CHEAT CODES REMIXES THEIR HIT DEBUT LP HELLRAISERS PT 1 PG.58
KEN BAUER The genre of Future Rave is still relatively new, and Ken Bauer is ensuring that through his own vibe and heritage, he remains at the top of the list when it comes to Future Ravers. Ryan Ford caught up with Ken to get some behind the scenes info of his latest release.
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CANDACE STORCH Cutting edge yet sophisticated, Candace Storch is constantly making a bigger name for herself as a DJ. Shon Murdock chats it up with Candace, discussing her early beginnings, the roles of women in the industry, the importance of branding and more.
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DIGITALZ MILES OSCAR SAGNIA SANCHEZ NEWS NEW RELEASE PREVIEWS
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JULY/AUGUST 2021
THE COVER FEATURE
48 BISCITS
2020 was also a productive year with a steady flow of releases on Diplo’s Higher Ground, Sonny’s Solotoko and Australia’s Sweat It Out. Now, half way through 2021, Biscits continues to roll out his killer music, which he goes into with this Q&A session, as well as talking about his first meeting with Diplo, his latest singles and his breakout year in 2019.
42 CANDACE STORCH
Cutting edge yet sophisticated, Candace Storch is constantly making a bigger name for herself as a DJ. Born and raised in NY and now residing in Miami, she’s been making mixes since age 12 and has been in the music business since age 17. Our Shon Murdock chats it up with Candace, discussing her early beginnings, the roles of women in the industry, the importance of branding and more.
54 KEN BAUER
The genre of Future Rave is still relatively new, and Ken Bauer is ensuring that through his own vibe and heritage, he remains at the top of the list when it comes to Future Ravers. Ryan Ford caught up with Ken to get some behind the scenes info of his latest release.
Departments 16 ICYMI
A ROUND-UP OF RECENT NEWS FROM AROUND THE WEB.
24 NEW MUSIC PREVIEWS
CHRISTIAN BURNS, ELI & FUR, ERA C, GENIX, MOBY, COSMIC GATE.
36 BUZZ WORTHY/ARTIST PROFILES DIGITALZ, MILES SAGNIA, OSCAR SANCHEZ.
58 REVIEWS
CHEAT CODES TURNS THEIR DEBUT ALBUM "HELLRAISERS PART 1 IN TO A KILLER REMIX PACKAGE.
OPENING NOTES by JOSEPH WENSELL
JULY/AUGUST 2021 Our July/August 2021 Cover Artist, Biscits, is a producer who has had an exceptional couple of years and 2021 is no different. Biscits joins us and shares with you an indepth Q&A delving into first meeting Diplo, new music, how he came up with his moniker and more.
NYC vs Miami, branding and
more This issue’s Buzz Worthy/ Artist Profiles include DIGITALZ, Miles Sagnia and Oscar Sanchez. Closing up the July/August 2021 issue, we review Cheat Codes' "Hellraisers PT 1 Remixes." We
Our other feature interviews include Ken Bauer who is ensuring its success through his own vibe and heritage, he remains at the top of the list when it comes to Future Ravers. Ryan Ford caught up with Ken to get some behind the scenes info of his latest release. Candace Storch, the self proclaimed Vibe Curator, whether its Soul, Funk, House, R&B, Pop, Caribbean, or the Classics, this sound selector does it seamlessly and gives the people what they want and shares her views on Women in in the industry,
12 | Beatselector Magazine | July/August2021
also catch you up with recent ICYMI news and a several new music previews. Read, stay safe and be healthy and have a wonderful Summer season! —JW
Congratulations to the 2020/2021 Clio Music Award Winners
“OF THE YEAR” AWARD WINNERS
Label of the Year
Publisher of the Year
Agency of the Year
IMPACT AWARD RECIPIENTS Brandi Carlisle National Independent Venue Association (NIVA) View all Grand, Gold, Silver, and Bronze Awards at Clios.com/music/winners
Design: Van Orton
Beatselector Magazine | April/May 2021 | 11
B EATSELECTOR Moving Electronic Music Forward
PUBLISHER
JOSEPH WENSELL CONTRIBUTORS Catherine Strickland Cody Miller Cory Royster Craig Wharton Erik L. Richardson Holly Roscoe James Arena Joseph Arthur Karin Haslinger Leo Weaver Shon Murdock Tim Stark Vladimir Jean-Philippe Zach Miller
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ICYMI NEWS FROM AROUND THE WEB
nAnnouncing the nightlife residency via social media, Tiësto and Zouk Group
created a special video set to Tiësto’s newest chart-topping hit, The Business. The video follows Tiësto as he tours his new home at Resorts World Las Vegas for the first time – a symbolic welcome back to business in the Entertainment Capital of the World. “Our relationship with Tiësto dates back to the early stages of his career, and the team at Zouk Group is thrilled to continue our support of him with this incredible partnership,” said Andrew Li, Chief Executive Officer of Zouk Group. “Tiësto is synonymous with Vegas and nightlife culture and we couldn’t be more excited to provide him with a brand-new stage to get back to business.” Zouk Nightclub, the new innovative 36,000-square-foot space, is poised to become the most technologically advanced nightclub in Las Vegas – from interactive 3D booking maps that will allow guests to see the exact tables they are booking and a digital guestlist providing easy self-entry to a state-of-the-art articulating ceiling with a center focal point called the Mothership. The Mothership incorporates a complete lighting system that offers different types of dynamic solutions, both motorized and static creating otherworldly lighting effects throughout the club that can provide a different back drop every night. Within Zouk, partygoers can journey through multiple experiences with Capital Bar and Empire, which will be able to operate as an addition to the main club or separate venues on specific nights and seasons. Capital’s 360-degree bar and incredible projection mapping canopy will be as equally immersive as its cocktail program, while Empire will offer a variety of alternate music styles to the main club in a more intimate environment. Zouk Group is Singapore’s leading lifestyle and entertainment company and has been at the forefront of pioneering music movements in Asia for over 29 years. Zouk Group and Resorts World Las Vegas previously announced their partnership in November 2020 to bring multiple entertainment and lifestyle concepts to the 3,500-room integrated resort. For updates, follow Zouk Group Las Vegas on Instagram or Twitter, or Tiësto on Instagram, Twitter or Facebook.
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Beatselector Magazine | July/August 2021 | 17
ICYMI NEWS FROM AROUND THE WEB
nClio Music Awards, the global competition
celebrating the visceral power of music to connect consumers and brands around the world, today announced the winners of the 2020/2021 Clio Music Awards as well as the inaugural Clio Music Of The Year Awards. Presented by Citi for the sixth consecutive year, the Clio Music Awards recognize excellence in creative work for the marketing or promotion of an artist, label, music brand, product or service, as well as the use of music in advertising. Five Clio juries reviewed submissions across 26 mediums and awarded 10 Grand Clio Music trophies as well as an array of Gold, Silver and Bronze statues for a total of 240 awards. The Grand Clio and the Gold Clio Music Awards and the inaugural Label, Publisher, and Agency Of The Year Awards were revealed today during a virtual ceremony on Clios. com. The 2020/2021 Grand Clio Music Awards went to: Design: “The Decade Wrapped” by Spotify In-House for Spotify. Experience/Activation: “Astronomical” by Epic Games for Epic Games/Fortnite .
n Daft Punk’s Discovery is a homage to a
fascinating, troubled beast of an album that casts a huge shadow over the 21st Century. It’s a global view of Discovery as a cultural phenomenon, placing the album at the centre of celebrity culture, fan clubs, video, the music business etc., while also examining its profound musical impact. Please note that Daft Punk’s Discovery isn’t out until September but preorder it now and you’ll get your name printed in the book and receive it first in August. It’s available as a paperback (please note postage is charged separately). There is no postage charge for the ebook option which will be delivered in two formats: epub and pdf.
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Film/Video: “You’re Born” by Blacklist Mgmt for Aigel Band (watch video on page 19). Integrated Campaign: “The Weeknd After Hours Album Campaign” for Republic Records by XO/ Republic Records. Social Good: “Spinifex Gum - Dream Baby Dream” by SDWM for Spinifex Gum. Social Media: “Lottery (Renegade) - K CAMP” by RARE Sound for K Camp. Use of Music in Audio: “2% Choir” by TBWA\Chiat\ Day LA for The Recording Academy.
