘФ䈅ǃ Mit einer Sonderedition, exklusiv für die V. R. CHINA, werden einige dieser hervorragenden Ausgaben nun auch für㒌ᓴ䋼䞣ǃॄࠋϢ㺙䅶Ϣॳ㺙ⱘ健❞຿⠜ᴀⳌৠǄ chinesische Studenten erschwinglich. Notentext, Papierqualität, Druck 健❞຿ⱘ䖭ϔЁढҎ⇥݅੠೑⡍߿⠜ҹ᮴ৃᡫ㸵ⱘӋḐᦤկ und Bindung dieser Ausgaben sind identisch mit den originalen Bärenreiter-Ausgaben. Āᖋ೑ࠊ䗴āⱘॳ㺙健❞຿䋼䞣Ǆ Die Bärenreiter Sonderedition V. R. CHINA bietet originale Bärenreiter-Qualität »Made in Germany« zu einem konkurrenzlosen Preis.

Cello

໻ᦤ⨈ ໻ᦤ⨈

Johann Sebastian BACH

䩶⨈ 䩶⨈

Johann 䩶 ⨈ Sebastian BACH

㑺㗄gาᏈᮃ㩖㑺㗄gาᏈᮃ㩖ᅝg

Sechs Suiten für Violoncello solo BWV 1007-1012 Ed. August Amadeus Wenzinger ໻ᦤ⨈ ໻ᦤ⨈ Wolfgang AmadeusMozart MOZART ໻ᦤ⨈ Wolfgang BAᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 320-15 Sonderpreis: € 3.00 ≗ Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ C ໻䇗䩶⨈ण༣᳆ K. 467˄㄀ 21 佪˅ Ludwig van BEETHOVEN Wolfgang Amadeus Mozart 㑺㗄gาᏈᮃ㩖ᅝgᏈ 㑺㗄gาᏈᮃ㩖㑺㗄gาᏈᮃ㩖ᅝ 健❞຿ߎ⠜⼒ॳ԰䈅 / 㓪䕥 H. ᘽḐᇨǃH. 䳡Ӟᮃ㒇 Ludwig van BEETHOVEN und Orchester Konzert KV 467 (Nr. 21) in C-Dur für Klavier 䩶⨈ 䩶⨈ 䩶⨈ 䩶⨈㓽㓪䈅 D. ӡᖋᆠᇨüજ䞠ᮃ 䏃ᖋ㓈Ꮰg㣗g 䏃ᖋ㓈Ꮰg㣗g䋱໮ Sonaten für Violoncello und Klavier Op. 5, Nr. 1 BÄRENREITER URTEXT / Ed. H. Engel, H. Heussner BA ⡍Nr. Ӌ˖3.50 ⃻2‫ܗ‬ Op. 5,Nr. 1Nr.1 1und Klavierauszug von D. Woodfull-Harris und5317-15 2, op. 69, op.. 5, 102, ⡍Ӌ˖ ⃻‫ܗ⃻ܗ‬ ⡍Ӌ˖ BA 5317-15 Sonderpreis: € 3.50 BÄRENREITER URTEXT / Ed. J. Del Mar ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ABA໻䇗䩶⨈ण༣᳆ K. 488˄㄀ 23 9012-15 Sonderpreis: €佪˅ 5.00 Konzert KV 488 (Nr. 23) in A-Dur für Klavier und Orchester 健❞຿ߎ⠜⼒ॳ԰䈅 / 㓪䕥 H. 䋱‫ܟ‬ BÄRENREITER URTEXT / Ed. H. Beck 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g 䩶⨈㓽㓪䈅䋱‫ ܟ‬Ausgaben ist nur in der Der VertriebH.dieser V.R. 䏃ᖋ㓈Ꮰg㣗g䋱 Klavierauszug von H. Beck CHINA zulässig! Weitere BA 4740-15 Sonderpreis: € 3.00 BA 4740-15 Ӌ˖3.50 䖭ѯ⠜ᴀা‫ܕ‬䆌䖭ѯ⠜ᴀা‫ܕ‬䆌೼Ё . 5,.Op. Nr. 15, Nr. 1 ⃻‫ ܗ‬sind geplant. 5,⡍Nr. 1 Ausgaben ⡍Ӌ˖ ⃻‫ܗ‬ ⡍Ӌ˖ ⃻‫ܗ⃻ܗ‬ ⡍Ӌ˖ ⃻‫ܗ‬ ⡍Ӌ˖ ⡍Ӌ˖ ݊Ҫ⠜ᴀℷ೼ㅍ ݊Ҫ⠜ᴀℷ೼ㅍߦЁ

Klavier

䖭ѯ⠜ᴀা‫ܕ‬䆌೼Ё 䖭ѯ⠜ᴀা‫ܕ‬ 䖭ѯ⠜ᴀা‫ܕ‬䆌೼

䩶⨈ 䬂Ⲭ Beethoven, ऩㇻㅵ Ludwig van 䩶 ⨈ण༣᳆ Piano Concertos Beethoven, Ludwig van 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀

ᬍ㓪Ў ϸᶊ䩶⨈⠜ (1770-1827) in arrangements for 2 pianos ˄⣀༣䩶⨈ˋФ䯳ᘏ䈅㓽㓪䈅˅ 䩶⨈ण༣᳆ (solo piano / orchestral reduction) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Concerto in C maj ໻䇗ण༣᳆ for Pianoforte, Violin, Bach, Johann Sebastian Violoncello and Orchestra ࡴᏗ䞠඗ᇨg⽣䳋 Johann Sebastian Bach ǉϝ䞡ण༣᳆Ǌ Bach, Johann Sebastian op. 56 “Triple Concerto” ໻䇗ण༣᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) Urtext / Ed. J. Del Mar ॳ԰䈅 (1685-1750) BA 9027-90 Piano reduction ǉϝ䞡ण༣᳆Ǌ Eight Concertos for harpsichord 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ॳ԰䈅 ܿ佪㖑ㅵ䬂⨈ϢᓺФण༣᳆ and strings In his Triple Concerto ॳ԰䈅 Urtext/ /㓪䕥 Ed. W. Ꮧ䌪Ḑ Breig Beethoven varies his treatment of the solo parts, allowing each TP 410 Study score ⷨдᘏ䈅 ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ܿ佪㖑ㅵ䬂⨈ϢᓺФण༣᳆ instrument to play alone with ‫ܟ‬㔫咬ᇨ ॳ԰䈅 Piano reductions: the orchestra (particularly the 䩶⨈㓽㓪䈅 cello),van using two solo Ludwig Ludwig vanBeethoven Beethoven 䩶⨈ण༣᳆ together in ever 䩶⨈ण༣᳆ instruments 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 new combinations, and finally

䩶⨈㓽㓪䈅

(1770-1827) (1770-1827) bringing together all three

instruments with the orchestra.

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ܿ佪㖑ㅵ䬂⨈ϢᓺФण༣᳆ ܿ佪㖑ㅵ䬂⨈ϢᓺФण༣᳆ ॳ԰䈅 ॳ԰䈅

䩶⨈㓽㓪䈅䩶⨈㓽㓪䈅 ण༣᳆ϔ ᇣ䇗

Concerto I in D min BWV 1052 BA 5224-90 ण༣᳆ϔ D ᇣ䇗° BWV 1052 ण༣᳆Ѡ ໻䇗 BA 5224-90 ° Concerto II in E maj BWV 1053 BA 5225-90 ण༣᳆Ѡ E ໻䇗° BWV 1053 ण༣᳆ϝ ໻䇗 BA 5225-90 ° Concerto III in D maj BWV 1054 BA 5226-90 ° ण༣᳆ϝ D ໻䇗 BWV 1054 ण༣᳆ಯ ໻䇗 BAConcerto 5226-90 °IV in A maj BWV 1055 BA 5227-90 ° ण༣᳆ಯ A ໻䇗 BWV 1055 ण༣᳆Ѩ V ᇣ䇗 BAConcerto 5227-90 ° in F min BWV 1056 BA 5228-90 ° ण༣᳆ϔ ᇣ䇗 ण༣᳆Ѩ F ᇣ䇗 BWV 1056 ण༣᳆ϔ VI ᇣ䇗 ण༣᳆݁ ໻䇗 BAConcerto 5228-90 ° in F maj BWV 1057 for harpsichord, two recorders ण༣᳆Ѡ and strings ໻䇗 ण༣᳆݁ F ໻䇗 BWV 1057 BA 5229-90໻䇗 ° ण༣᳆Ѡ Ў㖑ㅵ䬂⨈ǃϸᬃオワϢᓺФ㗠԰ ᇣ䇗ण༣᳆ ण༣᳆ϝ BAConcerto 5229-90 °in໻䇗 G min BWV 1058 BA 5230-90໻䇗 ° ण༣᳆ϝ G ᇣ䇗ण༣᳆ BWV 1058 ᇣ䇗ण༣᳆ D min BWV 1052a ण༣᳆ಯ BAConcerto 5230-90 °in໻䇗 arranged by C. P. E. Bach ण༣᳆ಯ 5231-90໻䇗 ° D BA ᇣ䇗ण༣᳆ BWV 1052a ण༣᳆Ѩ ᇣ䇗 ⬅ C. P. E. Ꮘ䌿ᬍ㓪 BAण༣᳆Ѩ 5231-90 ° ᇣ䇗 ण༣᳆݁

໻䇗

18ण༣᳆݁ ໻䇗 ᇣ䇗ण༣᳆

C ໻䇗ण༣᳆ C ໻䇗ण༣᳆ Ў䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈ϢㅵᓺФ䯳 Bärenreiter’s new Urtext Ў䩶⨈ǃᇣᦤ⨈੠໻ᦤ⨈㗠԰ 㗠԰ edition of Beethoven’s Triple op. 56ˈǉϝ䞡ण༣᳆Ǌ op. 56ˈǉϝ䞡ण༣᳆Ǌ Concerto is a completely fresh ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ revision of this warm and ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ BA 9027-90showpiece. 䩶⨈㓽㓪䈅 beautiful Errors BA 9027-90 䩶⨈㓽㓪䈅

abounded in all previous 䋱໮㢀೼Ҫⱘǉϝ䞡ण༣᳆ǊЁ editions, but with the assistance of three newlyᇍ⣀༣Ф఼䚼ߚ԰њϡৠⱘ໘⧚ˈ䅽 discovered sources, editor ↣ӊФ఼䛑㛑໳ऩ⣀ৠㅵᓺФ䯳ⓨ༣ Jonathan Del Mar has cleaned ˄⡍߿ᰃ໻ᦤ⨈˅ˈ೼ϡᮁഄᮄ㒘ড় up the text, corrected wrong Ёϔ䍋Փ⫼ϸӊ⣀༣Ф఼ˈ᳔㒜ᡞ᠔ notes and rhythms and (for the ᳝ϝӊ⣀༣Ф఼ৠѸડФ䯳㵡ড়䍋 first time since 1807) presented the ᴹǄwork in a way that a musician of Beethoven’s day might have recognized, with all 健❞຿ⱘ䋱໮㢀ǉϝ䞡ण༣᳆Ǌ necessary information for ᮄॳ԰䈅⠜ᴀℷᰃ䖭佪⛁ᚙ㗠㕢Бⱘ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 directing the piece included in ᳆Ⳃⱘܼᮄׂ䅶⠜Ǆҹᕔ᠔᳝ⱘ⠜ᴀ the solo piano part. 䛑䫭䇃↨↨ⱚᰃˈ✊㗠ˈᕫⲞѢᮄথ Piano reduction with ⦄ⱘϝ⾡ॳྟ䌘᭭ˈ㓪䕥Ш㒇Ểgᖋ separate parts for all three ᇨ偀ᇨ⏙䰸њ᭛ᴀЁⱘ䫭䇃ˈ㑴ℷњ soloists 䫭䇃ⱘ䷇ヺ੠㡖༣ˈᑊϨ㞾 1807 ᑈ Draws on three new sources ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ҹᴹ佪⃵ҹ䖭ḋⱘᮍᓣሩ⦄䖭䚼԰ કˈ䖲䋱໮㢀䙷Ͼᯊҷⱘ䷇Фᆊ䛑ৃ Correction of many errors found in previous editions 㛑䅸ৃˈࣙ৿њᇍᣛ᣹䖭佪᳆ᄤǃࣙ ᣀ⣀༣䩶⨈䚼ߚ᠔᳝ᖙ㽕ⱘֵᙃǄ z

䩶⨈㓽㓪䈅ࣙ৿᠔᳝ϝ⾡⣀༣Ф ఼ⱘߚ䈅

߽⫼ϝ⾡ᮄॳྟ䌘᭭

㑴ℷњ᠔᳝ҹᕔ⠜ᴀЁⱘ໻䞣䫭䇃

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

Concerto No. 1 in C maj CCfor ໻ NEW ໻䇗㄀ϔ䩶⨈ण༣᳆ 䇗㄀ϔ䩶⨈ण༣᳆ Pianoforte and Orchestra, ໻䇗㄀ϔ䩶⨈ण༣᳆ Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.15 op. 15 Ў䩶⨈੠ѸડФ䯳㗠԰ˈop.15 Urtext/ 㓪䕥 / Ed. J.J. ᖋᇨ偀ᇨ Del Mar ॳ԰䈅 ᖋᇨ偀ᇨ ॳ԰䈅 ॳ԰䈅 BA 9021-90 ° Piano reduction BA 䩶⨈㓽㓪䈅 BA 9021-90 9021-90 ° 䩶⨈㓽㓪䈅 BA 9021-40 BA 9021-40 BA 9021-40 Critical Commentary (Eng) ᷵ࢬ᡹ਞ˄㣅᭛˅ ᷵ࢬ᡹ਞ˄㣅᭛˅ Del Mar has found no less than ᖋᇨ偀ᇨ೼䋱໮㢀҆ヨ᠟〓䞠ᡒ 17 corrections in Beethoven’s autograph which he made ࠄњ㟇ᇥ 17 ໘ׂᬍǄ䖭ᰃ䋱໮㢀ᴀ after Piano Concerto No. Ѹ 1 C the ໻䇗㄀ϔ䩶⨈ण༣᳆ op.15 Ҏ೼ in C major op. 15 was published. Ҭߎ⠜ৢ‫ⱘخ‬Ǆ䖭Ͼᮄⱘ健❞຿⠜ᴀ These have been brought to 佪⃵৥݀ӫᧁ⼎њ䖭ϔ⚍Ǆ light in this new Bärenreiter edition. z ࣙ৿䋱໮㢀ⱘढᔽФ↉ Includes Beethoven’s cadenzas NEW 䰡B ໻䇗㄀Ѡ䩶⨈ण༣᳆ ໻䇗㄀Ѡ䩶⨈ण༣᳆ 䰡 ໻䇗㄀Ѡ䩶⨈ण༣᳆ 䰡 Concerto No. 2 Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.19 in B-flat maj for Pianoforte ॳ԰䈅/ 㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 ॳ԰䈅 and Orchestra, op. 19 BA 9022-90 ° J. Del䩶⨈㓽㓪䈅 Urtext / Ed. Mar BA 9022-40 9022-90 ° Piano reduction BA BA 9022-40 ᷵ࢬ᡹ਞ˄㣅᭛˅ Critical Commentary (Eng) ሑㅵ䋱໮㢀ⱘ㄀Ѡ䩶⨈ण༣᳆ Although the sources to op.19 ⱘॳྟ䌘᭭ᰃӫ᠔਼ⶹⱘˈ䖭 Beethoven’s piano concerto op. 19 are generally known, Ͼ健❞຿ॳ԰䈅⠜ᴀ䖬ᰃ㑴ℷњ䆌໮ many misconceptions and 䇃㾷੠᳆㾷Ǆ misinterpretations are put in this Bärenreiter Urtext right ᮄⱘ健❞຿ॳ԰䈅⠜ᴀ㑴ℷњᇍ edition. 䋱໮㢀҆ヨ᠟〓ⱘ䇃㾷ˈ䖭ѯᇍ䋱໮ The new Bärenreiter edition 㢀ᛣ೒ⱘ䇃㾷೼߱⠜ህᏆ㒣ߎ⦄ˈᑊ corrects misreadings of Ϩ䱣ৢজ㹿਌ᬊࠄ䆹԰કⱘ݊ᅗ⠜ᴀ Beethoven’s autograph which ЁǄ were already present in the first edition and had subsequently been incorporated into other editions of this work.

䩶⨈ 䬂Ⲭ

The Beethoven Piano Concertos 䋱໮㢀ⱘ䩶⨈ण༣᳆

䩶⨈㓽㓪䈅ᏺऩ⣀ⱘ⣀༣䩶⨈ߚ䈅

z 䩶reductions ⨈㓽㓪䈅ᏺऩ⣀ⱘ⣀༣䩶⨈ߚ䈅 Piano with separate solo piano parts

The piano reductions appear in a new format: As customary in 䩶⨈㓽㓪䈅ҹᮄⱘ⠜ᓣߎ⦄˖԰Ў Ϫ㑾ⱘᛃ՟ˈ the 19th century there is a separate solo piano part containing ᳝ऩ⣀ⱘ⣀༣䩶⨈ߚ䈅ࣙ৿ܼ༣↉㨑੠ⓨ༣ᦤ⼎Ǆ tutti passages and cues. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. 䖭㒭⣀༣㗙ᦤկњড়⧚ⱘ㗏义䯈䱭ˈᦤկ⬅䩶⨈ᴹᣛ᣹Ф䯳 The piano reduction includes the orchestral reduction as well as ⱘৃ㛑ᗻǄ䩶⨈㓽㓪䈅᮶ࣙᣀㅵᓺФᘏ䈅ⱘ㓽㓪ˈ the solo piano part above it in small print. гࣙ৿݊Ϟᮍᇣᄫԧⱘ⣀༣䩶⨈ߚ䈅Ǆ G໻ 䇗㄀ಯ䩶⨈ण༣᳆ Concerto No. 4 in G maj NEW for Pianoforte and Orchestra Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.58 ໻䇗㄀ಯ䩶⨈ण༣᳆ op. 58 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ ໻䇗㄀ಯ䩶⨈ण༣᳆ Urtext / Ed. J. Del Mar BA 9024-90 ° 䩶⨈㓽㓪䈅 ॳ԰䈅 BA 9024-90 ° Piano reduction ᕙߎ in preparation ॳ԰䈅

NEW 䰡E ໻䇗㄀Ѩ䩶⨈ण༣᳆ Concerto No. 5 in E-flat maj for Pianoforte and Orchestra Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.73 䰡 ໻䇗㄀Ѩ䩶⨈ण༣᳆ op. 73 – “Emperor” ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ 䰡 Urtext ໻䇗㄀Ѩ䩶⨈ण༣᳆ / Ed. J. Del Mar BA 9025-90 ° ° Piano 䩶⨈㓽㓪䈅 ॳ԰䈅 BA 9025-90 reduction ᕙߎ in preparation ॳ԰䈅

Concerto No. 3 in C min for Pianoforte and Orchestra, op. 37 NEW Urtext / Ed. J. Del Mar BAᇣ䇗㄀ϝ䩶⨈ण༣᳆ 9023-90 ° Piano reduction BA 9023-40 Critical C ᇣ䇗㄀ϝ䩶⨈ण༣᳆ Commentary (Eng) ॳ԰䈅 Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.37 ᇣ䇗㄀ϝ䩶⨈ण༣᳆ ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ Beethoven’s Piano Concerto BA 9023-90 䩶⨈㓽㓪䈅 ॳ԰䈅 No. 3 is the °only concerto where ᷵ࢬ᡹ਞ BA authentic 9023-40 manuscript no exists for the solo part. The autograph ˄㣅᭛˅ of the score is available whereby the articulation, dynamics and 䋱໮㢀ⱘ㄀ϝ䩶⨈ण༣᳆ᰃଃϔ pedal markings are for the ϔ佪೼䩶⨈⣀༣䚼ߚ≵᳝⬭ϟ䋱໮㢀 most part absent. However, ҆ヨ᠟〓ⱘण༣᳆Ǆ䡈Ѣ໻䚼ߚᚙ‫މ‬ Beethoven oversaw the first ϟ㔎ᇥ㸼䖒ǃ࡯ᑺҹঞ䏣ᵓᷛ䆄ˈ҆ printed edition of the solo part ヨᘏ䈅ᰃৃҹ߽⫼ⱘǄϡㅵᗢḋˈ䋱 (1804) with great diligence. Plate bear witness 1804 ᑈᵕ݊Ҩ㒚ഄẔᶹ䖛䩶 ໮㢀೼corrections to the care with which Beetho⨈⣀༣䚼ߚⱘ佪Ͼॄࠋ⠜Ǆׂℷॄࠋ ven placed slurs and pedal mar⠜䆕ᯢњ䋱໮㢀⊼䞡䖲䌃੠⏙᱄㗠ᬒ kings in order to be consistent 㕂њ䖲㒧੠䏣ᵓᷛ䆄Ǆ and unambiguous. ‫ࡽ׳‬Ѣᇍॳྟ䌘᭭ⱘ਼ᆚẔᶹˈ By means of a thorough examination of the sources this 䖭Ͼᮄॳ԰䈅⠜ᴀሩ⼎њ䆌໮೼㸼 new Urtext edition presents 䖒ǃ࡯ᑺϢ䷇ヺᮍ䴶ⱘׂ䅶Ǆ many corrections in terms of ໻䇗ण༣᳆ articulation, dynamics and notes. Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈḍ᥂ᇣᦤ⨈ ໻䇗ण༣᳆ ण༣᳆ Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈḍ᥂ᇣᦤ⨈ D ໻䇗ण༣᳆ ᬍ㓪 Concerto in Dᬍ㓪 maj ॳ԰䈅 ण༣᳆ Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈḍ᥂ᇣᦤ⨈ for Pianoforte and Orchestra ॳ԰䈅 Op.61 ᬍ㓪 ण༣᳆ after the Violin Concerto op. 61 ॳ԰䈅 //㓪䕥 ᖋᇨ偀ᇨ Urtext Ed. J.J.Del Mar Piano reduction with an Urtext 䩶⨈㓽㓪䈅ࣙ৿䩶⨈⣀༣ⱘॳ԰䈅ߚ solo piano part and an additional 䈅ˈ䖬᳝ϔӑ䰘ࡴⱘ䩶⨈ߚ䈅ˈᏺ᳝ piano part with fingering by Y. ᴥϞ㓪‫ⱘݭ‬ᣛ⊩Ǆ Y. Murikami BA 9013-90 ° BA 9013-90 ° BA 9019-40 BA 9019-40 ᷵ࢬ᡹ਞ˄㣅᭛˅ Critical Commentary (Eng)

䋱໮㢀ⱘ䰡 B ໻䇗㄀Ѡ䩶⨈ण༣᳆ Ф䈅䗝㞾˖ From: Beethoven, Concerto No. 2 in B-flatop.19ˈBA maj op. 199022-90 · BA 9022-90

ᖋᇨ偀ᇨࡼ⫼њ᠔᳝Ꮖⶹॳྟ䌘 Del Mar has worked with all known sources to bring together ᭭ˈ⫼ᴹᠧ䗴ߎϔϾᓔ߯ᗻⱘᄺᴃ᷵ aࢬ⠜ᴀǄ䆹⠜ᴀ᳔㒜ᦤկ⏙᱄ⱘ᳝݇ groundbreaking scholarly critical edition which finally provides 䋱໮㢀ⱘ⣀༣Ϣড়༣ⱘᷛ䆄ˈ㗠Ϩ䖬 clarity regarding Beethoven’s ᳝䋱໮㢀ᇍ⣀༣䩶⨈ⱘ㸼䖒੠࡯ᑺ᠔ solo and tutti markings, as well ‫ⱘخ‬ᷛ䆄Ǆ᳔Ў䞡㽕ⱘ੠ᵕ݊䅽ҎӀ as his articulation and dynamics ᛳ݈䍷ⱘЗᰃ䋱໮㢀ⱘॳྟढᔽФ in the solo piano part. Of great importance and interest areⱘᮽᳳ ↉ˈ಴Ўᇣᦤ⨈ण༣᳆ Op.61 Beethoven’s original cadenzas ⠜ᴀᑊ≵᳝ॳྟढᔽФ↉Ǆ as no original cadenzas for the earlier version of op. 61 for violin and orchestra exist.

䩶⨈ 䬂Ⲭ ...⶷㣺㾎䔁㤛 ....... Piano Concertos

Wolfgang Amadeus Mozart Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) (1756-1791) 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Concertos Piano ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆

ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ॳ԰䈅 — K. 175˄㄀ 5 佪˅ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 -ॳ԰䈅 K. 175 (No. 5), Concert D ໻䇗䷇ФӮಲᮟ᳆ K. 382 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Rondo D maj K. 382 ॳ԰䈅 /in㓪䕥 M. ໿⋯⡍Ӟᮃ Urtext / Ed. M. Flothuis BA ॳ԰䈅 5315-90 ° 䩶⨈㓽㓪䈅 BA 5315-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 — K. 238 ˄㄀ 6 佪˅䰡 B ໻䇗 ॳ԰䈅 -ॳ԰䈅 K. 238/ (No. B-flat maj ॳ԰䈅 ॳ԰䈅㓪䕥 6) M.in ໿⋯⡍Ӟᮃ ॳ԰䈅 Urtext / Ed. M. Flothuis BA 5316-90 ° 䩶⨈㓽㓪䈅 BA 5316-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 ॳ԰䈅佪˅F໻䇗 ໻䇗 — K. 242˄㄀ 242˄㄀ 77 佪˅F - K. 242 (No. 7) in F maj Ўϝᶊ៪ϸᶊ䩶⨈ϢㅵᓺФ䯳㗠԰ⱘ Ўϝᶊ៪ϸᶊ䩶⨈ϢㅵᓺФ䯳㗠԰ⱘ “Lodron Concerto” for three ǉ㔫ᖋ䱚ण༣᳆Ǌ ǉӺᬺण༣᳆Ǌ ॳ԰䈅 or two Pianos and Orchestra ॳ԰䈅 ॳ԰䈅 ৡ⣀༣㗙ϢԈ༣⠜ᴀ ৡ⣀༣㗙ϢԈ༣⠜ᴀ 2ॳ԰䈅 Edition for 2 soloists and ॳ԰䈅 ॳ԰䈅 accompaniment M. ॳ԰䈅㓪䕥 M. ໿⋯⡍Ӟᮃ ໿⋯⡍Ӟᮃ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 ॳ԰䈅 Urtext /ॳ԰䈅 Ed.°° M. Flothuis BA 5389-90 䩶⨈㓽㓪䈅䩶⨈㓽㓪䈅 5389-90 ° Piano reduction BA 5389-90 3 ӑФ䈅 ⓨߎ䳔 ӑФ䈅 3 copies needed for ॳ԰䈅

performance ॳ԰䈅 — K. 246˄㄀ 8 佪˅C ໻䇗ǉ৩᥾ण ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ༣᳆Ǌ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 - K. 246 ॳ԰䈅 (No. 8) in C maj ॳ԰䈅 ॳ԰䈅 BA 5388-90 ° 䩶⨈㓽㓪䈅 “Lützow Concerto” ॳ԰䈅 Urtext / Ed. C. Wolff — K. 271˄㄀ 9 佪˅䰡 ໻䇗ǉᴅ㒇 9 佪˅䰡 EE໻䇗ǉ䴦ᑈ — K. 271˄㄀ ॳ԰䈅 ° Piano reduction BA 5388-90 ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ 䳡ྚण༣᳆Ǌॳ԰䈅 ण༣᳆Ǌ ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅䩶⨈㓽㓪䈅 ॳ԰䈅 ° 9) 䩶⨈㓽㓪䈅 -BA K. 4790-90 271 (No. in E-flat maj ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 TPॳ԰䈅 242 ⷨдᘏ䈅 “Jeunehomme Concerto” ॳ԰䈅 / Ed. C. Wolff Urtext — K. 365˄㄀ 10 佪˅ BA 4790-90 ° Piano reduction ॳ԰䈅䰡E ໻䇗ঠ䩶⨈ϢㅵᓺФ䯳 TP 242 Study score ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 -BA K. 365 (No.° 10) in E-flat maj 5390-90 䩶⨈㓽㓪䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 for two3 Pianos ⓨߎ䳔 ӑФ䈅 and Orchestra ॳ԰䈅 UUrtext / Ed. C. Wolff BA 5390-90 — K. 413˄㄀ °11Piano 佪˅F reduction ໻䇗 ॳ԰䈅 3ॳ԰䈅 copies needed for / 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 performance ॳ԰䈅 BA 4874-90 ° 䩶⨈㓽㓪䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 TP 245 ⷨдᘏ䈅 ॳ԰䈅

-— K. K. 413414˄㄀ (No. 11)12in佪˅A F maj ໻䇗 Urtext Ed. C.C.Wolff ॳ԰䈅//㓪䕥 ॳ԰䈅 ≗ᇨ໿ ॳ԰䈅 reduction BA BA4874-90 4876-90 °° Piano䩶⨈㓽㓪䈅 TP 245 Study Score TP 244 ⷨдᘏ䈅 -ॳ԰䈅 K. 414 (No. 12) in A maj ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 — K. 415˄㄀佪˅C ໻䇗 Urtext / Ed. C.13Wolff ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 °C. ≗ᇨ໿ Piano reduction BA 4876-90 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 TP score BA244 4878-90 ° Study䩶⨈㓽㓪䈅 TP 246 ⷨдᘏ䈅 - K. 415 (No. 13) in C maj ॳ԰䈅/ Ed. C. Wolff ॳ԰䈅 ॳ԰䈅 Urtext ॳ԰䈅 — K. 449˄㄀ 14 佪˅䰡 E ໻䇗 ॳ԰䈅 ॳ԰䈅 BA 4878-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ໿⋯⡍Ӟᮃ ॳ԰䈅 TP 246 / 㓪䕥 M. Study score ॳ԰䈅 ॳ԰䈅 BA 5381-90 ° 䩶⨈㓽㓪䈅 - TP K. 449 maj 247 (No. 14) in E-flat ⷨдᘏ䈅 Urtext ॳ԰䈅/ Ed. M. Flothuis ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Piano reduction BA — 5381-90 K. 450˄㄀° 15 佪˅䰡 B ໻䇗 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 TP 247 / 㓪䕥 M. Study score ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ໿⋯⡍Ӟᮃ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 5382-90 䩶⨈㓽㓪䈅 - BA K. 450 (No.° 15) in B-flat maj TP 248 / Ed. M. Flothuis ⷨдᘏ䈅 Urtext BAॳ԰䈅 5382-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 — 248 K. 451˄㄀ 16 佪˅Dscore ໻䇗 TP Study ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅/ 㓪䕥 M. ໿⋯⡍Ӟᮃ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 - BA K. 451 (No. °16) in D䩶⨈㓽㓪䈅 maj 5383-90 Urtext TP 249 / Ed. M. Flothuis ⷨдᘏ䈅 BA 5383-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 TP 249 Study score ॳ԰䈅 ॳ԰䈅 — K. 453˄㄀ 17 佪˅G ໻䇗 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅㓪䕥 17) E. in Ꮘᴰᢝ—ᮃ⾥䖒ǃ ॳ԰䈅 - ॳ԰䈅 K. 453 /(No. G maj ॳ԰䈅 ॳ԰䈅 P. Ꮘᴰᢝ—ᮃ⾥䖒 Urtext / Ed. E. and P. BaduraSkoda 䩶⨈㓽㓪䈅 BA 5384-90 ° BA 5384-90 ° Pianoⷨдᘏ䈅 reduction ॳ԰䈅 TP 156 ॳ԰䈅 TP 156 Study score ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 — K. 456˄㄀ 18 佪˅䰡 B ໻䇗 ॳ԰䈅 - K. 456 (No. 18) in B-flat maj ॳ԰䈅 ॳ԰䈅/ 㓪䕥 E. Ꮘᴰᢝ—ᮃ⾥䖒ǃ ॳ԰䈅 Urtext ॳ԰䈅 / Ed. E. and P. BaduraP. Ꮘᴰᢝ—ᮃ⾥䖒 Skoda BA reduction BA5385-90 5385-90 °° Piano䩶⨈㓽㓪䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 -ॳ԰䈅 K. K. 459 (No. 19) in F maj — 459˄㄀ 19 佪˅F ໻䇗 ॳ԰䈅 ॳ԰䈅 Urtext Ed. E.E.and P. Baduraॳ԰䈅 ॳ԰䈅 ॳ԰䈅//㓪䕥 ॳ԰䈅 Ꮘᴰᢝ—ᮃ⾥䖒ǃ ॳ԰䈅 ॳ԰䈅 Skoda ॳ԰䈅 P. Ꮘᴰᢝ—ᮃ⾥䖒 BA 5386-90 ° Piano reduction BA 5386-90 ° 䩶⨈㓽㓪䈅 ॳ԰䈅 - K. 466 (No. 20) in D min ॳ԰䈅 ॳ԰䈅 — K. 466˄㄀ 20Engel, 佪˅D ᇣ䇗 ॳ԰䈅 Urtext / Ed. H. ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Heussner H. ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H. ᘽḐᇨǃ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 BA H. 4873-90 䳡Ӟᮃ㒇 ° Piano reduction TP score BA147 4873-90 ° Study䩶⨈㓽㓪䈅 ॳ԰䈅 TP 147 ⷨдᘏ䈅 ॳ԰䈅 - K. 467 (No. 21) in C maj ॳ԰䈅 ॳ԰䈅 / Ed. H. Engel, ॳ԰䈅 Urtext ॳ԰䈅 ॳ԰䈅 —Heussner K. 467˄㄀ 21 佪˅C ໻䇗 ॳ԰䈅 H. ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 ᘽḐᇨǃ BA 5317-15 ° H.Piano reduction ॳ԰䈅 Special Chinese Edition H. 䳡Ӟᮃ㒇 at reduced° price 䩶⨈㓽㓪䈅 BAa 5317-15 ॳ԰䈅 TP 148 Study score ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ॳ԰䈅 ॳ԰䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ TP 148 ⷨдᘏ䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ЁढҎ⇥݅੠೑⡍߿⠜ᠧᡬ⡍Ӌ ᠧᡬ⡍Ӌ

K. (No. 22) E-flat maj — 482 K. 482˄㄀ 22in 佪˅䰡 E ໻䇗 Urtext Ed. H. ॳ԰䈅 //㓪䕥 H. Engel, ᘽḐᇨǃ ॳ԰䈅 ॳ԰䈅 H. H. Heussner 䳡Ӟᮃ㒇 BA 5387-90 ° Piano reduction BA 5387-90 ° Study䩶⨈㓽㓪䈅 TP 149 score TP 149 ⷨдᘏ䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 — K. 488˄㄀ 23 佪˅A ໻䇗 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ - K. 488 (No. 23) in A maj ॳ԰䈅 / 㓪䕥 H. 䋱‫ܟ‬ ॳ԰䈅 Urtext / Ed. H. Beck ॳ԰䈅 ॳ԰䈅䩶⨈㓽㓪䈅 BA 4740-15 ॳ԰䈅 reduction BA 4740-15°° Piano ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ॳ԰䈅 Special Chinese Edition ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ॳ԰䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ॳ԰䈅 ॳ԰䈅 TP at a62reduced price ⷨдᘏ䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ॳ԰䈅 ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ TP 62 Studyᠧᡬ⡍Ӌ score ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ ЁढҎ⇥݅੠೑⡍߿⠜ ᠧᡬ⡍Ӌ — K. 491˄㄀ 24 佪˅C ᇣ䇗 -ॳ԰䈅 K. 491/ 㓪䕥 (No. H. 24)䋱‫ܟ‬ in C min ॳ԰䈅 Urtext / Ed. H. Beck ॳ԰䈅 ॳ԰䈅䩶⨈㓽㓪䈅 BA 4741-90 ° ॳ԰䈅 BA 4741-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 TP 63 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 TP 63 Study score ॳ԰䈅 ॳ԰䈅 503˄㄀ -—K.K.503 (No. 25 25)佪˅C in C ໻䇗 maj ॳ԰䈅 / /㓪䕥 Urtext Ed. H. H.䋱‫ܟ‬ Beck ॳ԰䈅 ॳ԰䈅 reduction BA 4742-90 4742-90° ° Piano 䩶⨈㓽㓪䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 TP 64 Study score ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 TP 64 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 -—K.K.537 (No. 26 26)佪˅D in D ໻䇗 maj ॳ԰䈅 537˄㄀ “Coronation Concerto” ǉࡴ‫ݩ‬ण༣᳆Ǌ Urtext / Ed. W. Rehm ॳ԰䈅 / 㓪䕥 °W.Piano 䳋ྚ reduction BA 5318-90 ॳ԰䈅 ॳ԰䈅䩶⨈㓽㓪䈅 BA 90 5318-90 ° Study TP score ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 TP 90 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 - K. 595 (No. 27) in B-flat maj ॳ԰䈅 Urtext / Ed. 27 W.佪˅䰡 RehmB ໻䇗 — K. 595˄㄀ ° Piano BA 4872-90 ॳ԰䈅 / 㓪䕥 W. 䳋ྚ reduction TP score ॳ԰䈅䩶⨈㓽㓪䈅 BA 91 4872-90 Study ° ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 TP 91 ॳ԰䈅 ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 ॳ԰䈅 Badura-Skoda, Paul ॳ԰䈅 ॳ԰䈅 ֱᇨgᏈᴰᢝüᮃ⾥䖒 Badura-Skoda, Paul Paul Badura-Skoda (*1927)

ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 (*1927) ֱᇨgᏈᴰᢝüᮃ⾥䖒 Cadenzas, Lead-ins & ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 Ornaments to the Piano ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 W. A. 㥿ᠢ⡍䩶⨈ण༣᳆ⱘढᔽФ ֱᇨgᏈᴰᢝüᮃ⾥䖒 ֱᇨgᏈᴰᢝüᮃ⾥䖒 Concertos of W. A. Mozart

K. 17, 238, 415, 449, 453, 456, 466, ↉ǃᓩᄤ੠㺙佄䷇ 467, 482, 491, 503, 537, 595 K17ǃ238ǃ415ǃ449ǃ453ǃ456ǃ BA 4461 466ǃ467ǃ482ǃ491ǃ503ǃ537ǃ 595 BA 4461

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ㅵ亢⨈ ㅵ 亢⨈༣....... .............. . Organ ㅵ亢⨈༣ ㅵ亢⨈༣

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ㅵ亢⨈԰કܼ䲚 ㅵ亢⨈԰કܼ䲚㑺㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㗄gาᏈᮃ㩖ᅝgᏈ䌿 ㅵ亢⨈԰કܼ䲚 Johann Sebastian Bach ㅵ亢⨈԰કܼ䲚 ㅵ亢⨈԰કܼ䲚 The Complete Organ Works ᴗ࿕ᗻ⠜ᴀʽ ᴗ࿕ᗻ⠜ᴀʽ ᴗ࿕ᗻ⠜ᴀʽ ᴗ࿕ᗻ⠜ᴀʽ The Definitive Edition! ᴗ࿕ᗻ⠜ᴀʽ

ǉㅵ亢⨈䷇ФǊ

An eleven-volume performing edition in a slipcase कϔोⓨߎᅲ⫼⠜༫㺙 Format: 30.5 x 24 cm • BA 5279 5279 ᓔᴀ˖30.5 x 24 ६㉇· BA

ǉㅵ亢⨈䷇ФǊ Music for Organ ǉㅵ亢⨈䷇ФǊ ǉ䩶⨈䷇ФǊ 2014/2015 2012/2013 2014/2015 SPA238 238 SPA The catalogue Organ Music (in ǉㅵ亢⨈䷇ФǊⳂᔩ˄㣅᭛˅ࣙ English) includes Bärenreiter’s ᣀ健❞຿ॳ԰䈅кⳂҹঞ԰ક䲚੠㋏ Urtext programme as well as ߫Ǆᙼ䖬Ӯᡒࠄ⠉຿䷇Фǃᬍ㓪᳆ǃ collections and series. ㅵ亢⨈԰ક੠ໄФ԰કˈҹঞᔧҷ䷇ You will also find jazzy works, transcriptions, works for Фⱘ㊒䗝䲚Ǆ䖭ϾⳂᔩࣙ৿ᇕ䴶ᦦ organ and voice, as well as a ೒ǃ䷇Фᅲ՟ǃᇍ໻䞣⠜ᴀⱘᦣ䗄᭛ selection of contemporary ᴀˈҹঞ䆘䆎ᨬᔩǄ music. The catalogue contains cover illustrations, musical ೼健❞຿ߎ⠜⼒ⱘ㔥キϞᙼৃҹ samples, descriptive texts pdf ೼Ā᳡ࡵā乍ϟᡒࠄ䖭ϾⳂᔩⱘ for numerous editions, as well ᭛ḷǄ as excerpts from reviews.

Used ܼ⧗ by more than 䘒 20,000 ৡ 20,000 organists ㅵ亢⨈᠟ worldwide Փ⫼

You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

With the completion of the New Bach Edition where all sources have now been exhaustively researched, 䱣ⴔ䗣ᕏⷨおњ᠔᳝ৃࡼ⫼ⱘॳྟ䌘᭭ⱘ Bärenreiter presents the definitive edition of Bach’s organ ǉᮄ⠜Ꮘ䌿ܼ䲚ǊⱘᅠᎹˈ健❞຿ߎ⠜⼒ works in a set of 11 volumes. ⦄೼ਜϞᏈ䌿ㅵ亢⨈԰કܼ䲚

Ò Please see 䇋ᶹ䯙 Bärenreiter’s website 健❞຿ߎ⠜⼒ⱘ㔥キ www.baerenreiter.com www.baerenreiter.com for more information on the ᳝݇৘⾡ऩ⣀⠜ᴀⱘ䆺㒚ֵᙃ individual editions, such as ↨བᅠᭈⱘখ㗗кⳂ䌘᭭ǃ complete bibliographical data, ᇕ䴶ᦦ೒ǃᅲ՟义䴶ǃ cover ᅠᭈⱘк㈡Ⳃᔩ illustrations, sample pages,ҹঞᦣ䗄᭛ᴀǄ complete contents, and descriptive texts. 22

BA 5279 includesᴗ࿕ᗻ⠜ᴀ ोǄ the volumes already published in separate Bärenreiter editions, BA 5171-5178, BA 5279 ࣙᣀᏆ㒣ऩ⣀ߎ⠜ⱘ健❞຿⠜ᴀ BA 5171ü5178ˈ the famous Neumeister Chorales, BA 5181, 㨫ৡⱘ 䇎Ӟ䖜ᮃ⡍ㅵ亢⨈ӫ䌲℠ BA 5181ǃ and the two editions BA 5243 (Freely Composed Organ 5243˄ᴹ㞾ϡৠॳྟ䌘᭭ⱘ Works andϸϾ⠜ᴀ ChoraleBAPartitas from Miscellaneous Sources) 㞾⬅䈅‫ݭ‬ㅵ亢⨈԰ક੠ӫ䌲℠স㒘᳆˅ and BA 5251 (Organ Chorales from Miscellaneous Sources). ੠ BA 5251˄䗝㞾ϡৠॳྟ䌘᭭ⱘㅵ亢⨈ӫ䌲℠˅Ǆ

A superb foundation for everyone interested in the ᇍ᠔᳝⊼䞡ॳⳳⓨߎᏈ䌿ㅵ亢⨈䷇Ф԰કⱘҎᴹ䇈ˈ authentic performance of Bach’s organ music. 䖭ᰃϔϾ᳔Շⱘ෎⸔Ǆ

ᇍ᠔᳝⊼䞡ॳⳳⓨߎᏈ䌿ㅵ亢⨈䷇Ф԰કⱘҎᴹ䇈ˈ ᇍ᠔᳝⊼䞡ॳⳳⓨߎᏈ䌿ㅵ亢⨈䷇Ф԰કⱘҎᴹ䇈ˈ ᇍ᠔᳝⊼䞡ॳⳳⓨߎᏈ䌿ㅵ亢⨈䷇Ф԰કⱘҎᴹ䇈ˈ 䖭ᰃϔϾ᳔Շⱘ෎⸔Ǆ 䖭ᰃϔϾ᳔Շⱘ෎⸔Ǆ 䖭ᰃϔϾ᳔Շⱘ෎⸔Ǆ ᇍ᠔᳝⊼䞡ॳⳳⓨߎᏈ䌿ㅵ亢⨈䷇Ф԰કⱘҎᴹ䇈ˈ

ㅵ亢⨈ Bach, Sebastian JohannJohann Sebastian Bach 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㄀ ो Volume ㄀1ो 1 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

Orgelbüchlein BWV 599-644; ㅵ亢⨈᳆ᇣ䲚 BWV 599-644˗ Appendix: BWV 620a, 630a, ㄀ 638a ो 620aǃ630aǃ631aǃ638a 䰘˖BWV 631a, / “Schübler㄀ ो /ǉ䆌Ꮧࢦӫ䌲℠Ǌ Chorales” BWV BWV 645-650 BWV 645-650/ ӫ䌲℠স㒘᳆ / Chorale-Partitas BWV 766-768,BWV 770;768ⱘ䰘ᔩI-III Appendix 766-768ǃ770; ॳ԰䈅 I-III to BWV / 㓪䕥 768 H.H. ࢦ㦅಴ ॳ԰䈅 Urtext BA 5171/ Ed. H. H. Löhlein BA 5171 ॳ԰䈅㄀ ो 2ो 2 ㄀ॳ԰䈅 Volume ㅵ亢⨈ӫ䌲℠ࠡ༣᳆ The Organ Chorale Preludes ㄀ the ो Leipzig autograph 䗝㞾㦅↨䫵᠟〓 from ㄀ 651-668 ो BWV 651-668/ BWV / BWV BWV 769769 ॳ԰䈅 Urtext Ed. H. H.‫ࢇܟ‬㣼 Klotz ॳ԰䈅 / /㓪䕥 BA BA 5172 5172 ॳ԰䈅㄀ ो 3 Volume 3ो ㄀ॳ԰䈅 Miscellaneous Chorales ӫ䌲℠ᴖ䲚 BWV 690ǃ691ǃ694BWV 690, 691, 694-701, 703, ㄀ 706, ो 709-715, 717, 718, 720701ǃ703ǃ704ǃ706ǃ709-715ǃ 704, ㄀ ो 717ǃ718ǃ720-722ǃ722aǃ724722, 722a, 724-738, 729a, 732a, 735a, 738a, 741 738ǃ729aǃ732aǃ735aǃ738aǃ Urtext / Ed. H. Klotz 741 ॳ԰䈅 BA 5173/ 㓪䕥 H. ‫ࢇܟ‬㣼 ॳ԰䈅 BA 5173 Volume 4 ॳ԰䈅 Clavier ㄀ ो Übung, Part three 4ो ㄀ॳ԰䈅 Prelude and Fugue in E-flat maj 䩶⨈㒗д᳆ˈ㄀ϝ䚼ߚ BWV 552 / 21 Chorale settings ो E ໻䇗ࠡ༣᳆Ϣ䌟Ḑ᳆ 䰡㄀ BWV 669-689 (“Organ Mass”) / ㄀ Duets ो / 21佪ӫ䌲℠ BWV 669BWV 552 Four BWV 802-805 Urtext / Ed. M. Tessmer 689˄ǉㅵ亢⨈ᓹᩦǊ˅/ ಯ佪Ѡ䞡༣ BA 5174 BWV 802-805 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 M. ⡍ᮃ咬 Volume 5 BA 5174 Preludes, Toccatas, Fantasias ॳ԰䈅 and I: BWV 531-550, 562 ㄀ Fugues ो 5 ो / Ed. D. Kilian ㄀ॳ԰䈅 Urtext ࠡ༣᳆ǃᠬवศǃᑏᛇ᳆Ϣ䌟Ḑ᳆ BA 5175 ㄀ ो 531-550ǃ562 ˄Ϟ˅˖BWV ॳ԰䈅㄀ ो/ 㓪䕥 Volume 6 D. ෎߽ᅝ ॳ԰䈅 Preludes, BA 5175 Toccatas, Fantasias and Fugues II: BWV 551, 563-566, ॳ԰䈅㄀ ो 573-575, 578, 579 / 568-570, 6ो ㄀ॳ԰䈅 Early Versions and Variants to I ࠡ༣᳆ǃᠬवศǃᑏᛇ᳆Ϣ䌟Ḑ᳆ (Volume 5) and II (Volume 6) ㄀ 532a, ो 533a, 551ǃ563-566ǃ568˄ϟ˅˖BWV BWV 535a, 536a, ㄀ ो 570ǃ573-575ǃ578ǃ579/ 543a, 545a, 549a, 574a, 574b Urtext / Ed. D. Kilian Ϟ‫˄ݠ‬㄀5ो˅ⱘᮽᳳ⠜ᴀ੠ব༣᳆ BA 5176 ੠ϟ‫˄ݠ‬㄀6ो˅ⱘᮽᳳ⠜ᴀ੠ব༣ ᳆ BWV 532a, 533a, 535a, 536a, 543a, 545a, 549a, 574a, 574b ॳ԰䈅 ॳ԰䈅 / 㓪䕥 D. ෎߽ᅝ BA 5176 ॳ԰䈅 ॳ԰䈅

Ф䈅䗝㞾˖Ꮘ䌿ⱘㅵ亢⨈ण༣᳆ˈ㄀ 8 ोˈBA 5178 From: Bach, Organ Concertos, Volume 8 · BA 5178 Volume ㄀7ो 7 ㄀ ो Six Sonatas and Various ݁佪༣号᳆੠৘⾡ऩ⣀԰ક Individual Pieces BWV 525-530 BWV 525-530/ Dᇣ䇗ϝ䞡༣ BWV / ㄀ inो Trio D min BWV 583 / BWV 582 583/ Cᇣ䇗Ꮹ㧼व߽Ѯ ㄀ ो Passacaglia in C min BWV 582/ / D໻䇗ѠѠᢡ 589BWV / Dᇣ䇗ഢԤ Alla breve inBWV D maj 589 / BWV/590 㒇 BWV 588 Canzona in /DF໻䇗⬄ು᳆ min BWV 588 Pastorella in FBWV maj572; BWV 590 / / G໻䇗ᑏᛇ᳆ 䰘ϡৠব༣ Pièce G maj BWV / 㓪䕥 D.in ॳ԰䈅d'orgue ෎߽ᅝ ॳ԰䈅 572; Appendix with different BA 5177 variants ॳ԰䈅 / Ed. D. Kilian Urtext ॳ԰䈅 BA 5177

㄀ ो ㄀ ो ㄀ ो ㄀8ो ᬍ㓪݊Ҫ԰᳆ᆊⱘ԰ક˖᥂ A. 㓈⪺ᇨ J. E. ⥟ᄤ԰ક 䖾੠㧼‫ܟ‬Ể—儣⥯ⱘ Volume 8 ॳ԰䈅 / Arrangements of 592-596 Works by ᬍ㓪ⱘण༣᳆ BWV ॳ԰䈅 other composers: Concerto ᇍ݊Ҫ԰᳆ᆊϝ䞡༣԰ક᠔԰ᬍ㓪᳆ arrangements BWV 585-587 after A. Vivaldi ॳ԰䈅 and J. E./ 㓪䕥 Prinz K.von ॳ԰䈅 ⍋ࢦSachsenWeimar BWV 592-596 / BA 5178 Transcriptions of trio compositions by other composers BWV 585-587 Urtext / Ed. K. Heller BA 5178

㄀ ो ㄀ ो

Volume ㄀9ो 9 Organ ㄀ ो Chorales from the 䗝㞾䇎Ӟ䖜ᮃ⡍㮣કⱘㅵ亢⨈ Neumeister Collection: ӫ䌲℠˖ 35 Chorale Preludes BWV 714, BWV 714ǃ719ǃ 35佪ӫ䌲℠ࠡ༣᳆ 719, 742, 957, 1090-1120 ॳ԰䈅 (Yale University Manuscript). 742ǃ957ǃ1090-1120 ॳ԰䈅 Urtext / Ed. C. Wolff ˄㘊剕໻ᄺ᠟〓˅ BA 5181/ 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅㄀ ो ㄀ॳ԰䈅 ो BA 5181 Volume 10 Organ Chorales from ॳ԰䈅㄀ 10 ो ॳ԰䈅 Miscellaneous Sources ㄀ ो / Ed. R. Emans 䗝㞾৘⾡ॳྟ䌘᭭ⱘㅵ亢⨈ӫ䌲℠ Urtext BA 5251/ 㓪䕥 R. ඗᳐ᮃ ॳ԰䈅㄀ ो ㄀ॳ԰䈅 ो BA 5251 Volume 11 Freely ㄀ 11 ोComposed Organ Works and Chorale Partitas from ॳ԰䈅㄀ ो ᴹ㞾ϡৠॳྟ䌘᭭ⱘ㞾⬅䈅‫ݭ‬ㅵ亢⨈ ॳ԰䈅 Miscellaneous Sources ԰ક੠ӫ䌲℠স㒘᳆ Urtext / Ed. U. Bartels (Freely U. Ꮘ⡍ᇨᮃ˄㞾⬅䈅‫ݭ‬ ॳ԰䈅 / 㓪䕥Organ Works), Composed ॳ԰䈅 ≗ᇨሐ˄ӫ䌲℠স ㅵ亢⨈԰ક˅ǃP. P. Wollny (Chorale Partitas) BA 5243 㒘᳆˅ BA 5243

ᓺФ఼üᇣᦤ⨈ ㄀Ѡ䕥˖ ᇣᦤ⨈ ㄀Ѡ䕥˖ ㄀Ѡ䕥˖ ᇣᦤ⨈ ᇣᦤ⨈ ㄀Ѡ䕥˖ ㄀Ѡ䕥˖ NEW ䷇Фᬭ㚆к㈡༣ Volume 2 ᇣᦤ⨈ ㄀Ѡ䕥˖ ..ᇣ ᇣ ᦤ⨈ Educational Music BA 9551 ䷇Фᬭ㚆к㈡༣ ䷇Фᬭ㚆к㈡༣ ䷇Фᬭ㚆к㈡༣ ..䷇Фᬭ㚆к㈡༣ .... .... . for Violin

These exercises are intended for violinists who have a basic knowledge of shifting positions and playing double stops. At first fixed positions and shifting are practised separately from one another in one and two part combinations. In the second volume these two techniques are combined and ㄀Ѡ䕥˖ consolidated. ㄀Ѡ䕥˖

Irvine Arditti / Arditti, Irvine ⃻᭛g䰓ᇨ䖾㩖 Robert HP Platz/ Arditti, Irvine ⃻᭛g䰓ᇨ䖾㩖㔫ԃ⡍g ᱂ᢝ㣼 ⃻᭛g䰓ᇨ䖾㩖 ⃻᭛g䰓ᇨ䖾㩖 ⃻᭛g䰓ᇨ䖾㩖 Platz, Robert HP ⃻᭛g䰓ᇨ䖾㩖㔫ԃ⡍g ᱂ᢝ㣼㔫ԃ⡍g ᱂ᢝ㣼㔫ԃ⡍gHP. ᱂ᢝ㣼㔫ԃ⡍g ᱂ᢝ㣼 Platz, Robert HP 㔫ԃ⡍g ᱂ᢝ㣼 ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ NEW ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ The Techniques ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ Violin Playing of ˄ᖋ᭛/㣅᭛˅ (Ger/Eng) 117 pages, 117义ˈᏺDVD˗ᑇ㺙 ᇣᦤ⨈ with a DVD; paperback ᇣᦤ⨈ 978-3-7618-2267-8 ISBN 978-3-7618-2267-8 ䷇Фᬭ㚆к㈡༣ page 83 Æ 㾕㄀ 83 义 The aim of these studies is to ䷇Фᬭ㚆к㈡༣ fingering techniques, ǉᓺФ఼䷇ФǊ improve 䖭ѯ㒗д䩜ᇍ‫݋‬໛ᤶᡞǃ༣ঠ䷇ ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ enabling the student to execute Gola, Zdeněk ZdenĢk Gola ෎⸔ⶹ䆚ⱘᇣᦤ⨈᠟Ǆ䍋߱ˈҹϔϸ ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ shifting positions with greater Zdeněk Gola, ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ ǉ ᓺФ఼䷇ФǊ Ͼໄ䚼㒘ড়ߚ߿㒗д೎ᅮԡ㕂Ϣᤶ Music for Strings confidence. (*1929) (*1929) ⃻᭛g䰓ᇨ䖾㩖 2013/2014 ǉᇣᦤ⨈ᡔᎻǊ 2013/2014 Gola’s Violin Technique should ᡞǄ㄀Ѡ䕥Ёˈᇚℸϸ⾡ᡔᎻ㒘ড়ǃ ǉᓺФ఼䷇ФǊ ⃻᭛g䰓ᇨ䖾㩖 Technique Violin 㔫ԃ⡍g ᱂ᢝ㣼 ǉᇣᦤ⨈ᡔᎻǊ SPA 234 be used for study purposes ℆њ㾷䆺㒚ֵᙃˈ䇋㋶প䖭ϾⳂᔩ 㒳ϔ䍋ᴹǄ ǉᇣᦤ⨈ᡔᎻǊ ǉᇣᦤ⨈ᡔᎻǊ 㔫ԃ⡍g ᱂ᢝ㣼 (Cz/Ger/Eng) ǉᇣᦤ⨈ᡔᎻǊ by musicians on a continuous ǉᇣᦤ⨈ᡔᎻǊ SPA 234 ˄᥋‫ܟ‬᭛/ᖋ᭛/㣅᭛˅ 䖭ѯ㒗д᳆ᮼ೼ᬍ୘ᣛ⊩ᡔᎻˈ NEW The catalogue Music for basis. ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ Volume 1㄀ϔ䕥˖ ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ Strings (in English) includes ֗៤ᄺ⫳᳈ࡴ㞾ֵഄᤶᡞⓨ༣Ǆ BA 9550 BA 9550 ǉᓺФ఼䷇ФǊⳂᔩ˄㣅᭛˅ࣙ ㄀ϔ䕥˖ ㄀ϔ䕥˖ ㄀ϔ䕥˖ ㄀Ѡ䕥˖ Bärenreiter’s complete Urtext ㄀ϔ䕥˖ ᑨᡞៜᢝⱘᇣᦤ⨈ᡔᎻ䖲㓁䖤⫼ ᣀ健❞຿ܼ䚼ॳ԰䈅кⳂҹঞᓺФ఼ ㄀ϔ䕥˖ ᇣᦤ⨈ programme as well as all ѢФᏜⱘⷨдǄ ㄀Ѡ䕥˖BA 9551 ䷇Фᬭ㚆кⳂ੠԰ક䲚Ǆ䞠䴶᮶᳝健 ᇣᦤ⨈ educational titles and ䷇Фᬭ㚆к㈡༣ ❞຿ߎ⠜⼒‫ݙ‬ᆍᑓ⊯ⱘᅸ‫ݙ‬Ф⠜ᴀⱘ collections for string ䷇Фᬭ㚆к㈡༣ кⳂऩˈг᳝ϔӑⷨдᘏ䈅ⱘкⳂ instruments. There is an ऩǃҹঞ᳝݇ᓺФⱘк㈡੠ᕅॄ⠜Ǆ extensive list of Bärenreiter chamber music editions as ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ 䖭ϾⳂᔩࣙ৿ᇕ䴶ᦦ೒ǃ໻䞣ⱘ䷇Ф ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ well as a list of study scores, ᅲ՟ǃ䩶⨈㓽㓪䈅㓪‫ݭ‬㗙ǃᇍ໻䞣⠜ ⃻᭛g䰓ᇨ䖾㩖 books and facsimiles relating ᴀⱘᦣ䗄᭛ᴀˈҹঞ䆘䆎ᨬᔩǄ ⃻᭛g䰓ᇨ䖾㩖 ᱂ᢝ㣼 to string㔫ԃ⡍g music. The catalogue ǉᇣᦤ⨈ᡔᎻǊ 㔫ԃ⡍g ᱂ᢝ㣼 contains cover illustrations, ǉᇣᦤ⨈ᡔᎻǊ many musical samples, ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ೼健❞຿ߎ⠜⼒ⱘ㔥キϞᙼৃҹ authors of piano reductions, ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ pdf ೼Ā᳡ࡵā乍ϟᡒࠄ䖭ϾⳂᔩⱘ ㄀ϔ䕥˖ descriptive texts for numerous ㄀ϔ䕥˖ ᭛ḷǄ editions, as well as excerpts from reviews.

You will find a pdf of this catalogue on the Bärenreiter website‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ under “Service”. ‫ݍ‬ᖋ⍙‫ܟ‬gៜᢝ

ǉᇣᦤ⨈ᡔᎻǊ ǉᇣᦤ⨈ᡔᎻǊ ㄀ϔ䕥˖ Please see 䇋ᶹ䯙㄀ϔ䕥˖ Ò

Bärenreiter’s website 健❞຿ߎ⠜⼒ⱘ㔥キ www.baerenreiter.com www.baerenreiter.com for more information on the ᳝݇৘⾡ऩ⣀⠜ᴀⱘ䆺㒚ֵᙃ individual editions, such as ↨བᅠᭈⱘখ㗗кⳂ䌘᭭ǃ complete bibliographical data, ᇕ䴶ᦦ೒ǃᅲ՟义䴶ǃ cover illustrations, sample ᅠᭈⱘк㈡Ⳃᔩ pages, complete contents, ҹঞᦣ䗄᭛ᴀǄ and descriptive texts. 24

Ф䈅䗝㞾˖ 䇶໿༛‫ܟ‬ ǉᇣᦤ⨈ᡔᴃᬭ⿟Ǌop.1ˈBA 9552 From: Ševčík, Schule der Violintechnik, op. 1 · BA 9552

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MartinWulfhorst Wulfhorst Martin Wulfhorst ĺ &#x20AC;Martin Ď&#x2022;gâ&#x201E;şá&#x2021;¨ŕťżäłĄáŽ&#x192;âĄ? The Orchestral Violinistâ&#x20AC;&#x2122;s Companion ă&#x2026;ľá&#x201C;şĐ¤äŻłá&#x2021;ŁáŚ¤â¨&#x2C6;á &#x;Ô&#x2C6;ŕźŁ Volume 1 Training Âˇ Practicing and ă&#x201E;&#x20AC;Ď&#x201D;ä&#x2022;Ľ ă&#x201E;&#x20AC; Ď&#x201D;ä&#x2022;Ľ Sight-Reading Âˇ Basic Orchestral ä&#x2020; ă&#x2019;&#x2014;Âˇá&#x2026;˛ä?&#x2030;Ď˘Âˇ Bowing Technique Technique ă&#x201E;&#x20AC;Ď&#x201D;ä&#x2022;Ľ and Sound Production ăž&#x161;ŕźŁÂˇă&#x2026;ľá&#x201C;şĐ¤äŻłŕˇ&#x17D;â¸&#x201D;áĄ&#x201D;á&#x17D;ť á&#x201C;§â&#x160;ŠáĄ&#x201D;á&#x17D;ťĎ˘ŕŚĽŕť&#x201E; Volume 2 Left-Hand Technique Âˇ ă&#x201E;&#x20AC;Ń ä&#x2022;Ľ and Other Special Pizzicato á&#x17D;şá &#x;áĄ&#x201D;á&#x17D;ťÂˇ Âˇ Rhythm and Techniques ă&#x201E;&#x20AC;Ń ä&#x2022;Ľ á˘źá&#x201C;şĎ˘Ý&#x160;ŇŞâĄ?â&#x2026;&#x17E;áĄ&#x201D;á&#x17D;ťÂˇ Ensemble Playing Âˇ Notation and Performance Practice Âˇ ăĄ&#x2013;ŕźŁĎ˘ŕ§&#x153;ŕźŁÂˇä&#x2020;&#x201E;ä&#x2C6;&#x2026;â&#x160;ŠĎ˘ă¸źâ&#x201C;¨á&#x2026;˛ä?&#x2030;Âˇ Repertoire and Style Âˇ Profession áł&#x2020;âł&#x201A;Ď˘äş˘á¸?Âˇă&#x2DC; ĎŽĎ˘á&#x;¤á&#x2C6;&#x2026;Âˇä&#x152;&#x2DC;â&#x2018;¤ and Career Âˇ Resources

Otakar ÄĄOtakar evĂžĂk Ĺ evÄ?Ăk, ŕźšá Źŕ¤ľgä&#x2021;śŕťżŕź&#x203A;â&#x20AC;Ť Ü&#x;â&#x20AC;Ź Otakar Ĺ evÄ?Ăk, (1852-1934) (1852-1934)

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Heft 1: 1. Lage ă&#x201E;&#x20AC;Ď&#x201D;â&#x20AC;ŤË&#x2013;Ý â&#x20AC;ŹáĄ&#x17E;ÔĄ 1 BA 9552 BA 9552 Heft 2: 2.â&#x20AC;&#x201C;7. Lage ă&#x201E;&#x20AC;Ń â&#x20AC;ŤË&#x2013;Ý â&#x20AC;ŹáĄ&#x17E;ÔĄ 2â&#x20AC;&#x201D;7 BA 9553 BA 9553 Heft 3: Lagenwechsel ă&#x201E;&#x20AC;Ď?â&#x20AC;ŤË&#x2013;Ý â&#x20AC;Źá¤śáĄ&#x17E; BA 9554 BA 9554 Heft 4: Ă&#x153;bungen mit Doppelgriffen und ă&#x201E;&#x20AC;ŕ˛Żâ&#x20AC;ŤË&#x2013;Ý â&#x20AC;ŹŕŚ äˇ&#x2021;Ď˘â&#x160;Żäˇ&#x2021;ă&#x2019;&#x2014;Đ´ Flageolett-TĂśnen BA 9555 BA 9555

480 pages äš&#x2030;ăŁ&#x2026;á&#x203A;á´&#x20AC;Ë&#x2C6;á&#x2018;&#x2021;ăş&#x2122;Ë&#x2C6; 480 á&#x201C;&#x201D;á´&#x20AC; 23 text, Ă&#x2014; 30 ŕĽŹă&#x2030;&#x2021;Ç&#x201E; English paperback, format 23 x 340 30 cm. ä&#x161;źÔ°ŕŞ&#x2022;ă&#x2018;ş 1000 Ďžä&#x2014;? 87 ÔĄÔ°áł&#x2020;á&#x2020;&#x160; Approx. 1,000 excerpts from â&#x2020;&#x2030;Ë&#x2014;ă&#x2018;ş 30 á?&#x2122;áŚŚŕł&#x2019;Ç&#x192;ŕł&#x2019;ă¸źĎ˘ă¸źá¸?Ç&#x201E; 340 works by 87 composers; ISBN 978-3-7618-1758-2 approx. 30 illustrations, diagrams, and tables. ISBN á´&#x20AC;ĐşĐ&#x17D;Ď§ĎŽĐ¤äŻłĐ á&#x2021;ŁáŚ¤â¨&#x2C6;â&#x201C;¨ŕźŁăĄ&#x17D; 978-3-7618-1758-2 á´&#x192;áŁ&#x203A;ŕ¤ŤÇ&#x201E;á&#x2026;&#x2014;á°&#x192;Ď&#x;ßŤá&#x2021;?ä&#x2C6;ľâą&#x2DC;á &#x;â&#x20AC;ŤÝ â&#x20AC;ŹÇ&#x192;ŕŚ&#x2013;ă&#x2014;&#x2014; This book is a guide to the art of á&#x17D;šâ&#x20AC;ŤÝ&#x2039;â&#x20AC;ŹĐşĎ˘áŹá´¤Ë&#x2013; playing the violin in a professional orchestra. It is a workbook, z áł?á&#x2013;ŤŃ˘Ňšă&#x2026;ľá&#x201C;şĐ¤äŻłĐ&#x17D;ĎŽâą&#x2DC;äˇ&#x2021;Đ¤á&#x201E;ş reference tool, and textbook for: ä°śŕŠ ŕťťá&#x201E;şâą&#x2DC;á&#x201E;şâŤł Conservatory and college students who are preparing for an orchestral career

Audition candidates at the

z beginning ßąÜšă&#x2DC; ŕ´&#x17D;á&#x;Şä&#x2018;żŕłźă&#x2DC; ŕ´&#x17D;âą&#x2DC;ä&#x2020;Šâ&#x201C;¨ă&#x2014;&#x2122; or at later stages in their careers

z String á&#x201C;şĐ¤áŹá?&#x153;Ç&#x192;áŁ&#x203A;áŁšĎ˘Ô°áł&#x2020;ă&#x2014;&#x2122; teachers, conductors, and composers z Classes äˇ&#x2021;Đ¤á&#x201E;şä°śÇ&#x192;ŕťťá&#x201E;şÇ&#x192;áąĽáłłä&#x2020; ă&#x2019;&#x2014;äš? at conservatories, âł&#x201A;Ç&#x201E; universities, and summer programs.

8.6 Irregular Off-Beats and Syncopations, Off-Beat Accents D â&#x20AC;&#x201C; E â&#x20AC;˘ Irregular off-beats and irregular syncopations â&#x20AC;˘ Practice with a partner or a click track. Where appropriate practice the off-beat patterns with sustained notes instead of rests.

The following challenges are related to the rhythmic patterns included in the previous Chapter.

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F â&#x20AC;&#x201C; L â&#x20AC;˘ 63 For practicing purposes, exaggerate off-beat accents in order to achieve complete independence between bow accent and pulse.

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M â&#x20AC;˘ Practice ostinato patterns in displaced form at full speed.

ᓺФ఼üᇣᦤ⨈ ᇣᦤ⨈⣀༣ ĂĂ Ă ᡞᇣᦤ⨈ ü ԰᳆ᆊ ᇣᦤ⨈⣀༣ ĂĂ ᇣᦤ⨈⣀༣ ĂĂ Ă Ă ..ᇣ ᇣ ᦤ⨈⣀༣ ĂĂ … Violin Solo / ᡞᇣᦤ⨈ ᡞᇣᦤ⨈ üü ԰᳆ᆊ ԰᳆ᆊ .. ᡞᇣᦤ⨈ ü ԰᳆ᆊ.. .. 2–4 Violins – Composers ᇣᦤ⨈⣀༣ ĂĂ ᇣᦤ⨈⣀༣ ĂĂ Ă Ă 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ü ᡞᇣᦤ⨈ ᡞᇣᦤ⨈ ü԰᳆ᆊ ԰᳆ᆊ Johann Sebastian Bach Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ (1685-1750) (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ϝ佪Ꮹ㩖ศ Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ Three ॳ԰䈅 Sonatas and three ϝ佪Ꮹ㩖ศ ϝ佪Ꮹ㩖ศ Partitas BWV ϝ佪Ꮹ㩖ศ BWV1001-1006 1001-1006 ॳ԰䈅 ॳ԰䈅 Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ Ў⣀༣ᇣᦤ⨈㗠԰ⱘϝ佪༣号᳆Ϣ for solo violin ॳ԰䈅 / 㓪䕥 G. 䈾ᮃ⪺ᇨ⡍ ϝ佪Ꮹ㩖ศ Urtext ϝ佪Ꮹ㩖ศ BA 5116/ Ed. G. Haußwald BAॳ԰䈅 5116 ॳ԰䈅

݁佪༣号᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

Six Sonatas 2 TWV 40: 101op.op. 2 TWV 40: 101-106 ݁佪༣号᳆ ݁佪༣号᳆ ݁佪༣号᳆ ॳ԰䈅 106 for two violins or two flutes Ўঠᇣᦤ⨈៪ঠ䭓ワ㗠԰ Urtext / Ed. G. G.䈾ᮃ⪺ᇨ⡍ Haußwald ݁佪༣号᳆ ॳ԰䈅 / 㓪䕥 ॳ԰䈅 ݁佪༣号᳆ ㄀ϔ䕥˖ ॳ԰䈅 - Volume 1: Sonatas No. 1

ॳ԰䈅 ü㄀ϔ䕥˖༣号᳆㄀ G ໻䇗ǃ in G㄀ϔ䕥˖ maj, No. 2 in 1E ো min, ॳ԰䈅㄀ϔ䕥˖ No. 3 in D maj 3 ো D ໻䇗㄀ 2ো E ᇣ䇗ǃ㄀ BA㄀ϔ䕥˖ 2979 BA 2979 ㄀ϔ䕥˖ ㄀Ѡ䕥˖

- Volume 2: Sonatas No. 4

Bach, Sebastian JohannJohann Sebastian Bach Johann Sebastian Bach, 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750) ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ॳ԰䈅㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Concertos The ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ for Violin andD.Orchestra ॳ԰䈅 ॳ԰䈅 / 㓪䕥 ෎߽ᅝ ॳ԰䈅 Urtext / Ed. D. Kilian ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ॳ԰䈅 ॳ԰䈅

ü㄀Ѡ䕥˖༣号᳆㄀ B ᇣ䇗ǃ in㄀Ѡ䕥˖ B ㄀Ѡ䕥˖ min, No. 5 in 4Aো maj, ㄀ 5ো A ໻䇗ǃ㄀ No. 6 in E maj 6 ো E ໻䇗 BA 2980 BA 2980 ㄀Ѡ䕥˖ ㄀Ѡ䕥˖ ݁佪व‫ݰ‬ᓣ༣号᳆

Six݁佪व‫ݰ‬ᓣ༣号᳆ Canonic Sonatas ݁佪व‫ݰ‬ᓣ༣号᳆ op. 5 op. 5 ݁佪व‫ݰ‬ᓣ༣号᳆ TWV40: 40: 118-123 TWV 118-123 for two violins (or two flutes) ॳ԰䈅 Ўঠᇣᦤ⨈˄៪ঠ䭓ワ˅㗠԰ ݁佪व‫ݰ‬ᓣ༣号᳆ ݁佪व‫ݰ‬ᓣ༣号᳆ Urtext / Ed. G. Haußwald ॳ԰䈅 / 㓪䕥 G. 䈾ᮃ⪺ᇨ⡍ ॳ԰䈅㄀ϔ䕥˖1: Sonatas No. 1 ॳ԰䈅 - Volume in G㄀ϔ䕥˖ maj, No. 2 in 1Gোmin, ü㄀ϔ䕥˖༣号᳆㄀ G ໻䇗ǃ ॳ԰䈅 ॳ԰䈅 No. 3 in D maj 3 ো D ໻䇗㄀ϔ䕥˖ ㄀ 2ো G ᇣ䇗ǃ㄀ BA 2981 BA㄀ϔ䕥˖ 2981 ㄀ϔ䕥˖ ㄀Ѡ䕥˖2: Sonatas No. 4 - Volume ü㄀Ѡ䕥˖༣号᳆㄀ D ᇣ䇗ǃ in D㄀Ѡ䕥˖ min, No. 5 in 4Aোmaj, ㄀Ѡ䕥˖ No. 6 in A min 6 ো A ᇣ䇗㄀ 5ো A ໻䇗ǃ㄀ BA㄀Ѡ䕥˖ 2982 BA 2982 ㄀Ѡ䕥˖ ໻䇗ण༣᳆ Concerto inTWV D maj D ໻䇗ण༣᳆ 40:TWV 202 40: 202 ໻䇗ण༣᳆ for໻䇗ण༣᳆ four violins without bc ಯᡞᇣᦤ⨈᮴䗮༣Ԣ䷇ Ed. H. Engel 㓪䕥 H. ᘽḐᇨ ໻䇗ण༣᳆ HM 20 Score with parts HM໻䇗ण༣᳆ 20 ᘏ䈅ᏺߚ䈅

Paganini, Niccolò Niccolò Paganini Niccolò Paganini, ሐৃ㔫gᏩḐሐሐ (1782-1840) (1782-1840)

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24 Capricci per Violino Solo ǉ241,佪ᇣᦤ⨈⣀༣䱣ᛇ᳆Ǌop. 1ˈ op. 24 Contradanze inglesi per Solo (First edition) ǉ24Violino 佪ᇣᦤ⨈⣀༣㣅೑еᴥ㟲᳆Ǌ Urtext ˄߱⠜˅/ Ed. D. Macchione BA 9424 ॳ԰䈅 / 㓪䕥 D. 偀ᄷ༹䆋

ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆

in BWV A min BWV 1041 Concerto ü- A ᇣ䇗ण༣᳆ 1041 ᇣ䇗ण༣᳆ for violin, strings and bc Ўᇣᦤ⨈ǃᓺФϢ䗮༣Ԣ䷇㗠԰ BA 5189-90 ° Piano reduction ໻䇗ण༣᳆ BA ° 䩶⨈㓽㓪䈅 TP5189-90 269 Study score ໻䇗ण༣᳆ ໻䇗ण༣᳆ ⷨдᘏ䈅 TP 269 ໻䇗ण༣᳆ - Concerto in E maj BWV 1042 violin, strings üfor E ໻䇗ण༣᳆ BWV and 1042bc ໻䇗ण༣᳆ BA 5190-90 ° Piano reduction Ўᇣᦤ⨈ǃᓺФϢ䗮༣Ԣ䷇㗠԰ TP 269 Study score ° 䩶⨈㓽㓪䈅 ᇣ䇗ण༣᳆ Violins ᡞᇣᦤ⨈Ϣ BA 5190-90 1–2 and ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ ⷨдᘏ䈅 ᡞᇣᦤ⨈Ϣ ᡞᇣᦤ⨈Ϣ TPConcerto 269 in D min BWV 1043 Keyboardü..................... Instrument – ᇣ䇗ण༣᳆ ..䬂ⲬФ఼ ᡞᇣᦤ⨈Ϣ for two violins, strings and bc 䬂ⲬФ఼ 䬂ⲬФ఼ üü ü D ᇣ䇗ण༣᳆ 1043 Composers ..԰᳆ᆊ૝…... …..........…. BA 5188-90 ° BWV ᡞᇣᦤ⨈Ϣ Piano reduction ԰᳆ᆊ૝ ԰᳆ᆊ૝ 䬂ⲬФ఼ ü ᇣ䇗ण༣᳆ Study score ᡞᇣᦤ⨈Ϣ Ўঠᇣᦤ⨈ǃᓺФϢ䗮༣Ԣ䷇㗠԰ TP 284 䬂ⲬФ఼ ü BA 5188-90 ° 䩶⨈㓽㓪䈅 ԰᳆ᆊ૝ ü 䬂ⲬФ఼ ԰᳆ᆊ૝ Each an easy to TP 284 edition offers ⷨдᘏ䈅

԰᳆ᆊ૝

play keyboard reduction, an Urtext violin part and a second ↣Ͼ⠜ᴀഛᦤկᯧⓨ༣ⱘ䬂Ⲭ㓽 violin part prepared with 㓪䈅ǃϔ༫ॳ԰䈅ᇣᦤ⨈ߚ䈅ǃϔ༫ fingering, bowing and ㄀Ѡᇣᦤ⨈ߚ䈅ˈ໛᳝ᅝᖋ剕g᳐⋑ performance practice ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ 㓪‫ⱘݭ‬ᣛ⊩ǃᓧ⊩Ϣⓨ༣ᅲ䏉⚍䆘Ǆ comments by Andrew Manze. ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ Two Sonatas and a Fugue ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 BWV 1021, 1023, 1026 BWV 1021ǃ1023ǃ ϸ佪༣号᳆੠ϔ佪䌟Ḑ᳆ for violin and bc Ўᇣᦤ⨈Ϣ䗮༣Ԣ䷇㗠԰ ॳ԰䈅 Urtext / Ed.P.P.≗ᇨሐ Wollny ॳ԰䈅 / 㓪䕥 Continuo realization by ⬅ॳ԰䈅 Z. ᳐ሐ‫ܟ‬㓪‫ݭ‬䗮༣Ԣ䷇ Z. Meniker BA ᘏ䈅ᏺߚ䈅 BA5167 5167 Score with parts

BA 9424

In addition to the Caprices, this is the first time that the 24 䰸њǉᇣᦤ⨈䱣ᛇ᳆ǊˈབҞ䖭 Contradanze inglesi have been ᰃ佪⃵ߎ⠜ǉ24 佪ᇣᦤ⨈㣅೑еᴥ㟲 published. These simple pieces ᳆ǊǄ䖭ѯㅔऩⱘ᳆ᄤ↣ϔ佪 16 ᇣ are each 16 measures in length 㡖䭓ˈ䖤⫼ϡৠⱘⓨ༣ᡔᎻǄ and exploit various techniques.

Telemann, Georg Philipp Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Georg Philipp Telemann, Georg Philipp Telemann (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐

कѠ佪ᑏᛇ᳆ कѠ佪ᑏᛇ᳆ कѠ佪ᑏᛇ᳆ (1681-1767) Twelve Fantasias TWV 40:14-25 Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ for violin without bass (1735) ॳ԰䈅 ॳ԰䈅 कѠ佪ᑏᛇ᳆ TWV 40:14-25 ॳ԰䈅 कѠ佪ᑏᛇ᳆ Urtext / Ed. G. Haußwald ᮴Ԣ䷇Ԉ༣ᇣᦤ⨈ (1735) BA 2972 कѠ佪ᑏᛇ᳆ ॳ԰䈅 ॳ԰䈅/ 㓪䕥 G. 䈾ᮃ⪺ᇨ⡍ BA 2972 ॳ԰䈅

䅽gᏈ㩖ᮃ⡍g䰓⾥㦅䅽gᏈ㩖ᮃ⡍g䰓⾥㦅䅽gᏈ㩖ᮃ⡍g䰓⾥㦅䅽gᏈ㩖ᮃ⡍g䰓⾥㦅䅽gᏈ㩖ᮃ⡍g䰓⾥㦅 Jeanᇣ䇗㄀ϔण༣᳆ Baptiste Accolay ᇣ䇗㄀ϔण༣᳆ ᇣ䇗㄀ϔण༣᳆ 䅽gᏈ㩖ᮃ⡍g䰓⾥㦅 Accolay, Jean Baptiste

(1833–1900) Accolay, Jean Baptiste ᇣ䇗㄀ϔण༣᳆ ᇣ䇗㄀ϔण༣᳆ (1833-1900) A ᇣ䇗㄀ϔण༣᳆ Concerto No. 1 in A min Ўᇣᦤ⨈੠䩶⨈㗠԰ for violin and piano 㡐㾽㬠䅕㎷。䔘㠘 Bärenreiter’s Concert Pieces 8976 BA 8976

z ᏺϔ༫ॳ԰䈅ᇣᦤ⨈ߚ䈅ǃ With an Urtext violin part ϔ༫䰘ࡴᇣᦤ⨈ߚ䈅ˈ and an additional violin part prepared with fingering, ໛᳝ᅝᖋ剕g᳐⋑㓪‫ⱘݭ‬ᣛ⊩ǃ bowing and performance ᓧ⊩Ϣⓨ༣ᅲ䏉⚍䆘Ǆ

practice comments by Andrew Manze.

á&#x201C;şĐ¤ŕ°źĂźá&#x2021;ŁáŚ¤â¨&#x2C6; Bach, Sebastian JohannJohann Sebastian Bach Bach, Johann Sebastian ă&#x2018;ş ă&#x2014;&#x201E;gŕ¸˛á?&#x2C6;áŽ&#x192;ăŠ&#x2013;á&#x2026;?gá?&#x2C6;ä&#x152;ż ă&#x2018;şă&#x2014;&#x201E;gŕ¸˛á?&#x2C6;áŽ&#x192;ăŠ&#x2013;á&#x2026;?gá?&#x2C6;ä&#x152;ż (1685-1750) (1685-1750) ă&#x2018;şă&#x2014;&#x201E;gŕ¸˛á?&#x2C6;áŽ&#x192;ăŠ&#x2013;á&#x2026;?gá?&#x2C6;ä&#x152;ż Sonatas for Violin Six â&#x2030;&#x2014;á&#x2021;¨ŕťżâ&#x20AC;ŤÝ&#x153;â&#x20AC;Źgä°&#x201C;ĺ &#x20AC;ŕťŽÓ&#x17E;áŽ&#x192;găĽżá ˘âĄ? Ý ä˝Şá&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ŕĄ˝ŕźŁă&#x2013;&#x2018;ă&#x2026;ľäŹ&#x201A;â¨&#x2C6;ŕźŁĺ?ˇáł&#x2020;

and obbligato Harpsichord BWV 1014-1019 BWV 1014-1019 ŕĽłÔ°ä&#x2C6;&#x2026; //ă&#x201C;Şä&#x2022;Ľ á¸?ä&#x2039;ąá&#x2021;¨ Ý ä˝Şá&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ŕĄ˝ŕźŁă&#x2013;&#x2018;ă&#x2026;ľäŹ&#x201A;â¨&#x2C6;ŕźŁĺ?ˇáł&#x2020; Urtext Ed. R.R.Gerber

Beethoven, Ludwig van Ludwig van Beethoven

Ludwig van Beethoven, ä?&#x192;á&#x2013;&#x2039;ă&#x201C;&#x2C6;á? găŁ&#x2014;gä&#x2039;ąŕťŽă˘&#x20AC; ä?&#x192; á&#x2013;&#x2039;ă&#x201C;&#x2C6;á? găŁ&#x2014;gä&#x2039;ąŕťŽă˘&#x20AC;

á&#x2026;¸â&#x20AC;ŤÝ&#x2122;â&#x20AC;Źă&#x2026;ľĐ¤ (1770-1827) (1770-1827)

ä?&#x192;á&#x2013;&#x2039;ă&#x201C;&#x2C6;á? găŁ&#x2014;gä&#x2039;ąŕťŽă˘&#x20AC; Concerto in D maj for

ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻłŕ¤ŁŕźŁáł&#x2020; DViolin ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻłŕ¤ŁŕźŁáł&#x2020; ă&#x2026;ľĐ¤Ń¨ä&#x17E;ĄŕźŁĎ˘ and Orchestra op. 61 op. 61 / Ed. J. Del Mar Urtext ă&#x2026;ľĐ¤ŕŠ äŠśâ¨&#x2C6;Ń¨ä&#x17E;ĄŕźŁ ŕĽłÔ°ä&#x2C6;&#x2026; ŕĽłÔ°ä&#x2C6;&#x2026; / ă&#x201C;Şä&#x2022;Ľ Â°J. á&#x2013;&#x2039;á&#x2021;¨ĺ &#x20AC;á&#x2021;¨ ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻłŕ¤ŁŕźŁáł&#x2020; BA 9019-90 Piano reduction

those by Auer and Joachim, á &#x201D;ă&#x201C;Şâą&#x2DC;ß&#x17D;â &#x153;â ˝Đ Ë&#x2C6;Ô&#x161;áł&#x2C6;ä&#x2013;ŻĎ&#x201D;â&#x201E;šâą&#x2DC;á°&#x192;ă&#x2019; but goes much further providing á&#x2021;ŁáŚ¤â¨&#x2C6;á &#x;áŚ¤ŐŻŃ&#x161;ä&#x152;?ä&#x2013;žŕ¤ŤâĄ?gä&#x2013;&#x2019;ă&#x201C;&#x2C6;âĄ? violinists with cadenzas by 61âą&#x2DC;ä˝ŞĎžá?&#x2020;âśšâą&#x2DC;ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030;Ë&#x2026;Ç&#x192; Ë&#x201E;op. Ferdinand David (the first known ä?&#x192;áŻ§ĎągáŽ&#x2018;â&#x160;śá&#x2021;¨Ç&#x192;â&#x192;ťŇ&#x2022;gÓ&#x17E;ă§źÓ&#x17E;Ç&#x192;ŕ¤ľ cadenza to op. 61), Louis Spohr, ă&#x2030;&#x2021;á&#x2021;¨gŕłˇĂźá¸ĽÇ&#x192;ä&#x152;?ĺ&#x2030;&#x2022;Đ¨gá?&#x2014;ă&#x2039;śá&#x2C6;?Ç&#x192;Ńź Eugen YsaĂże, Camille SaintSaĂŤns, Ferrucio Busoni, Henri ß˝gă&#x201C;&#x2C6;ŕĽ&#x2DC;ŕŤ¤Ç&#x192;ä˛&#x2122;âžĽá?&#x2014;gäš&#x201C;âĄ?âą&#x2DC;ŕ¤˘á&#x201D;˝Đ¤ Vieuxtemps, Jakob Dont and, â&#x2020;&#x2030;Ë&#x2C6;ä&#x2013;Źáł?Ë&#x2C6;ä˝Şâ&#x192;ľŕŁ&#x2122;ŕ§żŃźä&#x17E; â&#x20AC;ŤÜ&#x;â&#x20AC;Źgă&#x201C;&#x2C6;á&#x2C6;?ŃŽ for the first time, a cadenza ŕťżáŽ&#x192;ŕˇ&#x17D;âą&#x2DC;Ď&#x201D;Ďžŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030;Ç&#x201E; by Henryk Wieniawski.

á&#x2DC;?ä&#x2C6;&#x2026;á?şáł?á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ŕŚ¸ŕťťáŚ¤â¨&#x2C6; z Score with Urtext violin and ŕĽłÔ°ä&#x2C6;&#x2026; BA äŠśâ¨&#x2C6;ă&#x201C;˝ă&#x201C;Şä&#x2C6;&#x2026; BA9019-90 9019-40Â° Critical viola da gamba parts and ŕĽłÔ°ß&#x161;ä&#x2C6;&#x2026;ŕŠ á&#x2026;?á&#x2013;&#x2039;ĺ&#x2030;&#x2022;gáł?â&#x20AC;ŤÝ?â&#x20AC;Źă&#x201C;Şă&#x2018;&#x2013; commentary BA 9019-40 áˇľŕ˘ŹáĄšŕ¨&#x17E; ŕĽłÔ°ä&#x2C6;&#x2026; with an additional violin âą&#x2DC;ä°&#x2DC;ŕĄ´á&#x2021;ŁáŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Ë&#x2C6;á?şáŁ&#x203A;â&#x160;ŠĎ˘ part prepared with With Beethovenâ&#x20AC;&#x2122;s intended â&#x2030;&#x2014;á&#x2021;¨ŕťżâ&#x20AC;ŤÝ&#x153;â&#x20AC;Źgä°&#x201C;ĺ &#x20AC;ŕťŽÓ&#x17E;áŽ&#x192;găĽżá ˘âĄ? á&#x201C;§â&#x160;ŠË&#x2C6;ŇšŕŚ&#x17E;â&#x201C;¨ŕźŁá&#x2026;˛ä?&#x2030;ä&#x2020;&#x2DC;â&#x160;źÇ&#x201E; z âŁ&#x20AC;ŕźŁá&#x2021;ŁáŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Đ á?şáł?ä&#x2039;ąŕťŽă˘&#x20AC; fingering, bowing and articulation, dynamics and comments on performance á&#x203A;ŁĐ âą&#x2DC;ă¸źä&#x2013;&#x2019;Ç&#x192;ŕĄŻá&#x2018;şĎ˘ä&#x2013;˛ŕźŁ slurring in the solo violin practice by Andrew Manze part z ă&#x2026;ľá&#x201C;şĐ¤ß&#x161;ä&#x2C6;&#x2026;Đ áł?ä&#x2DC;&#x2019;100ŕť&#x2DC;ä&#x2026;śâ&#x201E;ˇ With over 100 corrections in the orchestral parts z á?şáł?ŕĽłÔ°ä&#x2C6;&#x2026;âŁ&#x20AC;ŕźŁá&#x2021;ŁáŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026; With an Urtext solo violin ŕŠ ă&#x201E;&#x20AC;Ń á&#x2021;ŁáŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Ë&#x2C6;ŕť&#x203A;áł? part and a second violin á&#x2013;&#x2039;âĄ?ŕ˘ŚŕťżgŕŞ&#x153;á&#x2DC;˝ă&#x201C;Şâ&#x20AC;Ť âą&#x2DC;Ýâ&#x20AC;Ź part prepared with áŁ&#x203A;â&#x160;ŠĎ˘á&#x201C;§â&#x160;Š fingering and bowing by Detlef Hahn ä&#x2039;ąŕťŽă˘&#x20AC;á&#x2021;ŁáŚ¤â¨&#x2C6;ŕ¤ŁŕźŁáł&#x2020;ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030; ä&#x2039;ąŕťŽă˘&#x20AC;á&#x2021;ŁáŚ¤â¨&#x2C6;ŕ¤ŁŕźŁáł&#x2020;ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030; op. 61 ă&#x201C;Şä&#x2022;Ľ M. â&#x201E;şá&#x2021;¨ŕťżäłĄáŽ&#x192;âĄ? Cadenzas to Beethoven's BA 9020 Violin Concerto op. 61 ä&#x2039;ąŕťŽă˘&#x20AC;á&#x2021;ŁáŚ¤â¨&#x2C6;ŕ¤ŁŕźŁáł&#x2020;ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030; ŕťťä&#x2021;&#x2014;ŕŠ ŕťťä&#x2021;&#x2014;ŕŠ ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻł ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻł Ed. M. Wulfhorst â&#x152;žâ&#x201C;żáł&#x2020; â&#x152;žâ&#x201C;żáł&#x2020; BA 9020 ä&#x2039;ąŕťŽă˘&#x20AC;â?&#x2026;ŕŚŤŕ°â &#x2026;âą&#x2DC;ŕ¤ŁŕźŁáł&#x2020;âą&#x2DC;ä&#x2013;ä&#x161;ź ŕĽłÔ°ä&#x2C6;&#x2026; F ŕĽłÔ°ä&#x2C6;&#x2026; ŕťťä&#x2021;&#x2014;ŕŠ G ŕťťä&#x2021;&#x2014;á&#x2021;ŁáŚ¤â¨&#x2C6;Ď˘ă&#x2026;ľá&#x201C;şĐ¤äŻł Ý ä˝ŞŕźŁĺ?ˇáł&#x2020; Ý&#x2026;Ń ä˛&#x161; Romances in F maj and G maj ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030;â&#x2C6;&#x203A;ă&#x201C;Şä˛&#x161;ŕŁ&#x2122;ŕ§żŕłźĎĄŕ§ ß&#x17D;â &#x153;â ˝Đ This compilation of cadenzas to â&#x152;žâ&#x201C;żáł&#x2020; op. and 40 ŕŠ Orchestra op. 50 ă&#x201E;&#x20AC;Ď&#x201D;ä˛&#x161;Ë&#x2013; for Violin Beethovenâ&#x20AC;&#x2122;s beloved concerto ŕŚĽâŚ&#x201E;âą&#x2DC;ŕ¤˘á&#x201D;˝Đ¤â&#x2020;&#x2030;Ë&#x2C6;ŕ˝&#x2013;ŕźšá&#x2021;¨ŕŠ ă&#x2018;şä°&#x201C;á? ŕž&#x161; op. 40 and ŕĽłÔ°ä&#x2C6;&#x2026; / ă&#x201C;Şä&#x2022;Ľop.J. 50 á&#x2013;&#x2039;á&#x2021;¨ĺ &#x20AC;á&#x2021;¨ Ăź Ý ä˝ŞŕźŁĺ?ˇáł&#x2020; Ý&#x2026;Ń ä˛&#x161; contains cadenzas found in Urtext / Ed.Â°J. Del Mar BA 9026-90 äŠśâ¨&#x2C6;ă&#x201C;˝ă&#x201C;Şä&#x2C6;&#x2026; various publications such as ă&#x201E;&#x20AC;Ď&#x201D;ä˛&#x161;Ë&#x2013;B á&#x2021;Łä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; BWV 1014Ç&#x192; BA 9026-90 Â° Piano reduction ŕťťä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; 1015Ç&#x192; -ASix Sonatas BWV in two volumes Volume 1: Sonatas in B min

E ŕťťä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; BWV 1016

BWV 1014, in A maj BWV 1015,

ă&#x201E;&#x20AC;Ń ä˛&#x161;Ë&#x2013; BA 5118 á&#x2DC;?ä&#x2C6;&#x2026;á?şß&#x161;ä&#x2C6;&#x2026; in E maj BWV 1016 dimin. Cor. con sord. Viol.

