Beta Microphones
Expert sound, In every detail.
The Black Crowes www.blackcrowes.com
Precision-engineered performance for demanding environments. For over two decades, Beta microphones have been the choice of top touring and recording professionals for capturing fine details in demanding acoustic environments. Each specialised model is precision-engineered for focused, accurate reproduction of the intended source. Recognised for their superior construction, low handling noise and high gain-before-feedback, Beta microphones redefine sensitivity and control for essential, expert sound reinforcement.
Vocal BETA 58A
BETA 87A
BETA 87C
SU PER CARDIOID | Dyn amic
S UP ERCARDIOID | condenser
CARDIOID | co ndenser
Vocal Microphone
Vocal Microphone
Vocal Microphone
The Beta 58A is the leading choice among vocalists and touring professionals worldwide. Featuring a smooth, present sound and wide frequency response, its supercardioid polar pattern provides maximum sound isolation and minimum off-axis tone colouration.
As one of the most popular vocal condenser microphones, the Beta 87A offers a smooth, tailored response for a warm, present and accurate sound reproduction. The supercardioid polar pattern provides maximum sound isolation and minimum off-axis tone colouration.
The cardioid polar pattern of the Beta 87C features an extremely smooth, tailored response for a warm, natural sound and an excellent rear rejection. It helps to compensate for the noise bleed, which is often associated with the use of personal monitors.
3 mm 25 mm 51 mm 606 mm
10 mm 606 mm
10 mm 606 mm
Vocal BETA 53
BETA 54
omnidirec tio na l | cond ense r
S UPERCARDIOID | cond enser
Headworn Vocal Microphone
Headworn Vocal Microphone
Delivers detailed, uncoloured vocal reproduction through an omnidirectional polar pattern in a lightweight and fully adjustable design. Ideal for spoken word and vocal applications such as theatre performance, speech, trade shows and seminars.
Features a smooth, tailored response for a warm, natural sound in a lightweight and fully adjustable design. The supercardioid polar pattern provides maximum sound isolation and is ideal for lead and backing vocals on stage and for live recording applications.
BETA54
+20 15 mm
High Boost Equalisation Cap
606 mm
+10
Mid Boost Equalisation Cap
0º
dB
0
–10 –20 125º –30
–20 dB
–20 dB
–15 dB
–15 dB
–10 dB
–10 dB
–5 dB
–5 dB
INSTRUMENT BETA 27
BETA 181
BETA 91A
SU PER CARDIOID | C ondenser
INTERCHANGEABLE CAPSULES | condenser
Half-CARDIOID | co ndenser
Large-Diaphragm Side-Address Microphone
Side-Address Microphone
Boundary Microphone
Low self-noise and a supercardioid NEW polar pattern that delivers high gain-beforefeedback makes the Beta 27 ideal for critical live and studio applications. It has a flat, neutral frequency response for natural sound reproduction.
Featuring an ultra compact, small NEW diaphragm side-address condenser microphone, the Beta 181 offers interchangeable capsules for different polar patterns. This enables discreet placement and versatility in tight conditions for various applications.
The Beta 91A is optimised for kick NEW drums and other low frequency applications. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application.
Interchangeable capsules: Cardioid Supercardioid Omnidirectional Bidirectional
The graphics show the Beta 181/C (Cardioid) +20
+20
+10
+10
610 mm from sound source
0 –10
dB
dB
dB
+10
0
0
–10
–10
-20
-20
EQ
2 20
50
3 4 5 6 7 89 1000
100
2
3 4 5 6 78 9 10k
20
20k
2
50 100
3 4 5 6 7 89 1000
2
3 4 5 6 7 89 10k
20k
20
Hz
Hz
180° 150°
150°
150°
180°
150°
120°
150° 120°
180°
150°
150°
120°
120°
180°
150°
120°
150° 120°
180°
120° 150°
120°
120°
120° 90°
90°
90°
–20 dB –15 dB –10 dB –5 dB
60° 30°
+5 dB
250 Hz 500 Hz 1000 Hz
60° 30°
90°
90°
