Spatial Design Portfolio
IMPACT Romench Galsim Bautista
IMPACT SERIES
UKIYO
浮世
"The Floating World" refers more to a
state
moment,
of
being:
being
living
detached
in from
the the
bothers of life.
INFLUENCE i enjoy understanding and appreaciating art, architecture and design especially during my basic years at spatial design. It allowed me to gain a new sensitivity and also cater to people from how they react and fill up the void in the spaces we have.
With reference to my Historical studies during my first year, i came across the word UKIYO and this word allowed me to understand the state of people. If we live in the moment in the spaces and the problems away. It sparks a question that i cannot answer due to the
SLICING UP THE CITY
PROJECT: STUDIO 02:2020 SITE:CLEAMENCEAU AVE-BRAS BESAR MEDIUM: PHOTOSHOP YEAR: 2020
IMPACT SERIES
STUDIO 02:2020
IMPACT SERIES
INTRO "This is my take and yours will differ."
ROMENCH G. BAUTISTA MULTI-DISCIPLINE DESIGNER
ABOUT ME ABOUT MY JOURNEY
IMPACT SERIES
PROJECT: VERTICAL TRAVEL SITE: SAN FRANCISCO MEDIUM: PHOTOSHOP & IPHONE YEAR: 2019
CREATIVE SKILLS Design Skills:
TECHNICAL SKILLS Visualisation
Active Design Thinking
Videography
Design Decision making
Photgraphy
History and Design Research
Colouring Model Making Usage of Softwares
Communication: Exploration and Visual Communication
Adobe
Sketches
Photoshop
Journalism
Indesign
Layering and Compilation of data
Premier Pro
Publicity Editing Create a identity
Digital Modelling
Public Speaking
3Ds Max
Client Management
Revit
Project Management
Autocad Sketchup Solidworks
WHERE TO GO
C O N T E N T CONTENT
WHAT IS THERE TO FIND
IMPACT SERIES
SECTION 1. DESIGN THINKING SECTION 2. ARCHI VISUALISATION SECTION 3. DRAWING & MODELLING SECTION 4. VISUAL COMMUNICATION
CONTENT
STUDIO WORKS
DESIGN THINKING
SECTION 1. DES
SECTIONAL DRAWINGS EXPLORATION AND CHAOS DRAWINGS LAYERED DRAWINGS ARCHITECTONIC MODEL STUDY
IMPACT SERIES
SIGN THINKING HAVING INTEREST IS ONE STORY BUT PURSING INTEREST IS A DREAM.
FOR
FORTITUDE,
ROMENCH HE
HAD
DESIGN
TROUBLE
WAS
NEVER
EXPRESSING
ALWAYS IDEAS
A
AND
MAKING PEOPLE UNDERSTAND WHAT HE HAD. IN SPATIAL DESIGN HE FOUND OUT THAT DESIGN IS NOT ALL ABOUT AESTHETICS AND THERE ARE CONCEPTS OF EXPLORATION WHICH ARE RADICAL, FUN AND ENJOYABLE, ESPECIALLY IN STUDIO
WHERE
HE
LEARNT
THAT
IN
THIS
WORLD
THE
ESSENSE OF SPACES AND PEOPLE ARE DIFFERENT. HIS WAYS OF EXPLORATION WAS CONDONED IN STUDIO AND ALSO WITH THE GUIDANCE OF HIS MENTOR WAYNE NEO, CURATE HIS FINDINGS AND DESIGN FROM THERE ONWARDS. DESIGN THINKING IS A PROCESS OF SEEING THE UNSEEN.
STUDIO STAGE
DESIGN THINKING.
STUDIO 04
10
IMPACT SERIES
RIGHT VIEW
FRONT VIEW FAC ACA AC CADE
PROJECT: SITE: MEDIUM:
PROJECT INTERCEPT CLEAMENCEAU AVENUE MULTIMEDIA(SKETCHUP AND ADOBE CREATIVE SUITE)
YEAR:
2021
11
STUDIO 04 STAGE
DESIGN THINKING.
LEVEL 3 IN NTERIOR PERSPECTIVE FAC ACA AC CADE
LEVEL 3 INTERIOR VIEW
12
PLAN VIEW
DESIGN THINKING.
