Neumann pocketguide 2012

Pocket Guide 2012 English

KK 204/205

KM A Series

More than 80 years: Professional Microphones

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Now: Studio Monitor Systems Separate folder available

Georg Neumann GmbH • Ollenhauerstr. 98 • 13403 Berlin • Germany • Fon: +49 (30) 417724-0 • Fax: -50 • E-Mail: sales@neumann.com • www.neumann.com Errors excepted, subject to changes • Printed in Germany • Publ. 03/12 077254/A25

Pocket Guide 2012

TLM 102

Studio and Stage Microphones Analog and digital (incl. Accessories)

Table of Contents Digital Microphones Solution-D ................................................................................................... 3

Tube Microphones M 147 Tube ............................................................................................ 27 M 149 Tube ............................................................................................ 33 M 150 Tube ............................................................................................ 39

Large Diaphragm Microphones TLM 49 ..................................................................................................... 43 TLM 102 .................................................................................................. 47 TLM 103 .................................................................................................. 41 TLM 193 .................................................................................................. 57

Switchable Large Diaphragm Microphones TLM 67 ..................................................................................................... 61 TLM 170 R .............................................................................................. 65 U 87 Ai ..................................................................................................... 71 U 89 i ........................................................................................................ 75

Vocal Microphones (Stage) KK 204/205 + KK 104/105 S ..................................................... 79 KMS Series .............................................................................................. 85

Miniature Microphones Series 180 ............................................................................................... 91 KM A Series ........................................................................................... 97 System KM 100 ................................................................................ 109

Stereo Microphones KU 100 .................................................................................................. 121 USM 69 i .............................................................................................. 125

Shotgun Microphones KMR 81/82 i ....................................................................................... 129

Broadcast Microphones BCM 104 .............................................................................................. 133 BCM 705 .............................................................................................. 137

Accessories ...................................................................................... 141

2

Product Information

Solution-D Digital Microphones

www.neumann.com

3

It is well-known that digital signals provide the necessary conditions for mathematically precise calculation and processing, allowing signals to be modified, copied, transmitted and stored as desired, with no loss of quality.

In contrast, analog signal processing is characterized by limited precision, error accumulation, a lack of redundant signal information, and no possibility to include error correction procedures. In the analog signal transmission chain, every processing step is thus associated with a deterioration of signal quality. This results in a progressive decrease in dynamic range, due to the introduction of noise voltages and nonlinear distortion.

Moreover, digital processing permits the performance of functions that are difficult or impossible to implement by means of analog signal processing. This is particularly the case with functions that require intermediate data storage.

A microphone technology milestone With the Solution-D digital microphone system, Neumann has succeeded in bringing the dynamic range and signal fidelity of the best analog studio microphones into the digital domain, thus making possible an entirely digital signal chain for audio production.

Thanks to optimized A/D conversion, especially developed synchronization technology, and the capability of controlling standard microphone parameters and various integrated signal processing functions remotely, Solution-D meets the most demanding requirements of professional audio production. The fundamental principle of the technology permits recordings to be made with no „bottlenecks“ in the signal chain.

Why digital signal processing?

With the development of the first digital recording equipment, the digitization of audio data began many years ago, at the end of the signal processing chain. By now, almost all audio signal processing components are available in digital form.

An extremely fast peak limiter integrated into the microphone provides constant protection from overloading.

The Neumann A/D converter, which is likewise located in the microphone, eliminates the necessity of tedious experimentation with external converters and preamps.

The Neumann sound, with optimal quality, is therefore captured directly on the hard drive. Users can rely onw this, and thus have more time for the essentials.

Components and interfaces The power supply, remote control, synchronization, and signal and data transmission of the digital microphones

TRUE NEUMANN SOUND: The legendary Neumann sound in the digital realm.

Pure Neumann capsule sound.

4

The System Description

conform to the AES42 standard. Neumann made a decisive contribution to the development of this standard, which supplies the necessary preconditions for the implementation of digital microphone technology.

A Solution-D digital microphone system consists of the following components: One or more digital microphones, a Digital Microphone Interface (DMI) and the Remote Control Software (RCS), which facilitates the operation and permits the remote control of the microphones. A PC or Mac can serve as the control computer, which of course can also be used simultaneously as Didital Audio Workstation for recording. A DMI permits connection to all subsequent devices that have an AES/EBU interface.

As an alternative to a DMI, a „Connection Kit“ can be used to connect Solution-D microphones to the AES/EBU or S/PDIF interface of a recording system. However, if a Connection Kit is used, it is not possible to control the microphone functions remotely. Thus a control computer is not required. In this case, if it is necessary to synchronize several microphones, a sample rate converter must be used.

All of the possible Solution-D system configurations are illustrated on the following pages.

If users later wish to take advantage of additional adjustable parameters and remotely controlled functions, the system can be expanded at any time through the acquisition of a separate DMI.

Remote control of standard microphone parameters The DMI digital microphone interfaces permits familiar microphone settings such as the directional characteristic, pre-attenuation and low-cut filter to be controlled remotely and saved. Changing the settings of microphone parameters is greatly simplified, which makes it possible for settings to be tested rapidly from the monitoring position, in order to optimize the sound quality. All of the settings can be saved together with any desired additional information, thus eliminating the necessity of keeping a hand-written log of the recording procedure.

Integrated digital audio signal processing An A/D converter, developed and patented by Neumann, receives the signal directly from the capsule, and is opti-

mized for the specific signal and impedance parameters of the capsule. Level matching that may be desired for subsequent equipment takes place in the digital domain, in the microphone. Analog components such as preamplifiers and A/D converters are thus no longer required, resulting in considerable cost savings.

The special A/D converter technology makes it possible to have the complete dynamic range of the microphone capsule available in the digital domain, with no restrictions. Setting gain levels is therefore no longer critical.

A particularly significant feature is the peak limiter function. Located for the first time in the most effective position, at the signal source, it reduces transient peaks as the level reaches 0 dBFS, when distortion would normally be inevitable. Analog microphones require extensive headroom in the subsequent signal path to handle such signal peaks, which are short but have a large amplitude. Independently of the peak limiter, a compressor/limiter can also be activated, permitting detailed adjustment via the corresponding parameters.

In addition, functions such as mute and phase reverse are also integrated into the microphone. Visual commands such as „On air“ are implemented by means of remotely controlled LEDs in the D-01 microphone. Acoustic commands in the form of various test signals can be used to facilitate line checks.

The firmware of all the digital microphones can be updated via uploading at any time.

Data transmitted by the microphone Information transmitted by the microphone includes the name of the manufacturer, the model and serial number, the software version installed in the microphone, and the remotely controllable functions that are supported by the microphone. Status indicators such as „ready for operation“ and specific warning functions are also transmitted.

A/D conversion Despite continuing improvements, integrated circuits available on the market still constitute a limiting factor in the conversion of audio data from analog to digital form.

The best currently available delta-sigma A/D converters typically achieve a dynamic range of 115 dB to 120 dB, A-weighted, with a word length of 24 bits.

TRUE TO THE ORIGINAL:

TRUE CONVERSION:

The satisfaction of recording the uncolored original, with no „bottlenecks“ between the capsule and the recording system.

The guarantee of having one of the best A/D converters available.

A/D

5

In comparison, a high-quality analog condenser microphone has a dynamic range of up to 130 dB. A/D conversion with a considerably better performance is therefore required, in order to prevent the addition of noise to the signal. At the same time, this process must be optimally adapted to the signal levels and source impedance found in the microphone.

If the A/D conversion is carried out only after the signal reaches the mixing console or other equipment, this is usually associated with loss of signal quality, since the conversion takes place only after the gain levels have been set. Headroom aspects and noise contributed by the microphone preamplifier and A/D converter thus affect the dynamic range.

Consequently, the development goal was to achieve highquality digitization of the capsule signal directly in the microphone, so that level matching and other processing steps could be carried out in the digital realm. This is the only way of maintaining the full quality of the microphone signal.

Synchronization The AES42 standard defines the following two methods of synchronizing the microphone with the receiver (e.g. a mixing console or a DMI digital microphone interface).

Mode 1: The microphone operates asynchronously, using the sampling rate of its internal quartz oscillator. In this case, a sample rate converter is required at the receiver.

This mode should be used only if mode 2 synchronization is not possible, since conventional sample rate converters often impair the dynamic range, and increase the latency time.

Mode 2: The microphone is synchronized with a master word clock. This can be either an external word clock or the internal word clock of the DMI. In this case a frequency/phase comparison with the master word clock is carried out in the AES42 receiver (DMI). A control signal is generated that is transmitted to the microphone via the remote control data stream, controlling the frequency of the quartz oscillator in the microphone.

Via the BNC output of the DMI, the internal word clock generator can be used to synchronize additional DMIs and subsequent processing equipment, such as a mixing console.

The microphones The signal generated by the capsule is converted directly into a digital signal. The result is a digital output signal with 24 bits and, for example, a dynamic range of 130 dB (A-weighted) in the case of the D-01.

If required, the digital signal processing (DSP) functions integrated into the microphone can be configured and controlled remotely via the DMI digital microphone interface and the RCS remote control software. These functions include gain setting, changing the directional characteristic in the case of the D-01, pre-attenuation, a low-cut filter, a compressor/limiter with an additional de-esser function, and a peak limiter. Here in particular the digital approach can provide a significant advantage.

The peak limiter, which receives the output signal almost directly from the capsule, functions as a completely automatic „safety valve“, permitting the safe utilization of the entire available dynamic range even in stressful recording situations.

External components that were previously required, such as analog preamplifiers and A/D converters, are no longer necessary.

To permit clear identification, the microphones send information such as the name of the manufacturer, model, serial number and currently installed software version to the receiver.

The microphones are equipped with three-pin XLR connectors. A bidirectional signal conforming to the AES42 standard is transmitted, containing the balanced digital microphone output signal, the phantom power supply, and a remote control data stream, which includes a signal for synchronizing the microphones with a master clock.

The D-01 large-diaphragm digital microphone Its 15 different remotely controlled directional characteristics and numerous additional features permit the D-01 to be optimally adapted to almost any recording situation. These comprehensive features demonstrate what can be achieved with digital microphone technology. The D-01 has a newly developed capsule, and is valued by users particularly for its hitherto unknown transparency and fidelity to detail.

TRUE HANDLING SAFETY: Anti-clipping processing ensures handling safety, and reduces stress.

6

The System Description

The TLM 103 D large-diaphragm digital microphone For many years the analog version of the TLM 103 D has played an important role for ambitious home recording and project studios. This microphone has made the Neumann sound available to a broad spectrum of demanding audio engineers and musicians. The TLM 103 D provides all of the sound features of its analog counterpart, in addition to the advantages of digital circuit technology described above.

The KMS 104 D and KMS 105 D digital vocal microphones The microphones KMS 104 D and KMS 105 D are the transition of the well-established KMS 104/105 analog microphones into the digital domain. Based on the AES42 standard, these microphones are an ideal choice for live and on-stage applications. They provide all of the features of their analog counterparts. Additionally, they offer the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/ compressor. Use of one of the digital microphone interfaces together with the Remote Control Software (RCS) permits pre-programmed settings to be stored in the microphones.

The KMR 81 D digital shotgun microphone The KMR 81 D is the transition of the well-established KMR 81 i shotgun microphone into the digital domain.

It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary productions. Additionally it offers the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/compressor. The settings for all functions can be recalled, set and stored in the microphone by using one of the digital microphone interfaces.

The KM D digital miniature microphones The KM D microphones are the digital counterparts of the well-known, successful 180 miniature microphone series.

In the analog realm, the KM 184 in particular is regarded as a standard for miniature condenser microphones, and is one of the best-selling of all Neumann microphones.

Eight different capsule characteristics are provided. The KM D microphones have a modular design, so that the KM D output stage can be combined with different capsules.

All capsule heads can also be used with the analog KM A output stage.

The S/PDIF and AES/EBU Connection Kits In addition to the DMI digital microphone interface, Neumann also provides „Connection Kits“ at an attractive price, to permit the simple connection of individual microphones to the widely used S/PDIF and AES/EBU interfaces. This allows numerous users to enjoy easy access to „Neumann sound direct to disk“, without the extensive functionality of a comprehensive DMI. Power is provided by an included plug-in power supply unit.

Of course it is possible to upgrade to a DMI at any time, in order to take advantage of the additional configuration capabilities and DSP functions.

The DMI-2 digital microphone interface The 2-channel DMI-2 digital microphone interface provides powering and remote control of Solution-D microphones, and outputs their audio data in AES/EBU format.

Microphones of other manufacturers that are compatible with the AES42 standard (e.g. the Sennheiser MKH 8000 with MZD 8000) can of course also be connected to the digital microphone interface, if they can be synchronized.

The Interface is operated via the Neumann RCS remote control software, which is installed on a desktop or laptop computer. The computer is connected to the DMI via a USB port and a USB to RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded. In this case, each digital microphone interface can be addressed individually.

In addition to a word clock input and output, the DMIs also have an internal word clock generator. If no master word clock signal (e.g. from a mixing console) is present at the input, the DMI internal word clock is used automatically to synchronize the microphone channels, and the signal is switched to the word clock output.

TRUE TIME SAVINGS: Reduced time requirements and personnel costs, particularly due to faster post production processing.

TRUE ECONOMY:

$

Lower investment costs, since separate A/D converters and preamps are no longer needed.

This also means space and weight 7 savings (e.g. in the OB van).

The System Description

External commands such as „On Air“ (red light) can be controlled via a 9-pin user port.

Overview of the most important functions: - AES42 to EBU conversion - Powering, remote control and synchronization of the microphones without a sample rate converter (AES42, mode 2*) - Automatic word clock or AES11 synchronization - All sample rates, from 44.1 kHz to 192 kHz - Complete control and storage of the settings via Mac or PC * Explanation Mode 2: The DMI performs a frequency/phase comparison between the word clock signal recovered from the mic signal, and the word clock of the DMI. From the phase deviation thus determined, the DMI calculates a control signal which is transmitted via the remote control data stream to the mic, where it controls the frequency of the internal quartz oscillator.

The DMI-2 portable digital microphone interface The DMI-2 portable is the ideal digital microphone interface solution for ENG and other field recording applications.

It supports two digital microphones and allows adjustment of the Gain, Pre Attenuation and Low Cut filter settings at the device The front panel display shows the selected gain and, by means of bar graphs, shows the current signal level and any gain reduction. Of course, these functions can also be operated via the RCS software. Microphone presets can be stored inside the DMI-2 portable and recalled for use in the field.

- D-sub 25 outputs with Tascam® and Yamaha® pin assignments - Optical ADAT® interface - Open architecture for later connection to other multichan- nel interfaces and audio networks, such as Ether Sound® and MADI The DMI-8 offers several possibilities for easy integration into audio networks. The ES100 (DMI-8) module permits integration into EtherSound networks.

The RCS remote control software All parameters are displayed on the screen, and can be changed at any time. During production, the audio engineer can monitor the operating status and parameters of all of the connected microphones and, if necessary, can change the settings quickly and easily.

The parameters displayed include the directional characteristic, pre-attenuation, low-cut filter, gain, various microphone status indicators, command indicators, and mute and phase reverse functions. Signal levels and the operation of the compressor or limiter can also be monitored on the screen.

Information transmitted by the microphone, such as the name of the manufacturer, model and serial number, is also displayed for clear identification of the connected microphones. Moreover, it is possible to input additional information such as the name of the sound source. Settings for the complete microphone setup can of course be stored and retrieved as required.

The DMI-8 digital microphone interface The DMI-8, an eight-channel version of the digital microphone interface is considerably simplifying the setup for multichannel applications.

In addition to the proven functions of the two-channel DMI-2 the DMI-8 also offers the following features: - The capability of cascading up to 128 channels - Level meter and gain setting on the front panel, operable even without a computer

RCS REMOTE CONTROL SOFTWARE: The most recent updates for the Solution-D digital microphone system software are available in the Downloads section of our website www.neumann.com.

8

The Principle

Analog capsule Ideal matching of Neumann A/D-converter with microphone capsule

1

Analog

-+

Neumann A/D converter:

Patented process Dynamic range Nonlinear network 2b

2a

140 dB

The capsule signal is transferred to the digital domain without any loss of quality.

A/D conversion

- - A/Dconverter 2a 2b

1

DSP

+ DSP: Low Cut Polarity

Entire range of functionality remote controlled

Compressor/Limiter

Synchronization with studio word clock

Peak Limiter

Clipping protection

Gain

Digital

Digital

(AES42)

(AES42)

9

Connection kit conďŹ guration examples (mono only,

D-01 Preset: 48 kHz3)

KM D Preset: 44.1, 48 or 96 kHz3) (other preset frequencies selectable and storable via RCS and DMI)

TLM 103 D Preset: 48 kHz3) (other preset frequencies selectable and storable via RCS and DMI)

KMS 104 D / KMS 105 D Preset: 48 kHz3) (other preset frequencies selectable and storable via RCS and DMI)

KMR 81 D Preset: 48 kHz3) (other preset frequencies selectable and storable via RCS and DMI)

10

The Family Combinations

synchronization and remote control not possible):

Plug-In Power Supply XLR 3 Cable AES421)

Digital Mixing Console with AES/EBU Input

AES/EBU1)

AES/EBU Module

AES/EBU Connection Kit

AES421) AES/EBU1)

AES/EBU Module

AES/EBU Connection Kit

Audio Interface

Plug-In Power Supply XLR 3 Cable

Computer-Based Recording System with AES/EBU Input

Plug-In Power Supply XLR 3 Cable AES421) S/PDIF

AES/EBU Module

Portable Recording Device with S/PDIF Input

S/PDIF Connection Kit

Plug-In Power Supply XLR 3 Cable AES421) AES/EBU1)

AES/EBU Module

Digital Mixing Console with AES/EBU Input

AES/EBU Connection Kit

Plug-In Power Supply XLR 3 Cable AES421) S/PDIF

AES/EBU Module

Portable Recording Device with S/PDIF Input

S/PDIF Connection Kit

1)

110 ohms AES/EBU cable recommended

2)

nx = Nextel black

3)

word clock frequency without remote control

11

DMI configuration examples (full functionality is provided, including microphone synchronization, as well as remote

XLR 3 Cable AES421)

XLR 3 Cable AES421)

KMS 104 D/KMS 105 D XLR 3 Cable

AES421)

XLR 3 Cable

AES421)

KM D

XLR 3 Cable

AES421)

XLR 3 Cable

AES421)

KMR 81 D/KM 120 D (MS Configuration)

XLR 3 Cable AES421)

XLR 3 Cable AES421)

12

The Family ConďŹ gurations

control and the display of parameters via PC or Mac):

Power

Audio Interface

AES/EBU1)

Power

AES/EBU1)

DMI-2

Computer for Recording System with AES/EBU Input & Remote Control Software

Wordclock / AES11 Control Bus

RS 485

USB

DMI-2 portable Accumulator/PSU Computer for Remote Control Software

Portable Recording Device with AES/EBU

AES/EBU1)

Wordclock / AES11 Control Bus

USB

more DMI-2 / DMI-8

Power

AES/EBU1)

DMI-8

Wordclock / AES11

Control Bus

1)

Digital Mixing Console or Recording Device with AES/EBU

RS 485

USB

Computer for Remote Control Software

110 ohms AES/EBU cable recommended

13

Large Diaphragm Microphones

Miniature Microphones

KK 131

KK 143

KK 145

KK 183

KK 184

KK 185

KK 131 nx

KK 143 nx

KK 145 nx

KK 183 nx

KK 184 nx

KK 185 nx

D-01 microphone in wooden box

TLM 103 D: TLM 103 D microphone, stand mount, wooden box

TLM 103 D mt: TLM 103 D mt microphone, stand mount, wooden box

Vocal Microphones KMS 104 D: KMS 104 D microphone, stand mount, nylon bag

KMS 105 D: KMS 105 D microphone, stand mount, nylon bag

KMS 104 D bk: KMS 104 D bk microphone, stand mount, nylon bag

KMS 105 D bk:

KM 133 D incl. SBK 133

KM 183 D

KMS 105 D bk microphone, stand mount, nylon bag

KM 133 D st incl. SBK 133

14

KM 184 D

KM 185 D

Toolbox Components & Sets

The KK... capsule heads can be used with the digital KM D (nx) as well as with the analog KM A (nx) output stage.

KK 120

KM D, Preset: 44.1, 48 or 96 kHz1)

KK 120 nx

KK 133 nx

KM D nx, Preset: 44.1, 48 or 96 kHz1)

KM 133 D nx incl. SBK 133

KM 183 D nx KM 184 D nx KM 185 D nx

KM 183/184/185 D (nx) are delivered with windscreen and clamp, also available as stereo sets.

1)

word clock frequency without remote control

15

Toolbox Components & Sets

Shotgun Microphones

Digital Microphone Interface

KMR 81 D nx: KMR 81 D nx microphone, windscreen, twist pack DMI-82) (incl. RCS1), without cables)

Power Supplies

Connection Kit S/PDIF

DMI-2 (incl. RCS1) and cables)

Contains: 1 S/PDIF Module, Plug-In Power Supply

Connection Kit AES/EBU Contains: 1 AES/EBU Module, Plug-In Power Supply

1)

2)

16

Remote Control Software ES100 (DMI-8) Network plug-in module on request available

DMI-2 portable (incl. RCS1))

Applications

Application Hints D-01

• For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, drums

• Universally applicable, and particularly suitable for applications where maximum resolution and transparency are desired.

• Main mic, especially for capturing room acoustics

KK 120 + KM D

KK 184 + KM D = KM 184 D

• MS-Stereo microphone, in combination with the KM 184 D

• For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.

• Two crossed KK 120s in Blumlein technique • Inconspicuous spot microphone with optimum attenuation of lateral sound sources • Single microphone for two speakers facing each other

• For stereo recordings with a baffle plate • Spot mic for piano, wind instruments, organ, choir

• As XY and ORTF stereo pair • Broadcasting mic for announcers • Spot mic and overhead

KK 131 + KM D

• Close miking of strings, wind instruments, percussion, piano, Leslie speakers and guitar amps

• For close miking of instruments when there is no need to attenuate extra-neous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums

KK 185 + KM D = KM 185 D

• Flat frequency response for close miking, spot mic

• Especially for recording situations when it is necessary to attenuate off-axis (lateral and rear) sound from other nearby instruments.

KK 133 + KM D = KM 133 D

• As XY stereo pair

• Its special acoustic properties make this an ideal mic for most classical recordings

• Overhead, toms • In situations that are susceptible to acoustic feedback

• Main mic, especially for capturing room acoustics

• To attenuate unwanted sound of nearby instruments

• A superb AB stereo pair for perfect balance of direct and reverberant sound

• Recording of speech, as in TV, movie and video productions, PA systems

• Decca tree, setup with three microphones

• Produces especially warm and bass supporting sound for artists who perform in proximity effect range

• Spot mic for piano, wind instruments, organ, choir

KK 143 + KM D • Polar response characteristic acts more like an omni.

Therefore, it is an ideal tool to record larger instrument ensembles • As AB stereo pair, especially in rooms with less than ideal acoustics • As spot mic for strings, wind instruments, percussion, and Leslie speakers • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps

KK 145 + KM D • It naturally compensates for proximity effect • Very neutral tonal balance during close miking of speech, as in TV, movie and video, PA • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, leslie speakers, toms

TLM 103 D • A universal cardioid mic • Vocalist recording • Announcer’s mic for broadcasting/voice over • Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/ sound effects • Home recording and project studios • Spot mic for wind instruments, strings, percussion, guitar amps, drum overhead

KMS 104/105 D • For vocals and speech on stage • For announcers, for broadcasting/dubbing • Especially suitable for in-ear monitoring • For environments susceptible to feedback

KMR 81 D • Recordings for broadcasting/ENG, film and video productions

KK 183 + KM D = KM 183 D

• Medium length shotgun spot mic in noisy surroundings

• Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field

• Balanced weight during handheld and boom/fishpole operation

17

Delivery Range D-01 D-01 Microphone in wooden box

Catalog No. D-01 D-01 Single Microphone ......................... ni ................ 008482

Selection of Accessories D-01 Elastic suspension, EA 1......................... ni ................ 008449 Elastic suspension, EA 1 mt .................... blk .............. 008450 Stand mount, SG 2 ................................. blk .............. 008636 Auditorium hanger, MNV 87 ................... ni ................ 006804 Auditorium hanger, MNV 87 mt............... blk .............. 006806 Popscreen, PS 15 ................................... blk .............. 008472 Popscreen, PS 20 a ................................. blk .............. 008488 Microphone cable, IC 3 mt...................... blk .............. 006543

Delivery Range KM D KM 183 D / KM 184 D / KM 185 D: KM 183 D (nx) ... KM 185 D (nx) Microphone WNS 100 Windscreen SG 21 bk Stand mount Wooden box KM 133 D: KM 133 D (nx/st) Microphone SBK 133 Sound diraction sphere SG 21 bk Stand mount Wooden box KM D Stereo sets: 2x KM 183 D (nx) ... KM 185 D (nx) Microphone 2x WNS 100 Windscreen 2x SG 21 bk Stand mount Wooden box

Catalog No. KM D KM 133 D .............................................. ni ................ 008628 KM 133 D nx.......................................... nx ............... 008629 KM 133 D st .......................................... st ................ 008655 KM 183 D .............................................. ni ................ 008553 KM 183 D nx.......................................... nx ............... 008554 KM 183 D stereo set............................... ni ................ 008572 KM 183 D nx stereo set .......................... nx ............... 008573 KM 184 D .............................................. ni ................ 008555 KM 184 D nx.......................................... nx ............... 008556 KM 184 D stereo set............................... ni ................ 008574 KM 184 D nx stereo set .......................... nx ............... 008575 KM 185 D .............................................. ni ................ 008557 KM 185 D nx.......................................... nx ............... 008558 KM 185 D stereo set............................... ni ................ 008576 KM 185 D nx stereo set .......................... nx ............... 008577

18

Selection of Accessories KM D Output stage, KM D (44.1 kHz) ............... ni ................ 008578 Output stage, KM D nx (44.1 kHz) ........... nx ............... 008581 Output stage, KM D (48 kHz) .................. ni ................ 008579 Output stage, KM D nx (48 kHz) .............. nx ............... 008582 Output stage, KM D (96 kHz) .................. ni ................ 008580 Output stage, KM D nx (96 kHz) .............. nx ............... 008583 Analog output stage, KM A ...................... ni ................ 008634 Analog output stage, KM A nx ................. nx ............... 008635 Capsule head, KK 120 ............................ ni ................ 008589 Capsule head, KK 120 nx........................ nx ............... 008590 Capsule head, KK 131 ............................ ni ................ 008591 Capsule head, KK 131 nx........................ nx ............... 008592 Capsule head, KK 133 ............................ ni ................ 008639 Capsule head, KK 133 nx........................ nx ............... 008640 Capsule head, KK 143 ............................ ni ................ 008593 Capsule head, KK 143 nx........................ nx ............... 008594 Capsule head, KK 145 ............................ ni ................ 008595 Capsule head, KK 145 nx........................ nx ............... 008596 Capsule head, KK 183 ............................ ni ................ 008566 Capsule head, KK 183 nx........................ nx ............... 008567 Capsule head, KK 184 ............................ ni ................ 008568 Capsule head, KK 184 nx........................ nx ............... 008569 Capsule head, KK 185 ............................ ni ................ 008570 Capsule head, KK 185 nx........................ nx ............... 008571 Elastic suspension, EA 2124 A mt ........... blk .............. 008433 Table stands, MF 2 ................................. blk .............. 007266 Table stands, MF 3 ................................. blk .............. 007321 Auditorium hanger, MNV 21 mt............... blk .............. 006802 Double mount, DS 120 ........................... blk .............. 007343 Stand mount, SG 21 bk .......................... blk .............. 008613 Stand mount, SG 109 ............................. blk .............. 008614 Swivel joint SG 110 nx ........................... nx ............... 008611 Foam windscreen, WNS 100 ................... blk .............. 007323 Foam windscreen, WNS 110 ................... blk .............. 008535 Foam windscreen, WNS 120 ................... blk .............. 008427 Foam windscreen, WS 100 ..................... blk .............. 006751 Popscreen, PS 15 .................................. blk .............. 008472 Microphone cable, IC 3 mt ..................... blk .............. 006543 Microphone cable, LC 4 (5 m) ................. nx ............... 008606

