Virgin Media British Academy Television Awards in 2019 programme by BAFTA

T I M E F O R F A M I LY The House of Taittinger is headed up by Pierre-Emmanuel Taittinger, along with his daughter Vitalie, and son Clovis. Taittinger is the only Grande Marque (famous Champagne House) owned and run by its eponymous family.

T I M E F O R N AT U R E With 288 hectares of their own vineyards, Taittinger is the second largest grower in the region and is passionate about nature and taking care of the environment. Being ‘Green’ is in their everyday DNA, working with Mother Nature to produce the best Chardonnay (for ﬂoral elegance), Pinot Noir (for regal richness) and Pinot Meunier (for fruity roundness). Pick too early, and the wines would be lean; pick too late, and they would lack structure and durability.

T I M E F O R AG E I N G Some 18 metres underground the UNESCO 4th century Roman cellars form Taittinger’s heart. Here, their crème de la crème cuvée – Comtes de Champagne ‘Blanc de Blancs’ (100% Chardonnay) – is left to gently mature and is only released after a minimum of 8 years.

TIME FOR ELEGANCE The blending of Taittinger Brut Réserve’s three grape varieties, from a range of vintages, is an art. The elegant balance of the Chardonnay rich Taittinger style is vital.

T I M E T O C E L E B R AT E Champagne Ofﬁciel de BAFTA depuis 2003.

Ofﬁcial Champagne to BAFTA 2

CREDIT: LUC VALIGNY

www.taittinger.com #TaittingerTime ï&#x2026;ª @TaittingerUK

Champagne Taittinger 3

taittinger_uk

CONTENTS WELCOMES

HRH The Duke Of Cambridge, KG Kt, President of the Academy

Amanda Berry obe, Chief Executive of the Academy Dame Pippa Harris, Chair of the Academy

Tom Mockridge, CEO, Virgin Media

THE NOMINATIONS

The Nominations in Full

The Juries

SPECIAL AWARDS

The Fellowship Dame Joan Bakewell needs very little introduction. A regular on British television and radio for decades, she is a fierce defender of the arts, with an incisive mind and consummate expertise, and a clearcut role model. This evening, she receives BAFTA’s highest accolade, the Fellowship. Words by Matthew Bell

The Special Award With six BAFTAs to her name, Nicola Shindler is one of the UK’s most distinguished television producers and executives working today. From Hillsborough to Happy Valley, her list of exceptional work is remarkable. This evening, she is presented with the Special Award. Words by Rich Matthews

Fellows of the Academy FEATURES

British Academy Television Craft Awards in 2019: The Winners

Moving Images: The Power of Television Words by Rachel Ward

The Power in a Picture: A Photographic Essay by Charlie Clift

In Memoriam

Television Awards Partners

Officers of the Academy

Television Awards Gift Providers

Partners of the Academy

Acknowledgements & Credits

H R H T H E D U K E O F C A M B R I D G E, KG K T President of the Academy

WELCOM E before writing and presenting Taboo for the BBC. She can now be seen presenting Portrait Artist of the Year for Sky Arts. A Special Award will be presented to producer Nicola Shindler, who founded the awardwinning Red Production Company more than 20 years ago and has been responsible for producing some of the most talked about and groundbreaking British television drama ever, including Queer as Folk, Clocking Off, Hillsborough, The Mark of Cain, Last Tango in Halifax, Happy Valley and Butterfly. Her most recent work includes Trust Me, and the hotly anticipated drama Years and Years. Congratulations to both Joan and Nicola, your significant contributions and achievements deserve our highest accolades. It is wonderful to see our Breakthrough Brits among the nominees again this evening and at the recent Television Craft Awards, namely Daisy May Cooper, Charlie Cooper, Mahalia Belo and Lydia Hampson, who have all gone on to flourish in their respective careers. Breakthrough Brits is just one of the vital initiatives programmed by BAFTA so crucial in supporting the creative talent who will drive this industry’s future. Alongside Breakthrough Brits, BAFTA Crew and our Scholarships programmes are now open for applications, so please encourage all budding talent to take inspiration from the nominees in this room and apply. Tonight is about excellence in television and recognising the exceptional talent responsible. Congratulations again to you all. Enjoy the evening.

elcome to the Virgin Media British Academy Television Awards. We are delighted to be recognising and rewarding the very best achievements across British television in 2018. What a powerful year for television it has been, with an exciting list of nominated individuals and programmes being celebrated here this evening. Their work has had great impact, engaging and affecting how audiences think, feel and act. We extend our congratulations to all the nominees, as well as the winners of the British Academy Television Craft Awards, held just two weeks ago. In a time of political and environmental unrest, television is an important tool to provoke change. It is clear that television can have a real impact on such issues as climate change and through telling powerful human stories that connect audiences with the world around them. You are the creative force behind these influential works and we implore you to continue telling stories that challenge the way audiences think. This evening, we also honour two inspirational women for their outstanding contributions to the television industry. The hugely talented broadcaster and journalist Joan Bakewell will receive the Fellowship. Her illustrious career has spanned more than 50 years, in which she has presented some of the most enduring and thoughtful factual programming including Late Night Line-Up and Heart of the Matter,

A M A N DA B E R RY

DA M E P I P PA H A R R I S

OBE

Chief Executive of the Academy

/BA F TA

DBE

Chair of the Academy

@BA F TA

BA F TA

WELCOM E

FROM

OUR

SPONSOR

irgin Media is delighted to welcome you once again to the British Academy Television Awards – a night of celebrations dedicated to the very best television of 2018. With more choice and more ways to watch than ever before, television has never been better and, as a nation, we’re incredibly passionate about this golden age. There has been a huge shift in how we watch and engage with our favourite programmes, but we still love nothing more than planning big nights on the sofa with family and friends, watching the moments that got us all talking and sharing. At Virgin Media, we call it ‘staying in-in’. We’re proud of the part we play in helping the British public celebrate the best television of 2018, as we put the voting power in their hands for Virgin Media’s Must-See Moment award. This evening’s nominees created the television moments we didn’t just stay in to watch, but ones that we’ll remember for years to come. On behalf of BAFTA and Virgin Media, we’d like to say a special thank you to our judging panel, expertly chaired by Krishnendu Majumdar, of BAFTA’s Television Committee. The panel enthusiastically debated all the explosive cliffhangers, laugh-out-loud moments and edge-of-your-seat action to agree on a shortlist that demonstrates what diverse, unforgettable television truly means. Tonight, we invite you to join us in recognising those who craft incredible stories, bring mesmerising characters to life and show a global audience what the UK industry is all about. They represent the pinnacle of British entertainment; all the nominees can be very proud. I hope you enjoy ‘going out-out’ at the Virgin Media British Academy Television Awards.

TO M M O C K R I D G E

Chief Executive Officer, Virgin Media

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Ben Wicks, Obi Kevin Akudike, Nathan Brown, Aoife Bower Expectation Entertainment / Dice Productions / Channel 4

THE L AST LEG

Andrew Beint, Ben Knappett, Lisa Kirk, Cimran Shah Open Mike Productions / Channel 4

COM EDY ENTERTA IN M ENT PROGR A M M E

T H E B I G N A RS T I E S H OW

F O OT BA L L’S WA L L O F S I L E N C E ( A L JA Z E E R A I N V E S T I GAT I O N S )

Production Team Al Jazeera / Al Jazeera English

I R A N U N V E I L E D : TA K I N G O N T H E AYATO L L A H S ( E X P O S U R E )

Production Team Hardcash Productions / ITV

A L E AG U E O F T H E I R OW N

David Taylor, Jack Shillaker, Ish Kalia, Murray Boland CPL Productions / Sky One

M A S S AC R E AT BA L LYM U R P H Y

CU R R EN T A FFA I RS

Callum Macrae, Gwion Owain, Mark Williams, Charlie Hawryliw Outsider Television / Channel 4

WO U L D I L I E TO YO U ?

Peter Holmes, Rachel Ablett, Ruth Phillips, Adam Copeland Zeppotron / BBC One

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MYANMAR’S KILLING FIELDS (DISPATCHES)

Evan Williams, Patrick Wells, Eve Lucas, Dan Edge Evan Williams Productions / Mongoose Pictures / Channel 4

Production Team World Productions / BBC One

DRA MA SERIES

B O DYG UA R D

INFORMER

A N T H O N Y M C PA R T L I N ,

Jonny Campbell, Rory Haines, Sohrab Noshirvani, Julian Stevens Neal Street Productions / BBC One

D E C L A N D O N N E L LY

Ant & Decâ&#x20AC;&#x2122;s Saturday Night Takeaway ITV Studios / Mitre Television / ITV

KILLING EVE

DAV I D M I TC H E L L

ENTERTA IN M ENT PERFOR M A NCE

Production Team Sid Gentle Films / BBC One

S AV E M E

Production Team World Productions / Sky Atlantic

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Would I Lie To You? Zeppotron / BBC One

L E E M AC K

Would I Lie To You? Zeppotron / BBC One

R AC H E L PA R R I S

The Mash Report Zeppotron / BBC Two

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N I G H T TA K E AWAY

Pete Ogden, Saul Fearnley, Tom Locking, Helen Kruger Bratt ITV Studios / Mitre Television / ITV

B R I TA I N ’S G OT TA L E N T

2 4 H O U RS I N A & E

Production Team The Garden Productions / Channel 4

Given in honour of Lew Grade

Charlie Irwin, Amelia Brown, Nigel Hall, Dawn Gray Thames / Syco Production / ITV

ENTERTA IN M ENT PROGR A M M E

A N T & D E C ’S S AT U R DAY

L I F E A N D D E AT H R OW: THE MASS EXECUTION

Miles Blayden-Ryall, Alistair Martin, Becky Casey, Aysha Rafaele BBC Studios: The Documentary Unit / BBC Three

M I C H A E L M C I N T Y R E ’S B I G S H OW

Dan Baldwin, Claire Horton, Christian Fletcher, Michael McIntyre Hungry McBear Media / BBC One

LO U I S T H E R O UX’S A LT E R E D S TAT E S

Production Team BBC Studios: The Documentary Unit / BBC Two

FA C T UA L S ER I ES

S T R I C T LY C O M E DA N C I N G

Louise Rainbow, Sarah James, Robin Lee-Perrella, Jason Gilkison BBC Studios / BBC One

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PRISON

Richard Melman, Paddy Wivell, Kathy Myers, Jack Wood Spring Films / Channel 4

FEATURES

G O R D O N , G I N O A N D F R E D â&#x20AC;&#x2122;S R OA D T R I P

FEM A LE PERFOR M A NCE IN A COMEDY PROGR A M ME

Production Team Studio Ramsay / ITV

T H E G R E AT B R I T I S H BA K E O F F

Production Team Love Productions / Channel 4

MORTIMER & WHITEHOUSE: GONE FISHING

Production Team Owl Power / BBC Two

W H O D O YO U T H I N K YO U A R E ?