STUDIO 02 STAGE
T R A F F I C
Y O U T H
N E W
P O P U L A T I O N D E N S I T Y
D E V E L O P M E N T
P O P U L A T I O N
"SEEKING TO EXIST WITH THE THINGS AROUND US, MAKING A PROMINENT DESIGN WHICH RELATES BACK INTO THE SITE." 13
A0 PRESENTATION BOARD
PROJECT: SITE: MEDIUM:
PROJECT INTERCEPT CLEAMENCEAU AVENUE MULTIMEDIA(SKETCHUP AND ADOBE CREATIVE SUITE)
YEAR:
2021
14
DESIGN THINKING.
TYPOLOGIES & PROJECT PROVENANCE
"THE MERGER OF EXISTING SPACES AND ACTIVITIES INTO SITE. " 15
STUDIO STAGE
DESIGN THINKING.
STUDIO 03
16
CONTENT
GRIP AND VALIDATE
IMPACT SERIES
3D MAX RENDER
MODULE A & B 17
DESIGN THINKING.
STUDIO 03 STAGE 01
THE COMPILATION OF THE 10 STILLS ABOVE 01. GRIP AND VALIDATE STILLS 02.COLLAGE OF STILLS 03.DRAWING PLAN 04. DRAWING SECTION
PROJECT: SITE: MEDIUM: YEAR:
18
PROJECT MULTITUDE , GRIP & VALIDATE DRAWING, PHOTOSHOP 2020
WATCH Verbs Grip & Validate
CONTENT
IMPACT SERIES
05. BLUE FOAM MODELS 06. EXPLORATION OF INTERTWINE
"Choose two random verbs with no relation and no context. Then create a short 2 min film video on how to demonstrate such using sounds visuals textures free of creativity but not showing the literal action. The images above are taken from the 1 minute video afterwords
transferred it
into black and white. I
chose to use the images in black and white as a
"THE PROCESS OF EXPLORATION GIVES NEW OPENINGS AND EVOLUTION"
opportunity to create a compilation and layering i wanted to produce something from that itself.
19
STUDIO 03 STAGE 07
IMPACT SERIES
07. MODULE IN SITE. CATERING TO THE SITE
VISIT THE IN DEPTH STUDY AND EXPLORATION FOR THIS PROJECT
20
IMPACT SERIES
STUDIO 03 STAGE 08
08. THE EMERGENCE AND SPATIAL QUALITY
PROJECT: SITE: MEDIUM:
PROJECT MULTITUDE ACE THE PLACE WOODLANDS MULTIMEDIA(3D MAX, AUTODESK AND ADOBE CREATIVE SUITE)
YEAR:
2020
"THE MODULES ARE COMPLIMENTARY TO THE SPACE, THEY ARE SITE SPECIFIC BUT DO NOT HINDER FROM FUNCTION" 21
STUDIO STAGE
DESIGN THINKING.
STUDIO 02
22
IMPACT SERIES
01. THE SPLITUP OF TYPOLOGIES 02. REINVENTION OF DESIGNS 03. OVERALL EXPERIENCE
PROJECT: SITE: MEDIUM:
PROJECT PROVENANCE BRAS BESAR COMPLEX MULTIMEDIA(SKETCHUP AND ADOBE CREATIVE SUITE)
YEAR:
2019
23
STUDIO 02 STAGE
04. THE SECTIONAL VIEWS
24
DESIGN THINKING.
05. PLAN VIEW 06. GENERAL FLOW OF THE EXPERIENCE
STUDIO 02 STAGE
DESIGN THINKING.
07. THE LOCATION STUDY 08.THE AREA THE EXIBITION WILL BE PLACED AT
We were tasked to create a space which is on the site of Bras Besar Complex. Studying existing factors and circulation of people and etc. Our designs must be similar of feel for the typologies, Malay House, Chinese Shophouses, Black and White House and HDBS. My design was made to make the feel the same but the demonstration and journey through the exhibition would be different from the typologies because its about the similar experience but new twist to it.
"EXPERIENTIAL DESIGN WAS THE FOCUS. HOW DOES ONE MAKE THE LITERAL ILLITERAL?" 25
A0 PRESENTATION BOARD
PROJECT: SITE: MEDIUM:
PROJECT PROVENANCE BRAS BESAR COMPLEX MULTIMEDIA(SKETCHUP AND ADOBE CREATIVE SUITE)
YEAR:
2019
26
DESIGN THINKING.