Delivery Range TLM 103 D TLM 103 D (mt) Microphone SG 2 Stand mount Wooden box

Catalog No. TLM 103 D TLM 103 D ........................................... ni ................ 008603 TLM 103 D mt........................................ blk .............. 008604

Order Information

Selection of Accessories TLM 103 D

Interfaces and Power Supplies

Elastic suspension, EA 1 ......................... ni ................ 008449 Elastic suspension, EA 1 mt..................... blk .............. 008450 Stand mount, SG 2 ................................. blk .............. 008636

Connection Kit AES/EBU: AES/EBU Module Plug-In Power Supply

Auditorium hanger, MNV 87 .................... ni ................ 006804 Auditorium hanger, MNV 87 mt ............... blk .............. 006806

Connection Kit S/PDIF: S/PDIF Module Plug-In Power Supply

Windscreen, WS 87 ................................ blk .............. 006753 Popscreen, PS 15 ................................... blk .............. 008472 Popscreen, PS 20 a ................................. blk .............. 008488 Microphone cable, IC 3 mt...................... blk .............. 006543

Delivery Range KMS 104 D/KMS 105 D KMS 104 D (bk) ... KMS 105 D (bk) Microphone SG 105 Stand mount Padded nylon bag

Catalog No. KMS 104 D/KMS 105 D

Connection Kit AES/EBU ............................................. 008584 Connection Kit S/PDIF ................................................ 008585 DMI-2: Digital Microphone Interface DMI-2 RCS software and USB driver USB cable RJ 45 patch cable BNC cable USB 485 converter AC line cable Interface, DMI-2 EU ................................................... 008561 Interface, DMI-2 UK ................................................... 008587 Interface, DMI-2 US ................................................... 008588

KMS 104 D ............................................ ni ................ 008643 KMS 104 D bk........................................ blk .............. 008644

DMI-2 portable: Digital Microphone Interface DMI-2 RCS software and USB driver

KMS 105 D ............................................ ni ................ 008645 KMS 104 D bk........................................ blk .............. 008646

Interface, DMI-2 portable ........................................... 542400

Selection of Accessories KMS 104 D/ KMS 105 D Microphone cable, IC 3 mt...................... blk .............. 006543 Adapter cable, AC 25 ............................. blk .............. 006600 Adapter cable, AC 27 ............................. blk .............. 006602 Table stand, MF 3 .................................. blk .............. 007321 Windscreen, WSS 100............................ blk .............. 007352

DMI-8: Digital Microphone Interface DMI-8 RCS software and USB driver Interface, DMI-8 EU ................................................... 533130 Interface, DMI-8 UK ................................................... 533132 Interface, DMI-8 US ................................................... 533131 Network Module, ES100 (DMI-8) ................................ 539398 DMI-8 connection set (USB cable, RJ 45 patch cable, USB 485 converter ......................... 533126 (not included in the supply schedule)

Delivery Range KMR 81 D nx KMR 81 D nx Microphone WS 81 Windscreen Twist pack

Catalog No. KMR 81 D nx KMR 81 D nx.......................................... nx ............... 008648

Selection of Accessories KMR 81 D nx Elastic suspension, EA 2124 A mt ........... blk .............. 008433 Auditorium hanger, MNV 21 mt............... blk .............. 006802 Stand mount, SG 21 bk .......................... blk .............. 008613 Microphone cable, IC 3 mt...................... blk .............. 006547 Windscreen set, WKE 81 Set ................... gr ................ 539381

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog Meaning of color codes: ni = nickel, nx = nextel black, blk = black, gr = gray, st = stainless steel

19

A/D conversion: Neumann process (patented), 28-bit internal word length

General Specifications of the Solution-D microphones

Interface: AES42

Digital signal processing: Fixed-point, variable internal word length 28 bits to 60 bits

Remote controlled functions: - Polar pattern4) - Low-cut: flat, 40, 80, 160 Hz - Pre-attenuation: 0 , –6, –12, –18 dB - Gain: 0...63 dB in 1 dB steps, clickless - Testsignal: 1 kHz, pink noise, white noise - Sampling rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz - Parametric compressor/limiter (incl. de-esser function) - Independent peak limiter avoiding any clipping - Switch functions: soft muting, phase reverse, signal lights - Signal lights: red4) and blue LEDs - System functions, firmware download

Synchronization: - Asynchronous operation (free-running, AES42 - Mode 1), basic frequency accuracy: ± 25 ppm - Synchronous operation (AES42 - Mode 2), pulling range: Min. ± 100 ppm Power supply (phantom power complying with AES42) Output: XLR3M, 24 bits as per AES/EBU (AES3)

KM D /KM A + KK... Specifications

Typ

KK 131

KK 133

KK 183

KK 143

KK 145

KK 185

KK 120

hypercardioid

figure-8, side-fire

pressure transducer

pressure gradient transducer

Directional pattern

omni free-field equalized

omni diffuse-field equalized

omni diffuse-field equalized

cardioid wide

Sensitivity (KM A)1)

12 mV/Pa

15 mV/Pa

12 mV/Pa

15 mV/Pa

15 mV/Pa

14 mV/Pa

10 mV/Pa

12 mV/Pa

Sensitivity (KM D)1)2)

–41 dBFS

–40 dBFS

–41 dBFS

–39 dBFS

–39 dBFS

–40 dBFS

–42 dBFS

–41 dBFS

cardioid

cardioid low frequency roll-off

20 – 20000 Hz

Frequency range

Signal-to-noise ratio2), CCIR 3)

70 dB

66 dB

69 dB

70 dB

70 dB

70 dB

69 dB

69 dB

Signal-to-noise ratio2), A-weighted3)

81 dB

79 dB

81 dB

81 dB

81 dB

80 dB

78 dB

79 dB

Equivalent noise level, CCIR3)

24 dB

28 dB

25 dB

24 dB

24 dB

24 dB

25 dB

25 dB

Equivalent noise level, A-weighted3)

13 dB

15 dB

13 dB

13 dB

13 dB

14 dB

16 dB

15 dB

Max. SPL (KM A)1) for THD <0.5% for THD <0.5% with preattenuation

140 dB 150 dB

138 dB 148 dB

140 dB 150 dB

138 dB 148 dB

138 dB 148 dB

138 dB 148 dB

142 dB 152 dB

140 dB 150 dB

Max. SPL (KM D) at 0 dBFS1)

135 dB

134 dB

135 dB

133 dB

133 dB

134 dB

136 dB

135 dB

Max. SPL (KM D) with 18 dB preatt1)3)

153 dB

152 dB

153 dB

151 dB

151 dB

152 dB

154 dB

153 dB

108 mm x 22 mm

108 mm x 22 mm

130 mm x 24 mm

Current consumption (KM A)

max. 3.5 mA (P48)

Current consumption (KM D)

max. 150 mA (DPP)

Matching connector

XLR 3 M

Weight (output stage)

70 g

Dimensions (L x Ø) (microphone)

108 mm x 22 mm

Weight (capsule only)

11 g

49 g

11 g

15 g

15 g

15 g

19 g

37 g

Dimensions (L x Ø) (capsule only)

18 mm x 22 mm

38 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

40 mm x 24 mm

1) 2) 3)

20

KK 184

Acoustical operating principle

128 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

at 1 kHz re 94 dB SL according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

Technical Data

D-01 Specifications

Acoustic transducer: K 07 large double-diaphragm capsule, diameter 30 mm with protected internal electrodes Directional characteristic: 15 remote controllable polar patterns, from omni to cardioid to figure-8 Frequency response: 20 Hz to 20 kHz Free-field sensitivity1)2): –44 dBFS Equivalent noise level, CCIR3): 19 dB Equivalent noise level, A-weighted3): 8 dB-A Signal-to-noise ratio2), CCIR3): 75 dB Signal-to-noise ratio2), A-weighted3): 86 dB Maximum SPL at 0 dBFS: 138 dBSPL Dynamic range, A-weighted3): 130 dB Supply voltage range: +6 V to +10,5 V Current consumption: max. 220 mA Weight: approx. 700 g, Diameter: 63.5 mm, Length: 185 mm

KMR 81 D Specifications

Acoustic transducer: Interference transducer Directional characteristic: Supercardioid/lobe Frequency response: 20 Hz to 20 kHz Free-field sensitivity1): –36 dBFS Equivalent noise level, CCIR3): 21 dB Equivalent noise level, A-weighted3): 9 dB-A Signal-to-noise ratio2), CCIR3): 73 dB Signal-to-noise ratio2), A-weighted3): 85 dB Maximum SPL: 123 dBSPL Dynamic range, A-weighted3): 114 dB Preset: - Sampling rates: 48 kHz - Gain: 10 dB - Compressor on, Attack time 100 ms, Release time 0.5 s, Threshold –10 dBFS, Ratio 2:1 Supply voltage range: +7 V to +10,5 V Current consumption: max. 150 mA

TLM 103 D Specifications

Weight: approx. 90 g, Diameter: 22 mm, Length: 212 mm

Acoustic transducer: Pressure gradient transducer Directional characteristic: Cardioid Frequency response: 20 Hz to 20 kHz Free-field sensitivity1): –39 dBFS Equivalent noise level, CCIR3): 17.5 dB Equivalent noise level, A-weighted3): 7 dB-A Signal-to-noise ratio2), CCIR3): 76.5 dB Signal-to-noise ratio2), A-weighted3): 87 dB Maximum SPL at 0 dBFS: 134 dBSPL Dynamic range, A-weighted3): 127 dB Preset: - Sampling rates: 48 kHz - Gain: 10 dB - Compressor on, Attack time 100 ms, Release time 0.5 s, Threshold –10 dBFS, Ratio 2:1 Supply voltage range: +6 V to +10,5 V Current consumption: max. 150 mA Weight: approx. 460 g, Diameter: 60 mm, Length: 132 mm

KMS 104/105 D Specifications

DMI-2 (Digital Microphone Interface) Specifications

2 channels, Inputs: XLR3F, AES42 Outputs: XLR3M, AES/EBU, 24 bit Control bus: RS 485 via RJ 45 jack. Second RJ 45 jack for cascading purposes (up to 4 DMI devices today, 16 devices in future). Connection to the computer‘s USB port via Neumann USB 485 interface converter (included).

User Port: 9-pin sub-D, 3 functions per channel Synchronization: AES42 - Mode 2 (PLL system using an external Word Clock and remote controlling the VCXO in the microphone, default mode), AES42 - Mode 1, (asynchronous, needs a sample rate converter (SRC) at the receiver side).

Word clock input: BNC, 75 ohms.

Word clock output: BNC, 75 ohms, automatically set to the internal word clock master when no external word clock received. Selectable internal sampling rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz. External Word clock: 44.1, 48, 88.2, 96, 176.4, 192 kHz or AES 11 format.

Acoustic transducer: Pressure gradient transducer Directional characteristic: Cardioid/Supercardioid

Indicators: Data Valid (AES42) and Sync Locked (Mode 2) for each channel, Power On and Ext. Word Clock.

Frequency response: 60 Hz to 20 kHz Free-field sensitivity1): –47 dBFS Equivalent noise level, CCIR3): 27 dB Equivalent noise level, A-weighted3): 16 dB-A Signal-to-noise ratio2), CCIR3): 67 dB Signal-to-noise ratio2), A-weighted3): 78 dB Maximum SPL at 0 dBFS: 141 dBSPL Dynamic range, A-weighted3): 125 dB

Power supply: 90-240 V, 50/60 Hz.

Preset: - Sampling rates: 48 kHz - Gain: 10 dB - Compressor on, Attack time 100 ms, Release time 0.5 s, Threshold –10 dBFS, Ratio 2:1

Storage of the last microphone settings and reloading to the microphones after power on automatically without the need of the computer/RCS.

DMI-2 portable (Digital Microphone Interface) Specifications

Ports: 2x AES42 IN (XLR3F), 1x AES/EBU (AES3) OUT (XLR3M), 2x Word Clock IN/OUT (BNC), 1x Remote Control (USB) Indicators: Monochrome display, bar graphs for gain, level and gain reduction, LED’s for Power, Battery status, Synchronization and Valid Phantom power (DPP): +10 V, max. 250 mA per channel, short-circuit proof

Supply voltage range: +7 V to +10,5 V Current consumption: max. 150 mA (DDP)

Remote control data: Pulses (+2 V), superimposed on the phantom power, approx. 750 bits/s or 9,600 bits/s (depending on the microphone)

Weight: approx. 300 g, Diameter: 48 mm, Length: 180 mm

Microphone synchronization: AES42 – Mode 2 (synchronous mode) Microphone clock control via PLL

21

Technical Data

DMI-2 portable Synchronization: automatically to an external word clock or AES11 signal, if present, otherwise the internal word clock generator is activated Word clock (or AES11) input: BNC - Vin: >100 mV at 75 ohms Word clock (or AES11) output: BNC - Vout: = Vin (external synchronization) - Vout: approx. 1.5 V at 75 ohms (internal word clock generator)

Display: peak level meter, gain reduction meter for compressor/limiter/ de-esser and peak limiter, microphone properties (manufacturer, model, serial number, hardware and software revision, internal latency time), DMI properties, status signals (overload, limiter active, data valid, sync locked, power on) Saving/Loading of configurations Individual channel labelling Software update of Neumann microphones and DMI device

Internal word clock generator: 44.1 / 48 / 88.2 / 96 kHz/176.4 / 192 kHz, Accuracy ±25 ppm Control elements: 2x push-switch rotary encoder CTL (Control interface): 1x USB port Power supply: DC 10-18 V (Hirose) , NP1 rechargeable battery or AC/ DC converter Power consumption: <8 VA

Connection Kit S/PDIF (AES/EBU) Specifications

Connector: input XLR3F, output Cinch (XLR3M) Weight: approx. 96 g (S/PDIF), approx. 130 g (AES/EBU) Width: 32 mm, Height: 26 mm, Length: 105 mm Power supply: 90-240 V, 50/60 Hz For remote control of DSP functions you have to use the DMI.

Dimensions: (W x H x D) 186 x 44 x 126 mm Weight: approx. 625 g.

All data with respekt to 0 dB pre-attenuation and 0 dB gain.

1)

DMI-8 (Digital Microphone Interface) Specifications

AES42 inputs: 8x XLR3F , Audio data in accordance withAES/EBU (AES3) data format, Digital phantom power (DPP), Remote control data Outputs: 2x SUB-D 25, AES/EBU (AES3) data format, Yamaha® and Tascam® pinout, 1x Toslink, ADAT® format up to 48 kHz, 1x RJ 45, GN format up to 192 kHz, incl. power-out pin: approx. +15 VDC, max.1 A, short-circuit-proof Microphone synchronization: AES42 – Mode 2 (synchronous mode) Microphone clock control via PLL DMI-8 Synchronization: automatically to an external word clock or AES11 signal, if present, otherwise the internal word clock generator is activated.

Word clock (or AES11) input: BNC - Vin: >100 mV at 75 ohms Word clock (or AES11) output: BNC - Vout: = Vin (external synchronization) - Vout: approx. 1.5 V at 75 ohms (internal word clock generator) Internal word clock generator: 44.1/48/88.2/96/176.4/192 kHz Indicators: Power, Ext Word Clock, Valid,Level (microphone) Control elements: 8x Channel Select, GAIN +/– Control bus: 2 x RJ 45 ports; connection to computer USB port via the Neumann USB 485 interface converter; connected in parallel for the purpose of cascading. RS 485 with additional power-out pin (approx. +11.3 V, max. 500 mA) Device address (ID): 0 to 15, adjustable viacoding switch on the backof the device User port: 9-pin sub-D, 1 switch function per channel (Mute and/or Light 1/Light 2 selectable) Power supply: 90 V to 240 V; 50/60 Hz

Features of the RCS (Remote Control Software)

Communication via USB port (Win 2000/98SE/ME/XP, Vista, MAC OS version 8.6...10 on PowerPC) Up to 8 channels displayed simultaneously on the screen Controllable functions: polar pattern, low-cut, pre-attenuation, gain, test signals, limiter/compressor/de-esser, peak limiter, phase reverse, mute, sampling rate, synchronization mode, signal lights,…

22

2) 3)

4)

at 1 kHz re 94 dBSPL according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS D-01 only

Diagrams

D-01 Omnidirectional

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Cardioid

Figure-8

KM D / KM A + KK...

KK 120

measured in free-field conditions (IEC 60268-4)

23

KK 131

KK 133

KK 133 + SBK 133

KK 143

24

Diagrams

KK 145

KK 183

KK 184

KK 185

25

TLM 103 D

measured in free-field conditions (IEC 60268-4)

KMS 104 D

measured in free-field conditions (IEC 60268-4)

KMS 105 D

measured in free-field conditions (IEC 60268-4)

KMR 81 D

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

26

® Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Solution-D is a registered trademark of Georg Neumann GmbH in certain countries.

Product Information

M 147 Tube Tube Microphone

www.neumann.com

27

he M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47/49 dual diaphragm capsule, inherited from this model’s now legendary predecessors, the U 47 and the M 49.

Features • Universal tube microphone • Pressure gradient transducer with the large diaphragm capsule from the legendary U 47 and M 49

Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low selfnoise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic.

• Transformerless circuitry

The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal.

Application Hints

Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.

• Low self noise level • Comes with swivel stand mount made of metal, universal power supply, and cable in an attractive aluminium case

• Vocalist mic: its warm and yet transparent sound gives volume and presence • Announcer’s mic for broadcasting/voice over

The microphone is delivered as a complete set in a highquality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.

• Spot mic for close miking of solo instruments, especially strings, wind instruments, and piano

Applications

Delivery Range

The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments.

M 147 Tube microphone, N 149 A power supply incl. power cable, SG 2 swivel mount, KT 8 microphone cable, dust cover, aluminium case

The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.

Acoustic Features The M 147 Tube is addressed from the side where the microphone body has the diamond-shaped Neumann company logo. The black color identifies tube microphones.

The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the sound characteristic. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz.

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Sinlgle: M 147 Tube microphone, SG 2 swivel mount, wooden box

Catalog No. M M M M

147 147 147 147

Tube (230 Volt, EU) ................................... ni ............... 008435 Tube (117 Volt, US) ................................... ni ............... 008434 Tube (230 Volt, UK) ................................... ni ............... 008436 Tube Single ....................................................... ni ............... 008451

Selection of Accessories Elastic suspension, EA 1 ............................................ ni ............... 008449 Elastic suspension, EA 1 mt .................................... blk ............ 008450 Auditorium hanger, MNV 87 .................................. ni ............... 006804 Auditorium hanger, MNV 87 mt .......................... blk ............ 006806 Table stand, MF 3 .......................................................... blk ............ 007321 Table stand, MF 4 .......................................................... blk ............ 007337

The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise.

Stand Stand Stand Stand

Polar Pattern

Popscreen, PS 15 ............................................................ blk ............ 008472 Popscreen, PS 20 a ....................................................... blk ............ 008488 Windscreen, WS 87 ...................................................... blk ............ 006753

The M 147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design.

At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned, the U 47 and the successor, the U 47 fet.

28

extension, extension, extension, extension,

STV STV STV STV

4 ............................................... blk ............ 006190 20 ............................................ blk ............ 006187 40 ............................................ blk ............ 006188 60 ............................................ blk ............ 006189

Microphone cable, IC 3 mt ....................................... blk ............ 006543 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog Meaning of color codes: blk = black, ni = nickel

M 147 Tube

Electrical Features

Filter

When compared to other microphones, the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A / 24 dB CCIR weighted.

The electronic circuitry of the M 147 Tube mic has a flat frequency response from 20 Hz to well above 20 kHz. Only the attributes of the capsule determine the typical sound characteristics of the microphone.

Similar to the recently introduced M 149 Tube, the new M 147 Tube combines a specifically selected vacuum tube (triode) with modern circuitry. This technique takes full advantage of the special transfer characteristics of the tube and passes the processed audio signal of the capsule to the microphone output, without any coloration or unwanted side effects.

The tube amplifies the capsuleâ&#x20AC;&#x2122;s signal by approximately 10 dB, thus preventing any possible influences from subsequent electronics. The M 147 Tube delivers a high output voltage, and therefore can feed microphone cables up to 300 m length without signal degradation.

N 149 A Power Supply The N 149 A universal power supply works with all mains AC voltages from 100 V to 240 V, 50 or 60 Hz. Mains power is connected through a standard IEC 320 mains socket. The only difference between the three versions of the M 147 Tube set is the power cord supplied. Note: The N 149 V power supply is fully compatible with the M 147 Tube microphone.

The ideal operating conditions (anode current and heater voltage) of the tube are maintained throughout its life expectancy. A sensor lead detects any voltage drop that occurs through the microphone cable and compensates for it in the N 149 A power supply.

The tube warms up gradually using inverse current limiting to guarantee long life.

Operational Stability Both, the capsule and the entire circuitry are shock mounted to prevent any structure-borne noise.

Because of its wide operating range, the M 147 Tube can reproduce extremely low frequency signals without distortion.

This implies that the microphone may also be sensitive to unwanted LF interference by structure-borne noise, or wind noise. To avoid possible signal degradation, we offer the EA 1 elastic suspension and the WS 87 windscreen as accessories.

During close miking of vocals we recommend using the PS 15 or PS 20 a pop screen. You will find detailed information in our accessory catalog.

29

30

M 147 Tube

Technical Data

measured in free-field conditions (IEC 60268-4)

Acoustical operating principle ................................ Pressure gradient transducer Directional pattern .................................................................................................... Cardioid Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 20 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 82 dB Equivalent noise level, CCIR1) ................................................................................. 24 dB Equivalent noise level, A-weighted1) ............................................................ 12 dB-A Typical SPL (tube characteristic)2): for < 0.5% THD (for < 5% THD) .................................................. 114 (134) dB

Maximum output voltage ........................................................................................ 8 dBu Dynamic range of the microphone amplifier: (A-weighted) for < 0.5% THD (for < 5% THD) ................. 102 (122) dB Powering ..................................................................................... Power supply N 149 A Matching connector microphone .................................................................... DIN 8F Matching connector power supply ................................................................. XLR3F Weight ................................................................................................................................. 460 g Diameter ......................................................................................................................... 57 mm Length ........................................................................................................................... 142 mm 1)

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

Selection of Accessories

Elastic suspension, EA 1 (mt)

Auditorium hanger, MNV 87 (mt)

Popscreen, PS 15

Popscreen, PS 20 a

Table stand, MF 3 (in connection with stand extension)

Windscreen, WS 87

Table stand, MF 4 (in connection with stand extension)

Stand extensions, STV 4 /20 / 40 / 60

Microphone Cable, IC 3 mt

Adapter Cable, AC 25

31

32

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

M 149 Tube Tube Microphone

www.neumann.com

33

he M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – wellknown from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design.

The M 149 Tube can thus feed long microphone cables without any coloration.

Two slide switches are located below the large, acoustically very open headgrille.

The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.

Applications There are nine polar patterns to choose from, making this microphone an ideal choice for a wide range of recording situations.

As its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level.

Acoustic features The M 149 Tube is addressed from the front, marked with the Neumann logo. Also on the front is the switch for the selection of the polar patterns.

The capsule is mounted elastically inside the headgrille to eliminate structure borne noise. The surface below the capsule is shaped like a cone to disperse any reflected sound from the acoustic upper half space.

This avoids any interference with the primary sound arriving at the capsule directly.

A large headgrille surrounds the capsule. It is acoustically very open and therefore increases the sonic realism.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

34

M 149 Tube

Polar patterns The polar pattern switch selects one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.

Electrical features The circuit of the M 149 Tube microphone has been developed to exceed traditional designs. We have selected a modern tube (triode) and combined its exceptional transmission characteristics with the advantages of our proven transformerless output circuit. The aim was to provide a more controlled environment for the audio signal on its path from the capsule to the output section.

The final stage is an integrated amplifier, especially designed for such applications. It features very low distortion (THD < 0.002 % at Âą 10 V), very low self-noise, and high output current capability. As a result, the tube circuit is completely decoupled from the microphone output and its characteristic response curve will be unaffected by very high signal levels or varying load conditions.

The lower output impedance and higher output current capability allow cable lengths up to 300 m (1000 feet) without any degradation of the audio signal.

The tube amplifier changes the high impedance of the capsule and adds 10 dB of gain to the audio signal, providing optimum operating spec-

Technical Data Acoustical operating principle .......................... Pressure gradient transducer Directional pattern .................................. Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .......................................... 34/47/62 mV/Pa 1) Rated impedance ................................................................................................... 50 ohms Rated load impedance ................................................................................. 1000 ohms Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) .......................... 66/69/71 dB 1) Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) ............ 78/81/83 dB 1) Equivalent noise level, CCIR2) ............................................................. 28/25/23 dB 1) Equivalent noise level, A-weighted2) ......................................... 16/13/11 dB-A 1) 1)

Omnidirectional / cardioid / figure-8

2)

Typical SPL (tube characteristic)3): for < 0,5% THD ...................................................................................................... 120 dB for < 5% THD ............................................................................................................. 136 dB Maximum output voltage ..................................................................................... 18 dBu Dynamic range of the microphone amplifier cardioid: (A-weighted) for < 0,5% THD (for < 5% THD) ................... 101 (121) dB Powering ....................................................................................... Power supply N 149 A Microphone matching connectors ..................................................................... DIN8F Power supply matching connectors .................................................................. XLR3F Weight .................................................................................................................................. 730 g Diameter ........................................................................................................................... 70 mm Length ............................................................................................................................. 201 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

3)

measured as equivalent el. input signal

35

ifications. The wide dynamic range is impressive, as peak output can be ±10 V, at 20 mA. The ideal operating point of the tube is maintained throughout its entire life expectancy.

Plate current and filament voltage are constantly regulated. A sensor circuit monitors and compensates for any voltage drop across the microphone cable. The tube is heated up slowly through inverse current limiting to guarantee long life. Optimum operating conditions are reached within a very short time.

A seven-position slide switch is located on the back of the microphone. It selects a high-pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (–3dB).

This filter is useful to suppress rumble from air-conditioning and in windy situations.