Use of Music in Film/Video: “Life Needs Truth” by Droga5 for The New York Times. Use of Music in Innovation: “The Refugee Tree” by DaHouse Audio for Climate Reality Brasil. Use of Music in Trailers/Teasers: “The Refugee Tree” by DaHouse Audio for Climate Reality Brasil. For the first time, Clio Music Of The Year awards were given for Label of the Year, Music Publisher of the Year, and Agency of the Year. Winners were those scoring the most statue points for entries submitted across all medium types. The 2020/2021 Clio Music Of The Year Winners are: Label of the Year: Republic Records. Music Publisher of the Year: Sony Music Publishing. Agency of the Year: Spotify In-House. During the celebration, Grammy-winning singer/ songwriter Brandi Carlile and the National Independent Venue Association (NIVA) were
honored as recipients of 2021 Clio Music Impact Awards. Carlile was presented her award by Citi Chief Marketing Office Carla Hassan. Senate Majority Leader Chuck Schumer made a guest appearance to present the NIVA organization with its award. “This year our juries evaluated esteemed work that really met the moment during a time of uncertainty and change,” commented Clio President Nicole Purcell. “We received impressive submissions from all around the world, many of which put a spotlight on the power of music to connect, inspire and soothe us – even during difficult times.” Michael Kauffman, Director of Clio Music, added: “The Clio Music Awards were launched to recognize excellence and the kind of rich work that leaves its mark on the industry for years to come. Music enhances the message and the impact of everything it touches -- ads, films, social media, and more -- and our award winners are remarkable examples of that power.” A full list of winners can be viewed at https://clios. com/music/winners
Beatselector Magazine | July/August 2021 | 19
ICYMI NEWS FROM AROUND THE WEB
n Reservoir has acquired legendary independent
Hip-Hop and Electronic record label Tommy Boy Music. The deal comprises 6,000+ masters including Coolio’s “Gangsta’s Paradise,” House of Pain’s “Jump Around,” and Afrika Bambaataa & The Soulsonic Force’s “Planet Rock”. Tommy Boy Music helped to launch the careers of Hip-Hop icons such as Queen Latifah, Coolio, De La Soul, Naughty By Nature, Afrika Bambaataa, Digital Underground, House of Pain, and Force MDs, among many others. It introduced EDM to mainstream audiences through releases by LFO, Coldcut, and 808 State, while helping to establish the Latin Freestyle and Latin Hip-Hop genres with releases by TKA, K7, and Information Society. Tommy Boy Music also includes the catalogs of Amherst Records, Harlem Music, and Halwill Music, which hold masters and publishing rights for a diverse collection of ‘70s Soul, Disco, and Jazz artists including The Stylistics, Van
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McCoy, and Glenn Medeiros. Tommy Boy Music joins Chrysalis Records, augmenting Reservoir’s recorded music division and building on the company’s commitment to upholding legacies and supporting great independent music. Reservoir will continue to market the catalog under the Tommy Boy label out of Reservoir’s New York City headquarters with A&R and Creative led by Reservoir EVP Faith Newman and international marketing and distribution driven by Reservoir’s Chrysalis Records team in London. This news comes following the announcement that Reservoir has entered into an agreement with Roth CH Acquisition II Co. (Nasdaq: ROCC), a special purpose acquisition company, taking the first step toward becoming a publicly traded company listed on the Nasdaq.
nLegendary DJ Paul Oakenfold is joining forces with the iconic English bands New Order and Pet Shop Boys on The Unity Tour, now rescheduled to fall 2022.
With the addition of two new shows at Brooklyn’s Barclays Center and Seattle’s Climate Pledge Arena, the North American trek will kick off on September 17th, 2022 at the Budweiser Stage in Toronto, ON making stops in Philadelphia, Manhattan, Chicago, and Los Angeles before closing out on October 16th at the Rogers Arena in Vancouver, BC. Over the years, Paul Oakenfold has proven himself to be an influential force in dance music, consequently shaping the dance music scene itself. Voted ‘World’s Best DJ’ and ‘Best Trance DJ’ on multiple occasions, as well as being named ‘Most Influential DJ of All Time’ by the Evening Standard, the veteran DJ-producer has an established career portfolio. Additionally, his imprint Perfecto Records has been one of the longest-running dance record labels, responsible for many dance hits from budding talent. Not only has he made his mark in the dance music scene, but he has also entered mainstream works, producing soundtracks and cues for Hollywood blockbuster movies - including Swordfish, Collateral, The Bourne Identity, Matrix Reloaded, and Shrek 2. His eclectic portfolio has given him opportunities to open for megastars like Madonna and U2, as well as to perform at unique locations such as Base Camp Mount Everest, Stonehenge, The Great Wall of China, and Area 51. Tickets for the rescheduled dates below are on sale now at LiveNation.com.
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ICYMI NEWS FROM AROUND THE WEB
pink, blue and yellow paint-inspired graphic loaded with light-up, three-dimensional out-of-this-world mushroom Jibbitz™ charms to finish the look. The collaboration also includes the Diplo X Crocs Classic Sandal, the brand’s first-ever collaboration on its new two-strap silhouette. Featuring a swirled yellow, orange and blue paint-inspired graphic, the style comes pre-decked out with an assortment of eight unique glow-in-the-dark Jibbitz™ charms to make it pop. ”I wear my Crocs literally everywhere so I’m stoked to have some with my name on them and that others can get them too,” said Diplo. “Crocs helped me bring my adventures to life with these designs and the 3D, light up and glow-in-the-dark mushroom Jibbitz charms are cooler than I could’ve imagined. Now fans can take a walk with me in either the Classic Clog or Crocs Classic Sandal.” On June 3, Diplo ntroduced fans to the Diplo X Crocs collection during a performance streamed on Mad Decent’s Twitch channel with a set designed to mimic the nature-inspired look and feel of the collaboration. As partners both known for being fancentric, during the performance the duo gave away 1,000 pairs of Diplo X Crocs Classic Clog and Diplo X Crocs Classic Sandal to fans that tuned in.
nCrocs, Inc. (NASDAQ: CROX), a global leader in
“Our collaborations are more than a moment in time. At Crocs, we’re focused on creating engaging experiences that bring fans along for the journey,” said Heidi Cooley, Senior Vice President and Chief Marketing Officer at Crocs. “Working with a genuine brand fan in Diplo inspired a new level of creativity, including the first-ever celebrity take on the Classic Crocs Sandal with glowing Jibbitz charms that will help fans stand out even in the dark.”
innovative casual footwear for women, men and children, announced its official collaboration with Grammy Award®-winning artist, DJ and producer Diplo. The Diplo X Crocs partnership invites Croc Nation to take a walk on the weird side with a special, first-of-its-kind two-style release featuring unique, multi-tone takes on the Classic Clog and new The Diplo X Crocs Classic Clog, available for $69.99 Classic Crocs Sandal with custom Jibbitz™ charms. and Diplo X Crocs Classic Sandal, available for $49.99 The Diplo X Crocs Classic Clog features a swirled will be sold exclusively on www.crocs.com.
