Portfolio 2020

SELECTED WORKS 2015-2020 DANNI JIN University of Virginia, School of Architecture Master of Landscape Architecture | 2020 dj5za@virginia.edu

CONTENT

STUDIO PROJECT 01

Isatkoak Loop

02

The Sixth Order

03

Patioscape

04

Leifeng Memorial Park

05

Courtyard of IT School

06

Sensory Corner COURSE WORK

01

Pollinator Garden

02

Theory Study Of Superkilen

03

Dancing In The Sky

04

Pocket Maze

05

Illusion Conservatory

06

Drawings INTERNSHIP WORK

01

Critical Places + Alpa Nawre Design

02

July Cooperative Company

Nodding bladder-campion

Tundra lab in school, from late August to

ISATKOAK LOOP

With annual 38 inches snowfall and dry air humidity, Utqiagvik is a desert of snow in the most time of a year. Summer is short where snow, ice, rainfall... Come together in early June, quickly run to the lagoon and some will accumulate in the depression of the ground. Extreme climate conditions lead the ground sensitive with special ground layers, including the active layer and permafrost. Those layers are talking about new memories, movements, materials‌plant roots, footprints, machine tracks, those Imprints leave on the ground, and co-inhabit in this arctic ground.

Isatkoak Lagoon as a central figure of the watershed which collects water from the ground, stitch the critical facilities around the edge, connects old and new cities, and links the ground with ocean and tundra again. How to build year by year are critical in the edge conditions around the lagoon, which can organize culturally, socially, economically, ecologically as a central area in the town.

This project calls out a new design strategy in the arctic under the idea of minimizing the ground disturbance and protecting permafrost, at the same time trying to use and modify local material to keep a low cost for further construction and maintenance. By filling the lagoon edge as mounds or berms with local materials, inviting machines as part of the design strategies to construct and maintain the project, redirecting water from high land to lagoon for protecting from waterlogging, and adding new cultural and social values of indigenous traditional knowledge into the site. After the general planning of the whole lagoon, we focused on the elementary school, the mounds and berms here are designed as tundra lab, snow lab, and outdoor arts ground. Those new activities not only as part of design strategies to protect the ground, but also invite public participation and expand the traditional cultural event calendar.

o September 2020 SPRING Research studio II : The GROUND Location: Utqiagvik, Alaska Teammates : Jingwei Jiang, Qiuheng Xu Instructor : Leena Cho, Matthew Jull

Ground is...

home habitat an identity a membrane

imprinted manipulated shared

freezing thawing supporting transforming being read tracing

removable unstable heterogeneous objective dynamic fragmented assembled

POSITION 01 : Ground is imprinted.

The overlayed traces, from MACHINES, HUMAN AND NONHUMAN, compressed the surface layer of ground, or the extraction process of metal, oil, and gas from the invisible underground, the ground is experiencing freezing and thawing in various scenarios. This process of imprinting ground is transferring the energy and influencing the thermal and moisture conditions in the surrounding, generating a unique microclimate with the force from the ground and underground agencies.

The hue ranges from cold to warm represented the thermal situations, and the contour reveals the continuous flow of energy.

avg 10.35�

Ice Cellar The traces surrounded a typical ice cellar are dominated by Human footprints.

Foundations The heat from the house melted snow, water spread out or leaked into the ground, transferring energy to the surrounding and underground.

Ice Drilling A method to gain climate history information stored in permafrost. They can extract an ice core from depth more than 1200 ft, and the heat and moisture can be dramatically changed during this process.

Den A nest for polar bear for the winter hibernation. Because of the insulating qualities of snow, the chamber can raise the den’s air temperature to as high as 40 F.

Traditional ecological knowledge(TEK) Inuipiat are tracing the route of reindeer and marking the trail by inukshuk.

Tracks Tractors, snowmobiles, buses, and cars...

Those transportation tools are compressing the ground and leaving tracks, deep and shallow. Human footprints intensively surrounded the tracks are the results for daily activities, resource extraction, and researches.

Ground is...

a medium histories memories an offering resources

accumulating recording thickening growing leaking reacting

revealed overlayed probed

layered settled rich subjective artificial tolerant

POSITION 02 : Ground is layered.

This drawing is exploring the ground on a geological scale. The ground is thickened and layered under this condition, what matters more is how impacts goes from surface to deeper level. Underground takes up more proportion, and is artistically visible and responsive to movements of time and history.

From this drawing we are able to imagine a underground world we may live in and encourage people to rethink what is “ground� in current scenario.

Coal Beds Interpreting geological logs by sonic waves on both side of the column.

Coal Zones Every wave Near prudhoe crest reprebay, showing sented the the upper coal coal beds. zone and the lower coal zone, ranging from west kuparuk state to kadler state.

Ice Drilling Thermalmachanical drillers extracted ice core.

Ice Cellar The indigenous stored their whale meat and other traditional foods in permafrost.

North Red Dog Slope Mine Geology A zinc and Generalized stratigraphic lead mine column for in northern Alaska. The the npra depth of the north of the brooks ores is about range show- 120 m to ing tectonos-240m at the tratigraphic Mississippian sequence unsequence subdivisions. derground.

Oil Wells A typical oil well squeezed into the ground with an additional artificial force change the underground.

Animal Shelters Marmot burrows to create their shelter Alaska marmots burrow into permafrost soil which containing tundra vegetation.

Talik A layer or body of unfrozen ground occurring in permafrost regions.

Ice Wedge A decrease in temperature during the winter leads to ice wedge cracks in the ground around ice wedges; during the summer, these cracks accumulate melt-water and sediment, forming pseudomorphs.