BA 5118 Score with parts

ă&#x201E;&#x20AC;Ń ä˛&#x161;Ë&#x2013;C á&#x2021;Łä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; BWV 1017Ç&#x192;

ppp F á&#x2021;Łä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; BWV 1018Ç&#x192; Volume 2: Sonatas in C min BWV 1017, in FBWV min1019 BWV 1018, G ŕťťä&#x2021;&#x2014;ŕźŁĺ?ˇáł&#x2020; in maj BWVŕ§&#x153;Ď&#x201D;ä˛&#x161; 1019 á&#x2DC;?ä&#x2C6;&#x2026;á?şß&#x161;ä&#x2C6;&#x2026; Ý ä˝ŞŕźŁĺ?ˇáł&#x2020;

BAG 5119 Cadenza

88 ad libitum

BA 5119 Score with parts

ŕ§&#x153;Ď&#x201D;ä˛&#x161; -Ăź SixÝ ä˝ŞŕźŁĺ?ˇáł&#x2020; Sonatas in one volume BA5240 5240 BA Score á&#x2DC;?ä&#x2C6;&#x2026;á?şß&#x161;ä&#x2C6;&#x2026; with parts

Archi senza sord.

Rondo sul G

ä&#x2020;şá&#x161;&#x2122;ä&#x2021;&#x2039;áśšäŻ&#x2122; áŽ&#x201E;â &#x153;á&#x201C;şĐ¤âł&#x201A;á&#x201D;ŠË&#x2C6; SPA 234

Vc.

attacca subito il Rondo

From: Beethoven, Concerto in D maj Î¸ op. 61 Âˇ BA 9019-90 Ň&#x2020;ä&#x2030;§ä&#x2DC;żă Ď&#x2020;ä?&#x201C;ŕ˝?ăŁ˘ ŕ˝?ä&#x2C6;šá&#x2030;&#x2026;á¨&#x2020;âŠŞŕŚ&#x2026;ŕž&#x2026;á´¨

ᓺФ఼üᇣᦤ⨈

ᅝϰᅕgᖋ≗໣‫ܟ‬

ǉ⌾⓿᳆Ǌ Dvořák, Antonín Antonín DvoƎák ऩㇻㅵ

Violins ➲㾂㳂㣺䈌.. .......... ঠㇻㅵ 1-2 and Keyboard

.... Instrument – Composers ポ㝭㎷㡘᱋䔘㤛コ….....................

Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) (1841-1904) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ᅝϰᅕgᖋ≗໣‫ܟ‬ Romantic Pieces op. 75

ǉ⌾⓿᳆Ǌ ǉ⌾⓿᳆Ǌop. for violin and75 piano 㑺⨳໿g඗‫ܟ‬ᠬᇨg㧆⾥ Ўᇣᦤ⨈Ϣ䩶⨈㗠԰ BA 9576 Score with parts ࡴᏗ䞠඗ᇨg⽣䳋 BA 9576 ᘏ䈅ᏺߚ䈅 ǉ⌾⓿᳆Ǌ

ᕐᕫg㓈ᇨˈ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿

Fiocco, Joseph-Hector Joseph-Hector Fiocco ᇣᦤ⨈Ϣ䩶⨈ᖿᵓ Joseph-Hector Fiocco,

㑺⨳໿g඗‫ܟ‬ᠬᇨg㧆⾥㑺⨳໿g඗‫ܟ‬ᠬᇨg㧆⾥ (1703-1741)

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

(1703-1741)

Allegro for violin and piano 㑺⨳໿g඗‫ܟ‬ᠬᇨg㧆⾥ ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ᇣᦤ⨈Ϣ䩶⨈ᖿᵓ Bärenreiter’s Concert Pieces ‫ܟ‬㔫咬ᇨ BA 8977 㡐㾽㬠䅕㎷。䔘㠘 Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ

㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ

໻䇗ण༣᳆

㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ

Brahms, Johannes Johannes Brahms Brahms, Johannes 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ (1833-1897) ໻䇗ण༣᳆ (1833-1897) Concerto in D maj ॳ԰䈅 D for໻䇗ण༣᳆ Violin and Orchestra op. 77 Ўᇣᦤ⨈ϢㅵᓺФ䯳㗠԰ op. 77 With cadenzas by J. Joachim, ᏺ᳝ J. 㑺䰓ᏠྚǃC. જ߽᮹ǃH. C. Halir, H. Heermann, L. Auer,咥 F. Busoni༹ᇨϢ F. Ꮧ㋶ሐⱘढᔽФ ॳ԰䈅 ᇨ᳐ǃL. ሐসᢝg䇶ᖋ㓈ᇨ Urtext / Ed. C. Brown ↉ BA 9049-90 ° Piano reduction ॳ԰䈅 / 㓪䕥 C. Ꮧᳫ BA 9049-40 Critical BA 9049-90 ° 䩶⨈㓽㓪䈅 commentary BA 9049-40 ᷵ࢬ᡹ਞ This publication contains not only䖭䚼ᮄߎ⠜⠽ϡҙࣙ৿ࢗᢝྚᮃ Brahms’ own piano reduction, an Urtext violin 㞾Ꮕⱘ䩶⨈㓽㓪䈅ǃϔ䚼ॳ԰䈅ᇣᦤ part, a second violin part with ⨈ߚ䈅ǃϔӑ㄀Ѡᇣᦤ⨈ߚ䈅ᏺ᳝ J. fingering and bowing by ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ 㑺䰓Ꮰྚ 1905 ᑈᇣᦤ⨈ⓨ༣⊩ⱘᣛ J. Joachim from his 1905 violin ⊩Ϣᓧ⊩ˈ㗠Ϩ䖬ࣙ৿䰘ࡴⱘढᔽФ method but also an additional brochure with cadenzas by J. ↉ᇣ‫ݠ‬ᄤˈᏺ᳝ࢗᢝྚᮃৠᯊҷҎ Brahms’ contemporaries J. 㑺䰓ᏠྚǃC. જ߽᮹ǃH. 咥ᇨ᳐ǃL. Joachim, C. Halir, H. Heermann, ༹ᇨϢ F. Ꮧ㋶ሐⱘढᔽФ↉Ǆ‫ܟ‬㦅 L. Auer and F. Busoni. In ໿gᏗᳫ䖬ᦤկњᣛᇐᗻࠡ㿔ˈ䆎䗄 ሐসᢝg䇶ᖋ㓈ᇨ addition Clive Brown has Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ⌾⓿ЏНᯊᳳ㸼ⓨᅲ䏉Ϣ԰કग़৆ঞ provided an enlightening preface on Romantic period ݊ॳྟ䌘᭭Ǆ ሐসᢝg䇶ᖋ㓈ᇨ performance practice as well as ǉᖴᅲⱘ⠻㕞ҎǊ the history of the work and its Nicolas Chédeville ˄㹿䅸Ўᰃᅝϰሐ༹g㓈⪺ᇨ䖾ⱘ sources. ሐসᢝg䇶ᖋ㓈ᇨ ԰ક˅ ǉᖴᅲⱘ⠻㕞ҎǊ (1705-1782) Chédeville, Nicolas ˄㹿䅸Ўᰃᅝϰሐ༹g㓈⪺ᇨ䖾ⱘ Chédeville, Nicolas ԰ક˅ ǉᖴᅲⱘ⠻㕞ҎǊ (1705-1782) ॳ԰䈅 ˄㹿䅸Ўᰃᅝϰሐ༹g㓈⪺ᇨ䖾ⱘ Il pastor fido ԰ક˅ (attributed to Antonio Vivaldi) ॳ԰䈅 ݁佪ᇣᦤ⨈˄䭓ワ/催䷇オワ/ঠㇻ Six sonatas op. 13 forop. violin ㅵ˅Ϣ䗮༣Ԣ䷇༣号᳆ 13 (flute / treble recorder / oboe) ॳ԰䈅 / 㓪䕥 F. M. 㧼ᇨҷ߽ and bc HM 135 / Ed. F. M. Sardelli ᘏ䈅ᏺߚ䈅 Urtext Score with parts HM 135

Corelli, Arcangelo

Arcangelo Corelli Corelli, Arcangelo 䰓 ᇨഢᵄ㔫g‫ܟ‬㦅䞠 (1653-1713)

(1653-1713)

NEW

Sonatas for Violin and ᇣᦤ⨈Ϣ䗮༣Ԣ䷇༣号᳆ Basso continuo, op. 5 op. 5 ॳ԰䈅 // 㓪䕥䳡ḐӡᖋˈR. 偀‫ܟ‬ Urtext Ed. C.C.Hogwood, R. Mark ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ㄀ϔ䲚 op. 5, I-IV:

BA 9455I op. 5, I-VI Volume BA 9455 ㄀Ѡ䲚 op. 5, VII-XII:

Volume BA 9456II op. 5, VII-XII BA 9456 z

ᘏ䈅ᏺᠬ‫˄߽ݙ‬1686-1765˅㾷

Score with realization of 䇏ⱘ䗮༣Ԣ䷇ˈҹঞᑌᄬϟᴹԚ the basso continuo by ᰃ≵᳝㾷䇏ⱘ᭄ᄫԢ䷇㒓 Tonelli (1686-1765) as well as the surviving, unrealized z 䰘ᔩࣙ৿ᇍॳྟ䌘᭭ⱘᦣ䗄ˈ᷵ figured bass line ࢬ᡹ਞ˄㣅᭛˅੠ᠬ‫߽ݙ‬Ў䬂Ⲭ

Appendix with source Ф఼㓪‫ࠡⱘݭ‬༣᳆ descriptions, critical (Eng) and z commentary ᏺϔӑऩ⣀ⱘॳ԰䈅ᇣᦤ⨈ߚ䈅 preludes for keyboard by Tonelli z instrument ᏺϔӑऩ⣀ⱘ᳾㾷䇏䗮༣Ԣ䷇ߚ

With 䈅 a separate Urtext violin part

ࣙᣀϔӑᏺ᳝ᔧҷᇣᦤ⨈⍺㡆ⱘ z With a separate unrealized 䰘ᔩ continuo part figured

Includes a supplement with contemporary violin Antonín DvoƎák embellishments ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ Dvořák, Antonín A ᇣ䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ Antonín Dvořák, op. 53 (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ 䩶⨈㓽㓪䈅 H ᇣ䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ 1005 Concerto in A min for Violin and Orchestra op. 53 H ᇣ䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ 1005 Piano reduction

ᇣᦤ⨈Ϣ䩶⨈ᖿᵓ BA 8977 Handel, George Frideric George Frideric Handel, George Frideric Handel ᇣᦤ⨈Ϣ䗮༣Ԣ䷇԰કܼ䲚 (1685-1759) Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ॳ԰䈅 (1685-1759) Complete Works Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ for Violin and Bc ᇣᦤ⨈Ϣ䗮༣Ԣ䷇԰કܼ䲚 Urtext / Ed. T. Best ॳ԰䈅 / 㓪䕥Score T. 䋱ᮃ⡍ with parts BA 4226 BA 4226 ᘏ䈅ᏺߚ䈅 ᇣᦤ⨈Ϣ䗮༣Ԣ䷇԰કܼ䲚 First ever performing ॳ԰䈅 edition of the complete z ᇣᦤ⨈Ϣ䗮༣Ԣ䷇԰કܼ䲚ⱘ佪 works for violin and basso Ͼⓨߎ⠜ϔो continuo in one volume

Separate violin and basso z ऩ⣀ⱘᇣᦤ⨈Ϣ䗮༣Ԣ䷇ߚ䈅 continuo parts z 䗮༣Ԣ䷇ߚ䈅ࡴ᭄ᄫ Basso continuo part with figures z ࣙᣀϸϾ೼߿ⱘⓨߎ⠜ᴀ䞠䛑≵ Includes two movements ᳝ⱘФゴ not available in any other performing edition z ࠡ㿔˄㣅᭛/ᖋ᭛˅৿᳝䩜ᇍॳྟ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Preface (Eng/Ger) with 䌘᭭ǃ䍋⑤੠߯䗴ⱘ⦡䌉ֵᙃˈ ϝ佪ϝ䞡༣号᳆ valuable information on ҹঞⓨߎᅲ䏉䆘⊼ the sources, their origins and genesis as well as ॳ԰䈅 performance ϝ佪ϝ䞡༣号᳆ op. practice 5 comments Ўঠᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ ॳ԰䈅 / 㓪䕥 S. ᓫ㦅ᮑ ϝ佪ϝ䞡༣号᳆ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Three Trio Sonatas ᘏ䈅ᏺߚ䈅 op. 5 BA 4228 for two violins (flutes) and bc ॳ԰䈅 Urtext / Ed. S. Flesch D 2 ো༣号᳆ Score with parts BA 4228໻䇗㄀ HWV 397ǃE ᇣ䇗㄀ 3 ো༣号᳆ Sonatas No. 26in D maj HWV 398ǃF ໻䇗㄀ ো༣号᳆ HWV 397, No. 3 in E min HWV 401 HWV 398, No. 6 in F maj HWV 401

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

ᓺФ఼üᇣᦤ⨈ Janáček, Leoš Leoš Janáþek Leoš Janáček, 㦅 ༹ҔgѮ㒇ߛ‫ ܟ‬ (1854-1928) (1854-1928) 㦅༹ҔgѮ㒇ߛ‫ܟ‬ Works for Violin and Piano ᇣᦤ⨈Ϣ䩶⨈԰ક Urtext / Ed. J. Krejci, A. Nìmcová ᇣᦤ⨈Ϣ䩶⨈԰ક ॳ԰䈅 / 㓪䕥Score J. ‫ܟ‬䳋Ӟ༛ǃ with parts BA 9508 ॳ԰䈅 A. ሐྚ⾥࿗ ᘏ䈅ᏺߚ䈅 BA 9508

Mendelssohn Bartholdy, Felix Mendelssohn Bartholdy, Felix (1809-1847) Felix Mendelssohn Bartholdy 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

Concerto in E min (1809-1847)

for Violin and Orchestra op. 64 Urtext / Ed. R. L. Todd E ᇣ䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ Versions 1 and 2 op. 64

ॳ԰䈅 reduction / 㓪䕥 R. L. of ᠬᖋ - Piano version 2 ㄀9050-90 1 ⠜Ϣ㄀ 2 °⠜ BA ü ㄀ 2 reduction ⠜䩶⨈㓽㓪䈅 - Piano of versions BA29050-90 ° 1& BA 9050-92 ° ü ㄀ 1 ⠜Ϣ㄀ 2 ⠜䩶⨈㓽㓪䈅

TPBA397 score 9050-92Study °

TPFirst edition of 397 ever Urtextⷨдᘏ䈅 both versions of op. 64 ԰ક 64 commentary োϸϾ⠜ᴀⱘⱘ佪Ͼ z Critical in English ॳ԰䈅⠜included with full score ᷵ࢬ᡹ਞ⫼㣅᭛ˈࣙᣀ໻ᘏ䈅 z Piano reductions each with

an Urtext violin part and

z a 䩶⨈㓽㓪䈅৘ᏺ᳝ॳ԰䈅ᇣᦤ⨈ second violin part ߚ䈅ҹঞ㄀Ѡᇣᦤ⨈ߚ䈅ˈᏺ᳝ prepared with fingering and bowing by Martin 偀ϕg℺ᇨ໿䳡ᮃ⡍㓪‫ⱘݭ‬ᣛ Wulfhorst ⊩ǃᓧ⊩Ǆ

Sonatas for Violin and Piano ᇣᦤ⨈Ϣ䩶⨈༣号᳆ Urtext/ /㓪䕥 Ed. H. Hoshino ᇣᦤ⨈Ϣ䩶⨈༣号᳆ ॳ԰䈅 ᯳䞢ᅣ㕢 BA 9066 Score with parts ॳ԰䈅 BA 9066 ᘏ䈅ᏺߚ䈅 This publication is the first䆹ߎ⠜⠽ᰃ䮼ᖋᇨᵒᇣᦤ⨈Ϣ䩶 ever Urtext edition of Mendelssohn’s Sonatas for ⨈༣号᳆ⱘ佪Ͼॳ԰䈅⠜ᴀǄ Violin and Piano. 䆹⠜ᴀࣙ৿䮼ᖋᇨᵒᅠ៤ⱘ᠔᳝ The edition includes all comᇣᦤ⨈༣号᳆Ǆ䖭ѯ԰કⓨ༣ᡔᴃ䲒 pleted sonatas by Mendelssohn ᑺ䗖ЁˈϢᓫᳫ㣼g㟦ԃ⡍ⱘᇣ༣号 for this instrumentation. The ᳆䖥ԐǄ works have a moderate degree of difficulty similar to Franz Schubert’s sonatinas. z 䮼ᖋᇨᵒᇣᦤ⨈༣号᳆ⱘ佪Ͼ ॳ԰䈅⠜˄ᏺᕅॄӊ义˅ First Urtext edition of Mendelssohn’s Violin z ᏺ᳝ॳ԰䈅ᇣᦤ⨈ߚ䈅ঞ㄀Ѡᇣ Sonatas (with facsimile ᦤ⨈ߚ䈅ˈࣙ৿Ḥቅᓎᖫ᠔㓪ᣛ pages) ⊩੠ᓧ⊩ With an Urtext violin part as well as a second violin z ⓨ༣ᡔᴃ䲒ᑺ䗖ЁⱘӬ⾔ֱ⬭᳆ part with fingering and bowing by Takeshi Kiriyama Ⳃ Excellent repertoire of Vittorio Monti technical moderate difficulty 㓈ᠬ䞠༹g㩭㩖 (1868-1922) 㓈ᠬ䞠༹g㩭㩖 Monti, Vittorio Vittorio Monti, ᙄᇨ䖒Ҕ (1868-1922) ᙄᇨ䖒Ҕ Ўᇣᦤ⨈Ϣ䩶⨈㗠԰ 㡐㾽㬠䅕㎷。䔘㠘 Czardas for 8975 violin and piano BA Bärenreiter’s Concert Pieces BA 8975Amadeus Mozart Wolfgang ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Mozart, Wolfgang Amadeus (1756-1791) ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ܼ䲚 ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ܼ䲚 ॳ԰䈅 / 㓪䕥Concertos C. H. 偀ᵫ Complete ॳ԰䈅 for Violin and Orchestra ↣‫˖৿ࣙݠ‬ Urtext / Ed. C. H. Mahling Each edition includes: z ᮄⱘᯧ༣䩶⨈㓽㓪䈅

ᇣᦤ⨈⣀༣ߚ䈅ᏺ᳝ᮄ⠜㥿ᠢ⡍ Easy-to-play piano z reduction ܼ䲚ⱘॳ԰䈅 Violin solo part with the Urtext of the New Mozart z ๲ࡴ M. ℺ᇨ໿䳡ᮃ⡍㓪㑖ⱘ Edition ᇣᦤ⨈⣀༣ߚ䈅ˈ䜡᳝ᣛ⊩Ϣ ᓧ⊩ҹঞⓨߎ䇈ᯢ Additional violin solo part with fingering, bowing and performance comments by z 䱣䰘ᇣ‫ݠ‬ᄤᏺ᳝ M. Wulfhorst L. ༹ᇨǃJ. 㑺䰓 ᏠྚǃS. ᓫ݄⾥ǃE. Ӟ㧼ӞǃJ. Additional booklet with 䰓ᢝᖋǃM. D. cadenzas and℺ᇨ໿䳡ᮃ⡍ⱘढ transitions by ᔽФ↉ǃ䖛⏵ L. Auer, J. Joachim, S. Franko, E. Ysaÿe, J. D. Alard, M. Wulfhorst

䰡 ໻䇗ण༣᳆ - Concerto in B-flat maj ü B ໻䇗ण༣᳆ K. 䰡 207 (No. 1) 1 佪˅ K. 207˄㄀ Urtext. With cadenzas, fermata embellishments and lead-ins ॳ԰䈅ᏺ᳝ J. D. 䰓ᢝᖋǃM. ℺ᇨ໿ by J. D. Alard, M. Wulfhorst 䳡ᮃ⡍㓪㑖ⱘढᔽФ↉ǃᓊ䭓㺙佄䷇ BA 4863-90 ° Piano reduction ঞᓩᄤ TP 270 Study score BA 4863-90 ° 䩶⨈㓽㓪䈅 - Concerto in D majⷨдᘏ䈅 K. 211 (No. 2) TP 270 Urtext. With cadenzas by ໻䇗ण༣᳆ L. Auer, M. Wulfhorst ü D ໻䇗ण༣᳆ K. 211˄㄀ 2 佪˅ BA 4864-90 ° Piano reduction ॳ԰䈅ᏺ᳝ L. ༹ᇨǃM. TP 271 Study ℺ᇨ໿䳡ᮃ score ⡍㓪㑖ⱘढᔽФ↉ BA 4864-90 °in G maj䩶⨈㓽㓪䈅 K. 216 (No. 3) - Concerto Urtext. ⷨдᘏ䈅 TP 271 With cadenzas by L.໻䇗ण༣᳆ Auer, E. Ysaÿe, S. Franko, M. Wulfhorst ü G ໻䇗ण༣᳆ K. 216˄㄀ 3 佪˅ BA 4865-90 ° Piano reduction ॳ԰䈅ᏺ᳝ L. ༹ᇨǃE. TP 272 Study Ӟ㧼Ӟǃ score S. ᓫ݄⾥ǃM. ℺ᇨ໿䳡ᮃ⡍㓪㑖ⱘ - Concerto in D maj K. 218 (No. 4) ढᔽФ↉ Urtext. With by BA 4865-90 ° cadenzas 䩶⨈㓽㓪䈅 J. Joachim, L. Auer, TP ⷨдᘏ䈅 M. 272 Wulfhorst ໻䇗ण༣᳆ BA 4866-90 ° Piano reduction ü ໻䇗ण༣᳆ K. 218˄㄀ 4 佪˅ TPD273 Study score ॳ԰䈅ᏺ᳝ J. 㑺䰓ᏠྚǃL. ༹ᇨǃ - Concerto in A maj K. 219 (No. 5) M. ℺ᇨ໿䳡ᮃ⡍㓪㑖ⱘढᔽФ↉ Urtext. With cadenzas by BA 4866-90 ° 䩶⨈㓽㓪䈅 J. Joachim, S. Franko, TP ⷨдᘏ䈅 M. 273 Wulfhorst ໻䇗ण༣᳆ BA 4712-90 ° Piano reduction TPA20 Study score ü ໻䇗ण༣᳆ K. 219˄㄀ 5 佪˅ ॳ԰䈅ᏺ᳝ J. 㑺䰓ᏠྚǃS. ᓫ݄⾥ǃ Single Movements for Violin M. ℺ᇨ໿䳡ᮃ⡍㓪㑖ⱘढᔽФ↉ and Orchestra K. 261, 269, 373 BA 4712-90 ° C. H. Mahling 䩶⨈㓽㓪䈅 Urtext / Ed. TP 20 cadenzas andⷨдᘏ䈅 fermata With embellishments by ᇣᦤ⨈ϢㅵᓺФ䯳ऩФゴ M. Wulfhorst ᇣᦤ⨈ϢㅵᓺФ䯳ऩФゴ K. 261ǃ BA 5379-90 269 Ϣ 373 ° Piano reduction ॳ԰䈅 ॳ԰䈅 / 㓪䕥 C. H. 偀ᵫ ᏺ᳝℺ᇨ໿䳡ᮃ⡍ⱘढᔽФ↉Ϣᓊ䭓㺙佄䷇ BA 5379-90 ° 䩶⨈㓽㓪䈅

ᓺФ఼üᇣᦤ⨈ ➲㾂㳂㣺䈌............................... 1-2 Violins and Keyboard Instrument – Composers ポ㝭㎷㡘 ᱋ 䔘㤛コ…….........……. WolfgangWolfgang Amadeus Mozart Mozart, Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

䰡䰡E ໻䇗Ѹડण༣᳆ ໻䇗Ѹડण༣᳆ ໻䇗Ѹડण༣᳆ concertante in E-flat Sinfonia 䰡 K. 364 (320d) maj K. 364 (320d) for Violin, Ўᇣᦤ⨈ǃЁᦤ⨈ϢㅵᓺФ䯳㗠԰ Viola and Orchestra. 䰡 ໻䇗Ѹડण༣᳆ ᏺ᳝ॳ԰⡍⅞ᅮᓺЁᦤ⨈ߚ䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ With original scordatura viola ॳ԰䈅 ॳ԰䈅/ 㓪䕥 C. H. 偀ᵫ ॳ԰䈅 part 䩶⨈㓽㓪䈅 BA 4900-90 Urtext / Ed.° C. H. Mahling 䰡 176 ໻䇗Ѹડण༣᳆ ॳ԰䈅 ° Piano reduction BA 4900-90 ⷨдᘏ䈅 TP TP 176 Study score ᇣᦤ⨈Ϣ䩶⨈԰કܼѠ䲚 ᇣᦤ⨈Ϣ䩶⨈԰કܼѠ䲚 ᇣᦤ⨈Ϣ䩶⨈԰કܼѠ䲚 Complete for Violin ॳ԰䈅/ 㓪䕥Works ॳ԰䈅 ॳ԰䈅 E. 䳋⋑ and Piano in two volumes ᇣᦤ⨈Ϣ䩶⨈԰કܼѠ䲚 Urtext / Ed. E. Reeser zॳ԰䈅 ᏺ᳝ॳ԰䈅ᇣᦤ⨈ߚ䈅ˈҹঞᏺ ᳝M. With℺ᇨ໿䳡ᮃ⡍㓪‫ⱘݭ‬ᣛ⊩ǃ an Urtext violin part ᇣᦤ⨈Ϣ䩶⨈԰કܼѠ䲚 as well as a violin part ᓧ⊩ⱘᇣᦤ⨈ߚ䈅ǃ䞡㽕ⱘⓨߎ prepared with fingering and ॳ԰䈅 ੠ᅲ䏉ᓎ䆂 bowing and important performance practice tips 䖭Ͼ⠜ᴀࣙ৿њ᠔᳝㥿ᠢ⡍Ꮖ㒣 by M. Wulfhorst ᅠ៤ⱘᇣᦤ⨈Ϣ䩶⨈԰કˈདѯ೼݊ Ҫ⠜ᴀ䞠ᡒϡࠄⱘ԰ક⦄೼䛑ҹǉᮄ This publication contains all the ⠜㥿ᠢ⡍ܼ䲚Ǌⱘॳ԰䈅ᔶᓣਜ⦄೼ completed works by Mozart for Violin and Piano. Several works K. 6-9ǃ༣号᳆ 䖭Ͼ⠜ᴀ䞠˖༣号᳆ which are not found in other K. 26-31ǃC ໻䇗㸠ᵓϢᇣᖿᵓ K. editions are presented with the 404 ҹঞ⬅偀‫ܟ‬㽓㉇߽ᅝgᮑศᖋࢦ Urtext of the New Mozart K. 372ǃK. ᅠ៤ⱘϝ佪༣号᳆ᮁ⠛ Edition: Sonatas K. 6-9, Sonatas ੠ K. 402Ǆ 40326-31, K. the Andante and Allegretto in C maj K. 404 as ü ü㄀ϔ䕥㄀ϔ䕥㄀ϔ䕥 well as the three sonata ü fragments K. 372, 403 and BA 5761 ᘏ䈅ᏺߚ䈅 402 completed by Maximilian ü ü㄀Ѡ䕥㄀Ѡ䕥㄀Ѡ䕥㄀ϔ䕥 ü Stadler. BA 5762 ᘏ䈅ᏺߚ䈅㄀Ѡ䕥 I -ü Volume ᇣᦤ⨈Ϣ䩶⨈԰ક ᇣᦤ⨈Ϣ䩶⨈԰ક ü ㄀ϔ䕥 ᇣᦤ⨈Ϣ䩶⨈԰ક BA 5761 Score with parts ॳ԰䈅 ॳ԰䈅/ 㓪䕥 E. 䳋⋑ ॳ԰䈅 ü ㄀Ѡ䕥 II -ᇣᦤ⨈Ϣ䩶⨈԰ક Volume ü᳐⍋ྚǃᏈ咢ǃ㧼ᇨ㣼෵༣号᳆ ü᳐⍋ྚǃᏈ咢ǃ㧼ᇨ㣼෵༣号᳆ BA 5762 Score with parts ü᳐⍋ྚǃᏈ咢ǃ㧼ᇨ㣼෵༣号᳆ ॳ԰䈅 KV 301˄293a˅ǃ302˄293b˅ǃ ü᳐⍋ྚǃᏈ咢ǃ㧼ᇨ㣼෵༣号᳆ ᇣᦤ⨈Ϣ䩶⨈԰ક 303˄293c˅ǃ304˄300c˅ǃ305 Works for Violin and Piano Urtext ॳ԰䈅 / Ed. E. Reeser ˄293d˅ǃ306˄300l˅ǃ296ǃ378 ˄317d˅ -ü᳐⍋ྚǃᏈ咢ǃ㧼ᇨ㣼෵༣号᳆ The Mannheim, Paris, Salzburg ᘏ䈅ᏺߚ䈅 BA 4774 Sonatas K. 301 (293a), 302 (293b), 303 ü üᮽᳳ㓈г㒇༣号᳆ ᮽᳳ㓈г㒇༣号᳆ ᮽᳳ㓈г㒇༣号᳆ ü (293c), 304 (300c), 305 (293d), d K 379˄373a˅ǃ376˄374 ˅ǃ377 306 (300l), 296, 378 (317d) e f ü ᮽᳳ㓈г㒇༣号᳆ BA 4774 Score with part ˄374 ˅ǃ380˄374 ˅ǃ404 ˄385d˅ǃ372ǃ403˄385c˅ǃ402 -˄385e˅ Early Viennese Sonatas K.ü379 (373a), 376 (374d), 377 ᮽᳳ㓈г㒇༣号᳆ BA 4775 ᘏ䈅ᏺߚ䈅 (374e), 380 (374f), 404 (385d), 372, 403 (385c), 402 (385e) BA 4775 Score with part

-üLate Viennese Sonatas ü ৢᳳ㓈г㒇༣号᳆ ৢᳳ㓈г㒇༣号᳆ ü ৢᳳ㓈г㒇༣号᳆ K. 454, 481, 526, 547 KV 454ǃ481ǃ526ǃ547 BA 4776 Scoreᘏ䈅ᏺߚ䈅 with part BA 4776 ü ৢᳳ㓈г㒇༣号᳆ Complete Church Sonatas ᬭූ༣号᳆ܼ䲚 ᬭූ༣号᳆ܼ䲚 ᬭූ༣号᳆ܼ䲚 Urtext / Ed. M. E. Dounias ü ৢᳳ㓈г㒇༣号᳆ / 㓪䕥 M. E. ᴰሐѮᮃ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 -ᬭූ༣号᳆ܼ䲚 Volume 1: Nine Sonatas K. 67-69, 144, 145, 212,K 224, 225 67-69ǃ ü ㄀ϔो˖б佪༣号᳆ ü㄀ϔो˖ ㄀ϔो˖ ü ॳ԰䈅 and 241 for two violins, organ 144ǃ145ǃ212ǃ224ǃ225 ੠ 241 and violoncello/double bass/ ᬭූ༣号᳆ܼ䲚 Ўϸᡞᇣᦤ⨈ǃㅵ亢⨈੠໻ᦤ⨈ ü ㄀ϔो˖ BA 4731 Score with parts ॳ԰䈅 Ԣ䷇ᦤ⨈㗠԰ BA 4731 2: Five Sonatas ᘏ䈅ᏺߚ䈅 - Volume ü244, ㄀ϔो˖ K. 245, 274 (271d), 328 (317c) and 336 (336d) for two violins, K 244ǃ ü ㄀Ѡो˖Ѩ佪༣号᳆ ü㄀Ѡो˖ ㄀Ѡो˖ ü organ, violoncello/double bass 245ǃ274˄271d˅ǃ328˄317c˅੠ BA 4732 Score with parts 336˄336d˅ ü ㄀Ѡो˖ Ўϸᡞᇣᦤ⨈ǃㅵ亢⨈ǃ໻ᦤ⨈ / Ԣ䷇ᦤ⨈㗠԰ ü ㄀Ѡो˖ BA 4732 ᘏ䈅ᏺߚ䈅

virtuoso who played the ⱘǄ䖭ϾࡃᴀⳂࠡᰃ⾕Ҏᬊ㮣ⱘϔ䚼 premiere and is the dedicatee ߚǄ of the work. This copy is today 䰸њॳ԰䈅䚼ߚˈ䖭Ͼ䩶⨈Ϣᇣ part of a private collection. ᦤ⨈⠜ᴀࣙ৿њϔӑ㄀Ѡᇣᦤ⨈ߚ䈅 ⱘᕅॄӊˈᏺ᳝ߎ㞾㘊߽g䘧ᢝሐⱘ The version for piano and violin ⓨ༣䇈ᯢǄ䘧ᢝሐⱘᬍࡼ੠ᷛߎⱘᣛ contains, besides the Urtext part, a second violin part as a ⊩ড᯴ߎᢝ࿕ᇨᰒ✊ᰃ㘚਀䖛䖭䚼԰ facsimile with performance 20 Ϫ કⱘᥦ㒗੠ℷᓣⓨ༣ⱘˈ៤Ў instructions stemming from 㑾߱ⓨ༣ᅲ䏉᭛⤂Ǆᢝ࿕ᇨৠ䘧ᢝሐ Jelly D’Aranyi. D’Aranyi’s ⱘড়԰㉏ԐѢࢗᢝྚᮃϢ㑺䰓Ꮰྚ೼ alterations and fingering reflect ࢗᢝྚᮃⱘᇣᦤ⨈ण༣᳆ᮍ䴶ⱘড় how Ravel must have heard the work in rehearsals and ԰Ǆ performance and as such are a th document Oskar Riedingof early 20 century performance practice. The ༹ᮃवg䞠ϕ ༹ᮃवg䞠ϕ ༹ᮃवg䞠ϕ cooperation between Ravel and (1840–1918) D’Aranyi is comparable to that ༹ᮃवg䞠ϕ of Brahms and Joachim working op. violin 35 B ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ on the Brahms concerto. Ўᇣᦤ⨈੠䩶⨈㗠԰ 㡐㾽㬠䅕㎷。䔘㠘 ᇣ䇗ण༣᳆ ༹ᮃवg䞠ϕ Rieding, Oskar Rieding, BA 8971Oskar 䩶⨈㓽㓪䈅 (1840-1918) ᇣ䇗ण༣᳆ op. 21 ࣜ⠭߽亢Ḑण༣᳆ ࣜ⠭߽亢Ḑण༣᳆ ࣜ⠭߽亢Ḑण༣᳆ Concerto in B min op. 35 Ўᇣᦤ⨈੠䩶⨈㗠԰ for violin and piano 㡐㾽㬠䅕㎷。䔘㠘 ࣜ⠭߽亢Ḑण༣᳆ Bärenreiter’s Concert Pieces 8971 BA 8973 䩶⨈㓽㓪䈅 Concertino in ࣜ⠭߽亢Ḑण༣᳆ Hungarian Style op. 21 for violin and piano Bärenreiter’s Concert Pieces BA 8973

Ravel, Maurice Ravel, Maurice 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937) 㥿䞠ᮃgᢝ࿕ᇨ Maurice Ravel Tzigane 㥿䞠ᮃgᢝ࿕ᇨ Rhapsody ǉ㣼‫ݜ‬Ǌ ǉ㣼‫ݜ‬Ǌ for Violin and ǉ㣼‫ݜ‬Ǌ (1875-1937) Orchestra Urtext / Ed. D. Woodfull-Harris ॳ԰䈅 ॳ԰䈅reduction, also version ǉ㣼‫ݜ‬Ǌ 㥿䞠ᮃgᢝ࿕ᇨ ॳ԰䈅 Piano ᇣᦤ⨈ϢㅵᓺФ䯳⢖ᛇ᳆ for violin and piano BA 8849-90 ॳ԰䈅 / 㓪䕥 °D. ӡᖋᆠᇨ—જ䞠ᮃ ǉ㣼‫ݜ‬Ǌ 䩶⨈㓽㓪䈅ˈгЎᇣᦤ⨈੠䩶⨈⠜ᴀ This Urtext° edition presents BA 8849-90 the first scholarly-critical ॳ԰䈅 edition of Ravel’s masterpiece. 䖭Ͼॳ԰䈅⠜ሩ⼎њᢝ࿕ᇨ䖭䚼 It is published both in the ᵄ԰ⱘ佪Ͼᄺᴃ᷵ࢬ⠜Ǆϡҙᰃㅵᓺ orchestral version as well as in Ф⠜ˈ԰᳆ᆊЎᇣᦤ⨈Ϣ䩶⨈⠜㗠԰ the composer’s earlier version for violin and piano. All known ⱘᮽᳳ⠜ᴀгϔ䍋ߎ⠜њǄ䖭Ͼᮄ⠜ sources, including letters, have ࡼ⫼њ᠔᳝Ꮖⶹⱘॳྟ䌘᭭ˈࣙᣀֵ been drawn on for the new ӊǄ݊ЁϔϾৃ߽⫼ⱘǃৠᯊгᰃ佪 edition; one of the available ⃵㹿ᶹ䯙ⱘॳྟ䌘᭭ህᰃϔӑǉ㣼 sources, consulted for the first ‫ݜ‬Ǌⱘࡃᴀˈߎ㞾ࣜ⠭߽ཇᇣᦤ⨈໻ time, was a copy of Tzigane Ꮬ㘊߽g䘧ᢝሐⱘ䘫ѻǄ䘧ᢝሐ佪ⓨ from the estate of Jelly D’Aranyi, the Hungarian violin њ䖭䚼԰કˈ䖭䚼԰કህᰃ⤂㒭ཌྷ

व㉇ᇨg೷ḥ व㉇ᇨg೷ḥ व㉇ᇨg೷ḥ व㉇ᇨg೷ḥ

જ⪺༜ᮃ㟲᳆ જ⪺༜ᮃ㟲᳆ જ⪺༜ᮃ㟲᳆ Camille Saint-Saëns ॳ԰䈅 ॳ԰䈅 જ⪺༜ᮃ㟲᳆ व㉇ᇨg೷ḥ ॳ԰䈅 (1835-1921) ॳ԰䈅 જ⪺༜ᮃ㟲᳆ Ўᇣᦤ⨈੠䩶⨈㗠԰ op. 83 Saint-Saëns, Camille ॳ԰䈅 / 㓪䕥Camille Ch. 剡ᇨ Saint-Saëns, ᘏ䈅ᏺߚ䈅 BA 9426 (1835-1921)

Havanaise for Violin and Piano op. 83 Urtext / Ed. Ch. Baur BA 9426 Score with part

ᓺФ఼üᇣᦤ⨈ Schubert, Franz Franz Schubert Franz Schubert, ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) (1797-1828)

Works Complete ᇣᦤ⨈Ϣ䩶⨈԰કܼ䲚 ᇣᦤ⨈Ϣ䩶⨈԰કܼ䲚 for Violin and Piano ॳ԰䈅 / 㓪䕥 H.Wirth 㓈ᇨ⡍ Urtext / Ed. H. ॳ԰䈅 C ໻䇗ᑏᛇ᳆ D 934 in C maj D op. 934post. 159 -üFantasia ໻䇗ᑏᛇ᳆ op. post. 159 ᘏ䈅ᏺߚ䈅 BA 5620 BA 5620 Score with parts z ๲㸹њ෎Ѣ1850ᑈ佪⠜ⱘ With an additional violin 䰘ࡴᇣᦤ⨈ߚ䈅 part based on the first

edition of 1850 ü B ᇣ䇗ಲᮟ᳆ D 895 op. 70 ᇣ䇗ಲᮟ᳆ -BA Rondo op. 70 ᘏ䈅ᏺߚ䈅 5618 in B min D 895 BA 5618 Score with part ü A ໻䇗༣号᳆ D 574 op. post. 162 ໻䇗༣号᳆ - Sonata in A maj D 574 ᘏ䈅ᏺߚ䈅 BA 5605 op. post. 162 BA 5605 Score with part ü ϝ佪༣号᳆ D 384ǃ385ǃ408 ϝ佪༣号᳆ post.Sonatas 137 ㄀ 1-3 -op. Three D 佪ǉᇣ༣号᳆Ǌ 384, 385, 408 op. post. 137 nos. 1-3ᘏ䈅ᏺߚ䈅 “Sonatinas” BA 5606 BA 5606 Score with part A ໻䇗ᇣᦤ⨈ϢㅵᓺФ䯳ಲᮟ᳆ Rondo in A maj D ໻䇗ᇣᦤ⨈ϢㅵᓺФ䯳ಲᮟ᳆ 438 for Violin and Orchestra D 438 / M. ᑧ䋱 ॳ԰䈅 Urtext /㓪䕥 Ed. M. Kube ॳ԰䈅 BA 5653-90 5653-90 °° Piano䩶⨈㓽㓪䈅 reduction BA BedĜich Smetana Smetana, Bedřich 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 Bedřich Smetana, 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 (1824-1884) (1824-1884)

the Homeland From ǉ㞾ᬙеǊϸ佪ᇣᦤ⨈Ϣ䩶⨈Ѡ䞡༣ Two duets and piano ǉ㞾ᬙеǊ / 㓪䕥forF.violin ॳ԰䈅 ᏈᇨᠬҔǃJ. ᱂ᢝ Urtext / Ed. F. Bartoš, J. Plavec, ॳ԰䈅㒡ᇨ㣼㓈㣼ǃK. K. Šolc BA 9526 9526 BA Scoreᘏ䈅ᏺߚ䈅 with part Giuseppe Tartini Tartini, Giuseppe ᴅาԽgศᇨ㩖ሐ Giuseppe Tartini, ᴅาԽgศᇨ㩖ሐ (1692-1770) (1692-1770) G ᇣ䇗༣号᳆ǉ儨儐ⱘ乸䷇Ǌ in G min “Devil’s Trill” Sonata ᇣ䇗༣号᳆ǉ儨儐ⱘ乸䷇Ǌ for violin and bc Ўᇣᦤ⨈Ϣ䗮༣Ԣ䷇㗠԰ Urtext Ed. A. ॳ԰䈅 //㓪䕥 A.Pavanello Ꮹ⪺‫⋯ݙ‬ Score with parts HM 278 ॳ԰䈅 ᘏ䈅ᏺߚ䈅 HM 278

Telemann, Georg Philipp Georg Philipp Telemann Georg Philipp Telemann, Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) Little Chamber Music ᇣᅸ‫ݙ‬Ф Six Partitas for violin (flute, ᇣᅸ‫ݙ‬Ф ݁佪ᇣᦤ⨈˄䭓ワǃঠㇻㅵǃオワ˅ oboe, recorder) and bc Ed. H. Ruf Ϣ䗮༣Ԣ䷇স㒘᳆ HM 㓪䕥47H. 剕໿ Score ᘏ䈅ᏺߚ䈅 HM 47with part

Three Concertos ϝ佪ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ϝ佪ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ for and Orchestra ˄AViolin ᇣ䇗ǃD ໻䇗ǃG ᇣ䇗˅ (A min, D maj, G min) TWV 51: a1ǃ 51: D9ǃ 51: g1 TWV 51: a1, 51: D9, 51: g1 ॳ԰䈅 //㓪䕥 ‫ܟ‬㔫ᮃ Urtext Ed. S.S.Kross ॳ԰䈅 BA 5876-90 5876-90 Piano䩶⨈㓽㓪䈅 reduction BA Twelve Methodical Sonatas कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ TWV 4: 41 कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ TWV 4: 㓪䕥 41 M. าᓫ⡍ ॳ԰䈅/ ॳ԰䈅 / Ed. M. Seiffert Urtext ㄀ 1 䕥˖G1:ᇣ䇗༣号᳆ǃA ໻䇗༣号 -㄀ Volume 䕥˖ Sonata in G min, ᳆ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ Sonata in A maj for violin (flute) and bc ᘏ䈅ᏺߚ䈅 BA 2241 BA 2241 Score with part ㄀ 2 䕥˖E ᇣ䇗༣号᳆ǃD ໻䇗༣号䕥˖ 2: Sonata in E min, -㄀ Volume ᳆ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ Sonata in D maj for violin (flute) ᘏ䈅ᏺߚ䈅 BA 2242 and bc BA 2242 Score with part ㄀ 3 䕥˖A ᇣ䇗༣号᳆ǃG ໻䇗༣号䕥˖ 3: Sonata in A min, -㄀ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ ᳆Volume Sonata violin (flute) BA 2243in G maj for ᘏ䈅ᏺߚ䈅 and bc BA 2243 Score with part ㄀ 4 䕥˖B ᇣ䇗༣号᳆ǃC ᇣ䇗༣号㄀䕥˖ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ -᳆Volume 4: Sonata in B min, Sonata violin (flute) BA 2244in C min for ᘏ䈅ᏺߚ䈅 and bc BA Score withBpart ㄀ 52244 䕥˖E ໻䇗༣号᳆ǃ䰡 ໻䇗༣ ㄀ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠号᳆ 䕥˖ - Volume 5: Sonata in E maj, ԰ Sonata in B-flat maj for violin ᘏ䈅ᏺߚ䈅 BA 2245 (flute) and bc BA 2245 Score with part ㄀ 6 䕥˖D ᇣ䇗༣号᳆ǃC ໻䇗༣号 -㄀䕥˖ 6: Sonata in D min, Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ ᳆Volume Sonata in C maj for violin (flute) ᘏ䈅ᏺߚ䈅 BA 2246 and bc

BA 2246 Score with part Antonio Vivaldi ᅝϰሐ༹g㓈⪺ᇨ䖾 Vivaldi, Antonio ᅝϰሐ༹g㓈⪺ᇨ䖾 (1678-1741) Antonio Vivaldi, (1681-1767) A ᇣ䇗ण༣᳆ op.3/6 in A min op. 3/6 Concerto ᇣ䇗ण༣᳆ Ўᇣᦤ⨈੠䩶⨈㗠԰ for violin and piano 㡐㾽㬠䅕㎷。䔘㠘 Bärenreiter’s Concert Pieces BA 8974 8974 BA Concerto in Gop.3/3 maj op. 3/3 G ໻䇗ण༣᳆ for violin and piano Ўᇣᦤ⨈੠䩶⨈㗠԰ Bärenreiter’s Concert Pieces 㡐㾽㬠䅕㎷。䔘㠘 BA 8980 BA 8980 The Four Seasons ǉಯᄷǊЎ⣀༣ᇣᦤ⨈ǃঠᇣᦤ⨈ǃ ǉಯᄷǊЎЏ༣ᇣᦤ⨈ǃঠᇣᦤ⨈ǃ for violino principale, two violins, viola and bc Ёᦤ⨈੠䗮༣Ԣ䷇㗠԰ Ёᦤ⨈੠䗮༣Ԣ䷇㗠԰ Urtext Ed. C. C.Hogwood 䳡Ḑӡᖋ ॳ԰䈅 //㓪䕥䳡Ḑӡᖋ All four concertos in one ಯ佪ण༣᳆ড়䲚 volume 6994-90 ° ° Piano䩶⨈㓽㓪䈅 BA 6994-90 䩶⨈㓽㓪䈅 BA reduction TP Studyⷨдᘏ䈅 score TP399 399

Vivaldi,Vivaldi Antonio Antonio Vivaldi, Antonio ᅝϰሐ༹g㓈⪺ᇨ䖾 ᅝ ϰሐ༹g㓈⪺ᇨ䖾 (1681-1767) (1678-1741)

NEW

La Stravaganza op. 4 ǉ䴲޵ण༣᳆Ǌ ǉ䴲޵ण༣᳆Ǌop. 4 12 Konzerte für Violine, 12佪ण༣᳆ˈЎᇣᦤ⨈ǃㅵᓺФ䯳੠ Orchester und Basso continuo 䗮༣Ԣ䷇㗠԰ Urtext / Ed. C. Hogwood ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ Libro Primo BA 7566-90 ° Piano reduction ㄀ϔ䕥 BA 7566-90 ° 䩶⨈㓽㓪䈅 Libro Secondo BA 7567-90 ° Piano reduction ㄀Ѡ䕥 BA 7567-90 ° 䩶⨈㓽㓪䈅 in preparation ᕙߎ Bärenreiters neue wissenschaftlich-kritische Ausgabe von La Stravaganza, herausge健❞຿ߎ⠜⼒ᮄᄺᴃ᷵ࢬॳ԰䈅健❞຿ߎ⠜⼒ᮄᄺᴃ᷵ࢬ⠜ geben von dem renommierten ⠜ǉ䴲޵ण༣᳆Ǌ⬅㨫ৡᣛ᣹ᆊ੠䷇ ǉ䴲޵ण༣᳆Ǌ⬅㨫ৡᣛ᣹ᆊ੠䷇Ф Dirigenten und MusikwissenФᄺᆊ‫ܟ‬䞠ᮃᴉ໿g䳡Ḑӡᖋ㓪䕥ˈ ᄺᆊ‫ܟ‬䞠ᮃᴉ໿g䳡Ḑӡᖋ㓪䕥ˈሩ schaftler Christopher ሩ⼎њⳂࠡଃϔৃҹᕫࠄⱘᅠᭈ⠜ ⼎њⳂࠡଃϔৃҹᕫࠄⱘᅠᭈ⠜ᴀǄ Hogwood, stellt die einzige, Cene⠜ᴀ⌕ ᴀǄᇍѢ⬅Roger-&-La Cene⠜ᴀ⌕Ӵϟ ᇍѢ⬅Roger-&-La zur Zeit erhältliche vollstänӴϟᴹⱘ12佪ण༣᳆ˈ健❞຿ߎ⠜⼒ dige Edition dar. Zusätzlich zu ᴹⱘ12佪ण༣᳆ˈ健❞຿ߎ⠜⼒䖬㸹 den zwölf Konzerten, die in 䖬㸹‫ܙ‬њ㄀ϔ䕥Ё㄀ಯण༣᳆ⱘ᳓ҷ ‫ܙ‬њ㄀ϔ䕥Ё㄀ಯण༣᳆ⱘ᳓ҷ⠜ der Roger-&-La Cene-Ausgabe ⠜ᴀˈབৠWalsh⠜ᴀˈҹঞ㄀ϔ䕥 ᴀˈབৠWalsh⠜ᴀˈҹঞ㄀ϔ䕥Ё überliefert sind, legt BärenreiЁⱘ㄀݁ण༣᳆ⱘϔϾ᳓ҷ⠜ᴀˈ䆹 ⱘ㄀݁ण༣᳆ⱘϔϾ᳓ҷ⠜ᴀˈ䆹⠜ ter die alternativen Fassungen ⠜ᴀᰃ䗮䖛ϔϾ᠟‫〓ݭ‬ໄ䚼䲚⌕Ӵϟ ᴀᰃ䗮䖛ϔϾ᠟‫〓ݭ‬ໄ䚼䲚⌕Ӵϟᴹ des vierten Konzerts aus dem ᴹⱘǄ ersten Heft, wie bei Walsh ⱘǄ erschienen, sowie eine alternative Fassung des sechsten z Ⳃࠡଃϔৃҹᕫࠄⱘᅠᭈ⠜ᴀ Konzerts aus dem ersten Heft, die in einem handschriftlichen Stimmenset überliefert ist, z ᬒ໻њⱘㅵᓺФ৘ໄ䚼ⱘ⠜ᓣ vor.

Einzige, zur Zeit erhältliche vollständige Ausgabe Orchesterstimmen im vergrößerten Format

ᓺФ఼üЁᦤ⨈ Ёᦤ⨈Ϣ䬂ⲬФ఼ ü .Ё Ё ᦤ⨈Ϣ䬂ⲬФ఼ ü Viola and Keyboard – ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Ёᦤ⨈Ϣ䬂ⲬФ఼ ü ԰ક䲚 .԰ક䲚 ….....................……….. Collections ԰ક䲚 Ёᦤ⨈Ϣ䬂ⲬФ఼ ü ԰ક䲚

Sinfonia concertante ໻䇗Ѹડण༣᳆ 䰡 E ໻䇗Ѹડण༣᳆ 䰡 in maj K. 364 (320d) K. E-flat 364˄320d˅ 䰡 ໻䇗Ѹડण༣᳆ for Violin, Viola and Orchestra Ўᇣᦤ⨈ǃЁᦤ⨈੠ㅵᓺФ䯳㗠԰ With original scordatura viola ᏺ᳝বḐᅮᓺЁᦤ⨈ॳ⠜ߚ䈅 part ॳ԰䈅 / /㓪䕥䰡ॳ԰䈅 ໻䇗Ѹડण༣᳆ Urtext Ed. C. H. 偀ᵫ Mahling reduction BA 4900-90 4900-90 ° ° Piano䩶⨈㓽㓪䈅 ॳ԰䈅 TP Studyⷨдᘏ䈅 score TP 176 176 Rieding, Oskar Oskar Rieding ॳ԰䈅 Oskar Rieding, ༹ᮃवg䞠ϕ ༹ᮃवg䞠ϕ (1840-1918) (1840–1918) ༹ᮃवg䞠ϕ in Bop. min Concerto 35 op. 35 B ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ Arranged for viola,

ᇣ䇗ण༣᳆ Eᇣ䇗Ёᦤ⨈᳆ ᬍ㓪Ў ༹ᮃवg䞠ϕ transposed to E min

Ёᦤ⨈੠䩶⨈䷇ФӮ԰ક Ёᦤ⨈੠䩶⨈䷇ФӮ԰ક Ёᦤ⨈੠䩶⨈䷇ФӮ԰ક

Berlioz, Hector Hector Berlioz ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ Hector Berlioz, ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ (1803-1869) (1803-1869)

ǉજ㔫ᇨᖋ೼ᛣ໻߽Ǌ ॳ԰䈅 ॳ԰䈅 Harold en Italie ǉજ㔫ᇨᖋ೼ᛣ໻߽Ǌ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ॳ԰䈅 Symphony in four parts with Concert Pieces NEW ⣀༣Ёᦤ⨈ಯФゴѸડ᳆ˈᏺ᳝ F. 㦅 Ёᦤ⨈੠䩶⨈䷇ФӮ԰ક solo viola. With performance for Viola and Piano ‫ⱘݙ‬ⓨߎᓎ䆂 by F. Lainé 㡐㾽㬠䐱㳂㣺㤛ゐ suggestions ॳ԰䈅 Bärenreiter’s Viola Collection ǉજ㔫ᇨᖋ೼ᛣ໻߽Ǌ Urtext Ed. P. ॳ԰䈅 / /㓪䕥 P. Banks, ⧁‫ܟ‬ᮃǃ ॳ԰䈅 / 㓪䕥 K. ᠢᮃ᳐ᮃ䈾ᮃ Ed. K. Sassmannshaus Macdonald H. H. 呺‫ܟ‬૤㒇 BA BA 9697 9697 BA 5457-90 Piano reduction BA 5457-90 䩶⨈㓽㓪䈅 Ёᦤ⨈ߚ䈅੠䜡༫䩶⨈Ԉ༣ Viola part and enclosed piano Ёᦤ⨈Ϣ䬂ⲬФ఼ ü Ёᦤ⨈Ϣ䬂ⲬФ఼ ü ॳ԰䈅 accompaniment ᕙߎ Ёᦤ⨈Ϣ䬂ⲬФ఼ ü The first modern piano z ᶣ䖑‫ⱘݍ‬ㅵᓺФ䯳ϢЁᦤ⨈䞡㽕 ԰᳆ᆊ in preparation ԰᳆ᆊ reduction of Berlioz' central ᓫᳫ㣼g㟦ԃ⡍ ԰᳆ᆊ ԰કⱘ佪䚼⦄ҷ䩶⨈㓽㓪䈅 work for orchestra and viola

.Ёᦤ⨈Ϣ䬂ⲬФ఼ ü Designed with additional z 䅵ߦ䜡᳝䰘ࡴФ䯳ড়༣⫼Ѣ⣀༣ Viola and Keyboard music from the orchestral .԰᳆ᆊ ….....................……….. 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Ёᦤ⨈Ϣ䩶⨈ৠ༣ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 tutti for the solo viola for 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Instrument – Composers performances with piano

Johann Sebastian Bach 䰡 ໻䇗ण༣᳆ ໻䇗ण༣᳆ Bach, Johann Sebastian 䰡䰡 ໻䇗ण༣᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian (1685-1750) (1685-1750) 䰡 E ໻䇗ण༣᳆ in E-flat maj Concerto ЎЁᦤ⨈ǃᓺФϢ䗮༣Ԣ䷇ḍ᥂ for viola, strings and bc Reconstructed from໡ॳ BWV 169, BWV 169ǃ49 Ϣ 1053 ϝ佪༣号᳆ 49 and ϝ佪༣号᳆ 㓪䕥 W. 1053. 㧆㟡ᇨEd. W. Fischer ϝ佪༣号᳆ BA 5149-90 ° Piano reduction BA 5149-90 ° 䩶⨈㓽㓪䈅

Three Sonatas BWV 1027-1029 ॳ԰䈅 1027-1029 ϝ佪༣号᳆ ॳ԰䈅 ॳ԰䈅 for viola daBWV gamba (viola) and Ў㓈༹ᇨ⨈˄Ёᦤ⨈˅੠㖑ㅵ䬂⨈㗠 harpsichord Urtext / Ed. H. Eppstein ԰ with parts BA 5186 / 㓪䕥 H.Score ॳ԰䈅 ⠅⋐ᮃഺ BA 5186 ᘏ䈅ᏺߚ䈅

° ⓨߎᴤ᳝᭭ଂ ⓨߎᴤ᭭ߎ⾳

Bohuslav MartinĤ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ Martinů, Bohuslav (1890-1959)

Martinů, Bohuslav (1890-1959) Ёᦤ⨈ϢㅵᓺФ䯳⢖ᛇण༣᳆ Ёᦤ⨈ϢㅵᓺФ䯳⢖ᛇण༣᳆

Ёᦤ⨈ϢㅵᓺФ䯳⢖ᛇण༣᳆ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ

˄1952˅ Rhapsody-Concerto ⬅԰᳆ᆊᬍ㓪៤䩶⨈㓽㓪䈅 for Viola and Orchestra (1952) Ёᦤ⨈ϢㅵᓺФ䯳⢖ᛇण༣᳆ Piano reduction by 䩶⨈㓽㓪䈅 the BA 4316-90 composer ⷨдᘏ䈅 BA 4316 BA 4316-90 Piano reduction BA 4316 Amadeus Study score Wolfgang Mozart

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791)

Mozart, Wolfgang Amadeus ໻䇗Ёᦤ⨈ϢㅵᓺФ䯳ण༣᳆

(1756-1791) A ໻䇗Ёᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ໻䇗Ёᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᬍ㓪㞾ऩㇻㅵण༣᳆ K. 622 Concerto in A maj ओৡ㗙ᬍ㓪˄1802˅/ for Viola and Orchestra ໻䇗Ёᦤ⨈ϢㅵᓺФ䯳ण༣᳆ 㓪䕥 C. 䳡Ḑӡᖋ after the Clarinet Concerto BA622 5336-90 䩶⨈㓽㓪䈅 K. Anon. (1802) / BA 4773arrangement ° Ed. C. Hogwood BA 5336-90 Piano reduction BA 4773 °

㡐㾽㬠䅕㎷。䔘㠘 Bärenreiter’s Concert Pieces BA BA 8983 8983 ᇣ䇗ण༣᳆ Franz Schubert Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Franz Schubert, ᓫᳫ㣼g㟦ԃ⡍ (1797-1828)

in A min Sonata A ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆

“Arpeggione” D 821 ᓫᳫ㣼g㟦ԃ⡍ Dᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ 821

Arranged for viola and piano ⬅ U. v. ᓫ⋯䌿ྚḍ᥂ॳ԰䈅ᬍ㓪Ў after the Urtext by Ёᦤ⨈Ϣ䩶⨈⠜ᴀ v. Wrochem U. ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ 5683 BA 5683 Scoreᘏ䈅ᏺߚ䈅 with part

Friedrich Seitz Seitz, Friedrich

ᓫ䞠ᖋ䞠Ꮰgา㣼 ᓫ䞠ᖋ䞠Ꮰgา㣼 Friedrich Seitz, ᓫ䞠ᖋ䞠Ꮰgา㣼

(1848–1918) (1848-1918)

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Concerto in maj Student op.D22 D ໻䇗໻ᄺ⫳ण༣᳆ ໻䇗໻ᄺ⫳ण༣᳆ ໻䇗໻ᄺ⫳ण༣᳆ ᓫ䞠ᖋ䞠Ꮰgา㣼 op. 22 ᬍ㓪ЎG໻䇗Ёᦤ⨈᳆ Arranged for viola, 㡐㾽㬠䅕㎷。䔘㠘 transposed to G maj BA 8986 ໻䇗໻ᄺ⫳ण༣᳆ Bärenreiter’s Concert Pieces BA 8986 Georg Philipp Telemann Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Telemann, Georg Philipp

(1681-1767) Georg Philipp Telemann, (1681-1767) ໻䇗ण༣᳆ G໻䇗ण༣᳆ ໻䇗ण༣᳆ TWV 51: G9 Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ in G maj TWV 51: G9 Concerto ЎЁᦤ⨈ϢㅵᓺФ䯳㗠԰ ॳ԰䈅 for Viola andW. Orchestra ॳ԰䈅 / 㓪䕥 Ꮰᇨᮑ᳐ ॳ԰䈅 Urtext / Ed. W. Hirschmann ໻䇗ण༣᳆ ׂ䅶⠜ Revised edition BA 5878-90 5878-90 ° ° Piano䩶⨈㓽㓪䈅 BA reduction ॳ԰䈅 51: G9˅ G ໻䇗ण༣᳆˄TWV The Concerto in G maj (TWV 51: G 9) is not just Telemann’s only ϡҙᰃ⋄ࢦ᳐ଃϔⱘЁᦤ⨈ण༣᳆ˈ concerto for the viola but one 㗠Ϩᰃग़৆Ϟ᳔ᮽⱘЁᦤ⨈ण༣᳆П of the earliest viola concertos ϔǄᅗᑨᔦܹ↣ϾЁᦤ⨈᠟ⱘᖙ໛ֱ in history. It belongs to the ⬭᳆Ⳃˈг䗖ᅰѢ䌘ग़䕗⌙ⱘⓨ༣ standard repertoire of every 㗙Ǆ and is also suited for violist less experienced players.

ᓺФ఼ü໻ᦤ⨈ ໻ᦤ⨈⣀༣ ..໻ ໻ ᦤ⨈⣀༣ ................... Violoncello Solo – ໻ᦤ⨈⣀༣ ໻ᦤ⨈⣀༣ ԰᳆ᆊ ..԰᳆ᆊ ................................ . Composers ԰᳆ᆊ ԰᳆ᆊ ໻ᦤ⨈⣀༣ ԰᳆ᆊ

Bach, Sebastian JohannJohann Sebastian Bach Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750) Suites a Violoncello Solo Six ݁佪᮴Ԉ༣໻ᦤ⨈㒘᳆ senza Basso BWV 1007-1012 BWV 1007-1012 Scholarly critical䕥༫㺙 performing ᄺᴃ᷵ࢬⓨߎ⠜ˈ7 edition. ˄᳔ᮄॄࠊ⠜ǃ᭛ᴀǃ Slipcase with 7 volumes 5 Ͼᕅॄӊ˅ˈ352 (newly engraved义Ǆ edition, text, 5᷵ࢬ᡹ਞ facsimiles), 352 pages. Ā2000 ᑈ᳔Շ⠜ā Critical report “Best ॳ԰䈅 Edition / 㓪䕥 B.2000” ᮑ䶺咬ǃ Urtext / Ed. B. Schwemer, D. ӡᖋᆠᇨüજ䞠ᮃ D. BAWoodfull-Harris 5216 ˄㣅᭛˅ BA 5216 (English)

݁佪໻ᦤ⨈⣀༣㒘᳆ Six Suites BWV 1007-1012 ݁佪໻ᦤ⨈⣀༣㒘᳆ ݁佪໻ᦤ⨈⣀༣㒘᳆ for violoncello BWV 1007-1012solo Ed. A. Wenzinger 㓪䕥 A. ᭛䴦Ḑ ݁佪໻ᦤ⨈⣀༣㒘᳆ BA 320-15 BA 320-15 Special Chinese Edition ЁढҎ⇥݅੠೑⡍߿⠜ ЁढҎ⇥݅੠೑⡍߿⠜ atЁढҎ⇥݅੠೑⡍߿⠜ a reduced price ӬᚴӋ ӬᚴӋ ӬᚴӋ page 34 Æ 㾕㄀ 34 义 ЁढҎ⇥݅੠೑⡍߿⠜ Gabrielli, ӬᚴӋ Domenico Domenico Gabrielli, Domenico Gabrielli Domenico Gabrielli ໮᳐ሐ⾥gࡴᏗ䞠඗߽ (1659-1690) ໮᳐ሐ⾥gࡴᏗ䞠඗߽ ໮᳐ሐ⾥gࡴᏗ䞠඗߽ (1659-1690) (1659-1690) The Complete Works ໮᳐ሐ⾥gࡴᏗ䞠඗߽ ໻ᦤ⨈⣀༣Ϣ for violoncello solo and ໻ᦤ⨈⣀༣Ϣ ໻ᦤ⨈⣀༣Ϣ for violoncello and bc ໻ᦤ⨈੠䗮༣Ԣ䷇԰કܼ䲚 ໻ᦤ⨈੠䗮༣Ԣ䷇԰કܼ䲚 ໻ᦤ⨈੠䗮༣Ԣ䷇԰કܼ䲚 Urtext / Ed. B. Hoffmann ॳ԰䈅 B. 䳡໿᳐ ॳ԰䈅 ॳ԰䈅 Score with parts HM 279/ 㓪䕥 ໻ᦤ⨈⣀༣Ϣ HM 279 ᘏ䈅ᏺߚ䈅 ໻ᦤ⨈੠䗮༣Ԣ䷇԰કܼ䲚 ॳ԰䈅

. ᡞ໻ᦤ⨈Ϣ................ ᡞ໻ᦤ⨈ 1–2 Violoncellos and ᡞ໻ᦤ⨈ ᡞ໻ᦤ⨈ .䬂ⲬФ఼…....................... 䬂ⲬФ఼ Keyboard 䬂ⲬФ఼ Instrument 䬂ⲬФ఼ ᡞ໻ᦤ⨈ 䬂ⲬФ఼

໻ᦤ⨈੠䩶⨈䷇ФӮ԰ક ໻ᦤ⨈੠䩶⨈䷇ФӮ԰ક ໻ᦤ⨈੠䩶⨈䷇ФӮ԰ક

Concert Pieces ໻ᦤ⨈੠䩶⨈䷇ФӮ԰ક for Cello and Piano 㡐㾽㬠⫔㳂㣺㤛ゐ Bärenreiter’s Cello Collection Sassmannshaus Ed. 㓪䕥Ch. Ch. ᠢᮃ᳐ᮃ䈾ᮃ BA Cello part and BA 9695 9695 ໻ᦤ⨈ߚ䈅੠ enclosed 䜡༫䩶⨈Ԉ༣ piano accompaniment

ThisϢ⦄᳝ⱘ໻䞣Ꮘ䌿໻ᦤ⨈㒘᳆ߎ edition, in contrast to ⠜⠽Ⳍ↨ˈℸ⠜ᴀ߽⫼њ⬭㒭៥Ӏⱘ the array of Bach Cello Suite ᠔᳝Ѩ⾡ॳྟ䌘᭭Ǆℸ⠜ⱘ෎⸔ᰃॳ publications available today, ྟ䌘᭭Ё᳔Ўৃ䴴ⱘǃA. M. Ꮘ䌿᠟ has made use of all the five sources which have come Ёⱘ᠟ᡘॳ〓Ǆ⏙᱄㓪ᥦњߎ㞾݊Ҫ down to us. The basis for this ಯ⾡ॳྟ䌘᭭ⱘϡৠ᭛ᴀ⫼ѢⓨߎǄ edition is the most reliable of the sources, the manuscript copy in the hand of A. M. Bach. All variant readings from the four other sources are clearly laid out for performance.

Ф䈅䗝㞾˖Ꮘ䌿݁佪᮴Ԉ༣໻ᦤ⨈㒘᳆ˈBA 320-15

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ᓺФ఼ü໻ᦤ⨈ ᮄߎ˖ Bärenreiter Sonderedition V. R. CHINA 健❞຿ЁढҎ⇥݅੠೑⡍߿⠜ Höchste Qualität zum einmaligen ⣀ϔ᮴Ѡⱘ⡍Ӌǃ㟇催䋼䞣 Sonderpreis 健❞຿Ф䈅⠜ֱ䆕Ф䈅໘Ѣᔧࠡⱘⷨお∈‫ޚ‬ϞǄᅗӀ಴Ϲϱড়㓱ⱘ㓪䕥ǃ ᮴ৃᣛ䋷ⱘॄࠋϢߎ㡆ⱘ㺙䅶㗠ߎӫǄ 䖭⾡さߎⱘ䋼䞣Փ健❞຿៤Ўܼ⧗乚‫䷇ⱘܜ‬Фߎ⠜⼒ПϔǄ ⬅Ѣ᳝њা䗖⫼ѢЁढҎ⇥݅੠೑ⱘϔϾ⡍߿⠜ᴀˈ 䖭ѯध䍞ⱘ⠜ᴀЁ᳝ϔѯ⦄೼ᇍЁ೑໻ᄺ⫳ᴹ䇈г䋳ᢙᕫ䍋њǄ䖭ѯ⠜ᴀⱘФ䈅ǃ 㒌ᓴ䋼䞣ǃॄࠋϢ㺙䅶Ϣॳ㺙ⱘ健❞຿⠜ᴀⳌৠǄ 健❞຿ⱘ䖭ϔЁढҎ⇥݅੠೑⡍߿⠜ҹ᮴ৃᡫ㸵ⱘӋḐᦤկ Āᖋ೑ࠊ䗴āⱘॳ㺙健❞຿䋼䞣Ǆ

໻ᦤ⨈ ໻ᦤ⨈ ໻ᦤ⨈ Johann Sebastian BACH 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ݁佪໻ᦤ⨈⣀༣㒘᳆

BWV 1007-1012 CELLO 㓪䕥 ༹সᮃ⡍g᭛䴦Ḑ BA 320-15 ⡍Ӌ˖ ⃻‫ܗ⃻ܗ‬ ⡍Ӌ˖3.00 ⡍Ӌ˖ ⃻‫ ܗ‬⡍Ӌ˖ ⡍Ӌ˖ ⃻‫ܗ⃻ܗ‬ Ludwig van BEETHOVEN ໻ᦤ⨈ ໻ᦤ⨈ Ludwig van BEETHOVEN 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃 ᖋ㓈Ꮰg㣗g䋱໮㢀 Ludwig van BEETHOVEN 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 ໻ᦤ⨈Ϣ䩶⨈༣号᳆ Sonatas for Violoncello 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Op. Ϣ㄀5,2Nos. োˈ 1 & 2, Piano1 op. and5ˈ㄀ op. 102ˈ㄀ op.69ˈop. 69, op. 102, Nos.11Ϣ&㄀ 2 2ো Mar Urtext/ /㓪䕥 Ed. J.J.Del ॳ԰䈅 ᖋᇨ偀ᇨ Sonderausgabe V.R. China ЁढҎ⇥݅੠೑⡍߿⠜ BA 9012-15 E 5.00 BA 9012-15 5.00 ⃻‫ܗ‬ ⡍Ӌ˖ ⡍Ӌ˖ ⃻‫ܗ⃻ܗ‬ Scholarship has advanced, new Johann Sebastian ᄺᴃⷨおপᕫњ䖯ሩˈᮄⱘᘏ䈅 sources have come to lightBACH and Johann Sebastian Ჱ‫ܝ‬њˈⶹৡⱘ䋱໮㢀ⷨおϧᆊШ㒇 the renowned Beethoven BACH expert 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 für Violoncello Sechs Suiten Jonathan Del Mar has turned his Ểgᖋᇨ偀ᇨᇚ݊⊼ᛣ࡯䕀৥ܼ䚼໻ soloto BWV attention the 1007-1012 centrally important ᦤ⨈԰કЁⱘḌᖗ䞡㽕П԰ǃ䋱໮㢀 Ed. August Wenzinger BA 320-15 Sonderpreis: € 3.00 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀

⡍Ӌ˖

⃻‫ܗ‬

from: Beethoven, Sonaten für Violoncello und Klavier

Ludwig van BEETHOVEN Ludwig van BEETHOVEN Sonaten für Violoncello und Klavier Op. 5, Nr. 1 und 2, op. 69, op. 102, Nr. 1 und 2 BÄRENREITER URTEXT Ed. J. Del Mar BA 9012-15 Sonderpreis: € 5.00 Der Vertrieb dieser Ausgaben ist nur in der V.R. CHINA zulässig! Weitere Ausgaben sind geplant.

works in the cello œuvre, the five Ў໻ᦤ⨈Ϣ䩶⨈᠔԰ⱘѨ佪༣号᳆Ǆ Beethoven Sonatas for Violoncello Ш㒇Ểgᖋᇨ偀ᇨⱘᄺᴃ᷵ࢬ⠜ϡҙ and Piano. Jonathan Del Mar’s ࣙ৿ᴗ࿕ᭆᅮⱘФ䈅ˈ㗠Ϩ৿᳝ᇍ䖭 scholarly-critical edition not only ѯ԰કⱘ佪⃵᷵ࢬ䆘䆎Ǆ contains the definitive music text, but also the first critical commentary to these works. ᱑⫔㳂㣺コ᱃⶷㣺コ᱃ⷘ⭹⭥⡕ ⱁⳳ➏⼤䎀ⰵ䎃㾊䔁㘚㤛⭥㦉㶟⟇⡟ »Cellists, pianists, and Ⱍ㣭㶜㲌㈤㑬ᷜ㻷䊻᷍㸳㗨䇱㑬䄜⳾ Beethoven-lovers everywhere have been eagerly awaiting an ㎷㠸᷍㰝䊻㋪䊅ボ⭥ㅌ㎕䇱㶜⡄⧷㦉 authoritative version of these sonatas 㶟㎷㠸⭥⭹㸜᱄᱒ for far too long; now we will have 㬘⭺㸥᱅䄢㧝ⱜ㏜㯚 an edition that promises to remain THE standard text for the foreseeable future.« (Steven Isserlis) ᱑㣨㚪㩎᱅⭣ⱜ㕎ⱜⶫ䐏㧈䴣⧫ 㻸㑬⡕ⱁⳳ⫔㳂㣺䈌⶷㣺䔁㘚㤛㦌ゐ »Jonathan Del Mar has laboured heroically to present ⭥㡐㾽㬠㾣⟇᱋㸿㔼䋖䂚䊿䂐䎃㼏䓠 Bärenreiter’s new edition of the ㉙⧪㈮Ⱍ⤜㸋⺞᱄᱒ complete sonatas for cello and ᷉᱗⶷㣺ㅭ㬇᱘᷊ piano by Beethoven – and no praise can do justice to this towering archievement.« (Music Teacher)

ᓺФ఼ü໻ᦤ⨈ Ludwig van Ludwig van Beethoven ঠㇻㅵ ᡞ໻ᦤ⨈Ϣ and . ᡞ໻ᦤ⨈ϢĂĂĂ Beethoven, 1–2 Violoncellos Beethoven, Ludwig van 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) 䬂ⲬФ఼ ü .䬂ⲬФ఼ ü..................... ᡞ໻ᦤ⨈Ϣ ᡞ໻ᦤ⨈Ϣ Keyboard Instrument – 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) ᡞ໻ᦤ⨈Ϣ 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䬂ⲬФ఼ ü ԰᳆ᆊ 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 .԰᳆ᆊ............................. 䬂ⲬФ఼ ü Composers Sonatas for Piano and 䬂ⲬФ఼ ü ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ᡞ໻ᦤ⨈Ϣ ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ᕐᕫg㓈ᇨˈ Violoncello op. 5, Nos. 1 and 2, ԰᳆ᆊ ԰᳆ᆊ 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 op. 5 ㄀1Ϣ㄀2োˈ ԰᳆ᆊ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ op. 69, op. 102, Nos. 1 and 2 Johann Christoph Friedrich Bach ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ໻ᦤ⨈Ϣ䩶⨈༣号᳆ Bach, Johann Christoph Friedrich 䬂ⲬФ఼ ü ໻ᦤ⨈Ϣ䩶⨈༣号᳆ op. 69,Edition op. 102ˈ㄀1Ϣ㄀2ো “Best 2005” 㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿 Bach, Johann Christoph Friedrich / Ed. J. Del Mar ԰᳆ᆊ Urtext Ā2005ᑈ᳔Շ⠜ā (1732-1795) (1732-1795) 㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿

໻䇗༣号᳆ Sonata in G maj G ໻䇗༣号᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄g‫ܟ‬䞠ᮃᠬᓫgᓫ䞠ᖋ䞠ᏠgᏈ䌿 for violoncello and bc Ў໻ᦤ⨈Ϣ䗮༣Ԣ䷇㗠԰

໻䇗༣号᳆ ໻䇗༣号᳆ Ed. H.H.Ruf ໻䇗༣号᳆ 㓪䕥剕໿ BA 3745 BA 3745 ໻䇗༣号᳆

Bach, Johann Sebastian JohannJohann Sebastian Bach Sebastian Bach, 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750)

໻ᦤ⨈Ϣ䩶⨈༣号᳆ Score with part BA 9012-15 ॳ԰䈅 / 㓪䕥 J.·ᖋᇨ偀ᇨ ॳ԰䈅 and critical BA 9012-15 ᘏ䈅ᏺߚ䈅੠ ॳ԰䈅 ॳ԰䈅 commentary ॳ԰䈅 ᷵ࢬ᡹ਞ Special Chinese Edition ЁढҎ⇥݅੠೑⡍߿⠜ ӬᚴӋ ЁढҎ⇥݅੠೑⡍߿⠜ ӬᚴӋ at a reduced price ॳ԰䈅 page 34 Æ 㾕㄀34义 ЁढҎ⇥݅੠೑⡍߿⠜ ӬᚴӋ ЁढҎ⇥݅੠೑⡍߿⠜ ӬᚴӋ ЁढҎ⇥݅੠೑⡍߿⠜ ӬᚴӋ ЁढҎ⇥݅੠೑⡍߿⠜

ӬᚴӋ

This 䖭Ͼॳ԰䈅⠜ᴀ佪⃵乒ঞߎ㞾ϔ Urtext edition makes use ऩㇻㅵ of, for the first time, Debussy’s ໘⾕Ҏᬊ㮣ⱘᖋᔾ㽓㤝〓ˈ䖭ѯ㤝〓 sketches held in a private collection which contain not ㆛䞡㽕䆘䆎ˈ㗠Ϩ䖬⫼ᴹ╘⏙᠟〓੠ only an important comment by Debussy regarding the balance ߱⠜Ё䷇ФϞⱘϔѯϡϔ㟈ⱘഄᮍǄ of the instruments but also ࡴᏗ䞠඗ᇨg⽣䳋 clarify several musical 健❞຿ⱘॳ԰䈅ᮄ⠜Ԉҹ䆺ሑⱘ ambiguities found in the ࠡ㿔˄ᖋ᭛/㣅᭛/⊩᭛˅ˈϡҙ䆎䗄 autograph and first edition. ԰કⱘᔶ៤৆੠᳔ᮽⱘⓨߎˈ㗠Ϩࣙ ৿݇Ѣⓨߎᅲ䏉ᮍ䴶ⱘֵᙃǄ Bärenreiter’s Urtext edition comes with a detailed preface (Ger/Eng/Fr) elaborating not ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü only on the genesis of the ‫ܟ‬㔫咬ᇨ composition and its first performances but also providing performance practice information.

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ϡҙࣙ৿԰᳆ᆊ೼Ф఼ण䇗ᮍ䴶ⱘϔ

NEW

Concerto in a-Moll für A ᇣ䇗໻ᦤ⨈ǃᓺФ੠䗮༣Ԣ䷇ Violoncello, Streicher und ण༣᳆ˈḍ᥂ BWVnach 593 ᬍ㓪 Basso continuo BWV 593 Bearbeitung von Joachim ⬅㑺䰓Ꮰྚ F. W. ᮃ༜ᖋᬍ㓪 F. Schneider 䩶⨈㓽㓪䈅 BAW. 5136-90 BA 5136-90 Piano reduction

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㨫ৡⱘ

Johann Sebastian Bach’s ㅵ亢⨈ण༣᳆ BWV 593 famous concerto forᰃḍ᥂ᅝϰ organ ሐসᢝg䇶ᖋ㓈ᇨ ሐ༹g㓈⪺ᇨ䖾Ўϸᡞᇣᦤ⨈ǃᓺФ BWV 593 is an arrangement of ఼੠䗮༣Ԣ䷇㗠԰ⱘण༣᳆ǉ੠䇤ⱘ Antonio Vivaldi’s concerto ♉ᛳǊop. 3 Ёⱘ㄀ 8 佪ᬍ㓪㗠ᴹⱘǄ op. 3 no. 8 from L’Estro Armonico for two solo violins, ៥Ӏⱘᮄ⠜߭Ⳍডˈḍ᥂Ꮘ䌿ⱘ strings and basso continuo. ㅵ亢⨈ण༣᳆ᬍ㓪ˈ㗠ϨᏆ㒣ᬍ㓪Ў Our new edition, in turn, is ⣀༣໻ᦤ⨈ǃᓺФঞ䗮༣Ԣ䷇ण༣ an arrangement of this organ ᳆Ǆ䖭ᰃফ㨫ৡ໻ᦤ⨈ᆊׂᇨg௝⹻ concerto and has been scored ྆Пྨ㑺ᬍ㓪ⱘǄ2013 for violoncello solo, ᑈ೼ᖋ೑फᮍ strings ⱘᅝᮃᏈ䌿В㸠ⱘ㨫ৡ䷇Ф㡖ĀᏈ䌿 ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ and basso continuo. It was ਼āϞ௝⹻྆佪ⓨњ䖭佪Ф᳆Ǆ commissed for the renowned cellist Sol Gabetta who premiered it at the 2013BWV 593 z ḍ᥂Ꮘ䌿ㅵ亢⨈ण༣᳆ Bachwoche in Ansbach, a ᬍ㓪 famous music festival in southern Germany. z Ў໻ᦤ⨈᠟䞣䑿ᅮࠊⱘᬍ㓪᳆Ⳃ

ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬

Antonín DvoƎák

䩶⨈Ϣ໻ᦤ⨈ব༣᳆ 䩶⨈Ϣ໻ᦤ⨈ব༣᳆ 䩶⨈Ϣ໻ᦤ⨈ব༣᳆ Variations for Pianoforte and 䩶⨈Ϣ໻ᦤ⨈ব༣᳆ 䩶⨈Ϣ໻ᦤ⨈ব༣᳆ ॳ԰䈅 ॳ԰䈅 WoO 45, Op.WoO 66, WoO 46 66, Violoncello 45, Op. WoO 46/ 㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 ॳ԰䈅䩶⨈Ϣ໻ᦤ⨈ব༣᳆ ॳ԰䈅 Urtext / Ed. J. Del Mar BA 9028 ᘏ䈅ᏺߚ䈅 Score with part BA 9028 ॳ԰䈅

Arrangement of Bach’s organ concerto BWV 593 Johann Sebastian Bach

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

(1685-1750)

ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ ᇣ䇗໻ᦤ⨈ǃᓺФ੠䗮༣Ԣ䷇ Three Sonatas for Violoncello ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ण༣᳆ˈḍ᥂ ᬍ㓪 the and Harpsichord after ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ BWV 1027-1029 ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ Gamba Sonatas BWV 1027-1029 ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ⬅‫ࢇܟ‬ᖋgᵄ䆋⋄Ўⓨߎ㓪‫ݭ‬໻ᦤ⨈ Violoncello part prepared for ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ϝ佪໻ᦤ⨈Ϣ㖑ㅵ䬂⨈༣号᳆ performance by Claude Génetay ໄ䚼 Urtext Ed. H. ḍ᥂স໻ᦤ⨈༣号᳆ᬍ㓪 ॳ԰䈅 //㓪䕥 H.Eppstein ඗᱂ᮑ⋄಴ ॳ԰䈅 Score with part BA 5210 ᘏ䈅ᏺߚ䈅 BA 5210 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

(1841-1904) ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᅝϰᅕgᖋ≗໣‫ܟ‬

ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ Bॳ԰䈅 ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ॳ԰䈅 op. 104 ॳ԰䈅 ॳ԰䈅 ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ /Antonín 㓪䕥 J. ᖋᇨ偀ᇨ Dvořák, ԰᳆ᆊ᠔԰䩶⨈㓽㓪䈅 Antonín Dvořák, 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ॳ԰䈅 (1841-1904) BA 9045-90° ᕅ䷇⠜ ᕅ䷇⠜ ᕅ䷇⠜ in B min Concerto ᕅॄ⠜ ᕅ䷇⠜ Æ Æ for Violoncello and Orchestra ISBN 978-3-7618-1849-7 Æ 104 op. ᕅ䷇⠜ Æ 㾕㄀85义 Æ Urtext / Ed. J. Del Mar Piano reduction by the ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Æ composer BA 9045-90 °

Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ

Idiomatic arrangement for cellists

ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬

‫⋯ܟ‬ᖋgᖋᔾ㽓 ‫⋯ܟ‬ᖋgᖋᔾ㽓

Facsimile edition ISBN 978-3-7618-1849-7 page 85

‫⋯ܟ‬ᖋgᖋᔾ㽓 ‫⋯ܟ‬ᖋgᖋᔾ㽓 ‫⋯ܟ‬ᖋgᖋᔾ㽓

Claude Debussy ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ໻ᦤ⨈Ϣ䩶⨈༣号᳆ Debussy, Claude ‫⋯ܟ‬ᖋgᖋᔾ㽓 ॳ԰䈅 ॳ԰䈅 ໻ᦤ⨈Ϣ䩶⨈༣号᳆ Claude Debussy, (1862-1918) ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ໻ᦤ⨈Ϣ䩶⨈༣号᳆ ॳ԰䈅 (1862-1918) ॳ԰䈅 ॳ԰䈅 ໻ᦤ⨈Ϣ䩶⨈༣号᳆ Sonata for Violoncello and Piano ॳ԰䈅 //㓪䕥 R.Back, Ꮘ‫ܟ‬ǃ Urtext Ed. R. D. Woodfull-Harris ӡᖋᆠᇨüજ䞠ᮃ D. BA Scoreᘏ䈅ᏺߚ䈅 with part BA 9412 9412

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

ᓺФ఼ü໻ᦤ⨈ 㦅༹ҔgѮ㒇ߛ‫ܟ‬

➲⫔㳂㣺䈌............................... 1-2 Violoncellos and Keyboard Instrument Composers ポ㝭㎷㡘 ᱋ –䔘㤛コ…................….

Janáček, Leoš 㦅༹ҔgѮ㒇ߛ‫ܟ‬ Leoš Janáþek Janáček, Leoš 㦅༹ҔgѮ㒇ߛ‫ܟ‬ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1854-1928) (1854-1928) ໻ᦤ⨈Ϣ䩶⨈԰ક ໻ᦤ⨈Ϣ䩶⨈԰ક ॳ԰䈅 for Violoncello and Works ໻ᦤ⨈Ϣ䩶⨈԰ક ॳ԰䈅 Piano ॳ԰䈅 / ᆠव༛ǃ Urtext /㓪䕥 Ed. J. J. Fukac, B. Havlík B. BAજ໿߽‫ܟ‬ 9509 Score with part BA 9509 ᘏ䈅ᏺߚ䈅

㦅༹ҔgѮ㒇ߛ‫ܟ‬

⠅ᖋढg඗ᇨࡴ

EdwardEdward Elgar Elgar, ⠅ᖋढg඗ᇨࡴ ⠅ᖋढg඗ᇨࡴ Elgar, Edward (1857-1934) ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆

ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ in E min for Concerto Eॳ԰䈅 ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ Violoncello and Orchestra op. 85 ॳ԰䈅 op. 85 / 㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 Urtext / Ed. J. Del Mar ԰᳆ᆊᬍ㓪៤䩶⨈㓽㓪䈅 reduction by the Piano BA 9040-90 ° composer ⷨдᘏ䈅 TP 398 BA 9040-90 ° TP 398 Study score ᷵ࢬ᡹ਞ Critical commentary BA 9094-40 BA 9040-40 ⠅ᖋढg඗ᇨࡴ z ᳝৆ҹᴹ佪Ͼॳ԰䈅⠜ First ever Urtext edition many colour facsimile z With ᷵ࢬ᡹ਞ˄㣅᭛˅ࣙ৿໻䞣 pages in the critical ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ᔽ㡆ᕅॄӊҹঞ݇Ѣॳྟ䌘᭭ commentary (Eng) and ੠ⓨߎ৆ⱘֵᙃ ᕅ䷇⠜ information on sources and ॳ԰䈅 performance history. ᕅॄ⠜ ᕅ䷇⠜ ISBN 978-3-7618-1928-9 ISBN 978-3-7618-1928-9 Facsimile edition Æ 㾕㄀85义 Æ 㾕㄀85义 ISBN 978-3-7618-1928-9 page 85 ໮᳐ሐ⾥gࡴᏗ䞠඗߽ Domenico Gabrielli ໮᳐ሐ⾥gࡴᏗ䞠඗߽ ໮᳐ሐ⾥gࡴᏗ䞠඗߽ Gabrielli, Domenico (1659-1690) ໻ᦤ⨈⣀༣੠໻ᦤ⨈Ϣ䗮༣Ԣ䷇ Domenico Gabrielli, (1659-1690) ԰કܼ䲚 ໻ᦤ⨈⣀༣੠໻ᦤ⨈Ϣ䗮༣Ԣ䷇ ໻ᦤ⨈⣀༣੠໻ᦤ⨈Ϣ䗮༣Ԣ䷇ ॳ԰䈅 Complete Works The ԰કܼ䲚 ԰કܼ䲚 for violoncello solo and ॳ԰䈅 ॳ԰䈅 / 㓪䕥 B. 䳡໿᳐ for violoncello and bc HM 279 ᘏ䈅ᏺߚ䈅 Urtext / Ed. B. Hoffmann Score with parts HM 279 ᕅ䷇⠜

° ⓨߎᴤ᳝᭭ଂ ⓨߎᴤ᭭ߎ⾳ ໮᳐ሐ⾥gࡴᏗ䞠඗߽

36 ໻ᦤ⨈⣀༣੠໻ᦤ⨈Ϣ䗮༣Ԣ䷇ ԰કܼ䲚 ॳ԰䈅

໻ᦤ⨈Ϣ䩶⨈԰ક ॳ԰䈅

Lalo, Édouard Édouard Lalo, Édouard Lalo ᓫᳫ㣼g㟦ԃ⡍ (1823-1892) ⠅ᖋढgᢝ㔫 (1823-1892)

Concerto in D min for Violoncello and Orchestra D ᇣ䇗ण༣᳆ “Best Edition 2007” Ў໻ᦤ⨈ϢㅵᓺФ䯳㗠԰ Urtext / Ed. H. Macdonald Ā2007reduction ᑈ᳔Շ⠜āby the Piano ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 composer ԰᳆ᆊ᠔԰䩶⨈㓽㓪䈅 BA 6999-90 ° BA 6999-90 °

The autograph score of Lalo’s much played concerto is lost; 㒣ᐌ㹿ⓨ༣ⱘᢝ㔫ⱘ䖭佪ण༣᳆ the only remaining sources ⱘᘏ䈅᠟〓༅Ӵ˗ଃϔ䘫⬭ϟᴹⱘ䌘 are the first edition score and ᭭ᴹ⑤ᰃ߱⠜ܼ༫Ф䈅ˈ䖬᳝ᢝ㔫ⱘ parts as well as the autograph 䩶⨈㓽㓪䈅᠟〓Ǆӥg呺‫ܟ‬૤㒇ǃ໛ piano reduction by Lalo. Hugh ফ䌲䁝ⱘ⊩೑䷇Фⱘ㓪䕥থ⦄ˈᢝ㔫 Macdonald, the highly acclaimed editor of French ⱘ䩶⨈㓽㓪䈅㹿ᢝ㔫ᴀҎ⫼԰Ꮉ԰ᘏ music, has discovered that 䈅Ǆ⫮㟇೼԰કℷᓣߎ⠜ৢˈᢝ㔫䖬 Lalo’s piano reduction was 㒻㓁ᡞ԰કᬍ㓪៤㓽㓪䈅Ǆ៥Ӏⶹ used as a working score by 䘧ˈ䖭ѯব࣪Ў⣀༣ߚ䈅ᦤկњ䆌໮ Lalo himself. He continued to ᷵ℷˈԚг䳔㽕ᇍϔѯФ↉䞡ᮄ䜡఼ make alterations to the work in the reduction even after the ҹ䗖ᑨᢝ㔫᳔㒜ⱘׂᬍǄ work was officially published. These changes provide for many corrections in the solo part as we know it, but also call for some orchestral passages to be re-orchestrated to match up with Lalo’s final alterations.