Colette Flight, Sarah Feltes, Anna Kirkwood, David Vincent Wall to Wall Media / BBC One

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DA I S Y M AY C O O P E R

This Country BBC Studios / BBC Three

JESSICA HYNES

There She Goes Merman / BBC Four

J U L I A DAV I S

Sally4Ever Various Artists / Hush Ho Productions / Sky Atlantic

LESLEY MANVILLE

Mum Big Talk Productions / The Money Men / BBC Two

H O S TAG E C R I S I S

Regina Ziegler, Kilian Riedhof, Holger Karsten Schmidt Ziegler Film / ARD Degeto / BBC Four

INTERNATIONAL

5 4 H O U RS: T H E G L A D B E C K

B E N E D I C T C U M B E R BATC H

Patrick Melrose Two Cities / SunnyMarch TV / Little Island Productions / Sky Atlantic

T H E H A N D M A I D ’S TA L E

Bruce Miller, Warren Littlef ield, Elisabeth Moss, Mike Barker MGM / Channel 4

CHANCE PERDOMO

Killed By My Debt BBC Studios: The Documentary Unit / BBC Three

REPORTING TRUMP ’S FIRST YEAR: THE FOURTH ESTATE (STORY VILLE)

Liz Garbus, Jenny Carchman, Justin Wilkes, Dan Cogan Radical Media / BBC Two

LEA DING ACTOR

HUGH GRANT

SUCCESSION

Production Team HBO Entertainment / Project Zeus / Gary Sanchez Productions / Sky Atlantic

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A Very English Scandal Blueprint Pictures / BBC One

L U C I A N M S A M AT I

Kiri The Forge Entertainment / Channel 4

BURLINGTON ARCADE, London | COVENT GARDEN, London | CANARY WHARF, London WIMBLEDON VILLAGE, London | WESTGATE, Oxford | SELFRIDGES, London ERNEST JONES, JOHN LEWIS, FRASER HART, FENWICK, Selected boutiques

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Killing Eve Sid Gentle Films / BBC One

LEADING ACTRESS

JODIE COMER

O P E N H E A R T S U R G E RY: L I V E K E E L E Y H AW E S

Production Team The Garden Productions / Channel 5

Bodyguard World Productions / BBC One

T H E R OYA L B R I T I S H L E G I O N RUTH WILSON

F E S T I VA L O F R E M E M B R A N C E

Mrs Wilson Snowed-In Productions / BBC One

Production Team BBC Studios / BBC One

SANDR A OH

T H E R OYA L W E D D I N G : P R I N C E

Killing Eve Sid Gentle Films / BBC One

H A R RY A N D M E G H A N M A R K L E

LIVE EVENT

Production Team BBC Studios / BBC One

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S TA N D U P TO C A N C E R

Suzi Aplin, Andrew Charles Smith, Murray James, Gabe Turner Fulwell 73 / Channel 4

Sally4Ever Various Artists / Hush Ho Productions / Sky Atlantic

JA M I E D E M E T R I O U

Stath Lets Flats Roughcut TV / Channel 4

PETER MULL AN

Mum Big Talk Productions / The Money Men / BBC Two

M A LE PERFOR M A NCE IN A COMEDY PROGR A M ME

A L E X M AC Q U E E N

A V E RY E N G L I S H S C A N DA L

Russell T Davies, Stephen Frears, Dominic Treadwell-Collins, Dan Winch Blueprint Pictures / BBC One

KIRI

Jack Thorne, George Ormond, Toby Bentley, Euros Lyn The Forge Entertainment / Channel 4

M RS W I L S O N

Ruth Kenley-Letts, Richard Laxton, Anna Symon, Ruth Wilson Snowed-In Productions / BBC One

S T E V E P E M B E R TO N

MINI-SERIES

Inside No. 9 BBC Studios / BBC Two

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PAT R I C K M E L R O S E

Production Team Two Cities / SunnyMarch TV / Little Island Productions / Sky Atlantic

IN THE HOUSE OF COMMONS ( N E WS N I G H T )

Production Team BBC / BBC Two

NEWS COVERAGE

B U L LY I N G A N D H A R A S S M E N T

D R AG O N S’ D E N

Production Team BBC Studios / BBC Two C A M B R I D G E A N A LY T I C A U N C OV E R E D

Production Team ITN / Channel 4

I ’M A C E L E B R I T Y… GET ME OUT OF HERE!

R E A L I T Y & CO N ST R U C T ED FA C T UA L

Production Team ITV Studios / ITV G O O D M O R N I N G B R I TA I N : ON A KNIFE EDGE?

Production Team ITV Studios Daytime / ITV

G O O D M O R N I N G B R I TA I N : T H O M A S M A R K L E E XC L U S I V E

Production Team ITV Studios Daytime / ITV

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O L D P E O P L E ’S H O M E F O R 4 YEAR OLDS

Murray Boland, Trish Powell, Benjamin Leigh, Louise Bartmann CPL Productions / Channel 4

T H E R E A L F U L L M O N T Y: L A D I E S’ N I G H T

Production Team Spun Gold TV / ITV

Lisa McGee, Michael Lennox, Caroline Leddy, Liz Lewin Hat Trick Productions / Channel 4

SCRIPTED COMEDY

D E R RY G I R L S

B OV R I L PA M ( S N ATC H E S: M O M E N T S F R O M 10 0 Y E A RS O F WO M E N â&#x20AC;&#x2122;S L I V E S )

Production Team Royal Court Theatre / BBC Studios / BBC Four MUM

Stefan Golaszewski, Richard Laxton, Kenton Allen, Georgie Fallon Big Talk Productions / The Money Men / BBC Two

THE MIND OF HERBERT CLUNKERDUNK

Spencer Jones, Jon Riche, David Simpson Tiger Aspect / BBC iPlayer S A L LY4 E V E R

SHORT FORM PROGRAMME

Production Team Various Artists / Hush Ho Productions / Sky Atlantic

S TAT H L E T S F L AT S

Production Team Roughcut TV / Channel 4

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MISSED CALL

Production Team Field Day Productions / Little Dot Studios / Real Stories

WO N D E R DAT E

Lydia Hampson, Tim Key, Jonathan van Tulleken Two Brothers Pictures / BBC iPlayer

T H E B I L LY M O N G E R S TO RY

Caroline Hawkins, Charlie Russell, Will Grayburn, Charlie Corbett Oxford Scientific Films / BBC Three

SINGLE DOCUM ENTA RY

DRIVEN:

BA N D E RS N ATC H ( B L AC K M I R R O R )

Charlie Brooker, Annabel Jones, David Slade, Russell McLean House of Tomorrow / Netf lix

James Newton, Zac Beattie, Georgina Cammalleri, Rupert Houseman The Garden Productions / BBC Two

Given in honour of Robert Flaherty

G U N N O. 6

CARE

Donna Molloy, Colin McKeown, Gillian Juckes, David Blair LA Productions / BBC One

MY DA D, T H E P E AC E D E A L AND ME

Leo Burley, Patrick Kielty, Richard Bond, Paula Nightingale Dragonf ly / BBC One

K I L L E D BY MY D E BT

SINGLE DRAMA

Joseph Bullman, Tahsin Guner, Chris Clough, Aysha Rafaele BBC Studios: The Documentary Unit / BBC Three

S C H O O L F O R S TA M M E R E RS

Jill Worsley, Rachel Bloomf ield Shiver / ITV

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T H R O U G H T H E GAT E S (ON THE EDGE)

Lisa Walters, Stella Corradi, Georgia Christou, Ben Bickerton BlackLight / Channel 4

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Before

After

In just one wash

OFFICIAL HAIR STYLIST

Production Team BBC Studios / BBC One

C O R O N AT I O N S T R E E T

Production Team ITV Studios / ITV

SOAP & CONTINUING DRA MA

C A S UA LT Y

B R O S: A F T E R T H E S C R E A M I N G S TO P S

David Soutar, Joe Pearlman, Leo Pearlman, Heather Greenwood Fulwell 73 / BBC Four

G R AYS O N P E R RY: R I T E S O F PA S S AG E E A S T E N D E RS

Grayson Perry, Neil Crombie, Joe Evans, James House Swan Films / Channel 4

Given in honour of Huw Wheldon

Production Team BBC Studios / BBC One

S U F F R AG E T T E S W I T H

Bryan Kirkwood, Emily Gascoyne, Colette Chard, Kevin Rundle Lime Pictures / Channel 4

L U C Y WO RS L E Y

S PECI A L I ST FA C T UA L

H O L LYOA KS

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Production Team Brook Lapping / BBC One

S U P E R K I D S: B R E A K I N G AWAY F R O M C A R E

Production Team Expectation / Channel 4

SPORT

2 018 S I X N AT I O N S: S C OT L A N D V E N G L A N D

Production Team BBC Sport / BBC One

2 018 WO R L D C U P Q UA R T E R FINAL: ENGL AND V SWEDEN

ALEX JENNINGS

Production Team BBC Sport / BBC One

Unforgotten Mainstreet Pictures / ITV

E N G L A N D ’S T E S T C R I C K E T –

B E N W H I S H AW

C O O K’S FA R E W E L L

A Very English Scandal Blueprint Pictures / BBC One

SUPPORTING ACTOR

Production Team Sky Sports / Sky Sports Cricket

W I N T E R O LYM P I C S

Production Team BBC Sport / BBC Two

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KIM BODNIA

Killing Eve Sid Gentle Films / BBC One

STEPHEN GR AHAM

Save Me World Productions / Sky Atlantic

Collateral The Forge Entertainment / BBC Two

SUPPORTING ACTRESS

BILLIE PIPER

B O DYG UA R D

Julia Montague assassinated World Productions / BBC One

C O R O N AT I O N S T R E E T

Gail’s monologue on the suicide of Aidan Connor ITV Studios / ITV

F I O N A S H AW

D O C TO R W H O

Rosa Parks, the Doctor and her companions ensure history remains intact BBC Studios / BBC One

Voted for by the public

Killing Eve Sid Gentle Films / BBC One

K E E L E Y H AW E S

V I R G I N M E D I A ÔS M U S T - S E E M O M E N T

Mrs Wilson Snowed-In Productions / BBC One

MONICA DOLAN

A Very English Scandal Blueprint Pictures / BBC One

All nominations correct at time of press.

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KILLING EVE

Eve stabs Villanelle Sid Gentle Films / BBC One

P E T E R K AY ’S C A R S H A R E

The f inale Goodnight Vienna Productions / BBC One

QUEER EYE

Tom completes his transformation Scout Productions / ITV Entertainment LLC / Netf lix

THE

JURIES

CO M EDY EN T ERTA I N M EN T PRO G R A M M E Richard Boden chair Bill Broomfield Lisa Clark James De Frond Cat Fox Stephen Lambert Daniel Lawrence Taylor Sukh Ojla Lyndsay Robinson Alex Smith Katie Wilkinson CU R R EN T A FFA I RS

EN T ERTA I N M EN T PER FO R M A N CE Dan Maynard chair Debi Allen Andrew Brereton Amelia Brown Mobashir Dar Natalie Jamieson Saurabh Kakkar Annie Price Kim Shillinglaw Nina Wadia EN T ERTA I N M EN T PRO G R A M M E

Anne Morrison chair Ben Anthony Sue Bourne Tom Brisley Rachel Crellin Anna Hall Olivia Lichtenstein Fergus Oâ&#x20AC;&#x2122;Brien Norma Percy Ashok Prasad Anthony Wonke

David Brindley chair Scott Bryan James Cooper Malcolm Gerrie Emily Hudd Shappi Khorsandi Melanie Leach Nick Mather Miquita Oliver Deborah Sargeant Tanya Shaw David Young

D R A M A SER I ES

FAC T UA L SER I ES

Krishnendu Majumdar chair Joe Ahearne Roanna Benn Levi David Addai Boyd Hilton Julian Jarrold Ruth Kenley-Letts Mark Lawson Preethi Mavahalli Sue Perkins Misan Sagay Ben Taylor Juliette Towhidi

Jane Lush chair Kirsty Hanson Lorraine Heggessey Seetha Kumar Rosemary Newell Anne Robinson Jonny Rothery Samir Shah Alan Tyler