SITE CONTEXT Utqiagvik(or Barrow) is one of the north-most cities in Alaska and arctic ground. Currently, the watershed of the lower lagoon includes part of the old city and part of the new city. With the prevalent NE wind direction, and complicated ground setting, snow accumulation is uneven on the ground, and leads to the uneven thermal distribution. Blowing snow, rainfall, melting snow, melting ice, etc. Barrow is a collection of diverse water status, the transition between water, ice, snow is happening every minute.

Watershed transition

19 Complex water status Blowing Snow from the vicinity

Wooden plank structure 4 m H’ × 3200m L’

Rainfall

Snow Melting

The annual rainfall of barrow is 4.5 inches.

Barrow averages 38 inches of snow per year.

Ice Melting

From Jun to early September is the melting season.

Dynamic hydrological transformation

Summer

Winter

PATH ALONG LAGOON The lagoon is the most critical area, not only water central figure but also works as the central figure of Utqiagvik in urban settings in 3 different scales. The lagoon links critical cultural and social facilities. The lagoon connects the old city and the new city. The ocean-urban-tundra spatial sequence is eye-catching. While there is no pedestrian-driven walkway system in current Utqiagvik, and water-logging along the edge of the lagoon accelerated the thawing of permafrost...With the discussion in the comprehensive plan, a path along lagoon has possibilities to create a safe walking landscape which protect permafrost as well.

A path system can increase pedestrian’s safety.

Absence of intentional pedestrian walkway

“...It’s dangerous. I remember one of our folks was killed on the road last winter.”

— Lars Nelson, TRIBN

A path system can protect sensitive ground.

Existing water issues

A path system is promising and feasible.

Current discussion of path system

“The proximity of the City of Barrow facilities and Barrow High School provide an opportunity for a warm walkway connection.”

— p202, Barrow Comprehensive Plan 2015

CONCEPT 1. Link critical facilities Commercial facilities

Cultural center & library

Water flow Links BUICE

Watershed Targeted area

Elementary school

Cemetery High school

Path

Recreation center

Key facilities Wind speed 0.0 - 3.0 m/s

2. Connect old and new cities

3.0 - 6.0 m/s 6.0 - 9.0 m/s 9.0 - 12.0 m/s

Browerville

12.0 - 38.3 m/s

snow accumulation N

Utqiagvik 0

250 500

1000 ft

3. Regenerate ocean-city-tundra sequence

Ocean

City

Tundra

The barrow ground is a consist of both imprints and layers. Imprints include surfaces material, human footprints, nonhuman traces, machine tracks, they co-inhabit in this arctic ground. Layers are talking about new memories, movements, materials, water, snow‌how to build year by year is the key in the edge conditions around the lagoon, which can organize culturally, socially, economically, ecologically as a central area in the town.

OVERALL DESIGN PLAN

Machine construction path

Snow/water distribution

New watershed

Machine maintain path

Summer path

Winter path

Proposed Lagoon Loop Plan This path is using landscape to remediate the relationship of WATER, HUMAN, and MACHINE through redistributing the IMPRINTS on the ground.

Summer will be a good time for citizens to explore the path and curate their own walkways, wondering in the tundra, hopping across the mounds, and observing water distribution, etc. There will be useful that some focal signs to point out the direction in snow season. Citizens can across the lagoon and get short cuts.

Winter path might be more informal and can extend inside the lagoon and even connecting to the ocean. Proposed landforms redistributed snow accumulation location and direct water into the lagoon. The width of the path depends on the width of Machine(backhoes or excavators). Those machine not only construct the path from fall to winter, but also engaged in snow maintenance activities.

N 0

250

500

1000 ft

LOOP INSTALLATION AND MAINTENANCE Summer

Events

Winter

Y

INSTALLATION + YEAR 1 - Every month to 6 inches REMOVE SNOW TO LAGOON

SITE PREPARATION - Prepare materials - Decide machine paths by different materials - Decide operating time by weather

OPERATING

ASSESS TO PUB

- Set stakes to mark contours and areas to be filled - Follow machine paths to regrade grounds

- Water - Vegeta - Adjustm ing/driv

MACHINE CONSTRUCTION

ASSESSMENT AND MAINTENANCE

1st year early winter

every year from Nov. - May.

Trucks, backhoes, excavators... Machines as a critical design strategy, to grade the ground as mounds or berms with local materials, such as tire chips, driftwood, vegetation...Grading can prevent the sensitive ground from waterlogging and compaction issues, and simultaneously curate water and human movement.

Snow season starts from September and will continue until May next year. Snow accumulates month by month, and once it accumulates over 6 inches, the snow will work as an insulation layer to warm the ground. Remove snow every month to 6 inches is an essential part of maintenance.

SPOT WEATHER

YEAR 2

- Add materials to sensitive area

YEAR 3 FINAL MATERIAL ADJUSTING

ADJUSTMENT (CLOSE FOR MAINTENANCE)

SMENT (OPEN BLIC)

REMOVE SNOW TO LAGOON (OPEN AGAIN)

flow and water logging ation growth condition ment of materials by site walkving reality

- Every month to 6 inches - By small snow machines

LOOP IN WINTER

LOOP IN SUMMER

Generally Sep. - May.

Generally Jun. - Aug.

Explore the path in winter with walking, skiing, snowmobiling... Snow covers those mounds and creates a continuous snowscape with average height less than 2 feet for safety consideration of attack of wild animals. People and machine imprints encourage the early melting of snow which gives more time for vegetation growth and the active layer thickens and further protects the permafrost.

R CHANGES

ASSESSMENT

When snow turns into water and finally enters the lagoon, this is a perfect season for plants to grow. Seed from last years’ seed lab turns into plants and invites residents to reconnect with indigenous plants and culture again.

DESIGN PRINCIPLES Looking at the ground thermal regime, under the idea of minimizing the ground disturbance and protecting permafrost, at the same time trying to use and modify local material to keep a low cost for further construction and maintenance.

