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Barry McKenna
bsc.arch (hons) b.arch (hons)
address: ardamore, lispole, dingle, kerry p: 086.3955839
e: barrymckenna@gmail.com
Personal Statement
Education
I am a diligent, honest, trustworthy and hard-working person, with excellent interpersonal skills. I have received positive evaluations from previous supervisors and employers stating that I am dependable, friendly and a pleasure to work with. I am punctual and work in an organised and tidy manner. I also have the ability to think quickly and clearly and am good at problem solving.
CBS Dingle Sept ‘97 - June ‘03
Interests
Waterford Institute of Technology Sept ‘07 - May ‘11
Photography | Art | Carpentry | Typography | Gaelic Football | Golf | Cycling | Online Architectural Discourse
Leaving Certificate: Maths (Hons), English (Hons), Irish (Hons), Physics (Hons), French (Hons) Technical Drawing (Hons), Construction (Hons) Dublin Institute of Technology Sept ‘04 - May ‘06
Bachelor of Architecture Bachelor of Science in Architecture
2.1 2.2
Achievements Professional Experience In my second year at W.I.T I was heavily involved in the Architecture School’s annual publication. My role was to gather information from the 9 separate years and to then layout the information in a publication which came to 150+ pages. I then went about getting quotes from printing companies and organised the publication of the book. The book continues to be used by the college to advertise and promote the course to architectural firms, other colleges and secondary schools all around the country. The book was also sent to the European architectural school with which W.I.T have an association. I was also interviewed on RTE’s Nationwide about a project I completed during my post grad as part of their coverage of the Waterford Festival of Architecture. I also gave a talk on the same project during the festival in W.I.T which was attended by the President of the RIAI, Paul Keogh.
Architecture Ireland Magazine Nov ‘11 At present, I’m working part-time with the RIAI on their magazine “Architecture Ireland”. I’m involved in the editing of issues and I’m currently gathering material and writing an article for the next issue. I’m also involved in putting together an online archive of the magazine which will eventually contain every past issue of the magazine in digital format.
BDP Oct ‘11 I was recruited by BDP for a number of weeks in October to push through a competition proposal for the DIT school of business. I was in charge of creating renderings and concept imagery for the proposal. I currently work on a part-time basis with BDP.
w: barrymckenna.net
CURRICULUM VITAE
Newenham & Mulligan Associates Sept ‘06 - May ‘07 I worked for NMA as part of my ‘year out’ from college. Being a large architectural practice, I gained excellent experience on many projects such as housing estate developments, secondary school design and also in the design of a Garda Station.
Skills Social Skills Good communication, leadership, problem solving and team spirit skills gained through training and practical experience during college and other extra-curricular activities
Organisational Skills Moriarty & Bambury May - Sept ‘04, ‘05, ‘06, ‘07 I worked with Moriarty & Bambury during college summer months. Duties included site surveys, preparation of planning permissions and updating the computer systems to modern standards which streamlined the running of the office. I also worked on house extensions and entire house design, seeing them to completion.
References Dr Sandra O’Connell RIAI 8 Merrion Square, Dublin 2 t: +353 (0)1 676 1703 Gareth Maguire BDP Blackhall Green, Dublin 7 t: +353 (0)1 474 0600 Jimmy Bambury Moriarty & Bambury, Dykegate Lane, Dingle, Co.Kerry t: +353 (0)86 2630236
Experienced in project and team management as part of my work in college and in my professional experience with the ability to meet strict deadlines, often in pressured situations
Professional Skills A hands-on team member who can quickly adapt to new systems and contribute significantly. Strong design and problem solving skills with ability to remain highly focused in demanding environments Professional experiences include liaising with clients, creating conceptual designs, developing architectural drawings and plans, and generating detailed construction drawings and specifications.
Technical Skills Autocad | Microsoft Office | Adobe Photoshop | Adobe Illustrator | Adobe Indesign | Sketchup | Maxwell Render | Vray | Apple iWeb | Apple iLife | Apple iWork | Revit | Mac OSX | Microsoft Windows | Linux Ubuntu Website design and computer diagnostics
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VIEW FROM GARDEN
courtyard house Concept The brief for this project was to design an artists studio house on a site that was over-looked by surrounding properties on all sides.
garden creating a sense of seclusion from the neighbouring properties while also maintaining views across the Tramore Bay.
