PORTFOLIO OF WORK Belen Gonzalez Aranguren
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BELÉN GONZÁLEZ ARANGUREN selection of works name: Belén surname: González Aranguren date and place of birth: 27-01-1990 in Madrid, Spain contact: 0034 630 003 706 email adress: belen.gonzalez.aranguren@gmail.com
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index. CV_ AC_
curriculum vitae
academic projects
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workshops competitions
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built
profesional work
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publications
EDUCATION AND HONORS * Master’s degree in Architecture. Terminal Professional degree. (Equivalence granted for a Bachelor in Architecture + Master of Science in Architecture). NAAB Substantial Equivalency Acreditation. School of Architecture of Madrid. ETSAM. Technical University of Madrid. UPM. Sept. 2008 - Sept. 2015 Graduate Cum Laude 10/10, with the Master Thesis “125.000 km, reactivation of Trashumance infraestructures in Spain” * Schoolarship for International Workshop “Fragments of. Learning from pols”. India, Ahmedabad March - April 2015 A fragment of the city is studied, the Pols of Ahmedabad, trying to face the challenges that these specific areas arise, from a global perspective and without forgetting the value of establishing debate in these processes, restating what we “know”. A laboratory of social, cultural and technical learning for Spanish students that working with Indian students and local actors seek to pose the right questions to extract from them the tools with which to tackle urban projects in such contexts. * Schoolarship for International Workshop and Exposition “The architect is present”. Madrid. Fundación ICO, Arquia and Arquitectura Viva (AV) May 2014 Five studios working in five continents (Kéré, TYIN, Kundoo, Benítez, Heringer) exhibit projects, deliver lectures and lead workshops in defense of an austere and responsible architecture. Each one of the architects also lead a two-week workshop with a small group of recent graduates or senior architecture students. The material produced in the five workshops was gradually added to the exhibition, whose contents grew with the results of this professional and academic dialogue. * Bilateral Scolarship in Universidad de Chile. UC. Sept. 2012 - Sept. 2013 PROFESIONAL EXPERIENCE * Aranguren&Gallegos Architects (José González Gallegos & Maria José Aranguren) 2017 - 2018 Inauguration of ICA MIAMI Art Museum (Miami, EEUU) // Diffusor Manager Valdebebas 5 towers collective housing, Under Construction, (Madrid, Spain) // Design Project Lycee Frances new educational building (Mallorca, Spain) // Design Project Mall in Benidorm, executive project, (Benidorm, Spain) // Design Project Alcobendas 255 collective housing, executive project, (Madrid, Spain) // Design Project Residence of Elders in Mallorca (Mallorca, Spain) competition // Design Project EMV collective housing in Vallecas, competition, (Madrid, Spain) // Intern Architect Valdebebas 255 collective housing, competition (Madrid, Spain) // Intern Architect * Belén González Aranguren 2017 “Open Kitchen”, interior reform of detached house in La Moraleja. Incorporation of the kitchen in the living room , dessign and construction // Architect * Entresitio Studio (María Hurtado de Mendoza Wahrolén & César Jiménez de Tejada Benavides & José María Hurtado de Mendoza Wahrolén) 2016 National Museum of Memory (Bogotá, Colombia), executive project // Design Project Javeriana University (Bogotá, Colombia), competition // Design Project Mali Art Museum (Mali, Perú), competition // Design Project Uniandes University (Bogotá, Colombia), competition // Design Project * LLPS Studio (Eduardo Pérez & Miguel Sánchez) 2015 Pschycology Faculty (Málaga, Spain), executive project // Design Project Office Tower (Lima, Perú), competition // Design Project
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* Polidura & Talhouk Studio (Antonio Polidura & Pablo Talhouk) 2013 Casa Un Patio (Santiago de Chile, Chile), executive project // Intern Architect Comedor-Salón Multifuncional Iron Mountain (Santiago de Chile, Chile), executive project // Intern Architect * BSO STAGE in the Brandery Fair Coofunder and active contributor of the architecture colletive Quid Studio 2011 Design and construction by hand of a pavilion built with ropes and scaffolding at the Barcelona fashion fair (Barcelona, Madrid) // Architect AWARDS IN COMPETITIONS *accesit* COAM Competition, Design of the Corral de Comedias and the general implementation of the “Fiesta Corral Cervantes, Madrid 2018” that take place in the Cuesta de Moyano in Madrid during the summer of 2018. February 2018 project: “Sales de bohemia” jury: D. Rodrigo Arribas Fontela, D. José María Ezquiaga Domínguez, Dña. Pilar Pereda Suquet, Dña. Anna Gil Arrufat, D. Javier Bardón Artacho, Dña. Mireia Luzárraga Álvarez, D. Javier Fresneda Puerto *shortlisted* Concentrico, International festival of architecture and design of Logroño, Spain Dicember 2017 project: “Naturalezas” jury: Alfonso Samaniego Espejo, Marta Palacios García, Irene Fernández Bayo, Rebeca Castellano Alonso, Ignacio Martínez Zapater, Javier Peña Ibáñez, *shortlisted* Europan Competition 2017, “Productive cities” Abril 2017 project: “ From textile to fertile, an strategic plan for Güebwiller” jury: city of Guebwiller, NSC FLORIVAL company, Guebwiller region municipalities community, EPF (Public Land Institution) of Alsace,Vosges Massif *shortlisted* Rethinking Competition 2017, Lanzarote New Music Academy Enero 2017 project: “De boca en boca” jury: SOL89 Arquitectos, MEDIOMUNDO arquitectos, Cabildo de Lanzarote, Coordinador del Área de Cultura, Fuel Fandango *shortlisted* COAM COMPETITION “Plaza España renovation, Madrid, Spain “ September 2016 project: “Reverde con causa” jury: Delegate of the Government Area of Sustainable Urban Development, Delegate of the Government Area of citizen participation, Delegate of the Environment and Mobility Area, Delegate of the Culture and Sports Area and more. *3th prize* PFC COAM Awards 2016 2016 Recognition of the quality of the Thesis Projects presented in the Schools of Architecture of Madrid project: 125.000 km, reactivation of transhumant infrastructures in Spain jury: D. Javier Jerez González, D. Ángel Alonso Ortiz, Dña. Mª Antonia Fernández Nieto, Dña. Anna Mestre Suñé, D. Fernando Moral André, Dña. Elena Escudero López, D. José Manuel González Izquierdo, D. Javier Camacho Díez. *highlighted* Aarhus New Architecture school, Denmark March 2016 project: “Red pidemic” jury: Kristian Lyk-Jensen, Signe Primdal Kæregaard, Ingelise Bogason, Torben Nielsen, Lars Autrup, Jens Thomas Arnfred, Reiulf Ramstad, Erik Jespersen, Stephen Willacy *shortlisted* PFC Strikes Competition 2015 Recognition of the quality of the Thesis Projects presented in the School of Architecture of Madrid. ETSAM project: 125.000 km, reactivation of transhumant infrastructures in Spain