Existing Issues

Proposed Strategies

1.snow accumulation for a long time

Snow is a complicated thermal regulator. It can work as insulation from the beginning of the snow season, when the accumulation depth is over around 6 inches, the snow starts to warm the ground, the permafrost is thawing.

Maintain snow to certain DEPTH regularly

Increase PERMEABILITY of surface soil

Encourage EARLY MELTING

+Gravel +Wood chips +Tire chips +Vegetation ...

2.Waterlogging and poor soil condition

Waterlogging on the depression is the results of poor drainage soil. Water high heat capacity delivers the heat to deeper ground, and finally warms the active layer and the permafrost thawing.

3.repeated compaction by human and machines Repeatedly walking will make the ground sensitive.

sunlight

4.Bare Ground without material cover Solar radiation will heat the surface and deliver the heat to the deeper ground.

GRADING as mounds/berms to prevent waterlogging

Mounds/berms to redirect water

Reduce COMPACTION by applying thick ground material

-Plastic panels -Driftwood -Tire chips -Tire -Corrugated metal -Tundra mat ...

sunlight

Increase INSULATION of ground layer

-Gravel -Styrofoam -Driftwood -Tire chips -Tundra mat -Peat moss ...

DESIGN STRATEGIES Depth

Early melting -Encourage walking and drive

Remove snow by machine

Shovel snow by people

Curate people’s movement

Curate machine’s movement

+ Gravel + tire chips

+ Gravel + driftwood

+ Gravel + metal mesh

Permeability

+ Gravel Regrading

The width of the bucket (2’-6’)= minimum size of the landform module The width of the machine(3’-6’) = the minimum width of the path system The turning radius(8’-17’) = path’s shape and width

BACKHOE

Turning radio = 17’

EXCAVATOR

Turning radio = 8’

Insulation

Gravel

Tundra mat

Styrofoam

Peat

Driftwood Early melting -Change the albedo of the materials

Colored painting

Tire chips

OVERALL DESIGN PLAN

Tire Tire chips Tundra mat Gravel 1.deciding machine working path

2. Grading ground with selected materials

Metal mesh Plastic Driftwood

3. Generating potential path network

4. Extending lagoon path network into school

5. Grading, filling, then generating paths and programs

6. Machine back on site to maintain in the next year winter

School Plan This phasing diagram shows how we going to build the walkable system from scratch. The first step is welcoming machines to curate the ground (doing infill operations on site), and at the same time importing new ground materials. After that we grading ground with selected material and you can see the forms of hills and traces of machines (backhoes, excavators). The machines traces will generating a potential path network. And our job after that is to extension lagoon path network to secondary trails in connection with elementary school. At this time we welcome people on site to experience the spatial and material quality of the site.

At last step we welcome machines back on site to maintain the pathways.

Ipa

alook Elementary School

N 0

50

100

200 ft

EXPANDED YEARLY CALENDAR Traditional events

Maintenance events June

July

Expanded events in school

August

September

October

November

Assessment

Remove snow

Nalukataq / the spring whaling festival

Whale hunting

Snow festival Tundra lab

Seed lab Dry Tundra

Narrow-leaved saussurea

Removal of snow

Moist tundra

Nodding bladder-campion Paintbrush

Puffball

Summer

Winter SEED AND TUNDRA LAB

SNOW PLAYGROUND

Jun. - Aug. every year

Sep. - May. every year

Invite students and parents to collect seed from tundra and plant into the mounds last year, and learn tundra plants from dry tundra to moist tundra this year, and seed it again to guarantee the growth of plants. This is a great chance to reconnect people with ground.

The ground is frozen again in this tim with time goes, snow accumulation w ground. Open the ground for public different snow events, those imprints both residents and machine will acce melting of snow.

Community P

After the general planning of the whole lagoon, we focused on signed as tundra lab, snow lab, and outdoor arts ground. Thos the ground, but also invite public participation and expand the

December

January

February

March

April

May

w to lagoon Kivgiq / The Messenger Feast every two or three years

Snow workshop

Piuraagiaqta /the Spring Festival Whale hunting

Snow workshop

Arts ground

Snow lab Imprints

me period, warms the cs to hold s from elerate the

Snow layer section

Outdoor art grounds

Indoor painting workshop SNOWFLAKES Single ice crystals or clusters of ice crystals that fall from a cloud.

1 day

Old snow - 30 days

180 days

New Snow-1 days

30 days

HOARFROST

Compression

ls

Qitik / the Christmas Iñupiat games

Winter

The deposition of ice crystals on a surface when temperature of the surface is lower than the frost point of the surrounding air.

BLOWING SNOW

Névé - 180 days

Airborne snow particles raised by the wind to moderate or great heights above the ground. Greater than 2m.

Winter 2m

SNOW LAB Jan. - Apr. every year Snow is a key symbol in Inuit culture.

Before winter break, school will set transparent glass at the edge of the snow dunes to collect snow. When new semester comes, students have change to learn the section of snow with different snow types.

Participation

n the elementary school, the mounds and berms here are dese new activities not only as part of design strategies to protect traditional cultural event calendar.

DRIFTING SNOW Snow on the ground that is blown by the wind to a height of less than 2m above the surface.

ARTS GROUND Apr. - May. every year Add color to white color will increase the albedo which will speed up snow melting.

5 Classical orders around t

the proposed site

THE SIXTH ORDER

Monies, technologies, animals, microbes, and natural resources can all come and do come to function as quasi-objects. These quasi-objects all bond human practices in a variety of ways and constantly configure and reconfigure human relations amongst one another.

This installation takes mugs as the agent to explore and challenge the relationship between human and things.

This studio starts from the installation, extracted the design thinking of things, and looking at the site, Washington D.C., to try to find similar things as mugs, to modify them, and challenge people’s commonsense.

Surrounded by human-oriented facilities, architecture orders are staring at the site. Take advantage of the orders, the site itself can function as a whole facility which speaks for things. By challenging the five classical orders to push visitors to rethink human and things. The space of the whole site is dominated and shaped by the brand-new sixth order.

