Portfolio

David Adler Charles N. Agree Detroit architect Christopher Alexander Tadao Ando Paul Andreu W. W. Ahlschlager theater architect Raul de Armas Gunnar Asplund Edward Larrabee Barnes Luis Barragan Welton Becket Adolf Behne Peter Behrens Henry P. Beiler Pietro Belluschi endrik Petrus Berlage Gottfried Boehm Ricardo Bofill Oriol Bohigas Catalan architect of the MBM group Mario Botta Claude Fayette Bragdon Marcel Breuer Gordon Bunshaft John Burgee Daniel Burnham Santiago Calatrava Peter Calthorpe Sir Hugh Casson James Walter Chapman-Taylor Serge Chermayeff David Chipperfield Josep Antoni Coderch architect in Barcelona Mary Colter Peter Cook Le Corbusier Ernest Cormier Charles Correa Lúcio Costa Ralph Adams Cram Charles Howard Crane theater architect Kirtland Cutter Justus Dahinden Raimondo Tommaso D'Aronco Frederic Joseph DeLongchamps Filipe Oliveira Dias Theo van Doesburg Andrés Duany Max Dudler - architect in Berlin Willem Marinus Dudok Arthur Dyson San Francisco architect Charles Eames Ray Eames John Eberson theater architect Peter Eisenman Arthur Erickson Hermann Finsterlin Miguel Fisac Theodor Fischer Aldo van Eyck Hassan Fathy Sverre Fehn O'Neil Ford Norman Foster Yona Friedman French architect Buckminster Fuller Antoni Gaudí Frank Gehry Cass Gilbert Romaldo Giurgola Bruce Goff Ernő Goldfinger Bertram Goodhue Michael Graves Greene and Greene Walter Burley Griffin Nicholas Grimshaw Walter Gropius Victor Gruen Hugo Häring Wallace Harrison Coop Himmelb Charles Holden Hans Hollein Raymond Hood Friedensreich Hundertwasser Arata Isozaki Arne Jacobsen Helmut Jahn Pierre Jeanneret Jon Jerde Philip Johnson Josep Maria Jujol Albert Kahn Louis Kahn Louis Kamper Detroit architect Jan Kaplický Oskar Kaufmann Raymond M. Kennedy Michel de Klerk Ralph Knott Austin Eldon Knowlton Hans Kollhoff German architect Rem Koolhaas Piet Kramer Leon Krier Kisho Kurokawa Edgar-Johan Kuusik Thomas W. Lamb Sir Denys Lasdun John Lautner Amanda Levete - Future Systems Ricardo Legorreta Firmin Lepage Jan Letzel Sigurd Lewerentz Liang Sicheng Daniel Libeskind Maya Lin El Lissitzky Gordon W. Lloyd Detroit architect Elmar Lohk Adolf Loos Hans Luckhardt Wassili Luckhardt Owen Luder Edwin Lutyens Fumihiko Maki Charles Rennie Mackintosh Imre Makovecz Robert Mallet-Stevens Angelo Mangiarotti George D. Mason Bernard Maybeck Duncan McDuffie Raymond McGrath McKim, Mead and White Roy Mason Richard Meier Konstantin Melnikov Erich Mendelsohn Henry Mercer Johan van der Mey Hannes Meyer Barton Meyers Giovanni Michelucci Ludwig Mies van der Rohe Vlado Milunić Enric Miralles Samuel Mockbee Rafael Moneo Arthur Coton Moore Charles Willard Moore Roger Montgomery Julia Morgan Eric Owen Moss Haji-Baba Moukhtarov Baku, Azerbaijan Glenn Murcutt Robert Natus Richard Neutra Oscar Niemeyer Oscar Nitzchke Percy Erskine Nobbs Jean Nouvel A. G. Odell Jr. Frei Otto John Pawson J.J.P. Oud Arthur Peabody I.M. Pei César Pelli Frits Peutz Renzo Piano Jože Plečnik Hans Poelzig James Polshek Gio Ponti John Russell Pope John Portman Christian de Portzamparc George B. Post New York hotel architect Freeman A. Pretzinger Ralph Rapson Rip Rapson C. W. Rapp theater architect George L. Rapp theater architect Steen Eiler Rasmussen Sir Charles Herbert Reilly Sir Albert Richardson Henry Hobson Richardson Gerrit Rietveld Kevin Roche Richard Rogers Aldo Rossi Wirt C. Rowland Paul Rudolph Eero Saarinen Eliel Saarinen Eugen Sacharias Moshe Safdie Paul Saintenoy Carlo Scarpa Han Scharoun Rudolf Schindler Paul Schmitthenner F.F. Schnitzer Alexey Shchusev Margarete Schütte-Lihotzky Giles Gilbert Scott Harry Seidler Josep Lluís Sert H. Craig Severance Vladimir Shukhov Claudio Silvestrin Alvaro Siza Howard Dwight Smith Alison Smithson Peter Smithson Paolo Soleri Alejandro de la Sota Albert Speer Basil Spence Johann Otto von Spreckelsen Rudolf Steiner James Stirling (architect) Edward Durrell Stone Roger Taillibert Benedetta Tagliabue - EMBT - widow of Enric Miralles Kenzo Tange Bruno Taut Max Taut Giuseppe Terragni Benjamin C. Thompson Bernard Tschumi Gilbert Stanley Underwood Jørn Utzon William van Alen Henry Van de Velde Robert Venturi Carlos Raúl Villanueva Rafael Vinoly Roland Wank W. H. Weeks

