Yaga - Program

Page 1

SEPTEMBER 1 2 – OCTOBER 8, 2023
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FROM THE ARTISTIC DIRECTOR

Welcome to a new season at the Belfry.

I want to express my gratitude to you—our patrons— for being here right now, for returning after the shutdown, for helping us stay afloat, and for making it so clear that the arts—including theatre—and this theatre— are important to you, and a valuable part of your life.

This moment in history has brought into sharp focus the need we all have for humanity and community—which together define theatre: human stories onstage, with our neighbours seated around us.

One of my reasons for inviting the wonderful Jani Lauzon to direct Yaga, was the play’s celebration of female empowerment—which seems to align with the strength of the matriarch in Indigenous culture. Jani then brilliantly conceived a production that brings together Indigenous and Ukrainian artists—honouring the Slavic roots of the Baba Yaga myth. This is a timely and beautiful collaboration between artists—both onstage and on the design team.

A member of Victoria’s Ukrainian Canadian community shared with me the long history of Indigenous and Ukrainian relations: when Ukrainian settlers first came to Canada, they were spurned by other settlers, but the Indigenous nations welcomed them. They guided them and helped them through the harsh winters. As a sign of gratitude, the Ukrainians gifted the Indigenous people colourful scarves— “babushkas.” The Kokum scarf has been incorporated into First Nations’ culture across the country—and is a sign of solidarity between the two communities.

Please welcome these wonderful artists from both communities—and please sit on the edge of your seat for Kat Sandler’s clever and powerful play—!

Thank you again—

FROM THE EXECUTIVE DIRECTOR

I realized that I have now completed a full season at the Belfry. All the staff at the Belfry have been so welcoming and have made my transition to this city seamless. I feel delightedly and completely at home. The Belfry staff, volunteers, and board have created such a sense of broad community that it deepens my immediate sense of belonging.

I am glad too, for you—our generous and inquisitive audience. Welcome back to another wonderful season at the Belfry. I am delighted that you have been able to join us this year. For some of you this is part of your lives, and for others it may well be the first time attending. I hope all of you enjoy the shows and feel as much at home here at the Belfry, as I do.

sPhotography

I am so profoundly glad that I made the move to Victoria.

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Yaga

(in alphabetical order)

Nicholas Nahwegahbow Charlie Rapp and Henry Kalles

Tracey Nepinak Yaga and others

Anastasiia Ziurkalova Detective Carson and others

creative Team

Kat Sandler Playwright

Jani Lauzon Director

Stephanie Bahniuk Set Designer

Jeff Chief Costume Designer

Ksenia Broda-Milian Lighting Designer

Wayne Kelso Sound Designer and Composer

Bradley Dunn Stage Manage r

Grace Carmichael Apprentice Stage Manager

Treena Stubel Intimacy Director

Simon Fon Fight Director

Adrienne Smook Dialect Coach

Diana Budiachenko Cultural Advisor and Directing Intern

Yaga is 2 hours and 30 minutes, including a 15-minute intermission.

The Belfry Theatre is a member of the Professional Association of Canadian Theatres and engages professional Artists who are members of the Canadian Actors’ Equity Association under the terms of the jointly negotiated Canadian Theatre Agreement.

The Belfry production of Yaga is supported in part by a generous gift from Dr. Stephen Tax

public funders

The Belfry TheaT re
T s
presen
T he belfr Y presen TaT ion of Yaga is generouslY sponsored b Y The Belfry Theatre is a member of the Greater Victoria Chamber of Commerce, and the Professional Arts Alliance of Greater Victoria. season sponsors