Individual Work 2019 FALL Research Studio I : The Parliament of things Location: Washington DC Instructor : Shiqiao Li

INSTALLATION Where are the mugs?

QUASI-OBJECTS are in between and below the QUASI-OBJECTS are are in between and below QUASI-OBJECTS in between andthe two poles (…) [and] are much more social, much below the poles (…) [and] are much two poles (…)two [and] are much more social, much more muchmore more collective thanmuch the morefabricated, social, much fabricated, more fabricated, much more collective than the more parts collective than the ‘hard’ parts of ‘hard’ of nature (…), [yet] they are much ‘hard’ parts of nature (…), [yet] they are much nature (…), [yet] they are much more more real, nonhuman and objective than those more nonhuman andobjective objective than real, real, nonhuman and thanthose those shapeless screens on which society (…) needed shapeless screens on which (…) shapeless screens on which societysociety (…) needed to be ‘projected’. needed to be ‘projected’. to be ‘projected’.

——Bruno Latour, “We have never been modern” , ——BrunoLatour, Latour,“We “We have never been mod-, ——Bruno have never been modern” 1991.55 ern” , 1991.55 1991.55

Nature Nature Nature

Quasi-object Quasi-Objects Quasi-object

Society Society Society

Board 02 Base 02 Base 02

Board 01 Base 01 Base 01 PLAY RULES

PLAY RULES

PLAY nature, RULES strange; 1. Whiter is more morenature, social,nonsense; practical.Blacker 1. Blacker Whiter is isismore more 1.

Whiter nature, nonsense; Blacker 3. Define the location of those is more social, practical. is more social, practical. boardofwith own 3. mugs defineon thethe location thoseyour mugs with 3. define the location of those mugs with opinion. your own opinion on the board. your own opinion on the board.

Decide which theto board 2. 2. decide which baseside youof want play.

2. decide which base you want to play. you want to have fun.

Chessboard chessboard base base or or gradient gradient base(flip base(flip the the chessboard base or gradient base(flip the board!) can both be joyful. board!) can both be joyful. board!) Can both be joyful. there is is no no right right or or wrong wrong in in this this game. game. there There is no right or wrong in this game.

From Installation to Real Site The axis of power, the forceful human perspective views, and the perception of human invincibility are powerfully present in DC’s urban fabric. The site is located in the tidal basin, right on the axis of white house-Jefferson memorial, face the open basin and surrounded by human powerful agency in the back.

White house

Lincoln Memorial

Washington Monument

US Capitol

Lincoln Park

Site

Thomas Jefferson Memorial

Columns Around the Site Washington D.C. is a city full of columns, and those columns are embedded in many critical facilities, such as the white house, us capitol, supreme court, auditorium, and galleries, etc. Human society and culture are immersed in columns.

CONCEPT

Capital

Shaft

Base Roman Composite Column: 10:1

Corinthian Column: 9.5 :1

Ionic Column: 9 :1

Doric Column: 7.5-8 :1

Tuscan Column: 7 :1

Classical Five Architectural Orders

Column of things

Society

Nature

The Sixth Order The form of the capital is the most distinguishing characteristic of a particular order. The concept here is trying to use the same design thinking as the installation, modify the capital part, to challenge people’s attitude to columns: the orders are gradually replaced their function of human culture with nonhuman agent.

DESIGN PROCESS Society: Buildings with classical orders

Nature: Tidal basin

1. From society to nature

To White House

5m * 5m Grid

To Jefferson Memorial

2. New sequence of power axis

3. Potential columns layout

Exist trees

Proposed trees

The sixth orders General assembly

Assembly of human

Assembly of facts

N

0 25 50

100

200 ft

The new order follows the society-to-nature sequence and dotted in the site, to shape and build both indoor assembly space and outdoor public space.

General Human Facts

4. Space layout

5. Assemblies shaped by new order

6. Potential Circulation

General assembly

The parliame

New orders scatter all over the site, from the interface of the cit ally transferred as seating, planting beds, skylight, and shelter, things. Keep the existing trees as representatives of things and

Assembly of facts

Assembly of human

ent of things

ty to the tidal basin, and its original support function is graduand finally establish a new relationship between human and plant new trees to emphasize the nonhuman setting.

DESIGN STRATEGY

MARKER

SUPPORT

Basic function to guarantee the steady of buildings

Visible from the trees and mark the direction, the new order is out of architecture

Assembly of facts

PLATFORM

As planting beds and seating, The new order starts to interact with both human and things

Assembly

SKYLIGHT

Allow light to come inside, and occupies the body of the new order

of human

MONITOR

SHELTER

Visitors can see through the transparent glass from the roof, to point out the policy transparency

Not only as physical shelter to protect people from wind, sun, and rain; but as a shelter of democracy, protect things’ rights

General Assembly

0

25

50

100 ft

Gen

General assembly includes an exhibition area, one assemb ground, and visitors can supervise the process of policymak sentatives which on the ground and open to the air. Take a and half paved surface, to further deliver the thinking of m support, skylight, planting beds, markers, etc.

neral Hall

bly chamber for human representatives embedded into the underking through the glass window. Another chamber for things repreadvantage of the slight slant topography, the hall is half grassland merging nature and society. Here the new orders serve as basic

Assem

Assembly of facts is near the tidal basin which indicates its time, this space is a public space welcome all different pub shadows and protects them from sun, rain, wind, which as the publics’ rights. Here the new orders serve as planting b

mbly of Facts

s function as a space to speak up for nonhuman. For the rest of the blics and encourage them to use it. The new order provides people a metaphor, to offer the public safe and equal space and protect beds, markers, and the shelters.