Martinů, Bohuslav Bohuslav MartinĤ Bohuslav Martinů, म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ (1890-1959) (1890-1959) म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ

म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ

Variations on a Slovakian ᮃ⋯Ӥ‫ܟ‬Џ乬ব༣᳆ Theme Ў໻ᦤ⨈Ϣ䩶⨈㗠԰˄1959˅ ᮃ⋯Ӥ‫ܟ‬Џ乬ব༣᳆ for violoncello and piano (1959) ᮃ⋯Ӥ‫ܟ‬Џ乬ব༣᳆ BA 3969 3969 Score with ᘏ䈅ᏺߚ䈅 BA part

WolfgangWolfgang Amadeus Mozart Mozart, Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart, (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

䰡 B ໻䇗༣号᳆ in B-flat maj Sonata for violoncello (bassoon) and ḍ᥂ K ໻䇗༣号᳆ 292˄196c˅ᬍ㓪ˈЎ໻ᦤ⨈ 䰡䰡 ໻䇗༣号᳆ piano according to K. 292 (196c) ˄໻ㅵ˅Ϣ䩶⨈៪ϸӊԢ䷇Ф఼˄໻ or for two bass instruments ᦤ⨈ǃ໻ㅵ˅㗠԰ K 292˄196c˅ (violoncellos, bassoons) म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ ⬅ 292(196c). M. ⡍Խᇨḍ᥂ॳ԰䈅ᬍ㓪 K. ॳ԰䈅 / 㓪䕥 Arranged by D. M.䋱ᇨ‫ܟ‬ Töpel after the Urtext BA 6974/ Ed. D. Berke ᘏ䈅ᏺߚ䈅 ᮃ⋯Ӥ‫ܟ‬Џ乬ব༣᳆ ॳ԰䈅 ॳ԰䈅 BA 6974 Score with set of parts ༹ᮃवg䞠ϕ

Rieding, Oskar Oskar Rieding, ༹ᮃवg䞠ϕ ༹ᮃवg䞠ϕ (1840-1918) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᇣ䇗ण༣᳆ Concerto in B min op. 35 ᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ Arranged for cello, 䰡 ໻䇗༣号᳆ transposed to D min Bärenreiter’s Concert Pieces BA 8984 ॳ԰䈅

Oskar Rieding ༹ᮃवg䞠ϕ

(1840–1918) B ᇣ䇗ण༣᳆ op. 35 ᬍ㓪Ў D ᇣ䇗໻ᦤ⨈᳆ 㡐㾽㬠䅕㎷。䔘㠘 BA 8984

ᓺФ఼ü໻ᦤ⨈ Seitz, Friedrich Friedrich Seitz Seitz, Friedrich ᓫ䞠ᖋ䞠Ꮰgา㣼 (1848-1918) (1848–1918) ᓫ䞠ᖋ䞠Ꮰgา㣼

NEW

Concerto op. in D22maj Student D ໻䇗໻ᄺ⫳ण༣᳆ op. 22 G ᬍ㓪Ў ໻䇗໻ᦤ⨈᳆ Arranged for cello, ໻䇗໻ᄺ⫳ण༣᳆ 㡐㾽㬠䅕㎷。䔘㠘 transposed to G maj Bärenreiter’s Concert Pieces BA 8987 BA 8987 Carl Stamitz Stamitz, Carl वᇨgᮃศ㉇㣼 Stamitz, Carl (1746-1801) (1746-1801) वᇨgᮃศ㉇㣼

Camille Saint-Saëns Saint-Saëns, Camille व㉇ᇨg೷ḥ Saint-Saëns, Camille (1835-1921) (1835-1921) व㉇ᇨg೷ḥ

Appassionato Allegro op. 43 B ᇣ䇗⛁ᚙⱘᖿᵓ in B min op. 43 Ў໻ᦤ⨈Ϣ䩶⨈㗠԰ forᇣ䇗⛁ᚙⱘᖿᵓ violoncello and piano / 㓪䕥 Ch. 剡ᇨ ॳ԰䈅 Urtext / Ed. Ch. Baur BA 9047 ᘏ䈅ᏺߚ䈅 part BA 9047 Score with ॳ԰䈅 This䖭Ͼ⠜ᴀࣙ৿ߎ㞾ㅵᓺФ⠜ⱘ䗝 edition includes readings from the version for orchestra ᢽᗻ᭛ᴀˈ䖬ࣙᣀᆠ᳝ਃ䖾ᗻⱘࠡ㿔 rendered as ossias and contains ˄㣅᭛/ᖋ᭛/⊩᭛˅Ǆ an enlightening preface ࣙ৿ϸ༫⣀༣ߚ䈅˖᮴ᷛ䆄ⱘॳ (Eng/Ger/Fr). M. ඗ᖋ ԰䈅ߚ䈅ˈ㄀Ѡߚ䈅ᏺ᳝⬅ Two solo parts are included: an unmarked Urtext part and a 㩭Ể㓪‫ⱘݭ‬ᣛ⊩Ϣᓧ⊩Ǆ⣀༣ߚ䈅⠜ second part with fingering and 䴶䆒䅵໻⇨ˈᏺᡬ঴ᓣᦦ义Ǆ bowing by M. Edmondson. The solo parts are generously laid out with a fold-out page.

໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ Concertos for Violoncello 㓪䕥 W. Р᱂䖜㘊ᇨ and Orchestra ໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ H. 㧆ᮃᇨ㓪‫ݭ‬䩶⨈㓽㓪䈅 Ed. W. Upmeyer Piano reductions by H. Füssl ü G ໻䇗㄀ϔण༣᳆ - Concerto G maj HM 104-90 ° No. 1 in 䩶⨈㓽㓪䈅 HM 104-90 ° Piano reduction ໻䇗㄀ϔण༣᳆ HM 104 ᘏ䈅 HM 104 Score

Telemann, Georg Philipp Georg Philipp Telemann Telemann, Georg Philipp Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐

in D maj from Sonata D ໻䇗༣号᳆ “Der getreue Musikmeister” 䗝㞾ǉᖴ䆮ⱘ䷇Ф໻ᏜǊ for violoncello and bc Ў໻ᦤ⨈੠䗮༣Ԣ䷇㗠԰ Ed.໻䇗༣号᳆ J. D. Degen 䗝㞾ǉᖴ䆮ⱘ䷇Ф໻ᏜǊ HM 13 㓪䕥 J. D. ᖋḍ Score with part ᘏ䈅ᏺߚ䈅 HM 13 Vivaldi, Antonio Antonio Antonio Vivaldi, Vivaldi ᅝϰሐ༹g㓈⪺ᇨ䖾 (1678-1741) (1678-1741) Complete Sonatas ᅝϰሐ༹g㓈⪺ᇨ䖾 for Violoncello and ໻ᦤ⨈Ϣ䗮༣Ԣ䷇༣号᳆ܼ䲚 Basso continuo RV 39–47 RV 39-47 Urtext / Ed. B. Hoffmann ໻ᦤ⨈Ϣ䗮༣Ԣ䷇༣号᳆ܼ䲚 ॳ԰䈅 / 㓪䕥figured B. 䳡໿᳐ bass Score with ᘏ䈅ᏺ᭄᳝ᄫԢ䷇䞞䈅ǃ໻ᦤ⨈ߚ䈅 realization, violoncello part ॳ԰䈅 Ϣ᭄ᄫԢ䷇ߚ䈅 and figured continuo part BA 6995 6995 Scoreᘏ䈅ᏺߚ䈅 with parts BA

ü A ໻䇗㄀Ѡण༣᳆ - Concerto No. 2 in A maj 3711 Piano䩶⨈㓽㓪䈅 reduction BA 3711 ໻䇗㄀Ѡण༣᳆ - Concerto No. 3 in C maj ü C ໻䇗㄀ϝण༣᳆ HM 105-90 ° Piano reduction HM 105-90 ° HM 105 Score䩶⨈㓽㓪䈅 ໻䇗㄀ϝण༣᳆ ᘏ䈅 HM 105

ᓫᳫ㣼g㟦ԃ⡍

Franz Schubert ᓫᳫ㣼g㟦ԃ⡍ Schubert, Franz Franz Schubert, (1797-1828) ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ (1797-1828) A ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ ॳ԰䈅 Sonata D 821 in A min “Arpeggione” D 821. Arranged for violoncello Ў໻ᦤ⨈Ϣ䩶⨈㗠ᬍ㓪ˈ෎Ѣॳ԰䈅 and piano. Based on the Urtext. 㓪䕥H.H. 㓈ᇨ⡍ Wirth Ed. BA 5685 BA 5685 Scoreᘏ䈅ᏺߚ䈅 with part

า㣼 op. 22ˈBA Ф䈅䗝㞾˖ ⱘD ໻䇗໻ᄺ⫳ण༣᳆ From: Seitz, Student Concerto in D maj op. 22 ·8987 BA 8987

↣Ͼ໻ᦤ⨈᠟ⱘⷨд԰ક

Every Cellist’s Studies ↣Ͼ໻ᦤ⨈᠟ⱘⷨд԰ક Edited by Martin Rummel z ⬅偀ϕg剕ṙᇨ㓪䕥 Newly engraved and corrected Clear, reader-friendly layout z ᳔ᮄࠊ⠜ǃׂ䅶 z ⠜䴶䆒䅵⏙᱄ǃᯧ䇏 With fingering and bowing for today's cellists z pages ᏺ᳝䗖ᅰѢᔧҞ໻ᦤ⨈᠟ⱘᣛ⊩Ϣᓧ⊩ With fold-out where players need them With optimal page turns z ೼ⓨ༣㗙᠔䳔П໘䜡᳝ᡬ঴ᦦ义 z 㗏义໘Ӭ࣪

Battanchon, Felix Battanchon, Felix Felix Battanchon (1814-1893) 䌍䌍߽‫ܟ‬ᮃgᏈ૤䲘 ߽‫ܟ‬ᮃgᏈ૤䲘 (1814—1893)

12 Etudes in the Thumb Position for Solo Violoncello op. 25 佪໻ᦤ⨈⣀༣ⱘྚᣛԡ㕂㒗д᳆ 佪໻ᦤ⨈⣀༣ⱘྚᣛԡ㕂㒗д᳆ BA129405 op. 25 The BAFrench 9405 cellist Felix Battanchon was solo cellist in the Orchestra of the Grand Opéra⊩೑໻ᦤ⨈ᆊ䌍߽‫ܟ‬ᮃgᏈ૤䲘 in Paris. Further details ofᰃᏈ咢໻℠࠻ಶФ䯳ⱘ⣀༣໻ᦤ⨈ his life have yet to be researched, but what we do ᠟Ǆ݊⫳ᑇ䆺ᚙ䖘Ҟ᳾ᕫࠄ᥶ᯢˈԚ know is that he composed 40 䚼 ៥Ӏ᠔ⶹ䘧ⱘᰃˈҪ߯԰њ㑺 about 40 works. The vast ԰કǄҪⱘ԰ક㒱໻䚼ߚᰃЎϔ㟇ϝ majority of his compositions ᡞ໻ᦤ⨈㗠԰ⱘĀ≭啭āФ᳆ǄᏈ૤ are “Salon” pieces for 1 to 3 cellos. He also wrote several12 佪䲘䖬䈅‫ݭ‬њ㢹ᑆ㒗д᳆䲚Ǆ䖭 collections of etudes. ྚᣛԡ㕂㒗д᳆ϡҙ䗖ড়Ѣྚᣛԡ㕂 The 12 Etudes in the Thumb ܹ߮䮼ⱘⓨ༣㗙ˈг䗖ᅰѢྚᣛԡ㕂 Position are not only suitable forⱘ㊒ⷨǄ players who are starting to play in the thumb position but Jean-Louis Duport also for those who are more 䅽ü䏃ᯧg䖾⊶ᇨ 䅽ü䏃ᯧg䖾⊶ᇨ advanced. (1749—1819)

Duport, Jean-Louis Duport, Jean-Louis 21 佪໻ᦤ⨈㒗д᳆ˈᏺ᳝㄀Ѡᡞ໻ 佪໻ᦤ⨈㒗д᳆ˈᏺ᳝㄀Ѡᡞ໻ ᦤ⨈ⱘԈ༣˄े݈ⓨ༣˅ ᦤ⨈ⱘԈ༣˄े݈ⓨ༣˅ (1749-1819) ᘏ䈅ᏺߚ䈅Ϣ᭛ᴀो 21 BA Etudes 6980 for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) z ᏺ᳝կ㄀Ѡᡞ໻ᦤ⨈े݈ⓨ༣ⱘ Score with part and text volume ऩ⣀ᘏ䈅 BA 6980

With a separate score for z ᏺ᳝ᇣ‫ݠ‬ᄤ˄ᖋ᭛ 㣅᭛˅ࣙ৿ⓨ the ad libitum second cello ༣ᣛ⚍ϢᡔᎻᓎ䆂 With a brochure (Ger/Eng) including playing tips and 38 technical advice

Grützmacher, Friedrich Grützmacher, Friedrich Friedrich Grützmacher (1832-1903) ᓫ䞠ᖋ䞠ᏠgḐ৩㣼偀䌿ᇨ ᓫ䞠ᖋ䞠ᏠgḐ৩㣼偀䌿ᇨ (1832—1903) Technology of Violoncello Playing. Twenty-four Etudes ໻ᦤ⨈ⓨ༣ᡔᎻ for໻ᦤ⨈ⓨ༣ᡔᎻ Violoncello Solo op. 38 BA24 6997 Score and textop. volume 佪໻ᦤ⨈⣀༣㒗д᳆ 38 佪໻ᦤ⨈⣀༣㒗д᳆ ᘏ䈅Ϣ᭛ᴀो BA 6997 With a brochure (Ger/Eng) including playing tips and z ࣙ৿᭛ᄫᇣ‫ݠ‬ᄤ˄ᖋ᭛/㣅᭛˅ technical advice ᏺ᳝ⓨ༣ᣛ⚍੠ᡔᎻϞⱘᓎ䆂

Lee, Sebastian Sebastian Lee Lee, Sebastian าᏈᮃ㩖ᅝgᴢ าᏈᮃ㩖ᅝ ᴢ (1805-1877) (1805—1877) 87 40 Easy Etudes for Violoncello 40 an 佪໻ᦤ⨈ㅔᯧ㒗д᳆ᏺ᳝㄀Ѡᡞ 佪໻ᦤ⨈ㅔᯧ㒗д᳆ᏺ᳝㄀Ѡᡞ with Accompaniment of a ໻ᦤ⨈ⱘԈ༣˄े݈ⓨ༣˅op. ໻ᦤ⨈ⱘԈ༣˄े݈ⓨ༣˅ 2nd Violoncello (ad lib.) op. 7070 BABA 9401 9401 The editor has based his edition on the㓪䕥Փ݊ᮄ⠜෎ѢาᏈᮃ㩖 first edition of Sebastian ᅝgᴢ˄1805—1887˅1855ᑈⱘ㒗 Lee’s (1805-1887) etudes from 1855; he has sparingly added д᳆߱⠜˗Ҫ᳝㡖ࠊഄ⏏ࡴњᣛ⊩ǃ fingering, bow strokes and slurs 䖤ᓧ੠䖲㒓ˈᷛᯢᅗӀЎ㓪䕥᠔ࡴˈ indicating them editorially so Փⓨ༣㗙㛑໳ゟेⳟ㾕Ф䈅ⱘব࣪Ǆ players can immediately see the textural alterations.

Merk, Joseph Merk, Joseph Joseph Merk 㑺⨳໿gṙ‫ ܟ‬ 㑺⨳໿gṙ‫ܟ‬ (1795-1852) (1795—1852) 20 Etudes for Violoncello op. 11 BA 佪໻ᦤ⨈㒗д᳆ 20 9411 佪໻ᦤ⨈㒗д᳆op. 11 9411 modern edition BA Only z z

of these studies 䆹㒗д᳆ⱘଃϔ⦄ҷ⠜ᴀ Valuable performance tips (Ger/Eng) ⦡䌉ⱘⓨߎᅲ䏉ᓎ䆂 ˄ᖋ᭛ 㣅᭛˅

Popper, David David Popper Popper, David 䖒㓈ᖋg⊶Խᇨ 䖒㓈ᖋg⊶Խᇨ (1843-1913) (1843—1913) Fifteen Easy Melodic-Harmonic 15 佪ㅔऩᮟᕟ੠ໄ㒗д᳆ˈЎ໻ᦤ⨈ 佪ㅔऩᮟᕟ੠ໄ㒗д᳆ Etudes for Violoncello withЎ໻ᦤ⨈ 㗠԰ˈᏺ᳝㄀Ѡᡞ໻ᦤ⨈ⱘԈ༣˄े an Accompaniment of a 2nd 㗠԰ˈᏺ᳝㄀Ѡᡞ໻ᦤ⨈ⱘԈ༣˄े Violoncello op. 76 I / ݈ⓨ༣˅op. 76 I lib.) / ݈ⓨ༣˅ (ad Ten Grand Etudes of Moderate 10 佪Ё㑻䲒ᑺ໻㒗д᳆ˈЎ⣀༣໻ 佪Ё㑻䲒ᑺ໻㒗д᳆ˈЎ⣀༣໻ Difficulty for Violoncello Solo ᦤ⨈㗠԰ op. 76ˈ ᦤ⨈㗠԰ op. 76 BA6979 6979 BA “High School of Violoncello ǉ໻ᦤ⨈ⓨ༣催㑻ᬭ⿟Ǌ ǉ໻ᦤ⨈ⓨ༣催㑻ᬭ⿟Ǌ Playing”. Forty Etudesop. for73 40 佪⣀༣໻ᦤ⨈㒗д᳆ 佪⣀༣໻ᦤ⨈㒗д᳆ Solo Violoncello op. 73 BA 6978 BA 6978 䖭ѯᴗ࿕㒗д᳆ⱘ佪Ͼ⦄ҷ⠜ᴀ z First modern edition of these standard studies z ᏺ᳝䰘ࡴⱘᖋ᭛Ϣ㣅᭛ᇣ‫ݠ‬ᄤˈ With an additional brochure inࣙᣀⓨ༣ᣛ⚍ˈҹঞ᥼㤤ৃҹᡒ German and English ࠄ৘㞾ᡔᎻⱘ໻ᦤ⨈খ㗗кǄ including playing tips and references to the cello literature where the individual techniques are found.

Ԣ䷇ᦤ⨈ オ⨈ ..Ԣ Ԣ ䷇ᦤ⨈.......................... Ԣ䷇ᦤ⨈ Double Bass Ԣ䷇ᦤ⨈ Ԣ䷇ᦤ⨈

䷇ФӮ԰ક ЎԢ䷇ᦤ⨈੠䩶⨈㗠԰ ䷇ФӮ԰ક NEW ЎԢ䷇ᦤ⨈੠䩶⨈㗠԰ Concert Pieces 㡐㾽㬠⭮䅕㳂㣺䔘㠘ゐ for Double Bass and Piano ䷇ФӮ԰ક Bärenreiter’s Double Bass 㓪䕥 J. P. ‫⋯ܟ‬ᮃ, H. ᠢᮃ᳐ᮃ䈾ᮃ Collection ЎԢ䷇ᦤ⨈੠䩶⨈㗠԰ BA 9696 Ed. J. P. Close, H. Sassmannshaus Ԣ䷇ᦤ⨈ߚ䈅ঞ䜡༫䩶⨈Ԉ༣ BA 9696 Bass part and enclosed piano accompaniment

オ⨈ ..オ⨈................................. Harp Ernst Krenek オ⨈ Krenek, Ernst ᘽᮃ⡍g‫ܟݙ⛁ܟ‬ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ Krenek, Ernst (1900-1991) (1900-1991) ᘽᮃ⡍g‫ܟݙ⛁ܟ‬ オ⨈

オ⨈༣号᳆ op. 150˄1955˅ Sonata for harp op. 150 (1955) BA 3230 BA 3230 Score ᘏ䈅オ⨈༣号᳆ ᘽᮃ⡍g‫ܟݙ⛁ܟ‬ Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus Mozart, Wolfgang Amadeus (1756-1791) オ⨈༣号᳆ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ໻䇗ण༣᳆ K 299˄297c˅ C໻䇗ण༣᳆ in C maj K. 299 (297c) Concerto Ў䭓ワǃオ⨈ϢㅵᓺФ䯳㗠԰ for Flute, Harp and Orchestra ໻䇗ण༣᳆ / /㓪䕥 F.Giegling ॳ԰䈅 ঢ়Ḑᵫ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Urtext Ed. F. BA 4598-90 reduction BA 4598-90° ° Piano䩶⨈㓽㓪䈅 ॳ԰䈅 286 TP 286 Studyⷨдᘏ䈅 score ໻䇗ण༣᳆ ॳ԰䈅

Rossini, Gioachino Gioachino Rossini Rossini, Gioachino ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ (1792-1868) (1792-1868) ⛺䰓෎䇎g㔫㽓ሐ Andantino and Allegro brillante

ढБ⌏⋐ⱘᇣ㸠ᵓ੠ᖿᵓオ⨈᳆ for Harp B. Ꮧࢇ㒇 ॳ԰䈅 Urtext/ /㓪䕥 Ed. P. P. Brauner BA ढБ⌏⋐ⱘᇣ㸠ᵓ੠ᖿᵓオ⨈᳆ BA 10541 10541 ⛺䰓෎䇎g㔫㽓ሐ ॳ԰䈅 ढБ⌏⋐ⱘᇣ㸠ᵓ੠ᖿᵓオ⨈᳆ ॳ԰䈅

⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ

໻ᦤ⨈ϢԢ䷇ᦤ⨈Ѡ䞡༣ ॳ԰䈅 Rossini Gioachino ໻ᦤ⨈ϢԢ䷇ᦤ⨈Ѡ䞡༣ ⛺䰓෎䇎g㔫㽓ሐ ॳ԰䈅 Gioachino Rossini, (1792-1868) Rossini, Gioachino (1792-1868) ໻ᦤ⨈ϢԢ䷇ᦤ⨈Ѡ䞡༣ ॳ԰䈅 / 㓪䕥 P. ៜา⡍ Duet for Violoncello BA and10544 Double Bass ᘏ䈅ᏺߚ䈅 Urtext / Ed. P. Gossett Æ 㾕㄀ 49 义 Score with parts BA 10544

Seite 49

Ф䈅䗝㞾˖ 㔫㽓ሐ ⱘढБ⌏⋐ⱘᇣ㸠ᵓ੠ᖿᵓオ⨈᳆ˈBA 10541 From: Rossini, Andantino and Allegro brillante for Harp · BA 10541

㄀䕥˖ ㄀䕥˖

ᇣ䇗Ꮹ㩖ศ ᇣ䇗Ꮹ㩖ศ

䭓ワ .䭓ワ䷇ ䷇Фᬭ㚆к㈡Ϣ ䷇Фᬭ㚆к㈡Ϣ .. ....... Educational Music and ԰ક䲚 .԰ક䲚.............................. Collections for Flute ䷇Фᬭ㚆к㈡Ϣ ䷇Фᬭ㚆к㈡Ϣ ䷇Фᬭ㚆к㈡Ϣ ԰ક䲚 ԰ક䲚 ԰ક䲚 ䷇Фᬭ㚆к㈡Ϣ

ॳ԰䈅 ॳ԰䈅

.䭓ワ⣀༣ 䭓ワ⣀༣ ԰᳆ᆊ Flute Soloü–԰᳆ᆊ........... Composers 䭓ワ⣀༣ ü ü ԰᳆ᆊ ԰᳆ᆊ 䭓ワ⣀༣ 䭓ワ⣀༣ ü ԰᳆ᆊ

䭓ワ⣀༣ ü ԰᳆ᆊ

԰ક䲚

Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф

This work for solo flute comes down to us in the first edition publication and a nonautograph manuscript copy formerly used by Louis Fleury, the performer at the premiere in 1913. Unfortunately the manuscript used to engrave the first edition no longer exists and so we are left with two sources which differ in many details. Bärenreiter’s critical edition of Syrinx relies primarily on the first edition score adding readings from the nonautograph source where they Claude Debussy justified. are musically ‫⋯ܟ‬ᖋgᖋᔾ㽓 ‫⋯ܟ‬ᖋgᖋᔾ㽓

䷇Фᬭ㚆к㈡Ϣ ䷇Фᬭ㚆к㈡Ϣ ԰ક䲚 ䷇Фᬭ㚆к㈡Ϣ व⨇g㦅᭛ǃ ԰ક䲚 ䷇Фᬭ㚆к㈡Ϣ Carin Levine, ䷇Фᬭ㚆к㈡Ϣ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ䷇Фᬭ㚆к㈡Ϣ Levine, Carin ԰ક䲚 ䷇Фᬭ㚆к㈡Ϣ Christina Mitropoulos-Bott ԰ક䲚 व⨇g㦅᭛ǃ Levine, Carin / ԰ક䲚 व⨇g㦅᭛ǃ ԰ક䲚 व⨇g㦅᭛ǃ ䷇Фᬭ㚆к㈡Ϣ ԰ક䲚 ䷇Фᬭ㚆к㈡Ϣ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ԰ક䲚 ǉ䭓ワⓨ༣ⱘᡔᎻǊ Mitropoulos-Bott, Christina ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ Mitropoulos-Bott, Christina ㄀䕥˖ ԰ક䲚 व⨇g㦅᭛ǃ ԰ક䲚

ǉ䭓ワⓨ༣ⱘᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ǉ䭓ワⓨ༣ⱘᡔᎻǊ The ㄀ Techniques 䕥˖ ㄀䕥˖Playing of 1Flute ㄀䕥˖䭓ワ ǉ䭓ワⓨ༣ⱘᡔᎻǊ Volume I: Flute 义 ˄ᖋ᭛ 㣅᭛˅143 ㄀䕥˖ 䕥˖ 143 pages ㄀ (Ger/Eng). ISBN 978-3-7618-1595-3 ISBN 978-3-7618-1595-3 ㄀䕥˖ ㄀ 2 䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ䕥˖II: Piccolo, Alto ㄀ Volume and Bass (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅ ㄀䕥˖ with CD 127 pages 义 ᏺ‫⹳ܝ‬ 127 ISBN 978-3-7618-1788-9 978-3-7618-1788-9 ISBN

व⨇g㦅᭛ǃ व⨇g㦅᭛ǃ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ व⨇g㦅᭛ǃ व⨇g㦅᭛ǃ व⨇g㦅᭛ǃ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ व⨇g㦅᭛ǃ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ व⨇g㦅᭛ǃ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ㄀ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ㄀䕥˖ 䕥˖ व⨇g㦅᭛ǃ ǉ䭓ワⓨ༣ⱘᡔᎻǊ व⨇g㦅᭛ǃ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ㄀䕥˖ ǉ䭓ワⓨ༣ⱘᡔᎻǊ

㄀䕥˖ ǉ䭓ワⓨ༣ⱘᡔᎻǊ 䕥˖ ㄀㄀䕥˖ ㄀ǉ䭓ワⓨ༣ⱘᡔᎻǊ 䕥˖ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ㄀䕥˖ ㄀䕥˖ 䕥˖ 䕥˖ ㄀㄀ Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф ㄀䕥˖ ㄀䕥˖ 䕥˖ ㄀㄀䕥˖ ㄀ Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф 䕥˖ Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф Ϫ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф 䕥˖ ㄀㄀䕥˖ Century Italian Music 19thϪ㑾ᛣ໻߽䭓ワϢ䩶⨈䷇Ф for Flute and Piano A. ߛ㦅䞥㓪䕥 Ed. 8174 A. Celeghin BA ᘏ䈅ᏺߚ䈅 BA 8174 Score with part ࣙ৿඗偀ࡾ඗㦅g‫ܟ‬ᢝ‫ྚܟ‬᱂ǃ With works by Emanuele Kraᴅ༹߽gᏗ䞠ᙄᇨ䖾ǃᢝ⊩඗㦅gࡴ kamp, Giulio Briccialdi, Raffaele Galli and Giuseppe Gariboldi ߽੠ᴅาԽgࡴ䞠मᇨ䖾ⱘ԰ક

वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿

䭓ワ⣀༣ ü 䭓ワ⣀༣ ü ԰᳆ᆊ ԰᳆ᆊ Carl Philipp Emanuel Bach Bach, Carl Philipp Emanuel वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿䭓ワ⣀༣ ü ԰᳆ᆊ वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 Bach, Carl Philipp Emanuel 䭓ワ⣀༣ ᇣ䇗༣号᳆ ü ԰᳆ᆊ (1714-1788) 䭓ワ⣀༣ü ü԰᳆ᆊ ԰᳆ᆊ 䭓ワ⣀༣ (1714-1788) 䭓ワ⣀༣ ü ԰᳆ᆊ 䭓ワ⣀༣ ü ԰᳆ᆊ वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 A ᇣ䇗༣号᳆ Wq 132 䭓ワ⣀༣ üü ԰᳆ᆊ 䭓ワ⣀༣ ԰᳆ᆊ in A min Wq 132 Sonata ᇣ䇗༣号᳆ ᇣ䇗༣号᳆

Ў䭓ワ⣀༣㗠԰ for flute solo. Ed. M. Harras 㓪䕥 M. જᢝᮃ BA 6820 ᇣ䇗༣号᳆ BA 6820 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ᇣ䇗Ꮹ㩖ศ Partita in A min 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 BWV 1013 for flute solo ᇣ䇗Ꮹ㩖ศ ॳ԰䈅 ᇣ䇗Ꮹ㩖ศ Urtext / Ed. H. P. Schmitz ᇣ䇗Ꮹ㩖ศ Revised edition by U. Leisinger ॳ԰䈅 ᇣ䇗Ꮹ㩖ศ BA 5187 ॳ԰䈅 ॳ԰䈅 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿

ॳ԰䈅 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 ᇣ䇗༣号᳆ वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 ᇣ䇗༣号᳆ वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 ᇣ䇗༣号᳆ वᇨg㧆߽᱂g඗偀ࡾ඗ᇨgᏈ䌿 ᇣ䇗༣号᳆

ᇣ䇗༣号᳆ ᇣ䇗༣号᳆ ᇣ䇗༣号᳆ ᇣ䇗༣号᳆

ᇣ䇗༣号᳆ ᇣ䇗༣号᳆ Johann Sebastian Bach

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

(1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 A ᇣ䇗Ꮹ㩖ศ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ᇣ䇗Ꮹ㩖ศ BWV 1013 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Ў䭓ワ⣀༣㗠԰ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ᇣ䇗Ꮹ㩖ศ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

ᇣ䇗Ꮹ㩖ศ ॳ԰䈅 / 㓪䕥 H. P. ᮑ㉇㣼 ॳ԰䈅 ᇣ䇗Ꮹ㩖ศ ᇣ䇗Ꮹ㩖ศ ॳ԰䈅 BA 5187 ॳ԰䈅 ᇣ䇗Ꮹ㩖ศ Debussy, Claude ॳ԰䈅 ᇣ䇗Ꮹ㩖ศ ॳ԰䈅 ‫⋯ܟ‬ᖋgᖋᔾ㽓 ॳ԰䈅 Claude Debussy, ॳ԰䈅 ‫⋯ܟ‬ᖋgᖋᔾ㽓 ‫⋯ܟ‬ᖋgᖋᔾ㽓䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ (1862-1918) ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ‫⋯ܟ‬ᖋgᖋᔾ㽓 for flute solo Syrinx 䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ 䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ 䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ Urtext ॳ԰䈅 / Ed. D. Woodfull-Harris ॳ԰䈅 BA 8733 ॳ԰䈅䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ ॳ԰䈅 U. 㦅䕯Ḑᇨׂ䅶⠜ ᇣ䇗Ꮹ㩖ศ ‫⋯ܟ‬ᖋgᖋᔾ㽓 ᇣ䇗Ꮹ㩖ศ

(1862-1918) High-quality Urtext edition of this French classic 䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ 䭓ワ⣀༣᳆ǉ㒾ӏ‫ܟ‬ᮃǊ Informative preface / 㓪䕥 D. ӡᖋᆠᇨ—જ䞠ᮃ ॳ԰䈅 ॳ԰䈅 (Eng/Fr/Ger) BA 8733 Includes critical 䖭䚼䭓ワ⣀༣԰કⱘ߱⠜⌕Ӵњ commentary (Eng) 偀݄g偀䳋 ϟᴹˈ䖬᳝ϔϾ䴲԰᳆ᆊ҆ヨ᠟〓ǃ 㹿䏃ᯧgᓫࢦ䞠 1913 ᑈ佪ⓨⱘᯊ‫׭‬ 偀݄g偀䳋 Marais, Marin ℷᓣՓ⫼䖛ⱘ᠟〓ࡃᴀг⌕Ӵњϟ 偀݄g偀䳋偀݄g偀䳋 Marin Marais, 㽓⧁⠭⽣߽Ѯ㟲᳆ ᴹǄ䙷Ͼ⫼ᴹॄࠊ߱⠜ⱘ԰᳆ᆊ᠟〓 (1656-1728) 偀݄g偀䳋 ॳӊৃᚰᏆ㒣༅ӴˈϸϾ⌕Ӵϟᴹⱘ 㽓⧁⠭⽣߽Ѯ㟲᳆ 㽓⧁⠭⽣߽Ѯ㟲᳆ Folies d'Espagne Les ⠜ᴀ߭೼ᕜ໮㒚㡖ഄᮍ᳝᠔ϡৠǄ 㽓⧁⠭⽣߽Ѯ㟲᳆ for flute solo 健❞຿⦄೼ᦤկⱘǉ㒾ӏ‫ܟ‬ᮃǊ 㽓⧁⠭⽣߽Ѯ㟲᳆ Ed. H. P. Schmitz ᷵ࢬ⠜Џ㽕ձ᥂䆹԰કⱘ߱⠜ᘏ䈅ˈ BA 3311 гᡞ䴲԰᳆ᆊ҆ヨ᠟〓ࡃᴀЁ䷇Фᮍ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ 䴶ҸҎֵ᳡ⱘ䆴䞞䚼ߚࣙᣀњ䖯এǄ Telemann, Georg Philipp Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Georg Philipp Telemann, कѠ佪ᑏᛇ᳆ z 䖭䚼⊩೑㒣‫݌‬԰કⱘӬ䋼ॳ԰䈅 (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐

कѠ佪ᑏᛇ᳆ z ॳ԰䈅 ᆠ᳝ਃ䖾ⱘࠡ㿔 Fantasias TWV 40: 2-13 Twelve कѠ佪ᑏᛇ᳆ कѠ佪ᑏᛇ᳆ for˄㣅᭛ ⊩᭛ ᖋ᭛˅ flute without bass ॳ԰䈅 Urtext कѠ佪ᑏᛇ᳆ ॳ԰䈅 / Ed. G. Haußwald ॳ԰䈅 z BAᏺ᳝᷵ࢬ᡹ਞ˄㣅᭛˅ 2971 偀݄g偀䳋偀݄g偀䳋

ॳ԰䈅

偀݄g偀䳋 Marin Marais 偀݄g偀䳋偀݄g偀䳋偀݄g偀䳋偀݄g偀䳋㽓⧁⠭⽣߽Ѯ㟲᳆ 偀݄g偀䳋㽓⧁⠭⽣߽Ѯ㟲᳆ 偀݄g偀䳋 (1656-1728) 偀݄g偀䳋㽓⧁⠭⽣߽Ѯ㟲᳆

㽓⧁⠭⽣߽Ѯ㟲᳆ 㽓⧁⠭⽣߽Ѯ㟲᳆ 㽓⧁⠭⽣߽Ѯ㟲᳆ 㽓⧁⠭⽣߽Ѯ㟲᳆ 㽓⧁⠭⽣߽Ѯ㟲᳆ 䭓ワ⣀༣ 㽓⧁⠭⽣߽Ѯ㟲᳆ 㓪䕥 H. P. ᮑ㉇㣼㽓⧁⠭⽣߽Ѯ㟲᳆ BA 3311

Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐

Georg Philipp Telemann

Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ कѠ佪ᑏᛇ᳆ (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ कѠ佪ᑏᛇ᳆ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ कѠ佪ᑏᛇ᳆ TWV 40: 2-13

कѠ佪ᑏᛇ᳆ ॳ԰䈅 कѠ佪ᑏᛇ᳆ ॳ԰䈅 कѠ佪ᑏᛇ᳆ Ў᮴Ԣ䷇Ԉ༣䭓ワ㗠԰ कѠ佪ᑏᛇ᳆ कѠ佪ᑏᛇ᳆ ॳ԰䈅 कѠ佪ᑏᛇ᳆ ॳ԰䈅 / 㓪䕥 G. 䈾ᮃ⪺ᇨ⡍ कѠ佪ᑏᛇ᳆ ॳ԰䈅 ॳ԰䈅 BA 2971 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

Ḑ༹ᇨḐ Ḑ༹ᇨ

कѠ佪 कѠ

ॳ԰䈅 ॳ԰

Ç J^[o iW_Z ? mWi W cki_YWb ][d_ki$ Edbo j_c[ m_bb j[bb$È

䭓ワ .䭓ワϢ䬂Ⲭ……….……… 䭓ワϢ䬂Ⲭ Flute(s) and Keyboard Ф఼ ü ԰᳆ᆊ .Ф఼ ԰᳆ᆊ…………... Instrument – Composers 䭓ワϢ䬂Ⲭ 䭓ワϢ䬂Ⲭ Ф఼ ü ԰᳆ᆊ ԰᳆ᆊ Johann Sebastian Bach Ф఼ ü 䭓ワϢ䬂Ⲭ Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿䭓ワϢ䬂Ⲭ Bach, Sebastian Ф఼Johann ü ԰᳆ᆊ (1685-1750) (1685-1750) Ф఼ ü ԰᳆ᆊ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

B ᇣ䇗ᑣ᳆˄ㅵᓺФ㒘᳆˅ (Orchestral Suite) Overture

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 in B min BWV 1067BWV 1067 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 forᇣ䇗ᑣ᳆˄ㅵᓺФ㒘᳆˅ transverse flute and

Ў䭓ワϢࡽ༣㖑ㅵ䬂⨈˄䩶⨈˅㗠԰ ᇣ䇗ᑣ᳆˄ㅵᓺФ㒘᳆˅ obbligato harpsichord (piano) 㓪䕥 G. ෎Ꮰ㒇 Ed.ᇣ䇗ᑣ᳆˄ㅵᓺФ㒘᳆˅ G. Kirchner BAᇣ䇗ᑣ᳆˄ㅵᓺФ㒘᳆˅ 6812 ᘏ䈅ᏺߚ䈅 BA 6812 Score with part

݁佪༣号᳆ BWV 525-530 ᬍ Six Sonatasḍ᥂ after BWV 525-530 㓪ˈЎ䭓ワ੠ࡽ༣㖑ㅵ䬂⨈㗠԰ for flute and obbligato ݁佪༣号᳆ harpsichord 㓪䕥 W. ෎Ꮰ㒇੠ G. ෎Ꮰ㒇 ݁佪༣号᳆ Ed. W. and G. Kirchner ↣Ͼ⠜ᴀ˖ᘏ䈅ᏺߚ䈅 ݁佪༣号᳆ Each edition: score with part BA 6801 ݁佪༣号᳆ BA 6801 Volume 1㄀ϔ䕥 BA 6802 BA 6802 Volume 2㄀Ѡ䕥㄀ϔ䕥㄀ϝ䕥 6803 Volume 3㄀ϔ䕥 BA 6803 ㄀Ѡ䕥㄀Ѡ䕥㄀ϔ䕥㄀ϝ䕥 Sonata for Flute and obbligato G ᇣ䇗䭓ワϢࡽ༣㖑ㅵ䬂⨈ ㄀ϝ䕥㄀Ѡ䕥㄀ϔ䕥 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ harpsichord in G min BWV 1020 ༣号᳆ BWV 1020 ㄀ϝ䕥㄀Ѡ䕥 Ed.ᇣ䇗䭓ワϢࡽ༣㖑ㅵ䬂⨈ A. Dürr 㓪䕥 A. 䖾ᇨ ᇣ䇗䭓ワϢࡽ༣㖑ㅵ䬂⨈ BA 8170 Score and 2 parts ㄀ϝ䕥 ༣号᳆ BAᇣ䇗䭓ワϢࡽ༣㖑ㅵ䬂⨈ 8170 ᘏ䈅ᏺ 2 ӑߚ䈅 ༣号᳆ ༣号᳆ ᇣ䇗䭓ワϢࡽ༣㖑ㅵ䬂⨈

Four Sonatas ಯ佪༣号᳆ ऩㇻㅵ

Two Sonatas for flute and bc ϸ佪䭓ワϢ䗮༣Ԣ䷇༣号᳆ BWV 1034-1035 / ಯ佪༣号᳆ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ಯ佪༣号᳆ BWV 1034-1035 Two Sonatas for/ ϸ佪䭓ワϢࡽ༣㖑 flute and ㅵ䬂⨈༣号᳆ BWV 1030ǃ1032 obbligato harpsichord ಯ佪༣号᳆ BWV / 㓪䕥1032 H. P. ᮑ㉇㣼 ॳ԰䈅1030, ಯ佪༣号᳆ Urtext / Ed. H. P. Schmitz U. 㦅䕯Ḑᇨׂ䅶 ࡴᏗ䞠඗ᇨg⽣䳋 ॳ԰䈅 Revised BA 5198 by U. Leisinger ᘏ䈅ᏺߚ䈅 ॳ԰䈅 BA 5198 Score with parts ॳ԰䈅 G ໻䇗ϝ䞡༣号᳆ Trio Sonata in G BWV maj 1039 ॳ԰䈅 Ўϸᬃ䭓ワϢ䗮༣Ԣ䷇㗠԰ BWV 1039 for two flutes and bc ໻䇗ϝ䞡༣号᳆ Urtext Ed. H. ॳ԰䈅 / /㓪䕥 H. P. P.Schmitz ᮑ㉇㣼 ໻䇗ϝ䞡༣号᳆ parts BA 5199 BA໻䇗ϝ䞡༣号᳆ 5199 Score with ᘏ䈅ᏺߚ䈅 ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü

Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

ሐসᢝg䇶ᖋ㓈ᇨ ሐসᢝg䇶ᖋ㓈ᇨ Chédeville, Nicolas Nicolas Chédeville ሐসᢝg䇶ᖋ㓈ᇨ Chédeville, Nicolas ሐসᢝg䇶ᖋ㓈ᇨ ǉᖴֵⱘ⠻ҎǊ (1705-1782) (1705-1782) ሐসᢝg䇶ᖋ㓈ᇨ

ǉᖴֵⱘ⠻ҎǊ Il pastor fido ǉᖴֵⱘ⠻ҎǊ (attributed to Antonio Vivaldi) ǉᖴᅲⱘ⠻㕞ҎǊ Six sonatas op. 13 for flute 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ˄㹿䅸Ўᰃᅝϰሐ༹g㓈⪺ᇨ䖾ⱘ ॳ԰䈅 ǉᖴֵⱘ⠻ҎǊ (or treble recorder / oboe / ԰ક˅ violin) ॳ԰䈅 and bc ݁佪䭓ワ˄៪催䷇オワ ঠㇻㅵ ᇣᦤ ॳ԰䈅 Urtext / Ed. F. M. Sardelli op.parts 13 ⨈˅Ϣ䗮༣Ԣ䷇༣号᳆ Score with HM 135 Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ॳ԰䈅 / 㓪䕥 F. M. 㧼ᇨҷ߽ ॳ԰䈅 HM 135 George Frideric ᘏ䈅ᏺߚ䈅 Handel, Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ George Frideric Handel, कϔ佪༣号᳆ (1685-1759) George Frideric Handel Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ कϔ佪༣号᳆ Sonatas for flute and bc Eleven कϔ佪༣号᳆ (1685-1759) Score (with fully realised bc) and parts (flute, figured bc) कϔ佪༣号᳆ ॳ԰䈅 कϔ佪༣号᳆ in a slipcover Urtext / Ed. H. P. Schmitz Ў䭓ワϢ䗮༣Ԣ䷇㗠԰ ॳ԰䈅 BA 4225 Score with parts ॳ԰䈅 ᘏ䈅˄ᏺ᳝ᅠܼ䞞䈅ⱘ䗮༣Ԣ䷇˅Ϣ ߚ䈅˄䭓ワǃ䗮༣Ԣ䷇˅༫㺙 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H. P. ᮑ㉇㣼 ᘏ䈅ᏺߚ䈅 BA 4225

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

ॳ԰䈅 ॳ԰䈅

‫ܟ‬㔫咬ᇨ ໻䇗ϝ䞡༣号᳆

༣号᳆

໻䇗༣号᳆ Sonata in C maj C ໻䇗༣号᳆ BWV 1033 forBWV flute1033 and bc / ໻䇗༣号᳆ Sonatas in E-flat maj/ Ў䭓ワϢ䗮༣Ԣ䷇㗠԰ ໻䇗༣号᳆ BWV 1031 and in G min 䰡 E ໻䇗༣号᳆ BWV 1031 Ϣ BWV 1020 forBWV flute and ᇣ䇗༣号᳆ 1020 G໻䇗༣号᳆ obbligato harpsichord handed Ў䭓ワϢࡽ༣㖑ㅵ䬂⨈㗠԰ down as works by J. S. Bach ԰ЎA.J.Dürr S. Ꮘ䌿԰ક⌕Ӵϟᴹ Ed. BA Score with part 㓪䕥5220 A. 䖾ᇨ ᘏ䈅ᏺߚ䈅 BA 5220

Three Trio Sonatas 䗝㞾from op. 5 op. 5 ϝ佪ϝ䞡༣号᳆ No. F maj HWVHWV 401,401ǃ ㄀ 66 佪in F ໻䇗༣号᳆ No. 3 in E min HWV 398, ϝ佪ϝ䞡༣号᳆ ϝ佪ϝ䞡༣号᳆ ㄀ 3 2佪inE D ᇣ䇗༣号᳆ HWV No. maj HWV 397398ǃ ㄀ 2two 佪 Dflutes ໻䇗༣号᳆ HWVor397 for (violins) other ϝ佪ϝ䞡༣号᳆ melody instruments and bc Ўঠ䭓ワ˄ᇣᦤ⨈˅៪݊ҪᮟᕟᗻФ ϝ佪ϝ䞡༣号᳆ Urtext / Ed. S. Flesch ఼Ϣ䗮༣Ԣ䷇㗠԰ BA 4228 ॳ԰䈅 / 㓪䕥 S. Score ᓫ㦅ᮑwith parts BA 4228 ᘏ䈅ᏺߚ䈅 ॳ԰䈅 ॳ԰䈅

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ໻䇗ण༣᳆ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ in G maj K. 313 Concerto

for໻䇗ण༣᳆ Flute and Orchestra ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

G ໻䇗ण༣᳆ 313 Edition withK. cadenzas and lead-ins by R. Brown, ໻䇗ण༣᳆ Ў䭓ワϢㅵᓺФ䯳㗠԰ K. Hünteler K. Engel ॳ԰䈅 ⬅ R. ᏗᳫǃK.and ⃷⡍ࢦϢ K. ᘽḐᇨ㓪 ໻䇗ण༣᳆ Urtext / Ed. F. Giegling ‫ݭ‬ढᔽФ↉Ϣᓩᄤ BA 4854-90 ° Piano reduction ॳ԰䈅 ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ ໻䇗㸠ᵓ ॳ԰䈅 BA 4854-90in° C maj 䩶⨈㓽㓪䈅 Andante K. 315 for Flute and Orchestra ॳ԰䈅 ໻䇗㸠ᵓ With cadenzas C ໻䇗㸠ᵓ K. 315by R. Brown, and K. Engel ໻䇗㸠ᵓ ॳ԰䈅 Ў䭓ワϢㅵᓺФ䯳㗠԰ Urtext / Ed. F. Giegling ⬅ R.5748-90 Ꮧᳫ੠ K.° ᘽḐᇨ㓪‫ݭ‬ढᔽФ↉ ໻䇗㸠ᵓ Piano reduction BA ॳ԰䈅 ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ ॳ԰䈅 ໻䇗ण༣᳆ BA 5748-90in° D maj 䩶⨈㓽㓪䈅 Concerto K. 314 for Flute and Orchestra ॳ԰䈅 ໻䇗ण༣᳆ Urtext / Ed. K. H. 314 Moehn ॳ԰䈅 D ໻䇗ण༣᳆ BA 4855-90 ° Piano reduction ໻䇗ण༣᳆ Ў䭓ワϢㅵᓺФ䯳㗠԰ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H.maj 咬ᘽK. 299 (297c) ໻䇗ण༣᳆ Concerto in C ॳ԰䈅 BA 4855-90 ° for໻䇗ण༣᳆ Flute, Harp and䩶⨈㓽㓪䈅 Orchestra Urtext / Ed. F. Giegling ॳ԰䈅 ໻䇗ण༣᳆ ° 299˄297c˅ Piano reduction BA 4598-90 K. C ໻䇗ण༣᳆ ॳ԰䈅 ໻䇗ण༣᳆ TP 286 Study score Ў䭓ワǃオ⨈ϢㅵᓺФ䯳㗠԰ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ ໻䇗ण༣᳆ ॳ԰䈅䩶⨈㓽㓪䈅 BA 4598-90 ° TP 286 ⷨдᘏ䈅 ॳ԰䈅

ॳ԰

䭓ワ / ঠㇻㅵ Schubert, Franz Franz Schubert Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) (1797-1828) ᓫᳫ㣼g㟦ԃ⡍

ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Sonata in A min

A ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ “Arpeggione” D 821 D 821 ᬍ㓪៤䭓ワϢ䩶⨈⠜ Arranged for flute and piano ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ Based on the Urtext / ෎Ѣॳ԰䈅 / 㓪䕥 K. ⃷⡍ࢦ ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ༣号᳆ Ed. 5681 K. Hünteler ᘏ䈅ᏺߚ䈅 BA BA 5681 Score with part

ǉᶃ㧢ⱘ㢅ᴉǊЏ乬ব༣᳆ Variations on “Trockne Blumen” from “Die schöne Müllerin” 䗝㞾ǉ㕢Бⱘ⺼ഞཇǊ ǉᶃ㧢ⱘ㢅ᴉǊЏ乬ব༣᳆ ǉᶃ㧢ⱘ㢅ᴉǊЏ乬ব༣᳆ op. post.160 160DD802 802 op. post. ǉᶃ㧢ⱘ㢅ᴉǊЏ乬ব༣᳆ 䗝㞾ǉ㕢Бⱘ⺼ഞཇǊ 䗝㞾ǉ㕢Бⱘ⺼ഞཇǊ for flute and piano Ў䭓ワϢ䩶⨈㗠԰ 䗝㞾ǉ㕢Бⱘ⺼ഞཇǊ Urtext / Ed. H. Wirth ॳ԰䈅 / 㓪䕥 H. 㓈ᇨ⡍ BA 5641 Score with part ᘏ䈅ᏺߚ䈅 BA 5641 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Telemann, Georg Philipp Georg Philipp Telemann Telemann, Georg Philipp Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Little Chamber Music Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Six Partitas for flute (oboe, ᇣᅸ‫ݙ‬Ф ݁佪䭓ワ˄ঠㇻㅵǃᇣᦤ violin, recorder) and bc ⨈ǃオワ˅Ϣ䗮༣Ԣ䷇স㒘᳆ ᇣᅸ‫ݙ‬Ф Ed. H. Ruf ᇣᅸ‫ݙ‬Ф ᇣᅸ‫ݙ‬Ф 㓪䕥 H. 剕໿Score with part HM 47 ᘏ䈅ᏺߚ䈅 HM 47 Two Sonatas for flute and bc ϸ佪༣号᳆ TWV 41:D9,Ў䭓ワϢ䗮༣Ԣ䷇㗠԰ TWV 41: G9 41˖G9 TWV 41˖D9ǃTWV ϸ佪༣号᳆ Urtext / Ed. K. Hofman ϸ佪༣号᳆ ϸ佪༣号᳆ BA 5890 / 㓪䕥 K. 䳡໿᳐ ॳ԰䈅 BA 5890 ॳ԰䈅 ॳ԰䈅 Twelve ॳ԰䈅 Methodical Sonatas TWV 4: 41 कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ TWV 4: 41 Urtext/ Ed. M. Seiffert ॳ԰䈅 / 㓪䕥 M. าᓫ⡍ कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ कѠ佪⬅⌙ܹ⏅ⱘ༣号᳆ 1: Sonata in G min, Volume ॳ԰䈅 ॳ԰䈅 Sonata in ᇣ䇗༣号᳆ǃA A maj ॳ԰䈅㄀ 1 䕥˖G ໻䇗༣号 forЎᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ violin (flute) and bc ᳆ ㄀䕥˖ ㄀䕥˖ BA 2241 Score with parts ㄀ 2241 䕥˖ ᘏ䈅ᏺߚ䈅 BA Volume 2: Sonata in E min, Sonata in ᇣ䇗༣号᳆ǃD D maj ㄀ 2 䕥˖E ໻䇗༣号 forЎᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ violin (flute) and bc ᳆ ㄀䕥˖ ㄀䕥˖ BA 2242 parts ㄀ 2242 䕥˖ Score with ᘏ䈅ᏺߚ䈅 BA Volume 3: Sonata in A min, Sonata in ᇣ䇗༣号᳆ǃG G maj ㄀ 3 䕥˖A ໻䇗༣号 for violin (flute) and bc ᳆ Ўᇣᦤ⨈˄䭓ワ˅Ϣ䗮༣Ԣ䷇㗠԰ ㄀䕥˖ BA 2243 parts ㄀䕥˖ ㄀ 2243 䕥˖ Score with ᘏ䈅ᏺߚ䈅 BA Volume 4: Sonata in B min, Sonata in ᇣ䇗༣号᳆ǃC C min ㄀ 4 䕥˖B ᇣ䇗༣号 for flute (violin) and bc ᳆ Ў䭓ワ˄ᇣᦤ⨈˅Ϣ䗮༣Ԣ䷇㗠԰ BA 2244 Score with parts ᘏ䈅ᏺߚ䈅 BA 2244 Volume 5: Sonata in E maj, Sonata in ໻䇗༣号᳆ǃ䰡 B-flat maj ㄀ 5 䕥˖E B ໻䇗༣ for flute (violin) and bc 号᳆ ㄀䕥˖ BA 2245 Score with parts ㄀䕥˖ ㄀䕥˖ Ў䭓ワ˄ᇣᦤ⨈˅Ϣ䗮༣Ԣ䷇㗠԰ Volume D min, ᘏ䈅ᏺߚ䈅 BA 2245 6: Sonata in Sonata in C maj for flute (violin) and bc BA 2246 Score with parts

㄀ 6 䕥˖D ᇣ䇗༣号᳆ǃC ໻䇗༣号㄀㄀䕥˖ 䕥˖ ᘏ䈅ᏺߚ䈅 BA 2246 ㄀䕥˖ Peter Veale, Peter Veale, ঠㇻㅵ ……………...…....….…… Claus-Steffen Mahnkopf ঠㇻㅵ Claus-Steffen Mahnkopf ঠㇻㅵ Peter Veale, ঠㇻㅵ The Techniques Claus-Steffen Mahnkopf of Oboe Playing ᕐᕫg㓈ᇨˈ A compendium with additional ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ ᕐᕫg㓈ᇨˈ ᕐᕫg㓈ᇨˈ remarks on the whole oboe ᕐᕫg㓈ᇨˈ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ family (Ger/Eng/Fr) ǉঠㇻㅵⓨ༣ᡔᎻǊ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ 181 pages with CD ᏺ᳝ᇍᭈϾঠㇻㅵᮣ㋏䰘ࡴ䆘䆎ⱘϔ ǉঠㇻㅵⓨ༣ᡔᎻǊ ISBN 978-3-7618-1210-5 ǉঠㇻㅵⓨ༣ᡔᎻǊ ǉঠㇻㅵⓨ༣ᡔᎻǊ ᴀ᠟‫˄ݠ‬ᖋ᭛ 㣅᭛ ⊩᭛˅ 181 义ᏺ‫⹳ܝ‬ ISBN 978-3-7618-1210-5

Oboe ᳆ Ў䭓ワ˄ᇣᦤ⨈˅Ϣ䗮༣Ԣ䷇㗠԰

Bach, Sebastian JohannJohann Sebastian Bach Johann Sebastian Bach, 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) Johann Sebastian Bach (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

Concerto in A maj for oboe (1685-1750) A ໻䇗ण༣᳆ Ўᡦᚙঠㇻㅵ˄ঠㇻ d'amore (oboe), strings and bc. ໻䇗ण༣᳆ ㅵ˅ǃᓺФϢ䗮༣Ԣ䷇㗠԰ Reconstructed from the A ໻䇗ण༣᳆ ໻䇗ण༣᳆ Ўᡦᚙঠㇻㅵ˄ঠㇻ Concerto for Harpsichord BWV ⬅ W. 㧆㟡ᇨҢ㖑ㅵ䬂⨈ण༣᳆ ㅵ˅ǃᓺФϢ䗮༣Ԣ䷇㗠԰ BWV 1055 by W. Fischer. Urtext 䩶⨈㓽㓪䈅ᏺ᳝ 1055 ໡ॳˈॳ԰䈅 ⬅ W. 㧆㟡ᇨҢ㖑ㅵ䬂⨈ण༣᳆ Piano reduction with parts BWV ॳ԰䈅 ᡦᚙঠㇻㅵϢঠㇻㅵߚ䈅 ॳ԰䈅 and d'amore for oboe for ໡ॳˈॳ԰䈅䩶⨈㓽㓪䈅ᏺ᳝ 1055oboe BA 5145-90 5145-90 °° Piano 䩶⨈㓽㓪䈅 BA reduction ᡦᚙঠㇻㅵϢঠㇻㅵߚ䈅

䩶⨈㓽㓪䈅 BA 5145-90 ° Concerto in C min for oboe, C ᇣ䇗ঠㇻㅵǃᇣᦤ⨈ǃᓺФϢ䗮༣ violin, strings and bc. ᇣ䇗ঠㇻㅵǃᇣᦤ⨈ǃᓺФϢ䗮༣ ⬅ W. 㧆㟡ᇨҢϸᶊ㖑ㅵ Ԣ䷇ण༣᳆ C ᇣ䇗ঠㇻㅵǃᇣᦤ⨈ǃᓺФϢ䗮༣ ᇣ䇗ঠㇻㅵǃᇣᦤ⨈ǃᓺФϢ䗮༣ Reconstructed from the Ԣ䷇ण༣᳆ 1060 ໡ॳˈॳ԰䈅䬂⨈ण༣᳆ BWV ⬅ W. 㧆㟡ᇨҢϸᶊ㖑ㅵ Ԣ䷇ण༣᳆ Ԣ䷇ण༣᳆for Concerto two Harpsichords ॳ԰䈅䩶⨈㓽㓪䈅 BA 5147-90 ° W.1060 ໡ॳˈॳ԰䈅䬂⨈ण༣᳆ BWV 1060BWV by Fischer. Urtext ॳ԰䈅 5147-90 °° Piano䩶⨈㓽㓪䈅 BA 5147-90 reduction Nicolas Chédeville Nicolas Chédeville ሐসᢝg䇶ᖋ㓈ᇨ Chédeville, Nicolas ᓫ䞠ᖋ䞠Ꮰgา㣼 ሐসᢝg䇶ᖋ㓈ᇨ Nicolas Chédeville, (1705-1782) ሐসᢝg䇶ᖋ㓈ᇨ ሐসᢝg䇶ᖋ㓈ᇨ (1705-1782) ǉᖴֵⱘ⠻ҎǊ˄㹿䅸Ўᰃᅝg㓈⪺ fido Il pastor ໻䇗໻ᄺ⫳ण༣᳆ ǉᖴᅲⱘ⠻㕞ҎǊ˄㹿䅸Ўᰃᅝϰሐ ݁佪ঠㇻㅵ˄៪䭓ワ ᇨ䖾ⱘ԰ક˅ ǉᖴֵⱘ⠻ҎǊ (attributed to Antonio Vivaldi) ǉᖴֵⱘ⠻ҎǊ ༹g㓈⪺ᇨ䖾ⱘ԰ક˅ 催䷇オワ ᇣᦤ⨈˅Ϣ䗮༣Ԣ䷇༣号᳆ Six sonatas op. 13 for oboe ݁佪ঠㇻㅵ˄៪䭓ワ催䷇オワ ᇣᦤ (or / treble / op. flute 13 ॳ԰䈅 / 㓪䕥recorder F. M. 㧼ᇨҷ߽ violin) and bc op. 13 ⨈˅Ϣ䗮༣Ԣ䷇༣号᳆ HM 135ॳ԰䈅 ᘏ䈅ᏺߚ䈅 Urtextॳ԰䈅 Ed. F. ॳ԰䈅 / /㓪䕥 F. M. M. Sardelli 㧼ᇨҷ߽ Scoreᘏ䈅ᏺߚ䈅 with parts HM135 135 HM

Geminiani, Francesco Francesco Geminiani Francesco Geminiani, ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ (c. (㑺 1687-1762) 1680-1762) ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ

ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ 㑺㑺Sonata in E min E ᇣ䇗༣号᳆ Ўঠㇻㅵ˄䭓ワǃᇣᦤ 㑺for oboe (flute, violin) and bc

⨈˅Ϣ䗮༣Ԣ䷇㗠԰ 㓪䕥 H. 剕໿ ᇣ䇗༣号᳆ Ed. H. Ruf ᇣ䇗༣号᳆ ᘏ䈅ᏺߚ䈅 HM 178 ᇣ䇗༣号᳆ HM 178 Score with part

Handel, George Frideric George Frideric Handel Handel George Frideric Handel, Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ (1685-1759) (1685-1759) (1685-1759) Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ

Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ

Complete Sonatas for ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ܼ䲚䬂ⲬФ఼԰ક㄀ϔ䕥 Oboe and Basso continuo 䰡 B ໻䇗༣号᳆ ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ܼ䲚 Sonata in B-flatHWV maj357 HWV 357 ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ܼ䲚 ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ܼ䲚 HWVHWV 366 366 C ᇣ䇗༣号᳆ Sonata in C min Sonata in F maj ໻䇗༣号᳆ HWVHWV 363a 363a Fॳ԰䈅 Urtext Ed. T. ॳ԰䈅 / /㓪䕥 T.Best 䋱ᮃ⡍ BA 4260 Score with part ᘏ䈅ᏺߚ䈅 BA 4260 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Six Sonatas HWV 380-385 䬂ⲬФ఼԰ક㄀Ѡ䕥 ݁佪༣号᳆ HWV (oboe) 380-385and bc for oboe, violin Ўঠㇻㅵǃᇣᦤ⨈˄ঠㇻㅵ˅Ϣ䗮༣ Urtext / Ed. S. Flesch ݁佪༣号᳆ ݁佪༣号᳆ ݁佪༣号᳆ Ԣ䷇㗠԰ ॳ԰䈅 / 㓪䕥 S. ᓫ㦅ᮑ Volume ॳ԰䈅 1: Sonatas in B-flat maj and in Dॳ԰䈅 min ॳ԰䈅㄀䕥˖䰡 B ໻䇗Ϣ D ᇣ䇗༣号᳆ ॳ԰䈅 BA14251 Score with parts ᘏ䈅ᏺߚ䈅 BA 4251 ㄀䕥˖ ㄀䕥˖ Volume 2: Sonatas in E-flat maj ㄀䕥˖ ㄀ 2 䕥˖䰡 E ໻䇗Ϣ F ໻䇗༣号᳆ and in F maj ᘏ䈅ᏺߚ䈅 BA 4252 ㄀䕥˖ BA ㄀ 4252 䕥˖ Score with parts ㄀㄀ 3䕥˖ 䕥˖G ໻䇗Ϣ D ໻䇗༣号᳆ Volume 3: Sonatas ᘏ䈅ᏺߚ䈅 in G maj BA 4253 ㄀䕥˖ ㄀䕥˖ and in D maj ㄀䕥˖ BA 4253 Amadeus Score with parts Wolfgang Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Mozart, Wolfgang Amadeus (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) C ໻䇗ঠㇻㅵϢㅵᓺФ䯳ण༣᳆ K.໻䇗ঠㇻㅵϢㅵᓺФ䯳ण༣᳆ 314 (285d) ໻䇗ঠㇻㅵϢㅵᓺФ䯳ण༣᳆ in C maj K. 314 (285d) Concerto ໻䇗ঠㇻㅵϢㅵᓺФ䯳ण༣᳆ ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ for Oboe and Orchestra 䩶⨈㓽㓪䈅 BA 4856-90 ° ॳ԰䈅 Urtext ॳ԰䈅 / Ed. F. Giegling ॳ԰䈅 TP 252 reduction BA 4856-90 ° Pianoⷨдᘏ䈅 TP 252 Study score F ໻䇗ঠㇻㅵǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ Quartet inK. F maj K. 370 (368b) 370 (368b) ᦤ⨈ಯ䞡༣ ໻䇗ঠㇻㅵǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ ໻䇗ঠㇻㅵǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ for oboe, violin, viola and ໻䇗ঠㇻㅵǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ ॳ԰䈅 / 㓪䕥 J. ⊶∝व ᦤ⨈ಯ䞡༣ violoncello ᦤ⨈ಯ䞡༣ ᦤ⨈ಯ䞡༣ ༫㺙ߚ䈅 BA 4867 ॳ԰䈅 Urtext ॳ԰䈅 / Ed. J. Pohanka ॳ԰䈅 ⷨдᘏ䈅 TP 151 BA 4867 Parts in slipcover TP 151 Study score Georg Philipp Telemann Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Telemann, Georg Philipp (1681-1767) (1681-1767) Georg Philipp Telemann, Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) ໻䇗༣号᳆ ϸ佪ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ Sonatas for Oboe and Two TWV 41˖B6ǃTWV 41˖e6 䗝㞾ǉᖴ䆮ⱘ䷇Ф໻ᏜǊ ϸ佪ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ ϸ佪ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ Basso Continuo TWV 41:B6, ϸ佪ঠㇻㅵϢ䗮༣Ԣ䷇༣号᳆ ॳ԰䈅 / 㓪䕥 K. 䳡໿᳐ TWV 41: e6 BA 5889 ॳ԰䈅 Urtext ॳ԰䈅 / Ed. K. Hofmann ॳ԰䈅 BA 5889

वᇨgᮃศ㉇㣼

ᅝϰሐ༹g㓈⪺ᇨ䖾

໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ ໻ᦤ⨈Ϣ䗮༣Ԣ䷇༣号᳆ܼ䲚

ऩㇻㅵ / 㧼‫ܟ‬ᮃㅵ ऩㇻㅵ

ᓫᳫ㣼g㟦ԃ⡍

Schubert, Franz Franz Schubert ǉች⷇Ϟⱘ⠻㕞ҎǊ ऩㇻㅵ

ঠㇻㅵ ऩㇻㅵ .ऩ ऩ ㇻㅵ………...…..……… Clarinet ऩㇻㅵ ऩㇻㅵ

Franz Schubert, ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828 ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅

ᕐᕫg㓈ᇨˈ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Wolfgang Amadeus Mozart ໻䇗ऩㇻㅵण༣᳆

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart (1756-1791)

Janáček, Leoš Leoš Janáþek Janáček, Leoš NEW 㦅༹ҔgѮ㒇ߛ‫ܟ‬ (1854-1928) (1854-1928) Sonate für Klarinette und Klavier (nach der Sonate ऩㇻㅵϢ䩶⨈༣号᳆ für Violine und Klavier) ˄ḍ᥂ᇣᦤ⨈Ϣ䩶⨈༣号᳆ᬍ㓪˅ Bearbeitet von Shirley Brill ⬅Ꮰᇨ䞠gᏗ߽ᇨᬍ㓪 BA 9581 ሐসᢝg䇶ᖋ㓈ᇨ BApreparation 9581 in ᕙߎ Kramář-Krommer, František Vincenc Kramář-Krommer, František Vincenc František VincencKramáĜ-Krommer ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü (1759-1831) ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ ‫ܟ‬㔫咬ᇨ

Concerto in E-flat maj (1759-1831) for Clarinet andKramáĜ-Krommer Orchestra František Vincenc op. MAB I/13 ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü 䰡 E36 ໻䇗ण༣᳆ ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü H 888 Piano reduction ‫ܟ‬㔫咬ᇨ ‫ܟ‬㔫咬ᇨ ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ ‫ܟ‬㔫咬ᇨ ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü (1759-1831) op. 36 MAB I/13 ‫ܟ‬㔫咬ᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ H 888 䩶⨈㓽㓪䈅 Mendelssohn Bartholdy, Felix ໻䇗ण༣᳆ 䰡䰡E ໻䇗ण༣᳆ Bartholdy, Felix Mendelssohn 䰡 ໻䇗ण༣᳆ ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ Felix Mendelssohn Bartholdy (1809-1847) 䰡 36໻䇗ण༣᳆ op. MAB I/13 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 H 888 in E-flat maj䩶⨈㓽㓪䈅 (1809-1847) Sonata for clarinet and piano Urtext / Ed. G. Allroggen Felix Bartholdy 䰡 EMendelssohn ໻䇗ऩㇻㅵϢ䩶⨈༣号᳆ with part BA 8151/ 㓪䕥Score 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ॳ԰䈅 G. 䰓ᇨ㔫ḍ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 (1809-1847) BA 8151 䩶⨈㓽㓪䈅䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

໻䇗ऩㇻㅵϢ䩶⨈༣号᳆ 䰡䰡E ໻䇗ऩㇻㅵϢ䩶⨈༣号᳆ 䰡 ໻䇗ऩㇻㅵϢ䩶⨈༣号᳆ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 G. 䰓ᇨ㔫ḍ ॳ԰䈅䰡 ໻䇗ऩㇻㅵϢ䩶⨈༣号᳆ 䩶⨈㓽㓪䈅 BA 8151 ॳ԰䈅

ॳ԰䈅 Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ໻䇗ऩㇻㅵण༣᳆K. 622 (1756-1791) A ໻䇗ऩㇻㅵण༣᳆ ໻䇗ऩㇻㅵण༣᳆ ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ Clarinet Concerto in A maj Aॳ԰䈅 ໻䇗ऩㇻㅵण༣᳆ K. 622 ॳ԰䈅㓪䕥 F. ঢ়Ḑᵫ K. ⿏䇗㟇䰡 622 /for Clarinet and ໻䇗 ॳ԰䈅 ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ BA 4773-90 ° 䩶⨈㓽㓪䈅 Orchestra ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ Urtext ⷨдᘏ䈅 TP 254 / Ed. F. Giegling reduction BA BA 4773-90 4773-90 ° ° Piano䩶⨈㓽㓪䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ TP 254 Studyⷨдᘏ䈅 score TP⿏䇗㟇䰡 254 ⿏䇗㟇䰡 ໻䇗 ü B ໻䇗 ໻༣号᳆ ⿏䇗㟇䰡 ໻䇗 Ў䰡 B 䇗ऩㇻㅵ㗠԰ - Transposed to B-flat maj ü ⿏䇗㟇䰡 B ໻䇗䩶⨈㓽㓪䈅 BA for 4773-38 clarinet in B-flat Ў䰡4773-38 B 䇗ऩㇻㅵ㗠԰ BA Piano reduction BA 4773-38 䩶⨈㓽㓪䈅 ໻༣号᳆ ໻༣号᳆ ໻༣号᳆ Ўऩㇻㅵ˄៪ᇣᦤ⨈˅Ϣ䩶⨈㗠԰ Grande Sonate ໻༣号᳆ ओৡ㗙ḍ᥂ऩㇻㅵѨ䞡༣ K. 581 ᬍ㓪 for clarinet (or violin) and piano, 䇗ऩㇻㅵ⠜ Ўऩㇻㅵ˄៪ᇣᦤ⨈˅Ϣ䩶⨈㗠԰ anonymus arrangement(1809) ˄1809˅ ओৡ㗙ḍ᥂ऩㇻㅵѨ䞡༣ K. 581 ᬍ㓪 after the Clarinet 㓪䕥 C. 䳡Ḑӡᖋ Quintet ˄1809˅K. 581 Ed. C.䇗ऩㇻㅵ⠜ Hogwood 㓪䕥 C. 䳡Ḑӡᖋ ü A 䇗ऩㇻㅵ⠜ 䰡䇗ऩㇻㅵϢ䩶⨈⠜ 䇗ऩㇻㅵ⠜ ˄៪ᇣᦤ⨈˅Ϣ䩶⨈ - Edition for clarinet in A üA 䇗ऩㇻㅵ⠜ BA 9162 ᘏ䈅ᏺߚ䈅 (or violin) and piano ˄៪ᇣᦤ⨈˅Ϣ䩶⨈ BA 9162 Score with parts ໻䇗Ѩ䞡༣ BA䰡䰡 9162 ᘏ䈅ᏺߚ䈅䇗ऩㇻㅵϢ䩶⨈⠜ ü B 䇗ऩㇻㅵϢ䩶⨈⠜ 䰡䇗ऩㇻㅵϢ䩶⨈⠜ - Edition for clarinet in B-flat BA 9163 ᘏ䈅ᏺߚ䈅 and ü 䰡piano B 䇗ऩㇻㅵϢ䩶⨈⠜ ॳ԰䈅 BA໻䇗Ѩ䞡༣ 9163 Score with parts 9163 ABA ໻䇗Ѩ䞡༣ K. 581 ᘏ䈅ᏺߚ䈅 ໻䇗Ѩ䞡༣ Ўऩㇻㅵǃঠᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ Quintet in A K. maj A ໻䇗Ѩ䞡༣ 581K. 581 ⨈㗠԰ for clarinet, two violins, Ўऩㇻㅵǃঠᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 E. F. ᮑ㉇⡍ 䰡 ໻䇗ϝ䞡༣ viola and violoncello ॳ԰䈅 ⨈㗠԰ BA 4711 / Ed. E. F. Schmid ༫㺙ߚ䈅 Urtext ॳ԰䈅 F. ᮑ㉇⡍ TP 14 ⷨдᘏ䈅 in slipcover BA 4711/ 㓪䕥 E.Parts BA 14 4711 TP Study༫㺙ߚ䈅 score ॳ԰䈅 TP 䰡E14 ໻䇗ϝ䞡༣K. 498ⷨдᘏ䈅䰡 ໻䇗ϝ䞡༣ 䰡 ໻䇗ϝ䞡༣ ǉб᷅៣ϝ䞡༣Ǌ Trio in E-flat majЎ䩶⨈ǃऩㇻㅵ K. 498 䰡 E ໻䇗ϝ䞡༣ K. 498 “Kegelstatt-Trio” for piano, ˄ᇣᦤ⨈˅ϢЁᦤ⨈㗠԰ ǉб᷅៣ϝ䞡༣Ǌ Ў䩶⨈ǃऩㇻㅵ clarinet (violin) and viola 䳋ྚ ॳ԰䈅/ 㓪䕥 ॳ԰䈅 W. ᱂ᢝ⡍ǃW. ॳ԰䈅 Urtext W. Rehm ˄ᇣᦤ⨈˅ϢЁᦤ⨈㗠԰ ᘏ䈅ᏺߚ䈅 BA 5325 / Ed. W. Plath, Score with parts BA 5325/ 㓪䕥 W. ॳ԰䈅 ᱂ᢝ⡍ǃW. 䳋ྚ BA 5325 ᘏ䈅ᏺߚ䈅

Shepherd on the Rock The ǉች⷇Ϟⱘ⠻㕞ҎǊ ǉች⷇Ϟⱘ⠻㕞ҎǊ D 965 op. post. 129 for voice, ǉች⷇Ϟⱘ⠻㕞ҎǊ D 965 op. post. 129 clarinet and piano ࡴᏗ䞠඗ᇨg⽣䳋 ЎҎໄǃऩㇻㅵϢ䩶⨈㗠԰ ǉች⷇Ϟⱘ⠻㕞ҎǊ Urtext / Ed. W. Dürr ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ ॳ԰䈅䖾ᇨ with part ॳ԰䈅 Score BA 5619/ 㓪䕥 W. ༣号᳆ ॳ԰䈅 BA 5619 ᘏ䈅ᏺߚ䈅 ॳ԰䈅 Sonata in A min ॳ԰䈅 “Arpeggione” D 821 Aᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ Arranged for clarinet and ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ ༣号᳆ D 821 ༣号᳆ piano after the Urtext by ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ༣号᳆ ᇣ䇗ǉঢ়Ҫᔶ໻ᦤ⨈Ǌ ⬅ D. ӡᖋᆠᇨüજ䞠ᮃḍ᥂ॳ԰䈅 ॳ԰䈅 D. Woodfull-Harris ‫ܟ‬㔫咬ᇨ ॳ԰䈅 ༣号᳆ ᬍ㓪៤ऩㇻㅵϢ䩶⨈⠜ ᕐᕫgӞ߽༛g᷈⾥໿ᮃ෎ BA 5682 Score with part ॳ԰䈅 BA 5682 ᘏ䈅ᏺߚ䈅 Tchaikovsky, Peter Peter Tchaikovsky, Peter Iljitsch Tschaikowski ǉ㚵ḗ།ᄤǊ㒘᳆ (1840-1893) ᕐᕫgӞ߽༛g᷈⾥໿ᮃ෎ ᕐᕫgӞ߽༛g᷈⾥໿ᮃ෎ ᕐᕫgӞ߽༛g᷈⾥໿ᮃ෎ (1840-1893) Nutcracker Suite for three ᕐᕫgӞ߽༛g᷈⾥໿ᮃ෎

clarinets. Arranged by M. Töpel ǉ㚵ḗ།ᄤǊ㒘᳆ ǉ㚵ḗ།ᄤǊ㒘᳆ BA 8158 Performance score ǉ㚵ḗ།ᄤǊ㒘᳆ Ўϝᡞऩㇻㅵ㗠԰ 㧼‫ܟ‬ᮃㅵ ǉ㚵ḗ།ᄤǊ㒘᳆ ⬅ M. ⡍Խᇨᬍ㓪 BA 8158 ⓨߎᘏ䈅

Saxophone 㧼‫ܟ‬ᮃㅵ 㧼‫ܟ‬ᮃㅵ . 㧼‫ܟ‬ᮃㅵ…..….........…… Ш⊏g‫ݙ‬㩖 Weiss, Marcus 㧼‫ܟ‬ᮃㅵ Weiss, Marcus / 偀ᑧᮃg儣ᮃ

Marcus Weiss / 偀ᑧᮃg儣ᮃ 偀ᑧᮃg儣ᮃ ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ Netti, Giorgio 偀ᑧᮃg儣ᮃ Netti, Giorgio Giorgio Netti Ш⊏g‫ݙ‬㩖偀ᑧᮃg儣ᮃ Ш⊏g‫ݙ‬㩖 Ш⊏g‫ݙ‬㩖 The Techniques

Saxophone Playing of ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ Ш⊏g‫ݙ‬㩖 ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ

(Ger/Eng). 188 pages ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ ISBN 978-3-7618-2114-5 ˄ᖋ᭛/㣅᭛˅188义 ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ISBN 978-3-7618-2114-5

Comprehensive, systematic description of all important z 㓐ড়ǃ㋏㒳ഄᦣ䗄㧼‫ܟ‬ᮃㅵ⫼Ѣ playing techniques for ⓨ༣ᔧҷ䷇ФЁ᠔᳝䞡㽕ⱘⓨ༣ contemporary music on the ᡔᎻ saxophone

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Clear explanation of special z ⏙᱄㾷ᵤ⡍⅞ⱘ䷇ડᬜᵰ੠⫼Ѣ tonal effects and practice ᇱ䆩ⱘᅲ⫼ᦤ⼎

tips to try out

z ᏺ᳝᠔᳝䞡㽕ⱘ䷇ડ䗝↉ⱘ಴⡍ With internet links to all 㔥䫒᥹ important sound excerpts

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

㧼‫ܟ‬ᮃㅵ / ໻ㅵ

Ѯग़ቅ໻gḐᢝ⼪䇎໿

Glazunov,Glazunov Alexander Alexander Glazunov, ग़ቅ໻gḐᢝ⼪䇎໿ 䰡Ѯ ໻䇗ण༣᳆Alexander (1865-1936) (1865-1936) ॳ԰䈅 in E-flat maj Concerto E໻䇗ण༣᳆ 䰡 for Alto Saxophone and ЎЁ䷇㧼‫ܟ‬ᮃㅵϢᓺФ㗠԰ String Orchestra op. 109op.109 ॳ԰䈅 Ꮘ‫ܟ‬ǃ Urtext/ /㓪䕥 Ed. R. R. Back, D. ӡᖋᆠᇨ—જ䞠ᮃ Woodfull-Harrris 8732-90° ° Piano䩶⨈㓽㓪䈅 reduction BA 8732-90 The Ё䷇㧼‫ܟ‬ᮃㅵϢФ䯳ण༣᳆ᰃḐ Concerto for Alto Saxophone and Orchestra is Glazunov’s ᢝ⼪䇎ⱘ໿᳔ৢϔ䚼԰ક˗ଃϔᑌᄬ last work. The sole surviving autograph is the hand-written

dedication score given by ⱘ҆ヨ᠟〓ᰃḐᢝ⼪䇎໿乬⤂㒭㽓স Glazunov to Sigurd Raschèr ᖋgᢝ㟡ᇨⱘ᠟‫ݭ‬ᘏ䈅˄ᢝ㟡ᇨᰃ㨫 (Raschèr was the founder and ৡⱘ߯ᮄൟᢝ㟡ᇨ㧼‫ܟ‬ᮃㅵಯ䞡༣㒘 leader of the well-known and ⱘ߯ᓎ㗙੠乚ᇐ㗙˅Ǆ䆹ᘏ䈅ࣙ৿԰ innovative Raschèr Saxophone કⱘॳྟ⠜ᴀˈ≵᳝೼Ф䯳ᘏ䈅᷵ḋ Quartet). This score contains the original version of the work Ё᠔԰ⱘᬍࡼˈ䖬ࣙ৿ৢᴹ㓽ⷁњⱘ without the alterations which ԰᳆ᆊढᔽФ↉ᅠᭈ⠜Ǆ were made in the proofs to the orchestral score as well as the ҆ヨ᠟〓䖬ࣙ৿ᢝ㟡ᇨ᠔԰ⱘϔ full version of the composer’s ѯ㸼ⓨᷛ䆄Ǆ⣀༣ߚ䈅᮶ࣙ৿ढᔽФ cadenza which was later ↉ⱘᅠᭈ⠜Ϣ㓽ⷁ⠜ˈгࣙ৿԰᳆ᆊ shortened. ᥜᴗǃ⬅ᢝ㟡ᇨ᠔԰ⱘϔϾढᔽФ The autograph manuscript also ↉Ǆ contains some performance markings by Raschèr. The solo z 䖭䚼԰કⱘ佪Ͼᄺᴃ᷵ࢬ⠜ part includes both the complete and the shortened version of the cadenza as well as a z ࣙ৿㽓সᖋgᢝ㟡ᇨПཇवБ cadenza by Raschèr which the ࿰gᢝ㟡ᇨ᠔԰ⱘᆠ᳝㺼Ⲟⱘⓨ composer authorised. ༣ᦤ⼎ First scholarly-critical edition of the work z ᏺ᳝ॳ԰䈅㧼‫ܟ‬ᮃㅵ⣀༣ߚ䈅੠ वБ࿰gᢝ㟡ᇨ㓪‫ⱘݭ‬㄀Ѡߚ䈅 With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr With an Urtext solo saxophone part and a second part prepared by Carina Raschèr

.໻ ໻ ㅵ………………….…… Bassoon ໻ㅵ ໻ㅵ ໻ㅵ

Ꮹᮃवᇨgࡴश⪺ Pascal Gallois Ꮹᮃवᇨgࡴश⪺ Ꮹᮃवᇨgࡴश⪺ Ꮹᮃवᇨgࡴश⪺

Gallois, Pascal ǉ໻ㅵⓨ༣ᡔᎻǊ Gallois, Pascal ǉ໻ㅵⓨ༣ᡔᎻǊ ǉ໻ㅵⓨ༣ᡔᎻǊ ǉ໻ㅵⓨ༣ᡔᎻǊ The Techniques of Bassoon ˄ᖋ᭛/㣅᭛/⊩᭛˅126义ᏺ2ᓴ‫⹳ܝ‬ Playing (Ger/Eng/Fr) ISBN 978-3-7618-1860-2 126 Pages with 2 CDs ISBNBerwald 978-3-7618-1860-2 ᓫᳫ㣼g䋱ᇨ⪺ᇨᖋ Franz ᓫᳫ㣼g䋱ᇨ⪺ᇨᖋ ᓫᳫ㣼g䋱ᇨ⪺ᇨᖋ ᓫᳫ㣼g䋱ᇨ⪺ᇨᖋ

Berwald, Franz (1796-1868) Franz Berwald, ䷇ФӮ԰ક (1796-1868) ䷇ФӮ԰ક ䷇ФӮ԰ક ䷇ФӮ԰ક op. 2˄1827˅ ॳ԰䈅 Ў໻ㅵϢㅵᓺФ䯳㗠԰ Piece op. 2(1827) Concert ॳ԰䈅 ॳ԰䈅 for Bassoon and Orchestra ॳ԰䈅 / 㓪䕥 N. वᮃ⡍ḐӺǃ Urtext F. ᮑ㒇᱂/ Ed. N. Castegren, F. Schnapp BA 8512-90 8512-90 BA Piano䩶⨈㓽㓪䈅 reduction ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Amadeus Mozart Mozart, Wolfgang ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart,

(1756-1791) (1756-1791) 䰡 ໻䇗ण༣᳆ 䰡䰡 ໻䇗ण༣᳆ ໻䇗ण༣᳆ in B-flat maj(186e) K. 191 Concerto 䰡 B ໻䇗ण༣᳆ K. 191 (186e) for Bassoon and Orchestra ॳ԰䈅 Ў໻ㅵϢㅵᓺФ䯳㗠԰ Urtext ॳ԰䈅 ॳ԰䈅 / Ed. W. Giegling ॳ԰䈅 / 㓪䕥 °W.Piano ঢ়Ḑᵫ reduction BA 4868-90 BA 253 4868-90 ° Study䩶⨈㓽㓪䈅 TP score ⷨдᘏ䈅 TP 253 This publication offers an easyto-play piano reduction, a solo 䆹ߎ⠜⠽᳝ϔϾᮄⱘᯧ༣䩶⨈㓽 bassoon part with the Urtext 㓪䈅ˈ⣀༣໻ㅵߚ䈅ᏺ᳝ǉᮄ⠜㥿ᠢ of the New Mozart Edition and ⡍ܼ䲚Ǌⱘॳ԰䈅ˈ䰘ࡴㅔg催ᇨⱘ an extra cadenza and lead-in ढᔽФ↉Ϣᓩᄤᇣ‫ݠ‬ᄤǄ brochure by Jane Gower. Pivoņka, Karel Karel PivoƼka व䳋ᇨgⲂ㖕व व䳋ᇨgⲂ㖕व व䳋ᇨgⲂ㖕व Karel Pivoņka, व䳋ᇨgⲂ㖕व

(1907-1986) (1907-1986) Studies Rhythmical ǉ㡖༣㒗д᳆Ǌ ǉ㡖༣㒗д᳆Ǌ ǉ㡖༣㒗д᳆Ǌ for bassoon solo ǉ㡖༣㒗д᳆Ǌ H 3291 Ў໻ㅵ⣀༣㗠԰ H3291 3291

೚ো ..೚ ೚ ো……………… ..… Horn ೚ো Wolfgang Mozart, Amadeus Wolfgang Amadeus Mozart

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791)

Complete Concertos ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ೚োϢㅵᓺФ䯳ण༣᳆ܼ䲚 for Horn and Orchestra ॳ԰䈅 F. ঢ়Ḑᵫ Urtext/ /㓪䕥 F. Giegling

೚োϢㅵᓺФ䯳ण༣᳆ܼ䲚 publications reflect the These 䆹ߎ⠜⠽ড᯴њᔧҞⓨ༣㗙ⱘ䳔 ॳ԰䈅 of performers today. needs 㽕ǄᅗӀࣙ৿ᥦॄ⏙᱄ⱘ᠔᳝ण༣᳆ They contain clearly laid out D ໻䇗˄㄀1ো˅ǃ䰡 E ໻䇗˄㄀ ⱘ solo horn parts in D (No. 1), 2-4ো˅ঞ F ໻䇗⣀༣೚োߚ䈅Ǆ‫ݙ‬ in E-flat (Nos. 2-4) as well as in ৿䆺㒚ⱘग़৆ᗻࠡ㿔˄ᖋ᭛/㣅᭛˅ˈ F for all concertos. A detailed historical preface (Ger/Eng) 䆘䆎ॳྟ䌘᭭ˈϧ䮼ⱘᇣ‫ݠ‬ᄤࣙ৿ढ commenting on the sources ᔽФ↉ϢᓩᄤǄ and a special brochure containing cadenzas and lead-ins are included.