In addition, the filter provides an effective tool to control the audio signal when the microphone is used at close distance and therefore proximity effect alters the program material.

36

Selection of Accessories Auditorium hanger, MNV 87 ........... ni .......... 006804 Auditorium hanger, MNV 87 mt ... blk ....... 006806 Table stand, MF 3 ................................... blk ....... 007321 Table stand, MF 4 ................................... blk ....... 007337 Stand Stand Stand Stand

extension, extension, extension, extension,

STV STV STV STV

4 ........................ blk ....... 006190 20 ..................... blk ....... 006187 40 ..................... blk ....... 006188 60 ..................... blk ....... 006189

Popscreen, PS 15 ..................................... blk ....... 008472 Popscreen, PS 20 a ................................ blk ....... 008488

Application Hints • Universal tube mic • Its warm and yet transparent sound gives volume and presence to a vocalist • A wide range of adjustments provide the most subtle differentiation of sound, especially in the range of proximity effect

Features

• Acoustically very open wire mesh cage

(230 V, EU) ................... ni ......... 008390 (117 V, US) ................... ni ......... 008399 (230 V, UK) ................... ni ......... 008403 Single ................................. ni ......... 008391

Meaning of color codes: blk = black ni = nickel

The microphone comes as a set in a high-quality aluminum case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.

• Pressure gradient transducer with the M 49 capsule

Catalog No.

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

The specifically designed new N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced.

• High output level

Single: M 149 Tube Microphone, Wooden box

Microphone cable, IC 3 mt ................ blk ....... 006543 Adapter cable AC 25 ............................ blk ....... 006600

Delivery Range

• Transformerless circuitry

M 149 Tube Microphone N 149 A Power supply unit with power cable, EA 170 Elastic suspension, KT 8 Microphone cable, Aluminium case, Dust cover

M 149 Tube M 149 Tube M 149 Tube M 149 Tube

Filter

• Switchable tube microphone

Delivery Range

• Nine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8, and one intermediate position each • 7fold switchable low frequency roll-off

• Mic for broadcasting, dubbing, and voice-over • Spot mic for close miking of solo instruments, especially strings, wind instruments, and piano These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

M 149 Tube

measured in free-field conditions (IEC 60268-4), tolerance Âą 2 dB

37

38

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

M 150 Tube Tube Microphone

www.neumann.com

39

ince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage.

The new M 150 Tube takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.

Acoustical features The Titanium diaphragm of the pressure capsule is 12 mm in diameter and is exceedingly thin. Although Titanium has been known to have unique and desirable characteristics for some time, it has, until very recently, been very difficult to procure in the quality necessary for use in a microphone of this type.

The headgrille is shaped just like that on the original M 50, as requested by various top engineers in the recording industry. Due to mounting the pressure capsule with the diaphragm flush to the surface of a small (40 mm) sphere, the directional characteristic of the M 150 Tube is entirely unique.

At the lowest frequencies, this system is a pure omnipressure transducer with a perfectly circular polar pattern. However, in the midand upper frequencies, the pickup pattern becomes more narrow.

The M 150 Tube is an ideal microphone for any stereo, 5.1 or 7.1 surround recording, particularly DECCA Tree technique.

Features • All Titanium capsule • Unparalleled transient accuracy • Pressure omni capsule for extended low frequency response • Modern version of the worldfamous M 50 • Very low self noise of 15 dB-A

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

40

• Transformerless tube amplifier based on the award-winning M 149 Tube microphone • Ideal for DECCA tree recording and surround miking techniques • Stereo sets with consecutive serial numbers

M 150 Tube

Electrical features

Delivery Range

The dynamic range of the M 150 Tube is 119 dB, allowing reproduction of the full musical expression, without restraint.

M 150 Tube: M 150 Tube Microphone, N 149 A Power supply, EA 170 Elastic suspension, KT 8 Connecting cable, Aluminium case

With a low self noise of 15 dB-A, more gain can be used without risk of adding noise to the final product. The transformerless output circuit of this microphone allows for extremely fine reproduction of small signals and low frequency information. Also, long cable runs can be used with no loss of signal quality.

M 150 Tube Stereo-Set: 2x M 150 Tube Microphone, 2x N 149 A Power supply, 2x EA 170 Elastic suspension, 2x KT 8 Connecting cable, Aluminium case

Catalog No. M 150 Tube M 150 Tube M 150 Tube M 150 Tube M 150 Tube M 150 Tube

(230 V, EU) ......................................... ni ............... 008456 (230 V, UK) ......................................... ni ............... 008458 (117 V, US) ......................................... ni ............... 008457 Stereo set (230 V, EU) ............... ni ............... 008462 Stereo set (230 V, UK) ............... ni ............... 008464 Stereo set (117 V, US) ................ ni ............... 008463

Selection of Accessories Power supply, N 149 A (EU) ................................ blk ............ 008447 Power supply, N 149 A (US) ................................. blk ............ 008446 Power supply, N 149 A (UK) ................................ blk ............ 008448

Application Hints • Its special acoustic properties make this an ideal mic for most classical recordings

Elastic suspension, EA 170 ..................................... ni ............... 007271 Auditorium hanger, MNV 87 .................................. ni ............... 006804 Floor stand, MF 4 ........................................................... blk ............ 007337 Stand extension, STV 60 ............................................ blk ............ 006189

• A superb AB stereo pair for perfect balance of direct and reverberant sound

Popscreen, PS 15 ............................................................ blk ............ 008472 Popscreen, PS 20 a ....................................................... blk ............ 008488

• Decca tree, setup with three microphones

Microphone cable, IC 3 mt ....................................... blk ............ 006543

• A highest quality spot (solo) mic These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog Meaning of color codes: blk = black, ni = nickel

41

measured in free-field conditions (IEC 60268-4)

Technical Data Acoustical operating principle ............................................... Pressure transducer Directional pattern .................................................................................. omnidirectional Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................................. 20 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance ....................................................................................... 1 kohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................................ 66 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................. 79 dB Equivalent noise level, CCIR1) ............................................................................... 28 dB Equivalent noise level, A-weighted1) ........................................................... 15 dB-A 1)

42

Typical SPL (tube characteristic)2): for < 0.5% THD (for < 5% THD) .................................................. 114 (134) dB Maximum output voltage ........................................................................................ 8 dBu Dynamic range of the microphone amplifier: (A-weighted) for < 0.5% THD (for < 5% THD) ..................... 99 (119) dB Powering ...................................................................................... Power supply N 149 A Matching connector microphone ..................................................................... DIN 8F Matching connector power supply .................................................................. XLR3F Weight ................................................................................................................................. 800 g Diameter/Length ............................................................................................ 78/165 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

速 Neumann

2)

measured as equivalent el. input signal

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 49 Large Diaphragm Microphone

www.neumann.com

43

he TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.

The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47.

By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.

Applications During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.

Polar patterns The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm.

The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.

Acoustic features The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.

Electrical features

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

44

The letters TLM stand for “transformerless microphone”.

With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

TLM 49

Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB, and provides a dynamic range of 117 dB (A-weighted).

Operational reliability The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount.

Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration.

Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.

Features • Sound profile optimized for vocal performance • Pressure gradient transducer with the large-diaphragm capsule of the legendary U 47 • Cardioid characteristic

• Retro design • Transformerless output circuitry • Acoustically very open wire mesh headgrille • Complete set with elastic suspension

Application Hints • Vocal microphone: Lends richness, power and brilliance to the voice, while remaining balanced and transparent • Announcer’s microphone for broadcasting, dubbing and voiceovers • Spot microphone and for recording e.g. strings, piano and guitar These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

45

Delivery Range TLM 49 Microphone, EA 3 Elastic suspension

Catalog No. TLM 49 Set .......................................................................... ni ............... 008550

Selection of Accessories Power supply, N 248 .................................................... blk ............ 008537 Battery supply, BS 48 i ................................................. blk ............ 006494 Auditorium hanger, MNV 87 .................................... ni ............... 006804 Auditorium hanger, MNV 87 mt ............................ blk ............ 006806 Popscreen, PS 15 .............................................................. blk ............ 008472 Popscreen, PS 20 a ......................................................... blk ............ 008488 Microphone cable, IC 3 mt ......................................... blk ............ 006543 Microphone cable, IC 4 ................................................. ni ............... 006547 Microphone cable, IC 4 mt ......................................... blk ............ 006557 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

measured in free-field conditions (IEC 60268-4)

Technical Data Acoustical operating principle ........................... Pressure gradient transducer Directional pattern ................................................................................................... Cardioid Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 13 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 71 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 82 dB Equivalent noise level, CCIR1) ................................................................................. 23 dB Equivalent noise level, A-weighted1) ............................................................ 12 dB-A 1)

46

Maximum SPL for THD < 0.5%2) (THD < 5%2)) ............... 110 (129) dB Maximum output voltage for THD < 5%2) ............................................. –1 dBu Dynamic range of the amplifier (A-weighted, 0.5%2)) ......................... 98 dB Dynamic range of the amplifier (A-weighted, 5%2)) ......................... 117 dB Supply voltage (P48, IEC 61938) ........................................................ 48 V ± 4 V Current consumption (P48, IEC 61938) ................................................... 3.2 mA Matching connector .................................................................................................. XLR3F Weight ................................................................................................................................. 825 g Diameter ......................................................................................................................... 78 mm Length ........................................................................................................................... 165 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

® Neumann

2)

measured as equivalent el. input signal, THD 2 dominant

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 102 Large Diaphragm Microphone

www.neumann.com

47

he TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.

Smart. Sweet. Powerful.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule is elastically mounted for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

The TLM 102 is available in black and nickel, a stand mount is included.

Features • Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) • Compact, characteristic but smaller-scale Neumann design • Very high maximum sound pressure level The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

48

• Slight presence boost above 6 kHz • Transformerless circuitry

TLM 102

Application Hints • Vocals and speech • In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps • Home recording, project and broadcasting studios These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range TLM 102 (bk) Microphone SG 2 Stand mount swivel

Catalog No. TLM 102 ....................................................... ni ............ 008626 TLM 102 bk ................................................ blk ......... 008627

Selection of Accessories Elastic suspension, EA 4 ..................... ni ............ 008641 Elastic suspension, EA 4 bk ............. blk ......... 008642 Auditorium hanger, MNV 87 ........... ni ............ 006804 Auditorium hanger, MNV 87 mt ... blk ......... 006806 Floor stand, MF 5 .................................... gr ............ 008489 Stand extension, STV 40 ..................... blk ......... 006188 Stand extension, STV 60 ..................... blk ......... 006189 Popscreen, PS 15 ..................................... blk ......... 008472 Windscreen, WS 2 .................................. blk ......... 008637 Power supply, N 248 ........................... blk ......... 008537 Microphone cable, IC 3 mt ................ blk ......... 006543 Microphone cable, IC 4 ........................ ni ............ 006547 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel, gr = gray

49

measured in free-field conditions (IEC 60268-4)

Technical Data Acoustical operating principle ........................... Pressure gradient transducer Directional pattern ................................................................................................... Cardioid Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 11 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 73 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 82 dB Equivalent noise level, CCIR1) ................................................................................. 21 dB Equivalent noise level, A-weighted1) ............................................................ 12 dB-A 1)

50

Maximum SPL for THD 0.5%2) ...................................................................... 144 dB Maximum output voltage .................................................................................... 13 dBu Dynamic range of the microphone amplifier (A-weighted) ......... 132 dB Supply voltage (P48, IEC 61938) ......................................................... 48 V Âą 4 V Current consumption (P48, IEC 61938) ................................................... 3.5 mA Matching connector .................................................................................................. XLR3F Weight ................................................................................................................................. 210 g Diameter ......................................................................................................................... 52 mm Length ........................................................................................................................... 116 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

ÂŽ Neumann

2)

measured as equivalent el. input signal

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 103 Large Diaphragm Microphone

www.neumann.com

51

he TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler’s box.

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized.

Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

52

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body.

The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.

TLM 103

The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises.

These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Application Hints • A universal cardioid mic • Vocalist recording • Announcer’s mic for broadcasting/voice over • Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects • Home recording and project studios • Spot mic for wind instruments, strings, percussion, guitar amps, drum overhead

Electrical features With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (Aweighted).

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

The letters TLM stand for “transformerless microphone”.

With TLM technology the usual output transformer is replaced by an electronic circuit.

Delivery Range

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Mono set: TLM 103 (mt) Microphone, EA 1 (mt) Elastic suspension in aluminium case

TLM 103 (mt) Microphone, SG 2 Stand mount swivel in Wooden box

Stereo set: 2x TLM 103 (mt) Microphone, 2x EA 1 (mt) Elastic suspension in aluminium case Studio set: TLM 103 (mt) Microphone, EA 1 (mt) Elastic suspension

Operational safety

Catalog No. The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103’s operation. Furthermore the capsule is set on an elastic mount.

The frequency range reaches below 20 Hz and ths even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

TLM 103 ................................................................................ ni ............... 008430 TLM 103 mt ........................................................................ blk ............ 008431 TLM 103 Mono set ........................................................ ni ............... 008508 TLM 103 mt Mono set ................................................ blk ............ 008509 TLM 103 Stereo set ....................................................... ni ............... 008501 TLM 103 mt Stereo set ............................................... blk ............ 008502 TLM 103 Studio set ........................................................ ni ............... 008545 TLM 103 mt Studio set ................................................ blk ............ 008544

Selection of Accessories Power supply, N 248 .................................................... blk ............ 008537 Auditorium hanger, MNV 87 .................................... ni ............... 006804 Auditorium hanger, MNV 87 mt ............................ blk ............ 006806 Elastic suspension, EA 1 .............................................. ni ............... 008449 Elastic suspension, EA 1 mt ...................................... blk ............ 008450 Popscreen, PS 15 .............................................................. blk ............ 008472 Popscreen, PS 20 a ......................................................... blk ............ 008488

Features • Large diaphragm cardioid microphone • Pressure-gradient transducer with one-diaphragm capsule • Transformerless circuitry • Extremely low noise: 7 dB-A

• Includes swivel mount

Microphone cable, IC 3 mt ......................................... blk ............ 006543 Microphone cable, IC 4 ................................................. ni ............... 006547

• Straightforward handling for homerecording and professional studios

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

• High-quality professional equipment for limited budgets

Meaning of color codes: blk = black, ni = nickel

53

54

TLM 103

Technical Data

measured in free-field conditions (IEC 60268-4)

Acoustical operating principle ........................... Pressure gradient transducer Directional pattern ................................................................................................... Cardioid Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 23 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ......................................... 76.5 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 87 dB Equivalent noise level, CCIR1) ............................................................................ 17.5 dB Equivalent noise level, A-weighted1) ................................................................ 7 dB-A 1)

Maximum SPL for THD 0.5%2) ...................................................................... 138 dB Maximum output voltage .................................................................................... 13 dBu Dynamic range of the microphone amplifier (A-weighted) ......... 131 dB Supply voltage (P48, IEC 61938) ......................................................... 48 V Âą 4 V Current consumption (P48, IEC 61938) ........................................................ 3 mA Matching connector .................................................................................................. XLR3F Weight .............................................................................................................. approx. 450 g Diameter ......................................................................................................................... 60 mm Length ........................................................................................................................... 132 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

Selection of Accessories

Power supply, N 248

Battery supply, BS 48 i

Elastic Suspension, EA 1 (mt)

Table Stand, MF 3 (in connection with IC 4)

Auditorium Hanger, MNV 87 (mt)

Popscreen, PS 15

Popscreen, PS 20 a

Windscreen, WS 87

Microphone Cable, IC 3 mt

Microphone Cable, IC 4 (mt)

55

56

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 193 Large Diaphragm Microphone

www.neumann.com

57

he TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio.

The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration.

The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.

Applications The TLM 193 is a microphone with cardioid characteristic for professional recording and live applications. It is the ideal microphone for professional productions, for musicians and project studios.

Polar pattern The TLM 193 has a large diaphragm capsule with cardioid characteristic.

Acoustic features The TLM 193 is addressed from the front, marked with the Neumann logo.

Features • Large diaphragm cardioid microphone • Pressure-gradient transducer • Transformerless circuitry • Extremely low noise: 10 dB (A) • Includes swivel mount

58

• The “plug and play” microphone for professional studios, musicians and homerecording applications • High-quality professional equipment for mid-size budgets

The large diaphragm capsule inside the headgrille has a very smooth frequency response for all polar patterns over a wide acceptance angle.

The curves are flat and parallel to the 0° frequency curve up to 10 kHz within a pickup angle of ± 100°.

TLM 193

The TLM 193 differs from omnidirectional pressure transducers, where, due to physical reasons, the diffuse-field and free-field responses never agree.

This microphone has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions.

This implies that the microphone becomes more sensitive to subsonic frequencies, from structure borne noise or pop and wind noise.

To avoid any LF interference, we recommend to use the EA 1 elastic suspension, the PS 15 pop screen, or the WS 89 windscreen.

The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects.

Application Hints

Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without coloration.

• Announcer’s mic for broadcasting/dubbing

Electrical features The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal.

Compared to other microphones the self noise level of the TLM 193 is considerably reduced.

As it is capable of handling sound pressure levels up to 140 dB without distortion, the TLM 193 provides a dynamic range of 130 dB (A-weighted).

• A universal cardioid mic • Ideal for close miking of instruments with high sound pressure levels • Home recording and project studios • Vocalist recording • Spot mic for - wind instruments - strings - percussion - guitar amps These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range TLM 193 Microphone SG 2 Stand mount swivel Wooden box

Catalog No. TLM 193 ....................................................... blk ....... 008381

Selection of Accessories Operational safety

Battery supply, BS 48 i ........................ blk ....... 006494 Power supply, N 248 ........................... blk ....... 008537

All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles.

Auditorium hanger, MNV 87 mt ... blk ....... 006806

The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.

The frequency response of the TLM 193 amplifier is linear down to 20 Hz. Even very low bass signals are reproduced without coloration.

Elastic suspension, EA 1 mt ............. blk ....... 008450 Popscreen, PS 15 ..................................... blk ....... 008472 Windscreen, WS 89 ............................... blk ....... 007197 Microphone cable, IC 4 mt (with stand mount swivel) .................. blk ....... 006557 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

59

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

Technical Data Acoustical operating principle ........................... Pressure gradient transducer Directional pattern ................................................................................................... Cardioid Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 18 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 73 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 84 dB Equivalent noise level, CCIR1) ................................................................................. 21 dB Equivalent noise level, A-weighted1) ............................................................ 10 dB-A 1)

60

Maximum SPL for THD 0.5%2) ...................................................................... 140 dB Maximum output voltage .................................................................................... 13 dBu Dynamic range of the microphone amplifier (A-weighted) ......... 130 dB Supply voltage (P48, IEC 61938) ......................................................... 48 V ± 4 V Current consumption (P48, IEC 61938) ........................................................ 3 mA Matching connector .................................................................................................. XLR3F Weight ................................................................................................................................. 480 g Diameter ......................................................................................................................... 49 mm Length ........................................................................................................................... 175 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

® Neumann

2)

measured as equivalent el. input signal

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 67 Large Diaphragm Microphone

www.neumann.com

61

In the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67 contains the number “67”. In many respects, the TLM 67 is based on the “workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.

The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.

Exterior design The TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design.

The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.

The legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.

On the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a threedimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone.

Applications Due to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.

Acoustic features The microphone is addressed from the side on which the Neumann logo is located.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

62

A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.

TLM 67

Electrical features The letters “TLM” stand for “transformerless microphone”.

In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the preattenuation switch.

Filter and pre-attenuation The pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.

Operational reliability Elastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.

Features • Sound characteristics based on the legendary U 67

• Switchable high-pass filter and pre-attenuation

• Three switchable directional characteristics

• Transformerless circuit design • New dual-color exterior design

Application Hints* • Extremely versatile

• Overhead microphone

• Vocal microphone (soloists and background choir)

• Spot microphone, and suitable e.g. for strings, especially cello and double bass, as well as piano

• Broadcasting, dubbing and voiceovers

Delivery Range TLM 67 microphone, Wooden box

Catalog No. TLM 67 ............................................................... pgr ............................................ 008605

* These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

63

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

Technical Data

Selection of Accessories

Acoustical operating principle ......................... Pressure gradient transducer Directional pattern ................................................................ Omni/cardioid/figure-8 Frequency range ................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................... 10/18/9 mV/Pa Rated impedance ................................................................................................. 50 ohms Rated load impedance ....................................................................................... 1 kohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ........................... 65/70/64 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............. 78/83/77 dB Equivalent noise level, CCIR1) .............................................................. 29/24/30 dB Equivalent noise level, A-weighted1) .......................................... 16/11/17 dB-A

Elastic suspension, EA 87 ...................................... ni ................................. 007297 Auditorium hanger, MNV 87 ................................ ni ................................. 006804 Stand mount, SG 87 ................................................... blk .............................. 008619

Maximum SPL (tube characteristic)2): for THD < 0.5 % ........................................................................... 110/105/111 dB for THD < 5 % .................................................................................. 130/125/131 dB Maximum output voltage ................................................................................... –1 dBu Dynamic range of the microphone amplifier: (A-weighted) for < 0.5% THD (for < 5% THD) ..................... 94(114) dB Power supply ....................................................................................................................... P48 Matching connector microphone .................................................................... XLR3F Weight ................................................................................................................................ 490 g Diameter/Length .......................................................................................... 56/200 mm

Microphone cable, IC 3 mt ..................................... blk .............................. 006543 Microphone cable, IC 4 ............................................. ni ................................. 006547 Microphone cable, IC 4 mt ..................................... blk .............................. 006557

1)

64

Windscreen, WS 87 .................................................... blk .............................. 006753 Popscreen, PS 15 .......................................................... blk .............................. 008472 Popscreen, PS 20 a ..................................................... blk .............................. 008488 Battery supply, BS 48 i ............................................. blk .............................. 006494 Battery supply, BS 48 i-2 ....................................... blk .............................. 006496 Power supply, N 248 ................................................ blk .............................. 008537

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog Meaning of color codes: pgr = pearl gray, blk = black, ni = nickel

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

® Neumann

2)

measured as equivalent el. input signal

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 170 R Large Diaphragm Microphone

www.neumann.com

65

he TLM 170 R was the first microphone to use the successful fet 100 technology.

Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked “R”, the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Applications The TLM 170 R condenser microphone is a large diaphragm microphone with multiple polar patterns. Its sound has a very transparent characteristic, in contrast to some of our other microphones that have a distinct personality.

Therefore, this microphone is used for many diverse applications in professional recording studios, in broadcasting, film and television, and for semiprofessional productions. The polar patterns can be selected either at the microphone itself, or controlled remotely through the special N 48 R-2 power supply.

Acoustic features The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule inside the headgrille has a

Features • Local and remote controlled large diaphragm microphone • Pressure-gradient transducer with double membrane capsule • Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8

66

• Patented circuitry for remote and local switching of directional characteristics • Switchable low frequency rolloff and 10 dB preattenuation • Tiltable, elastically suspended bracket mount

TLM 170 R

very smooth frequency response for all polar patterns over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10 kHz within an angle of ± 100°.

As a result the TLM 170 R has a very even diffuse-field response for all polar patterns.

This is important in a reverberant environment, as more reflections arrive at the microphone from different directions. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without any coloration.

The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.

Polar patterns

Remote control The N 248 controls the polar pattern remotely by varying the phantom voltage. The range is ± 3 V of the nominal 48 V value. (According to DIN standard a range of ± 4 V is permissible.)

The rotary switch on the microphone must be in the position R (= remote control). In this switch position the TLM 170 R microphone analyses the absolute value of the phantom power and selects the corresponding polar pattern. A standard 3-pin microphone cable is used, similar to the microphone’s conventional operation. Cable lengths may be up to 300 m (1000 feet).

Electrical features The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal.

In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-an-gle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wideangle polar pattern is especially useful to record large sound sources.

Technical Data Acoustical operating principle ......................... Pressure gradient transducer Directional pattern ............................... Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range ................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ................................................................ 8 mV/Pa Rated impedance .................................................................................................. 50 ohms Rated load impedance ............................................................................... 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ........................................... 68 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................ 80 dB Equivalent noise level, CCIR1) .............................................................................. 26 dB Equivalent noise level, A-weighted1) .......................................................... 14 dB-A 1)

Maximum SPL for THD 0.5%2) .................................................................... 144 dB Maximum SPL for THD 0.5% with preattenuation2) ..................... 154 dB Maximum output voltage ................................................................................... 10 dBu Dynamic range of the microphone amplifier (A-weighted) ........ 130 dB Supply voltage (P48, IEC 61938) ...................................................... 48 V ± 4 V Current consumption (P48, IEC 61938) ...................................................... 3 mA Matching connector ................................................................................................. XLR3F Weight ............................................................................................................................... 625 g Diameter ........................................................................................................................ 60 mm Length .......................................................................................................................... 152 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

67

Operational safety All exposed surfaces of the capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through dust particles.

Delivery Range Microphone TLM 170 R (mt), Dust cover, Wooden box Stereo set: 2x TLM 170 R (mt) Microphone, 2x EA 170 (mt) Elastic suspension, Dust cover, Aluminium case

Catalog No. Filter and attenuation The TLM 170 R microphone has a 10 dB attenuation switch to prevent the input of the following unit from being overloaded.

A second switch at the rear allows to attenuate the frequency response below 100 Hz to suppress undesired structure borne noise.

Use on tripods The TLM 170 R is provided with a tilting side bracket to attach the microphone to booms or stands. The bracket is equipped with rubber elements that effectively protect the microphone from mechanical shock.

If necessary, it can be mounted on the other side of the microphone as well.

TLM 170 R .................................................. ni .......... 007165 TLM 170 R mt .......................................... blk ....... 007166 TLM 170 R Stereo set ......................... ni .......... 008503 TLM 170 R mt Stereo set ................. blk ....... 008504

Selection of Accessories Battery supply, BS 48 i ........................ blk ....... 006494 Power supply, N 248 ........................... blk ....... 008537 Elastic suspension, EA 170 .............. ni .......... 007271 Elastic suspension, EA 170 mt ...... blk ....... 007273 Auditorium hanger, MNV 87 ........... ni .......... 006804 Auditorium hanger, MNV 87 mt ... blk ....... 006806 Popscreen, PS 20 a ................................ blk ....... 008488 Windscreen, WS 87 ............................... blk ....... 006753 Microphone cable, IC 4 ........................ ni .......... 006547 Microphone cable, IC 4 mt ................ blk ....... 006557 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black ni = nickel

When using the IC 4 cable (for example to suspend the microphone from the ceiling with the MNV 87 auditorium hanger), the bracket and its holder need to be removed.

The microphone can then be connected to the swivel mount connector of the cable.

Application Hints • For universal use, very transparent, without coloration • Announcer’s mic for broadcasting, dubbing, voice-over • Ideal mic for close miking of instruments with high sound pressure levels • Spot mic for wind instruments, especially trumpet and saxophone, strings, piano, kick drum, guitar amps • During recordings when the mic is in a location where it is difficult to change polar patterns, for example, suspended from a ceiling. A special remote control is available.