DIRECTOR ’ S NOTES

As I write, we are just beginning rehearsals. Much will be discovered in the rehearsal room. What I do know is that Yaga has been described as an ogress, a witch, and a villain to be feared. But early history suggests she lives on the crossroads of consciousness, that her archetype is a shaman who may help or hinder: offering comprehension, not comfort. Her persona changed when religion and patriarchy was adopted, and the old pagan deities were persecuted. While reading Yaga, I had been contemplating Joseph Campbell’s theory of diffusion: when iconography is similar between cultures. While his theory has been contested, I began to contemplate what the connection between Indigenous and Ukrainian cultures may be: the iconology of Yaga. How do these two cultures perceive medicine women? Certainly, there is a shared experience of navigating oppression and genocide. I am honoured that these amazing Indigenous and Ukrainian artists are interested in this unique journey and am excited to be bringing this funny and profound play to a Victoria audience, with our own special twist.

COMPANY

nicholas nahwegahbow Charlie Rapp and Henry Kalles

Nick is an Anishnaabe/Kanienkehka actor, appearing in Romeo & Juliet,The Breathing Hole and more over two seasons at the Stratford Festival. His last performance on stage was as Spanish in Honour Beat at The Grand in London, Ontario, he‘s also appeared in Tallboyz, the TV series. As well as Canada:The Story of Us. He’s also a graduate of The National Theatre School as well as The Birmingham Conservatory, with a BA in Theatre Studies from Guelph U. He’s thrilled to be back on stage and is incredibly thankful for his beautiful family.

Tracey nepinak Yaga and others

Tracey is delighted to be back at the Belfry for this production. Her Cree/mixed roots trace back to Peguis First Nation, Treaty 1 Territory. Tracey lives in Winnipeg and has been a theatre artist for more than 30 years. Some recent theatre and film credits include Acting Good, Big Mukwa Productions (TV); The Secret to Good Tea, RMTC; The Rez Sisters, RMTC (DIR.); The Rez Sisters, Stratford Festival (also the Belfry in 2014); The War Being Waged, PTE; A Short History of Crazy Bone, TPM. Her favourite role ever? Kokum to her oneyear-old nôssim (grandson) Milo.

anastasiia Ziurkalova Detective Carson and others

Anastasiia is a Ukrainian actress based in Toronto. Having started as a child film actor, she later fell in love with theatre and finds this love to be reciprocated. For most of her life she had been living and working in her native city, Kyiv. Her selected theatre credits include Antigone (by Jean Anouilh); The Lonesome West (by Martin McDonagh); The Cherry Orchard (by Anton Chekhov); The State of Siege (by Albert Camus); Little Mermaid and Cinderella. She moved to Canada about a year ago and is thrilled to make her very first appearance on a Canadian stage here at the Belfry Theatre.

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CREATIVE TEAM

Kat sandler Playwright

Kat Sandler is an award-winning playwright, director, screenwriter, and served as the Artistic Director of Theatre Brouhaha in Toronto. Her plays have been performed across Canada and internationally. As a writer/director she has staged nineteen of her original plays in the last decade. She’s developing a handful of feature films and television shows with eOne, Good Question, Blue Ant and the Donaldson Company. She’s a graduate of Queen’s University.

Jani lauzon Director

Jani Lauzon is a multidisciplinary artist of Métis/French/Finnish ancestry. She is a 10-time Dora Mavor Moore nominated actor/ director/writer, a three-time Juno nominated singer/songwriter, an award-winning screen actress, a Gemini Award-winning puppeteer and a Toronto Theatre Critics award-winning director. Selected directing credits include: 1939 (Stratford Festival) Where the Blood Mixes and Almighty Voice and his Wife (Soulpepper), Rope (Shaw Festival). Alien Creature at TPM, The Monument (Factory Theatre), I Call myself Princess (The Globe Theatre) and An Irresistible Urge To Do Something Inadvisable (NTS Graduating class).