ᓫᳫ㣼g㟦ԃ⡍

ü D ໻䇗㄀ 1 ো K. 412 + 514 BA 5314-90 ° 䩶⨈㓽㓪䈅 ⷨдᘏ䈅 TP 324 ü D ໻䇗㄀ 1 ো K. 412 + 514 BA䰡5314-90 ° 2 ো K. 䩶⨈㓽㓪䈅 ü E ໻䇗㄀ 417 -TP No. D maj 412 + 514 ⷨдᘏ䈅 324 ᏺ᳝ T.1 in ᏗᳫϢ D. K. 㒇ᘽᮃⱘᓩᄤ BA 5314-90 ° Piano reduction BA 5311-90 ° 䩶⨈㓽㓪䈅 TP 324E ໻䇗㄀ 2Study score ü䰡 ো K. 417 ᏗᳫϢ 㒇ᘽᮃⱘᓩᄤ ü 䰡 T. E2 ໻䇗㄀ 3D.ো K. 447 -ᏺ᳝ No. in E-flat maj K. 417 BA 5311-90 ° by 䩶⨈㓽㓪䈅 With Brown and ᏺ᳝ D.lead-ins Ꮧ䳋ᘽϢ T.T.ᏗᳫⱘढᔽФ↉ D. Nunns ੠ᓩᄤ BA 5311-90 reduction ü䰡 E ໻䇗㄀ ো K.䩶⨈㓽㓪䈅 447 BA 5312-90 °° 3Piano ᏺ᳝ D. Ꮧ䳋ᘽϢ T. ᏗᳫⱘढᔽФ↉ TP 324 ⷨдᘏ䈅 -੠ᓩᄤ No. 3 in E-flat maj K. 447 With cadenzas and lead-ins 䩶⨈㓽㓪䈅 BA 5312-90 ° by D. Brain and T. Brown TP 5312-90 324 BA ° Pianoⷨдᘏ䈅 reduction TP 324 Study score

° ⓨߎᴤ᳝᭭ଂ ⓨߎᴤ᭭ߎ⾳

㥿ᠢ⡍ⱘ Ф䈅䗝㞾˖ 䰡E໻䇗೚োϢㅵᓺФ䯳ಲᮟ᳆ˈBA From: Mozart, Rondo in Es für Horn und Orchester ·5329-90 BA 5329-90

- No. 4 in E-flat maj K. 495 ü 䰡 Ecadenzas ໻䇗㄀ 4 ো K. lead-ins 495 With and by T. Brown and ᏺ᳝D.D.Brain, Ꮧ䳋ᘽǃT. ᏗᳫϢ D. 㒇ᘽᮃ D. Nunns ⱘढᔽФ↉੠ᓩᄤ BA 䰡 5313-90 ° Piano reduction ໻䇗㄀ ো 䩶⨈㓽㓪䈅 BA 5313-90 ° TP 324 Study score TP 324 ⷨдᘏ䈅 Concerto Movement in E maj E ໻䇗ण༣᳆Фゴ K. 494a K. 494a for Horn and Orchestra Ў೚োϢㅵᓺФ䯳㗠԰ Ed. D. Nunns 㓪䕥5349-90 D. 㒇ᘽᮃ BA Piano reduction BA໻䇗ण༣᳆Фゴ 5349-90 䩶⨈㓽㓪䈅

Rondo in E-flat maj K. 371 䰡 EHorn ໻䇗ಲᮟ᳆ K. 371 for and Orchestra Ў೚োϢㅵᓺФ䯳㗠԰ First edition ߱⠜ / Ed. F. Giegling Urtext 䰡 5329-90 ໻䇗ಲᮟ᳆ Piano reduction BA ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ 䩶⨈㓽㓪䈅 BA 5329-90 Quintet in E-flat maj K. 407 ॳ԰䈅 (386c) for horn,K.violin, two 䰡 E ໻䇗Ѩ䞡༣ 407 (386c) violas and bass (violoncello) Ў೚োǃᇣᦤ⨈ǃঠЁᦤ⨈ϢԢ䷇ᦤ Urtext / Ed. E. F. Schmid ⨈˄໻ᦤ⨈˅㗠԰ Parts in slipcover BA 䰡 4708 ໻䇗Ѩ䞡༣ ॳ԰䈅 / 㓪䕥 E. F. ᮑᆚ⡍ ༫㺙ߚ䈅 BA 4708 ॳ԰䈅

ᅸ‫ݙ‬Ф Brahms, JohannesJohannes Brahms Johannes Brahms, 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ (1833-1897) (1833-1897)

NEW

Trio for Violin, 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ ᇣᦤ⨈ǃ໻ᦤ⨈Ϣ䩶⨈ϝ䞡༣

Violoncello and Piano Opus 101 ԰ક㄀ 101 Urtext / Ed.োC. Hogwood C. 䳡Ḑӡᖋ Score with parts BA 9437/ 㓪䕥 ॳ԰䈅 ᇣᦤ⨈ǃ໻ᦤ⨈Ϣ䩶⨈ϝ䞡༣ ᘏ䈅ᏺߚ䈅 BA 9437 Christopher Hogwood’s scholarly-critical edition of Brahms’ fiॳ԰䈅䖭ᰃࢗᢝྚᮃ᳔ৢǃ៪䆌᳔ӳ໻ nal and perhaps greatest trio is ⱘϝ䞡༣ˈ‫ܟ‬䞠ᮃᠬᓫg䳡Ḑӡᖋⱘ based on two main sources, the ᄺᴃ᷵ࢬ⠜෎Ѣϸ⾡Џ㽕ॳྟ䌘᭭ǃ first edition and the autograph. े߱⠜Ϣ᠟䗍Ǆ The foreword of this edition presents detailed information 䖭Ͼ⠜ᴀⱘࠡ㿔ਜ⦄њৠᯊҷⓨ on contemporary performance Music for Strings ǉ ᓺФ఼䷇ФǊ ߎᅲ䏉ⱘ䆺ᚙ˗䳡Ḑӡᖋ߽⫼њࢗᢝ practise; Hogwood has drawn 2013/2014 2013/2014 on the comments of Fanny ྚᮃᓳᄤ㣗ྂg᠈㓈ᮃⱘ䆘䆎ᴹ䯤ᯢ For further information, ℆њ㾷䆺㒚ֵᙃˈ䇋㋶প䖭ϾⳂᔩ Davis, a Brahms student,1895 to ᑈ 䖭ӊџǄ᠈㓈ᮃᦣ䗄њ໻㑺 please ask for this catalogue shed light on this. She describes SPA 234 page 24 Æ 㾕㄀ 24 义 ೼ᏈⱏᏈⱏⱘϔ⃵䴲ℷᓣⓨ༣Ӯ˄‫ܟ‬ SPA 234 䩶⨈ϝ䞡༣ ü 䩶⨈ǃ ü 䩶⨈ǃ how Brahms played the trio 䩶⨈ϝ䞡༣ ᢝᢝg㟦᳐㗏Ф䈅˅ᯊˈࢗᢝྚᮃϢ 䩶⨈ϝ䞡༣ with Joseph Joachim and Robert 䩶⨈ϝ䞡༣ ü 䩶⨈ǃ 䩶⨈ϝ䞡༣ ü 䩶⨈ǃ 䩶⨈ϝ䞡༣ü 䩶⨈ǃ ü 䩶⨈ǃ ᇣᦤ⨈ǃ໻ᦤ⨈ 㑺⨳໿g㑺䰓Ꮰྚǃ㔫ԃ⡍g䈾ᮃ᳐ Hausmann at an informal ᇣᦤ⨈ǃ໻ᦤ⨈ ..䩶䩶 ⨈ϝ䞡༣ ü 䩶⨈ǃ ᇣᦤ⨈ǃ໻ᦤ⨈ ᇣᦤ⨈ǃ໻ᦤ⨈ ᇣᦤ⨈ǃ໻ᦤ⨈ reading ᇣᦤ⨈ǃ໻ᦤ⨈ (with Clara Schumann བԩⓨ༣ϝ䞡༣Ǆ᠈㓈ᮃⱘᦣ䗄᳈໮ Piano Trio – Piano, ᇣᦤ⨈ǃ໻ᦤ⨈………… turning pages) in Baden Baden ⍝ঞ㸼䖒ǃ࡯ᑺϢ䗳ᑺ⊶ࡼ˗ㅔ㗠㿔 Violin, Violoncello in c. 1895. Davis’ descriptions Пˈᙄᙄ೼ⓨߎᅲ䏉ⱘ䖭ѯᮍ䴶ˈ៥ ᅝϰᅕgᖋ≗໣‫ܟ‬ have much to do with Antonín DvoĜák ᅝϰᅕgᖋ≗໣‫ܟ‬ Ӏ㔎УⳳℷⱘᣛᓩǄ ᅝϰᅕgᖋ≗໣‫ܟ‬ articulation, dynamics and ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ Dvořák, Antonín tempo fluctuations; in short Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) exactly those aspects of z ࣙ৿ৠᯊҷⓨߎᅲ䏉䆺ᚙ ǉᴰྚवǊ (1841-1904) ǉᴰྚवǊ performance practice where ǉᴰྚवǊop. 90 ǉᴰྚवǊ ǉᴰྚवǊ ǉᴰྚवǊ we lack real direction. Dumkas H 1551 op. 90 ᘏ䈅ᏺߚ䈅 z ᏺ᳝᷵ࢬ᡹ਞ˄㣅᭛˅ ǉᴰྚवǊ H 1551 Score with parts 䰡 ໻䇗䩶⨈ϝ䞡༣ Includes detailed 䰡 B ໻䇗䩶⨈ϝ䞡༣ op. 21 䰡 Piano Trio in B-flat maj op. 21 䰡䰡 ໻䇗䩶⨈ϝ䞡༣ ໻䇗䩶⨈ϝ䞡༣ information on performance 䰡 ໻䇗䩶⨈ϝ䞡༣ ໻䇗䩶⨈ϝ䞡༣ H 1128 ᘏ䈅ᏺߚ䈅 H Score with parts practice of the day 䰡1128 ໻䇗䩶⨈ϝ䞡༣ G ᇣ䇗䩶⨈ϝ䞡༣ op. op. 26 26 Piano Trio in G min ᇣ䇗䩶⨈ϝ䞡༣ With critical commentary ᇣ䇗䩶⨈ϝ䞡༣ 㓪䕥 A.Pokorný, ⊶⾥ᇨሐǃK. ㋶ᇨ༛ ᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣ Ed. A. K. Šolc (Eng) ᘏ䈅ᏺߚ䈅 BAᇣ䇗䩶⨈ϝ䞡༣ 9538 Score with parts

ᇣᦤ⨈ǃ໻ᦤ⨈Ϣ䩶⨈ϝ䞡༣

NEW

Trioॳ԰䈅 for Violin, ᇣᦤ⨈ǃ໻ᦤ⨈Ϣ䩶⨈ϝ䞡༣ Violoncello and Piano Opus 87 Urtext / Ed. ԰ક㄀ 87 ো C. Hogwood Score with parts BA 9436 ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ 䩶⨈ϝ䞡༣ BA 9436 ᘏ䈅ᏺߚ䈅 Klaviertrio nach dem Streichsextett op. 18 NEW 䩶⨈ϝ䞡༣ in B-Dur ॳ԰䈅 ᬍ㓪㞾 B ໻䇗ᓺФ݁䞡༣ op. 18 Bearbeitung von Theodor Kirchner (1823-1903) ⡍༹໮ᇨg෎Ꮰ㒇 (1823-1903) ᬍ㓪 Urtext Ed. C.C.Hogwood ॳ԰䈅 //㓪䕥䳡Ḑӡᖋ BA BA 9441 9441 ‫ܟ‬䞠ᮃᠬᓫg䳡Ḑӡᖋⱘᄺᴃ᷵ Christopher Hogwoods wisࢬ⠜ࣙ৿ҹग़৆䌘᭭Ў䆕ⱘࠡ㿔ˈ䇈 senschaftlich-kritische Edition beinhaltet ein historisches ᯢϝ䞡༣ⱘᔶ៤৆ˈ䯤ᯢЎԩᡞᬍ㓪 Vorwort, das die Entstehungs⠜㾚Ў⣀ゟ԰કˈѺ᥶䅼ࢗᢝྚᮃϢ geschichte des Trios, eine Be෎Ꮰ㒇П䯈ⱘ݇㋏Ǆ trachtung der Bearbeitung als eigenständigem Werk als auch die Beziehung zwischen Brahms und Kirchner beleuchtet.

䩶⨈ϝ䞡༣ ü 䩶⨈ǃ ᇣᦤ⨈ǃ໻ᦤ⨈

ᅝϰᅕgᖋ≗໣‫ܟ‬

ǉᴰྚवǊ

䰡

໻䇗䩶⨈ϝ䞡༣

ᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣ Fᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣ ᇣ䇗䩶⨈ϝ䞡༣op. 65 Piano Trio in F min op. 65 㓪䕥 F. Ꮘᇨᠬᮃ Ed. F. Bartoš ᇣ䇗䩶⨈ϝ䞡༣ H 9564 ᘏ䈅ᏺߚ䈅 BA 9564 Score with BA 9564 parts

From: Brahms, Trio ϝ䞡༣ˈ԰ક㄀ Opus 101 · BA 9437 Ф䈅䗝㞾˖ ࢗᢝྚᮃⱘ 101 োˈBA 9437

ᅸ‫ݙ‬Ф

䩶⨈ಯ䞡༣ ü 䩶⨈ǃ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈

⶷㣺㧞䐹䔁 ᱋ ⶷㣺᱃ 㾂㳂㣺᱃. ... Piano Trio – Piano, Violin, Violoncello .. ⫔㳂㣺.

.䩶⨈ಯ䞡༣ ü 䩶⨈ǃ….. Piano Quartet – Piano, ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈.. Violin, Viola, Violoncello 䩶⨈ಯ䞡༣ ü 䩶⨈ǃ 䩶⨈ಯ䞡༣ ü 䩶⨈ǃ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ 䩶⨈ಯ䞡༣ ü 䩶⨈ǃ Antonín DvoĜák ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ 䰡 ໻䇗䩶⨈ಯ䞡༣ Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬ Dvořák, Antonín

䩶⨈ಯ䞡༣ ü 䩶⨈ǃ ᅝϰᅕgᖋ≗໣‫ܟ‬

ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬

䰡 E ໻䇗䩶⨈ಯ䞡༣ op. 87maj Quartet in E-flat Piano 䰡㓪䕥 A. ⊶⾥ᇨሐǃK. ㋶ᇨ༛ 䰡 ໻䇗䩶⨈ಯ䞡༣ op. ໻䇗䩶⨈ಯ䞡༣ 87 䰡 9537 ໻䇗䩶⨈ಯ䞡༣ ᘏ䈅ᏺߚ䈅 BA 䰡 ໻䇗䩶⨈ಯ䞡༣ 䰡 ໻䇗䩶⨈ಯ䞡༣ BA 9537 Score with parts Gabriel Fauré 䩶⨈ಯ䞡༣ Fauré, Gabriel ࡴᏗ䞠඗ᇨg⽣䳋 ॳ԰䈅 Gabriel Fauré, ࡴᏗ䞠඗ᇨg⽣䳋 (1845-1924) ࡴᏗ䞠඗ᇨg⽣䳋 (1845-1924) ࡴᏗ䞠඗ᇨg⽣䳋 ࡴᏗ䞠඗ᇨg⽣䳋 ࡴᏗ䞠඗ᇨg⽣䳋䩶⨈ಯ䞡༣ op.15 Piano Quartet op. 15 䩶⨈ಯ䞡༣ D. ඗݄ 䩶⨈ಯ䞡༣ ॳ԰䈅 Urtext/ /㓪䕥 Ed. D. Herlin ॳ԰䈅䩶⨈ಯ䞡༣ BA 7903 ᘏ䈅ᏺߚ䈅 ॳ԰䈅䩶⨈ಯ䞡༣ BA 7903 Score with parts 䩶⨈ಯ䞡༣ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 op. 45op. 45 䩶⨈ಯ䞡༣ Piano Quartet 䩶⨈ಯ䞡༣ Urtext/ /㓪䕥 Ed. D. Herlin D. ඗݄ ॳ԰䈅䩶⨈ಯ䞡༣ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ parts BA 7904 Score with ॳ԰䈅䩶⨈ಯ䞡༣ BA 7904 ᘏ䈅ᏺߚ䈅 ॳ԰䈅䩶⨈ಯ䞡༣ 䩶⨈ಯ䞡༣ 䩶⨈ಯ䞡༣ ü 䩶⨈ǃ ᅝϰᅕgᖋ≗໣‫ܟ‬ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ ᇣ䇗䩶⨈ಯ䞡༣ Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ॳ԰䈅 ǉᶣᷥǊ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ࡴᏗ䞠඗ᇨg⽣䳋 Ed. A. Pokorný, K. Šolc

㥿䞠ᮃgᢝ࿕ᇨ

䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣

㥿䞠ᮃgᢝ࿕ᇨ ॳ԰䈅Maurice Ravel, 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ MauriceMaurice Ravel Ravel, 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937)

Fauré, Gabriel Gabriel Fauré Fauré, Gabriel ࡴᏗ䞠඗ᇨg⽣䳋 (1845-1924) (1845-1924) Trio for Piano, Violin and

䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ op.120 Violoncello op. 120 ॳ԰䈅 / 㓪䕥 J. W. ㋶Ꮘᮃ෎

Urtext / Ed. J. W. Sobaskie BA 7902 ᘏ䈅ᏺߚ䈅 parts BA 7902 Score with z 䖭䚼԰કⱘ佪Ͼᄺᴃ᷵ࢬ⠜ First scholarly-critical edition of this work

z ෎Ѣǉᮄ⠜ࡴᏗ䞠඗ᇨg⽣䳋ܼ

䲚Ǌⱘ催䋼䞣ॳ԰䈅⠜ High-quality Urtext edition based on the Complete Works of Gabriel Fauré

Mozart, Wolfgang Amadeus Amadeus Mozart, WolfgangWolfgang Amadeus Mozart (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) Complete Piano Trios Urtext / Ed. W. Plath, W. Rehm 䩶⨈ϝ䞡༣ܼ䲚 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 4787 Score with parts ॳ԰䈅 / 㓪䕥 W. ᱂ᢝ⡍ǃW. 䳋ྚ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA Six 4787 Sonatas K. 10-15ᘏ䈅ᏺߚ䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Early Sonatas II for keyboard 䩶⨈ϝ䞡༣ܼ䲚 ݁佪༣号᳆ K. 10-15 (harpsichord), violin (or flute) 䩶⨈ϝ䞡༣ܼ䲚 ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚 and violoncello ᮽᳳ༣号᳆ II ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚 ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚䩶⨈ϝ䞡༣ܼ䲚 Urtext / Ed. W. Plath, W. Rehm Ў䬂Ⲭ˄㖑ㅵ䬂⨈˅ǃᇣᦤ⨈˄៪䭓 ॳ԰䈅 ॳ԰䈅 Score with parts BA 4756 ॳ԰䈅ワ˅Ϣ໻ᦤ⨈㗠԰ ݁佪༣号᳆ ॳ԰䈅 / 㓪䕥 W. ᱂ᢝ⡍ǃW. 䳋ྚ ݁佪༣号᳆ ݁佪༣号᳆ BA 4756 ᘏ䈅ᏺߚ䈅 ݁佪༣号᳆ ݁佪༣号᳆ ݁佪༣号᳆ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ (1875-1937) 䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ ॳ԰䈅䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ for Piano, Violin and Trio ॳ԰䈅䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ ॳ԰䈅 Violoncello 䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ 䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ ॳ԰䈅/ /㓪䕥 Urtext Ed. J.J. 䰓⊶ᇨᖋ Appold ॳ԰䈅 ॳ԰䈅 parts BA 9418 9418 Score with BA ᘏ䈅ᏺߚ䈅

Appold’s edition not only corrects 䰓⊶ᇨᖋ㓪䕥ⱘ䖭Ͼ⠜ᴀϡҙ㑴 the many engraver ℷњ⦄᳝৘⾡⠜ᴀЁࠊ䈅Ꮉⱘ໻䞣ॄ errors present in existing ࠋϞⱘ䫭䇃ˈ㗠Ϩ䖬໡ॳњ↨བ㄀Ѡ editions, it also reinstates for example the violin passages in Фゴ˄Pantoum˅Ёⱘᇣᦤ⨈Ф↉ˈ ᓫᳫ㣼g㟦ԃ⡍ movement II (Pantoum) which 䖭ѯФ↉೼݊ᅗ৘⾡⠜ᴀЁ䛑ҹϔᅮ appear in other editions partly ⿟ᑺⱘㅔ࣪ᔶᓣߎ⦄ˈ៪㗙⫮㟇ᬒ೼ simplified or placed in the piano 䩶⨈ߚ䈅䞠Ǆ 䩶⨈ϝ䞡༣ܼ䲚 part. ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Franz Schubert Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ 䰡 ໻䇗ϝ䞡༣ Franz Schubert,

䩶⨈ϝ䞡༣ܼ䲚 (1797-1828) (1797-1828) 䩶⨈ϝ䞡༣ܼ䲚 ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚 ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚 ॳ԰䈅䩶⨈ϝ䞡༣ܼ䲚䩶⨈ϝ䞡༣ܼ䲚 Piano Trios Complete 㥿䞠ᮃgᢝ࿕ᇨ 䰡 ໻䇗ϝ䞡༣ ॳ԰䈅 ॳ԰䈅 / /㓪䕥 Urtext Ed. A. ⊩Ӟᇨ Feil ॳ԰䈅䰡 ໻䇗ϝ䞡༣ 䰡 ໻䇗ϝ䞡༣ 䰡B ໻䇗ϝ䞡༣ ໻䇗ϝ䞡༣ Trios in B-flat maj 䰡 D 28 Ϣ䰡 E ໻䇗ϝ 䰡 ໻䇗ϝ䞡༣ 䩶⨈ǃᇣᦤ⨈Ϣ໻ᦤ⨈ϝ䞡༣ D 28Dand maj D 897 䞡༣ 897in op.E-flat post.148 䰡 ໻䇗ϝ䞡༣ ॳ԰䈅 op. post. 148 䰡 5626 ໻䇗ϝ䞡༣ BA ᘏ䈅ᏺߚ䈅 BA 5626 Score with parts 䰡 ໻䇗ϝ䞡༣ 䰡 ໻䇗ϝ䞡༣ 䰡 ໻䇗ϝ䞡༣ 䰡 D 898 op. 99 䰡B ໻䇗ϝ䞡༣ ໻䇗ϝ䞡༣ Trio in B-flat maj D 898 op. 99 䰡 5607 ໻䇗ϝ䞡༣ BA ᘏ䈅ᏺߚ䈅 5607 Score with parts 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䰡䰡 ໻䇗ϝ䞡༣ ໻䇗ϝ䞡༣ 䰡E ໻䇗ϝ䞡༣ ໻䇗ϝ䞡༣ Trio in E-flat maj D 929 op. 100 䰡 D 929 op. 100 䰡 ໻䇗ϝ䞡༣ BA 5610 5610 Score with parts BA ᘏ䈅ᏺߚ䈅 ᇣ䇗ϝ䞡༣ 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 ॳ԰䈅 Bedřich Smetana, 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷 BedĜich Smetana Bedřich Smetana, 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷 (1824-1884) ᇣ䇗ϝ䞡༣ (1824-1884) ᇣ䇗ϝ䞡༣ ॳ԰䈅 ᇣ䇗ϝ䞡༣ in G min Trio ॳ԰䈅 ᇣ䇗ϝ䞡༣ ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 G ᇣ䇗ϝ䞡༣ Urtext / Ed. F. Bartoš, J. Plavec, ᇣ䇗ϝ䞡༣ ॳ԰䈅 K. Šolc/ 㓪䕥 F. Ꮘᇨᠬᮃǃ J. ᱂ᢝ ॳ԰䈅 ॳ԰䈅 BA 9518 ㋶ᇨ༛ Score with parts 䴲༛ǃK. 䩶⨈ϝ䞡༣ܼ䲚 BA 9518 ᘏ䈅ᏺߚ䈅 ॳ԰䈅

㥿䞠ᮃg

䩶⨈ǃ ॳ԰䈅

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᅝϰᅕgᖋ≗໣‫ܟ‬ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Piano Quartet in G min K. 478 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

G ᇣ䇗䩶⨈ಯ䞡༣ K. 478 Urtext / Ed. H. Federhofer 䰡 ໻䇗䩶⨈ಯ䞡༣ ᇣ䇗䩶⨈ಯ䞡༣ ᓺФಯ䞡༣ ॳ԰䈅 / 㓪䕥Score H. 䌍ᖋ䳡䌍ᇨ ᇣ䇗䩶⨈ಯ䞡༣ BA 4728 with parts ॳ԰䈅 ໻䇗㄀ ো ᇣ䇗䩶⨈ಯ䞡༣ 䰡ᇣ䇗䩶⨈ಯ䞡༣ ໻䇗䩶⨈ಯ䞡༣ BA 4728 ᘏ䈅ᏺߚ䈅 ॳ԰䈅 ᇣ䇗䩶⨈ಯ䞡༣ Piano ॳ԰䈅Quartet in E-flat maj ॳ԰䈅 ॳ԰䈅 K. E 493 䰡 ໻䇗䩶⨈ಯ䞡༣ K. 493 Urtext Ed. H. Federhofer 䰡 ໻䇗䩶⨈ಯ䞡༣ ॳ԰䈅 / /㓪䕥 H. 䌍ᖋ䳡䌍ᇨ 䰡 ໻䇗䩶⨈ಯ䞡༣ Score with parts BA 4729 ᓺФಯ䞡༣ ॳ԰䈅䰡 ໻䇗䩶⨈ಯ䞡༣ BA 4729 ॳ԰䈅䰡䰡 ໻䇗䩶⨈ಯ䞡༣ ໻䇗䩶⨈ಯ䞡༣ ᘏ䈅ᏺߚ䈅䰡 ໻䇗㄀ ো ࡴᏗ䞠඗ᇨg⽣䳋 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅䩶⨈ಯ䞡༣ ॳ԰䈅

䩶⨈ಯ䞡༣ ॳ԰䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

ᓫᳫ㣼g

䩶⨈ϝ ॳ԰䈅䰡

䰡

㑺⨳໿g㢣‫ܟ‬

䩶⨈ϝ䞡༣ܼ䲚 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅 ᇣ䇗䩶⨈ಯ䞡༣ 㑺⨳໿g㢣‫ܟ‬ ॳ԰䈅 ᇣ䇗䩶⨈ಯ䞡༣ 㑺⨳໿g㢣‫ܟ‬ 㑺⨳໿g㢣‫ܟ‬ Josef Suk Suk, Josef ݁佪༣号᳆ ॳ԰䈅㑺⨳໿g㢣‫ܟ‬ 㑺⨳໿g㢣‫ܟ‬ 㑺⨳໿g㢣‫ܟ‬ Suk, Josef ᇣ䇗䩶⨈ಯ䞡༣ (1874-1935) NEW ᇣ䇗䩶⨈ಯ䞡༣ ॳ԰䈅 ᇣ䇗䩶⨈ಯ䞡༣ ॳ԰䈅䰡 ໻䇗䩶⨈ಯ䞡༣ A ᇣ䇗䩶⨈ಯ䞡༣ op. 1 ᓺФಯ䞡༣ ॳ԰䈅 Quartet in A min op. 1 Piano ᇣ䇗䩶⨈ಯ䞡༣ ᇣ䇗䩶⨈ಯ䞡༣ ॳ԰䈅 Z.Nouza 䇎㧼 ᇣ䇗㄀㄀//㓪䕥 ো Z. ॳ԰䈅 Urtext Ed. ॳ԰䈅 ॳ԰䈅 BA parts ᘏ䈅ᏺߚ䈅 BA 9546 9546 Score with

䩶⨈ಯ䞡༣ ü 䩶⨈ǃ 䩶⨈ಯ䞡༣ ü 䩶⨈ǃ 䰡 ໻䇗ϝ䞡༣ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ ᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈ ᓺФಯ䞡༣ ᇣ䇗㄀ ো

䰡

໻

䋱ᖋ᮹䌿

ᇣ䇗 ॳ԰䈅

ᅸ‫ݙ‬Ф ..䩶⨈Ѩ䞡༣ ü 䩶⨈ String Duo Piano Quintet – Quintet ..ᓺФѠ䞡༣………………. ϢᓺФѨ䞡༣…Ǆ.Ǆ .. .. for Piano and Strings 䩶⨈Ѩ䞡༣ ü 䩶⨈ ᓺФѠ䞡༣ 㾂㳂㣺䈌䐱㳂㣺 Violin and Viola ϢᓺФѨ䞡༣

Dvořák, Antonín Antonín DvoĜák Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ Piano Quintet in A maj A ໻䇗䩶⨈Ѩ䞡༣ for piano, 2 violins, viola and violoncello op. 5 Ў䩶⨈ǃ2ᡞᇣᦤ⨈ǃЁᦤ⨈੠໻ᦤ ໻䇗䩶⨈Ѩ䞡༣ H 2783 op. 5Score with parts ⨈㗠԰ ᘏ䈅ᏺߚ䈅 H 2783 Piano Quintet in A maj op. 81 for piano, 2 violins, viola and A ໻䇗䩶⨈Ѩ䞡༣ op. 81 violoncello Ў䩶⨈ǃ2 BA 9573 ᡞᇣᦤ⨈ǃЁᦤ⨈੠໻ᦤ Score with parts ໻䇗䩶⨈Ѩ䞡༣ ⨈㗠԰ BA 9573Wolfgang Amadeus ᘏ䈅ᏺߚ䈅 Mozart, Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart (1756-1791)

㾂㳂㣺䈌䐱㳂㣺 Wolfgang Amadeus Mozart

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

㾂㳂㣺䈌⫔㳂㣺

Chamber Music Editions (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ of the Piano Concertos for two violins, viola, violoncello 䩶⨈ण༣᳆ⱘᅸ‫ݙ‬Ф⠜ and piano Ў 2 ᡞᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈Ϣ䩶 Piano reductions with string 䩶⨈ण༣᳆ⱘᅸ‫ݙ‬Ф⠜ ⨈㗠԰ parts 䩶⨈㓽㓪䈅ഛᏺ᳝ᓺФ఼ߚ䈅 Urtext / Ed. C. Wolff ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ - Concerto in F maj K.413 ॳ԰䈅 (No. 11) ü F ໻䇗ण༣᳆ K. 413 BA ˄㄀4875 11 ো˅Score with parts ໻䇗ण༣᳆ 4875 -BA Concerto in A majᘏ䈅ᏺߚ䈅 K. 414

Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᇣᦤ⨈ϢЁᦤ⨈Ѡ䞡༣ Duos for Violin and Viola K. 423ǃ424 423, 424 ᇣᦤ⨈ϢЁᦤ⨈Ѡ䞡༣ Urtext/ /㓪䕥 Ed. D. 䋱ᇨ‫ܟ‬ Berke ॳ԰䈅 parts BA 4772 4772 Score with ᘏ䈅ᏺߚ䈅 BA ॳ԰䈅 Twelve Duets K. 487 for two कѠ佪Ѡ䞡༣ K. 487 horns. Arranged for violin and Ўϸᡞ೚ো㗠԰ viola by W. Müller-Crailsheim कѠ佪Ѡ䞡༣ W. ㉇ࢦüवᇨᮃ⍋ྚᬍ㓪៤ᇣᦤ⨈ HM 115 Performance score ϢЁᦤ⨈ⓨ༣⠜ᴀ HM 115 ⓨߎᘏ䈅

Violin and Violoncello Mozart, Wolfgang Amadeus

Mozart, Wolfgang Amadeus 㾂㳂㣺䈌⫔㳂㣺 Wolfgang Amadeus Mozart (1756-1791)

Violoncello and Bass

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

(1756-1791) Two Duos for Violin and ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Violoncello after K. 423, 424 Anonymus arrangement (1805) / ϸ佪ᇣᦤ⨈Ϣ໻ᦤ⨈Ѡ䞡༣ Ed. D. ḍ᥂ K.Berke 423ǃ424 ϸ佪ᇣᦤ⨈Ϣ໻ᦤ⨈Ѡ䞡༣ BA 9164 Score with parts ओৡ㗙ᬍ㓪˄1805˅ 㓪䕥 D. 䋱ᇨ‫ܟ‬ ᘏ䈅ᏺߚ䈅 BA 9164

(No. 12) ü A4877 ໻䇗ण༣᳆ 414 parts BA ScoreK.with ˄㄀ 12 ো˅ ໻䇗ण༣᳆ -BA Concerto in C majᘏ䈅ᏺߚ䈅 K. 415 4877 (No. 13) BA ScoreK.with ü C4879 ໻䇗ण༣᳆ 415 parts 13 ো˅in E-flat maj K. 449 -˄㄀ Concerto ໻䇗ण༣᳆ BA 4879 ᘏ䈅ᏺߚ䈅 (No. 14) BA 4871 Score with parts ü 䰡 E ໻䇗ण༣᳆ K. 449 ˄㄀ 14 ো˅ Schubert, Franz BA䰡 4871໻䇗ण༣᳆ ᘏ䈅ᏺߚ䈅 Franz Schubert, (1797-1828) Franz Schubert Quintet in A maj “Trout ᓫᳫ㣼g㟦ԃ⡍ Quintet” D 667 op. post. 114 (1797-1828) for piano, violin, viola, ᓫᳫ㣼g㟦ԃ⡍ violoncello and double bass A ໻䇗ǉ劳剐Ѩ䞡༣Ǌ Urtext / Ed. A. Feil D 667 op. post. 114with parts BA໻䇗ǉ劳剐Ѩ䞡༣Ǌ 5608 Score Ў䩶⨈ǃᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈੠ Ԣ䷇ᦤ⨈㗠԰ ॳ԰䈅 / 㓪䕥 A. ⊩Ӟᇨ BA 5608 ᘏ䈅ᏺߚ䈅 ॳ԰䈅

Bärenreiter’s scholarly-critical 健❞຿ᄺᴃ᷵ࢬ⠜ˈ䆹ᵄ԰ⱘ佪 edition, the first ever of this Ͼ⠜ᴀˈਜ⤂њ䖭䚼԰કⱘϸӑⓨߎ masterpiece, presents the work ᘏ䈅Ǆᅗࣙ৿њϔӑᇍ䖭䚼԰કⱘ߯ in two performing scores. It ԰ग़৆ⱘҟ㒡ˈড᯴ᢝ࿕ᇨⱘ԰કҹ contains an introduction on the history of the work reflecting ঞϢᇣᦤ⨈ᆊ⍋݄࿰gШᔧ 㥿ᅝ⧺੠ Ravel’s work and rehearsals ໻ᦤ⨈ᆊ㥿䞠ᮃg偀䳋໣ᇨ೼ϔ䍋ⱘ with violinist Hélène Jourdanᥦ㒗Ǆ Morhange and cellist Maurice 䖭䚼ᮄ⠜ⱘॳྟ䌘᭭ᴹ⑤ࣙᣀࠏ Maréchal. ࠊⱘࡃᴀǃ԰᳆ᆊ⫼ᴹᥦ㒗ⱘ҆ヨᘏ Sources for this new edition include the engraved copy, 䈅˄ࣙ৿㢹ᑆФ↉ⱘᮽᳳ⠜ᴀ˅ǃᏺ the personal autograph scores ᳝Шᔧ 㥿ᅝ⧺੠偀䳋໣ᇨׂ䅶ⱘᘏ䈅 (with earlier versions of some ߱⠜Ǆ passages) which were used to 䰘ᔩࣙ৿њ೼߱⠜Ё≵᳝ⱘ⬅ⓨ rehearse the work and the first ༣㗙Ӏᷛᯢⱘॳྟᣛ⊩Ǆ edition scores with emendations by JourdanMorhange and Maréchal. Included in the appendix are ⫔㳂㣺䈌⭮䅕㳂㣺 the original fingerings by the performers which ⫔㳂㣺䈌⭮䅕㳂㣺 are not found in the first edition.

Gioachino Rossini ⛺䰓෎䇎g㔫㽓ሐ

(1792-1868)

⛺䰓෎䇎g㔫㽓ሐ

Ravel, Maurice Maurice Ravel Ravel, Maurice 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937) Maurice Ravel (1875-1937) 㥿䞠ᮃgᢝ࿕ᇨ Sonata for Violin and (1875-1937) Violoncello ᇣᦤ⨈Ϣ໻ᦤ⨈༣号᳆ NEW Urtext/ /㓪䕥 Ed. D. Woodfull-Harris D. ӡᖋᆠᇨ—જ䞠ᮃ ॳ԰䈅 ᇣᦤ⨈Ϣ໻ᦤ⨈༣号᳆ introduction WithJ.an ᏺ᳝ 䰓⊶ᇨᖋ᠔᪄ᓩ㿔 by J. Appold / 㓪䕥 D. ӡᖋᆠᇨ—જ䞠ᮃ ॳ԰䈅 BA 9417 ᏺ᳝2ӑⓨߎᘏ䈅ҹঞ໻ BA 9417 Text volume with J. 䰓⊶ᇨᖋ᠔᪄ᓩ㿔 ᏺ᳝ ᦤ⨈㓽㓪䈅ˈ䙓‫ܡ‬㗏义 2 performance scores as well as BA 9417 ᏺ᳝2ӑⓨߎᘏ䈅ҹঞ໻ a reduced cello part in order to ᦤ⨈㓽㓪䈅ˈ䙓‫ܡ‬㗏义 avoid page turns

໻ᦤ⨈ϢԢ䷇ᦤ⨈Ѡ䞡༣ Rossini, Gioachino ॳ԰䈅 / Gioachino 㓪䕥 P. ៜา⡍ Rossini, ໻ᦤ⨈ϢԢ䷇ᦤ⨈Ѡ䞡༣ (1792-1868) BA 10544 ᘏ䈅ᏺߚ䈅 ॳ԰䈅 for Violoncello Duet 健❞຿ⱘ᷵ࢬ⠜෎Ѣ㔫㽓ሐⱘ᠟ and Double Bass 〓ǃ㗠䴲߱⠜ˈᰃⳂࠡଃϔ᳝ଂ⠜ Urtext / Ed. P. Gossett ᴀǄ BA 10544 Score with parts

critical edition zBärenreiter’s ॳ԰䈅෎Ѣǉ⛺䰓෎䇎g㔫㽓ሐ is the only currently available ԰ક䲚Ǌ which is based on publication Rossini’s autograph and not on zthe䆹԰કⱘ佪Ͼ᷵ࢬ⠜ first edition. Urtext based on the Works z খ㗗䌘᭭ᘏ䈅੠ऩ⣀ⱘߚ䈅 of Gioachino Rossini First critical edition of the work Reference score and separate parts

ᅸ‫ݙ‬Ф

ᓺФϝ䞡༣

..ᓺ ᓺФϝ䞡༣………………. ..ᓺФಯ䞡༣………………. String Trio String Quartet ᓺФϝ䞡༣ ᓺФಯ䞡༣ ᓺФϝ䞡༣ ᓺФಯ䞡༣ ᓺФϝ䞡༣ Johann ᓺФಯ䞡༣ Dvořák, Antonín Bach, Johann Sebastian Antonín DvoĜák Sebastian Bach Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬

ᅝϰᅕgᖋ≗໣‫ܟ‬ Terzetto in C maj op. 74 ᅝϰᅕgᖋ≗໣‫ܟ‬ C ໻䇗ϝ䞡༣ op. 74

NEW

for two violins and viola Ў໻䇗ϝ䞡༣ 2J.ᡞᇣᦤ⨈੠Ёᦤ⨈㗠԰ Ed. Burghauser ໻䇗ϝ䞡༣ 㓪䕥 J. ᏗḐ䈾ᮃ BA 9543 Parts in slipcover ໻䇗ϝ䞡༣ BA 9543 ༫㺙ߚ䈅 Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart, Wolfgang Amadeus Mozart (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

(1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Divertimento in E-flat maj ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ K. 563 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 䰡 E ໻䇗ო␌᳆ K. 563

for violin, viola and violoncello 䰡 ໻䇗ო␌᳆ Ўᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ⨈㗠԰ Urtext / Ed. D. Berke 䰡 4844 ໻䇗ო␌᳆ Parts in slipcover BA ॳ԰䈅 / 㓪䕥 D. 䋱ᇨ‫ܟ‬ 䰡TP ໻䇗ო␌᳆ Study ༫㺙ߚ䈅 score ॳ԰䈅 BA 319 4844 ॳ԰䈅 TP 319 ⷨдᘏ䈅 ॳ԰䈅

Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 The Art of Fugue BWV 1080 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ǉ䌟Ḑⱘ㡎ᴃǊBWV 1080

Ed. H. Diener ǉ䌟Ḑⱘ㡎ᴃǊ 㓪䕥 H. 䖾䆋ᇨ -ǉ䌟Ḑⱘ㡎ᴃǊ Version for string quartet (a: violin I, b: violin II, c: viola, ǉ䌟Ḑⱘ㡎ᴃǊ — ᓺФಯ䞡༣⠜ d: violoncello) ˄a˖㄀ϔᇣᦤ⨈ˈb˖㄀Ѡᇣᦤ⨈ˈ BA 2600 a,b,c,d c˖Ёᦤ⨈ˈd˖໻ᦤ⨈˅ TP 26 Score BA 2600 a,b,c,d TP 26 ᘏ䈅 van Beethoven, Ludwig

Beethoven, Ludwig van Ludwig van Beethoven (1770-1827)

䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 String Quartets page 51 (1770-1827) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀

䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 ᓺФಯ䞡༣ ᓺФಯ䞡༣ ᓺФಯ䞡༣

the changes made in the 1929 Anton ínDvoĜák DvoĜák posthumous re-engraving of Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬ the score. ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) Dvořák, Antonín ǉᶣᷥǊ ໻䇗ϝ䞡༣ Dvořák, ǉᶣᷥǊ H 6663 Antonín (1841-1904)

༫㺙ߚ䈅

ᓺФಯ䞡༣ Cypresses / Cypřiše ᓺФಯ䞡༣ ໻䇗㄀ 1 Parts ো op. in 2 slipcover HA 6663 ༫㺙ߚ䈅 BA໻䇗㄀ 9539 ো String TP 539Quartet ⷨдᘏ䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ No. 1 in A maj op. 2 BA 9539 Parts in slipcover ᓺФಯ䞡༣ TP 539 Study score ᓺФಯ䞡༣ 䰡 2ো 䰡B ໻䇗㄀ ໻䇗ო␌᳆ 䰡 9540 ໻䇗㄀ ো BA ༫㺙ߚ䈅 String ⷨдᘏ䈅 TP 540Quartet ॳ԰䈅 No. 2 in B-flat maj ᕙߎ BA 9540 Parts in slipcover TP 540 Study Score in preparation

ᓺ

㑺㗄g

ǉ䌟

䏃ᖋ㓈

ᓺФ

Æ 㾕㄀51义

ᓺФಯ䞡༣

Schubert, Franz Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ Franz Schubert (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828)

Complete String Trios ᓺФϝ䞡༣ܼ䲚 for violin, viola and violoncello. ᓫᳫ㣼g㟦ԃ⡍ ᓺФϝ䞡༣ܼ䲚 Urtext / Ed. W. Aderhold ᓺФϝ䞡༣ܼ䲚 BA 5609 Parts in slipcover Ўᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ⨈㗠԰ ॳ԰䈅 TP 306/ 㓪䕥 Study score ॳ԰䈅 W. 䰓ᖋ䳡ᇨᖋ ᓺФϝ䞡༣ܼ䲚 ॳ԰䈅 BA 5609 ༫㺙ߚ䈅 Schubert´s complete string TP 306 ⷨдᘏ䈅 trios ॳ԰䈅 edition includes both z This 㟦ԃ⡍ᓺФϝ䞡༣ܼ䲚

versions of Schubert’s string trio D 581 as well as all his z drafts 䆹⠜ᴀࣙᣀ㟦ԃ⡍ᓺФϝ䞡༣ for string trio. D 581ⱘϸϾ⠜ᴀҹঞ㟦ԃ⡍ᓺФ ϝ䞡༣ⱘ᠔᳝᠟〓

Debussy, Claude ‫⋯ܟ‬ᖋgᖋᔾ㽓 Debussy, Claude Claude Debussy ‫⋯ܟ‬ᖋgᖋᔾ㽓 (1862-1918) ‫⋯ܟ‬ᖋgᖋᔾ㽓 (1862-1918) ᓺФಯ䞡༣ String Quartet ‫⋯ܟ‬ᖋgᖋᔾ㽓 ᓺФಯ䞡༣ ॳ԰䈅 Urtext / Ed. D. Woodfull-Harris ᓺФಯ䞡༣ BA 9414 Parts in slipcover ॳ԰䈅 D. ӡᖋᆠᇨ—જ䞠ᮃ ॳ԰䈅 TP 414 / 㓪䕥 Study score ᓺФಯ䞡༣ BA 9414 ༫㺙ߚ䈅 ॳ԰䈅 Debussy’s groundbreaking TP 414 ⷨдᘏ䈅

quartet has never been edited using all known sources; the Ң᳾Փ⫼᠔᳝Ꮖⶹॳྟ䌘᭭㓪䕥 Bärenreiter scholarly-critical 䖛‫⋯ܟ‬ᖋgᖋᔾ㽓ᓔ߯ᗻⱘᓺФಯ䞡 edition fills this noticeable gap. ༣˗健❞຿ᄺᴃ᷵ࢬᮄ⠜฿㸹њ䖭ϔ Numerous engraving mistakes ᰒ㗠ᯧ㾕ⱘぎⱑǄ found in earlier editions have been corrected and the 䅶ℷњᮽᳳ৘⾡⠜ᴀЁⱘ໻䞣ࠏ differences between the first ⠜П䇃ˈ╘⏙њ߱⠜ߚ䈅Ϣᘏ䈅П䯈 edition parts and score have ⱘᏂᓖǄ᷵ࢬ᡹ਞ䆺䗄њ᠔᳝㓪䕥ᕫ been clarified. A critical ߎⱘ㒧䆎ˈ䰘ᔩ߫ߎњ1929ᑈ԰᳆ᆊ commentary details all editorial decisions and an appendix lists 䑿ৢᘏ䈅䞡ᮄࠊ⠜ᯊⱘব࣪Ǆ

ᓺФಯ䞡༣ ᓺФಯ䞡༣ ᇣ䇗㄀ ো NEW F ᇣ䇗㄀ 5 ো op. 9 ᓫᳫ㣼g㟦ԃ⡍ BA 9545 ༫㺙ߚ䈅 String Quartet No. in F min op. 9 ⷨдᘏ䈅 TP 5535 BA 9545 Parts in slipcover ᓺФϝ䞡༣ܼ䲚 ᓺФಯ䞡༣ TP 535 Study score ᓺФಯ䞡༣ ᇣ䇗㄀ ো ॳ԰䈅 D ᇣ䇗㄀ 9 ো op. 34 String Quartet BA 98304 No. in D min op. 34༫㺙ߚ䈅 ᓺФಯ䞡༣ BA 8304 Parts in slipcover ᓺФಯ䞡༣ ໻䇗㄀ ো String Quartet F ໻䇗㄀ 12 ো No. 12 in F maj ǉ㕢߽മǊ “American” op.96 96 ǉ㕢߽മǊop. H 1594 Parts in slipcover ࡴᏗ䞠඗ᇨg⽣䳋 H 1594 ༫㺙ߚ䈅 ࡴᏗ䞠඗ᇨg⽣䳋 ࡴᏗ䞠඗ᇨg⽣䳋

Gabriel Fauré Fauré, Gabriel ᓺФಯ䞡༣ Fauré, Gabriel ࡴᏗ䞠඗ᇨg⽣䳋 Gabriel Fauré, ᓺФಯ䞡༣ ॳ԰䈅 Fauré, Gabriel (1845-1924) (1845-1924) ᓺФಯ䞡༣ ॳ԰䈅 (1845-1924) ॳ԰䈅 Quartet op. 121 String op. 121 ᓺФಯ䞡༣ op.Sobaskie 121 String Quartet Urtext /㓪䕥 Ed. J.J.W. / W. ॳ԰䈅㋶Ꮘᮃ෎ Urtext J. W.inSobaskie BA 7901/ Ed. Parts slipcover BA 7901 ༫㺙ߚ䈅 Parts slipcover TP 412 Study in score TP 412 Study score 412 ⷨдᘏ䈅

‫⋯ܟ‬ᖋ

ᓺФ ॳ԰

ᅸ‫ݙ‬Ф

“... magnificent and mandatory” ᱑ ⡹⡙㈿䔘᱒

Ludwig van Beethoven Beethoven, Ludwig van 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Ludwig van Beethoven, (1770-1827) (1770-1827) ᓺФಯ䞡༣ op. 18op. ㄀1-6佪 Quartets 18, 1-6 String Urtext Ed. J.J.Del Mar ॳ԰䈅 //㓪䕥 ᖋᇨ偀ᇨ BA Parts༫㺙ߚ䈅 in slipcover BA 9016 9016 BA commentary ᷵ࢬ᡹ਞ BA 9016-40 9016-40 Critical TP 916 Study score TP 916 ⷨдᘏ䈅

String Quartets 59, 佪 1-3 ᓺФಯ䞡༣ op. 59,op. ㄀ 1-3 Urtext / Ed. J. Del Mar ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ BA 9017 Parts in slipcover BA 9017-40 9017 ༫㺙ߚ䈅 BA Critical commentary BA917 9017-40 Study ᷵ࢬ᡹ਞ TP score TP 917 ⷨдᘏ䈅 String Quartets opp. 74, 95 ᓺФಯ䞡༣ J. 74ǃop. Del Mar95 Urtext / Ed.op. BA 9018 in slipcover ॳ԰䈅 / 㓪䕥 Parts J. ᖋᇨ偀ᇨ BA Critical commentary BA 9018-40 9018 ༫㺙ߚ䈅 TP score BA918 9018-40 Study ᷵ࢬ᡹ਞ TP 918 ⷨдᘏ䈅 Critical commentary (Eng) with facsimile pages z ᷵ࢬ᡹ਞ˄㣅᭛˅ᏺᕅॄӊ义 Meticulously laid out z performance ⠜䴶䆒䅵㒚㟈ⱘⓨߎߚ䈅 parts

z Study ⷨдᘏ䈅ࣙ৿Ꮘ䞠gᑧ⦔ scores include historical introduction ᠔԰݇Ѣग़৆⊓䴽ⱘҟ㒡 by Barry Cooper (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅

Ϟ䴶ⱘФ䈅 = BA above 9016 = BA 9016 Music example Music example ϟ䴶ⱘФ䈅 = TP below 918 = TP 918

ᅸ‫ݙ‬Ф

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

า㧼ᇨgᓫᳫ‫ ܟ‬ ..㻳㎷㯥䐹䔁…… String Quartet

………

ᓺФಯ䞡༣ César Franck า㧼ᇨgᓫᳫ‫ ܟ‬ ॳ԰䈅 Franck, César า㧼ᇨgᓫᳫ‫ ܟ‬ Franck, César (1822-1890) า㧼ᇨgᓫᳫ‫ ܟ‬

(1822-1890) ᓺФಯ䞡༣ ᓺФಯ䞡༣ ॳ԰䈅 String Quartet / /㓪䕥 C. Strucken-Paland ॳ԰䈅 ᮑ⡍剕㚃—Ꮹᳫ ᓺФಯ䞡༣ Urtext Ed. C. BA 9421 Parts in slipcover ༫㺙ߚ䈅㦅༹ҔgѮ㒇ߛ‫ ܟ‬ BA 9421 ॳ԰䈅 TP 421 421 ⷨдᘏ䈅 TP Study score

Janáček, Leoš Leoš Janáþek ㄀ϔᓺФಯ䞡༣ 㦅༹ҔgѮ㒇ߛ‫ ܟ‬ Leoš Janáček, 㦅༹ҔgѮ㒇ߛ‫ ܟ‬ ᥂ᠬᇨᮃ⋄Ā‫ܟ‬剕䞛༣号᳆ā㗠԰ (1854-1928) (1854-1928) 㦅༹ҔgѮ㒇ߛ‫ ܟ‬

ॳ԰䈅

String Quartet No. 1 after ㄀ϔᓺФಯ䞡༣ ㄀ϔᓺФಯ䞡༣ Tolstoy's “Kreutzer Sonata” ᥂ᠬᇨᮃ⋄Ā‫ܟ‬剕䞛༣号᳆ā㗠԰ ᥂ᠬᇨᮃ⋄Ā‫ܟ‬剕䞛༣号᳆ā㗠԰ ㄀ϔᓺФಯ䞡༣ Urtext / Ed. L. Faltus, ॳ԰䈅 ॳ԰䈅 / 㓪䕥 L. ⊩ᇨ೒ᮃǃ Štědroň M. ᥂ᠬᇨᮃ⋄Ā‫ܟ‬剕䞛༣号᳆ā㗠԰ BA 9520 Parts in slipcover Ҕ᥋ᖋ啭 M. ॳ԰䈅 TP BA 520 9520 Study score ༫㺙ߚ䈅㄀ѠᓺФಯ䞡༣Ā⾬ֵā ⷨдᘏ䈅 TP 520 String ॳ԰䈅Quartet No. 2 “Intimate Letters” ㄀ѠᓺФಯ䞡༣Ā⾬ֵā ㄀ѠᓺФಯ䞡༣Ā⾬ֵā Urtext / Ed. L. Faltus, ॳ԰䈅 / 㓪䕥 L. ⊩ᇨ೒ᮃǃ ॳ԰䈅 Štědroň M. ㄀ѠᓺФಯ䞡༣Ā⾬ֵā BA 9533 Parts in slipcover M. Ҕ᥋ᖋ啭 ॳ԰䈅 TP BA 533 9533 Study score ༫㺙ߚ䈅 TP 533 ⷨдᘏ䈅

Wolfgang Amadeus Mozart Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ WolfgangWolfgang Amadeus Mozart Amadeus Mozart, (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791) G໻䇗ǉᇣ໰᳆Ǌ ໻䇗ǉᇣ໰᳆ǊK. 525 ᓺФಯ䞡༣ kleine Nachtmusik in G Eine ໻䇗ǉᇣ໰᳆Ǌ ॳ԰䈅 / 㓪䕥 E. F. ᮑᆚ⡍ maj K. 525 for string G ໻䇗ǉᇣ໰᳆ǊK. 525quartet ᓺФಯ䞡༣ ॳ԰䈅 ॳ԰䈅 Urtext Ed. E. ༫㺙ߚ䈅 BA 4700/ /㓪䕥 ॳ԰䈅 E.F.F.Schmid ᮑᆚ⡍ BA 4700 Parts in slipcover TP ⷨдᘏ䈅 ༫㺙ߚ䈅 BA 19 4700

TP 19 Study score TP 19 ⷨдᘏ䈅 ᕅ䷇⠜ Facsimile edition ᕅॄ⠜ ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1 ᕅॄ⠜ ISBN 978-3-7618-2282-1 ᕅ䷇⠜ Æ 㾕㄀ page8585义 ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1

Æ 㾕㄀ 85 义 52

क佪ᑚ‫݌‬ᓺФಯ䞡༣ Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ क佪ᑚ‫݌‬ᓺФಯ䞡༣ The Ten Celebrated String क佪ᑚ‫݌‬ᓺФಯ䞡༣ Quartets in G maj K. 387, in D ໻䇗 387ǃD ᇣ䇗 maj K. 421ǃ䰡 G क佪ᑚ‫݌‬ᓺФಯ䞡༣ min K.K.421, in B-flat K. 458,B ໻䇗 K.ॳ԰䈅 458ǃ䰡 ໻䇗 in K. A428ǃA in E-flat maj K.E428, maj ໻ K. K. 464, in C ໻䇗 maj K. 465ǃD 465, in ໻䇗 D maj 464ǃC K. 䇗 K. 499,໻䇗 in DK.maj K. 575, in B-flat 499ǃD 575ǃ䰡 B ໻䇗 K. maj K. ໻䇗 589, K. in590 F maj K. 590 589ǃF ॳ԰䈅 Urtext / Ed. L. Finscher ॳ԰䈅 / 㓪䕥 L. 㢀㟡ᇨ Parts in slipcover BA 4750 कϝ佪ᮽᳳᓺФಯ䞡༣ ༫㺙ߚ䈅 BA 4750 Study score TP 140 ॳ԰䈅 ॳ԰䈅 TP 140 ⷨдᘏ䈅 The Thirteen Early कϝ佪ᮽᳳᓺФಯ䞡༣ String Quartets कϝ佪ᮽᳳᓺФಯ䞡༣ ॳ԰䈅 Urtext/ /㓪䕥 K. H. 㧆ᮃᇨǃ Füssl, W. Plath, ㄀Ed. 䕥 ॳ԰䈅 K. H. कϝ佪ᮽᳳᓺФಯ䞡༣ W. Rehm W. ᱂ᢝ⡍ǃW. 䳋ྚ ॳ԰䈅 - Volume in G maj ㄀ 1 䕥˖G 䕥 1: Quartets ü ໻䇗ಯ䞡༣ K. ㄀ 80, in D maj K. 155, in G maj 156, 䕥 in໻䇗ಯ䞡༣ C maj K. 157 K. 155ǃG ໻䇗 K. 80ǃD ㄀ BA 4847 Parts໻䇗ಯ䞡༣ in slipcover ಯ䞡༣ K. 156ǃC K. 157 ㄀䕥 ༫㺙ߚ䈅 BA 4847 - Volume 2: Quartets in F maj K. ㄀ 158, 䕥 in B maj K. 159, ü 2 䕥˖F in ㄀ E-flat maj໻䇗ಯ䞡༣ K. 160 K. 159ǃ䰡 E K. BA158ǃB Parts in slipcover ㄀4848 䕥 ໻䇗ಯ䞡༣ ໻䇗ಯ䞡༣ K. 160 - Volume in F maj ༫㺙ߚ䈅 BA 4848 ㄀3: Quartets 䕥 K. 168, in A maj K. 169, in C maj K. ㄀ 1703 䕥˖F 䕥 ü ໻䇗ಯ䞡༣ BA 4849 Parts in slipcover K. 168ǃA ㄀䕥 ໻䇗ಯ䞡༣ K. 169ǃC ໻ 䇗ಯ䞡༣ - VolumeK.4:170 Quartets in E-flat BA maj4849 K. 171, in B-flat༫㺙ߚ䈅 maj K. 172, in D min㄀K. 173 䕥 BA㄀4850 in slipcover ü 4 䕥˖䰡 E ໻䇗ಯ䞡༣ 䕥 Parts K. 171ǃ䰡 B ໻䇗ಯ䞡༣ K. 172ǃ ㄀䕥 Three Divertimenti K. 136-138 D ᇣ䇗ಯ䞡༣ K. 173 quartet (125a-c) for string ༫㺙ߚ䈅 BA 4850/ Ed. K. H. Füssl Urtext BA 4860 Parts in slipcover ϝ佪ო␌᳆ TP 278 Study score K. 136-138˄125a-c˅ ϝ佪ო␌᳆ 136-138˄125a-c˅ ЎᓺФಯ䞡༣㗠԰ ЎᓺФಯ䞡༣㗠԰ ϝ佪ო␌᳆ Ravel, Maurice ॳ԰䈅ॳ԰䈅 // 㓪䕥㧆ᮃᇨ ॳ԰䈅㓪䕥 K. K. -H. H. 㧆ᮃᇨ Maurice Ravel, BA 4860 ༫㺙ߚ䈅 BA 4860 ༫㺙ߚ䈅 ॳ԰䈅 (1875-1937) ⷨдᘏ䈅 TP 278 278 ⷨдᘏ䈅 TP String Quartet Urtext / Ed. J. Appold BA 9413 Maurice RavelParts in slipcover TP 413 Study score with 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ critical commentary (1875-1937) 㥿䞠ᮃgᢝ࿕ᇨ

ᓺФಯ䞡༣ ᓺФಯ䞡༣ ᓺФಯ䞡༣ ॳ԰䈅 / 㓪䕥 J. 䰓⊶ᇨᖋ ᓺФಯ䞡༣ ॳ԰䈅 ༫㺙ߚ䈅 BA 9413 ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅ᏺ TP 413 ᷵ࢬ᡹ਞ

ᓫᳫ㣼g㟦ԃ⡍

ᓺФಯ䞡༣ܼ䲚 Schubert, Franz Franz Schubert ᓫᳫ㣼g㟦ԃ⡍ Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ ᓺФಯ䞡༣˄ϔ˅ (1797-1828) (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ ᓺФಯ䞡༣ܼ䲚 String Quartets Complete ᓺФಯ䞡༣ܼ䲚

ᓺФಯ䞡༣ܼ䲚 ᓺФಯ䞡༣˄ϔ˅ - String Quartets I ü ᓺФಯ䞡༣˄ϔ˅ Quartet in D maj D 94, Overture D 94ǃC Din໻䇗ಯ䞡༣ ᇣ䇗ᑣ᳆ C min Dॳ԰䈅 8A, Quartet in C maj ᓺФಯ䞡༣˄ϔ˅ 46, Minuet in DDmaj D 86. DD8AǃC໻䇗ಯ䞡༣ 46ǃD໻䇗ᇣ Five Minuets and five German D 86 ℹ㟲᳆ Dances D 89 D 89 Ѩ佪ᇣℹ㟲᳆੠Ѩ佪ᖋᛣᖫ㟲᳆ Urtext ॳ԰䈅 / Ed. M. Chusid, D. Finke/ 㓪䕥 W. M. ᑧ㽓ᖋǃD. ॳ԰䈅㢀‫—ܟ‬ Aderhold Hecklinger, ᓺФಯ䞡༣˄Ѡ˅ 咥䞥ḐǃW. BA 5625 䰓ᖋ䳡ᇨᖋ Parts in slipcover ॳ԰䈅 BA 5625 ༫㺙ߚ䈅 - String Quartets II ᓺФಯ䞡༣˄Ѡ˅ Quartet in G min/B-flat maj ü ᓺФಯ䞡༣˄Ѡ˅ D 18, Quartet in C maj 32, ໻ / 䰡 B໻䇗ಯ䞡༣ DD 18ǃC Gᇣ䇗 ᓺФಯ䞡༣˄Ѡ˅ Quartet inॳ԰䈅 B-flat maj D 36, D 32ǃ䰡 B໻䇗ಯ䞡༣ 䇗ಯ䞡༣ Quartet in B-flat maj D 68 DUrtext 36ǃ䰡B໻䇗ಯ䞡༣ D 68 / Ed. M. Chusid ॳ԰䈅 / 㓪䕥Parts M. ᑧ㽓ᖋ in slipcover BA 5631 ॳ԰䈅 BA 5631 ༫㺙ߚ䈅 ॳ԰䈅 - String Quartets III Quartet in D maj D 74, ü ᓺФಯ䞡༣˄ϝ˅ Quartet in E-flat maj D 87 D(op. D 74ǃ䰡 E໻䇗ಯ䞡༣ ໻䇗ಯ䞡༣ post. 125/1), Quartet post.D125/1˅ǃ䰡B໻䇗 Din87 ˄op.maj B-flat 112 (op. 168), D 112 ಯ䞡༣ Quartet in G˄op. min168˅ǃGᇣ䇗ಯ D 173, Quartet in E D maj D 353໻䇗ಯ䞡༣ (op. post.D125/2) 173ǃE 353 䞡༣ ॳ԰䈅 Urtext / Ed. Aderhold post. 125/W. 2˅ ˄op. BA 5636 Parts in slipover ॳ԰䈅 / 㓪䕥 W. 䰓ᖋ䳡ᇨᖋ ॳ԰䈅 BA 5636 Quartet in༫㺙ߚ䈅 - String A min ॳ԰䈅 ᇣ䇗ᓺФಯ䞡༣ǉ㔫㥢㩭ᖋǊ “Rosamunde” D 804 op. 29, ᇣ䇗ᓺФಯ䞡༣ǉ㔫㥢㩭ᖋǊ ü A ᇣ䇗ᓺФಯ䞡༣ǉ㔫㥢㩭ᖋǊ String Quartet in C min ᇣ䇗ᓺФಯ䞡༣ D 703 ǉಯ䞡༣ФゴǊ ᇣ䇗ᓺФಯ䞡༣ D“Quartett-Satz” 804ᇣ䇗ᓺФಯ䞡༣ǉ㔫㥢㩭ᖋǊ op. 29ǃC ᇣ䇗ᓺФಯ䞡༣ Urtext / Ed. W. 703 Aderhold ǉಯ䞡༣ФゴǊD ǉಯ䞡༣ФゴǊ ॳ԰䈅 ᇣ䇗ᓺФಯ䞡༣ BA 5614 Parts in slipcover ॳ԰䈅 W. 䰓ᖋ䳡ᇨᖋ ॳ԰䈅 ǉಯ䞡༣ФゴǊ TP 304/ 㓪䕥Study score ༫㺙ߚ䈅 BA 5614 ॳ԰䈅 TP 304 Quartet inⷨдᘏ䈅 - String D min “Death and the Maiden” D 810 Urtext / Ed. W.ᇣ䇗ᓺФಯ䞡༣ Aderhold ü D ᇣ䇗ᓺФಯ䞡༣ ᇣ䇗ᓺФಯ䞡༣ Parts810 in slipcover BA 5613 ǉ⅏⼲ϢᇥཇǊ ǉ⅏⼲ϢᇥཇǊD ǉ⅏⼲ϢᇥཇǊ ᇣ䇗ᓺФಯ䞡༣ TP 301 Study score ॳ԰䈅 ॳ԰䈅 / 㓪䕥 W. 䰓ᖋ䳡ᇨᖋ ॳ԰䈅 ǉ⅏⼲ϢᇥཇǊ BA 5613 Quartet in༫㺙ߚ䈅 - String G maj D 887 ॳ԰䈅 ⷨдᘏ䈅 TP op.301 post. 161 Urtext / Ed. W. Aderhold Parts in slipcover BAG5616 ü ໻䇗ᓺФಯ䞡༣ ໻䇗ᓺФಯ䞡༣ ໻䇗ᓺФಯ䞡༣ 303op. post. Study DTP887 161score ໻䇗ᓺФಯ䞡༣ ॳ԰䈅 W. 䰓ᖋ䳡ᇨᖋ ॳ԰䈅/ 㓪䕥 Complete Chamber Music ॳ԰䈅 BA ॳ԰䈅 in 35616 volumes. Study༫㺙ߚ䈅 score TP 303 Urtext ⷨдᘏ䈅 edition. TP 409 Special reduced price ᅸ‫ݙ‬Фܼ䲚 ᅸ‫ݙ‬Фܼ䲚 3ᅸ‫ݙ‬Фܼ䲚 ोᴀ ⷨдᘏ䈅⠜ ॳ԰䈅 ᅸ‫ݙ‬Фܼ䲚 ॳ԰䈅 TP 409 ⡍߿ᡬᠷӋ ॳ԰䈅 ॳ԰䈅

ᅸ‫ݙ‬Ф Smetana, Bedřich BedĜich Smetana 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 Smetana, Bedřich 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱 ᖋ᮹䌿gᮃ㕢ศ䙷 (1824-1884) (1824-1884) 䋱ᖋ᮹䌿gᮃ㕢ศ䙷䋱ᖋ᮹䌿gᮃ㕢ศ䙷 ᇣ䇗㄀ϔোᓺФಯ䞡༣ 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 Quartet No. 1 String ᇣ䇗㄀ϔোᓺФಯ䞡༣ Eǉ៥ⱘϔ⫳Ǌ ᇣ䇗㄀ϔোᓺФಯ䞡༣ in E min “From my Life” ǉ៥ⱘϔ⫳Ǌ ǉ៥ⱘϔ⫳Ǌ ᇣ䇗㄀ϔোᓺФಯ䞡༣ Urtext ॳ԰䈅 / Ed. F. Bartoš, J. Plavec, ᇣ䇗㄀ϔোᓺФಯ䞡༣ ॳ԰䈅 ॳ԰䈅 ǉ៥ⱘϔ⫳Ǌ Šolc/ 㓪䕥 F. ᏈᇨᠬҔǃJ. ᱂ᢝ䶺 K. ᇣ䇗㄀ϔোᓺФಯ䞡༣ ǉ៥ⱘϔ⫳Ǌ BA 9516 㒡ᇨ㣼Parts in slipcover 㣼ǃK. ॳ԰䈅 ǉ៥ⱘϔ⫳Ǌ ॳ԰䈅 TP 516 BA 9516 Study score ༫㺙ߚ䈅 ॳ԰䈅 TP 516 ⷨдᘏ䈅 String Quartet No. 2 in D min ᇣ䇗㄀ѠোᓺФಯ䞡༣ Urtext / Ed. F. Bartoš, J. Plavec, ᇣ䇗㄀ѠোᓺФಯ䞡༣ Dॳ԰䈅 ᇣ䇗㄀ѠোᓺФಯ䞡༣ Šolc K. ॳ԰䈅 ॳ԰䈅 F. ᏈᇨᠬҔǃJ. ᱂ᢝ䶺 ᇣ䇗㄀ѠোᓺФಯ䞡༣ BA 9517/ 㓪䕥Parts in slipcover ᇣ䇗㄀ѠোᓺФಯ䞡༣ TP 517㒡ᇨ㣼Study score 㣼ǃK. ॳ԰䈅 ᇣ䇗㄀ѠোᓺФಯ䞡༣ ॳ԰䈅 BA 9517 ༫㺙ߚ䈅 ॳ԰䈅 ⷨдᘏ䈅 TP 517

Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ and Fugue in C min Adagio

ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ K. 546 Cॳ԰䈅 ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ for strings K. 546 ॳ԰䈅 / /㓪䕥 W. ᱂ᢝ⡍ ॳ԰䈅 ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ Urtext Ed. W. Plath ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ BA 5378 ᘏ䈅ᏺߚ䈅 ॳ԰䈅 parts: BA 5378 Score with ᇣ䇗ᓺФᶨᵓ੠䌟Ḑ ॳ԰䈅 VI, Vc,Vc, CbCb V I,VII, V II,Va, Va, ॳ԰䈅 ᓺФѨ䞡༣ܼ䲚 Complete String Quintets ᓺФѨ䞡༣ܼ䲚 ᓺФѨ䞡༣ܼ䲚 K. 174, 406, 515, 516, 593, 614 K. 174ǃ406ǃ515ǃ516ǃ593ǃ614 ᓺФѨ䞡༣ܼ䲚 for two violins, two violas and ᓺФѨ䞡༣ܼ䲚 Ўঠᇣᦤ⨈ǃঠЁᦤ⨈Ϣ໻ᦤ⨈㗠԰ ᓺФѨ䞡༣ܼ䲚 ॳ԰䈅 violoncello ॳ԰䈅 / /㓪䕥 ॳ԰䈅 E. Hess, ⍋ᮃǃE. ᮑᆚ⡍ Urtext Ed. E. E. F.F.Schmid ༫㺙ߚ䈅 BA 4771 ॳ԰䈅 BA 4771 Parts in slipcover ॳ԰䈅 Study score ⷨдᘏ䈅 TP 159 ॳ԰䈅 Johannes Johannes Brahms Brahms, 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ Johannes Brahms, (1833-1897) (1833-1897)

String Quintet ᓺФѨ䞡༣ ᓺФѨ䞡༣ ..ᓺФѨ䞡༣……………..…. Dvořák, Antonín ᓺФѨ䞡༣ Dvořák, Antonín ᓺФѨ䞡༣ Antonín DvoĜák ᓺФѨ䞡༣ (1841-1904) Antonín DvoĜák

op. 36 G ໻䇗݁䞡༣ in G maj op. 36 Sextet ॳ԰䈅 / /㓪䕥䳡Ḑӡᖋ Urtext Ed. C. Hogwood BA BA 9420 9420 Parts in slipcover ༫㺙ߚ䈅 TP Study score TP 420 420 ⷨдᘏ䈅

ᅝϰᅕgᖋ≗໣‫ ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) Nocturne in B maj op. 40 (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ for two violins, viola, violoncello ᅝϰᅕgᖋ≗໣‫ܟ‬ B ໻䇗໰᳆ 40 and doubleop. bass ᅝϰᅕgᖋ≗໣‫ܟ‬

໻䇗໰᳆ op. BЎঠᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈੠Ԣ䷇ ໻䇗໰᳆ 40 with parts H 6590 Score Ўঠᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈੠Ԣ䷇ ໻䇗໰᳆ ᦤ⨈㗠԰ ໻䇗໰᳆ String Quintet in G maj op. 77 ᦤ⨈㗠԰ ᘏ䈅ᏺߚ䈅 H ໻䇗໰᳆ 6590 for two violins, viola, violoncello ᘏ䈅ᏺߚ䈅 H 6590 and double bass BA໻䇗ᓺФѨ䞡༣ 9577 Parts in slipcoverNEW G ໻䇗ᓺФѨ䞡༣ ໻䇗ᓺФѨ䞡༣ op. op. 77 77 G Ўঠᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈੠Ԣ䷇ Ўঠᇣᦤ⨈ǃЁᦤ⨈ǃ໻ᦤ⨈੠Ԣ䷇ ໻䇗ᓺФѨ䞡༣ ໻䇗ᓺФѨ䞡༣ ᦤ⨈㗠԰ ᦤ⨈㗠԰ ໻䇗ᓺФѨ䞡༣ ༫㺙ߚ䈅 BA 9577 9577 BA ༫㺙ߚ䈅

String Quintet in E-flat maj op. 97 for two violins, two violas 䰡 ໻䇗ᓺФѨ䞡༣ and 䰡 E violoncello ໻䇗ᓺФѨ䞡༣ op. 97 䰡 ໻䇗ᓺФѨ䞡༣ Ed. F. Bartoš NEW Ўঠᇣᦤ⨈ǃঠЁᦤ⨈੠໻ᦤ⨈㗠԰ 䰡 ໻䇗ᓺФѨ䞡༣ 9542 Parts inop. slipcover 䰡BA E ໻䇗ᓺФѨ䞡༣ 97 㓪䕥 F. Ꮘᇨᠬᮃ 䰡 ໻䇗ᓺФѨ䞡༣ TP 532 Study score Ўঠᇣᦤ⨈ǃঠЁᦤ⨈੠໻ᦤ⨈㗠԰ ༫㺙ߚ䈅 BA 9542 㓪䕥 F. Ꮘᇨᠬᮃ TP 532 ⷨдᘏ䈅 ༫㺙ߚ䈅 BA 9542 TP 532 ⷨдᘏ䈅

Urtext editions of z First 䖭ѯফ⃶䖢ⱘᅸ‫ݙ‬Фⱘ佪ᡍॳ԰ these popular chamber 䈅⠜ works music Franz Schubert ᓫᳫ㣼g㟦ԃ⡍

ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ Franz Schubert ᓫᳫ㣼g㟦ԃ⡍ Schubert, Franz ໻䇗ᓺФѨ䞡༣ ᓫᳫ㣼g㟦ԃ⡍

Franz Schubert, ໻䇗ᓺФѨ䞡༣ C ໻䇗ᓺФѨ䞡༣ (1797-1828) (1797-1828) D 956 op. post. 163 ໻䇗ᓺФѨ䞡༣ ໻䇗ᓺФѨ䞡༣ Ўঠᇣᦤ⨈ǃЁᦤ⨈Ϣ ঠ໻ᦤ⨈㗠԰ ॳ԰䈅 C ໻䇗ᓺФѨ䞡༣ Quintet in C maj D 956 String ॳ԰䈅 / 㓪䕥 M. ᑧ㽓ᖋ ॳ԰䈅 D 956 op. post. 163two violins, op. post. 163 for BA 5612 ༫㺙ߚ䈅 ॳ԰䈅 viola and two violoncellos Ўঠᇣᦤ⨈ǃЁᦤ⨈Ϣ ঠ໻ᦤ⨈㗠԰ ॳ԰䈅 ⷨдᘏ䈅 TP 287 / /㓪䕥 Urtext Ed. M. Chusid ॳ԰䈅 M. ᑧ㽓ᖋ BA 5612 Parts in slipcover ༫㺙ߚ䈅 BA 5612 TP 287 Study score TP 287 ᓺФ݁䞡༣ ü ⷨдᘏ䈅

ᓺФ݁䞡༣ ü ü …… …... ᓺФ݁䞡༣ ᡞᇣᦤ⨈ǃü ᓺФ݁䞡༣ ᡞᇣᦤ⨈ǃ 2 ᡞᇣᦤ⨈ǃ…………….. ᓺФ݁䞡༣ ü ᡞ໻ᦤ⨈ ᡞЁᦤ⨈ǃ ü– …… …... String Sextet ᡞᇣᦤ⨈ǃ ᡞЁᦤ⨈ǃ ᡞ໻ᦤ⨈ 2ᓺФ݁䞡༣ ᡞЁᦤ⨈ǃ2 ᡞ໻ᦤ⨈.... ᡞᇣᦤ⨈ǃ Violins, 2 Violas, 22 ᡞᇣᦤ⨈ǃ…………….. ᡞЁᦤ⨈ǃ ᡞ໻ᦤ⨈ ᡞЁᦤ⨈ǃ ᡞ໻ᦤ⨈ 2 ᡞЁᦤ⨈ǃ2 Violoncellos 2 ᡞ໻ᦤ⨈.... Johannes Brahms

㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ (1833-1897) 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ Johannes Brahms Brahms, Johannes 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 䰡 ໻䇗݁䞡༣ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ Brahms, Johannes

䰡 B ໻䇗݁䞡༣ ໻䇗݁䞡༣ op. 18 䰡 ॳ԰䈅 (1833-1897) ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ ॳ԰䈅䰡 ໻䇗݁䞡༣ 䰡BA ໻䇗݁䞡༣ 9419 ༫㺙ߚ䈅 ॳ԰䈅 in B-flatop. maj op. 18 Sextet 18 B 䰡 ໻䇗݁䞡༣ ॳ԰䈅 Urtext Ed. C. TP 419 / /㓪䕥 ⷨдᘏ䈅 C. Hogwood ॳ԰䈅䳡Ḑӡᖋ BA 9419 Parts in slipcover BA 419 9419 Study score ༫㺙ߚ䈅 TP TP 419 ⷨдᘏ䈅

variant readings z Include ࣙ৿ߎ㞾ৠᯊҷߚ䈅ⱘϡৠ⠜ᴀ from ᓖ᭛ contemporary parts

With facsimile pages z ᏺᕅॄӊ义

Antonín DvoĜák ᅝϰᅕgᖋ≗໣‫ܟ‬ Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ Antonín DvoĜák Antonín Dvořák, (1841-1904) ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬ (1841-1904) ໻䇗ᓺФ݁䞡༣ ᅝϰᅕgᖋ≗໣‫ܟ‬ ໻䇗ᓺФ݁䞡༣ 48 op. 48 AString ໻䇗ᓺФ݁䞡༣ Sextet in op. A maj 㓪䕥 ᑧԃ op. 48 A ໻䇗ᓺФ݁䞡༣ Ed. A.A.Čubr ໻䇗ᓺФ݁䞡༣ BA 9566 slipcover BA 9566 A. ᑧԃParts in ༫㺙ߚ䈅㓪䕥 ໻䇗ᓺФ݁䞡༣ BA 9566 ༫㺙ߚ䈅 Wolfgang Amadeus Mozart Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Amadeus Mozart, WolfgangWolfgang Amadeus Mozart (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ݁䞡༣໻ण༣᳆ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Sestetto Concertante Grande ݁䞡༣໻ण༣᳆ ݁䞡༣໻ण༣᳆ ḍ᥂Ѹડण༣᳆ ᬍ㓪 (1808) after the ḍ᥂Ѹડण༣᳆ ᬍ㓪 K. Sinfonia 364 ᬍ㓪 ḍ᥂Ѹડण༣᳆ ݁䞡༣໻ण༣᳆ ˄ ˅ Concertante K. 364 ݁䞡༣໻ण༣᳆ ˄ ˅ ˄1808˅ K. 364 ᬍ㓪 ḍ᥂Ѹડण༣᳆ ݁䞡༣໻ण༣᳆ Ed. C. Hogwood ḍ᥂Ѹડण༣᳆ ᬍ㓪 C. 䳡Ḑӡᖋ 㓪䕥 ˄1808˅ BA 9504 Score ᬍ㓪 ḍ᥂Ѹડण༣᳆ ˄BA ˅ 9504 ᘏ䈅 C. BA 9504-22 Parts in slipcover 㓪䕥䳡Ḑӡᖋ ˄ ˅ BA ༫㺙ߚ䈅 BA9504-22 9504 ᘏ䈅 BA 9504-22 ༫㺙ߚ䈅

ᓺФ䯳 / ໮⾡໮ḋⱘᅸ‫ݙ‬Ф using two solo ↣ӊ⣀༣Ф఼䛑㛑໳ऩ⣀ৠㅵᓺФ䯳 ऩㇻㅵ ᓺФ䯳 ໮⾡໮ḋⱘ cello), .ᓺФ䯳 ………………………. ໮⾡໮ḋⱘ… String Orchestra Miscellaneous instruments together in ever ⓨ༣˄⡍߿ᰃ໻ᦤ⨈˅ˈ೼ϡᮁഄᮄ new combinations, and finally ᅸ‫ݙ‬Ф Ensembles …..……….. Chamber ᓺФ䯳 ᅸ‫ݙ‬Ф.… ໮⾡໮ḋⱘ ⱘ㒘ড়Ёϔ䍋Փ⫼ϸӊ⣀༣Ф఼ˈ᳔ together all three ᓺФ䯳 ໮⾡໮ḋⱘ bringing ᓺФ䯳 ໮⾡໮ḋⱘ 㒜ᡞ᠔᳝ϝӊ⣀༣Ф఼ৠѸડФ䯳㵡 with the orchestra. ᅸ‫ݙ‬Ф instruments ᅸ‫ݙ‬Ф ড়䍋ᴹǄ Bach, Johann Sebastian ᅸ‫ݙ‬Ф ࡴᏗ䞠඗ᇨg⽣䳋

ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ‫ܟ‬㔫咬ᇨ

Edward Elgar ⠅ᖋढg඗ᇨࡴ ⠅ᖋढg඗ᇨࡴ

(1857-1934) Elgar, Edward Edward Elgar ⠅ᖋढg඗ᇨࡴ ⠅ᖋढg඗ᇨࡴ Elgar, Edward ⠅ᖋढg඗ᇨࡴ ᓺФᇣ໰᳆ op. 20 ᓺФᇣ໰᳆ (1857-1934) (1857-1934) ॳ԰䈅㓪䕥 C. 䳡Ḑӡᖋ ॳ԰䈅 BA 9041 ° for Strings ᘏ䈅 ᓺФᇣ໰᳆ op. 20 Serenade ᓺФᇣ໰᳆ op. 20 ᓺФᇣ໰᳆ Urtext Ed. C. Hogwood ॳ԰䈅 ॳ԰䈅 /㓪䕥 C. ॳ԰䈅䳡Ḑӡᖋ BA 9041 Amadeus ° Score Mozart Wolfgang BA 9041 ° ᘏ䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) Mozart, Wolfgang Amadeus Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ໻䇗ǉᇣ໰᳆Ǌ 525 G ໻䇗ǉᇣ໰᳆ǊK. (1756-1791) ЎᓺФ㗠԰ kleine Nachtmusik” “Eine ॳ԰䈅 ॳ԰䈅 / 㓪䕥 E. ᮑᆚ⡍ ໻䇗ǉᇣ໰᳆Ǌ in G maj K. 525 for525 strings ໻䇗ǉᇣ໰᳆Ǌ G ໻䇗ǉᇣ໰᳆ǊK. ᘏ䈅 BA 4701/°Ed. E. Schmid Urtext ЎᓺФ㗠԰ BA 4701 ° Score ⷨдᘏ䈅 TP 19 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 E. ᮑᆚ⡍ TP 19 / 㓪䕥 Study score ᘏ䈅 BA 4701 ° ᕅ䷇⠜ ᕅ䷇⠜ Facsimile edition ⷨдᘏ䈅 TP 19 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1

ISBN 978-3-7618-2282-1 Æ 㾕㄀义 page8585 ᕅ䷇⠜ ᕅॄ⠜ ᕅ䷇⠜ ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1 ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1 ϝ佪ᓺФო䘞᳆ ϝ佪ᓺФო䘞᳆ Three Divertimenti for Strings Æ 㾕㄀ 85 义义 Æ 㾕㄀ 85 K. 136-138 (125a-c) 136-138 (125a-c) ॳ԰䈅/ /㓪䕥 Urtext Ed. K. H. H. 㧆ᮃᇨ Füssl ॳ԰䈅 ϝ佪ᓺФო䘞᳆ ϝ佪ᓺФო䘞᳆ ϝ佪ᓺФო䘞᳆ BA ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 4857 4857 °° Score ᘏ䈅 K. 136-138 (125a-c) ॳ԰䈅/ 㓪䕥 K. H. 㧆ᮃᇨ ॳ԰䈅 ᘏ䈅 BA 4857 °

Johann Sebastian Bach Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Musical Offering BWV 1079 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ǉ䷇Фⱘ༝⤂Ǌ ǉ䷇Фⱘ༝⤂ǊBWV 1079 Urtext / Ed. C. Wolff ॳ԰䈅/ 㓪䕥 C. ≗ᇨ໿ ॳ԰䈅 -ǉ䷇Фⱘ༝⤂Ǌ Volume 2: Trio Sonata in C min ǉ䷇Фⱘ༝⤂Ǌ ǉ䷇Фⱘ༝⤂Ǌ for flute, violin and bc ㄀䕥˖ ॳ԰䈅 ü ㄀ 2 䕥˖C ᇣ䇗ϝ䞡༣号᳆ ॳ԰䈅 BA 5155 Score with parts ॳ԰䈅 Ў䭓ワǃᇣᦤ⨈Ϣ䗮༣Ԣ䷇㗠԰ TP 198 Study score ㄀䕥˖ ᘏ䈅ᏺߚ䈅 BA ㄀ 5155䕥˖ ㄀䕥˖ TP 198 - Volume 3: Canonsⷨдᘏ䈅 for flute, two violins, obbligato ㄀3 䕥˖व‫ݰ‬ 䕥˖ (piano) and bc harpsichord ü ㄀ BA 5156 Score with parts Ў䭓ワǃঠᇣᦤ⨈ǃࡽ༣㖑ㅵ䬂⨈ TP 198 Study score ㄀䕥˖ ˄䩶⨈˅Ϣ䗮༣Ԣ䷇㗠԰ ㄀䕥˖ 䕥˖ ㄀ ᘏ䈅ᏺߚ䈅 BA 5156 Trio Sonata in G maj BWV 1038 TP for198 flute, violin (or ⷨдᘏ䈅 two flutes) and bc, handed down as a work ໻䇗ϝ䞡༣号᳆ by໻䇗ϝ䞡༣号᳆ Johann Sebastian G BWV Bach 1038 Ed. G. Kirchner Ў䭓ワǃᇣᦤ⨈˄៪ঠ䭓ワ˅Ϣ䗮༣ HM 236 Score with parts Ԣ䷇㗠԰ˈ԰Ў㑺㗄gาᏈᮃ㩖 ໻䇗ϝ䞡༣号᳆ ໻䇗ϝ䞡༣号᳆ ໻䇗ϝ䞡༣号᳆ ᅝgᏈ䌿ⱘ԰ક⌕Ӵϟᴹ 㓪䕥 G. ෎Ꮰ㒇 ᘏ䈅ᏺߚ䈅 HM 236

the solo piano part. z ߽⫼ϝ⾡ᮄⱘॳྟ䌘᭭ Piano reduction with parts for all three z separate 㑴ℷњ᠔᳝ҹᕔ⠜ᴀЁⱘ໻䞣 soloists 䫭䇃 Draws on three new sources Johannes Brahms Correction of many errors 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ found in previous editions (1833-1897) 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ Brahms, Johannes 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ ϝ䞡༣ Æ 㾕㄀ 55 义 ϝ䞡༣

Johannes Brahms, (1833-1897) Joseph Haydn ϝ䞡༣ ϝ䞡༣ ϝ䞡༣ 㑺⨳໿g⍋乓㑺⨳໿g⍋乓 Trios page 55 (1732-1809)

㑺⨳໿g⍋乓 Haydn, Joseph 㑺⨳໿g⍋乓㑺⨳໿g⍋乓 Ӻᬺϝ䞡༣ Hob. IV: 1-4 Ӻᬺϝ䞡༣

Beethoven, Ludwig van Beethoven, Ludwig van Ludwig van Beethoven (1770-1827) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

Bärenreiter’s new Urtext edition of Beethoven’s Triple 健❞຿ⱘ䋱໮㢀ǉϝ䞡ण༣᳆Ǌ Concerto is a completely fresh ᮄॳ԰䈅⠜ᴀℷᰃ䖭佪⛁ᚙ㗠㕢Бⱘ revision of this warm and ᳆Ⳃⱘܼᮄׂ䅶⠜Ǆҹᕔ᠔᳝ⱘ⠜ᴀ beautiful showpiece. Errors 䛑䫭䇃↨↨ⱚᰃˈ✊㗠ˈᕫⲞѢᮄথ abounded in all previous ⦄ⱘϝ⾡ॳྟ䌘᭭ˈ㓪䕥Ш㒇Ểgᖋ editions, but with the assistance of three newlyᇨ偀ᇨ⏙䰸њ᭛ᴀЁⱘ䫭䇃ˈ㑴ℷњ discovered sources, editor 1807 ᑈ 䫭䇃ⱘ䷇ヺ੠㡖༣ˈᑊϨ㞾 Jonathan Del Mar has cleaned ҹᴹ佪⃵ҹ䖭ḋⱘᮍᓣሩ⦄䖭䚼԰ up the text, corrected wrong કˈ䖲䋱໮㢀䙷Ͼᯊҷⱘ䷇Фᆊ䛑ৃ notes and rhythms and (for the 㛑䅸ৠˈࣙ৿њᇍᣛ᣹䖭佪᳆ᄤˈࣙ first time since 1807) presented ᣀ⣀༣䩶⨈䚼ߚ᠔᳝ᖙ㽕ⱘֵᙃǄ the work in a way that a musician of Beethoven’s day might have recognized, with all z 䩶⨈㓽㓪䈅ࣙ৿᠔᳝ϝ⾡⣀༣Ф necessary information for ఼ⱘߚ䈅 directing the piece included in

(1770-1827) in C maj Concerto Ludwig van Beethoven for Pianoforte, Violin, 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 ໻䇗䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈Ϣ C ໻䇗䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈Ϣ Violoncello and Orchestra (1770-1827) ㅵᓺФ䯳ǉϝ䞡ण༣᳆Ǌ ㅵᓺФ䯳ǉϝ䞡ण༣᳆ǊOp. op. 56 “Triple Concerto” 56 Urtext Ed. J. Mar ॳ԰䈅/ /㓪䕥 ॳ԰䈅 J. Del ᖋᇨ偀ᇨ C໻䇗䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈Ϣ ໻䇗䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈Ϣ ໻䇗䩶⨈ǃᇣᦤ⨈ǃ໻ᦤ⨈Ϣ reduction BA 9027-90 Piano䩶⨈㓽㓪䈅 BA 9027-90 ㅵᓺФ䯳ǉϝ䞡ण༣᳆ǊOp. 56 ㅵᓺФ䯳ǉϝ䞡ण༣᳆Ǌ ㅵᓺФ䯳ǉϝ䞡ण༣᳆Ǌ ॳ԰䈅 / 㓪䕥 Concerto J. ᖋᇨ偀ᇨ In his Triple ॳ԰䈅 ॳ԰䈅䋱໮㢀೼Ҫⱘǉϝ䞡ण༣᳆ǊЁ Beethoven varies his treatment BA 9027-90 䩶⨈㓽㓪䈅 ᇍ⣀༣Ф఼䚼ߚ԰њϡৠⱘ໘⧚ˈ䅽 of the solo parts, allowing each instrument to play alone with 䋱໮㢀೼Ҫⱘǉϝ䞡ण༣᳆ǊЁ the orchestra (particularly the ᇍ⣀༣Ф఼䚼ߚ԰њϡৠⱘ໘⧚ˈ䅽

Haydn, Joseph Ўঠ䭓ワϢ໻ᦤ⨈㗠԰ (1732-1809) 㓪䕥 L. Ꮘ㦅⡍ Ӻᬺϝ䞡༣ Ӻᬺϝ䞡༣ Ӻᬺϝ䞡༣ ༫㺙ߚ䈅 BA 6897 London Trios Hob. IV: 1-4 The for two flutes and violoncello Ed. Janáþek L. Balet Leoš BA 6897 Parts in slipcover 㦅༹ҔgѮ㒇ߛ‫ܟ‬

㦅༹ҔgѮ㒇ߛ‫ܟ‬

(1854-1928) Janáček, Leoš

㦅༹ҔgѮ㒇ߛ‫ܟ‬ Leoš Janáček, 㦅༹ҔgѮ㒇ߛ‫ܟ‬ 㦅༹ҔgѮ㒇ߛ‫ܟ‬ 䩶⨈Ꮊ᠟ϢㅵФ䯳䱣ᛇ᳆ 䩶⨈Ꮊ᠟ϢㅵФ䯳䱣ᛇ᳆

(1854-1928) ॳ԰䈅 / 㓪䕥 L. ⊩ᇨ೒ᮃǃ ॳ԰䈅 J. ᱂㔫જ‫⾥ݍ‬࿗ 䩶⨈Ꮊ᠟ϢㅵФ䯳䱣ᛇ᳆ for Piano Left Hand Capriccio 䩶⨈Ꮊ᠟ϢㅵФ䯳䱣ᛇ᳆ 䩶⨈Ꮊ᠟ϢㅵФ䯳䱣ᛇ᳆ BA 9535 and Wind Ensembleᘏ䈅ᏺߚ䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Urtext / Ed. L. Faltus, J. Procházková BA 9535 Score and parts

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ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;Ń ä˝Şă¨Ťŕ§ĄĎ?ä&#x17E;ĄŕźŁĎ˘ Brahmsâ&#x20AC;&#x2122; two famous trios and Ď&#x201D;äš?á&#x161;&#x17E;Ň&#x17D;ŕŚĽâŚ&#x201E; an astounding discovery

From: Brahms, Trio for Violin, Horn and Piano Âˇ BA 9435 9435 Đ¤ä&#x2C6;&#x2026;ä&#x2014;?ă&#x17E;žË&#x2013;ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;á&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161;ŕ§&#x2039;Ď˘äŠśâ¨&#x2C6;Ď?ä&#x17E;ĄŕźŁË&#x2C6;BA ă&#x2018;şă&#x2014;&#x201E;â&#x20AC;ŤÝ&#x2122;â&#x20AC;ŹáŽ&#x192;gŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;