The concept aims to clearly identify the public and private functions of the brief hence the placement of the house defines public and private areas within the site. The studio is accessed from the public courtyard, in contrast to the house which opens out onto the private
The ground floor is open plan creating a sense of space and one with the garden. The first floor contains the bedrooms with a more focused view towards the sea. The lack of openings to the north provides privacy from overlooking neighbouring properties.
MODEL
COURTYARD HOUSE
FIRST YEAR
FIRST FLOOR
LEGEND 1 ENTRANCE 2 STUDIO / GALLERY 3 KITCHEN 4 DINING 5 LIVING 6 TERRACE 7 UTILITY 8 STORE 9 GARDEN 10 GUEST ACCOMMODATION 11 COURTYARD 12 BEDROOM 13 BATHROOM
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SECTION A-A
SECTION B-B
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SITE
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COURTYARD HOUSE
INTERNAL LIGHT STUDIES
FIRST YEAR
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FIFTH FLOOR
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
reception cafe workshop rehearsal / community administration changing stage side stage green room bar private rehearsal viewing area cinema / multipurpose
FOURTH FLOOR GROUND FLOOR
red kettle theatre
munity
al
urpose
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
A Theatre Within A Theatre
Because of the restricting nature of the site, the concept for the Red Kettle Theatre is to compress the idea of the typical theatre; allowing it to expand vertically. The result is a greater urban presence, and a bold symbol for the Red Kettle Theatre company.
By placing the theatre at the waterfront, it addresses an existing performance space on the quays while also acting as a turning point between this space and the site. At night, the boundary between city and theatre is blurred as the theatre becomes a fly tower to the city with the theatre goers inside becoming ‘performers’. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
SECOND FLOOR
reception cafe workshop rehearsal / community administration changing stage side stage green room bar private rehearsal viewing area cinema / multipurpose
This transparency also allows the city to become the back drop for the activities within thus connecting the Red Kettle Theatre company back to the people of Waterford.
FIRST FLOOR
AA
1:200
1:200
The brief for this project was to create a new home for the Red Kettle Theatre company on the quays in Waterford city. The theatre company focuses on brash, in-your-face style productions AAso I felt that the design should be in keeping with this etiquette.
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1:200
SW
reception cafe workshop rehearsal / community administration changing stage side stage green room bar private rehearsal viewing area cinema / multipurpose
RED KETTLE THEATRE
SECOND YEAR
1:200
SW VIEW FROM PLAZA
ch
ICE MODEL
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ICE MODEL
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1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
reception cafe workshop rehearsal / community administration changing stage side stage green room bar private rehearsal viewing area cinema / multipurpose
AA
1:200
ELEVATION
1:200
SECTION BB
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
1:200
BB
1:200
CONCEPT
AA
SECTION SKETCH
reception cafe workshop rehearsal / community administration changing stage side stage green room bar private rehearsal viewing area cinema / multipurpose
RED KETTLE THEATRE
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SECOND YEAR
roof level
roof level
FFL 3rd floor
FFL 3rd floor
aluminum face plate
FFL 2nd floor
FFL 2nd floor
FFL 5th floor
FFL 5th floor
FFL 1st floor
FFL 1st floor
FFL 4th floor
FFL 4th floor
18mm
weatherproof membrane insulation vapour control layer tegral structural deck profile steel girder insulation suspended perforated aluminum ceiling
5mm 100mm 50mm 1600 x 300mm 100mm 3mm
timber floor plywood timber floor joists @ 400 c/c wood floor i-beam screed plywood composite concrete plasterboard paintedfloor i-beam suspended perforated aluminum ceiling
15mm 15mm 400 x 100mm 15mm 400 x 150mm 15mm 15mm 250mm 17mm 500 x 200mm 3mm
plasterboard painted limestone flags insulation adhesive screed concrete separatingstructure layer (polished externally) thermal insulation, expanded polystyrene vapour check concrete slab, waterproof polyethylene sheet thermal insulation, extruded polystyrene blinding layer
17mm 30mm 20mm 30mm 450mm 40mm 300mm 0.2mm 120mm
glazing internal (single) glazing external (double)
10mm 23mm
FFL Ground floor
FFL Ground floor
part elevation 1:20
part section 1:20
aluminum face plate
18mm
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Something For Every Palette Program knockaderry reservoir knockaderry reservoir
The brief for the project was to design a sustainable cookery school on the site of a derelict farm in the rural village of Dunhill. Dunhill is located on the Copper Coast in the south east; approximately 15 miles from Waterford city.