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FE AT U R ES Sara Putt chair Harjeet Chhokar Gerard Costello Tina Flintoff Jess Fowle Jazz Gowans Cherry Healey Andrew Jackson Charlotte Lewis Alistair Pegg Kitty Walshe Oliver Wright FE M A L E PER FO R M A N CE I N A CO M EDY PRO G R A M M E Laurence Marks chair Humphrey Barclay Kevin Cecil Michaela Coel Ben Farrell Jim Field Smith Cariad Lloyd Allan Mustafa Jon Plowman Caroline Raphael Holly Walsh Moira Williams Nick Wood

THE

JURIES

I N T ER N AT I O N A L

L I V E E V EN T

Marc Samuelson chair Leo Davis Anna Higgs Danny Horan Benjamin Irving Joanna Natasegara Lindsay Salt Adam Tandy Jonathan Taylor Anand Tucker John Yorke

Greg Barnett chair Marc Baker Claire Bugden Ravinder Chahal Melanie Darlaston Harriet Dormer Nick Vaughan-Barratt Simon Withington Mark Wrench

L E A D I N G AC TO R Hannah Wyatt chair Jimmy Akingbola Greg Brenman Babou Ceesay Kahleen Crawford Cara Horgan Sinead Keenan Ronan Raftery Julie Walters Pier Wilkie L E A D I N G AC T R ES S Anne Morrison chair Adeel Akhtar Foz Allan Rachel Bennette Smita Bhide Briony Hanson James Hawes Susan Hogg Ruth Madeley Will Poulter Michael Samuels Molly Windsor

M A L E PER FO R M A N CE I N A CO M EDY PRO G R A M M E Andrew Newman chair Anna Blue Murray Boland Hugh Dennis Omid Djalili Dan Gaster Annie Griffin Simon Mayhew-Archer Clelia Mountford Victoria Pile Andy Pryor M I N I -SER I ES Beryl Richards chair Phoebe de Gaye Naomi de Pear Ryan Eddleston Amit Gupta Christopher Hall Adrian Hodges Nick Leather Caryn Mandabach Nisha Parti Faith Penhale Anna Price Richard Warlow

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N E WS COV ER AG E Karl Warner chair Sam Bagnall Jo Clinton-Davis Alex Cooke Deborah Davies Bill Hobbins Fozia Khan Stephen Montgomery Daniel Pearl Hilary Rosen Ben Wicks REALIT Y & CO NST RU C T ED FAC T UA L Graham Stuart chair Lara Akeju Elaine Hackett Clare Laycock Camilla Lewis Ross McCarthy Helen Nightingale Jon Petrie Cameron Roach Clive Tulloh Lucy Willis Matthew Worthy S CR I P T ED CO M EDY Elizabeth Trubridge chair Rob Aslett Philippa Brown Jaimie D’Cruz Anil Gupta Nana Hughes George Kane Ben Kellett Luisa Omielan Javone Prince Phoebe Waller-Bridge James Wood

THE

JURIES

SH O RT FO R M PRO G R A M M E Sara Putt chair Sam Barcroft Alice Bowden Hamish Fergusson Emily Greenwood Emily Jones Andi Osho Satmohan Panesar Natalie Rose Sebastian Thiel Serena Thompson Chi Ukairo SI N G L E D O CU M EN TA RY Anne Mensah chair Peter Beard Heenan Bhatti Daniel Dewsbury Angela Ferreira Trevor Phillips Zinia Scroggs Elizabeth Wood Ellena Wood SI N G L E D R A M A Pippa Harris chair Amir Amirani Gaby Chiappe Christiana Ebohon-Green Paapa Essiedu Andrea Gibb Tony Grounds Simon Heath Suri Krishnamma Alison Owen James Richardson Sunetra Sarker Nina Sosanya

S OA P & CO N T I N U I N G DRA MA Ade Rawcliffe chair Emma Bullimore Josh Cole Sarah Conroy Myar Craig-Brown Guy Davies Nadine Marsh-Edwards Laura Riseam Deborah Sathe Julie Shaw Priya Singh Roberto Troni SPECI A L IST FAC T UA L Elizabeth McIntyre chair Krishan Arora Daisy Asquith Tracy Forsyth Derren Lawford Luke Moody Mim Shaikh Elhum Shakerifar Mary Summerill SP O RT Jon Mountague chair Jamie Aitchison Rimla Akhtar Tom Beck Owen Bradley Karren Brady Tom Davis Carl Doran Diana Keen Sarah Nurse Steve Smith Jim Storey

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SU PP O RT I N G AC TO R Richard Watsham chair Nikki Amuka-Bird Navin Chowdhry Nawfal Faizullah Willow Grylls Kate Harwood Katie Leung Nico Mirallegro Adrian Sturges Jolyon Symonds SU PP O RT I N G AC T R ES S Phillippa Giles chair Aneurin Barnard Mahalia Belo Sophia Brown Asim Chaudhry Shelley Conn Saul Metzstein Paul Rutman Caroline Skinner Kibwe Tavares Antonia Thomas Manjinder Virk

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T H E FEL LOWSH I P

DA ME JOA N BA KEWELL dbe Words by Matthew Bell Photos courtesy of Geraint Lewis/Alamy Stock Photo (portrait); ITV/Shutterstock (Scientology HQ); Trinity Mirror/Mirrorpix/Alamy Stock Photo (1975 portrait); Victor Watts/Alamy Stock Photo (Primrose Hill); Peter Brooker/Shutterstock (Lyric Theatre); BAFTA (2008 Craft Awards and Jack Cardiff event); BAFTA/Doug Mackenzie (1994 Film and Television Awards)

moved to London and became a studio manager with BBC Radio. “I was terrible – I couldn’t do technical stuff and I still can’t,” she recalls. She tried advertising, but couldn’t stomach the ethics of the business: “Copywriting involves selling people stuff they don’t need that they can’t afford.” Next came supply teaching at a primary school: “I was hopeless.” Persistence, though, is a Bakewell trait. “I don’t take no for an answer, which is an enormous virtue in television,” she says, recounting how she “bombarded” producers with ideas for stories. Eventually, she began to get short items on BBC Radio, including one “about a south London man who had a pigeon coop in his garden to which his neighbours objected”. Naturally, as a woman who has always backed the underdog, Bakewell “sided with the man with the pigeons”. She made her television debut in the early 1960s on Sunday Break, a series billed as “a Sunday club for teenagers”. Its role was to fill ITV’s quota of religious programming, with subjects often

ver a career spanning six decades, Joan Bakewell has offered viewers an erudite and distinctive voice, whether she is discussing the arts, current affairs or the big ethical issues of the day. Still working at the age of 86, the broadcaster, presenter and journalist has long been an inspiration to women in and outside television. “Being awarded the Fellowship is extraordinary because it’s an acknowledgment by the people in the business that I’ve adored all my life,” says Bakewell, who already has a BAFTA – the Richard Dimbleby Award for her work on BBC One ethics show Heart of the Matter – proudly displayed in her office. “The idea of joining a fellowship is really something. On the night, I will be in the company of such illustrious talent.” The Stockport-born Bakewell suffered a few false starts after graduating from Newnham College, Cambridge, in 1954. Looking for a way into the BBC, she

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ÒWE WERE MAKING IT UP AS WE WENT ALONG Ð THERE WERE NO RULES IN THE 60S.Ó hurriedly given a religious angle. “On one show, I was doing this item about how unhappy drugs made people when someone rushed over with a card that said, ‘Mention God!’” she recalls. Sunday Break got Bakewell noticed and she joined the roster of presenters on BBC Two’s live arts show, Late Night Line-Up. “Television at the time was open for young people – I hit the right moment,” she recalls. “We were making it up as we went along – there were no rules in the 60s.” Bakewell became one of the defining television figures of the decade; “intelligent and the epitome of 60s chic – a Mary Quant for the chattering classes”, according to the British Film Institute. Late Night Line-Up had its fingers on the cultural pulse, with items on everything from Hollywood movies to avant-garde composer Karlheinz Stockhausen, via counter-culture writer Allen Ginsberg. “It was quite lively – and drink had often been taken, too,” laughs Bakewell. The show was known for its trenchant criticism of artists. “We were pushing the barriers all the time – pushing our luck actually. We always said, ‘If we’re

offending people, we’re doing something right,’” notes Bakewell. It also had a sense of fun: moral campaigner Mary Whitehouse was dispatched to review the nude revue show Oh! Calcutta!. Years before ‘fake news’, one Late Night Line-Up prank showed how news could be fabricated. Bakewell takes up the story: “We paid an actress, dressed her in frumpy clothes and gave her an umbrella. [Director] Ken Russell and the Evening Standard’s [critic] Alexander Walker were discussing a film when she broke into the studio and started beating them up with her umbrella. It was front page news the next day – and then we revealed we'd fixed it. Of course, we got into terrible trouble.”

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Opposite page, left: Investigating Scientology at the organisation's East Grinstead HQ, 1973. Right: Bakewell in 1975. This page, above: Enjoying a sunny day on London's Primrose Hill, 1989. Right: Performing Let Us Go Then You And I with Edward Fox, Michael Gough and Eileen Atkins at the Lyric Theatre, London in 1987

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ÒWE WERE CONSTANTLY TAKING FLAK FROM INSIDE THE BBC. DAVID [ATTENBOROUGH] PROTECTED US; HE CALLED US HIS ÔGUERRILLASÔ.Ó

David Attenborough, BBC Two’s controller at the time, had the Late Night Line-Up team’s back. “We were constantly taking flak from inside the BBC. David protected us; he called us his ‘guerrillas’,” she recalls. The 1970s saw Bakewell appear in an eclectic series of shows. She was on the presenters’ rota for Film ’72 and ’73 before the BBC settled on Barry Norman to front its movie review show permanently. “I loved cinema, even The Texas Chain Saw Massacre. I was a bit inclined to like everything,” says Bakewell, who also hosted BBC One’s longrunning Holiday programme. Granada’s 1977 series Pandora’s Box was quintessential Bakewell, featuring all-women panels discussing the big issues of the day – with a young Victoria Wood writing and performing songs for light relief. “What you get now is Loose Women, which is cheeky and rude. Mine was terribly solemn and serious,” says Bakewell, who is always ready to poke fun at her earnest image. In the 1980s, she was the BBC’s arts correspondent before joining Heart of the Matter in 1987, which covered “female genital mutilation, transgender people and gay priests – real headline stuff”. It also gave Bakewell her most remarkable interviewee, Nelson Mandela, shortly after his release from prison. “He was so impressive and I was a bit star-struck –

it was the only time I’ve asked someone to sign a book, because that’s a bit cheesy.” Bakewell has always been a fierce opponent of censorship – decades earlier, she had smuggled the banned Henry Miller novel Tropic of Cancer into England, tucked in her underwear. Who better to write and present the BBC Two series Taboo in 2001? “In those days, basically, I believed sex was good and violence was bad,” she recalls. “You never saw – and still don’t see – an erect penis on television.” So, the show featured a nude model with an erect (albeit pixelated) male member, which Bakewell circled while discussing censorship.

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Above: Bakewell was presented with the Richard Dimbleby Award at the joint Film and Television Awards in 1994. Left: Celebrating the career of British director and cinematographer Jack Cardiff at a special BAFTA and BFI tribute event

Exterion Media, proud to support the Virgin Media BAFTA Television Awards 2019 on Sunday 12th May noel.nallen@exterionmedia.co.uk T: 020 7428 5544 @ExterionMediaUK

www.exterionmedia.co.uk

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Bakewell, who became Labour peer Baroness Bakewell of Stockport in 2011, continues to work in the media. Later this year, she will front Sky Arts’ series Landscape Artist of the Year. “I still adore the arts,” she says. “While I’m still on my feet, life’s too good to miss out on.” She also makes BBC Radio 4 shows; most recently, We Need to Talk About Death.