TYPOLOGIES & PROJECT PROVENANCE
MALAY KAMPUNG
BLACK AND WHITE
OLD HDB
SHOPHOUSES "IN EXPERIENTIAL DESIGN, HOW DO YOU INVOKE EMOTIONS WHICH WERE OF THE PAST TO THE CURRENT" 27
INSERT MEDIUM HERE
ARCHI-VIS.
SECTION VISUALI SKETCHUP 3DMAX VRAY REVIT AUTOCAD
28
IMPACT SERIES
2. ARCHI SATION
ARCHITECTURE
VISUALISATION
IS
THE
PROCESS OF ILLUSTRATION OF DESIGN OR CONCEPTS
THROUGH
SOFTWARES
AS
A
MEDIUM. AS A 21ST CENTURY DESIGNER WE HAVE TO STAY RELEVANT AND THIS SKILLS FROM SOFTWARES WE LEARN IN SCHOOL IS A DEMONSTRATION OF OUR CAPABILITY TO EXPRESS
IDEAS
AND
QUALITY
AS
A
DESIGNER. IN PURSUIT TO ALWAYS STAY RELEVANT IN THIS EVER CHANGING AND GROWING INDUSTRY.
29
SOFTWARES
ARCHI-VIS
DIGITAL MODELLING
30
MEDIUM: 3DS MAX
IMPACT SERIES
LIVING ROOM
BEDROOM 1 3D MAX PROJECT, CREATING A INTERIOR SPACE WITH A COSY,WARM AND WELCOMING FEEL WAS THE DESIGN INTENT 31
ARCHI-VIS
MEDIUM: 3DS MAX
KITCHEN INTERIOR RENDERS & THEME
PROJECT: SITE: MEDIUM: YEAR:
32
A HOUSING UNIT WITH FURNISHED INTERIOR 3D MAX AND VRAY RENDERING 2020
IMPACT SERIES
GUEST TOILET SPECIFIC AREAS OF THE HOUSE
"USAGE OF TILES, MONOCHROME AND WARM COLOURS COMPLIMENT THE UNITS AND SPACES ALL TOGETHER" 33
COMMERCIAL PROJECT
LOUNGE AREA 01. RENDERS AND LAYOUT OF THE SPACE
PROJECT: SITE: MEDIUM:
PROJECT MANAGEMENT ORCHARD ROAD 3D MAX , VRAY RENDER & AUTOCAD
YEAR:
2020
34
ARCHI-VIS
IMPACT SERIES
CONSULTATION ROOMS
SOFA AND GUEST AREA
"ORGANIC ELEMENTS FUSE WITH LUXURY TO CREATE A FUNCTIONAL SPA SPACE WHICH CATERS TO HIGH END CUSTOMERS." 35
INSERT MEDIUM HERE
DRAWING & MODELLING
SECTI DRAW MODE SECTIONAL DRAWINGS EXPLORATION AND CHAOS DRAWINGS LAYERED DRAWINGS ARCHITECTONIC MODEL STUDY 36
IMPACT SERIES
ON 3. ING & LLING
HAVING
INTEREST
PURSING
IS
INTEREST
ONE
IS
A
STORY
BUT
DREAM.
FOR
ROMENCH DESIGN WAS NEVER ALWAYS A FORTITUDE, HE HAD TROUBLE EXPRESSING IDEAS AND MAKING PEOPLE UNDERSTAND WHAT FOUND
HE
HAD.
OUT
ABOUT
IN
THAT
SPATIAL DESIGN
AESTHETICS
CONCEPTS
OF
RADICAL,
IS
AND
NOT
THERE
EXPLORATION
FUN
DESIGN
AND
HE ALL ARE
WHICH
ARE
ENJOYABLE,
ESPECIALLY IN STUDIO WHERE HE LEARNT THAT
IN
THIS
WORLD
THE
ESSENSE
OF
SPACES AND PEOPLE ARE DIFFERENT. HIS WAYS OF EXPLORATION WAS CONDONED IN STUDIO AND ALSO WITH THE GUIDANCE OF HIS
MENTOR
FINDINGS
WAYNE
AND
NEO,
DESIGN
CURATE FROM
HIS
THERE
ONWARDS. DESIGN THINKING IS A PROCESS OF SEEING THE UNSEEN.
