Soundcraft 2013 by bvba bekafun

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Digital Live Live Multi-Purpose

Harman Pro Group | 2013

SOUNDCRAFT MIXING CONSOLES

Section:

RANGE CATALOGUE 2013

Page 409

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The Soundcraft Range From analogue to digital live sound, Soundcraft mixing consoles are built to perform. With professional features, intuitive operation and uncompromised sound quality, Soundcraft consoles are relied upon throughout the professional audio industry, delivering optimum performance time after time. Drawing on almost 40 years’ mixing console design and manufacturing expertise, Soundcraft has developed a unique

Harman Pro Group | 2013

Gert Sanner wraps up a successful Deep Purple tour with Soundcraft® Vi6

insight into professional audio requirements. Worldclass production techniques, combined with extensive testing procedures, ensure that every mixing console is

built to the same exacting standards.

Section:

A unique collaboration between Soundcraft and our sister company Studer, with processing supplied by Lexicon and BSS Audio, the remarkable Soundcraft Vi Series™ Digital Live consoles continue to set the standard for intuitive operator control on tours and installations. Meanwhile, Soundcraft® Si+ Series Digital Live consoles offer a ‘one box’ digital mixing solution that simply plugs in where Camp Digital’s Journey HD Truck rolls on With Soundcraft® Vi4 the analogue console used to be, to deliver all the power and operational benefits of digital mixing with minimal upheaval.

facilities yet further and, for the first time, integrates DMX lighting control. And for bands and venues The new Si Performer digital live sound mixer is the first to include on a budget, the DMX lighting control new Si Expression sets new standards of affordability for versatile, professional compact digital live sound mixing From the highly-specified, value-for-money GB Series to the LX7ii, Soundcraft analogue Live consoles combine superb sonic performance with uncompromising build quality, offering exceptional reliability, great flexibility and unprecedented mixing control. In this catalogue, a comparison chart provides an at-a-glance guide to the range’s features, simplifying the choice of console for any live application. Soundcraft’s Multi-Purpose console range combines professional facilities and sound quality with exceptional value. Suitable for stage and studio use, these consoles are ergonomically designed, achieving optimum performance from compact frames. With a choice of 6, 8, 12 and 20 mono input frame sizes – each with 2 stereo channels as standard, the EPM, EFX, MPMi and MFXi Series mixers encompass a massive range of applications. The M Series offers a choice of 4, 8 and 12 mono input frame sizes, each with 4 stereo inputs. This catalogue contains features and specifications and on individual Soundcraft consoles. For further information, please contact Soundcraft for an individual product brochure, or visit the Soundcraft website at www.soundcraft.com

When it comes to compact Digital Live sound mixing, Soundcraft’s Si Compact packs poweful features into a small

Deep Purple keyboardist Don Airey tours with an Si Compact digital mixer

Page 410

format console with inuitive operational control, while the new Si Performer extends those audio

Soundcraft has received ISO 9001:2000 certification, following a major investment in our processes and manufacturing facilities

The inclusion of artists in this publication does not imply endorsement.

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Also available from Soundcraft Additional information about the wide range of Soundcraft products can be found by visiting our website at www.soundcraft.com or by requesting an individual product brochure.

MIXING GUIDES To help you get the most out of your Soundcraft console, we have produced a mixing guide - The Soundcraft Guide to Mixing - available in booklet, PDF and iPad App formats. The guide contains information on choosing and using your mixer and sound equipment, together with connection and setup guides, mixing techniques, sample applications and troubleshooting.

Harman Pro Group | 2013

SOUNDCRAFT WEBSITE Our website www.soundcraft.com is updated regularly and provides a great source for all the latest news from Soundcraft. Here you can find useful information in the form of downloadable brochures, user guides, technical data sheets, mark-up sheets, application guides, software updates, logos, images and advertisements. The website also contains contact information for all sales, technical support and service enquiries. For further information, please contact our Marketing Department on +44 (0)1707 665000 or via email at soundcraft@harman.com

Section:

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Soundcraft Vi Series™ Remote Control App now available

Pictured : Vi6

Harman Pro Group | 2013

· Digital live sound consoles with highly intuitive operation · Vistonics™ II touchscreen interface relieves the burden of complex mental mapping · FaderGlow™ illumination of fader tracks for at a glance status display · Vi6 offers simultaneous mixing of up to 96 inputs on 32 faders in 3 banks into 35 outputs, with 24 insert send/return pairs assignable to any of the input or output channels · Vi4 offers simultaneous mixing of up to 96 inputs on 24 faders in 3 banks into 35 outputs, with 24 insert send/return pairs assignable to any of the

TYPICAL SPECIFICATIONS Frequency Response

Section:

Stagebox Mic input to Line output . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz AES/EBU In to AES/EBU Out . . . . . . . . . . . . . . .+0/-0.2dB, 20Hz-20kHz

T.H.D. & Noise 22Hz-22kHz

Stagebox Mic In (min gain) to Local Line Out . . . . . . . . .<0.003% @ 1kHz Stagebox Mic In (max gain) to Local Line Out . . . . . . . .<0.020% @ 1kHz Local Line In to Line Out (max gain) . . . . . . . . . . . . . . .<0.003% @ 1kHz

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . . . . . .<-126dBu (150Ω source)

Residual Noise

Stagebox line output; no inputs routed, Mix fader @0dB . . . . . . . . -95dBu

CMRR

Stagebox Mic input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz

Sampling Frequency Latency

Stagebox Mic Input to Local Line output . . . . . . . . . . . . . . < 2ms @48kHz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–108kHz (with SRC enabled)

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

Accuracy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-50ppm Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns

External Sync

. . . . . . . . . . . . . . . . . . . BNC Wordclock, AES/EBU sync in, Video sync in

Oscillator

. . . . . . . . . . . . . . . . . . . 20Hz to 20kHz/Pink/White Noise, variable level

Stagebox HP Filter Channel HP filter Channel LP filter

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz fixed, 12dB per octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-600Hz, 18dB per octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1kHz-20kHz, 18dB per octave

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Metering

Mains Voltage operating range Mains Power Consumption

HF: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB Hi-Mid: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB Lo-Mid: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB LF: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.3-8.7

Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. . . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Control Surface: . . . . . . . . . . . . . . 155W (165W redundant option) Local Rack: . . . . . . . . . . . . . . . . . . 140W (150W redundant option) Stagebox*: . . . . . . . . . . . . . . . . . . . 140W (150W redundant option)

DIMENSIONS & WEIGHT Height

Control Surface (Vi6/Vi4/Vi2 – uncased) . . . . . . . 326.4mm (12.9") Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780mm (30.7") Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780mm (30.7")

Width

Control Surface (Vi6 - uncased) . . . . . . . . . . . . . . . 1757mm (69.2") Control Surface (Vi4 - uncased) . . . . . . . . . . . . . . . 1447mm (57.0") Control Surface (Vi2 - uncased) . . . . . . . . . . . . . . . . 846mm (33.3") Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568mm (22.3") Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568mm (22.3")

Depth

Control Surface (Vi6/Vi4/Vi2 - uncased) . . . . . . . 725.1mm (28.5") Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 754mm (29.6") Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 754mm (29.6")

Weight

Control Surface (Vi6 - uncased) . . . . . . . . . . . . . . . . . 63kg (140lbs) Control Surface (Vi4 - uncased) . . . . . . . . . . . . . . . . 52kg (115lbs) Control Surface (Vi2 - uncased) . . . . . . . . . . . . . . . . 31.5kg (70lbs) Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50kg (110lbs) Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50kg (110lbs)

. . . . . . . . . . 44.1kHz, 48kHz (96kHz with DSP upgrade, when available)