Brahms, Brahms Johannes Johannes Johannes Brahms, ă&#x2018;ş ă&#x2014;&#x201E;â&#x20AC;ŤÝ&#x2122;â&#x20AC;ŹáŽ&#x192;gŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192; (1833-1897) ă&#x2018;şă&#x2014;&#x201E;â&#x20AC;ŤÝ&#x2122;â&#x20AC;ŹáŽ&#x192;gŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192; (1833-1897) á&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161;ŕ§&#x2039;Ë&#x201E;Đ áŚ¤â¨&#x2C6;á&#x;ŞŕťťáŚ¤â¨&#x2C6;Ë&#x2026;Ď˘ äŠśâ¨&#x2C6;Ď?ä&#x17E;ĄŕźŁ Trio for Violin, Horn (Viola or ă&#x2018;şă&#x2014;&#x201E;â&#x20AC;ŤÝ&#x2122;â&#x20AC;ŹáŽ&#x192;gŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192; á&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161;ŕ§&#x2039;Ë&#x201E;Đ áŚ¤â¨&#x2C6;á&#x;ŞŕťťáŚ¤â¨&#x2C6;Ë&#x2026;Ď˘ ŕĽłÔ°ä&#x2C6;&#x2026; Violoncello) and Piano op. 40 á&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161;ŕ§&#x2039;Ë&#x201E;Đ áŚ¤â¨&#x2C6;á&#x;ŞŕťťáŚ¤â¨&#x2C6;Ë&#x2026;Ď˘ op.C.40Hogwood äŠśâ¨&#x2C6;Ď?ä&#x17E;ĄŕźŁ Urtext / Ed. äŠśâ¨&#x2C6;Ď?ä&#x17E;ĄŕźŁ ŕĽłÔ°ä&#x2C6;&#x2026; / ă&#x201C;Şä&#x2022;Ľ C.Score äłĄá¸?ÓĄá&#x2013;&#x2039; BA 9435 with parts á&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161;ŕ§&#x2039;Ë&#x201E;Đ áŚ¤â¨&#x2C6;á&#x;ŞŕťťáŚ¤â¨&#x2C6;Ë&#x2026;Ď˘ ŕĽłÔ°ä&#x2C6;&#x2026; BA 9435 á&#x2DC;?ä&#x2C6;&#x2026;á?şß&#x161;ä&#x2C6;&#x2026; äŠśâ¨&#x2C6;Ď?ä&#x17E;ĄŕźŁ ŕĽłÔ°ä&#x2C6;&#x2026;

Brahmsâ&#x20AC;&#x2122; famous Horn Trio op. 40, composed in 1865 for the ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;ă¨Ťŕ§Ąâą&#x2DC;ŕł&#x161;ŕ§&#x2039;Ď?ä&#x17E;ĄŕźŁ natural is a work of op. 40 Ń˘ horn, 1865 á&#x2018;&#x2C6;Đ&#x17D;ă&#x17E;žâ&#x153;&#x160;ŕł&#x161;ŕ§&#x2039;ă&#x2014; ä&#x2C6;&#x2026; considerable significance within â&#x20AC;ŤË&#x2C6;Ýâ&#x20AC;ŹŕłźÔ°áł&#x2020;á&#x2020;&#x160;Ô°ŕŞ&#x2022;Đ â&#x20AC;ŤÝ&#x2039;â&#x20AC;Źáł?âł&#x152;á&#x201D;§ä&#x17E;Ąă˝&#x2022;âą&#x2DC; the composerâ&#x20AC;&#x2122;s output. Up until

now the work was believed á&#x203A;ŁĐ?Ç&#x201E;âł&#x2C6;ă&#x;&#x2021;Ň&#x17E;áŽšË&#x2C6;ä&#x2013;ä&#x161;źÔ°ŕŞ&#x2022;ŇĄâ&#x153;&#x160;ăšżä&#x2026;¸ to have a strong emotional Đ&#x17D;ŕ§ ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;áŽ˝Ď?Ďžáł&#x153;ŕŚ?ĎŞâą&#x2DC;â&#x2020;ĄŇ&#x2020;áł? connection to the death of his á&#x201D;&#x17D;â&#x161;&#x153;âą&#x2DC;á&#x161;&#x2122;á&#x203A;łă&#x2DC;¨ă&#x2039;?Ç&#x201E; mother three months earlier. Christopher Hogwood draws â&#x20AC;ŤÜ&#x;â&#x20AC;Źä&#x17E; áŽ&#x192;á Źá&#x201C;ŤgäłĄá¸?ÓĄá&#x2013;&#x2039;áĄ&#x17E;áŽ&#x201E;ŕŚĽâŚ&#x201E; on a newly discovered source âą&#x2DC;ŕĽłŕž&#x;ä&#x152;&#x2DC;áâŤźŃ˘ĺ Ľâ?&#x17E;ŕşżâą&#x2DC;ä&#x2013;Ďžß&#x17D;â &#x153; for this BĂ¤renreiter publication, â ˝Ë&#x2C6;ä&#x2013;á°&#x192;â&#x20AC;Ťŕ ĄÜ&#x153;â&#x20AC;Źŕ§&#x2DC;âžĄâ &#x153;á´&#x20AC;ŕ´&#x203A;áłžăŚ&#x2039;á&#x2022;Ťâą&#x2DC;ŕĽł a source that has not been ŕž&#x;ä&#x152;&#x2DC;áÇ&#x201E;á&#x;ĽÓ&#x20AC;âŚ&#x201E;ŕłźăŚ&#x2039;á&#x2122;?Ë&#x2C6;ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;ŕťť available for any previous ă&#x2018;şŃ˘ŕ¤&#x2022;Ń á&#x2018;&#x2C6;ŕ ĄË&#x201E;1853 á&#x2018;&#x2C6;Ë&#x2026;ă&#x;&#x2021;á&#x2021;Ľâ&#x20AC;ŤÝâ&#x20AC;Źá&#x2C6;&#x2026;Ń&#x161; edition. We now learn that Brahms wrote at least the trio ä&#x2021;¤ä&#x2021;Ľáł&#x2020;Đ¤ă&#x201A;´Ď?â&#x2020;&#x2030;Ô§âą&#x2DC;Đ â&#x2020;&#x2030;Ë&#x2C6;ă&#x2014; ßąăš&#x2039;á°&#x192; part of the Scherzo movement ă˝&#x2022;áĄ&#x17E;ä&#x2013;Ď&#x201D;â&#x2020;&#x2030;âŤźŃ˘âŁ&#x20AC;ŕźŁäŠśâ¨&#x2C6;Ç&#x201E;â&#x201E;¸äŠśâ¨&#x2C6;Đ¤ some twelve years earlier â&#x20AC;&#x201C; in ă&#x201A;´ŕĽ&#x201E;Ń˘ä°&#x2DC;á&#x201D;ŠĐ Ç&#x201E; 1853 â&#x20AC;&#x201C; and that it was originally intended for solo piano. This pianoâ&#x201E;¸ŕĽłÔ°ä&#x2C6;&#x2026;â &#x153;ĎĄŇ&#x2122;áŚ¤ŐŻá&#x2021;ŁáŚ¤â¨&#x2C6;Ç&#x192;ŕł&#x161; movement is printed in ŕ§&#x2039;Ď˘äŠśâ¨&#x2C6;âą&#x2DC;áˇ&#x203A;â&#x20AC;ŤŢ&#x161;â&#x20AC;ŹĐ¤ŕ°źâ&#x160;ŠË&#x2C6;ă&#x2014; Ď¨ä&#x2013;ŹáŚ¤ŐŻ the appendix. ŕťťáŚ¤â¨&#x2C6;á&#x;ŞĐ áŚ¤â¨&#x2C6;áł&#x201C;Ňˇŕł&#x161;ŕ§&#x2039;âą&#x2DC;áł&#x201C;Ňˇá&#x2014;ťß&#x161; This Urtext edition offers not ä&#x2C6;&#x2026;Ç&#x201E;ä&#x2013;ŃŻăž&#x2022;Ń˘ŕťťáŚ¤â¨&#x2C6;Ď˘Đ áŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Đ ä&#x2C6;&#x2026;Ç&#x201E;ä&#x2013;Ďžăž&#x2022;Ń˘ŕťťáŚ¤â¨&#x2C6;Ď˘Đ áŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;âą&#x2DC; only the standard instrumenâą&#x2DC;ĎĄŕ§ â &#x153;á´&#x20AC;Ô°Đ&#x17D;á&#x2DC;?ä&#x2C6;&#x2026;âą&#x2DC;ä&#x2014;?á˘˝á&#x2014;ťä&#x161;źß&#x161;Ç&#x201E; ĎĄŕ§ â &#x153;á´&#x20AC;Đ Ô°Đ&#x17D;á&#x2DC;?ä&#x2C6;&#x2026;âą&#x2DC;ä&#x2014;?á˘˝á&#x2014;ťä&#x161;źß&#x161;Ç&#x201E; tation of violin, horn and piano but also the alternative scoring z ä°&#x2DC;á&#x201D;Šáł? á&#x2018;&#x2C6;ä&#x2021;¤ä&#x2021;Ľáł&#x2020;Đ â&#x2020;&#x2030;âą&#x2DC;äŠśâ¨&#x2C6; for violoncello or viola instead of horn. â &#x153;á´&#x20AC; The variants found in the violoncello and viola parts are shown as ossias in the score. z ŕŁ&#x2122;ŕ§żŕťťáŚ¤â¨&#x2C6;Ď˘Đ áŚ¤â¨&#x2C6;âą&#x2DC;áł&#x201C;Ňˇá&#x2014;ťß&#x161; ä&#x2C6;&#x2026; Appendix with the 1853 piano version of the trio movement

Trio for Clarinet ŕ¤Šă&#x2021;ťă&#x2026;ľË&#x201E;Đ áŚ¤â¨&#x2C6;Ë&#x2026;Ç&#x192;ŕťťáŚ¤â¨&#x2C6;Ď˘äŠśâ¨&#x2C6; (Viola), Violoncello and Piano Ď?ä&#x17E;ĄŕźŁ op. 114 op. 114 ŕ¤Šă&#x2021;ťă&#x2026;ľË&#x201E;Đ áŚ¤â¨&#x2C6;Ë&#x2026;Ç&#x192;ŕťťáŚ¤â¨&#x2C6;Ď˘äŠśâ¨&#x2C6; Urtext Ed. C. //ă&#x201C;Şä&#x2022;Ľ C.Hogwood ŕĽłÔ°ä&#x2C6;&#x2026; äłĄá¸?ÓĄá&#x2013;&#x2039; ŕ¤Šă&#x2021;ťă&#x2026;ľË&#x201E;Đ áŚ¤â¨&#x2C6;Ë&#x2026;Ç&#x192;ŕťťáŚ¤â¨&#x2C6;Ď˘äŠśâ¨&#x2C6; Ď?ä&#x17E;ĄŕźŁ Scoreá&#x2DC;?ä&#x2C6;&#x2026;á?şß&#x161;ä&#x2C6;&#x2026; BA with parts BA 9438 9438 Ď?ä&#x17E;ĄŕźŁ ŕĽłÔ°ä&#x2C6;&#x2026; ŕ¤Šă&#x2021;ťă&#x2026;ľË&#x201E;Đ áŚ¤â¨&#x2C6;Ë&#x2026;Ç&#x192;ŕťťáŚ¤â¨&#x2C6;Ď˘äŠśâ¨&#x2C6; Brahmsâ&#x20AC;&#x2122; Clarinet Trio, ŕĽłÔ°ä&#x2C6;&#x2026; ŕ˘&#x2014;á˘?ŕž&#x161;áŽ&#x192;âą&#x2DC;ŕ¤Šă&#x2021;ťă&#x2026;ľĎ?ä&#x17E;ĄŕźŁä&#x2C6;&#x2026;â&#x20AC;ŤÝâ&#x20AC;ŹŃ˘ Ď?ä&#x17E;ĄŕźŁ composed in 1891, was inspired á&#x2018;&#x2C6;Ë&#x2C6;â&#x2122;&#x2030;á&#x203A;łá&#x2022;ŤĐ&#x;Ń˘ŕ¤Šă&#x2021;ťă&#x2026;ľâ&#x201C;¨ŕźŁá&#x2020;&#x160;ä&#x17E; by the exceptional musicality ŕĽłÔ°ä&#x2C6;&#x2026; ŕťŁá&#x2013;&#x2039;gă&#x2030;&#x2021;á&#x2021;¨ä&#x152;?á&#x2021;¨âĄ?ä?&#x2122;á?&#x152;âą&#x2DC;Đ¤á&#x203A;łÇ&#x201E;ŕ˘&#x2014;á˘? of clarinettist Richard MĂźhlfeld. As he did for his horn ŕž&#x161;áŽ&#x192;Đ&#x17D;Ý&#x160;ŕł&#x161;ŕ§&#x2039;Ď?ä&#x17E;ĄŕźŁä&#x2C6;&#x2026;áł&#x2020;áŻ&#x160;Ë&#x2C6;â&#x20AC;ŤŢ&#x161;â&#x20AC;Źŕť&#x203A;Ń&#x161; trio, Brahms prepared a viola Đ áŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Ô°Đ&#x17D;ŕ¤Šă&#x2021;ťă&#x2026;ľâą&#x2DC;ŕť&#x203A;ä&#x2014;?Ç&#x201E;Ď¸âžĄ part as a possible alternative to á&#x2DC;?ä&#x2C6;&#x2026;ŕ´&#x203A;äš&#x2DC;â&#x20AC;ŤÜ&#x153;â&#x20AC;ŹĐ&#x17D;Ô°ŕŞ&#x2022;âą&#x2DC;ä˝Şâ&#x201C;¨ŕŠ ß&#x17D;â &#x153;Ô°ä&#x2013;&#x203A; the clarinet. Both scorings were áĽŚă&#x2019;&#x2014;Ë&#x201E;Đ áŚ¤â¨&#x2C6;ŕť&#x201E;ä&#x161;źâŹ&#x2026;ă&#x2018;şâ¨łŕťżgă&#x2018;şä°&#x201C;á? rehearsed (the viola part being played by Joseph Joachim) ŕž&#x161;â&#x201C;¨ŕźŁË&#x2026;Ç&#x201E; prior to the premiere and publication of the work. ĺ Ľâ?&#x17E;ŕşżâą&#x2DC;á&#x201E;şá´&#x192;áˇľŕ˘Źâ &#x153;âŹ&#x2026;â&#x20AC;ŤÜ&#x;â&#x20AC;Źä&#x17E; áŽ&#x192;á Ź á&#x201C;ŤgäłĄá¸?ÓĄá&#x2013;&#x2039;ă&#x2026;?ßŚË&#x2C6;ŕ Ąăż&#x201D;ä&#x2014;&#x201E;ŕŚ&#x17E;Ď?ä&#x17E;ĄŕźŁ BĂ¤renreiterâ&#x20AC;&#x2122;s scholarly- critical ä&#x2C6;&#x2026;â&#x20AC;ŤÝâ&#x20AC;Źä&#x2013;&#x203A;âż&#x;Ë&#x2C6;â&#x20AC;ŤÝ?â&#x20AC;ŹŕŚ&#x17E;á&#x2021;?â&#x201C;¨ŕźŁá&#x2026;˛ä?&#x2030;âą&#x2DC;ä&#x2020;&#x2DC;ä&#x2020;&#x17D;Ë&#x2C6; edition, prepared by Christopher Hogwood, Ńşáł?Üźä´śâą&#x2DC;áˇľŕ˘ŹáĄšŕ¨&#x17E;ŕŠ á &#x;ă&#x20AC;&#x201C;á&#x2022;&#x2026;ŕĽ&#x201E;ăĄ&#x2013; offers ä&#x2014;?Ç&#x201E; a foreword on the trioâ&#x20AC;&#x2122;s compositional process with comments on performance z â&#x20AC;Ťŕ§żÝ&#x2122;â&#x20AC;ŹĐ áŚ¤â¨&#x2C6;ß&#x161;ä&#x2C6;&#x2026;Ë&#x2C6;Ô°Đ&#x17D;ŕ¤Šă&#x2021;ťă&#x2026;ľß&#x161; practice, as well as a ä&#x2C6;&#x2026;âą&#x2DC;ŕť&#x203A;ä&#x2014;? critical comprehensive commentary and facsimile excerpts of the manuscript.

Viola part included as an alternative to the clarinet part

Includes alternative parts for violoncello and viola

໮⾡໮ḋⱘᅸ‫ݙ‬Ф / ᅸ‫ݙ‬ㅵФ ⱁ䐷ⱁ䂚⭥㬳㚻㎷ Miscellaneous ........................ Chamber Ensembles Bohuslav MartinĤ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म 㚵ᮃᢝ໿g偀ᇨ㩖ࡾ Martinů, Bohuslav म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ Martinů, Bohuslav (1890-1959) म㚵ᮃᢝ໿g偀ᇨ㩖ࡾ

(1890-1959) ⓿ℹ᳆ ⓿ℹ᳆ ⓿ℹ᳆ ⓿ℹ᳆ ⓿ℹ᳆ for flute, violin Promenades ⓿ℹ᳆ Ў䭓ワǃᇣᦤ⨈੠㖑ㅵ䬂⨈˄䩶⨈˅ ⓿ℹ᳆ and harpsichord (piano) (1940) 㗠԰˄1940˅ BA 3327 Score with parts ᘏ䈅ᏺߚ䈅 BA 3327 Sonata for flute, violin and piano (1936) ༣号᳆ ༣号᳆ ༣号᳆ ༣号᳆ ༣号᳆ BA 3326 Score with parts ༣号᳆ Ў䭓ワǃᇣᦤ⨈Ϣ䩶⨈㗠԰˄1936˅ ༣号᳆ ᘏ䈅ᏺߚ䈅 BA 3326 Mozart, Wolfgang Amadeus Amadeus Mozart, WolfgangWolfgang Amadeus Mozart (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Quartets K. 285, 285a, K. Anh. 171 (285b), K. 298 ಯ䞡༣ K. 285ǃ285aǃK. Anh. 171 for flute, violin, viola and ˄285b˅ǃK. violoncello 298 Ў䭓ワǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ⨈㗠 Urtext / Ed. J. Pohanka BA 4405 Parts in slipcover ԰ TP 150 / 㓪䕥Study score ॳ԰䈅 ॳ԰䈅 J. ⊶∝व ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ༫㺙ߚ䈅 BA 4405 ॳ԰䈅 Schubert, ⷨдᘏ䈅 TP 150 Franz Schubert, Franz (1797-1828) Franz Schubert

ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Octet in F maj D 803 op. post. ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797-1828) ᓫᳫ㣼g㟦ԃ⡍ 166 for clarinet, bassoon, horn,

two violins, viola, violoncello ໻䇗ܿ䞡༣ F ໻䇗ܿ䞡༣ and double bass ໻䇗ܿ䞡༣ ໻䇗ܿ䞡༣ ໻䇗ܿ䞡༣ ໻䇗ܿ䞡༣ D 803 op. post.A.166 Urtext / Ed. Feil ໻䇗ܿ䞡༣ BA 5617 Parts in slipcover Ўऩㇻㅵǃ໻ㅵǃ೚োǃঠᇣᦤ⨈ǃ TP 302 Study score Ёᦤ⨈ǃ໻ᦤ⨈ϢԢ䷇ᦤ⨈㗠԰ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 A. ⊩Ӟᇨ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Telemann, BA 5617 Georg Philipp ༫㺙ߚ䈅 ॳ԰䈅 Telemann, ⷨдᘏ䈅 TP 302 Georg Philipp (1681-1767)

ᅸ‫ݙ‬ㅵФ ᅸ‫ݙ‬ㅵФ Mozart, Amadeus WolfgangWolfgang Amadeus Mozart ᅸ‫ݙ‬ㅵФ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᅸ‫ݙ‬ㅵФ ……………...…… ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Chamber…Music ᅸ‫ݙ‬ㅵФ Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ..................................................... (1756-1791) (1756-1791) for Winds ᳼ㅵѨ䞡༣ ᳼ㅵѨ䞡༣ ᳼ㅵѨ䞡༣ ᳼ㅵѨ䞡༣….…………..….. ᇣ䇗Ѹડ᳆ ᳼ㅵѨ䞡༣ ᳼ㅵѨ䞡༣ ᇣ䇗Ѹડ᳆ G K. 550 ᇣ䇗Ѹડ᳆ Symphony 䭓ワǃঠㇻㅵǃऩㇻ䭓ワǃঠㇻㅵǃऩㇻ ᇣ䇗Ѹડ᳆ ᇣ䇗Ѹડ᳆in G min K. 550 Woodwind Quintet ᇣ䇗Ѹડ᳆ 䭓ワǃঠㇻㅵǃऩㇻ䭓ワǃঠㇻㅵǃऩㇻ ᇣ䇗Ѹડ᳆ 䭓ワǃঠㇻㅵǃऩㇻĂ Arranged by J. Linckelmann ⬅ J. ᵫ‫ܟ‬ᇨ᳐ᬍ㓪䭓ワǃঠㇻㅵǃऩㇻ ㅵǃ ೚োǃ໻ㅵ

ㅵǃ ೚োǃ໻ㅵ

BA 8602 8602 Score with parts (Flute, Oboe, Clarinet, BA ᘏ䈅ᏺߚ䈅 ㅵǃ ೚োǃ໻ㅵ

ㅵǃ ೚োǃ໻ㅵ

ㅵǃ ೚োǃ໻ㅵ ……… …. Horn, Bassoon) Georges Bizet Ш⊏g↨ᠡ Ш⊏g↨ᠡ Ш⊏g↨ᠡ Bizet, Georges Ш⊏g↨ᠡ Ш⊏g↨ᠡ Ш⊏g↨ᠡ Ш⊏g↨ᠡ Bizet, Georges

(1838-1875) (1803-1869) ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ Suite No. 1 L’Arlésienne ǉ䰓㦅ජⱘྥ࿬㒘᳆Ǌ㄀ϔ㒘᳆ Arranged by J. Linckelmann ⬅ J. ᵫ‫ܟ‬ᇨ᳐ᬍ㓪 BA 8604 8604 Score with parts BA ᘏ䈅ᏺߚ䈅

George Gershwin Gershwin, George Ш⊏gḐҔ⏽ George Gershwin, (1898-1937) (1898-1937) in Blue Rhapsody ǉ㪱㡆⢖ᛇ᳆Ǌ for Woodwind Quintet ᳼ㅵѨ䞡༣ Arranged by J. Linckelmann ⬅ 8612 J. ᵫ‫ܟ‬ᇨ᳐ᬍ㓪 BA BA 8612

Grieg, Edvard

Edvard Grieg ⠅ᖋढgḐ䞠Ḑ ⠅ᖋढgḐ䞠Ḑ ⠅ᖋढgḐ䞠Ḑ Edvard Grieg, ⠅ᖋढgḐ䞠Ḑ ⠅ᖋढgḐ䞠Ḑ ⠅ᖋढgḐ䞠Ḑ ⠅ᖋढgḐ䞠Ḑ (1843-1907)

(1843-1907) ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ Peer Gynt Suite No. 1 op. 46 ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ op. 46 ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ Arranged by J. Linckelmann ǉⲂᇨg䞥⡍Ǌ㄀ϔ㒘᳆ ⬅ ᵫ‫ܟ‬ᇨ᳐ᬍ㓪 BAJ.8603 Score with parts BA 8603 ᘏ䈅ᏺߚ䈅

㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ Modest Mussorgsky 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ Mussorgsky, Modest 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎ 㥿ᵄᮃ⡍g〚㋶ᇨᮃ෎

Mussorgsky, Modest (1835-1881) (1835-1881) ǉ㤦ቅП໰Ǌ NEW ǉ㤦ቅП໰Ǌ ǉ㤦ቅП໰Ǌ ǉ㤦ቅП໰Ǌ ǉ㤦ቅП໰Ǌ ǉ㤦ቅП໰Ǌ ǉ㤦ቅП໰Ǌ Nacht auf dem kahlen Berge Eine ⬅ J. ᵫ‫ܟ‬ᇨ᳐ᬍ㓪 Arranged by J. Linckelmann ᘏ䈅ᏺߚ䈅 BA 8608 BA 8608 Score with parts

Maurice Ravel

Ravel, Maurice 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ Ravel, Maurice 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937) (1875-1937)

ǉ吙ཛྷཛྷ㒘᳆Ǌ ǉ吙ཛྷཛྷ㒘᳆Ǌ ǉ吙ཛྷཛྷ㒘᳆Ǌ Goose Suite” “Mother ǉ吙ཛྷཛྷ㒘᳆Ǌ ǉ吙ཛྷཛྷ㒘᳆Ǌ ǉ吙ཛྷཛྷ㒘᳆Ǌ ⬅ J. ᵫ‫ܟ‬ᇨ᳐ᬍ㓪 ǉ吙ཛྷཛྷ㒘᳆Ǌ Arranged by J. Linckelmann BA ᘏ䈅ᏺߚ䈅 BA8605 8605 Score with parts

Georg Philipp Telemann in D min TWV 43:d1 Quartet

Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ for two flutes, treble recorder Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (1681-1767) Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ (bassoon, violoncello),

violoncello and bc ᇣ䇗ಯ䞡༣ D ᇣ䇗ಯ䞡༣ TWV 43: d1 from the Tafelmusik II ᇣ䇗ಯ䞡༣ ᇣ䇗ಯ䞡༣ ᇣ䇗ಯ䞡༣ ᇣ䇗ಯ䞡༣ Urtext / Ed. J. P. Hinnenthal Ўঠ䭓ワǃ催䷇オワ˄໻ㅵǃ໻ᦤ ᇣ䇗ಯ䞡༣ BA 3539 Score with parts ⨈˅໻ᦤ⨈Ϣ䗮༣Ԣ䷇㗠԰ˈ 䗝㞾ǉᆈᐁ䷇ФǊѠ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 J. P. ⃷Ⴝศᇨ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ᘏ䈅ᏺߚ䈅 BA 3539 ॳ԰䈅

Ф䈅䗝㞾˖ 〚㋶ᇨᮃ෎ⱘ 8608 Berge · BA 8608 From: Mussorgsky, Eineǉ㤦ቅП໰ǊˈBA Nacht auf dem kahlen

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ᅸ‫ݙ‬ㅵФ Mozart, Amadeus WolfgangWolfgang Amadeus Mozart ..ᅸ‫ݙ‬ㅵФ…………………. Chamber Music Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ᅸ‫ݙ‬ㅵФ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ …. for………………….……… Winds (1756-1791) ᅸ‫ݙ‬ㅵФ ৘⾡ㅵФড়༣……..………. ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ concertante for oboe, Various Wind Ensembles Sinfonia ৘⾡ㅵФড়༣ Ѹડण༣᳆ clarinet, horn, bassoon and Ѹડण༣᳆ Ўঠㇻㅵǃऩㇻㅵǃ೚োǃ໻ㅵϢ K. Anh 1,9 (297b) orchestra ৘⾡ㅵФড়༣ b

Urtext / Ed. C. H. Mahling, ㅵᓺФ䯳㗠԰ K. Anh. 1,9 (297 ) Ѹડण༣᳆ Plath W. ॳ԰䈅 / 㓪䕥 C. H. 偀ᵫǃ ॳ԰䈅 BA 5770-90 ° Piano Reduction W. ᱂ᢝ⡍ 䩶⨈㓽㓪䈅 BA 5770-90 ° ॳ԰䈅

Leoš Janáþek 㦅༹ҔgѮ㒇ߛ‫ܟ‬ 㦅༹ҔgѮ㒇ߛ‫ܟ‬

(1854-1928) Leoš Janáþek 㦅༹ҔgѮ㒇ߛ‫ܟ‬ Janáček, Leoš ྚᢝ㩖˄䴦᯹˅ ྚᢝ㩖˄䴦᯹˅ㅵФ݁䞡༣ (1854-1928) Janáček, Leoš ॳ԰䈅 / 㓪䕥 J. ໮㦅ᠢᇨǃ ॳ԰䈅

(1854-1928) L. ⊩ᇨ೒ᮃ ྚᢝ㩖˄䴦᯹˅ㅵФ݁䞡༣ (Youth). Wind༫㺙ߚ䈅 sextet Mládí BA 9528 / 㓪䕥 J. ໮㦅ᠢᇨǃ ॳ԰䈅 Urtext L. Faltus TP⊩ᇨ೒ᮃ 528 / Ed. J. Doležal, ⷨдᘏ䈅 L. BA 9528 9528 Parts༫㺙ߚ䈅 in slipcover BA TP 528 Study score TP 528 ⷨдᘏ䈅 Felix Mendelssohn Bartholdy 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Mendelssohn Bartholdy, Felix 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Bartholdy, Felix Mendelssohn (1809-1847) Felix Mendelssohn Bartholdy (1809-1847) 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ໰᳆ ໰᳆ (1809-1847) ॳ԰䈅 Nocturno ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ Urtext / Ed. C. Hogwood BA 9064 9064 ໰᳆ Scoreᘏ䈅 BA BA 9065 9065 ߚ䈅 ॳ԰䈅 / 㓪䕥 C. Parts 䳡Ḑӡᖋ BA 9064 ໻䇗ㅵФᑣ᳆ ᘏ䈅 Overture in C maj C ໻䇗ㅵФᑣ᳆ op. 24 ߚ䈅 BA 9065 ॳ԰䈅 for Winds op.C.24 ॳ԰䈅 / 㓪䕥䳡Ḑӡᖋ Urtext / Ed. C. Hogwood BA໻䇗ㅵФᑣ᳆ 9055 C op.ᘏ䈅 24 BA 9055 ߚ䈅˄ㅵФ㒘˅ BA 9055-65 ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ Score BA 9055 ᘏ䈅(Wind set) 9055-65 Parts Wolfgang Amadeusߚ䈅˄ㅵФ㒘˅ Mozart BA≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 9055-65

Sinfonia concertante in E-flat ( ໻䇗Ѹડण༣᳆ 䰡䰡 ( ໻䇗Ѹડण༣᳆ maj for flute, oboe, horn, Ў䭓ワǃঠㇻㅵǃ೚োǃ໻ㅵϢ bassoon and orchestra ㅵᓺФ䯳㗠԰ 䰡 ( ໻䇗Ѹડण༣᳆ Reconstructed by R. Levin ( ໻䇗Ѹડण༣᳆ ⬅ R. ߫᭛෎Ѣ䰡 based on the Sinfonia concertante in E-flat maj ໡ॳ for oboe, clarinet, horn, bassoon Ўঠㇻㅵǃऩㇻㅵǃ೚োǃ໻ㅵϢ and orchestra K. Anh. I/9 (297b) ㅵᓺФ䯳㗠԰ K. Anh. I/9 (297b) BA 7137-90 Piano Reduction BA 7137-90 䩶⨈㓽㓪䈅

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

Mozart, Wolfgang Amadeus (1756-1791) Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart, 䰡 ໻䇗Ѩ䞡༣ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) 䰡 E ໻䇗Ѩ䞡༣ K. 452 (1756-1791) in E-flat maj K. 452 Quintet Ў䩶⨈ǃঠㇻㅵǃऩㇻㅵǃ೚ো੠໻ for oboe,K.clarinet, horn ॳ԰䈅 ㅵ㗠԰ 䰡 Epiano, ໻䇗Ѩ䞡༣ 452 and bassoon ॳ԰䈅 / 㓪䕥 H. 䌍ᖋ䳡䌍ᇨ Ў䩶⨈ǃঠㇻㅵǃऩㇻㅵǃ೚ো੠໻ Urtext / Ed. H. Federhofer BA 4730 4730 ㅵ㗠԰ Scoreᘏ䈅ᏺߚ䈅 with parts BA ॳ԰䈅 / 㓪䕥 H. 䌍ᖋ䳡䌍ᇨ ᘏ䈅ᏺߚ䈅 BA 4730

Ф䈅䗝㞾˖㥿ᠢ⡍ǉ໻Ꮹ㩖ศǊˈBA 5331 From: Mozart, “Gran Partita” · BA 5331

Serenade in B-flat maj 䰡 B ໻䇗ᇣ໰᳆ǉ໻Ꮹ㩖ศǊ “Gran Partita” K. 361 (370a) 䰡361໻䇗ᇣ໰᳆ǉ໻Ꮹ㩖ศǊ K. (370a) for two oboes, two clarinets, ЎϸᬃঠㇻㅵǃϸᬃऩㇻㅵǃϸᬃᏈ 䰡 ໻䇗ᇣ໰᳆ǉ໻Ꮹ㩖ศǊ two basset horns (clarinets), 䌯⡍ऩㇻㅵ˄ऩㇻㅵ˅ǃಯᡞ೚োǃ four horns, two bassoons and ϸᬃ໻ㅵϢԢ䷇ᦤ⨈㗠԰ double bass Urtext Ed. D. Leeson, ॳ԰䈅 / /㓪䕥 D. N. ߽Ểǃ Zaslaw N. N. ᠢᮃᢝ໿ BA 5331-22 Parts in slipcover BA 5331 ༫㺙ߚ䈅 TP 312 Study score ⷨдᘏ䈅 TP 312 Serenade in C min K. 388 C ᇣ䇗ᇣ໰᳆ K. 388˄384a˅ (384a) for two oboes, two ᇣ䇗ᇣ໰᳆ clarinets, two horns and two Ўϸᬃঠㇻㅵǃϸᬃऩㇻㅵǃϸᡞ೚ bassoons োϢϸᬃ໻ㅵ㗠԰ ᇣ䇗ᇣ໰᳆ Urtext / Ed. D. N. Leeson, ॳ԰䈅 / 㓪䕥 D. N. ߽Ểǃ ॳ԰䈅 Zaslaw N. N. ᠢᮃᢝ໿ BA 5332 Parts in slipcover ༫㺙ߚ䈅 BA 313 5332 ॳ԰䈅 TP Study score ⷨдᘏ䈅 TP 313 Serenade in E-flat maj K. 375 Urtext / Ed. D. N. Leeson, 䰡䰡E ໻䇗ᇣ໰᳆ ໻䇗ᇣ໰᳆ K. 375 N. Zaslaw ॳ԰䈅 / 㓪䕥 D.for N. two ߽Ểǃ ॳ԰䈅 Octet version oboes, N. ᠢᮃᢝ໿ 䰡 ໻䇗ᇣ໰᳆ two clarinets, two horns and two bassoons ϸᬃঠㇻㅵǃϸᬃऩㇻㅵǃϸᡞ೚ো ॳ԰䈅 BA 5333 Parts in slipcover Ϣϸᬃ໻ㅵⱘܿ䞡༣⠜ᴀ TP Study score ༫㺙ߚ䈅 BA 315 5333 ⷨдᘏ䈅 TP 315 Rossini, Gioachino Rossini, Gioachino Gioachino Rossini (1792-1868) ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ

(1792-1868) Andante and Theme with

Variations for flute, clarinet, ⛺䰓෎䇎g㔫㽓ሐ 㸠ᵓϢЏ乬ব༣᳆ horn and bassoon 㸠ᵓϢЏ乬ব༣᳆ Ў䭓ワǃऩㇻㅵǃ೚োϢ໻ㅵ㗠԰ Urtext / Ed. P. Gossett Ў䭓ワǃऩㇻㅵǃ೚োϢ໻ㅵ㗠԰ / 㓪䕥Score P. ៜา⡍ ॳ԰䈅 with parts BA 10542 ॳ԰䈅 / 㓪䕥 P. ៜา⡍ 㸠ᵓϢЏ乬ব༣᳆ BA 10542 ᘏ䈅ᏺߚ䈅 BA 10542 ॳ԰䈅

ᘏ䈅ᏺߚ䈅

԰કⱘ 䩶⨈㓽㓪䈅

ᅫᬭϢϪ֫ড়ଅ԰ક

健❞຿ߎ⠜⼒ⱘ ড়ଅϢ㟲ৄ ԰કⱘ 䩶⨈㓽㓪䈅

ܼ⧗㣗ೈՓ⫼㨫ৡⱘ㪱㡆健❞຿ ߎ⠜⼒ॳ԰䈅䩶⨈㓽㓪䈅ⱘ℠㗙᭄䞣 ҸҎॄ䈵⏅ࠏǄ

g ᰃᄺ⫳ǃໄФᬭᏜǃ⣀༣ⓨਬ Ϣড়ଅ℠᠟ⱘৃ䴴Ԉշ

䖭ѯ⠜ᴀ⫼Ѣᥦ㒗ড়ଅ԰કϢ㟲 ৄ԰કˈܼ⧗೼࠻എǃ℠࠻䰶ǃ䷇Ф ख़ϢᬭූⓨߎᯊഛՓ⫼ᅗӀǄ ៥Ӏ⊼䞡䩶⨈㓽㓪䈅‫⦄ݡ‬ᮄ⠜ܼ 䲚ⱘ催㓪䕥∈‫ޚ‬ǄᅗӀҷ㸼њ㒣ᑈП Йⱘᄺᴃⷨお䖲ৠᅲ䏉㒣偠ⱘ㒧ᵰǄ 䩶⨈㓽㓪䈅ᯢ᱄ഄ‫⦄ݡ‬њㅵᓺФ 䯳ⱘߚ䈅ˈᇍ䩶⨈ᆊ㗠㿔ᯧ༣㗠ҹᅲ 䏉ЎᴀǄ

ᅫᬭϢϪ֫ ᅫᬭϢϪ֫ ..ᅫ ᅫ ᬭϢϪ֫…………...….. Sacred and Secular ড়ଅ԰ક ড়ଅ԰ક ড়ଅ԰ક………...…………. Choral Works Johann Sebastian Bach

Bach, Johann Sebastian

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750)

(1685-1750) ܼ⧗℠㗙ⱘ佪䗝ʽ ᒋศศ Cantatas ᒋศศ ᒋศศ

Choral Music 2013/2014

↣ᑻ䷇Ф೒к佚ϡৃᬒᓗⱘ෎‫ޚ‬ g ԰ક ܼ⧗℠㗙ⱘ佪䗝ʽ ᴀⳂᔩাሩ⼎њ健❞຿ߎ⠜⼒໻ 䞣䩶⨈㓽㓪䈅ⱘᇥ᭄՟ᄤǄ 䇋ᶹ䆶៥Ӏ䆺㒚ⱘ㣅᭛Ϣᖋ᭛Ⳃᔩʽ

BWV78 78 BWV 㘊⿷ˈ៥ⱘ♉儖Ǌ Jesu, der du meine Seele ǉ㘊⿷ˈ៥ⱘ♉儖Ǌ 㘊⿷ˈ៥ⱘ♉儖Ǌ (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅ Cantata for the 14th Sunday ೷ϝϔ㡖ৢ㄀14Ͼ਼᮹ᒋศศ ॳ԰䈅 after Trinity ॳ԰䈅 ॳ԰䈅 Urtext/ 㓪䕥 / Ed.W. W.䇎Ӟ᳐ Neumann BA ° ° ໄФ䩶⨈㓽㓪䈅 Vocal score BA 10 10078-90 078-90 TP 1078 1078 Study score TP ⷨдᘏ䈅 BWV106 106 BWV ǉϞᏱⱘᯊ䯈ᰃ᳔Շᯊ䯈Ǌ˄㩀⼐˅ Gottes Zeit ist die allerbeste ǉϞᏱⱘᯊ䯈ᰃ᳔Շᯊ䯈Ǌ˄㩀⼐˅ ǉϞᏱⱘᯊ䯈ᰃ᳔Շᯊ䯈Ǌ˄㩀⼐˅ Zeit (Actus tragicus) ˄ᖋ᭛ 㣅᭛˅ ॳ԰䈅 (Ger/Eng) ॳ԰䈅 / 㓪䕥 R. ῟ষ䱚ϔ ॳ԰䈅 Urtext / Ed. R. Higuchi BA ° ° ໄФ䩶⨈㓽㓪䈅 Vocal score BA 10 10106-90 106-90 TP ⷨдᘏ䈅 TP 1106 1106 Study score BWV BWV140 140 ǉ䝦ᴹ৻ˈ᳝ໄ䷇೼੐૸៥ӀǊ ǉ䝦ᴹ৻ˈ᳝ໄ䷇೼੐૸៥ӀǊ ǉ䝦ᴹ৻ˈ᳝ໄ䷇೼੐૸៥ӀǊ Wachet auf, ruft uns die Stimme (Ger/Eng) ˄ᖋ᭛/㣅᭛˅ Cantata for the 27 th Sunday ೷ϝϔ㡖ৢ㄀27Ͼ਼᮹ᒋศศ ॳ԰䈅 after / 㓪䕥 A. 䖾ᇨ ॳ԰䈅 Trinity ॳ԰䈅 Urtext / Ed. A. Dürr BA ° ° ໄФ䩶⨈㓽㓪䈅 Vocal score BA 10 10140-90 140-90 TP ⷨдᘏ䈅 TP 1140 1140 Study score

ǉড়ଅ䷇ФǊ2013/2014 SPA 30 SPA 30

The catalogue Choral Music (in English) includes sacred and ǉড়ଅ䷇ФǊⳂᔩ˄㣅᭛˅ࣙ৿ secular choral works as well ᅫᬭϢϪ֫ড়ଅ԰કҹঞড়ଅ԰ક ܼ⧗℠㗙ⱘ佪䗝ʽ as choral collections, selected 䲚ˈ㊒䗝ᕅॄ⠜੠᳝݇ໄФⱘк㈡Ǆ facsimiles, and books relating 䆹Ⳃᔩ‫ݙ‬ᆍࣙ৿ᇕ䴶ᦦ೒ˈ໻䞣ⱘ䷇ to vocal music. The catalogue Фᅲ՟ˈ䩶⨈㓽㓪䈅԰㗙ˈᇍӫ໮⠜ contains cover illustrations, many ᴀⱘҟ㒡᭛ゴˈҹঞ䆘䆎ᨬᔩǄ musical samples, authors of ᙼৃҹ೼健❞຿ߎ⠜⼒㔥キⱘ piano reductions, descriptive texts for numerous editions, pdf ᭛ as Ā᳡ࡵā乍ϟᡒࠄ䆹Ⳃᔩⱘ well as excerpts from reviews. ḷǄ You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

g ᇍᄺᴃⷨдϢҢϮϡৃ៪㔎

BWV 4 BWV 4 ǉ෎ⴷ䒎೼⅏ѵⱘᶋ䫕ϞǊ Christ lag in Todes Banden ǉ෎ⴷ䒎೼⅏ѵⱘᶋ䫕ϞǊ ǉ෎ⴷ䒎೼⅏ѵⱘᶋ䫕ϞǊ ˄ᖋ᭛/㣅᭛˅ (Ger/Eng) ໡⌏㡖਼᮹ᒋศศ Cantata for Easter Sunday ॳ԰䈅 Urtext/ 㓪䕥 / Ed. A. A.䖾ᇨ Dürr ॳ԰䈅 ॳ԰䈅 BA 10 ° ° ໄФ䩶⨈㓽㓪䈅 Vocal score BA 10 004-90 004-90 TP 1004 ⷨдᘏ䈅 1004 Study score

BWV BWV147 147 ǉᖗϢষǃϮ㒽Ϣ⫳ᑇǊ ǉᖗϢষǃϮ㒽Ϣ⫳ᑇǊ ǉᖗϢষǃϮ㒽Ϣ⫳ᑇǊ Herz und Mund und Tat und Leben (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅ Cantata for the Feast of ೷↡⥯߽Ѯ䆓ᑚ᮹ᒋศศ ॳ԰䈅 Visitation ॳ԰䈅 / 㓪䕥B.V.M. U. ≗ᇨ໿ ॳ԰䈅 Urtext / Ed. U. Wolf BA 10 147-90 ° ໄФ䩶⨈㓽㓪䈅 Vocal score BA 10 147-90 ° ⷨдᘏ䈅 TP TP 1147 1147 Study score

ᅫᬭϢϪ֫ড়ଅ԰ક Also 佪⃵ࣙ৿Џ㽕⬅Ꮘ䌿᠔‫ⱘݭ‬1733 for the first time, annotations by J. S. Bach and ᑈĀᖋ㌃ᮃ乓ߚ䈅āˈ԰Ў⦡䌉ⱘ䰘 C. P. E. Bach can be differentiated ࡴॳྟ䌘᭭Ǆ by using ink analysis (x-ray 䗮䖛Փ⫼๼∈ߚᵤ˄೼ᘏ䈅Ё䘒 spectography of over 500 500 ໘ᇘ㒓䈅೒˅ˈ佪⃵㛑໳ߚ䕼 places in the score). This method also enables in-depth㑺gาgᏈ䌿Ϣवg㧆g඗gᏈ䌿᠔ analysis of areas which have ԰⊼䞞Ǆℸ⊩Ѻ֗៤⏅ᑺߚᵤ಴৿䪕 been eroded to a large extent ๼∈㜤㱔㗠៤ⱘ໻䴶⿃㜤㱔ऎǄ by iron ink gall erosion. ᕅॄ⠜ ᕅॄ⠜ ᕅॄ⠜ Facsimile edition ᕅॄ⠜ ISBN 978-3-7618-2194-7 ISBN 978-3-7618-2194-7 Æ 㾕㄀84义 Seite 84 ᕅॄ⠜

䓻ㅭ䈌㬡㯸⼰⧋䔘㠘............... Sacred and Secular Choral Works.... Ёᦤ⨈Ϣ

䬂ⲬФ఼

JohannJohann Sebastian Bach Bach, Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

BWV 211 211 BWV Schweigt stille, plaudert nicht ǉᜓ䯆䆱‫ذ‬ᙃǊ ǉᜓ䯆䆱‫ذ‬ᙃǊ ǉᜓ䯆䆱‫ذ‬ᙃǊ “Coffee Cantata” (Ger/Eng) Ā੪ଵᒋศศā˄ᖋ᭛ 㣅᭛˅ ǉᜓ䯆䆱‫ذ‬ᙃǊ Ā੪ଵᒋศศā Urtext Ed. W. Neumann Ā੪ଵᒋศศā / /㓪䕥 W. 䇎ձ᳐ ॳ԰䈅 Vocal score BA 10 211-90 ° Ā੪ଵᒋศศā ॳ԰䈅 ॳ԰䈅 BA 1211 10 211-90 ° ໄФ䩶⨈㓽㓪䈅 ǉᜓ䯆䆱‫ذ‬ᙃǊ TP Study score ॳ԰䈅 TP 1211 ⷨдᘏ䈅 Ā੪ଵᒋศศā The Complete Cantatas, ॳ԰䈅 Chorales and Motets ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 Urtext. ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 ॳ԰䈅 19 volumes in ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 study ॳ԰䈅score format ॳ԰䈅 19 ोⷨдᘏ䈅ᓔᴀ TP 2004 Seite 75 ॳ԰䈅 TP 2004 Æ 㾕㄀75义 ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 Christmas Oratorio ॳ԰䈅 BWV 248 (Ger/Eng)248 ǉ೷䆲⏙ଅ࠻ǊBWV ǉ೷䆲⏙ଅ࠻Ǌ ǉ೷䆲⏙ଅ࠻Ǌ Urtext / Ed. W. Blankenburg, ˄ᖋ᭛ 㣅᭛˅ ǉ೷䆲⏙ଅ࠻Ǌ Dürr/ 㓪䕥 W. Ꮧ݄㚃෵ǃA. 䖾ᇨ A. ॳ԰䈅 BA 5014-90 ° Vocal score ॳ԰䈅 ॳ԰䈅 ໄФ䩶⨈㓽㓪䈅 BA 5014-90 ° ǉ೷䆲⏙ଅ࠻Ǌ Choral ॳ԰䈅 parts also available ড়ଅߚ䈅ৃҹߚᓔ䅶䌁 separately TP Study score ⷨдᘏ䈅 TP 85 ॳ԰䈅

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿

Magnificat in D maj D ໻䇗೷↡乖℠ ໻䇗೷↡乖℠ BWV 243 (Lat) ໻䇗೷↡乖℠ BWV 243˄ᢝϕ᭛˅ Urtext / Ed. A. Dürr ໻䇗೷↡乖℠ ॳ԰䈅 / 㓪䕥 ° A. 䖾ᇨ Vocal score BA 5103-90 ॳ԰䈅 ॳ԰䈅 BA໻䇗೷↡乖℠ ໄФ䩶⨈㓽㓪䈅 TP 25103-90 ° Study score ॳ԰䈅 TP 2 ⷨдᘏ䈅 ॳ԰䈅

඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬

ᇣ䇗ᓹᩦ ᇣ䇗ᓹᩦ Mass in B min BWV 232 (Lat) ᇣ䇗ᓹᩦ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ B ᇣ䇗ᓹᩦ Urtext / Ed. U. Wolf ॳ԰䈅revised edition New BWV 232˄ᢝϕ᭛˅ ॳ԰䈅 ॳ԰䈅 ᇣ䇗ᓹᩦ BA 5935-90 Vocal score / 㓪䕥 ° U. ≗ᇨ໿ ॳ԰䈅 TP 1232 Study score ׂ䅶ᮄ⠜ ॳ԰䈅 BA 5935-90 ໄФ䩶⨈㓽㓪䈅 For the first° time the “Dresden TP 1232of 1733 which ⷨдᘏ䈅 parts” were largely written by Bach are included as valuable additional source material.

Matthäus-Passion ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ NEW BWV 244 ǉ偀໾ফ䲒᳆ǊBWV 244 In den Versionen von 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 1829 Felix Mendelssohn Bartholdy ᑈⱘᶣᵫ⠜ᴀ੠ 1841 ᑈ㦅↨䫵⠜ᴀ Berlin 1829 und Leipzig 1841 ˄ᖋ᭛˅ (Ger) ॳ԰䈅 / /㓪䕥 Urtext Ed. K. K. ⏽ৃࢦ Winkler BA 9088-90 9088-90 ໄФ䩶⨈㓽㓪䈅 Vocal score BA ᕙߎ in preparation

NEW ǉ㘊⿷छ໽㡖⏙ଅ࠻Ǌ Himmelfahrts-Oratorium Ā䌲㕢໽೑ⱘϞᏱ৻ā Lobet11Gott in seinen Reichen BWV BWV 11 P. Brainard ॳ԰䈅 Ꮧ䳋㒇ᖋ Urtext/ /㓪䕥 Ed. P. BA Vocal score BA 10011-90 10011-90 °° ໄФ䩶⨈㓽㓪䈅 Study score TP 1011 1011 ⷨдᘏ䈅 in preparation ᕙߎ

ǉछ໽㡖⏙ଅ࠻Ǌ Ā䌲㕢ϞᏱᰃҪⱘ䋶ᆠā

ǉ೷㑺㗄ফ䲒᳆Ǌ ǉ೷㑺㗄ফ䲒᳆Ǌ ǉ೷㑺㗄ফ䲒᳆Ǌ ǉ೷㑺㗄ফ䲒᳆Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 St. John Passion BWV 245 ǉ೷㑺㗄ফ䲒᳆ǊBWV 245 ॳ԰䈅 (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅ Urtext / Ed. A. Mendel ॳ԰䈅 / 㓪䕥 °A. 䮼ᖋᇨ Vocal score BA 5037-90 ǉ೷偀໾ফ䲒᳆Ǌ TP 197 Study score BA 5037-90 ° ໄФ䩶⨈㓽㓪䈅 ǉ೷偀໾ফ䲒᳆Ǌ ǉ೷偀໾ফ䲒᳆Ǌ TP 197 ⷨдᘏ䈅 ǉ೷偀໾ফ䲒᳆Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 St. Matthew Passion BWV 244 ǉ೷偀໾ফ䲒᳆ǊBWV 244 ॳ԰䈅 (Ger/Eng) ˄ᖋ᭛ 㣅᭛˅ Urtext / Ed. after M. Schneider ॳ԰䈅 / ⬅ A. 䖾ᇨḍ᥂ M. ᮑ༜ᖋ㗠 by A. Dürr BA 5038-90 ° Vocal score 㓪䕥 ᕅॄ⠜ TP 196 Study score BA 5038-90 ° ໄФ䩶⨈㓽㓪䈅 ᕅॄ⠜ ᕅॄ⠜ ⷨдᘏ䈅 TP 196 ᕅॄ⠜

Facsimile edition ᕅॄ⠜ ISBN 978-3-7618-2294-4 ISBN 978-3-7618-2294-4 Seite 84 Æ 㾕㄀84义

° ⓨߎᴤ᳝᭭ଂ ⓨߎᴤ᭭ߎ⾳

ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅

Beethoven, Ludwig van Ludwig van Beethoven 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Ludwig van Beethoven, 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) No. 9 in D min Symphony ᇣ䇗㄀бѸડ᳆ 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 ᇣ䇗㄀бѸડ᳆ op. 125. Finale (Ger) op. 125 D ᇣ䇗㄀бѸડ᳆ ᇣ䇗㄀бѸડ᳆ Urtext / Ed. J. Del Mar 㒜᳆˄ᖋ᭛˅ ॳ԰䈅 ° Vocal score BA 9009-90 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ ᇣ䇗㄀бѸડ᳆ TP 909 Study score ॳ԰䈅 BA 9009-90 ° ໄФ䩶⨈㓽㓪䈅 TP 909 Facsimile editionⷨдᘏ䈅 ॳ԰䈅 ISBN ᕅॄ⠜978-3-7618-2169-5 ᕅॄ⠜ Seite 85 ᕅॄ⠜ ᕅॄ⠜ ISBN 978-3-7618-2169-5 Æ 㾕㄀85义 ᕅॄ⠜

ᅫᬭϢϪ֫ড়ଅ԰ક Berlioz, Hector Hector Berlioz Berlioz, Hector ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ (1803-1869) (1803-1869) Messe solennelle (Lat) ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ǉᑘϹᓹᩦǊ˄ᢝϕ᭛˅

Urtext / Ed. H. Macdonald ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 Vocal score BA 5463-90 BA 333 5463-90 ໄФ䩶⨈㓽㓪䈅 TP Study score ǉᑘϹᓹᩦǊ TP 333 ⷨдᘏ䈅 ॳ԰䈅 Grande messe des morts, “Requiem” (Lat) ǉ㑾ᗉѵ♉໻ᓹᩦǊ Urtext / Ed. J. Kindermann ǉᅝ儖᳆Ǌ˄ᢝϕ᭛˅ Vocal score BA 5449-90 ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ॳ԰䈅 TP 332 / 㓪䕥 J. 䞥ᖋ᳐ Study score ǉ㑾ᗉѵ♉໻ᓹᩦǊ BA 5449-90 ໄФ䩶⨈㓽㓪䈅 ǉᅝ儖᳆Ǌ Dvořák, TP 332 Antonín ⷨдᘏ䈅 ॳ԰䈅 Antonín ǉᑘϹᓹᩦǊ Dvořák, (1841-1904) ॳ԰䈅 DvoĜák Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬

Requiem op. 89 (Lat) (1841-1904) H 2924-90 Vocal score ᅝϰᅕgᖋ≗໣‫ܟ‬ ǉᅝ儖᳆Ǌop. 89˄ᢝϕ᭛˅ ǉ㑾ᗉѵ♉໻ᓹᩦǊ

Stabat Mater op. 58 (Lat) H 2924-90 ໄФ䩶⨈㓽㓪䈅 ǉᅝ儖᳆Ǌ Ed. J. Kachlík, M. Srnka Vocal score based on Dvořák’s ॳ԰䈅 ǉᅝ儖᳆Ǌ original piano version ǉ೷↡ᚐ℠Ǌop.58˄ᢝϕ᭛˅ H 7920 Vocal score J. व䌿߽‫ܟ‬ǃM. 㓪䕥 ᮃᇨᘽव ෎Ѣᖋ≗໣‫ྟॳܟ‬䩶⨈⠜ⱘ The Spectre’s Bride ǉ೷↡ᚐ℠Ǌ ໄФ䩶⨈㓽㓪䈅 op. 69 (Cz/Ger/Eng) ᅝϰᅕgᖋ≗໣‫ܟ‬ H 7920 Ed. F. Bartos, A. ໄФ䩶⨈㓽㓪䈅 Cubr BA 9544-90 Vocal score ǉᑑ♉ⱘᮄ࿬Ǌop. 69 ǉᅝ儖᳆Ǌ ˄᥋‫ܟ‬᭛/ᖋ᭛/㣅᭛˅ 㓪䕥 F. ᏈᇨᠬҔˈA. ᑧԃ ǉᑑ♉ⱘᮄ࿬Ǌ BA 9544-90 ໄФ䩶⨈㓽㓪䈅 ǉ೷↡ᚐ℠Ǌ

ǉᑑ♉ⱘᮄ࿬Ǌ

Fauré, Gabriel Fauré, Gabriel Gabriel Fauré (1845-1924)

ࡴᏗ䞠඗ᇨg⽣䳋

(1845-1924) Requiem (Lat) Gabriel Fauré Urtext / Ed. C. M. Stahl, ࡴᏗ䞠඗ᇨg⽣䳋 M. Stegemann ǉᅝ儖᳆Ǌ˄ᢝϕ᭛˅ BA 9461-90 score (1845-1924) / 㓪䕥 °C. M. Vocal ॳ԰䈅 ᮑศᇨǃ M. ᮑ⡍Ḑ᳐ High-quality Urtext based ǉᅝ儖᳆Ǌ˄ᢝϕ᭛˅ BA 9461-90 ° ໄФ䩶⨈㓽㓪䈅 Works of on /the C. M. ᮑศᇨǃ ॳ԰䈅㓪䕥Complete Gabriel Fauré M. ᮑ⡍Ḑ᳐ BA 9461-90 ° ໄФ䩶⨈㓽㓪䈅 ࡴᏗ䞠඗ᇨg⽣䳋

First systematic evaluation z ෎ѢǉࡴᏗ䞠඗ᇨg⽣䳋 of all sources ԰કܼ䲚ǊⱘӬ䋼ॳ԰䈅 Based on the large orchestral version of 1900 z 佪⃵㋏㒳䆘Ԅ᠔᳝ॳྟ䌘᭭ Foreword (Ger/Eng) z ෎Ѣ1900ᑈ໻ൟㅵᓺФ䯳⠜ Vocal score suitable for all versions of the Requiem z ࠡ㿔˄ᖋ᭛ 㣅᭛˅ Handel, George Frideric z ໄФ䩶⨈㓽㓪䈅䗖ড়ᅝ儖᳆ⱘ Handel, George Frideric ᠔᳝⠜ᴀ (1685-1759) Acis and Galatea HWV 49b Serenata in tre parti (2nd version) (Eng/Ital/Ger) George /Frideric Urtext Ed. A. Handel Heinrich Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Vocal score BA 10700-90 ° (1685-1759) NEW Alexander’s Fest ǉ䰓㽓ᮃϢࡴᢝ㩖ѮǊHWV or The Power of Musick 49b Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ HWV 75 (Ger/Eng) ᇣ໰᳆ϝ䚼ߚ Urtext / Ed. K. Ameln ㄀Ѡ⠜˄㣅᭛/ᛣ໻߽᭛/ᖋ᭛˅ New revised edition / ॳ԰䈅㓪䕥 °A. ⍋಴䞠Ꮰ BA 4001-92 Vocal score ǉ䰓㽓ᮃϢࡴᢝ㩖ѮǊ BA 10700-90 ° ໄФ䩶⨈㓽㓪䈅 ǉᓹ䌯ѮǊHWV 56˄㣅᭛˅ ǉѮग़ቅ໻ⱘ㡖᮹Ǌ៪ Messiah HWV 56 (Eng) NEW ॳ԰䈅 J. ᠬᆒ ॳ԰䈅/ 㓪䕥 Urtext / Ed. J. Tobin ǉ䷇Фⱘ࡯䞣Ǌ ໄФ䩶⨈㓽㓪䈅 BA 4012-90 ° ° Vocal score BA 4012-90 HWV 75 ˄ᖋ᭛/㣅᭛˅ ǉᓹ䌯ѮǊ ˄ᖋ᭛ 㣅᭛˅ (Ger/Eng) ॳ԰䈅 / 㓪䕥 K. 䰓ṙӺ ॳ԰䈅 ǉѮग़ቅ໻ⱘ㡖᮹Ǌ៪ 4012-73 ° ໄФ䩶⨈㓽㓪䈅 BA Vocal score ᮄׂ䅶⠜ TP 175 Study score ǉ䷇Фⱘ࡯䞣Ǌ 175 ⷨдᘏ䈅 BA 4001-92 ° ໄФ䩶⨈㓽㓪䈅 Facsimile edition ᕅॄ⠜ ॳ԰䈅 ISBN 978-3-7618-2109-1 ISBN 978-3-7618-2109-1 Seite 85 Æ 㾕㄀85义 ᕅॄ⠜ ǉᓹ䌯ѮǊHWV 56˄㣅᭛˅ ॳ԰䈅 / 㓪䕥 J. ᠬᆒ ໄФ䩶⨈㓽㓪䈅 BA 4012-90 ° ˄ᖋ᭛ 㣅᭛˅ BA 4012-73 ° ໄФ䩶⨈㓽㓪䈅 TP 175 ⷨдᘏ䈅 ᕅॄ⠜ ISBN 978-3-7618-2109-1 Æ 㾕㄀85义

ǉ᠔㔫䮼Ǌ ॳ԰䈅 ǉ᠔㔫䮼Ǌ NEW ⏙ଅ࠻ HWV 67 (㣅᭛) Solomon ॳ԰䈅 / 㓪䕥 H. D. ‫ࢇܟ‬Ể Oratorio HWV 67 (Eng) BA 10709-90 ° D. ໄФ䩶⨈㓽㓪䈅 Urtext / Ed. H. Clausen ᕙߎ Vocal score BA 10709-90 ° in preparation

Haydn,Haydn Joseph Joseph Haydn, Joseph 㑺⨳໿g⍋乓 (1732-1809) (1732-1809) The Creation / Die Schöpfung Hob. XXI:2 (Ger/Eng) Hob. XXI:2 ˄ᖋ᭛/㣅᭛˅ Urtext / Ed. A. Oppermann / 㓪䕥 °A. ༹⦔᳐ ॳ԰䈅 Vocal score BA 4648-90 ǉ߯Ϫ㑾Ǌ BA 4648-90 ° ໄФ䩶⨈㓽㓪䈅 Missa brevis Sancti Joannis de Deo “Little Organ Mass” ॳ԰䈅 ǉ㑺ሐᮃᇣᓹᩦǊ˄ᇣㅵ亢⨈ᓹᩦ˅ Hob. XXII:7 (Lat) Hob. XXII:7˄ᢝϕ᭛˅ Urtext / Ed. H. C. Robbins 㑺⨳໿g⍋乓 ॳ԰䈅 / 㓪䕥 C. 㔫ᆒᮃg݄ⱏǃ K. H.H.Füssl, C. Landon Landon, ǉ㑺ሐᮃᇣᓹᩦǊ˄ᇣㅵ亢⨈ᓹᩦ˅ BAH.4653-90 ° ݄ⱏ Vocal score K. 㧆ᮃᇨǃC. TP 95 Study score BA 4653-90 ° ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 ǉ߯Ϫ㑾Ǌ TP 95 ⷨдᘏ䈅 Die Jahreszeiten Hob. XXI:3 (Ger/Eng/Fr) ॳ԰䈅 ǉಯᄷǊ Urtext / Ed. A. Raab Hob. XXI:3㧔ᓾᢥ ⧷ᢥ ᴺᢥ㧕 ° Vocal score BA 4647-90 ॳ԰䈅 / 㓪䕥 A. ᢝᏗ ǉಯᄷǊ ǉ㑺ሐᮃᇣᓹᩦǊ˄ᇣㅵ亢⨈ᓹᩦ˅ Stabat Mater XXbis (Lat) ໄФ䩶⨈㓽㓪䈅 BA 4647-90 ° Hob. Urtext / Ed. M. Helms, F. Stoltzfus ॳ԰䈅 ॳ԰䈅 ǉ೷↡ᚐ℠ǊHob. Xxbis˄ᢝϕ᭛˅ BA 4642-90 ° Vocal score ॳ԰䈅 / 㓪䕥 M. 䌿ᇨྚᮃˈ F. ᮃᠬ㣼ᓫᮃ Bartholdy, Felix Mendelssohn ǉ೷↡ᚐ℠Ǌ Felix Mendelssohn BA 4642-90 ° Bartholdy, ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 (1809-1847) ǉಯᄷǊ Felix Mendelssohn Bartholdy Die erste Walpurgisnacht 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 op. 60 (Ger/Eng) (1809-1847) ॳ԰䈅 Text by Johann W. von Goethe Urtext / Ed. J. M. Cooper 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ǉཇᎿП໰Ǌ Piano reduction by the op. 60˄ᖋ᭛/㣅᭛˅ ǉ೷↡ᚐ℠Ǌ composer 㑺㗄g≗ᇨ໿‫ݜ‬g‫ރ‬g℠ᖋ䆡 BA 9072-90 Vocal score ॳ԰䈅 ǉཇᎿП໰Ǌ ॳ԰䈅 / 㓪䕥 J. M. ᑧ⦔ ⬅԰᳆ᆊ㓪‫ݭ‬䩶⨈㓽㓪䈅 BA 9072-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅㑺⨳໿g⍋乓 ǉ߯Ϫ㑾Ǌ

䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

ǉཇᎿП໰Ǌ

61 ॳ԰䈅 ǉᅝ儖᳆Ǌ ॳ԰䈅

䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

ᅫᬭϢϪ֫ড়ଅ԰ક

ǉϛ⽣ˈ೷ԧǊ ॳ԰䈅

ǉҹ߽ѮǊ 䓻ㅭ䈌㬡㯸⼰⧋䔘㠘.......... ..... .... Sacred and Secular Choral Works ॳ԰䈅

Mendelssohn Bartholdy, Felix Felix Mendelssohn Bartholdy Mendelssohn Bartholdy, Felix 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾䌍 ߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 (1809-1847) 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 (1809-1847) ǉ೷ֱ㔫Ǌ Elijah op. 70 (Ger/Eng) ॳ԰䈅 ǉҹ߽ѮǊ 70˄ᖋ᭛/㣅᭛˅ ǉҹ߽ѮǊop. Oratorio ǉҹ߽ѮǊ ǉҹ߽ѮǊ ǉҹ߽ѮǊ ⏙ଅ࠻ Text compiled by the composer ℠䆡⬅԰᳆ᆊҢᮄ㑺Ϣᮻ㑺Ё∛㓪 from the Old and New Testaments ॳ԰䈅 / 㓪䕥 D. 㽓乓 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / Ǌ Urtext Seaton ǉ䆫㆛ ॳ԰䈅 Ed. ⬅԰᳆ᆊ੠ A. D. ⾥䌿ᮃ㓪‫ݭ‬䩶⨈㓽㓪䈅 Piano reduction by the BA 9070-90 ° ໄФ䩶⨈㓽㓪䈅 composer, A. Köhs ॳ԰䈅 BA 9070-90 ° Vocal score ǉ೷ֱ㔫Ǌ 36˄ᖋ᭛/㣅᭛˅ ǉ೷ֱ㔫Ǌop. ǉ೷ֱ㔫Ǌ ǉ೷ֱ㔫Ǌ ॳ԰䈅 ǉ೷ֱ㔫Ǌ St. Paul/ 㓪䕥 op. 36 ॳ԰䈅 J. (Ger/Eng) M. ᑧ⦔ ॳ԰䈅 ॳ԰䈅 / Ed. J. M. Cooper Urtext ॳ԰䈅 ⬅԰᳆ᆊ੠ A. ⾥䌿ᮃ㓪‫ݭ‬䩶⨈㓽㓪䈅 reduction by the Piano BA 9071-90 ° ໄФ䩶⨈㓽㓪䈅 composer, A. Köhs BA 9071-90 ° Vocal score ǉ䆫㆛ 42Ǌop. Ǌ 42 ǉ䆫㆛ ǉ䆫㆛ ǉ䆫㆛ Ǌ Ǌ ǉ䆫㆛ Ǌ ˄ᖋ᭛/㣅᭛˅ Psalm 42 op. 42 NEW ॳ԰䈅 / 㓪䕥 J. M. ᑧ⦔ ॳ԰䈅 (Ger/Eng) ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / Ed. J. M. Cooper Urtext ⬅԰᳆ᆊ㓪‫ݭ‬䩶⨈㓽㓪䈅 reduction by the Piano BA 9074-90 ° ໄФ䩶⨈㓽㓪䈅 composer ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 9074-90 ° Vocal score ǉৢᅿ䇅䗗Ǌ ॳ԰䈅

ᕅॄ⠜

ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ॳ԰䈅

ǉ⢘ᠬⱘҕ᜜Ǌ Monteverdi, Claudio Claudio Monteverdi Monteverdi, Claudio ‫ܟ‬ ࢇ䖾༹g㩭⡍࿕ᇨ㄀ ॳ԰䈅 ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ (1567-1643) NEW (1567-1643) Vespro della Beata Vergine (Lat) ǉ೷↡ᰮ⽋Ǌ˄ᢝϕ᭛˅ ǉ೷↡ᰮ⽋Ǌ Urtext / Ed. H. Schulze et al. BA 8794-90 Vocal score ॳ԰䈅 / 㓪䕥 ° H. 㟦ᇨ㣼ㄝ ॳ԰䈅 BA 8794-90 ° ໄФ䩶⨈㓽㓪䈅 ᕅॄ⠜ Scholarly-critical Urtext orientated towards z edition 䩜ᇍⓨߎᅲ䏉ⱘᄺᴃ᷵ࢬॳ԰䈅 performance practice ⠜ Detailed critical z ໻ᘏ䈅Ё䆺㒚ⱘ᷵ࢬ᡹ਞ ǉཇҎᖗǊ commentary (Eng) in the ˄㣅᭛˅ full score ॳ԰䈅

ǉЏ䌲㕢䆫Ǌ Mozart, Amadeus WolfgangWolfgang Amadeus Mozart 䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ Wolfgang Amadeus Mozart, ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅 verum corpus K. 618 (Lat) Ave ǉϛ⽣ˈ೷ԧǊK. 618˄ᢝϕ᭛˅ ǉϛ⽣ˈ೷ԧǊ Urtext / Ed. H. Federhofer ǉϛ⽣ˈ೷ԧǊ ǉϛ⽣ˈ೷ԧǊ ॳ԰䈅 / 㓪䕥 H. 䌍ᖋ䳡䌍ᇨ ǉϛ⽣ˈ೷ԧǊ ॳ԰䈅 Vocal score BA 4946-90 ॳ԰䈅 ॳ԰䈅 BA 4946-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ Laudate Dominum from the Vesperae solennes ǉЏ䌲㕢䆫Ǌ ǉЏ䌲㕢䆫Ǌ ǉЏ䌲㕢䆫Ǌ ǉЏ䌲㕢䆫Ǌ de Confessore K. 339 (Lat) ॳ԰䈅䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ ǉЏ䌲㕢䆫Ǌ 䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ 䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ 䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ Urtext / Ed. K. G. Fellerer, K. 339˄ᢝϕ᭛˅ 䗝㞾ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ F. Schroeder ǉ૤Ш⪺ሐǊ ॳ԰䈅 / 㓪䕥 °K. G. 䌍ࢦ䳋ᇨǃ ॳ԰䈅 BA 5339-90 Vocal score ॳ԰䈅 ॳ԰䈅 ᮑ㔫ᖋ F. ॳ԰䈅 ᇣ䇗ᓹᩦ᳆ ॳ԰䈅 Missa in C maj BA 5339-90 ° “Coronation ໄФ䩶⨈㓽㓪䈅 Mass” K. 317 (Lat) Urtext / Ed. M. Holl C ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ Vocal score BA 4880-90 ° ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ K. 317˄ᢝϕ᭛˅ ໻䇗ᓹᩦ᳆ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ TP 316 Study score ॳ԰䈅 / 㓪䕥 M. 䳡ᇨ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 BA 4880-90 ° ॳ԰䈅 Missa in C min K. ໄФ䩶⨈㓽㓪䈅 427 (417a) (Lat) ᕅॄ⠜ Credo ⷨдᘏ䈅 TP 316in unum Deum, Et incarnatus est, Sanctus, Hosanna. Reconstructed and C ᇣ䇗ᓹᩦ᳆ ᇣ䇗ᓹᩦ᳆ completed ᇣ䇗ᓹᩦ᳆ ᇣ䇗ᓹᩦ᳆by Helmut Eder ǉᅝ儖᳆Ǌ K. 427˄417a˅˄ᢝϕ᭛˅ ᇣ䇗ᓹᩦ᳆ Urtext / Ed. M. Holl ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ⬅䌿ᇨ〚⡍g඗ᖋᇨ໡ॳᑊᅠ୘Ā៥ Vocal score BA 4846-90 ֵଃϔⱘ໽ЏāǃĀҹ೷⋕П♉āǃ TP 255 Study score ॳ԰䈅 ॳ԰䈅 Ā೷ઝāϢĀ੠ᬷ䙷ā䚼ߚ Requiem K. 626 (Lat) ॳ԰䈅 / 㓪䕥 M. 䳡ᇨ ॳ԰䈅 Mozart’s fragment in the ॳ԰䈅 ॳ԰䈅 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 4846-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 version completed by TP 255Xaver Süssmayr ⷨдᘏ䈅 Franz Urtext / Ed. L. Nowak ǉӞ໮ṙ㒑ᮃǊ ǉᅝ儖᳆Ǌ Vocal score BA 4538-90 °626˄ᢝϕ᭛˅ ǉᅝ儖᳆ǊK. ǉᅝ儖᳆Ǌ ǉᅝ儖᳆Ǌ ǉᅝ儖᳆Ǌ TP 152 Study score ⬅ᓫᳫ㣼g‫ܟ‬㧼䶺ᇨg㘮ᮃ呺ᇨ㸹ܼ ǉᅝ儖᳆Ǌ ॳ԰䈅 ⱘ㥿ᠢ⡍⅟〓⠜ᴀ ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ ॳ԰䈅 / 㓪䕥 L. 䇎⪺‫ܟ‬ ॳ԰䈅 Facsimile edition ॳ԰䈅 ॳ԰䈅 BA 4538-90 ° ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 ISBN 978-3-7618-2346-0 ॳ԰䈅 TP Seite 152 86 ⷨдᘏ䈅

in preparation ᕅॄ⠜ ǉ೷♉䰡ЈǊ NEW ᕅॄ⠜ ISBN 978-3-7618-1880-0 978-3-7618-2346-0 ᕅॄ⠜ ॳ԰䈅 Æ 㾕㄀86义 Sancta Maria, mater Dei K. 273 (Lat) ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ Urtext / Ed. H. Federhofer ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ ǉ೷⥯БѮˈ᳾ᴹⱘ↡҆Ǌ Vocal score BA 4751-90 ° ॳ԰䈅 K. 273 ˄ᢝϕ᭛˅ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Veni Sancte K. 47 (Lat) / 㓪䕥 Spiritus H. 䌍ᖋ䳡䌍ᇨ ॳ԰䈅 Urtext / Ed.° H. Federhofer BA 4751-90 ໄФ䩶⨈㓽㓪䈅 Vocal score BA 4883-90 ° ǉ೷♉䰡ЈǊ ǉ೷♉䰡ЈǊ ǉ೷♉䰡ЈǊ ǉ೷♉䰡ЈǊ 47˄ᢝϕ᭛˅ ॳ԰䈅 ǉ೷♉䰡ЈǊK. ॳ԰䈅 Vesperae solennes ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H.K. ॳ԰䈅䌍ᖋ䳡䌍ᇨ de Confessore 339 (Lat) BA 4883-90 ໄФ䩶⨈㓽㓪䈅 Urtext / Ed.° K. G. Fellerer, ᕅॄ⠜ Schroeder F. ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ ǉᖣᙨ㗙ⱘᑘϹᰮ⽋Ǌ BA 4894-90 ° Vocal339 score ॳ԰䈅 ǉᖣᙨ㗙ⱘᑘϹᰮ⽋ǊK. ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ˄ᢝϕ᭛˅ॳ԰䈅 / 㓪䕥 K. G. 䌍ࢦ 䳋ᇨǃF. ᮑ㔫ᖋ ǉ儨ワǊ BA 4894-90 ° ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅

Gioachino Rossini ⛺䰓෎䇎g㔫㽓ሐ

(1792-1868) ᇣᑘϹᓹᩦ᳆˄ᢝϕ᭛˅ ॳ԰䈅 / 㓪䕥 P. B. Ꮧࢇ㒇ǃ P. ៜา⡍ BA 10501-90 ° ໄФ䩶⨈㓽㓪䈅㦋ᕫ2010ᑈᑺ㕢೑䷇ФᄺणӮ ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ ᥜќⱘ᳔Շ䷇Ф⠜ᴀ‫ࢇܟ‬ᖋgᏩ䞠ᮃ ⛺䰓෎䇎g㔫㽓ሐ

व༪Ǆ ᇣᑘϹᓹᩦ᳆ ᇣᑘϹᓹᩦ᳆ ᇣᑘϹᓹᩦ᳆ ᇣᑘϹᓹᩦ᳆ Franz Schubert ॳ԰䈅 ᇣᑘϹᓹᩦ᳆ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 (1797-1828) Rossini, Gioachino Rossini, Gioachino ǉᖋᛣᖫᓹᩦ᳆ǊD 872˄ᖋ᭛˅ (1792-1868) ㄀ѠϾ᳔㒜⠜ᴀ solennelle (Lat) Petite /Messe ॳ԰䈅㓪䕥 M. ᑧ䋱 Urtext / Ed.° P. B. Brauner, BA 7599-90 ໄФ䩶⨈㓽㓪䈅 P. Gossett BA 10501-90 ° Vocal score A ໻䇗ᓹᩦ D 678˄ᢝϕ᭛˅ 䰡 ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Winner/ 㓪䕥 of the Palisca D.Claude ॳ԰䈅㢀‫ܟ‬ü䌿‫ܟ‬ᵫḐᇨ ᓫᳫ㣼g㟦ԃ⡍ Prize 2010 awarded by the BA 5623-90 ໄФ䩶⨈㓽㓪䈅 American Musicological Society ǉᖋᛣᖫᓹᩦ᳆Ǌ ǉᖋᛣᖫᓹᩦ᳆Ǌ for Best Musical Edition ǉᖋᛣᖫᓹᩦ᳆Ǌ ǉᖋᛣᖫᓹᩦ᳆Ǌ C ໻䇗ᓹᩦ op. 48 D 452˄ᢝϕ᭛˅ ǉᖋᛣᖫᓹᩦ᳆Ǌ ⛺䰓෎䇎g㔫㽓ሐ P. ᮃवᠬᵫ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 Schubert, Franz ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Franz ᮄׂ䅶⠜ Schubert, ॳ԰䈅 (1797-1828) BA 5622-90 ° ໄФ䩶⨈㓽㓪䈅 ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅䰡 ໻䇗ᓹᩦ ໻䇗ᓹᩦ 䰡 Mass D 872 (Ger) German 䰡䰡 ໻䇗ᓹᩦ ໻䇗ᓹᩦ Giuseppe Verdi ॳ԰䈅䰡 ໻䇗ᓹᩦ ॳ԰䈅 Second definitive version NEW ॳ԰䈅 ॳ԰䈅 ᴅาԽg࿕ᇨ㄀ Urtext ॳ԰䈅 / Ed. M. Kube (1813-1901) Vocal score BA 7599-90 ° ໻䇗ᓹᩦ ໻䇗ᓹᩦ Missa A-flat maj D 678 (Lat) ǉᅝ儖ᓹᩦ᳆Ǌ˄ᢝϕ᭛˅ ໻䇗ᓹᩦ ໻䇗ᓹᩦ ॳ԰䈅 ໻䇗ᓹᩦ ॳ԰䈅 Urtext Ed. D. / /㓪䕥 M. Finke-Hecklinger ॳ԰䈅 Р䶺ศ ॳ԰䈅 ॳ԰䈅 Vocal score BA 5623-90 BA 7590-90 ° ໄФ䩶⨈㓽㓪䈅 Missa in C maj op. 48 D 452 (Lat) Vivaldi Antonio Urtext / Ed. P. Scattolin ᅝϰሐ༹g㓈⪺ᇨ䖾 ᴅาԽg࿕ᇨ㄀ ᴅาԽg࿕ᇨ㄀ New revised edition (1678-1741) ᴅาԽg࿕ᇨ㄀ ᴅาԽg࿕ᇨ㄀ ᴅาԽg࿕ᇨ㄀ BA 5622-90 ° Vocal score ǉ㤷㗔㒣ǊRV 589˄ᢝϕ᭛˅ Verdi, Giuseppe ǉᅝ儖ᓹᩦ᳆Ǌ ǉᅝ儖ᓹᩦ᳆Ǌ / 㓪䕥 M. Ꮧ剕䇎 ॳ԰䈅 ǉᅝ儖ᓹᩦ᳆Ǌ ǉᅝ儖ᓹᩦ᳆Ǌ Giuseppe Verdi, ॳ԰䈅 ǉᅝ儖ᓹᩦ᳆Ǌ ॳ԰䈅 BA 7674-90 ° ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 ॳ԰䈅 (1813-1901) ॳ԰䈅 Messa da Requiem (Lat) Urtext / Ed. M. Uvietta ᅝϰሐ༹g㓈⪺ᇨ䖾 Vocal score BA 7590-90 ° ᅝϰሐ༹g㓈⪺ᇨ䖾

ᅝϰሐ༹g㓈⪺ᇨ䖾 ᅝϰሐ༹g㓈⪺ᇨ䖾 ᅝϰሐ༹g㓈⪺ᇨ䖾

Vivaldi, Antonio Vivaldi, Antonio ǉ㤷㗔㒣Ǌ ǉ㤷㗔㒣Ǌ ǉ㤷㗔㒣Ǌ ǉ㤷㗔㒣Ǌ (1678-1741) ǉ㤷㗔㒣Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 RV 589 (Lat) Gloria Urtext / Ed. M. Bruno BA 7674-90 ° Vocal Score

SACRED AND SECULAR CHORAL WORKS

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ॳ԰䈅 ǉ㧆ኅ䞠༹Ǌ ॳ԰䈅

‫ܟ‬䞠ᮃᠬ໿g㓈߽Ꮘᇨ⡍gḐ剕‫ ܟ‬

㟲ৄ԰ક

ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ

ǉ䰓ᇨߛᮃ⡍Ǌ Ш⊏g↨ᠡ

㟲ৄ԰ક༣੠䞡༣ ..㟲㟲 ৄ԰ક༣੠䞡༣… .. .. Stage Works 㟲ৄ԰ક༣੠䞡༣ ǉव䮼Ǌ Ludwig van Beethoven, Ludwig Beethoven, Ludwig van ॳ԰䈅van Beethoven 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827) (Ger) Fidelio 㟲ৄ԰ક༣੠䞡༣ ǉ㧆ኅ䞠༹Ǌ Urtext / H. Lühning, R. Didion ǉ㧆ኅ䞠༹Ǌ ǉ㧆ኅ䞠༹Ǌ˄ᖋ᭛˅ BA 9011-90 Vocal䖾䖾㖕 score ǉ㧆ኅ䞠༹Ǌ 㟲ৄ԰ક༣੠䞡༣ ॳ԰䈅 / 㓪䕥 H. ৩ᅕǃR. ॳ԰䈅 ॳ԰䈅 ໄФ䩶⨈㓽㓪䈅 BA 9011-90 Bizet, Georges 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Bizet, Georges Georges Bizet (1838-1875) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Ш⊏g↨ᠡ Ш⊏g↨ᠡ Ш⊏g↨ᠡ ǉ㧆ኅ䞠༹Ǌ Ш⊏g↨ᠡ (1838-1875) Carmen ॳ԰䈅(Fr/Ger) Urtext / Ed. F. Oeser ǉ㧆ኅ䞠༹Ǌ ǉव䮼Ǌ ǉव䮼Ǌ AE 129-90 Vocal score ǉव䮼Ǌ˄⊩᭛/ᖋ᭛˅ ॳ԰䈅

ǉव䮼Ǌ ॳ԰䈅/ 㓪䕥 F. क़䌯ᇨ ॳ԰䈅 Ш⊏g↨ᠡ ॳ԰䈅 AE 129-90 ໄФ䩶⨈㓽㓪䈅 Ш⊏g↨ᠡ

Emmanuel Chabrier ǉव䮼Ǌ ඗偀㒑඗ᇨg໣Ꮧ䞠඗ ॳ԰䈅 ǉव䮼Ǌ (1841-1894) ॳ԰䈅

ǉ᯳᯳Ǌ˄⊩᭛/ᖋ᭛˅ ϝᐩ୰℠࠻ ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 BA 8708-90 ໄФ䩶⨈㓽㓪䈅 Antonín DvoĜák ᅝϰᅕgᖋ≗໣‫ ܟ‬

(1841-1904)

Chabrier, Emmanuel Emmanuel Chabrier ǉ∈ҭཇǊop. 114 Emmanuel Chabrier, ඗偀㒑඗ᇨg໣Ꮧ䞠඗ ඗偀㒑඗ᇨg໣Ꮧ䞠඗ ඗偀㒑඗ᇨg໣Ꮧ䞠඗ ˄᥋‫ܟ‬᭛ ᖋ᭛ 㣅᭛˅ (1841-1894) ඗偀㒑඗ᇨg໣Ꮧ䞠඗ (1841-1894) ॳ԰䈅 / 㓪䕥 J. Ꮧ‫ܟ‬䈾⋑ L’Étoile (Fr/Ger) in ໄФ䩶⨈㓽㓪䈅 BA 9510-90 ǉ᯳᯳Ǌ Opéra bouffe three acts ඗偀㒑඗ᇨg໣Ꮧ䞠඗ ǉ᯳᯳Ǌ ǉ᯳᯳Ǌ˄⊩᭛/ᖋ᭛˅ Urtext / Ed. H. Macdonald ǉ᯳᯳Ǌ ϝᐩ୰℠࠻ ඗偀㒑඗ᇨg໣Ꮧ䞠඗ Vocal score BA 8708-90 ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 ॳ԰䈅 ǉ᯳᯳Ǌ ॳ԰䈅 BA 8708-90 ໄФ䩶⨈㓽㓪䈅 Dvořák, Antonín Christoph Willibald Gluck ǉ᯳᯳Ǌ Dvořák, Antonín ॳ԰䈅 ‫ܟ‬䞠ᮃᠬ໿g㓈߽Ꮘᇨ⡍gḐ剕‫ ܟ‬ Antonín DvoĜák (1841-1904) (1714–1787) ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ ॳ԰䈅 Rusalka op. 114 (Cz/Ger/Eng) ᅝϰᅕgᖋ≗໣‫ܟ‬ NEW (1841-1904) ǉ䰓ᇨߛᮃ⡍Ǌ Urtext / Ed. J. Burghauser ᅝϰᅕgᖋ≗໣‫ܟ‬ ‫ܟ‬䞠ᮃᠬ໿g㓈߽Ꮘᇨ⡍gḐ剕‫ ܟ‬ 114 Vocal score BA 9510-90 1776˄⊩᭛/ᖋ᭛˅ Ꮘ咢⠜ᴀ ǉ∈ҭཇǊ ǉ∈ҭཇǊ ǉ∈ҭཇǊop. ϝᐩᚆ℠࠻ ᅝϰᅕgᖋ≗໣‫ܟ‬ ǉ∈ҭཇǊ ˄᥋‫ܟ‬᭛ ᖋ᭛ 㣅᭛˅ ǉ∈ҭཇǊ ॳ԰䈅㓪䕥 J.R.Ꮧ‫ܟ‬䈾⋑ Ḑ䋱ᇨ ॳ԰䈅 Gluck, Willibald ॳ԰䈅 //Christoph 㓪䕥 ǉ䰓ᇨߛᮃ⡍Ǌ Gluck, Christoph Willibald ׂ䅶⠜ ॳ԰䈅 ໄФ䩶⨈㓽㓪䈅 BA 9510-90 ǉ∈ҭཇǊ ॳ԰䈅 (1714-1787) BA 5848-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 Alceste Paris Version 1776 (Fr/Ger) Tragédie-opéra en trois actes Urtext / Ed. R. Gerber Revised edition BA 5848-90 Vocal Score

Christoph Willibald Gluck 㧼‫ܟ‬ᮃㅵ Gluck, Willibald ॳ԰䈅 Christoph ‫ܟ‬䞠ᮃᠬ໿g㓈߽Ꮘᇨ⡍gḐ剕‫ ܟ‬ Gluck, Christoph Willibald (1714–1787) (1714-1787)

NEW ǉ䰓ᇨߛᮃ⡍Ǌ Alceste ǉ೼䱊߽ᮃⱘӞ㧆⋕ྂѮǊ 1767˄ᛣ໻߽᭛/ᖋ᭛˅ 㓈г㒇⠜ᴀ Vienna Version 1767 (Ital/Ger) ॳ԰䈅 Urtext/ 㓪䕥 / Ed. G. G. ‫ܟ‬㔫ᇨ Croll 偀ᑧᮃg儣ᮃ ॳ԰䈅 Vocal Score BA 5844-90 ໄФ䩶⨈㓽㓪䈅 BA 5844-90 in preparation ᕙߎ Ш⊏g‫ݙ‬㩖 NEW

ǉ೼䱊߽ᮃⱘӞ㧆⋕ྂѮǊ Iphigenie auf Tauris 1781˄ᖋ᭛˅ 㓈г㒇⠜ᴀ ǉ೼䱊߽ᮃⱘӞ㧆⋕ྂѮǊ Wiener Fassung 1781 (Ger) Urtext/ 㓪䕥 / Ed. G. G. ‫ܟ‬㔫ᇨ Croll ॳ԰䈅 Vocal Score BA 5843-90 ໄФ䩶⨈㓽㓪䈅 BA 5843-90 ॳ԰䈅 in preparation ᕙߎ

NEW

ǉ೼䱊߽ᮃⱘӞ㧆⋕ྂѮǊ Iphigenie auf Tauris 1779˄⊩᭛ˋᖋ᭛˅ Pariser Fassung 1779 (Fr/Ger) Ꮘ咢⠜ᴀ ǉ༹㧆⃻ϢᇸБ⢘㣰Ǌ Urtext/ 㓪䕥 / Ed. G. G. ‫ܟ‬㔫ᇨ Croll ॳ԰䈅 Vocal Score BA 5847-90 5847-90 ໄФ䩶⨈㓽㓪䈅 BA in preparation Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ᕙߎ ॳ԰䈅

NEW ǉ༹㧆⃻ϢᇸБ⢘㣰Ǌ Orfeo ed Euridice ǉ䰓ᇨ䕯࿰Ǌ Vienna version 1762 1762 㓈г㒇⠜ᴀ (Ital/Ger) ˄ᛣ໻߽᭛ˋᖋ᭛˅ ǉ༹㧆⃻ϢᇸБ⢘㣰Ǌ Urtext / Ed. A. A.A. A.䰓䋱⡍ǃ Abert, / 㓪䕥 ॳ԰䈅 L. Finscher L. 㢀㟡ᇨ BA 5845-90 Vocal Score ॳ԰䈅 BA 5845-90 ໄФ䩶⨈㓽㓪䈅 ǉ䰓ᒪЍ⡍Ǌ NEW Orphée et Euridice ǉ༹㧆⃻ϢᇸБ⢘㣰Ǌ Paris version 1774 (Fr/Ger) ॳ԰䈅 1774˄⊩᭛ˋᖋ᭛˅ Ꮘ咢⠜ᴀ Urtext / Ed. L. Finscher Ѯग़ቅ໻gḐᢝ⼪䇎໿ / 㓪䕥 L. ॳ԰䈅Frideric 㢀㟡ᇨ George Handel Vocal Score BA 2282-90 Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ BA 2282-90 ໄФ䩶⨈㓽㓪䈅 Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ (1685-1759) George Frideric Handel

Handel, George Frideric ǉ䰓ᇨ䕯࿰Ǌ ǉ䰓ᇨ䕯࿰Ǌ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ 34 ǉ䰓ᇨ䕯࿰ǊHWV Handel, George Frideric (1685-1759) ǉ䰓ᇨ䕯࿰Ǌ ˄ᛣ໻߽᭛/ᖋ᭛˅ (1685-1759) ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ॳ԰䈅 / 㓪䕥 S. ᓫᴹᮑ ǉ䰓ᇨ䕯࿰ǊHWV 34 HWV Alcina 34 (Ital/Ger) ໄФ䩶⨈㓽㓪䈅 BA 4061-90 ˄ᛣ໻߽᭛/ᖋ᭛˅ ॳ԰䈅 Urtext / Ed. S. Flesch ǉ䰓ᇨ䕯࿰Ǌ / S. ॳ԰䈅㓪䕥 ᓫᴹᮑ BA 4061-90 33Vocal score ǉ䰓ᒪЍ⡍Ǌ ǉ䰓ᒪЍ⡍Ǌ ǉ䰓ᒪЍ⡍ǊHWV ໄФ䩶⨈㓽㓪䈅 BA 4061-90 ǉ䰓ᒪЍ⡍Ǌ ˄ᛣ໻߽᭛ˋᖋ᭛˅ Ariodante HWV 33 (Ital/Ger) ॳ԰䈅/ 㓪䕥 33 ǉ䰓ᒪЍ⡍ǊHWV ॳ԰䈅 Urtext / Ed. D. D. Ꮧ㔫ᮃ Burrows ॳ԰䈅 ˄ᛣ໻߽᭛ˋᖋ᭛˅ BA 4079-90 ໄФ䩶⨈㓽㓪䈅 Vocal score BA 4079-90 ǉ䰓ᒪЍ⡍Ǌ ॳ԰䈅 / 㓪䕥 D. Ꮧ㔫ᮃ BA 4079-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅

