Barnard Bulletin November 2014 by Barnard Bulletin

November 2014

Hannah Miller '15

Rebecca Deczynski '16 Editors-in-Chief Mora Grehl '15 Layout Director

Rhea Schmid '15 Art Director Rachel Dunphy '16 Managing Editor

SOCIAL MEDIA Natalia Quintero Ochoa '15

SOCIAL MEDIA INTERNS Erica Harrevald '18 Tanya Lalwani '18 Elena Valenzuela!Stookey'18 COPY EDITORS Isabelle Rabin '17 Katherine Aliano Ruiz '18 Briana Bursten '18 Leah Jacobson '18 Danielle Owen '18 Morgan Wu '18 Lauren Zhang '18

FEATURES Anna Weill '16 POLITICS & OPINION Victoria Papalian '15 ARTS & ENTERTAINMENT Melanie Shapiro '15 NEW YORK CITY LIVING Amanda Breen '17 HEALTH & STYLE Sarah Schreiber '16

DESIGN COORDINATOR Jordana Roat '16

LAYOUT ASSISTANTS Sofia Davis '16 Leah Jacobson '16 Signe Schloss '16 Ilana Sandberg '17 Kirsten Cabacungan '18 Carina Hardy '18 Joyce Kwan '18 Tanya Lalwani '18 Natalie O'Dell '18

BARNARD BULLETIN 3009 Broadway New York, NY 10027 bulletinedboard"gmail.com LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin Follow us on instagram: instagram.com!barnard"bulletin

THE BULLETIN!"

!#!" November 2014

A Letter from the Editors As we return refreshed from fall break, some of us are ready to tackle another set of exams, while others continue to put off work on their senior theses. Either way, we’re all just biding our time until Thanksgiving, when we can stuff our faces and avoid those awkward questions our families ask us about what we want to do with our liberal arts degrees.

Celebrations of Barnard’s 125th year continue, and while we appreciate how our college has changed over its lifespan, we still feel that more progress is necessary. With the recent decision of fellow women’s colleges such as Mount Holyoke and Mills to accept transgender students who identify as female, many wonder if Barnard will follow suit. The College has maintained the position that it reviews applications on a case-by-case basis, but many on campus feel that the administration should make its admissions policies more open to students who were not born biologically female. Our centerpiece explores this important issue in greater detail.

Other articles you’ll find this month will update you on the increasing presence of diversity in mainstream television and show you where to find the secret gardens of New York City. You’ll also get a sneak peak at the hottest movies preceding awards season. We hope that this thought-provoking edition of The Bulletin will keep you mentally satiated until you can fill your belly with Grandma Maude’s turkey.

Happy reading and eating! Hannah and Rebecca

THE BULLETIN!"

!3!"!November 2014

Contents Behind the Scenes

3 5

Trending

Health & Style Sugarcoat Me

Flash Me

Beauty Disaster

11 12

Letter from the Editors

Letâ&#x20AC;&#x2122;s Be Thankful for Elastic Fall Skin Sins

Features 5, 6, 7, Skate!

Barnard Alumna Spotlight

Centerpiece

Examining Barnardâ&#x20AC;&#x2122;s Transgender Admissions Policy

Thanksgiving in Tight Quarters

Dating Disasters

Politics and Opinion Changing the Channel: Diversity on TV She Said/She Said: theSkimm

Heating Up: Climate Conversation

Arts & Entertainment Postcrypt Revealed Sounds of Studying

26 27

Outside the Syllabi: Reading for Fun

Gallery Gallivanting

Fall Movie Breakdown

New York City Living Brunch on a Budget

Scouting Out Scupltures

Historic Houses Cupcake Showdown Secret Gardens of NYC

35 36 38

THE BULLETIN!"

!#!"!October 2014

#"$%& ! "# '#%#(

Jane the Virgin !"#$%#&'$(#)$&"*)$*+$'"#$&#,&*(-$!".&$).//$0,1#$2*34$/.+#$%#''#4

Rifle Paper Co. Rosa Phone Case !"#$54#''.#&'$.6"*(#$54*'#7'*4$'"#4#$ #8#4$),&-$

Free People

<($#('.4#$(*8#/$)4.''#($

9*/:$)#,'"#4$:*#&(;'$

*($,$!=&".4'-

&',(:$,$7",(7#-

THE BULLETIN!"

!6!"!November 2014

Disclaimer: The Bulletin does not own any images on this page

Swing Coat

Litographs

Yes Please by Amy Poehler !"#$"%&'()(#*"+,#!-./0#1(./0# /.2#3-.2*#45('67

Yik Yak (app) 8.#/.".*%"+4#:+''()-.#:"/,2# 6",#(>(,*)5-.9#5/&&(.-.9# /,"+.2#*"+7

Drunk Elephant Pekee Bar 8#$'(/.4-.9#:/,#)5/)#;".<)#2,*#*"+,# 4=-.#'-=(#,(9+'/,#4"/&7

Budapest

Take Me To Church Hozier

GEorge Ezra

2. Shook Up

5. To Me Chet Faker

Clairey Browne and the Bangin' Rackettes

3. The Chamber

First Cold War Kids

Lenny Kravitz

THE BULLETIN!"

!7!"!November 2014

Sugar !

by Briana Draguca

"#$#%&' ()' *)+,-' -".-' .&' &))(' .&' -"#' &/)$/"0(1' "#.-' )2' &+33#$' /)3#&' -)' .(' #(*4' 5#%$#' .66' 3)$#' -".(' $#.*7' -)' #3,$./#' -"#' 6.7#$&' .(*' )+-8 #$5#.$' -".-' 3.9#' 2.66' 2.&"0)(' 5)$-"' ,$.:0(1' -"#' /)6*;' <)60&"' )22' .(7' 6))9' 50-"' -"#&#' -$#(*7' 2.66' /).-&' -".-' 5)+6*' 3.9#' #:#(' =60:0.' <)>#' ?#.6)+&;

The Amplified Trench Coat

The Moto-Chic Jacket

Want an edgy coat to enhance your outfit and reveal your attitude? If so, say yes to leather jackets. Go for one that stands out with its embellished shoulders or ribbed arms. Don’t be afraid to embrace color – we’re loving brown and hunter green leather this season. You can also achieve a more complex and chic look by throwing on a cropped leather jacket detailed with rose gold hardware over a graphic tee and classic jeans.

THE BULLETIN!"

!8!"!november 2014

Photography by Briana Draguca

Even if you’re looking for a unique coat this fall, don’t avoid this classic – we’ve heard it’s getting a makeover. Find a trench coat that is amplified with contrasting color-blocked patterns or tough leather sleeves. If you’re searching for something more feminine, try a trench with a flared bottom and a knotted belt to enhance your natural waist.

rcoat Me The Bomber Jacket

You donâ&#x20AC;&#x2122;t need to date a jock to score one of these sporty jackets. Bomber jackets in floral prints and neon colors offer a unique twist on the traditional varsity style. For a cozy fall look, choose a quilted cotton bomber as your go-to coat.

The Parka Jacket

The parka jacket is the ultimate laissez-faire, cool girl coat since it makes every outfit look effortlessly trendy. The drawstring waist, oversized pockets, and fur-lined hood give this jacket an understated character. Try contrasting a parka jacket with a fancy skater skirt and a pair of knee-high socks. The thick fur lining will keep you warm as this mild fall transitions into a frigid winter.