–20 dB –15 dB –10 dB –5 dB
60° 30°
+5 dB
2500 Hz 6400 Hz 10000 Hz
60° 30°
90°
90°
–20 dB –15 dB –10 dB –5 dB
60° 30°
+5 dB
250 Hz 500 Hz 1000 Hz
60° 30°
90°
–20 dB –15 dB –10 dB –5 dB
60° 30°
+5 dB
2500 Hz 6400 Hz 10000 Hz
180°
150°
60°
60° 30°
120°
120° 120°
–15 dB
–15 –20 dB dB
60° –10 dB
–10 dB
90°
–10 dB
30° 30°
–5 dB –5 dB 30° 00
250 Hz
500 Hz 1000 Hz
30°30° 250 Hz
250 Hz
500 Hz
1000 500HzHz
1000 Hz
150° 120°
180°
150° 120°
90°
90° –20 dB
–20 dB
–15–20 dBdB
–15 dB
60° –15 dB –10 dB
–10 60° dB
90°
60° 60° 60°
20k
180° 150°
120°
90°
90°
–15 dB 60°
60°
0
120°
120°
90° –20 dB
3 4 5 6 7 89 10k 180° 150°
150°
150°
120°
90°
2
150°
150°
–20 dB
–5 dB 30°
3 4 5 6 7 89 1000
Hz
180° 150°
90°
90°
2
50 100
60°
30°
90°
–10 dB
–5 dB
–5 dB
30°
0
0
30°
–5 dB 30° 30° 0
6300 Hz
6300 Hz 10000 Hz
10000 Hz
60°
30°
6300 Hz 10000 Hz
INSTRUMENT BETA 98A/C
BETA 98S
BETA 98AMP/C
CARDIOID | C on denser
S UP ERCARDIOID | C ondenser
CARDIOID | co ndenser
Instrument Microphone
Instrument Microphone
Miniature Drum Microphone
Precision-engineered with a high NEW output miniature cardioid condenser microphone, the Beta 98A/C provides warm, natural sound reproduction, with smooth high-end response. The compact design allows for discreet placement on a variety of acoustic or amplified instruments. Swivel adapter for Beta 98A/C included.
Precision-engineered for high SPL instrument applications, the Beta 98S provides a clear and detailed sound reproduction. The supercardioid polar pattern offers excellent rejection of unwanted sound and high gain-beforefeedback. Swivel adapter for Beta 98S included.
The cardioid condenser microphone NEW Beta 98AMP/C with integrated preamplifier, provides a smooth, natural, tailored response. It has an extremely high maximum SPL and wide dynamic range, ideal for drums and percussion. It offers a flexible gooseneck and the A75M universal microphone mount for accurate and secure placement in any configuration.
+20
+20
610 mm from sound source
610 mm from sound source
+10
dB
dB
+10
0 3 mm 25 mm 51 mm 303 mm 606 mm
–10 -20 20 180°
150°
150°
2
50 100 150°
120°
180°
180°
150°
120° 120°
120°
–20 dB
–20 dB
–15 dB
–15 dB –20 dB –15 dB 60° –10 dB
90°
60° –10 dB 60°
30° 30°
30°
250 Hz
500 Hz 1000 Hz
–5 dB
30° 30°
0 250 Hz
250 Hz
500 Hz
500HzHz 1000 1000 Hz
150°
180°
30°
180°
150°
150° 120°
120°
–20 dB
120°
–15–20 dBdB
–15 dB 60° –10 dB
0
90°
30° 30°
2500 Hz
0
60°
60°
–20 dB
–15 dB
–15 –20 dB dB –10 dB
–5 dB 30°
0
–5 dB 30° 30° 30° 250 Hz
2500 Hz
6300 Hz 10000 Hz
6300 Hz
500 Hz
10000 Hz
1000 Hz
6300 Hz
–5 dB
30° 30°
00 250 Hz
250 Hz
500 Hz
500HzHz 1000 1000 Hz
150°
20k
180°
150° 120°
90°
90°
60°
30°
150°
120°
180°
90°
60° 60° 60°
150°
120°
90°
90° 90°
–15 dB60° –10 dB
60° –10 dB
60°
30°
120° 150°
120°
2500 Hz 10000 Hz
120° 120°
3 4 5 6 7 89 10k
180°
150°
150°
–20 dB
2
Hz
120°
90° 90°
–5 dB
30°
180°
3 4 5 6 7 89 1000
150°
90°
60°
–10 dB
0
90°
90°
–5 dB 30°
150°
180°
120°
–20 dB 60° –15 dB –10 dB
2
50 100
150°
90°
–5 dB
150°
150° 120°
90°
60°
-20 20
120°
180°
–10
20k
90°
60° 60°
–5 dB
150°
120°
90°
–10 dB
–5 dB
120°
90°
90°
60°
3 4 5 6 7 89 10k
180°
150°
150°
90°
2
Hz 150°
120°
120°
0
3 4 5 6 7 89 1000
150°
90°
30°
0
–20 dB
–20 dB
–15–20 dBdB
–15 dB
90°
60° –10 dB
60° –15 dB –10 dB
60°
–10 dB
–5 dB
–5 dB
30°
0
0
–5 dB
30°
30° 30°
2500 Hz
2500 Hz 6300 Hz
0
30° 2500 Hz
6300 10000Hz Hz
6300 Hz
10000 Hz
10000 Hz
INSTRUMENT BETA 98D/S
BETA 98H/C
CARDIOID | C on denser
SU PE RCARDIOID | Cond e nser
CARDIOID | C ondenser
Drum Microphone
Drum Microphone
Instrument Microphone
Built for toms, snares and percusNEW sion instruments, the Beta 98AD/C uses a miniature cardioid condenser microphone for a smooth, natural, tailored response. The A98D drum mount has a flexible gooseneck for accurate and secure placement in any configuration.