AES/EBU Input Sample Rate

EQ (Inputs and bus Outputs)

input or output channels • Vi2 uses standard stagebox/local rack hardware to handle as many inputs as Vi4 and Vi6 on compact control surface with 8 input faders · 32 Group/Aux/Matrix busses · 40-bit floating point digital audio processing · Cat5 or Cat7 connection to remote stagebox · Optional Fibre Optic interface · Lexicon / BSS Audio processing

* Standard Flightcase

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Soundcraft Vi1™ Remote Control App now available

• 64 inputs to mix • 32 mono mic inputs • 4 AES inputs and 2 S/PDIF inputs • 2 x D21m option slots for additional I/O formats • 4 dedicated FX returns • 24 Group/Aux/Matrix busses, plus LRC • 8 VCA Groups and 4 independent Mute Groups

• 4-band fully parametric EQ on every input and output, with HPF on every input • 27 full 30-band BSS Audio graphic equalisers • 4 independent stereo Lexicon FX processors • Compressor and gate on every input, compressor on every output • Delay adjustable on every input and output • Optional Redundant PSU

Frequency Response

Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz AES/EBU In to AES/EBU Out . . . . . . . . . . . . . . .+0/-0.2dB, 20Hz-20kHz

Metering

T.H.D. & Noise 22Hz-22kHz

Mic In (min gain) to Line Out . . . . . . . . . . . . . . . . . . . . .<0.003% @ 1kHz Mic In (max gain) to Line Out . . . . . . . . . . . . . . . . . . . .<0.020% @ 1kHz

Mains Voltage operating range

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . . . . . .<-126dBu (150Ω source)

Mains Power Consumption

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100W

Residual Noise

Line output; no inputs routed, Mix fader @0dB . . . . . . . . . . . . . . . -91dBu Temperature/ Humidity Range

Operating Temperature Range . . . . . . . 0ºC – 45ºC (32ºF – 113ºF) Relative Humidity . . . 0% – 90%, non-condensing Ta=40ºC (104ºF) Storage Temperature Range . . . . . . . -20ºC – 60ºC (-4ºF – 140ºF)

CMRR Sampling Frequency Latency

Mic input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz

Internal 11-segment LED bargraphs plus 4-segment gain reduction meters for all Inputs and Outputs. Peak hold variable from 0-2s.

Section:

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz Mic Input to Line output . . . . . . . . . . . . . . . . . . . . . . . . . < 2ms @48kHz

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

External Sync

. . . . . . . . . . . . . . . . . . . BNC Wordclock, AES/EBU sync in, Video sync in

DIMENSIONS & WEIGHT Height Width Depth Weight

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394mm (15.5") . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1034mm (40.7") . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 711mm (28") . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37kg (82lb)

Input & Output Levels Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +25dBu max Line Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max Nominal Operating Level . . . . . . . . . . . . . . . . . . . . . . . . 0dBu (-18dBFS) Input & Output Impedances

Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . >6 kOhms Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <75 Ohms AES/EBU Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Ohms

Oscillator

. . . . . . . . . . . . . . . . . . . 20Hz to 20kHz/Pink/White Noise, variable level

Channel HP filter Channel LP filter

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-600Hz, 18dB per octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1kHz-20kHz, 18dB per octave

EQ (Inputs and bus Outputs)

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

HF: . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving Hi-Mid: . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 Lo-Mid: . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 LF: . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving

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Soundcraft® Si+ Series

Pictured : Si2+

Harman Pro Group | 2013

• 80 inputs to mix (Si3+ and Si2+) /72 inputs to mix (Si1+) • 64 mono mic inputs (Si3+) /48 mono mic inputs (Si2+) /32 mono mic inputs (Si1+) • 4 stereo inputs and 4 dedicated FX returns, plus 8 assignable external inserts • 24 Group/Aux/FX busses • 8 Matrix busses with sends from all Group, Aux, FX and Main L/R/C busses

• 12 VCA Groups and 8 independent Mute Groups • 4-band fully parametric EQ on every input and output, with HPF on every input • 35 full 30-band BSS Audio graphic equalisers • 4 independent stereo Lexicon FX processors • Compressor and gate on every input, compressor on every output • Delay adjustable on every input and output • Metering for every Group/Aux/FX, Masters and Monitors/Solo • Full DSP horsepower to handle all functions at any time.

TYPICAL SPECIFICATIONS

Section:

Frequency Response

Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz Stereo input to master output . . . . . . . . . . . . . . .+0/-0.5dB, 20Hz-20kHz

Filters

Channel HP Filter . . . . . . . . . . . . . . . . 22Hz-1kHz, 18dB per octave Channel LP Filter . . . . . . . . . . . . . . 500Hz-20kHz, 18dB per octave

T.H.D. & Noise 10Hz-22kHz

Mic In (min gain) to Bus output . . . . . . . . . . . . . . . . . . . .0.006% @ 1kHz Mic In (max gain) to Bus output . . . . . . . . . . . . . . . . . . .0.008% @ 1kHz Stereo input to master output . . . . . . . . . . . . . . . . . . . . .0.005% @ 1kHz

EQ (Inputs and Bus Outputs)

HF . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 or Shelving Hi-Mid . . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 LF . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 or Shelving

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . .<-126dBu (150 Ohms source)

Residual Noise

Master output; no inputs routed, Mix fader @0dB . . . . . . . . . . . <-88dBu

CMRR

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz Mic input

Sampling Frequency

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz

Convertor Resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bit

Latency

Mic Input to Bus output . . . . . . . . . . . . . . . . . . . . . . . . . . < 1ms @48kHz

Metering

. . . . . . . . . . . . . . . . . . . . . . . . Internal 14-segment LED bargraphs 12-section plus 9-section gain reduction OLED meters for all Inputs

Mains Voltage operating range

. . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Mains Power Consumption

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400W

Temperature/ Humidity Range

AES/EBU Input Sample Rate

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–108kHz (with SRC enabled)

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

Height

Input & Output Levels Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +26dBu max Stereo Inputs / Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . +28dBu max Bus Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max Nominal Operating Level . . . . . . . . . . . . . . . . . . . . . . . . 0dBu (-22dBFS)

Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4") Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4") Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4")

Width

Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1202mm (47.3") Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1414.8mm (55.7") Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1684.6mm (66.3")

Input & Output Impedances

Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.8 kOhms All other analogue Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . >10 kOhms Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <75 Ohms

Depth

Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1") Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1") Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1")

. . . . . . . . . . . . . . . . . . . . 20Hz to 20kHz Sine/Pink Noise, variable level

Weight

Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38kg (84lb) Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kg (106lb) Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61kg (134lbs)

Oscillator

Page 414

DIMENSIONS & WEIGHT

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:41 Page 7

Soundcraft® Si Performer Remote Control App now available

80 Inputs to Mix

t • LR, Mono and LCR Pan modes • 4 stereo Lexicon effects engines · 8 VCA groups • 8 Mute groups • Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®, Riedel RockNet. BLU link, Dante and AVB planned for later 2013. • Harman HiQnet integration • DMX lighting control

TYPICAL SPECIFICATIONS Frequency Response

Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz Stereo input to master output . . . . . . . . . . . . . . .+0/-0.5dB, 20Hz-20kHz

T.H.D. & Noise 10Hz-22kHz

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . .<-126dBu (150 Ohms source)

Residual Noise

Master output; no inputs routed, Mix fader @0dB . . . . . . . . . . . <-88dBu

CMRR

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz Mic input

Sampling Frequency

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz

Convertor Resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bit

Latency

Mic Input to Bus output . . . . . . . . . . . . . . . . . . . . . . . . . . < 1ms @48kHz