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*3th prize* Ascer Ceramic, Spanish Association of Tiles and Ceramic Pavements Manufacturers 2015 project: 125.000 km, reactivation of transhumant infrastructures in Spain jury: Víctor López Cotelo, Laura Andreini Marcos Cruz, Isabel López Vilalta, Édgar González Ramón Monfort *shortlisted* Isarch Awards for Architecture 2015 project: 125.000 km, reactivation of transhumant infrastructures in Spain jury: Associate Herzog & De Meuron Tomislav Dushanov, Mad Architects, Mvrdv Jeroen Zuidgeest Project Manager, Makoto Fukuda Director De Proyecto En Toyo Ito Architects Y Embt, Ajn - Ateliers Jean Nouvel, *shortlisted* Archiprix Competition in Cept University, Ahmdabad, India 2015 project: 125.000 km, reactivation of transhumant infrastructures in Spain jury: Luis Maldonado, Federico Soriano, Alberto Pieltain, Antonio Ruiz Barbarín, Fernando Rodríguez, Pedro Pitarch *shortlisted* Arquideas International Wildlife Center, Africa 2014 project: “Big six” jury: Nathalie de Vries, Federico Soriano, Felipe Assadi, Sol Madridejos, Vincent Pearson, Alejandro Fernández-Linares, José María Ordovás ACADEMIC, LECTURES AND CONFERENCES * Lecturer in the University of Virginia (UVA). Coordinator in Studio ARCH 1020. “Lessons in making” (Undergraduated students) August 2018- December 2018 * Lecturer in the University of Virginia (UVA). Instructor in Studio ARCH 2010. “Urban Catalysts” (Undergraduated students) August 2018- December 2018 * Guest Teacher and Member of the Final Jury for the subject “Territorial Project and Landscape” in the European University of Madrid (UE) topic: “Territorial Project and Landscape” June 2018 * Lecture in the European University of Madrid (UE) topic: “Contemporary Landscapes and New Technologies” November 2017 * Participation in “Workshop future of construction”, organized by CEMEX, IBM, NEORIS, BOSTON CONSULTING GROUP. These great consulting and construction companies organize each year a workshop with the best sector professionals to think about the future of construction and idear new strategies. October 2016 * Conference at the IED School of Architecture topic: Reactivation and rehabilitation of infraestructures February 2016 * Conference at the School of Architecture of Madrid. ETSAM. Technical Univer- sity of Madrid. UPM. topic: Reactivation and rehabilitation of infraestructures February 2016 WORK PUBLISHED IN ARCHITECTURE BOOKS, JOURNALS AND MAGAZINES “DPA ETSAM” by El Departamento de Proyectos de la ETSAM 2017 ISBN:978-84-947055-3-3
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“Fragments of” by Jorge Pizarro and Marta Badiola 2016 ISBN:978-84-616-8241-6, Editorial Arquitectura Viva S.L. “Grammaticals” by Federico Soriano. 2015 ISBN: 978-84-942926-0-6, Publicación non-profit de investigación universitaria “The drawing Bazaar” by María Fullaondo and Ciro Márquez Architect projects 2015 Universidad Europea de Madrid, ISBN:978-84-7207-231-2, Editorial Rueda S.L. COOPERATION * Memer of the organization “City and kids” 2012 - 2013 Organization that aims to bring children at risk of social exclusion to the city in which they live through city tours. * Memer of the organization “Un techo para Chile, TECHO” 2012 - 2013 Organization that aims that each neighborhood of Chile has between 20% and 60% of social housing to make social integration a reality. PARTICIPATION IN EXHIBITIONS * Exhibited in the Architecture Biennial in Venice in 2018 in the spanish pavillion. This year opened for the most important young architects with the exposition theme “becoming”. 2018 project: 125.000 km, reactivation of transhumant infrastructures in Spain * Exhibited in the temporary exhibition at the COAM. Winners of the “Design of “El corral de comedias Madrid 2018”. 2018 * Exhibited in the temporary exhibition at the COAM for the PFC COAM Awards . 2016 *Exhibited in the temporary exhibition at the COAM for the “Plaza España renovation, Madrid 2018 * Exhibited in the temporary exhibition of the International Workshop “The architect is present”.Madrid, Fundación ICO, Arquia and Arquitectura Viva (AV) 2014 OTHERS “Festival Archikidz Santiago”, graphic design of the event, Santiago de Chile, Chile 2011-2012 www.archikidzsantiago.com * Collaboration with artist Pilar Echezarreta in the project “Agenciamiento con aire” in Tabacalera Space, Madrid 2011 LENGUAGES * Spanish: native lenguage
*English: advanced level
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* German: basic level
AC_01 Blanket city
AC_02 Iceberg
TP_00 125.000KM
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WS_02 The architect is present
CO_01 Redpidemic
CO_02 Reverde con causa
CO_03 From textile to fertile
CO_04 De boca en boca
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CO_05 Naturalezas
CO_06 Sales de bohemia
BU_01 BSO stage
BU_02 reforma
PW_01 Polidura+Talhouk
PW_02 LLPS
PW_03 Entresitio
PW_04 Aranguren&Gallegos
PU_00
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academic projects
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“blanket city”, Aravaca collective housing
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“iceberg”, a kindergarten for corrupt children
Sept-Sept 2014-2015
“125.000 km”, the movement of trashumance in Spain
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125.000 km the movement of the trashumance place: trashumance infraestructures, Spain year: 2015 category: academic project
Walking: Action to cross the space. Born from the natural need to move, in order to find food and information essential for survival. Once the primary demands are met, the fact of walking becomes a symbolic action that allows man to inhabit the world.