ARCHITECTURE

a collection of submissions, professional and academic designs by reza tashakori

Reza Tashakori

8051 Mulholland Dr, Los Angeles, CA (90046) Cell: (310) 842-6505 reza.tashakori@gmail.com

Skills Revit Architecture

3ds Max

Architectural Design

Rhino

Teamwork

BIM

Rendering

Architectural Research

SketchUp

Marketing

AutoCad

Adobe Creative Suite

Ecotect Analysis

Grasshopper

Business Development

Experience Architectural Designer Johnson Fain

Feb. 2014 to Present Los Angeles , CA

Collaborate with the design director to design and develop projects such as Christ Cathedral.

Work with the project leader to deliver projects in scope from small scale renovation projects to medium size projects.

Started Projects such as IMT Sunkist in Revit Architecture for design development and Construction Document set.

Architectural Designer Dubarch Architects

Jul. 2010 to Dec. 2011 Dubai, UAE

Served as architecture designer with the concentration on commercial and residential buildings.

Collaborated with the project managers and clients to achieve the project goals.

Responsible for small scale to medium size project delivery.

Part-Time Intern Architect Zeema Architects Served as part-time intern architect working in residential and commercial marketplace.

Participated in local and international competitions.

Apr. 2008 t o May 2010 Tehran, Iran

Education Master of Architecture (M.Arch), Architecture

Aug. 2012 to Feb. 2014 Buffalo, NY

Master of Architecture (M.Arch), Architecture

Jan. 2012 to June 2012

University at Buffalo, The State University of New York Columbia University, Graduate School of Architecture, Planning and Preservation Transferred to State University of New York due to offered scholarship.

Bachelor of Science (BS), Architecture Molana University

New York City, NY

Aug. 2006 to June 2010 Tehran, Iran

Design Awards 1st Prize, IAU Campus Design Competition The IAU University for PHD students in hot and dry climate 1st Prize, Al-Qadir Monument Competition Al-Qadir landmark and plaza in largest roundabout of city

Mar 2011 Tehran, Iran Feb 2011 Eyvanakay, Iran

3rd Prize, Pardis Park Redesigns Competition Central park of Noshahr redesign competition

Jan 2011 Semnan, Iran

2nd Prize, Martyr Memorial Competition Martyrs of Iran memorial museum competition

Nov 2010 Booshehr, Iran

4th Prize, Educational Square of Ahwaz Semnan University education plaza and landmark competition 4th Prize, Bagh-Bazar of Sabzevar competition Sustainable bazaar of Sabzevar international competition

May 2010 Ahwaz, Iran Feb 2010 Sabzevar, Iran

1st Prize, Shams-E-Tabrizi Competition Shams-E-Tabrizi monument international competition

Aug 2009 Tabriz, Iran

Finalist, Trade Center of Tehran Trade center of Tehran international competition (published in international magazines)

Nov 2008 Tehran, Iran

Reza Tashakori My immense passion for architecture pushed me through competing environment of architecture and forced me to participate in dozens of architecture design competitions. During my studies I worked as an apprentice with world renowned architects such as Kourosh Hajideh the Middle East architect of the year in 2014.

To pursue my career goals I moved to Emirate to work with Dubarch Architects. In Dubarch I collaborated with clients and professional teams. I was working with teams on commercial projects such as retail and hospitality spaces. To continue my graduate studies I moved to New York City. In Columbia University I studied in inclusive design research group.

Organizations: American Institute of Architects Associate Member National Organization of Minority Architects Member

Volunteer Experience & Causes: Middle School Teacher Mentoring and Teaching 8 grade African American students.

Students participated in Future City Competition and won the sixth prize and the best innovative energy solution award.