ÒI FEEL IÔVE LIVED THROUGH THE GREATEST SOCIAL CHANGE OF THE CENTURY, WHICH IS THE LIBERATION OF WOMEN.Ó When Bakewell first appeared on television, she was notable for being one of the few women allowed to make serious programmes. Thankfully, things have changed a lot since those days. “I’ve seen a huge change – I feel I’ve lived through the greatest social change of the century, which is the liberation of women,” says Bakewell. “I rejoice to see how many women are thriving in television now.” •

Above and below: Bakewell was a citation reader at the 2008 Television Craft Awards, presenting a BAFTA to Jezza Neumann for the Director – Factual category

SELECT TELEOGRAPHY 2019 2018

2018 2017

2013-2018

2011 2010 2008 2008 2008 2013

2003-2007

1999 1993 2001

1991-1994 1990-1996

1978 1977 1977 1976 1989 1979

1973-1974 1972-1973 1967

1966-1967 1966

1964-1972 1964-1965 1964

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Our Classical Century Front Row Vive la Revolution! Joan Bakewell on May ’68 Panorama – ‘Life at 100’ Portrait Artist of the Year When Frost Met Bakewell: Joan Bakewell at 80 The Story of British Pathé Panorama – ‘The Generation Game’ How to Get More Sex The Art of Arts TV How TV Changed Britain – ‘Women’ The Sunday Programme Taboo Omnibus – ‘Who the Dickens is Mrs Gaskell?’ One Foot in the Past Heart of the Matter Everyman Screen One Mainstream Europe After the Rain Pandora’s Box The Bronte Business Arena – ‘Theatre: A Dream Come True’ What’s It All About? Film ’72 and Film ’73 Out of the West Merry-Go-Round Forward to Retirement Late Night Line-Up Meeting Point Home at Four-Thirty

Official Post Production Partner to BAFTA

Congratulations to all of this yearâ&#x20AC;&#x2122;s winners and nominees

New Farm Bristol facility Farmgroup.tv

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#Farm4Life

FELLOWS

THE

ACA DE MY

1971 Alfred Hitchcock 1972 Freddie Young obe 1973 Grace Wyndham Goldie 1974 David Lean 1975 Jacques Cousteau 1976 Sir Charles Chaplin 1976 Lord Olivier 1977 Sir Denis Forman 1978 Fred Zinnemann 1979 Lord Grade 1979 Sir Huw Wheldon 1980 David Attenborough cbe 1980 John Huston 1981 Abel Gance 1981 Michael Powell 1981 Emeric Pressburger 1982 Andrzej Wajda 1983 Sir Richard Attenborough cbe 1984 Sir Hugh Greene 1984 Sam Spiegel 1985 Jeremy Isaacs 1986 Steven Spielberg 1987 Federico Fellini 1988 Ingmar Bergman 1989 Sir Alec Guinness ch, cbe 1990 Paul Fox 1991 Louis Malle 1992 Sir John Gielgud 1992 David Plowright 1993 Sydney Samuelson cbe 1993 Colin Young cbe 1994 Michael Grade cbe 1995 Billy Wilder 1996 Jeanne Moreau 1996 Ronald Neame cbe 1996 John Schlesinger cbe 1996 Dame Maggie Smith 1997 Woody Allen 1997 Steven Bochco 1997 Julie Christie 1997 Oswald Morris obe 1997 Harold Pinter cbe 1997 David Rose 1998 Sean Connery 1998 Bill Cotton cbe 1999 Eric Morecambe & Ernie Wise 1999 Elizabeth Taylor 2000 Michael Caine 2000 Stanley Kubrick (posthumous) 2000 Peter Bazalgette

2001 Albert Finney 2001 John Thaw 2001 Dame Judi Dench 2002 Warren Beatty 2002 Merchant Ivory Productions 2002 Andrew Davies 2002 Sir John Mills 2003 Saul Zaentz 2003 David Jason 2004 John Boorman 2004 Roger Graef 2005 John Barry obe 2005 Sir David Frost obe 2006 Lord Puttnam cbe 2006 Ken Loach 2007 Anne V Coates obe 2007 Richard Curtis cbe 2007 Will Wright 2008 Sir Anthony Hopkins cbe 2008 Bruce Forsyth cbe 2009 Terry Gilliam 2009 Nolan Bushnell 2009 Dawn French & Jennifer Saunders 2010 Vanessa Redgrave cbe 2010 Shigeru Miyamoto 2010 Lord Bragg 2011 Sir Christopher Lee cbe 2011 Peter Molyneux obe 2011 Sir Trevor McDonald obe 2012 Martin Scorsese 2013 Sir Alan Parker 2013 Gabe Newell 2013 Michael Palin cbe 2014 Dame Helen Mirren 2014 Rockstar Games 2014 Julie Walters cbe 2015 Mike Leigh 2015 David Braben obe 2015 Jon Snow 2016 Sir Sidney Poitier 2016 John Carmack 2016 Ray Galton obe & Alan Simpson obe 2017 Mel Brooks 2017 Joanna Lumley obe 2018 Sir Ridley Scott 2018 Tim Schafer 2018 Kate Adie obe 2019 Thelma Schoonmaker Names and honours correct at time of presentation.

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AWARD-WINNING WRITER, DIRECTOR & ACTOR

PAUL FEIG

THE WORLDVIEW ADDRESS

CONNECT WITH THE MOST INFLUENTIAL NAMES IN TV

EDINBURGH TV FESTIVAL CONGRATULATES BAFTAâ&#x20AC;&#x2122;S BRIGHTEST STARS

ALSO FEATURING: AWARD-WINNING WRITER RUSSELL T DAVIES, LEAVING NEVERLAND DIRECTOR, DAN REED FOUNDER OF RED PRODUCTION COMPANY & CEO OF STUDIO CANAL, NICOLA SHINDLER & ALL MAJOR UK CHANNEL CONTROLLERS 21-23 AUGUST 2019

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T H E SPECI A L AWA R D

NICOL A SHINDLER Words by Rich Matthews Photos courtesy of Red Production Company (portrait, Happy Valley and Last Tango in Halifax stills); Joss Barratt (Queer as Folk still); Shutterstock/

James Gourley (Happy Valley team at Television Awards 2017); BAFTA/ Guy Levy (Nicola Shindler at the Television Awards 2017)

fter more than 20 years at the top of the UK television pyramid, Nicola Shindler can’t help being a pragmatist. While talking about her dream to continue making the drama she loves, she quickly interjects, “But while being realistic and knowing it’s a business and that we have to give people what they want. You can’t forget that. You have to be aware of what’s going to get on television.” Shindler’s brand of practicality, however, stems from a genuine passion for the art form, storytelling and, most of all, writers. “Writing is the hardest job,” she says with clear affection. “Because they can do it in their pyjamas, people sometimes think it’s easy. It so isn’t – writing a really good script is astonishingly difficult. So much so that I don’t like to waste writers’ time. I’ll say, ‘I don’t think I’ll ever get that made’, which is a horrible thing to have to say but it’s better than them writing something that never gets made. Everything I do comes from the writer’s voice. You have to understand what the writer’s trying to say, what they want us to do, how it should feel… It’s the best and hardest part of the job.” Before setting up Red Production Company – named for her beloved Manchester United – from her living room in 1998, aged 29, the fire of Shindler’s professional philosophy was sparked by her first job in television. “It was on the first series of Cracker,” she says. “Getting to listen to Jimmy McGovern – an incredible writer – was just so lucky. He taught me that you shouldn’t have any fear; that you should go for every

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single idea you’ve got. And you don’t need to make characters ‘likeable’, they can be much more interesting. I learned a huge amount from him.” Crucially, that included a devotion to believability. “You have to believe in the characters,” she asserts. “If you do, you can defend or change anything else. We get a lot of really good notes from broadcasters and you have to listen but you also have to keep the truth of what you’re doing. You can do that if what you have is very honest.” She pauses. “And hugely entertaining.” Truth, honesty, passion, pragmatism and entertainment – a compelling roadmap for creative success. And Shindler has the CV to back it up: Queer as Folk, Clocking Off, Scott & Bailey, Last Tango in Halifax, Happy Valley – altogether earning her six BAFTA wins over the years. And now she’s working on a Netflix show with prolific thriller writer Harlan Coben.

Ò Y OU HA V E TO B ELIEV E I N THE CHA R A CTER S . I F YOU DO, YOU CA N D EFEN D OR CHA N GE A N YTHIN G ELS E. Ò

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Opposite page: Collecting a BAFTA for Drama Series, with the Happy Valley team in 2017. This page, above: Happy Valley. Left: Queer as Folk “Anytime something made a difference has been brilliant,” Shindler says of her prolific career. “Starting with Queer as Folk, which was amazing. Then launching BBC Three with Burn It; I’m very proud of that series. Right now, I love working with Harlan at Netflix – it’s a really different, exciting approach. If you look back at our work, it’s always had elements of serialised storytelling, even when making traditional ‘stories of the week’. That’s what I’ve always been drawn to and, ironically, that’s what television has turned into now.” After an early decision to swap theatre for television, Cambridge-graduate Shindler landed a stint as a trainee at the BBC before moving back up north to work for Granada. Her northern credentials – she was raised in Rochdale and Bury – are often directly associated with her work, but,

interestingly are not her driving force. “I don’t care where a series is set,” she states. “It could be set on the moon. I work with a lot of writers from here, we film a lot here, we’re based here and I do think it’s really important to have voices on television that aren’t from the south, but I would never choose a story because of that. Truthful characters can come from anywhere and they are what allow you to do something as extreme as Queer as Folk.” So, truthfully, for someone who admits to not being a big fan of the spotlight, how does it feel being honoured by BAFTA? “I’m scared of the speech, obviously,” she admits. “I’d like to thank everyone I’ve ever worked with… but I’ll have to work that out on the night. I am thrilled. My mother’s delighted – that’s very important. Hopefully it shows that if you work really hard, and have quite a lot of luck, then you’ll be recognised.”