This project begins with a personal experience together with the detection of a socio-cultural opportunity and ideation of a strategy capable of resolving a very territorially disaggregated problem, in a systematic and effective way. A process in which constraints are appearing at very different scales but which, viewed from afar, form a whole.
By modifying the purpose of the journey, the space crossed becomes the first aesthetic action to penetrate the territories of chaos.
Starting from these premises, it is proposed to face the decline of a historical and sociocultural reality, part of our identity: THE MOVEMENT OF TRASHUMANCE. It is not about going back 8 centuries ago. It is about the compatibility of uses, territorial negotiation, and the symbiosis between past and present where the future benefits of this challenge.
A new order of reality is built on whose bases the architecture of the objects placed in it is developed. Bewitched lines that drag the thought after the movement of things.
This is a proposal that starts from the need to review passive systems of traditional architecture, due to the isolation of ruins in unsuspected places throughout the Spanish territory. It is a sustainability proposal that studies, above all, the bioclimatic behavior of the building, making it responsible and attentive to the environment and climate in which it is located.
The roads no longer simply lead to places, they are places. . In the mobility and the change the encounters take place, and this in turn generates new forms of sociability. This space, when it is sedentary, is lined by walls, enclosures and routes, while if the space is nomadic, it is smooth, marked only by lines that are erased and reappear with the comings and goings.
Thought and designed from the prefabrication, the construction phases, the assembly of parts, the efficiency ... but above all from the functionality and the maximum economization of the space.
The project was born when the comings and goings do not bring, and the traces of the nomadic space are blurred by the disuse. When evolution closes the way to a movement that leaves behind its consequent infrastructure in decay, and this decadence itself leads this movement to oblivion.
Therefore, it is a territorial and landscape intervention but, above all, architectural.
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3 SCALES The 125,000 km project will be approached from three different scales depending on the type of intervention. 1_ It will begin with an analysis of the theme at TERRITORIAL SCALE(km), 2_going through a case-study on an INTERMEDIATE SCALE (m) 3_ending with a detailed development at a CLOSE SCALE(mm) of three types of ruin reproducible and adaptable to the whole National territory.
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1 TERRITORIAL SCALE (KM) A study of the national network of livestock trails is made from a long field study in which the specific documentation for the project is collected. In this trip they are detected above all, big discontinuities in the infrastructures as well as many degraded places that will become places of opportunity.
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2 INTERMED (M
It is a possible long-term project that, in this case, focus It takes as a starting point the map of Madrid West in w 12 preexisting ruins of the Community of Madrid West landscape level. This intervention is formed by enclosu be explained later and that vary according to the Of the 12 ruins, 3 are chosen because they are the m BY,
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2 DIATE SCALE M)
ses on the rehabilitation of pre-existing ruins and ravines. which the network of royal ravines is located. A study of t is carried out. Plants are made with intervention at the ures, walls, cracks, drainages, earth movements that will location, topography and morphology of the ruins. most different from each other and will be named as IN, ON.
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3 CLOSE SCALE (MM) IA study of three type ruins is carried out, producing three prototypes that can be reproduced throughout the Iberian peninsula and a network of livestock trails. In ruins of large size will be intervened inside, in ruins of small size will intervene next to and in ravines and cattle trails above.
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prototype of intervention in large ruin with sufficient dimensions to be able to act inside
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prototype intervention in liv dimensions according t
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vestock trails with variable to the width of the road.
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prototype of intervention in small to be able to act inside. An i the vicinity that highligh
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l ruin with insufficient dimensions intervention is carried out in hts the pre-existing ruin.
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workshops
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March-April 2015
International Workshop “Learning from pols”. India, Ahmedabad
May 2014
International Workshop and Exposition “The architect is present”. Madrid, Fundación ICO grant
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Learning from Pols place: Ahmdabad, India year: 2015 category: academic project done in the International Workshop “Learning from pols�.
I was selected to participate in an international workshop on traditional Indian architecture by the great architect Yatin Pandia in Ahmedabad, India. The workshop was developed in two phases: a first of field study of the place to intervene (to assimilate the culture and idiosyncrasy of the neighborhood of Jethabai Ni Pol). A second phase in which we learn to adapt our European knowledge to the local reality.
borhood and the architectural and urban environment. With this purpose we developed an exhaustive analysis based on the form factor (housing typologies and their mechanisms) and the time factor (social survey of habits and necessities). Based on these conclusions, we divided our intervention in two basic fields: urban and architectural. The urban strategy was mainly focused on the lack of proper public space. It consisted of 4 points: creation of new gathering plazas, interaction between vertical levels, rooftops net proposal and new underground parking areas.
Our first approach to Jethabai Ni Pol aimed to discover its intrinsic character, studying both the way of life in the neigh-
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TIPOLOGY 1
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2 doors private house
traditional house
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school 1
new block of houses
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the architect is present
Workshof and exposition for scholarship students in ICO Museum place:ICO Museum, Madrid, Spain year: 2014 category: workshop and exposition
Under the title ‘The Architect is Present,’ the exhibition shows the work of five influential international studios who have turned austerity into their ethic and aesthetic motto. With offices located in five continents, these young architects work in underprivileged contexts, proving that scarcity of means can stimulate technical inventiveness and community participation, and indeed become the basis for a responsible architecture where the vocation of service does not exclude beauty and emotion.
schools around Spain, conveying their message of responsibility and optimism to the younger generation. The title of the exhibition evokes Marina Abramovic’s performance at the Museum of Modern Art in New York in the Spring of 2010, The Artist is Present,’ in which for more than 700 hours the artist sat motionless before those visiting the monographic exhibition. Here, however, the value of presence is not asserted through the serene impassiveness of artistic ataraxia, but through personal interaction and architectural dialog: in the workshops that take place in front of the gallery visitors, or in the lectures the architects will give at a number of architecture schools in the country, which together wish to turn the exhibition into a proactive manifesto, going beyond the event’s boundaries of space and time to become part of a collective transformation process.