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

68

TLM 170 R

measured in free-field conditions (IEC 60268-4), tolerance Âą 2 dB

69

70

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

U 87 Ai Large Diaphragm Microphone

www.neumann.com

71

he U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features The U 87 Ai is addressed from the front, marked with the Neumann logo.

The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range.

Features • Variable large diaphragm microphone

• Switchable low frequency roll-off

• Pressure-gradient transducer with double membrane capsule

• Switchable 10 dB preattenuation

• The studio microphone classic

• Ideal as main and as support microphone in the most differing recording situations

• Three directional characteristics: omni, cardioid, figure-8

72

The microphone can be used very close to a sound source without the sound becoming unnaturally harsh.

By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

U 87 Ai

Polar patterns Application Hints The dual-diaphragm capsule is elastically mounted and protected by a large headgrille.

• For universal use

A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8.

• Announcer’s mic for broadcasting, dubbing, voice-over

• The classical studio mic for vocalists (soloists and background vocalists)

• Overhead

A window above this switch shows the symbol of the selected characteristic.

• Spot mic for - wind instruments - strings (especially cello and double bass) - piano - percussion

Electrical features

• Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986.

Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range Microphone U 87 Ai (mt) in Wooden box Studio set: U 87 Ai (mt) Microphone, EA 87 (mt) Elastic suspension, Wooden box Stereo set: 2x U 87 Ai (mt) Microphone, 2x EA 87 (mt) Elastic suspension, 2x Dust cover, Aluminium case

Catalog No. U 87 Ai ........................................................... ni .......... 007022 U 87 Ai mt ................................................... blk ....... 007023 U 87 Ai Studio set .................................. ni .......... 008660 U 87 Ai mt Studio set ........................... blk ....... 008661 U 87 Ai Stereo set .................................. ni .......... 008505 U 87 Ai mt Stereo set .......................... blk ....... 008506

Selection of Accessories Battery supply, BS 48 i ........................ blk ....... 006494 Power supply, N 248 ........................... blk ....... 008537 Auditorium hanger, MNV 87 ........... ni .......... 006804 Auditorium hanger, MNV 87 mt ... blk ....... 006806 Elastic suspension, EA 87 ................. ni .......... 007297 Elastic suspension, EA 87 mt ......... blk ....... 007298 Stand mount swivel, SG 287 ........... blk ....... 008658 Popscreen, PS 20 a ................................ blk ....... 008488 Windscreen, WS 87 ............................... blk ....... 006753 Microphone cable, IC 4 mt ................ blk ....... 006557 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

73

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

Technical Data Acoustical operating principle ............................ Pressure gradient transducer Directional pattern ......................................... Omnidirectional, cardioid, figure-8 Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ........................................... 20/28/22 mV/Pa1) Rated impedance ................................................................................................. 200 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) ........................... 68/71/69 dB1) Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) ............. 79/82/80 dB1) Equivalent noise level, CCIR2) .............................................................. 26/23/25 dB1) Equivalent noise level, A-weighted2) .......................................... 15/12/14 dB-A1) 1)

74

Omnidirectional / cardioid / figure-8

2)

Maximum SPL for THD 0.5%3) ................................................ 117 dB (cardioid) Maximum SPL for THD 0.5% with preattenuation3) ........................ 127 dB Maximum output voltage ................................................................................... 390 mV Dynamic range of the microphone amplifier, A-weighted ............. 105 dB Supply voltage (P48, IEC 61938) .......................................................... 48 V ± 4 V Current consumption (P48, IEC 61938) .................................................... 0.8 mA Matching connector ................................................................................................... XLR3F Weight .................................................................................................................................. 500 g Diameter .......................................................................................................................... 56 mm Length ............................................................................................................................ 200 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

® Neumann

3)

is a registered trademark of the Georg Neumann GmbH in certain countries.

measured as equivalent el. input signal

Product Information

U 89 i Large Diaphragm Microphone

www.neumann.com

75

he U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns.

Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz.

Applications The U 89 i is similar in appearance to the U 87. It is of smaller size, and lighter weight.

It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications.

Polar patterns In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic.

When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources.

Acoustic features

Features • Variable large diaphragm microphone

• Thereby most versatile in all recording situations

• Pressure-gradient transducer with double membrane capsule

• Two-stage roll-off filter

• Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8

76

• Switchable 6 dB preattenuation • Extended frequency range in comparison to U 87 Ai

The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule has a very smooth frequency response for all polar patterns over a wide acceptance angle. The frequency response curves are flat up to 10 kHz within a pickup angle of ± 100°.

As a result the U 89 i has a very even diffusefield response for all polar patterns. This is important in a reverberant environment when more reflections arrive at the microphone capsule.

The acoustic information is not affected in its tonal quality when recorded by the microphone.

U 89 i

This characteristic is achieved without resorting to corrective resonance effects.

The capsule it is elastically mounted to avoid any structure borne noise that could interfere with its operation.

Filter and attenuation The amplifier handles sound pressure levels up to 134 dB without distortion.

With a self noise level of 17 dB (A-weighted) the total dynamic range is 117 dB. Maximum sound pressure level is 140 dB when the –6 dB rotary switch is in the ON position.

A low frequency roll-off at 80 Hz or 160 Hz can be activated with the third rotary switch below the headgrille.

This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources, for example, when proximity effect could adversely affect the program material.

A steep high-pass filter in the LIN position prevents the output transformer of the microphone from being overloaded due to undesired subsonic frequencies.

Operational safety All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles.

Delivery Range Microphone U 89 i (mt) Wooden box

Catalog No. U 89 i .............................................................. ni .......... 006449 U 89 i mt ...................................................... blk ....... 006450

Selection of Accessories Battery supply, BS 48 i ........................ blk ....... 006494 Power supply, N 248 ........................... blk ....... 008537 Auditorium hanger, MNV 87 ........... ni .......... 006804 Auditorium hanger, MNV 87 mt ... blk ....... 006806 Elastic suspension, EA 89 A ............ ni .......... 007195 Elastic suspension, EA 89 A mt .... blk ....... 007196 Stand mount swivel, SG 289 ........... blk ....... 008659 Popscreen, PS 20 a ................................ blk ....... 008488 Windscreen, WS 89 ............................... blk ....... 007197 Microphone cable, IC 4 mt (with stand mount swivel) .................. blk ....... 006557 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

Application Hints • A microphone for universal usage • Use as spot mic for - wind instruments, - strings, - piano These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Technical Data Acoustical operating principle ........................ Pressure gradient transducer Directional pattern ............................... Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range .................................................................................. 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................................... 8 mV/Pa Rated impedance .............................................................................................. 150 ohms Rated load impedance .............................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ........................................... 66 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................ 77 dB Equivalent noise level, CCIR1) .............................................................................. 28 dB 1)

Equivalent noise level, A-weighted1) ......................................................... 17 dB-A Maximum SPL for THD 0.5%2) ................................................................... 134 dB Maximum SPL for THD 0.5% with preattenuation2) .................... 140 dB Maximum output voltage ................................................................................ 800 mV Dynamic range of the microphone amplifier (A-weighted) ....... 117 dB Supply voltage (P48, IEC 61938) ..................................................... 48 V ± 4 V Current consumption (P48, IEC 61938) ................................................ 0.8 mA Matching connector ................................................................................................. XLR3F Weight .............................................................................................................................. 400 g Dimensions ................................................................................. Ø 46 mm x 185 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

77

measured in free-field conditions (IEC 60268-4), tolerance Âą 2 dB

78

ÂŽ Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KK 204/205 KK 104/105 S Capsule Heads for Sennheiser SKM 2000 and SKM 5200/SKM 5000 Wireless Systems

www.neumann.com

79

hanks to the combination of the KK 104 S and KK 105 S capsule heads with the Sennheiser SKM 5200/ 5000 wireless systems, and the KK 204 and KK 205 with the SKM 2000 system, Neumann sound is also available in the wireless domain.

This opens up new sound dimensions for the most demanding live-performance engineering.

Here the key areas of expertise of Neumann and Sennheiser are united in an unprecedented manner to create products with no compromises for professional use. Neumann capsules have already been used in combination with the Sennheiser SKM 5200 system for the past 10 years on some of the largest stages of the world and at mega-events such as the Eurovision Song Contest, where the highest demands are placed on the sound and transmission reliability.

These systems reveal their strengths particularly in conjunction with Sennheiser in-ear monitoring.

The design of Neumann capsule heads for the Sennheiser handheld transmitters is based on the extremely successful, multiple award-winning wired stage microphones KMS 104, KMS 104 plus and KMS 105.

From these microphones the capsule heads have acquired not only their outstanding sound characteristics and technical specifications, but also their robust construction and effective suppression of pop sounds and handling noise.

Delivery Range KK 204/205 for Sennheiser SKM 2000 Wireless Systems: KK 204 (bk) Capsule head, Padded nylon bag KK 205 (bk) Capsule head, Padded nylon bag

Delivery Range KK 104/105 S for Sennheiser SKM 5200 and SKM 5000 Wireless Systems: KK 104 S (bk) Capsule head, Padded nylon bag KK 105 S (bk) Capsule head, Padded nylon bag KK 105 HD (bk) Capsule head, Padded nylon bag

Catalog No. KK KK KK KK

204 ................................................. ni ................. 008651 204 bk .......................................... blk .............. 008652 205 ................................................. ni ................. 008653 205 bk .......................................... blk .............. 008654

KK 104 S ............................................ ni ................. 008534 KK 104 S bk ..................................... blk .............. 008533 KK 105 S ............................................ ni ................. 008474 KK 105 S bk ..................................... blk .............. 008476 KK 105 HD ....................................... ni ................. 008559 KK 105 HD bk ................................ blk .............. 008560

Features

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• Neumann capsule head engineering expands with Sennheiser liveperformance engineering

• Low susceptibility to handling noise

Selection of Accessories KK 104/105 S

• Built-in, highly effective suppression of popping noises

Windscreen, WSS 100 .............. blk .............. 007352

• Cardioid and Supercardioid characteristic

• Easy dismantling for cleaning

Meaning of color codes: blk = black, ni = nickel

• Pure, open, and neutral sound transmission

KK 204/205 + KK 104/105 S

The sound can be described as full, transparent and naturally warm, without excessive accentuation of the bass.

Due to the „single polar pattern design“, the polar patterns are very uniform over the entire frequency range, thus providing the basis for excellent resistance to feedback.

The capsules, and also of course the transmitter unit, are available in both nickel and black. Included with the capsule heads is a large nylon bag, which can hold not only the capsule but also the handheld transmitter, battery packs and additional accessories.

KK 204 and KK 205 The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system.

Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.

KK 204 Directional characteristic: Cardioid The capsule of the KMS 104 vocal microphone, exclusively for use with the Sennheiser SKM 2000 wireless system. The capsule head provides the best possible suppression of sound originating from 180° to the rear.

KK 205 Directional characteristic: Supercardioid The capsule of the KMS 105 vocal microphone, exclusively for use with the Sennheiser SKM 2000 wireless system. The capsule head has greater directivity and maximizes incident sound from the front as opposed to sound from the rear.

KK 104 S, KK 105 S and KK 105 HD The capsule heads KK 104 S, KK 105 S and KK 105 HD were developed especially for the Sennheiser systems SKM 5200/SKM 5000.

KK 104 S Directional characteristic: Cardioid The capsule of the KMS 104 plus vocal microphone, exclusively for use with the Sennheiser SKM 5200/5000 wireless systems. It provides the best possible suppression of sound originating from 180° to the rear, and has highly effective integrated pop protection.

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KK 105 S / KK 105 HD Directional characteristic: Supercardioid The capsule of the KMS 105 vocal microphone, exclusively for use with the Sennheiser SKM 5200/5000 wireless systems. The capsule head has greater directivity and maximizes incident sound from the front as opposed to sound from the rear. The KK 105 S has a multi-level acoustic filter made of wire gauze. The „heavy-duty“ variant, KK 105 HD, has integrated foam pop protection instead of the fine wire gauze screen of the KK 105 S, for even greater resistance to pop sounds. The foam pores also have a greatly increased surface area and can keep extreme moisture away from the capsule.

Application Hints • Vocals and speech on stage • Especially suited for in-ear-monitoring • Especially suitable with front-of-stage monitor systems • For feedback-prone environment These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Technical Data KK 204/205 Directional pattern ................................................................. Cardioid/Supercardioid Frequency range .................................................................................... 40 Hz...20 kHz Sensitivity at 1 kHz into 1 kohms ..................................... 2.8 mV / Pa ± 1 dB Equivalent noise level, CCIR1) ................................................................................ 35 dB Equivalent noise level, A-weighted1) ............................................................ 24 dB-A Max. SPL for 0.5% THD2) .................................................................................. 150 dB Dynamic range (A-weighted) ................................................................... >126 dB-A

Weight (incl. transmitter + power supply unit) .................... approx. 500 g Dimensions (+ SKM 2000) ................................... length: 272 mm, Ø 55 mm

Technical data for SKM 2000 can be found at: www.sennheiser.com

Technical Data KK 104 S/KK 105 S (HD) (incl. SKM 5200/SKM 5000) Directional pattern ................................................................. Cardioid/Supercardioid Frequency range .................................................................................... 80 Hz...20 kHz Sensitivity at 1 kHz into 1 kohms ........................... 1.7/1.3 mV / Pa ± 1 dB Equivalent noise level, CCIR1) ....................................................................... 42/44 dB Equivalent noise level, A-weighted1) ................................................... 31/33 dB-A Max. SPL for 0.5% THD2) ..................................................................... 148/ 150 dB Max. SPL for 3% THD2) .......................................................................... 153/ 155 dB Dynamic range (A-weighted) ................................................................... >117 dB-A 1)

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Frequency range .................................................................................... 450– 960 MHz Switching bandwidth ............................................................................................. 24 MHz Transmitter frequencies ..................................................................................................... 16 RF-output ................................................................................................... 50 mW (–3 dB) Noise suppression system ............................................. Sennheiser “HiDynplusTM” Weight (incl. transmitter + power supply unit) .................... approx. 325 g Dimensions (+ transmitter) .................................... length: 257 mm, Ø 48 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

KK 204/205 + KK 104/105 S

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KK 204 + SKM 2000

measured in free-field conditions (IEC 60268-4)

KK 205 + SKM 2000

KK 104 S + SKM 5200/SKM 5000

measured in free-field conditions (IEC 60268-4)

KK 105 S/KK 105 (HD) + SKM 5200/SKM 5000

84

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KMS Series Vocal Microphones

www.neumann.com

85

he KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.

Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

The user can thus select the version that is optimally suited to the specific application.

Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

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In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104/ 104 plus and KMS 105 vocal microphones when they are used with a stage sound system.

Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.

In addition, the microphone has an invariable, built-in highpass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB-A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.

Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.

The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.

KMS Series

Delivery Range Delivery Range The KMS 104/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

KMS 104, KMS 104 plus or KMS 105 Microphone SG 105 Stand clamp Padded nylon bag

Catalog No. Features • Neumann sound on stage

• Without off-axis coloration

• Excellent transparency for vocals/speech

• Transformerless output

• Cardioid/Supercardioid polar pattern with excellent feedback rejection

• Effective pop shielding without any side effects • Set includes stand clamp

KMS 104 ............................................................................. ni ............. 008548 KMS 104 bk ...................................................................... blk .......... 008549 KMS 104 plus .................................................................. ni ............. 008624 KMS 104 plus bk ........................................................... blk .......... 008625 KMS 105 ............................................................................. ni ............. 008454 KMS 105 bk ...................................................................... blk .......... 008455

Selection of Accessories Battery supply, BS 48 i ............................................... blk .......... 006494 Battery supply, BS 48 i-2 ......................................... blk .......... 006496 Power supply, N 248 .................................................. blk .......... 008537

Application Hints • Vocals and speech on stage • Announcer’s mic for broadcasting/dubbing • Especially suited for in-ear-monitoring • For feedback-prone environment These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Microphone cable, IC 3 mt ....................................... blk .......... 006543 Adapter cable, AC 25 .................................................. blk .......... 006600 Adapter cable, AC 27 .................................................. blk .......... 006602 Table stand, MF 3 .......................................................... blk .......... 007321 Windscreen, WSS 100 ............................................... blk .......... 007352 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

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KMS Series

KMS 104

KMS 104 / KMS 104 plus

measured in free-field conditions (IEC 60268-4)

KMS 104 plus

KMS 105 KMS 105

Technical Data KMS 104 / KMS 104 plus / KMS 105 Acoustical operating principle .......................... Pressure gradient transducer Directional pattern ............................................... cardioid/cardioid/supercardioid Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................................ 4.5 mV/Pa Rated impedance .................................................................................................. 50 ohms Rated load impedance ................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................................. 66 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................... 76 dB Equivalent noise level, CCIR1) ................................................................................ 28 dB Equivalent noise level, A-weighted1) ............................................................ 18 dB-A 1)

Maximum SPL for THD 0.5%2) ....................................................................... 150 dB Maximum output voltage ..................................................................................... 12 dBu Dynamic range of the mic. amplifier (A-weighted) ............................. 132 dB Supply voltage (P48, IEC 61938) .......................................................... 48 V Âą 4 V Current consumption (P48, IEC 61938) .................................................... 3.5 mA Matching connector ................................................................................................... XLR3F Weight .............................................................................................................. approx. 300 g Diameter .......................................................................................................................... 48 mm Length ............................................................................................................................ 180 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

89

90

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is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

Series 180 Miniature Microphones

www.neumann.com

91

he “Series 180” consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the “Series 180” is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time.

All “Series 180” microphones are available with either matte black or nickel finish. They come in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR-connector.

Applications Their slender shapes and the transmission characteristics described below make the “Series 180” especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.

The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response.

Features • Three different miniature microphones for all typical studio applications

• Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)

• Successor of the worldwide successful KM 83/84

• Set includes windshield and microphone clamp

• Transformerless circuitry

92

Series 180

The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.

The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Economy The “Series 180” is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.

The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the “Series 180” is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Delivery Range KM 183 (mt) ... 185 (mt) Microphone, WNS 100 Windscreen, SG 21 bk Stand mount Stereo set: 2x KM 183 (mt) ... 185 (mt) Microphone, 2x WNS 100 Windscreen, 2x SG 21 bk Stand mount, Wooden box

Catalog No. Electrical features The “Series 180” microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.

The output of the “Series 180”, as in all Neumann microphones, is balanced and phantom (48V) powered.

KM KM KM KM KM KM KM KM KM KM KM KM

183 ........................................................... ni ........ 008437 183 mt ................................................... blk ..... 008438 183 Stereo set .................................. ni ........ 008522 183 mt Stereo set .......................... blk ..... 008521 184 ........................................................... ni ........ 008439 184 mt ................................................... blk ..... 008389 184 Stereo set .................................. ni ........ 008524 184 mt Stereo set .......................... blk ..... 008523 185 ........................................................... ni ........ 008440 185 mt ................................................... blk ..... 008441 185 Stereo set .................................. ni ........ 008526 185 mt Stereo set .......................... blk ..... 008525

Selection of Accessories Elastic suspension, EA 2124 A mt ............................................. blk ..... 008433 Auditorium hanger, MNV 21 mt ..... blk ..... 006802 Popscreen, PS 15 ....................................... blk ..... 008472 Windscreen, WS 100 ............................. blk ..... 006751 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

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94

Series 180

Technical Data

KM 183

measured in free-field conditions (IEC 60268-4)

KM 184

KM 185

Technical Data KM 183 / KM 184 / KM 185 Acoustical operating principle ..... Pressure/Pressure gradient transducer Directional pattern .............................. omnidirectional/cardioid/hypercardioid Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................. 12/15/10 mV/Pa Rated impedance .................................................................................................. 50 ohms Rated load impedance ................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................ 70/72/70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) .............. 81/81/79 dB Equivalent noise level, CCIR1) ............................................................... 24/22/24 dB 1)

Equivalent noise level, A-weighted1) ............................................ 13/13/15 dB-A Maximum SPL for THD 0.5%2) ................................................ 140/138/142 dB Maximum output voltage ..................................................................................... 10 dBu Supply voltage (P48, IEC 61938) ......................................................... 48 V Âą 4 V Current consumption (P48, IEC 61938) .................................................... 3.2 mA Matching connector ................................................................................................... XLR3F Weight .................................................................................................................. approx. 80 g Diameter .......................................................................................................................... 22 mm Length ............................................................................................................................ 107 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

95

Application Hints KM 183 • For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record - acoustic guitar, - wind instruments, - strings, - percussion, - drums • Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field • As a main mic, especially for capturing room acoustics • For stereo recordings with a baffle plate • As a spot mic for - piano, - wind instruments, - organ, - choir

KM 184 • For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.

• As XY and ORTF stereo pair • Announcer’s mic for broadcasting • Spot mic, overhead • Close miking of - strings, - wind instruments, - percussion, - piano, - Leslie speakers, - guitar amps

KM 185 • Especially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.

• As XY stereo pair • Overhead, toms • In situations that are susceptible to acoustic feedback • To attenuate unwanted sound of nearby instruments • Recording of speech, as in - TV, - movie and video productions, - PA systems • Produces especially warm and bass supporting sound for artists who perform in proximity effect range These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

96

® Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

Series KM A Miniature Microphone System

www.neumann.com

97

T

he KM A series is a modular small-diaphragm condenser microphone system. As a further development of the successful KM 100 series, it provides a number of electroacoustic and operational advantages through the use of state-of-the-art electronic components. The most modern electroacoustic circuit design is combined with the typical Neumann clean, neutral sound. This permits a multifaceted spectrum of applications. Preferred uses include the recording of acoustic stringed instruments, woodwinds, cymbals and speech, or also room acoustics. Due to their very good bass response, the pressure transducers KK 131, 133 and 183 are excellently suited to choral and orchestral recordings. The KK 133 capsule presents a special feature: Based on the technical design concept of the capsule of the legendary M 50 microphone, Neumann uses titanium for the capsule manufacture. For a miniature condenser microphone, the capsule achieves hitherto unprecedented impulse fidelity and resolution of transients.

The system components consist of a passive microphone capsule, the analog KM A output stage, and an extensive program of optional accessories. The impedance converter is now part of the analog KM A output stage, which permits a smaller capsule design. KK series capsules with eight different directional characteristics are available. The sound properties of the KM A microphone system are absolutely identical to those of the KM 100 system.

KK 131

KK 143

KK 145

KK 183

KK 184

KK 185

KK 131 nx

KK 143 nx

KK 145 nx

KK 183 nx

KK 184 nx

KK 185 nx

KM 183 A nx

KM 184 A nx

KM 185 A nx

It should be emphasized that the capsules of the KM A series can also be combined with a digital output stage (KM D). These miniature microphones then operate in accordance with the AES42 standard, permitting an integrated digital workflow via direct conversion of the capsule signal in the digital output stage. The output signal is thus an AES/EBU signal with 24-bit resolution and a sample rate of 44.1 kHz to 192 kHz. The A/D converter principle patented by Neumann guarantees that a very large dynamic range of up to 122 dB-A is maintained over the entire digital production chain.

Construction Depending upon the capsule used, the KM A microphone system is only 93 mm to 110 mm long, with a diameter of 22 mm. The capsule

98

KM A Series

Acoustic features The KK... capsule heads can be used with the analog KM A (nx) as well as with the digital KM D (nx) output stage.

KK 120

The following eight passive microphone capsules are available for the KM A system: KK 120: Figure-eight directional characteristic, pressure gradient transducer

The directional characteristic is achieved with only a single diaphragm, having a diameter of 16 mm. All sound components act directly on this one diaphragm, which results in identical frequency responses and transmission levels at 0째 and 180째. The KK 120 can be combined with other capsules or microphones, and can be used for MS stereo recording.

KM A

KK 131: Omni directional characteristic, free-field equalized pressure transducer KK 120 nx

KK 133 nx

The transmission level is flat up to 20 kHz in a free sound field, and decreases above 5 kHz in a diffuse sound field.

KK 133:

KM A nx

Omni directional characteristic, diffuse-field equalized pressure transducer

Recommended for recordings in the transition area between a free and diffuse sound field. The diaphragm is made of titanium for maximum impulse fidelity and reproduction of transients. and output stage can be used both modularly and as a compact design. For modular use, an extensive range of accessories is available, consisting of capsule extensions, connecting cables, stand mounts, swivel joints, auditorium hangers and various types of stands.

At 12 kHz, the high frequencies are boosted by 4 dB to 5 dB in a free sound field. Use with the SBK 130 A sound diffraction sphere is strongly recommended.

KK 183:

The microphone capsule KK... can be placed at a distance of up to 100 m from the KM A output stage. As a standard solution, the LC 4 microphone cable, with a diameter of 3.5 mm, is available in lengths of 5 m or 10 m.

Alternatively, a capsule KK... can be screwed directly into the KM A output stage, resulting in a compact miniature microphone (KM A series).

The dimensions of the analog KM A output stage are identical to those of the digital KM D output stage. This enables the same accessories to be used, permitting a problem-free changeover, or parallel digital and analog operation.

Omni directional characteristic, diffuse-field equalized pressure transducer

At 10 kHz, the high frequencies are boosted by approximately 7 dB in a free sound field. This compensates for the loss of high frequencies in a diffuse sound field, so that a flat frequency response is achieved.

KK 184: Cardioid directional characteristic, pressure gradient transducer

Very uniform frequency response curves, which parallel the curve for incident sound at 0째.

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KK 143: Wide-angle cardioid directional characteristic, pressure gradient transducer

Application Hints

The attenuation amounts to 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response curves for incident sound from the front (+/-90°) are parallel up to 12 kHz.

KK 120 + KM A • MS-Stereo microphone, in combination with the KM 184 A or KM 185 A or KMR 81 i • Two crossed KK 120s in Blumlein technique

KK 145:

• Inconspicuous spot microphone with optimum attenuation of lateral sound sources

Cardioid directional characteristic with acoustic bass roll-off, pressure gradient transducer

• Single microphone for two speakers facing each other

The acoustic bass roll-off in a free sound field serves to suppress low-frequency interference (e.g. wind noise and structure-borne sound).

KK 131 + KM A

The proximity effect, physically determined by pressure gradient microphones, results in a flat frequency response (“speech cardioid”) when the microphone is addressed from a distance of approximately 15 cm.

• For close miking of instruments when there is no need to attenuate extra-neous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums • Flat frequency response for close miking, spot mic

KK 133 + KM A

KK 185: Hypercardioid directional characteristic, pressure gradient transducer

The attenuation of sound from the sides and rear amounts to 10 dB in each case. There is minimal sensitivity to incident sound at 120°.

• Its special acoustic properties make this an ideal mic for most classical recordings • Main mic, especially for capturing room acoustics • A superb AB stereo pair for perfect balance of direct and reverberant sound • Decca tree, setup with three microphones • Spot mic for piano, wind instruments, organ, choir

Electrical features The microphone circuitry of the KM A microphone system operates without a transformer, with a phantom power of 48 V. The newly developed circuitry design reduces the self-noise of the KM A miniature condenser microphone series and increases the dynamic range by approximately 3 dB-A. The use of state-of-the-art electronic components improves the resistance of the microphones to electromagnetic interference (EMC), resulting in lower sensitivity to high-frequency interference signals.