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festivals, sets from the biggest DJs and long-format documentaries. The Freemium VOD will itself include today a video distribution partnership across more than 60 countries in Europe, Asia-Pacific, Middle East, more than 1500 dance music short-format videos, reports, interviews and talk-shows. Africa, and Latin America. This strategic partnership is giving HUAWEI Video users access to CLUBBING HUAWEI VIDEO is a monthly subscription service TV’s linear feed and video portfolio. available to users with a HUAWEI smartphone or tablet with EMUI 5.x and above. They can use the HUAWEI Video subscribers will be able to watch CLUBBING TV’s linear feed thanks to a Premium linear HUAWEI Video app to select films, TV series and shows, short-clips, sports, and documentaries with a High Quality section which will be advertising free. In Western Europe countries, the Premium linear will weekly update. be available for €3.99 per month. Users will be able CLUBBING TV is the world’s first Lifestyle TV Channel to enjoy exclusive live broadcasting from concerts dedicated to the Electronic Music Culture available & festivals, DJ sets, interviews with renowned DJs, in HD 24/7, in over 60 countries (Via Cable, Satellite, music videos and documentaries 24/7. Even for Fiber, DSL, IPTV, OTT, Web, Mobile apps) and in the those that choose not to subscribe, a Freemium Balearic Islands of Ibiza & Formentera via Digital linear option will be available supported by ads. Terrestrial Television (DTT). CLUBBING TV offers to millions of fans worldwide exclusive Music & Lifestyle In addition to the linear feed of CLUBBING TV, the programs including Live broadcasts from the most long-format video assets of the channel will be notorious festivals, Lifestyle documentaries, music rolling out across all HUAWEI Video platforms in the videos, interviews, talk shows, Live DJ sets, & TV Premium VOD section. The Premium VOD will offer reports from the hottest cities, clubs and events of more than 300 curated contents including concerts, the planet.
nHUAWEI Video and CLUBBING TV announced
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UN REPEAT NEW RELEASE//PREVIEWS
“Hope,” says Christian Burns - “if there’s one word that sums this album up, that’d be it.” The story of “Love Songs From Suburbia” begins in Los Angeles in April of 2020. This album was spurred by not one, but two sizeable occurrences. One was global (no prizes) and the second, about as personal as they come. For the first time in decades, long-time LA resident Christian suddenly and unexpectedly felt far from home. With a real sense of the way the West Coast winds were blowing, last April he hopped a flight back to the familial north of England. Adding extra impetus to the international situation was the recent demise of his long-term relationship. So leaving behind house, studio, car and everything else non-suitcase-sized, he landed back in his native Greater Manchester. Writing his second artist album (the long deferred follow up to 2013’s “Simple Modern Answers”) couldn’t have been further from the plan, simply as there wasn’t one. Without a permanent base in the county, Christian took refuge under his sister’s roof. Setting up a makeshift studio in a vacant building in the middle of a field on his sibling’s property he began to write and out came “Love Songs From Suburbia.” While the temptation might be there, don’t look at ‘Love Song’s track titles (twelve in total) anticipating a chapter-like overview of Christian’s inspirations. Poker-faced, from ‘Tigers’ or ‘Honour’ at the frontend to ‘The Hands That Matter’ or ‘Everywhere’ at the back, there’s not one title that allows conclusions. It’s within the album’s verses and choruses that Christian’s meanings lie, some just below the surface, others core deep. As the mind translates them, a journey takes place and ‘Love Songs’ figurations become clear. First listens to Christian’s second album will likely leave the impression that it’s musical elements are there solely as a passive bit-part players. The feet move, the ears prick, but your focus rarely traffics from Christian’s absorbing-to-mesmerizing songs, refrains and harmonies. A testament to their stunning tact though, over time those elements begin to pop more to the fore, and with them the realisation of just what kind of extraordinary balancing act ‘Love Songs’ is pulling off. A wistful, blissful, sun-on-your-face-styled feel - ‘Café del Mar with beats’ perhaps - it carries its tone innately first track through last. It’s an album with nothing to prove other than art-of-lyric, authenticity of voice and depth-of-meaning always wins through. “Love Songs From Suburbia” is now available to stream or purchase at blackhole.lnk.to/lovesongs.
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Eliza Noble and Jennifer Skillman are Eli & Fur: the British live act, singer-songwriter, and producer duo whose career together stretches back for nearly a decade. “Found In The Wild” is the pair’s long-awaited studio debut on the seminal electronic imprint and long-time label home Anjunadeep. A dual part album concept, “Found in The Wild” is a sonic presentation of two contrasting and quintessential parts of the unique Eli & Fur sound; two sides of the Eli & Fur which they are finally ready to share with the world, “We wanted to show both sides of us. We are quite varied in the way that we write music and so it made sense to have two parts living side by side. Everything we really love is on the album and we’re super proud of how it’s come together.” The first half of the album ‘Found’ is a collection of song-based productions which show Eli & Fur’s strengths as songwriters, vocalists, and producers in equal measure. Having begun their careers as songwriters at renowned production house Xenomania writing hits for pop acts like Girls Aloud, Eli & Fur’s talents as songwriters are abundantly clear. “Wild Skies” is taken from the ‘Found’ collection - a sensual and otherworldly ensemble that glues the duo’s trademark textured sound palette together perfectly. “Wild Skies came together so organically and naturally. I felt like I was expressing myself without even really realizing how and the melodies just fell out of me. A lot of the time, I’ll write lyrics before the song, but with this one there was no preparation whatsoever, I just sat down at the computer with the microphone and sung, and that was that!” (Fur). The second half of the LP ‘In the Wild’ is a change in gear conceptually and ventures into the more upbeat, clubbier side of the project - these tracks explore the girls’ penchant for emotive productions geared for the dancefloor which find the sweet spot between the dark and the emotive, marrying evocative vocals written around their own experiences as young musicians with their unique brand of euphoric club cuts. “We spent a lot of our career trying to work out who we are and what our sound is, being told we can’t make club tracks which have the type of vocals we love. What’s great is that every single track on the album sounds like us, it’s all Eli & Fur but it’s two different sides of it. We want people to hear more structured songs and we also want to show the type of darker, clubbier music we love - there’s no reason why we can’t do both. It’s been such a creative journey so far but we feel more and more sure of what we want to say musically.” “Found In The WIld” is now availlable on Anjunabeats. Stream/buy at https://anjunadeep.ffm.to/effitw.opr
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Downtempo electronic duo ERA C released their latest album “DELIRIA” on May 28th via Future Archive Recordings. Accompanying the album is the outstanding track, “Don’t Call Me From Los Angeles.” The single follows the release of “0-60 mph,” which was accompanied by a live video shot at home, as well as the Arms and Sleepers edit of their single “DELIRIA,” which was mixed by Sun Glitters. ERA C is the collaborative project of Mirza Ramic from the well-known Arms and Sleepers duo and Sofia Insua of the established band Easy Easy. The duo has toured globally and shared a stage with well-known acts such as Toro Y Moi, Wax Tailor, Nightmares On Wax, Max Cooper and Caspian, amongst others. In total, the pair has received over 33 million streams on Spotify and Apple Music alone. Easy Easy have performed at shows with several big artists including Sean Paul, Ximena Sariñana, Incubus, Camilo Séptimo, Little Jesus and Mi Sobrino Memo. The quartet has collected nearly 3 million plays on Spotify alone and appear on the renowned Majestic Casual playlist and airplay from KCRW. Sofia Insua was born in Guatemala and is currently based in Berlin, Germany along with Mirza Ramic, who was born in Bosnia & Herzegovina and lived most of his adult life in Boston, USA before moving to Germany. The duo draw inspiration from the likes of Oneohtrix Point Never, Grouper and Low. “0-60 mph” calls to mind the likes of FKA Twigs, Bjork, Massive Attack, and Lana Del Rey. A transnational creation that embodies a unique selection of influences in a delicate offering to all that life has to offer, “DELIRIA” is an ode to travel, and discovery. Finding its home somewhere between romantic elements, bitter points of distrust and hope for the future, the LP envelopes all with its wavering electronic beats and irresistible vocals. “Don’t Call Me From Los Angeles” is a harsh look at communications with a missing love, driven by deep basslines and irrefutable lyrics. ERA C proves to be a captivating mix of unusual tempos to both express and lull away hardships. Speaking of the LP, Sofia Insua explains “DELIRIA is about distance and its sneaky way of censoring the heart, preventing it from feeling. I wrote the tracks during various transitional periods in my life, so I was going through change - adapting, looking for the next steps, and finding ways for love to survive. Some of the most defining lyrics on the record popped up in my head while walking busy streets, while travelling, while in motion. I was discovering myself geographically and through the songs that ended being ‘DELIRIA’.” “DELIRIA” is out now via Future Archive Recordings. Stream/Buy here.