From Norway and Germany to Burkina Faso, and from Paraguay to Australia passing through India or Thailand, these five studios have built social housing, rural schools or community centers with an extraordinary economy of means, admirable adaptation to collective needs and exemplary material execution, inspiring the very numerous architects who today, in Spain as in many other countries, seek to reconcile moral commitment with artistic excellence. To communicate their ideas more effectively, each one of the architects will also lead a two-week workshop with a small group of recent graduates or senior architecture stu dents, with the permanent assistance of expert mentors. These workshops will be held in the exhibition space proper, thereby hoping to promote contact with visitors. The material produced in the five workshops will be gradually added to the exhibition, whose contents will grow with the results of this professional and academic dialogue. And aiming to further disseminate the exhibition purpose – to participate actively in the current movement to regenerate the ties between architecture and society –, the five architects will deliver several lectures at different architecture
With the goal of strengthening this communicative purpose, the exhibition design by the architect Jesús San Vicente lets the workshop-leaders speak via comic bubbles, transmitting ideas, projects and desires through a pop aesthetic that is rounded off with photographs of their works and the tactile proximity of the essential materials used in them: an intellectual and emotive immediacy in the exhibition space that hopes to resonate in larger contexts, and that even extends itself to remote geographies through three-month paid internships in the offices of the architects for some of the workshop participants, thereby aiming to establish long-lasting ties with professional and social environments that are as distant as they are different, and which look particularly stimulating for a country that ponders on its future.
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competitions
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January 2017
February 2018
Rethinking Competition 2017, Lanzarote New Music Academy *shortlisted*
COAM COMPETITION “Design of “El corral de comedias Madrid 2018” *ACCESIT*
September 2016
Dicember 2017
Plaza España renovation, Madrid, Spain
Concentrico, International festival os architecture and design of Logroño, Spain *shortlisted*
March 2016
April 2017
Aarhus New Architecture school, Denmark *shortlisted*
Europan Competition 2017, “ Productive cities” *shortlisted*
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redpidemic
Proposal for The Aarhus Universuty place: Aahrus, Denmark year: 2016 category: competition
Our first approach to Jethabai Ni Pol aimed to discover its intrinsecal character, studying both the way of life in the neighbourhood and the architectural and urban environment.With this purpose we developed an exhaustive analysis based on the form factor (housing typologies and their mechanisms) and the time factor (social survey of habits and necessities).
was mainly focused on the lack of proper public space. It consisted on 4points: creation of new gathering plazas, interaction between vertical levels, rooftops net proposal and new underground parking areas. On the architectural side we proposed 3types of intervention: civic centres integrated in the two existing half-built concrete buildings, reuse of empty spaces in traditional houses (aiming to attract young people) and rehabitalization of new typologies with public spaced for the neighbourhood.
Based on these conclusions we divided our intervention in two basic fields: urban and architectural. The urban strategy
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reverde con causa
Remodeling of Plaza de Espa単a in Madrid place: Plaza de Espa単a, Madrid, Spain year: 2016 category: competition
Proposal for urban intervention in the Plaza de Espa単a in Madrid. Public contest of great media diffusion, very important for the citizens of Madrid.
reasonable and sustainable use of resources and of the care of public space by the users themselves. We applaud the success of writing the bases of the contest according to the public opinion. Our intention is that citizens continue to be integrated into the decision-making process of remodeling, feel involved and committed to it and, therefore, value, respect and take care of the resulting public space.
It is a long-term project that is based on changing the mobility of the citizen. The pedestrianization of urban centres is a fact and this project intends to carry it out in the city of Madrid. This long process would begin with the Plaza de Espa単a of Madrid as the start of the process. The main objective of this proposal is the realization of a subtle but effective intervention with low budget as the bases of the contest required.
Given the conceptualization of the proposal, which proposes the creation of a large continuous meadow on which the different scenes-uses are based, two clear phases can be distinguished in the execution of the project. While the works of restructuring of the surroundings begin, and without this supposing any delay in the process, a parallel process is opened in which the citizen scenes are subjected to citizen survey -generating activities- that are going to take place in the square, and depending on the results, we will proceed to the inclusion of new uses, and to the dimensioning of the activities already proposed.
It is a superposition of 5 layers or substrates that give a new spatial and functional quality to the square. 1_ THE TOPOGRAPHY 2_ NEW INFRASTRUCTURE AND SUSTAINABILITY 3_ THE MEADOW 4_ THE PAVING 5_ THE VEGETATION
Due to the climatic differences of the city of Madrid throughout the year and the generation of microclimates fostered by the new proposed vegetation, lighting and water treatment, 12 atmospheres are created that in some cases recreate places that our head relates to relaxation and free time, and in other cases provides citizens with a great cultural and entertainment offer.
Citizenship is the heart of the city, and the way to make a lasting and profound change in the city is through its citizens. We believe that the priority is to raise awareness among the public of a new model of urban mobility, of a
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from textile to fertile
An strategic Plan for GĂźebwiller place: GĂźebwiller, France year: 2017 category: competition
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de boca en boca
a new music catalytic in Lanzarote place: Lanzarote, Las Canarias, Spain year: 2017 category: competition
The BOCA EN BOCA project, which translates to ‘Word of mouth”, is born from the urge togenerate a new place of reference for music in Lanzarote. The project consists in the rehabilitation of an old water deposit to turn it into a music center that puts in value the new musical talents of the island.
is created that takes advantage of the winds of the island producing a cross ventilation throughout the building. The central space is maintained providing a double height to offer a large wealth of perspectives and cross relationships. A red theatrical curtain separates the performance of the audience that is expectant, in a dark place, that acquires life at the beginning of the performance filling with light and reflections from the large translucent polycarbonate box, “THE SOCO”. This space will be surrounded by a garden around its perimeter, “LA CACTUSERA”, a garden in height that blends with the surrounding landscape Due to the proposed soil finish, Lanzarote’s own black volcanic soil. He ground gets into the building on the top floor blurring the boundaries between the inside and the outside.