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Shindler likes the idea of a producer winning the Special Award acting as an inspiration, even if she flinches at the reality of it being her. However, when asked what advice she’d give to aspiring producers, her natural enthusiasm quickly returns. “Even though it’s very difficult for indies at the moment, if you have an idea that feels different and cutting edge there is a way forward,” she says. “There’s so much around now that you have to make things that punch through. Shows that aren’t easily summed up are hard to sell. Even something like Last Tango In Halifax – it’s hard to put your finger on what it is, other than a family saga, which made it tough to get it commissioned. It would be even harder now. There isn’t much room for beautiful small work, unless you frame it in something else. Like Butterfly, which we did last year for ITV: essentially a small family story, but because it had the hot topic of a transitioning child, it felt bigger.” Shindler’s true gift is balancing those two key components, practicality and creativity. She is adamant that a producer must keep

BAFTA WINS & NOMINATIONS WI N S 2017

2015

2013

2008

2001

1997

Happy Valley – Drama Series, with Sally Wainwright, Juliet Charlesworth, Neasa Hardiman Happy Valley – Drama Series, with Sally Wainwright, Karen Lewis, Euros Lyn, Last Tango in Halifax – Drama Series, with Sally Wainwright, Karen Lewis, Euros Lyn The Mark of Cain – Single Drama, with Tony Marchant, Lynn Horsford, Marc Munden Clocking Off – Drama Series, with Ann Harrison-Baxter, Paul Abbott Hillsborough – Single Drama, with Charles McDougall, Jimmy McGovern, Katy Jones

NA ME D N OMI N A T I ON S 2015

2002

Below: Last Tango in Halifax. Overleaf: Enjoying that winning feeling, 2017

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Prey – Mini Series, with Chris Lunt, Tom Sherry, Nick Murphy Clocking Off – Drama Series, with Juliet Charlesworth, Paul Abbott

EXPERIENTIAL PHOTOGRAPHY & LUXURY PHOTOBOOTHS P R O U D PA R T N E R S o f BA F TA S I N C E 2 0 1 0

republicofphotography.com

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BoothnationUK

republicofphotography

SELECT TELEOGRAPHY As producer or executive producer unless stated 2017 2016 2016 2016 2015 2015 2015 2015 2018 2018

2014-2016 2014-2015 2014 2013

2012-2016

2012 2012 2012

ÒA MASSIV E P ART OF M Y J OB I S ABOUT LIST E NING TO WHAT P E OP LE WANT . S OME T IM E S IT ÔS HARD TO A RT ICU LAT E BE CAU SE THER E ÔS NO RIGHT A ND WRONG.Ò

2011-2016 2011-2012

2010 2011

2010

2009 2007

2006-2007

2005 2005 2004 2004 2003 2003 2003 2002 2006 2005

current, and understand why that’s important, but then, on a fundamental level, they must preserve the heart of what they’re trying to make rather than fit to a fashion. “The broadcaster’s paying for it so you have to give them what they want,” she says. “But a massive part of my job is about listening to what people really want. Sometimes it’s hard to articulate because there’s no right and wrong.” As the conversation wraps up, a last, quick question pops up – what does she really want to make, ignoring all the industry pressures and changes? “I should say a massive, huge £5m-anepisode global show,” she smiles. “But, no – I’d just love to do a returning series where you set up characters that people want to come back again and again. And not just for business reasons. It’s brilliant to be on the fourth, fifth, sixth series with characters that work. I really like that.” After a pause, she adds: “But that’s not what the industry wants right now…” A pragmatist to the end. •

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2001-2002 2001

2000-2002

1999-2000

1996 1996 1993 1999 1996

Butterfly Come Home Trust Me Ordinary Lies Paranoid The Five Danny and the Human Zoo Banana Cucumber Tofu Happy Valley Prey The Driver Heading Out Last Tango in Halifax Blackout Hit & Miss Love Life Scott & Bailey Bedlam Exile Single Father Worried About the Boy Unforgiven The Mark of Cain New Street Law Magnolia Jane Hall Big Dippers Dead Man Weds Mine All Mine Conviction Indian Dream The Second Coming Burn It Flesh and Blood Linda Green Bob & Rose Clocking Off Queer as Folk Love in the 21st Century Hillsborough* Prime Suspect 5: Errors of Judgement* Our Friends in the North* Cracker**

* as assistant producer ** as script editor

Trusted to deliver Outside Broadcasts for the worldâ&#x20AC;&#x2122;s greatest events

CTV Outside Broadcasts Ltd - 3 The Merlin Centre, Lancaster Road, High Wycombe, HP12 3QL Adam Berger: adam@ctvob.co.uk / Bill Morris: bill@ctvob.co.uk / hello@ctvob.co.uk / 020 8453 8989 / www.ctvob.co.uk Photo credits: FIFA World Cup: Kremlin Pool/Alamy Stock Photo. Football: Andrew Orchard sports photography/Alamy Live News. Ryder Cup: Action Plus Sports Images/Alamy Stock Photo Pakistan Tour of England: Matt West/BPI/REX/Shutterstock. Royal Wedding: Ian Skelton/Alamy Stock Photo. Golf Open Championship: Dave Shopland/BPI/REX/Shutterstock. London Marathon: Alex Cavendish / Alamy Stock Photo Asian Games: Swimming: Fei Maohua/Xinhua/Alamy Live News. Brit Awards, Robbie Williams: David Fisher/REX/Shutterstock. 4 BAFTA: 9 Olivia Coleman: WENN Rights Ltd/Alamy Stock Photo. NFL: Hugo Philpott/UPI Photo/Newscom/Alamy Live News

THE WINNERS

THE WINNERS OF THE BRITISH ACADEMY TELEVISION CRAFT AWARDS, HELD ON 28 APRIL 2019, ARE LISTED OVER THE NEXT FEW PAGES...

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TH E BREAKTHROUGH TALENT

WI N N E RS COSTUME DESIGN

DIRECTOR: FACTUAL

AKEMNJI NDIFORNYEN

S UZ A N N E C AV E

BEN ANTHONY

(COMPOSER, PRODUCER

A Very English Scandal Blueprint Pictures / BBC One

Grenfell Minnow Films / BBC One

AND WRITER)

Famalam BBC Studios / BBC Three

C AT E G O RY S P O N S O R

DIRECTOR: FICTION

DIRECTOR: MULTI-CAMERA

S T E P H E N FR E A RS

BA R BA R A W I LT S H I R E

A Very English Scandal Blueprint Pictures / BBC One

Inside No. 9 Live: Dead Line BBC Studios / BBC Two

C AT E G O RY S P O N S O R

EDITING: FACTUAL

EDITING: FICTION

ENTERTAINMENT CRAFT TEAM

WILL GILBEY

P I A D I C I AU L A

NIGEL CATMUR, DAVID COLE,

Bros: After the Screaming Stops Fulwell 73 / BBC Four

A Very English Scandal Blueprint Pictures / BBC One

KATE DAWKINS, KEVIN DUFF

The Royal British Legion Festival of Remembrance BBC Studios / BBC One C AT E G O RY S P O N S O R

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TH E

WI NN E RS

ORIGINAL MUSIC

PHOTOGRAPHY: FACTUAL

VICKIE LANG

D AV I D H O L M E S ,

LINDSAY MCCRAE

Vanity Fair Mammoth Screen / ITV

KEEFUS CIANCIA

Dynasties: Emperor BBC Studios / BBC One

MAKE UP & HAIR DESIGN

C AT E G O RY S P O N S O R

Killing Eve Sid Gentle Films / BBC One

C AT E G O RY S P O N S O R

PHOTOGRAPHY & LIGHTING: FICTION

PRODUCTION DESIGN

WO O - H Y U N G K I M

TO M B U R TO N

The Little Drummer Girl The Ink Factory / 127 Wall / BBC / AMC / BBC One

Patrick Melrose Two Cities / SunnyMarch / Little Island Productions / Sky Atlantic

C AT E G O RY S P O N S O R

SOUND: FACTUAL

SOUND: FICTION

SPECIAL, VISUAL & GRAPHIC EFFECTS

SOUND TEAM

A DA M M C I N N ES, J O H N S M ITH,

Later Live...with Jools Holland BBC Studios / BBC Two

Killing Eve Sid Gentle Films / BBC One

K E V I N H O RS E WO O D

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Troy: Fall of a City Wild Mercury / Kudos / BBC One

TH E

WI N N E RS

TITLES & GRAPHIC IDENTITY

WRITER: COMEDY

WRITER: DRAMA

SMITH & FOULKES, MARK ROALFE

DA I S Y M AY C O O P E R ,

DAV I D N I C H O L L S

‘The Fearless Are Here’ – The 2018 Winter Olympics BBC Sport / Nexus Studios / Y&R / BBC One

CHARLIE COOPER

Patrick Melrose Two Cities / SunnyMarch / Little Island Productions / Sky Atlantic

This Country BBC Studios / BBC Three

THE SPECIAL AWARD EMMA THOMAS

Photo courtesy of BAFTA/Jordan Anderson

The role of script supervisor is an integral part of any television or film production, but it’s also a craft that is seldom recognised with awards. Emma Thomas is widely regarded as one of the best in her field and has made an incredible impact on British television and film across her 30-plus years in the business. It was after attending the filming of Terence Frisby’s 1976 sitcom Lucky Feller that she fell in love with the television industry. “I just knew I had to find a way to get into all this using what skills I had,” says Thomas. She soon applied for training at Central TV in Nottingham on its Script Supervisor course, specialising in drama production. One of her first jobs was on Jim Henson’s The Muppet Show, where she would meet Hollywood stars including James Coburn and Gene Kelly. “I thought I’d died and gone to heaven… although I was essentially working for a bunch of puppets!” Since then, she has worked on everything from Goodnight Sweetheart, Birds of a Feather and Man Down to The Bill, Luther, Soon Gone: A Windrush Chronicle and Four Weddings. Thomas also actively mentors other women in the industry. “It’s wonderful to be on set now and see female camera operators and lighting technicians – there’s no department that doesn’t have a female presence,” she says. “I’m so proud to receive this award. This is going to be amazing for all the script supervisors out there.” •

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MOVING IM AGES T H E P OWER O F T EL E VISI O N Words by Rachel Ward Photos courtesy of Trinity Mirror/Mirrorpix/Alamy Stock Photo (1966 World Cup, 1969 Moon landing and 1985 Live Aid); Allstar Picture Library/Alamy Stock Photo (Only Fools and Horses); BAFTA/Charlie Clift (Sir David Attenborough); BAFTA/Hannah Taylor (This Morning Tribute); BAFTA/Shutterstock/James Gourley(Strictly Come Dancing); BAFTA (The Great British Bake Off)

Television is an art form that works on so many levels. It can stimulate us emotionally and intellectually, it can bring us together in celebration and in times of heartache. It can take us to wondrous places, both real and fictional. It can entertain and it can soothe. It can break down barriers and establish long-lasting friendships. Powerful stuff!

anuary this year marked the 90th anniversary of John Logie Baird’s first television transmission. Since then, cameras have captured wars, revolutions, Olympic triumphs, Royal weddings, World Cups, wardrobe malfunctions, Big Brother made real, a mother of dragons, a blue planet, the surface of the moon and a woman kissing a “hot priest”. More than 56 per cent of Britons tuned in for the coronation of Queen Elizabeth II in 1953 (at a time when there were only 2.7 million television sets in the country); 32.3 million witnessed the boys in red trounce Germany in the 1966 World Cup; 21.6 million wanted to know who shot JR in 1980; 10.4 million watched the Bodyguard finale last year; and who could forget the achievements of the crew of Apollo 11, which were beamed to a spellbound 500 million viewers worldwide? We believe in television as a medium that does good, as a medium that triggers imagination, rouses curiosity, encourages education and gathers millions around common interests – its granular element is that it binds us, shaping the very fabric of our lives.

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The moon landing marked the first all-night television broadcast in Britain on 20 July 1969. Families huddled in front of black-and-white sets, munching on sandwiches. Huge crowds came together to watch it in public places. Perhaps if the moon really was made of cheese, the astronauts would take a bite, too. Radio 4 Today presenter John Humphrys’ daughter was due to be born on the same day. He faced a difficult choice: hospital, to watch the miracle of birth, or home, watching a monumental moment in human history. The box won. “I think she understands…,” he says. Watching live footage was still relatively novel in 1969. It proved to be a powerful moment that was to inspire many future scientists and engineers. That shared experience still exerts a hold over our collective imagination. Bob Geldof ’s 1985 Live Aid concert was billed as a “global jukebox” and, with its ambitious satellite link-up, reached 1.9 billion viewers in 150 countries and raised £150m for poverty relief in Africa. Is there a more powerful instigator for change? A number of television firsts have also helped to break down social barriers. A 1968 episode of Star Trek is often referred to as the first interracial kiss ever broadcast, while ITV’s The Naked Civil Servant (1975), an interpretation of Quentin Crisp’s memoir, was in many ways the first celebration of homosexuality on British television. Russell

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DAVID ATTENBOROUGH HAS TAKEN US TO REMARKABLE PLACES AND IMMERSED US IN SOME OF THE LEAST-KNOWN PARTS OF OUR PLANET.