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A love letter to rave culture, “199X” is the debut artist album from Anjunabeats stalwart Damion ‘Damo’ Houchen, also known as Genix. The first single taken from “199X,” “Numb” partners Genix with BBC Radio 1 supported singer-songwriter Natalie McCool, also known as LYCA. The Liverpool-based multi-instrumentalist received acclaim for her 2016 album “The Great Unknown,” championed by the likes of Q, The Sunday Times, Huw Stephens, and Alice Levine. “199X” is a departure from the sound Genix is best known for. Through the late 2000s and 2010s, Genix was well known for his textured, melodic take on trance. He caught the ear of Armin van Buuren and Paul van Dyk, securing releases on both Armada and Vandit. Genix arrived on Anjunabeats in 2010 and immediately became a mainstay in Above & Beyond’s sets with tracks like “Aura,”“Destinations” and “Black Water” (the latter written with regular touring partner Sunny Lax). From those origins, Genix has blossomed into a mainstay in the trance scene. As his stature grew, so did his approach to his music. “There have been so many influences [on my sound]; DJs, producers, events, and the thousands of records I’ve bought over the years. I don’t try to be any one genre, some people think I produce less trance sometimes, but if you have followed my career from the start it’s always had tech influences. I think any producer should stick to the sounds they love, if it makes me jump out of my seat when I’m making it, then that’s all that really matters. My music is a representation of my personal taste, it’s my expression and my passion being put into sound. It really is an art and I just try to be myself, not a genre, not a certain BPM, just Genix.” - Genix His Anjunabeats Worldwide 09 mix championed these ideas. It was an iTunes #1 dance album that took us from slow-burning progressive to fiery techno, landing somewhere between a Global Underground mix and a classic Gatecrasher compilation. 2020’s “The Light” was a bullish electro-edged anthem alongside label mate Grum and hit number one on Beatport’s Melodic Techno chart. DJ support from Etienne De Crecy and Hi-Lo (Oliver Heldens) followed. “199X” will be released on September 10th. Pre-order now at the Anjuna Music Store.
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Moby’s eclectic career has cast him in the roles of electronic dance music pioneer, singer and songwriter, producer, activist, and restaurateur, but for his latest venture he presents his music in a whole new light. Now he is releasing an album of his best-known tracks in new arrangements for classical instruments – featuring Moby himself and a stellar lineup of collaborators from across the musical spectrum. The 14-track album includes classic Moby songs like “Porcelain,” “Why Does My Heart,” and “Extreme Ways” in innovative new versions, featuring eye-catching collaborations including Jim James, Víkingur Ólafsson, Gregory Porter, Kris Kristofferson and many more. “Reprise” sees Moby revisiting musical highlights from his notable 30-year career. Together with the Budapest Art Orchestra, he has re-envisioned some of his most recognizable rave classics and anthems with new arrangements for orchestra and acoustic instruments. The seeds for the project were sown when Moby was invited to take part in his first-ever classical collaboration – a live concert of his music at Walt Disney Concert Hall with his friend Gustavo Dudamel and the Los Angeles Philharmonic in 2018. Watch the official music video for “Natural Blues” with the incredible Gregory Porter and Amythyst Kiah here. Moby is a celebrated musician, singer/songwriter, producer, DJ, photographer and activist. The multi-platinum, Grammy-nominated artist has pushed boundaries with his acclaimed music, including his breakthrough global smash album, “Play.” Achieving worldwide sales of 20 million albums, Moby has also scored eight Top 10 hits on the Billboard Dance Club Songs Chart. A staunch vegan and advocate for animal rights and humanitarian aid, he also is the author of four books including a collection of his photography. “Reprise”was released on May 28, 2021. Stream/Buy it here.
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UN REPEAT NEW RELEASE//PREVIEWS
On August 20, Cosmic Gate will release the first stage of their hotly anticipated new artist album. Trailed throughout the early parts of 2021 by vanguard single releases and stunning livestreams, “MOSAIIK” will platform nine sensational cuts from the GRAMMY nominated duo. Mirroring the same delivery system adopted by their 2017 “Materia” albums, seasoned CG fans will already be familiar with “MOSAIIK” release dynamic. Shared across two ‘Chapters’, ‘MOSAIIK’s ‘II’ styled title is a direct nod to the group’s eleventh artist longplayer. From its earliest stages, “Chapter One” has already brought some shake-up moments, not least its launch single – the deeply soul-searing (and streamed-to-infinity) Diana Miro-sung “Blame.” Since have come some eye-popping Miami & Mexico-based rooftop performances and the floor-fiery (and downright Dreamstate smashing!) “Feel It,” all of which underscore CG’s “Forward Ever, Backward Never” maxim. To “MOSAIIK”’s first Chapter will also come a second Diana Miro-voiced lightning strike, with the moodsome and more trance-slanted “Nothing To Hide.” There are also long overdue reteamings with Mike Schmid and Julie Thompson – singers who’ve respectively featured on CG’s “Start To Feel” and “Materia” albums. Needing little by way of explanation, Mike’s ‘Summer Wonder’ is a cheer to the season at hand, while Julie’s figuratively thought-provoking “These Dreams” brings “MOSAIIK” cooler raptures. The album also carries Nic & Bossi’s mainstage-minded singles “Universal Love” and “Your Mind,” as well as the less vocal-led, more progressive, but every bit as club-rubbed “Vertigo.” Giving you the best of possible ideas as to what Nic & Bossi have in store, you can preview all the cuts that comprise “MOSAIIK Chapter One” now, (https://blackhole.lnk.to/mosaiik1). Across all digital formats, the album is ready to pre-save or pre-order from today (with a CD edition set to follow with ‘Chapter 2’). So you can ensure you’re amongst the very first of the first to hear one of the albums of the summer. Check out the MOSAIIK Chapter One Teaser at https://youtu.be/rEyKxKoSZ7A
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Beatselector Magazine | July/August 2021 | 35
BUZZ WORTHY ARTIST PROFILES
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DIGITALZ !"
F
rance-based producers Thibault Hisquin and Adrien Baudin joined forces to form the Digitalz project a little over four years ago. Merging their rich background as musicians and producers, the Digitalz project stemmed from their multi-genre influences of rock, hip-hop, and pop as they merge together in the electronic music realm. Adrien has been a music producer and hip-hop DJ for over ten years now and Thibault has also been a music producer for well over a decade, working with a variety of different artists in the electronic music realm. As they focus their attention to their new project, the future holds endless possibilities for this new chapter. They launched the Digitalz project with the intention of exploring various sounds and fusing genres together. Their debut single “Don’t Need You” was released in 2017 and was shortly followed up by their coveted “Bohemian Rhapsody” remix which received staunch support from Axwell and David Guetta across multiple festival stages. In 2019, they released their sophomore single “Sweet Dreams” which provided another mesmerizing glimpse into their venerated studio prowess. Taking some time to hone their signature style, Digitalz has spent the past few years crafting their debut album. Capitalizing on rock sensibilities as well as pop elements, the duo blends an array of genres into cinematic electronic-forward soundscapes. The aim with the Digitalz project is to fully immerse the listener into an otherworldly universe including surreal visuals and larger-than-life melodies. Preparing for the most monumental moment in the Digitalz project thus far, the French duo gear up for the release of their debut studio album. Stirring anticipation with a handful of lead singles including “Ritual,” “Invisible,” “Beg For It,” and their latest “Imaginary Love,” the listener is able to experience their genre-bending signature sound ahead of the debut album release. With a distinct style and years of experience to boast, Digitalz is set for a sharp trajectory in the electronic music space. —E.D. Beatselector Magazine | July/August 2021 | 37
BUZZ WORTHY ARTIST PROFILES
MILES SAGNIA!
M
iles Sagnia is one of the true unsung heroes of UK techno, and is as much a mesmerising presence behind the DJ booth
as he is in the studio. Through his richly emotive releases, he weaves seamless stories out of the deepest house or the most spacious techno. He is equally at home going deep on his own Atmospheric Existence label or sending out uniquely soulful techno missives for labels such as Applied Rhythmic Technology, Firescope or Detroit’s Aesthetic Audio. Last year he released “Miles Away” on Chicago’s Finale Sessions, his second double long-player and the follow-up to his 2014 debut LP – “Aeration.” As a DJ for over 20 years, Miles enjoys a dedicated following no matter whether he is delivering sets of muscular late night techno, or feel-good Sunday-afternoon house. Given the choice, he will straddle the divide to create something unpredictable yet hypnotic, laced with as much energy as there is soul. From London to Paris to Shanghai, he cuts a unique presence in the Dj booth. From residencies at London’s infamous Turnmills & The Concorde 2 - Brighton, his blend of sonics has gained many supporters. Miles has been a fixture at legendary UK festivals such as Glade and lately Freerotation, and revered underground UK parties such as Night Moves, Machine and Kerfuffle, Warehouse Project and many more. Miles has just released his “Calling You Out” EP on Bedrock Records. The 3-tracker features 2 remixes from Josh Wink. —E.D.