KK 143 + KM A • Polar response characteristic acts more like an omni. Therefore, it is an ideal tool to record larger instrument ensembles • As AB stereo pair, especially in rooms with less than ideal acoustics • As spot mic for strings, wind instruments, percussion, and Leslie speakers • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps

KK 145 + KM A • It naturally compensates for proximity effect • Very neutral tonal balance during close miking of speech, as in TV, movie and video, PA

Pre-attenuation The KM A output stage has a switch for pre-attenuation of 10 dB. The attenuation is achieved by reducing the capsule voltage. The microphones can then handle sound pressure levels of up to 152 dB (KM 185 A) with no problem.

• Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, leslie speakers, toms

KK 183 + KM A = KM 183 A • Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field • For close miking of instruments when there is no need to attenuate extraneous noise, and in a

100

KM A Series

Use of a sound diffraction sphere balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, drums • Main mic, especially for capturing room acoustics • For stereo recordings with a baffle plate • Spot mic for piano, wind instruments, organ, choir

KK 184 + KM A = KM 184 A • For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.

With the use of a sound diffraction sphere, a pressure transducer microphone is exposed to an earlier, gentler increase in pressure in the middle and higher frequency ranges. The increase in emphasis in the upper frequency range is similar to that for a pressure gradient transducer however, as a pressure transducer, the microphone provides a linear transmission level down to the lowest frequencies.

• As XY and ORTF stereo pair • Broadcasting mic for announcers • Spot mic and overhead • Close miking of strings, wind instruments, percussion, piano, Leslie speakers and guitar amps

KK 185 + KM A = KM 185 A • Especially for recording situations when it is necessary to attenuate off-axis (lateral and rear) sound from other nearby instruments.

• As XY stereo pair • Overhead, toms • In situations that are susceptible to acoustic feedback • To attenuate unwanted sound of nearby instruments • Recording of speech, as in TV, movie and video productions, PA systems • Produces especially warm and bass supporting sound for artists who perform in proximity effect range These hints are intended to serve only as suggestions, and make no claim to completeness.

101

Delivery Range KM 183 A nx ... KM 185 A nx Microphone WNS 100 Windscreen SG 21 bk Stand mount Wooden box

Catalog No. KM 183 A nx .................................nx..........................................008631 KM 184 A nx .................................nx..........................................008632 KM 185 A nx .................................nx..........................................008633 Meaning of color codes: nx = nextel black

102

KM A Series

Selection of Accessories

Output stage, KM A Catalog No.: 008634 Output stage, KM A nx Catalog No.: 008635

Digital output stage, KM D (44.1 kHz) Catalog No.: 008578 Digital output stage, KM D nx (44.1 kHz) Catalog No.: 008581

Digital output stage, KM D (48 kHz) Catalog No.: 008579 Digital output stage, KM D nx (48 kHz) Catalog No.: 008582

Digital output stage, KM D (96 kHz) Catalog No.: 008580 Digital output stage, KM D nx (96 kHz) Catalog No.: 008583

Capsule head, KK 120 Catalog No.: 008589 Capsule head, KK 120 nx Catalog No.: 008590

Capsule head, KK 131 Catalog No.: 008591 Capsule head, KK 131 nx Catalog No.: 008592

Capsule head, KK 133 Catalog No.: 008639 Capsule head, KK 133 nx Catalog No.: 008640

Capsule head, KK 143 Catalog No.: 008593 Capsule head, KK 143 nx Catalog No.: 008594

Capsule head, KK 145 Catalog No.: 008595 Capsule head, KK 145 nx Catalog No.: 008596

Capsule head, KK 183 Catalog No.: 008566 Capsule head, KK 183 nx Catalog No.: 008567

Capsule head, KK 184 Catalog No.: 008568 Capsule head, KK 184 nx Catalog No.: 008569

Capsule head, KK 185 Catalog No.: 008570 Capsule head, KK 185 nx Catalog No.: 008571

Elastic suspension, EA 2124 A mt Catalog No.: 008433

Table stand, MF 2 Catalog No.: 007266

Table stand, MF 3 Catalog No.: 007321

Vertical bar, MZEF 8120 Catalog No.: 502319

Stand extensions STV 4, Catalog No.: 006190 STV 20, Catalog No.: 006187 STV 40, Catalog No.: 006188 STV 60, Catalog No.: 006189

Floor stand, MF 4 Catalog No.: 007337

Floor stand, MF 5 Catalog No.: 008489

Vertical bar, MZEF 8060 Catalog No.: 502318

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

103

Selection of Accessories

Auditorium hanger, MNV 21 mt Catalog No.: 006802

Auditorium hanger, MNV 87 Catalog No.: 006804 Auditorium hanger, MNV 87 mt Catalog No.: 006806

Auditorium hanger, MNV 100 Catalog No.: 006811

Double mount, DS 120 Catalog No.: 007343

Double mount, MZGE 8000 Catalog No.: 502324

Double mount, MZGE 8002 Catalog No.: 502325

Stand mount, SG 21 bk Catalog No.: 008613

Stand mount, SG 109 Catalog No.: 008614

Swivel joint SG 110 nx Catalog No.: 008611

Stand mount, SGE 100 Catalog No.: 006742

Stereo mount, STH100 Catalog No.: 007315

Stereo mount, STH120 Catalog No.: 008422

Capsule Extension, KVG 130 nx Catalog No.: 008608

Capsule Extension, KVG 160 nx Catalog No.: 008609

Capsule Extension, KVG 1120 nx Catalog No.: 008610

Foam windscreen, WNS 100 Catalog No.: 007323

Foam windscreen, WNS 110 Catalog No.: 008535

Foam windscreen, WNS 120 Catalog No.: 008427

Foam windscreen, WS 100 Catalog No.: 006751

Popscreen, PS 15 Catalog No.: 008472

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

104

KM A Series

Selection of Accessories

Sound Diffract. Sphere, SBK 130 A Catalog No.: 008612

Battery supply, BS 48 i Catalog No.: 006494

Microphone cable, LC 4 (5 m) Catalog No.: 008606

Battery supply, BS 48 i-2 Catalog No.: 006496

Power supply, N 248 EU 008537

Technical Data

Typ

KK 131

Acoustical operating principle

pressure transducer

KK 133

KK 183

KK 143

KK 184

KK 145

KK 185

KK 120

Directional pattern

omni free-field equalized

omni diffusefield equalized

omni diffusefield equalized

cardioid wide

hypercardioid

figure-8, side-fire

Sensitivity (KM A)1)

12 mV/Pa

15 mV/Pa

12 mV/Pa

15 mV/Pa

15 mV/Pa

Sensitivity (KM D)1)2)

–41 dBFS

–40 dBFS

–41 dBFS

–39 dBFS

–39 dBFS

14 mV/Pa

10 mV/Pa

12 mV/Pa

–40 dBFS

–42 dBFS

Signal-to-noise ratio2), CCIR 3)

70 dB

66 dB

69 dB

70 dB

70 dB

70 dB

–41 dBFS

69 dB

69 dB

Signal-to-noise ratio2), A-weighted3)

81 dB

79 dB

81 dB

81 dB

81 dB

80 dB

78 dB

79 dB

Equivalent noise level, CCIR3)

24 dB

28 dB

24 dB

22 dB

22 dB

22 dB

24 dB

25 dB

Equivalent noise level, A-weighted3)

13 dB

15 dB

13 dB

13 dB

13 dB

14 dB

15 dB

15 dB

Max. SPL (KM A)1) for THD <0.5% for THD <0.5% with preattenuation

140 dB 150 dB

138 dB 148 dB

140 dB 150 dB

138 dB 148 dB

138 dB 148 dB

138 dB 148 dB

142 dB 152 dB

140 dB 150 dB

Max. SPL (KM D) at 0 dBFS1)

135 dB

134 dB

135 dB

133 dB

133 dB

134 dB

136 dB

135 dB

Max. SPL (KM D) with 18 dB preatt1)3)

153 dB

152 dB

153 dB

151 dB

151 dB

152 dB

154 dB

153 dB

130 mm x 24 mm

pressure gradient transducer

Frequency range

cardioid

cardioid low frequency roll-off

20 – 20000 Hz

Current consumption (KM A)

max. 3.5 mA (P48)

Current consumption (KM D)

max. 150 mA (DPP)

Matching connector

XLR 3 M

Weight (output stage)

70 g

Dimensions (L x Ø)

108 mm x 22 mm

128 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

108 mm x 22 mm

Weight (capsule only)

11 g

49 g

11 g

15 g

15 g

15 g

19 g

37 g

Dimensions (L x Ø) (capsule only)

18 mm x 22 mm

38 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

18 mm x 22 mm

40 mm x 24 mm

1) 2) 3)

at 1 kHz re 94 dB SL according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

105

KM A + KK 131

measured in free-field conditions (IEC 60268-4)

KM A + KK 131 + SBK 130 A

KM A + KK 133

KM A + KK 133 + SBK

106

KM A Series

KM A + KK 183 ( = KM 183 A)

measured in free-field conditions (IEC 60268-4)

KM A + KK 183 + SBK 130 A

KM A + KK 143

KM A + KK 184 ( = KM 184 A)

107

KM A + KK 145

measured in free-field conditions (IEC 60268-4)

KM A + KK 185 ( = KM 185 A)

KM A + KK 120

108

速 Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KM 100 Miniature Microphone System

www.neumann.com

109

he variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.

Currently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.

Through the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications.

The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.

An active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.

Construction The microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage.

Both parts can be unscrewed from each other.

The system offers several condenser capsules with different directional characteristics.

Numerous accessories can be mounted between the capsules and the output stage.

The capsules attach to cables, capsule extensions, swivel mounts, table stands, goosenecks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.

Features

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• Miniature microphones with 7 exchangeable capsules

• Switchable 10 dB preattenuation

• Active capsules, detachable up to 50 m from the output stage

• Set includes windshield and two different clamps

• Great variability through capsule extensions and goosenecks

• Transformerless circuitry • Extensive accessories

The active capsule itself is only 35 or 47 mm resp. long.

The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable.

These cables are 3 mm in diameter, and therefore very inconspicuous.

KM 100

Acoustic features AK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.

AK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.

AK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency rolloff above 5 kHz.

AK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence.

Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.

AK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.

AK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40.

However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties.

The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).

AK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.

111

use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.

Even with a long cable between active capsule and output stage, the signal is immune to external interference.

Preattenuation The output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.

When the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.

Connectors To diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.

Electrical features

The separate KA 100 cable, needed for older accessories, will be available also in future.

The KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.

The KM 100 output stage has a 3-pin XLR connector.

The construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.

All sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the

112

Sound diffraction sphere The SBK 130 A sound diffraction sphere slips onto the front of the KM 130/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.

While sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz. Since the sound diffraction sphere causes the pressure buildup of the KM 130/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle

KM 100

and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies.

However, since the KM 130/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.

This changing directivity allows to record at a greater distance from the sound source, and makes the KM 130/KM 131 microphones especially suited as stereo main microphones in A-B configurations.

Stereo recordings By means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.

Stereo set The cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box.

A further SKM 100-MS Stereo Set containing the micro-phones KM 120 and KM 140 is available.

113

LC 3 KA Microphone cable KM 100 Output stage

Accessories*

AK 20, Active capsule Catalog No.: 071659

AK 30, Active capsule Catalog No.: 069001

AK 31, Active capsule Catalog No.: 069002

AK 40, Active capsule Catalog No.: 069007

AK 43, Active capsule Catalog No.: 069014

AK 45, Active capsule Catalog No.: 069015

AK 50, Active capsule Catalog No.: 069016

KA 100, Cable adapter Catalog No.: 007330

KM 100, Output stage Catalog No.: 007395

SBK 130 A, Sound diffraction sphere for dia. 22 mm, Catalog No.: 008612

BS 48 i, Battery supply Catalog No.: 006494

BS 48 i-2, Battery supply Catalog No.: 006496

N 248, Power supply Catalog No.: 008537

IC 3 mt, Microphone cable Catalog No.: 006543

Extension cable LC 2, 10 m, Catalog No.: 006690

Microphone cable LC 3 KA, 5 m, Catalog No.: 008408 LC 3 KA, 10 m, Catalog No.: 008409

DS 100-1, Double swivel mount (for KVF ... extension tubes) Catalog No.: 008491

DS 120, Double mount Catalog No.: 007343

EA 2124 A mt, Elastic suspension Catalog No.: 008433

KVF 118 KA, Capsule extension (with gooseneck, 300 mm) Catalog No.: 008410

*) Detailed descriptions of all accessories are contained in the accessories catalog.

114

KM 100 AK .. Active capsule

KVF 158 KA, Capsule extension (with gooseneck, 700 mm) Catalog No.: 008411

KVFF 148 KA, Capsule extension (with double gooseneck, 700 mm) Catalog No.: 008412

MF 2, Table stand (with rubber mounted thread) Catalog No.: 007266

MF 3, Table stand Catalog No.: 007321

MF 4, Table stand Catalog No.: 007337

MF 5, Table stand Catalog No.: 008489

MF-AK Table Stand (with Swivel Joint) Catalog No.: 008453

MNV 21 mt Auditorium hanger with clamp for KM ...

Catalog No.: 006802

MNV 87 mt, Auditorium hanger (with threaded adapter) Catalog No.: 006806

MNV 100, Auditorium hanger (with clamp for AK ...)

Catalog No.: 006811

PS 15, Pop screen Catalog No.: 008472

SG 21 bk Swivel mount Catalog No.: 008613

SG 100, Swivel mount (for KVF ...)

Catalog No.: 006688

SG 100-1, Swivel mount Catalog No.: 008490

SG-AK Swivel Mount Catalog No.: 008452

SGE 100, Swivel mount for MF 2 (with rubber mounted thread for AK ...)

Catalog No.: 006742

SMK 100 KA, Gooseneck (with cable, 160 mm) Catalog No.: 008413

STH 100, Stereo mount (for 2xAK ... with LC 3) Catalog No.: 007315

Stand extension STV 4, Catalog No.: 006190 STV 20 , Catalog No.: 006187 STV 40, Catalog No.: 006188 STV 60, Catalog No.: 006189

TF 221 c, Table flange (with rubber mounted thread) Catalog No.: 007278

*) Detailed descriptions of all accessories are contained in the accessories catalog..

115

Accessories

WNS 100, Windscreen, 45 mm black., Cat. No.: 007323 red, Cat. No.: 007324 green, Cat. No.: 007325 yellow, Cat. No.: 007326 blue, Cat. No.: 007327

WNS 110, Windscreen, 45 mm Catalog No.: 008535

WS 100, Windscreen, 90 mm Catalog No.: 006751

SR 100, Stand tube Catalog No.: 007336 and KA 100, Catalog No.: 007330

Special Accessories for AK 20 and Stereo-Applications

STH 120, Stereo mount for AK 20 and e.g. AK 40 Catalog No.: 008422

116

WNS 120, Windscreen for AK 20 Catalog No.: 008427

AC 30, Adapter cable for connection of 2 AK ... with MTX 191 (A), Catalog No.: 008418

MTX 191 A, Matrix amplifier Catalog No.: 007331

KM 100

Application Hints

KM 145

For recording situations where the microphone must remain “invisible”.

• It naturally compensates for proximity effect

KM 120 • MS-Stereo microphone (in combination with the KM 140) • Two crossed AK 20s in Blumlein technique • Inconspicuous spot microphone with optimum attenuation of lateral sound sources • Single microphone for two speakers facing each other

KM 130 • Ideal as AB stereo pair in the diffuse sound field because of the flat frequency response • As a main mic, especially for capturing room acoustics • For stereo recordings with a baffle plate • As a spot mic for piano, wind instruments, organ, and choir

KM 131 • For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums

• Very neutral tonal balance during close miking of speech, as in TV, movie and video , PA • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, Leslie speakers, toms

KM 150 • As XY stereo pair • Overhead, toms • In situations that are susceptible to acoustic feedback • To attenuate unwanted sound of nearby instruments • Recording of speech, as in TV, movie and video productions, PA systems • Produces especially warm and bass supporting sound for artists who perform in proximity effect range • We recommend using an additional windscreen to minimize the effects of high wind velocity, and plosive sounds These are just some of the most common applications. Detailed hints are described in the catalog “KM 100 Application Guide”.

• Flat frequency response for close miking, spot mic

Delivery Range KM ...

KM 140 • Universal usage, especially in situations when it is necessary to attenuate sound coming from adjacent instruments • As XY and ORTF stereo pair • Announcer’s mic for broadcasting • Spot mic, overhead • Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps • We recommend using an additional windscreen to minimize the effects of high wind velocity

KM 143 • Polar response characteristic acts more like an omni. Therefore, it is an ideal tool to record larger instrument ensembles • As AB stereo pair, especially in rooms with less than ideal acoustics • As spot mic for strings, wind instruments, percussion, and Leslie speakers • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps

Microphone KM 120 ... KM 150 Windscreen WNS 100 or WNS 120 Stand mount SG 21 bk Wooden box

Delivery Range SKM 140 (150) 2x Microphones KM 140 (150) 2x Connecting cables LC 3 KA 1x Stereo mount STH 100 Wooden box

Delivery Range SKM 100-MS 1x Microphone each KM 120 and KM 140 2x Connecting cables LC 3 KA 1x Stereo mount STH 120, Wooden box

Catalog No. KM 120 .......................................... blk ...................... 008417 KM 130 .......................................... blk ...................... 007051 KM 131 .......................................... blk ...................... 007061 KM 140 .......................................... blk ...................... 007031 KM 143 .......................................... blk ...................... 007109 KM 145 .......................................... blk ...................... 007068 KM 150 .......................................... blk ...................... 007077 SKM 140 ....................................... blk ...................... 007094 SKM 150 ....................................... blk ...................... 007099 SKM 100-MS .............................. blk ...................... 008421

117

KM 120

measured in free-field conditions (IEC 60268-4), tolerance Âą 2 dB

KM 130

KM 131

KM 140

KM 143

KM 145

118

KM 100

KM 150

KM 130 with SBK 130 A KM 131 with SBK 130 A

Technical Data

KM 120

KM 130

KM 131

KM 140

KM 143

KM 145

KM 150

Acoustical operating principle ...................... Press. grad. ................ Pressure ................ Pressure ......... Press. grad. .......... Press. grad. ......... Press. grad. ......... Press. grad. transducer transducer transducer transducer transducer transducer transducer Directional pattern ....................................................... Side-fire ....................... Omni ....................... Omni ................ Cardioid ................. Cardioid ................. Cardioid .................. Hyperfigure-8 diffuse field free field wide angle low frequency cardioid equalized equalized roll-off Frequency range ........................................................ 20 Hz to ............. 20 Hz to ............. 20 Hz to ............. 20 Hz to ............. 20 Hz to ............. 20 Hz to ............. 20 Hz to 20 kHz 20 kHz 20 kHz 20 kHz 20 kHz 20 kHz 20 kHz Sensitivity at 1 kHz into 1 kohm .................. 12 mV/Pa ............ 12 mV/Pa ............ 12 mV/Pa ............ 15 mV/Pa ............ 15 mV/Pa ............ 14 mV/Pa ............ 10 mV/Pa Rated impedance ....................................................... 50 ohms .............. 50 ohms .............. 50 ohms .............. 50 ohms ............... 50 ohms .............. 50 ohms .............. 50 ohms Rated load impedance ..................................... 1000 ohms ....... 1000 ohms ....... 1000 ohms ....... 1000 ohms ........ 1000 ohms ........ 1000 ohms ....... 1000 ohms Signal-to-noise ratio CCIR1) (rel. 94 dB SPL) .................................................. 68 dB ..................... 67 dB ..................... 69 dB .................... 69 dB ..................... 69 dB ..................... 68 dB ..................... 67 dB A-weighted1) (rel. 94 dB SPL) .............................. 76.5 dB ..................... 78 dB ..................... 78 dB .................... 78 dB ..................... 78 dB ..................... 77 dB ..................... 76 dB Equivalent noise level, CCIR1) .................................... 26 dB ..................... 27 dB ..................... 25 dB .................... 25 dB ..................... 25 dB ..................... 26 dB ..................... 27 dB Equivalent noise level, A-weighted1) ........... 17.5 dB-A ............... 16 dB-A ............... 16 dB-A ............... 16 dB-A ................ 16 dB-A ............... 17 dB-A ............... 18 dB-A Maximum SPL for THD 0.5%2) ............................................................... 140 dB ................. 140 dB ................. 140 dB ................. 138 dB ................. 138 dB ................. 138 dB ................. 142 dB for THD 0.5% with preatt2) ................................... 150 dB ................. 150 dB ................. 150 dB ................. 148 dB ................. 148 dB ................. 148 dB ................. 152 dB Maximum output voltage ......................................... 10 dBu ................. 10 dBu ................. 10 dBu ................. 10 dBu .................. 10 dBu .................. 10 dBu ................. 10 dBu Dynamic range of the mic amp (A-weighted) ................................................................. 122.5 dB ................. 124 dB ................. 124 dB ................. 122 dB ................. 122 dB ................. 121 dB ................. 124 dB Supply voltage (P48, IEC 61938) ............ 48 V ± 4 V ......... 48 V ± 4 V ........ 48 V ± 4 V ........ 48 V ± 4 V ......... 48 V ± 4 V ......... 48 V ± 4 V ........ 48 V ± 4 V Current consumption (P48, IEC 61938) ............ 2 mA ...................... 2 mA ...................... 2 mA ...................... 2 mA ....................... 2 mA ....................... 2 mA ...................... 2 mA Matching connector ....................................................... XLR3F ................... XLR3F ................... XLR3F ................... XLR3F .................... XLR3F ................... XLR3F ................... XLR3F Weight ..................................................................................... 102 g ........................ 80 g ........................ 80 g ........................ 80 g ......................... 80 g ........................ 80 g ........................ 80 g Diameter ..................................................................... 24/22 mm .................. 22 mm .................. 22 mm .................. 22 mm .................. 22 mm .................. 22 mm .................. 22 mm Length ................................................................................ 110 mm .................. 92 mm .................. 92 mm .................. 92 mm .................. 92 mm .................. 92 mm .................. 92 mm 1)

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

119

120

速 Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KU 100 Dummy Head

www.neumann.com

121

he KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone capsules built into the ears. When listening through high-quality headphones it gives the illusion of being right at the scene of the acoustic events.

When using the KU 100 dummy head, the binaural stereo experience moves the listener into the scene of the original performance, in contrast to other space-related recording techniques, where the acoustic event is moved to the listener.

The dummy head is also used in many industrial applications as a measuring device, for example in acoustic research.

The KU 100 can be operated with typical 48 V phantom powering, or from an external power supply unit, or from the built-in battery.

At the bottom of the unit is a switch for the different power supply modes, as well as connectors for balanced and unbalanced output signals.

Inside the head are additional switches for 10 dB attenuation and the highpass filter.

The Idea The KU 100 dummy head is a replica of the human head with a microphone built into each ear.

When the recorded audio signal is reproduced through high-quality headphones the listener perceives a sound image almost identical to the one he would have heard at the recording location of the dummy head (head-related stereophony).

Features • Dummy head for head-related stereophony

• Two-stage switchable low frequency roll-off

• Pressure transducer with flat diffuse-field frequency response

• Switchable 10 dB preattenuation

• Loudspeaker compatible

• Balanced and unbalanced outputs (XLR and BNC)

• Transformerless circuitry

122

When played back through loudspeakers, the sound matches to a high degree that of conventional stereo microphones, placed in the same position.

However, a superior quality is added, that of a distinct spatial depth perception.

KU 100

The KU 100 dummy head is just as easy to use during creative radio drama productions, and music recordings where the room acoustics should be recorded at the same time.

The dummy head is also contributed essentially as an important tool to preserve natural sounds of all kinds.

In addition, the dummy head is frequently used to examine and document the influence of noise in industrial applications at various working places under realistic conditions.

Filter and attenuation A 10 dB switch inside the head attenuates the sensitivity. A second switch selects the cutoff frequency of the high-pass filter to be either linear, 40 Hz, or 150 Hz.

Delivery range The KU 100 comes in a robust aluminum carrying case, together with an external power supply unit, a 5-pin XLR cable, and an adapter cable that splits the 5-pin XLR output into two 3-pin XLR connectors.

Electrical features The KU 100 uses transformerless circuitry with the advantage of high output capability, fast transient response, and extremely low self noise. The usual output transformers are replaced by electronic circuits. As with traditional transformers, this technique ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signals.

The dummy head provides balanced (XLR) and unbalanced (BNC) outputs. It can be powered in three different modes: from an external P48 phantom power supply, with batteries as part of the internal battery supply, or from an external AC mains supply (included with the system).

Technical Data Acoustical operating principle ................................................ Pressure transducer Directional pattern .............................................................................................................. Ear Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................................... 20 mV/Pa Rated impedance .............................................................................. 50 ohms balanced 200 ohms unbalanced Rated load impedance ................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 65 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................... 78 dB Equivalent noise level, CCIR1) ................................................................................. 29 dB Equivalent noise level, A-weighted1) ............................................................ 16 dB-A 1)

Maximum SPL for THD 0.5%2) ..................................................................... 135 dB Maximum SPL for THD 0.5% with preattenuation2) ...................... 145 dB Maximum output voltage ............................................................................... 1950 mV Dynamic range of the microphone amplifier (A-weighted) ......... 119 dB Supply voltage ....................................... 200...240 V / 48 V Âą 4 V / 6 x 1.5 V Current consumption ......................................................................................... 2 x 2 mA Matching connector .............................................................................. XLR3F / XLR5F Weight ............................................................................................................................ 3500 g Height ........................................................................................................................... 280 mm Width ............................................................................................................................. 180 mm Depth ............................................................................................................................ 220 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

3)

P48, IEC 61938

123

Application Hints

Delivery Range

• Radio drama productions

Dummy head KU 100 Microphone cable IC 5 Adapter cable AC 20 Plug-in mains unit Aluminium case

• Live concert recordings in complex acoustic environments • Documentation of - nature’s sound, - theater, - round table discussions

Catalog No. KU 100 (230 V) ....................................... blk ....... 007130 KU 100 (117 V) ....................................... blk ....... 007132

• Documentation and measurement of - room acoustics, - PA systems, - stereo sound inside an automobile, - musical instruments

Selection of Accessories Windscreen, WSB .................................... blk ....... 007372

• Analysis of - noise, - speech intelligibility, - headphone performance

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Meaning of color codes: blk = black ni = nickel

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

124

® Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

USM 69 i Stereo Microphone

www.neumann.com

125

he USM 69 i stereo microphone has two separate dual-diaphragm capsules. These are mounted vertically and rotate against each other. The directional polar patterns can be selected separately for each capsule. The capsules operate independently from each other.

Applications The USM 69 i condenser stereo microphone is a studio microphone for intensity stereo recording. It is suitable for XY and MS recordings.

Construction The microphone consists of the amplifier section and the capsule head. The amplifier section contains two microphone amplifiers operating independently from each other. They have an extremely low self noise.

Two completely separate microphone capsules are positioned closely above each other within the capsule head. Their diaphragms are made out of gold-sputtered polyester film. The upper capsule rotates against the lower one over a range of 270°. Color markings on the lower capsule system help to identify the angle by which the upper capsule has been rotated.