stephanie

bahniuk Set Designer

Stephanie Bahniuk (she/her) is a Ukrainian-Canadian theatre designer. Originally from Edmonton and now resides in Brooklyn, New York. She is a graduate of the Master of Fine Arts in Design program at the Yale School of Drama and a recipient of the Jay Keene and Jean Griffin Keene Prize in Costume Design. Recent credits include production design for Alina,Barvinok and Michael Mysterious (Pyretic Productions), costume and scenic design for Subscribe or Like (Workshop West) and Freewill Shakespeare Festival and costume design for Pride and Prejudice (Yale Drama). Stephanie was also the Costume Department Coordinator for And Just Like That. stephaniebahniuk.com

Jeff chief Costume Designer

Jeff Chief is a Nêhiyaw (Plains Cree) from Onion Lake First Nation on Treaty 6 territory in Saskatchewan and currently lives in Saskatoon. Jeff has been a costume stitcher, cutter, and costume designer in theatres across Canada. His recent design credits include Women of the Fur Trade (Stratford Festival), Gaslight (Vertigo Theatre), Sir John A (Globe Theatre), The Fiancée (Persephone Theatre), Iago Speaks (Shakespeare on the Saskatchewan), The Rez Sisters (Royal MTC), Flush, Life After Hockey (La Troupe du Jour), Cottagers and Indians (Persephone Theatre), Sky Dancers (Place des Arts), Café Daughter (Blyth Festival), The Gift (GTNT), Being Here: The Refugee Project, The Ministry of Grace (Belfry Theatre), Kronborg: The Hamlet Rock Musical (Confederation Centre of the Arts), Honour Beat (Theatre Calgary), Hedda Noir (Theatre NorthWest), Le Wild West Show de Gabriel Dumont (National Arts Centre), Ipperwash (Blyth Festival).

Ksenia broda-Milian Lighting Designer

Ksenia is a set, costume, and lighting designer, educator, Rick Hansen Foundation Accessibility Certification Professional, and member of the Associated Designers of Canada/IATSE 659 hailing from Winnipeg, Treaty One territory. Ksenia gets excited about creating designs that incorporate transformation and movement, and bringing in her music and dance backgrounds. She trained at the University of Winnipeg (BAH, BSc), University of Alberta (MFA), Banff Centre, and Pratt Institute. Ksenia has designed for theatre and dance from southern Ontario to Vancouver Island, and recently exhibited eco-scenography at World Stage Design. She spends her days as the Education and Enrichment Manager at the Royal Manitoba Theatre Centre. She is absolutely thrilled to make her Belfry debut with this stunning team! More at broda-milian.com.

Wayne Kelso Sound Designer and Composer

Wayne is a Métis composer/sound designer and musician from northwestern Ontario. He has toured throughout North America with a diverse group of performers including José Feliciano, Jimmy Rankin, Michael Burgess, Kim Stockwood, Dianne Heatherington, and Billy Newton-Davis.

As a composer/sound designer, Wayne has created works for numerous plays for both CBC and live theatre. His score for Factory Theatre’s production of The Leisure Society was nominated for a Dora award in 2005. Wayne’s most recent scores include Stratford‘s 2022 production of 1939 and this current season’s Grand Magic. His most recent CD, North of Jazz, was released in February 2022.

bradley dunn Stage Manager

Select theatre credits: Harry Potter and the Cursed Child, Dear Evan Hansen (Mirvish); Bengal Tiger at the Baghdad Zoo (Crow’s); rihannaboi95 (Young People’s Theatre); Missing (Pacific Opera Victoria); Chicago (Globe Theatre); The Baroness and the Pig, Henry V (Shaw Festival); King Charles III, My Night with Reg (Studio 180/ Mirvish); The Wizard of Oz (The Grand Theatre); The Heidi Chronicles, The Odd Couple (Soulpepper); You Will Remember Me (Studio 180/ Tarragon); It’s A Wonderful Life (Theatre Aquarius). Other: Bradley is a graduate of McMaster University and Sheridan College. Thanks to all my friends and family for their love and support.

grace carmichael Apprentice Stage Manager

Grace has been involved with theatre her whole life but found her niche as a stage manager in high school. This past year she graduated from the University of Victoria in theatre. Grace has recently worked as a Stage Manager on The Last Five Years and The Guardsman with Blue Bridge Repertory Theatre and Spring Awakening at the Phoenix Theatre. Alongside stage management, Grace has a passion for lighting and sound tech and design. Grace is thrilled to return to the Belfry after working as assistant stage manager at the Belfry on Culture Den’s Bury the Hatchet.