Built for toms, snares and percussion instruments, the Beta 98D/S uses a supercardioid condenser microphone for a clear, detailed sound reproduction and excellent rejection of unwanted audio. The A98D drum mount has a flexible gooseneck for accurate and secure placement in any configuration.
Built for brass, woodwind and percussion instruments, the Beta 98H/C uses a miniature cardioid condenser microphone with a tailored frequency response for open, natural sound. It has a flexible gooseneck mount that clamps directly to the bell or rim for precise positioning.
Beta 98H/C +20 610 mm mm 610 mm 610
610 mm from sound source
10 mm mm 10 mm 10
dB
+10
0 3 mm 25 mm 51 mm 303 mm 606 mm
–10 -20 20 180°
0°
0°
BETA 98AD/C
150° 150°
2
50 100
150°
120°120°
120°
120°
90° –15 dB
–15 dB
–20 dB
–10 dB
60°
60°
–10 dB
–5 dB
–5 dB
30°30°30°
–5 dB
30°
00
250 Hz
250 Hz
500 Hz
500 1000 Hz
1000 Hz
90°
30°
250 Hz
500 Hz
Hz
1000 Hz
90°
–15 dB
30°
60°
–10 dB
–5 dB
–5 dB
–5 dB
30°
0
0
60°
60° –10 dB
60° –15 dB –10 dB
60°
90°
90° –20 dB
–15 dB –20 dB
60° 60°
60° –15 dB
60° –10 dB
120°
120°
–20 dB 90°
150°
120°
90°
–20 dB
90°
20k 180°
150°
120°
90°
90°
150° 150°
180°
150°
150°
120°
–20 dB
3 4 5 6 7 89 10k
180°
150°
150°
180°
90°
2
Hz
180°
120°
120°
0
3 4 5 6 7 89 1000
30° 30° 30° 2500 Hz
2500 Hz
6300 Hz
0
30° 2500 Hz
6300 Hz 10000 Hz
6300 Hz
10000 Hz
10000 Hz
125 Hz Hz 125 250 kHz kHz 250 500 kHz kHz 500
11 kHz kHz 55 kHz kHz 10 10 kHz kHz
INSTRUMENT BETA 57A
BETA 52A
BETA 56A
S UP ERCARDIOID | Dynamic
S UP ERCARDIOID | Dynamic
SUPERCARDIOID | Dynamic
Instrument Microphone
Kick Drum Microphone
Snare + Tom Drum Microphone
The Beta 57A provides a warm, tailored and present sound for amplified or acoustic instruments. A tight supercardioid polar pattern provides high gain-before-feedback and maximum sound isolation, with minimum off-axis tone colouration.
Featuring an integrated locking stand adapter, the extremely rugged Beta 52A with its supercardioid polar pattern provides superb attack and “punch”. Ideal for kick drums and other lowfrequency applications.
The supercardioid polar pattern of the Beta 56A ensures maximum sound isolation and offers warm, present sound and “punch”. Specifically tailored for close miking of snares and toms, it features an integrated locking stand adapter.
3 mm 25 mm 51 mm 606 mm
3 mm 25 mm 51 mm 606 mm
3 mm 25 mm 51 mm 606 mm
Accessories A75M – Universal Microphone Mount
A98D – Drum Microphone Mount
A25D – Microphone Swivel Adapter
NEW Rugged microphone mounting accessory for versatile and secure placement and removal. Featuring a dual-jaw, quick-release design for easy mounting drums, percussion, drum hardware and stands. Applicable for most Shure microphone models.
Allows attachment and positioning of Shure model Beta 98S, Beta 98D/S, Beta 98A/C, Beta 98AD/C and SM98 to the side of a drum. The gooseneckadapter allows for optimum microphone placement, and can be inserted into the horizontal or vertical slots of the clamp for positioning flexibility.
Securely holds the following Beta microphone models: Beta 57A, Beta 58A, Beta 87A and Beta 87C.