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

Input & Output Levels Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +23dBu max Stereo Inputs / Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max Bus Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max Nominal Operating Level . . . . . . . . . . . . . . . . . . . . . . . . 0dBu (-22dBFS) Input & Output Impedances

Oscillator

Filters

Channel HP Filter . . . . . . . . . . . . . . . . 22Hz-1kHz, 18dB per octave

EQ (Inputs and Bus Outputs)

Metering

Mains Voltage operating range

7 x 8 segment meters for selected channel/bus, masters & monitors . . . . . . . Each fader strip offers 4 segment level plus gain reduction & Gate Closed status . . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Mains Power Consumption

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Temperature/ Humidity Range

DIMENSIONS & WEIGHT Height

Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170mm (6.7") Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170mm (6.7")

Width

Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 730mm (28.75") Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 940mm (37")

Depth

Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 536mm (21.2") Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 536mm (21.2")

. . . . . . . . . . . . . . . . . . . . 20Hz to 20kHz Sine/Pink Noise, variable level

Weight

Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17kg (37lb) Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21.5kg (47.5lb)

Page 415

Harman Pro Group | 2013

• 24 and 32 mono input frame sizes • Up to 80 inputs to mix (with external stagebox) • 8 stereo channels • 20 Aux busses to 14 mixes • User-assignable fader layers • 4 assignable insert loops • 4 FX busses • 4 mono or stereo Matrix mixes

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 8

Soundcraft® Si Compact Remote Control App now available

40 Inputs to Mix

Harman Pro Group | 2013

• 16, 24 and 32 mono input frame sizes • Up to 40 inputs (with external stagebox) • 4 stereo channels • 14 mono Aux busses • User-assignable fader layers • 4 external inserts (24,32 only) • 4 FX busses

• 4 Matrix busses • L/R and Mono busses • 4 stereo Lexicon effects engines • 4 Mute groups • Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®, Riedel RockNet. BLU link, Dante and AVB planned for later 2013. • Harman HiQnet integration

TYPICAL SPECIFICATIONS

Section:

Frequency Response

Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz Stereo input to master output . . . . . . . . . . . . . . .+0/-0.5dB, 20Hz-20kHz

T.H.D. & Noise 10Hz-22kHz

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . .<-126dBu (150 Ohms source)

Residual Noise

Master output; no inputs routed, Mix fader @0dB . . . . . . . . . . . <-88dBu

CMRR

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz Mic input

Sampling Frequency

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz

Convertor Resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bit

Latency

Mic Input to Bus output . . . . . . . . . . . . . . . . . . . . . . . . . . < 1ms @48kHz

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

Oscillator

Page 416

Filters

Channel HP Filter . . . . . . . . . . . . . . . . 22Hz-1kHz, 18dB per octave

EQ (Inputs and Bus Outputs)

HF . . . . . . . . . . . . . . . . . . . . . . . . 800Hz-20kHz, +/-15dB, Shelving Hi-Mid . . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 LF . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Hz-1kHz, +/-15dB, Shelving

Metering

7 x 8 segment meters for selected channel/bus, masters & monitors . . . . . . . Each fader strip offers 4 segment level plus gain reduction & Gate Closed status

Mains Voltage operating range

. . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Mains Power Consumption

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Temperature/ Humidity Range

DIMENSIONS & WEIGHT Height

Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6") Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6") Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Width

Si Compact 16 . . . . . . 445mm (17.5") (482mm/19" with rack kit) Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 716mm (28.2") Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 928mm (36.5")

Depth

Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5") Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5") Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Weight

Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.8kg (26lb) Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.5kg (34lb) Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.2kg (42lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 9

Soundcraft® Si Expression Remote Control App now available

66 Inputs to Mix

• 4 mono or stereo matrix busses • L/R and Mono busses • 4 stereo Lexicon effects engines • 4 Mute groups • Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®, Riedel RockNet. BLU link, Dante and AVB planned for later 2013. • Harman HiQnet integration

TYPICAL SPECIFICATIONS Frequency Response

Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz Stereo input to master output . . . . . . . . . . . . . . .+0/-0.5dB, 20Hz-20kHz

T.H.D. & Noise 10Hz-22kHz

Mic Input E.I.N.

22Hz-22kHz bandwidth, unweighted . . . . .<-126dBu (150 Ohms source)

Residual Noise

Master output; no inputs routed, Mix fader @0dB . . . . . . . . . . . <-88dBu

Filters

Channel HP Filter . . . . . . . . . . . . . . . . 22Hz-1kHz, 18dB per octave

EQ (Inputs and Bus Outputs)

Metering

7 x 8 segment meters for selected channel/bus, masters & monitors . . . . . . . Each fader strip offers 4 segment level plus gain reduction & Gate Closed status

Harman Pro Group | 2013

• 16, 24 and 32 mono input frame sizes • Up to 66 inputs (with external stagebox) • 6 stereo channels • 20 Aux busses to 14 mixes • User-assignable fader layers • 4 assignable input loops • 4 FX busses

Section:

CMRR

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz Mic input

Sampling Frequency

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz

Convertor Resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bit

Latency

Mic Input to Bus output . . . . . . . . . . . . . . . . . . . . . . . . . . < 1ms @48kHz

DSP resolution

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock

Oscillator

Mains Voltage operating range

. . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

Mains Power Consumption

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Temperature/ Humidity Range

DIMENSIONS & WEIGHT Height

Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6") Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6") Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Width

Si Expression 1 . . . . . . 445mm (17.5") (482mm/19" with rack kit) Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 716mm (28.2") Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 928mm (36.5")

Depth

Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5") Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5") Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Weight

Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.8kg (26lb) Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.5kg (34lb) Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.2kg (42lbs)

Page 417

#32097 - HPro Catalogue 2013 V2_Layout 1 14/12/2012 13:36 Page 10

Soundcraft® ViSi Connect

Compact Stagebox

Harman Pro Group | 2013

Mini Stagebox 32

Section:

Vi Stagebox

Mini Stagebox 16

A range of remote stageboxes and I/O card options enable Soundcraft Vi Series, Si+, Si Compact, Si Performer and Si Expression consoles to be configured for a range of live sound mixing applcations. Connecting over MADI via Cat5 or fibre, Vi, Compact and Mini stageboxes offer users a choice of I/O capacity.

It is possible to equip the Compact Stagebox with an additional 16 mic/line input XLR module instead of the output module, providing 48 inputs. In this case, analogue or AES outputs could still be obtained on D-Type connectors via D21m cards fitted to the expansion slots.

Stageboxes The standard Vi stagebox houses 64 analogue mic/line inputs and 32 analogue line outputs, with 48V phantom power and a 100Hz HPF before the A-D converters. Optional AES/EBU inputs and outputs are available for the stagebox in sections of 8. Alongside the Vi stagebox, the Compact Stagebox adds a cost-effective expansion option, offering a high density of I/O connections in only 4U of rack space. The modular unit is fully configurable but is offered with a standard configuration of 32 mic/line inputs, 8 line outputs, 8 channels of AES/EBU outputs and 2 expansion slots for optional I/O cards.

The Mini Stagebox range provides a simple solution to stage connectivity offering a lower-cost option for many systems where the modularity and configurability of the larger systems are not required. The Mini Stagebox 32 (3U) provides 32 analogue inputs and 8 analogue line outputs, with 4 pairs of AES inputs and outputs, providing a total I/O capacity of 32 inputs and 16 outputs, with the Mini Stagebox 16 (2U) providing 16 analogue inputs and 8 line outputs, making a 16 x 8 matrix. They connect to any of the Soundcraft Si Expression, Si Compact, Si Performer, Si Series and Vi Series consoles via either a Cat5 or Optical MADI card fitted to the option card slot. The Mini Stagebox models contain an integral PSU so are completely selfcontained and sit comfortably stage-side.