Treena stubel Intimacy Director

Treena Stubel has been working in theatre for over thirty years as a choreographer, dancer, actor, movement director, and most recently as a director and intimacy director. She has appeared in numerous stage productions and has created physical theatre works for festivals in Canada and abroad. She has choreographed for: Blue Bridge Repertory Theatre, Bard on the Beach, The Belfry Theatre, The Caravan Farm Theatre, Atomic Vaudeville, Theatre SKAM and her own company Bounce Performance Works. She was the original choreographer and movement director of the Dora Award–winning musical Ride the Cyclone, which has gone on to US productions, including Off Broadway. She is also a sought-after teacher of movement and holds an MFA in Lecoq Physical Theatre from LISPA in London, UK.

simon fon Fight Director

With over 650 professional credits in TV, Film and Stage and 30 years of experience stretching from Broadway to Stratford, Mirvish, Canadian Stage, Resident Fight Director at Soulpepper (2002–2020), Simon specializes in all areas: Weaponry, Aerial Flying (NAAFED certified), Unarmed Combat (Eastern and Western). Simon has coached and performed with actors Christopher Plummer, Rachel McAdams, Martin Short, Billy Connolly, and Colm Feore to name a few. Fight Master with FDC (2006–2020). Executive Director and Founder of RIOT A.C.T. earning 17 nominations and 8 awards, including Male Action Performer of the Year 2009 AOF Festival –California. simonfon.com and riotact.ca

diana budiachenko Cultural Advisor and Directing Intern

I am an emerging theatre director from Ukraine who has chosen Canada as my home due to the current conflict with Russia. My training includes a Masters in Performing Arts with a specialization in directing from the Kiev University of Culture. These studies focused on metaphorical direction—a style which I pursued under my mentor, Director Valeriy Patsunov of the Golden Gate Theatre in Kyiv. My aesthetic also combines dramaturgy, poetry, musicality, and vivid scenery as key aspects of my metaphorical style.

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smartphones, cameras, and recording d evices

The use of cameras, smartphones or audio/ visual recording equipment is prohibited. Please turn off all personal electronic devices prior to the performance. If you need to be contacted in an emergency, please leave your name and seat number with our House Manager.

latecomers & re-admission

The director of each production designates moments in the show when the seating of latecomers will cause the least distraction for actors and audience members. Should you leave the theatre, our House Manager will not be able to reseat you until one of these breaks and may not be able to return you to your original seat. The performance can be watched on the monitor in our lobby.

perfume and cologne

Please refrain from using perfume and cologne when you come to the theatre. Some of our patrons are highly allergic to scents.

food and drinks

Only food or drinks that you purchase at the concession are permitted in the theatre.

lost and found

Please check with our House Manager if you have lost an item in the theatre.

script library

Read the play before or after you see it. We have scripts of the season’s plays available at the Box Office, plus a bookcase filled with Canadian plays, all for reading in the Lobby.

lobby Touchscreen

The TV monitor in our new lobby is a touchscreen device. By touching the screen, you can delve deeper into each production, learn about the artists who created the show, and much more.

babes in arms

The Belfry is proud to produce adult contemporary theatre. Most of our productions are not suitable for young children. Sorry, we do not admit babes in arms.

pre - perfor M ance

b4play

Live talk shows hosted by CBC Radio’s Gregor Craigie and featuring artists from the upcoming show, along with experts from the community, have been designed to provide insight into each Mainstage production. Each event is held the Saturday prior to Opening, is free to attend and is also live streamed on Facebook, and available as a podcast on our website.

