On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have a view of the Tyrrhenian Sea, she can’t stand that he knows more about Casa Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa. The daughter of an American-born Chinese mother and a blue-blooded New York father, Lucie has always sublimated the Asian side of herself, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton, where Lucie is weekending with her new fiancé, she finds herself drawn to him again. Soon, Lucie is spinning a web of deceit that involves her family, her fiancé and ultimately herself, as she tries to deny George entry into her world – and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' story lines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
InWhat if Elizabeth Macarthur—wife of the notorious John Macarthur, wool baron in the earliest days of Sydney—had written a shockingly frank secret memoir? And what if novelist Kate Grenville had miraculously found and published it? That’s the starting point for A Room Made of Leaves, a playful dance of possibilities between the real and the invented. Marriage to a ruthless bully, the impulses of her heart, the search for power in a society that gave women none: this Elizabeth Macarthur manages her complicated life with spirit and passion, cunning and sly wit. Her memoir lets us hear—at last!—what one of those seemingly demure women from history might really have thought. At the centre of A Room Made of Leaves is one of the most toxic issues of our own age: the seductive appeal of false stories. This book may be set in the past, but it’s just as much about the present, where secrets and lies have the dangerous power to shape reality. Kate Grenville’s return to the territory of The Secret River is historical fiction turned inside out, a stunning sleight of hand by one of our most original writers.
Tom and Clara are two struggling academics in their mid-thirties, who decide to take their first holiday in ten years. On the flight over to Indonesia, Tom experiences a debilitating panic attack, something he hasn’t had in a long time, which he keeps hidden from Clara. At the resort, they meet Madeleine, a charismatic French woman, her Australian partner, Jeremy, and five-year-old son, Ollie, and the two couples strike up an easy friendship. The holiday starts to look up, even to Tom, who is struggling to get out of his own head. But when Clara and Madeleine become trapped in the maze-like grounds of the hotel during ‘the fogging’ — a routine spraying of pesticide — the dynamics suddenly shift between Tom and Clara, and the atmosphere of the holiday darkens. Told with equal parts compassion and irony, and brimming with observations that charm, illuminate, and devastate, The Fogging dives deep into what it means to be strong when your foundation is built on sand.
Utopia Avenue is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68. David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times; of fame’s Faustian pact and stardom’s wobbly ladder; of the families we choose and the ones we don’t; of voices in the head, and the truths and lies they whisper; of music, madness, and idealism. Can we really change the world, or does the world change us?
While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one – one that strikes closer to home? In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.
Dublin, 1918. In a country doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city centre, where expectant mothers who have come down with an unfamiliar flu are quarantined together. Into Julia's regimented world step two outsiders: Doctor Kathleen Lynn, on the run from the police, and a young volunteer helper, Bridie Sweeney. In the darkness and intensity of this tiny ward, over the course of three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work. In The Pull of the Stars, Emma Donoghue tells an unforgettable and deeply moving story of love and loss.
The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore not just her beloved country, but her family apart. Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.
Leipzig, 1930s Germany. Hetty Heinrich is a perfect German child. Her father is an SS officer, her brother in the Luftwaffe, herself a member of the BDM. She believes resolutely in her country, and the man who runs it. Until Walter changes everything. Blond-haired, blueeyed, perfect in every way Walter. The boy who saved her life. A Jew. Anti-semitism is growing by the day, and neighbours, friends and family members are turning on one another. As Hetty falls deeper in love with a man who is against all she has been taught, she begins to fight against her country, her family and herself. Hetty will have to risk everything to save Walter, even if it means sacrificing herself...
Present day: Thea Rust arrives at an exclusive boarding school in the British countryside, only to find that she is not only having to look after the first intake of girls in its 150-year history, but that she is to stay with them in Silk House. A converted silk factory from the 18th century, where the shadows hide more mysteries than she could ever imagine... 1700s, Oxleigh: Leaving her village to work in the home of an English silk merchant Rowan Caswell finds herself thrust into a new and dangerous world, where she must hide her secret even more than ever before. 1700s, London: Mary-Louise Stephenson lives amid the clatter of the weaving trade and dreams of becoming a silk designer. Arriving in Oxleigh she brings with her a length of fabric woven with a pattern of deadly plants, that will have farreaching consequences for all who dwell in the silk house.
‘A fox could be a shape-shifter, a spirit being. It could appear in human form if this suited its purposes; it could come and go as it pleased, play tricks, lead men astray.' An escapee from the Family in Japan; an animal activist with something to hide; a cafĂŠ-owner in Sydney reconnecting with her estranged husband; even a journalist on Mars, face-to-face with his fate. The world has taught these men and women how to change shape, to be cunning - but have they also learned to be wise? In the Time of Foxes is both compellingly readable and deeply insightful about the times in which we live, each narrative a compressed novel. With an exhilarating span of people and places, it shows the short story collection at its most entertaining and rewarding, and introduces Jo Lennan as an irresistible new storyteller.
Ren lives alone on the remote frontier of a country devastated by a coup. High on the forested slopes, she survives by hunting and trading - and forgetting. But when a young soldier comes to the mountains in search of a legendary creature, Ren is inexorably drawn into an impossible mission. As their lives entwine, unravel and erupt - as myth merges with reality - both Ren and the soldier are forced to confront what they regret, what they love, and what they fear. A vibrant homage to the natural world, bursting with beautiful landscapes and memorable characters, The Rain Heron is a beautifully told eco-fable about our fragile and dysfunctional relationships with the planet and with each other, the havoc we wreak and the price we pay.