PATIOSCAPE Cerda’s plan made Barcelona city famous for its Exiample blocks. However, unlike Cerda’s expectation, the buildings inside the block replaced the small parks that were originally planned to accommodate the increasing number of people. Barcelona is such a dense city that there are limited public spaces for leisure and entertainment. The small patio enclosed by layers of buildings become a “public space” where most residents living in the block can resort to rest.

Patios are places for buildings to breathe, in the city center, we want to create a series of patios for the city to breathe. Located in Les Glories, this site is surrounded by blocks and four main passages crossing through.

As a new city park and public space, this project aims to reveal this understanding and experience of the city, creating Exiample blocks and patios by vegetation - inverse the experience between building patio and natural patio, which establish a connection with urban context. At the same time, we use topography and vegetation as our major strategies to enhance patios in the park, bringing an experience of different scales of natural patios to the citizens.

2018 FALL Foundation Studio III : The X Glòries Location: Barcelona,Spain Teammates : Qinmeng Yu, Xinhui Chen Instructor : Manuel Bailo

CONCEPT

Patios in Barcelona

Patios around the site

BUILDING PATIO VS CANOPY PATIO simulate the natural patio with architectural patios Building Patio Formation

Extract Geometry

Building Geometry

Building Patio Geometry

Canopy Patio Formation

Canopy Geometry

Canopy Patio Geometry

A central park as big patio of Barcelona

Shape

Access

Small patios inside the park

Drainage

Elevation

Ta

Residential Area Sunken Garden

Clinic Overview Platform

Water Garden Residential Area

Mercat dels Encants

Teatre Nacional de Catalunya

actile Garden

Outdoor Theater

La Farinera del Clot

Torre Glòries

Museu del Disseny de Barcelona

Barcelona is a city full of patios. Surrounded by buildings and streets, natural patios with circular shape continues the patio pattern, and in the same time shaped quality environmental space for residents to explore.

Plan

MASSING DIAGRAM

create patios by trees and la pedestrians reframe the classic Eixamp

The population around the site

Define voids into patio circles

Patio distribution LANDFORM STRATEGY

Tree distribution: According to the population

Patio location

Final patio plan enhance the enclosure feeling of canopy patio

andforms above ground, underground infrastructure were revealed by planting species. Metro enters the proposed clinic, and the thin ple blocks.

0

25 10

100 m 50

N

TREE PLANTING STRATEGY

ROOT PLAN

Reveal the relations

Shallow-root trees are planted above the underground infrastructures and function as visible marks of underground conditions; deep-root threes can be planted in the vicinity to form the natural patios.

TREE STUDY

EVERGREEN

DECIDUOUS

EVERGREEN

Species

Cupressus sempervirens (Mediterranean cypress)

EVERGREEN

STREET TREES

IMPORTANT NATIVE TREES

SPECIES

DECIDUOUS

Ligustrum lucidum (Glossy privet)

Sophora japonica (Pagoda tree)

Olea europaea (Olive)

Phoenix dactylifera (Date palm)

IMPORTANT NATIVE TREES Robinia pseudoacacia (Black locust)

Celtis australis (Mediterranean hackberry)

Quercus ilex (Holm Oak)

ROOT

Roots

DECIDUOUS

Celtis australis (Mediterranean hackberry)

STREET TREES

Quercus ilex (Holm Oak)

Tipuana tipu (Rosewood)

Ulmus pumila (Siberian elm)

Platanus x hispanica (London plane)

HEIGHT

10m ~ 25m

8m ~ 15m

15m ~ 20m

5m ~ 12m

20m ~ 23m

10m ~ 20m

4m ~ 8m

4m ~ 6m

6m

6m ~ 8m

4m ~ 10m

Medium

Medium

12m ~ 25m

8m ~ 25m

WIDTH 2-4m

10-15m

8-10m

WATER Dry

0m

12m ~ 25m

LIGHT

Medium

Medium

8m ~ 25m

Medium

10m ~ 20m

15m ~ 30m

Medium

Dry

20m ~ 40m

PROCESSING OF TREE PLANTING

8m

4m ~ 10m

VISUAL USE color

m

7 8 9 10 11 12

DECIDUOUS

IMPORTANT NATIVE TREES

seudoacacia ust)

to shade

EVERGREEN

Full light

8-10m

5m ~ 15m

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

Medium

Full light to partial shade

Dry

OLFACTORY USE aroma

Full light to partial shade

1 2 3 4 5 6 7 8 9 10 11 12

Dry to Medium 1 2 3 4 5 6 7 8 9 10 11 12

15m ~ 25m Full light to shade

1 2 3 4 5 6 7 8 9 10 11 12

Medium

6m ~ 12m Full light to partial shade

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

Full light to partial shade

Full light

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

Full light

1 2 3 4 5 6 7 8 9 10 11 12

Full light to partial shade

2. Shallow-root plants planted on infrastructure

1 2 3 4 5 6 7 8 9 10 11 12

7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

3. Deep-root plants planted away from infrastructure

Full light

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

1. Infrastructure influences vegetation planting

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

Full light to partial shade

Medium to wet

ANIMAL USE fruit Full light to partial shade

Full light to shade

4. Final vegetation planting plan

1 2 3 4 5 6 7 8 9 10 11 12

F

1 2

ship between infrastructure and roots

0

25 10

100 m 50

N

Detail plan Environmental Health Clinic Perspective Section A-A’ C The designed new environmental health clinic aims to start conversation between citizens and landscape, encourage people to think about current urban issues such as climate change, public spaces, the quality of environment, etc. The whole clinic is embedded to the ground as part of the patios in the new landscape.

Perspective section A-A'

Carrer del Consell de Cent

Rec Comtal

Pedestrian Road Pedestrian

Lawn

Patio entrance 1

Lab

Lawn Lab

N

0 5

25 m

Tactile Garden Perspective C' Section B-B’ Create a series of circular platforms with different heights for all ages citizens, and take advantage of the historical creek

Perspective section C-C' revive in a new way. Trees are planted on the platforms or on the ground, to Rec Contal as a path, let old infrastructure provide people a chance to learn and touch tree leaves, barks, branches, etc.