THE BULLETIN!"

!9!"!November 2014

#$%$&" '()*+('" '(,'" +)-#+" ')" .)//$+$" 0)*/1" 2&-#+" )*'" '($" $-+('34$,&3)/1" -#" 5$6"2*'"'($&$"!"0,7")#","8(*&71,4"#-+('" 9,7'-#+")#"'$59)&,&4"',''))7:";)&$"-59)&3 ',#'/46" '($7$" 0$&$" 5$',//-." </,7(" 8,''))76" )#$")="'($"()''$7'"7*55$&"'&$#17"'(,'"!"(,1" 2$$#"14-#+"')"+$'"54"(,#17")#:"!="4)*"(,%$#>'" 7$$#"'($5"2$=)&$6"</,7("8,''))7",&$"'$59)3 &,&4" ','3

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

Photo Courtesy of Cathy Li

2 1 ' # 0 / !"#$%&## '()*++, $ -.

Beauty D sasters E\ 6RĂ&#x20AC;D .DUOLQHU

Illustration by Kyoko Yamamoto

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

#$-.>"*06?#4"1-@@&.&,4"'-?#4-,?*>"$,1"46.,&1" 40"7)"@$7-')"@0."*0'$/&2"B64>"$''"0@"4#-*"($*" 40" ,0" $%$-'2" !" ($*" $," $*#)9&)&+.0(&1>" /$.9 .0494055&1>" 4.$,*'6/&,49#$'@9-,/#90@9.004*" 7&**2 "" P,/&" #07&>" !" */#&16'&1" $," $59 50-,47&,4"-77&1-$4&')"(-4#"7)"#$-.1.&**9

&."40"46.,"7)"'0/=*"+$/="40",0.7$'2"Q,4-'" 4#&,>"!"#-1"-,"4#&"/0,@-,&*"0@"7)"#06*&"$,1" .&@6*&1"40"&%&,"'00="$4"$".&1"5-&/&"0@"/'04#9 -,?2"3.$67$4-/"$*"-4"($*>"4#&"5.0/&**"4$6?#4" 7&" $" %$'6$+'&" #$-." '&**0,D" (#&," -," 106+4>" '&$%&"E6,9!"#2

My hair did not dry blonde. It dried brassy orange. And not cute, Anne of Green Gables orange, but blazing, hellfire orange. THE BULLETIN!"

!11!"!november 2014

Let's Be Thankful for

Elastic By Erica Harreveld

THE BULLETIN!"

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

Illustration by Alice Rottersman

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

!12!"!November 2014

Fall Skin Sins by Charlotte Spritz

!"##$%&$"$&'"&()$*+"*$&($,")-$(.$/&$#(0'1$2/*$"#&($"$*%,'$3+')$3'45'$"*$5%&6$(.$#((6%)7$#%6'$&(,'*+%)7$ IURP 'DQWHÂˇV ,QIHUQR +HUH DUH Ă&#x20AC;YH WUDQVLWLRQDU\ SURGXFWV WR SUHYHQW LQĂ DPHG WLUHG DQG VFDO\ VNLQ

{1} Face: Cliniqueâ&#x20AC;&#x2122;s Moisture Surge Intense

3 5 $/&%"#$./--%(#,-#,*(#3/'"#$.)-#,-#$.%5#)(%#,-# ,*(#:)6%8#9./"#&%)-"#$.)$#1.%-#$.%#1%)$.%(# 6.)-0%"2#3/'"#)(%#$.%#:/("$#$,#6()6;8#M*6%(/-7"# A!@*)'.,(#N/'#O%')/(E#/"#$.%#'%(:%6$#",3*= $/,-#:,(#$./"#)-+#1,(;"#P*"$#)"#1%33#)"#'(,+= *6$"# :(,&# ./0.%(=%-+# 4()-+"8# D$7"# "/&'3%2# :()0()-6%=:(%%2#)-+#')6;%+#1/$.#";/-=3,F/-0# /-0(%+/%-$"#3/;%#".%)#4*$$%(2#Q/$)&/-#?2#)-+# Q/$)&/-#M8

Disclaimer: The Bulletin does not own any images on this page

!"# $%&'%()$*(%"# +(,'# )-+# $.%# )/(# 0(,1"# +(/%(2# $.%# -)$*()3# &,/"$*(%# $.)$# $.%# 4,+5# '(,+*6%"# +,%"-7$# 6*$# /$# )-5&,(%89.%# :)$"# $.)$# .%3'# +%(&)3# 6%33"# "$/6;# $,0%$.%(# )(%# 3,"$2# 6)*"/-0# ";/-# $,# :3);%8#<.%-# $./"# .)'= '%-"2# )''35# )# -,=.,3+"=4)((%+# &,/"$*(/>%(8# ?3/-/@*%7"#AB,/"$*(%#C*(0%#D-$%-"%E#/"#)#3/:%= {3} Under-eyes: DERMAdoc")F%(#$.)$#".,*3+#4%#)''3/%+#$,#$.%#:)6%#,-6%# )#+)58#G,(#$.,"%#1/$.#6,&4/-)$/,-#";/-2#*"%# tor Wrinkle Revenge Rescue & $./"# 6(%)&=0%3# )$# -/0.$# $,# ;%%'# 5,*(# 6,&= Protect Eye Balm '3%H/,-# :%%3/-0# '3*&'# )-+# +%15# :,(# IJ# B*3$/'3%# "*(F%5"# ".,1# $.)$# %5%"# )(%# $.%# .,*("8 :/("$# :%)$*(%# '%,'3%# -,$/6%# 1.%-# &%%$/-0# {2} Lips: Eucerin Aquaphor Lip ,-%# )-,$.%(8# D$# 0,%"# 1/$.,*$# ")5/-0# $.)$# (%+2# /((/$)$%+# ";/-# *-+%(-%)$.# $.%# %5%"# Repair ".,*3+#4%#)F,/+%+#)$#)33#6,"$"8#RMOB!+,6= <.%-# /$# 6,&%"# $,# '(,$%6$/,-2# ,*(# 3/'"# ,:= $,(7"#A<(/-;3%# O%F%-0%# O%"6*%# S# T(,$%6$# $%-#0%$#$.%#".,($#%-+#,:#$.%#"$/6;8#9.%#3)5%("# M5%#U)3&E#/-:*"%"#$.%#$./-#";/-#)(,*-+#$.%## $.)$#'(%"%(F%#,*(#";/-#K$.%#%'/+%(&/"2#"*4= %5%"#1/$.#'%'$/+%"2#6%()&/+%"2#)-+#)-$/,H/= 6*$)-%,*"#:)$2#)-+#+%(&/"L#)(%#(,*0.35#:/F%#

+)-$"89./"#4)3&#1,(;"#$,#'(,+*6%#6,33)0%-2# 1./6.# 3%)F%"# ";/-# '3*&'%+2# &,/"$*(/>%+2# )-+#(%:(%".%+8

{4} Body: Carmex Healing Cream

D$# /"# ',""/43%# $,# &)/-$)/-# "&,,$.# "*&&%(# ";/-#)-+#$,#)F,/+#+(5#')$6.%"#45#"3)$.%(/-0# ,-# ?)(&%H7"#AV%)3/-0# ?(%)&8E#9./"# 6(%)&# )4",(4"#@*/6;35#/-$,#$.%#";/-#1/$.,*$#3%)F= /-0# /$# 0(%)"58# B,"$# /&',($)-$352# /$# &%-+"# )-+# '(,$%6$"# $.%# ";/-# :(,&# 1.)$%F%(# $.%# 1%)$.%(#.)"#/-#"$,(%8#