Erica Marsden’s son, an artist, has been imprisoned for homicidal negligence. In a state of grief, Erica cuts off all ties to family and friends, and retreats to a quiet hamlet on the south-east coast near the prison where he is serving his sentence. There, in a rundown shack, she obsesses over creating a labyrinth by the ocean. To build it—to find a way out of her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past. The Labyrinth is a hypnotic story of guilt and denial, of the fraught relationship between parents and children, that is also a meditation on how art can both be ruthlessly destructive and restore sanity. It shows Amanda Lohrey to be at the peak of her powers.
Franny Stone has always been a wanderer. By following the ocean’s tides and the birds that soar above, she can forget the losses that have haunted her life. But when the wild she loves begins to disappear, Franny can no longer wander without a destination. She arrives in remote Greenland with one purpose: to find the world’s last flock of Arctic terns and track their final migration. She convinces Ennis Malone, captain of the Saghani, to take her onboard, winning over his eccentric crew with promises that the birds will lead them to fish. As the Saghani fights its way south, Franny’s dark history begins to unspool. Battered by night terrors, accumulating a pile of unsent letters, and obsessed with pursuing the terns at any cost, Franny is full of secrets. When her quest threatens the safety of the entire crew, Franny must ask herself what she is really running toward—and running from.
On a jagged, bleak lava field just outside Reykjavik stands the Gallows Rock. Once a place of execution, it is now a tourist attraction. Until this morning, when a man was found hanging from it... The nail embedded in his chest proves it wasn't suicide. But when the police go to his flat, a further puzzle awaits: a four-year-old boy has been left there He doesn't seem to have any link with the victim, his parents cannot be found, and his drawings show he witnessed something terrible. As detective Huldar hunts the killer, and child psychologist Freyja looks for the boy's parents, the mystery unfolds: a story of violence, entitlement, and revenge.
He watches. A woman runs alone in the woods. She convinces herself she has no reason to be afraid, but she’s wrong. A predator is stalking the women of Grant County. He lingers in the shadows, until the time is just right to snatch his victim. He waits. A decade later, the case has been closed. The killer is behind bars. But then another young woman is brutally attacked and left for dead, and the MO is identical. He takes. Although the original trail has gone cold – memories have faded, witnesses have disappeared – agent Will Trent and forensic pathologist Sara Linton must reopen the cold case. But the clock is ticking, and the killer is determined to find his perfect silent wife….
The summer of 1966–7. Hal and his little brother have just come to live in Moorabool. They’re exploring the creek near their new home when they find the body of a dog. Not just dead, but killed. Not just killed, but horribly maimed. Constable Mick Goodenough, recently demoted from his big-city job as a detective, is also new in town—and one of his dogs has gone missing. Like other pets around the town. He knows what it means when someone tortures animals to death. They’re practising. o when Hal’s mother starts getting late-night phone calls—a man whistling, then hanging up— Goodenough, alone among the Moorabool cops, takes her seriously. But will that be enough to keep her and her young sons safe?
Pete Riley answers the door one morning and lets in a parent’s worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete’s son, Theo, isn’t actually his son—he is the Lamberts’, switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they’ve been raising for the past two years, life will never be the same again. The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents—or even each other? What secrets are hidden behind the Lamberts’ glossy front door? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe. They are done playing nice.
Criminal psychologist Cyrus Haven and Evie Cormac return in this mesmerizing new thriller from internationally bestselling author Michael Robotham, a writer Stephen King calls “an absolute master...with heart and soul.� Who is Evie, the girl with no past, running from? She was discovered hiding in a secret room in the aftermath of a terrible crime. Her ability to tell when someone is lying helped Cyrus crack an impenetrable case in Good Girl, Bad Girl. Now, the closer Cyrus gets to uncovering answers about Evie’s dark history, the more he exposes Evie to danger, giving her no choice but to run. Ultimately, both will have to decide if some secrets are better left buried and some monsters should never be named...
A missing patient is a hospital ward's worst nightmare – until even more people disappear . . . Senior Midwife Lucy Ryuan is used to guiding expectant mothers through pregnancy. But when two kidnappings and a vicious stabbing happen on her watch, her focus abruptly changes. Something has to be done, and Lucy is fearless enough to try. As rumours and accusations fly around Manhattan, Lucy teams up with a sceptical NYPD detective to solve the case. But the truth is far more twisted than either of them could ever have imagined.
Twin sisters Iris and Summer are startlingly alike, but beyond what the eye can see lies a darkness that sets them apart. Cynical and insecure, Iris has long been envious of Summer's seemingly never-ending good fortune, including her perfect husband Adam. Called to Thailand to help her sister sail the family yacht to the Seychelles, Iris nurtures her own secret hopes for what might happen on the journey. But when she unexpectedly finds herself alone in the middle of the Indian Ocean, everything changes. When she makes it to land, Iris allows herself to be swept up by Adam, who assumes that she is Summer. Iris recklessly goes along with his mistake. Not only does she finally have the golden life she's always envied, with her sister gone, she's one step closer to the hundred-million-dollar inheritance left by her manipulative father. All Iris has to do is be the first of his seven children to produce an heir. Iris's "new" life lurches between glamorous dream and paranoid nightmare. On the edge of being exposed, how far will she go to ensure no one discovers the truth? And just what did happen to Summer on the yacht? Only Iris knows . . .
A serial killer who will stop at nothing… The Killer His most valuable possession has been stolen. Now he must retrieve it, at any cost. The Girl Angela Wood wanted to teach the man a lesson. It was a bag, just like any other. But when she opens it, the worst nightmare of her life begins. The Detective A journal ends up at Robert Hunter’s desk. It soon becomes clear that there is a serial killer on the loose. And if Hunter can’t stop him in time, more people will die. If you have read it You must die