This “FOCUS or NODE” generates the main spatial relationships of the project. This occurs from a few accesses attracted to it, as if a magnet will try, causing a circulations around him that give dynamism to all the draft. These accesses are made up of semi-buried stands in the perimeter of the container drawer, as improvised stages, that they will give rise to different musical scenes according to their dimensions. The capacity and location of these determine the degree of privacy of the spaces to which they give access.
Likewise, the double lateral height is preserved by proposing a pavilion composed of a multipurpose theater and dance rehearsal room, “LA VITRINA”, on the ground floor, and some private music rooms, “BUNKER ROOMS”, on the first floor. Access to this pavilion will be totally independent to the great public space through some stone bleachers volcanic, “LAS BOQUILLAS”. Likewise, a large space is proposed, “LA TARIMA”, for the realization of concerts and exterior performances.
The project is based on the idea of maintaining and reusing the preexistence as much as possible, with marked tectonic character. The roof structure rises existing, independent, and providing it with a pixilated modular skin that offers different degrees of transparency, creating a game of shadows in inside. With this simple surgery a semi-open space
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CIMENTACIÓN…………………………………………………………………………………………………………………………………………………………………………………… ESTRUCTURA…………………………………………………………………………………………………………………………………………………………………………………… CERRAMIENTOS…………………..………………………………………………………………………………………………………………………………………………………… DIVISIONES …………………………………………………………………………………………………………………………………………………………………………………… PAVIMENTOS …………………………………………………………………………………………………………………………………………………………………………………… REVESTIMIENTOS Y FALSOS TECHOS…………………………………………………………………………………………………………………………………………………………………………………… IMPERMEABILIZACIÓN Y CUBIERTAS ………………………………………………………………………………………………………………………………………………………………… AISLAMIENTOS….…………………………………………………………………………………………………………………………………………………………………………………
INST. SANEAMIENTO…………………………………………………………………………………………………………………………………………………………………………………… INST. FONTANERÍA……………………………………………………………………………………………………………………………………………………………………………………
INST. ELECTRICIDAD E ILUMINACIÓN ……………………………………………………………………………………………………………………………………………………………………………………
URBANIZACIÓN……………………………………………………………………………………………………………………………………………………………………………………
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naturalezas
landscape intervention in The International Festival of Architecture and design in Logroño place: Logroño, La Rioja, Spain year: 2017 category: competition
This project of sculptures on the landscape, conceived as “Natures”, consists of five wooden sculptures that evoke the shape of a leaf, placed along a path. The pieces’ modify their shape and characteristics according to the place where they are placed.
place. This in turn generates new ways of perceiving landscape and experiencing it. A new order of reality is constructed. In this new reality, a new perception of architecture is developed in which objects gain a new dimension and become experiences in themselves rather than obstacles in the path.
This action is born from the idea that objects are not inanimate. On the one hand, they are vulnerable to the environment and the passage of time. On the other, when walking, they are experienced as reference objects that dynamize our perception of reality and help us to understand what surrounds us.
These wooden sculptures are rooted to the earth just like the vineyards that surround them. They move with the wind as if they were a leaf without moving, they have a skin that has the ability to mimic the environment in a chameleonic way.
Once the primary demands of the sedentary man have been met, the movement of walking becomes a symbolic action that allows the nomad man to inhabit the world.
The wood is moistened and fluted to maximize the flexibility of the material. It is cut, bored, filled with the soil of the place so that gravity acts with greater or lesser intensity, generating a balance game in which the weight and slenderness of the pieces are the protagonists.
By modifying the purpose of walking, the crossed space becomes the first aesthetic action that penetrates the territories of chaos. Imaginary lines that drive the thought forwards
These ORGANISMS / NATURES are in different stages of development. It is s the relationship between their proportions and the distances between them that make them behave like a herd or ecosystem and feedback from each other.
Paths no longer simply lead to places, they become places in themselves. In mobility and change, encounters take
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sales de bohemia
Design of The Comedias Corral and the Ggeneral impostation of the “Festa Corral Cervantes, Madrid 2018” place: Cuesta de Moyano, Madrid, Spain year: 2018 category: competition
The project “Sales of Bohemia” starts with the search for a system that can be reproduced through the Cuesta de Moyano.
As in “El Gran Mercado del Mundo”, by Pedro Calderón de la Barca, the daytime scene is composed of a stage full of lights and shadows, hustle, smells, tastes, relationships.
Salt terraced platforms are created staggeringly along the inclined plane generating coexisting spaces in the form of stations of a winding circuit that adapts to the urban topography, duplicating the initiatory path.
However as in “La Vida Es Sueño”, by the same author, the night scene introduces us to a world of sensations, music, tranquility and hypnosis in which we can get infused with culture and, above all, theater.
It is intended that the city of Madrid becomes the background stage where recreational actions transform the space that is composed of two theatrical scenes, the day and the night.
In the words of Pedro Calderón de la Barca: “That all life is dream and dreams, dreams are.”
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BU built
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2011
Quid Studio* dessign and construction “BSO STAGE” in The Brandery Fair (Barcelona, Madrid)
2017
Belén González Aranguren dessign and construction “Open Kitchen”, interior reform of detached house in La Moraleja. I ncorporation of the kitchen in the living room
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BSO Stage BSO STAGE in The Brandery Fair place: Barcelona, Spain year: 2011 category: builded
The project “Sales of Bohemia” begins with the search for a system that can be reproduced along the long Cuesta de Moyano.
“The great market of the world”, the daytime scene, is composed of a stage full of lights and shadows, hustle, smells, tastes, relationships and communication.
Salt platforms are created, staggering the long inclined plane generating coexistence spaces in the form of stations of a winding circuit that adapts to the urban topography, duplicating the initiatory path.
However, “Life is a dream”, the night scene, introduces us to a world of sensations, music, tranquility and imnotization in which we can get drunk with culture and, above all, theater.