ॳ԰䈅 Frideric Handel, George Frideric George Handel Handel, George Frideric Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ (1685-1759) (1685-1759) Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ǉาᇨᮃǊ 7a 7a Rinaldo (1711) HWVHWV ǉ䞠㒇ᇨ໮Ǌ(1711) ǉ䞠㒇ᇨ໮Ǌ (Ital/Ger) ॳ԰䈅 ǉ䞠㒇ᇨ໮Ǌ ˄ᛣ໻߽᭛ˋᖋ᭛˅ Urtext / Ed. D. R. B. Kimbell ॳ԰䈅 / 㓪䕥 D. R. B. 䞥䋱ᇨ ॳ԰䈅 Vocal score BA 4033-90 ॳ԰䈅 Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ໄФ䩶⨈㓽㓪䈅 BA 4033-90 Rodelinda, Regina Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ de’ Longobardi HWV 19 ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ ǉ䞠㒇ᇨ໮Ǌ (Ital/Ger) HWV 19 ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ Urtext / Ed. A. V. Jones ˄ᛣ໻߽᭛ˋᖋ᭛˅ ǉ䞠㒇ᇨ໮Ǌ Vocal score ॳ԰䈅BA 4064-90 ॳ԰䈅 / 㓪䕥 A. V. ⨐ᮃ ॳ԰䈅 HWV ໄФ䩶⨈㓽㓪䈅 BA 4064-90 ॳ԰䈅ॳ԰䈅 Xerxes / Serse 40 (Ital/Ger) ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ 健❞຿䩶⨈᳆䲚 Urtext / Ed. T. Best ǉาᇨᮃǊHWV 40 ǉาᇨᮃǊ Vocal score BA 4076-90 ⦄ҷ԰᳆ᆊড়䲚 ǉӺᏈ䖾ⱘཇ⥟㔫ᖋ⨇䖒Ǌ ǉาᇨᮃǊ ˄ᛣ໻߽᭛ˋᖋ᭛˅ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 T. 䋱ᮃ⡍ ॳ԰䈅 ॳ԰䈅 ໄФ䩶⨈㓽㓪䈅 BA 4076-90

健❞຿䩶 ǉᮽᳳ⦄

ॳ԰䈅 ǉาᇨᮃǊ ǉาᇨᮃǊ ॳ԰䈅

㧧ྛӶgӐ㓩࠽‫ށ‬ ॳ԰䈅

ળ䘆

㽓༹໮

৕֒䉧

‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ Janáček, Leoš

Janáček, Leoš Leoš Janáþek (1854-1928) NEW 㧧ྛӶgӐ㓩࠽‫ށ‬ ǉ༹㧆⃻Ǌ (1854-1928) (Destiny) (Cz/Ger) Osud ॳ԰䈅 Three novel-like scenes of Fedora Bartošová ળ䘆δ᦭‫ށ‬ᮽλᗭᮽε Urtext / Ed. J. Zahrádka 䍯ཐ᣿gᐪቊᢎ㍘္ቅ䈪㡢Ⲻпᒋↂ Vocal Score BA ࢝ 9562-90

৕֒䉧 / 㕌䗇 J. ᢄ᣿ᗭগ BA 9562-90 ༦҆䫘⩪㕟㕌䉧 Monteverdi, Claudio Monteverdi, Claudio ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ Claudio Monteverdi ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ (1567-1643)

‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ Arminio HWV 36 Ʌ䱵ቊ㊩ቲྛɆHWV 36 ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ NEW L’Orfeo (Ital) Opera in three acts (Ital/Ger) (1567-1643) пᒋↂ࢝δᝅཝ࡟ᮽλᗭᮽε Urtext / Ed. R. Alessandrini Urtext / Ed. M. Pacholke ǉ༹㧆⃻Ǌ ǉ༹㧆⃻Ǌ ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ ৕֒䉧 / 㕌䗇 M. ᑋ〇ቊ‫ށ‬ ‫ࢇܟ‬䖾༹g㩭⡍࿕ᇨ㄀ HWV 17 ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ Vocal score BA 8793-90 Vocal score BA 4100-90 ǉ༹㧆⃻Ǌ˄ᛣ໻߽᭛˅ ॳ԰䈅 ॳ԰䈅 BA 4100-90 ༦҆䫘⩪㕟㕌䉧 ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ ǉ༹㧆⃻Ǌ ˄ᛣ໻߽᭛/ᖋ᭛˅ ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ ॳ԰䈅 / 㓪䕥 R. Ѯग़ቅᖋ䞠ሐ ॳ԰䈅 ॳ԰䈅/ 㓪䕥 F. Ш䌿 ॳ԰䈅 ໄФ䩶⨈㓽㓪䈅 BA 8793-90 ǉ༹㧆⃻Ǌ HWV 17 17 ॳ԰䈅 ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊ ॳ԰䈅 in ໄФ䩶⨈㓽㓪䈅 BA 4078-90 Giulio Cesare Egitto HWV ॳ԰䈅 ˄ᛣ໻߽᭛/ᖋ᭛˅ commentary. (Ital/Ger) Mit Informationen (dt./engl.) / 㓪䕥 ॳ԰䈅 =ⓨߎᴤ᭭ߎ⾳ Performance material Urtext / Ed.F. F.Ш䌿 Zschoch zu den Werken available on hire BA ໄФ䩶⨈㓽㓪䈅 Vocal score BA4078-90 4078-90

㓈߽gᏗ

䋱Ѯ⡍g

㟲ৄ԰ક

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart

Mozart, Wolfgang Amadeus ǉৢᅿ䇅䗗Ǌ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ǉৢᅿ䇅䗗Ǌ Mozart, Wolfgang Amadeus ǉৢᅿ䇅䗗Ǌ ॳ԰䈅 (1756-1791) ǉৢᅿ䇅䗗Ǌ (1756-1791) ॳ԰䈅 ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ǉৢᅿ䇅䗗ǊK. 384˄ᖋ᭛˅ Entführung aus dem Serail Die K. 384 // 㓪䕥 The Abduction ॳ԰䈅 G. ‫ܟ‬㔫ᇨ from the Seraglio (Ger) ׂ䅶⠜ Urtext / Ed. G. Croll ᕅॄ⠜ BA 4591-90 ໄФ䩶⨈㓽㓪䈅 ᕅॄ⠜ edition Revised ᕅॄ⠜ ⷨдᘏ䈅 TP 311 ᕅॄ⠜ BA 4591-90 Vocal score ᕅॄ⠜ ᕅॄ⠜ TP 311 Study score ᕅॄ⠜ ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ Facsimile edition ISBN 978-3-7618-1881-7 ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ISBN 978-3-7618-1881-7 Æ 㾕㄀86义 ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ॳ԰䈅 Seite 86 ॳ԰䈅 ॳ԰䈅 ǉᏈᮃ㩖ᅝϢᏈᮃ㩖ᅝ࿰Ǌ ॳ԰䈅 Bastien ॳ԰䈅 and Bastienne K. 50 K. 50 (46b)˄ᖋ᭛˅F. W. 儣ᮃ㚃 (46b) (Ger) F. W. Weiskern, ǉ⢘ᠬⱘҕ᜜Ǌ ॳ԰䈅 / /㓪䕥 R. Angermüller ᅝḐᇨ㉇ࢦ Urtext Ed. R. ǉ⢘ᠬⱘҕ᜜Ǌ ǉ⢘ᠬⱘҕ᜜Ǌ ໄФ䩶⨈㓽㓪䈅 4570-90 4570-90 Vocal score BA ǉ⢘ᠬⱘҕ᜜Ǌ ǉ⢘ᠬⱘҕ᜜Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 La clemenza di Tito ǉ⢘ᠬⱘҕ᜜ǊK. 621 K. 621 ॳ԰䈅 ॳ԰䈅 (Ital/Ger) ˄ᛣ໻߽᭛ ᖋ᭛˅ Urtext / Ed. F. Giegling ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ edition Revised ׂ䅶⠜ BA 4554-90 Vocal score ᕅॄ⠜ ໄФ䩶⨈㓽㓪䈅 BA 4554-90 TP 321 Study score ᕅॄ⠜ ᕅॄ⠜ TP 321 ⷨдᘏ䈅 ᕅॄ⠜ ᕅॄ⠜ Facsimile edition ISBN ᕅॄ⠜978-3-7618-1886-2 ǉཇҎᖗǊ Seite 86 ISBN 978-3-7618-1886-2 ǉཇҎᖗǊ ǉཇҎᖗǊ Æ 㾕㄀86义 ǉཇҎᖗǊ Così fan ǉཇҎᖗǊ ॳ԰䈅 tutte ossia ॳ԰䈅 La scuola degli amanti K. 588 ॳ԰䈅 ǉཇҎᖗǊK. 588 (Ital/Ger) ॳ԰䈅 ॳ԰䈅 Urtext / Ed. F. Ferguson, ˄ᛣ໻߽᭛ ᖋ᭛˅ Rehm W. ॳ԰䈅 / 㓪䕥 F. ᓫḐỂǃW. 䳋ྚ Revised edition ׂ䅶⠜ BA 4606-90 Vocal score BA 4606-90 ໄФ䩶⨈㓽㓪䈅 (hardback) ᕅॄ⠜ ˄㊒㺙ᴀ˅ ᕅॄ⠜ TP 314 Study score ᕅॄ⠜ ᕅॄ⠜ TP 314 ⷨдᘏ䈅 ᕅॄ⠜ Facsimile edition ISBN ᕅॄ⠜978-3-7618-1884-8 Seite 86 ISBN 978-3-7618-1884-8 Æ 㾕㄀86义

ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ Il dissoluto punito ǉ૤Ш⪺ሐǊK. 527 ॳ԰䈅㧼‫ܟ‬ᮃㅵ ॳ԰䈅 ossia il Don Giovanni K. 527 ˄ᛣ໻߽᭛ ᖋ᭛˅ ॳ԰䈅 ǉ૤Ш⪺ሐǊ ॳ԰䈅 (Ital/Ger) ॳ԰䈅 / 㓪䕥 W. ᱂ᢝ⡍ǃW. 䳋ྚ Urtext / Ed. W. Plath, W. Rehm ׂ䅶⠜ ॳ԰䈅 Revised edition BA ໄФ䩶⨈㓽㓪䈅 BA 4550-90 4550-90 Vocal score (hardback) ˄㊒㺙ᴀ˅ TP 279 279 Study score ⷨдᘏ䈅 TP ᕅॄ⠜ ᕅॄ⠜ 偀ᑧᮃg儣ᮃ ᕅॄ⠜ ᕅॄ⠜ Facsimile edition ᕅॄ⠜ ISBN 978-3-7618-1883-1 Ш⊏g‫ݙ‬㩖 ISBN 978-3-7618-1883-1 ᕅॄ⠜ Seite 86 Æ 㾕㄀86义 ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ La finta giardiniera K. 196 ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ǉ‫؛‬ᡂುϕⱘྥ࿬ǊK. 196 ॳ԰䈅 (Ital/Ger) ॳ԰䈅 Urtext / Ed. R. Angermüller, ˄ᛣ໻߽᭛ ᖋ᭛˅ ॳ԰䈅 ǉ‫؛‬ᡂುϕⱘྥ࿬Ǌ ॳ԰䈅 ॳ԰䈅 D. Berke ॳ԰䈅 / 㓪䕥 R. ᅝḐᇨ㉇ࢦǃ BA䋱ᇨ‫ܟ‬ 4578-90 Vocal score D. ॳ԰䈅 (hardback) BA 4578-90 ໄФ䩶⨈㓽㓪䈅 ˄㊒㺙ᴀ˅ ǉӞ໮ṙ㒑ᮃǊ Idomeneo K. 366 ǉӞ໮ṙ㒑ᮃǊ ǉӞ໮ṙ㒑ᮃǊ (Ital/Ger) ǉӞ໮ṙ㒑ᮃǊ ǉӞ໮ṙ㒑ᮃǊ ǉӞ໮ṙ㒑ᮃǊK. 366 Urtext / Ed. D. Heartz ॳ԰䈅 ॳ԰䈅 Revised edition ˄ᛣ໻߽᭛ ᖋ᭛˅ ॳ԰䈅 ǉӞ໮ṙ㒑ᮃǊ ॳ԰䈅 BA 4562-90 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 D. જ㣼Vocal score (hardback) ׂ䅶⠜ ॳ԰䈅 TP 322 Study score BA 4562-90 ໄФ䩶⨈㓽㓪䈅 ˄㊒㺙ᴀ˅ Facsimile edition ISBN ⷨдᘏ䈅 TP 322978-3-7618-1880-0 ᕅॄ⠜ ᕅॄ⠜ Seite 86 ᕅॄ⠜ ᕅॄ⠜ ᕅॄ⠜ Le nozze di Figaro / ISBN 978-3-7618-1880-0 ᕅॄ⠜ The Marriage of Figaro K. 492 Æ 㾕㄀86义 ǉ䌍ࡴ㔫ⱘီ⼐Ǌ (Ital/Ger) ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉ䌍ࡴ㔫ⱘီ⼐Ǌ Urtext / Ed. L. Finscher ǉ䌍ࡴ㔫ⱘီ⼐ǊK. 492 Ѯग़ቅ໻gḐᢝ⼪䇎໿ ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ॳ԰䈅 Revised edition ˄ᛣ໻߽᭛ ᖋ᭛˅ ॳ԰䈅 ॳ԰䈅 BA 4565-90 Vocal score ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ॳ԰䈅 / 㓪䕥 L. 㢀㟡ᇨ (hardback) ॳ԰䈅 ׂ䅶⠜ TP 320 Study score ॳ԰䈅 BA 4565-90 ໄФ䩶⨈㓽㓪䈅 Facsimile edition ˄㊒㺙ᴀ˅ ISBN TP 320978-3-7618-1882-4 ⷨдᘏ䈅 ᕅॄ⠜ Seite 86 ᕅॄ⠜ ᕅॄ⠜ ᕅॄ⠜ Die Zauberflöte K. 620 ᕅॄ⠜ ISBN 978-3-7618-1882-4 (Ger) Æ 㾕㄀86义 ᕅॄ⠜ Urtext/ Ed. G. Gruber, A. Orel ǉ儨ワǊ ǉ儨ワǊK. 620˄ᖋ᭛˅ Revised edition ǉ儨ワǊ ॳ԰䈅 ǉ儨ワǊ BA 4553-90 Vocal score ॳ԰䈅 / 㓪䕥 G. Ḑ剕䋱ᇨǃ ǉ儨ワǊ ǉ儨ワǊ ॳ԰䈅 TP༹䳋ᇨ 155 Study score ॳ԰䈅 A. ॳ԰䈅 ǉ儨ワǊ ׂ䅶⠜ Facsimile edition ॳ԰䈅 BA 4553-90 ໄФ䩶⨈㓽㓪䈅 ISBN 978-3-7618-1885-5 TP ⷨдᘏ䈅 155 Seite 86 ᕅॄ⠜ ᕅॄ⠜ ISBN ᕅॄ⠜978-3-7618-1885-5 ᕅॄ⠜ ᕅॄ⠜ Æ 㾕㄀86义seven great Operas Mozart’s

in a boxed set 㥿ᠢ⡍ⱘϗ䚼ӳ໻℠࠻ ᕅॄ⠜ TP 601 㥿ᠢ⡍ⱘϗ䚼ӳ໻℠࠻ ༫㺙⠜ Seite 78 ༫㺙⠜ TP 601 Æ 㾕㄀ 78 义

⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ Gioachino Rossini Rossini, Gioachino ⛺䰓෎䇎g㔫㽓ሐ 健❞຿䩶⨈᳆䲚 ⛺䰓෎䇎g㔫㽓ሐ Rossini, Gioachino ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐ ⦄ҷ԰᳆ᆊড়䲚

(1792-1868) (1792-1868) ǉา㓈߽Ѯ⧚থᏜǊ ⛺䰓෎䇎g㔫㽓ሐ ǉา㓈߽Ѯ⧚থᏜǊ ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅 The Barber of Seville ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅 ǉา㓈߽Ѯ⧚থᏜǊ ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅 Urtext / Ed. P. B. Brauner ॳ԰䈅 / 㓪䕥 P. Ꮧࢇ㒇 ॳ԰䈅 ॳ԰䈅 BA 10506-92 Vocal score ǉา㓈߽Ѯ⧚থᏜǊ ໄФ䩶⨈㓽㓪䈅 BA 10506-92 (Ital/Eng) ॳ԰䈅 ˄ᛣ໻߽᭛ˋ㣅᭛˅ BA 10506-90 Vocal score (Ital/Ger) BA 10506-90 ໄФ䩶⨈㓽㓪䈅 TP 411 Study score ˄ᛣ໻߽᭛ˋᖋ᭛˅ TP 411 ⷨдᘏ䈅

健❞຿ ǉᮽᳳ

㽓༹໮

㓈߽g

Salieri, Antonio Salieri, AntonioAntonio Salieri (1750-1825) NEW ᅝФሐ༹g㧼߫䞠 (1750-1825) Prima la musica e poi le parole (Ital/Ger) ǉ䷇Ф㟇ϞǊ teatrale Divertimento in un atto ˄ᛣ໻߽᭛/ᖋ᭛˅ Urtext / Ed. T. Betzwieser ϔᐩ୰℠࠻ Vocal score BA 8811-90 ॳ԰䈅 / 㓪䕥 T. 䋱㣼㓈⋑ BA 8811-90 ໄФ䩶⨈㓽㓪䈅

commentary. Mit Informationen (dt./engl.) =ⓨߎᴤ᭭ߎ⾳ Performance material zu den Werken available on hire

䋱Ѯ⡍

⣀ଅໄ䚼 ⣀ଅໄ䚼 ⣀ଅໄ䚼 ⣀ଅໄ䚼 ..⣀ ⣀ଅໄ䚼…………Ǆ……. Solo Voice ⣀ଅໄ䚼 ⣀ଅໄ䚼

Nicholas Isherwood Isherwood, Nicholas NEW Isherwood, Nicholas ሐসᢝᮃgӞ㟡ӡᖋ The Techniques of Singing ǉ℠ଅᡔᎻǊ (Ger/Eng) ˄ᖋ᭛ˋ㣅᭛˅ ISBN 978-3-7618-1861-9 page 83 ISBN 978-3-7618-1861-9 Æ 㾕㄀83义㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Johann Sebastian Bach Sebastian Bach, Johann 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750)

(1685-1750) ੣্䇗䲚 ੣্䇗䲚 ੣্䇗䲚 ੣্䇗䲚 Aria Book. ॳ԰䈅 The ሐসᢝᮃgӞ㟡ӡᖋ ॳ԰䈅 ॳ԰䈅 ሐসᢝᮃgӞ㟡ӡᖋ ੣্䇗䲚 ॳ԰䈅 Based on the Urtext of the ੣্䇗䲚 ॳ԰䈅 New Bach Edition ෎ѢᏈ䌿ᮄ⠜ܼ䲚ⱘॳ԰䈅 ǉ℠ଅᡔᎻǊ ǉ℠ଅᡔᎻǊ Ed. C. Lehmann 㓪䕥 C. 䳋᳐

Each volume contains a detailed ↣䕥ഛࣙ৿㣅᭛䆺㒚ᇣ‫ݠ‬ᄤˈᏺ booklet in English with notes on ᳝ⓨߎᅲ䏉䇈ᯢϢᬭᄺᓎ䆂 performance practice and suggestions for teaching ཇ催䷇ BA 5211-04 5211-04 ཇ催䷇ BA Soprano BA 5211-04 ཇԢ䷇ BA 5212/04 5212-04 ཇԢ䷇ BA Alto BA 5212-04 ⬋催䷇ BA 5213-04 5213-04 ⬋催䷇ BA Tenor BA 5213-04 ⬋Ԣ䷇ BA ⬋Ԣ䷇ BA 5214-04 Basso BA 5214-04 5214-04 ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ Hector Berlioz,Berlioz Hector ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ Berlioz, Hector

(1803-1869) (1803-1869) ᮟᕟ ᮟᕟ ᮟᕟ ᮟᕟ 催䷇Ϣ䩶⨈℠᳆ 催䷇Ϣ䩶⨈℠᳆ 催䷇Ϣ䩶⨈℠᳆ Mélodies ᮟᕟ 催䷇Ϣ䩶⨈℠᳆ pour voix haute et piano (Fr) 催䷇Ϣ䩶⨈℠᳆ 催䷇Ϣ䩶⨈℠᳆˄⊩᭛˅ ॳ԰䈅 ॳ԰䈅 for high voice and piano Songs ॳ԰䈅 ॳ԰䈅 ᳝㣅᭛Ϣᖋ᭛℠䆡䆥᭛ With English and German song ॳ԰䈅 / 㓪䕥 I. ᳫमᇨᖋ text translations ㄀ϔ䕥㄀ϔ䕥㄀ϔ䕥 Urtext ㄀ϔ䕥㄀Ѡ䕥㄀Ѡ䕥 / Ed. I. Rumbold ㄀Ѡ䕥㄀ϔ䕥 BA 5984 ㄀Ѡ䕥 Volume I: BA BA 5984 5985 ㄀Ѡ䕥 Volume II: BA 5985

ǉ໣໰Ǌ Les nuits d’été (Fr) ǉ໣໰Ǌ ǉ໣໰Ǌ˄⊩᭛˅ ǉ໣໰Ǌ Six mélodies avec un petit ǉ໣໰Ǌ ᇣФ䯳ⱘ݁佪ᮟᕟ orchestre for high voice and ǉ໣໰Ǌ Ў催䷇ໄ䚼੠䩶⨈㗠԰ piano. ᳝㣅᭛Ϣᖋ᭛℠䆡䆥᭛ With English and German song ॳ԰䈅 text translations ॳ԰䈅ˋ㓪䕥 I. 㚃᱂ ॳ԰䈅 ॳ԰䈅 Urtext / Ed. I. Kemp BA 5784-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 BA 5784-90 Vocal score ॳ԰䈅 ǉ໣໰Ǌ ǉ໣໰Ǌ˄⊩᭛˅ ǉ໣໰Ǌ ǉ໣໰Ǌ Les nuits d’été (Fr) ᇣФ䯳ⱘ݁佪ᮟᕟ ǉ໣໰Ǌ Six mélodies avec un petit ǉ໣໰Ǌ ЎЁ䷇ໄ䚼੠䩶⨈㗠԰ orchestre for medium voice and piano. ᳝㣅᭛Ϣᖋ᭛℠䆡䆥᭛ With ॳ԰䈅 ॳ԰䈅ˋ㓪䕥㚃᱂German song ॳ԰䈅EnglishI.and ॳ԰䈅 text translations BA 5786-90 ໄФ䩶⨈㓽㓪䈅 ॳ԰䈅 Urtext / Ed. I. Kemp ॳ԰䈅 BA 5786-90 Vocal score

ᅝϰᅕgᖋ≗໣‫ܟ‬

Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ George Frideric Handel Handel, George Frideric Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ George Frideric Handel,

੣্䇗᳆䲚䗝㞾Ѽᖋᇨ℠࠻ ॳ԰䈅 ੣্䇗᳆䲚䗝㞾Ѽᖋᇨ℠࠻ ॳ԰䈅 ੣্䇗᳆䲚䗝㞾Ѽᖋᇨ℠࠻ ॳ԰䈅 ੣্䇗᳆䲚 ੣্䇗᳆䲚䗝㞾Ѽᖋᇨ℠࠻ ॳ԰䈅 Albums from Aria 䗝㞾Ѽᖋᇨ℠࠻ ॳ԰䈅䗝㞾Ѽᖋᇨ℠࠻˄ᛣ໻߽᭛˅ॳ԰䈅 Handel’s Operas (Ital) ॳ԰䈅䗝㞾Ѽᖋᇨ℠࠻ ཇ催䷇㾦㡆 Urtext. Selected and with a ⬅૤㒇ᖋgԃ㔫ᮃ㊒䗝ᑊ᪄‫ࠡݭ‬㿔 ཇ催䷇㾦㡆 ཇ催䷇㾦㡆 by Donald Burrows foreword ཇ催䷇㾦㡆 ü ཇ催䷇㾦㡆 ཇ催䷇㾦㡆 ཇ催䷇㾦㡆 -ᅷভ䇗੠੣্䇗䗝㞾 Female Roles for High Voice ǉ䰓ᇨ䕯࿰Ǌǃǉ䰓ᒪЍ⡍Ǌǃǉᇸ Recitatives and arias from: Alcina, Ariodante, Giulio ߽Рᮃg߃ᩦ೼඗ঞǊǃǉီ࿏П Cesare in Egitto, Imeneo, ⼲Ǌǃǉ䞠वᇨ໮ϔϪǊǃǉ䞠㒇ᇨ Riccardo primo, Rinaldo, Serse ໮Ǌǃǉ䌯ᇨᮃǊǃǉᏪ᳼‫ܓ‬Ǌǃ (Xerxes), Tamerlano, Tolomeo, ǉ඗ঞ⥟ᠬ⋯ṙ༹Ǌ Re d’Egitto BA⬋催䷇㾦㡆 4295 BA 4295 ⬋催䷇㾦㡆 ⬋催䷇㾦㡆 ü ⬋催䷇㾦㡆 ⬋催䷇㾦㡆 -ᅷভ䇗੠੣্䇗䗝㞾˖ Male Roles for High Voice ⬋催䷇㾦㡆 ⬋催䷇㾦㡆 ੣্䇗᳆䲚 (1685-1759) (1685-1759) ੣্䇗᳆䲚

Recitatives and arias from: ǉ䰓ᇨ䕯࿰Ǌǃǉ䰓ᒪЍ⡍Ǌǃǉᇸ

Alcina, Ariodante, Giulio ü 䩶⨈ǃ ߽Рᮃg߃ᩦ೼඗ঞǊǃǉီ࿏П Cesare in Egitto, Imeneo, ⼲Ǌǃǉ⋯ศ䞠༹Ǌǃǉᢝ䖒㉇ᮃ Radamisto, Rinaldo, ᇣᦤ⨈ǃ໻ᦤ⨈ Lotario,

䩶⨈ϝ䞡༣ ǉᶣᷥǊ

ᠬǊǃǉ䞠㒇ᇨ໮Ǌǃǉ㔫ᖋ⨇ Rodelinda, Serse (Xerxes), 䖒Ǌǃǉ䌯ᇨᮃǊǃǉᏪ᳼‫ܓ‬Ǌ Tamerlano BA BA 4296 4296 ⃵ཇ催䷇੠ཇԢ䷇ ⃵ཇ催䷇੠ཇԢ䷇

ᅝϰᅕgᖋ≗໣‫ܟ‬

Antonín Antonín DvoĜák Dvořák, ǉᴰྚवǊ ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬ Antonín Dvořák, (1841-1904) (1841-1904)

NEW

(Cypresses) Cypřiše ǉᶣᷥǊ ǉᶣᷥǊ 䰡 ໻䇗䩶⨈ϝ䞡༣ for High Voice and Piano (Cz) Ў催䷇੠䩶⨈㗠԰˄᥋‫ܟ‬᭛˅ Song cycle based on texts of ḍ᥂সᮃศ໿g⽣䳋Ḑˉ㥿ᢝ໿ᮃ෎ Gustav Pfleger-Moravský ⱘ䆫䈅‫ⱘݭ‬ໄФ༫᳆ ᇣ䇗䩶⨈ϝ䞡༣ Ed. A. Frese 㓪䕥 A. ᓫ䳋⋑ BA 9569 H 9569 9569 BA ঢ়᱂䌯℠᳆ op. op. 55 55 ঢ়᱂䌯℠᳆ Gypsy Songs ঢ়᱂䌯℠᳆ ঢ়᱂䌯℠᳆ ˄᥋‫ܟ‬᭛/㣅᭛/ᖋ᭛˅ (Cz/Eng/Ger) ঢ়᱂䌯℠᳆ ঢ়᱂䌯℠᳆ for voice and piano ЎҎໄϢ䩶⨈㗠԰ H 1559 1559 Tenor (Soprano) H ⬋催䷇˄ཇ催䷇˅ H 1739 1739 AltoཇԢ䷇˄⬋Ё䷇˅ (Baritone) H

Moravian Duets op. 20, 32, 38 ᨽᢝ㓈ѮѠ䞡ଅ ᨽᢝ㓈ѮѠ䞡ଅ op. 20, 32, 38 (Cz/Ger/Eng) ᨽᢝ㓈ѮѠ䞡ଅ op. 20, 32, 38 ᨽᢝ㓈ѮѠ䞡ଅ ˄᥋‫ܟ‬᭛/㣅᭛/ᖋ᭛˅ for soloists (SA) and piano ˄᥋‫ܟ‬᭛/ᖋ᭛/㣅᭛˅ ᨽᢝ㓈ѮѠ䞡ଅ ᨽᢝ㓈ѮѠ䞡ଅ H 337 Full score Ў⣀ଅ㗙˄ཇ催䷇੠ཇԢ䷇˅Ϣ䩶⨈ Ў⣀ଅ㗙˄ཇ催䷇੠ཇԢ䷇˅Ϣ䩶⨈ 㗠԰ 㗠԰ H 337 ໻ᘏ䈅 ໻ᘏ䈅 H 337 ᇣ䇗䩶⨈ϝ䞡༣

∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ Rusalka’s Song to the Moon ∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ ∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ ∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ (Cz/Ger/Eng) ∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ ˄᥋‫ܟ‬᭛/㣅᭛/ᖋ᭛˅ ˄᥋‫ܟ‬᭛/ᖋ᭛/㣅᭛˅ for soprano and piano ∈ҭཇⱘ੣্䇗ǉ᳜҂乖Ǌ Ўཇ催䷇Ϣ䩶⨈㗠԰ Ўཇ催䷇Ϣ䩶⨈㗠԰ Text by Jaroslav Kvapil ⬅Ѯ㔫ᮃᢝ໿g‫Ⲃ⪺ܟ‬ᇨ԰䆡 ⬅Ѯ㔫ᮃᢝ໿g‫Ⲃ⪺ܟ‬ᇨ԰䆡 H 4460 Vocal score HH4460 ໄФ䩶⨈㓽㓪䈅 4460 ໄФ䩶⨈㓽㓪䈅

⃵ཇ催䷇੠ཇԢ䷇ -üMezzo-Soprano ⃵ཇ催䷇੠ཇԢ䷇and ⃵ཇ催䷇੠ཇԢ䷇ ᅷভ䇗੠੣্䇗䗝㞾˖ ⃵ཇ催䷇੠ཇԢ䷇ Contralto ⃵ཇ催䷇੠ཇԢ䷇ ǉ催शⱘ䰓偀䖾ঢ়Ǌǃǉ䰓ᒪЍ Recitatives and arias from: ⡍Ǌǃǉ඗唤༹ǊǃǉӺᏈᖋⱘᓫᢝ Amadigi, Ariodante, Ezio, Flavio, Giulio Cesare in Egitto, 㓈༹Ǌǃǉᇸ߽Рᮃg߃ᩦ೼඗ Lotario, Orlando, Radamisto, ঞǊǃǉ⋯ศ䞠༹Ǌǃǉ༹݄໮Ǌǃ Rinaldo, Rodelinda, Serse ǉᢝ䖒㉇ᮃᠬǊǃǉ䞠㒇ᇨ໮Ǌǃ (Xerxes), Tamerlano ǉ㔫ᖋ⨇䖒Ǌǃǉ䌯ᇨᮃǊǃǉᏪ᳼ BA 10253 ‫ܓ‬Ǌ

10253 -BA Tenor ⬋催䷇ and arias from: Recitatives ü ⬋催䷇ ⬋催䷇ Alcina, Ariodante, Ezio, Lotario, ⬋催䷇ ᅷভ䇗Ϣ੣্䇗䗝㞾˖ ⬋催䷇ Rodrigo, Tamerlano Rodelinda, ⬋催䷇ ⬋催䷇ ǉ䰓ᇨ䕯࿰Ǌǃǉ䰓ᒪЍ⡍Ǌǃǉ඗ BA 10254 唤༹Ǌǃǉ⋯ศ䞠༹Ǌǃǉ㔫ᖋ⨇

-䖒Ǌǃǉ㔫ᖋ䞠ៜǊǃǉᏪ᳼‫ܓ‬Ǌ Bass BA 10254 Recitatives and arias from: Ariodante, ü ⬋Ԣ䷇ Deidamia, Ezio, ⬋Ԣ䷇ Giulio Cesare in Egitto, Imeneo, ⬋Ԣ䷇ ᅷভ䇗Ϣ੣্䇗䗝㞾˖ǉ䰓ᒪЍ ⬋Ԣ䷇Orlando, Radamisto, Lotario, ⬋Ԣ䷇ ⡍Ǌǃǉ᠈䖒㉇ѮǊǃǉ඗唤༹Ǌǃ ⬋Ԣ䷇ ⬋Ԣ䷇ Primo, Rodelinda, Riccardo ǉᇸ߽Рᮃg߃ᩦ೼඗ঞǊǃǉီ࿏ Serse (Xerxes), Tolomeo П⼲Ǌǃǉ⋯ศ䞠༹Ǌǃǉ༹݄ BA 10255 ໮Ǌǃǉᢝ䖒㉇ᮃᠬǊǃǉ䞠वᇨ໮ ϔϪǊǃǉ㔫ᖋ⨇䖒Ǌǃǉ䌯ᇨ ᮃǊǃǉ඗ঞ⥟ᠬ⋯ṙ༹Ǌ BA 10255

ཇ催䷇ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

George Frideric Handel Handel, George Frideric Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Handel, George Frideric (1685-1759) (1685-1759) 䗝㞾Ѽᖋᇨ℠࠻ⱘѠ䞡ଅǃϝ䞡ଅϢ Trios and Ensemble Duets, Scenes from Handel’s Operas Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ড়ଅഎ᱃˄ᛣ໻߽᭛˅ (Ital) ॳ԰䈅㊒䗝ˈ䜡᳝૤㒇ᖋgԃ㔫ᮃ Urtext. Selected and with ᪄‫ࠡⱘݭ‬㿔 a䗝㞾Ѽᖋᇨ℠࠻ⱘѠ䞡ଅǃϝ䞡ଅϢ foreword by Donald Burrows 12 佪Ѡ䞡ଅ䗝㞾˖ǉ䰓ᒪЍ⡍Ǌǃ 12 duets from: Ariodante, Flavio, ড়ଅഎ᱃ ǉӺᏈᖋⱘᓫᢝ㓈༹Ǌǃǉᇸ߽Р Giulio Cesare in Egitto, Orlando, ॳ԰䈅 ᮃg߃ᩦ೼඗ঞǊǃǉ༹݄໮Ǌǃ Rinaldo, Rodelinda, Sosarme, ǉ䞠㒇ᇨ໮Ǌǃǉ㔫ᖋ⨇䖒Ǌǃǉ㋶ Tamerlano, Tolomeo and 3 㧼ṙǊǃǉᏪ᳼‫ܓ‬Ǌǃǉ඗ঞ⥟ᠬ⋯ trios/ensemble scenes from: Alcina, Imeneo, Tamerlano ṙ༹Ǌҹঞϝ佪ϝ䞡ଅǃড়ଅഎ᱃䗝 BA 4297 㞾˖ǉ䰓ᇨ䕯࿰Ǌǃǉီ࿏П⼲Ǌǃ ǉᏪ᳼‫ܓ‬Ǌ BA 4297

Ў催䷇ǃЁ䷇੠䩶⨈᠔԰㡎ᴃ℠᳆ Felix Mendelssohn Bartholdy Mendelssohn Bartholdy, Felix Bartholdy, Felix Mendelssohn 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅 (1809-1847) (1809-1847)

for high and medium Lieder Ў催䷇ǃЁ䷇੠䩶⨈᠔԰㡎ᴃ℠᳆ voice and piano (Ger) ˄ᖋ᭛˅ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Urtext / Ed. E. Asti / 㓪䕥 E. 䰓ᮃ㩖 ॳ԰䈅 BA 9085 BA 9085 Mozart, ੣্䇗䲚Wolfgang Amadeus WolfgangWolfgang Amadeus Amadeus Mozart Mozart, ॳ԰䈅 (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) The Aria Book Based on the Urtext of the ੣্䇗䲚 New Mozart Edition ෎Ѣǉᮄ⠜㥿ᠢ⡍ܼ䲚Ǌⱘॳ԰䈅 Ed. C. Lehmann 㓪䕥 volume C. 䳋᳐ contains a detailed Each ↣䲚ഛࣙ৿䆺㒚ⱘ㣅᭛ᇣ‫ݠ‬ᄤˈ booklet in English with notes on performance practice and ᏺ᳝ⓨߎᅲ䏉ⱘ䇈ᯢϢᬭᄺᓎ䆂 suggestions for teaching

㄀䕥㄀䕥

⣀ଅໄ䚼

Soprano ཇ催䷇ ཇԢ䷇ BA Volume BA 5371-04 5371-04 ㄀1䕥 1 BA Volume ㄀2䕥 2 BA 5372 5372 (without booklet) ˄ϡᏺᇣ‫ݠ‬ᄤ˅ 催䷇℠᳆ܼ䲚 Alto ཇԢ䷇ BA 5374 BA 5374 ॳ԰䈅 Complete Songs for high voice (Ger) 催䷇℠᳆ܼ䲚 With English song text ˄ᖋ᭛˅ translations Ё䷇℠᳆ܼ䲚 ᏺ᳝㣅䆥℠䆡 Urtext / Ed. E. A. Ballin ॳ԰䈅 BA 5330/ 㓪䕥 E. A. Ꮘᵫ BA 5330 ॳ԰䈅 Complete Songsfor medium voice (Ger) Ё䷇℠᳆ܼ䲚 With English song text ˄ᖋ᭛˅ translations ᏺ᳝㣅䆥℠䆡 Urtext / Ed. E. A. Ballin ॳ԰䈅 BA 5328/ 㓪䕥 E. A. Ꮘᵫ BA 5328

ᓫᳫ㣼g㟦ԃ⡍

ᅸ‫ݙ‬ФѠ䞡ଅ

Chamber Duets for Soprano and Alto (Ital) ॳ԰䈅 Urtext / Ed. K. Musketa NEW ᅸ‫ݙ‬ФѠ䞡ଅ of basso continuo Realization Ўཇ催䷇੠ཇԢ䷇㗠԰ by Christoph Harer ˄ᛣ໻߽᭛˅ BA 10257 ॳ԰䈅 / 㓪䕥 K. 〚ᮃ෎ศ ⬅‫ܟ‬䞠ᮃᠬᓫg䰓䳋԰䗮༣Ԣ䷇‫ܥ‬䈅 BA 10257

Nine German Arias HWV 202-210 (Ger) for soprano, one solo б佪ᖋᛣᖫ੣্䇗 instrument and bc HWV 202-210˄ᖋ᭛˅ Urtext / Ed. W. SiegmundЎཇ催䷇ǃϔӊ⣀༣Ф఼Ϣ䗮༣Ԣ䷇ Schultze BA 4245 Score with parts 㗠԰ ॳ԰䈅 / 㓪䕥 W. 㽓Ḑ㩭⡍ü㟦ᇨㄪ б佪ᖋᛣᖫ੣্䇗 ᘏ䈅ᏺߚ䈅 BA 4245

ॳ԰䈅 ° ⓨߎᴤ᳝᭭ଂ

ⓨߎᴤ᭭ߎ⾳ Ѽᖋᇨ Ф䈅䗝㞾˖ ᅸ‫ݙ‬ФѠ䞡ଅˈBA From: Handel, Chamber Duets · BA 10257 10257

⣀ଅໄ䚼 Ⱑ⧋㪚⤠................................. Solo Voice Ёᦤ⨈Ϣ

䬂ⲬФ఼

....

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

WolfgangWolfgang Amadeus Mozart Mozart, Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) (1756-1791)

NEW

䷇ФӮ੣্䇗 Arias Concert Compilation and foreword Th. 㽓໮໿㓪䕥ᑊ᪄‫ࠡݭ‬㿔 by Seedorf Th.Th. U. ‫ܟ‬Ӻ᱂᪄‫ݭ‬䩜ᇍⓨߎ 㽓໮໿੠ Notes and suggestions on ᅲ䏉ⱘ䇈ᯢ੠ᓎ䆂 perfomance practice ॳ԰䈅 / 㓪䕥 Th. 㽓໮໿ by Th. Seedorf and U. Kremp Urtext / Ed. T. Seedorf

ᓫᳫ㣼g㟦ԃ⡍

催ཇ催䷇

䷇ФӮ੣্䇗 Arias Concert BA High 9181 Soprano for BA 9181

ཇ催䷇ ䷇ФӮ੣্䇗 Concert Arias for Soprano BA BA 9182 9182

Concert Arias Ԣཇ催䷇੠ཇԢ䷇ for Low Soprano and Alto ䷇ФӮ੣্䇗 BA BA 9183 9183 Concert ⬋催䷇ Arias for Tenor BA 9184 ䷇ФӮ੣্䇗 ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ BA 9184

Concert Arias for Bass BA 9185 ⬋Ԣ䷇ ䷇ФӮ੣্䇗 BA 9185

Exsultate, jubilate K. 165 (158a) Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ (Lat) with additional material ǉ୰ᙺ⃶㝒Ǌ ǉ୰ᙺ⃶㝒Ǌ from the Salzburg version ǉ୰ᙺ⃶㝒ǊK. 165 (158a) ǉ୰ᙺ⃶㝒ǊK. (158a) Urtext / Ed. H. 165 Federhofer, ˄ᢝϕ᭛˅ Münster R. ˄ᢝϕ᭛˅ ᏺ᳝㧼ᇨ㣼෵⠜ᴀⱘ䰘ࡴᴤ᭭ BA 4897-90 ° Vocal score ᏺ᳝㧼ᇨ㣼෵⠜ᴀⱘ䰘ࡴᴤ᭭ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥. H. 䌍ᖋ䳡䌍ᇨǃ ॳ԰䈅 / 㓪䕥. H. 䌍ᖋ䳡䌍ᇨǃ R. ᯢᮃ⡍ R. BAᯢᮃ⡍ 4897-90 ° ໄФ䩶⨈㓽㓪䈅 BA 4897-90 ° 䩶⨈ໄФ㓽㓪䈅

From: Mozart, Concert Arias for High Soprano · BA 9181 㥿ᠢ⡍Ў 9181 Ф䈅䗝㞾˖ 催ཇ催䷇㗠԰ⱘ䷇ФӮ੣্䇗ˈBA Pergolesi, Giovanni Battista Franz Schubert Giovanni Battista Pergolesi Schubert, Franz ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Pergolesi, Giovanni Battista Franz Schubert, Giovanni Battista Pergolesi ᓫᳫ㣼g㟦ԃ⡍ Ш⪺ሐgᏈ㩖ᮃศgԽᇨៜ㦅㽓 Ш⪺ሐgᏈ㩖ᮃศgԽᇨៜ㦅㽓 ᓫᳫ㣼g㟦ԃ⡍ (1710-1736) (1797-1828) Ш⪺ሐgᏈ㩖ᮃศgԽᇨៜ㦅㽓 Ш⪺ሐgᏈ㩖ᮃศgԽᇨៜ㦅㽓 (1710-1736) (1710-1736) ǉ೼⊇ϞǊ ǉ೼⊇ϞǊ mater (Lat) dem Strom D 943 (Ger) Stabat Auf ǉ೼⊇ϞǊ ǉ೷↡ᚐ℠Ǌ ǉ೼⊇ϞǊ ǉ೷↡ᚐ℠Ǌ˄ᢝϕ᭛˅ for Soprano, Alto, Strings and op. post. 119 for high voice, ǉ೷↡ᚐ℠Ǌ ǉ೷↡ᚐ℠Ǌ˄ᢝϕ᭛˅ D 943 op. post. 119 ˄ᖋ᭛˅ Ўཇ催䷇ǃཇԢ䷇ǃᓺФ఼੠ Basso continuo horn (violoncello) and piano Ўཇ催䷇ǃཇԢ䷇ǃᓺФ఼੠ Ў催䷇ǃ೚ো˄໻ᦤ⨈˅Ϣ䩶⨈㗠԰ 䗮༣Ԣ䷇㗠԰ ॳ԰䈅 Urtext / Ed. M. Bruno, C. Ritchie Urtext ॳ԰䈅 / Ed. W. Dürr ॳ԰䈅䗮༣Ԣ䷇㗠԰ ॳ԰䈅 ॳ԰䈅 Vocal score BA 7679-90 BA 5635/ 㓪䕥 W. 䖾ᇨ ॳ԰䈅 / 㓪䕥° M. Ꮧ剕䇎ǃC. 䞠⡍༛ ॳ԰䈅 ॳ԰䈅 / 㓪䕥° M. Ꮧ剕䇎ǃC. 䞠⡍༛ BA 5635 BA 7679-90 ໄФ䩶⨈㓽㓪䈅 The Shepherd on the Rock BA 7679-90 ° 䩶⨈ໄФ㓽㓪䈅 ǉች⷇Ϟⱘ⠻㕞ҎǊ ǉች⷇Ϟⱘ⠻㕞ҎǊ ǉች⷇Ϟⱘ⠻㕞ҎǊ D 965 (Ger) op. post. 129 for ǉች⷇Ϟⱘ⠻㕞ҎǊ˄ᖋ᭛˅ high clarinet D 965voice, op. post. 129 and piano Urtext / Ed. W. Dürr Ў催䷇ǃऩㇻㅵϢ䩶⨈㗠԰ ॳ԰䈅 ॳ԰䈅 BA 5619 ॳ԰䈅 ° ⓨߎᴤ᳝᭭ଂ ॳ԰䈅 / 㓪䕥 W. 䖾ᇨ BA 5619 ⓨߎᴤ᭭ߎ⾳

ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Schubert, Franz Franz Schubert ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Franz Schubert, ᓫ ᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍

㡎ᴃ℠᳆ (1797-1828) (1797-1828) 㡎ᴃ℠᳆ ᓫᳫ㣼g㟦ԃ⡍ 㡎ᴃ℠᳆ 㡎ᴃ℠᳆ Lieder 㡎ᴃ℠᳆ ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅㡎ᴃ℠᳆ 㡎ᴃ℠᳆ ॳ԰䈅 To be 䕥ߎ⠜˄ᖋ᭛˅ published in 14 volumes ॳ԰䈅 ߚ 14 ॳ԰䈅 (Ger) 㡎ᴃ℠᳆ ॳ԰䈅 W. Dürr 䖾ᇨ ॳ԰䈅 ॳ԰䈅 //㓪䕥 Urtext Ed. W. 㡎ᴃ℠᳆ ᏺ᳝‫ܟ‬䞠ᮃᠬ໿g᱂䳋ԑ䖾Ϣ a prefatory note (Ger/Eng) With ॳ԰䈅 ᅝᖋ⚜Ѯᮃgᮑ⋄ᇨⱘࠡ㿔ҟ㒡˄ᖋ by Christoph Prégardien and ॳ԰䈅 Andreas ᭛/㣅᭛˅Staier.

㄀䕥㄀䕥㄀䕥㄀䕥㄀䕥㄀㄀䕥䕥㄀䕥㄀䕥 Volume 1 ㄀1䕥 From Erlkönig (op. 1) to Ңǉ儨⥟Ǌ˄op. 1˅ࠄ(op. 25) Die schöne Müllerin ǉ㕢Бⱘ⺼ഞཇǊ˄op. 25˅ BA 9101 high ㄀䕥㄀䕥 BA medium 催䷇ BA 9121 9101 ㄀䕥㄀䕥 BA low ㄀䕥 BA 9141 9121 Ё䷇ ㄀䕥㄀䕥㄀ 9141 䕥 BA Ԣ䷇ Volume 2 ㄀䕥 From Ariette (Rosamunde op. 26) ㄀ Die 2 䕥Allmacht (op. 79,2) to Ңǉᇣ੣্䇗Ǌ˄ǉ㔫㥢㩭ᖋǊ BA 9102 high BA medium op. 9122 26˅ࠄǉ᮴䰤ᴗ࡯Ǌ˄op. 79,2˅ ㄀䕥㄀ 9142 䕥 BA low BA 9102 催䷇ ㄀䕥㄀䕥㄀䕥 BA 9122 Ё䷇ ㄀䕥㄀䕥 3 Volume ㄀ 9142 䕥Der WandererԢ䷇ BA From an den ㄀䕥 Mond (op. 80,1) to Iphigenia ㄀ 3 98,3), 䕥 (op. including Winterreise (op. 89) Ңǉ⌕⌾㗙ᇍ᳜ᡦᗔǊ˄op. 80,1˅ BA 9103 high 㟇ǉӞ㧆㒭ྂǊ˄op. 98,3˅ BA 9123 medium ࣙᣀǉ‫ހ‬ПᮙǊ˄op. 89˅ ㄀䕥 BA low ㄀ 9143 䕥 BA 9103 催䷇ ㄀䕥㄀䕥㄀䕥 BA 9123 Ё䷇ Volume ㄀䕥㄀䕥 4 ㄀ 9143 䕥 Op. 105-108; D 906-990C Ԣ䷇ BA ㄀䕥 (incl. Schwanengesang D 957) BA high ㄀ 49104 䕥 BA 9124 medium Op. 105-108˗D BA 9144 low 906-990C ˄ࣙᣀǉ໽吙П℠ǊD 957˅ BA 9104 催䷇ BA 9124 Ё䷇ BA 9144 Ԣ䷇

㄀䕥㄀䕥㄀䕥㄀䕥㄀䕥 5 Volume ㄀㄀ 5䕥 from Hagars Klage (D 5˅ࠄ 5) ҢǉજḐᇨⱘᚆ্Ǌ˄D ㄀ Der 䕥 Geistertanz (D 116) to 116˅ ǉ㊒♉П㟲Ǌ˄D BA high ㄀ 9105 䕥 BA 9125 9105 medium 催䷇ BA BA 9145 9125 low Ё䷇ BA ㄀䕥 BA Ԣ䷇ ㄀ 9145 䕥㄀䕥 6 Volume ㄀䕥 from ㄀ 6䕥䕥Nachtgesang (D 119) ㄀ to Sehnsucht der Liebe Ңǉ໰П℠Ǌ(D 119) ࠄ (D 180) BA high180) ㄀ 9106 䕥 ǉ⠅ⱘ␈ᳯǊ(D BA 9126 medium ㄀ 9106 䕥催䷇ BA BA 9146 low BA 9126 Ё䷇ Ԣ䷇ BA 9146 Volume ㄀䕥 7 ㄀䕥 from ㄀䕥Die erste Liebe (D 182) ㄀ 7 䕥 to 261) ㄀ Wer 䕥 kauft Liebesgötter (D ㄀䕥 NEW Ңǉ߱ᘟǊ(D 182) ࠄ BA 9107 high BA medium261) ǉ䇕ᴹф⠅П⼲Ǌ(D ㄀ 9127 䕥 BA BA 9147 9107 low 催䷇ ㄀䕥 BA 9127 Ё䷇ Die schöne MüllerinԢ䷇ op. 25 (Ger) BA 9147 ǉ㕢Бⱘ⺼ഞཇǊ Urtext / Ed. W. Dürr ǉ㕢Бⱘ⺼ഞཇǊ 25˄ᖋ᭛˅ ǉ㕢Бⱘ⺼ഞཇǊop. BA 9117 high ॳ԰䈅 ǉ㕢Бⱘ⺼ഞཇǊ ॳ԰䈅 ǉ㕢Бⱘ⺼ഞཇǊ BA 9137/ 㓪䕥 medium W. 䖾ᇨ ॳ԰䈅 ǉ㕢Бⱘ⺼ഞཇǊ ॳ԰䈅 BA ॳ԰䈅 BA 9157 9117 low 催䷇ ॳ԰䈅 ǉ㕢Бⱘ⺼ഞཇǊ BA 9137 Ё䷇ ॳ԰䈅 Schwanengesang D Ԣ䷇ 957 / ǉ㕢Бⱘ⺼ഞཇǊ BA 9157 D 965 A (Ger) ॳ԰䈅 ǉ໽吙П℠Ǌ ǉ໽吙П℠Ǌ Urtext / Ed. W. Dürr ǉ໽吙П℠Ǌ ǉ໽吙П℠Ǌ high BA 9116 965A˄ᖋ᭛˅ D 957/D ǉ໽吙П℠Ǌ ॳ԰䈅 ǉ໽吙П℠Ǌ BA 9136/ 㓪䕥 medium ॳ԰䈅 W. 䖾ᇨ ॳ԰䈅 BA 9156 low ॳ԰䈅催䷇ BA 9116 ǉ໽吙П℠Ǌ ॳ԰䈅 ॳ԰䈅 BA 9136 Ё䷇ ǉ໽吙П℠Ǌ Ԣ䷇ BA 9156 ॳ԰䈅 ॳ԰䈅

ǉ‫ހ‬ПᮙǊ ǉ‫ހ‬ПᮙǊ ǉ‫ހ‬ПᮙǊ ॳ԰䈅 ǉ‫ހ‬ПᮙǊ ॳ԰䈅 ǉ‫ހ‬ПᮙǊ Winterreise op. 89 (Ger) ॳ԰䈅 ǉ‫ހ‬ПᮙǊ ॳ԰䈅 / Ed. W. Dürr Urtext ॳ԰䈅 ॳ԰䈅 Appendix89˄ᖋ᭛˅ includes The ǉ‫ހ‬ПᮙǊop. Wasserflut, Mut and ॳ԰䈅 / 㓪䕥Rast, W. 䖾ᇨ ǉ‫ހ‬ПᮙǊ Der Leiermann in Schubert’s 䰘ᔩ৿㟦ԃ⡍ॳᴹЎǉ⋾∈Ǌǃǉᮙ ॳ԰䈅 keys original ᑫǊǃǉ࢛⇨Ǌ੠ǉ亢⨈ᏜǊㄝ޴佪 BA 9118 high ℠㾘ᅮⱘ䇗催 BA 9138 medium BA BA 9158 9118 low 催䷇ BA 9138 Ё䷇ BA 9158 Ԣ䷇

⣀ଅໄ䚼

Schumann, Robert Robert Schumann Schumann, 㔫ԃ⡍g㟦᳐ Robert (1810-1856) (1810-1856) Liederkreis by H. Heine op. 24 Ў H. ⍋⍙䆫䈅‫ⱘݭ‬ໄФ༫᳆ op. 24 (Ger) Urtext ˄ᖋ᭛˅/ Ed. W. H. Ewert BA 7852/ 㓪䕥 H. ඗䶺⡍ ॳ԰䈅 BA 7852 Dichterliebe op. 48 (Ger) Urtext / Ed. H. Ewert 48˄ᖋ᭛˅ ǉ䆫ҎПᘟǊop. BA 7851 ॳ԰䈅 / 㓪䕥 H. ඗䶺⡍ Frauenliebe und Leben op. 42 BA 7851 (Ger) NEW Urtext / H. Ewert 42 ǉཛཇⱘ⠅ᚙϢ⫳⌏Ǌop. BA 7854 ˄ᖋ᭛˅ / 㓪䕥 H. ඗䶺⡍für ॳ԰䈅 Originalausgabe BA 7854 mittlere Stimme Umfassendes zweisprachi z ges ЎЁ䷇߯԰ⱘॳ⠜ Vorwort (dt./engl.) und Kritischer Bericht (dt.) z ‫ݙ‬ᆍܼ䴶ⱘঠ䇁ࠡ㿔˄ᖋ᭛ˋ㣅 Enthält separat abgedruckt ᭛˅੠᷵ࢬ᡹ਞ˄ᖋ᭛˅ die Liedtexte und ihre englischen Übersetzungen z von ࣙ৿ऩ⣀ॄࠊⱘ℠䆡ҹঞ⬅⧚໣ Richard Stokes ᖋgᮃᠬ‫ܟ‬ᮃ㗏䆥ⱘ㣅䇁⠜℠䆡 (The book of lieder) ˄The book of lieder˅ Spohr, Louis Louis Spohr, Louis Spohr (1784-1859) 䏃ᯧᮃgᮑ⊶ᇨ 䏃ᯧᮃgᮑ⊶ᇨ 䏃ᯧᮃgᮑ⊶ᇨ (1784-1859) 䏃ᯧᮃgᮑ⊶ᇨ Six German Songs op. 103 䏃ᯧᮃgᮑ⊶ᇨ 䏃ᯧᮃgᮑ⊶ᇨ 䏃ᯧᮃgᮑ⊶ᇨ 䏃ᯧᮃgᮑ⊶ᇨ for voice, clarinet and piano ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ op. 103 ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ (Ger) 䏃ᯧᮃgᮑ⊶ᇨ ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ ЎҎໄǃऩㇻㅵϢ䩶⨈㗠԰˄ᖋ᭛˅ Ed. F. O. Leinert ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ 䏃ᯧᮃgᮑ⊶ᇨ 㓪䕥 F. O. 㦅㒇⡍ BA 7571 Score with part ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ BA 7571 ᘏ䈅ᏺߚ䈅 ݁佪ᖋᛣᖫ㡎ᴃ℠᳆ ݁佪ᖋᛣᖫ㡎ᴃ℠᳆

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㗄gาᏈᮃ㩖ᅝgᏈ䌿

ㅵᓺФ䯳ᘏ䈅

ᑣ᳆ ᑣ᳆ ঠㇻㅵ ᓺФ䯳ᘏ䈅 ......... .... Orchestral Scores ॳ԰䈅 ㅵ ॳ԰䈅 ㅵᓺФ䯳ᘏ䈅

ㅵᓺФ䯳ᘏ䈅

Bach, Sebastian JohannJohann Sebastian Bach Bach, Johann Sebastian ᕐᕫg㓈ᇨˈ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ (1685-1750)

໻䇗㄀݁Ѹડ᳆ ໻䇗㄀݁Ѹડ᳆ ǉ⬄ುǊ ǉ⬄ುǊ ໻䇗㄀ϗѸડ᳆

- No. 5 in C min op.op. 6767 ü C ໻䇗㄀ϗѸડ᳆ ᇣ䇗㄀ѨѸડ᳆ . ᇣ䇗㄀ѨѸડ᳆ BA9005 9005 TP ° ° - No.ᇣ䇗㄀ѨѸડ᳆ 6 in F maj op. 68 ໻䇗㄀ܿѸડ᳆

ü F ໻䇗㄀݁Ѹડ᳆ op. 68 “Pastoral” ໻䇗㄀݁Ѹડ᳆ ໻䇗㄀ܿѸડ᳆ ǉ⬄ುǊ BA 9006 ° TPǉ⬄ುǊ 9006 ° ໻䇗㄀݁Ѹડ᳆ - No. 7 in A maj op. 92 ǉ⬄ುǊ ᇣ䇗㄀бѸડ᳆ BAA9007 ° ü ໻䇗㄀ϗѸડ᳆ op. 92 ᇣ䇗㄀бѸડ᳆ ° TP 9007໻䇗㄀ϗѸડ᳆ - No. 8 in F maj op. 93 ໻䇗㄀ϗѸડ᳆ BA 9008 ° ü F ໻䇗㄀ܿѸડ᳆ op. 93 ໻䇗㄀ܿѸડ᳆ TP 9008 ° D min op. 125 - No. 9 in ໻䇗㄀ܿѸડ᳆ BA 9009 ° ü D ᇣ䇗㄀бѸડ᳆ op. 125 °commentaries TP 9009ᇣ䇗㄀бѸડ᳆ Critical available separately. ᇣ䇗㄀бѸડ᳆ ᷵ࢬ᡹ਞৃҹऩ⣀䅶䌁Ǆ

㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Overtures

ᑣ᳆ Urtext Ed. H. Besseler, ᑣ᳆ / /㓪䕥 H. 䋱⋑ࢦǃH. Ḑ৩ᮃ ॳ԰䈅 H. Grüss ॳ԰䈅㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ᑣ᳆ ॳ԰䈅

б䚼Ѹડ᳆ ॳ԰䈅

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

ᇣ䇗ᑣ᳆ C ໻䇗ᑣ᳆ BWV 1066 ᇣ䇗ᑣ᳆ BA 5252 °

໻䇗ᑣ᳆ Overture C maj BWV 1066 1066 C ໻䇗ᑣ᳆inBWV ሐসᢝg䇶ᖋ㓈ᇨ B BA 5252 BAᇣ䇗ᑣ᳆ 5252 °° BWV 1067 ໻䇗ᑣ᳆ BA ᇣ䇗ᑣ᳆ 5253 ° ໻䇗ᑣ᳆ Overture B min BWV 1067 1067 B ᇣ䇗ᑣ᳆inBWV BA 5253 ° D BA໻䇗ᑣ᳆ 5253 ° BWV 1068 ໻䇗ᑣ᳆ BA ໻䇗ᑣ᳆ 5254 ° Overture in D maj BWV 1068 ໻䇗ᑣ᳆ D ໻䇗ᑣ᳆ BA 5254 ° BWV 1068 D BA໻䇗ᑣ᳆ 5254 ° BWV 1069 BA 5255 ° in D maj BWV 1069 Overture ໻䇗ᑣ᳆ ᓫᳫߛᮃ⾥gᵄ㉇ሐѮሐ D ໻䇗ᑣ᳆ BA 5255 ° BWV 1069 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Ludwig van° Beethoven BA 5255

䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 ᖋ㓈Ꮰg㣗g䋱໮㢀

(1770-1827) Beethoven, Ludwig van Ludwig van Beethoven 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀

Ludwig van Beethoven, 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 б䚼Ѹડ᳆ (1770-1827) б䚼Ѹડ᳆ (1770-1827) ॳ԰䈅 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ б䚼Ѹડ᳆ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ б䚼Ѹડ᳆ Nine Symphonies ॳ԰䈅 The б䚼Ѹડ᳆ Urtext / Ed. J. Del Mar ॳ԰䈅 ü C ໻䇗㄀ϔѸડ᳆ op. 21 / 㓪䕥 J. ᖋᇨ偀ᇨ ໻䇗㄀ϔѸડ᳆ ॳ԰䈅 ° C maj op. 21 TP 9001 No. 1 in ໻䇗㄀ϔѸડ᳆ ໻䇗㄀ϔѸડ᳆

ü C9001 ໻䇗㄀ϔѸડ᳆ op. 21 BA ° ü ໻䇗㄀ѠѸડ᳆ op. 36 TPD9001 ° ໻䇗㄀ѠѸડ᳆ - No. 2 in° D maj op. 36 TP 9002 ໻䇗㄀ѠѸડ᳆ BA ° ü D9002 ໻䇗㄀ѠѸડ᳆ op. 36 ໻䇗㄀ѠѸડ᳆ ü䰡 E ໻䇗㄀ϝѸડ᳆ op. 55 ° TP 9002 -ǉ㣅䲘Ǌ No. 3 in E-flat maj op. 55 䰡 ໻䇗㄀ϝѸડ᳆ “Eroica” 䰡 ໻䇗㄀ϝѸડ᳆ TP 9003 ° ü䰡 E ໻䇗㄀ϝѸડ᳆ op. 55 BA 9003 ° ǉ㣅䲘Ǌ ǉ㣅䲘Ǌ 䰡 ໻䇗㄀ϝѸડ᳆ ǉ㣅䲘Ǌ B4໻䇗㄀ಯѸડ᳆ op. 60 9003 ǉ㣅䲘Ǌ ü䰡 -TP No. in° B-flat maj op. 60 TP BA 9004 9004° ° 䰡B ໻䇗㄀ಯѸડ᳆ ໻䇗㄀ಯѸડ᳆op. 60 ü䰡䰡 ໻䇗㄀ಯѸડ᳆ TP 9004 °

䰡

໻䇗㄀ಯѸડ᳆ 70

Concerto No. 3 Cऩㇻㅵ ᇣ䇗㄀ϝ䩶⨈ण༣᳆ in Cᇣ䇗㄀ϝ䩶⨈ण༣᳆ min for Pianoforte Ў䩶⨈੠ㅵᓺФ䯳㗠԰ and Orchestra BAᇣ䇗㄀ϝ䩶⨈ण༣᳆ 9023 ° BA 9023 ° ᕙߎ in preparation: NEW GConcerto ໻䇗㄀ಯ䩶⨈ण༣᳆ No. 4 ࡴᏗ䞠඗ᇨg⽣䳋 in G໻䇗㄀ಯ䩶⨈ण༣᳆ maj for Pianoforte Ў䩶⨈੠ㅵᓺФ䯳㗠԰ and Orchestra BA 9024 ° ໻䇗㄀ಯ䩶⨈ण༣᳆ BA 9024 ° ᷵ࢬ᡹ਞৃҹऩ⣀䅶䌁Ǆ Critical commentaries available separately. ᓫᳫ唤ℛ‫ܟ‬g᭛ብ㣼g‫ܟ‬ᢝ偀᮹ü ‫ܟ‬㔫咬ᇨ

Debussy, Claude Claude Debussy Claude Debussy, ‫⋯ܟ‬ᖋgᖋᔾ㽓 (1862-1918) (1862-1918) à l’après-midi Prélude ǉ⠻⼲जৢࠡ༣᳆Ǌ d’un faune to the / 㓪䕥/D.Prelude ॳ԰䈅 ӡᖋᆠᇨüજ䞠ᮃ Afternoon of a Faun ‫⋯ܟ‬ᖋgᖋᔾ㽓 BA 8841 ° Urtext / Ed. D. Woodfull-Harris BA 8841 °

໻䇗ᑣ᳆ ໻䇗ᑣ᳆

໻䇗㄀ಯ䩶⨈ण༣᳆ ໻䇗㄀ಯ䩶⨈ण༣᳆

б䚼Ѹડ᳆ ॳ԰䈅

ǉ⠻⼲जৢࠡ༣᳆Ǌ ॳ԰䈅

‫⋯ܟ‬ᖋgᖋᔾ㽓

The Nine Symphonies Urtext / Ed. J. Del Mar б䚼Ѹડ᳆ set of conducting scores Boxed BAॳ԰䈅 9000 Special price / 㓪䕥 J. ᖋᇨ偀ᇨ ༫㺙ᣛ᣹ᘏ䈅 BA 9000

⡍Ӌ

NEW 䋱໮㢀ⱘ 䋱໮㢀ⱘ Beethoven’s 䩶⨈ण༣᳆ 䋱໮㢀ⱘ 䩶⨈ण༣᳆ 䋱໮㢀ⱘ Piano Concertos 䋱໮㢀ⱘ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆ C ໻䇗㄀ϔ䩶⨈ण༣᳆ 䩶⨈ण༣᳆ Concerto No. 1 ໻䇗㄀ϔ䩶⨈ण༣᳆ Ў䩶⨈੠ѸડФ䯳㗠԰ˈop.15 inCC໻䇗㄀ϔ䩶⨈ण༣᳆ maj for Pianoforte ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ ໻䇗㄀ϔ䩶⨈ण༣᳆ ໻䇗㄀ϔ䩶⨈ण༣᳆ and Orchestra, op. 15 Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.15 BA 9021 /° Ed. J. Del Mar Urtext ॳ԰䈅 ॳ԰䈅 BA 9021 /°㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 ॳ԰䈅 9021 ° B ໻䇗㄀Ѡ䩶⨈ण༣᳆ 䰡BA Concerto No. 2 Ў䩶⨈੠ѸડФ䯳㗠԰ˈop.19 in B-flat maj for Pianoforte 䰡ॳ԰䈅 B ໻䇗㄀Ѡ䩶⨈ण༣᳆ / 㓪䕥 J. ᖋᇨ偀ᇨ 䰡䰡 ໻䇗㄀Ѡ䩶⨈ण༣᳆ ໻䇗㄀Ѡ䩶⨈ण༣᳆ and Orchestra, op. 19 Ў䩶⨈੠ㅵᓺФ䯳㗠԰ˈop.19 BA 9022 ° 䰡Urtext ໻䇗㄀Ѡ䩶⨈ण༣᳆ / Ed. J. Del Mar ॳ԰䈅 ॳ԰䈅 BA 9022/ °㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 BA 9022 °

ॳ԰䈅

ǉ໻⍋Ǌ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ॳ԰䈅 ǉ⠻⼲जৢࠡ༣᳆Ǌ ॳ԰䈅 ǉ໻⍋Ǌ

NEW

La Mer/ 㓪䕥 D. ӡᖋᆠᇨ—જ䞠ᮃ ॳ԰䈅 Urtext ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ BA 7880/°Ed. D. Woodfull-Harris BA TP 7880 780 ° TP 780 Ϣ݊Ҫ৘⾡⠜ᴀⳌ↨䕗ˈᮄॳ԰ z Neue Urtext-Ausgabe mit 䈅⠜ᴀ৿᳝໻䞣ⱘ᳈ᬍ Änderungen zahlreichen im Vergleich zu anderen z Editionen 乒ঞњ䖘ҞЎℶ䖬≵᳝㦋ᕫ䖛ⱘ 䞡㽕ॳྟ䌘᭭ Berücksichtigung von wichtigen Quellen, die bisher nicht zugänglich waren ǉ໻⍋Ǌ ॳ԰䈅

° =ⓨߎᴤ᳝᭭ଂ Performance material available on sale

ㅵᓺФ䯳ᘏ䈅

ᅝϰᅕgᖋ≗໣‫ܟ‬

ᇣ䇗㄀ϗѸડ᳆ ॳ԰䈅

Elgar, EdwardEdward Elgar Edward Elgar, ⠅ᖋढg඗ᇨࡴ (1857-1934) (1857-1934) ࡴᏗ䞠඗ᇨg⽣䳋 ⠅ᖋढg඗ᇨࡴ

on an Original Variations ǉ䇰䇁ǊॳЏ乬ব༣᳆ Theme “Enigma” for Orchestra Ꮹ޵㟲᳆ ЎㅵᓺФ䯳㗠԰ op. 36 op. 36 ǉ䇰䇁ǊॳЏ乬ব༣᳆ ॳ԰䈅 ॳ԰䈅 / /㓪䕥 C. Hogwood 䳡Ḑӡᖋ Urtext Ed. C. 9042 °° BA 9042 ॳ԰䈅 Urtext edition of this z First 䖭䚼ᑓЎҎⶹⱘ䷇ФӮ԰કⱘ佪 popular concert work Ͼॳ԰䈅⠜ᴀ Critical commentary (Eng) with facsimiles z ᷵ࢬ᡹ਞ˄㣅᭛˅ᏺ᳝ᕅॄӊ

ᅝϰᅕgᖋ≗໣‫ܟ‬ Dvořák, Antonín Antonín DvoĜák Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) (1841-1904)

ᇣ䇗㄀ϗѸડ᳆ Symphony ॳ԰䈅 No. 7 in D min D ᇣ䇗㄀ϗѸડ᳆ op. 70 op. 70 ॳ԰䈅 / /㓪䕥 Urtext Ed. J. ᖋᇨ偀ᇨ Del Mar BA 10417 °°

Dvořák’s Symphony No. 71883 was ᖋ≗໣‫ⱘܟ‬㄀ϗѸડ᳆ᰃ commissioned by the Royal ᑈ 8 ᳜ফ⧷࿖ⱛᆊ⠅ФणӮྨ㑺㗠䈅 Philharmonic Society in August 1885 4 ᳜ 22 ᮹ ‫ˈⱘݭ‬ᖋ≗໣‫ܟ‬Ѣ 1883 and received itsᑈpremiere ೼Ӻᬺ҆㞾ᣛ᣹њ䖭䚼԰કⱘ佪ⓨǄ on 22 April 1885 in London ᥹ⴔˈ6 ᳜ӑ㄀ѠФゴ㹿㓽ⷁњ໻㑺 conducted by the composer himself. The following June 40 ᇣ㡖ˈ䖭䚼Ѹડ᳆ህҹ䖭ϾᔶᓣѢ the movement was 1885second ᑈ⬅ Simrock ߎ⠜⼒ߎ⠜њǄ shortened by some 40 bars Ш㒇Ểgᖋᇨ偀ᇨᰃ䖭䚼԰કᮄ and the work was published in ᄺᴃ᷵ࢬ⠜ⱘ㓪䕥㗙ˈҪ䗮䖛㓪䕥ᖋ this form in 1885 by Simrock. ≗໣‫ⱘܟ‬ % ᇣ䇗໻ᦤ⨈ण༣᳆˄BA The editor of this new 9045˅㦋ᕫњ೑䰙ໄ䁝ˈ᳈ϡ⫼䇈Ҫ scholarly-critical edition is 㓪䕥ⱘ䋱໮㢀੠඗ᇨࡴⱘ԰કњǄᖋ Jonathan Del Mar who has gained an international ᇨ偀ᇨࡼ⫼њ᠔᳝ৃ⫼ⱘॳྟ䌘᭭ˈ reputation for his edition of ݊ЁࣙᣀֵӊǄ㄀ѠФゴⱘॳྟ⠜ᴀ Dvořák’s cello concerto in ߞⱏ೼䰘ᔩҹঞⓨߎᴤ᭭䞠Ǆ B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del z 䖭䚼䞡㽕԰કⱘ佪Ͼॳ԰䈅⠜ Mar has drawn on all the available sources including z ࣙ৿㄀ѠФゴⱘӺᬺॳྟ⠜ letters. The original version of the second movement appears z the ࣙ৿ࠡ㿔˄᥋‫ܟ‬᭛ 㣅᭛ ᖋ᭛˅ in appendix as well as in the ҹঞϔӑ᷵ࢬ᡹ਞ˄㣅᭛˅ performing material.

First Urtext edition of this important work Contains the original London version of the second movement Includes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

Fauré, Gabriel GabrielGabriel Fauré Fauré, ࡴᏗ䞠඗ᇨg⽣䳋 (1845-1924) (1845-1924)

ࡴᏗ䞠඗ᇨg⽣䳋 Pavane op. 50

NEW

Urtext Ed. 50 R. Tait Ꮹ޵㟲᳆/ op. BA 7887/ 㓪䕥 R. ⋄⡍ ॳ԰䈅 Ꮹ޵㟲᳆ in BApreparation 7887

ॳ԰䈅 ᕙߎvorliegende wissenschaftDie lich-kritische Neuausgabe von Faurés beliebter Pavane wurde ⽣䳋䖭佪⏅ফ⃶䖢ⱘᏩ޵㟲᳆ᄺ von Robin Tate im Rahmen der ᴃ᷵ࢬᮄ⠜⬅㔫ᆒg⋄⡍೼ࡴᏗ䞠඗ Gesamtausgabe der Werke ᇨg⽣䳋԰કܼ䲚乍Ⳃ㣗ೈ‫ݙ‬㓪䕥Ǆ Gabriel Faurés ediert. Das 䖭䚼԰કབҞᇸ݊ᰃҹӫ໮ⱘᬍ㓪᳆ Werk erfreut sich heute vor ⏅ফҎӀ୰⠅ˈ㗠ㅵᓺФ䯳ⱘॳྟ⠜ allem in seinen zahlreichen ߭ᰃ佪⃵ߎ⠜Ǆ⽣䳋೼ᅠ៤䖭䚼ㅵᓺ Bearbeitungen großer Beliebtheit, die ursprüngliche Fassung Ф԰કৢϡЙህ偀ϞϧᖗѢড়ଅ⠜ˈ für Orchester jedoch wird hier 䖭Ͼড়ଅ⠜ⱘ佪ⓨ㽕‫ܜ‬ѢㅵᓺФ⠜Ǆ zum ersten Mal verlegt. Kurz nachdem Fauré das Orchester 健❞຿ᮄ⠜Ўᣛ᣹ᆊ੠Ф䯳ᦤկ werk vollendet hatte, wandte њϔϾᏩ޵㟲᳆ॳྟ⠜ᴀⱘϔ༫ৃ䴴 er sich einer Fassung für Chor ॳ԰䈅ˈᇚ䖯ϔℹЄᆠ䷇ФӮ㡖ⳂǄ zu, die dann ihre Erstauffüh rung vor der des Orchester-

werks erleben sollte. George Frideric Handel Die neue Bärenreiter-Ausgabe bietet Dirigenten und OrcheḐ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ stern eine zuverlässige Urtext(1685-1759) Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ausgabe für die Urfassung der Pavane, die Konzertprogram351 ǉⱛᆊ✄☿䷇ФǊHWV me bereichern wird. ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋǃ ǉⱛᆊ✄☿䷇ФǊ T. 䋱ᮃ⡍ ॳ԰䈅 Handel, Frideric BA 4299George ° Handel, George Frideric (1685-1759) ǉ∈Ϟ䷇ФǊHWV 348-350 for theC.Royal Fireworks Music ॳ԰䈅 / 㓪䕥䳡Ḑӡᖋǃ ǉ∈Ϟ䷇ФǊ HWV 351 䋱ᮃ⡍ T. ॳ԰䈅 Urtext / Ed. C. Hogwood, T. Best BA 4299 4298 °° BA

Water Music HWV 348-350 Urtext / Ed. C. Hogwood, T. Best BA 4298 °

Haydn, Joseph Joseph Haydn Joseph Haydn, 㑺⨳໿g⍋乓 (1732-1809) (1732-1809)

NEW

in C-Dur für Violine Konzert C ໻䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ und Orchester Hob. VIIa:1 Hob. VIIa:1 Urtext / Ed. C.-G. Stellan ॳ԰䈅 / 㓪䕥 C.-G. ᮃ⡍݄g㥿ᇨ㒇 Mörner BA 4678 4678 BA 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

Felix Mendelssohn Bartholdy Mendelssohn Bartholdy, Felix 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Bartholdy, Felix Mendelssohn (1809-1847) ໻ᑣ᳆ (1809-1847) ॳ԰䈅 ໻ᑣ᳆ Great The ॳ԰䈅 / 㓪䕥Overtures C. 䳡Ḑӡᖋ 㑺⨳໿g⍋乓 Urtext / Ed. C. Hogwood ǉ㕢Бⱘṙ䴆㽓࿰Ǌᑣ᳆

㑺⨳໿g⍋乓 ǉ㕢Бⱘṙ䴆㽓࿰Ǌᑣ᳆ op. 32

Die schöne Melusine / BA 9051 ໻䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ The Fair °Melusina op. 32 ໻䇗ᑣ᳆ǉᇣোᑣ᳆Ǌ BA 9051 ° ໻䇗ᇣᦤ⨈ϢㅵᓺФ䯳ण༣᳆ C ໻䇗ᑣ᳆ǉᇣোᑣ᳆Ǌop. 101 ॳ԰䈅 Overture BA 9052 ° in C maj ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ ॳ԰䈅 “Trumpet Overture” op. 101 BA 9052 ° ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ ䷇ФӮᑣ᳆ op. 26 The Hebrides, 1830/1832 Concert Overture op. 26, BA 9053 ° 1830/1832 ǉ৩ӞgᏗᢝᮃǊ BA 9053 ° ǉ৩ӞgᏗᢝᮃǊˈᑣ᳆ op. 95 BA 9054 Ruy Blas,° Overture op. 95 ໻䇗ᑣ᳆ BA 9054 ° C ໻䇗ᑣ᳆ ЎㅵФ㗠԰ op. 24 Overture BA 9055 ° in C maj for Winds ǉӆ໣໰ПṺǊ op. 24 BA 9055 ° ǉӆ໣໰ПṺǊ ䷇ФӮᑣ᳆ op. 21 A Midsummer Night's Dream, BA 9056 °Overture op. 21 Concert ǉ亢ᑇ⌾䴭Ϣᑌ⽣ⱘ㟾㸠Ǌ BA 9056 ° ǉ亢ᑇ⌾䴭Ϣᑌ⽣ⱘ㟾㸠Ǌ Calm Sea and Prosperous ䷇ФӮᑣ᳆ op. 27 Voyage, BA 9057 °Concert Overture op. 27 ᇣ䇗㄀ϝѸડ᳆ BA 9057 ° Ā㢣Ḑ݄ā A ᇣ䇗㄀ϝѸડ᳆ Symphonyop. No.563 ॳ԰䈅 Ā㢣Ḑ݄ā in A min “Scottish” op. 56 C. Hogwood ॳ԰䈅/ 㓪䕥䳡Ḑӡᖋ Urtext / Ed. C. BA 9093 BA 9093° ° ໻䇗㄀ಯѸડ᳆ Āᛣ໻߽ā A ໻䇗㄀ಯѸડ᳆ Symphony No. 4 ॳ԰䈅 in A maj “Italian” 90 op. 90 Āᛣ໻߽āop. Urtext Ed. C. C. Hogwood ॳ԰䈅 / /㓪䕥䳡Ḑӡᖋ BA 9094 ° BA 9094 ° ໻䇗㄀ѨѸડ᳆ Symphony No. 5 Āᅫᬭᬍ䴽ā D in໻䇗㄀ѨѸડ᳆ D maj “Reformation” op. 107 ॳ԰䈅 op.Hogwood 107 Āᅫᬭᬍ䴽ā Urtext / Ed. C. ° C. 䳡Ḑӡᖋ BA 9095 / 㓪䕥 ॳ԰䈅 BA 9095 °

ㅵᓺФ䯳ᘏ䈅 ⹽㻳㎷ⰴ䓽㠸. Orchestral Scores

Ravel, Maurice Maurice Ravel Ravel, Maurice 㥿䞠ᮃgᢝ࿕ᇨ 㥿䞠ᮃgᢝ࿕ᇨ (1875-1937) (1875-1937) 㥿䞠ᮃgᢝ࿕ᇨ

.....

Mozart, Amadeus WolfgangWolfgang Amadeus Mozart

Pavane pour une infante ǉᚐᗉ݀ЏⱘᏩ޵㟲᳆Ǌ défunte pour orchestre ㅵᓺФ⠜ ǉᚐᗉ݀ЏⱘᏩ޵㟲᳆Ǌ Urtext / Ed. R. Back, ॳ԰䈅 / 㓪䕥 R. Ꮘ‫ܟ‬ǃ ㅵᓺФ⠜ D. Woodfull-Harris ⛺䰓෎䇎g㔫㽓ሐ BAӡᖋᆠᇨ—જ䞠ᮃ 9044 ° D. ॳ԰䈅 BA 9044 ° Tzigane ǉา㓈߽Ѯ⧚থᏜǊ Rhapsody for Violin and ǉ㣼‫ݜ‬Ǌ Orchestra ᇣᦤ⨈ϢㅵᓺФ䯳⢖ᛇ᳆ ǉ㣼‫ݜ‬Ǌ ॳ԰䈅 Urtext / Ed. D. Woodfull-Harris ॳ԰䈅 / 㓪䕥 ° D. ӡᖋᆠᇨ—જ䞠ᮃ BA 8849 BA 8849 ° ॳ԰䈅

Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791)

Opera Overtures ⷉ㉈㿓㤛 ⷉ㉈㿓㤛 Le nozze di Figaro /

ǉ䌍ࡴ㔫ⱘီ⼐Ǌ The Marriage of Figaro ǉ䌍ࡴ㔫ⱘီ⼐ǊK. 492 K. 492 Urtext/ /㓪䕥 Ed. L. ॳ԰䈅 ǉ䌍ࡴ㔫ⱘီ⼐Ǌ L. Finscher 㢀㟡ᇨ BA 8801 °° ॳ԰䈅 BA 8801

Don Giovanni K. 527 ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊK. Urtext / Ed. W.527 Plath, W. Rehm ॳ԰䈅 ǉ૤Ш⪺ሐǊ / 㓪䕥 ° W. ᱂ᢝ⡍ǃW. 䳋ྚ BA 8802 ॳ԰䈅 BA 8802 ° Così fan tutte K. 588 ǉཇҎᖗǊ Urtext / Ed. F. Ferguson, ǉཇҎᖗǊK. 588 W. Rehm ॳ԰䈅 ǉཇҎᖗǊ / 㓪䕥 F. ᓫḐỂǃW. 䳋ྚ BA 8803°° ॳ԰䈅 BA 8803

Symphony G ᇣ䇗Ѹડ᳆in G min No. 25 K. ᇣ䇗Ѹડ᳆ 183 ㄀ 25 ো K. 183 Urtext Ed. H. ॳ԰䈅㄀ ো/ /㓪䕥 H. Beck 䋱‫ܟ‬ BA 4748 ° ॳ԰䈅 BA 4748 °

D ໻䇗Ѹડ᳆ǉજ໿㒇Ǌ ㄀ D ໻䇗Ѹડ᳆ǉજ໿㒇Ǌ 35 ো K. 385 Symphony in D maj “Haffner” ॳ԰䈅㄀ ো/ K. K. 385Chr. H. 偀ᵫ 㓪䕥 No.3535, 385 Urtext H.H. Mahling ॳ԰䈅 Chr. 偀ᵫ BA 4781/ /㓪䕥 °Ed. C. BA 4781 4781 °° BA C ໻䇗Ѹડ᳆ǉᵫ㣼Ǌ Symphony in C maj “Linz” ㄀ C ໻䇗Ѹડ᳆ǉᵫ㣼Ǌ 36 ো K. 425 No. 36, K. 425 ॳ԰䈅㄀ 36 ো K. 425 F.Schnapp ᮑ㒇᱂ Urtext/ /㓪䕥 Ed. F. ॳ԰䈅 / 㓪䕥 BA °° F. ᮑ㒇᱂ BA 4704 4704 BA 4704 ° ໻䇗Ѹડ᳆ǉᏗᢝḐǊ Symphony in D maj “Prague” D No. ㄀ ো K. D ໻䇗Ѹડ᳆ǉᏗᢝḐǊ 3838, K. 504 504 Urtext Ed. ॳ԰䈅㄀ 38 ো/ /K. 504L. 㓪䕥 L. Somfai 㒡ྚ⽣Ӟ BA 4766 ° ॳ԰䈅 L. 㒡ྚ⽣Ӟ BA 4766/ 㓪䕥 ° BA 4766 ° in E-flat maj Symphony 䰡 ໻䇗Ѹડ᳆ No.E 39, K. 543 ㄀ ো /K.Ed. 䰡 E 39໻䇗Ѹડ᳆ 543H. C. Robbins Urtext ॳ԰䈅 Landon ㄀ 39 ো/ K. 543H. C. 㔫ᆒᮃg݄ⱏ 㓪䕥 BA 4723 4723 ॳ԰䈅 / 㓪䕥 H. C. 㔫ᆒᮃg݄ⱏ BA °° BA 4723 ° Symphony in G ᇣ䇗Ѹડ᳆ G min No. 40, K. 550. First version ㄀ G ᇣ䇗Ѹડ᳆ 40 ো /K.Ed. 550H.߱⠜ Urtext C. Robbins ॳ԰䈅㄀ 40 ো/ K. 550H.߱⠜ 㓪䕥 C. 㔫ᆒᮃg݄ⱏ Landon ॳ԰䈅 / 㓪䕥 H. C. °°㔫ᆒᮃg݄ⱏ 4710, BA 4724 4724 BA 4710ˈBA BA 4710ˈBA 4724 ° Symphony ᇣ䇗Ѹડ᳆in G min No. 40, G K. ᇣ䇗Ѹડ᳆ 550. Second version ㄀ G 40 ো K. 550 ㄀Ѡ⠜ Urtext / Ed. H. C. Robbins ॳ԰䈅㄀ 40 ো 550H.㄀Ѡ⠜ 㓪䕥 C. 㔫ᆒᮃg݄ⱏ Landon/ K. ॳ԰䈅 / 㓪䕥 BA °° H. C. 㔫ᆒᮃg݄ⱏ BA 4724 4724 BA 4724 ° ໻䇗Ѹડ᳆ǉᴅᑛ⡍Ǌ Symphony in C maj “Jupiter” C No. ㄀ োK. C ໻䇗Ѹડ᳆ǉᴅᑛ⡍Ǌ 4141, K.551 551 Urtext Ed. ॳ԰䈅㄀ 41 ো/ /K. 551H. 㓪䕥 H. C. C. Robbins 㔫ᆒᮃg݄ⱏ Landon ॳ԰䈅 / 㓪䕥 H. C. 㔫ᆒᮃg݄ⱏ BA 4703 ° BA 4703 ° BA 4703 °

Symphony in A maj No. 29 A ໻䇗Ѹડ᳆ K. 201 ㄀ ໻䇗Ѹડ᳆ 29 ো /K.Ed. 201H. Beck Urtext ॳ԰䈅 ° BA 4722 ㄀ ো/ 㓪䕥 H. 䋱‫ܟ‬ ॳ԰䈅 BA 4722 °

Complete Ѹડ᳆ܼ䲚 Symphonies 44 ोⷨдᘏ䈅༫㺙 study scores in a set Urtext ॳ԰䈅 TP 600 page 78

Idomeneo K. 366 ǉӞ໮ṙ㒑ᮃǊ ǉӞ໮ṙ㒑ᮃǊK. 366 Urtext / Ed. D. Heartz ॳ԰䈅 ǉӞ໮ṙ㒑ᮃǊ / 㓪䕥 BA 8804 ° D. જ㣼 ॳ԰䈅 BA 8804 ° La clemenza di Tito K. 621 ǉ⢘ᠬⱘҕ᜜Ǌ Urtext / Ed. F. Giegling ǉ⢘ᠬⱘҕ᜜ǊK. 621 ° F. ঢ়Ḑᵫ BA 8805 ॳ԰䈅 ǉ⢘ᠬⱘҕ᜜Ǌ / 㓪䕥 ॳ԰䈅 BA 8805 ° Die Zauberflöte / The Magic Flute K. 620 ǉ儨ワǊ ǉ儨ワǊK. 620 Urtext / Ed. G. Gruber, A. Orel ॳ԰䈅 ǉ儨ワǊ / 㓪䕥 ° G. Ḑ剕䋱ᇨǃ BA 8806 ॳ԰䈅 A. ༹䳋ᇨ Die Entführung aus dem BA 8806 ° Serail / The Abduction from the Seraglio K.384 384 ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗ǊK. Urtext / Ed. G. Croll, ॳ԰䈅 ǉৢᅿ䇅䗗Ǌ / 㓪䕥 G. ‫ܟ‬㔫ᇨǃ D. Woodfull-Harris ॳ԰䈅 D. ӡᖋᆠᇨ—જ䞠ᮃ BA 8807 BA 8807

Symphonies ㅜ㼍㤛 Bärenreiter offers the sales ㅜ㼍㤛 material to the complete 健❞຿ߎ⠜⼒ᦤկ㥿ᠢ⡍ܼ䚼Ѹ Mozart symphonies with the ડ᳆ⱘ䫔ଂᴤ᭭ˈᏺ᳝ǉᮄ⠜㥿ᠢ⡍ Urtext of the New Mozart ܼ䲚Ǌⱘॳ԰䈅Ǆ Edition.