When sound waves reach the microphone capsules from different directions they will generate audio signals with different intensity only, but not with time differences, since the capsules are in close proximity and the sound arrives at both capsules simultaneously. The result is an intensity stereo signal that can be summed together for excellent mono compatibility without causing interference.

Polar patterns The USM 69 i has two built-in rotary switches. The five polar patterns of both capsules can be selected at the microphone itself. Therefore, no special AC power supply units or powering adapters are necessary.

The two outputs attach directly to any 48 V phantom powered connectors.

Features • Switchable stereo microphone • Two pressure-gradient transducers with double membrane capsules • MS- or XY-stereophony • Capsules rotary by 270° • Very low noise

126

• Aperture and pick-up angles freely choosable • Directional characteristics reproducably switchable, omni, wide angle cardioid, cardioid, hypercardioid, figure-8

In addition to the usual polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and a wide-angle cardioid pattern.

A built-in DC converter generates the required capsule polarizing voltages.

USM 69 i

Electrical features The amplifiers feature high output capability and extremely low self noise. Distant sound sources, as well as very loud sound sources at close range can therefore be recorded without any problem.

Each amplifier has an active filter. It effectively suppresses subsonic interference as caused by wind or structure borne noise. At the same time, the filter prevents the output transformers from overloading through very low frequency energy.

Use as a mono microphone

Application Hints • As XY stereo mic • As MS stereo mic • Overall stereo main mic (overhead) • Announcer’s mic for broadcasting, drama, features...

These are just some of the most common applications.

We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range Microphone USM 69 i (mt)

The microphones may also be used as completely independent mono microphones. There are many applications when it is important to have a second mono microphone as a backup, or when the outputs of microphones with different polar response characteristics must be available simultaneously.

The outputs of the two microphone channels can be linked (cascaded). In addition to the individual directional patterns, other characteristics are available through the combination of both channels.

Catalog No. USM 69 i ............................................................. ni ........... 006974 USM 69 i mt ...................................................... blk ........ 006976

Selection of Accessories Auditorium hanger, MNV 87 .................. ni ........... 006804 Auditorium hanger, MNV 87 mt .......... blk ........ 006806 Windscreen, WS 69 ...................................... blk ........ 006750

Operational safety

Battery supply, BS 48 i-2 ......................... blk ........ 006496 Power supply, N 248 .................................. blk ........ 008537

Both microphone systems operate completely independent from each other.

Microphone cable, IC 5 ............................... blk ........ 006623 Microphone cable, IC 5 mt ....................... blk ........ 006624 Microphone cable, IC 6 (with stand mount swivel) ......................... ni ........... 006621 Adapter Cable, AC 20 (1m) ..................................... 006595

The second amplifier will be unaffected, even in case of a faulty ground of the supply voltage for one of the channels, or a short circuit in one of the outputs.

The microphone is reliable in mono usage, even if only one of the systems is operated and connected. Its simple and redundant circuitry guarantees a low failure rate.

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Should the DC converter ever fail, a diode circuit within the microphone ensures that both systems will remain operational. The cardioid pattern is automatically chosen. The sensitivity is reduced by 3 dB.

Meaning of color codes: blk = black, ni = nickel, gr = gray

Technical Data Acoustical operating principle ........................... Pressure gradient transducer Directional pattern .................................. Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range ..................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................................. 13 mV/Pa Rated impedance ................................................................................................ 150 ohms Rated load impedance .................................................................................. 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 81 dB Equivalent noise level, CCIR1) ................................................................................. 24 dB 1)

Equivalent noise level, A-weighted1) ............................................................. 13 dB-A Maximum SPL for THD 0.5%2) ....................................................................... 132 dB Maximum output voltage ......................................................................................... 3 dBu Dynamic range of the microphone amplifier (A-weighted) .......... 119 dB Supply voltage (P48, IEC 61938) ......................................................... 48 V ± 4 V Current consumption (P48, IEC 61938) .......................................... 2 x 0.7 mA Matching connector ................................................................................................. XLR 5F Weight .................................................................................................................................. 510 g Diameter ............................................................................................................ 30 + 48 mm Length ............................................................................................................................ 293 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2)

measured as equivalent el. input signal

127

measured in free-field conditions (IEC 60268-4), tolerance Âą 2 dB

128

ÂŽ Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KMR 81/82 i Shotgun Microphones

www.neumann.com

129

he KMR 81 and KMR 82 are shotgun microphones with a high directivity that remains within the acceptance angle independent of the frequency.

The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.

Applications

length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.

Therefore, the microphones are well suited to record individual instruments of an orchestra.

The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.

The KMR 81 and KMR 82 are less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. Both shotgun microphones feature extremely low self noise, good impulse response, and high output level.

Shotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.

Polar pattern

Typical applications are film and video recordings, where the microphone should not appear in the picture.

KMR 81 and KMR 82 are shotgun microphones with a very directional characteristic.

The KMR 82 is very often used on stage. The KMR 81 has been specifically designed for electronic news gathering.

The microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance.

Acoustic features

The directional patterns of the microphones are lobe shaped.

The attenuation of lateral sound is practically independent of the frequency.

In principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube

Features • Interference tube microphones with shotgun directional characteristic

• 90°/45°-recording angle

• Interference/pressure-gradient transducer

• Extensive accessories for outdoor use

• High lateral and back attenuation

• Light weight: 145 g/250 g

130

• Switchable filter or preattenuation features

The KMR 82 has a frequency independent directivity within a pickup angle of 45° for audio signals that determine the tonal balance of the program material. For the KMR 81, this angle is 90°.

KMR 81/82 i

Filter and attenuation KMR 81 i

Use on location

The microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading.

The shotgun microphones feature very high output capability and a remarkably low selfnoise level.

A second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.

Filter KMR 82 i Between 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources.

Their low power consumption, light weight, and low sensitivity to wind and handling noise, make them ideal tools for news gathering on location.

Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.

However, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam.

For mobile use a handle and an elastic suspension are available.

This may overemphasize any sibilance if the microphone is used close-up.

Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies.

The KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz (â&#x20AC;&#x201C; 3 dB) with a built-in two-position slide switch.

131

Application Hints • Recordings for - broadcasting/ENG, - film and video productions • Medium length shotgun spot mic in noisy surroundings • Balanced weight during handheld and boom/ fishpole operation These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

KMR 81 i

KMR 82 i

Delivery Range KMR 81 i Microphone KMR 81 i (mt), Windscreen WS 81

Delivery Range KMR 82 i KMR 81 i

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

Microphone KMR 82 i (mt), Windscreen WS 82

Catalog No. KMR 81 i ...................................................... ni .......... 006961 KMR 81 i mt ............................................... blk ....... 006962 KMR 82 i ...................................................... ni .......... 006878 KMR 82 i mt ............................................... blk ....... 006879

Selection of Accessories

KMR 82 i

Battery supply, BS 48 i ........................ blk ....... 006494 Power supply, N 248 ........................... blk ....... 008537

Technical Data

KMR 82 i

Auditorium hanger, MNV 21 mt ... blk ....... 006802

Acoustical operating principle ................................. Interference transd. ..... Interference transd.

Directional pattern .................................................................. Supercard./lobe ............. Supercard./lobe Frequency range .................................................................... 20 Hz...20 kHz ........... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm .............................................. 18 mV/Pa ......................... 21 mV/Pa Rated impedance .............................................................................. 150 ohms ........................ 150 ohms Rated load impedance ................................................................ 1000 ohms ..................... 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................... 71 dB ................................. 71 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................. 82 dB ................................. 82 dB Equivalent noise level, CCIR1) ............................................................... 23 dB ................................. 23 dB Equivalent noise level, A-weighted1) .............................................. 12 dB-A ............................ 12 dB-A Maximum SPL for THD 0.5%2) ...................................................... 128 dB .............................. 128 dB Maximum SPL for THD 0.5% with preattenuation2) ......... 138 dB ................................... Maximum output voltage ................................................................. 900 mV .......................... 1050 mV Dyn. range of the mic. amplifier (A-weighted) ........................ 116 dB .............................. 116 dB Supply voltage (P48, IEC 61938) ......................................... 48 V ± 4 V ....................... 48 V ± 4 V Current consumption (P48, IEC 61938) .................................... 0.8 mA ............................... 0.7 mA Matching connector ................................................................................ XLR3F ............................... XLR3F Weight .............................................................................................................. 145 g ................................. 250 g Diameter ...................................................................................................... 21 mm .............................. 21 mm Length .......................................................................................................... 226 mm ........................... 395 mm

Microphone cable, IC 3 mt ................ blk ....... 006547

1) 2)

132

KMR 81 i

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS measured as equivalent el. input signal

® Neumann

for KMR 81 i only: Windscreen set, WKE 81 Set ......... gr .......... 539381 Elastic suspension, EA 2124 A mt ........................................... blk ....... 008433

for KMR 82 i only: Windscreen set, WKE 82 Set ......... gr .......... 539382 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk= black, ni = nickel, gr = gray

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

BCM 104 Broadcast Line

www.neumann.com

133

motion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character.

With its large-diaphragm condenser capsule and cardioid directional characteristic, the BCM 104 is ideal for the faithful reproduction of speech and music. This is due, for instance, to the frequency response that is flat up to 3 kHz and then gradually boosted in the higher frequencies. If required, internal switches can be used to compensate for the proximity effect and to reduce the sensitivity by 14 dB. The versatility of the BCM 104 can be seen in its wide range of applications, from news, to round-table discussions, to radio plays, to musical recordings.

Mechanical Features The microphone headgrille twists off easily for quick cleaning. Neumann offers optional color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen.

The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.

Acoustic Features The microphone headgrille houses the K 04 largediaphragm capsule, which has a flat frequency response up to 3 kHz. Higher frequencies have an increased presence up to 2 dB.

* The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Since the above-mentioned microphone characteristics are obtained without the use of resonance effects, the microphone features excellent transient response and transmits all transient phenomena of music and speech without any coloration.

The integrated Pop Screen A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.

134

BCM 104

Electrical features Delivery Range Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104 has an electronic circuit which, like a transformer, provides for good common mode rejection.

Interference induced in the balanced modulation line is thus suppressed effectively.

With a very low selfnoise of 7 dB(A), and an overload capability extending to 138 dB SPL, the BCM 104 has a dynamic range of 131 dB (A-weighted).

BCM 104 Microphone

Catalog No. BCM 104 ................................................... ni ......... 008483

Selection of Accessories Power supply, N 248 ........................ blk ...... 008537 Headgrille, BCK ...................................... ni ......... 008520 (incl. Assortment of colored rings) Swivel Mount, SG 5 ............................................. 008529 Popscreen, PS 15 .................................. blk ...... 008472 Popscreen, PS 20 a ............................. blk ...... 008488 Windscreen, WS 47 ............................ blk ...... 006826

Filter and Preattenuation The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses signals below this frequency. In order to compensate for the proximity effect, an electronic high-pass filter, activated by a switch, is built into the microphone. This filter reduces frequencies below 100 Hz by 12 dB/octave.

Microphone cable, IC 3 mt ............. blk ...... 006543 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog Meaning of color codes: blk = black, ni = nickel

A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary, to circuits designed for dynamic microphones. This will increase the self noise level accordingly.

Both switches are located inside the microphone housing, since they will normally be operated only once, when the broadcasting facility is set up.

Features • Large-diaphragm condenser capsule

Mounting

• Cardioid directional characteristic • Characteristic, functionally optimized design

The preferred mode of operation is to suspend the microphones in the Broadcast Line from a standard studio boom arm. A thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

The optional SG 5 swivel mount allows additional angling of the microphone by ±90 degrees.

• Integrated, neutral pop protection • Integrated elastic suspension • Individual headgrilles for different users • Colored rings to identify the replacement headgrilles • Easy removal and cleaning of microphone headgrille (with bayonet mount) • Mechanical compatibility with standard studio boom arms • Internal switches: high-pass and preattenuation

135

measured in free-field conditions (IEC 60268-4), tolerance ± 2 dB

Technical Data Acoustical operating principle .......................... Pressure gradient transducer Directional pattern .................................................................................................. Cardioid Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 1 kohm ............................................................. 22 mV/Pa Sensitivity at –14 dB attenuation ........................................................... 4.4 mV/Pa Rated impedance ................................................................................................... 50 ohms Rated load impedance ....................................................................................... 1 kohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................................ 76 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ............................. 87 dB Equivalent noise level, CCIR1) ............................................................................... 18 dB Equivalent noise level, A-weighted1) .............................................................. 7 dB-A 1)

136

Maximum SPL for THD 0.5%2) ...................................................................... 138 dB Maximum SPL for THD 0.5% with preattenuation2) ....................... 152 dB Maximum output voltage ..................................................................................... 10 dBu Dynamic range of the microphone amplifier (A-weighted) .......... 131 dB Supply voltage (P48, IEC 61938) ........................................................ 48 V ± 4 V Current consumption (P48, IEC 61938) ................................................... 3.2 mA Matching connector ................................................................................................... XLR3F Weight ................................................................................................................................. 500 g Diameter .......................................................................................................................... 64 mm Length ................................................................................................................................ 85 mm Height (without suspension) .......................................................................... 110 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

® Neumann

2)

measured as equivalent el. input signal

is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

BCM 705 Broadcast Line

www.neumann.com

137

motion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character.

The BCM 705 is Neumannâ&#x20AC;&#x2122;s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structureborne noise ensures operation free of interference, even in a lively studio environment.

Mechanical Features The microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille.

The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcastsegment microphone arms.

Acoustic Features * The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

138

The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect.

BCM 705

Delivery Range BCM 705 Microphone

Catalog No. BCM 705 ................................................... ni ......... 008507

Selection of Accessories Headgrille, BCK ...................................... ni ......... 008520 (incl. assortment of colored rings) Swivel Mount, SG 5 ............................................. 008529 Popscreen, PS 15 .................................. blk ...... 008472 Popscreen, PS 20 a ............................. blk ...... 008488 Windscreen, WS 47 ............................ blk ...... 006826 Microphone cable, IC 3 mt ............. blk ...... 006543 A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

The integrated Pop Screen A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm.

Meaning of color codes: blk = black, ni = nickel

Features • Dynamic capsule • Hypercardioid directional characteristic • Characteristic, functionally optimized design

Mounting The preferred mode of operation is to suspend the microphones in the Broadcast Line from a standard studio boom arm. A thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

The optional SG 5 swivel mount allows additional angling of the microphone by ±90 degrees.

• Integrated protection • Integrated elastic suspension • Individual headgrilles for different users • Colored rings to identify the replacement headgrilles • Easy removal and cleaning of microphone headgrille (with bayonet mount) • Mechanical compatibility with standard studio boom arms • Multi-level isolation from structure-borne noise • No power supply required

139

measured in free-field conditions (IEC 60268-4) into 10 kohms rated load impedance, tolerance Âą 2 dB

Technical Data Acoustical operating principle .......................... Pressure gradient transducer Directional pattern .................................................................................... Hypercardioid Frequency range .................................................................................... 20 Hz...20 kHz Sensitivity at 1 kHz into 10 kohm ........................................................ 1.7 mV/Pa Rated impedance ............................................................................................... 200 ohms Rated load impedance .................................................................................... 10 kohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) ............................................ 62 dB 1)

140

Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) .............................. 76 dB Equivalent noise level, CCIR1) ................................................................................ 32 dB Equivalent noise level, A-weighted1) ........................................................... 18 dB-A Weight ................................................................................................................................. 500 g Diameter .......................................................................................................................... 64 mm Length ................................................................................................................................ 85 mm Height (without suspension) .......................................................................... 110 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

ÂŽ Neumann

is a registered trademark of the Georg Neumann GmbH in certain countries.

Accessories

www.neumann.com

D KM

KM

KM

R8 2i S 1 04/ 105 KM S1 04/ 105

KM

R8 1

KM D

R8 1

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Table Stands, Table Flange Table Stand Table Stand Table Stand with Swivel Joint Table Flange

MF 2 MF 3 MF-AK TF 221 C

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Stative, Fußbodenständer und Schwinggummi Stand M 210/1 Stand M 212 c Stand M 214/1 Stand M 252 Floor Stand MF 4 Floor Stand MF 5 Vertical Bar MZEF 8060/8120 Stand Tube SR 100 Stand Extension STV 4/20/40/60 Shock mount Z 26 mt

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Goosenecks Gooseneck

SMK 100 KA

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Auditorium Hangers Auditorium Hanger Auditorium Hanger Auditorium Hanger

MNV 21 mt MNV 87 (mt) MNV 100

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...

KM

100

4/2

4/1

20

EA 1 (mt) EA 2 (mt) EA 4 (bk) EA 87 (mt) EA 89 A (mt) EA 170 (mt) EA 2124 A mt

1

KK

10

D-0

KK

Elastic Suspensions Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension

Stativgelenke und versch. mechanische Adapter Double Mount DS 100-1 Double Mount DS 120 Stand Mount MZGE 8000 Stand Mount MZGE 8002 Stand Mount SG 2 Stand Mount SG 5 Stand Mount SG 21 bk Stand Mount SG 100 Stand Mount SG 100-1 Stand Mount SG 105 Stand Mount SG 109 Swivel Joint SG 110 nx Stand Mount SG 287 Stand Mount SG 289 Stand Mount SGE 100

142

705

M

M

BC

BC

104

05

05

S

s1 80)

List of contents (Arranged according to product lines)

152 152 152 152 152 152 152 152 152 152 153 153 153 153 153

KU 100 M1 47 Tub e M1 49 Tub e M1 50 Tub e TLM 49 TLM 67 TLM 102 TLM 103 TLM 103 D TLM 170 R TLM 193 U8 7A i U8 9i USM 69 i

List of contents (Arranged according to product lines)

Elastic Suspensions Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension

EA 1 (mt) EA 2 (mt) EA 4 (bk) EA 87 (mt) EA 89 A (mt) EA 170 (mt) EA 2124 A mt

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148 148 148 148 148 148 148

Table Stands, Table Flange Table Stand Table Stand Table Stand with Swivel Joint Table Flange

MF 2 MF 3 MF-AK TF 221 C

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149 149 149 149

Stative, Fußbodenständer und Schwinggummi Stand M 210/1 Stand M 212 c Stand M 214/1 Stand M 252 Floor Stand MF 4 Floor Stand MF 5 Vertical Bar MZEF 8060/8120 Stand Tube SR 100 Stand Extension STV 4/20/40/60 Shock mount Z 26 mt

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149 149 149 150 150 150 150 150 150 150

Goosenecks Gooseneck

SMK 100 KA

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Auditorium Hangers Auditorium Hanger Auditorium Hanger Auditorium Hanger

MNV 21 mt MNV 87 (mt) MNV 100

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Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page

Stativgelenke und versch. mechanische Adapter Double Mount DS 100-1 Double Mount DS 120 Stand Mount MZGE 8000 Stand Mount MZGE 8002 Stand Mount SG 2 Stand Mount SG 5 Stand Mount SG 21 bk Stand Mount SG 100 Stand Mount SG 100-1 Stand Mount SG 105 Stand Mount SG 109 Swivel Joint SG 110 nx Stand Mount SG 287 Stand Mount SG 289 Stand Mount SGE 100

152 152 152 152 152 152 152 152 153 152 152 153 153 153 153

143

D KM

KM

KM

R8 2i S 1 04/ 105 KM S1 04/ 105

KM

R8 1

KM D

R8 1

i

D

rie (Se KM

A

KM

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Windschutz-Sets für Richtrohrmikrofone Windscreen WKE 81 Set Windscreen WKE 82 Set Windscreen WKE 191 Set

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Page 154 Page 154 Page 154

Popscreens Popscreen Popscreen

PS 15 PS 20 a

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Foam Windscreens Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen

WNS 100 WNS 110 WNS 120 WS 2 WS 47 WS 69 WS 81 WS 82 WS 87 WS 89 WS 100 WS 191 WSB WSS 100

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155 155 155 155 155 155 155 155 156 156 156 156 156 156

Speisegeräte und Matrixverstärker Battery Supply Battery Supply Matrix Amplifier Power Supply Power Supply

BS 48 i BS 48 i-2 MTX 191 A N 149 A N 248

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157 157 157 158 158

Connecting Cables Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable

IC 3 mt IC 4 (mt) IC 5 (mt) IC 6 (mt) IC 7 KT 5 KT 6 KT 8 LC 2 LC 3 KA LC 4

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Page Page Page Page Page Page Page Page Page Page Page

159 159 159 159 159 159 159 159 160 160 160

Adapter Cables Adapter Cable Adapter Cable

AC 20 AC 21

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...

KM

100

4/2

4/1

20 KK

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SG-AK STH 100 STH 120

1 D-0

KK

10

M

M

BC

BC

❍ ❍ ❍

Swivel Joint Stereo Mount Stereo Mount

144

705

104

05

05

S

s1 80)

List of contents (Arranged according to product lines)

KU 100 M1 47 Tub e M1 49 Tub e M1 50 Tub e TLM 49 TLM 67 TLM 102 TLM 103 TLM 103 D TLM 170 R TLM 193 U8 7A i U8 9i USM 69 i

List of contents (Arranged according to product lines)

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Page 153 Page 153 Page 153

Windschutz-Sets für Richtrohrmikrofone Windscreen WKE 81 Set Windscreen WKE 82 Set Windscreen WKE 191 Set

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Page 154 Page 154 Page 154

Popscreens Popscreen Popscreen

PS 15 PS 20 a

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Page 154 Page 154

Foam Windscreens Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen

WNS 100 WNS 110 WNS 120 WS 2 WS 47 WS 69 WS 81 WS 82 WS 87 WS 89 WS 100 WS 191 WSB WSS 100

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Page Page Page Page Page Page Page Page Page Page Page Page Page Page

155 155 155 155 155 155 155 155 156 156 156 156 156 156

Speisegeräte und Matrixverstärker Battery Supply Battery Supply Matrix Amplifier Power Supply Power Supply

BS 48 i BS 48 i-2 MTX 191 A N 149 A N 248

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157 157 157 158 158

Connecting Cables Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable

IC 3 mt IC 4 (mt) IC 5 (mt) IC 6 (mt) IC 7 KT 5 KT 6 KT 8 LC 2 LC 3 KA LC 4

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159 159 159 159 159 159 159 159 160 160 160

Adapter Cables Adapter Cable Adapter Cable

AC 20 AC 21

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Swivel Joint Stereo Mount Stereo Mount

SG-AK STH 100 STH 120

145

D KM

KM

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R8 2i S 1 04/ 105 KM S1 04/ 105

KM

R8 1

KM D

R8 1

i

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rie (Se KM

A

KM

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AC 22 AC 23 AC 25 AC 26 AC 27 AC 28 AC 29 AC 30

BC Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable

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S

s1 80)

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Kabelmaterial für allgemeinen Gebrauch (K...)

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Aktive Kapseln für das Kleinmikrofon-System KM 100 Active Capsule AK 20 Active Capsule AK 30 Active Capsule AK 31 Active Capsule AK 40 Active Capsule AK 43 Active Capsule AK 45 Active Capsule AK 50

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Kapselköpfe für das Kleinmikrofon-System KM D/KM A Capsule Head KK 120 (nx) Capsule Head KK 131 (nx) Capsule Head KK 133 (nx) Capsule Head KK 143 (nx) Capsule Head KK 145 (nx) Capsule Head KK 183 (nx) Capsule Head KK 184 (nx) Capsule Head KK 185 (nx)

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Digitales Mikrofon-Interface und Speisegeräte Digital Microphone Interface DMI-2 Digital Microphone Interface DMI-2 portable Digital Microphone Interface DMI-8 Connection Kit AES/EBU Connection Kit S/PDIF

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Kapselverlängerungen für KM 100-Serie (KVF...)

Kapselverlängerungen für KM D/KM A-Serie (KVG...)

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Weiteres Zubehör für KM 100-Serie Cable Adapter KA 100 Output Stage KM 100

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Weiteres Zubehör für KM D/KM A-Serie Output Stage KM A (nx) Output Stage KM D (nx) Sound Diffraction Sphere SBK 130 A

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Miscellaneous Headgrille Pistonphone Adapter

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BCK PA 100

KU 100 M1 47 Tub e M1 49 Tub e M1 50 Tub e TLM 49 TLM 67 TLM 102 TLM 103 TLM 103 D TLM 170 R TLM 193 U8 7A i U8 9i USM 69 i

List of contents (Arranged according to product lines)

Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable

AC 22 AC 23 AC 25 AC 26 AC 27 AC 28 AC 29 AC 30

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Page 161

Aktive Kapseln für das Kleinmikrofon-System KM 100 Active Capsule AK 20 Active Capsule AK 30 Active Capsule AK 31 Active Capsule AK 40 Active Capsule AK 43 Active Capsule AK 45 Active Capsule AK 50

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Kapselköpfe für das Kleinmikrofon-System KM D/KM A Capsule Head KK 120 (nx) Capsule Head KK 131 (nx) Capsule Head KK 133 (nx) Capsule Head KK 143 (nx) Capsule Head KK 145 (nx) Capsule Head KK 183 (nx) Capsule Head KK 184 (nx) Capsule Head KK 185 (nx)

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Digitales Mikrofon-Interface und Speisegeräte Digital Microphone Interface DMI-2 Digital Microphone Interface DMI-2 portable Digital Microphone Interface DMI-8 Connection Kit AES/EBU Connection Kit S/PDIF

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Kapselverlängerungen für KM 100-Serie (KVF...)

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Weiteres Zubehör für KM 100-Serie Cable Adapter KA 100 Output Stage KM 100

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Weiteres Zubehör für KM D/KM A-Serie Output Stage KM A (nx) Output Stage KM D (nx) Sound Diffraction Sphere SBK 130 A

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Miscellaneous Headgrille Pistonphone Adapter

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BCK PA 100

147

Elastic Suspensions Elastic Suspension EA 1 (mt)

Elastic Suspension EA 170 (mt)

It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

EA 1 ...................... ni .......... Cat. No. 008449 EA 1 mt ................. blk ........ Cat. No. 008450

EA 170 ................. ni .......... Cat. No. 007271 EA 170 mt ........... blk ........ Cat. No. 007273

Elastic Suspension EA 2 (mt)

Elastic Suspension EA 2124 A mt

It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

The EA 2124 A mt is able to accept microphones from 21 to 24 mm in diameter. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

EA 2 ...................... ni .......... Cat. No. 008432 EA 2 mt ................. blk ........ Cat. No. 008428

EA 2124 A mt ...... blk ........ Cat. No. 008433

Elastic Suspension EA 4 (bk) It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

EA 4 ...................... ni .......... Cat. No. 008641 EA 4 bk ................. blk ........ Cat. No. 008642

Elastic Suspension EA 87 (mt) It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

EA 87 ................... ni .......... Cat. No. 007297 EA 87 mt .............. blk ........ Cat. No. 007298

Elastic Suspension EA 89 A (mt) It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

EA 89 A ............... ni .......... Cat. No. 007195 EA 89 A mt .......... blk ........ Cat. No. 007196

Meaning of the color codes on the following pages: blk - black, ni - nickel, gr - gray, nx - nextel black

148

Table Stands, Table Flange Table Stand MF 2

MF-AK Table Stand with Swivel Joint

Small table stand with brass base, very sturdy. It has a black matte finish. The bottom is fitted with a non-slip rubber disk. The stand has a 1/2" threaded stud for mounting the SG 21 bk, for example.