{5} Hands: Lâ&#x20AC;&#x2122;Occitane Shea Butter Hand Cream

<.%-# /$7"# 6./335# ,*$"/+%2# ,*(# .)-+"# -%%+# ",&%#3,F%8#N7W66/$)-%7"#AC.%)#U*$$%(#V)-+# ?(%)&E# &,/"$*(/>%"# $.%# ";/-# 4,$.# @*/6;35# )-+#%::%6$/F%358#D$#6,&%"#/-#)"",($%+#"6%-$"2# 4*$#)31)5"#"&%33"#+%3/6/,*"#)-+#3)"$"#:,(%F%(8

7KH DUULYDO RI FROG ZHDWKHU GRHV QRW KDYH WR PHDQ WKH SURPLVH RI D EDG FRPSOH[LRQ :LWK D IHZ TXLFN FKDQJHV WR \RXU VNLQFDUH URXWLQH \RXÂˇOO EUDYH WKH HOHPHQWV DQG ZDON GRZQ WKH VWUHHWV RI 1HZ <RUN IHHOLQJ DQG ORRNLQJ OLNH \RX MXVW OHIW D VSD THE BULLETIN!"!13!"!November 2014

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

!14!"!November 2014

)5(% 0*5;$'*6$% &*% 2()5+% C)5#*=$% +(0% $;#22$,%$=7'%)$%'*0%&*%7*+^=(5%8*1=2$%)+4% "(55)#+% J)5;.%"'#$% #$% )% 15()&% *66*5&=+#&-% @*5% >(1#++(5$,% )4C)+7(4% $;#(5$,% )+4% $+*0>*)54(5$%)2#;(.%"'(5(%)5(%(C(+%8*5(% *6&#*+$% )C)#2)>2(% +()5% &'(% 8*=+&)#+,% $=7'% )$% 75*$$% 7*=+&5-% $;##+1% )+4% $+*08*>#2#+1% @*5% &'(% )4C(+&=5*=$% *=&% &'(5(.% [#+)22-,%"'=+4(55#41(% Y*=+&)#+% #$% )%15()&%8*=+&)#+%@*5%>(1#++#+1%$;#(5$%)+4% >*)54(5$,%)+4%(C(+%*@@(5$%)%15()&%4#$7*=+&% 0'(+%>=-#+1%&'(%_"'=+4(5%/;#`%6)7;)1(.% M#&'% &'#$% 6)7;)1(,% -*=% 7)+% &);(% &'(% Y(&5*K9*5&'% &5)#+% &*% &'(% $&)&#*+,% 0'(5(% )% [?]]% $'=&&2(% >=$% 0#22% &);(% -*=% &*% )+4% @5*8%&'(%8*=+&)#+%)+-%4)-%*@%&'(%0((;. % M#&'%)22%*@%&'($(%15()&%*6&#*+$%)&% -*=5% 4#$6*$)2,% &'(5(B$% +*% 5()$*+% &*% 0)#&% '*=5$% &*% $;)&(% )&% ?*7;(@(22(5% <(+&(5.% a((6%&'($(%=+4(55)&(4%>=&%@)+&)$&#7%62)7($% #+% 8#+4% 0'(+% 62)++#+1% -*=5% 0((;(+4% 1(&)0)-$,%4)-%&5#6$,%)+4%0#+&(5%>5();.

Illustration by Sofia Davis

!"#$by "#Nicky %"#&Bernstein '()*+

Barnard Alumna Spotlight:

Jane Keltner de Valle 9.(:;)(57%%,<-,==$

! Photo Illustration by Art Board

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

!15!"!november 2014

C#".0'&)'* "6* 8"&'(#* @8'(%9-#* $+=0'* +"* "5(* ('-&'($* +,("5),* +,'* 6-$,%"#* 7-)'$* "6* 8-)#"7*I3*@0+,"5),*;'0+#'(*&'*<-00'*%$*"#0=* -*6'.*8"#+,$*%#+"*,'(*#'.*7"$%+%"#2*%6*,'(* ('9"(&*%$*-#=*%#&%9-+%"#2*$,'*%$*$5('*+"*4(%#)* ,'(*9('-+%D'*-#&*950+%D-+'&*'='*+"*+,'*8-)-1 L%#'I* * @* 6-$,%"#* '&%+"(N$* G"4* %$* #"* '-$=* 6'-+*$%#9'*+,'*%#&5$+(=*%$*9"#$+-#+0=*'D"0D%#)I* ;'0+#'(* &'*<-00'* %$* ('$7"#$%40'* 6"(* C''7%#)* 57*+"*&-+'*.%+,*%#&5$+(=*#'.$*-#&*7"750-(* 950+5('*%#*"(&'(*+"*C''7*,'(*."(C*('0'D-#+2* -#&*"6+'#*6%#&$*,'($'06*+(-D'0%#)*+"*W-$,%"#* K''C$* -00* "D'(* +,'* ."(0&* "(* G'+1$'++%#)* +"* &%$+-#+*0"9-+%"#$*6"(*('$'-(9,*-#&*$,""+$I*@* 6-$,%"#*'&%+"(*85$+*4'*"#'*$+'7*-,'-&*"6*'D1 '(=*+('#&I * >-9C'&* 4=* -* >-(#-(&* '&59-+%"#2* ;'0+#'(* &'*<-00'N$* 7'($'D'(-#9'2* +-0'#+2* %#1 +'00%)'#9'2*-#&*6-$,%"#-40'*'='*,-D'*,'07'&* 9-+-0=L'*+,'*,%),0=*$599'$$650*9-(''(*+,-+*$,'* 8-%#+-%#$*+"&-=I