It is intended that the city of Madrid becomes the background scenario of a place where a series of recreational actions that transform the space composing two theatrical scenes, the day and the night.
In the words of Pedro Calderón de la Barca: “That all life is dream and dreams, dreams are.”
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open kitchen
interior reform of detached house in La Moraleja. Incorporation of the kitchen in the living room place: La Moraleja, Madrid, Spain year: 2017 category: builded
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profesional work
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2016
2017-2018
Entresitio Studio María Hurtado de Mendoza Wahrolén & César Jiménez de Tejada Benavides & José María Hurtado de Mendoza Wahrolén http://www.entresitio.com/
Aranguren&Gallegos Studio José González Gallegos & Mª José Aranguren http://www.arangurengallegos.com/ag/
2015
2013
LLPS Studio Eduardo Pérez & Miguel Sánchez http://www.llps-arquitectos.com/
Polidura & Talhouk Studio Antonio Polidura & Pablo Talhouk http://www.talhouk.cl/equipo/
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PW_ P Polidura+ Talhouk architects place: Santiago de Chile, Chile year: 2013 category: colaboration in an office web site: www.talhouk.cl
Antonio Polidura + Pablo Talhouk
My roll in the office
PabloTalhoukgraduatedfromtheCentralUniversityofChile in 2000, obtaining the award for the best title project of his generation. In 2002, together with Antonio Polidura, he founded Polidura + Talhouk arquitectos, where he worked as a partner until 2013.
I was working in this office for a year as I studied at the university of chile in my bilateral agreement- international stay in Chile.
He completed a Diploma in “Projects and Urban Management” at the Pontificia Universidad Católica de Chile. Architect LEED AP since 2009. He has been a jury of the architecture line FONDART 2013 and 2014, Director of public competitions for the Chilean Biennial 2010, Representative of the contestants in different competitions and invited Professor for Workshops in Chile, Argentina and Brazil. His work has been selected for the I Triennial of Architecture of Lisbon 2007, XV Biennial of Architecture of Quito 2006, V Ibero-American Biennial of Architecture and Urbanism 2006, Biennial of Chile 2004 to 2010 and the IX Biennial of Architecture of Venice 2004, and nominated for the International Prize Iakov Chernikhov International Prize “Challenge of the Time” 2010. His projects have been published in various countries of America, Europe and Asia. He has given conferences in Chile, Argentina, Brazil, Ecuador and Spain. He is currently coordinator Produce, a professional services unit of the FAD / UFT and is a full professor at the joint International Workshop of the Finis Terrae University and the Escola da Cidade, Sao Paulo.
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This is my first professional experience as an architect and in a foreign country. I learn, above all, to work in teams and with extrés from a university vision. I am fortunate to be part of two very important projects for the office: “Casa Un Patio” and “Dining-Sala Multiple Iron Mountain” I have the opportunity to visit the end of the work of both projects and to begin to familiarize myself with the whole process of an execution project. The jump of scale between both projects made it possible to collaborate with the office in different processes in works opposed by the scale, the materiality and the type of client.
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PW_ P LLPS architects place: Madrid, Spain year: 2015 category: colaboration in an office web site: www.llps-arquitectos.com
Eduardo Pérez Gómez + Miguel Ángel Sanchez García
My roll in the office
Eduardo Pérez Gómez graduated from ETSAM in 1997 with outstanding. Spanish Vice-curator at the 2000 Venice Biennial. First prize. Obtains research sufficiency by the ETSAM Projects Department
I worked for 5 months in:
Assistant Professor of Architectural Projects 1999-2002. Visiting Professor at the University of Nairobi. Kenya 2011. Visiting Professor at the University of Addis Ababa. Ethiopia. 2012. Associate Professor of Architectural Projects at ETSAM since 2009 The office wins the first prize in the International Competition for the Train Station, intercity and urban bus interchanges and tertiary public space in San Telmo. The Gran Canarian palms. They win the Castilla - La Mancha Awards for Architecture 2007 * with the single-family house isolated. Cabanillas del Campo Guadalajara InternationalArchitectureExhibition.BiennialofVenice2000 with the project and assembly of the Exhibition of the Pavilion of Spain as a team with the curator D. Alberto Campo Baeza
executive project / Pschycology Faculty (Málaga, Spain) competition / Office Tower in Lima, Perú. It was the first execution project in which I participated from the beginning to the end. I was in contact with the company of engineers in weekly meetings. for me they were like master classes of the implementation of all the technical knowledge that my university had given me. Eduardo and Miguel Ángel had been my teachers at ETSAM and they asked me to collaborate with them on this project and, later on, I collaborated again to hold two contests. In this professional experience I felt part of a team of professional friends rather than as a temporary intern.