podcasts

Listen and download the full interviews from each B4Play, recent stories from The Flame, our storytelling series, and more at belfry.bc.ca/podcasts.

upstage Magazine

Our magazine provides insight into each Mainstage production, further enriching your experience. Upstage is available in the lobby and on our website. Drop us a line at hello@belfry.bc.ca for an advance copy.

follo W ing T he perfor M ance

Talkback Thursday

On the third Thursday performance during the run of each show, most (usually all) of the actors return to the stage to answer your questions and provide insight into the play you have just experienced. These Q & A sessions last approximately 20 minutes.

accessib le p erfor M ances

Vocaleye – Yaga

Sunday, October 1 at 2 pm (in-person event with Touch Tour & Social After)

For patrons with low or no vision, we offer one VocalEye performance during most Mainstage productions. Trained Audio Describers provide descriptions of the visual elements of the show, allowing people with low vision to enjoy the theatrical experience without missing any of the details. More information at the Box Office.

hearing assist

For patrons who are hard of hearing, the theatre is equipped with both an infrared hearing assist system and a neck loop system. We have twelve devices of each of the systems available through the Box Office.

a udience i nfor M
T ion
a

Belfry Theatre Staff

Castor Angus Box Office Clerk

Kate Barry Development Officer

Jody Bauche Executive Intern

Alison Bendall Box Office Clerk & Front of House Supervisor

Claire Cacheux Box Office Clerk

Matilde Cervantes Manager of Community & Artistic Connections

Celena Cook Custodial – Celena’s Cleaning Co.

Helena Descoteau Box Office Supervisor

Mark Dusseault Director of Marketing & Communications

Linda Findlay Head of Wardrobe

Mike Ford Director of Production & Operations

Ian Gibson Audience Services Manager

Keith Houghton Head Technician & Systems Administrator

Valerie Houle Producer

Nora Kidston Interim Front of House Manager

Carole Klemm Head Scenic Artist

Jeff Kulak Graphic Designer

Jeremy MacLeod Technical Director

Patricia O’Brien Director of Finance

Peter Pokorny Head of Props & Scenic Carpenter

Dale Pudwell Master Carpenter

Sophia Radford Interim Box Office Supervisor

Michael Shamata Artistic Director

Susan Juliet Stevenson Director of Development

Isaac Thomas Executive Director

Cian Waldron Box Office Clerk

Deborah Williams

Associate Artist & Flame Facilitator

b elfr Y s uppor T sT aff

B4Play Host Gregor Craigie

Photographers

Belfry 101 Instructor

David Cooper, Emily Cooper

Jo-Ann Richards, Peter Pokorny, Don Craig

Dave Morris

Belfry 101 Instructor Nicole Malcolm

B4 Play Technician Aidan Dunsmuir

Scenic Painter

Stitcher

Venue Technician

Lara Shepard

Shannon Carmichael

Hannah Abbey

Props Assistant Marissa McClymont

Lighting Crew

program advertising

Bonnie Light

Carson Schmidt, Theon Winn

Ella MacDonald

promote@bonnielightadvertising.com or 250-388-5321

design and production

Rhonda Ganz

2023–24 b oard of d irec T ors

President Richard Brownsey

Vice President

Alison Watt

Secretary Mikaila Mauro

Treasurer Dr. Joan McArthur-Blair

Directors

Cathi Charles Wherry

Kini McDonald

Daniela Pinto

Joni Steinman

Andy Stephenson

Stephen Tax

Gillian Wood

h onorar Y b oard of d irec T ors

Chair Emeritus Patrick Stewart

Sherri Bird

Barbara Greeniaus

Robert Johnston, Q.C.

