St Ives & Modern British 2022 by Belgrave St Ives

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ISBN 978-1-9998524-3-6

St Ives and Modern British 2022 11 April – 9 May Please call or message to arrange an appointment to visit

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ClIve BlaCkMoRe b.1940 apricots, Notre Dame la Brune / 1991 Watercolour / 47 x 82 cm Signed, inscribed and dated Also signed, titled (mistakenly) and dated on reverse

MICHael ayRToN 1921–1975 Berkshire landscape / 1944 oil on board / 20 x 30 cm Signed and dated Provenance: Roland, Browse & Delbanco, London / Edward Croft-Murray Collection

W. BaRNS-GRaHaM 1912–2004 Cardinal / 1999

W. BaRNS-GRaHaM Rock Forms version 1 (Trial) / 1953

Screenprint / 58.5 x 77 cm Signed, titled and dated Edition 9/70 Provenance: Wilhelmina Barns-Graham Trust

linocut and mixed media / 13.5 x 19 cm Signed and dated beneath image Provenance: Wilhelmina Barns-Graham Trust

W. BaRNS-GRaHaM Untitled / 1959 Gouache on paper / 54 x 42 cm Signed and dated Provenance: Wilhelmina Barns-Graham Trust

JoHN BaRNICoaT 1924–2013 Untitled (Sea arches, West Penwith Coast)

JoHN BaRNICoaT Wheal Friendly, St agnes

Watercolour / 18 x 25.5 cm Provenance: The Artist’s Estate

Pen and ink / 15 x 20 cm Titled on reverse Provenance: The Artist’s Estate

JoHN BaRNICoaT Composition / 1991 oil on canvas / 66 x 75 cm Signed, titled and dated on reverse Provenance: The Artist’s Estate

RoBeRT ColqUHoUN 1914–1962 Two Figures III / c1951

SveN BeRlIN 1911–1999 Man in admiral’s Hat / 1967

Monoprint / 35 x 18 cm Provenance: Goldmark Gallery / Private Collection

oil on board / 52.5 x 31.5 cm Signed and dated Provenance: The Artist’s Estate

SveN BeRlIN Mother and Child / 1941

SveN BeRlIN Woman with violet eyes / 1946

Wood / 26 x 9.5 cm Signed with monogram under base Provenance: The Wilhelmina Barns-Graham Collection

oil on canvas / 25.5 x 18 cm Signed and dated Exhibited: Lefevre Gallery, Recent Paintings by Sven Berlin, Sept 1946, No 14 (Lent by W. Mervyn Barnes, Norway House Studio, St Ives) 9

MaRTIN BRaDley b.1931 onslaught / 1952

JoHN BlaCkBURN b.1932 Westbere / 2010

Mixed media / 29 x 43 cm Signed, dated and titled; also signed on reverse and inscribed by the artist with his then address ‘2 Fore Street, Goldsithney, Nr Penzance’ Provenance: The Wilhelmina Barns-Graham Collection

Mixed media on canvas / 21 x 29 cm Signed, titled and dated on reverse Inscribed ‘Property Kerstin’ (thought to have been painted for his daughter, Kerstin)

BoB BoURNe 1931–2021 Green Fields oil on hessian / 90 x 100 cm Titled on reverse Provenance: The Artist’s Studio

SaNDRa BloW 1925–2006 Iridescent Wave / 2004

SaNDRa BloW Transparency / 2004

Screenprint with collage / 51 x 51.5 cm Signed Artist’s Proof I/XIII Aside from the edition of 130

Screenprint and collage / 72 x 71 cm (sheet) Signed Edition 1/130

SaNDRa BloW Transcendental / 2004 acrylic and collage on canvas / 107 x 107 cm Signed, titled and dated on canvas overlap

ToM CRoSS 1931–2009 In the Window

ToM CRoSS abraham’s Bosom, Helford River / 2000

Gouache on paper / 16.5 x 13 cm Titled on reverse Provenance: Private Collection / The Artist’s Estate

oil on canvas / 46 x 56 cm Titled and dated on artist’s label on reverse Provenance: Acquired from the artist by the previous owner

BoB CRoSSley 1912–2010 Figure With Branch / 1961

BoB CRoSSley variations ochre / 1970

oil on board / 122 x 91 cm Signed and dated Provenance: The Artist’s Estate

Screenprint / 86 x 69 cm Signed, titled and dated Edition of 60 Provenance: The Artist’s Estate

MaURICe CoCkRIll 1935–2013 Topiary Garden, Wern / 1983

MaURICe CoCkRIll Untitled / 1985

oil on board / 12 x 17 cm Signed with initials and dated Titled and dated on reverse

oil on canvas / 71 x 91.5 cm Signed, titled and dated on reverse Provenance: Bernard Jacobson Gallery, London

Roy CoNN 1931–2018 Untitled abstract / 1961

Roy CoNN abstract / 1959

oil on board / 122 x 91.5 cm Signed and dated on reverse Provenance: The George and Ann Dannatt Collection / Private Collection

oil on board / 79 x 56 cm Signed and dated on reverse Provenance: Acquired directly from the artist 17

GeoRGe DaNNaTT 1915–2009 White vertical Relief Construction

JeFFeRy CaMP 1923–2020 Friends at Brighton

Wood and cardboard collage / 39 x 15 cm Signed, titled and dated on reverse Provenance: Lemon Street Gallery The Estate of George Dannatt

oil on board / 27 x 29 cm (irreg.) Titled on reverse Provenance: Browse and Darby, London, 2002