ViSi Remote control app · Optimise the front of house mix from anywhere in the room • Adjust monitor levels while standing next to the artist • Control input, aux and output levels and graphic EQ settings • Use in standalone mode for familiarisation with console functions (includes Vi Series) • Control a network of Soundcraft digital consoles from Vi Series and Si Series* from one iPad app (*excludes Si1, 2, and 3, and + versions of these). Requires updated console software. • Use multiple iPads on the same console, so several artists can control their own monitor mixes • Console and audio unaffected by wireless dropouts or interference • Auto discovery of consoles on network - no manual address entry needed • Connects to consoles via Harman’s HiQnet® network

Page 418

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 11

Soundcraft® ViSi Connect Vi Series Optional I/O Cards MADI The Digigram EtherSound card allows up to 128 channels of audio (64 inputs/64 outputs) to be connected to the rack via a single Cat5 connection. A second Cat5 connection allows daisy chaining or full redundancy capability, ensuring the network remains uninterrupted should a cable be broken.

The CobraNet™ card allows up to 32 channels of input or output signals (or a combination of both) to be received by or sent from console onto a CobraNet™ network. The card must be used as the Conductor for the network. By default, the card is configured for 32 outputs.

In addition to the optional card choices, an optical MADI interface is fitted as standard, allowing direct connection to a Pro Tools HD™ recording system via a third party converter box or any MADI compatible device (eg SSL XLogic DeltaLink). Along with the ADAT card, the MADI card offers a simple recording solution for the Vi Series. Additional MADI cards may be fitted by exchanging with other I/O cards, in order to connect additional stageboxes or other MADI equipment.

Available in both stagebox and local rack versions.

ADAT

DOLBY E

3G SDI

The ADAT card provides two optical eight-channel ADAT inputs and outputs, with selectable 44.1/48/88.2/96 kHz operation. Optical inputs and outputs are provided on Toslink connectors and can be used to record to, for example, an Alesis HD-24 hard disk recorder or other device with ADAT inputs and outputs, and receive playback audio. In 96kHz operation, the number of channels is limited to eight, i.e. four per I/O.

The Dolby E card decodes the audio channels from a Dolby E or Dolby Digital stream and allows them to be patched into separate inputs on the console for mixing. Each card provides two full decoder sections, and can dramatically save external hardware cost, space and weight.

The 3G SDI card can de-embed up to 16 audio channels from an SDI (Serial Digital Interface) stream, and re-embed them back on to the stream for onward transmission in a broadcast environment, saving high costs of external units and, of course, weight. These channels may be patched in to any input as usual.

AES/EBU OUT

PUSH

LOCK PUSH

LOCK

1/2

3/4

5/6

7/8

AES/EBU

AES/EBU IN

PUSH

LOCK PUSH

1/2

3/4

5/6

7/8

LOCK

Each stagebox analogue input card (8 inputs) can be replaced by an optional AES/EBU input card which holds 4 pairs of AES/EBU inputs, with built-in Sample Rate Convertors.

The Vi RockNet card supports 64 inputs and 64 outputs to the RockNet system, and enables a Vi console to become a part of a RockNet digital audio network, providing remote control of any RockNet microphone preamplifier. This card is only available via the Riedel’s distribution network.

TDIF This card provides two eight-channel TDIF I/O interfaces with 48 kHz operation with wordclock sync outputs on BNC connectors. Inputs and outputs are provided on standard 25-pin D-type connectors (female).

Similarly, each analogue output card (8 outputs) can be replaced by an optional AES/EBU output card which holds 4 pairs of AES/EBU outputs.

Si+ Series / Si Compact / Si Performer / Si Expression Optional I/O Cards

MADI

s n

The MADI I/O card can establish a 64-channel MADI input and output link to a remote device such as stage rack, another console or Broadcast feed to an OB. Optical inputs and outputs are provided on SC connectors available in multi-mode or single mode, with the auxiliary interface available as a redundant link. A Cat5 version of the card is also available.

AES/EBU Option 1 AES/EBU Option 2 RockNet The AVIOM A-NET® 16 card allows the desk to digitally feed an Aviom A-Net® Pro-16 chain. With this standard, 16 mono signals can be fed to any number of Aviom personal mixers (such as the A-16 II), connected in a daisy chain configuration. The A-Net® card will be the start of the chain and provide the audio and synchronization data to the chain. DIP switches on the front panel allow grouping two adjacent channels to one stereo channel, and generating a test tone.

The CobraNet®card allows sending and receiving of up to 32 audio channels to/from a CobraNet® network. DIP switches on the card allow setting the number of input or output channels seen by the console. The card must be used as the Conductor for the network. By default, the card is configured for 32 outputs.

The AES/EBU - Option 1 is a DType connector based AES/EBU input/output card with 4 pairs of inputs outputs (8-in/8-out). A separate BNC connector for wordclock output is provided.

The AES/EBU - Option 2 is an XLR-based card with 2 pairs of AES/EBU inputs and outputs (4in/4-out).

The Si RockNet card supports 32 inputs and 32 outputs to the RockNet system. The card enables the respective Soundcraft Si console to become a part of the RockNet digital audio network and enables remote control of any RockNet microphone preamplifier. This card is only available via the Riedel’s distribution network.

AVB, BLU link and Dante cards planned for mid 2013.

Page 419

Harman Pro Group | 2013

Available in both stagebox and local rack versions. This card is only available via Digigram's distribution network.

The Soundcraft A-NET® 16V card provides direct digital connection on a single Cat5e cable from the Aux or Group outputs into an Aviom® A-NET® Pro16™ Series Personal Mixer (compatible with A-16II and A-16R). The Pro16 System enables musicians on stage to be fed with up to 16 subgroups of instruments or vocals which they can then mix to their own taste using their own on-stage controller. The card includes a switchable test tone and stereo pair linking via DIP switches.

RockNet

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 12

GB8 Live

Harman Pro Group | 2013

• 24, 32, 40 and 48 channel frame sizes • GB30 mic preamp and precision equalisation circuitry • 4 full feature stereo channels • 4 stereo returns • Direct outputs on every channel (pre/post selectable) • 4 segment input meters on every channel • 100mm faders • Switchable 48V phantom powering on every channel • 8 Aux sends • 18dB/octave high pass filter • 8 sub groups • 4 mute groups • 11x4 output matrix • 12-segment LED metering • Record output with limiter and alternate output • VU meterpod • Integral power supply, with an external power supply link option

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic/Line Input to any output . . . . . . . . . . . . . . . . . 20Hz – 20kHz, < 1dB

Input & Output Levels

T.H.D.