!"#$%&%&'(( ()#*&#*+,-(( .*#&-'/&+/* 0+$%--%1&-(( 213%45 By Isabelle Boundy

"#$%#$&%'#()#%*+%#$&%,-./%0%,-.1% '2$**3% 4&()5% #6*% 6*7&89'% 2*33&:&'5% ;"33'% <*33&:&% "8% <(3"+*)8"(% (8=% ;*>8#% ?*34*@&% <*33&:&% "8% ;(''(2$>'&##'5% $(A&% B(''&=% (=7"''"*8'% B*3"2"&'% #$(#% +*)7(334% (33*6% #$&% &8)*337&8#% *+% #)(8':&8=&)% +&7(3&0"=&8#"+"&=% '#>=&8#'C% D('#%7*8#$%;*>8#%?*34*@&9'%B)&'"=&8#5%D488% E('F>&)&33(5% >'&=% $&)% 2*8A*2(#"*8% (==)&''% #*% "82*7"8:% '#>=&8#'% #*% (88*>82&% #$&% 8&6% B*3"245% '#(#"8:5% G!&% )&2*:8"H&% #$(#% 6$(#% "#% 7&(8'% #*% I&% (% 6*7(8% "'% 8*#% '#(#"2C% J>'#% ('% &()34% +&7"8"'#'% ():>&=% #$(#% )&=>2"8:% 6*7&8% #*%#$&")%I"*3*:"2(3%+>82#"*8'%6('%(%+*>8=(#"*8% *+%6*7&89'%*BB)&''"*85%6&%(2@8*63&=:&%#$(#% :&8=&)%"=&8#"#4%"'%8*#%)&=>2"I3&%#*%#$&%I*=4CK %% ?*6&A&)5% L()8()=% )&7("8'% (% +&6% '#&B'% I&$"8=% ;"33'9'% (8=% ;*>8#% ?*34*@&9'% B)*:)&''"A&%'#(82&%*8%#)(8':&8=&)%(BB3"2(8#'C% !"#$%8*%*++"2"(3%B*3"24%)&:()="8:%#)(8':&8=&)% (BB3"2(8#'5% L()8()=% &M(7"8&'% #)(8':&8=&)% (BB3"2(8#'% *8% (% 2('&0I402('&% I('"'% (8=% *834% (=7"#'% '#>=&8#'% 6$*% ()&% 3&:(334% )&2*:8"H&=% ('% 6*7&8C% N8% (% '#(#&7&8#% +)*7% O&(8% PA"'% ?"8@'*8% "#% 6('% 8*#&=% #$(#%GP#% #$&% 7*7&8#5% L()8()=% =*&'% 8*#% $(A&% (% +*)7(3% B*3"24% (==)&''"8:%#)(8':&8=&)%'#>=&8#'%*)%(BB3"2(8#'C% Q(2$% (BB3"2(#"*8% "'% )&A"&6&=% "8="A"=>(334% *8% (% 2('&0I402('&% I('"'CK% R*)% (% '2$**3% 6$*'&% 7"''"*8%"'%#*%B)*A"=&%(8%&=>2(#"*8%+*)%:&8=&)0 *BB)&''&=% B&*B3&'5% L()8()=9'% )&S&2#"*8% *+% #)(8'06*7&8%"'%'>)B)"'"8:%(8=%="'(BB*"8#"8:C% T"82&% L()8()=% B)"=&'% "#'&3+% *8% +&7"8"'7% (8=% "823>'"A&8&''5%"#%'$*>3=%+*33*6%#$&%&M(7B3&%'&#% I4%;"33'%(8=%;*>8#%?*34*@&%(8=%2*8'"=&)%+*)% (=7"''"*8% (33% +&7(3&0"=&8#"+"&=% "8="A"=>(3'5% )&:()=3&''%*+%:&8"#(3"(%*)%3&:(3%:&8=&)%'#(#>'C% %% L()8()=9'% 2>))&8#% B*3"24% #$(#% *834% #$*'&%)&2*:8"H&=%I4%3(6%('%6*7&8%()&%(33*6&=% (=7"''"*8% "'% =&&B34% B)*I3&7(#"25% ('% 3&:(3% 7&('>)&'%*+%"=&8#"+4"8:%:&8=&)%()&%"8(22>)(#&% (8=%"8(22&''"I3&C%GU$&%"''>&%)":$#%8*6%"'%#$(#%"#% "'%A&)4%="++"2>3#%#*%:&#%(%3&:(3%:&8=&)%2$(8:&5%(8=% 7(84%#)(8'%B&*B3&%6$*%()&%8*#%.V%=*%8*#%$(A&% B()&8#(3% '>BB*)#% 8&&=&=% #*% 3&:(334% 2$(8:&=% #$&")% :&8=&)% #*% +&7(3&% I&+*)&% (BB34"8:% #*% 2*33&:&5K%'("=%O43(8%W(B"#5%L<%X.YC%!"#$%'>2$%

A()"(#"*8%(7*8:%74)"(=%'#(#&%3(6'%(8=%(:&824% B*3"2"&'% )&:()="8:% :&8=&)% "=&8#"+"2(#"*85% #$&% 2*82&B#% *+%G3&:(3% :&8=&)K% "'% 8*8'&8'"2(3% (8=% "33&:"#"7(#&C%P8=5%('%+&7"8"'#'5%6&%'$*>3=%8*#% (33*6%#$&%:*A&)87&8#%#*%="2#(#&%6$(#%"#%"'%#*% I&%(%6*7(8C% %% ;*)&*A&)5%L()8()=9'%2>))&8#%B*3"24% )&:()="8:%#)(8':&8=&)%(BB3"2(8#'%"'%"8$&)&8#34% #)(8'0B$*I"2%('%"#%=&8"&'%#$&%3&:"#"7(24%*+%(8% "8="A"=>(39'% '&3+0"=&8#"+"2(#"*8C% P'% "#% '#(8='5% L()8()=9'% B*3"24% "7B3"&'% #$(#% #)(8':&8=&)% "8="A"=>(3'% 2(88*#% '&3+0"=&8#"+4% ('% #$&")% *68% :&8=&)5% I>#% )(#$&)% 7>'#% $(A&% (% =*2#*)% *)% (% :*A&)87&8#%*++"2&%"8+*)7%#$&7%*+%"#C%U*%=&84% "8="A"=>(3'% #$&% (:&824% *+% '&3+0"=&8#"+"2(#"*8% "'% #*% =&84% #$&7% #$&% )":$#% #*% I&% #$&7'&3A&'C% R>)#$&)7*)&5% #$&% B*3"24% '"7B3"+"&'% 6*7(8$**=% #*% "#'% 7*'#% I('"2% I"*3*:"2(3% +>82#"*85% "7B34"8:% #$(#% :&8=&)% "=&8#"#4% "'% )&=>2"I3&% #*% (8(#*74C% GU$&% =&+"8"#"*8% *+% 6*7(8%$('%2$(8:&=%*A&)%#$&%B('#%.,1%4&()'5K% '(4'% W(B"#C% GN% #(@&% $>:&% "''>&% 6"#$% #$&% +(2#% #$(#% *>)% (=7"8"'#)(#*)'% ()&% +&7"8"'#'% 6$*% 6(8#%>'%#*%I&%'#)*8:%6*7&8%3&(=&)'%6$*%()&% 8*#% =&+"8&=% I4% #$&")% I*=4% B()#'5% I>#% #$(#% "'% &M(2#34%#$&%"=&(%I&"8:%&8+*)2&=%I4%(=7"##"8:% '#>=&8#'% I('&=% *8% '&M% (''":8&=% (#% I")#$% "8'#&(=% *+% :&8=&)% "=&8#"#4CK% U$>'5% 6"#$% "#'% 2>))&8#%B*3"245%L()8()=%"'%8*#%(%$(A&8%+*)%#$&% :&8=&)0*BB)&''&=% I>#% )(#$&)% (% B&)B&#>(#*)% *+% #$&% :&8=&)0*BB)&''"*8% #$(#% #)(8':&8=&)% "8="A"=>(3'% (8=% 6*7&8% "8% :&8&)(3% +(2&% *8% (% =("34%I('"'C% %% !*7&89'% 2*33&:&'% 3"@&% L()8()=% )&7("8%"7B*)#(8#%(8=%)&3&A(8#%"8'#"#>#"*8'%"8% #*=(49'% '*2"&#4% I&2(>'&% *+% 2*8#"8>&=% :&8=&)% "8&F>(3"#4aI&%"#%#$&%:&8=&)&=%B(4%:(B%*)%#$&% ="'B)*B*)#"*8(#&34% 3*6% 8>7I&)% *+% 6*7&8% "8% B*'"#"*8'% *+% B*6&)C%!*7&89'% 2*33&:&'% ()&% '>BB*'&=% #*% I&% '(+&% &8A")*87&8#'% "8% 6$"2$% 6*7&8%2(8%'#>=4%(8=%I&2*7&%&7B*6&)&=%#*% &8#&)%(%6*)3=%#$(#%"'5%"8%7(84%6(4'5%'#(2@&=% (:("8'#% #$&7C% L>#% #)(8':&8=&)% B&*B3&% +(2&% "8+"8"#&34%7*)&%="'2)"7"8(#"*8%(8=%*BB)&''"*8% #$(8%6*7&8%6$*%"=&8#"+4%('%#$&")%I")#$%'&MC% bA&)% V-% B&)2&8#% *+% #)(8':&8=&)% "8="A"=>(3'% )&B*)#% A&)I(3% (I>'&% I&2(>'&% *+% #$&")% :&8=&)%