John Keay

Joan Snowden

Dr. Brian Winsby

Michael Ziegler

special T han K s

Yuliya Richardson

Thank you to the Community Connectors –Ariel Reyes, Fiona Bramble, Katherine Ross, Nicola Watts, Debra Sheets, Tania Betiku, Thembelihle Moyo, Olvie Li, Carmen

Rodriguez, Jess Barton, Cassidy VillebrunBuracas, Alex Taylor-McCallum and Dahlila Isabelle Charlie.

Stephanie Kirkland and her team from Vocal Eye.

Plenty Collective for their support towards the Community Theatre Nights. Cheryl Landry, Librarian from the GVPL.

Nicole Mandrik and Megan Swift, guest speakers at B4Play.

Gregor Craigie for hosting B4Play. Island Deaf + Hard of Hearing Centre for their Interpreting Services (ASL) during B4Play

Pati-Ann Lawe, Ukrainian Canadian Cultural Society Board Member

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Anonymous (12) our thanks to the 111 friends ($75 – $149) and 203 Members (up to $74)

* Donor increased the amount of their gift

** New donor

+ Through the Victoria Foundation

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As of August 16, 2023

Belfry legacy Circle

Members:

Gloria & Ian Back+

lynne Bain

Dr. perry & late annamaria Bamji+

richard Brownsey & Glynis leyshon

Jane francis & Dave skilling

Barbara Greeniaus & Bill Israel

Bruce & Barbara housser

Judi James

John & anne Keay

robert & ann Myers

Joan peggs

Cindy petrowski & phil Marsh

ronald and Juliana polstein+

ross richardson

Diane scott

Michael shamata

Dianne soberlak

The lee & Karl soberlak foundation

John & suzanne stewart

Judy stewart

Julie & John richard swenson

plus, a further nine anonymous members

+ Through the Victoria Foundation

We invite you to join the Belfry Legacy Circle by making a planned gift or bequest. Gift planning is an inspired, meaningful and deeply personal way to secure the future of the Belfry Theatre. The support of visionary philanthropy ensures that the Belfry will continue to flourish as Greater Victoria’s premier contemporary theatre company.

Consult your professional advisors about the many forms through which you can achieve tax advantages of charitable donations and bequests. Please inform us if you have included the Belfry in your estate plans, so we can acknowledge your support during and/or after your lifetime, according to your wishes.

C ONTACT :

susan Juliet stevenson, director of development 250-385-6835 ext. 229 or susan.stevenson@belfry.bc.ca

Belfry legacy Circle sponsor:

legacy Gifts

The Belfry acknowledges the generous recent and past gifts from the estates of:

Violet armstrong

helena Balczewska

roger J. Bishop

shirley Mae Dawson

Marguerite Kathleen friesen

David neil lee

Maria luisa Macrae

M. Grace Mersereau

Margaret seens

alan Geoffrey White

Garfield (Gary) Delbert Withers

anonymous

Donations in Memoriam

annamaria Bamji Memorial award for emerging playwrights created by Dr. perry Bamji+

In Memory of eric adler

In Memory of my sister Beth, from Casey

In Memory of agnes & arnold Davies

In Memory of shelley Deglan

In Memory of my brother Gerry emery

In Memory of Jean elizabeth Kõdar

In Memory of nikki & Bruce MacKenzie from the family

In Memory of Marya nijland

In Memory of ronald adam polstein

In Memory of Jacqueline price

In Memory of al Taylor

Judy Treloar in Memoriam

In Memory of andrey Tarasiuk

In Memory of Jack & lisa Valikoski

Vi armstrong play Creation fund

+Through the Victoria Foundation

Bravo!