T Davies’s Queer as Folk (1999-2000) went on to break the mould and is regarded as a milestone in LGBTQ+ representation. Transparent (20142017), Billions (2016-) and The Bisexual (2018) have followed suit. Society has shifted and suddenly the black box in the corner of the room provides a lifeline for those perhaps previously misunderstood. Naturally, television is a phenomenally powerful communication tool, providing vital information at any moment. The broadcast of the 1980 Iranian Embassy siege interrupted the BBC’s live coverage of the World Snooker Championship – like millions back home, the SAS teams were watching Alex Higgins take on Cliff Thorburn when they received the call to action. Continuous coverage of the crumbling of the Twin Towers on 11 September 2001 would ensure that a worldwide audience watched on in horror for hours, days, weeks, stunned into disbelief and heartache at the most shocking images ever broadcast.

Opening page: England wins the 1966 World Cup. Opposite page, top: Thousands gathered in Trafalgar Square to watch the Moon landing live. Bottom: Live Aid in 1985. This page, above: Only Fools and Horses has won five BAFTAs. Below: Sir David Attenborough collects 2018’s Virgin TV’s Must-See Moments award for Blue Planet II

Perhaps the power of the medium to both educate and entertain has seldom been as well employed as by Sir David Attenborough. His stunning 1979 hit Life on Earth was groundbreaking in introducing the wonder of the outside world inside everyone’s living rooms. Since then, Attenborough’s aweinspiring footage has taken us to remarkable places and immersed us in some of the least-known parts of our planet. From gorilla hugs to thrilling snake chases, his stories continue to captivate and educate wide and varied audiences. It’s not just homosapiens taking note, either – for an episode of recent series Dynasties, following a pride of lions in Kenya’s Masai Mara, household cats across the nation were so entranced that they climbed onto furniture to

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press their faces against the screen. We have, it seems, reached peak mogglebox. Not only has television become a surrogate member of the family, it invariably impacts our daily lives. Just as Coronation Street’s comforting, mournful cornet ushers us to the sofa of an evening, pop-culture catchphrases remind us of the medium’s sway. Just like that, Del Boy Trotter’s “Lovely jubbly!”, Mr Meldrew’s moaning “I don’t belieeeeeeve it!” and Catherine Tate’s “Am I bovvered?” hold a place in everyday vocabulary. The Oxford English Dictionary even deemed Homer Simpson’s “D’oh!” worthy of an entry... which was nice. Away from the screen, the art form is able to work on various levels and create those watercooler moments we all fervently revel in. For six weeks in the autumn of 2018, Jed Mercurio’s gleefully overthe-top, twisty political thriller Bodyguard dominated conversations, becoming the BBC’s biggest ratings hit in a decade. It was a pure adrenalin-driven piece of entertainment, but also highlighted such mental health issues as PTSD through army veteran-cumpolice officer David Budd. More recently, Phoebe Waller-Bridge has trampled down the boundary between comedy and drama, perhaps inventing a whole new genre of her own with her uproariously good Fleabag. Carefully developed storylines can kickstart vital conversations. This was no truer than with last year’s off-screen suicide of Corrie’s everyman Aidan Connor. It explored the character’s secret battle with

NOT ONLY HAS TELEVISION BECOME A SURROGATE MEMBER OF THE FAMILY, IT INVARIABLY IMPACTS OUR DAILY LIVES. depression, opening up the discussion for not only those in a similar situation – male suicide is the biggest killer of men under 45 in the UK – but putting the spotlight on the ramifications for those around them. Helen Worth’s closing monologue about looking out for our neighbours couldn’t have been more poignant. As a result, online charity Paphrus received three times as many calls as a routine day, while CALM and Samaritans took on extra staff to cope with demand on their helplines. British daytime show This Morning (1988-), which was celebrated at a special BAFTA Tribute event last year, has also proven to be a game-changer over the past 30 years. Think of a topic of discussion and it has probably been covered: the broadcast of the first gay partnership celebration on Valentine’s Day 2001 and the first breast, testicular and prostate examinations by Dr Chris Steele MBE are just a few of the pioneering moments broadcast live on British television. One particularly moving segment came when a woman phoned in to confide that she was trapped in an abusive relationship, quite literally as her husband had locked her in their house. In an

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Previous page: This Morning was presented with a BAFTA Special Award in November 2018. Left: Strictly Come Dancing performed at last year's Television Awards. Below: The Great British Bake Off team

TELEVISION IS NOW MOBILE Ð WE CATCH SNIPPETS OF OUR FAVOURITE SHOWS VIA OUR PHONES ON THE BUS OR IN THE GYM. overwhelming show of compassion, the programme’s phone lines were flooded with calls offering to help. On a lighter note, The Great British Bake Off (2010-) has brought a sport to the leisurely hobby of baking, not to mention made an art of innuendo. Thanks in part to the show, the British public has rediscovered a pastime that’s enjoyable, practical, accessible and acceptable for all. Elsewhere, arguably no other show has united generations or become a year-round phenomenon as Strictly Come Dancing (2004-). Raising us from our default couch-potato position Television is now mobile, too – we catch snippets of and warming us through winter, it has enabled us our favourite shows via our phones on the bus or in to belly laugh and, at times, provided an out-of- the gym, sometimes even on an escalator. Breaking Bad (2008-2013) showed a character hours soap opera all of its own, not to mention a few transform over two years of his life in a way that could unexpected moves from our Prime Minister. But the landscape is changing. The telly becomes never be achieved in film. The Killing (2007-2012) the nightly national conversation on Twitter, where dedicated 20 hours to a single murder case, taking full viewers engage in debate after seeing inside prisons, advantage of the time and space that television offers. the House of Commons and even witnessing open- Meanwhile, the likes of Downton Abbey (2010-2015), heart surgery. Shows are now offered up to us in Top Gear (2002-) and the regeneration of Doctor Who different ways. On-demand services such as Virgin (2005-) have become truly global sensations. Baird’s vision has become the most powerful Media, Netflix, Amazon Prime and iPlayer mean that we now have the power to binge. As a result, generator of our collective memories. Let us all bask television is becoming more daring. We are getting in its warming glow; television is our common room, not just glimpses, but long, nuanced examinations our shared ground, our core material. Hold on to of lives and worlds we have never seen before. those feelings, those memories, they’re ours. •

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freuds is proud to be entering its

year with BAFTA and is delighted to be the retained agency for the Virgin Media Television Awards

For further information contact: Ruth Settle Partner, freuds Ruth@freuds.com +44 (0) 203 003 6344

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As official scrutineers, when BAFTA needs our help we act. Providing them with confidence in the results during the awards season. Itâ&#x20AC;&#x2122;s what we do that makes 6the difference. 4

THE PO W E R O F A PI C T U R E A P H O TO G R A P H I C E S S A Y BY CHA RLI E CLI FT o successfully shoot dynamic reportage photography at an Awards ceremony as huge as the Virgin Media British Academy Television Awards is no mean feat. For the past two years, photographer Charlie Clift has been tasked with just that: running up and down staircases, getting soaked through by inclement weather, guessing which area of the venue to hit for the best candid shots and then finding the right light. Essentially, always trying to be in the right place at the right time. But, as this essay proves, Clift, whose other clients include the BBC, The Sunday Times Magazine, GQ, Wired, the Premier League and many others, is a master of his art. The following images offer a mix of memorable backstage moments from the 2017 and 2018 Awards, capturing many of the guests in playful mood. As he writes in his blog about the original commission, “I couldn’t really say no, could I? I mean, who turns down a free pass to the biggest night of the TV year? Bring it on!”

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A B OV E: TO M DAV I S & M A L A CH I K I R BY, 2017 P R E V I O U S PA G E: EL L A P U R N EL L, 2018

P H O EB E WA L L ER- B R I D G E, 2018

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S TA CE Y D O O L E Y

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2017

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S A M MY K A M A R A , 2017

CH A R L I E B R O O K ER, 2017

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VA N ES S A K I R BY, 2018

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H O L LY W I L LO U G H BY, 2017

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DA M E J OA N CO L L I N S

d b e,

2017

J EN N I FER S A U N D ERS & J OA N N A LU M L E Y

o b e,

2017

CL A U D I A W I N K L E M A N & FR I EN DS, 2018

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TO M CH A M B ERS, 2018

A L L A N M U S TA FA , H U G O CH E GW I N, S T E V E S TA M P & A S I M CH A U D H RY, 2017

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DA I SY M AY CO O P ER, 2018

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S I R DAV I D AT T EN B O R O U G H

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2018

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W U N M I M OS A KU, 2018

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M I CH EL L E K EE GA N, 2018

ESSAY

CREDITS

Photographer Charlie Clift www.charliecliftphotography.com info@charliecliftphotography.com BAFTA Photography Director Claire Rees Picture Editor Jordan Anderson Venue Royal Festival Hall

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IN M EM O R I AM The following pages honour the esteemed contribution to the television industry by those individuals who have sadly died in the last 12 months. To learn more about their many achievements, visit bafta.org/heritage/inmemoryof

8 1

M E MORIA M

RI CH ARD BAK E R

obe

Broadcaster JULIE ADAMS

15 June 1925 – 17 November 2018

Actress

17 October 1926 – 3 February 2019

VER NA BL O O M

Actress TH OM AS BAP TI STE

7 August 1938 – 9 January 2019

Actor, Singer BILL ALLAN

17 March 1929 – 6 December 2018

Producer

15 December 1949 12 August 2018

J O HN BL UT HA L

Actor SI STE R W E ND Y BEC KET T

12 August 1929 – 15 November 2018

Presenter JED ALLAN

25 February 1930 – 26 December 2018

Actor

1 March 1935 – 9 March 2019

PHIL IP BO S C O

Actor P ATRI CI A BE NOI T

26 September 1930 – 3 December 2018

Actress M I CH A E L A N D E R S ON

21 February 1927 – 6 August 2018

Director, Actor

30 January 1920 – 25 April 2018

A NT HO NY BO URDA IN

Presenter, Chef, Writer E RI CA BE N SLY

25 June 1956 – 8 June 2018

Production Manager SU S A N A N S P A CH

7 November 1963 – 9 December 2018

Actress

23 November 1942 – 2 April 2018

PET ER B RA C KL EY

Sports Commentator P E TE R BE N SON

13 June 1951 – 14 October 2018

Actor C A R M E N A R GE N Z IANO

13 June 1943 – 6 September 2018

Actor

27 October 1943 – 10 February 2019

C L IFT O N BRA NDO N

Production Manager JOHN D F BLACK

26 January 1927 – 20 September 2018

Writer PE T E R A R M I T A GE

30 December 1932 – 29 November 2018

Actor

23 October 1939 – 30 November 2018

PET ER B YRNE

Actor RACH AE L BLAN D

News Presenter

21 January 1978 – 5 September 2018

8 2

29 January 1928 – 14 May 2018

W I LLI AM CRE BER

Production Designer, Art Director JO S E P H CA M P AN E LLA

26 July 1931 – 7 March 2019

Actor

21 November 1924 – 16 May 2018

MA G ENT A DEVINE

Broadcaster, Journalist JOHN CUNLI FFE

4 November 1957 – 6 March 2019

Writer S E Y M O U R CA S S E L

16 June 1933 – 20 September 2018

Actor

22 January 1935 – 7 April 2019

RO BERT DIX

Actor BI LL D AI LY

8 May 1935 – 6 August 2018

Actor S T E L V I O CI P R I AN I

30 August 1927 – 4 September 2018

Composer

20 August 1937 – 1 October 2018

PET ER DO NA T

Actor HUGH D AN E

20 January 1928 – 10 September 2018

Actor P A T R I CI A CL A P TON

21 October 1942 – 16 May 2018

Actress

25 May 1933 – 17 May 2018

HA L DA NE DUNC A N

Director, Executive GRAH AM E D ANG ERFIEL D

25 July 1940 – 26 December 2018

Broadcaster, Naturalist S T U A R T CO L E MAN

1938 – 13 July 2018 (aged 80)