37
GRIP AND VALIDATE
03. THE INTERCEPTIONS
PROJECT: SITE: MEDIUM: YEAR:
38
04. THE CHAOS AND PEACE
PROJECT MULTITUDE 3D MAX , VRAY RENDER 2020
ARCHI-VIS
05. THE CONSOLIDATION
IMPACT SERIES
SECTIONAL DRAWING 02. sECTIONAL DRAWING OF THE ENVIRONMENT , CREATING SPACE
"HOW DO YOU USE UNCONVENTIONAL METHODS AND VISIONS FROM NOTHING. HOW DO WE CREATE A SPATIAL QUALITY FROM A PLAN" 39
IMPACT SERIES
06. THE 3D OF THE SECTION, CREATING OBJECT
"THE INTERCEPTION ALLOWS US TO SEE BEAUTY AND OBSERVE FROM ANGLES INACCESSIBLE BY MODEL MAKING" 40
ARCHITECTONICS
01. THE CONCEPT
02.THE EXECUTION
ARCHI-VIS
03. REASONS AND QUALITY OF SPACE
PROJECT: SITE: MEDIUM:
ARCHITECTONICS MODEL UHU GLUE,BALSA WOOD, PAPER AND CLOTH
YEAR:
2020
41
IMPACT SERIES
THE DESIGN ALLOWS AND ATTEMPTS TO MAKE ALL THE 3 STRUCTURAL QUALITIES MERGE
INTO
ONE
FUNCTIONAL
SPACE.
USING THE DIAGRID SYSTEMS TO HOLD THE OVERAL STRUCTURE, ONE WAY FRAME TO SHOW
A
SENSE
OF
DIRECTION
AND
A
BARREL VAULT WHICH EMCOMPASSES THE WHOLE SPACE.
"CREATING SPATIAL QUALITY USING STRUCTURAL METHODS WHICH HELP TO MAKE DESIGNS TO REALITY, STRUCTURES INTO BUILDINGS AND IDEAS TO SPACES" 42
UTOPIA MODEL
PROJECT: SITE: MEDIUM:
UTOPIA MODEL MAKING UHU GLUE,BALSA WOOD, PAPER AND CLOTH, PAINT ETC.
YEAR:
2019
43
ARCHI-VIS
IMPACT SERIES
THE
PROJECT
WAS
ABOUT
CREATING
A
UTOPIA SPACE. I TOOK IT AS A CHALLENGE TO DEMONSTRATE THE CHANGES AND HOW SOCIETY WORKS IN THE CURRENT DAY AND HOW IT WILL BE IN MY OWN IDEOLOGY. I ALWAYS FELT THAT THE INTEGRATION OF PEOPLE
FROM
CULTURES,
HABITS
AND
DIFFERENT PROFFESSIONS ALLOW FOR A MUTATION AND A CAGE EFFECT THAT WE ARE ALL PRECONCEIVED IN. HOWEVER THIS INTEGRATION DIFFERENT
CAUSES
THINKING
OVERWHELMING.
SO
CONFLICTS WHICH
LIKE
AND
MAY
SEEDLINGS
BE IN
THE FOREST WHICH COMPETE TO GET THE MOST SUNLIGHT, THE CITY IS GROWING OUT OF THE CAGE WHICH ALLOWS FOR A NEW CITY AND NEW TOWNS, GROUPS OF PEOPLE WHO THINK THE SAME TO EMERGE. THE UTOPIA OF FREEDOM OF CHOICE,
"WHAT IS UTOPIA? WHAT IS YOUR DISTOPIA? PERSONALLY BOTH OF THIS ASPECTS ARE LIKE IN A BALANCING SCALE, THEY EXIST TO CONTRADICT EACH OTHER BUT MAKE A SOCIETY" 44
SCALED MODEL MAKING
ARCHI-VIS
01. 3D SCALLED MODEL USING ANY MATERIAL WHICH WE CAN USE TO DESIGN THE SPACE.
PROJECT: SITE: MEDIUM:
SCALED MODEL MAKING UHU GLUE,BALSA WOOD, PAPER AND CLOTH, PAINT & CARDBOARD ETC.