The rubber shock mount between the stud and the base serves to suppress structure-borne noise. Ø 60 mm, Weight 340 g.

Small table stand with swivel joint, with 2.4 m cable, connecting directly to the active capsules of the KM 100 system. It is inserted between active capsule and KM 100 output stage. Cable outlets are sideways and on the underside. The MFAK is fitted with a nonslip rubber disk. Ø 60 mm, Weight 285 g.

MF-AK .................. blk ........ Cat. No. 008453

MF 2 ..................... blk ........ Cat. No. 007266

Table Stand MF 3

Table Flange TF 221 c

The MF 3 is a table stand with iron base, 1.6 kg in weight, 110 mm in diameter. It has a black matte finish. The bottom is fitted with a non-slip rubber disk. The stand comes with a reversible stud and an adapter for 1/2" and 3/8" threads.

Table flange to mount components of the KM 100 system inconspicuously. It can be fastened under a tabletop or vertically to the edge of a stage allowing to hide other attachments, for example the SG 100 swivel mount. A KVF.. capsule extension, when clipped into the SG 100 is the only visible part above the hole in the table. The table flange comes with a connecting rubber piece for acoustic decoupling of the microphone from the mounting surface. 1/2" threaded stud.

Flange-Ø 73 mm. 3 mounting holes, Ø 5.2 mm each.

Stand extensions STV see page 5.

MF 3 ..................... blk ........ Cat. No. 007321

TF 221 c .............. blk ........ Cat. No. 007278

Stands, Floor Stands and Shock Mount Stand M 210/1

Stand M 214/1

M 210/1 is a floor stand with boom attachment, weight 3.5 kg, nickel-plated.

The height is adjustable between 0.9 m and 1.6 m, boom extends to 0.84 m.

Stand and boom have a 3/8" threaded stud.

M 214/1 is a folding floor stand, weight 6 kg, heavy duty. The height is adjustable between 1.3 and 2.2 m, when folded 1.2 m. The stand is partly nickel-plated, partly black lacquered. It has a 1/2" threaded stud for mounting microphones or M 212 c boom attachment.

M 210/1 .............. ni .......... Cat. No. 007250

M 214/1 .............. blk ........ Cat. No. 007248

Boom Attachment M 212 c

Stand M 252

M 212 c is a boom attachment designed for the floor stand M 214/1. Weight 4.3 kg. Boom extension is adjustable between 1.1 m and 1.8 m. Counterbalanced for heavy microphones; 3/8" threaded stud, 1/2" female thread. The boom is partly nickel-plated, partly black lacquered.

M 252 is a folding floor stand with boom attachment. Weight 3.2 kg. The height is adjustable between 0.61 m and 1.55 m, when folded 0.56 m. The boom attachment extends from 0.46 m to 0.765 m. The floor stand and the boom attachment have a 3/8" threaded stud.

Partly nickel-plated, partly black lacquered.

M 212 c ............... blk ........ Cat. No. 007251

M 252 .................. blk/ni ... Cat. No. 007253

149

Stands, Floor Stands and Shock Mount Floor Stand MF 4

Stand Extensions STV 4/20/40/60

Floor stand with grey cast iron base. The floor stand has a matte black finish and rests on a non-skid rubber disk attached to the bottom. A reversible stud and a reducer for 1/2" and 3/8" threads are also supplied. Weight 2.6 kg, Ø 160 mm.

The STV... stand extensions are screwed between microphone stands (for example MF 4, MF 5) and swivel mounts (for example SG 21 bk).

MF 4 ..................... blk ........ Cat. No. 007337

Length 40, 200, 400 or 600 mm. Ø 19 mm.

STV 4 ....................

STV 20 .................

STV 40 .................

STV 60 .................

blk ........ Cat. blk ........ Cat. blk ........ Cat. blk ........ Cat.

No. No. No. No.

006190 006187 006188 006189

Floor Stand MF 5 Floor stand with gray soft-touch powder coating. It has a non-skid sound-absorbing rubber disk attached to the bottom.

The stand connection has a 3/8" thread.

Weight 2.7 kg, Ø 250 mm.

MF 5 ..................... gr ......... Cat. No. 008489

Vertical Bar MZEF 8060/8120 (Sennheiser) The MZEF ... vertical bars are screwed onto microphone stands (e.g. MF 4, MF 5). They have a length of 600 or 1200 mm, with 3/8" threads. Ø 12 mm.

MZEF 8060 .......... nx ......... Cat. No. 502318 MZEF 8120 .......... nx ......... Cat. No. 502319

Shock Mount Z 26 mt The Z 26 rubber shock mount is inserted between the stand and the swivel mount to avoid the transmission of structureborne noise. It has a 3/8" threaded stud and a 5/8"-27 female thread to attach to tripods. Included is a thread adapter for 1/2" and 3/8" studs.

Z 26 mt ................ blk ........ Cat. No. 006207

Stand Tube SR 100 The SR 100 is part of a floor stand designed for the KM 100 system, for example using a KM 140.

For connecting with the KM 100 output stage, a KA 100 cable adapter is necessary.

The stand consists of an MF 4 stand and a guide tube in which an inserted KVF 158 capsule extension (included in the supply schedule) glides and can be locked. The guide tube is 20 mm in diameter and 0.8 m in height. The height of the capsule can be adjusted between 0.95 and 1.45 m.

SR 100 ...... blk ........... Cat. No. 007336

150

Goosenecks Gooseneck SMK 100 KA The SMK 100 KA for the KM 100 system is used to assemble particularly small table microphones, for example on an MF 2 table stand. The gooseneck is only 8 mm in diameter. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2" and 3/8" stands. The cable is incorporated in the gooseneck and emerges at the rear. It terminates with a ring contact adapter fitting onto the KM 100 output stage. Gooseneck length 160 mm. Cable length 2.5 m.

SMK 100 KA ........ blk ........ Cat. No. 008413

Auditorium Hangers Auditorium Hanger MNV 21 mt

Auditorium Hanger MNV 100

The auditorium hanger adjusts the tilting angle of a microphone suspended by its own cable. The MNV 21 consists of the tilting clamp, suitable to hold a microphone, and a locking cable strain relief. Suitable for cables with 4–5 mm diameter.

The MNV 100 auditorium hanger is used to suspend a detached miniature microphone capsule freely from its interconnecting cable. The assembly can be rotated and tilted to any desired angle.

Suitable for cables with 3–3.5 mm diameter.

MNV 21 mt .......... blk ........ Cat. No. 006802

MNV 100 ............. blk ........ Cat. No. 006811

Auditorium Hanger MNV 87 (mt) The auditorium hanger consists of a cable suspension and a rotating 1/2" threaded stud, to connect to e. g. swivel mounts. The stud is screwed into the threaded coupling of the swivel mount.

Then the microphone can be tilted while it is suspended from its own cable. Suitable for cables with 4–8 mm diameter.

MNV 87 ............... ni .......... Cat. No. 006804 MNV 87 mt .......... blk ........ Cat. No. 006806

151

Stand Mounts and Miscellaneous Mechanical Adapters Double Mount DS 100-1

Stand Mount SG 5

Mount to attach two KVF.. capsule extensions of the KM 100 system onto a tripod. Especially suited for holding long KVF.. It is easy to arrange the capsule extensions in parallel or facing each other. The double mount has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

Swivel mount for microphones. On the microphone side it has a 3/8" male thread, on the stand side a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

SG 5 ...................... blk ........ Cat. No. 008529

DS 100-1 ............. blk ........ Cat. No. 008491

Double Mount DS 120

Stand Mount SG 21 bk

The DS 120 has a 150 mm long support bar with two movable 1/2" threaded studs. Two microphones in their mounts can be attached. Any space or angle between the microphones is freely adjustable. The DS 120 has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

Swivel mount with a plastic clamp for miniature microphones. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

SG 21 bk ............... blk ........ Cat. No. 008613

DS 120 ................. blk ........ Cat. No. 007343

Stand Mount MZGE 8000 (Sennheiser)

Stand Mount SG 100

Stand mount to attach one KVG ... capsule extension to MZEF ... vertical bars.

Swivel mount to attach capsule extensions KVF ... of the variable KM 100 miniature microphone system to tripods. It has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

MZGE 8000 .......... nx ......... Cat. No. 502324

SG 100 ................. blk ........ Cat. No. 006688

Stand Mount MZGE 8002 (Sennheiser)

Stand Mount SG 100-1

Stand mount to attach two KVG ... capsule extensions to MZEF ... vertical bars.

Mount to attach a KVF.. capsule extensions of the KM 100 system onto a tripod. Especially suited for holding long KVF.. It has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

MZGE 8002 .......... nx ......... Cat. No. 502325

SG 100-1 ............. blk ........ Cat. No. 008490

Stand Mount SG 2

Stand Mount SG 105

The microphone mount of the SG 2 is made of metal. The SG 2 has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

Stand clamp for KMS vocalist microphones. The clamp can be swivelled and has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

SG 2 ...................... blk ........ Cat. No. 008636

SG 105 ................. blk ........ Cat. No. 008460

152

Stand Mounts and Miscellaneous Mechanical Adapters Stand Mount SG 109

Swivel Joint SG-AK

Swivel mount for detached miniature microphone capsules. It has a 3/8" thread.

The SG-AK swivel mount can be inserted between active capsules and the output stage of the KM 100 system. The capsule can then be swiveled and orientated through 90°. In combination with an elastic suspension and a table flange, a mechanically decoupled, unobtrusive setup can be realised, e.g. for TV news announcers. Length 45 mm, Ø 22 mm.

SG 109 ................. blk ........ Cat. No. 008614

SG-AK ................... blk ........ Cat. No. 008452

Swivel Joint SG 110 nx The SG 110 nx swivel mount can be inserted between KK 1... capsules and the KM D output stage. The capsule can then be swiveled and orientated through ± 110°. In combination with an elastic suspension and a table flange, a mechanically decoupled, unobtrusive setup can be realised, e.g. for TV news announcers.

Length 60 mm, Ø 22 mm.

SG 110 nx ............ nx ......... Cat. No. 008611

Stand Mount SG 287

Stereo Mount STH 100

The microphone mount of the SG 287 is made of metal. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

Stereo mount with a swivel mount and two holders, for two detached miniature microphone capsules. Two stereo recording methods are then possible.

SG 287 ................. blk ........ Cat. No. 008658

One holder enables the microphone setup according to the “ORTF Method”: Two detached capsules are snapped into the clamps at the end of the holder. The distance between diaphragms is then 170 mm, with an angle of 110°.

Stand Mount SG 289

The other pair of holders allows stereo setups according to the “Coincidence Method”: Capsules are installed acoustically at one point in space, however, freely adjustable to any angle between 30° and 180°.

The microphone mount of the SG 289 is made of metal. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

SG 289 ................. blk ........ Cat. No. 008659

The swivel mount has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

STH 100 ............... blk ........ Cat. No. 007315

Stand Mount SGE 100

Stereo Mount STH 120

Swivel mount for detached miniature microphone capsules. A rubber shock mount suppresses structure-borne noise. The swivel mount has an M 6 thread (6 mm). Attaching the swivel mount to the MF 2 table stand, the SGE 100 replaces the rubber shock mount of the table stand.

The STH 120 stereo mount accepts two detached miniature microphone capsules, parallel and one above the other for MS stereo recordings. It is rotatable and swivelable. The swivel mount has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

STH 120 ............... blk ........ Cat. No. 008422

SGE 100 ............... blk ........ Cat. No. 006742

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Windscreens Sets for Shotgun Microphones When microphones are used in outdoor applications, with strong winds and vibrations, WKE... windscreen sets should be used for best performance. The windscreens will attenuate sound only in

the uppermost frequency range. Wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km/h, generated by a noiseless wind machine.

Windscreen WKE 81 Set

Windscreen WKE 191 Set

For KMR 81 i and KMR 81 D. The elastic suspension, with pistol grip and boom pole connectors, can be used separately, or mounted inside the windscreen. For high winds the use of the textile cover, or the WindjammerTM fur is recommended. Clips for mic diameters 19-25 mm are included.

For RSM 191. The elastic suspension, with pistol grip and boom pole connectors, can be used separately, or mounted inside the windscreen. For high winds the use of the textile cover, or the WindjammerTM fur is recommended. Clips for mic diameter 30 mm.

Wind noise attenuation (with WindjammerTM) 24 (32) dB approx.

Attenuation at 15 kHz 2 (5) dB approx. Ø 100 mm, length 450 mm.

Image not yet available

Wind noise attenuation (with WindjammerTM) 24 (34) dB approx.

Attenuation at 15 kHz 2 (7) dB approx. Ø 140 mm, length 390 mm.

WKE 191 Set ........ gr ......... Cat. No. 539383

WKE 81 Set ........... gr ......... Cat. No. 539381

Windscreen WKE 82 Set For KMR 82i. The elastic suspension, with pistol grip and boom pole connectors, can be used separately, or mounted inside the windscreen. For high winds the use of the textile cover, or the WindjammerTM fur is recommended. Clips for mic diameters 19-25 mm are included.

Wind noise attenuation (with WindjammerTM) 25 (33) dB approx.

Attenuation at 15 kHz 3 (9) dB approx. Ø 100 mm, length 570 mm.

WKE 82 Set ........... gr ......... Cat. No. 539382

Popscreens Pop screens provide excellent suppression of so-called pop noise, such as “p” or “t”. They consist of a round, thin frame covered with black gauze on both sides. A gooseneck of about 30 cm (12") in

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length is mounted at the popshield. It will be attached to microphone stands by means of a clamp with a knurled screw.

Popscreen PS 15

Popscreen PS 20 a

The frame is 15 cm in diameter.

The frame is 20 cm in diameter.

PS 15 .................... blk ........ Cat. No. 008472

PS 20 a ................ blk ........ Cat. No. 008488

Foam Windscreens Close range sounds, wind, and fast movements of the microphone boom, all may cause interfering noises. To avoid these unwanted sounds, windscreen accessories are available. Typically, they are made out of open-cell polyurethane foam. These windscreens do not cause interfering resonances and do not influence the direc-

tional pattern. Only in the upper frequency range is the output level slightly attenuated. The wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km/h, generated by a noiseless wind machine.

Windscreen WNS 100

Windscreen WS 47

Wind noise attenuation 18 dB. Attenuation at 15 kHz 2 dB. Ø 45 mm.

Wind noise attenuation 22 dB. Attenuation at 15 kHz 3 dB. Ø 120 mm. Color black.

WNS WNS WNS WNS WNS WNS

100 ............. black ...... Cat. 100 ............. red ......... Cat. 100 ............. green ..... Cat. 100 ............. yellow ... Cat. 100 ............. blue ....... Cat. 100 ............. white ...... Cat.

No. No. No. No. No. No.

007323 007324 007325 007326 007327 007328

WS 47 .................. blk ........ Cat. No. 006826

Windscreen WNS 110

Windscreen WS 69

Acoustically transparent wind and pop protection with improved efficiency.

Wind noise attenuation 21 dB. Attenuation at 15 kHz 1 dB. Ø 45 mm, length 70 mm. Color black.

Wind noise attenuation 20 dB. Attenuation at 15 kHz 3 dB. Ø 45 mm, length 70 mm. Color black.

WS 69 .................. blk ........ Cat. No. 006750

WNS 110 .............. blk ........ Cat. No. 008535

Windscreen WNS 120

Windscreen WS 81

Wind noise attenuation 15 dB. Attenuation at 15 kHz 2 dB. Ø 48 mm, length 65 mm. Color black.

Wind noise attenuation 15 dB. Attenuation at 15 kHz 2 dB. Ø 50 mm, length 195 mm. Color black.

WNS 120 .............. blk ........ Cat. No. 008427

WS 81 .................. blk ........ Cat. No. 007268

Windscreen WS 2

Windscreen WS 82

Wind noise attenuation 24 dB. Attenuation at 15 kHz approx. 2 dB. Ø 80 mm.

Color black.

Wind noise attenuation 15 dB. Attenuation at 15 kHz 2 dB. Ø 50 mm, length 350 mm. Color black.

WS 2 ..................... blk ........ Cat. No. 008637

WS 82 .................. blk ........ Cat. No. 007264

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Foam Windscreens Windscreen WS 87

Windscreen WSB

Wind noise attenuation 26 dB. Attenuation at 15 kHz 3 dB. Ø 90 mm. Color black.

Wind noise attenuation 15 dB. Attenuation at 15 kHz approx. 3 dB. Ø 90 mm each. Color black.

WS 87 .................. blk ........ Cat. No. 006753

WSB ...................... blk ........ Cat. No. 007372

Windscreen WS 89

Windscreen WSS 100

Wind noise attenuation 27 dB. Attenuation at 15 kHz approx. 3 dB. Ø 90 mm.

Color black.

Wind noise attenuation 27 dB. Attenuation at 15 kHz 3 dB. Ø 90 mm.

WS 89 .................. blk ........ Cat. No. 007197

Windscreen WS 100 Wind noise attenuation 23 dB. Attenuation at 15 kHz approx. 4 dB. Ø 90 mm.

Color black.

WS 100 ................ blk ........ Cat. No. 006751

Windscreen WS 191 Wind noise attenuation 10 dB. Attenuation at 15 kHz 2 dB. Ø 58 mm, length 165 mm. Color black.

WS 191 ................ blk ........ Cat. No. 007292

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WSS 100 ............. black ...... Cat. WSS 100 ............. red ......... Cat. WSS 100 ............. green ..... Cat. WSS 100 ............. yellow ... Cat. WSS 100 ............. blue ....... Cat. WSS 100 ............. white ...... Cat.

No. No. No. No. No. No.

007352 007353 007354 007355 007356 007357

Power Supplies and Matrix Amplifier Battery Supply BS 48 i The battery unit supplies one microphone with 48 V phantom powering (P48). The maximum supply current is 5 mA. The audio output is dc-free. Therefore, no transformer is needed when connecting to unbalanced inputs. The cables couple to the BS 48 i through XLR 3 connectors.

Output voltage ............................... 48 ± 1 Vdc Maximum current output .......................... 5 mA Battery .................................... IEC 6 F 22, 9 V Weight ....................... 270 g (without battery) H x W x D .......................... 37 x 80 x 102 mm BS 48 i ................. blk ........ Cat. No. 006494

Maximum length of operation depends on the type of battery and the current drain of the microphone. A microphone requiring e.g.

2 mA can be operated at least 20 hours with one alkaline battery.

Battery Supply BS 48 i-2 The battery unit supplies one or two microphones with 48 V phantom powering (P48). The maximum current drain is 5 mA for each microphone. The audio outputs are dc-free. Therefore, no transformer is needed to connect to unbalanced inputs. The unit has two XLR 5 connections which can be split to XLR 3 connectors with AC 20 and AC 21 adapter cables.

Output voltage ............................... 48 ± 1 Vdc Maximum current output ..................... 2 x 5 mA Battery .................................... IEC 6 F 22, 9 V Weight ....................... 310 g (without battery) H x W x D ............................. 37 x 80 x 102 mm BS 48 i-2 ............. blk ........ Cat. No. 006496

Maximum length of operation depends on the type of battery and the current drain of the microphone. A microphone requiring e.g.

2 mA can be operated at least 20 hours with one alkaline battery.

Matrix Amplifier MTX 191 A (for RSM 191 and AK 20/40) The MTX 191 A matrix amplifier is used for processing the MS microphone signals of the RSM 191 shotgun stereo microphone, or the active capsules AK 20 and AK 40. The level of the side signal is variable, independent of which output mode is selected (MS or XY).

It is adjusted through a rotary switch in 3 dB steps from -9 dB to +6 dB, relative to the level of the middle signal. Consequently the pickup angle is varied in steps between 60° and 170°.

Depending on the position of the rotary switch on the front of the matrix amplifier the output provides either an MS- or XY-signal. The XY-signal is obtained from the MS-signal by summation (X = M + S) or subtraction (Y = M – S). In both modes an electric left-right-inversion is alternatively possible if during the recording the microphone is turned upside-down.

Operating voltage ........................... 9 V or P48 Battery .................................... IEC 6 F 22, 9 V Side signal .................. variable –9 dB...+6 dB in 3 dB steps (pick-up angle 60°...170°) Output ............................. switchable MS or XY High-pass filter ............... 40(LIN)/80/200 Hz Weight ....................... 390 g (without battery) H x W x D ............................. 37 x 80 x 145 mm MTX 191 A ........... blk ........ Cat. No. 007331

To suppress low frequent interfering noise the matrix amplifier has a switchable high-pass filter at 40(LIN)/80/200 Hz. The power for both matrix amplifier and microphone, is either supplied by a 9 V battery (IEC 6 F 22), or through external 48 V phantom powering.

The RSM 191 is connected with the 7-pin KT 5/KT 6 cables. Two AK... active capsules can be connected with an AC 30 cable. The audio is passed through a XLR 5 M connector. The output signal is DC-free. Use AC ... adapter cables to connect the audio to unbalanced inputs.

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Power Supplies and Matrix Amplifier Power Supply N 149 A (for tube microphones) The N 149 A power supply generates the necessary operating voltages for one tube microphone. It operates with all mains voltages from 100 V to 240 V, 50 or 60 Hz. Mains power is connected through a standard IEC 320 socket. The microphone connects via an DIN-8 connector. The microphone signal is fed to a XLR 3 M connector. The modulation output is balanced. The N 149 A supplies the bias voltages for the microphone capsule, the filament voltage controlled by a sensor circuit, and a further voltage to generate the plate voltage and other necessary operating voltages within the microphone itself. The unit produces constant current effecting a soft start of the tube. The KT 8 cable between microphone and power supply can be up to 100 m long. Modulation cable lengths up to approx. 300 m are allowed.

Mains voltage Euro ..................... 230V/50 Hz Mains voltage US ........................ 117V/60 Hz Mains voltage UK ........................ 240V/50 Hz Output voltages ...................... for M 149 Tube Power plug .................................... Euro/US/UK H x W x D .......................... 90 x 100 x 145 mm Weight approx. ..................................... 1.5 kg N 149 A EU ........... blk ........ Cat. No. 008447 N 149 A US ........... blk ........ Cat. No. 008446 N 149 A UK ........... blk ........ Cat. No. 008448

The three available versions of the N 149 A just differ in their enclosed mains power cable.

(Remote Control) Power Supply N 248 The N 248 supplies one stereo microphone, or two mono condenser microphones with 48 V phantom power (P48). All connectors are of XLR 3 type. The audio signal outputs are DC-free. The 5 directional patterns of the TLM 170 R can be remote controlled with rotary switches. The remote control operates by varying the nominal phantom voltage of 48 V over a range of Âą 3 V (patented). As in standard operation, cable lengths up to 300 m are permissible. Set to P48, all conventional microphones can be used as well. Even mixed operation is possible, with one channel remote controlling a TLM 170 R, while the second output supplies a conventional microphone.

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Mains voltage Euro ..................... 230V/50 Hz Mains voltage US ........................ 117V/60 Hz Mains voltage UK ........................ 240V/50 Hz DC voltage input ................................ 5...15 V Power consumption .......................... max. 3 VA DC voltage output ................... 48 V Âą 3 V each Current output ......................... max. 5 mA each H x W x D .......................... 38 x 143 x 103 mm Weight ................................................... 415 g N 248 ................... blk ........ Cat. No. 008537

Connecting Cables Other cable lengths are available upon request! Cable material without connectors see corresponding section on the following pages.

Even if very long (Neumann) cables are used, the electroacoustic

characteristics of the microphone are not affected.Only with cable lengths well over 300 m a high-frequency roll-off is noticeable.

Microphone Cable IC 3 mt

Microphone Cable IC 7

Microphone cable with double twist (double helix) braiding as shield. Ø 5 mm, length 10 m. XLR 3 connectors, matte black.

Microphone cable with double twist (double helix) braiding as shield. Ø 5 mm, length 10 m. XLR 7 connectors.

Extends KT 5/KT 6.

IC 3 mt (10 m) ..... blk ........ Cat. No. 006543

IC 7 (10 m) .......... ni ........... Cat.No. 006740

Microphone Cable IC 4 (mt)

Microphone Cable KT 5

Microphone cable with rotatable swivel mount for microphones with a thread, and double twist braiding as shield. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. Ø 5 mm, length 10 m. XLR 3 connectors.

Cable with double twist (double helix) braiding as shield. Ø 5 mm, length 5 m.

DIN 7 F and XLR 7 M connectors.

KT 5 (5 m) ........... blk ........ Cat. No. 006719

IC 4 (10 m) .......... ni .......... Cat. No. 006547 IC 4 mt (10m) ..... blk ........ Cat. No. 006557

Microphone Cable IC 5 (mt)

Microphone Cable KT 6

Microphone cable with double twist (double helix) braiding as shield. Ø 5 mm, length 10 m. XLR 5 connectors.

Cable with rotatable swivel mount, and double twist braiding as shield. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. Ø 5 mm, length 10 m. DIN 7 F and XLR 7 M connectors.

IC 5 (10 m) .......... ni .......... Cat. No. 006623 IC 5 mt (10 m) ..... blk ........ Cat. No. 006624

KT 6 (10 m) ......... blk ........ Cat. No. 006725

Microphone Cable IC 6 (mt)

Microphone Cable KT 8

Microphone cable with rotatable swivel mount for microphones with a thread, and double twist braiding as shield. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. Ø 5 mm, length 10 m. XLR 5 connectors.

Cable with double twist (double helix) braiding as shield. Ø 5 mm, length 10 m.

DIN 8 connectors.

KT 8 (10 m) ......... ni .......... Cat. No. 008407

IC 6 (10 m) .......... ni .......... Cat. No. 006621 IC 6 mt (10 m) ..... blk ........ Cat. No. 006622 Other cable lengths are available upon request!

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Connecting Cables Microphone Cable LC 2

Microphone Cable LC 4

Extension cable for older KM 100 accessories, with double twist braiding as shield. Extension for LC 3 microphone cable. Ø 3.5 mm, length 10 m. 3-pin Lemo connectors, matte black.

The LC 4 connects detached capsules KK 1.. with the KM D and KM A output stage. Ø 3.5 mm, length 5 or 10 m.

LC 4 (5 m) ............ nx ......... Cat. No. 008606 LC 4 (10 m) .......... nx ......... Cat. No. 008607

LC 2 (10 m) ......... blk ........ Cat. No. 006690

Microphone Cable LC 3 KA The LC 3 KA connects active capsules AK... with the KM 100 output stage. Ø 3.5 mm, length 5 or 10 m.

LC 3 KA (5 m) ....... blk ........ Cat. No. 008408 LC 3 KA (10 m) ..... blk ........ Cat. No. 008409

Adapter Cables Adapter Cable AC 20

Adapter Cable AC 22

Y-cable with one XLR 5 F connector and two XLR 3 Mconnectors. It is used to split two-channel signals into two mono channels, when using, for example, the BS 48 i-2 power supply.

Adapter cable with XLR 5 F connector and unbalanced 3.5 mm stereo jack. It is used to connect the 5-pin XLR output of the BS 48 i-2 power supply or the MTX 191 A matrix amplifier to units with a 3.5 mm stereo input. It is designed for all microphones of the fet 80/100 series and KM 100 F, excluding the KM 100 and the GFM 132.