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BUZZ WORTHY ARTIST PROFILES
OSCAR SANCHEZ !"
O
scar Sanchez’s entrance into electronic music goes back to 2002 when he started buying vinyl. Since then he stopped buying new music and tinkering in his Akiyama dishes, starting to play at local pubs and his people making themselves known.Known and common in the mountains of Toledo (Spain) has played in clubs such as Family Club, Area 42, Project, Sajoy and festivals in the area as Oasis Summer Festival, Conexion Fest, ElectroTech, acabose Electronic. Since 2017 he has been organizing techno parties with System Efe. He has shared booth with names like Cristian Varela, Christian Wunsch, Kessell, Svreca, Pelacha, Elesbaan, Kessell, Kuroi, Nuke, Cesar Almena, HD Substance, Luis MF, Raul Parra, Roll Dann , Orbe, Peg, Xpansul, Yoikol, Zadig, Regal... In terms of production, he has released on labels such as Addeepted. Arido Records, THR Records, Black Bore Records, Maniacs Record, Skandhas Records, Black Turtle Records, Lazuli Records, MTDN Audio records, Toxic Recordings, Shodan Records, Sulino Records, No Pain Records, Vapourtrail Records, Betrieb Records, WINKED, Skull... It has several launches pending for this 2021. Their sessions are marked by a strong but full of techno rhythm which reflects your good taste when selecting music. Oscar’s latest release,”Utepils,” delivers pure techno mayhem. The kicks are hard, the basses are throbbing and the top-end will set you in daze on every track. Ranging from hypnotic sequence to pure classic techno stab these four tracks will get you and the crowd in front of you in a dancing mood guaranteed. —E.D. Beatselector Magazine | July/August 2021 | 39
CURATOR OF THE VIBE
CANDACE
STORCH
Cutting edge yet sophisticated, Candace Storch is constantly making a bigger name for herself as a DJ. Born and raised in NY and now residing in Miami, she’s been making mixes since age 12 and has been in the music business since age 17. Her studio experience (releasing a solo album “Miss Lady” and writing for several other artists), combined with her ability to read a crowd, gives her the knowledge to float through several different genres with skill and finesse. Referring to herself as a “Vibe Curator,” whether its soul, funk, house, r&b, pop, Caribbean, or classics, this sound selector does it seamlessly and gives the people what they want. From global brands such as Puma, Swarovski, and Maserati to elite hot spots such as LIV, Komodo, and The Hard Rock, Candace Storch has graced the turntables of some of the most lit venues and A-list affairs. Relying on her instincts and 2 years at The Brooklyn Queens Conservatory of Music, Candace’s sets are designed with a deep passion and understanding of music, both old and new. And always infused with soul. Our Shon Murdock chats it up with Candace, discussing her early beginnings, the roles of women in the industry, the importance of branding and more.
Interview by Shon Murdock 42 | Beatselector Magazine | July/August 2021
Beatselector Magazine | July/August 2021 | 43
SM: We know you’re from the Big Apple but where exactly? And where do you currently spin records at now? CS:” I’m from Long Island & Queens and now reside in Miami. I currently have a residency at The Hilton Miami Downtown Hotel on Thursdays, am regularly at The Hard Rock Guitar Hotel, and spin all over South Florida. “ SM: Do you have any new projects coming up you would like to tell us about? CS: “Working on traveling & getting back into the DJing groove post pandemic. Things are really heating up in South Florida! “ SM: How does the New York party scene compare to others? CS: “I moved to Miami in 2017 but my DJ friends in NY tell me its tough in Manhattan with venue costs & post Covid in general. I think the boroughs have more
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of a vibe at the moment. “ SM: How do you feel the EDM scene has evolved over the past few years? CS: “The EDM scene has been massive for a long time now. The live festivals & shows are quite the productions and attract fans from all over the world. There are so many veterans as well as up and coming producers. Although I don’t play too much edm I enjoy it and like to watch it evolve.” SM: What are the biggest obstacles of being a female DJ? CS: “Being a female in any male dominated industry is a challenge. I am very vigilant & try not to put myself in any potentially bad situations; growing up in NY taught me that. People say ‘Oh, you’re a girl, it must be so easy to get gigs’. Sometimes, but you will lose them as fast as you get them if your skills aren’t up to par.”
SM: How important is great brand management for a DJ today? CS: “Anyone on your team is critical. Relationships in any industry are important and we are living in a visual, computer generated world and branding is definitely a huge part of that. Don’t Look Down Productions has played an integral part in my growth and career.”
a lot about the business. As the business began to change and streaming took precedent, I realized it’s much more conducive to be my own boss, play what I want, make my own schedule, and not be dependent or at the mercy of someone else. Ie; when the producer finishes mixing, when the artist cuts the vocals.. there are so many hours you potentially don’t get paid for and I decided to use my time more wisely, plus DJing is much more fun! “
SM: What are all your social media handles Where can we find your mixes?
SM: In your opinion who’s the top female DJ of all time?
CS: “All my handles are listed under my name. Search: Candace Storch. Website is the same with all links included there, as well: www.candacestorch.com .”
CS: “Wow - I really don’t know!!! There are a lot of great DJs I don’t even know about.. I’ll have to tell you in our next interview! “
SM: What made you want to get on the turntables?
SM: Can you name a few other female DJs that have impacted the culture?
CS: “I was making mixes since age 12 and in the music business for years writing, singing, & coproducing. My partner and I had a label & I learned
CS: “Any woman who is doing her thing, mixes well, knows her crowd and holds herself to a certain standard in a male dominated industry is impacting Beatselector Magazine | July/August 2021 | 45
CS: “Serato software and DDJ-SX2 controller is my favorite.” SM: Are you single? How is the dating life for the female DJ? CS: “You need someone who understands if you post pictures at a party or a video it’s for business and client relationship purposes, at least for me, and that can be challenging. I’m single as of now.” SM: Have you done radio? Do you possibly see a future for yourself in radio? the culture as we speak! “ SM: What genres of music do you prefer to play? CS: “Urban music. I’m a NY hip hop/r&b girl at heart. I was making R&B mixes at age 12 locked away in my bedroom. I play open format meaning; Hip hop, house, R&b, classics, and in Miami you must know your latin & reggaeton. I enjoy it all but likely have my most fun when it’s time for Caribbean music.. gimme the dancehall!”
CS: “Yes, I have done radio when I first started in 2016. I had a show called ‘The Pretty & Gritty Show’ on multiple online stations: Spinz FM, Griind FM, Islandah Radio and others.. It’s cool, but not something I’m focusing on as of now. I occasionally do featured mixes that are on my Soundcloud. (www. soundcloud.com/candacestorch).” SM: What did you think about the recent influx of successful female executives in the music and entertainment industry?
SM: Who are your favorite female producers?
CS: “It’s great!! the more the merrier!! “
CS: “I think as far as house/EDM music Nora En Pure is really cool. “
SM: Does “SEXY” sell being a female DJ or does it have its disadvantages?
SM: Tell us about your most memorable venue or party. I’m sure you have some stories to share.
CS: “Sex always sells, let’s be honest. But sex doesn’t equal talent and you can’t fool people. Everyone has to find what their comfort zone is and be true to themself. “
CS: “One of my goals as a DJ when I moved to Miami was to play at LIV. I did. That was a great night! When you have the crowd and everything is flowing there is nothing like it. “ SM: What do you see in the future for female DJs? CS: “It’s a growing trend and I see more females doing their thing.. I think the future is limitless as far as producing music, being successful in the business and creating a tight sense of community.” SM: When spinning records what is your favorite software and gear?
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SM: How did social distancing affect the way you interact with your fan base, how did you adapt? CS: “I built my website during the pandemic, organized my music, and did personal goal setting. It was hard to do live streams because the limitations would cut you off of Facebook & IG. I used to do live streams on Hype Life Magazine and got 30,000 -100,000K views per week. I am still getting copyright notifications from a few years ago, so that was a tremendous roadblock because I didn’t want my accounts deleted. I have yet to move over to Twitch.”