- fishing wildlife - -wildlife boating - -boating
The project aims to be sustainable as possible through the reuse of pallets as a building material, and also through the reuse of existing buildings on the site.
dunhill eco-park dunhill eco-park
- education education - -enterprise - enterprise
dunhill sports centre dunhill sports centre
- gym - gym - sports fields
Materials There are about TWO BILLION pallets in circulation around the globe and about 60% of these are only used once. In Ireland, pallets are used in the transportation of a wide variety of goods including agricultural meals, fencing, farm equipment etc making them readily available. They are relatively cheap and are manufactured in standardized sizes which makes them an ideal building material. They are self structured and the spaces between the pallets can be used to incorporate insulation, structure, services etc. In instances where buildings were demolished due to their derelict state, any salvageable materials were reused in the construction of the cookery school. Water Treatment Waste water from the cookery school is filtered and reused using a reed bed system. This water can be reused to irrigate the crops and vegetables. Rain water is also harvested from the flat roofs where it is drained into a cistern and reused in the toilets. An existing well is used as the main source of water for the house and cookery school.
site
fenor bog fenor bog
- nature reserve - -wildlife habitat nature preserve - wildlife habitat
dunhill dunhill castle castle historical importance - -historical
annestown beach annestown beach
- watersports - watersports - -wildlife wildlife - -geology geology SITE CONTEXT
dunhill cookery school
DUNHILL COOKERY SCHOOL
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THIRD YEAR
EXISTING BUILDINGS
existing well
pallet house
access
ruins of previous dwelling
accommodation courtyard
service yard existing haysheds
cookery school
machinery
car park hidden by existing trees market courtyard
EXISTING SITE
PROPOSED SITE
PRECEDENTS
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orchard
DD
1:100
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A
natural unrefined garden
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greenhouse and stores
C
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recycling garage utility guest accommodation bedroom master bedroom terrace sitting room kitchen dining balcony
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first floor
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1:200
accommodation courtyard
C
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house and guest acco
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service yard
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equpiment storage staff changing general store / shop vegetable preparation area office compost van store machinery store
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temporary market stalls 1 2 3 4 5 6
cookery school reception office preparation kitchen cold room dining hall
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permeable paving
PROPOSED SCHEME
CC
SITE SECTION
1:100
DUNHILL COOKERY SCHOOL
COOKERY SCHOOL ELEVATION
HOUSE ELEVATION
STORE ELEVATION
THIRD YEAR
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DUNHILL COOKERY SCHOOL
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THIRD YEAR
roof construction corrugated metal sheeting ventilation cavity 25mm counter battens 25 x 50mm breather membrane rafter 200mm plywood 15mm plasterboard 15mm
aluminum gutter
wall construction removable pallet breather membrane 2 pallets back to back with insulation vapour barrier plasterboard
steel hook
oor construction timber oor screed 25mm concrete slab 200mm rigid insulation 50mm radon barrier sand blinding hardcore
aluminum upstand
FACADE DETAIL
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garter lane culture centre Studio Aim This project calls for ‘domestic space’ and ‘city space’, spaces for the rituals of family life and spaces for the rituals of urban life. In this semester the studio has an interest in exploring typical space provisions for family apartments and their implication for spatial and living quality.
SITE SECTION
Students were required to work to the Irish sustainable urban housing: design standards for apartments and french apartment standards for affordable housing. Students were also required to take account of the following: EXISTING ELEVATION
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dual aspect orientation of apartments
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flexible living spaces.
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private external spaces to all apartments.
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overlooking to be avoided e.g. through ‘screening’.
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visual connections between private and communal space.
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generosity in dimension and light to communal space.
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exploration of through space. REAR OF SITE
GARTER LANE CULTURE CENTRE
FOURTH YEAR
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redefining the street edge and creating a courtyard with garter lane
permeability: reintroduction of walpole’s court. courtyard can be accessed from every street the scheme fronts
1872 OS TOWN PLAN
Site The site is located on O’Connell Street in Waterford City. It shares a boundary with Garter Lane Theatre and is sided by Sargents Lane and Meeting House Lane. The main characteristic of the site is the drastic 6 meter difference in level between O’Connell Street and Meeting House Lane. Design Intent The concept is based around the opportunity to link into the Garter Lane Theatre to provide a cultural centre for the city. The idea is to create an external space similar to that of Meeting House Square in Temple Bar
where outdoor concerts can take place as well as open-air cinema etc. The scheme also provides the opportunity to expand the gallery space at Garter Lane Theatre which is in very high demand.
as part of the project we had to deal with two neighbouring buildings that had negative facades toward the courtyard. instead of screening the facades i chose to incorporate a café into the ground floor of these buildings so as to provide a positive facade into the courtyard.