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`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

In this photo project, we aim to illustrate how individuals of all diverse backgrounds feel pressure under the strain of societal norms. We hope to give a voice to those who feel unfairly silenced by outdated bureaucratic rulings.

Photography by Rania Siddique & Maddie Molot Model: Lauren Malotra-Gaudet

“I agreed to participate in this photo project because I often find it hard to identify myself as a mixed person, since categories of ‘Hispanic white’ and ‘non-Hispanic white,’ ‘mixed/multiethnic,’ ‘Asian,’ or ‘other’ don’t adequately tell my racial and ethnic story.”

“While my story can’t be told through these boxes I also oftentimes get frustrated and want to not have to report my identity, wondering if it’s too complicated, or too unbelievable for the formreader to try to imagine. I don’t want to seem like I’m lying to the reader, but I also don’t want to try to fix my multiethnicity into a single box or marked category because I do not fit.”

“I think the most important thing for all people to realize is that there are different kinds of people and our intersections of identity don’t make us ‘more’ or ‘less’ of whatever gender we identify as.”

Thanksgiving in Tight Quarters G75(;2;(-A%(42+;(7"6(*,7"6(6A2-(A782;*&(.%89 %,#*627+I(LA%(.#%*6%;(26'(JH(*0(,*$2+:(*,7"6( QR( 12%-( *+;( 2+=262+:( *88( 74( 0&( #%-2;%+62*8( .7018%BS>0%#2.*+-( *+;( +7+9>0%#2.*+-( *82$%@M(>8=*#7(%B18*2+%;' ( ?246&(1"01$2+(12%-(-*&(!A*+$-:2=9 2+:( 67( 0%@( ,"6( *46%#( A%*#2+:(>8=*#7K-( 2;%*@( H( #%*82T%;( 6A*6( 67( 6A%( +7+9>0%#2.*+-( *6( A%#( .%8%,#*627+@( 1"01$2+( 12%( 02:A6( 0%*+( -70%6A2+:(%+62#%8&(;244%#%+6'(

THE BULLETIN!"

!20!"!November 2014

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

Photo Illustration by Art Board

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

!"#$%&'(#)*+,-

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

Illustration by Ching Wen (Winnie) Wang THE BULLETIN!"

!21!"!november 2014

>23(,7"0#2'#>-/"2:#)*#/%'*2#'/#25"# M'73(,)-# +-2">;#45'3+5# @# 5-0*A2# -&23-77:# >""*# $5-2# 25"# (-*# 5-0# 0'*"=#@#5-0#5"-%0#25"#>97-22"%#"&5'# -+-)*>2#25"#>2-2)'*A>#2)7"0#$-77>; # N:#,':/%)"*0#$->#*'2#>'# 73&.:;#<)."#(-*:#9"'97"#$5'#-%"# 2'70#*'2#2'#7''.=#5"#0)0#"H-&27:#25"# '99'>)2";# G"# &-("# '32# -/2"%# ("=# 5)># /-&"# ->5"*# -*0# 5)># ":"># $)0";# JD%"# :'3# '.-:OL# @# ->."0# -*0# 5"# &'370#'*7:#>5-."#5)>#5"-0#+%-8"7:;# 45"# (''0# '/# 25"# *)+52# $-># %31 )*"0# -*0# *'2# /""7)*+# 9-%2)&37-%7:# %'(-*2)&=# $"# "-&5# 5"-0"0# ,-&.# 2'# '3%# %">9"&2)8"# 0'%(# %''(>;# P""07">># 2'# >-:=# )2# $-># -# >5)22:# >)23-2)'*;#

Changing the Channel: Diversity on TV

9*$!)8'*$&'"0:'

"##$%&"'($)*"'+,'+$#&"-&(.$/*&$(/"0/$12$"$'&3$(&%&(/&0.$"'4$5&(/$12$"##.$/*&$0&6 /70'$12$80,%&/,%&$/&#&-,(,1'9$:*,($(&"(1'.$0&,+','+$:;$<7&&'$=*1'4"$>*,%&($ #"7')*&4$ ?&/$ "'1/*&0$ (7))&((27#$ 8,#1/@$ !"#$ %"$ &'%$(#)*$+,%-$ ./01'0.$ (/"00,'+$ ;,1#"$A"-,($"($#"3$8012&((10$B''"#,(&$C&"/,'+9$B,0,'+$0,+*/$"2/&0$&0'*23$(4)%"5*$"'4$ 67)41)8.$/*&$'&3$(*13$201%$>*,%&(D$80147)/,1'$)1%8"'?.$=*1'4"#"'4.$017'4($17/$ "$/*0&&6*170$5#1)E$12$BFGD($)1-&/&4$:*70(4"?$',+*/$#,'&789 THE BULLETIN!"

!22!"!November 2014

Photo Illustration by Art Board

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

The article, which refers to Viola Davis as “less classically beautiful” and calls Rhimes’ leads “intimidating” black women with “potent libidos” is one obvious example of a much larger, more insidious prejudice: a resistance to multifaceted female characters, especially women of color.

THE BULLETIN!"

!23!"!November 2014

6"#$Q86/6$05$-.&50#&"'($0'E5$6$+&.%$9))#$ .&/0"#&.$')$5&&$'*&$365>64$.63064$8065$6"#$ )##$/05)9%"%$,.)/$6$:)/6"$:.0''&"$0"$6$ -6-&.$'*6'$:&$644$'*0"C$),$65$8&0"9$5)$408H &.64DF$7*)"#6$=*0/&5$05$'&4&+050)"E5$:)/H 6"$ ),$ '*&$ /)/&"'P6"#$ '*6'$ /)/&"'$ #)&5"E'$4))C$40C&$0'E5$9)0"9$')$&"#$6"%'0/&$ 5))"($5)$'*&$.&5'$),$'*&$:).4#$8&''&.$36'3*$ >-D

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

Hannah Fischman

Victoria Papalian

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

!24!"!october 2014

p : u g Heatin

!"#$%&'(!)*+',-%&#)*

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

By Elena Valenzuela-Stookey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

Photos Courtesy of Rhea Schmid THE BULLETIN!"