“...IN MIAMI YOU MUST KNOW YOUR LATIN & REGGAETON ALL BUT LIKELY HAVE MY MOST FUN WHEN IT’S TIME FOR MUSIC.. GIMME THE DANCEHALL!” fi Candace Storch
CANDACE STORCH ONLINE
!"$ Beatselector Magazine | July/August 2021 | 47
PIPIN' HOT SERVING IT UP.
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In 2019 Biscits was one of the top 10 selling artists on Beatport. He currently receives over half a million monthly streams across multiple platforms. He’s been releasing music via Sweat it Out and Solotoko including collaborations with Solotoko’s head honcho Sonny Fodera. Prior to the Covid -19 pandemic, Biscits enjoyed a solid year of touring across the world which included Listen Out Festival in Australia, Track So Boa Festival in Brazil and Warehouse Project in Manchester supporting the likes of Fisher, Sonny Fodera, Solardo, Diplo and many more. 2020 was also a productive year with a steady flow of releases on Diplo’s Higher Ground, Sonny’s Solotoko and Australia’s Sweat It Out. Now, half way through 2021, Biscits continues to roll out his killer music, which he goes into with this Q&A session, as well as talking about his first meeting with Diplo, his latest singles and his breakout year in 2019.
By Joseph Arthur Beatselector Magazine | July/August 2021 | 49
ON FIRST MEETING DIPLO When did you first realize that you wanted to become a professional music producer? BISCITS: “When I was 17 years old, I went on holiday to Ibiza and had my first club experiences. Also later that year I went to the Ed Banger Records 6th birthday party in London, I was completely blown away and just knew that I had to try and get involved anyway I could! “ How long have you been producing music? Have you had formal training /education in music production? BISCITS: “I’ve been producing music for about 12 years now, Most of which was me just going round in circles and getting everything wrong, It’s only in the past 5 years I would say that things have started
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to click. I studied Digital Music at Solent University in Southampton UK, Which is a course specifically geared towards becoming a modern day electronic music producer. It was a great experience but I would say, much like many other University courses, you get out of it what you put in. I have realistically learnt more as a producer from Youtube and self driven learning.” Who are some of your favorite contemporary artists that are influencing your musical creations and how so? BISCITS: “My musical influences are incredibly varied, from Daft Punk and Justice to The Beatles and Queen. But as far as contemporary electronic music I would have to say - Chris Lake, Martin Ikin, Fisher, Sonny Fodera, Camelphat and Solardo. As boring/
“
MY FIRST INTERACTION WITH HIM WAS WHEN A VIDEO WENT VIRAL OF HIM TAKING A TOILET BREAK MID-SET AND IN THE BACKGROUND YOU COULD HEAR ‘DO IT LIKE THIS,’ WHICH WAS REALLY COOL AND ALSO REALLY WEIRD.”
—BISCITS
classic as that list sounds there’s a reason that these are the top guys and it should not be overlooked how good they truly are.” How did you come up with your ‘Stage Name” Biscits? BISCITS: “This was a long process, that I still sometimes question to this day! I have always liked food related names, One of my previous projects was ‘GoldTop’ after the type of milk. I thought Biscits was a good balance of Britishness and quirkiness, I also didn’t use the ‘U’ in the spelling in order to make it a unique search term.” 2019 appears to be a “breakout” year for you as a top ten selling artist on Beatport. How did you reach that level of achievement?
BISCITS: “2019 was definitely my breakout year on Beatport! I had been making solid progress in the world of Tech House in 2018 and then the turning point was releasing ‘Do It Like This’ on Solotoko records. I had been sending demos out to lots of labels and Sonny Fodera was pretty much one of the only people to give me a shot! In the build up to that release some videos of Fisher and Sonny Fodera playing the track circulated on Instagram which took that release to next level.” Tell us about your relationship with Diplo? BISCITS: “My first interaction with him was when a video went viral of him taking a toilet break mid set and in the background you could hear ‘Do It Like This’, which was really cool and also really weird. I then met Dippers when I was touring Australia in 2019, I had a
Beatselector Magazine | July/August 2021 | 49
chance to Hang out with him a couple of times backstage and he was really chill and down to earth! I then sent him a few demos which he ended up releasing on his label Higher Ground. Hopefully I can work with him in the future, I’d love to get in the studio with him!” With your steady stream of releases this Spring, would you say that is the result of the performance restrictions due to the pandemic? BISCITS: “The pandemic has been a great creative time for me, It gave me a lot more time to learn and expand my production knowledge. I took a deeper dive into XFer Serum and the new Splice Synth ‘Astra’ which you’ll be hearing a lot in my upcoming releases. I can’t wait to get back into clubs though, I think a really important part of producing is experiencing your music in a live environment, it’s so crucial for inspiration and seeing how a crowd reacts to your music.” Speaking of new releases, hype your latest single “Your Body.” Why should fans buy in to the new the single and what makes it special in your opinion? BISCITS: “I’m so happy with ‘Your Body’, My personal music taste is very broad so it was great to implement some 80s elements into the production. I found the vocals online and knew that I wanted an old school backing for them, So I created an 80s style synth pop backing track which I then chopped up and re-sampled into the final Tech House production. It has a lot of character which some House/ Tech House has been lacking lately.
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What are you looking most forward to as your career continues to blossom? BISCITS: “The main thing I’m striving for is to be able to travel the world and share music with people. I think meeting new people and experiencing new cultures is very important. I can’t stand the idea of being trapped in a traditional ‘ordinary’ Job/lifestyle, I honestly don’t know how so many people do it! “ What has the global pandemic taught you in regards to humanity and how music can play a role in times of despair? Any words of wisdom that you would like to
share? BISCITS: “It has never been more clear to me that music and art is crucial to people’s sanity. I have also completely lost whatever remaining faith I had in UK politics and leadership. I think it’s so important to remember these times of hardship next time there is an election, so we can hopefully make sure we don’t repeat the mistakes of the past. Also something important for my fellow creators and producers to remember in these vastly digital times is ‘Art Over Algorithm’. Take a step back and try to be aware of what is driving your creative process.”
ONLINE
!"$
Beatselector Magazine | July/August 2021 | 53
“THE SIRENS
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Behind The Scenes of
KEN BAUER’S
ARE CALLING” Swedish dance phenomenon and Producer Ken Bauer is returning with his brand-new House anthem called “The Sirens Are Calling” on the imprint ‘Future Rave Music’. This follows after Ken’s best year in the industry, with a string of high-quality releases backing his image. He has decided to take a completely new path in the industry with the fresh idea of Future Rave and is coming into 2021 hot and heavy, with a string of club-bound releases and there is still much more to come. The genre of Future Rave is still relatively new, and Ken is ensuring that through his own vibe and heritage, he remains at the top of the list when it comes to Future Ravers. Ryan Ford We caught up with Ken to get some behind the scenes info of his latest release.