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UNIVERSITY OF PSYCHOLOGY Malaga,, SPAIN Client: Location: Program: Status: Architects office: Authors: Collaborators: Role:
University of Psychology of Malaga Malaga, Spain University Under Construction. Expected by 2019. LLPS Architects Eduardo Perez and Miguel Angel Sanchez Belen Gonzalez Aranguren, Ana Herreros, Vicente Design Project
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PW_ P estudio.entresitio architects place: Madrid, Spain year: 2016-2017 category: colaboration in an office web site: www.entresitio.com
María Hurtado de Mendoza Wahrolén & César Jiménez de Tejada Benavides & José María Hurtado de Mendoza Wahrolén estudio.entresitio is a partnership formed by Maria Hurtado de Mendoza and Cesar Jimenez de Tejada, who work together since the beginning of their professional careers in 1993, and Jose Maria Hurtado de Mendoza, who joined the office in 2003, after working in Rafael Moneo’s office for four years. Also Alvar Ruiz Villanueva is a regular contributor to the study. Cesar teaches on regular basis a design studio at Madrid’s School of Architecture (ETSAM, Polytechnic University of Madrid) since 2000. Maria, also with 14 years of teaching experience at ETSAM, is associate professor at College of Architecture and Design, New Jersey Institute of Technology (NJIT) since 2013. They have been invited to lecture and critic at several Spanish and European Schools and Maria was visiting critic at Cornell University AAP the fall semester of 2011. Maria and Jose Maria were both granted with a Rome’s Prize in the Spanish Academy of Rome, Cesar got a Master of “Advanced Architectural Design” at Columbia University, New York, granted by the Fulbright fellowship. They have won several competitions that allowed them to build a number of projects during the decade 2000-2010, amongst which health care centers and social housing dwellings are the main topics. (www.entresitio.com). Their work has been published in many journals around the world including Architectural Record, AV, Bauvelt, Detail, Mark Magazine, Space, AIT, Speech, The Plan, etc. being selected as “Design Vanguard” by the Architectural Record magazine in 2007. It has also been shown in several international exhibitions such as the Venice Biennale in 2000, 2006 and 2016, Spanish Bienales of 2009, 2011 and 2016, Iberoamerican Bienales of 2006 and 2010, Young Architects of Spain (JAE/YAS) featured extensively around Europe and the US, EMVS public housing (RIBA, London 2007- AEDES, Berlin
2007- Turin 2008) and the Expo Shanghai 2010. Main constructed projects have been recognized with prizes and honor mentions in more than 28 awards; 10th and 11th Spanish Biennial, 7th BIAU (Iberoamerican Biennial of Architecture and Urbanism), Barbara Cappochin Biennale, Madrid’s city Architectural Prize, and ENOR, BigMat, ATEG, NAN, WMZinc, AIT Magazine, Asprima, Archdaily “building of the year”, 2 Honor Awards in the 4th Boston Society of Architects’ (BSA) 2014 Design Awards: torre Vallecas & #house#1.130. 1st award at COAM 2014 Prizes and WAN “House of the Year” 2014 Award with #house#1.130 to mention a few. 3th Prize, Nueva Cinemateca y Centro de Cultura Digital de Bogatá, Colombia Competition. Maria, as NJIT faculty member, has been recognized 2015 ACSA Faculty Design Award, for Underlying Structures (#house#1.130). Finalist in Architizer A+ Award 2015 y Finalist in The Plan Award 2015: vivienda unifamiliar #house#1.130. 3rd in restrictive competition for the la new Maternalle School of Liceo Frances at Madrid. marzo 2015. 1st. Prize, Museo Nacional de la Memoria de Bogatá, Colombia International Competition. July 2015 (wth. MGP arquitectura y urbanismo). My roll in the office I worked for 1 year in: executive project / National Museum of Memory (Bogotá, Colombia) competition / Javeriana University (Bogotá, Colombia) competition / Mali Art Museum (Mali, Perú) competition / Uniandes University (Bogotá, Colombia) In this office, I was given the greatest creative freedom and where I could grow as an architect, developing my ideas and working as a team with maximum productivity. The professionalism and design capacity of my bosses was my greatest inspiration. All the projects that passed through my hands were, from my point of view, of a very remarkable quality. In this professional experience I felt part of a team of professional friends rather than as a temporary intern.
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JAVERIANA UNIVERSITY Bogota, Colombia Client: Location: Program: Status: Architects office: Authors: Collaborators:
Javeriana University of Bogota Bogota, Colombia University Competition in 2017. * shortised estudio.entresitio Maria HUrtado de Mendoza // Cesar JImenez de Tejada Belen Gonzรกlez Aranguren, Alvar Ruiz, Adriana de Pablos
Role:
Design Project
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NATIONAL MUSEUM OF THE MEMORY Bogota, Colombia Client: Location: Program: Status: Architects office: Authors: Collaborators:
City Council of Bogota Bogota, Colombia University Under Construction. Expected by 2020 estudio.entresitio Maria HUrtado de Mendoza // Cesar JImenez de Tejada Belen Gonzรกlez Aranguren, Alvar Ruiz, Adriana de Pablos
Role:
Design Project
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UNIANDES UNIVERSITY Bogota, Colombia Client: Location: Program: Status: Architects office: Authors: Collaborators:
Uniandes University Bogota, Colombia University Competition in 2017 estudio.entresitio Maria HUrtado de Mendoza // Cesar JImenez de Tejada Belen Gonzรกlez Aranguren, Alvar Ruiz
Role:
Design Project
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PW_ P Aranguren&Gallegos architects place: Madrid, Spain year: 2017-2018 category: colaboration in an office web site: www.arangurengallegos.com
Maria José Aranguren López & José González Gallegos María José Aranguren Lopez (Madrid 1958) and José González Gallegos (Guadalajara 1958) are Architects from the School of Architecture of Madrid since 1983, obtaining MJ Aranguren number 2 and José González Gallegos number 1 “Honours Thesis” in his class. Both get a PhD by the School of Architecture of Madrid with the qualification of Distinction “Cum Laude” in 1987. Currently they are Professors of Architectural Projects at the School of Architecture of Madrid Both have been teachers and have taught courses, masters, conferences, seminars and classes at universities such as Yale University of Architecture (USA), Architectural Association of London (R. UK), Biennale and Facolta di Archittetura di Venezia (Italy), Escola da Cidade and Architecture Facultade Sao Paulo (Brazil), Central Society of Architects in Buenos Aires (Argentina), Metropolitan Center for Architecture in Mexico City (Mexico), Facultade Lusiada Architecture University of Lisbon (Portugal), Ricardo Palma University in Lima (Peru), School of Bogota (Colombia), Faculty of Architecture and Urbanism of Santiago de Chile and Architecture Biennale (Chile), and at universities in Spain. They were appointed by the Government of Spain Directors and Curators of the Pavilion of Spain in the 8th International Architecture Exhibition of the Biennale di Venezia in 2002. Their professional activity is developed since 1984 and has been recognized both nationally and internationally, being exposed, among others, in the Museum of Modern Art (MOMA) in New York (USA), Biennale di Archittetura di Venezia (Italy ), Palais de Tokyo, Paris (France), IV Latin American Architecture Biennale in Lima (Peru), Yale University (USA), III Salon International de l’Architecture to Paris (France), Architectural Association School of London (R. UK), Tongji University, Shanghai (China) and in different exhibitions in cities like Rome, London, Paris, Shanghai, Buenos Aires, Bogota, Mexico city, Istanbul, Oran, Belo Horizonte, Cartagena, Madrid, Barcelona, Seville. Their works have been awarded a number of prizes as