Windscreens
RPM626 – Replacement Preamplifier
Different windscreen options available for vocal and headworn microphones (image shows A58WS).
For Beta 53, Beta 54, Beta 91, Beta 98S, Beta 98D/S, Beta 98A/C and Beta 98AD/C microphones.
Technical Specifications Model
Type
Frequency Response
Polar Pattern
Sensitivity (at 1 kHz)
Output Impedance
Maximum SPL (at 1% kHz; 1kΩ load)
BETA 27
Net Weight
Externally 20 to 20,000 Hz Supercardioid -37 dBV/Pa 160 Ω 134 dB (148 dB, Pad off) Biased (14.1 mV/Pa) (1% THD) Condenser
Microphone: 428 grams With Stand Mount: 537 grams
Dynamic 20 to 10,000 Hz Supercardioid BETA 52A
45 Ω -64 dBV/Pa (0.6 mV/Pa)
NA
605 grams
BETA 53
Condenser 20 to 20,000 Hz Omnidirectional (electret)
-50 dBV/Pa 136 Ω (3.16 mV/Pa)
147 dB; (1% THD)
35.35 grams
BETA 54
Condenser 50 to 20,000 Hz Supercardioid (electret)
-52 dBV/Pa 136 Ω (2.5 mV/Pa)
149 dB; (1% THD)
35.35 grams
Dynamic 50 to 16,000 Hz Supercardioid BETA 56A
-51 dBV/Pa 290 Ω NA (2.8 mV/Pa)
Dynamic 50 to 16,000 Hz Supercardioid BETA 57A
-51 dBV/Pa (2.8 mV/Pa)
290 Ω
NA
275 grams
Dynamic 50 to 16,000 Hz Supercardioid BETA 58A
-51.5 dBV/Pa (2.88 mV/Pa)
290 Ω
NA
278 grams
BETA 87A
Condenser 50 to 20,000 Hz Supercardioid (electret)
-52.5 dBV/Pa 100 Ω (2.3 mV/Pa)
140.5 dB; (0.25% THD)
207 grams
BETA 87C
Condenser 50 to 20,000 Hz Cardioid (electret)
-51 dBV/Pa 100 Ω (2.8 mV/Pa)
139 dB; (0.25% THD)
207 grams
BETA 91A
Condenser 20 to 20,000 Hz Half-Cardioid (electret)
-48.5 dBV/Pa 146 Ω 151 dB (3.8 mV/Pa)
470 grams
BETA 98AMP/C
Condenser 20 to 20,000 Hz Cardioid (electret)
-50.5 dBV/Pa 150 Ω 153 dB (3.0 mV/Pa)
130 grams
468 grams
Condenser 20 to 20,000 Hz Cardioid -48 dBV/Pa 179 Ω 144 dB BETA 98A/C (electret) (4.0 mV/Pa) BETA 98AD/C
Microphone: 12 grams With Drum Mount (Beta 98AD/C): 210 grams
Condenser 20 to 20,000 Hz Supercardioid -59 dBV/Pa 150 Ω 156 dB BETA 98S (electret) (1.1 mV/Pa) BETA 98D/S
Microphone: 12 grams Less Cable Preamplifier: 96 grams
BETA 98H/C
Condenser 20 to 20,000 Hz Cardioid -56 dBV/Pa 150 Ω 155 dB (electret) (1.6 mV/Pa)
Microphone with Cable and Preamplifier: 156 grams
BETA 181
145 grams
Condenser 20 to 20,000 Hz Interchangeable Cardioid: -46.5 dBV/Pa 110 Ω (electret) Supercardioid: -49.5 dBV/Pa Omnidirectional: -52.0 dBV/Pa Bidirectional: -51.0 dBV/Pa
Whilst every effort has been made to ensure that the information in this document is correct, we accept no liability in respect of errors or omissions. All specifications within this document are subject to change without notice. Usage rights of the photography in this document expire in March 2012.
www.shure.eu
United Kingdom, Ireland: Shure Distribution UK Unit 2 The I O Centre Lea Road Waltham Abbey EN9 1AS United Kingdom
Europe, Middle East, Africa: Shure Europe GmbH Wannenäckerstr. 28 74078 Heilbronn Germany
Phone: +44 (0) 1992 703058 Fax: +44 (0) 1992 703057 Email: info@shuredistribution.co.uk www.shure.co.uk
Phone: +49 (0) 7131-7214-0 Fax: +49 (0) 7131-7214-14 Email: info@shure.de www.shure.com
© 2010 Shure Incorporated
AL1691SE
Cardioid: 149.0 dB Supercardioid: 152.0 dB Omnidirectional: 154.0 dB Bidirectional: 153.5 dB