Mic sens. -30dBu, +20dBu at all outputs . . . . . . . . . . < 0.006% @ 1kHz

Noise

Measured RMS, 22Hz to 22kHz Bandwidth Mic Input E.I.N. @ unity gain . . . . . . . . . . . . . < -128dBu (150Ω source) Mix Output, 40 inputs routed to mix . . . . . . . . . . . . . . . . . . . . < -82dBu Group Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -83dBu Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -80dBu Matrix Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -89dBu

Mono & Stereo Mic Inputs . . . . . . . . . . . +15dBu max. Mono & Stereo Line Inputs . . . . . . . . . . +30dBu max. Stereo Inputs & Insert Returns . . . . . . . . +20dBu max. All Outputs . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Nominal operating level . . . . . . . . . . . . . . . 0dBu max. Headphone power . . . . . 2 x 250mW into 200Ω phones

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩ Line Inputs and Stereo Returns . . . . . . . . . . . . . 10kΩ Input Channel Insert Return . . . . . . . . 5k (with EQ in, otherwise worst case 3kΩ Mix, Group, Aux, Matrix & Direct outputs . . . . . . . 150Ω Insert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω Recommended headphone impedance . . . . . 50-600Ω

Section:

09 Crosstalk (@ 1kHz)

Filter

HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ (Mono Input)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB Hi-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 550Hz – 13kHz, +/-15dB Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Metering

Input channels . . . . . . . . . . . . . . . . . . tri-colour 4-segment LED bargraph Output channels . . . . . . . . . . . . . . . tri-colour 12-segment LED bargraphs

Power

AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 150W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

Page 420

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . .159mm (6.26")*

Width

24 channel 32 channel 40 channel 48 channel

Depth

All frame sizes . . . . . . . . . . . . . . . . .656mm (25.83")

Weight

24 channel . . . . . . . . . . . . . . . . . . . 30 kg (66.1 lbs) 32 channel . . . . . . . . . . . . . . . . . . . .35 kg (77.2 lbs) 40 channel . . . . . . . . . . . . . . . . . . . .40 kg (88.2 lbs) 48 channel . . . . . . . . . . . . . . . . . . . .45 kg (99.2 lbs)

. . . . . . . . . . . . . . . . . .1208mm (47.56") . . . . . . . . . . . . . . . . . 1442mm (56.77") . . . . . . . . . . . . . . . . . .1666mm (65.59") . . . . . . . . . . . . . . . . . .1889mm (74.37")

* Height with meterpod = 235mm (9.23")

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 13

GB4 Live • 16, 24, 32 and 40 channel frame sizes • GB30 mic preamp and precision equalisation circuitry • 2 full feature stereo channels • 2 stereo returns • Direct outputs on every channel (pre/post selectable) • 4 segment input meters on every channel • 100mm faders • Switchable 48V phantom powering on every channel • 8 Aux sends • 18dB/octave high pass filter • 4 sub groups • 4 mute groups • 7x4 output matrix • 12-segment LED metering • Record output with limiter • Integral power supply, with an external power supply link option

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic/Line Input to any output . . . . . . . . . . . . . . . . . 20Hz – 20kHz, < 1dB

Input & Output Levels

T.H.D.

Mic sens. -30dBu, +20dBu at all outputs . . . . . . . . . . < 0.006% @ 1kHz

Noise

Input & Output Impedances

Crosstalk (@ 1kHz)

Filter

HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ (Mono Input)

Metering

Input channels . . . . . . . . . . . . . . . . . . tri-colour 4-segment LED bargraph Output channels . . . . . . . . . . . . . . . tri-colour 12-segment LED bargraphs

Power

AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 150W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . .159mm (6.26")

Width

16 channel 24 channel 32 channel 40 channel

Depth

All frame sizes . . . . . . . . . . . . . . . . .656mm (25.83")

Weight

16 channel . . . . . . . . . . . . . . . . . . . .22 kg (48.5 lbs) 24 channel . . . . . . . . . . . . . . . . . . . 27 kg (59.5 lbs) 32 channel . . . . . . . . . . . . . . . . . . . .32 kg (70.5 lbs) 40 channel . . . . . . . . . . . . . . . . . . . .37 kg (81.6 lbs)

. . . . . . . . . . . . . . . . . . .842mm (33.13") . . . . . . . . . . . . . . . . . .1065mm (41.93") . . . . . . . . . . . . . . . . . 1300mm (51.17") . . . . . . . . . . . . . . . . . .1523mm (59.96")

Page 421

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 14

GB2 Live • 16, 24 and 32 channel frame sizes • Switchable 48V phantom powering on every channel • 6 Aux sends • 4 Sub groups (paired) • 6 x 2 Output matrix • GB30 mic preamps • 4-band GB30 EQ • Integral power supply, with an external power supply link option • All metal TRS jacks and Neutrik XLRs • Direct outputs on all mono input channels

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic/Line Input to any output . . . . . . . . . . . . . . . . . 20Hz – 20kHz, < 1dB

Input & Output Levels

T.H.D.

Mic sens. -30dBu, +20dBu at all outputs . . . . . . . . . . < 0.006% @ 1kHz

Noise

Input & Output Impedances

Section:

Crosstalk (@ 1kHz)

Filter

HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ (Mono Input)

Metering

Input channels . . . . . . . . . . . . . . . . . . . . . Signal present and peak LEDs Left and right output channels . . . . tri-colour 12-segment LED bargraphs

Power

AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 150W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

Page 422

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . .159mm (6.26")

Width

16 channel . . . . . . . . . . . . . . . . . . .790mm (31.10") 24 channel . . . . . . . . . . . . . . . . . .1013mm (39.88") 32 channel . . . . . . . . . . . . . . . . . 1247mm (49.09")

Depth

All frame sizes . . . . . . . . . . . . . . . . .656mm (25.83")

Weight

16 channel . . . . . . . . . . . . . . . . . . . .22 kg (48.5 lbs) 24 channel . . . . . . . . . . . . . . . . . . . 25 kg (55.1 lbs) 32 channel . . . . . . . . . . . . . . . . . . . .30 kg (66.1 lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 15

GB2R

Live • Rotatable rear connector panel for rack or desktop use • 12/2 channel version with 12 mono inputs and 2 stereo inputs, stereo Sub Group Output, Mix and Mono Sum Outputs – total inputs to mix 26 • 16 channel version with 16 mono inputs, Stereo Mix and Mono Sum outputs – total inputs to mix 22 • 8 (GB2R 16) or 10 (GB2R 12/2) busses • 2 stereo inputs (GB2R 12/2 only) • GB30 mic preamp and precision equalisation circuitry • 6 Aux Outputs • Direct Outputs on every mono channel • 100mm faders • Switchable +48V phantom power on every mic input • 100Hz high pass filter • Internal switched mode power supply • Record output

Pictured : GB2R 16

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic/Line Input to any output . . . . . . . . . . . . . . . . . 20Hz – 20kHz, < 1dB

Input & Output Levels

T.H.D.

Mic sens. -30dBu, +10dBu at all outputs . . . . . . . . . . < 0.006% @ 1kHz

Noise

Measured RMS, 22Hz to 22kHz Bandwidth Mic Input E.I.N. @ unity gain . . . . . . . . . . . . . < -128dBu (150Ω source) Mix Output, 16 inputs routed to mix . . . . . . . . . . . . . . . . . . . . < -86dBu Group Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -86dBu Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -86dBu

Mono & Stereo Mic Inputs . . . . . . . . . . . +15dBu max. Mono & Stereo Line Inputs . . . . . . . . . . +30dBu max. Stereo Returns & Insert Returns . . . . . . . +20dBu max. Any Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Nominal operating level . . . . . . . . . . . . . . . 0dBu max. Headphone power . . . . 2 x 250mW into 200Ω phones

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩ Line Inputs and Stereo Returns . . . . . . . . . . . . . 10kΩ Input Channel Insert Return . . . . . . . . 5k (with EQ in, otherwise worst case 3kΩ Mix, Group, Aux, & Direct outputs . . . . . . . . . . . . 150Ω Insert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω Recommended headphone impedance . . . . . 50-600Ω

Crosstalk (@ 1kHz)

Filter EQ (Mono Input)

Input channel muting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB Input fader cutoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -95dB Input pan pot isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -77dB Mix routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB Group routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB Adjacent channel isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -99dB Group-Mix crosstalk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -89dB Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB Typical CMRR at max gain @ 1kHz . . . . . . . . . . . . . . . . . . . . . . . . . 90dB HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave HF . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB, 2nd order shelving Hi-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 550Hz – 13kHz, +/-15dB Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB, 2nd order shelving Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

EQ (Stereo Input) (GB2R 12/2 only)

HF . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB, 2nd order shelving Hi-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kHz, +/-15dB Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450Hz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB, 2nd order shelving Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.8