Europan 1 and 4 Awards in 1988 and 1996 at European level for New Residential Solutions, National Prize of the Council of Colleges of Architects of Spain in 2005 for Best Residential Solution built , National Art Award 2009 awarded by the Spanish Ministry of Culture; Award at the Fourth Biennial of Architecture in 2004, Madrid City Council Awards for 2000 and 2005 Awards Madrid 2001 and 2005; Award ARPA 2010 National Heritage Intervention; Award of the College of Architects of Madrid in 2005; Award ASPRIMA Madrid Real Estate Exhibition in 2005. Their experience in museum design has played an important part in his project research. Highlights among others, the projects of the “ABC Foundation Museum in Madrid”, the Spanish Pavilion at the 8th International Exhibition of Architettura di Venezia “, the” Museum of Fine Arts of Cáceres”, the “National Museum of Visual Arts in Madrid” , the “Museum of Motorcycling in Spain in Alcalá de Henares”, the “Museum of Visigothic Art in Mérida” or the “Archaeological Museum of Córdoba”. My roll in the office I worked for 1 year and still working in: diffusion manager / Inauguration of ICA MIAMI Art Museum (Miami, EEUU) executive project / Alcobendas collective housing (Madrid, Spain) executive project / Mall in Benidorm (Benidorm, Spain) competition / EMV collective housing in Vallecas (Madrid, Spain) competition / Valdebebas collective housing (Madrid, Spain) competition / Valdebebas collective housing (Madrid, Spain) competition / Residence of Elders in Mallorca (Mallorca, Spain) competition / Lycee Frances new educational building (Mallorca, Sp Currently working in this family office where I have the opportunity to learn about construction and construction, as well as the entire process of an architecture project from the beginning to the end.
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255 HOUSING Valdebebas, Madrid, SPAIN Client: Location: Program: Status: Architects office: Authors: Collaborators: Role:
GESTILAR Real State Valdebebas, Madrid, Spain Private luxury housing Competition in 2018. * shortised Aranguren & Gallegos Architects. Mª José Aranguren López // José González Gallegos Belen González Aranguren, Blanca Juanes, Pablo Aranguren, Ander Ibarra, Alba Carrasco & Francisco Gonzalez Design Project.
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CAMI VERD, RESIDENCE OF ELDERS Mallorca, Spain Client: Location: Program: Status: Architects office: Authors: Collaborators: Role:
City council of Mallorca Mallorca, Spain Residence of Elders Competition in 2018. * 2nd PRIZE Aranguren & Gallegos Architects. Mª José Aranguren López // José González Gallegos Belen Gonzalez Aranguren, Ander Ibarra, Pablo Aranguren, Alba Carrasco, Francisco Gonzalez & Jacobo Arenal. Design Project
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5 HOUSING TOWERS Valdebebas, Madrid, SPAIN Client: Location: Program: Status: Architects office: Authors: Collaborators: Role:
GESTILAR Real State Valdebebas, Madrid, Spain Private luxury housing Under Construction. Expected by 2019 Aranguren & Gallegos Architects. Mª José Aranguren López // José González Gallegos Belen González Aranguren, Blanca Juanes, Pablo Aranguren, Ander Ibarra, Alba Carrasco & Francisco Gonzalez Design Project.
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FRENCH HIGH SCHOOL Conde Orgaz, Madrid,, SPAIN Client: Location: Program: Status: Architects office: Authors: Collaborators: Role: Project:
Members of French High School Conde Orgaz, Madrid, Spain Gymnasium ans extension of secundary Completed in 2018. * 2nd PRIZE Aranguren & Gallegos Architects. Mª José Aranguren López // José González Gallegos Belen Gonzalez Aranguren, Ander Ibarra, Pablo Aranguren, Alba Carrasco, Francisco Gonzalez & Jacobo Arenal. Design Project Construction of a new gymnasium and extension of secondary
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ICA ART MUSEUM Miami Design District, EEUU Client: Location: Program: Status: Architects office: Authors: Collaborators: Role:
ICA MIAMI. Norman and Irma Braman Miami Design District. EEUU. Museum Completed in 2017 Aranguren & Gallegos Architects. Mª José Aranguren López // José González Gallegos Belen Gonzalez Aranguren, María G. Aranguren, Blanca Juanes, Pablo Aranguren, Eduardo Tazón & Jacobo Arenal. Design Project
Project:
The new Headquarters of ICA MIAMI Foundation is a museum that offers itself to the city and is conceived to become an international artistic reference and an icon of Miami’s cultural offer. The architectural tool used to achieve this target, is based on a luminous cubic volume, as a “Magic Box”, a “Boite à Miracle”, open on its two north and south fronts through two perforated and reflective facades. In the southern facade the main entrance appears as a transverse passage, which is the lobby of the museum and connects us with the sculpture garden, located in the north of the site. The southern facade is metallic, aluminum, bright, solar, mirror and announcement of the events that will be held inside the museum.The museum opens to the north with a glass facade, giving natural light to the halls and being the holder for artistic adhesive installations.
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PU_ P Publications
Fragments of_ 2016
by Jorge Pizarro and Marta Badiola ISBN:978-84-616-8241-6/ Editorial Arquitectura Viva S.L.
Personal graphic design for a company 2016-2017 by Belén González Aranguren
Grammaticals_ 2015
by Federico Soriano and Pedro Pitarch ISBN: 978-84-942926-0-6/ Publicación non-profit de investigación universitaria
The architect is present_ 2014
by Jorge Pizarro and Marta Badiola ISBN:978-84-616-8241-6/ Editorial Arquitectura Viva S.L.
The Drawing Bazaar_ 2013
by María Fullaondo and Ciro Márquez /Universidad Europea de Madrid/ ISBN:978-84-7207-231-2/ Editorial Rueda S.L.
“DPA ETSAM”_ 2017
by El Departamento de Proyectos de la ETSAM ISBN:978-84-947055-3-3/
Personal graphic design for a project_ 2014 by Belén González Aranguren
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