Producer, Musician

19 December 1944 – 19 April 2018

T ERR Y DYDDG EN-J O NES

Director P H I LI P D ’ ANT O NI

3 July 1950 – 27 June 2018

Producer, Writer P E N N Y CO O K

19 February 1929 – 15 April 2018

Actress

13 July 1957 – 26 December 2018

G L YNN EDWA RDS

Actor W I ND SOR D AVIES

2 February 1931 – 23 May 2018

Actor N I CK CO R Y - W RI GH T

28 August 1930 – 17 January 2019

Producer, Director

28 March 1964 – 19 January 2019 (aged 54)

BA R RY EL L IO T T

Writer, Actor D I AN A D E CK E R

Actress

1 September 1924 – 4 January 2019

8 3

24 December 1944 – 5 August 2018

M E MORIA M

JAM E S FRAW LE Y

Director, Producer

29 September 1936 – 22 January 2019

JAMES EMSWILLER

Sound Mixer

HEL EN G R IFFIN

Actress, Writer

1 December 1957 – 11 October 2018

1958 – 29 June 2018 (aged 59)

RE G GAD NE Y

Writer

20 January 1941 – 1 May 2018

PA D D Y F E E N Y

Broadcaster

KENNET H HA IG H

Actor

25 April 1931 – 10 June 2018

RAY GALTON

obe

25 March 1931 – 4 February 2018

Writer FENELLA FIELDING

obe

17 July 1930 – 5 October 2018

Actress

17 November 1927 – 11 September 2018

J ER EMY HA RDY

Comedian, Writer E UN I CE GAY SON

17 July 1961 – 1 February 2019

Actress PE T E R F I R M I N

17 March 1928 – 8 June 2018

Artist, Animator

11 December 1928 – 1 July 2018

G EO FF HA R VEY

Composer, Personality P AM E LA GI D LE Y

6 August 1935 – 30 March 2019

Actress M I CH A E L F O R D

11 June 1965 – 16 April 2018

Art Director, Set Director

11 June 1928 – 31 May 2018

S HINO BU HA S HIMO T O

Writer P AT GORM AN

18 April 1918 – 19 July 2018

Actor C O R N E L I A F R A N CE S

1 January 1931 – 9 October 2018

Actress

7 April 1941 – 28 May 2018

G EO FFREY HA YES

Actor, Broadcaster, Writer HAI D E E GRAN GE R

13 March 1942 – 30 September 2018

Producer, Executive LIZ F R A S E R

13 September 1943 – 25 August 2018

Actress

14 August 1930 – 6 September 2018

RO BERT A HA YNES

Actress LE SLI E GRAN THAM

Actor

30 April 1947 – 15 June 2018

8 4

19 August 1929 – 4 April 2019

KA T H E R I N E H E L M OND

JI LL JAM E S

Executive

11 September 1952 – 7 March 2019

J O S IE KIDD

Actress

5 July 1929 – 23 February 2019

Actress

8 January 1938 – 4 June 2018

LE ON I E JAM E S O N

Producer DEL HENNEY

13 April 1959 – 13 March 2019

MA RG O T KIDDER

Actor

24 July 1935 – 14 January 2019

Actress

17 October 1948 – 13 May 2018

RI CK Y JAY

Magician, Actor, Writer B E R N A R D H E P T ON

26 June 1946 – 24 November 2018

Actor

19 October 1925 – 27 July 2018

A R NO L D KO PEL S O N

Producer

14 February 1935 – 8 October 2018

JANI E JE N K I NS

Talent Agent S T E P H E N H I L L EN BURG

18 July 1963 – 29 October 2018

DA VID L A NDS B ERG

Writer, Producer

21 August 1961 – 26 November 2018

Actor, Writer M ARI LY N JOH NS O N

3 September 1944 – 5 August 2018

Casting Director M I T ZI H O A G

12 June 1944 – 12 August 2018

C HR IS T O PHER L A WFO RD

Actress

25 September 1932 – 26 February 2019

Actor P AUL JUNGE R WIT T

29 March 1955 – 5 September 2018

Producer M I CH A E L H O W ELLS

20 March 1941 – 27 April 2018

RO BIN L EA C H

Production Designer

13 January 1957 – 19 July 2018

Actor M AHE ND RA K AUL

obe

29 August 1941 – 24 August 2018

Producer, Presenter TAB HUNTER

28 July 1922 – 11 July 2018

Actor

11 July 1931 – 8 July 2018

S T A N L EE

Writer, Editor, Actor SY LVI A K AY

Actress

16 May 1936 – 18 January 2019

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28 December 1922 – 12 November 2018

M E MORIA M

K ATHE RI NE M ACG REG O R

Actress

12 January 1925 – 13 November 2018

M I CH E L L E GR A N D

Composer

PEG G Y MC C A Y

Actress

24 February 1932 – 26 January 2019

ROGE R M AI NWOOD

3 November 1927 – 7 October 2018

Animator, Director

31 July 1953 – 20 September 2018

DA N N Y L E I N E R

Director

G R A NT MC KEE

Producer, Executive

13 May 1961 – 18 October 2018

JE RRY M ARE N

18 August 1951 – 7 April 2019

Actor

24 January 1920 – 24 May 2018

SO N D R A L O CKE

Actress

A L L YN A NN MC L ER IE

Actress

28 May 1944 – 3 November 2018

VAN E SSA M ARQUEZ

1 December 1926 – 21 May 2018

Actress

21 December 1968 – 30 August 2018

PA M E L A L O N S D A L E

Producer, Director

DIC K MIL L ER

Actor

3 May 1924 – 16 October 2018

P E NN Y M ARSH ALL

25 December 1928 – 30 January 2019

Actress, Director, Producer

15 October 1943 – 17 December 2018

DE A N N A L U N D

Actress

L A URIE MIT C HEL L

Actress

30 May 1937 – 22 June 2018

AL M ATTHE W S

14 July 1928 – 20 September 2018

Actor

21 November 1942 – 22 September 2018

DO N L U S K

Animator, Director

DO NA L D MO FFA T

Actor

28 October 1913 – 30 December 2018

E RNE ST M AXI N

26 December 1930 – 20 December 2018

Producer DA M E GI L L I A N L Y NN E

dbe

22 August 1923 – 27 September 2018

Choreographer, Dancer

20 February 1926 – 1 July 2018

PA T RIC IA MO R IS O N

Actress GORD ON M AXW EL L

Producer

12 February 1975 – 3 December 2018

8 6

19 March 1915 – 20 May 2018

ALAN O’ N E I LL

Actor

d: 6 June 2018 (aged 47)

GE O F F M U R P H Y

Director, Producer, Actor

12 October 1938 – 3 December 2018

WIL L IA M PHIPPS

Actor M I K E O’ N E I LL

4 February 1922 – 1 June 2018

Costume Designer M I R I A M N E L S ON

21 September 1945 – 10 April 2018

Choreographer, Dancer, Actress

21 September 1919 – 12 August 2018

MIC HA EL PIC KWO A D

Production Designer AN THONY OWEN

11 July 1945 – 27 August 2018

Executive Producer DENIS NORDEN

c be

28 July 1972 – 12 April 2019

Writer, Presenter, Actor

6 February 1922 – 19 September 2018

T REVO R PRES T O N

Writer D I AN N E OXBER RY

12 July 1938 – 29 April 2018

Broadcaster D E R R I CK O ’ CO NNOR

13 August 1967 – 10 January 2019

Actor

3 January 1941 – 29 June 2018

A NDRÉ PREVIN

Composer, Conductor M URI E L P AVLOW

6 April 1929 – 28 February 2019

Actress JA CKS O N O D E L L

27 June 1921 – 19 January 2019

Actor

2 July 1997 – 8 June 2018

DA VID PR IT C HA R D

Producer JACQUE LI N E PEA R C E

19 November 1945 – 13 January 2019

Actress JO H N O F F O R D

20 December 1943 – 3 September 2018

Animator

13 March 1946 – 18 June 2018

C HR IS PYE

Executive LUK E P E RRY

1947 – 9 July 2018 (aged 71)

Actor KI T T Y O ’ N E I L

11 October 1966 – 4 March 2019

Stunt Performer

24 March 1946 – 2 November 2018

C HA RL O T T E R A E

Actress JOHN M I CHAE L PHIL L IPS

Director

18 December 1934 – 20 June 2018

8 7

22 April 1926 – 5 August 2018

M E MORIA M

M ARTI N SAUN D E RS

Cinematographer

7 March 1942 – 9 June 2018

DO U GL A S R A I N

Actor

DER RIC K S HER WIN

Producer, Actor

13 March 1928 – 11 November 2018

LUCY SCHE R

16 April 1936 – 17 October 2018

Executive, Writer

6 June 1965 – 1 August 2018

SA N D Y R A T CL I F F

Actress

NEIL S IMO N

Writer, Producer

2 October 1948 – 7 April 2019

JON SCH N E P P

4 July 1927 – 26 August 2018

Actor, Editor, Director

16 May 1967 – 19 July 2018

N A D JA R E GI N

Actress

MO NIC A S IMS

obe

Executive

2 December 1931 – 7 April 2019

JON SCOFFI E LD

27 October 1925 – 20 November 2018

Director, Commissioner

30 April 1932 – 25 May 2018

PE T E R I CH E N S

RO Y S KEG G S

Writer

Producer, Production Manager

18 August 1952 – 6 August 2018

6 April 1934 – 29 December 2018

BI LL SE LLARS

Producer

5 June 1925 – 19 December 2018

SH A N E R I M M E R

Actor

G EO FF S MIT H

Executive

28 May 1929 – 29 March 2019

d: 5 December 2018 M ARE LLA SHE ARER

Make-up Artist L R O W L A N D - W A R NE

Costume Designer

22 November 1953 – 5 September 2018

Actor

15 July 1966 – 3 February 2019

19 February 1930 – 22 January 2019

KRIS T O FF S T J O HN

SI M ON SHE LTON

Actor AR T H U R B R U B I N S TE I N

13 January 1966 – 17 January 2018

Composer

31 March 1938 – 23 April 2018

S T EFÁ N KA R L S T EFÁ NS S O N

Actor W I LLI AM M ORGA N SH E P P ARD

Actor

24 August 1932 – 6 January 2019

8 8

10 July 1975 – 21 August 2018

M ORAG WE BS T ER

Set Nurse JO H N S T R I D E

6 November 1969 – 31 October 2018

C EL ES T E YA R NA L L

Actor

11 July 1936 – 20 April 2018

Actress

26 July 1944 – 7 October 2018

E LM ARI E WE NDEL

Actress E L I ZA B E T H S U NG

23 November 1928 – 21 July 2018

A L A S T A IR YA T ES

Actress

14 October 1954 – 22 May 2018

Newsreader

3 September 1952 – 26 July 2018

HUGH WH I TE MO RE

Writer DUDLEY SUTTON

16 June 1936 – 17 July 2018

PHIL IP YO R K

Actor

6 April 1933 – 15 September 2018

Actor D AM E JUN E WHIT FIEL D

dbe

20 June 1951 – 27 January 2019

Actress CL I V E S W I F T

11 November 1925 – 28 December 2018

Actor

9 February 1936 – 1 February 2019

C RA IG ZA DA N

Producer JANI CE W I LLE T T KA Y

15 April 1949 – 20 August 2018

Director PETER TORK

30 October 1932 – 6 November 2018

Actor, Musician

13 February 1942 – 21 February 2019

P ATRI CK W I LL IA MS

Composer CO L I N T U CKE R

23 April 1939 – 25 July 2018

Producer

16 February 1941 – 6 August 2018

SCOTT WI LSON

Actor JA N - M I CH A E L V I NCE N T

29 March 1942 – 6 October 2018

Actor

15 July 1945 – 10 February 2019

M ORGAN WOODWA R D

Actor

16 September 1925 – 22 February 2019

8 9

The Academy has made every effort to compile an accurate In Memoriam listing of television practitioners between 13 April 2018 and 11 April 2019.