!25!"!November 2014

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

BY Eleanor Altholz

POSTCRYPT REVEALED

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

!26!"!November 2014

$4")# (//2# +",&("&-$%# ?$@# <-+1F7# .%-0 *&18#!#:&1$#-7#$%/+;%#!#%-,#$(-6&1&,#:4:$)# )&-(7#4"$/#$%&#*-7$#$/#-#'/::&&#7%/*#4"# `(&&"94'%#a411-;&@# !# 7-$# -$# -# 72-11# $-0 31&#4"#$%&#'/("&(8#-,/("&,#94$%#"/$%0 4";#3+$#$9/#;1/94";#'-",1&78#-",#!#%-,# $/# (&24",# 2)7&1:# $%-$# _/3# b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

Disclaimer: The Bulletin does not own any images on this page

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

or many students, music and studying go hand-in-hand. The playlist for any study session always greatly impacts the studying experience. New scientific evidence suggests that there are benefits to listening to music while studying. In addition, Daniel Levintin, a psychologist studying the neuroscience of music at McGill University, discovered that music can actually be more effective in calming the anxiety of presurgery patients than anti-anxiety drugs. Music’s anxiety-reducing effects can help students stressing over term papers and problem sets. Clifford Nass, a professor at Stanford University, explains that the issue is a little more complex. While music can have a positive effect on a person’s mood, if listened to while studying, music can divide the student’s attention and potentially make the studying less effective. However, Nass suggests that if music relieves one’s stress and makes studying more enjoyable, it may be worth sacrificing focus. He also admits that in today’s world, social media and the internet can be great distractions, so music may be a better alternative to constantly checking Facebook or Twitter. It depends on the individual and what helps them to studying effectively.

Sounds of BY Gabriella Sobol

I personally prefer different genres of music while working on different subjects. When writing papers on a humanities topic, I listen to pop music. I find that the catchy lyrics and familiar beats of the music currently playing on the mainstream radio are just the energizer I need when trying to come up with fresh ideas on an ancient novel or piece of art. A couple of my favorites are Jason Derulo with his fast paced beats and smooth voice and Maroon 5 with their classic sound and sing-along choruses. When working on math problem sets, I tend to listen to rap music. I’m pretty sure that I’m allergic to anything involving numbers, so the poetry and even beats of rap tend to settle me down and get me to focus on the equations. I’m a huge Drake fan, as I enjoy his clever lyrics and clear sound. I also love Kendrick Lamar’s speedy rhythms. Then of course, comes studying for tests. My preference is EDM, or any type of Electronica music. The incredible beats and pump-up feel of David Guetta, Avicii, and the like help motivate me to study for the midterm I have been avoiding for days. So whether you prefer these recommendations, have your own set playlist that is your holy grail, or just prefer silence when studying, good luck and keep jamming out!

THE BULLETIN -

27 - NOVEMBER 2014

Studying Photography by Sharon Wu THE BULLETIN -

28 - NOVEMBER 2014

!"#$%&'(#)'(*+,,-.%/

1 % 2 & ( 3 4 ' 5 0

!" #

By Angela Bentley -20%(')%'E02%B"0%P&(**0(3%J=C,%'9%J'7"'C10*3%M'%(')%?00&%#%+20#,%92'.%+='1'A(3%Q0#&=?A%9'2%9)?%.#(%*00.%$=.0KC'?*).=?A6%+)$%=$%C#?%+0%#% A20#$%:#(%$'%A0$%(')2%.=?&%'99%$"0%*$20**%'9%*C"''1@%B"=?,%'9%=$%#*%#%:#(%$'%=.72'E0%(')2%20#&=?A%*700&R=$%=*%$'$#11(%E#1)#+10%72'C2#*$=?#$='?@% ;9%(')<20%1'',=?A%9'2%#%&=*$2#C$='?6%#%1#)A"6%'2%=?*7=2#$='?6%$"0?%A2#+%#%C)7%'9%$0#%S'2%(')2%$0?$"%C)7%'9%+1#C,%C'9900%'9%$"0%&#(T%#?&%A=E0%$"0*0% 20C0?$%2010#*0*%#%$2(U

Yes, Please by Amy Poehler !"#$%&'%(')%*#(%#+')$%#%+'',%+(%-.(%/'0"1023%450*6%710#*068%9'11':0&%+(%4;$<*%#+')$%$=.0>8%;9%(')%20#&%'?1(%'?0% +'',%$"=*%9#116%$"=*%*"')1&%+0%=$@%;$<*%:2=$$0?%+(%'?0%'9%$"0%9)??=0*$%").#?%+0=?A*%#?&%(')%#20%+')?&%$'%1#)A"@%B"0% C'.0&=#?<*%&0+)$%+'',6%#%.=D%'9%702*'?#1%*$'2=0*%#?&%#&E=C06%*"')1&%72'+#+1(%+0%#&&0&%$'%(')2%*"019%'9%4F'',*% ;%G=E0%F(8%2=A"$%?0D$%$'%F'**(7#?$*%+(%B=?#%H0(@%!=$"%-.(%/'0"1026%:"#$<*%?'$%$'%1'E03

Stone Mattress: Nine Tales by Margaret Atwood !"0$"02%(')%#20%#%1'?A$=.0%9#?%'9%I#2A#20$%-$:''&%'2%(')<E0%?0E02%20#&%#%:'2&%'9%"02%:'2,6%(')%*"')1&% C"0C,%')$%"02%?0:0*$%2010#*0@%J"0%"#*%0*$#+1=*"0&%"02*019%#*%'?0%'9%$"0%A20#$%:2=$02*%'9%$"0%02#%$"2')A"%"02% $"')A"$K72'E',=?A%:'2,*6%*)C"%#*%B"0%L#?&.#=&<*%B#10@%B"=*%=*%$"0%9=2*$%:'2,%'9%*"'2$%9=C$='?%$"#$%*"0%"#*%20K 10#*0&%=?%?0#21(%$0?%(0#2*@%B"0%#)$"'2%"#*%C"#2.0&%20#&02*%9'2%(0#2*%:=$"%"02%C2#9$0&%*$(10%#?&%J$'?0%I#$$20**% *"')1&%+0%?'%0DC07$='?@

A Young Woman Tells You What She’s “Learned” by Lena Dunham G0?#%M)?"#.<*%?0:%+'',%=*%(0$%#?'$"02%#&&=$='?%$'%$"0%C'110C$='?%'9%:'2,*%+(%C'.0&=#?*%$)2?0&%:2=$02*@%B"0% N=21*%C20#$'2<*%?0:%+'',%90#$)20*%#%C'110C$='?%'9%702*'?#1%0**#(*%=?%:"=C"%*"0%'70?1(%&=*C)**0*%10**'?*%*"0%"#*% 10#2?0&%=?%"02%1=90%=?%702*'?#1%#?0C&'$0*@%J"0%&2#:*%'?%0D702=0?C0*%#?&%7#=?*%$"#$%&09=?0%A2':=?A%)7@%B"0%+'',% :=11%=?&)C0%1#)A"$02%#?&%=?*7=2#$='?O$"0%70290C$%C'.+=?#$='?%$'%A0$%(')%$"2')A"%$"0%*0.0*$02@

THE BULLETIN!"