After ďŹ nishing my studies I started working with Johnson Fain in Los Angeles. In Johnson Fain I worked on projects such as Opus One winery, IMT Sunkist in Sherman Oaks and Christ Cathedral in Design Development and Construction document part.

Included in this portfolio you will see some of my professional projects, as well as my submissions to various national and international architecture competitions. Each successive project enhanced my ability to grasp the subjects and challenges of the professional architecture ďŹ eld. As part of my professional development process, I intentionally learned and learning skills that assist me to see comprehensive projects through from conceptual ideas to construction drawings and adminastration of them.

INDEX

Christ Cathedral.....................................................................................................................1 Opus One Winery..............................................................................................................8 Mesaieed House.................................................................................................................13 Emar Community Building...................................................................................17 Dampezeshkan Headquarter..........................................................................24 Mehr Apartment...............................................................................................................25 Rang Boutique....................................................................................................................26

COMPETITIONS Shams-e-Tabrizi Monument & Culture Center........................29

Christ Cathedral

Johnson Fain Designe Team: Jed Donaldson, Reza Tashakori, Edger Lopez, Christina Fuji, Zlatan Sehovic Location: Orange County Year: 2014 To transfer the Philip Johnson Evangelical space into something mroe Catholic appropriate/ Catolic church started by changing the name to Christ Cathedral. We started designing with a complete clean palette inside the cathedral. The quatrefoil-shaped shade structures lining the interior (to block out sun and draw focus inward) and a central platform with altar, lectern, and bishop's seat. The giant Organ which is one of the largest instruments in the world can’t be moved, but will receive some restoration and will be repainted in a more muted color. the organ will be blended into background. The rest of the grounds will be set apart from the cathedral by "a large plaza ringed by hundreds of crape myrtles. The construction document set will be released by February 2015.

1

CHRIST CATHEDRAL PLAZA

WORSHIP SPACE

LANDSCAPE SEPARATES CHRIST CATHEDRAL FROM ITS NEIGHBOR BUILDINGS

WORSHIP LEVEL VIEW FROM THE BALCONY LEVEL 2

WALL:

35 DEGREE ANGLE

25 DEGREE ANGLE 30 DEGREE ANGLE

15 DEGREE ANGLE 15 DEGREE ANGLE

0 DEGREE ANGLE 0 DEGREE ANGLE

PANEL TYPES

AXONOMETRIC NORTH-WEST PANEL WALLS 3

BAPTISTRY

PILGRAMS ROTUNDA

4

6

32'-3 1/2"

7

8

55'-3 1/2"

9

23'-2"

23'-2"

3

2

A4.30.P1

A4.30.P1

SEE SHEET 1 / A2.13.P1

23'-9 1/2"

5

10

36'-9 3/4"

13

18'-5 3/4"

14

32'-3 1/2"

15

16

23'-9 1/2"

STAIR NO. 01 S-101 CLERGY RESTROOM 102

INCENSE ROOM 126 VESTIBULE 123

VESTIBULE 103

UP

ELEVATOR VESTIBULE 122

1 A2.34.P1

12

BLESSED SACRAMENT CHAPEL 100

1 A2.30.P1

STAIR NO. 06A 06A

11

WORSHIP SACRISTY 105

DN

8'-8 3/4"

4

ELEVATOR VESTIBULE 106

ELEV. NO. 03

ELEV. NO. 01

VESTIBULE 101

STAIR NO. 06B 06B

13'-3 1/4"

3

STAIR NO. 02A 02A

RAMP

7'-0"

2

SEE SHEET 1 / A2.12.P1

STAIR NO. 02B 02B

PILGRIM'S ROTUNDA 109 STAIR NO. 03 03

1 A2.33.P1

DN UP UP

DN

STAIR VESTIBULE 121

STAIR VESTIBULE 107 UP

BAPTISTRY 120 WEST VESTIBULE 119

1

UP UP

1 A2.31.P1

UP

PREDELLA 129

WEST SANCTUARY 128

EAST SANCTUARY 130

EAST VESTIBULE 108

OPEN TO BELOW

A4.30.P1

41'-0"

1

1

DN 2

A4.02.P1

A4.02.P1 UP

DN

UP

ELEVATOR VESTIBULE 110

RECONCILIATION CHAPEL 117

DN UP

NARTHEX 113

STORAGE 111

UP

RECONCILIATION CHAPEL 116 PRIEST CIRCULATION 115

7'-0"

UP

RECONCILIATION CHAPEL 118

17'-11"

UP

41'-0"