YEAR:
2019
45
SCALED MODEL MAKING
IMPACT SERIES
THE INTERIOR DETAILS, TESTING ON SCALE AND PROPORTION AND THE WORKMANSHIP
fOR THIS WORK I FEEL LIKE IT IS A TESTAMENT OF MY WORKMANSHIP.
I
SCORED
A
DISTINCTION
FOR
MY
MODEL MAKING MODULE BECAUSE OF THE DETAILS AND THE CAPABILITY TO THINK OR OTHER WAYS TO MAKE CUSTOM SCALLED FURNITURE AND DESIGNS. THE MODEL IS SCALLED TO REAL LIFE HENCE IF A CLIENTR WITH THE SAME BUILDING WERE TO ASK FOR THE MODEL AND DESIGN THIS PRODUCT THIS MODEL IS ACCURATE.
"SPACES NORMAL TO SCALE , FUNCTIONAL AND WITHIN THE REQUIREMENTS... IS THAT WHAT DESIGN IS ALL ABOUT JUST MAKING THE AESTHETIC AND FUNCTIONAL?" 46
MODEL MAKING
ARCHI-VIS
01. 3D SCALLED MODEL USING ANY MATERIAL WHICH WE CAN USE TO DESIGN THE SPACE.
PROJECT: SITE: MEDIUM:
SCALED MODEL MAKING UHU GLUE,BALSA WOOD, PAPER AND CLOTH, PAINT & CARDBOARD ETC.
YEAR:
2021
47
MODEL MAKING
IMPACT SERIES
THE INTERIOR DETAILS, TESTING ON SCALE AND PROPORTION AND THE WORKMANSHIP
FOR THIS MODEL STUDIES MY CHOSEN 3 WERE FOLDED PLATES, SHELL STRUCTURES AND TENSILE MEMBRANES. THE WHOLE MODEL CONCEPT WAS ABOUT CREATING A FREE SPACE WHERE THERE IS A CERTAIN LEVEL OF PRIVACY AND TRANSPARENCY FROM THE OUTDOOR FROM INDOOR. I CREATED THE TENSILE MEMBRANE WHICH PROVIDES SHELTER FROM THE ELEMENTS BUT MADE IN A FABRIC LIKE MATERIAL TO SHOW THE TENSIONAL FORCES ALL CONNECTED TO ONE SINGLE POINT. THE SHELL STRUCTURE WHAT PROTECTS AND PROVIDE A MORE SECLUDED AND PRIVATE SPACES FOR USERS HENCE I USED A TRANSLUCENT MATERIAL AND LASTLY THE FOLDED PLATES AS A BLUE PAPER WHICH WILL ALLOW BLUE LIGHT TO ENTER THE INTERIOR AS WELL AS PROVIDE STRUCTURAL AND SPATIAL QUALITY.
"USE MY UNDERSTANDING OF SPACES, SHAPES,FORMS AND IMPLEMENTATION TO CREATE A BUILDING THAT REPRESENTS ME." 48
INSERT MEDIUM HERE
VISUAL COMMUNICATION
SECTI VISU COMMUN SECTIONAL DRAWINGS EXPLORATION AND CHAOS DRAWINGS LAYERED DRAWINGS ARCHITECTONIC MODEL STUDY 49
IMPACT SERIES
ON 4. UAL NICATION VISUAL COMMUNICATION HAS ALWAYS BEEN A OUTPUT OF ROMENCH IN TERMS OF IDEAS AND DESIGN. STANDING BY THE QOUTE "LESS TALKING MORE DOING" . HIS
VISUAL
COMMUNICATION
JOURNEY
STARTED
FROM
PHOTOGRAPHY AT THE AGE OF 13 AND HE EXPLORED THIS AND CREATED A PORTFOLIO OF PLACES HE HAS BEEN, STORIES
HE
WANTS
TO
EXPERIENCED.SUBSEQUENTLY UP
MANY
SKILLS
TELL AS
OUTSIDE
AND THE
MEMORIES
YEARS
GO
PHOTOGRAPHY
BY,
HE HE
VISIT:
TOOK
WHICH
Romench
HELP HIM RECALIBRATE HIS SENSITIVITY AND ALLOW HIM
(Mico)Bautista
TO SEE THE UNSEEN MUCH CLEARER.