!29!"!November 2014

Photo Illustration by Art Board

Not That Kind of Girl:

Gallery Gallivanting: High Praise for High Heels by Leah Jacobson

Disclaimer: The Bulletin does not own any images on this page

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esigners of the 20th and 21st centuries were and are .#&)0,/:)'+$:&,_:'-8$)#$)"'$1'BH innovators, but it turns out many of those eras’ fashions +,;,-*0,)8$ ,&$ #01'0$ )#$ ",D"-,D")$ ,&,),#&$ #B$ *$ ",D"$ "''-$ )"0#:D"$ )"'$,;E#0)*&)$)"';'+$#B$,;,)*H built on already established styles from the 17th and 18th ",+)#0,.*-$ *&1$ .:-):0*-$ +,D&,B,H ),#&$ *&1$ 0'H,;*D,&*),#&$ ,&$ )"'$ .*&.'F$ ,&&#G*),G'$ +)0:.):0'F$ centuries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

“” THE BULLETIN!"

!30!"!october 2014

Fall Movie Breakdown BY Zoë Miller Out this month are a handful of high-profile features for your cinematic enjoyment. Escape into futuristic sci-fi and fantasy worlds, or get a dose of history (with helpings of romance, drama, and intrigue).

INTERSTELLAR

OPENS NOV. 7

Between Gravity and Guardians of the Galaxy, it’s been a good year for the final frontier. The next big blockbuster to launch us into space is Interstellar. Hollywood A-listers Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine team up to tell the story of a group of space travelers who journey through the cosmos via wormhole. Directed by Christopher Nolan, known for epics such as Inception and The Dark Knight, and inspired by the research of theoretical physicist Kip Thorne, this odyssey looks like it will be worth the hype.

THE THEORY OF EVERYTHING

OPENS NOV. 7

Those who like their science a bit more down to earth, blended with romance and heartbreak, should check out The Theory of Everything. Directed by documentary vet James Marsh and starring Eddie Redmayne and Felicity Jones, Theory chronicles the relationship between the celebrated theoretical physicist Stephen Hawking and Jane Wilde, the literature student he fell in love with during his years at Cambridge in the ‘60s and later married. With Wilde’s memoir, Traveling to Infinity: My Life with Stephen Hawking, as source material, the film doesn’t shy away from exploring Hawking’s struggle with his motor neuron disease, which drastically impaired his speech and his ability to walk. The result is a compelling story that strikes a balance between joy and despair. Plus, with his lopsided grin and thick-framed glasses, Redmayne as Hawking is uncanny.

FOXCATCHER

OPENS NOV. 14

Steve Carell’s turn as real-life multimillionaire and murderer John du Pont, who killed Olympic Wrestler Dave Schultz, will chill you. In director Bennett Miller’s Foxcatcher, also featuring Mark Ruffalo and Channing Tatum (as Schultz and his brother Mark, respectively), Carell is a man transformed. All traces of Michael Scott are buried beneath a prosthetic nose and an unsettling, almost disaffected cadence. If the preview is any indication, Carell is a believable schizophrenic.

The IMITATION GAME

OPENS NOV. 21

Photo Illustration by Art Board

Following his portrayal of notorious WikiLeaks mastermind Julian Assange, Benedict Cumberbatch stars in another big-budget biopic (coincidentally, he has also played Stephen Hawking in a BBC TV drama). This time the fandomfavorite actor of high cheekbone renown appears as the British mathematician and computer scientist Alan Turing in The Imitation Game, helmed by Norwegian director Morten Tyldum. Based on Andrew Hodges’ biography, Alan Turing: The Enigma, the flick is set during World War II and follows Turing and his ragtag team of academics and logicians as they try to decipher the Nazis’ Enigma code from the confines of the top-secret Government Code and Cypher School at Bletchley Park. Keira Knightley co-stars as Turing’s fellow code-breaker, Joan Clarke.

HUNGER GAMES: MOCKINGJAY

OPENS NOV. 21

JLaw is back as everyone’s favorite bow-and-arrow-wielding protagonist in this highly-anticipated installment in the Hunger Games series. Mockingjay, Part I takes Katniss to the clandestine District 13. There, she collaborates with rebel leader President Coin (portrayed by Julianne Moore) in an attempt to save her friend and love interest, Peeta (Josh Hutcherson), who the Capitol has been using as a weapon against the rebellion. With Kiwi pop hit-maker Lorde contributing to the soundtrack, you’ll have one more reason to see the movie, if the story and special effects weren’t enough. THE BULLETIN -

31 - NOvember 2014

BRUNCHu

THE BULLETIN -

32 - November 2014

unch ON A

BUDGET by Brea Salim

T Illustration by Ching Wen (Winnie) Wang

ired of breakfast at Hewitt, but not willing to spend a fortune to pretend you’re Blair Waldorf at Sarabeth’s? Not to worry, Manhattan offers all its brunchcrazed citizens many options in between! I am an avid brunchgoer myself and recently visited The Smith, a casual American brasserie that has a great menu. The Smith has three different locations in Manhattan, but I went to the restaurant in Lincoln Center. It’s the closest one to campus, but it’s still far enough for those of you who want to step out of the UWS bubble. On a Friday morning,

I made my way to The Smith. I was seated immediately because there wasn’t a huge crowd and the restaurant is spacious. This is definitely a plus, especially in comparison to popular SoHo brunch spots that may serve delicious avocado toasts and acai bowls, but make you wait for hours on end just to sit down. The décor of the restaurant is nicely done but not too fancy and creates a modern American diner feel. As recommended by a friend, I ordered the Vanilla Bean French Toast ($12).For those of you craving a savory dish in the morning, she also recommends

THE BULLETIN -

33 - november 2014

the Potato Waffle Benedict ($16). My dish came a quick ten to fifteen minutes after ordering it and my French toast was delicious! The bread was thick and cooked perfectly -– crunchy on the outside and fluffy and soft on the inside. I could taste the vanilla, but it wasn’t sickeningly sweet. Just make sure not to put on too much maple syrup! The caramelized bananas were a good final touch, adding a sweet fruity taste to top off the meal. Overall, I had a lovely experience dining at The Smith and will certainly come back to try other options, especially since I know it won’t hurt my wallet.

Scouting Out Sculptures by Rosie Fatt

!"#$%&'()&$*&+,-&+.&)/-&0(-')&1-(2*&+.& "-$,0& '& *)!3-,)& $,& 4-5&6+(2& 7$)89& :-;1+('(8& *%!#1)!(-& 1$-%-*& $,& )/-& 1'(2*&<%(-')-&',&$,)-,*$.$-3&-=1-($-,%-&',3& %'!*-&!*&)+&#++2&;+(-&%#+*-#8>&*'8*&?+,')/',& @!/,A& B$(-%)+(& +.&C()& ',3&C,)$D!$)$-*& .+(&

)/-&467&B-1'();-,)&+.&E'(2*&',3&F-%(-G ')$+,9&:/-$(& .#--)$,0,-**& %/',0-*& )/-& 5'8& 1-+1#-&$,)-('%)&5$)/&)/-&#',3*%'1-&',3&'(-& <1'()&+.&/+5&5-&-,/',%-&)/-&-=1-($-,%-&+.& )/-&1'(2*>&'33*&@!/,9&H!%2$#8&.+(&I'(,'(3& *)!3-,)*A& )/-(-& '(-& ;',8& 0(-')& )-;1+('(8&

1$-%-*& -=/$"$)-3& ,-'(& %';1!*& $,& F$J-(*$3-& E'(2&',3&+,&)/-&I(+'35'8&K'##9&:+&/-#1&8+!& J$*$)&)/-;&5/$#-&8+!&/'J-&)/-&%/',%-A&/-(-L*& '&0!$3-&)+&5/')&%',&"-&*--,9

Model To Monument !m2m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

Everything is Permitted

Medusa and High Rise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

THE BULLETIN!"