ELEV. NO. 02

STAIR NO. 04 S-104

1 A2.32.P1

1 A4.01.P1

OVERALL PLAN - WORSHIP LEVEL, PHASE 1

5

EDGE OF ENTRY SURROUND

EDGE OF ROTUNDA

EDGE OF ROTUNDA

3'-2"

3'-2"

3'-4"

3'-2 3/4"

3'-2 3/4"

3'-2 3/4"

3'-2 3/4"

3'-2 3/4"

3'-2 3/4"

3'-4"

3'-2"

3'-2"

ALIGN

MT-1

MT-1

ENLARGED EXTERIOR ELEVATION - EAST / WEST

MT-1

GL-1

10"

8'-10 1/2"

10'-8"

1'-0"

MT-1

MT-1

MT-1

MT-1

MT-1

EXTERIOR PILGRIM'S ROTUNDA - SOUTH

TS8X4X0.25

GL-1

MT-1

10"

8'-10 1/2"

10'-8"

1'-0"

MT-1

MT-1

MT-1

MT-1

EXTERIOR PILGRIM'S ROTUNDA - NORTH

EXPLODED AXON PILGRIM'S ROTUNDA 7

Opus One Winery Johnson Fain Designe Team: Reza Tashakori, Jessica Champion Location: NAPA Year:2014 The Opus One Winery, a joint venture of the Robert Mondavi Winery and Baron Philippe de Rothschild, is a unique collaboration between a renowned California vintner and a celebrated European Winemaker. The winery is set in 100 acres of vineyards in the heart of Napa Valley, California's preeminent wine-growing region. The building plan and section are organized to encourage "gravity flow" of the winemaking process wherein grapes are delivered to the winery high and fermented and barreled low, such that there is a minimum of mechanical movement and disturbance of the wine. Barrel room cooling is provided through a radiant cooling system embedded within the primarily concrete building structure. The typical exterior cladding is domestic limestone, weathered California redwood, natural oak, concrete floors and stainless steel hardware and details.

All interior design elements including furnishings, carpets and lighting fixtures were designed to expand the architectural vision of the building and to reflect a unity of winemaking, food and artful living. Because of larger demand the client came back to us and asked for more space. In this set of drawings we proposed a new VIP tasting room, new barrel and bottle storage room, hospitality rooms such as VIP tasting room, tour introduction lounge, partner’s room and veranda.

8

R10

R12.5

R12

R11

R13

R14

R15

R16

R16.5

R17

R18

R19

R9

R20

R8

R21 GRAND CHAI

R22

R7 R6

R23

GRAND CHAI TASTING ROOM

R5

R4

R24

R25

CLUB 29 TASTING & LIBRARY

A

18' - 4" B

A

BOTTLE STORAGE

R3

R26

22' - 6"

R2

R27 BARREL ROOM I

BARREL ROOM II RINCOIR B

R1

R28

RINCOIR A

C

ELEV

RA

RB

RC

RD

J/C

ELEC RM SERVER RM

D

GALLERY

WAREHOUSE I

WOMENS

MENS BOTTLING LINE

22' - 11"

E

10' - 0"

18' - 6"

C

D

B

MENS

E

WOMENS BREAK RM

MECH/EQPMT

14' - 7"

F

39' - 0"

F

CUVEE CELLAR

EQUIPMENT STORAGE

BARREL ROOM III

G

H EGRESS STAIR RINCOIR D

23' - 0"

J

WAREHOUSE II

11' - 0"

H

16' - 7 1/2"

39' - 0"

G

RINCOIR C

BARREL ROOM IV

68' - 0"

BARREL ROOM V

J

K

23' - 0"

K

L

11' - 0" 17' - 0"

M

17' - 0"

L

M

VRC

N

N

32' - 6"

1

6' - 6"

2

3

25' - 10"

10' - 6" 10' - 6" 10' - 6"

4

5

6

11' - 6"

7

23' - 2"

8

23' - 2"

9

11' - 6"

10

10' - 6" 10' - 6" 10' - 6"

11

12

13

14

25' - 10"

39' - 0"

15

16

LEGEND 17

HOSPITALITY NEW BARREL STORAGE NEW BOTTLE STORAGE

FIRST FLOOR PLAN

NEW VERTICAL CIRCULATION PRODUCTION/EQUIPMENT

9

PARTNERS ROOM

VERANDA

10

ENTRY VESTIBULE

11

TOUR INTRODUCTION LOUNGE

12

Mesaieed House Architects: Dubarc Architects Location: Mesaieed, Qatar Design Team: Reza Tashakori, Nima Mokari Site Area: 5704.0 sq ft total Area: 7540.0 sq ft Mesaieed house is a private family residence that is surrounded by an urban environment. This house is a closed box that provides privacy to its residence. Instead of rising up the surrounding walls to block the views to the inside of the house and provide privacy for the residents, by locating a large white solid wall on the front facade.