Grass basin

Pedestrian

Road

Sand slope

Grass basin

Grass basin

Patio

Rec

Collage

15

50 m N

0 5

Rec Comtal water tank

c Comtal

Lawn

Patio entrance 2

Observatory room Renfe Rodalies

0

Grass basin

Patio

Path

Reception room 0

Grass basin

Lawn

5

15

5

50 m

25 m

Grass basin

Sand slope

Path

TACTILE GARDEN

Get closer to Nature, to feel and learn

VIEWING PLATFORM

Overlook the whole park and patios

ENVIRONMENTAL HEALTH CLINIC

Access from park into the building

OUTDOOR THEATER

For concerts and outdoor lectures

Check out more click HERE

2015 FALL Instructor : Minli Jin

LEIFENG MEM

Site Road River

School

Vehicle Pedestrian

Parks

Residence

N 0

phragmites communis Trin.

Acer plamatum thunb.

Cerasus yedoensis(Matsum.)Yu et Li Sapindus mukorossi Gaertn.

5

10

20m

Acorus calamus L. Bambusa multiplex(Lour.)Raeusch.ex Schult.

Firmiana Platanifolie(L.f.) Maesili Osmanthus Fragrans(Thunb.) Lour.)

MORIAL PARK The intent of the design is to re-envision the space as a landscape that could be both a memorial park and an amenity. Designed to intimate Chinese classical garden and abstract its basic elements: Folding corridors, leaking windows, wall, and bamboo, which provide tourists well-organized leisure space, the curiosity to walk in and carefully look, and an atmosphere to remember.

The new water system with a sinking bridge and crossed roads, which provides walking system. Water flows on the wall with introduction of Leifeng provides people with a peaceful mind to think and recall.

A perspective to the folding corridor where an evergreen tree is in the end, contrasting to the surrounding deciduous trees. This contrast will leave an impression to people who are just passing by and attract people to walk in.

2015 SPRING Instructor : Minli Jin

DETAIL DESIGN

SECTION A-A’

0 5 10

20 m

COURTYARD O

OF IT SCHOOL

This site aims to represent the sense of science and technology of IT college, more importantly, reuse this site as a courtyard. Abstract technological element, and encourage students to interact with this yard again.

Reading, socializing, working...A certain distance to parking area, this area provides students a quiet and peaceful atmosphere.

Sufficient sunshine, soft grass, enough space...This square not only serves as a place for individuals to relax, but also for social activities, such as exhibitions, picnic and gathering.

2016 SPRING Instructor : Minli Jin

SENSORY

SECTIONS Recreation area for children: children can enjoy the slide and swing. A grass slope can provide kids an experience of touching grass.

Float garden provides visitors with an experience of touching, smelling, and learning plants. The great lawn satisfies people’s daily needs. Close to the waterfall, the wooden steps serves as a place to strengthen listening.

With many different height and shapes of the windows, this corridor can raise people’s curiosity of nature: touching the leaves and barks, carefully looking at the flowers used to be ignored, realizing the passed time by the angle of sunlight...Seeing in a brandnew way.

Plaza can function as a place to gather and exert various activities and events.

Children can play in the water, and feel the touch of it.

THE CORRIDOR

The wooden steps amplifies the sound of the waterfall,people can sit here, listen to the huge sound, calm down and move on.

The corrido cal Chinese sight when

FLOATING GARDEN

This park aims to strengthen human sensory: amplifying the sound of the river, creating uncommon perspectives to see the surroundings, and shortening the distance between human and nature and provides access to touch and smell in the same time.

Y CORNER

or intimates the classie garden:change your you are moving.

Relaxation slope is a quiet space and gives people a space to read, chat and relax themselves.

WATER FRONT

PLAYGROUND

POLLINATOR GARDEN

Near Laundry room and a place for hanging clothes, this is a place all the residents will pass by and their eyes will stay for a while. Right now it is normal and unattractive for residents, with the continuous walking on the marginal area, grasses can’t grow and some soil exposed to the air.

With 3 feet elevation difference from north to south, the idea is to design with the landform to both prevent walking inside and emphasize the topo change in the meanwhile. By planting native wildflower habitat, choosing wildflowers in different sizes, heights, and considering blooming colors, the site will boost healthy populations of both wild resident bees and pollinators as well. For residents, the meadow will provide a nice walking experience and landscape amenity to learn and appreciate nature for both children and parents.

2020 SPRING Field guide to designed habitats Instructor : C. Colston Burrell

DEC.

NOV.

OCT.

SEPT.

AUGUST

JULY

JUNE

MAY

APRIL

MARCH

JAN.

SPECIES

FEB.

PLANT LIST Annual wildflower will use seeding, while perennial flowers will plug into the site.

Perennial Grass/Rush/Sedge Matrix (25%) Little bluestem Schizachyrium scoparium (25%) Broomsedge Poaeceae Andropogon virginicus (25%) Fescue Poaeceae Festuca spp.

(25%) Virginia Wild Rye Poaeceae Elymus virginicus *Distribute matrix species evenly throughout the entire planting area.

Wildflower Edge Patch Common Yallow Achillea borealis Ox Eye Heliopsis helianthoides Lyre-leaf Sage Salvia lyrata Wildflower Patch 1 Goldenrods Solidago spp.