AC 20 (1 m) ........................ Cat. No. 006595

AC 22 (0.3 m) ..................... Cat. No. 006598

Adapter Cable AC 21

Adapter Cable AC 23

Y-cable with one XLR 5 M connector and two XLR 3 F connectors. It is used to connect two mono microphones to power supplies with 5-pin connectors, when using, for example, BS 48 i-2 power supply.

Adapter cable with XLR 5 F connector and unbalanced 3.5 mm stereo jack. It is used to connect 5-pin XLR outputs of the BS 48 i-2 power supplies to units with a 3.5 mm stereojack input. Designed only for the KM 100 output stage and the GFM 132 boundary-layer microphone.

AC 21 (1 m) ........................ Cat. No. 006597

AC 23 (0.3 m) ..................... Cat. No. 006599 Other cable lengths are available upon request!

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Adapter Cables Adapter Cable AC 25

Adapter Cable AC 28

Adapter cable with XLR 3 F connector and unbalanced 6.3 mm mono jack. It is used to connect 3-pin XLR outputs of power supplies to units with a 6.3 mm monojack input. Designed for all microphones, excluding KM 100 System and GFM 132.

Y-cable with XLR 5 F connector and two unbalanced 6.3 mm mono jacks. It is used to connect the XLR 5 output of the BS 48 i-2 power supply to units with 6.3 mm monojack inputs. Designed only for KM 100 System GFM 132.

AC 28 (0.3 m) ..................... Cat. No. 006603

AC 25 (0.3 m) ..................... Cat. No. 006600

Adapter Cable AC 26

Adapter Cable AC 29

Adapter cable with XLR 3 F connector and unbalanced 6.3 mm mono jack. It is used to connect XLR 3 outputs of power supplies to units with a 6.3 mm monojack input. Designed only for KM 100 System and GFM 132.

Y-cable with XLR 5 F connector and two unbalanced 6.3 mm mono jacks, with blocking condensers. It is used to connect the XLR 5 output of the MTX 191 (MTX 191 A see AC 27) matrix amplifier and KU 100 microphone to units with 6.3 mm monojack inputs.

AC 26 (0.3 m) ..................... Cat. No. 006601

AC 29 (0.3 m) ..................... Cat. No. 006604

Adapter Cable AC 27

Adapter Cable AC 30

Y-cable with XLR 5 F connector and two unbalanced 6.3 mm mono jacks. It is used to connect XLR 5 outputs of the BS 48 i-2 power supply or the MTX 191 A matrix amplifier to units with 6.3 mm monojack inputs. Designed for all microphones, excluding KM 100 System and GFM 132.

Y-cable, 5 m long, to connect two active capsules, e.g. AK 20 and AK 40 as MS stereo couple directly to the MTX 191(A) matrix amplifier. XY or MS signals are then available at the XLR 5 output connector of the MTX 191 (A). The recording angle is electrically remote controlled.

KM 100 output stages are not required.

Markings: yellow for channel 1 (cardioid), red for channel 2 (figure-8).

AC 27 (0.3 m) ..................... Cat. No. 006602

AC 30 (5 m) ........................ Cat. No. 008418

Cable Material for General Use Our cable material has been developed by Neumann and is exclusively produced for Neumann by highly qualified manufacturers. All microphone cables have a counter wound double helix copper

shielding, assuring a particularly high degree of coverage (95%).

HF rejection is exceptionally good, flexibility of the cable excellent.

All prices on request.

Cable Material K 3 x 0,08 • • • • • •

3 conductors 0.08 mm² copper wire 41 x 0.05 mm Insulation: special thermoplastic Shielding: 2 layers of counter wound bare copper wire Jacket: special PVC matte charcoal-gray and round Printing “Georg Neumann GmbH Berlin - Made in Germany” Overall diameter: 3.4 mm

Conductor resistance ................ < 240 ohm/km Insulation resistance .............. > 20 Mohm x km Capacitance core/core ....... 105 nF/km (1kHz) Test voltage core/core ........................... 1.2 kV Test voltage core/shield ....................... 0.6 kV Temperature range ................... –20° to +70°C K 3 x 0,08 ............ blk ........ Cat. No. 062728

Other cable lengths are available upon request!

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Cable Material for General Use Cable Material K 3 x 0,2 • • • • • •

3 conductors 0.2 mm² copper wire 102 x 0.05 mm Insulation: special thermoplastic Shielding: 2 layers of counterwound bare copper wire Jacket: special pvc matte charcoal-gray and round Printing “Georg Neumann GmbH Berlin - Made in Germany” Overall diameter: 5.0 mm

Conductor resistance ................. < 96 ohms/km Insulation resistance ............ > 20 Mohms x km Capacitance core/core ....... 135 nF/km (1kHz) Test voltage core/core ........................... 1.2 kV Test voltage core/shield ....................... 0.6 kV Temperature range ................... –20° to +70°C K 3 x 0,2 .............. blk ........ Cat. No. 062700

Cable Material K 5 x 0,14 • • • • • •

5 conductors 0.14 mm² copper wire 72 x 0.05 mm Insulation: special thermoplastic Shielding: 2 layers of counterwound bare copper wire Jacket: special pvc matte charcoal-gray and round Printing “Georg Neumann GmbH Berlin - Made in Germany” Overall diameter: 5.0 mm

Conductor resistance .............. < 138 ohms/km Insulation resistance ............ > 20 Mohms x km Capacitance core/core .......... 40 nF/km (1kHz) Test voltage core/core ........................... 1.2 kV Test voltage core/shield ....................... 0.6 kV Temperature range ................... –20° to +70°C K 5 x 0,14 ............ blk ........ Cat. No. 062707

Cable Material K 7 x 0,14 • • • • • •

7 conductors 0.14 mm² copper wire 72 x 0.05 mm Insulation: special thermoplastic Shielding: 2 layers of counterwound bare copper wire Jacket: special pvc matte charcoal-gray and round Printing “Georg Neumann GmbH Berlin - Made in Germany” Overall diameter: 5.0 mm

Conductor resistance .............. < 138 ohms/km Insulation resistance ............ > 20 Mohms x km Capacitance core/core ....... 110 nF/km (1kHz) Test voltage core/core ........................... 1.2 kV Test voltage core/shield ....................... 0.6 kV Temperature range ................... –20° to +70°C K 7 x 0,14 ............ blk ........ Cat. No. 062729

Cable Material K 11 • • • • • • •

3 conductors 0.5 mm² copper wire 256 x 0.05 mm 8 conductors 0.14 mm² copper wire 72 x 0.05 mm Insulation: special thermoplastic Shielding: 2 layers of counterwound bare copper wire Jacket: special pvc matte charcoal-gray and round Printing “Georg Neumann GmbH Berlin - Made in Germany” Overall diameter: 7.5 mm

Conductor resistance 0.14 mm² .............................. < 138 ohms/km 0.5 mm² ................................... < 38 ohms/km Insulation resistance ............ > 20 Mohms x km Capacitance core/core .......... 95 nF/km (1kHz) Test voltage core/core ........................... 1.2 kV Test voltage core/shield ....................... 0.6 kV Temperature range .................. –20° to +70°C K 11 ..................... blk ........ Cat. No. 062699

Material used for Individual Cables

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Active Capsules for Miniature Microphone System KM 100 AK... active capsules are part of the variable miniature microphone system. Together with the KM 100 output stage, AK... active cap-

sules form a complete microphone. AK 30 and KM 100, for example, make up the KM 130.

Active Capsule AK 20

Active Capsule AK 43

AK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.

The AK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz. AK 43 ................... blk ........ Cat. No. 069014

AK 20 ................... blk ........ Cat. No. 071659

Active Capsule AK 30

Active Capsule AK 45

AK 30 is a diffuse-field equalized pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz.

AK 45 is a pressure gradient transducer with cardioid characteristic just like the AK 40. However, it has an acoustic bass roll-off characteristic in the free field and therefore suppresses interfering LF noise (wind, structure-borne noise). Since proximity effect is a natural feature of pressure gradient microphones, the AK 45 appears to be optimized for a flat frequency response at a recording distance of approximately 15 cm (speech cardioid).

AK 30 ................... blk ........ Cat. No. 069001

AK 45 ................... blk ........ Cat. No. 069015

Active Capsule AK 31

Active Capsule AK 50

AK 31 is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz.

AK 50 is a pressure gradient transducer with a hypercardioid characteristic. Attenuation of sound incidence from the side or rear is approximately 10 dB. Minimum sensitivity occurs at an angle of about 120°.

AK 31 ................... blk ........ Cat. No. 069002

AK 50 ................... blk ........ Cat. No. 069016

Active Capsule AK 40 AK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0° sound incidence. Sound sources within a pickup angle of ± 135° are transmitted without coloration.

AK 40 ................... blk ........ Cat. No. 069007

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Capsule Heads for Miniature Microphone System KM D / KM A KK... capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages,

the KK... capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).

Capsule Head KK 120 (nx)

Capsule Head KK 145 (nx)

KK 120 is a pressure gradient transducer with figure-8 characteristic, side-fire, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence.

Corresponding accessories allow combining the KK 120 with other active capsules or microphones to obtain an MSStereo setup.

KK 145 is a pressure gradient transducer with cardioid characteristic just like the KK 184. However, it has an acoustic bass roll-off characteristic in the free field and therefore suppresses interfering LF noise (wind, structure-borne noise).

Since proximity effect is a natural feature of pressure gradient microphones, the KK 145 is optimized for a flat frequency response at a recording distance of approximately 15 cm (speech cardioid).

KK 120 ................ ni .......... Cat. No. 008589 KK 120 nx ............ nx ......... Cat. No. 008590

KK 145 ................. ni ........... Cat. No.008595 KK 145 nx ............ nx .......... Cat. No.008596

Capsule Head KK 131 (nx)

Capsule Head KK 183 (nx)

KK 131 is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz.

KK 183 is a diffuse-field equalized pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz.

KK 131 ................. ni .......... Cat. No. 008591 KK 131 nx ............ nx ......... Cat. No. 008592

KK 183 ................. ni .......... Cat. No. 008566 KK 183 nx ............ nx ......... Cat. No. 008567

Capsule Head KK 133 (nx)

Capsule Head KK 184 (nx)

KK 133 is a diffuse-field equalized pressure transducer with a free-field treble boost (4–5 dB at 12 kHz). The detachable sound diffraction sphere provides a very smooth treble rise, associated with increasing directivity. The frequency response in the diffuse sound field is flat up to 12 kHz. The capsule is made of titanium.

KK 184 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0° sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

KK 184 ................. ni .......... Cat. No. 008568 KK 184 nx ............ nx ......... Cat. No. 008569

KK 133 ................ ni ............... Cat. No. 8639 KK 133 nx ............ nx .............. Cat. No. 8640

Capsule Head KK 143 (nx)

Capsule Head KK 185 (nx)

KK 143 is a pressure gradient transducer with wide-angle cardioid characteristic.

Attenuation: 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz.

KK 185 is a pressure gradient transducer with a hypercardioid characteristic. Attenuation of sound incidence from the side or rear is approximately 10 dB. Minimum sensitivity occurs at an angle of about 120°.

KK 143 ................. ni .......... Cat. No. 008593 KK 143 nx ............ nx ......... Cat. No. 008594

164

KK 185 ................. ni .......... Cat. No. 008570 KK 185 nx ............ nx ......... Cat. No. 008571

Digital Microphone Interfaces and Power Supplies Digital Microphone Interface DMI-2 Equipment that supports the AES42 standard can process the output signals of Solution-D microphones directly. In all other cases, the DMI-2 or DMI-8 digital microphone interface is used. The DMIs convert the AES42 data format supplied by the microphone into an AES/EBU signal.

The Interface is operated via the Neumann RCS remote control software, which is installed on a desktop or laptop computer. The computer is connected to the DMI via a USB port and a USB to RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded. In this case, each digital microphone interface can be addressed individually.

In addition to a word clock input and output, the DMIs also have an internal word clock generator. If no master word clock signal (e.g. from a mixing console) is present at the input, the DMI internal word clock is used automatically to synchronize the microphone channels, and the signal is switched to the word clock output.

External commands such as „On Air“ (red light) can be controlled via a 9-pin user port.

2 channels, Inputs: ...................................... XLR3F, AES42 Outputs: ................... XLR3M, AES/EBU, 24 bit Control Bus: ................ RS 485 via RJ 45 jack, second RJ 45 jack for cascading purposes (up to 4 DMI devices today, 16 devices in future), connection to the computer‘s USB port via Neumann USB 485 interface converter (included) User Port: ..................................... 9-pin sub-D, 3 functions per channel Synchronization: .................... AES42 - Mode 2 (PLL system using an external Word Clock and remote controlling the VCXO in the microphone, default mode), AES42 - Mode 1, (asynchronous, needs a sample rate converter (SRC) at the receiver side) Word clock input: ..................... BNC, 75 ohms.

Word clock output: ................... BNC, 75 ohms, automatically set to the internal word clock master when no external word clock received.

Selectable internal sampling rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz. External Word clock: ....... 44.1, 48, 88.2, 96, 176.4, 192 kHz or AES 11 format.

Indicators: ....................... Data Valid (AES42) and Sync Locked (Mode 2) for each channel, Power On and Ext. Word Clock Power supply: ................ 90-240 V, 50/60 Hz. Storage of the last microphone settings and reloading to the microphones after power on automatically without the need of the computer/RCS. DMI-2 EU ............................. Cat. No. 008561 DMI-2 UK ............................ Cat. No. 008587 DMI-2 US ............................. Cat. No. 008588

Digital Microphone Interface DMI-2 portable The DMI-2 portable is the ideal digital microphone interface solution for ENG and other field recording applications.

It supports two digital microphones and allows adjustment of the Gain, Pre Attenuation and Low Cut filter settings at the device The front panel display shows the selected gain and, by means of bar graphs, shows the current signal level and any gain reduction. Of course, these functions can also be operated via the RCS software.

Microphone presets can be stored inside the DMI-2 portable and recalled for use in the field.

Dimensions: ..................... 186 x 44 x 126 mm Indicators: ..................... Monochrome display, bargraphs for gain, level and gain reduction, LEDs for Power, Battery status, Synchronization and Valid Power supply: ......... 2x DC 10...18 V (Hirose), External mains Ports: .......................... 2x AES42 IN (XLR 3F), 1x AES/EBU OUT (XLR3M), 2x Word Clock IN/OUT (BNC), 1x Remote Control (USB) DMI-2 portable .................... Cat. No. 542400

165

Digital Microphone Interfaces and Power Supplies Digital Microphone Interface DMI-8 Equipment that supports the AES42 standard can process the output signals of Solution-D microphones directly. In all other cases, the DMI-2 or DMI-8 digital microphone interface is used. The DMIs convert the AES42 data format supplied by the microphone into an AES/EBU signal.

8 channels, AES42 Inputs: ................... XLR3F (Audio data in accordance with AES/EBU (AES3) data format), Digital phantom power (DPP), Remote control data

The Interface is operated via the Neumann RCS remote control software, which is installed on a desktop or laptop computer. The computer is connected to the DMI via a USB port and a USB to RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded. In this case, each digital microphone interface can be addressed individually.

Outputs: ............. AES/EBU (AES3) data format (2x SUB-D25, Yamaha® and Tascam® pinout), ADAT® (1x Toslink, up to 48 kHz), GN format (1x RJ 45), Word Clock (AES11), 2x BNC, CTL Bus (RS 485), 2x RJ 45 ports, User Port (9-pin SUB-D)

In addition to a word clock input and output, the DMIs also have an internal word clock generator. If no master word clock signal (e.g. from a mixing console) is present at the input, the DMI internal word clock is used automatically to synchronize the microphone channels, and the signal is switched to the word clock output.

External commands such as „On Air“ (red light) can be controlled via a 9-pin user port.

The DMI-8 offers several possibilities for easy integration into audio networks. The ES100 module permits integration into EtherSound networks.

Microphone synchronization: .................... AES42 – Mode 2 (synchronous mode) Microphone clock control via PLL DMI-8 synchronization ................ automatically to an external word clock or AES11 signal, if present, otherwise the internal word clock generator is activated Word clock (or AES11) input ....................................................... BNC, Vin .................. >100 mV at 75 ohms Word clock (or AES11) output .................. BNC, Vout = Vin (external synchronization) Vout .......... approx. 1.5 V at 75 ohms (internal word clock generator) Internal word clock generator: .......................... 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Control Bus: ............................ 2 x RJ 45 ports; connection to computer USB port via the Neumann USB 485 interface converter; connected in parallel for the purpose of cascading.

RS 485 with additional power-out pin (approx. +11.3 V, max. 500 mA) User Port: .................................... 9-pin SUB-D, 1 switch function per channel (Mute and/or Light 1/ Light 2 selectable) Control elements: ........... 8x CHANNEL SELECT, GAIN +/– Indicators: ......... Power, Ext Word Clock, Valid, Level (microphone) Power supply: ......... 90 V to 240 V, 50/60 Hz. Storage of the last microphone settings and reloading to the microphones after power on automatically without the need of the computer/RCS. DMI-8 EU ............................. Cat. DMI-8 UK ............................ Cat. DMI-8 US ............................. Cat. ES100 (DMI-8) ................... Cat. DMI-8 Connection set .......... Cat. (USB cable, RJ 45 patch cable, USB 485 converter)

166

No. No. No. No. No.

533130 533132 533131 539398 533126

Digital Microphone Interfaces and Power Supplies Connection Kit AES/EBU

Connection Kit S/PDIF

The Connection Kits serve to supply power to digital microphones, which are in accordance with the AES42 standard.

The microphone audio signal is made available at the Connection Kit output in S/PDIF or AES/EBU format, depending upon the model.

The Connection Kits serve to supply power to digital microphones, which are in accordance with the AES42 standard.

The microphone audio signal is made available at the Connection Kit output in S/PDIF or AES/EBU format, depending upon the model.

The remote control and synchronization capabilities of the AES42 standard cannot be used with the Connection Kit; they are operable only with the DMI-2 or DMI-8 digital microphone interface.

The remote control and synchronization capabilities of the AES42 standard cannot be used with the Connection Kit; they are operable only with the DMI-2 or DMI-8 digital microphone interface.

Connection Kit AES/EBU ...... Cat. No. 008584

Connection Kit S/PDIF ......... Cat. No. 008585

Capsule Extensions for Miniature Microphone System KM 100 Any KVF... capsule extension allows to use the active capsules separated from the output stage without the need for additional cables. The rigid part of the capsule extension is 6.5 mm in diameter,

the flexible gooseneck has a diameter of 8 mm. Special length on request.

Capsule Extension KVF 118 KA

Capsule Extension KVFF 148 KA

The extended length of the KVF 118 KA is approximately 300 mm. Cable length: 2.2 m.

The extended length of the KVFF 148 KA is approximately 570 mm. It differs from the KVF 118/158 KA by providing a second flexible section of approximately 100 mm at about the middle of the rigid section. Cable length: 1.9 m.

Mounted on SG 100(-1)/DS 100.

KVF 118 KA ......... blk ........ Cat. No. 008410

Mounted on SG 100(-1)/DS 100.

KVFF 148 KA ....... blk ........ Cat. No. 008412

Capsule Extension KVF 158 KA The extended length of the KVF 158 KA is approx. 700 mm. Cable length: 1.8 m.

Mounted on SG 100(-1)/DS 100.

KVF 158 KA ......... blk ........ Cat. No. 008411

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Capsule Extensions for Miniature Microphone System KM D / KM A Any KVG ... capsule extension allows to use the KK 1... capsules separated from the output stage without the need for additional cables. The rigid part of the capsule extension is 8 mm in diameter.

At the capsule end, the swivel can be set through ± 110°. The KVG ... are mounted with MZGE 8000 or 8002 on MZEF ... vertical bars. Special lengths on request.

Capsule Extension KVG 130 nx

Capsule Extension KVG 1120 nx

The extended length of the KVG 130 nx is approximately 300 mm.

The extended length of the KVG 1120 nx is approximately 1200 mm.

KVG 130 nx ......... nx ......... Cat. No. 008608

KVG 1120 nx ....... nx ......... Cat. No. 008610

Capsule Extension KVG 160 nx The extended length of the KVG 160 nx is approximately 600 mm.

KVG 160 nx ......... nx ......... Cat. No. 008609

Further Accessories for Miniature Microphone System KM 100 Cable Adapter KA 100

Output Stage KM 100

The current KM 100 system accessories connect directly to the output stages.

For older accessories, ending with a 3pin LEMO plug, the redesigned KA 100 cable adapter connects these accessories to the KM 100 (F) output stages.

Length: 0.5 m.

The KM 100 output stage is part of the variable KM 100 miniature microphone system. Together with an AK ... active capsule it constitutes a complete microphone of the KM 100 system. Ø 22 mm, length 63 mm.

KA 100 ................ blk ........ Cat. No. 007330

168

KM 100 ............... blk ........ Cat. No. 007395

Further Accessories for Miniature Microphone System KM D / KM A Output Stage KM A (nx)

Sound Diffraction Sphere SBK 130 A

The analog KM A (nx) microphone output stage is part of the modular KM A miniature microphone system. Together with a KK 1.. capsule head it constitutes a complete microphone of the KM A system. Ø 22 mm, length 93 mm.

The SBK 130 A sound diffraction sphere slips onto the KM 130, KM 131 (A/D) and KM 183 (A/D) pressure microphones. While sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by 2.5 dB max in the range above 5 kHz. Inner Ø 22 mm.

KM A ..................... ni .......... Cat. No. 008634 KM A nx ................ nx ......... Cat. No. 008635

SBK 130 A, 22 mm blk ..... Cat. No. 008612

Output Stage KM D (nx) The digital KM D (nx) microphone output stage is part of the modular KM D miniature microphone system. Together with a KK 1.. capsule head it constitutes a complete microphone of the KM D system. Preset frequencies 44.1, 48 and 96 kHz, other frequencies on demand. Ø 22 mm, length 93 mm.

KM D (44.1 kHz) ....... ni ..... Cat. KM D nx (44.1 kHz) .. nx .... Cat. KM D (48 kHz) ........... ni .... Cat. KM D nx (48 kHz) ...... nx .... Cat. KM D (96 kHz) ........... ni ..... Cat. KM D nx (96 kHz) ...... nx .... Cat.

No. No. No. No. No. No.

008578 008581 008579 008582 008580 008583

Miscellaneous Headgrille BCK

Pistonphone Adapter PA 100

Replacement Headgrille with 5 rings of different colors. Additional headgrilles enable each microphone user at the broadcasting facility to use his or her own individual headgrille. The improved hygiene ensures a more comfortable working environment at the studio.

The pistonphone adapter allows to attach a calibration tool for any 1" measuring microphone (for example a Brüel & Kjaer 4228 or 4230) to each ear channel stud of the KU 100 dummy head.

Each ear system can be calibrated separately.

BCK ....................... ni .......... Cat. No. 008520

PA 100 ................ blk ........ Cat. No. 006199

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List of contents (In alphabetical order)

AC 20 AC 21 AC 22 AC 23 AC 25 AC 26 AC 27 AC 28 AC 29 AC 30 AK...

BCK BS 48 i BS 48 i-2 Connection Kit Connection Kit DMI-2 DMI-2 portable DMI-8 DS 100-1 DS 120 EA 1 (mt) EA 2 (mt) EA 4 (bk) EA 87 (mt) EA 89 A (mt) EA 170 (mt) EA 2124 A mt ES100 (DMI-8) IC 3 mt IC 4 (mt) IC 5 (mt) IC 6 (mt) IC 7 K...

KA 100 KK...

KM 100 KM A (nx) KM D (nx) KT 5 KT 6 KT 8 KVF...

KVG...

LC 2 LC 3 KA LC 4 M 210/1 M 212 c M 214/1 M 252 MF 2 MF 3

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Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Adapter Cable Active Capsules / KM 100 Series Headgrille Battery Supply Battery Supply for AES/EBU for S/PDIF Digital Microphone Interface Digital Microphone Interface Digital Microphone Interface Double Mount Double Mount Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Elastic Suspension Network Module Microphone Cable Microphone Cable Microphone Cable Microphone Cable Microphone Cable Cable Material Cable Adapter Capsule Head / KM D/KM A Series Output Stage / KM 100 Series Output Stage / KM A Series Output Stage / KM D Series (Solution-D) Microphone Cable Microphone Cable Microphone Cable Capsule Extensions / KM 100 Series Capsule Extensions / KM D/KM A Series Microphone Cable Microphone Cable Microphone Cable Stand Stand Stand Stand Table Stand Table Stand

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160 160 160 160 161 161 161 161 161 161 163 169 157 157 167 167 165 165 166 152 152 148 148 148 148 148 148 148 166 159 159 159 159 159 161 168 164 168 169 169 159 159 159 167 168 160 160 160 149 149 149 149 149 149

MF 4 MF 5 MF-AK MNV 21 mt MNV 87 (mt) MNV 100 MTX 191 A MZEF 8060 MZEF 8120 MZGE 8000 MZGE 8002 N 149 A N 248 PA 100 PS 15 PS 20 a SBK 130 A SG 2 SG 5 SG 21 bk SG 100 SG 100-1 SG 105 SG 109 SG 110 nx SG 287 SG 289 SGE 100 SG-AK SR 100 STV 4/20/40/60 SMK 100 KA STH 100 STH 120 TF 221 C WKE 81 Set WKE 82 Set WKE 191 Set WNS 100 WNS 110 WNS 120 WS 2 WS 47 WS 69 WS 81 WS 82 WS 87 WS 89 WS 100 WS 191 WSB WSS 100 Z 26 mt

Floor Stand Floor Stand Table Stand with Swivel Joint Auditorium Hanger Auditorium Hanger Auditorium Hanger Matrix Amplifier Vertical Bar Vertical Bar Double Mount Double Mount Power Supply Power Supply Pistonphone Adapter Popscreen Popscreen Sound Diffraction Sphere Stand Mount Stand Mount Stand Mount Stand Mount Stand Mount Stand Mount Stand Mount Swivel Joint Stand Mount Stand Mount Stand Mount Swivel Joint Stand Tube Stand Extension Gooseneck Stereo Mount Stereo Mount Table Flange Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Windscreen Shock mount

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150 150 149 151 151 151 157 150 150 152 152 158 158 169 154 154 169 152 152 152 152 152 152 153 153 153 153 153 153 150 150 151 153 153 149 154 154 154 155 155 155 155 155 155 155 155 156 156 156 156 156 156 150

the history of a studio legend

available trough booksellers (isbn: 978-3-932275-68-5; german & english) or directly at neumann.berlin

Pocket Guide 2012 English

KK 204/205

KM A Series

More than 80 years: Professional Microphones

Get together…

Now: Studio Monitor Systems Separate folder available

Georg Neumann GmbH • Ollenhauerstr. 98 • 13403 Berlin • Germany • Fon: +49 (30) 417724-0 • Fax: -50 • E-Mail: sales@neumann.com • www.neumann.com Errors excepted, subject to changes • Printed in Germany • Publ. 03/12 077254/A25

Pocket Guide 2012

TLM 102

Studio and Stage Microphones Analog and digital (incl. Accessories)