Hot and dry climate of the city and the slope in the site forced us to put the building in 12 feet under the ground compare to street level. Residence of the house can enjoy much tolerated temperature range. Also they can have more privacy. At the same time we created an amazing landscape view to the courtyards for the underground level residents.

The openings make it possible to look out into the surrounding environment and allow natural light to penetrate into the building. Bands of light and shade creates a Harmony that plays between walls of the structure. The pattern of stripes on the eastern façade represents the rhythm of the light’s movement.

13

First Floor

Main Entrance

Second Floor

Third Floor

Main Entrance Rendering

Final Form

Balconies

14

+5.40

-3.20

-2.20

+1.00

+0.00

-3.20

-2.20

+1.00

+0.00

Third Floor Plan

Backyard Entrance

Second Floor Plan

15

East Side View

Outdoor Space

Backyard View

Pedestrians Views are Blocked by Solid Walls on the Sothern Part of the House 16

Emar Community Building Architects: Dubarch Architects Design Team: Reza Tashakori, Amir Hanif, Ali Diab Location: Sharjeh, UAE Year:2010

Emar housing complex is surrounded by civic and residential uses. The site consists of seven, two story buildings, a row of six triplex buildings and a community building at the edge of the site. Parts of the building partially prefabricated outsides of the site and assembled in site to ensure quality construction and minimize waste.

The community building holds the social events of the community and it’s a place for reunion of its residents. It also has the administrator offices in itself. At the Second floor the open restaurant area that is shaded by roof structure is located. The exposed structure of the roof creates a high-tech typology for its site. It also redefines the building identity and makes it a prominent building in the community.

ZONING CODE ANALYSIS Abbas Community Building Property address: 321 Abdol-Al-Abas Share Sharjah, United Arab Emirates

Lot size: Minimum allowed: 400m2 Minimum dimensions: 125cm wide, 200cm deep Provided: 18372 m2 Dimensions: 736cm wide, 1590cm deep (minimum) Lot size per unit: Phase 1 Minimum open space: 30% of lot area Provided = 9477 open 18372 total = 57% open

Proposed use: Multi- family residential apartments with supporting community building 6.8

11 1/16" 27'-8 3/16"

27'-8 3/16"

8.1

8.1

8.2

16'-8 11/16"

8.2 6.9

2'-2 3/4"

8

8 13'-0 3/4"

44'-5 11/16"

1'-5 1/4"

22'-11

1/8"

22'-11

3'-10 1/2" 20'-0 7/16"

A.2

9.1

10.1

10

10 1/2"

8.6

10.1

10

5'-2 1/4"

9.1 10 1/2"

3'-10 1/2"

1/8"

20'-0 7/16"

4'-5 7/8"

9

8.8 8.6

9

8.8

A.1

44'-5 11/16 "

1'-5 1/4"

7

A

A

D

W

W

D

11'-3 1/4"

11'-3 1/4"

D

13'-10

3/4"

A

A.8

File Cabinets

12'-2 15/16"

A.3

20'-8 3/4"

Stair-1: 60" clear width

4'-6 1/4"

DW

20'-8 3/4"

B.2

A.3

W

Covered Roof Terrace 2899 sqft

Mop sink

B.5

B.2

B

B.1

WH

7'-3 1/8"

B.5

B.8

Total Second floor area = 3,399 sqft

7'-11 1/2"

B.5

Storage/ Support 152 sqft

7'-11 1/2"

10'-0 1/4"

8'-6 3/8"

12'-5 5/8"

9'-7 3/8"

B.8

B.8

6'-3 1/8"

1'-9"

B.5

B.1

10'-0 1/4"

8'-6 3/8"

B 11 3/4"

9'-7 3/8"

File Cabin ets

Storage/ Support 348 sqft

C

Stair-2: 48" clear width

6'-3 1/8"

B.8

C

1

Bridge access to second floor exterior exit balcony, Building F.

Ground Floor Plan

2

Second Floor Occupant Load/Exiting 17

23

23

3

3

exterior

exterior

13

1" shaft

29

Wall Type-A Section

37

29

304

1"

28

417

14

14

51

1

1/2"

7 1/4"

1/2"

5 1/2" interior

10

5/8"

28

13

320

27

1"

27

24

51 sim.