Wild Bergamot Monarda fistulosa Threadleaf Coresopsis Coreopsis verticillata

Wildflower Patch 2 Blazing Star Liatris pilosa New England Aster Symphyotrichum novae-angliae Hoary Mountain Mint Pycnanthemum incanum

Annual Wildeflower Mix Black-eyed Susans Rudbeckia hirta Tickseed-Sunflower Bidens aristosa

MAINTENANCE PLAN INSTALLATION + YEAR 1

YEAR 2 SPOT WEEDING

S

- every 4-5 weeks to 4 inches - Stop in Sep. MOW

SITE PREPARATION

SEED, PLANT, WATER

OVERSEED AGAIN

- Perennial plugs, bulbs, corms - Fine bark mulching on the bare soil between the plantings - Inter-seeding with native annual wildflowers+ grasses -Water

- Fill gaps OVERSEED AND PLANT

MOW

PLANTING PLAN

509’ 510’

Annual Wildflower Mix Perennial Grass/ Rush/Sedge Matrix Wildflower Edge Patch Wildflower Patch 1 Wildflower Patch 2 Walls

508’

Existing contour N

YEAR 3

SPOT WEEDING SPOT WEEDING ASSESS

FINAL PLUG INFILLING

MOW

The site preparation includes removing existing vegetation, reducing weed plant seeds, and creating a smooth surface. Thinking about the diversity of seed selection and the importance of grasses is critical to support the pollinators. The rendering shows the scenario in early fall, and residents enjoyed this little garden in the blooming season. Wildflowers attract bees, hummingbirds, and pollinators.

2019 SPRING Theories of Modern Landscape Architecture Instructor : Elizabeth K. Meyer

THEORY

SUPER

Superkilen is located on the outskirts of Norrebro district, one of the most ethnically diverse and socially challenged neighborhoods in Denmark. Viewed as WASTELAND(Gandy) before, the design team transformed Superkilen site into a PUBLIC SPACE (Mitchell) for various PUBLICS (Bennett and Dewey) crossing the race, religion, and culture. With such complex social diversity, the design team, BIG, Topotek 1 and Superflex, interpreted this site with its cultural THICKNESS, and the relationship to the land, cultural histories, stories, uses, values, and desire (Corner), and adopted a SITE ADJUSTED strategy (Irwin).

To unfold Superkilen, we refer to Lefebvre’s notion of space: PERCEIVED space, CONCEIVED space and LIVED space.

As perceived space, the design team used changing PATTERN (M’Closkey) and symbols of residents’ origins as major design elements. Introducing public participation to the design process, the design team collected items that from the resident’s origin countries all over the world, from soil to neon lights, to store MEMORIES (Descombes) in the site and support various cultural identity. As its name “Superkilen” (“a super wedge”) suggested, the design team hopes this park can not only invite residents into the park but also connect people with the site.

For conceived space, this park was divided into three areas in three colors: red square, green park, and black market, to allow people to encounter unintentionally(Goldhagen). Interweaving with encounter and memory, event and network, experience and action, Superkilen provides individuals with SOCIO-AESTHETICS (Meyer)and alternative HEDONISM (Soper).

However, some critic questioned about whether the immigrants truly be heard as part of “the public” in the design process.

Superkilen represents designers’ visions of diversity rather than residents’, since it’s the designers who decided how to represent residents’ nationalities ( E. Stanfield and Micheline van Riemsdijk). In the case of Superkilen, to produce lived space, new social relations have to be shaped.

“...PATTERNS are introduced to create indices that guide flows, growth, and energy in overt displays so as to foster a conversation about our current understanding of landscapes in the age of ‘green’.”

— M’Closkey, Karen. “Synthetic Patterns. Fabricating Landscapes in the age of ‘Green’” JOLA 8:1 (Spring 2013). 26

Y STUDY

RKILEN

“Through inscribing a project on the MEMORY of a terrain, once gives to a site the opportunity to project into the future, to and a received place and value in the cultural imagination.”

-George Descombes. “Shifting Sites: The Swiss Way” in Corner, Recovering Landscape (1999) .85

“Landscape surfaces are, of course, never as impossibly thin as the plan might suggest; landscapes have depth, accumulation, and profile...Landscapes are also culturally THICK, in terms of cultural modes of relationship to the land, cultural histories, stories, uses, values, and desire.”

-James Corner. “The Thick and Thin of It” in Christophe Girot and Dora Imhof [ed], Thinking the Contemporary Landscape (2017) .119

POCKET MAZE 2018 FALL Urban materiality Instructor : Manuel Bailo

CONCEPT

Recreate the eixample park by adapting the precedent of parc de villa cecilia: Microtopography to divide space and direct the drainage. Circulation with multiple options to approach each space magnifies pocket park. Various height of hedgerows generates special walking and visual experience for residents.

AXON

Labyrinth

Open Space

Steps

Playground

DANCING IN THE SKY 2018 FALL Urban materiality Instructor : Manuel Bailo

The Sardana is a traditional Spanish dance which is danced in a circle with holding hands, and is native to the Spanish region of Catalonia.

The site is located in Avinguda Diagonal, which is overwhelmed by cars. Taking advantage of the circular geometry, this project aims to create a new public space for SARDANA dancing. With circular platforms in different height, the stages allow people to “dance in the sky� and have a fantastic view of the Mediterrainean Sea.

CONCEPT

an

e an rr te Sea

di

Me

SECTION

2017 SUMMER Summer Design Institute Instructor : Leena Cho/ Tat Bonvehi

ILLUSION

DIAGRAMS

Reflection

Lightness and Darkness

Glass reflection generates illusion with wrong location and wrong numbers. Black means reality, Red is the illusion.

Water

Soil Saturation

Plant

Eyeview

Pavement

Light Volume

Layers of glass vary the volume of light

Material

Crowd Flow

Circulation

Drainage

CO

ONSERVATORY

We designed a botanical garden located in the Lee park. Due to the glass, people will see more trees because of the reflection, which made this garden a forest. Plants from submergent, floating, to herbaceous and woody, directing visitors to see and learn local plants.