The Belfry Theatre gratefully acknowledges the financial support of The Canada Council for the Arts, the Government of Canada, the Province of British Columbia through the British Columbia Arts Council and the Gaming Policy and Enforcement Branch, the Capital Regional District Arts Development Office, and the City of Victoria.

emerging artist enhancement program

The Barraclough Foundation

The Potash Family Foundation

facility and operations

CD Specialty Cleaning & Restoration

Costa Verde Landscaping

Dowell‘s Moving & Storage

Gabriel Ross Furniture

KPMG

Simply Computing

The flame – Province of BC Multiculturalism Grant

floral – Petals Plus

hospitality

Caffe Fantastico

season sponsors

Helijet

Splashes Bath & Kitchen

Times Colonist

show sponsors

Allison Piano

BMO Financial Group

CD Specialty Cleaning

Caffe Fantastico

Chateau Victoria Hotels & Suites

Graham Isenegger & Neil Chappell of CIBC Wood Gundy –

Blue Heron Advisory Group

Peter Jando of Odlum Brown

PARC Retirement Living

Peninsula Co-op

Urban Grocer

arts leadership Training program

Canada Council for the Arts

Victoria Foundation

bMo studio Theatre

BMO Financial Group

2022 Roof & HVAC Upgrades: BC Arts Council/ Province of BC

belfry 101

The Potash Family Foundation

Fernwood Pizza Co.

belfry accessibility program

Disability Alliance BC

belfry legacy society

Horne Coupar LLP Lawyers & Notaries

community connections

Victoria Foundation’s Community Arts Grants Program

Government of Canada Community Services

Recovery Fund

creators’ circle – FOCUS

crush+ online auction – Vessel Liquor Store donations in Memoriam

McCall Gardens Funeral and Cremation Service

COX TAYLOR Barristers, Solicitors, Mediators, Arbitrators

Fernwood Pizza Co

L.A. Limousine & Transportation Services

Phillips Brewing and Malting Co.

Sea Cider

Urban Grocer

Vessel Liquor Store

host hotels and accommodation

Chateau Victoria Hotels & Suites

Jean Medland, Realtor

indigenous learning exchange

Hamber Foundation

Media sponsors

FOCUS Magazine Times Colonist

Ocean 98.5 Used.ca

name a seat sponsor – Showcase Awards

print partner – Metropol

upstage Magazine – Fastrac Print & Marketing

Volunteer program sponsor – Island Savings

foundations and funds

APM Fund for the Arts+

The Barraclough Foundation

Belfry Theatre Society Endowment Fund+

R. Boyes & G. Wilson Fund+

John H. & Margery M. McEown Trust for the Performing Arts+

The Mclean Foundation

The Potash Family Foundation

Elizabeth McPherson Fund for the Arts+

Provincial Employees Community Services Fund

The Lee & Karl Soberlak Foundation

The Stewart Fund through the Vancouver Foundation

Vancouver Foundation

Vi Armstrong Play Creation Fund

Victoria Foundation

Victoria Foundation’s Community Arts Grants Program

Victoria Guest Services

Westerkirk Foundation

+Through the Victoria Foundation

VIRAGO NATION

Electrifying Indigenous burlesque - mesmerizing and empowered.

VOICES IN CIRCLE

From Ikaluktutiak, internationally celebrated artist Tanya Tagaq is an improvisational singer, avant-garde composer and bestselling author. A member of the Order of Canada, Polaris Music Prize and JUNO Award winner and recipient of multiple honorary doctorates, Tagaq is an original disruptor, a world-changing figure at the forefront of seismic social, political and environmental change.

TANYA TAGAQ

with the Victoria Symphony & Emily Carr Quartet

“One of the avant-garde’s most dynamic performers” - Rolling Stone Series information at voicesincircle.ca

FRIDAY SEPT 22

7:00 PM

SATURDAY

OCT 21

7:00 PM

BEAR GREASE

A Treaty 6 Indigenous twist on the classic musical. Fun for everyone!

SATURDAY

OCT 28

7:00 PM

tickets.uvic.ca | 250-721-8480 | UVicFarq

SEASON 23/24
TANYA TAGAQ photo: Thomas Van Den Zaag

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