2

Wall Type-B Plan Section

3

2nd Floor Assembly

4

2nd Floor Assembly 18

7

8 11'-11 1/4"

2

2 AE4.2

9

1 AE4.3

AE2.2

16'-0"

14'-8 5/8" 6'-2 1/4"

3 1/2"

8'-4 1/4"

12'-2"

3 1/2"

9'-10 1/2"

3 1/2"

7'-0 1/2"

6"

4'-1"

3 1/2"

A

4

2

6" 1'-0" 3 1/2"

5'-7" 2'-0" 3'-4" 7"

49'-0"

4'-10" 3 1/2"

11'-4 1/2" 6"

4'-0" 1'-5 3/4"

3 1/2"

3'-6 1/2"

6"

2'-4"

4'-10 1/2"

5 1/2"

7'-0 1/2"

3 1/2"

5'-9 3/4"

4'-0"

6"

Trash

concrete

Electrical/ Phone concrete

A

7 3/4"

HB

1 AE4.2

7 3/4"

8

8

1'-0 1/2"

6'-10 1/2"

1 AE4.2

Fire Riser room concrete

Elevator Mechanical concrete

AMEE 25 HLS-Plan II,

by ThyssenKrupp

5'-5 3/4"

B

5'-5 3/4"

AE2.1

AE2.1

2'-6 1/2"

2'-7"

6"

2'-0"

2'-6"

3 1/2"

13

10 AE7.2

10 AE7.2 5'-6"

5'-6"

7"

5'-1 1/2"

10'-8"

5'-2" 10'-8"

51'-0"

5'-10 1/4" 6'-10"

Note: Face of framing equals Column Line 10.

11 3/4" 6"

8'-9 1/2"

6'-1"

1'-3"

7 3/4"

8'-7 1/2"

7 3/4"

6'-5"

6 1/2"

3'-6 1/4"

4 3/4"

1"

16'-2 1/2"

2 AE4.3 12

10'-9 1/4" FV

16'-8 3/4"

12'-4 1/2"

6

8 1/4"

2

5'-0"

11'-1 1/2"

2 AE4.1

1 2

B

Plaza

1 AE4.8 1'-2 3/4"

8

9'-2 1/2"

7'-0"

6

Hall #2

DS

11'-0"

7 1/4"

C

5

5'-1"

@ 12" =

A

1'-0"

6'-4 3/4" 7 treads

MCT

HB

9 1/2"

@ 12" =

27 risers UP

Storage

A

11 treads 5'-0"

1'-0"

WH

6'-6 1/4"

2

1'-0"1'-0"

4'-0"

7

4'-8"

2

7

MCT

1 AE4.3

16'-1"

6"

16 17

5 1/2"

1B

2 AE4.2

plinth

8'-4" 15

18

8'-10 1/2"

1B

11'-6"

8"

3 1/2"

porcelain tile

2'-7"

1B

5'-0"

3" 8"

15" high concrete plynth; this note overrides sectional information

5'-8 1/2"

Men's Restroom

3

6

2 AE4.8

+15"

3 1/2" 4'-2 1/2" 5 1/2"

1 AE4.1

2'-0 1/2"

3'-11"

5"

1 AE6.2

4

3 1/2" 4'-6 1/2"

Ref.

1'-0" 11"

4'-10 1/2

"

12'-5 5/8"

5

1'-6"

Janitor MCT

5'-6"

5'-4"

1B

A

2'-7 1/2" 6" 6"

2'-8"

1'-9"

20'-10"

3'-11 1/4 "

10" 10 3/4"

4'-9 3/4"

7'-1"

5S

Sim.

1'-6"

Kitchen MCT

4'-6"

11 3/4"

DW

" 3 1/2"

carpet tile

2'-10 3/4

6"

Office

A

4'-3 1/4"

13'-9"

3 AE4.8

5'-3"

3 1/2"

4

T.O. Concrete 99'-9" = 3704.0'

MCT

11

C

2S above

2

"

File Cabine ts

6 treads @ 12" = 6'-0"

4'-7"

2'-7"

5'-6"

Community Room

3

6'-10 7/8

+15"

C

6'-10"

3'-5 3/4"

2

3

3 1/2"

mail

10 3'-11 1/2"

3'-7"

3 1/2"

4" 7"

2'-1"

3 1/2"

MCT

C

2'-1"

1'-0"

4

Hall #1

4'-2"

4'-2"

3 1/2"

5" 6'-0"

MCT

2

11'-2 1/2"

12 13

3 1/2"

14

Mop sink

4'-5"

5'-5"

11

carpet tile

5 1/2"

10'-10 1/2"

9'-11" 18'-0"

6'-8 3/4"

ADA door operator

7

Lobby

2

13'-1 7/8"

A

sim.