AXON

Check out more HERE

2015 SPRING Classic Chinese Garden Design Instructor : Minli Jin

2013 SPRING Sketch Exercise

DRAW

SECTION A-A’ A

20.0’ Roadway

WINGS

2019 SPRING Ecotech IV Instructor : Bradley Cantrell

EL.1311.36

Winnie Dam Road

Dam

B

EL.1304.36

SECTION A-A’ 20.0’ POOL EL.1299.19

B’

A case study of Winnibigoshish Dam located in the Mississippi River Watershed for Augmenting low level and protecting flood. This drawing shows the construction details.

A

Roadway

EL.1311.36

A’

Winnie Dam Road

EL.1294.96

Dam

EL.1304.36

B

Timber stop logs

POOL EL.1299.194.5’

15.0’

LOW WATER EL.1282.48

EL.1284.14 EL.1294.96

B’

A’

Timber stop logs

SECTION A-A’

4.5’

A

20.0’

Steel sheet piling

25.0’

Roadway 180.75’

15.0’

EL.1311.36

113.0’

LOW WATER EL.1282.48

EL.1284.14 0

5

10

15

Winnie Dam Road

Dam

20 ft B

EL.1304.36

Steel sheet piling

POOL EL.1299.19 25.0’

B’

113.0’ 180.75’ A’ EL.1294.96

0SECTION5 B-B’

10

15

20 ft Timber stop logs

4.5’

165.0’

15.0’

115.0’

12.0’

5.0’

12.0’

5.0’

LOW WATER EL.1282.48

EL.1284.14

SECTION B-B’

Steel sheet piling

25.0’

165.0’

180.75’

113.0’

115.0’

0

5

10

15

20 ft

3.5’ 5.0’

SECTION B-B’ 3.5’ Steel sheet piling 5.0’

3.5’ * 5.0’ Steel slide gates

12.0’ Sluiceway (no longer used)

165.0’ 0

10

20

30

40 ft

115.0’

12.0’

Steel sheet piling

0

10

20

30

3.5’ * 5.0’ Steel slide gates

5.0’ Fish way (no longer used) 5.0’

12.0’ Sluiceway (no longer used)

5.0’ Fish way (no longer used)

40 ft

3.5’ 5.0’

Steel sheet piling

0

10

20

30

40 ft

3.5’ * 5.0’ Steel slide gates

12.0’ Sluiceway (no longer used)

5.0’ Fish way (no longer used)

INTERNSHIP WORKS

The main project I participated in CP+AND is the Punyashlok Ahilyadevi Holkar Public Space. The concept has developed by the group, in which the design is going to build 57 community halls in villages throughout Maharashtra built in honor of Ahilyadevi Holkar, the revered 18th-century warrior queen. Started from the diagramming, we discussed a lot on how to draw diagrams and make renderings that are simple and readable for both governors and villagers. Under the gender issues in India, we proposed a public space around the hall with gender-separated. Religious usage is another critical aspect of the design process. We introduced religious plants and adjust the space to have enough space for outdoor cooking, wedding, and holding rituals. With high temperatures and sharp sunshine during summer, the shading should be the priority to guarantee the quality of the space. Shaded seating areas are combined with children’s play areas and volleyball courts. Large flowering shade trees are planted on the west and south-west directions of the sites to provide protection from the harsh summer sun. A total of 358 trees and 228 shrubs will be planted across the community hall sites, amounting to 517,749 kilograms of CO2 absorbed per year. During the internship time, I was lucky to enter the meeting of budget and engaged in a site layout work in a village, those experiences helped me to really see the power of landscape architecture design in communities.

Another project I mainly participated in is a Japanese gardening project, I was the key member of the physical modeling and hand-drawing rendering.

2019 SUMMER Internship Critical Places+Alpa Newre Design, Raipur, India 2018 SUMMER Internship July Cooperative Company, Shanghai, China

2019 SUMMER Internship Raipur, India

CRITICAL + ALPA NEW

PUBLIC SPACE EXTENSION

PUBLIC SPACE CHARACTERISTICS

Building structure

Gathering space

Expanded plinch

Plinch seating area Male/female public space

Outdoor seating area

Recreational facilities

Public space supports varied age groups

For all genders and age groups

Punyashlok Ahilyadevi Holkar Public Space

L PLACES WRE DESIGN

Sampling of drawings produced for client presentation and ISOLA award submission.

PLANTING PLAN

ENVIRONMENTAL BENEFITS

Kaner Saona Gulmohar Chafa Neem Flame of the forest

PLANTS SELECTION

Each site will be planted with low-maintenance, livestock-resistance vegetation. This vegetation will not only provide shade, but in many cases will also serve a symbolic cultural meaning.

LIFE WITH PLANTS Shade, Scent, and Symbolism

Married women wear fragrant chafa flowers.

Kaner is used as screening shrub as it is not be eaten by freely roaming livestocks in indian villages.

Ranmmed earth outdoor cooking pad for wedding is in shade of neem trees.

PERSPECTIVE RENDERINGS

The Community Hall Designed to be low-maintenance, flexible spaces that provide multi-use interior and exterior public spaces.

Public Participation Post-construction, villagers will participate in creating a community art mural and tree-planting as part of the co-construction of the public space.

Male and Female Public Space In Indian village societies, males and females do not mix in public spaces. More often than not, women are excluded from public spaces. For this reason, we have proposed separate male and female public space on either side of the community hall. In the male area, a volleyball court provides a source of active recreation, while seating under the shade of flowering trees with children’s play equipment provides a social space for women.

2018 SUMMER internship Shanghai, China

JULY COO

PERSPECTIVE DRAWING of Xunmei Mansion I helped with digital modeling and physical modeling, drawing perspectives with pencils as well.

OPERATIVE

MODEL of Qingxi Garden I was the key member in physical model making about the project.

SELECTED WORKS 2015-2020 DANNI JIN University of Virginia, School of Architecture Master of Landscape Architecture | 2020 dj5za@virginia.edu