Historical maps of the site show the presence of Walpole’s Court, a lane which has since disappeared. I wanted to reinstate this, using it as a point of entrance into the Culture Square. the main part of the scheme is the exhibition space fronting o’connell street which acts as the ‘shop window’. this creates ‘through space’ as passers by can view through the exhibition space to the courtyard beyond, allowing them to see whats happening. theres also room for an external theatre and a movie screen.
GARTER LANE CULTURE CENTRE
CONCEPT
SEIJO TOWNHOUSES
FOURTH YEAR
MEETING HOUSE SQUARE
Apartment Concept The apartments break up the typical apartment block into more individualised units. Seijo Townhouses by Sanaa are an excellent precedent for this. After testing the precedent on the site in Waterford I found that although they provided a certain individuality for each of the owners, the density of the scheme didn’t suit the Irish lifestyle, as green areas were more ornamental in keeping with Asian culture whereas in Ireland green areas are preferred as usable spaces. From the precedent I decided to take the idea of just two apartment blocks with a large common green space between
them. I wanted to create a strong sense of community hence the living spaces in both apartment blocks face each other so as to create a visual connection with users of the scheme. It also provides a certain sense of security. As the apartments are family apartments, an important consideration are the rituals of family life. I considered events such as christenings, communions, confirmations, birthday parties etc etc which are major parts of Irish family life. As a reaction to this I decided to provide the scheme with a communal living space. The idea of this space is that tenants of the apartments can use it for family occasions etc while it also
doubles as a space where neighbours can hang out, converse, watch tv together etc thus helping to create a strong sense of community. Another consideration was the topography of the site. As the site is steeply sloped I chose to have the main access to the apartments from Sergeants Lane. This would mean that despite the apartments being on the first floor, by being accessible from Sergeants Lane, they feel as if they are ground floor apartments.
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D
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B
C
C
D
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SECOND FLOOR D
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C D
A 5 0.00
cafĂŠ 1.00
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1.00
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exhibition
1.50
theatre
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foyer
2.00
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theatre gallery
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side stage 1.00
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key
gallery
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changing
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garter lane store plant substage / store communal living room gallery
changing
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GROUND FLOOR
2
GARTER LANE CULTURE CENTRE
FRONT ELEVATION
SIDE ELEVATION
SECTION C-C
SECTION D-D
FOURTH YEAR
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INTERNAL COURTYARD
VIEW FROM O’CONNELL STREET
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GARTER LANE CULTURE CENTRE
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FOURTH YEAR
pressed metal coping
roof construction
wall construction 20mm 50mm 300mm
cedar facade insulation (counter battens) vapour barrier concrete wall
reflective stone chippings bitumen roofing felt separating membrane 100mm rigid insulation vapour barrier 300mm concrete slab
floor construction cedar flooring screed sound insulation concrete slab
22mm 45mm 30mm 200mm
wall construction 20mm 50mm 300mm
cedar facade insulation (counter battens) vapour barrier concrete slab
floor construction cedar flooring screed sound insulation concrete slab
22mm 45mm 30mm 200mm
wall construction 200mm 10mm 200mm
cast in-situ concrete outer leaf cavity cast in-situ concrete inner leaf
DETAILS
barry mckenna
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t.s.e sharon o’brien
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details assignment
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mediahub
Wireless and DSL Broadband Coverage
² 0
Thesis Abstract
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Scale: 1:1,000,000
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75
100 Kilometers
Legend
with broadband
Areas that are currently served by broadband service providers, as of June 30 2008
without broadband
The remaining areas where no service is currently provided
My final year thesis examined the role that Information and Communication Technology (ICT) has in today’s society. My thesis began by questioning the need for public libraries in an age where information is vast and readily available online. If people can access a world of information from the latest mobile devices, what use does a library have?
Project co-funded by the Irish Government and the European Union in association with the Department of Communications, Energy and Natural Resources
This indicative map has been developed having regard to the information available to the DCENR (based on information received from Service Providers) at the time of issue. For additional information please see the supporting document on mapping.