7 3

5'-2"

6'-0 1/4" 4'-7 3/4" 1'-4 1/2"

Women's Restroom

porcelain tile

Library/Computer Lab

File Cabinets

1A

A

3 1/2"

6

MCT

C

6'-0 1/4"

carpet tile

Storage

16'-0"

6'-0 1/4"

carpet tile

Small Room

2

1'-3"

2 AE4.1

Office

9'-4 1/2"

6'-0 1/4"

AE2.2

9

1

6'-0 1/4"

1

Face of sheathing

9'-8"

5

Waiting

2'-1"

2 AE4.3

1

carpet tile

8'-10"

2'-0"

6"

3

3 1/2"

1'-6"

2'-0"

1'-4 1/4"

2'-4 1/4"

3

6" 1'-11 1/2" 1'-8"

AE7.4

AE7.4

bench

2'-11 1/2"

6'-2 1/2"

6"

3'-8"

7

3'-0"

5

AE7.4

bench

3 1/2" 1'-4 1/2"

5 1/2"

6"

5'-0 1/4"

3'-0" 6"

5 1/2"

3 3/4"

6'-7 1/2"

7'-0"

4 3/4"

3'-0"

8 1/4"

12'-6 1/4"

2'-5 1/8"

6"

3

1 AE4.1

3'-11"

90'-0" 2'-0" 1'-11 3/4"

A

10

1'-1 1/2"

40" AFF +

2'-9 3/8"

1

Ground Floor Plan 19

3'-4 3/8"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

4'-5 1/2"

2'-7 1/4"

329 5

3

1

AE4.4

AE4.4

AE2.4

typ.

324

329

4'-0"

3'-5 5/8"

1'-6"

typ.

6'-0"

B

PV Panels Not to Scale

6'-0"

324

6'-0"

3 AE2.4

1 AE4.4

C

Type 1 Perforated Panels Not to Scale

333

6'-0"

6'-0"

1 AE4.4

41'-11 1/4"

6 AE2.5

Upper Purlins Not to Scale

6'-0"

D

6'-0"

1'-6"

334

5 AE2.4

6'-0"

AE4.4

2 AE2.4

E

12'-0"

2

45'-5 3/8"

Lower Purlins Not to Scale

1'-5 5/8"

325

5

4

4

3

AE4.4

AE2.4

AE4.4

AE4.4

F

330

Type 2 Perforated Panels Not to Scale

Typical for (10) 36'-11 1/4"

327

1 Plan Perpendicular to Canopy Roof

328

A

Canopy Roof

G

Not to Scale

2

Steel Super Structure

326

Not to Scale

Exploded Axonometric Diagram of Canopy Roof Construction 20

2 AE4.3

1 AE4.3

94

2 AE4.2

186

201

8

186

91 91 85

90

90

4

6

3

3

85 1 AE4.3

2 AE4.3

1

2 AE4.2

North Elevation

2 AE4.2

2 AE4.3

94

186

91 91

201

94

186 91

92 92 2

102 2

102

2

90 186

90 1B

1B

2 AE4.2

1B

1B

7'-9"

7'-9"

102

2 AE4.3

2

South Elevation 21

83

151

24

19

83

13

2

10

14

52

152 179

interior

exterior 145

209

127

1x2 @ roofs edges without rigid insulation

145

Concrete Floor T.O Concrete Slab 100'-0" (@ Flats), 99'-1 1/4" @ Townhouses)

56

155

27

4

28

151

17 3

1" min.

53 149

156

2x2

29

1/2" min.

141

1

180

150

141

5

Typical Foundation Detail

6

118

14

23

24

Typical Rim Detail-Section

27

23

3

110

where required

7

Typical Dam at Roof Edge 22

Dampezeshkan Headquarter Architects: Zeema Architects Location: Tohid, Tehran, Iran Designer: Reza Tashakori Site Area: 3465.0 sq ft Total Area: 12486.14 sq ft Developer: Dampezeshkan Organization Year: 2009

Street View

Bank of Shahr on the First Floor

24

Mehr Apartment Architects: Zeema Architects Location: Mehrshahr, Karaj, Iran Design Team: Reza Tashakori, Arsalan Sarshar Developer: Mehrdad Khalili Year: 2009

Southern View of the Building

Living Room

25

Rang Boutique Location: Tehran, Iran Design Team: Reza Tashakori, Koroush Hajizadeh Completion Year: 2010

Name: “RANG”, stands for “Rang, Naghsh, Gozashteh”, which means “Color, Design and Past” in English.

Area: This boutique is a 192 Sq ft rectangular. The two longitude sides are common walls with neighbor boutiques and the other two sides are storefronts. One of the store fronts faces the street and the other side faces the trade center.