!34!"!november 2014

Photos courtesy of Jonathan Kuhn

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

Historic Houses N

Disclaimer: The Bulletin does not own any images on this page

ew York City’s history can be found in a plethora of locations and the city’s real estate is surely no exception. One of the finest historical houses, the Morgan Library & Museum, spans half of a block on East 36th Street and can be accessed for free with a Barnard ID. Large in stature and eclectic in architectural style, the museum consists of the classical building that originally served as John Pierpont Morgan’s library, a construction known as the Annex, and the nineteenth century brownstone on 37th Street that was the home of his son, J.P. Morgan Jr. As an American banker and philanthropist, J.P. Morgan was an integral figure in consolidating various banks and electric companies into large, singular corporations. He was also an avid collector of art and literature. Each building in the museum is connected internally to reveal a series of galleries, archives, and reading rooms that reflect the various intellectual pursuits of one of America’s industrial forefathers. The library’s lobby features an installment by Spencer Finch entitled “A Certain Slant of Light.” Finch has applied various colored films to the four stories of glass windows in the library to create a dynamic, seasonally-colored calendar. Although this modern piece initially appears to contradict the otherwise traditional nature of the house’s reading rooms and galleries, it immediately draws the visitor into the library by being eye-catching and interactive. The first floor also houses the East Room, which displays three floors of Morgan’s books. Highlights include elaborate murals positioned above the fireplace and three copies of the Gutenberg Bible, a significant feat given that

by Briana Bursten

only fifty copies of the Gutenberg Bible exist today. Although tattered and torn, the Bible serves as a reminder of the progress made in Western publishing. Unsurprisingly, opposite to the East Room is the West Room, which served as Morgan’s study. Morgan was known to meet with various art dealers and colleagues in this dimly lit room lined with red velvet wallpaper and decorated with matching red velvet loveseats. A step further inside the West Room reveals M o r g a n ’s private book vault which preser ves medieval manuscripts, original music scores by Mozart and other notable composer s, and the private letters of various well-known individuals. Although the West Room is beautiful in its extravagance and display of Renaissance paintings, the most outstanding aspect of the house is the library’s Rotunda. The Rotunda was designed in 1906 by architect Charles McKim and it comprises the entrance hall to Morgan’s private library. With delicately painted ceiling art by Henry Siddons Mowbray, the Rotunda is reminiscent of a church from the Italian Renaissance. While most of the first floor showcases the history, preservation, and restoration of Morgan’s library and THE BULLETIN -

35 - November 2014

house, the second floor contains galleries with rotating exhibits that vary in style. One particularly unique exhibit entitled “From Here to Here: Richard McGuire Makes a Book,” details the creative process of this important illustrator. McGuire became famous following the publication of his comic “Here” in RAW Magazine in 1989. He went on to publish a second edition of “Here” as a graphic novel and e-book and this

exhibit showcases McGuire’s sketches from his original comic publication and from his new pursuit. Located in a beautiful neighborhood just 20 minutes away by subway, a visit to the Morgan is an exceptional way to familiarize oneself with New York City through art and history. With a stunning facade and classic interior decor, the aesthetics of the library are worth the trek to the East Side. Complete with art pieces and historical artifacts dating from the 1800s to the 21st century, this historical house is a mustsee for those with eclectic interests.

Cupcake Showdown by Mary Rankin

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

THE BULLETIN!"

!36!"!November 2014

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`)'.&74&1.$+$&8)*$#2$+&744$#+&'9)+3 +2'& ):0& ":2H"$& 49)/7#+>& U99& 74& 1.$& +.7(+& .)/$& 5$9'7,2:6& ):0& #$9)A$0& )1,7+(.$#$+%& 4#2$:09-& +1)44%& ):0& )& 520$& +$9$'127:& 74& 0$+3 +$#1+& 47#& #$)+7:)89$& (#2'$+>&F.$& :$A1& 12,$& -7"& 5):1& 17& .)/$& )& 4":& 12,$& 521.& 4#2$:0+& ):0& 1#$)1& -7"#+$94& 17& )& 17(3:71'.& '"(')*$%& '7:+20$#& '.$'*2:6& 7"1& 7:$& 74& 1.$+$& $A'$93 9$:1& 8)*$#2$+>&U41$#& )99%& 1#$:0+& '):& )95)-+& ,)*$&)&'7,$8)'*>

Illustration by Letty DiLeo THE BULLETIN!"

!37!"!November 2014

Secret Gardens of NYC by Amelia Ames

Photography by Rania Siddique

s of late, a serious crime has been taking place at night behind the gates of Columbia and Barnard. The crime is that of the un-apprehended Hydrangea Stealers. Who can blame these criminals, when these gorgeous flowers make such beautiful dried bouquets that brighten up one’s dreary dorm room? It’s so tempting to pluck crimson and white flowers from the stunning array of the green hydrangea bushes that grace our campus. The lavender that blooms outside of Riverside Church is equally irresistible, as is the white Dogwood that grows in Butler’s shadow. In nature, we find both the harmonious joy of collective replenishment as well as the comfort of interior connections. Walking amongst the verdure, we seem to glean a glimpse of ourselves in the shade of a wilting Morning Glory or in the enrapturing smell of Calla Lilies.We all seek to discover the pleasures of our own secret gardens and we may start by simply sensing the abundant floral beauty that surrounds us on our very campus. However, seeking transcendentalism through nature may also require exiting the gates of our institutions and entering the many gardens hidden throughout this concrete jungle. At the Noguchi Museum in Queens, sanctuary, nature, thought, essence, and the idea of being all can be found amidst its zen rock gardens. Exhale the stress of midterm mania by experiencing the warmth of the stone sculptures found here. Bathe yourself in the solitude of the untrodden rocks and open yourself up to the exquisiteness of a natural element that we so often overlook in their search for lush, green Romanticism. Who said that all gardens had to be verdant and dewy? Can’t a drier landscape of rocks, moss, and trees also show us the essence of nature? Meditate on the raked rocks and tranquil sculpture art to find the simple beauty of bare rock.

THE BULLETIN -

38 - November 2014

However, if you are feeling nostalgic for picturesque English gardens, lose yourself in the Wild Garden of Wave Hill, designed by William Robinson in the spirit of the truly English “natural” aesthetic. Located in the Bronx, the Wild Garden climbs atop the hillside peak of Wave Hill and no matter how obvious its charm may appear, one may never truly discover all the delights of exploring a place where nature seems to have planted its own beauty. If there is one thing worth the hike up the hill, it is to see the maiden grass shimmering in the autumn winds. Furthermore, if one is in search of a self-remedy, rejuvenation can be found in the mystical garden of St. John’s or in the conveniently close secret pathways of St. Luke’s. Cellphone use is prohibited, so sit amongst the many benches and grasp onto the warmth of the last grace of golden foliage before the gray months of winter.

THE BULLETIN -

39 - November 2014