Rossini, Gioachino ⛺䰓෎䇎g㔫㽓ሐ Gioachino Rossini Rossini, Gioachino ⛺䰓෎䇎g㔫㽓ሐ (1792-1868) (1792-1868)

Ilǉา㓈߽Ѯ⧚থᏜǊ barbiere di Siviglia / The Barber of Seville ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅 Overture ᑣ᳆ Urtext Ed. P. P.Brauner ॳ԰䈅 //㓪䕥 Ꮧࢇ㒇 BA BA 10546 10546 °° z First Urtext edition of this 䖭佪ᑓফ⃶䖢ⱘᑣ᳆ⱘ佪Ͼ popular overture ॳ԰䈅⠜ᴀ

Foreword (Ger/Eng/Ital) ࠡ㿔˄ᖋ᭛ 㣅᭛ ᛣ໻߽᭛˅ z Optimal page-turns incorporated z ߚ䈅㗏义໘Ӭ࣪

䋱ᖋ᮹䌿gᮃ㕢ศ䙷

ǉ≗ᇨศ⪺⊇Ǌ ॳ԰䈅

Smetana, Bedřich BedĜich Smetana Bedřich Smetana, 䋱ᖋ᮹䌿gᮃ㕢ศ䙷 (1824-1884) (1824-1884) 䋱ᖋ᮹䌿gᮃ㕢ศ䙷

TP 600

Æ㾕㄀ 78 义

NEW

Moldau Die ǉ≗ᇨศ⪺⊇Ǌ Orchesterfassung ㅵᓺФ⠜ ǉ≗ᇨศ⪺⊇Ǌ Urtext / Ed. H. Macdonald ॳ԰䈅 / 㓪䕥 H. 呺‫ܟ‬૤㒇 BA 9558 ° BA 9558 ° ॳ԰䈅

Ç ? b_a[ je j^_da co cki_Y m_bb X[ f[h\ehc[Z [nWYjbo Wi ? _dj[dZ[Z$È

73 $ESIGNED BY $7 #RE TIVE AND TAKE OFF ¯ MEDIA SERVICES

App 䋱໮㢀ⱘ㄀бѸડ᳆

Beethoven’s 9th Symphony as an app 䋱໮㢀㄀бѸડ᳆ⱘ app for iPad and iPhone 䗖⫼Ѣ iPad ੠ IPhone

from Deutsche Grammophon and Touch Press ⬅ᖋᛣᖫ⬭ໄᴎ݀ৌϢ Touch Press ݀ৌথ㸠 edited by Jonathan Del Mar Ш㒇Ểgᖋᇨ偀ᇨ㓪䕥

㄀бѸડ᳆

Die Edition von Beethovens IX. Symphonie

㄀бѸડ᳆

aus dem Bärenreiter-Verlag ist Grundlage 健❞຿ߎ⠜⼒থ㸠ⱘ䋱໮㢀㄀бѸડ᳆

⠜ᴀᰃᖋᛣᖫ⬭ໄᴎ݀ৌϢ Touch Press ݀ৌ einer neuen App für iPhone und iPad von der ᥼ߎⱘϔℒ䗖⫼Ѣ iPhoneund ੠ iPad ⱘᮄ App Deutschen Grammophon Touch Press. ѻકⱘ෎⸔Ǆ In der App wurden vier herausragende Interpretationen des Werkes synchronisiert ℸℒ App Ёৠℹ㺙䕑њᇍ䖭䚼԰કⱘ und können zu jedem Zeitpunkt verglichen ಯϾᵄߎⓨ㒢ˈৃҹ䱣ᯊ↨䕗˖ werden: ș ᶣᵫ⠅ФФಶˈ • Berliner Philharmoniker, ᣛ᣹䌍Ӻ㣼gᓫ䞠ШӞ˄1958˅ Ferenc Fricsay (1958)

ș ᶣᵫ⠅ФФಶˈ • Berliner Philharmoniker, Herbert ᣛ᣹䌿ԃ⡍gवᢝᡀ˄1963˅ von Karajan (1963) ș 㓈г㒇⠅ФФಶˈᣛ᣹Ӻ㒇ᖋgԃᘽᮃഺ • Wiener Philharmoniker, Leonard Bernstein (1979), ˄1979˅ˈѺ᳝㾚乥 auch als Video ș 䴽ੑϢ⌾⓿ㅵᓺФಶˈ • Orchestre Révolutionnaire et Romantique, ᣛ᣹㑺㗄g㡒⬹⡍gࡴᖋ㒇˄1992˅ John Eliot Gardiner (1992) Zu den Aufnahmen kann die komplette Ϣᔩ䷇Ⳍ䜡༫ˈৃҹ䗮䖛ϡৠⱘᮍᓣ digitalisierte und aufbereitete Orchesterᰒ⼎健❞຿ߎ⠜⼒ⱘ⬅Ш㒇Ểgᖋᇨ偀ᇨ partitur des Bärenreiter-Verlags 㓪䕥ⱘܼ༫᭄ᄫ࣪੠㓪䕥ᭈ⧚ⱘㅵᓺФ䯳 ᘏ䈅Ǆ in der Edition von Jonathan Del Mar in verschiedenen Darstellungsweisen 䱣䰘᭛ᴀϢ䆓䇜䖯ϔℹᅠ୘њ䖭Ͼ䖤⫼Ѣ eingeblendet werden. স‫䷇݌‬ФⱘܼᮄၦҟǄ

ܼ༫᭄ᄫ࣪੠㓪䕥ᭈ⧚ⱘㅵᓺФ䯳

Begleittexte und Interviews ergänzen das ᘏ䈅Ǆ

ܼ༫᭄ᄫ࣪੠㓪䕥ᭈ⧚ⱘㅵᓺФ䯳 für klassische Musik neuartige Medium. ᘏ䈅Ǆ

Weitere Informationen im Internet unter:

䆺㒚ֵᙃ䇋ⳟ㔥义˖ www.baerenreiter.com www.baerenreiter.com 74

健❞຿ߎ⠜⼒ ⷨдᘏ䈅 ᇍᮄ⠜ܼ䲚ⱘ ⷨдᘏ䈅 ᅲ⫼᳓ҷ

健❞຿ߎ⠜⼒ ⷨдᘏ䈅 ᇍᮄ⠜ܼ䲚ⱘ ᅲ⫼᳓ҷ

健❞຿ߎ⠜⼒健❞຿ߎ⠜⼒ ❞຿ߎ⠜⼒健 ॳ԰䈅 ॳ԰䈅 ⷨдᘏ䈅 ⓨߎᴤ᭭

ⓨߎᴤ᭭ ᇍᮄ⠜ܼ䲚ⱘ ᅲ⫼᳓ҷ

健❞຿ߎ⠜⼒ⷨдᘏ䈅ᵕདഄ䆕健❞຿ߎ⠜⼒ॳ԰䈅ⓨߎᴤ᭭ᰃ ᯢњ健❞຿ߎ⠜⼒བԩҢᮄ⠜ܼ䲚Ё 䋼䞣ϞЬⱘФ䈅ܼ䲚ǄᅗӀҹ⧚ᛇᮍ প㟡Ф䈅ᑊ䕀ᤶ៤ᅲ⫼ḐᓣǄ ᓣ⒵䎇ᇍⓨߎᴤ᭭ⱘ⡍⅞ᅲ⫼㽕∖ˈ ৠᯊгྟ㒜ড᯴ⷨおⱘ᳔ᮄ⢊‫މ‬Ǆ䖭健❞຿ߎ⠜⼒ⷨдᘏ䈅ᏺ᳝ᮄ⠜ ḋˈᅗӀህᵘ៤њग़৆ᗻⓨߎᅲ䏉ⱘ ܼ䲚ⱘॳ԰䈅ˈᵕ݊䗖ড়Ѣ䷇Фߚ ෎⸔ˈᑊ೼೑䰙䷇Ф⬠ᡂⓨ䞡㽕㾦 ᵤǃᥦ㒗⫼䗨ǃ⫮㟇ᣛ᣹Ǆⷨдᘏ䈅㡆Ǆ ҹ催䋼䞣㒌ᓴǃ㺙䅶Ϣߎ㡆ᥦॄ㗠ߎ ϡӮ⏋⎚ⱘ䋼䞣ᷛᖫ˖ ӫǄ

z 䖭ḋˈህৃҹⳌᔧӬᚴⱘӋḐ䌁 ᮄ⠜ܼ䲚ⱘॳⳳФ䈅 ᕫⷨдᘏ䈅ᔶᓣⱘӬ䋼ᮄ⠜ܼ䲚ʽ z 㗏义໘Ӭ࣪ z ⏙᱄ǃϔⳂњ✊ⱘФ䈅೒ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 z 催䋼䞣ⱘ㒌ᓴϢ㺙䅶

ᅸ‫ݙ‬Ф

.ⷨдᘏ䈅………….. …….

Study Scores

Johann Sebastian Bach

Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian (1685-1750) (1685-1750)

㬳㚻㎷㬳㚻㎷

Chamber Music

Johann Sebastian Sebastian Bach Johann Bach 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Johann Sebastian Bach

ᓹᩦ᳆

The Complete Cantatas, Chorales and Motets ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 ᒋศศǃӫ䌲℠Ϣ㒣᭛℠ܼ䲚 19 study scores in paperback 19 ोⷨдᘏ䈅ᑇ㺙ᴀ ोⷨдᘏ䈅ᑇ㺙ᴀ

䩶⨈԰કܼ䲚 Complete Piano Works ॳ԰䈅 44study ोⷨдᘏ䈅⠜༫㺙 Urtext. scores in a set TP 2002 2002 Special ⡍Ӌ price TP

ㅵᓺФ԰ક

ǉ䌟Ḑⱘ㡎ᴃǊ

ǉ䌟Ḑⱘ㡎ᴃǊBWV 1080 1080 The Art of Fugue BWV ॳ԰䈅/ 㓪䕥 H. 䖾㒇 ॳ԰䈅 Urtext / Ed. H. Diener 26 TP 26

Orchestral ⹽㻳㎷䔘㠘 Works ⹽㻳㎷䔘㠘

Six Brandenburg Concertos ݁佪ǉ݄ࢗⱏ෵ण༣᳆Ǌ ݁佪ǉ݄ࢗⱏ෵ण༣᳆Ǌ BWV 1046-1051 BWV1046-1051 1046-1051 Urtext / Ed. H. Besseler BWV ॳ԰䈅㓪䕥 H. H.䋱⋑ࢦ 䋱⋑ࢦ 9 / /㓪䕥 TP ॳ԰䈅 TP99 TP

Concertos for Harpsichord 㖑ㅵ䬂⨈ण༣᳆ 㖑ㅵ䬂⨈ण༣᳆ BWV 1052-1058 BWV1052-1058 1052-1058 BWV Urtext / Ed. W. Breig ॳ԰䈅㓪䕥 W. W.Ꮧ㦅Ḑ Ꮧ㦅Ḑ ॳ԰䈅 410/ /㓪䕥 TP

ॳ԰䈅 Urtext. Study scores 19 ोⷨдᘏ䈅 19 volumes with more than 11,000 pages. Includes an index volume. 11,000 ໮义ˈࣙ৿㋶ᓩोǄ TP 2004 TP 2004

TP410 410 TP

Double Concerto in D min ᇣ䇗ঠᇣᦤ⨈ण༣᳆ DDᇣ䇗ঠᇣᦤ⨈ण༣᳆ BWV 1043 for two violins, BWV 1043 BWV 1043 strings and bc Ўঠᇣᦤ⨈ǃᓺФ఼Ϣ䗮༣Ԣ䷇㗠԰ Ўঠᇣᦤ⨈ǃᓺФ఼Ϣ䗮༣Ԣ䷇㗠԰ Urtext / Ed. D. Kilian ॳ԰䈅/ /㓪䕥㓪䕥 D. D.෎߽ᅝ ෎߽ᅝ ॳ԰䈅 284 TP TP284 284 TP

ᇣ䇗ᇣᦤ⨈ण༣᳆ A ᇣ䇗ᇣᦤ⨈ण༣᳆ Violin Concertos in A min BWV 1041 Ϣ Eand ໻䇗ᇣᦤ⨈ण༣᳆ BWV 1041 in E maj BWV 1042 BWV 1042 ॳ԰䈅 Urtext / Ed. D. Kilian ॳ԰䈅 / 㓪䕥 D. ෎߽ᅝ TPTP 269269

ᇣ䇗㄀2 োᑣ᳆ োᑣ᳆ B ᇣ䇗㄀ Overture No. 2 in B min BWV BWV 1067 1067 ॳ԰䈅/ 㓪䕥 H. Ḑ৩ᮃ ॳ԰䈅 Urtext / Ed. H. Grüß TP 193 TP 193

ǉ㘊⿷छ໽㡖⏙ଅ࠻Ǌ

ⷨдᘏ䈅 ..䁱㻑䓽㠸ᱎᱎ ᱎᱎᱎᱎᱎᱎ ᱎᱎ Study Scores

Johann Sebastian Bach ǉ偀໾ফ䲒᳆Ǌ Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Bach, Johann Sebastian ǉ偀໾ফ䲒᳆Ǌ (1685-1750) (1685-1750)

Masses, 㗷㧗㤛᱃㤆⧋㉈ ॳ԰䈅 Oratorios ॳ԰䈅

Christmas Oratorio BWV 248 ǉ೷䆲⏙ଅ࠻ǊBWV 248 ǉ㘊⿷छ໽㡖⏙ଅ࠻Ǌ Urtext / Ed. W. Blankenburg, ॳ԰䈅 Dürr/ 㓪䕥 W. Ꮧ݄㚃෵ǃA. 䖾ᇨ A. TP 85 85 TP Mass in B min BWV B ᇣ䇗ᓹᩦ᳆ BWV 232232 Urtext Ed. U. ॳ԰䈅 //㓪䕥 U. Wolf ≗ᇨ໿ revised edition New ׂ䅶ᮄ⠜ TP 1232 TP 1232 St. John Passion BWV 245 ǉ೷㑺㗄ফ䲒᳆ǊBWV 245 Urtext / Ed. A. Mendel ॳ԰䈅 197 / 㓪䕥 A. 䮼ᖋᇨ TP TP 197 St. Matthew Passion BWV 244 Urtext / Ed. A. Dürr 244 ǉ೷偀໾ফ䲒᳆ǊBWV 196 / 㓪䕥 A. 䖾ᇨ TP ॳ԰䈅 TP 196 ǉ㘊⿷छ໽㡖⏙ଅ࠻Ǌ Oratorium Festo Ascensionis Christi ǉ㘊⿷छ໽㡖⏙ଅ࠻Ǌ Ā䌲㕢໽೑ⱘϞᏱ৻ā (Himmelfahrts-Oratorium) Ā䌲㕢໽೑ⱘϞᏱ৻ā Lobet Gott in seinen Reichen, BWV 11 ॳ԰䈅 BWV ॳ԰䈅11/ 㓪䕥 P. Ꮧ䳋㒇ᖋ TP 1011 TP 1011 ᕙߎ

ⷨдᘏ䈅

Ludwig van Beethoven Beethoven, Ludwig van 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 Ludwig van Beethoven, (1770-1827) (1770-1827)

in D maj Concerto D ໻䇗ण༣᳆ for Violin and Orchestra op. 61 Ўᇣᦤ⨈ϢㅵᓺФ䯳㗠԰ op. 61 Urtext / Ed. J. Del Mar ॳ԰䈅 919 / 㓪䕥 J. ᖋᇨ偀ᇨ TP TP 919 String Quartets op. 18, 1-6 ᓺФಯ䞡༣ Urtext / Ed.op. J. 18, Del1-6 Mar 916 / 㓪䕥 J. ᖋᇨ偀ᇨ TP ॳ԰䈅 TP 916 String Quartets op. 59, 1-3 Urtext / Ed. J. Del Mar ᓺФಯ䞡༣ op. 59, 1-3 TP 917 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ TP 917 Quartets opp. 74, 95 String Urtext / Ed. J. Del Mar 918 TP ᓺФಯ䞡༣ op. 74ǃop. 95 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ TP 918

The Nine Symphonies б䚼Ѹડ᳆ Urtext / Ed. J. Del Mar ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ With an introduction (Ger/Eng) ᏺ᳝ᢰ⨲g⾥Ꮹᇨⱘࠡ㿔 by Barry Cooper ˄ᖋ᭛/㣅᭛˅ - No. 1 in C maj op. 21 TP 901 üC ໻䇗㄀ϔѸડ᳆ op. 21 TP 901 - No. 2 in D maj op. 36 TP 902 ü D ໻䇗㄀ѠѸડ᳆ op. 36 902 -TP No. 3 in E-flat maj op. 55 “Eroica” ü䰡 E ໻䇗㄀ϝѸડ᳆ op. 55 TP 903 ǉ㣅䲘Ǌ -TP No. 4 in B-flat maj op. 60 903 TP 904 ü 䰡 B ໻䇗㄀ಯѸડ᳆ op. 60 -TP No. 5 in C min op. 67 904 TP 905 C ᇣ䇗㄀ѨѸડ᳆ -üNo. 6 in F maj op. op. 68 67 TP 905 “Pastoral” TP 906 ü F ໻䇗㄀݁Ѹડ᳆ op. 68 -ǉ⬄ುǊ No. 7 in A maj op. 92 TP TP 907 906

- No. 8 in F maj op. 93 ü A ໻䇗㄀ϗѸડ᳆ op. 92 TP 908 TP 907 - No. 9 in D min op. 125 ü F909 ໻䇗㄀ܿѸડ᳆ op. 93 TP TP 908 ü D ᇣ䇗㄀бѸડ᳆ op. 125 TP 909

Berlioz, Hector Hector Berlioz Hector Berlioz, ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ (1803-1869) (1803-1869) Symphonie fantastique ǉᑏᛇѸડ᳆Ǌ Urtext / Ed. N. Temperley ॳ԰䈅 331 / 㓪䕥 N. ഺ⦔߽ TP TP 331 Brahms, Johannes Brahms, JohannesJohannes Brahms (1833-1897) 㑺㗄‫ݙ‬ᮃgࢗᢝྚᮃ (1833-1897) Concerto in D maj for Violin and Orchestra op. 77 D ໻䇗ण༣᳆ Urtext / Ed. C. Brown Ўᇣᦤ⨈ϢㅵᓺФ䯳㗠԰ op. 77 TP 949 ॳ԰䈅 / 㓪䕥 C. Ꮧᳫ TP 949 Debussy, Claude Debussy, Claude (1862-1918) Claude Debussy ‫⋯ܟ‬ᖋgᖋᔾ㽓 Mer La (1862-1918) Urtext / Ed. D. Woodfull-Harris NEW TP 780 in Vorbereitung ǉ໻⍋Ǌ D. ӡᖋᆠᇨ—જ䞠ᮃ Prélude à l’après-midi d’un ॳ԰䈅 / 㓪䕥 faune TP 780/ Prelude ᕙߎ to the Afternoon of a Faun Urtext / Ed. D. Woodfull-Harris ǉ⠻⼲जৢࠡ༣᳆Ǌ TP 841 ॳ԰䈅 / 㓪䕥 D. ӡᖋᆠᇨ—જ䞠ᮃ TP 841

Dvořák, Antonín Dvořák, Antonín Antonín DvoƎák (1841-1904) ᅝϰᅕgᖋ≗໣‫ ܟ‬

(1841-1904) The Nine Symphonies б䚼Ѹડ᳆

The Nine Symphonies 9 study scores in a set TP 900 Special price б䚼Ѹડ᳆ 9 ोⷨдᘏ䈅⠜༫㺙 TP 900 ⡍Ӌ

б䚼Ѹડ᳆ Symphony No. 1 in C min ‫⋯ܟ‬ᖋgᖋᔾ㽓 TP 501 C ᇣ䇗㄀ϔѸડ᳆ Symphony No. 2 in B-flat maj TP 501 ǉ໻⍋Ǌ op. 4 ॳ԰䈅 TP 502 䰡 B ໻䇗㄀ѠѸડ᳆ op. 4 TP 502 Symphony No. 3 in E-flat maj op. 10 ǉ⠻⼲जৢࠡ༣᳆Ǌ 䰡E ໻䇗㄀ϝѸડ᳆ op. 10 TP 503 ॳ԰䈅 TP 503 Symphony No. 4 in D min op. 13 D ᇣ䇗㄀ಯѸડ᳆ op. 13 TP TP 504 504

Symphony No. 5 in F maj F ໻䇗㄀ѨѸડ᳆ op. 76 op. 76 TP 505 505 TP D ໻䇗㄀݁Ѹડ᳆ 60maj Symphony No. 6 op. in D TP 506 op. 60 TP 506

ᇣ䇗㄀ϗѸડ᳆

ᇣ䇗ण༣᳆

ॳ԰䈅

ⷨдᘏ䈅

ॳ԰䈅 ໻䇗㄀ܿѸડ᳆

Dvořák, Antonín Antonín DvoƎák

ᇣ䇗㄀бѸડ᳆ ᅝϰᅕgᖋ≗໣‫ܟ‬ Dvořák, Antonín ᅝϰᅕgᖋ≗໣‫ܟ‬ ᅝϰᅕgᖋ≗໣‫ ܟ‬

(1841-1904) (1841-1904) ᅝϰᅕgᖋ≗໣‫ܟ‬

No. 7 in D min Symphony ᇣ䇗㄀ϗѸડ᳆ Dᇣ䇗㄀ϗѸડ᳆ ᇣ䇗㄀ϗѸડ᳆ op. 70 op. 70 ⠅ᖋढg඗ᇨࡴ TPᇣ䇗㄀ϗѸડ᳆ 507 ᅝϰᅕgᖋ≗໣‫ܟ‬ TP 507 ໻䇗㄀ܿѸડ᳆ G໻䇗㄀ܿѸડ᳆ ໻䇗㄀ܿѸડ᳆ 88maj Symphony No. 8 op. in G ᇣ䇗ण༣᳆ op. 88 TP໻䇗㄀ܿѸડ᳆ 508 ᇣ䇗㄀ϗѸડ᳆ TP 508 ॳ԰䈅 ᇣ䇗㄀бѸડ᳆ Eᇣ䇗㄀бѸડ᳆ ᇣ䇗㄀бѸડ᳆ op. 95 Symphony No. 9 in E min TPᇣ䇗㄀бѸડ᳆ 509 op.໻䇗㄀ܿѸડ᳆ 95 TP 509 Edward Elgar Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ⠅ᖋढg඗ᇨࡴ ⠅ᖋढg඗ᇨࡴ ⠅ᖋढg඗ᇨࡴ ᇣ䇗㄀бѸડ᳆ Elgar, Edward (1857-1934) Edward Elgar, ⠅ᖋढg඗ᇨࡴ (1857-1934) ǉᓹาѮǊ ᇣ䇗ण༣᳆ Eᇣ䇗ण༣᳆ ᇣ䇗ण༣᳆ ॳ԰䈅 in E min Concerto Ў໻ᦤ⨈ϢㅵᓺФ䯳㗠԰ op. 85 ⠅ᖋढg඗ᇨࡴ ᇣ䇗ण༣᳆ for Violoncello and Orchestra ॳ԰䈅 ॳ԰䈅 / 㓪䕥 J. ᖋᇨ偀ᇨ ॳ԰䈅 op. 85 TP 398 / Ed. J. Del Mar ॳ԰䈅 ǉⱛᆊ✄☿䷇ФǊ Urtext ᇣ䇗ण༣᳆ 398 TP ॳ԰䈅 George Frideric Handel Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ Handel, ॳ԰䈅 George Frideric (1685-1759) Handel, George Frideric Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ǉ∈Ϟ䷇ФǊ (1685-1759) ॳ԰䈅 ǉᓹาѮǊ ǉᓹาѮǊHWV 56 ǉᓹาѮǊ HWVJ. 56 Messiah ॳ԰䈅 ॳ԰䈅 / 㓪䕥 ᠬᆒ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ॳ԰䈅 ǉᓹาѮǊ Urtext / Ed. J. Tobin TP 175 ॳ԰䈅 TP 175 㑺⨳໿g⍋乓 ǉⱛᆊ✄☿䷇ФǊ

351 ǉⱛᆊ✄☿䷇ФǊHWV ǉᓹาѮǊ ǉⱛᆊ✄☿䷇ФǊ Music of the Royal Fireworks ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ ॳ԰䈅351 HWV ॳ԰䈅 ǉⱛᆊ✄☿䷇ФǊ TP໻䇗㄀ϔण༣᳆ 373 / Ed. C. Hogwood Urtext ॳ԰䈅 TP 373 ǉ∈Ϟ䷇ФǊ ǉ∈Ϟ䷇ФǊHWV ǉⱛᆊ✄☿䷇ФǊ 348-350 ǉ∈Ϟ䷇ФǊ ॳ԰䈅 Music HWV 348-350 Water ॳ԰䈅 ॳ԰䈅 / 㓪䕥 T. 䋱ᮃ⡍ ǉ∈Ϟ䷇ФǊ ॳ԰䈅 Urtext / Ed. T. Best TP 374 ॳ԰䈅 374 TP ໻䇗㄀Ѡण༣᳆ Joseph Haydn ǉ∈Ϟ䷇ФǊ Haydn, Joseph 㑺⨳໿g⍋乓 ॳ԰䈅Joseph Haydn, 㑺⨳໿g⍋乓 ॳ԰䈅 (1732-1809) (1732-1809) 㑺⨳໿g⍋乓 C ໻䇗㄀ϔण༣᳆ No. 1 in C maj Concerto ໻䇗㄀ϔण༣᳆ ໻䇗ण༣᳆ Hob. / 㓪䕥 S. Ⲫᇨᢝ䌿 ॳ԰䈅VIIb:1 ॳ԰䈅 Urtext / Ed. S. Gerlach ॳ԰䈅 TP 291 ॳ԰䈅 291 TP ໻䇗㄀ϔण༣᳆ D ໻䇗㄀Ѡण༣᳆ Concerto No. 2 in D maj ໻䇗㄀Ѡण༣᳆ Ў໻ᦤ⨈ϢㅵᓺФ䯳㗠԰ Hob. VIIb:2 ॳ԰䈅 for Violoncello and Orchestra ໻䇗㄀Ѡण༣᳆ Hob. / 㓪䕥 S. Ⲫᇨᢝ䌿 ॳ԰䈅VIIb:2 ॳ԰䈅 Urtext TP 292 / Ed. S. Gerlach ॳ԰䈅 292 TP ໻䇗㄀Ѡण༣᳆ E ໻䇗ण༣᳆ 䰡 E ໻䇗ण༣᳆ Concerto in E-flat maj 䰡 ໻䇗ण༣᳆ ЎᇣোϢㅵᓺФ䯳㗠԰ Hob. VIIe:1 ॳ԰䈅 VIIe:1 ໻䇗ण༣᳆ for trumpet and orchestra ॳ԰䈅VIIe:1 / 㓪䕥 M. ༹㉇Ѯ Hob. ॳ԰䈅 Urtext TP 351 / Ed. M. Ohmiya ॳ԰䈅 351 TP໻䇗ण༣᳆

for Violoncello and Orchestra Ў໻ᦤ⨈ϢㅵᓺФ䯳㗠԰ Hob. VIIb: 1 㑺⨳໿g⍋乓 ໻䇗㄀ϔण༣᳆

ॳ԰䈅

ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ Mendelssohn Bartholdy, Felix Felix Mendelssohn Bartholdy 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 ॳ԰䈅 Bartholdy, Felix Mendelssohn 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 (1809-1847) (1809-1847) 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾

in E min for Concerto ᇣ䇗ण༣᳆ ǉӆ໣໰ПṺǊ E ᇣ䇗ण༣᳆ Violin and Orchestra op. 64 Ўᇣᦤ⨈ϢㅵᓺФ䯳㗠԰ 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 Urtext / Ed. R. L. Todd op. 64 ᇣ䇗ण༣᳆ ॳ԰䈅 ॳ԰䈅 397 / 㓪䕥 R. L. ᠬᖋ TP TP 397 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅 The Hebrides ᇣ䇗ण༣᳆ ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ Concert Overture op. 26 op. 26 ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ䷇ФӮᑣ᳆ ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ Urtext ॳ԰䈅 / Ed. C. Hogwood / 㓪䕥 C. 䳡Ḑӡᖋ ॳ԰䈅 ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ 㬳㚻㎷ 395 TP TP 395 ॳ԰䈅 A Midsummer Night's Dream ᇣ໰᳆ ǉӆ໣໰ПṺǊ ǉӆ໣໰ПṺǊ䷇ФӮᑣ᳆ op. ǉӆ໣໰ПṺǊ䷇ФӮᑣ᳆ op. 21 21 ǉ䌿Ꮧ䞠ᑩ㕸ቯǊ Concert ॳ԰䈅 Overture op. 21 TP 396 //㓪䕥 Urtext Ed. C.C.Hogwood ॳ԰䈅䳡Ḑӡᖋ ǉӆ໣໰ПṺǊ TP TP396 396 Wolfgang Amadeus Mozart ಯ䞡༣ Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ǉӆ໣໰ПṺǊ Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791)ॳ԰䈅 (1756-1791)

㬳㚻㎷ Chamber 㬳㚻㎷ Music ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 㬳㚻㎷㬳㚻㎷ ໻䇗Ѩ䞡༣

ᇣ໰᳆ K. 525 Eine kleine Nachtmusik ᇣ໰᳆ / 㓪䕥 E. F. ᮑᆚ⡍ ॳ԰䈅 K. 525 K. 525 ᇣ໰᳆ ᇣ໰᳆ ॳ԰䈅 ॳ԰䈅㬳㚻㎷ TP 19 Urtext Ed. E. ॳ԰䈅 / /㓪䕥 ॳ԰䈅 E.F.F.Schmid ᮑᆚ⡍ TP 19 TP 19 ಯ䞡༣ ᇣ໰᳆ K. 285ǃ285aǃAnh. 171ǃ ᇣ䇗ᇣ໰᳆ Quartets K. 285, 285a, Anh. 171, ಯ䞡༣ 298 Ў䭓ワǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ ॳ԰䈅 ಯ䞡༣ ಯ䞡༣ 285ǃ285aǃAnh. 298 forK.flute, violin, viola 171ǃ and ॳ԰䈅 ॳ԰䈅 / 㓪䕥 J. ⊶∝व ⨈㗠԰ 298 Ў䭓ワǃᇣᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ violoncello ॳ԰䈅 TP 150 ॳ԰䈅 Urtext Ed. J. Pohanka ⨈㗠԰ /ॳ԰䈅 / 㓪䕥 J. ⊶∝व ಯ䞡༣ TP TP 150 150 A ໻䇗Ѩ䞡༣ K. 581 Ўऩㇻㅵǃঠᇣ 䰡 ໻䇗ᇣ໰᳆ ໻䇗Ѩ䞡༣ ᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ⨈㗠԰ Quintet in A K. maj 581 ॳ԰䈅 ໻䇗Ѩ䞡༣ A ໻䇗Ѩ䞡༣ 581K.Ўऩㇻㅵǃঠᇣ ॳ԰䈅 for clarinet, ॳ԰䈅 / 㓪䕥 two E. F.violins, ᮑᆚ⡍ viola ᦤ⨈ǃЁᦤ⨈Ϣ໻ᦤ⨈㗠԰ and violoncello ॳ԰䈅 TP 14 ॳ԰䈅 / /㓪䕥 E.F.F.Schmid ᮑᆚ⡍ ॳ԰䈅 Urtext Ed. E. ໻䇗Ѩ䞡༣ TP 14 14 TP C ᇣ䇗ᇣ໰᳆ K. 388 (384a) क佪ᑚ‫݌‬ᓺФಯ䞡༣ ᇣ䇗ᇣ໰᳆ ॳ԰䈅 / 㓪䕥 D.min N. ߽Ểǃ Serenade in C K. 388 (384a) C ᇣ䇗ᇣ໰᳆ K. 388 (384a) ᇣ䇗ᇣ໰᳆ ॳ԰䈅 ᠢᮃᢝ໿ N. Urtext Ed. D. N. Leeson, ॳ԰䈅 / /㓪䕥 D. N. ߽Ểǃ ॳ԰䈅 ॳ԰䈅 Zaslaw N. TPᠢᮃᢝ໿ 313 N. TPᇣ䇗ᇣ໰᳆ 313 TP 313 䰡 E ໻䇗ᇣ໰᳆ K. 375 ॳ԰䈅 ϝ佪ᓺФო␌᳆ Serenade in E-flat maj K. 375 䰡E ໻䇗ᇣ໰᳆ ໻䇗ᇣ໰᳆ ॳ԰䈅 / 㓪䕥 D.K. N.375 ߽Ểǃ 䰡䰡 ໻䇗ᇣ໰᳆ Urtext / Ed. D. N. Leeson, ॳ԰䈅 ᠢᮃᢝ໿ N. ॳ԰䈅 / 㓪䕥 D. N. ߽Ểǃ Zaslaw N. ॳ԰䈅 ॳ԰䈅 TPᠢᮃᢝ໿ 315 TP 315 N. 䰡 ໻䇗ᇣ໰᳆ TP 315 क佪ᑚ‫݌‬ᓺФಯ䞡༣ 387ǃ421ǃ The Ten CelebratedK.String ॳ԰䈅 Quartets K. 387, 421, 428, 458, 428ǃ458ǃ464ǃ465ǃ499ǃ575ǃ क佪ᑚ‫݌‬ᓺФಯ䞡༣ क佪ᑚ‫݌‬ᓺФಯ䞡༣ K. 387ǃ421ǃ क佪ᑚ‫݌‬ᓺФಯ䞡༣ 464, 465, 499, 575, 589,L.590 589ǃ590 ॳ԰䈅 / 㓪䕥㢀㟡ᇨ 428ǃ458ǃ464ǃ465ǃ499ǃ575ǃ Urtext L. Finscher TP 140 / Ed. ॳ԰䈅 589ǃ590 ॳ԰䈅 140 TP ॳ԰䈅 / 㓪䕥 L. 㢀㟡ᇨ क佪ᑚ‫݌‬ᓺФಯ䞡༣ TP 140 ϝ佪ᓺФო␌᳆ Three Divertimenti K. 136-138˄125a-c˅ ϝ佪ᓺФო␌᳆ for strings ॳ԰䈅 K. 136-138 (125a-c) ϝ佪ᓺФო␌᳆ ϝ佪ᓺФო␌᳆ ॳ԰䈅 //㓪䕥 H.Füssl 㧆ᮃᇨ Urtext Ed. K.K.H. K. 136-138˄125a-c˅ 278 TP TP 278/ 㓪䕥 K. H. 㧆ᮃᇨ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ϝ佪ᓺФო␌᳆ TP 278 ॳ԰䈅

Concertos for Strings 㻳㎷㾎䔁㤛㻳㎷㾎䔁㤛㻳㎷㾎䔁㤛㻳㎷㾎䔁㤛 Complete Violin Concertos ᇣᦤ⨈ण༣᳆ܼ䲚 Urtext / Ed. C. H. Mahling ᇣᦤ⨈ण༣᳆ܼ䲚 ᇣᦤ⨈ण༣᳆ܼ䲚 ॳ԰䈅 / 㓪䕥 C. H. 偀ᵫ ᇣᦤ⨈ण༣᳆ܼ䲚 ॳ԰䈅 ॳ԰䈅㻳㎷㾎䔁㤛 -ॳ԰䈅 No. 1 in B-flat maj K. 207 TP 䰡 B ໻䇗㄀ 1 ো K. 207 — 270 TP 270 ᇣᦤ⨈ण༣᳆ܼ䲚 - No. 2 in D maj K. 211 ॳ԰䈅 TP 271 — D ໻䇗㄀ 2 ো K. 211 271 -TP No. 3 in G maj K. 216 TP 䰡 272 ໻䇗Ѹડण༣᳆ — G ໻䇗㄀ 3 ো K. 216 272 -TP No. 4 in D maj K. 218 TP 273 ॳ԰䈅 — D ໻䇗㄀ 4 ো K. 218 -TP No. 5 in A maj K. 219 273 TP 20

— A ໻䇗㄀ 5 ো K. 219 Sinfonia concertante in E-flat TP 20 maj for Violin, Viola and Orchestra K. 364 (320d) 䰡 E ໻䇗Ѹડण༣᳆ Urtext / Ed. C. H. Mahling 䰡 ໻䇗Ѹડण༣᳆ Ўᇣᦤ⨈ǃЁᦤ⨈ϢㅵᓺФ䯳㗠԰ 䰡176 ໻䇗Ѹડण༣᳆ TP 䰡 ໻䇗Ѹડण༣᳆ K. 364 (320d) ॳ԰䈅 / 㓪䕥 C. H. 偀ᵫ ॳ԰䈅 TP 176 䰡 ໻䇗Ѹડण༣᳆ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ᇣᦤ⨈ϢㅵᓺФ䯳԰ક ॳ԰䈅 / 㓪䕥 C. H. 偀ᵫ TP 325

NEW

⹽㎷㾎䔁㤛 C ໻䇗ण༣᳆ ЎঠㇻㅵϢㅵᓺФ䯳㗠԰ K. 314˄285d˅ ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ Werke TP 252 für Violine und Orchester Urtext / Ed. C. H. Mahling A ໻䇗ण༣᳆ 325 TP ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ K. 622 ⹽㎷㾎䔁㤛 ⹽㎷㾎䔁㤛 ⹽㎷㾎䔁㤛 ॳ԰䈅 / 㓪䕥 F. ঢ়Ḑᵫ ⹽㎷㾎䔁㤛 TP 254 C ໻䇗ण༣᳆ ໻䇗ण༣᳆ ໻䇗ण༣᳆ Concertos for Winds ЎঠㇻㅵϢㅵᓺФ䯳㗠԰ ໻䇗ण༣᳆ ⹽㎷㾎䔁㤛 K. 314˄285d˅ Concerto in C maj for Oboe ॳ԰䈅 / 㓪䕥 F.K. ঢ়Ḑᵫ ॳ԰䈅 and Orchestra 314 (285d) ॳ԰䈅 TP໻䇗ण༣᳆ 252 / Ed. F. Giegling Urtext ॳ԰䈅 TP 252 A ໻䇗ण༣᳆ ໻䇗ण༣᳆ ໻䇗ण༣᳆ Concerto in A maj for Clarinet ЎऩㇻㅵϢㅵᓺФ䯳㗠԰ K. 622 ॳ԰䈅 ໻䇗ण༣᳆ and Orchestra K. 622 ॳ԰䈅 ॳ԰䈅/ 㓪䕥 F. ঢ়Ḑᵫ ॳ԰䈅 / Ed. F. Giegling Urtext TP 254 ॳ԰䈅 254 TP ໻䇗ण༣᳆ ॳ԰䈅

ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ⷨдᘏ䈅

⶷㣺㾎䔁㤛 ⶷㣺㾎䔁㤛 ⶷㣺㾎䔁㤛䩶⨈ण༣᳆ 䩶⨈ण༣᳆ 䩶⨈ण༣᳆

..䁱㻑䓽㠸ᱎᱎ ᱎᱎᱎᱎᱎᱎᱎ ᱎ Study Scores Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) Mozart, Wolfgang Amadeus (1756-1791) ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ೚োण༣᳆ K.417ǃ447ǃ495ǃ b The Horn Concertos 412+514˄386 ˅ K. 417, /447, 495, 412 + 514 (386b) ॳ԰䈅㓪䕥 F. ঢ়Ḑᵫ ೚োण༣᳆ Urtext / Ed. F. Giegling TP 324 TP 324 ॳ԰䈅

⶷㣺㾎䔁㤛 Piano Concertos

䩶⨈ण༣᳆ The Piano Concertos

⶷㣺㾎䔁㤛 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 3 ोⷨдᘏ䈅⠜༫㺙 study scores in aॳ԰䈅 set. Urtext ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ TP 602 602 Special⡍Ӌ price ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ 䩶⨈ण༣᳆ ॳ԰䈅 12佪inAA໻䇗 majK.K.414 414 -೚োण༣᳆ No.12 ೚োण༣᳆ —㄀ ೚োण༣᳆ Urtext / Ed. C. Wolff ೚োण༣᳆ ॳ԰䈅 / 㓪䕥 C. ≗ᇨ໿ ೚োण༣᳆ TP 244 ॳ԰䈅 TP 244 ॳ԰䈅㄀佪 ໻䇗 ॳ԰䈅 ॳ԰䈅 -ॳ԰䈅 No. 20 in D min K. 466 ॳ԰䈅 —㄀ 20 佪 D ᇣ䇗 K. 466 Urtext / Ed. H. Engel, ⶷㣺㾎䔁㤛 ॳ԰䈅 / 㓪䕥 H. ᘽḐᇨǃ H. Heussner ⶷㣺㾎䔁㤛 ⶷㣺㾎䔁㤛 TP䳡Ӟᮃ㒇 147 ⶷㣺㾎䔁㤛 H. ⶷㣺㾎䔁㤛㄀佪 ᇣ䇗䩶⨈ण༣᳆ TP 147 䩶⨈ण༣᳆ ॳ԰䈅 -䩶⨈ण༣᳆ No. 21 in C maj K. ॳ԰䈅 467 䩶⨈ण༣᳆ ॳ԰䈅䩶⨈ण༣᳆ Urtext / Ed. H. Engel, ॳ԰䈅 —㄀ 21 佪 C ໻䇗 K. 467 ॳ԰䈅 H. Heussner ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H. ᘽḐᇨǃ TP 148 ㄀佪 ໻䇗 H. 䳡Ӟᮃ㒇㄀佪 ໻䇗㄀佪佪 ໻䇗 ໻䇗㄀ TP 14823 佪 -ॳ԰䈅 No. in A ໻䇗 maj K. 488 ㄀ ॳ԰䈅 ॳ԰䈅㄀佪 ໻䇗 ॳ԰䈅 Urtext / Ed. H. Beck ॳ԰䈅 ॳ԰䈅 —㄀ 6223 佪 A ໻䇗 K. 488 TP ㄀ / 㓪䕥佪 ᇣ䇗 ॳ԰䈅 H. 䋱‫ܟ‬ ㄀佪 ᇣ䇗 -ॳ԰䈅 No. in Cᇣ䇗 min K. 491 ㄀ TP 62 24佪㄀佪 ᇣ䇗 ॳ԰䈅㄀ /佪佪Ed. ᇣ䇗 ໻䇗㄀ Urtext H. Beck ॳ԰䈅 ॳ԰䈅 6324 佪 C ᇣ䇗 K. 491 TP ॳ԰䈅 ॳ԰䈅 —㄀ ॳ԰䈅 / 㓪䕥 H. 䋱‫ܟ‬ TP ㄀ 63 佪 ໻䇗 Symphonies ㄀㄀佪佪 ໻䇗 ᇣ䇗㄀佪 ໻䇗 ॳ԰䈅㄀佪 ໻䇗 ॳ԰䈅 ॳ԰䈅㄀佪 ໻䇗 ॳ԰䈅 ㅜ㼍㤛 ॳ԰䈅 ॳ԰䈅 Complete Symphonies 4 study scores in a set ㅜ㼍㤛 Urtext ㄀佪 ໻䇗㄀ ໻䇗 price TP 600 佪 Special ㄀佪 ໻䇗㄀ ॳ԰䈅㄀佪佪 ໻䇗 ໻䇗 ॳ԰䈅㄀佪 ໻䇗 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 - No. 29 in A maj K. 201 ㄀ /佪佪Ed. ᇣ䇗 ໻䇗㄀ Urtext H. Beck ㄀佪 ᇣ䇗 ॳ԰䈅 TP 43 ㄀佪 ໻䇗ǉᏈ咢Ǌ ㄀佪 ᇣ䇗 ॳ԰䈅㄀佪 ᇣ䇗 ॳ԰䈅㄀佪 ᇣ䇗 ॳ԰䈅 ॳ԰䈅 -ॳ԰䈅 No. 31 in D maj “Paris” ॳ԰䈅 K. 297 ㄀佪 ໻䇗ǉᏈ咢Ǌ ㅜ㼍㤛 Urtext / Ed.໻䇗ǉજ໿㒇Ǌ H. Beck ㅜ㼍㤛 ॳ԰䈅㄀佪 ㅜ㼍㤛 TP 41 ㅜ㼍㤛 ㅜ㼍㤛 ॳ԰䈅 Ѹડ᳆ܼ䲚 Ѹડ᳆ܼ䲚

-Ѹ No. 35 in D maj “Haffner” ડ᳆ܼ䲚㄀佪 ໻䇗ǉજ໿㒇Ǌ K.4 385 ㄀佪ॳ԰䈅 ໻䇗 ोⷨдᘏ䈅⠜༫㺙 ॳ԰䈅㄀ ໻䇗 ॳ԰䈅 Urtext /佪Ed. C. ㄀ ॳ԰䈅 ॳ԰䈅 600H. Mahling ⡍Ӌ ㄀佪佪TP໻䇗 ॳ԰䈅 180 佪 ໻䇗 TP ㄀ ໻䇗 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 78 ㄀佪 ໻䇗ǉᏈ咢Ǌ ㄀佪 ໻䇗ǉᏈ咢Ǌ ㄀ ॳ԰䈅㄀佪佪 ໻䇗ǉᏈ咢Ǌ ໻䇗ǉᏈ咢Ǌ ॳ԰䈅㄀佪 ໻䇗ǉᏈ咢Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

Wolfgang Amadeus Amadeus Mozart Wolfgang Mozart ໻䇗 ໻䇗 ≗ ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ໻䇗 Wolfgang Amadeus Mozart ϗ䚼ӳ໻ⱘ℠࠻༫㺙 Seven Great Operas in a boxed set

㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ᇣ䇗 ᇣ䇗 ᇣ䇗

㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

໻䇗 ໻䇗 ໻䇗

㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

໻䇗ǉᵫ㣼Ǌ ໻䇗ǉᵫ㣼Ǌ ໻䇗ǉᵫ㣼Ǌ

໻䇗 ໻䇗 ໻䇗

㄀佪㄀佪㄀佪 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

໻䇗ǉᏗᢝḐǊ ໻䇗ǉᏗᢝḐǊ ໻䇗ǉᏗᢝḐǊ

ᇣ䇗 ᇣ䇗 ᇣ䇗

㄀佪䰡㄀佪䰡㄀佪䰡 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ㅜ㼍㤛 ㅜ㼍㤛 ㅜ㼍㤛㄀佪 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅㄀佪 ໻䇗㄀佪 ໻䇗 K. 201 —㄀㄀29 佪佪A ໻䇗 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 / 㓪䕥໻䇗ǉᏗᢝḐǊ H. 䋱‫ܟ‬ ॳ԰䈅㄀佪 - No. 36 in C maj “Linz” TP 43 ॳ԰䈅 K. 425 ㄀佪 ໻䇗ǉᏈ咢Ǌ Urtext / Ed. F. Schnapp 297 31 佪 D ໻䇗ǉᏈ咢ǊK. —㄀㄀佪 ॳ԰䈅佪 ໻䇗ǉᏈ咢Ǌ ໻䇗ǉᏗᢝḐǊ 16 / 㓪䕥 TP㄀ ॳ԰䈅 H. 䋱‫ܟ‬ ॳ԰䈅 ॳ԰䈅㄀41 佪䰡 ໻䇗 TP - No. 38 in D maj “Prague” ॳ԰䈅 35 佪 D ໻䇗ǉજ໿㒇ǊK. 385 —㄀ K.㄀ 504 佪 ໻䇗ǉજ໿㒇Ǌ ㄀ ॳ԰䈅 /佪㓪䕥 C. H. 偀ᵫ Urtext /佪䰡 Ed.໻䇗ǉજ໿㒇Ǌ L.໻䇗 Somfai ㄀ ॳ԰䈅㄀佪 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅 160 TP 180 ㄀佪 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅㄀佪 ᇣ䇗㄀佪 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅㄀佪 ໻䇗ǉᵫ㣼Ǌ ॳ԰䈅 ໻䇗ǉᵫ㣼ǊK. 425 —㄀ ॳ԰䈅 -ॳ԰䈅 No.36 39佪inCE-flat maj K. 543 ॳ԰䈅 / /㓪䕥 F. ᮑ㒇᱂ ॳ԰䈅 Urtext Ed. H. C. Robbins ㄀佪 ᇣ䇗 TP㄀ 16 佪 Landon ໻䇗ǉᏗᢝḐǊ ㄀39 佪 ໻䇗ǉᏗᢝḐǊ TP ㄀佪 ໻䇗ǉᏗᢝḐǊ ॳ԰䈅 38 佪 D ໻䇗ǉᏗᢝḐǊK. 504 —㄀ ॳ԰䈅 ॳ԰䈅 ໻䇗ǉᏗᢝḐǊ ㄀㄀佪佪 ໻䇗ǉᴅᑛ⡍Ǌ ॳ԰䈅 ॳ԰䈅 / 㓪䕥 L.min 㒡ྚ⽣Ӟ No. 40 in G K. 550, ॳ԰䈅 ॳ԰䈅 TP 160 version with clarinets second ㄀佪䰡 ໻䇗 Urtext /佪Ed.໻䇗ǉᴅᑛ⡍Ǌ H. C. Robbins ㄀ ໻䇗㄀佪䰡 —㄀佪䰡 E ໻䇗 ॳ԰䈅 Landon ㄀ 39 佪䰡 ໻䇗 K. 543 ॳ԰䈅 ॳ԰䈅㄀佪䰡 ໻䇗 ॳ԰䈅 / 㓪䕥 H. C. 㔫ᆒᮃg݄ⱏ TP 40 ॳ԰䈅 ॳ԰䈅 TP 39 - No. in Cᇣ䇗 maj “Jupiter” ㄀ 41佪 —㄀ 40 佪 G ᇣ䇗 K. 550 K. 551 ㄀㄀佪佪 ᇣ䇗 ᇣ䇗㄀Ѡ⠜ᏺ᳝ऩㇻㅵ Urtext / Ed.ᇣ䇗 H. C. Robbins ㄀佪 ॳ԰䈅 ॳ԰䈅 / 㓪䕥 H. C. 㔫ᆒᮃg݄ⱏ Landon ॳ԰䈅 ॳ԰䈅 TP 17 40 ॳ԰䈅 —㄀ 41 佪 C ໻䇗ǉᴅᑛ⡍ǊK. 551 ㄀佪 ໻䇗ǉᴅᑛ⡍Ǌ ㄀ ॳ԰䈅㓪䕥໻䇗ǉᴅᑛ⡍Ǌ H. C. 㔫ᆒᮃg݄ⱏ ㄀ /佪佪 ໻䇗ǉᴅᑛ⡍Ǌ ॳ԰䈅 ॳ԰䈅 TP㄀17 佪 ໻䇗ǉᴅᑛ⡍Ǌ ॳ԰䈅 ॳ԰䈅

໻䇗 ໻䇗 ໻䇗

㄀佪 ᇣ䇗㄀佪 ᇣ䇗㄀佪7 ोⷨдᘏ䈅⠜༫㺙 ᇣ䇗 ॳ԰䈅 ॳ԰䈅 Seven study scores in a set ॳ԰䈅 ॳ԰䈅 Urtext TP 601 ⡍Ӌ

䓻ㅭ㪚㎷䔘㠘 TP 601

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㄀佪 ໻䇗ǉᴅᑛ⡍Ǌ ㄀佪 ໻䇗ǉᴅᑛ⡍Ǌ ㄀佪 ໻䇗ǉᴅᑛ⡍Ǌ ໻䇗ᓹᩦ᳆ ॳ԰䈅䓻ㅭ㪚㎷䔘㠘 ॳ԰䈅 ॳ԰䈅 ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ Sacred Vocal Works ॳ԰䈅 C ໻䇗ᓹᩦ᳆ ǉࡴ‫ݩ‬ᓹᩦ᳆ǊK. Mass in C maj 317 “Coronation Mass” ॳ԰䈅 / 㓪䕥 M. 䳡ᇨ K. 317 ᇣ䇗ᓹᩦ᳆ Urtext TP 316 / Ed. M. Holl ॳ԰䈅

TP 316

C ᇣ䇗ᓹᩦ᳆ K. 427 Mass in C min K. 427

ॳ԰䈅䓻ㅭ㪚㎷䔘㠘 ǉᅝ儖᳆Ǌ Urtext/ 㓪䕥 / Ed. M. M.䳡ᇨ Holl 䓻ㅭ㪚㎷䔘㠘 TP 䓻ㅭ㪚㎷䔘㠘 255 TP 255 ॳ԰䈅䓻ㅭ㪚㎷䔘㠘䓻ㅭ㪚㎷䔘㠘

໻䇗ᓹᩦ᳆ ໻䇗ᓹᩦ᳆ ǉᅝ儖᳆ǊK. 626 Requiem K. 626 ໻䇗ᓹᩦ᳆ ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ ໻䇗ᓹᩦ᳆ ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ Urtext / Ed. L. 䇎⪺‫ܟ‬ Nowak ॳ԰䈅 / 㓪䕥 ໻䇗ᓹᩦ᳆ ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ ॳ԰䈅 ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ 152 TP 152 ॳ԰䈅 TP ǉࡴ‫ݩ‬ᓹᩦ᳆Ǌ 㹉㲉䔘㠘 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Stage Works ᇣ䇗ᓹᩦ᳆ ǉৢᅿ䇅䗗Ǌ ᇣ䇗ᓹᩦ᳆ 㹉㲉䔘㠘 ᇣ䇗ᓹᩦ᳆ ॳ԰䈅 ᇣ䇗ᓹᩦ᳆ ॳ԰䈅 The Abduction from the ᇣ䇗ᓹᩦ᳆ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 Seraglio K. 384384˄ᖋ᭛˅ (Ger) ǉৢᅿ䇅䗗ǊK. ॳ԰䈅 Opera Singspiel in three acts ϝᐩ℠ଅ࠻ ǉᅝ儖᳆Ǌ Urtext / Ed. G. Croll ǉᅝ儖᳆Ǌ ॳ԰䈅 ǉᅝ儖᳆Ǌ ǉ⢘ᠬⱘҕ᜜Ǌ ॳ԰䈅 ǉᅝ儖᳆Ǌ TP 311 / 㓪䕥 G. ‫ܟ‬㔫ᇨ ॳ԰䈅 ǉᅝ儖᳆Ǌ TP 311 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 La clemenza di Tito ॳ԰䈅 ǉ⢘ᠬⱘҕ᜜Ǌ Opera seria in two acts K. 621 Urtext / Ed. F. Giegling Ѡᐩℷ℠࠻ K. 621 㹉㲉䔘㠘㹉㲉䔘㠘 TP 321 / 㓪䕥 F. ঢ়Ḑᵫ ॳ԰䈅㹉㲉䔘㠘㹉㲉䔘㠘㹉㲉䔘㠘 TP 321 ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅 ǉ⢘ᠬⱘҕ᜜Ǌ ǉ⢘ᠬⱘҕ᜜Ǌ

䓻ㅭ㪚㎷䔘䓻ㅭ㪚㎷䔘䓻ㅭ㪚㎷䔘

໻䇗ᓹᩦ ໻䇗ᓹᩦ ໻䇗ᓹᩦ ǉࡴ‫ݩ‬ᓹᩦ ǉࡴ‫ݩ‬ᓹᩦ ǉࡴ‫ݩ‬ᓹᩦ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ᇣ䇗ᓹᩦ ᇣ䇗ᓹᩦ ᇣ䇗ᓹᩦ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ǉᅝ儖᳆Ǌ ǉᅝ儖᳆Ǌ ǉᅝ儖᳆Ǌ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

㹉㲉䔘㠘㹉㲉䔘㠘㹉㲉䔘㠘

ǉৢᅿ䇅䗗 ǉৢᅿ䇅䗗 ǉৢᅿ䇅䗗 ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ǉ⢘ᠬⱘҕ ǉ⢘ᠬⱘҕ ǉ⢘ᠬⱘҕ ॳ԰䈅 ॳ԰䈅 ॳ԰䈅

ᠬᇨ䖾

⛺䰓෎䇎g㔫㽓ሐ

ǉา㓈߽Ѯ⧚থᏜǊ ॳ԰䈅

..䁱㻑䓽㠸ᱎᱎᱎ………… ᱎᱎᱎ Study Scores Wolfgang Amadeus Mozart Stage Works ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756-1791) Mozart, Wolfgang Amadeus Mozart, Wolfgang Amadeus 㹉㲉䔘㠘 (1756-1791) ǉཇҎᖗǊK. 588 fan tutte K. 588 Così Urtext Ed. F. ॳ԰䈅 / /㓪䕥 F.Ferguson, ᓫḐỂǃW. 䳋ྚ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ W. Rehm TP 314 TP 314 ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍

ǉ૤Ш⪺ሐǊK. Don Giovanni 527 K. 527 㹉㲉䔘㠘 ॳ԰䈅 / /㓪䕥 W. Plath, ᱂ᢝ⡍ǃW. 䳋ྚ Urtext Ed. W. W. Rehm ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ TP 279 㹉㲉䔘㠘 ǉཇҎᖗǊ Idomeneo K. 366366 ॳ԰䈅 ǉӞ໮ṙ㒑ᮃǊK. ǉཇҎᖗǊ 㹉㲉䔘㠘 Urtext /㓪䕥 Ed. D. ॳ԰䈅 / D. Heartz જ㣼 ॳ԰䈅 edition Revised ׂ䅶⠜ TP 322 ǉཇҎᖗǊ ǉ૤Ш⪺ሐǊ TP 322 ॳ԰䈅 ॳ԰䈅 ǉ૤Ш⪺ሐǊ ॳ԰䈅 ǉ૤Ш⪺ሐǊ ǉӞ໮ṙ㒑ᮃǊ ॳ԰䈅 ॳ԰䈅 ǉӞ໮ṙ㒑ᮃǊ

Eight Symphonies The Schubert Franz ܿ䚼Ѹડ᳆ Urtext ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 (1797-1828) - No. 1 in D maj D 82 ໻䇗㄀ϔѸડ᳆ Ed. C. Landon, A. Feil ᅸ‫ݙ‬Фܼ䲚 TP 401 3 ोⷨдᘏ䈅⠜ ॳ԰䈅 4092 in B-flat maj⡍߿ᡬᠷӋ -TP No. D 125 ܿ䚼Ѹડ᳆ Ed.䰡C. Landon, A. Feil ໻䇗㄀ѠѸડ᳆ TP 402 ॳ԰䈅 ܿ䚼Ѹડ᳆ -ॳ԰䈅 No.໻䇗㄀ϔѸડ᳆ 3 in D maj D 200 Ed. C. Landon, A. Feil ܿ䚼Ѹડ᳆ ໻䇗㄀ϝѸડ᳆ ü D403 ໻䇗㄀ϔѸડ᳆ D 82 TP ॳ԰䈅㓪䕥 C. ݄ⱏǃA. ⊩Ӟᇨ -TP No. 4014 in C min D 417 ໻䇗㄀ѠѸડ᳆ Ed.䰡D.໻䇗㄀ϔѸડ᳆ Woodfull-Harris TP 404 ᇣ䇗㄀ಯѸડ᳆ ü䰡 B ໻䇗㄀ѠѸડ᳆ D 125 ݄ⱏǃA. ⊩Ӟᇨ -㓪䕥 No. C. 5 in B-flat maj D 485 TP 402 Ed. D. Woodfull-Harris 䰡 ໻䇗㄀ѠѸડ᳆ ໻䇗㄀ϝѸડ᳆ TP 405 ໻䇗㄀ѨѸડ᳆ ü䰡 D ໻䇗㄀ϝѸડ᳆ D 200 㓪䕥 C. ݄ⱏǃA. ⊩Ӟᇨ TP 403 ໻䇗㄀ϝѸડ᳆ ᇣ䇗㄀ಯѸડ᳆ ü C ᇣ䇗㄀ಯѸડ᳆ D 417 㓪䕥 D. ӡᖋᆠᇨüજ䞠ᮃ TP 404 䰡 ᇣ䇗㄀ಯѸડ᳆ ໻䇗㄀ѨѸડ᳆

ॳ԰䈅 ǉӞ໮ṙ㒑ᮃǊ ॳ԰䈅

ü 䰡 B ໻䇗㄀ѨѸડ᳆ D 485 㓪䕥 D. ӡᖋᆠᇨüજ䞠ᮃ TP 405 䰡 ໻䇗㄀ѨѸડ᳆

ⷨдᘏ䈅 - No.໻䇗㄀݁Ѹડ᳆ 6 in C maj D 589 Ed. D. Woodfull-Harris TP 406 - No. 7 in B min D 759 ᇣ䇗㄀ϗѸડ᳆ “Unfinished” ǉ᳾ᅠ៤Ǌ Ed. W. Aderhold TP 407 ໻䇗㄀݁Ѹડ᳆ - No. 8 in C maj D 944 ໻䇗㄀݁Ѹડ᳆ Ed. D. Woodfull-Harris ໻䇗㄀ܿѸડ᳆ TP 408 ໻䇗㄀݁Ѹડ᳆ ᇣ䇗㄀ϗѸડ᳆ ǉ᳾ᅠ៤Ǌ Vivaldi, Antonio ᇣ䇗㄀ϗѸડ᳆ Antonio Vivaldi, ǉ᳾ᅠ៤Ǌ ᅝϰሐ༹g㓈⪺ᇨ䖾 (1681-1767) ü B ᇣ䇗㄀ϗѸડ᳆ D 759 Four Seasons The ǉ᳾ᅠ៤Ǌ ໻䇗㄀ܿѸડ᳆ Urtext Ed. C. Hogwood ǉಯᄷǊ 㓪䕥 W./䰓ᖋ䳡ᇨᖋ ໻䇗㄀ܿѸડ᳆ TP TP 399 407 ॳ԰䈅 ü C ໻䇗㄀ܿѸડ᳆ D 944 ᅝϰሐ༹g㓈⪺ᇨ䖾㓪䕥 D. ӡᖋᆠᇨüજ䞠ᮃ

TP 408 ᅝϰሐ༹g㓈⪺ᇨ䖾 ǉಯᄷǊVivaldi Antonio ᅝϰሐ༹g㓈⪺ᇨ䖾 ॳ԰䈅 ǉಯᄷǊ (1678-1741) ॳ԰䈅 ǉಯᄷǊ ॳ԰䈅 / 㓪䕥 C. 䳡Ḑӡᖋ TP 399

ǉ儨ワǊK. 620 ܿ䚼Ѹડ᳆ ü C ໻䇗㄀݁Ѹડ᳆ D 589 ॳ԰䈅 / 㓪䕥 G. Ḑ剕䋱ᇨǃ ॳ԰䈅㓪䕥 D. ӡᖋᆠᇨüજ䞠ᮃ ༹䳋ᇨ A. TP 406 TP 155 ໻䇗㄀ϔѸડ᳆ ᇣ䇗㄀ϗѸડ᳆ The Magic Flute K.492 620 ǉ䌍ࡴ㔫ⱘီ⼐ǊK. ǉ᳾ᅠ៤Ǌ Urtext Ed. G. Gruber, A. Orel ॳ԰䈅 / /㓪䕥 L. 㢀㟡ᇨ TP ǉ儨ワǊK. 620 TP 155 320 䰡 ໻䇗㄀ѠѸડ᳆ ॳ԰䈅 / 㓪䕥 G. Ḑ剕䋱ᇨǃ ǉ儨ワǊ Le nozze di Figaro K. 492 ༹䳋ᇨRossini A. Gioachino ॳ԰䈅 Urtext / Ed. L. Finscher ໻䇗㄀ܿѸડ᳆ ⛺䰓෎䇎g㔫㽓ሐ TP 155 TP 320 ǉ儨ワǊ (1792-1868) ॳ԰䈅 ໻䇗㄀ϝѸડ᳆ ǉ䌍ࡴ㔫ⱘီ⼐ǊK. Rossini, Gioachino 492 ǉา㓈߽Ѯ⧚থᏜǊ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ॳ԰䈅 /Gioachino 㓪䕥 L. 㢀㟡ᇨ Rossini, ǉ䌍ࡴ㔫ⱘီ⼐Ǌ (1792-1868) ॳ԰䈅 TP 320 / 㓪䕥 P. Ꮧࢇ㒇 ॳ԰䈅 ᅝϰሐ༹g㓈⪺ᇨ䖾 TP 411 Æ 㾕㄀ 72 义 Barber of Seville The Gioachino Rossini ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ᇣ䇗㄀ಯѸડ᳆ ǉଞˈཛྷཛྷˈ៥ᇚᇍᙼ䆆Ǌ Urtext / Ed. P. Brauner ⛺䰓෎䇎g㔫㽓ሐ ॳ԰䈅 Franz Schubert TP 411 page 72 ǉಯᄷǊ (1792-1868) ᓫᳫ㣼g㟦ԃ⡍ ⛺䰓෎䇎g㔫㽓ሐ ॳ԰䈅 (1797-1828) Schubert, Franz ॳ԰䈅ᏺᣛ⊩ ǉา㓈߽Ѯ⧚থᏜǊ 䰡 ໻䇗㄀ѨѸડ᳆ Franz Schubert, ⛺䰓෎䇎g㔫㽓ሐ / 㓪䕥 P. Ꮧࢇ㒇 ॳ԰䈅 ᅸ‫ݙ‬Фܼ䲚 (1797-1828) ǉา㓈߽Ѯ⧚থᏜǊ TP 411 Æ 㾕㄀ 65 72 义ॳ԰䈅 3ॳ԰䈅 ोⷨдᘏ䈅⠜ Chamber⡍߿ᡬᠷӋ Music Complete TP 409 inǉา㓈߽Ѯ⧚থᏜǊ 3 Volumes. Study score edition. ᓫᳫ㣼g㟦ԃ⡍ ॳ԰䈅 Urtext Ф䈅䗝㞾˖ 㥿ᠢ⡍ⱘ 620ˈTP TP 409 Special reduced price From: Mozart, Theǉ儨ワǊK. Magic Flute K. 620155 · TP 155 ᓫᳫ㣼g㟦ԃ⡍

ᅸ‫ݙ‬Фܼ䲚 ᓫᳫ㣼g㟦ԃ⡍ ो

ᅸ‫ݙ‬Фܼ䲚 ो

ॳ԰䈅 ॳ԰䈅

ⷨдᘏ䈅

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Zeitgenössische ᔧҷ䷇Ф ᔧҷ䷇Ф ᔧҷ䷇Ф ᔧҷ䷇Ф Musik Ein besonderes Anliegen ist ᇍ健❞຿ߎ⠜⼒㗠㿔ˈ㞾៤ゟ dem Bärenreiter-Verlag seit 䍋ˈϔ乍⡍߿ⱘ݇ߛህᰃߎ⠜ᔧҷ䷇ seiner Gründung die PublikatiФᑊᬃᣕ݊԰㗙Ǆ on zeitgenössicher Musik und die Förderung ihrer Autoren. Ϫ㑾೑䰙ⶹ ԡሙ健❞຿ߎ⠜⼒20 ৡⱘᵄߎ԰㗙П߫ⱘབҞ䖬᳝䅽gᏈ

Zu den prominenten, internaᢝ߃ǃҀ⡍g↨Ѯᢝᮃǃ䋱Ѯ tional bekannten Autoren des Bä it V l d

..ᔧ ᔧ ҷ䷇Ф…………………. Zeitgenössische ᔧҷ䷇Ф Musik ᔧҷ䷇Ф 健❞຿䩶⨈᳆䲚健❞຿䩶⨈᳆䲚 Piano Album Bärenreiter ᔧҷ԰᳆ᆊ 健❞຿䩶⨈᳆䲚 ᔧҷ԰᳆ᆊ Contemporary 㓪䕥 M. ⡍Խᇨ Composers ᔧҷ԰᳆ᆊ Ed. M. Töpel BA 8762 BA 8762

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Klavier-Festival Ruhr Bärenreiter 剕ᇨ䩶⨈㡖 Piano Album BA 9659 剕ᇨ䩶⨈㡖健❞຿䩶⨈᳆䲚剕ᇨ䩶⨈㡖 BA 9659 健❞຿䩶⨈᳆䲚健❞຿䩶⨈᳆䲚 Diese Sammlung neuer Klavier BA 9659 werke für zwei und vier Hände 䖭Ͼᮄ䩶⨈⣀༣੠ಯ᠟㘨ᔍ԰ક dass zeitgenössische zeigt, ϧ䕥ᰒ⼎ˈ᮴䆎ᰃ‫ܓ‬ス䖬ᰃ៤ᑈҎˈ Musik Kinder und Erwachsene 䖭Ͼᮄ䩶⨈⣀༣੠ಯ᠟㘨ᔍ԰ક mit ganz unterschiedlichen ᮴䆎ҪӀᇍ䷇Фⱘⶹ䆚੠݈䍷໮Мϡ ϧ䕥ᰒ⼎ˈ᮴䆎ᰃ‫ܓ‬ス䖬ᰃ៤ᑈҎˈ musikalischen Vorkenntnissen ৠˈᔧҷ䷇Ф䛑㛑໳▔䍋ҪӀⱘ݈ ᮴䆎ҪӀᇍ䷇Фⱘⶹ䆚੠݈䍷໮Мϡ und Interessen begeistern kann. 㟈Ǆ䆹԰કϧ䕥ࣙᣀ⣀ᆊ佪⃵ߎ⠜ ৠˈᔧҷ䷇Ф䛑㛑໳▔䍋ҪӀⱘ݈ The album includes exclusively ⠽Ǆ 㟈Ǆ䆹԰કϧ䕥ࣙᣀ⣀ᆊ佪⃵ߎ⠜ first publications. ⠽Ǆ 䩶⨈Ѡ䞡༣⠜ᴀЁⱘϔϾߚ䈅ֱ In the versions for piano duet, one part is kept sufficiently ᣕ䎇໳ㅔᯧ⿟ᑺˈ䗖ᅰѢ㔎У㒣偠ⱘ 䩶⨈Ѡ䞡༣⠜ᴀЁⱘϔϾߚ䈅ֱ easy for the less experienced 䩶⨈᠟ⓨ༣Ǆ ᣕ䎇໳ㅔᯧ⿟ᑺˈ䗖ᅰѢ㔎У㒣偠ⱘ pianist to play. 䩶⨈᠟ⓨ༣Ǆ

✻⠛˖䋱Ѯ⡍gᆠ䳋ᇨ˄Beat Furrer˅, ǉ␈ᳯǊ˄2010 ᑈᮃ೒ࡴ⡍ Eclat ⦄ҷ䷇Ф㡖˅Ǆࡼ࡯ᄺ♃‫ܝ‬㺙㕂Ϣ♃‫ܝ‬䈅᳆˖ 㔫㥢㥝˄rosalie˅ ᨘᕅ˖≗ᇨ໿ü䖾⡍gḐ䞠‫ܟ‬

20. Jahrhundert zählen heute unter anderem Jean Barraqué, ⡍gᆠ䳋ᇨǃ剕䘧໿g߃ᇨ⡍मᘽǃ Günter Bialas, Beat Furrer, ᘽᮃ⡍g‫ܟݙ⛁ܟ‬ǃ༹߽ҔgѮ㒇ߛ Rudolf Kelterborn, Ernst ‫ܟ‬ǃШ⊏g⋯Խᮃǃम㚵ᮃᢝ໿g偀 Krenek, Leoš Janáček, George ᇨ㩖ࡾϢ᳐ᓫ䳋⡍g⡍㔫ᡀǄ Lopez, Bohuslav Martinů undℸ໪ˈ健❞຿ߎ⠜Ҏ㾚Ўϔ乍ᣛ Manfred Trojahn. ৥᳾ᴹⱘНࡵᰃˈ݇✻ᑈ䕏㗠໻᳝Ꮰ Darüber hinaus sehen es ᳯⱘ԰㗙ˈ䅽݊԰કᕫࠄϧϮⱘᏖഎ die Bärenreiter-Verleger als 㧹䫔Ǆ

eine in die Zukunft weisende Verpflichtung an, junge und i l h d A t

L.L.Bedford, Give Him His 䋱ᖋ⽣ᖋǉᡞᐑᄤ㒭ҪǊ Hat (versions for piano two G.and ˄䩶⨈⣀༣੠ಯ᠟㘨ᔍ⠜ᴀ˅/ ᴀ four hands) / G. Benjamin, ᵄᯢǉѠ៪ಯǊ˄䩶⨈⣀༣Ϣಯ᠟㘨 Two or Four (versions for piano 䌿ࢦǉ⣀༣Ǌ˄Ў䩶⨈ ᔍ⠜ᴀ˅/ two and Y. four hands) / Y. Höller, Y. 䌿ࢦǉѠ䞡༣Ǌ˄Ў ⣀༣㗠԰˅/ Solo play (for piano two hands) / Y. Höller, Duo play (for piano O. 㦅㓈‫ܟ‬ǉ༅㸵Ǌ ಯ᠟㘨ᔍ㗠԰˅/ four hands) / O. Lervik, O. 㦅㓈‫ܟ‬ǉ༅ ˄Ў䩶⨈⣀༣㗠԰˅/ Imbalances I (for piano two 㸵˄Ѡ˅Ǌ˄Ў䩶⨈ಯ᠟㘨ᔍ㗠԰˅/ hands) / O. Lervik, Imbalances II V. ሐ⾥ᢝРǉᅛ㟾ਬǊ˄Ў䩶⨈⣀༣ (for piano four hands) / V. ሐ⾥ᢝРǉഎ᱃Ǌ˄Ўಯ 㗠԰˅/ V. Nicolaou, astronauts (for piano two hands) / V. Nicolaou, M. ᮃ⡍㔫Ꮹǉ⨈ᾠᑑ ᠟㘨ᔍ㗠԰˅/ scene (for piano four hands) / ♉Ǌ˄Ў䩶⨈⣀༣Ϣಯ᠟㘨ᔍ㗠԰˅ M. Stroppa, Le marteau fantôme (forBarraqué piano two and four hands) Jean 䅽gᏈᢝ߃ Barraqué, Jean (1928-1973) 䅽gᏈᢝ߃ 䅽gᏈᢝ߃

Barraqué, Jean (1928-1973) 䩶⨈༣号᳆˄1959˅ BA 䩶⨈༣号᳆ 7284 䩶⨈༣号᳆ Sonate pour piano (1959) BA 7284 Willi Burkhard 㓈߽gᏗ‫ܟ‬જ⡍

Burkhard, Willi Burkhard, Willi (1900-1955) ᇣ໰᳆ op. 71 ㄀ 3 佪 Ў䭓ワϢঢ়Ҫ㗠԰˄㑺೼1945ᑈ˅ ᇣ໰᳆ ᇣ໰᳆ op. 71 Nr. 3 Serenade BA Für8175 Flöte und Gitarre (ca. 1945) BA 8175

(1900–1955) 㓈߽gᏗ‫ܟ‬જ⡍ 㓈߽gᏗ‫ܟ‬જ⡍

betreuen und ihrem Werk eine professionelle Vermarktung 偀㩖Ѯᮃgક⹂ᇨㅫᕫϞҪ䙷ϔ zukommen zu lassen. ҷ᳔᳝ৡᳯǃ᳔ᓩҎ⊼ⳂⱘҎ⠽П ϔˈ䰸ҪП໪ˈሲѢ䖭Ͼ健❞຿ߎ⠜ Zu dieser Gruppe junger ⼒䖭Ͼᑈ䕏԰㗙㕸ԧⱘ䖬᳝⪺ᄷ Bärenreiter-Autoren gehören ྚgवᢝ㽓⾥໿ǃᅝᖋ⚜Ѯg⋯Ӻ neben Matthias Pintscher, der Ԥgᮃवᇨศ唤ሐǃ໣⋯⡍gา⡍ǃ zu den renommiertsten und ㉇㔫ᮃᢝ໿gᮃᇨᘽवϢ㧆߽᱂g䖜 markantesten Erscheinun಴㣼Ǆ

gen seiner Generation zählt, Vadim Karassikov, Andreas Lorenzo Scartazzini, Charlotte Seither Miroslav

Distler, Hugo Hugo Distler Distler, Hugo 㚵ៜg䖾ᮃ⡍ࢦ (1908-1942) 㚵ៜg䖾ᮃ⡍ࢦ (1908-1942)

㚵ៜg䖾ᮃ⡍ࢦ

11 kleine Klavierstücke für die 11 佪䴦᯹䩶⨈ᇣક Jugend op. 15b op. 15b 佪䴦᯹䩶⨈ᇣક BA 1803 BA 1803 佪䴦᯹䩶⨈ᇣક Beat Furrer Furrer, Beat 䋱Ѯ⡍gᆠ䳋ᇨ Beat Furrer, (*1954)

Klavierstücke Drei ϝ佪䩶⨈᳆ ˄2004˅ (2004) BA BA 9326 9326 Enigma I-IV und VI NEW ǉ䇰ǊI-IV Ϣ VI für gemischten Chor a cappella Ў᮴Ԉ༣⏋ໄড়ଅ㗠԰ (2006-2013) (2006-2013) BA 11052 BA 11052 NEW Invocation für Sopran und Bassflöte (2002/2003) ǉ⼜⽋ǊЎཇ催䷇੠Ԣ䷇䭓ワ㗠԰ BA 9396 (2002/2003) BA 9396 Presto für Flöte und Klavier (1997) 䭓ワϢ䩶⨈ᗹᵓ˄1997˅ BA 8284 BA 8284 Spur Spurǉ偀ࠎǊ Für Klavier und Streichquartett Ў䩶⨈ϢᓺФಯ䞡༣㗠԰˄1998˅ (1998) BA 7423

ᔧҷ䷇Ф ..⭒⫛䅕㎷ .......... Musik ......................... Zeitgenössische Miloslav Kabelac Kabelac, Miroslav ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ Kabelac, Miroslav ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ (1908–1979) (1908-1979)

ᴹ㞾ᓖ೑ⱘࡼᴎ Op. 38land Op. 38 ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ Motifs from Exotic ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ ᴹ㞾ᓖ೑ⱘࡼᴎ ᴹ㞾ᓖ೑ⱘࡼᴎ Ў䩶⨈⣀༣㗠԰ ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ For piano solo

೼ϔϾ᱈ᳫⱘ᮹ᄤ on a clear day ೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ for Piano (2004) (2004) Ў䩶⨈㗠԰ BA 8593 BA 8593 ೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ

೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ ೼ϔϾ᱈ᳫⱘ᮹ᄤ

H H 7906 7906 ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ ᴹ㞾ᓖ೑ⱘࡼᴎ ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ ᴹ㞾ᓖ೑ⱘࡼᴎ ㉇⋯ᮃᢝ໿gव䋱ᢝ༛ ᴹ㞾ᓖ೑ⱘࡼᴎ 剕䘧໿g߃ᇨ⡍मᘽ Rudolf Kelterborn Kelterborn, Rudolf

ᴹ㞾ᓖ೑ⱘࡼᴎ 剕䘧໿g߃ᇨ⡍मᘽ Rudolf Kelterborn, (*1931) ᴹ㞾ᓖ೑ⱘࡼᴎ (*1931) ᴹ㞾ᓖ೑ⱘࡼᴎ 10 佪䞡༣᳆

NEW

10 Duos Ў⬋Ё䷇Ϣ䩶⨈㗠԰ (2012) 佪䞡༣᳆ for Bariton and and Piano (2012) BA 11030 11030 BA ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ 10 Duos 佪䞡༣᳆ 10 for female voice and ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ЎཇໄϢ䩶⨈㗠԰ (2012) 佪䞡༣᳆ piano (2012) BA 11031 11031 BA ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬

Ernst Krenek Krenek, Ernst ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ Ernst Krenek, ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ (1900–1991) ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ (1900-1991) ᘽᮃ⡍g‫ ܟݙ⛁ܟ‬ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ᇣ㒘᳆ ᇣ㒘᳆ ᇣ㒘᳆ pieces for Oboe and Piano Four ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ Op. 193 (1966) Op. 193˄1966˅ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ಯ佪ঠㇻㅵϢ䩶⨈Ф᳆ ᇣ㒘᳆ BA 6149 ᇣ㒘᳆ BA 6149 ᇣ㒘᳆ オ⨈༣号᳆ ᇣ㒘᳆ Kleine Suite op. 28 オ⨈༣号᳆ オ⨈༣号᳆ ᇣ㒘᳆ op. 28 und klavier (1924) Für Klarinette BA 3419 ЎऩㇻㅵϢ䩶⨈㗠԰˄1924˅ ᇣ㒘᳆ ᇣ㒘᳆ オ⨈༣号᳆ オ⨈༣号᳆ BA 3419 オ⨈༣号᳆ ᇣ༣号᳆ オ⨈༣号᳆ Sonate ᇣ༣号᳆für Harfe op. 150 ᇣ༣号᳆ (1955) オ⨈༣号᳆ op. 150 BA 3230 (1955) オ⨈༣号᳆ ᇣ༣号᳆ オ⨈༣号᳆ ᇣ༣号᳆ BA 3230 op. 92 Nr. 2b ᇣ༣号᳆ Sonatina ᇣ༣号᳆ 偀㩖Ѯᮃgક⹂ᇨ Für Flöte und Klarinette (1942) ᇣ༣号᳆ 偀㩖Ѯᮃgક⹂ᇨ 偀㩖Ѯᮃgક⹂ᇨ BA 3334 op. 92 Nr. 2b Ў䭓ワϢऩㇻㅵ㗠԰˄1942˅ ᇣ༣号᳆ ᇣ༣号᳆ Matthias Pintscher, BA 3334 ϗ佪ᇣક᳆ 偀㩖Ѯᮃgક⹂ᇨ 偀㩖Ѯᮃgક⹂ᇨ Matthias Pintscher, ϗ佪ᇣક᳆ ϗ佪ᇣક᳆ 偀㩖Ѯᮃgક⹂ᇨ 偀㩖Ѯᮃgક⹂ᇨ (*1971) Matthias Pintscher 偀㩖Ѯᮃgક⹂ᇨ ϗ佪ᇣક᳆ Bagatellen Sieben ϗ佪ᇣક᳆ (*1971) 偀㩖Ѯᮃgક⹂ᇨ ϗ佪ᇣક᳆ 䲙ࡾᮃⱘঠ䴶 Mit Apotheose der 偀㩖Ѯᮃgક⹂ᇨ 䲙ࡾᮃⱘঠ䴶

䲙ࡾᮃⱘঠ䴶 Glasharmonika ᏺ᳝⦏⩗⨈䗑ᗉ᳆ -ϗ佪ᇣક᳆ Fassung für Bassklarinette ϗ佪ᇣક᳆ — Ԣ䷇ऩㇻㅵ⠜ᴀ˄1993˅ (1993) 䲙ࡾᮃⱘঠ䴶 ϗ佪ᇣક᳆ 䲙ࡾᮃⱘঠ䴶 7288 BA 7288 䲙ࡾᮃⱘঠ䴶 ೷ৡ᳆˄ᴹϪ㒣˅ ೷ৡ᳆˄ᴹϪ㒣˅ ೷ৡ᳆˄ᴹϪ㒣˅ Janusgesicht 䲙ࡾᮃⱘঠ䴶 Für Viola und Violoncello (2001) 䲙ࡾᮃⱘঠ䴶 ЎЁᦤ⨈Ϣ໻ᦤ⨈㗠԰˄2001˅ ೷ৡ᳆˄ᴹϪ㒣˅ BA 8271 Spielpart. 䲙ࡾᮃⱘঠ䴶 ೷ৡ᳆˄ᴹϪ㒣˅ BA 8271 ⓨ༣ᘏ䈅 ೷ৡ᳆˄ᴹϪ㒣˅ in nomine ೷ৡ᳆˄ᴹϪ㒣˅ Übermalung für Viola sola ೷ৡ᳆˄ᴹϪ㒣˅ ЎЁᦤ⨈⣀༣㽚㡆˄1999˅ (1999) ೷ৡ᳆˄ᴹϪ㒣˅ BA 7495 7495

䮾҂৥ࠡ 䮾҂৥ࠡ 䮾҂৥ࠡ 䮾҂৥ࠡ 䮾҂৥ࠡ 䮾҂৥ࠡ 䮾҂৥ࠡ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ Shining Ў B 䇗៪forth C 䇗ᇣো㗠԰ 䮾҂৥ࠡ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ Für Trompete in B oder C (2008/2012) 䮾҂৥ࠡ 䮾҂৥ࠡ (2008/2012) BA 9334 BA 9334 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ Study III व䳋ᇨgⲂ㖕व Ў⣀༣ᇣᦤ⨈㗠԰ for the Treatise on the Veil 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ व䳋ᇨgⲂ㖕व व䳋ᇨgⲂ㖕व BA 9322 für Violine solo 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ 㒗д᳆˄ϝ˅ǉ䴶㒅ভџǊ BA 9322 ǉ㡖༣ⷨд᳆Ǌ व䳋ᇨgⲂ㖕व Karel PivoĖka व䳋ᇨgⲂ㖕व ǉ㡖༣ⷨд᳆Ǌ ǉ㡖༣ⷨд᳆Ǌ व䳋ᇨgⲂ㖕व व䳋ᇨgⲂ㖕व Pivoňka, Karel (1907-1986) Karel Pivoňka, व䳋ᇨgⲂ㖕व ǉ㡖༣ⷨд᳆Ǌ (1907-1986) ǉ㡖༣ⷨд᳆Ǌ व䳋ᇨgⲂ㖕व ǉ㡖༣ⷨд᳆Ǌ व䳋ᇨgⲂ㖕व 䌒䩺ᠬg䇶ᇨ㽓 Studies Rhythmical Ў໻ㅵ⣀༣㗠԰ ǉ㡖༣ⷨд᳆Ǌ 䌒䩺ᠬg䇶ᇨ㽓䌒䩺ᠬg䇶ᇨ㽓 for bassoon solo H 3291 ǉ㡖༣ⷨд᳆Ǌ H 3291 ǉ㡖༣ⷨд᳆Ǌ ǉ咥໽Ϣ㔫䰔Ǌ Giacinto Scelsi 䌒䩺ᠬg䇶ᇨ㽓䌒䩺ᠬg䇶ᇨ㽓 ǉ咥໽Ϣ㔫䰔Ǌ ǉ咥໽Ϣ㔫䰔Ǌ Scelsi, Giacinto 䌒䩺ᠬg䇶ᇨ㽓 Giacinto Scelsi, (1905–1988) 䌒䩺ᠬg䇶ᇨ㽓 (1905-1988) ǉ咥໽Ϣ㔫䰔Ǌ ǉ咥໽Ϣ㔫䰔Ǌ 䌒䩺ᠬg䇶ᇨ㽓 ǉ咥໽Ϣ㔫䰔Ǌ ǉ咥໽Ϣ㔫䰔Ǌ 䌒䩺ᠬg䇶ᇨ㽓 e Radha Krishna Ў䭓ワϢ䩶⨈㗠԰˄1986˅ ǉⷕ༈Ǌ Für Flöte und Klavier (1986) ǉ咥໽Ϣ㔫䰔Ǌ ǉⷕ༈Ǌ ǉⷕ༈Ǌ 㓪䕥 C. 㦅㓈‫ݙ‬ Ed. C. Levine ǉ咥໽Ϣ㔫䰔Ǌ BA 7444 BA 7444 ǉ咥໽Ϣ㔫䰔Ǌ ǉⷕ༈Ǌ ǉⷕ༈Ǌ ǉⷕ༈ǊЎ䭓ワ˄Ё䷇䭓ワ˅⣀༣㗠 Quays für Flöte (Altflöte) solo ǉⷕ༈Ǌ ԰˄1953˅ (1953) ǉⷕ༈Ǌ Ed. 㓪䕥C.C.Levine 㦅㓈‫ݙ‬ ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ BA 7443 ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ ǉⷕ༈Ǌ ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ BA ǉⷕ༈Ǌ Thomas Daniel Schlee Schlee, Thomas Daniel ᓺФϝ䞡༣ ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ Thomas Daniel Schlee, ᓺФϝ䞡༣ ᓺФϝ䞡༣ ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ (*1957) (*1957) ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ ᓺФϝ䞡༣ Streichtrio ᓺФϝ䞡༣ für Violine, Viola und ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ ᓺФϝ䞡༣ op. 75 (2007) Ўᇣᦤ⨈ǃЁᦤ⨈੠໻ᦤ⨈㗠԰ Violoncello ᠬ偀ᮃg䖒ሐ඗ᇨgᮑᴢ

BA 75 11012 op. (2007) ᓺФϝ䞡༣ BA 11012 ᓺФϝ䞡༣ ᓺФϝ䞡༣

Erwin Schulhoff Schulhoff, Erwin ඗ᇨ⏽g㟦ᇨ䳡໿ Erwin Schulhoff, (1894-1942) (1894-1942)

Stücke NEW Jazz-inspirierte ⠉຿Ф㾺থⱘ䩶⨈԰ક für Klavier BA 9559 BA 9559 ݁䞡༣ Sextett for two violin, two Ўঠᇣᦤ⨈ǃঠЁᦤ⨈੠ ໣⋯⡍gา⡍ violas and two violoncellos ঠ໻ᦤ⨈㗠԰ ໣⋯⡍gา⡍ ໣⋯⡍gา⡍ BA 7488 Score BA 7488-22 7488 ᘏ䈅 BA Parts in Slipcover BA 7488-22 ༫㺙ߚ䈅 Ҟ᮹乚ඳǄ ໣⋯⡍gา⡍ ໣⋯⡍gา⡍ Ҟ᮹乚ඳǄ Ҟ᮹乚ඳǄ ໣⋯⡍gา⡍ Seither, Charlotte ໣⋯⡍gา⡍ Charlotte Seither Charlotte Seither, Ҟ᮹乚ඳǄ Ҟ᮹乚ඳǄ ໣⋯⡍gา⡍ (*1965) ໣⋯⡍gา⡍ Ҟ᮹乚ඳǄ Ҟ᮹乚ඳǄ (*1965) ᳐ᓫ䳋⡍g⡍㔫ᡀ Ҟ᮹乚ඳǄ haute terrain. ᳐ᓫ䳋⡍g⡍㔫ᡀ ᳐ᓫ䳋⡍g⡍㔫ᡀ For 12-part mixed choir (2010) 催㑻乚ඳǄ Ҟ᮹乚ඳǄ BA 9398 Ў12ໄ䚼⏋ໄড়ଅ䯳㗠԰ (2010) Ў12ໄ䚼⏋ໄড়ଅ䯳㗠԰ (2010) ㄀ಯᓺФಯ䞡༣ ᳐ᓫ䳋⡍g⡍㔫ᡀ ᳐ᓫ䳋⡍g⡍㔫ᡀ ㄀ಯᓺФಯ䞡༣ ㄀ಯᓺФಯ䞡༣ ᳐ᓫ䳋⡍g⡍㔫ᡀ BA 9398 ᳐ᓫ䳋⡍g⡍㔫ᡀ Trojahn, Manfred Manfred Trojahn, ᳐ᓫ䳋⡍g⡍㔫ᡀ Manfred Trojahn Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ ㄀ಯᓺФಯ䞡༣ (*1949) ㄀ಯᓺФಯ䞡༣ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ ᳐ᓫ䳋⡍g⡍㔫ᡀ ᳐ᓫ䳋⡍g⡍㔫ᡀ ㄀ಯᓺФಯ䞡༣ (*1949) 䮼ᖋᇨᵒⱘ⍋叹 Streichquartett (2009) IV. ㄀ಯᓺФಯ䞡༣ कѠ佪䩶⨈ࠡ༣᳆ BA 9378 Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ (2009) ㄀ಯᓺФಯ䞡༣ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ BA 9378 Deux Préludes pour Piano Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ BA 9331 कѠ佪䩶⨈ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ Ў䩶⨈㗠԰ⱘϸ佪ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ Douze BA 9331Préludes pour Piano ඗ᇨ⏽g㟦ᇨ䳡໿ (2006/07) कѠ佪䩶⨈ࠡ༣᳆ BA 9329 कѠ佪䩶⨈ࠡ༣᳆ कѠ佪䩶⨈ࠡ༣᳆ ˄2006/2007˅ ⠉຿Ф㾺থⱘ䩶⨈԰ક BA 9329 ݁䞡༣

Mendelssohns Möwen Ein Lied ohne Worte NEW für Violoncello solo (2012) 䮼ᖋᇨᵒⱘ⍋叹 BA 11043 ϔ佪໻ᦤ⨈⣀༣᮴䆡℠ (2012) BA 11043

Die Spieltechnik … ⓨ༣ᡔᎻ ... Levine, Carin Carin Levine, Levine, Carin / Christina Mitropoulos-Bott Mitropoulos-Bott, Christina व⨇g㦅᭛ǃ व⨇g㦅᭛ǃ Mitropoulos-Bott, Christina ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍

The Techniques

ሐসᢝᮃgӞ㟡ӡᖋ ሐসᢝᮃgӞ㟡ӡᖋ

Isherwood, Nicholas Isherwood, Nicholas Nicholas Isherwood ǉ℠ଅᡔᎻǊ

NEW

ǉ℠ଅᡔᎻǊ

ሐসᢝᮃgӞ㟡ӡᖋ

The Techniques of Singing

(Ger/Eng) ሐসᢝᮃgӞ㟡ӡᖋ ǉ℠ଅᡔᎻǊ 212 pages with CD; ˄ᖋ᭛ˋ㣅᭛˅ paperback ǉ℠ଅᡔᎻǊ ISBN 978-3-7618-1861-9 212义ᏺ‫ ⹳ܝ‬ ᑇ㺙 Nicholas Isherwood ISBN 978-3-7618-1861-9 erläutert diese Techniken anhand zahlreicher Literaturz Beispiele, ሐসᢝᮃgӞ㟡ӡᖋ‫ࡽ׳‬Ѣ໻䞣 gibt praktische Übungstipps und führt die ⱘ᭛⤂䌘᭭ᅲ՟ᴹ䯤䗄䖭ѯᡔ Techniken auf der CD auch Ꮋˈᦤկᅲ⫼㒗дᓎ䆂ˈᑊϨᡞ klingend vor. 䖭ѯᡔᎻⓨ༣☠ᔩ೼‫⹳ܝ‬ϞǄ ⃻᭛g䰓ᇨ䖾㩖 ⃻᭛g䰓ᇨ䖾㩖 Arditti, Irvine 㔫ԃ⡍g ᱂ᢝ㣼㔫ԃ⡍g ᱂ᢝ㣼

Arditti, Irvine /

Irvine / HP ⃻᭛g䰓ᇨ䖾㩖 Platz,Arditti Robert ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ Robert Platz 㔫ԃ⡍g ᱂ᢝ㣼 Platz, HP Robert HP ⃻᭛g䰓ᇨ䖾㩖

㔫ԃ⡍gHP. ᱂ᢝ㣼 The Techniques ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ

of Violin Playing

NEW

ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ व⨇g㦅᭛ǃ (Ger/Eng) 117 pages, with a DVD; paperback ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ˄ᖋ᭛/㣅᭛˅ ISBN义ˈᏺ 978-3-7618-2267-8 117 DVD˗ᑇ㺙 ǉ䭓ワⓨ༣ⱘᡔᎻǊ ISBN 978-3-7618-2267-8 Detaillierte Erklärungen des ㄀ technisch 䕥˖ 䭓ワ auf der Violine z Möglichen ϡҙЎⓨ༣ᆊˈгЎ԰᳆ᆊᦤկ werden hier für њᇍᇣᦤ⨈৘⾡ৃ㸠ᡔᴃⱘ䆺㒚 Interpreten, aber auch für Komponisten gegeben. 䇈ᯢǄ ǉ䭓ワⓨ༣ⱘᡔᎻǊ Dabei wird die Virtuosität ㄀䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ z ৠᯊ㗗㰥ࠄᮄϔҷⓨ༣ᆊӀⱘ㊒ einer neuen Generation von ␯ᡔ㡎ˈҪӀ䗮䖛䴲޵ⱘᡔ㡎ϡ Solisten berücksichtigt, die ҙЎ⏅ࠏ⧚㾷স‫䷇݌‬Фˈ㗠Ϩг durch ihre außerordentlichen Fähigkeiten den Weg zu Ў⧚㾷ᮄ䷇Ф䫎ᑇњ䘧䏃Ǆ einem tieferen Verständnis sowohl von klassischer als auch von neuer Musik geebnet haben. ᕐᕫg㓈ᇨǃ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿

व⨇g㦅᭛ǃ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ǉ䭓ワⓨ༣ⱘᡔᎻǊ Flute Playing, of ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ㄀ 1䕥˖ 䕥˖䭓ワ䭓ワ㄀ व⨇g㦅᭛ǃ Volume I: Flute ˄ᖋ᭛ 㣅᭛˅143 义 (Ger/Eng). 143 pages ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ISBN 978-3-7618-1595-3 ISBN 978-3-7618-1595-3 ㄀䕥˖ 䭓ワ ǉ䭓ワⓨ༣ⱘᡔᎻǊ ǉ䭓ワⓨ༣ⱘᡔᎻǊ The Techniques ǉ䭓ワⓨ༣ⱘᡔᎻǊ ㄀䕥˖ 䭓ワ㄀ 2Flute 䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ of Playing, ㄀䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ ˄ᖋ᭛ 㣅᭛˅ Volume II: Piccolo, Alto ǉ䭓ワⓨ༣ⱘᡔᎻǊ ᏺ‫⹳ܝ‬ 127 义Bass and ㄀䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ ISBN 978-3-7618-1788-9 (Ger/Eng) ǉ䭓ワⓨ༣ⱘᡔᎻǊ 127 with CD ㄀ pages 䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ Peter 978-3-7618-1788-9 Veale, ISBN Claus-Steffen Mahnkopf ᕐᕫg㓈ᇨǃ ᕐᕫg㓈ᇨǃ Veale, Peter ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ Peter / Veale, ሐসᢝᮃgӞ㟡ӡᖋ ᕐᕫg㓈ᇨǃ Claus-Steffen Mahnkopf, ǉঠㇻㅵⓨ༣ᡔᎻǊ ǉঠㇻㅵⓨ༣ᡔᎻǊ ሐসᢝᮃgӞ㟡ӡᖋ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ ǉ℠ଅᡔᎻǊ Claus-Steffen Mahnkopf, ᏺ᳝ᇍᭈϾঠㇻㅵᮣ㋏䰘ࡴ䆘䆎ⱘϔ ᕐᕫg㓈ᇨǃ ᴀ᠟‫ ݠ‬ ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ The Techniques ǉ℠ଅᡔᎻǊ

ǉঠㇻㅵⓨ༣ᡔᎻǊ ˄ᖋ᭛ 㣅᭛ ⊩᭛˅ of Oboe Playing 181 义ᏺ‫ ⹳ܝ‬with additional ǉঠㇻㅵⓨ༣ᡔᎻǊ A compendium ISBN 978-3-7618-1210-5 remarks on the whole oboe family Pascal Gallois (Ger/Eng/Fr) Ꮹᮃवᇨgࡴश⪺ 181 pages with CD Ꮹᮃवᇨgࡴश⪺ ISBN 978-3-7618-1210-5 ǉ໻ㅵⓨ༣ᡔᎻǊ ǉ໻ㅵⓨ༣ᡔᎻǊ Ꮹᮃवᇨgࡴश⪺ ˄ᖋ᭛/㣅᭛/⊩᭛˅ Gallois, Pascal 126 义ᏺϸᓴ‫⹳ܝ‬ Ꮹᮃवᇨgࡴश⪺ ǉ໻ㅵⓨ༣ᡔᎻǊ Gallois, Pascal ISBN 978-3-7618-1860-2 ⃻᭛g䰓ᇨ䖾㩖

ǉ໻ㅵⓨ༣ᡔᎻǊ The Techniques Bettina Buchmann 㔫ԃ⡍g ᱂ᢝ㣼 Bassoon Playing of 偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖䋱㩖㒇gᏗ䌿᳐ ⃻᭛g䰓ᇨ䖾㩖偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖 (Ger/Eng/Fr) 㔫ԃ⡍g ᱂ᢝ㣼 ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ

126 Pages with 2 CDs ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ ǉ᠟亢⨈ⓨ༣ᡔᎻǊ ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ ISBN 978-3-7618-1860-2 偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖 ǉᇣᦤ⨈ⓨ༣ᡔᎻǊ ˄ᖋ᭛/㣅᭛˅ 121 义ᏺ‫⹳ܝ‬੠ᡬ义೒㸼偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖 ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ ISBN 978-3-7618-1930-2 Weiss, Marcus ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ Weiss, Marcus / z 㓐ড়ᦣ䗄䬂㒑᠟亢⨈᠔᳝ Netti, Giorgio Netti, 㟇݇䞡㽕ⱘⓨ༣ᡔᎻ Giorgio z ䷇Ф㣗՟䗝㞾䞡㽕ⱘᔧҷ԰ક The Techniques of Saxophone Playing z ㄝ↨ᡬ义೒㸼ᣝФ఼Ϟ (Ger/Eng). 188 pages 978-3-7618-2114-5 ISBNⱘ䬂㒑ᥦ߫

The series will be continued. าᗱg ᳍ᯢ

㑺⋑ᇨ

Buchmann, Bettina Buchmann, Bettina

䋱㩖㒇gᏗ䌿᳐ 䋱㩖㒇gᏗ䌿᳐

The Techniques

ǉ᠟亢⨈ⓨ༣ᡔᎻǊ Accordion Playing of ǉ᠟亢⨈ⓨ༣ᡔᎻǊ 䋱㩖㒇gᏗ䌿᳐ (Ger/Eng). 121 pages with CD and fold-out chart 䋱㩖㒇gᏗ䌿᳐ ISBN 978-3-7618-1930-2 ǉ᠟亢⨈ⓨ༣ᡔᎻǊ

व⨇g㦅᭛ǃ ǉ᠟亢⨈ⓨ༣ᡔᎻǊ ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ Comprehensive description व⨇g㦅᭛ǃ of all relevant playing ‫ܟ‬䞠ᮃ㩖࿰g㉇⡍㔫᱂⋯ᮃüम⡍ techniques on the button ǉ䭓ワⓨ༣ⱘᡔᎻǊ

㄀ accordion 䕥˖ 䭓ワ ǉ䭓ワⓨ༣ⱘᡔᎻǊ Music examples from important ㄀ contemporary 䕥˖ 䭓ワ works

䋱㩖

䋱㩖㒇 ǉ᠟

ǉ᠟

ǉ䭓ワⓨ༣ⱘᡔᎻǊ Full size, fold-out chart giving arrangement of the ㄀ the 䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ ǉ䭓ワⓨ༣ⱘᡔᎻǊ Sethbuttons F. Josel /on the instrument Ming䕥˖ⷁワǃЁ䷇੠Ԣ䷇䭓ワ Tsao ㄀ าᗱg 㑺⋑ᇨ 㑺⋑ᇨ าᗱgF. Josel, Seth F./ ᳍ᯢ ᳍ᯢ Josel, Seth F.