Inetrview by Ryan Ford
Beatselector Magazine | July/August 2021 | 55
“THIS TRACK ACTUALLY STARTED OUT JUST AS A 15 SECOND DROP FOR AN INSTAGRAM AD PROMOTING MY FUTURE RAVE MUSIC PLAYLIST ON SPOTIFY. TO MY SURPRISE, LITERALLY HUNDREDS OF PEOPLE REACHED OUT TO ME ASKING ME ABOUT THE TRACK ID. THEN I KNEW I JUST HAD TO COMPLETE THE TRACK, WHICH I DID IN A FEW WEEKS” —KEN BAUER Hey Ken, tell us the story behind your latest release ‘The Sirens Are Calling’? KB: “This release was all about creating a happy and energetic Future Rave track that works equally well listening at home and in the, hopefully, upcoming clubs and festivals.” How would you describe ‘‘The Sirens Are Calling’ to someone who hasn’t heard it before? KB: “Future Rave, Happy, Melodic, Powerful, Banger with a sick breakdown.” How long did it take you to make this track? KB: “This track actually started out just as a 15 second drop for an Instagram ad promoting my Future Rave Music playlist on Spotify. To my surprise, literally hundreds of people reached out to me asking me about the track ID. Then I knew I just had to complete the track, which I did in a few weeks.” You have had quite the career in regards to your productions, what would you say has been your biggest achievement to date? KB: “Well, I am super proud of being supported by DJs I admire myself, such as David Guetta, Austin Kramer, Sam Feldt, Nicky Romero, Tiesto, Olly James, Kryder to name a few. And I was stoked to see David Guetta already adding the track on his personal playlist.” What’s your creative process when you’re in the studio making new music? KB: “I have a template with a 4x4 KICK with a few FX added and then 1 instance of SERUM with a SAW
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pre-set and a huge reverb. Then I either test stuff on my keyboard or try out some ideas in the piano roll of my DAW.” Who influenced you and your music growing up? KB: “Jean-Michel Jarre, Vangelis & Michael Cretu are artists and producers which I ended up listening to over and over again.” Did you teach yourself the art of production or did you have a mentor? KB: “I took piano lessons as a kid, so I do have a musical foundation to build on. But when it comes to music production, I am self-taught. Lately, I have been lucky enough to work with several mentors helping me improve my sound and productions. Grammy awarded Danny Wyatt for Mixing and Mastering, Social Media Mastermind and Producer musicbyLukas and Rave Room Wizard Olly James.” What are your plans for this year? KB: “Keep refining and releasing tracks in the Future Rave style.” Is there anyone you would love to work with in the future? KB: “Well, obviously I would love to collab with one of the Godfathers of Future Rave, David Guetta and/ or MORTEN.” Where can we go and grab a copy of “The Sirens Are Calling?” KB: https://hypeddit.com/link/8fr261
Ken Bauer shows off his natural talent and skill for music production with "The Sirens Are Calling," which kicks off with huge energetic synths and prominent snares that fill the upper end of soundscape from the get-go, accompanied by entrancing melodies to sweeten the deal which leads us into the first drop. The risers and snare rolls gather momentum with a progressively growing frequency racking up a delicious amount of tension before the release of the drop, unleashing a perfectly executed thudding kick drum paired with the iconic melody to carry the track forward. As Ken nears closer to that perfected club anthem sound, his latest release "The Sirens Are Calling" is another huge stepping stone towards his goal, as it emanates those feel-good vibes we’re craving heading into the summer season. Ken Bauer has decided to take a completely new path in the industry with the fresh idea of
KEN BAUER
Future Rave. He is coming into 2021 hot and heavy, with a string of club-bound releases and there is still much
ONLINE
more to come. The genre of Future Rave is still relatively
!"$
heritage, he remains at the top of the list when it comes to
new, and Ken is ensuring that through his own vibe and Future Ravers. Beatselector Magazine | July/August 2021 | 57
REVIEWS
ALBUMS
{
Indispensable Essential Good Fair Poor
CHEAT CODES
HELLRAISERS PART 1 (REMIXES) DashGo Simultaneously trafficking in electronic, pop, hip-hop, and alternative at the same high speed, the Los Angeles trio Cheat Codes remains an inescapable force throughout popular culture. Their total stream tally eclipses a staggering 10 billion plays and they have over 2 million fans on social media. Maintaining a prolific pace, they’ve steadily amassed a diverse discography, including the platinum Pop Radio Top 5 smash “No Promises” [feat. Demi Lovato], the gold-certified
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“Feels Great” [feat. Fetty Wap & CVBZ], and gold-selling breakout “SEX” with Kriss Kross Amsterdam. Speaking to their international impact, “Only You” [feat. Little Mix] soared to #1 on Pop Radio in the UK, while they received dozens of platinum certifications in 20 countries. Not to mention, Liam Payne, Kim Petras, Wiz Khalifa, and Sofía Reyes all jumped at the chance to collaborate, and they did remixes for Ed Sheeran and Sam Smith. Igniting clubs worldwide, their 2019 Level 2 EP yielded the #1
}
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REVIEWS ALBUMS Dance Radio hit “Who’s Got Your Love” [feat. Daniel Blume] in addition to “Ferrari” [feat. Afrojack] and “Be The One” [feat. Kaskade]. Cheat Codes made their acting debut with the Bella Thorne directed short film, music video for “No Service In The Hills” featuring Trippie Redd, blackbear and PRINCE$$ ROSIE. Acclaimed by Rolling Stone, Paper, Time, Billboard, and more, the musicians have shut down The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel LIVE! with stunning and show-stopping performances. "Hellraisers Part 1" was released in early May 2021 and has been streamed millions and millions and millions of times on DSPs since its release date. Roughly a month later, "Hellraisers Part 1 (Remixes)" was released. Acknowledging the original album's global success, it was a no brainer leading off the new music reviews with this release. The guys hired Riggo & Piros, Michael Calfan, Morgan Page, Blinkee, Daniel Blume Shift K3Y, Charly Jordan, Danny Quest, Damaged Goods & Los Padres, Leondis, and Franklin on the remix duties delivering the 11 tracks across a diverse set of styles. The original mix of "On My Life" has racked up tens of millions of streams and clearly is the hit single of the original album. Rigos & Piros gets the honor of putting the ideas to work on the popular track and kicks it up ten notches, with a harder sweaty club edge, while keeping true to the original mixes melodic structure, and choruses.
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Michael Calfan's take on "Lean on Me" featuring Tinashe shows off a quicker pace and builds short drops with banging piano riffs and rolling drums. Morgan Page places more emphasis on the drum kicks, cymbals, and takes "Do It All Over"'s keyboard melodic tones down a slightlly darker road. Blinkee's bouncy remix of "Stay" followed by Daniel Blume's remix of "Between Our Hearts" brings you to the hafway point of the album. Shift K3Y features on the original and take the remix of "Heaven" in to a highly polished banger, one of the highlights of the project. Charly Jordan heightens the dope bassline and the rolling snares that dominate and showcase on the track. "Wish It Was Me" remixed by Danny Quest, followed by Damaged Goods & Los Padres brilliant remix of "Mathematics," Leondis' "Hate You + Love You," and Franklin's closing remix of "Washed Up" are all dressed up and primed for the dance floor. The debut original album has enjoyed tremendous success and the timimg of the release of this collection of remixes couldn't be more perfect. As the venues reopen, the diversity of dance flavors he remixes offer twill attract DJs of all stature and fill dancefloors. Not forgetting all the normal Cheat Code fans and consumers, this new remix album will make Cheat Codes fans happy too, serving as a nice alternative to the originals.
—Catherine Strickland
!»