50
TYPE: ENVIRONMENTAL SITE STUDY
IMPACT SERIES
VISIT:
51
FOR THE FULL SITE STUDY SERIES
SITE STUDY MAGAZINE
TYPE: ENVIRONMENTAL SITE STUDY
MARINA ONE
VISUAL COMMUNICATION
52
TYPE: ARCHITECTONICS
IMPACT SERIES
VISIT:
53
FOR THE FULL SITE STUDY SERIES
SITE STUDY VISUALISATION
TYPE: ENVIRONMENTAL SITE STUDY
JEWEL SINGAPORE MAGAZINE STUDY
VISUAL COMMUNICATION
54
IMPACT SERIES
55
ARCHITECTONIC JOURNAL
TYPE: ARCHITECTONICS
ARCHITECTONIC JOURNAL
VISUAL COMMUNICATION
56
TYPE: STREET/ARCHITECTURE
57
VISUAL COMMUNICATION
SINGAPORE ION
IMPACT SERIES
"PERPECTUAL PERSPECTIVES AND PENETRATION OF COLOURS" SLICE UP SINGAPORE CITY
58
TYPE: STREET/ARCHITECTURE
VISUAL COMMUNICATION
VISIT:
59
MIK1NGK0NG VSCO for more
SINGAPORE MUSEUMS
IMPACT SERIES
"LIGHT AND REFLECTION WHICH ELEVATE DIFFERENT QUALITIES OF THE SPACE THROUGHO UT THE DAY"
CALIFORNIA
60
TYPE: MUSEUMS
VISUAL COMMUNICATION
VISIT: MIK1NGK0NG VSCO for more
61
LACMA LOS ANGELES
IMPACT SERIES
CITY OF ANGELS
62
IMPACT SERIES
63
CHINATOWN SINGAPORE
TYPE: STREET/ARCHITECTURE
VISUAL COMMUNICATION
"DETAILS AND PRECISION ALLOW TO THE STORY TELLER TO CREATE SPACES WHICH WOWS" VISIT:
B&W SERIES
MIK1NGK0NG VSCO for more
64
IMPACT SERIES
VISIT: MIK1NGK0NG VSCO for more
65
PANGASINAN PHILIPPINES
TYPE: STREET/ARCHITECTURE
VISUAL COMMUNICATION
"TEXTURE PLAY AND MIRROR EFFECTS CREATING A NEW DIMENSION" VISIONS
66
IMPACT SERIES
VISIT MY ARCHITECTONICS JOURNAL: https://issuu.com/romench bautista/docs/journal_1_ar chitectonics_compressed
67
UMBRELLA SOCIETY
TYPE: ARCHITECTONICS
UMBRELLA SOCIETY
VISUAL COMMUNICATION
68
CONTENTS: MULTIDISCIPLINARY DESIGNER
BIOGRAPHY.
IMPACT "The action of one object coming forcibly into contact with another."
IMPACT PORTFOLIO BY ROMENCH BAUTISTA IS A TESTAMENT AND A BIOGRAPHY OF HIS JOURNEY AS A DESIGNER IT'S ABOUT PRACTICING AND HIS EXPLORATION OF BEING LOST AND FINDING THE ESSENSE OF THINGS PEOPLE AND SPACES THAT CAN'T BE SEEN OR FELT AS IT IS.
ITS THE BIOGRAPHY OF HOW HIS DESIGN SENSITIVITY AND CURIOUSITY GIVE HIM NEW OUTCOMES AND NEW PRODUCT. IT IS THE JOY AND THE IMPACT HIS DESIGNS WILL MAKE FOR THE PEOPLE.
.
CREATED BY ROMENCH BAUTISTA
IMPACT SERIES
THE JOURNEY IS JUST BEGINNING
VISIT ROMENCH BAUTISTA BEHANCE PORTFOLIO
CONTACT INFORMATION +65 9101 7850 romenchgalsimbautista@gmail.com www.linkedin.com/in/romenchbautista Singapore,Singapore
JANUARY 2021
PORTFOLIO '21
CONTACT INFORMATION +65 9101 7850 romenchgalsimbautista@gmail.com www.linkedin.com/in/romenchbautista Singapore,Singapore
JANUARY 2021