However, the rise of ICT thought by many to threaten the public library, has in fact given it a new lease of life. Libraries have become more open and interactive; a digital market place where readers become navigators of electronic systems. Despite these advances, libraries still mainly facilitate in the consumption of knowledge. As my research suggested, ICT has unearthed a desire in society to produce media as well as consume it. Therefore, in order to fully provide for the needs of today’s digital citizen, libraries must provide its users with the ability to generate content as well as consume it. My research findings seek not only to redefine the library as a MediaHub, but also to look at its identity as an institution within modern society by imagining a proposal for the future. I define the MediaHub as a social and intellectual commons where information is discussed, shared, and created through the use of all media technologies.
ICT provides us with the ability to learn, communicate, shop, publish, socialize at the click of a button. As a result, everyday life has become a superimposition of real and virtual worlds, leading to new forms of social interaction. We can now be physically somewhere while at the same time, via a mobile Internet connection, we can be virtually somewhere else.
The library has been seen as the solution once again to bridge this digital divide by providing users with access to basic computer facilities. By embracing ICT as an opportunity rather than a threat, libraries are beginning to free themselves from an old design stereotype that saw them as being mainly repositories of knowledge. They are evolving into communication hybrids as they begin to incorporate theatres, cinemas and exhibition spaces among other things.
Maps Prepared Based on Information Available to DCENR and data from Ordnance Survey Ireland License No. EN0047207. Data Compiled and Map Produced by ESRI Ireland 2008 Note: The data in this map is for reference only, urban and vegetation effects on signal have not been taken into consideration, transmission anomalies may also occur in certain areas and from transmission equipment.
From the advances of ICT comes a new form of marginalization termed the digital divide. This difference between the Internet-haves and havenots is increasing existing forms of inequality and social exclusion. The lack of ICT infrastructure is one of the main reasons why many rural communities are experiencing the digital divide. August 22 2008
MEDIAHUB
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FIFTH YEAR
auditorium - workshops, expos, live music shows genius bar provides technical support
DIGITAL HUB
studio bar provides users with ‘creative’ support for media projects FUN PALACE APPLE STORE
product display area provides users with internet access
POMIPDOU CENTRE
My research suggests that ICT has unearthed a desire in society to produce media as well as consume it. Therefore, in order to fully provide for the needs of today’s digital citizen, libraries must provide its users with the ability to generate content as well as consume it. I believe that the Apple Store, Fun Palace and Digital Hub are interesting typologies that the library can learn from. Apple stores provide computer workshops and tutorials on the latest software. The Fun Palace provided users with a whole range of activities where learning was done through interaction and observation. Designed as a flexible structure, the Fun Palace also allowed users to adapt and shape their own environments to satisfy their own particular needs. Renzo Piano and Richard Rogers took great inspiration from the Fun Palace when designing the Pompidou Centre in Paris. The Digital Hub promotes digital media by providing digital media courses as well as incubator spaces for business start-ups.
MIXING CHAMBER
My design proposal seeks to create an amalgamation of what I consider to be the most appropriate parts of the studied precedents: combining public library, Apple Store, Fun Palace and Digital Hub in the form of a ‘MediaHub’. At the heart of the MediaHub is the Mixing Chamber, an information bar, where all forms of technology come together, providing patrons with the ultimate information resource. The area contains computer stations for light browsing, a lounge area to read newspapers and magazines, computer labs providing advanced I.T users with the latest technology, and a reference area for those wishing to search the MediaHub for specific information.
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Site The site for the MediaHub is located in the Ilac centre on Moore Street. as the site is located in a busy shopping centre, and is adjacent to Henry Street, it exposes the MediaHub to a more diverse user type. The area is also rich in culture primarily due to the ethnic diversity in the locale. The MediaHub would be an invaluable asset as the services currently provided by the Ilac Library are very limited and in great demand. In addition to this, Moore Street has recently become home to number of multi-ethnic businesses, many of which are computer orientated. Both entities would benefit from being in close proximity to each other as this lends itself to integration, sharing of resources and up-skilling. In my opinion locating the MediaHub on Moore Street, can promote the regeneration of an area that is becoming increasingly neglected. As Henry Street and Moore Street are primarily made up of retail outlets, the area becomes desolate and unfriendly at night-time. The situation
is not helped by the Ilac Centre which becomes an impermeable block once it closes its doors in the evening. Therefore, one of the first decisions I made in terms of urban design was to externalise the Ilac (right), thus returning its internal routes back into the streets from which they came. I feel that this promotes the Parnell Street area and complements popular pedestrian routes between Temple Bar and Henry Street. Finally, the MediaHub on Moore Street provides vital services for less privileged members of society, particularly those in the social housing developments on Dominic Street and surrounding areas. There is a risk of these communities being marginalised further as they lack the technological hardware required to become a digital citizen resulting in a digital divide. Through the MediaHub, this can be avoided. Without doubt the fundamentals of the Moore Street site make it an ideal location for this new and exciting proposal.