Metering

Input channels . . . . . . . . . . . . . . . . Single LEDs, Signal Present and Peak Left and right output channels . . . . tri-colour 12-segment LED bargraphs

Power

AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 150W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

DIMENSIONS & WEIGHT Depth (at deepest point) Rearcon rotated to rack mount Rearcon rotated for desktop use

Both models . . . . . . . . . . . . . . .159mm (6.26") Both models . . . . . . . . . . . . . . .190mm (7.48")

Width Without rack ears

Both models . . . . . . . . . . . . . . . .483mm (19") Both models . . . . . . . . . . . . . 440mm (17.32")

Height

Both models . . . . . . . . . . . . . 445mm (17.52")

Weight

GB2R 12/2 . . . . . . . . . . . . . . .12.2 kg (27 lbs) GB2R 16 . . . . . . . . . . . . . . . . 12.2 kg (27 lbs)

With rack ears

Page 423

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 16

LX7ii

Live • 16, 24 and 32 channel frame sizes • GB30 mic preamp and 4-band GB30 EQ • 48V phantom power • True 7-bus architecture • Channel direct outputs • Talkback facility • Full-size 100mm faders • Integral universal voltage, switched-mode PSU for light weight

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

XLR input to any Output . . . . . . . . . . . . . . . . . . 20Hz – 20kHz, +0/-1dB

Input & Output Levels

T.H.D.

All measurements at +10dBu output, 30dB gain XLR input to Direct output . . . . . . . . . . . . . . . . . . . . . < 0.007% @ 1kHz XLR input to Mix output . . . . . . . . . . . . . . . . . . . . . . . < 0.008% @ 1kHz

Mic Input . . . . . . . . . . . . . . . . . . . . . . . +15dBu max. Line Input . . . . . . . . . . . . . . . . . . . . . . . +30dBu max. Stereo Inputs & Insert Returns . . . . . . . . +20dBu max. All Outputs . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Nominal operating level . . . . . . . . . . . . . . . 0dBu max. Headphone power . . . . . . 2 x 250mW into 200 phones

Noise

Mic Input E.I.N. (maximum gain) . . . . . . . . . . <-128dBu (150Ω source) Mix (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . . . < -85dBu Group (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . < -85dBu Aux (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . . . < -88dBu

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩ Line Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . > 10kΩ Input Channel Insert Return . 5k (with EQ in, otherwise . . . . . . . . . . . . . . . . . . . . . . . . . . . .worst case 1.8kΩ Mix, Group, Aux Outputs . . . . . . . . . . . . . . . . . . 150Ω Insert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω Recommended headphone impedance . . . . 50-600Ω

Section:

Crosstalk (@ 1kHz)

Input channel muting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB Input fader cutoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB Input pan pot isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 82dB Mix routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB Group routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB Adjacent channel isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 100dB Group-Mix crosstalk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -94dB Typical CMRR at max gain @ 1kHz . . . . . . . . . . . . . . . . . . . . . . . . . 80dB

Filter

HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ (Mono Input)

Metering

Output channels . . . . . . . . . . . . . 6 tri-colour 12-segment LED bargraphs

Power

AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 50W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

Page 424

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . 164mm (6.5")

Width

16 channel . . . . . . . . . . . . . . . . . . . . 653mm (25.7") 24 channel . . . . . . . . . . . . . . . . . . . . 856mm (33.7") 32 channel . . . . . . . . . . . . . . . . . . . 1059mm (41.7")

Depth

All frame sizes . . . . . . . . . . . . . . . . . . 503mm (19.8")

Weight (packed)

16 channel . . . . . . . . . . . . . . . . . . 18.2 kg (40.0 lbs) 24 channel . . . . . . . . . . . . . . . . . . 21.8 kg (48.0 lbs) 32 channel . . . . . . . . . . . . . . . . . . 25.4 kg (56.0 lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 17

FX16ii Multi-Purpose • 26 inputs as standard • 16 mono channels with UltraMic™ preamps • 4 stereo returns • 4-bus architecture with sub-group routable to mix • 24-bit Lexicon effects processor • Direct ouputs individually switchable pre/post fade • 100mm faders • Inserts on all mono channels • Inserts on stereo mix bus • 3-band EQ with swept mid band on mono inputs • 100Hz high-pass filter • +48V phantom power • 2 sub-group outputs • Rack mountable with rotating rear panel

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . . . . +/1dB, 20Hz – 20kHz

T.H.D.

Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . < 0.009% @ 1kHz

Noise

Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -127dBu (150Ω source) Aux, Mix and Masters (@ 0dB, faders down) . . . . . . . . . . . . . . < -84dBu

Crosstalk (@ 1kHz)

Channel Mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 96dB Fader Cut-off (rel +10 mark) . . . . . . . . . . . . . . . . . . . . . . . . . . . > 90dB Aux Send Pots Offness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 86dB

EQ (Mono inputs)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB, MF (swept) . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hz – 3.5kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Power Consumption

Less than 40W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to +30°C

INPUT / OUTPUT SPECIFICATIONS Input & Output Levels

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . +15dBu max. Line Input . . . . . . . . . . . . . . . . . . . . . . . +30dBu max. Stereo Input . . . . . . . . . . . . . . . . . . . . . +30dBu max. Mix Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Headphones (@150Ω) . . . . . . . . . . . . . . . . . . 300mW Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩ Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10kΩ Stereo Input . . . . . . . . 65kΩ (stereo), 35kΩ (mono) Outputs . . . . . 150Ω (balanced), 75Ω (unbalanced)

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

Section:

09 For more than 35 years, Lexicon has been synonymous with the best reverb and processing in the business, continuously introducing ground-breaking technology to the audio industry. Today, Lexicon processing is heard on over 80% of all recordings - broadcast and film soundtracks. Now Soundcraft empowers the FX16ii (along with the EFX/MFX – see pages 40 and 44) with stunning 24-bit digital effects processing using the same AudioDNA® processor used in the highly-acclaimed Lexicon MX500 processor. A total of 32 preset effects including reverbs, delays and choruses are available along with 3 effects parameter controls and a tap tempo button. The versatility of the effects section is further enhanced by the facility to store user-defined effects settings allowing the user to return to their favourite settings time after time.

DIMENSIONS & WEIGHT

Effects can be switched on and off using a footswitch.

Height

148mm (5.8")

Note: FX section pictured here is from EFX. Functions and features are the same for FX16ii, EFX and MFX.

Width

Without rack brackets . . . . . . . . . . . . . 442mm (17.4") With rack brackets . . . . . . . . . . . . . . . 481mm (19.0")

Depth

442mm (17.4")

Weight

8.5kg (19lbs)

Page 425

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 18

Soundcraft M Series Multi-Purpose • 4, 8 or 12 mono inputs with 3-band EQ (swept mid) • 4 stereo inputs • Rugged chassis design, with integral rackmount capability • 4 dedicated level-controlled FX returns with master level control • 4 auxiliary sends – 2 pre-fade, 2 post-fade • Pre- /post-fade switchable direct output on every mono input channel • Signal detect and peak LEDs on all input channels • S/PDIF digital output • Global 48V phantom power • 100mm faders throughout Harman Pro Group | 2013 Section:

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . . +/-1dB, 20Hz – 20kHz

Input & Output Levels

T.H.D.