Client’s Requirements The Client demanded a list of requirements for selling cloths for women: Two storefronts on the two opposite sides Garment racks Changing room Jewelry table Cashier’s counter Side Cabinets and stock storage room Design Goals The boutique is located between the mall’s interior corridor and the street walk way. Since the height of the store was too high, a smaller box inside the store redefined the store proportion to suits it better to human scale. To install the suspended box inside the store we used tension cables from the ceiling, and L shaped structure on the wall.

Suspended Box

Client’s Demand (Two storefronts) Design Problem (Fulfilling the client’s demands and bringing indoor and outdoor together)

Walk Side

Inside

Corridor

Walk Side

Between

Corridor 26

Design Limitation The structures brace on the storefront that conflict with the storefront’s window. To solve this problem we incorporate the brace with continues lines of the ceiling.

01 - Location

02 - Surface Analysis

03 - Loops & Stands

04 - Requested Elements

Brace

Out

dor

ri Cor Study of Space and Stands in the Model

Plan Level +4’6”

Plan Level +7’8” 27

Regal 02 Stand

Jewelry Box Desk Stand

Regal 01 Shelves Changing Room

Functional Package

28

Shams-e-Tabrizi Monument & Cultural Center Competition- 1st Prize Design Team: Reza Tashakori, Koroush Hajizadeh Location: Tabriz, Iran Year:2009 After modernism, components of city are considered as contiguous parts not individual parts. To consider this importance, I connected Najaf Ali Khan Castle, Ali Shah’s Arg, Tabriz Bazar and Golestan Garden together with Tabriz red brick pavement.

Urban life and city are integrating together with the most historical material of the city on the pavement. The connection creates an urban flow from the city to the garden that holds the Shams-e-Tabriz monument in the hearth.

Red brick pedestrain pavement that connects historical context of the city

Red Brick Pavement

Golestan Garden (Monument’s Site)

Republican St Amir Arg

Laleh St

Alishah Arg

Ferdosi St

Main St

Bazar

Tabriz Museum

Kabood Mosque

Ganj Alikhan Castle 29

30

Design Process of Shams-e-Tabrizi Monument

Side Ramp

Connects 0’0” Level to -32’2” Level

Red Brick Ramp

Connects the City to the monument

Shams-e-Tabrizi Monument Interior Ramp

Interior Ramp

Interior Ramp is Connected to the Urban Ramp

Frame 1

Frame 2

Frame 3

From Level -16’ to -28’ and Vice Versa

Frame 4

Frame 5

Creation of Sound from Passing the Wind Inside the Monument

Exterior Case

Sound System is embedded in Apertures of the wall

Position of the Case in the Wall 31

Objectives of the Project Connecting historic sites of the city with red brick paver path to the monument and the garden Streaming urban flow of the city through the site by changing the pavement color and material

Shams-e-Tabrizi Monument

Cedar Trees

Renovating Golestan garden by Persian gardening patterns Using Tabriz Red bricks for the pavement to enrich the pavement and interior space.

Embedding the apertures on facade to provide an ecstatic environment.

Water Axis Pedestrain Path(Red Brick Paver) Persian Garden Axis

Illuminating monument’s interior space by making an opening at the top of the monument.

Creating sound inside of the monument by conducting the wind through apertures.

Shams-e-Tabrizi Monument

Apertures on Facade creat Sound inside on the Mpnument Monument’s Interior Space Sound Apertures

Apertures on Facade Creat Light Rays

Pool Red Brick Pavement(Yard Level)

Museum access level(-16’3”)

Yard Shams-e-Tabrizi Museum

Amphitheater

Library

Interior Ramp

Elements of Organization 32

D

E

C

C

15

12

F 17

23 1

A 24 B

19

3 2

16

18

6 20 21 22

7

14 10

11

18 19

8 6

13

12

F

9

5 3 2 4

23 1

A 24

B

15 D

Division Space

Auditorium

Monument

Yard

Restrooms

Museum

Pavement

Pool

E

1. Entrance 2. Pool 3. Open Plaza 4. Corridor1 5. Corridor2 6. Pedestrian Path 7. Birth Path 8. Waiting Room 9. Amphitheater 10. Stage 11. Love Path 12. Yard

13. Fountain 14. Shams Monument 15. Ramp 16. Space Division Room 17. Love Path 18. Museum 19. Museum Treasury Room 20. Office Stairs 21. Office Elevator 22. Library Elevator 23. Ladies Restroom 24. Men Restroom

+70’6” +58’4”

Section A

33

Interior View

Rays of Light

Shams-e-Tabrizi Monument

Ascent

34