ASIA PACIFIC EUROPE MIDDLE EAST NORTH AMERICA

Creative ideas technical reality

Tel: +44 (0)1293 582000 | www.ct-group.com 1 18/04/2018 14:50:38 Audio Video DigitalRebel-Rebel_BAFTA-TV-Awards_Ad_150mmX112mm_CMYK.pdf Display

9 0 www.rebelrebel.co.uk

Email: nmaag@ctlondon.com

OFFICERS

O F

THE

ACA DE MY

O F F I CE R S

C O MMIT T EES

HRH The Duke of Cambridge, KG Academy President Barbara Broccoli obe Vice President, Film Greg Dyke Vice President, Television David Gardner obe Vice President, Games

ELECTED MEMBERS OF THE FILM COMMITTEE Marc Samuelson ‒ Chair Alison Thompson ‒ Deputy Chair Isabel Begg Simon Chinn Noel Clarke Alexandra Ferguson Derbyshire * Gillian Hawser Anna Higgs Pippa Markham David Thompson ELECTED MEMBERS OF THE GAMES COMMITTEE

BOARD OF TRUSTEES Dame Pippa Harris dbe Chair of the Academy Jane Lush Deputy Chair of the Academy Dr Jo Twist obe Chair, Games Committee Krishnendu Majumdar Chair, Television Committee Sara Putt Chair, Learning & New Talent Committee Marc Samuelson Chair, Film Committee Alison Thompson Deputy Chair, Film Committee Hannah Wyatt Deputy Chair, Television Committee

Dr Jo Twist obe ‒ Chair Nick Button-Brown Dave Ranyard * Tara Saunders Mike Simpson ELECTED MEMBERS OF THE TELEVISION COMMITTEE Krishnendu Majumdar ‒ Chair Hannah Wyatt ‒ Deputy Chair Richard Boden Phillippa Giles Laurence Marks Elizabeth McIntyre Emma Morgan Sara Putt Beryl Richards * Liz Trubridge

John Smith Co-optee and Chair, Commercial Committee Paul Taiano obe Co-optee and Chair, Finance and Audit Committee Arianna Bocco Co-optee Kieran Breen Co-optee Sir Lloyd Dorfman cbe Co-optee Paul Morrell obe Co-optee

* Children’s Representatives

Amanda Berry obe Chief Executive Kevin Price Chief Operating Officer

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PA RTNERS

O F

THE

ACA DE MY

BAFTA’s partners have shown great loyalty in their year-round association with the BAFTA brand, and share our commitment and passion for the industries we represent. We warmly thank them for their commitment to the Academy and our mission to support, develop and promote excellence in the film, television and games industries.

ACADEMY PARTNERS Acqua Panna Audi UK Champagne Taittinger Deloitte S.Pellegrino Taylor Bloxham Villa Maria ACADEMY SUPPORTERS Barco CTV Outside Broadcast Dolby The Farm Group Portaprompt Republic of Photography BAFTA CYMRU AB Acoustics Aberystwyth University Acqua Panna Audi UK Bad Wolf BBC Cymru Wales Bluestone Brewery Buzz Magazine Capital Law Cardiff Council Champagne Taittinger Channel 4 Chapter Arts Centre, Cardiff Cineworld Cardiff Clarins Cuebox Dà Mhìle Gin

Deloitte DRESD EE Elstree Light & Power FOR Cardiff Galeri, Caernarfon Genero Glyndwr University Gorilla Hotel Chocolat Iceland ITV Wales Ken Picton Mad Dog 2020 Casting My First Job in Film Pinewood Pontio, Bangor Radisson Blu S4C S.Pellegrino St David’s Hall Sugar Creative Taylor Bloxham The Social Club, Agency Trosol Translation University of South Wales University of Wales Trinity Saint David Villa Maria Waterstone Homes Welsh Government Working Word Yr Egin BAFTA SCOTLAND Acqua Panna Audi UK BBC Scotland Blue Parrot Company British Airways

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Champagne Taittinger Channel 4 Cherry Blossom Cineworld Deloitte Edinburgh Gin Edit 123 EE The Galashan Trust Grosvenor Cinema Lauren Gollan Academy Material MCL Create Radisson Blu Hotel, Glasgow Rainbow Room International S.Pellegrino Screen Scotland Skills Development Scotland Staropramen STV Taylor Bloxham Villa Maria Virgin Trains BAFTA LOS ANGELES Ace Hotel Los Angeles American Airlines BBC America British Film Commission CineFocus Productions Cunard Luxury Cruises Dana and Albert R Broccoli Charitable Foundation Deadline

Diageo The Farm LA The Four Seasons Hotel Los Angeles at Beverly Hills Global Student Accommodation Group The GREAT Britain Campaign Heineken The Hollywood Reporter Jaguar Land Rover North America Laika Entertainment Mandarin Oriental Hyde Park London Mark Pigott Netflix PRG Ruffino Screen International The Wrap BAFTA NEW YORK HBO The Hollywood Reporter Retro Report Variety BAFTA IN ASIA British Airways Champagne Taittinger Swarovski For more information about opportunities, please contact: partnerships@bafta.org

screenocean F O O TAG E T H AT B R I N G S S T O R I E S TO L I F E in partnership with

S c re e n o c e a n p ro u d l y re p re s e n t s B A F TA’s v i d e o a rc h i v e , b r i n g i n g y o u e v e r y t h i n g f ro m t h e re d c a r p e t t o e x c l u s i v e i n t e r v i e w s w i t h t h e i n d u s t r y ’s fi n e s t .

www.screenocean.com info@screenocean.com

+44 (0) 1954 262 052

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TELE VISIO N

AWA RDS

With enduring thanks to all the official partners to the Virgin Media British Academy Television Awards in 2019.

PA RTNERS

EXTERION MEDIA

Official Outdoor Media

AC Q UA PA N N A

K I KO M I L A N O

Official Bottled Water

Official Beauty

AU D I U K

REPUBLIC OF

Official Car

P H OTO G R A P H Y

Official Photobooth

C A R AT * LO N D O N

S E A C O N TA I N E RS

Official Jewellery

LO N D O N

Official Hotel

C H A M PAG N E TA I T T I N G E R

S.PELLEGRINO

Official Bottled Water

Official Champagne

CHARLES

TAY LO R B LOX H A M

WO R T H I N G TO N

Official Hair Stylist

Official Printer and Paper Supplier

COCOROSE

VILLA MARIA

LO N D O N

Official Wine

Official Gift Bag

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TELE VISIO N GIF T

AWA RDS

PROVIDERS

A huge thanks to the following brands, which have generously provided gifts for this year’s nominees and citation readers.

COCOROSE

C A R AT * LO N D O N

K I KO M I L A N O

Jeweller CARAT* London offers a £100 gift voucher, redeemable online. www.caratlondon.com

A selection of KIKO Milano’s bestselling makeup and skincare products. www.kikocosmetics.com

C H A M PAG N E TA I T T I N G E R

Bottle of Champagne Taittinger Brut Réserve NV in a gift box. www.taittinger.com

CHARLES WO R T H I N G TO N

Charles Worthington brings you Volume & Bounce Texturising Spray for the ultimate red carpet look. www.charlesworthington.com

LO N D O N

Cocorose London’s exclusive designed bag is inspired by the heritage of television. www.cocoroselondon.com

S.PELLEGRINO

A magnum of sparkling water. www.sanpellegrino.com

VILLA MARIA

A winery visit, tasting and lunch in New Zealand and a luggage tag. www.villamaria.co.nz

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ACKNOWLEDGE M ENTS T H E AC A D E MY WISH ES TO T H A N KÉ

Virgin Media our title sponsor

All staff at the Academy BBC – Ceremony broadcaster

Krishnendu Majumdar, Hannah Wyatt and members of the Television Committee

Done+Dusted – Ceremony co-producers

Dame Pippa Harris dbe Chair of the Academy

Gareth Malone and the Kensington Aldridge Academy Choir, with Anna Lapwood on the organ

Jane Lush Deputy Chair of the Academy

freuds

Television jurors and jury chairs

Creative Technology Ltd

All broadcasters for their invaluable assistance

KIKO Milano – Official Beauty Charles Worthington – Official Hair Stylist

Graham Norton, our host

Southbank Centre’s Royal Festival Hall

Daisy Lewis, live voiceover

CTV / Portaprompt / The Farm Group

Jordan North, red rarpet host, BAFTA online content Clara Amfo, red carpet and backstage host, BAFTA online content

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BA F TA

CREDITS

Director of Production Clare Brown

Director of Awards & Membership Emma Baehr

Head of Production Cassandra Hybel

Head of Television Kelly Smith

Awards Event Producer Amy Wilson

Film & Television Officer Imogen Faris

Assistant Awards Event Producer Ciara Teggart

Television Awards Officer Harriet Humphries

BAFTA Productions Kylie McCarroll, Georgina Cunningham, Daniel Dalton, Rosie Wilson, Brogan Wallace, Jamie Rowland, Olivia Comer

Awards & Membership Team Deirdre Hopkins, Sam Dâ&#x20AC;&#x2122;Elia, Timothy Hughes, David Lortal, Natalie Gurney, Lewis Peet, Ada Kotowska, Jessica Rogers

Director of Partnerships Louise Robertson Partnerships Team Natalie Moss, Amy Elton, Charlie Perkin, Georgi Taroni Director of Communications Ellen Johnson Communications Team Nick Williams, Clare Isaacs, Sophie Dudhill, Dave Hudson, Shani Reid, Fiona Simpson, Ben Smart, Dana Thompson Accounts Lucy Burks

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BROCHURE

CREDITS

Editor Toby Weidmann Design Russell Seal Lucy Shephard Contributors Matthew Bell Rich Matthews Rachel Ward Photography Director Claire Rees Picture Editor Jordan Anderson

Cover Concept Gramafilm info@gramafilm.com +44 (0) 203 051 8619 www.gramafilm.com

Published by British Academy of Film and Television Arts 195 Piccadilly London W1J 9LN Tel: +44 (0)20 7734 0022 reception@bafta.org www.bafta.org

Printing Brochure & Tickets Taylor Bloxham www.taylorbloxham.co.uk

All nominees imagery used with kind permission from the nominees, production companies and broadcasters. Executive portraits: James Gourley/BAFTA/Rex/ Shutterstock (Pippa Harris), BAFTA/ Jonathan Birch (Amanda Berry).

The Academy chooses Fedrigoni, UPM and Garda, supporting excellence in print. Printed on Stucco Old Mill 300gsm (cover), UPM Fine Offset uncoated 150gsm (text) and Garda Gloss 170gsm (essay). Supplied and printed by Taylor Bloxham Group.

All nominations correct at time of press. Although every effort has been made to ensure the accuracy of the information contained in this publication, the Publishers cannot accept liability for errors or omissions. No part of this publication may be reproduced without the written permission of BAFTA.

The carbon impact of this paper has been measured and balanced through the World Land Trust, an ecological charity.

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Virgin Media British Academy Television Awards in 2019 programme

Articles inside

Moving Images – The Power of Television

The Special Award – Nicola Shindler

The Fellowship – Dame Joan Bakewell