Mic Sensitivity -30dBu, +20dBu @ all outputs . . . . . . < 0.008% @ 1kHz

Noise

Mic Input E.I.N. (max. gain, 22Hz – 22kHz, unweighted) . . . . . . -128dBu Aux and Mix Outputs (8 ch. routed, faders down, 22Hz – 22kHz, unweighted) . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dBu

Microphone Input Maximum Level . . . . . . . . . +12dBu Mono Channel Line Input Maximum Level . . . . +38dBu Stereo Input Maximum Level . . . . . . . . . . . . . +21dBu Headphones Output (into 200Ω) . . . . . . . . . . 150mW All Other Audio Outputs . . . . . . . . . +21dBu into 10kΩ

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . ~ 2kΩ Mono Channel Line Input . . . . . . . . . . . . . . . > 40kΩ Stereo Input (Stereo Mode) . . . . . . . . . . . . . > 30kΩ Stereo Returns . . . . . . . . . . . . . . . . . . . . . . . . > 10kΩ Headphone Output . . . . . . . . . . . . . . . . . . . . . ~ 40Ω All Other Audio Outputs . . . . . . . . . . . . . . . . . . . . 75Ω

Crosstalk

Channel Mute . . . . . . . . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHz Fader Cut-Off (ref. Fader 0dB) . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHz Routing Isolation . . . . . . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHz

Filter

HP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ (Mono Input)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB MF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240Hz – 6kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Hz, +/-15dB

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%

Page 426

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . 119mm (4.7")

Width

4 channel, with sides . . . . . . . . . . . . . 4 channel, without sides . . . . . . . . . . 8 / 12 channel, with sides . . . . . . . . . 8 / 12 channel, without sides (rackmount) . . . . . . . . .

397mm (15.6") 373mm (14.7") 506mm (19.9") 483mm (19.0")

Depth

All frame sizes, with sides . . . . . . . . . 523mm (20.6") All frame sizes, without sides (rackmount) . . . . . . . . . 490mm (19.3"), . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .fits into 11U

Weight (incl. power supply)

4 channel . . . . . . . . . . . . . . . . . . . 6.75 kg (14.8 lbs) 8 channel . . . . . . . . . . . . . . . . . . . 8.25 kg (18.1 lbs) 12 channel . . . . . . . . . . . . . . . . . . 8.55 kg (18.8 lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 19

EPM Series Multi-Purpose • Frame sizes 6 mono + 2 stereo, 8 mono + 2 stereo and 12 mono + 2 stereo • Precision GB30 mic preamps • +48V phantom power • 2 configurable auxiliary buses • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Aux send globally switchable pre or post fade • 3- band EQ with swept mid band (mono inputs) • 2- band EQ on stereo inputs • Inserts on all mono inputs • 10-segment LED output metering • Headphone output • Simple rack mounting options

Pictured : EPM12

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . +/-0.5dB, 20Hz – 20kHz

Input & Output Levels

T.H.D.

Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . < 0.007% @ 1kHz

Noise

Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -128dBu (150Ω source) Aux, Mix and Masters (@ max, faders down) . . . . . . . . . . . . . . < -85dBu

Mic Input . . . . . . . . . . . . . . . . . . . . . . . +17dBu max. Line Input . . . . . . . . . . . . . . . . . . . . . . . +30dBu max. Stereo Input . . . . . . . . . . . . . . . . . . . . . +30dBu max. Mix Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Headphones (@200Ω) . . . . . . . . . . . . . . . . . . 300mW

Crosstalk (@ 1kHz)

Channel Mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 96dB Fader Cut-off (rel +10 mark) . . . . . . . . . . . . . . . . . . . . . . . . . . . > 96dB Aux Send Pots Offness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 86dB

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.4kΩ Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11kΩ Stereo Input . . . . . . . . . . . . . . . . . . . . . . . . . 100kΩ Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω

EQ (Mono inputs)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB, MF (swept) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Hz – 3kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Power Consumption

Less than 20W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . . 91mm (3.6")

Width

EPM6 . . . . . . . . . . . . . . . . . . . . . . . . . 280mm (11.0") EPM8 . . . . . . . . . . . . . . . . . . . . . . . . . 330mm (13.0") EPM12 . . . . . . . . . . . . . . . . . . . . . . . . 432mm (17.0")

Depth

All frame sizes . . . . . . . . . . . . . . . . . . 362mm (14.3")

Weight

EPM6 . . . . . . . . . . . . . . . . . . . . . . . . . 4.0 kg (8.8 lbs) EPM8 . . . . . . . . . . . . . . . . . . . . . . . . 4.6 kg (10.1 lbs) EPM12 . . . . . . . . . . . . . . . . . . . . . . . 5.8 kg (12.8 lbs)

Page 427

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 20

EFX Series Multi-Purpose • Frame sizes 8 mono + 2 stereo and 12 mono + 2 stereo • Built- in Lexicon 24-bit effects • Precision GB30 mic preamps • +48V phantom power • 1 configurable auxiliary bus • 1 dedicated FX send • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Aux send globally switchable pre or post fade • 3- band EQ with swept mid band (mono inputs) • 3- band EQ on stereo inputs • Inserts on all mono inputs • 10-segment LED output metering • Headphone output • Simple rack mounting options

Pictured : EFX8

Harman Pro Group | 2013

See Soundcraft FX16ii for Lexicon Effects Information

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . +/-1.5dB, 20Hz – 20kHz

Input & Output Levels

T.H.D.

Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . . < 0.02% @ 1kHz

Noise

Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -127dBu (150Ω source) Aux, Mix and Masters (@ 0dB, faders down) . . . . . . . . . . . . . . < -85dBu

Crosstalk (@ 1kHz)

Input & Output Impedances

Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩ Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10kΩ Stereo Input . . . . . . . . 65kΩ (stereo), 35kΩ (mono) Outputs . . . . . 150Ω (balanced), 75Ω (unbalanced)

EQ (Mono inputs)

EQ (Stereo inputs)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB, MF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 720Hz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Power Consumption Operating Conditions

Section:

Page 428

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . . 91mm (3.6")

Width

EFX8 . . . . . . . . . . . . . . . . . . . . . . . . . . 330mm (13.0") EFX12 . . . . . . . . . . . . . . . . . . . . . . . . 432mm (17.0")

Less than 35W

Depth

All frame sizes . . . . . . . . . . . . . . . . . . 362mm (14.3")

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to 40°C

Weight

EFX8 . . . . . . . . . . . . . . . . . . . . . . . . . 4.6 kg (10.1 lbs) EFX12 . . . . . . . . . . . . . . . . . . . . . . . . 5.8 kg (12.8 lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 21

MPMi Series Multi-Purpose

Pictured : MPMi20

• Frame sizes 12 mono + 2 stereo and 20 mono + 2 stereo • Individual channel modules with nutted pots fixed to compact and rugged steel chassis for increased strength and rigidity • Precision GB30 mic preamps • +48V phantom power • 2 group busses • 3 Aux sends, 2 switchable pre or post fade, 1 post fade • 3-band EQ with swept mid band on mono inputs • 3-band EQ on stereo inputs • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Stereo Mix, Monitor and Headphone outputs • Optional rack ears available for 20 channel, included with 12 channel

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . +/-0.5dB, 20Hz – 20kHz

Input & Output Levels

T.H.D. + Noise

Mic gain 30dB, -20dBu input Mix out, fader max @ 1kHz, i/p fader @ 0dB . . . . . . . . . . . . . . <0.004 %

Mic Input . . . . . . . . . . . . . . . . . . . . . . . +16dBu max. Line Input . . . . . . . . . . . . . . . . . . . . . . . +30dBu max. Stereo Input . . . . . . . . . . . . . . . . . . . . . +30dBu max. Mix Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max. Headphones (@200Ω) . . . . . . . . . . . . . . . . . . 300mW

Noise (22Hz-22kHz

Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -128dBu (150Ω source)

Input & Output Impedances

measurement bandwidth) Aux, Mix and Masters (@ max, faders down) . . . . . . . . . . . . . . < -83dBu

Crosstalk (@ 1kHz)