/ Tsao, าᗱgMing 㑺⋑ᇨ ǉঢ়Ҫⓨ༣ᡔᎻǊ ǉঢ়Ҫⓨ༣ᡔᎻǊ Tsao, ᳍ᯢ Ming

˄㣅᭛˅㑺 250 义ᏺ‫ ⹳ܝ‬NEW ᕐᕫg㓈ᇨǃ าᗱg 㑺⋑ᇨ ISBN 978-3-7618-2243-2 ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ The ᳍ᯢTechniques ǉঢ়Ҫⓨ༣ᡔᎻǊ

ᕐᕫg㓈ᇨǃ of Guitar Playing ‫ࢇܟ‬ᮃüᮃ⡍㢀g᳐⾥᱂໿ ঢ়Ҫⓨ༣ᆊาᗱgF. 㑺⋑ᇨϢ԰ ǉঠㇻㅵⓨ༣ᡔᎻǊ ǉঢ়Ҫⓨ༣ᡔᎻǊ (Eng). approx. 250 pages

᳆ᆊ᳍ᯢ೼݊ড়㨫Ёᦤկњস‫݌‬ঢ়Ҫ with CD ISBN 978-3-7618-2243-2 ǉঠㇻㅵⓨ༣ᡔᎻǊ ᔧҷⓨ༣ᡔᎻὖ㾜Ǆ Der Gitarrist Seth F. Josel und der ᇍ԰᳆ᆊ㗠㿔ˈ᳝ᛣᗱⱘᰃ䗮䖛 Komponist Ming Tsao geben in ‫ࡽ׳‬Ңᅸ‫ݙ‬ФϢড়༣ФЁⱘ䆌໮՟ᄤ ihrem gemeinsam geschriebenen ᴹᇍᔧҷঢ়Ҫ᭛⤂԰䆺ሑߚᵤǄℸ Buch einen umfassenden Über໪ˈ䖬ҟ㒡њঢ়Ҫ᭛⤂Ё䗖⫼Ѣᔧҷ blick über zeitgenössische Spieltechniken der klassischen Gitarre. Ꮹᮃवᇨgࡴश⪺ ䷇Фⱘϡৠ䆄䈅⊩Ǆ Für Komponisten interessant Ꮹᮃवᇨgࡴश⪺ ǉ໻ㅵⓨ༣ᡔᎻǊ ಯ㆛Џ᭛ゴ㡖‫ݙ‬ᆍЎᎺে᠟ᡔ

sind die ausführlichen Analysen Ꮋˈᇸ݊ᰃ੠ໄǃᭆߏᡔᎻҹঞঢ়Ҫ von zeitgenössischer Gitarrenǉ໻ㅵⓨ༣ᡔᎻǊ ᆊᮣⱘЏ㽕Ф఼Ǆ䆺㒚ⱘ೒‫ڣ‬䩜ᇍ໮ literatur, die viele Beispiele aus Kammer- und Ensemblemusik ䷇ᡔᎻǃѠ䞡䇗ᗻ੠ᭆߏᡔᎻˈ䱣䰘 mit einbeziehen. Außerdem ䷇乥‫ܙ⹳ܝ‬ᅲњкЁᦣ䗄ⱘ՟ᄤǄ werden veschiedene Arten von Notationsmöglichkeiten 偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖 für zeitgenössische Musik in der Marcus Weiss, Giorgio Netti Gitarrenliteratur vorgestellt. 偀ᑧᮃg儣ᮃˈШ⊏g‫ݙ‬㩖 ǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ Vier Hauptkapitel haben die verǉ㧼‫ܟ‬ᮃㅵⓨ༣ᡔᎻǊ schiedenen Techniken von rech˄ᖋ᭛/㣅᭛˅188 义 besondere ter und linker Hand, ISBN 978-3-7618-2114-5 Harmonien, perkussive Techniken und die Hauptinstrumente der Gitarrenfamilie zum Thema. Detallierte Grafiken zu 䆹㋏߫Ӯᓊ㓁ϟএǄ Multiphonics-, Bitones- und Perkussions-Techniken und eine beigelegte Audio-CD ergänzen die im Buch beschriebenen Beispiele. 83

าᗱ ᳍ᯢ าᗱg ᳍ᯢ ǉঢ়

ǉঢ়

খ㗗к / ䷇Фк㈡ / ᕅॄ⠜੠‫ݡ‬⠜ খ㗗к খ㗗к খ 㗗к Works / খ㗗к Reference ䷇Фк㈡ ䷇Фк㈡ ䷇Фк㈡ ䷇Фк㈡ Books on Music

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ᕅॄ⠜੠ and ᕅॄ⠜੠ ᕅॄ⠜ ᕅॄ⠜੠ Facsimiles ‫ݡ‬⠜ ‫ݡ‬⠜ ‫ݡ‬⠜.... Reprints

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Bach, Sebastian JohannJohann Sebastian Bach

Bach, Johann Sebastian 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685-1750) (1685-1750)

Jesper Bøje Christensen 㘊ᮃԽgम㘊g‫ܟ‬䞠ᮃ⒩Ể 㘊ᮃԽgम㘊g‫ܟ‬䞠ᮃ⒩Ể 㘊ᮃԽgम㘊g‫ܟ‬䞠ᮃ⒩Ể Christensen, Jesper Bøje 㘊ᮃԽgम㘊g‫ܟ‬䞠ᮃ⒩Ể

Christensen, Jesper Bøje ǉ Ϫ㑾䗮༣Ԣ䷇ⓨ༣Ǌ ǉ18Ϫ㑾䗮༣Ԣ䷇ⓨ༣Ǌ Ϫ㑾䗮༣Ԣ䷇ⓨ༣Ǌ ǉ ǉ 18 th Ϫ㑾䗮༣Ԣ䷇ⓨ༣Ǌ Century Continuo Playing ग़৆ὖ㽕 A Historical Guide to the Basics. ⬅ J. B. 㔫ᆒ䗞㗏䆥 Translated by J. B. Robinson 155 hardcover 义˗㊒㺙 155 pages, BA 㣅᭛⠜ BA 8177 8177 English edition BA 8186 German edition ᖋ᭛⠜ BA 8186 BA 8176 French edition ⊩᭛⠜ BA 8176

Konrad, Ulrich Ulrich Konrad Ulrich Konrad, Рᇨ߽Ꮰgᒋᢝ⡍

Рᇨ߽Ꮰgᒋᢝ⡍ Рᇨ߽Ꮰgᒋᢝ⡍ Рᇨ߽Ꮰgᒋᢝ⡍

Mozart. Catalogue of his Works ǉ㥿ᠢ⡍ˈ݊԰કⱘⳂᔩǊ ǉ㥿ᠢ⡍ˈ݊԰કⱘⳂᔩǊ ǉ㥿ᠢ⡍ˈ݊԰કⱘⳂᔩǊ ǉ㥿ᠢ⡍ˈ݊԰કⱘⳂᔩǊ English 㣅᭛ᴀ text 251 pages, paperback 251义˗ᑇ㺙 ISBN 978-3-7618-1848-0 ISBN 978-3-7618-1848-0 Otterstedt, Annette Annette Otterstedt Otterstedt, Annette

ᅝ‫ݙ‬⡍g༹⡍ᮑ⋄⡍ ᅝ‫ݙ‬⡍g༹⡍ᮑ⋄⡍ ᅝ‫ݙ‬⡍g༹⡍ᮑ⋄⡍ ᅝ‫ݙ‬⡍g༹⡍ᮑ⋄⡍

The Viol History of an Instrument ǉ㓈༹ᇨ⨈ˈϔ⾡Ф఼ⱘग़৆Ǌ ǉ㓈༹ᇨ⨈ˈϔ⾡Ф఼ⱘग़৆Ǌ ǉ㓈༹ᇨ⨈ˈϔ⾡Ф఼ⱘग़৆Ǌ ǉ㓈༹ᇨ⨈ˈϔ⾡Ф఼ⱘग़৆Ǌ Translated by Hans Reiners ⬅∝ᮃg㦅㒇ᮃ㗏䆥 English text 㣅᭛⠜ 294 pages, hardcover 294 义ˈ㊒㺙 ISBN 978-3-7618-1151-1 ISBN 978-3-7618-1151-1 Wulfhorst, Martin Martin Wulfhorst 偀ϕg℺ᇨ໿䳡ᮃ⡍ Martin Wulfhorst, 偀ϕg℺ᇨ໿䳡ᮃ⡍ The Orchestral Violinist’s ǉㅵᓺФ䯳ᇣᦤ⨈᠟Ԉ༣Ǌ ǉㅵᓺФ䯳ᇣᦤ⨈᠟Ԉ༣Ǌ Companion 480 480 pages 义 English text, paperback, 㣅᭛ᴀˈᑇ㺙 format x 30 cm. ᓔᴀ 2323 × 30 ६㉇Ǆ Approx. 500 musical samples; 㑺 500 Ͼ䷇Фᅲ՟˗ approx. 30 illustrations, 㑺 30 ᐙᦦ೒ǃ diagrams, and tables ೒㸼Ϣ㸼ḐǄ two volumes ISBN 2 ो 978-3-7618-1758-2 ISBN 978-3-7618-1758-2 page 25 Æ 㾕㄀ 25 义

mit Gott und nichts ohn’ “Alles ǉϛ⠽ϢЏৠ೼ˈὖ㥿㛑໪Ǌ ǉϛ⠽ϢЏৠ೼ˈὖ㥿㛑໪Ǌ ǉϛ⠽ϢЏৠ೼ˈὖ㥿㛑໪Ǌ ǉϛ⠽ϢЏৠ೼ˈὖ㥿㛑໪Ǌ ihn” BWV 1127 BWV 1127 Aria for Solo Soprano, Strings Ўཇ催䷇⣀ଅǃᓺФ੠䗮༣Ԣ䷇㗠԰ Ўཇ催䷇⣀ଅǃᓺФ੠䗮༣Ԣ䷇㗠 and Bassco continuo. Facsimile ⱘ੣্䇗Ǆ儣⥯ᅝ࿰g䰓⥯߽Ѯ݀⠉ of the autograph from the ԰Ǆ儣⥯ᅝ࿰g䰓⥯߽Ѯ݀⠉໿Ҏ೒ Herzogin Anna Amalia Library ໿Ҏ೒к佚ᬊ㮣ⱘ҆ヨ᠟〓ᕅॄӊ к佚ᬊ㮣ⱘ҆ヨ᠟〓ᕅॄӊ Weimar (Ger/Eng) ˄ᖋ᭛/㣅᭛˅ ˄ᖋ᭛/㣅᭛˅ 23 pages with CD, half-cloth ञᏗ䴶㺙䅶 23 义ᏺ‫ ;⹳ܝ‬ञᏗ䴶㺙䅶 BÄRENREITER FACSIMILE 健❞຿ᕅॄ⠜ 健❞຿ᕅॄ⠜ ISBN 978-3-7618-1870-1 978-3-7618-1870-1 ISBN 978-3-7618-1870-1

ᇣ䇗ᓹᩦ in B min BWV Mass ᇣ䇗ᓹᩦ B ᇣ䇗ᓹᩦ 232 232 ᇣ䇗ᓹᩦ of BWV Facsimile the autograph ᶣᵫ೑ᆊ೒к佚ᬊ㮣҆ヨᘏ䈅ᕅॄӊ score in the Staatsbibliothek ˄㣅᭛/ᖋ᭛/᮹᭛˅ zu Berlin (Eng/Ger/Jap) 㒓㺙य़䫊㢅 with silver Linen-bound embossing 健❞຿ᕅॄ⠜ BÄRENREITER FACSIMILE ISBN 978-3-7618-2194-7 ISBN 978-3-7618-2194-7 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘФ䈅 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘФ䈅 ᅝ࿰g⥯Ḑ䖒䳋࿰gᏈ䌿ⱘФ䈅 ᅝ࿰g⥯Ḑ䖒㭒࿰gᏈ䌿ⱘФ䈅 for Anna Notebook ヨ䆄㭘ヨ䆄㭘˄1725˅ ヨ䆄㭘˄1725˅ ヨ䆄㭘 Magdalena Bach (1725) ᠟〓ᕅॄ⠜ ᠟〓ᕅॄ⠜of the autograph Facsimile ˄ᖋ᭛/㣅᭛/⊩᭛˅ (Ger/Eng/Fr). ˄ᖋ᭛/㣅᭛/⊩᭛˅ ISBN ISBN978-3-7618-0915-0 978-3-7618-0915-0 978-3-7618-0915-0 Orgelbüchlein BWV 599-644 ㅵ亢⨈᳆ᇣ䲚BWV 599-644 ㅵ亢⨈᳆ᇣ䲚 ㅵ亢⨈᳆ᇣ䲚 ㅵ亢⨈᳆ᇣ䲚 Facsimile of the autograph ᣝॳ԰ሎᇌॄࠊⱘ᠟〓ᘏ䈅ᕅॄ⠜ score in the original size ˄ᖋ᭛/㣅᭛/⊩᭛˅ (Ger/Eng/Fr). ISBN978-3-7618-1434-5 978-3-7618-1434-5 ISBN

“I᱑㸳⪴㎕㗜䇱㈎㏛⺞䎃䂚⭥ウ㈓〓㋕⭞⺞ have never experienced su silence or seen an audience moved in this way” Felix Mendelssohn Bartholdy

䄵䎃䐷Ⳟ㬞㬽ⶱⰐ⭥⹼䐻᱒Ⳳ㏜㋬㯚᱅㗦⭣ⱜ㯪᱅➮㵱ⱜ⭰

JohannSebastian Sebastian Bach Johann Bach 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 Johann Sebastian Bach 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 St.ǉ೷偀໾ফ䲒᳆Ǌ Matthew Passion BWV 244 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 ǉ೷偀໾ফ䲒᳆ǊBWV 244 BÄRENREITER FACSIMILE ǉ೷偀໾ফ䲒᳆Ǌ 健❞຿ᕅॄ⠜

NEW

Facsimile of the autograph score ᖋ೑ᶣᵫ೑ゟ᱂剕຿᭛࣪䘫ѻ೒к in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. With a 佚҆ヨᘏ䈅᠟〓ⱘᕅॄᴀˈ⬅‫ܟ‬䞠ᮃᠬ commentary by Christoph Wolff, ᓫg≗ᇨ໿ǃ偀ϕ࿰g䳋Ꮧ᳐੠㢁㢁 Martina Rebmann and Barbara ᢝgᮑ㗤ᖋˉ㚃᱂໿᪄‫ݭ‬ҟ㒡Ǆ Schneider-Kempf (Eng/Ger) ˄㣅᭛ˋᖋ᭛˅ 168 pages of facsimile and 168 26 义ᕅॄӊҹঞ26义ҟ㒡 pages of commentary Half-leather binding, hardback ञⲂ䴽㺙䅶ˈ㊒㺙 ISBN978-3-7618-2294-4 978-3-7618-2294-4 ISBN

ᕅॄ⠜੠‫ݡ‬⠜ “... wri en with ease, but ᱑ 㾕⭤䓵䊻᷍㈌㣪㉙㘏᱒ skillfully reﬁned”

Wolfgang Amadeus Wolfgang AmadeusMozart Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ǉᇣ໰᳆Ǌ 525 K. 525 ǉᇣ໰᳆ǊK. Eine kleine Nachtmusik ǉᇣ໰᳆Ǌ 健❞຿ᕅॄ⠜ BÄRENREITER FACSIMILE

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ NEW ǉᇣ໰᳆Ǌ Beethoven, Ludwig van Beethoven, Ludwig van Ludwig van Beethoven (1770-1827) 䏃ᖋ㓈Ꮰg㣗g䋱໮㢀 (1770-1827)

Symphony No. 9 op. 125 Facsimile ㄀бѸડ᳆of op.the 125autograph score in the Staatsbibliothek ᶣᵫ೑ゟ᱂剕຿᭛࣪䘫ѻ೒к佚ǃ⊶ zu Berlin – Preußischer Kulturᘽ䋱໮㢀ᬙሙҹঞ⊩݄㽓೑ᆊ೒к佚 besitz, the Beethoven-Haus ᬊ㮣ⱘ҆ヨ᠟〓ᘏ䈅ᕅॄᴀ Bonn and the Bibliothèque ˄㣅᭛ˋᖋ᭛ˋ᮹᭛˅ nationale de France (Eng/Ger/Jap) ञᏗ䴶㊒㺙 half-linen, hardback 健❞຿ᕅॄ⠜ BÄRENREITER FACSIMILE ISBN 978-3-7618-2169-5 ISBN 978-3-7618-2169-5 Dvořák, Antonín Dvořák, Antonín Antonín DvoƎák (1841-1904) ᅝϰᅕgᖋ≗໣‫ ܟ‬ (1841-1904) Concerto in B min for Violoncello and Orchestra B ᇣ䇗໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ op. 104 op. 104 Facsimile of the autograph score and the autograph piano ҆ヨ᠟〓ᘏ䈅੠䩶⨈㓽㓪䈅ᕅॄ⠜ reduction (Eng/Ger/Cz) ˄㣅᭛ˋᖋ᭛ˋ᥋‫ܟ‬᭛˅ half-linen, hardback ञᏗ䴶㺙䅶ˈ㊒㺙 BÄRENREITER FACSIMILE 健❞຿ᕅॄ⠜ ISBN 978-3-7618-1849-7 ISBN 978-3-7618-1849-7

Elgar, Edward Edward Elgar Elgar, Edward ⠅ᖋढg඗ᇨࡴ (1857-1934) (1857-1934) Concerto for Violoncello ໻ᦤ⨈ϢㅵᓺФ䯳ण༣᳆ and Orchestra op. 85 op. 85 Facsimile based on the autograph score (Eng/Ger), ᕅॄ⠜෎Ѣ҆ヨ᠟〓ᘏ䈅 hardcover ˄㣅᭛/ᖋ᭛˅ ISBN 978-3-7618-1928-9 ㊒㺙 ISBN 978-3-7618-1928-9

҆ヨ᠟〓ᕅॄ⠜ ҆ヨ᠟〓ᕅॄ⠜

҆ヨ᠟〓ᕅॄ⠜

҆ヨ᠟〓ᕅॄ⠜ Facsimile of the autograph Withᏺ᳝≗ᇨ໿‫ݜ‬g䳋ྚ᪄‫ⱘݭ‬ҟ㒡 a commentary by Wolfgang Rehm. 14 pages of facsimile (individually trimmed) and a 24-page 14 义ᕅॄӊ˄㒣ऩ⣀ᭈ⧚˅੠ϔӑ accompanying booklet (Eng/Ger). Presented in a handsome box 24 义ⱘ䱣䰘ᇣ‫ݠ‬ᄤ˄㣅᭛ˋᖋ᭛˅Ǆ㊒㕢ⱘⲦ㺙 ISBN 978-3-7618-2282-1 ISBN 978Ͳ3Ͳ7618Ͳ2282Ͳ1

Froberger, Johann Jacob Johann Jacob Froberger Froberger, Johann Jacob 㑺㗄g䲙৘Ꮧgᓫ㔫䋱Ḑᇨ (1616-1667) (1616-1667) Toccatas · Suites · Lamenti ᠬवศg㒘᳆gᚆ℠ The Manuscript SA 4450 ᶣᵫໄФᄺ䰶᠟〓 SA 4450 of the Berlin Sing-Akademie ᕅॄӊ੠ᡘᴀ Facsimile and Transcription (Ger/Eng), hardcover ˄ᖋ᭛/㣅᭛˅ˈ㊒㺙 978-3-7618-1783-4 ISBN 978-3-7618-1783-4 Handel,Frideric George Frideric George Handel Handel, George Frideric Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ (1685-1759) (1685-1759) Messiah, HWV 56 56 ǉᓹ䌯ѮǊHWV Facsimile of the autograph ϡ߫乴೒к佚҆ヨ᠟〓ᘏ䈅ᕅॄ⠜ score in the British Library ˄㣅᭛ˋᖋ᭛ˋ᮹᭛˅ (Eng/Ger/Jap), half-linen ञᏗ䴶㺙䅶 BÄRENREITER FACSIMILE ISBN 978-3-7618-2109-1 健❞຿ᕅॄ⠜ ISBN 978-3-7618-2109-1 The Musick for the Royal Fireworks HWV 351. ǉⱛᆊ✄☿䷇ФǊHWV 351 Concerti HWV 335a & 335b HWV ण༣᳆ ੠335b Facsimile of335a the autograph ҆ヨ᠟〓ᘏ䈅ᕅॄ⠜ score (Eng/Ger), hardcover ISBN 978-3-7618-1666-0 ˄㣅᭛/ᖋ᭛˅㊒㺙 ISBN 978-3-7618-1666-0

Mendelssohn Bartholdy, Felix Felix Mendelssohn Bartholdy Mendelssohn Bartholdy, Felix 䌍߽‫ܟ‬ᮃg䮼ᖋᇨᵒgᏈᠬᇨ䖾 (1809-1847) ǉӆ໣໰ПṺǊ A Midsummer Night’s Dream ᑣ᳆ op. 21op. 21 Overture ‫ܟ‬ᢝ⾥໿ⱘ䲙Ⲫ䱚ᮑव೒к佚 Facsimile of the autograph ҆ヨ᠟〓ᘏ䈅ᕅॄ⠜Ǆ score in the Biblioteka Jagielloñska, Kraków ˄㣅᭛/ᖋ᭛/᮹᭛˅ (Eng/Ger/Jap) ञᏗ䴶㺙䅶ˈ㊒㺙 half-linen, hardback 健❞຿ᕅॄ⠜ BÄRENREITER FACSIMILE ISBN ISBN 978-3-7618-2116-9 978-3-7618-2116-9 Wolfgang Amadeus Mozart Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) (1756-1791) ĀϔϾྥ࿬៪㗙ཇҎᏠᳯᕫࠄ “Ein Mädchen oder Weibchen ᏩᏩᵄ䇎ā wünscht Papageno sich” Facsimile of the aria from 䗝㞾℠࠻ǉ儨ワǊⱘ੣্䇗ᕅॄ⠜ The Magic Flute. ˄ᖋ᭛ 㣅᭛ ᮹᭛˅ (Ger/Eng/Jap) incl. vocal score ࣙ৿ໄФ䩶⨈㓽㓪䈅 cloth-bound Ꮧ䴶㺙䅶 ISBN 978-3-7618-1775-9 ISBN 978-3-7618-1775-9

ǉ‫ݙ‬㓈ᇨ໿Ҏ᳆䲚Ǌ ǉ‫ݙ‬㓈ᇨ໿Ҏ᳆䲚Ǌ

ᕅॄ⠜੠‫ݡ‬⠜ ..䇑䇂⟇⼮䊺⟇ Facsimiles and ᱎᱎᱎᱎᱎᱎ ᱎᱎ Reprints

Wolfgang Amadeus Mozart ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ Mozart, Wolfgang Amadeus (1756-1791) (1756-1791) ǉᅝ儖᳆Ǌ NEW ǉᅝ儖᳆ǊKV 626 KV 626 Requiem Faksimile der autographen ༹ഄ߽೑ᆊ೒к佚҆ヨ᠟〓ᘏ䈅 Partitur ᕅॄ⠜ in der Österreichischen Nationalbibliothek ࣙ৿⬅‫ܟ‬䞠ᮃᠬᓫg≗ᇨ໿੠Ҁ Mit einem Kommentar von ⡍gᏗ⋯ᮑ᪄‫ⱘݭ‬ҟ㒡 Christoph Wolff und Günter Brosche ˄㣅᭛ˋᖋ᭛˅ (engl./dt.), ञⲂ䴽㺙䅶 Halbleder, gebunden 健❞຿ᕅॄ⠜ FACSIMILE BÄRENREITER ISBN 978-3-7618-2346-0 978-3-7618-2346-0 ISBN ᕙߎ preparation in

ǉ‫ݙ‬㓈ᇨ໿Ҏ᳆䲚Ǌ ϡ߫乴೒к佚᠟〓ᕅॄ⠜ ˄㣅᭛ˋᖋ᭛˅ˈ㊒㺙 ISBN 978-3-7618-2213-5

My Ladye Diego OrtizNevells Booke ǉ‫ݙ‬㓈ᇨ໿Ҏ᳆䲚Ǌ Facsimile of the manuscript 䖾ៜg༹ᇨ㩖ᮃ ϡ߫乴೒к佚᠟〓ᕅॄ⠜ 䖾ៜg༹ᇨ㩖ᮃ the British Library in Trattado de Glosas ˄㣅᭛ˋᖋ᭛˅ˈ㊒㺙 (Eng/Ger), hardcover 㔫偀 1553 ISBN ISBN 978-3-7618-2213-5 978-3-7618-2213-5 ˄㽓⧁⠭᭛ˋᛣ໻߽᭛˅㣅᭛ˋᖋ ᭛˅ Ortiz Diego Ortiz, Diego 䖾ៜg༹ᇨ㩖ᮃ ࣙ৿ऩ⣀ⱘ㓈༹ᇨ⨈ߚ䈅 Diego Ortiz, Trattado deGlosas Glosas Trattado de ㊒㺙 1553 (Span/Ital/Eng/Ger) Rome, 㔫偀 ISBN1553 978-3-7618-1594-6 Including separate viol part, ˄㽓⧁⠭᭛ˋᛣ໻߽᭛˅㣅᭛ˋᖋ ᭛˅ Richard Wagner ⧚໣ᖋg⪺Ḑ㒇 ࣙ৿ऩ⣀ⱘ㓈༹ᇨ⨈ߚ䈅 ⧚໣ᖋg⪺Ḑ㒇 ǉ․㉿ᣁမਈદ⚝ ᓾǊ ㊒㺙 ǉ․㉿ᣁမਈદ⚝‫ص‬ᓾǊ ISBN 978-3-7618-1594-6 (WWVWagner 90).ԡѢᢰ㔫Ӟ⡍Ꮦⱘ⧚໣ Richard ᖋg⪺Ḑ㒇෎䞥Ӯ೑ᆊḷḜ佚҆ヨ᠟ ⧚໣ᖋg⪺Ḑ㒇〓ᘏ䈅ᕅॄ⠜ ǉ․㉿ᣁမਈદ⚝‫ص‬ᓾǊ ˄㣅᭛ˋᖋ᭛˅ˈञⲂ䴽㺙䅶健❞຿ᕅॄ⠜ (WWV 90).ԡѢᢰ㔫Ӟ⡍Ꮦⱘ⧚໣ ISBN 978-3-7618-2270-8 ᖋg⪺Ḑ㒇෎䞥Ӯ೑ᆊḷḜ佚҆ヨ᠟ 〓ᘏ䈅ᕅॄ⠜ ˄㣅᭛ˋᖋ᭛˅ˈञⲂ䴽㺙䅶健❞຿ᕅॄ⠜ ISBN 978-3-7618-2270-8

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart 䖾ៜg༹ᇨ㩖ᮃ Wolfgang Amadeus Mozart Klavierkonzert c-Moll KV 491

≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ selten bei Mozart – und durch den dramatischen C ᇣ䇗䩶⨈ण༣᳆ KV 491 Gegensatz zwischen Solo und Tutti.

⧚໣ᖋg⪺Ḑ㒇

ǉ․㉿ᣁမਈદ⚝ ᓾǊ

Faksimile der autographen Partitur des Royal College of Music, London NEW Mit einem Kommentar von Robert Levin Ӻᬺⱛᆊ䷇Фᄺ䰶҆ヨ᠟〓ᘏ䈅 (engl./dt.), Halbleder, gebunden ᕅॄ⠜ BÄRENREITER FACSIMILE ࣙ৿⬅㔫ԃ⡍g߫᭛᪄‫ⱘݭ‬ҟ㒡 ISBN 978-3-7618-1927-2 ˄㣅᭛ˋᖋ᭛˅ˈञⲂ䴽㺙䅶 Mozarts Klavierkonzert c-Moll 健❞຿ᕅॄ⠜ gehört zu den bekanntesten ISBN 978-3-7618-1927-2 seiner Klavierkonzerte, nicht zuletzt durch den besonderen Charakter der Moll-Tonart –

Ebenso außergewöhnlich ist das 㥿ᠢ⡍ⱘHier C ᇣ䇗䩶⨈ण༣᳆ሲ Autograph: verwendete ѢҪ䩶⨈ण༣᳆԰કЁ᳔㨫ৡⱘ԰ક Mozart für die Partitur ausПϔˈᇸ݊ᰃ಴Ў䆹԰ક‫݋‬᳝㥿ᠢ⡍ nahmsweise auch Skizzenblätter, die er ergänzte und intensiv ԰કЁᵕᇥߎ⦄ⱘ䙷⾡⡍⅞ⱘᇣ䇗⡍ korrigierte. So lässt sich einer㡆ˈ䖬᳝䩶⨈⣀༣ϢФ䯳唤༣П䯈ⱘ seits der Entstehungsprozess ៣࠻ᗻᇍ↨Ǆ nachverfolgen, andererseits ist an manchen Stellen eine ৠḋϡৠᇏᐌⱘ䖬᳝҆ヨ᠟〓˖ Fassung letzter Hand kaum 㥿ᠢ⡍೼ᘏ䈅᠟〓䞠г⸈՟䖤⫼њ㤝 erkennbar – gerade in der 〓ˈᇍҪⱘᵘᗱ԰њ㸹‫ܙ‬੠໻䞣ⱘׂ Stimme des Solo-Klaviers. ᬍǄ䖭ḋˈϔᮍ䴶ৃҹ䅽៥Ӏ䎳䏾԰ Das Faksimile ermöglicht es કⱘ߯԰䖛⿟䔼䗍ˈ঺ϔᮍ䴶೼ϔѯ nun jedem, sich zu den fragഄᮍⱘ᳔㒜ׂ䅶〓߭ᕜ䲒䕼䅸ˈ䖭ᙄ lichen Stellen eine eigene Meinung zu bilden. Erstmals wird ᙄЏ㽕ᰃ೼⣀༣䩶⨈䚼ߚǄ hiermit Mozarts Werk im Farb⦄೼ˈ䖭Ͼᕅॄ⠜䅽↣ϾҎ䛑᳝ faksimile veröffentlicht, sodass ᴎӮˈ䩜ᇍ᳝⭥䯂ⱘഄᮍᦤߎ㞾Ꮕⱘ die unterschiedlichen Tintenᛣ㾕Ǆ䖭ᰃ㥿ᠢ⡍԰ક佪⃵ҹᔽ㡆ᕅ farben gut zu erkennen sind. ॄ⠜ߎ⠜ˈ䖭ḋህ㛑ᕜདഄ䕼䅸ߎϡ Der renommierte Mozartৠⱘ๼∈买㡆Ǆ Forscher und Pianist Robert Levin㨫ৡⱘ㥿ᠢ⡍ⷨおᄺ㗙ঞ䩶⨈ᆊ erläutert Mozarts Kompositionsweise und führt 㔫ԃ⡍g߫᭛㾷䇈㥿ᠢ⡍ⱘ߯԰᠟⊩ detailliert Seite für Seite ᑊϨ䗤义䆺㒚ҟ㒡䖭䚼᠟〓Ǆ durch das Autograph.

㥿ᠢ⡍ⱘ Mozart’s ӳ໻℠࠻ Great Operas 㥿ᠢ⡍ⱘ 㥿ᠢ⡍ⱘ 㥿ᠢ⡍ⱘ 㥿ᠢ⡍ⱘ ӳ໻℠࠻ 㥿ᠢ⡍ⱘ ӳ໻℠࠻ 㥿ᠢ⡍ⱘ ӳ໻℠࠻ ӳ໻℠࠻ ӳ໻℠࠻ ӳ໻℠࠻ ǉӞ໮ṙ㒑ᮃǊ ᏺ㢁㭒 ԡѢ㕢೑⋯ᮃ䰓ᇨᠬᮃⱘ ᏩवᖋҎ᭛ⷨお᠔˄PHI˅Ϣ ԡѢ㧼ᇨ㣼෵ⱘ㥿ᠢ⡍佚೑䰙෎䞥Ӯ The Packard Humanities ਜ⤂њ㥿ᠢ⡍ϗ䚼ӳ໻℠࠻ⱘ ǉৢᅿ䇅䗗Ǌ Institute (PHI), Los Altos, Ca. ҆ヨ᠟〓ᘏ䈅Ǆ and theǉӞ໮ṙ㒑ᮃǊ International Mozarteum ǉӞ໮ṙ㒑ᮃǊ ǉӞ໮ṙ㒑ᮃǊ ᏺ㢁㭒Salzburg present Foundation, ǉӞ໮ṙ㒑ᮃǊ ᏺ㢁㭒 ǉӞ໮ṙ㒑ᮃǊK. 366 ᏺ㢁㭒 scores the autograph of the ǉӞ໮ṙ㒑ᮃǊ ᏺ㢁㭒 ᏺ㢁㭒Mozart K. 367**operas. seven great ᏺ㢁㭒 ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ISBN ǉৢᅿ䇅䗗Ǌ 978-3-7618-1880-0 ǉৢᅿ䇅䗗Ǌ Idomeneo K. 366 ǉৢᅿ䇅䗗Ǌ ǉৢᅿ䇅䗗Ǌ with ballet K. 367** ǉৢᅿ䇅䗗Ǌ ISBN 978-3-7618-1880-0 ǉৢᅿ䇅䗗Ǌ ǉ૤Ш⪺ሐǊ K. 384* Dieǉ䌍ࡴ㔫ⱘီ⼐Ǌ Entführung aus dem Serail ISBN 978-3-7618-1881-7 K. 384* ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉ䌍ࡴ㔫ⱘီ⼐Ǌ ǉཇҎᖗǊ ISBN 978-3-7618-1881-7 ǉ䌍ࡴ㔫ⱘီ⼐ǊK. 492** ǉ䌍ࡴ㔫ⱘီ⼐Ǌ 978-3-7618-1882-4 LeISBN nozze di Figaro K. 492** ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ ISBN 978-3-7618-1882-4 ǉ૤Ш⪺ሐǊ ǉ૤Ш⪺ሐǊ ǉ儨ワǊ ǉ૤Ш⪺ሐǊK. Don Giovanni K.527** 527** ǉ૤Ш⪺ሐǊ ISBN 978-3-7618-1883-1 ISBN 978-3-7618-1883-1 ǉཇҎᖗǊ ǉཇҎᖗǊ ǉཇҎᖗǊ ǉཇҎᖗǊ ǉ⢘ᠬⱘҕ᜜Ǌ Così fan tutte K. 588** ǉཇҎᖗǊK. 588** ISBN 978-3-7618-1884-8 ǉཇҎᖗǊ ISBN 978-3-7618-1884-8 ǉ儨ワǊ ǉ儨ワǊöte K. 620** Die Zauberfl ǉ儨ワǊ ǉ儨ワǊ ᕅॄ⠜ ISBN 978-3-7618-1885-5 ǉ儨ワǊK. 620** ǉ儨ワǊ 978-3-7618-1885-5 ǉ⢘ᠬⱘҕ᜜Ǌ LaISBN clemenza di Tito K. 621* ǉ⢘ᠬⱘҕ᜜Ǌ ISBN 978-3-7618-1886-2 ǉ⢘ᠬⱘҕ᜜Ǌ ǉ⢘ᠬⱘҕ᜜Ǌ ǉ⢘ᠬⱘҕ᜜ǊK. 621* ǉ⢘ᠬⱘҕ᜜Ǌ The Facsimiles ISBN 978-3-7618-1886-2 ᕅॄ⠜of Mozart Consolidation ᕅॄ⠜ manuscriptsᕅॄ⠜ held in different ᕅॄ⠜ ᕅॄ⠜ places ᕅॄ⠜ ᇚֱᄬѢ৘໘ⱘ㥿ᠢ⡍᠟〓 ড়៤ϔ‫ݠ‬ Highest level of precision in reproduction and authenticity 䗮䖛Փ⫼᳔ᮄᡔᴃˈ of colour through use of the ೼㡆ᔽⱘ‫⦄ݡ‬Ϣ㒃ℷᑺϞ latest technology 䖒ࠄ᳔催∈‫ⱘޚ‬㊒ᑺ With introductions (Eng/Ger). Format: ᓩ㿔˄㣅᭛/ᖋ᭛˅ 34 x 26 cm. Cloth-bound and half leather ᓔᴀ˖34 x 26with ६㉇ gold embossed lettering Ꮧ䴶㺙䅶ǃञⲂ䴶㺙䅶⚿䞥ᄫ

* 1 facsimile + text volume * 1 ोᕅॄ⠜ + ᭛ᴀो ** 2 facsimile volumes + + ** 2 ोᕅॄ⠜ text volume ᭛ᴀो

ܼ䲚

԰԰કܼ䲚 કܼ䲚 ೼健❞຿ߎ⠜⼒ˈ䞡㽕԰᳆ᆊⱘᄺᴃ᷵ࢬ⠜԰કܼ䲚 ሲѢゟᴀ乍ⳂǄ‫ࡽ׳‬䖭ѯᣛᇐᗻ⠜ᴀˈ健❞຿ߎ⠜⼒㦋ᕫ ᑓ⊯ⱘ೑䰙䅸ৃˈ៤Ўϔᆊܼ⧗ᗻ䖤԰ⱘӕϮǄ Ңϔᓔྟˈ⦄ҷ࣪ⱘᮄ⠜䷇Фᆊ԰કܼ䲚ህⴔⴐѢ ৠḋ᳡ࡵѢᄺᴃϢ䷇Фᅲ䏉˗ᅗӀড᯴ߎ䷇Фᄺⷨおⱘ ᳔ᮄ⢊‫މ‬ǄВϪ݀䅸ⱘ䌘⏅䷇Фᄺᆊ᳝ⱘ೼ЎⷨおϢথ㸠㗠ϧ䆒ⱘߎ⠜ᴎᵘᎹ԰ˈҹ֓ᣝ✻ᄺᴃ᷵ࢬ⊩ᴹ㓪䕥 ↣䚼䷇Ф԰કˈՓ԰કᔶᗕሑৃ㛑᥹䖥԰᳆ᆊॳᴹⱘᛣ೒Ǆ ヺড়ܼ䲚⠜ᴀⱘ䖭⾡催ᑺ㓪䕥Ӌؐⱘ䖬᳝݊໪㾖ǃ Ф䈅䋼䞣ǃॄࠋ䋼䞣੠㒌ᓴ䋼䞣Ǆ བҞˈ೼ܼϪ⬠䷇Фᄺⷨおᴎᵘ੠೒к佚Ёˈ ᳝䘒 60 ϛो健❞຿ᮄ⠜ܼ䲚Ǆ Ңܼ䲚৘ोЁ㸡⫳ߎߎ⠜⼒ϔ໻䚼ߚ ᅲ⫼ⱘॳ԰䈅⠜ᴀˈ ՓПࠡⱘᄺᴃⷨおᎹ԰Ⳉ᥹ᡩܹᅲ⫼Ǆ

ܼ䲚 hardcover ISBN 978-3-7618-1594-6 Wagner, Richard Wagner, Richard Tristan und Isolde (WWV 90). Facsimile of the autograph score from the National Archive of the RichardWagner-Stiftung Bayreuth (Eng/Ger). Half leather binding BÄRENREITER FACSIMILE ISBN 978-3-7618-2270-8

JOHANNȱSEBASTIANȱBACHȱ 㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿㑺㗄gาᏈᮃ㩖ᅝgᏈ䌿 (1685Ȭ1750)ȱ

ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ǉᮄ⠜Ꮘ䌿ܼ䲚Ǌ ǉᮄ⠜Ꮘ䌿ܼ䲚Ǌ ǉᮄ⠜Ꮘ䌿ܼ䲚Ǌ ⬅Ḑϕḍⱘ㑺㗄gาᏈᮃ㩖 ᅝgᏈ䌿ⷨお᠔Ϣ㦅↨䫵ⱘᏈ䌿ḷḜ 佚㓪䕥ߎ⠜ 117 ोˈ৿ 9 Ͼ㋏߫Ǆࠡ㿔੠ϔ ㆛ऩ⣀ⱘᖋ᭛᷵ࢬ᡹ਞ

ܼ䲚乘䅵 2014 ᑈܼ䚼ߎ唤Ǆ ܼ䲚乘䅵 2014 ᑈܼ䚼ߎ唤 JOHANN SEBASTIAN BACH JOHANN SEBASTIAN BACH ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ (1685-1750) ᴎӮѿফᠧᡬӬᚴǄৃҹ䗝ᢽ乘䅶᷵ Neue Ausgabe sämtlicher ࢬ᡹ਞǄ Werke »Neue Bach-Ausgabe« ᮄ⠜԰કܼ䲚ü ᮄ⠜԰કܼ䲚ü ᮄ⠜԰કܼ䲚ü Herausgegeben vom Johannᮄׂ䅶⠜ǉᏈ䌿ׂ䅶ᮄ⠜Ǌ ᮄׂ䅶⠜ǉᏈ䌿ׂ䅶ᮄ⠜Ǌ Sebastian-Bach-Institut ᮄׂ䅶⠜ǉᏈ䌿ׂ䅶ᮄ⠜Ǌ rev ˄NBA ˅ ˄ ˅und vom Göttingen ˄ ˅ Bach-Archiv Leipzig 117 Bände, 9 Serien. Vorwort ⬅㦅↨䫵ⱘᏈ䌿ḷḜ佚㓪䕥ߎ⠜ und 㑺䅵 Kritischer Bericht (separat) 15 ोˈ↣ोࣙ৿ׂ䅶᡹ਞˈ deutsch ᖋ᭛ǃ㣅᭛ࠡ㿔ˈᖋ᭛ׂ䅶᡹ਞǄ Die Ausgabe wird ↣ᑈϔ㠀ߎ⠜ 1 㟇2014 2 ोǄ voraussichtlich abgeschlossen sein. ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ Gesamtsubskription und Teilsubskription einzelner Serien zum reduzierten Preis möglich, wahlweise mit oder ohne Kritische Berichte Neue Ausgabe sämtlicher

Werke – Revidierte Edition HECTORȱBERLIOZȱ rev

GABRIELȱFAURÉȱ

(NBA ) ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬ ඗‫ܟ‬ᠬᇨgᶣ䖑‫ ݍ‬

Opere ࡴᏗ䞠඗ᇨg⽣䳋

(1803–1869)ȱ Herausgegeben vom Bach-Archiv Leipzig ᮄ⠜԰કܼ䲚 Ca. 15 Bände, jeweils inkl. Revisionsbericht. Vorwort ǉᮄ⠜ᶣ䖑‫ܼݍ‬䲚Ǌ deutsch und englisch; Revisionsbericht deutsch ⬅Ӻᬺⱘᶣ䖑‫ⱒݍ‬ᑈ‫ݹ‬䆲㑾ᗉྨ ਬӮϢ䞠ᮃᴀⱘव⋯ᮃ⡍gসᇨᴀ෎ Pro Jahr werden in der Regel ᅝ෎䞥Ӯড়԰㓪䕥ߎ⠜ 1-2 Bände erscheinen.

(1845Ȭ1924)ȱ Editionsleitung. Ellen Rosand Libretto-Edition: ǉ⽣䳋԰કܼ䲚Ǌ˄ ˅ ǉ⽣䳋԰કܼ䲚Ǌ˄OCGF˅ Lorenzo Bianconi

Gesamtsubskription zum 26 ोˈࣙ৿᷵ࢬ᡹ਞˈ㣅᭛ǃ⊩ reduzierten Preis möglich. 㣅᭛᷵ࢬ᡹ਞǄ ᭛੠ᖋ᭛ࠡ㿔; HECTOR BERLIOZ ܼ䲚Ꮖ㒣ߎ⠜Ǆ ܼ䲚Ꮖ㒣ߎ⠜ HECTOR BERLIOZ (1803-1869) ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ Neue Ausgabe sämtlicher Werke »Neue Berlioz-Ausgabe« FRANZȱBERWALDȱ ᓫᳫ‫ݍ‬g䋱ᇨ⪺ᇨᖋ

Herausgegeben vom Berlioz (1796–1868)ȱȱ Centenary Committee, London in Zusammenarbeit mit der ԰કܼ䲚 Calouste Gulbenkian Foundation, Lissabon Џ㓪˖䋱ᇨ⪺ᇨᖋྨਬӮ 26 Bände inkl. Kritischem Bericht; Vorwort englisch, 26 ोˈࣙ৿᷵ࢬ᡹ਞˈ䚼ߚ䰘᳝ französisch und deutsch; ߚ䈅Ǆᖋ᭛ǃ㣅᭛ࠡ㿔ˈ㣅᭛᷵ࢬ᡹ Kritischer Bericht englisch ਞǄ Die Ausgabe ist abgeschlossen. ܼ䲚Ꮖ㒣ߎ⠜Ǆ ܼ䲚Ꮖ㒣ߎ⠜ Gesamtabnahme zum reduzierten Preis möglich. ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ FRANZ BERWALD FRANZ BERWALD (1796-1868) FRANCESCOȱCAVALLIȱ Sämtliche Werke ᓫ݄㽓ᮃ⾥gव⪺߽

(1602Ȭ1676)ȱ Editionsleitung: Berwald-Kommittén ℠࠻ 26 Bände inkl. Kritischem Be richt, z.T. beigelegte Stimmen. Џ㓪˖㡒Ӻg㔫ḥᖋ Vorwort deutsch und englisch; Kritischer Bericht englisch ࠻ᴀ㓪䕥˖⋯ӺԤg↨Ѯ⾥ሐ Ausgabe ist abgeschlossen. Die 㑺 ोˈࣙ৿᷵ࢬ᡹ਞǄ Gesamtabnahme zum 㣅᭛ࠡ㿔ˈϔӑᛣ໻߽᭛࠻ᴀᏺ㣅᭛ reduzierten Preis möglich. 䆥᭛ˈ㣅᭛᷵ࢬ᡹ਞǄ ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ FRANCESCO CAVALLI FRANCESCO CAVALLI (1602-1676)

Ca. 14 Bände inkl. Kritischem Џ㓪˖䅽ü㉇ℛᇨg༜‫ܟ‬೒ Bericht. Vorwort englisch, eine Edition Ͼ㋏ 28 ोˈࣙ৿᷵ࢬ᡹ਞˈ7 des Librettos in italienisch ߫Ǆ⊩᭛ǃ㣅᭛੠ᖋ᭛ࠡ㿔ˈ⊩᭛៪ mit englischer Übersetzung, 㣅᭛᷵ࢬ᡹ਞ Kritischer Bericht in englisch. Gesamtsubskription zum ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ ܼ䚼乘ᅮ᳝ᴎӮѿফᠧᡬӬᚴǄ reduzierten Preis möglich. GABRIEL FAURÉ GABRIEL FAURÉ (1845-1924) Œuvres complètes Gabriel Fauré (OCGF) Editionsleiter: Jean-Michel Nectoux 28 Bände inkl. Kritischem Bericht, 7 Serien. Vorwort französisch, englisch und deutsch; Kritischer Bericht französisch oder englisch Gesamtsubskription zum reduzierten Preis möglich.

NIELSȱWILHELMȱGADEȱ ሐᇨᮃg࿕ᒝgࡴᖋ

(1817–1890)ȱ ȱ ԰ક ⬅健❞຿ߎ⠜⼒੠ᘽḐᮃ⡍䱚ঞ ⋑ᖋᵫᮃ䷇Фߎ⠜⼒ APS 㘨ড়᥼ߎ હᴀજḍĀሐᇨᮃg࿕ᒝgࡴᖋ ԰કߎ⠜෎䞥Ӯā㓪䕥ߎ⠜ ܼ䲚㑺䅵 37 ोˈࣙ৿᷵ࢬ᡹ ਞˈ7 Ͼ㋏߫Ǆᖋ᭛ǃ㣅᭛ࠡ㿔ˈ㣅 ᭛᷵ࢬ᡹ਞǄ

NIELS WILHELM GADE ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ NIELS WILHELM GADE ᴎӮѿফᠧᡬӬᚴǄ (1817-1890) Werke Bärenreiter-Verlag und

ܼ䲚 GEORG FRIEDRICH HÄNDEL ܼ䲚乘䅵 2023ᑈܼ䚼ߎ唤Ǆ ᑈܼ䚼ߎ唤Ǆ ܼ䲚乘䅵 2023 GEORG FRIEDRICH HÄNDEL (1685-1759) ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ ᴎӮѿফᠧᡬӬᚴǄ ᴎӮѿফᠧᡬӬᚴǄ Hallische Händel-Ausgabe Kritische Gesamtausgabe LEOŠȱJANA+EKȱ LEOŠȱJANÁ+EKȱ Herausgegeben von der GeorgFriedrich-Händel-Gesellschaft 㦅༹ҔgѮ㒇ߛ‫ ܟ‬ 㦅༹ҔgѮ㒇ߛ‫ ܟ‬ (1854–1928)ȱ (1854–1928)ȱ Ca. 128 Bände, 5 Serien. Der Kritische Bericht ist zumeist 㦅༹ҔgѮ㒇ߛ‫ܟ‬԰કⱘ 㦅༹ҔgѮ㒇ߛ‫ܟ‬԰કⱘ Bestandteil der Notenbände; ᷵ࢬ⠜ܼ䲚 ᷵ࢬ⠜ܼ䲚 zu einigen größeren Werken ist er separat erschienen. Vorwort deutsch und englisch; Kritischer ⬅健❞຿ߎ⠜⼒੠ᏗᢝḐ健❞຿ ⬅健❞຿ߎ⠜⼒੠ᏗᢝḐ健❞຿ Bericht deutsch oder englisch ߎ⠜⼒㘨ড়᥼ߎ ߎ⠜⼒㘨ড়᥼ߎ

CHRISTOPH WILLIBALD GLUCK

CHRISTOPH WILLIBALD GLUCK Engstrøm & Sødrings ‫ܟ‬䞠ᮃᠬ໿g㓈߽ᏈᇨᖋgḐ剕‫ ܟ‬ ‫ܟ‬䞠ᮃᠬ໿g㓈߽ᏈᇨᖋgḐ剕‫ ܟ‬ Musikforlag APS

(1714–1787)ȱ (1714–1787)ȱ

Herausgegeben von der ԰કܼ䲚 ԰કܼ䲚 zur Herausgabe der »Stiftung Werke Niels W. Gades«, ⬅剕䘧໿gḐ䋱ᇨ߯ྟǃḐજ Kopenhagen ⬅剕䘧໿gḐ䋱ᇨ߯ྟǃḐજ ᖋg‫ܟ‬㔫ᇨ᥹ᥠˈԡѢ㕢಴‫⾥ⱘݍ‬ᄺ ᖋg‫ܟ‬㔫ᇨ᥹ᥠˈԡѢ㕢಴‫⾥ⱘݍ‬ᄺ Ca. 37 Bände inkl. Kritischem Ϣ᭛ᄺᄺ䰶㓪䕥ߎ⠜ Ϣ᭛ᄺᄺ䰶㓪䕥ߎ⠜

Bericht, 7 Serien. Vorwort deutsch und englisch; ܼ䲚㑺䅵 ܼ䲚㑺䅵60 60ोˈࣙ৿᷵ࢬ᡹ ोˈࣙ৿᷵ࢬ᡹ Kritischer Bericht englisch

ਞˈ7 ਞˈ7Ͼ䚼ߚǄᖋ᭛ࠡ㿔੠᷵ࢬ᡹ Ͼ䚼ߚǄᖋ᭛ࠡ㿔੠᷵ࢬ᡹

ਞǄ ਞǄ Gesamtsubskription und Teilsubskription einzelner Serien ܼ䲚乘䅵 2023 ܼ䲚乘䅵 2023ᑈܼ䚼ߎ唤Ǆ ᑈܼ䚼ߎ唤Ǆ zum reduzierten Preis möglich. ܼ䚼乘ᅮ᳝ᴎӮѿফᠧᡬӬᚴǄ ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ

CHRISTOPH WILLIBALD GLUCK CHRISTOPH WILLIBALD GLUCK (1714-1787) Sämtliche Werke GEORGȱFRIEDRICHȱHÄNDELȱ GEORGȱFRIEDRICHȱHÄNDELȱ Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ ḐBegründet ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋᇨ von Rudolf Gerber. (1685–1759)ȱ Fortgeführt von Gerhard Croll. (1685–1759)ȱ Herausgegeben von der જࢦ⠜Ѽᖋᇨܼ䲚 Akademie der Wissenschaften જࢦ⠜Ѽᖋᇨܼ䲚 und der Literatur, Mainz ᷵ࢬ⠜ܼ䲚 ᷵ࢬ⠜ܼ䲚 Ca. 60 Bände inkl. Kritischem ⬅Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋ ⬅Ḑ༹ᇨḐgᓫ䞠ᖋ䞠ᏠgѼᖋ Bericht, 7 Abteilungen. Vorwort ᇨणӮ᥼ߎ und Kritischer Bericht deutsch ᇨणӮ㓪䕥ߎ⠜ 㑺 128 ोˈ5 Ͼ㋏߫ˈ᷵ࢬ᡹ਞ Die Ausgabe wird voraussicht㑺 128 ोˈ5 Ͼ㋏߫ˈ᷵ࢬ᡹ਞ ໮ЎФ䈅ोⱘ㒘៤䚼ߚˈᇍϔѯ䕗໻ lich 2023 abgeschlossen sein. ໮ЎФ䈅ोⱘ㒘៤䚼ߚˈᇍϔѯ䕗໻ ⱘ԰કˈ߭ऩ⣀ߎ⠜᷵ࢬ᡹ਞǄ ⱘ԰કˈ߭ऩ⣀ߎ⠜᷵ࢬ᡹ਞǄ Gesamtsubskription zum ᖋ᭛੠㣅᭛⠜ࠡ㿔ˈᖋ᭛៪ reduzierten Preis möglich. ᖋ᭛੠㣅᭛⠜ࠡ㿔ˈᖋ᭛៪ 㣅᭛᷵ࢬ᡹ਞǄ 㣅᭛᷵ࢬ᡹ਞǄ

Die Ausgabe wird voraussichtܼ䲚㑺 53 ܼ䲚㑺 53ोˈࣙ৿᷵ࢬ᡹ਞˈ8 ोˈࣙ৿᷵ࢬ᡹ਞˈ lich 2023 abgeschlossen sein. Ͼ㋏߫ˈ᥋‫ܟ‬᭛ǃᖋ᭛ǃ㣅᭛ǃ⊩᭛ 8 Ͼ㋏߫ˈ᥋‫ܟ‬᭛ǃᖋ᭛ǃ㣅᭛ǃ ੠֘᭛ࠡ㿔ˈ᥋‫ܟ‬᭛੠ᖋ᭛᷵ࢬ᡹ Gesamtsubskription und Teil⊩᭛੠֘᭛ࠡ㿔ˈ᥋‫ܟ‬᭛੠ᖋ᭛᷵ࢬ subskription einzelner Serien ਞǄ ᡹ਞǄ zum reduzierten Preis möglich. ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ ᴎӮѿফᠧᡬӬᚴǄ ᴎӮѿফᠧᡬӬᚴǄ LEOŠ JANÁČEK LEOŠ JANÁČEK (1854-1928) ORLANDOȱDIȱLASSOȱ ORLANDOȱDIȱLASSOȱ Kritische Gesamtausgabe ༹݄໮g䖾ᢝ㋶ ༹݄໮g䖾ᢝ㋶ der Werke von Leoš Janáček (1532–1594)ȱ (1532–1594)ȱ Bärenreiter-Verlag und ԰કܼ䲚üü ԰કܼ䲚üü Bärenreiter Praha ᮄ㋏߫ ᮄ㋏߫ Ca. 53 Bände inkl. Kritischem Bericht, 8 Reihen. Vorwort ⬅↨߽ᯊⱛᆊ⾥ᄺ䰶ϢᏈӤ߽Ѯ ⬅↨߽ᯊⱛᆊ⾥ᄺ䰶ϢᏈӤ߽Ѯ tschechisch, deutsch, englisch, ⾥ᄺ䰶㓪䕥⾥ᄺ䰶㓪䕥 französisch und russisch; Kritischer Bericht tschechisch 26 ो৿ϔӑ䰘ᔩˈᖋ᭛ࠡ㿔੠ᄺ 26ो৿ϔӑ䰘ᔩˈᖋ᭛ࠡ㿔੠ᄺ und deutsch ᴃⷨおখ㗗䌘᭭ ᴃⷨおখ㗗䌘᭭ Gesamtsubskription und Teilܼ䲚Ꮖ㒣ߎ⠜ einzelner Serien subskription ܼ䲚Ꮖ㒣ߎ⠜Ǆ zum reduzierten Preis möglich. ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ ORLANDO DI LASSO ORLANDO DI LASSO LEONHARDȱLECHNERȱ (1532-1594) LEONHARDȱLECHNERȱ 䳋ᯖજ⡍g㦅Ꮰ㒇䳋ᯖજ⡍g㦅Ꮰ㒇

(㑺Sämtliche 1553–1606)ȱWerke – (㑺 1553–1606)ȱ ȱ Neue Reihe ȱ ԰ક Herausgegeben von der ԰ક Académie Royale de Belgique und ⬅ᒋᢝ⡍g䰓ṙӺফ೑䰙⍋಴䞠 der Bayerischen Akademie ⬅ᒋᢝ⡍g䰓ṙӺফ೑䰙⍋಴䞠 der Wissenschaften Ꮰg䆌㣼णӮПᠬ㓪䕥 Ꮰg䆌㣼णӮПᠬ㓪䕥 26 Bände und 1 Supplement. Vorwort und Wissenschaftlicher Apparat deutsch

ܼ䲚䅵14 14ोФ䈅ࣙ৿᷵ࢬ᡹ ोФ䈅ࣙ৿᷵ࢬ᡹ ܼ䲚䅵 Die Ausgabe ist abgeschlossen. ਞǄᖋ᭛ࠡ㿔੠᷵ࢬ᡹ਞǄ ਞǄᖋ᭛ࠡ㿔੠᷵ࢬ᡹ਞǄ Gesamtabnahme zum ܼ䲚Ꮖ㒣ߎ⠜Ǆ ܼ䲚Ꮖ㒣ߎ⠜ reduzierten Preis möglich. ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ LEONHARD LECHNER LEONHARD LECHNER (um 1553-1606)

Werke Im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft herausgegeben von Konrad Ameln 14 Notenbände inkl. Kritischem Bericht. Vorwort und Kritischer Bericht deutsch Die Ausgabe ist abgeschlossen. Gesamtabnahme zum reduzierten Preis möglich.

WOLFGANGȱAMADEUSȱ WOLFGANGȱAMADEUSȱ MOZARTȱ MOZARTȱ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ ≗ᇨ໿‫ݜ‬g䰓偀໮Ӟᮃg㥿ᠢ⡍ (1756–1791)ȱ (1756–1791)ȱ ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ǉᮄ⠜㥿ᠢ⡍ܼ䲚Ǌ ǉᮄ⠜㥿ᠢ⡍ܼ䲚Ǌ ⬅㧼ᇨ㣼෵೑䰙㥿ᠢ⡍佚෎䞥Ӯ ⬅㧼ᇨ㣼෵೑䰙㥿ᠢ⡍佚෎䞥Ӯ Ϣ৘㥿ᠢ⡍ජᏖ༹Ḑᮃ෵ǃ㧼ᇨ㣼෵ Ϣ৘㥿ᠢ⡍ජᏖ༹Ḑᮃ෵ǃ㧼ᇨ㣼෵ ੠㓈г㒇㘨ড়᥼ߎ ੠㓈г㒇㘨ড়᥼ߎ ܼ䲚䅵 ܼ䲚䅵 124 124ोˈߚЎ ोˈߚЎ10 10Ͼ㋏߫ Ͼ㋏߫ ˄35 ˄35 ㉏԰ક˅Ǆऩ⣀ⱘᖋ᭛ࠡ㿔੠᷵ ㉏԰ક˅Ǆऩ⣀ⱘᖋ᭛ࠡ㿔੠᷵ ࢬ᡹ਞǄ ࢬ᡹ਞǄ Џ㽕䚼ߚ˄㋏߫ I-IX˅Ꮖ㒣ߎ Џ㽕䚼ߚ˄㋏߫ I-IX˅Ꮖ㒣ߎ WOLFGANG AMADEUS MOZART 唤ˈ䰘ᔩ䚼ߚ˄㋏߫ X˅乘䅵 2014 WOLFGANG AMADEUS MOZART 唤ˈ䰘ᔩ䚼ߚ˄㋏߫ X˅乘䅵 2014 (1756-1791) ߎ唤Ǆ ᑈߎ唤Ǆ

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ܼ䚼䅶䌁៪䚼ߚ䅶䌁ऩ⣀ⱘ㋏߫ ܼ䚼៪䚼ߚ乘䅶ऩ⣀ⱘ㋏᳝߫ᴎ Werke ᳝ᴎӮѿফᠧᡬӬᚴˈᑊϨৃ䗝ᢽ䅶 ӮѿফᠧᡬӬᚴˈᑊϨৃ䗝ᢽ䅶䌁᷵ »Neue Mozart-Ausgabe« 䌁᷵ࢬ᡹ਞǄ ࢬ᡹ਞǄ

In Verbindung mit den Mozartstädten Augsburg, Salzburg und Wien herausgegeben von der Internationalen Stiftung

ܼ䲚 L’OPÉRA FRANÇAIS Mozarteum Salzburg 㔫Խᢝgᓫ݄㽓ᮃ

124 Bände, 10 Serien (35 Werkgruppen). Vorwort Џ㓪˖ֱᇨg᱂䳋⽣ᮃ⡍

und Kritischer Bericht (separat) deutsch 乘䅵 35 ोˈࣙ৿᷵ࢬ᡹ਞǄ᳔߱

10 ो乘䅵ࠄ 2018 ᑈܼ䚼ߎ唤Ǆ⊩ Der Hauptteil (Serie I-IX) ist ᭛ǃ㣅᭛੠ᖋ᭛ࠡ㿔ˈ⊩᭛៪㣅᭛᷵ komplett, das Supplement ࢬ᡹ਞǄ (Serie X) wird voraussichtlich

2014 abgeschlossen sein. ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ

Gesamtsubskription und Teilsubskription einzelner Serien zum reduzierten Preis möglich, wahlweise mit oder ohne Kritische Berichte. L’OPÉRA FRANÇAIS Editionsleitung: Paul Prévost Ca. 35 Bände inkl. Kritischem Bericht. Die ersten 10 Bände werden bis 2018 erscheinen. Vorwort französisch, englisch und deutsch, Kritischer Bericht französisch oder englisch Gesamtsubskription zum reduzierten Preis möglich.

JOHANNȱPACHELBELȱ 㑺㗄gᏩ䌿䋱ᇨ 㑺㗄gᏩ䌿䋱ᇨ

(1653–1706)ȱ ໄФ԰કܼ䲚 ⬅≗ᇨ໿‫ݜ‬gᏠᇨᮑ᳐ǃवศ⨇ ࿰g䌪߽㧼gԽ㽓੠ᠬ偀ᮃgࢦᖋফ 㓈ᇨ㣼෵ⱘᇸ߽Рᮃg偀‫ܟ‬㽓㉇߽ᅝ ໻ᄺ䷇Фᄺⷨお᠔ǃḐᢝ㣼㡎ᴃ໻ᄺ ᬭӮ䷇Фⷨお᠔Пᠬ㓪䕥Ǆ ℠࠻ 11 ोˈࣙ৿᷵ࢬ᡹ਞǄᖋ᭛੠㣅 Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ ᭛ࠡ㿔ˈᖋ᭛᷵ࢬ᡹ਞǄ ߎ⠜ऩ⣀ⱘोᴀ

ܼ䲚乘䅵 2015 ᑈߎ唤Ǆ ग़৆᷵ࢬ⏋ড়⠜ JOHANN PACHELBEL ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ JOHANN PACHELBEL (1653-1706) Sämtliche Vokalwerke Herausgegeben im Auftrag des Instituts für Musikforschung der Julius-Maximilians-

OPERA ℠ ࠻ ℠࠻ Spektrum des europäischen Musiktheaters in Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ Einzeleditionen ߎ⠜ऩ⣀ⱘोᴀ ߎ⠜ऩ⣀ⱘोᴀ Historisch-kritische ग़৆᷵ࢬ⏋ড়⠜ ग़৆᷵ࢬ⏋ড়⠜ Hybridausgaben Editionsleiter: Џ㓪˖ᠬ偀ᮃg䋱㣼㓈⋑ Thomas Betzwieser 21 ोˈ↣ϔोࣙ৿ϔ㆛ࠡ ໻㑺 Ca. 21 Bände. Jeder Band 㿔ˈ䞛⫼ᖋ᭛ǃ㣅᭛ҹঞ↣䚼԰ક᠔ enthält ein Vorwort auf Deutsch und Englisch, sowie Փ⫼ⱘ䇁㿔Ǆܼ䚼䷇Ф੠᭛ᄫॳྟ䌘 der Sprache des jeweiligen ᭭ǃ៣࠻᭛ᴀⱘ৘⾡⠜ᴀǃФ䈅⠜ᴀ Werkes. Sämtliche musikaliҹঞ᷵ࢬ᡹ਞ䛑೼ϔϾUSB䮾ᄬⲬ schen und textlichen Quellen, ℠࠻ 䞠ˈ䞛⫼ֵ⫼वⱘḐᓣࣙ৿೼ो‫ݠ‬ ℠࠻ die Editionen der ЁǄ dramatischen Texte, die Edition Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ des Notentextes sowie die Єᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ Ā℠࠻üЄᆠ໮ᔽⱘ⃻⌆䷇Ф࠻ ߎ⠜ऩ⣀ⱘोᴀ Kritischen Berichte befinden ߎ⠜ऩ⣀ⱘोᴀ ߎ⠜ऩ⣀ोᴀā乍Ⳃˈ㟈࡯ѢҢ sich auf einem im band ࠄ Ϫ㑾⃻⌆䷇Ф࠻Ёᵄߎ԰કⱘ᷵ࢬ enthaltenen USB-Stick im ग़৆᷵ࢬ⏋ড়⠜ ग़৆᷵ࢬ⏋ড়⠜ Scheckkarten-Format ⠜Ǆᘏ݅ᇚߎ⠜ 䚼ߎ㞾⊩೑ǃᛣ໻ ߽ǃᖋ೑ǃ㣅೑ǃᮃ෾ⱘ㒇㓈Ѯ੠ᮃ Das Projekt OPERA – ᢝ໿೑ᆊⱘ԰કˈৠᯊ᳝䩜ᇍᗻഄᇚ Spektrum des europäischen 䙷ѯ೼䖘ҞЎℶⱘ৘⾡㓪䕥ߎ⠜Ꮉ԰ Musiktheaters in EinzeleditioЁᕜᇥফࠄ䞡㾚ǃᑊϨ৘㞾೼㓪䕥Ϟ nen widmet sich der kritischen ᏺᴹ䯂乬ⱘ䷇Ф⾡㉏гࣙᣀ䖯এˈ՟ Edition herausragender Werke des europäischen Musiktབ㢁㭒ǃ៣࠻䷇Фǃᚙ᱃࠻੠䕏℠ heaters des 17. bis 20. Jahrhun࠻Ǆ derts. Herausgegeben werden insgesamt 21 Kompositionen 䆹㋏߫ⱘ佪ᡍो‫ݠ‬ᏺ Edirom˄᭄ᄫ ˄᭄ᄫ französischer, italienischer, 䆹㋏߫ⱘ佪ᡍो‫ݠ‬ᏺ ˄᭄ᄫ ䷇Ф⠜˅ deutscher, englischer, skan䷇Ф⠜˅ 䆹㋏߫ⱘ佪ᡍो‫ݠ‬ᏺ ˄᭄ᄫ dinavischer und slawischer ䷇Ф⠜˅ z ᅝФሐ༹g㧼߫䞠ˈ Herkunft, wobei gezielt auch 䌒Ꮘ㩖ᮃศgवᮃ㩖˖ Gattungen einbezogen werden, die in bisherigen editorischen ǉ䷇Ф㟇ϞǊ˄1786˅ Unternehmungen wenig 㓪䕥 ᠬ偀ᮃg䋱㣼㓈⋑ˋ Beachtung fanden und jeweils 䰓ᖋ䞠ᅝgᢝg㧼ᇨ㓈Ѯ eigene editorische Problemaᑈ᳔Շ⠜ᴀā tikenĀ2014 mit sich bringen, wie BA 8811 beispielsweise Ballett, Schauspielmusik, Melodram oder Operette. z 䰓䘧໿gԃࡾ⪺gᏗ㦅ᮃˈ ⥯Бˉᴅᮃ∔ˉԃࡾ⪺g⊩⪺˖ Die ersten Bände ǉᅝ༜੠श⧁Ǌ(1762); der Reihe mit Edirom ˄᭄ᄫ 㓪䕥 ᅝᖋ䳋Ѯᮃgᯢ㣼呺䆹㋏߫ⱘ佪ᡍो‫ݠ‬ᏺ ˄᭄ᄫ 䆹㋏߫ⱘ佪ᡍो‫ݠ‬ᏺ (Digitale Musikedition) BA 8812 ䷇Ф⠜˅ ䷇Ф⠜˅ Antonio Salieri, Giambattista Casti: Prima la musica e poi le parole (1786); Ed. Thomas Betzwieser, Adrian La Salvia »Best Edition 2014« BA 8811

Adolphe Benoit Blaise, Marie-Justine-Benoite Favart: Annette et z Lubin ᠬ偀ᮃg䰓䆋ˈ (1762); Ed.Ӟ㧼‫ܟ‬g↨‫ܟ‬ᮃศ໿˖ Andreas Münzmay BAǉеᴥ䞠ⱘ⠅ᚙǊ(1762); 8812 㓪䕥 ᳾ᅮ Thomas BA 8814Arne, Isaac Bickerstaff: Love in a Village (1762); z 䌍䖾फ໮gᏩ㡒ᇨˈ Ed. N.N. BA䌒⾥㥿g䕯ᦤ˖ 8814 ǉ㦅༹䇎ᢝg༹㽓Ѯⱘ Ferdinando Paër, ໿ྏᘽ⠅Ǌ(1804); Cinti: Giacomo 㓪䕥䇎ԃ⡍gᴰम㓈 Leonora BA 8813ossia L’amor conjugale (1804); Ed. Norbert Dubowy z BAᕐᕫg‫ރ‬gᵫᖋԽ಴⡍㒇ˈ 8813 㑺㗄g≗ᇨ໿‫ݜ‬g‫ރ‬g℠ᖋˈ वᇨg䌯ᖋᇨ᳐˖ Peter von Lindpaintner, Johann Wolfgang von ḍ᥂वᇨg䌯ᖋᇨ᳐ⱘ㟲ৄഎ Goethe, Carl Seydelmann: ᱃Ꮧ㕂ⱘ℠ᖋǉ⍂຿ᖋǊᑣ Ouverture, Entreacte, ᳆ǃᐩ䯈䷇ФϢ㟲䐜ǃড়ଅ੠ Chöre und Lieder zu ℠᳆˄1832˅; Goethes Faust nach der 㓪䕥 ᅝߛg೒偀⡍ szenischen Einrichtung BACarl 8815Seydelmann (1832); von Ed. Antje Tumat 䖭ѯग़৆᷵ࢬ⏋ড়⠜ो‫ݠ‬Ā℠࠻ā BA 8815 ৃҹ೼᳝䰤ᯊ䯈‫ݙ‬ѿফӬᚴ䆩䫔ӋḐऩ ⣀䅶䌁ˈ៪㗙乘䅶㓁䲚Ǆ Die Bände der historischkritischen Hybridausgabe OPERA können einzeln zu einem zeitlich befristeten reduzierten Einführungspreis bezogen oder zur Fortsetzung subskribiert werden.

ܼ䲚 Universität Würzburg und SERGEIȱRACHMANINOFFȱ Instituts für Kirchenmusik 䇶ᇨⲪgᢝ䌿⥯ሐ䇎໿ 䇶des ᇨⲪgᢝ䌿⥯ሐ䇎໿ 䇶ᇨⲪgᢝ䌿⥯ሐ䇎໿ der Kunstuniversität Graz 䇶ᇨⲪgᢝ䌿⥯ሐ䇎໿ (1873—1943)ȱ von Wolfgang Hirschmann, 䇶ᇨⲪgᢝ䌿⥯ሐ䇎໿ Katharina Larissa Paech und ᷵ࢬ⠜԰કϢ㨫԰ܼ䲚˄RCW˅ ᷵ࢬ⠜԰કϢ㨫԰ܼ䲚˄ ˅ Thomas Röder ᷵ࢬ⠜԰કϢ㨫԰ܼ䲚˄ ˅ ˅ ᷵ࢬ⠜԰કϢ㨫԰ܼ䲚˄ ᷵ࢬ⠜԰કϢ㨫԰ܼ䲚˄ 11 Bände inkl. Kritischem ˅ ֘㔫ᮃ䷇Фߎ⠜⼒ Bericht. Einführung deutsch 䫔ଂ˖健❞຿䷇Фߎ⠜⼒ und englisch; Kritischer Bericht deutsch ϢḐᵫव೑ᆊ䷇Ф᭛࣪Ёᖗम⠽ 佚˄㥿ᮃ⾥˅ড়԰ Die Ausgabe wird voraussichtlich 2015 abgeschlossen sein. 乘䅵 50 ोǉ䷇Ф䘫ѻǊˈ݊Ё Gesamtsubskription zum ᳝ 12 Ͼ㋏߫ˈ乘䅵 10 ोǉ᭛⤂䘫 reduzierten Preis möglich. ѻǊҹঞ乘䅵 25 ोǉॳྟ䌘᭭ⷨお ü䰘ᔩǊǄ֘᭛੠㣅᭛ࠡ㿔ˈऩ⣀ߎ SERGEI RACHMANINOFF SERGEI RACHMANINOFF ⠜ⱘ֘᭛੠㣅᭛᷵ࢬ᡹ਞǄ (1873-1943) ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ Die kritische Gesamtausgabe ᴎӮѿফᠧᡬӬᚴǄ der Werke und Schriften (RCW) Russian Music Publishing. Auslieferung: Bärenreiter In Zusammenarbeit mit dem JEANȬPHILIPPEȱRAMEAUȱ Glinka State Central Museum 䅽ü㧆߽᱂gᢝ㥿 of Musical Culture (Moskau) (1683–1764)ȱȱ

Ca. 50 Bände »Musikalisches ԰કܼ䲚˄OOR˅ Erbe« in 12 Serien, ca. 10 Bände ䷇Ф԰ક᷵ࢬ⠜ܼ䲚 »Das Literarische Erbe« und ca. Bände »Die Quellenstudie 25 –Џ㓪˖㽓ᇨ㓈gᏗ㋶ Anhang«. Einleitung russisch und englisch; Kritischer Bericht (separat) russisch und englisch ⬅䅽ü㧆߽᱂gᢝ㥿णӮ೼೑ᆊ ⾥ᄺⷨおЁᖗ˄CNRS˅ǃ⊩݄㽓᭛

Gesamtsubskription und Teil࣪Ѹ⌕䚼੠⊩݄㽓೑ᆊ೒к佚䌲ࡽϟ subskription einzelner Serien ᥼ߎǄ zum reduzierten Preis möglich. ܼ⧗䫔ଂ˖健❞຿ߎ⠜⼒ JEAN-PHILIPPE RAMEAU ܼ䲚㑺Ў 38 ोˈࣙ৿᷵ࢬ᡹ JEAN-PHILIPPE RAMEAU ਞˈߚЎ 5 Ͼ㋏߫Ǆ⊩᭛੠㣅᭛ࠡ (1683-1764) 㿔ˈ⊩᭛៪㣅᭛᷵ࢬ᡹ਞǄ

Opera omnia Rameau (OOR) ܼ䚼៪䚼ߚ乘䅶㋏߫ IV˄㟲ৄ԰ Kritische Gesamtausgabe der ક䷇Ф˅ˈৃҹ᳝ᴎӮѿফᠧᡬӬ musikalischen Werke ᚴǄ

Editionsleitung: Sylvie Bouissou Herausgegeben von der Société Jean-Philippe Rameau unter der Schirmherrschaft des Centre national de la recherche scientifique (CNRS), des Ministère de la Culture et

de la Communication français GIOACHINOȱROSSINIȱ und der Bibliothèque nationale ⛺䰓෎䇎g㔫㽓ሐ ⛺䰓෎䇎g㔫㽓ሐȱ ⛺䰓෎䇎g㔫㽓ሐ de France ⛺䰓෎䇎g㔫㽓ሐ (1792–1868)ȱ ⛺䰓෎䇎g㔫㽓ሐ Auslieferung weltweit: ⛺䰓෎䇎g㔫㽓ሐⱘ԰ક ⛺䰓෎䇎g㔫㽓ሐⱘ԰ક Bärenreiter-Verlag ⛺䰓෎䇎g㔫㽓ሐⱘ԰ક ⛺䰓෎䇎g㔫㽓ሐⱘ԰ક ⛺䰓෎䇎g㔫㽓ሐⱘ԰ક ⬅健❞຿ߎ⠜⼒ᨎ᠟㡱ࡴહ໻ᄺ Ca. 38 Bände inkl. Kritischem Bericht, 5 Serien. Einleitung ⱘᛣ໻߽℠࠻ⷨおЁᖗ᥼ߎ französisch und englisch; Џ㓪˖亲߽⌺gៜา⡍ Kritischer Bericht französisch oder englisch ݅ 21 ोˈ㣅᭛੠ᛣ໻߽᭛ࠡ㿔ˈ ऩ⣀ߎ⠜ⱘ㣅᭛᷵ࢬ᡹ਞǄ Gesamtsubskription, sowie Teilsubskription von Serie IV (Bühnenmusik) zum 2020 ᑈܼ䚼ߎ唤Ǆ 乘䅵 reduzierten Preis möglich. ܼ䚼乘ᅮ᳝ᴎӮѿফᠧᡬӬᚴǄ ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ GIOACHINO ROSSINI GIOACHINO ROSSINI (1792-1868) JOHANNȱHERMANNȱSCHEINȱ Works of Gioachino Rossini 㑺㗄g⍋ᇨ᳐g≭಴ 㑺㗄g⍋ᇨ᳐g≭಴ 㑺㗄g⍋ᇨ᳐g≭಴ 㑺㗄g⍋ᇨ᳐g≭಴ (1586–1630)ȱ 㑺㗄g⍋ᇨ᳐g≭಴ In Zusammenarbeit mit dem Center for Italian Opera Studies ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 an der University of Chicago ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ǉᮄ⠜≭಴ܼ䲚Ǌ Editionsleiter: Philip Gossett ǉᮄ⠜≭಴ܼ䲚Ǌ ǉᮄ⠜≭಴ܼ䲚Ǌ ᮄ⠜԰કܼ䲚 ǉᮄ⠜≭಴ܼ䲚Ǌ ǉᮄ⠜≭಴ܼ䲚Ǌ 21 Bände. Vorwort englisch und ⬅Ѯᔧg䰓ᖋ༹߽ᓔྟˈ䰓ᇨ italienisch; Kritische Berichte 䇎g⽣ℛ⡍ফ೑䰙⍋಴䞠Ꮰg䆌㣼ण (separat) englisch ӮПᠬ㓪䕥

Die Ausgabe wird voraussicht10 ोˈ৿᳝᷵ࢬ᡹ਞǄ lich ܼ䲚䅵 2020 abgeschlossen sein. ᖋ᭛ࠡ㿔੠᷵ࢬ᡹ਞǄ Gesamtsubskription zum reduzierten Preis möglich. ܼ䲚Ꮖ㒣ߎ⠜Ǆ ܼ䚼䅶䌁᳝ᴎӮѿফᠧᡬӬᚴǄ JOHANN HERMANN SCHEIN JOHANN HERMANN SCHEIN (1586-1630) FRANZȱSCHUBERTȱ ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ Neue Ausgabe sämtlicher Werke ᓫᳫ㣼g㟦ԃ⡍ ᓫᳫ㣼g㟦ԃ⡍ (1797–1828)ȱ »Neue Schein-Ausgabe« ᓫᳫ㣼g㟦ԃ⡍

ᮄ⠜԰કܼ䲚 Begonnen von Adam Adrio. ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 Im Auftrag der Internationalen ǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌ ǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌ ᮄ⠜԰કܼ䲚 ǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌ ǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌ Heinrich-Schütz-Gesellschaft ǉᮄ⠜㟦ԃ⡍ܼ䲚Ǌ herausgegeben von Arno ⬅೑䰙㟦ԃ⡍णӮ᥼ߎ Forchert 㑺 83 ोˈߚЎ 8 Ͼ㋏߫ˈᖋ᭛ 10 Bände inkl. Kritischem ࠡ㿔ǃᄺᴃখ㗗䌘᭭˄ॳྟ䌘᭭੠ϡ Bericht. Vorwort und ৠ⠜ᴀᓖ᭛˅Ǆ Kritischer Bericht deutsch

(1797-1828) HEINRICHȱSCHÜTZȱ ⍋಴䞠Ꮰg䆌㣼 ⍋಴䞠Ꮰg䆌㣼 ⍋಴䞠Ꮰg䆌㣼 Neue Ausgabe sämtlicher Werke ⍋಴䞠Ꮰg䆌㣼 (1585–1672)ȱ »Neue Schubert-Ausgabe« ⍋಴䞠Ꮰg䆌㣼 ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 von der InternaHerausgegeben ᮄ⠜԰કܼ䲚 ᮄ⠜԰કܼ䲚 ǉᮄ⠜䆌㣼ܼ䲚Ǌ ǉᮄ⠜䆌㣼ܼ䲚Ǌ tionalen Schubert-Gesellschaft ᮄ⠜԰કܼ䲚 ǉᮄ⠜䆌㣼ܼ䲚Ǌ ǉᮄ⠜䆌㣼ܼ䲚Ǌ ǉᮄ⠜䆌㣼ܼ䲚Ǌ Ca. 83 Bände, 8 Serien. Vorwort ফ೑䰙⍋಴䞠Ꮰg䆌㣼णӮПᠬ㓪䕥 und ফ೑䰙⍋಴䞠Ꮰg䆌㣼णӮПᠬ Wissenschaftlicher Apparat 㓪䕥Ǆ (Quellen und Lesarten) deutsch 乘䅵 45 ोˈࣙ৿᷵ࢬ᡹ਞǄᖋ ᭛ǃ㣅᭛ࠡ㿔ˈᖋ᭛᷵ࢬ᡹ਞǄ Die Ausgabe wird voraussicht乘䅵 45 ोˈࣙ৿᷵ࢬ᡹ਞǄᖋ lich 2027 abgeschlossen sein. ᭛ǃ㣅᭛ࠡ㿔ˈᖋ᭛᷵ࢬ᡹ਞǄ ܼ䚼乘ᅮ᳝ᴎӮѿফᠧᡬӬᚴǄ

Gesamtsubskription und Teilܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ subskription einzelner Serien zum reduzierten Preis möglich. GEORGȱPHILIPPȱTELEMANNȱ HEINRICH SCHÜTZ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐ HEINRICH SCHÜTZ (1585-1672) (1681–1767)ȱ

Ḑ༹ᇨḐg㧆߽᱂g⋄ࢦ᳐

䷇Ф԰ક Neue Ausgabe sämtlicher Werke ䷇Ф԰ક

»Neue Schütz-Ausgabe« ䷇Ф԰ક ࠄ 2010 ᑈЎℶ⬅㕢಴‫⾥ݍ‬ᄺϢ Herausgegeben im Auftrag ᑈᓔྟ⬅ԡѢજࢦ ᭛ᄺ䰶㓪䕥ˈ2011 der Internationalen Heinrichü㓈㝒䋱Ḑⱘ偀ϕg䏃ᖋ໻ᄺ䷇Фⷨ Schütz-Gesellschaft お᠔˄䷇Фᄺ㋏˅੠ԡѢ偀Ḑᖋ෵ⱘ Ca. 45 Bände inkl. Kritischem ⋄ࢦ᳐㓈ᡸϢⷨおЁᖗ㓪䕥Ǆ Bericht. Vorwort deutsch und englisch; Bericht ᳔߱ 50Kritischer ो˄ࣙ৿᷵ࢬ᡹ਞ˅Ꮖ deutsch 1 ो㟇䖳ᑨӮ೼ 2020 㒣ߎ⠜ˈ݊ԭⱘ ᑈߎ⠜Ǆᖋ᭛ࠡ㿔˄Ң㄀ 51 ोᓔྟ Gesamtsubskription zum ᖋ᭛੠㣅᭛˅੠᷵ࢬ᡹ਞǄ reduzierten Preis möglich. ܼ䚼乘䅶᳝ᴎӮѿফᠧᡬӬᚴǄ

GEORG PHILIPP TELEMANN GEORG PHILIPP TELEMANN (1681-1767) Musikalische Werke Bis 2010 herausgegeben von der Akademie der Wissenschaften und der Literatur, Mainz, ab 2011 herausgegeben vom Institut für Musik (Abt. Musikwissenschaft) der Martin-Luther-Universität Halle-Wittenberg und vom Zentrum für Telemann-Pflege

Die Ausgabe ist abgeschlossen. ܼ䲚乘䅵 2027 ᑈߎ唤Ǆ Gesamtabnahme zum ܼ䚼៪䚼ߚ乘䅶৘㋏߫ˈৃҹ᳝ reduzierten Preis möglich. ᴎӮѿফᠧᡬӬᚴǄ FRANZ SCHUBERT FRANZ SCHUBERT

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