gamersnationmagazine
REVIEWS ALBUMS of what this epic journey is about, yet they fail to draw the whole picture. There’s really only one way to get it: You gotta embark on this magnificent “Odyssey” yourself! However, I’ll give you just a little insight on the tracks and sounds that encapsulates the album. Song titles such as “Meer,” “Alléenoire” and “Thawra” give one a sense of mystery. Whereas the tracks titled as “Rebel,” “Late Summer,” “What To Feel,” “Far Away” and “Epilogue” are relatively self explanatory. Right from the beginning, you get a sense of the musical ideas and theme Holly is communicating. The songs are complex with
HOLLY NORTH ODYSSEY 3000GRAD
Holly North‘s debut album “Odyssey” on 3000GRAD was released on June 18 with premiere media support from outlets including Progressive Astronaut, TRND, Sweet Music, Electronic Groove, Melodic Deep among many others. Immersive melodies in perfect tune with your soul, striking up a strong resonance of bliss and ecstasy. Ultra-phat basslines sucking you in like some sort of interdimensional maelstrom. Sounds like your kind of thing? Then this one’s for you. When Holly North decided to pack a punch into his long-year musical training and to turn towards dance music, he made quite some heads turn. Morphing through ever new twists and turns like some sort of living sonic entity it sounds highly coherent, yet new and different all the time. Also, it truly lives up to its title: Odyssey. Descriptions like Melodic Techno or Melodic House and a nod towards the harmonic principles of Trance give an idea
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melodies built with bright and dark sounds, which are at times soothing yet adventurous, coupled with underlying samples, vocals and steady beats. The music transitions seamlessly with ease from song to song and certainly keeps the listener engaged. As the title states, Odyssey is defined as a journey into the mystical, the unknown, the spiritual, on and on. No matter your definition of the word, Holly North’s interpretation of Odyssey hits the mark and takes the listener on an exquisite aural trip and tells his story through masterful musicianship. Whether you prefer Melodic Techno, Melodic House or Trance, as Odyssey is described, one thing is obvious, Holly North has given the world a beautiful collection of songs to take you, the listener, on a beautiful musical trip. As a debut, “Odyssey” set the bar high for the burgeoning producer. It’s proof positive that critics and fans alike Holly North is a skilled musician and producer that can conceptualize a theme and deliver it with quality, detail, precision, skill and all the attributes that make one a successful producer. —Joseph Arthur
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REVIEWS ALBUMS original - of the origins - in a literal sense. In “Ludwig” it’s the strength of the beat, created through a hybrid of real drums and drum machines, that sets the tone for each track. The album’s title also suggests the importance of this percussive element; Ludwig drum sets were made world-famous by Ringo Starr in the 60s as well as being one of Stimming’s first instruments. As one of the album’s first tracks, “Pidgeons” acts as an introduction to the new sound territories Stimming explores with “Ludwig.” The tune is a slow, trip-hop start to a world where real, organic instruments
STIMMING LUDWIG STIMMING
Ludwig is Stimming’s 6th studio album, and is described as breaking new grounds for the producer. The new album looks beyond the clubs where Stimming built a solid, decadeslong career as part of the Diynamic family taking flight on a personal, self-released journey. Perhaps it’s only a coincidence that the album’s cover and the names of three tracks remit to flying creatures, or that Stimming has a model A350 in his studio, but throughout the album, there’s definitely a feeling of airiness, a new breathing space acquired by forgoing the need to make the music danceable. This isn’t usual Stimming, where he’s applying his famed technical know-how to sound. In “Ludwig,” the process is somewhat inverse; there’s a sense that Stimming is learning, or re-learning, a thing or two from sound, he’s “looking for the essence,” making the album
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and field recordings become skewed in an electronic void. It’s a track filled with surprising tangents and well-crafted tensions, as well as being Ludwig’s lone song with vocals. Stimming met Balbina at The German Music Authors’ Prize, where he was named “Electronic Music Composer of the Year,” and the singer named “Pop Vocalist of the Year.” On the track, “Pidgeons,” Balbina showcases all her abilities through an impressive layered arrangement. Her voice and lyrics add grace and a piercing emotionality to Stimming’s eclectic electronic backdrop, which amidst synth and beats also features field recordings of cooing pigeons. “Pidgeons are a symbol for accepting normal life, in all its banality and challenges. Pigeons are seen as dirty, or gross but they are still living creatures and that in itself carries a certain beauty,” says Stimming. Stimming goes even further explaining “If you look at my last album and you remove the groove, what’s left? This is what’s interesting to me now. I’m not interested in functionality anymore – at least not for now.” —Joseph Arthur
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REVIEWS
EPs
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THE SKULL ANTIME On his third release for ANTIME, Brazilian multidisciplinary producer Luis Fernando, recording as ^L_, offers two tracks plus a remix. “The Skull” opens with a chaotic montage of sound, including machine gun fire, dive bombers, and general mayhem. Once the smell of cordite clears, the main section of electro beat is pushed by surging and swirling washes of sound moving around throughout. The track ends with a soothing ambience that offers a chance to catch one’s breath. Hard hitting stuff, in the vein of Sturqen. “Terror Turbo” is an engaging track with a swinging beat that is pleasantly reminiscent of Cusp’s
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“Uranium.” The looped vocal sample, driving bassline, and interesting synth sounds pulled me right in to deliver me to the surprising and unexpected sax solo ending. The Quizzik remix of “Terror Turbo” offers a tasty variation on the original with its permutations and interesting arrangement. Nearly a new piece, but still faithful to the source material. These tracks are well produced. An aspect that appeals to me is a sense of composition I often don’t experience in electronic music. There is a beginning, middle and ending that tells me some thought and intelligence went into the music. Great stuff. —Craig Wharton
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REVIEWS EPs
FERNANDO LAGRECA BEEN TOUCHED SINCOPAT
Fernando Lagreca is known for compositions created with a sharpness in the melodies, making every song a feeling. Following up with his foot on the label’s door with remixes for the label head AFFKT second album and Brunetto + Bearoid EP, along with a single track on the 8th Years label compilation, Fernando Lagreca returns to Sincopat with a new 3-track EP. “Asphys” opens the EP with spaced rhythm along with a sort of hypnotic state that takes us from one side to the other as if it were an intricate mantra. The second track, “Undecided,” features vibrant colorful sounds, whispery vocals and a filtered guitar that breaks boundaries. Wrapping up the EP is the 90s styled rave track “Shifted.” With this latest in the Been Touched series, Fernando gives us plenty of melodic and analog house music and electro disco sounds from the 90s to enjoy. —Leo Weaver
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REVIEWS EPs
SKYLER MADISON IRIDESCENT CIRCUS RECORDS
It’s well known that Skylar Madison’s tastes in music run the from the feels and flavors of Trap, Hip-hop, and future and melodic bass. ”Iridescent” is a five track collection of songs, featuring huge 808s, masterfully orchestrated harmonies and melodies and dreamy chord changes across all five tracks. For the project, Skylar recuited Leah Culver (“What It Feels Like”), TITUS (“Reset”) and 24hrs (“Old Me”). “Iridescent” spans 15 plus minutes and will give bass music lovers a very diverse listening experience. After nearly a decade of traveling the world as a headliner, crafting her own sound and identity, it’s apparent that Skylar is on the fast track to success. “Iridescent” is a solid representation of her emergence as an upcoming major talent in the world of bass music. —Joseph Arthur Beatselector Magazine | July/August 2021 | 69
REVIEWS
SINGLES
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WAX MOTIF
THRILLS Featuring Jaxon Rose DIVIDED SOULS Wax Motif’s latest single “Thrills,” from his forthcoming album, is a bass house track featuring vocals from rising star Jaxon Rose. The new single has a slow tempo and somewhat low-key, yet it has a killer dose of pulsing bass and beats just behind the “suggestive” lyrics performed by Rose. “The song always gives me that LA Downtown late-night ‘going home from a party’ feel, and at the time, my life felt really transitional like that, lots of partying, meeting new people and
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going new places,” says Wax Motif. “On the album, it’s one of the tracks that feels like an important piece of my whole story so far and always makes me feel like it’s my first night out clubbing in Hollywood again.” For now, “Thrills” will have to do and serve as a go to for a potent dose of vocal-fueled house that will have to hold us fans and bass junkies over until the next Wax Motif release. —Catherine Strickland
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REVIEWS SINGLES
KRYDER & NATALIE SHAY RAPTURE BLACKHOLE RECORDINGS
“Rapture”… Yeah, that’s right, that“Rapture.” The one that 20 years back saw iiO (Markus Moser & Nadia Ali) usher in a cooler, deeper, more imaginative era of dance music songwriting. Since it’s been a piece of music that everyone from Avicii to Nadia herself have returned to, as “Rapture’” continues to enthral audiences far & wide. Ideal material for an artist as free-range as Kryder, his interpretation retains the original’s stylistic ambiguity, setting its feel within an ever-shifting nexus of melodic, trance and house. Natalie Shay meanwhile brings a vocal delivery, that manages to both subtly channel Nadia Ali’s iconic tone, whilst also leaving her own mark on the track. The purring allure of her opening minutes and verses allow it time to smoulder, before that unforgettable chorus finally sets light to the room. —Tim Stark
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REVIEWS SINGLES
SLOWPALACE BLURRED NIGHTMODE
Slowpalace is a rising producer from Los Angeles, CA. Starting out in 2018, Slowpalace popularity has seen expolsive growth with thanks to releases on labels such as Monstercat, Alt Vision/Sony, Music High Court, Jadu Dala, Proximity and NIGHTMODE. His music covers many different sounds, from wonky, synthdriven trap beats, bass house, future bass, and original electronic compositions. His latest single, “Blurred” for NIGHTMODE, transcends genres with cascading moody melodies, killer basslines and dreamy pad work that all work in perfect unity. Slowpalace incidently placed on multiple lists as an Artists To Watch in 2021.” “Blurred,” despite it’s simple yet sophisticated construction, shines a light on the burgeoning producer’s catchy house /electro infused dance track and should remain front and center in conversations. —Catherine Strickland Beatselector Magazine | July/August 2021 | 73