Channel Mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 93dB Fader Cut-off (rel +10 mark) . . . . . . . . . . . . . . . . . . . . . . . . . . . > 93dB Aux Send Pots Offness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 83dB

EQ (Mono inputs)

HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8kHz, +/-15dB MF (swept) . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hz – 3.5kHz, +/-15dB LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hz, +/-15dB Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Harman Pro Group | 2013

TYPICAL SPECIFICATIONS

Section:

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . 196mm (7.7")

Power Consumption

MPMi20/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Watts MPMi12/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Watts

Width

MPMi12 . . . . . . . . . . . . . . . . . . . . . . . 585mm (23.0") MPMi20 . . . . . . . . . . . . . . . . . . . . . . . 790mm (31.0")

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0°C to +40°C

Depth

All frame sizes . . . . . . . . . . . . . . . . . . 485mm (19.1")

Weight

MPMi12 . . . . . . . . . . . . . . . . . . . . . . 8.6 kg (18.9 lbs) MPMi20 . . . . . . . . . . . . . . . . . . . . . 11.5 kg (25.3 lbs)

Page 429

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 22

MFXi Series Multi-Purpose • Frame sizes 8 mono + 2 stereo, 12 mono + 2 stereo and 20 mono + 2 stereo • Individual channel modules with nutted pots fixed to compact and rugged steel chassis for increased strength and rigidity • Built- in Lexicon 24-bit effects • Precision GB30 mic preamps • +48V phantom power • 2 group busses • 2 Aux sends, globally switchable pre or post fade • Dedicated FX send • 3-band EQ with swept mid band on mono inputs • 3-band EQ on stereo inputs • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Stereo Mix, Monitor and Headphone outputs • Optional rack ears available for 8 and 20 channel, included with 12 channel See Soundcraft FX16ii for Lexicon Effects Information

Pictured : MFXi12/2

Harman Pro Group | 2013 Section:

TYPICAL SPECIFICATIONS

INPUT / OUTPUT SPECIFICATIONS

Frequency Response

Mic / Line Input to any Output . . . . . . . . . . . . . +/-1.5dB, 20Hz – 20kHz

Input & Output Levels

T.H.D.

Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . . < 0.02% @ 1kHz

Noise

Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -127dBu (150Ω source) Aux, Mix and Masters (@ 0dB, faders down) . . . . . . . . . . . . . . < -85dBu

Crosstalk (@ 1kHz)

Input & Output Impedances

EQ (Mono inputs)

EQ (Stereo inputs)

Power Consumption

Less than 40W

Operating Conditions

Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to 40°C

Page 430

DIMENSIONS & WEIGHT Height

All frame sizes . . . . . . . . . . . . . . . . . . . 196mm (7.7")

Width

MFXi8 . . . . . . . . . . . . . . . . . . . . . . . . . 487mm (19.2") MFXi12 . . . . . . . . . . . . . . . . . . . . . . . . 585mm (23.0") MFXi20 . . . . . . . . . . . . . . . . . . . . . . . . 790mm (31.1")

Depth

All frame sizes . . . . . . . . . . . . . . . . . . 485mm (19.1")

Weight

MFXi8 . . . . . . . . . . . . . . . . . . . . . . . . 7.4 kg (16.3 lbs) MFXi12 . . . . . . . . . . . . . . . . . . . . . . . 8.6 kg (18.9 lbs) MFXi20 . . . . . . . . . . . . . . . . . . . . . . 11.5 kg (25.3 lbs)

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 23

Multi-Purpose Comparison Chart FX16ii

M Series

EPM

EFX

MPMi

MFXi

Rack Mount

Rack ears supplied

4,8 & 12 Integral ( 4 uses rack extender )

Optional

Optional for 20 ch Standard on 12 ch

Optional for 8/20 ch Standard on 12 ch

Frame Sizes

4, 8, 12

6, 8, 12

8, 12

12, 20

8, 12, 20

Mono Channels (mic or line)

4, 8, 12

6, 8, 12

8, 12

12, 20

8, 12, 20

Integral FX

32 Lexicon FX

Inserts

Mono inputs, Sub-mix, Mix

Mono inputs, Mix

Mono inputs

4 stereo returns

4 stereo inputs

2 stereo inputs

Direct Outs

All mono channels

EQ Bands (mono inputs)

3 (swept mid)

EQ Bands (stereo inputs)

2 band fixed on stereo inputs

3 band fixed on stereo inputs

100Hz HPF mono inputs

3 + Lexicon FX

4 ( 2 pre, 2 post)

1 + Lexicon FX

2 + Lexicon FX

5 stereo returns

4 stereo returns

1 stereo return

2 stereo returns

1 stereo return

2 stereo returns

Switchable 1-8, 9-16

Global

Stereo Channels

Filters Auxiliary Sends Returns (Stereo returns include 2-track input)

Phantom Power

100+ FX

Typical Applications: Band/PA Setups

✔

Small Venues,

✔

Conferences

✔

Installed Sound

✔

Schools, Houses of Worship

✔

Studio Recording

✔

Video Pre/ Post-Production

✔

Sub/Location Mixing

✔

Multimedia

✔

Page 431

Harman Pro Group | 2013

Groups

32 Lexicon FX

Section:

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 24

Live Comparison Chart Front of House

Harman Pro Group | 2013

GB8

GB4

GB2

GB2R 16 - GB2R 12/2

LX7ii

Mono Inputs

24-48ch

16-40ch

16-32ch

16ch / 12ch

16-32ch

Sub Groups

4 (paired sends)

8 (paired sends)

-/2

4 (paired sends)

Master Outputs

L/R + Mono

L/R + mono

L/R + Mono

Matrix

11 x 4 standard

7x4 standard

6x2 standard

4 standard

2 standard

2 standard more optional

-/2

2 fixed, 2 swept

2 fixed 2 swept

100Hz HPF

Aux Sends

6 (4 Pre/Post)

Mute Groups

4 + 2 stereo inputs

2 stereo inputs

3 stereo returns (GB2R 16) Up to 5 stereo returns + 2 stereo inputs (GB2R 12/2)

Integral PSU 12-segment output metering

Integral PSU, 12-segment output metering Stereo modules

Integral PSU 12 segment output metering available

Integral PSU 12-segment output metering

Integral PSU meterbridge

VCA Groups Stereo Inputs EQ Filters

Section:

COMPARISON CHARTS

FX Returns Linking Other Features

Page 432

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:42 Page 25

Small Format Digital Live Comparison Chart

COMPARISON CHARTS

Si Expression

Si Performer

16, 24, 32

24, 32

4 mono (2 stereo)

8 mono (4 stereo)

1 pair

Max Inputs to Mix

Stereo Returns

4 Send/Return Jacks

4 assignable insert loops

Mono Inputs Line Inputs AES/EBU Inputs

Inserts Input EQ Input Dynamics

4 bands, 2 parametric, 2 sweep shelving 4 bands, 2 parametric, 2 sweep shelving

4 full parametric bands

Gate / Compressor

Input Delays

Yes

Pan Modes

LR, LCR

Channel Name Display

Yes

Assignable Fader Layers

Yes

VCA Groups

Mute Groups

Total Mix Busses

Bus Output Connectors

AES/EBU Outputs

4 mono

4 mono or stereo

Lexicon FX Engines

Graphic EQs (Bus)

Matrix Outputs

Output EQ Output Dynamics Output Delays Option card Slots

Harman Pro Group | 2013

Si Compact

Section:

4 bands, 2 parametric, 2 sweep shelving 4 bands, 2 parametric, 2 sweep shelving

4 full parametric bands

Compressor

Yes

Page 433

NOTES:

Harman Pro Group | 2013 Section:

Page 434