MOORE STREET
ILAC EXTERNALISED
ILAC EXTERNALISED
MEDIAHUB
FIFTH YEAR
ILAC FRONT ONTO MOORE STREET
proposed cultural quarter in parnell square
ilac shopping centre
temple bar
cultural
shopping centre
education
theatre
social housing
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Concept The concept was to introduce a social element to the traditional library and thus make the MediaHub as much about the social interaction it encourages as well as the information it provides. As the site is located on Moore Street, the ground floor is a permeable flexible space where exhibitions and markets can take place. By encouraging people to pass through the MediaHub, they become aware of the happenings and opportunities within. A large central atrium visually connects the spaces thus creating an awareness between the different program elements. I also developed the concept of organising the mediahubs program on a ramp so as to break the barriers that traditional floors create. This encourages vertical movement up through the mediahub to further encourage exploration. EARLY SKETCH EXPLORING THE CONCEPT OF A MARKET SPACE AT GROUND LEVEL
SECTION EXPLORING THE RELATIONSHIP BETWEEN THE INTERNAL AND EXTERNAL PUBLIC SPACES
MEDIAHUB
CONCEPT SKETCH
FIFTH YEAR
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Ground Floor 1:200 1 2 3 4 5 6 7 8 9
flexible market space newspapers and magazines mixing chamber print and binding shop delivery store internet cafĂŠ store kitchen pixel plaza
B-B
MEDIAHUB
FIFTH YEAR
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EAST ELEVATION
SECTION A-A
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MEDIAHUB
FIFTH YEAR
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SOUTH ELEVATION
SECTION B-B
SECTION C-C
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MEDIAHUB
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FIFTH YEAR
Detail
Detail
02
01
1
3
5
4
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Detail 01 1:5 1 2 3
roof construction 50mm white limestone slab 20mm bed of mortar 80mm reinforced screed 15mm drainage mat 150mm rigid insulation 3-layer bitiminous membrane 350mm concrete slab suspended ceiling
skylight frame pressed metal coping aluminum gutter
Detail 1
03
5
2
4
wall construction 4 aluminum cladding 25mm cavity 70mm rigid insulation waterproof layer 225mm concrete wall
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blind
Detail
4
04 aluminum glazing
5 5
Detail 02
4
1:5 1 2 3 4 5
pressed metal coping aluminum gutter decentralised hvac unit blind aluminum transom
3
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Typical Section 1:20
1
1 2 3 4 5
wall construction aluminum cladding 25mm cavity 70mm rigid insulation waterproof layer 225mm concrete wall
cinema entrance air curtain decentralised hvac unit adult reference
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3
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wall construction mortar coat (waterproof) peripheral insulation with drainage grooves bitumen concrete wall plaster
Detail 03 1:5 1 2 3
decentralised hvac unit aluminum transom blind 1
floor construction walnut flooring raised access floor screed 80mm separating layer insulation 150mm dpc concrete slab 350mm lean concrete 200mm
1
2
Detail 04 1:5 1 2
decentralised hvac unit external light
soffit construction suspended soffit: aluminium mesh on steel support 70mm rigid insulation waterproof layer 300mm concrete slab raised access floor construction walnut flooring
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INTERNAL
SERVICE CORE
RAMPS
MEDIAHUB
FACADE
FIFTH YEAR
COMPLETE
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VIEW FROM MOORE STREET
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FIFTH YEAR
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LIFE DRAWING
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LIFE DRAWING
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MODELS
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MODELS
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RED KETTLE THEATRE
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MODELS
PALLET FACADE
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60
DUNGARVAN HISTORY MUSEUM
BARRY MCKENNA
PORTFOLIO
MODELS
DUNGARVAN HISTORY MUSEUM
61
62
BARRY MCKENNA
SPORTSHALL GLULAM EXPLORATION
PORTFOLIO
MODELS
SPORTSHALL GLULAM EXPLORATION
63
64
BARRY MCKENNA
PORTFOLIO
65
cv
03
selected projects
07
life drawing
47
models
53
furniture
65
66
BARRY MCKENNA
PORTFOLIO
FURNITURE
67
68
BARRY MCKENNA
PORTFOLIO
BM
BM