JeFFeRy CaMP Untitled (Coastal landscape) / c1950s oil on board / 46 x 76 cm Signed

alaN DavIe 1920–2014 Magic Picture No.1 / 1977

lithograph / 55 x 75 cm Printed by Curwen Studio, London Unsigned proof further to the Edition of 500 There is a copy of this work in the Tate Collection

alaN DavIe Untitled

alaN DavIe arrow Indicates Red / 2010

Pen and ink / 19 x 38 cm

oil and felt tip pen on paper / 16 x 15.5 cm Signed and dated Titled and dated on label on reverse Provenance: Gimpel Fils (Ref GF13884)

RoNalD oSSoRy DUNloP 1895–1973 Untitled (Seascape)

RoNalD oSSoRy DUNloP Untitled (Figures and Trees)

oil on board / 18 x 25 cm Signed

oil on board / 23.75 x 12.25 cm Signed Signed on reverse

JoHN eMaNUel b.1930 Untitled (Seated Female Figure)

JoHN eMaNUel Untitled (Standing Nude)

oil and mixed media on paper / 39.5 x 28 cm Provenance: Private Collection (acquired direct from artist)

oil on board / 97.5 x 66 cm Signed

ClIFFoRD FISHWICk 1923–1997 Beach and Hills / 1990

ClIFFoRD FISHWICk Scillies – outlying Islands / 1983

oil on board / 20 x 26 cm Signed and dated on reverse Provenance: Orion Gallery, Penzance / Mulberry Gallery, Berkshire

oil on card / 10 x 20 cm Signed, titled and dated on reverse Provenance: Private Collection – purchased from the artist’s family

PaUl FeIleR 1918–2013 Dundry / 1947 oil on board / 23 x 18.5 cm Signed, titled and dated on reverse Dundry is a village close to Bristol where Feiler lived at this time. The topography suited the artist as it was reminiscent of the landscape in the South of France that Cezanne painted. Cezanne was an obvious influence on Feiler’s pre-abstract work and Feiler made several paintings of this subject.

PaUl FeIleR ambit S I / 1971

PaUl FeIleR ambit G vIII / 1974

Screenprint / 20 x 20 cm (image) Signed and titled Edition 16/20 Provenance: Private Collection

Gouache on paper / 29 x 29 cm Signed, titled and dated Provenance: Private Collection Exhibited: Paul Feiler, A Retrospective, 2011 Lemon Street Gallery, illus. page 22

MICHael FINN 1921–2002 Untitled / 1996

MICHael FINN Untitled / 1998

acrylic on canvas / 159 x 61 cm Signed and dated on reverse

acrylic on canvas / 69 x 52 cm Signed and dated on reverse 27

SIR TeRRy FRoST Birthday Card with Bowl of Cherries / 1991 Ink and collage on card / 39 x 49.5 cm A birthday card to Rose Hilton and John Miller from Kath and Terry Frost Literature: ‘Rose Hilton’ by Ian Collins, published by Lund Humphries, page 172

SIR TeRRy FRoST Black Slip / 2003 Mixed media and collage / 28.5 x 63.5 cm Signed, titled and dated on reverse Provenance: Private Collection

SIR TeRRy FRoST Madrigal I / 1949/50 oil on board / 22 x 29 cm Signed and dated 1949/50 on reverse Exhibited: Arts Council, Pears and Bitten Collection, No.8 / Leicester Galleries, 1952, No.5 / Mercury Galleries, 1985 Provenance: Jonathan Clark Fine Art, 2004 / John Grimble Collection Note: Frost’s ‘Madrigal’ is regarded as his first purely abstract painting and is partly in response to Victor Pasmore’s pioneering abstract work, another of Frost’s teachers. This painting appears to be the study for the larger canvas in the collection of Leamington Spa Gallery. See inside back cover for further information. 29

SIR TeRRy FRoST 1915–2003 a Book of Ideas – Pages 104/105 / c1970s

SIR TeRRy FRoST a Book of Ideas – Page 107 / c1970s

acrylic and collage / 75 x 46 cm This is the maquette for woodcut ‘Two Loves for Tredavoe’, 1999, Kemp 200 Provenance: The Artist’s Estate

acrylic and ink / 46 x 37.5 cm Signed by Anthony Frost on Estate label on reverse Provenance: The Artist’s Estate

SIR TeRRy FRoST Spring Spirals (Squeeze) / 1997 Screenprint and acrylic / 90 x 176 cm Signed and titled; signed and dated on backboard Provenance: Private Collection 31

SIR TeRRy FRoST Centre Blue (kemp 249) / 2002

Screenprint with collage / 79 x 114 cm Sheet Size: 94 x 123 cm Edition 41/60 Signed and titled

WIllIaM GeaR 1915–1997 Study with yellow / 1969

alISTaIR GRaNT 1925–1995 Hammersmith Bridge / 1957

Mixed media on canvas / 41 x 30.5 cm Signed, titled and dated on reverse Provenance: Private Collection

lithograph / 53 x 39 cm Signed and titled

DoRoTHy HePWoRTH 1894–1978 Untitled (Porthmeor Beach, St Ives) / c1937

aDRIaN HeaTH 1920–1992 Untitled / 1967

oil on board / 29 x 40.5 cm Provenance: Michael Dickens Collection

Gouache and Ink / 73 x 80 cm Signed and dated

keN HoWaRD b.1932 Goring-on-Sea

JoHN HITCHeNS b.1940 Red Flower, yellow light / 1978

oil on board / 15.5 x 21 cm Signed Titled on reverse

oil on canvas / 54 x 58 cm Signed Also signed and titled on reverse Dated on stretcher bar

JeFFRey HaRRIS b.1932 Red Harbour

JeFFRey HaRRIS Within the Cold Hill / 1973

oil on canvas / 60 x 60 cm Signed, titled and dated on reverse

PaTRICk HayMaN 1915–1988 Daniel Boone in the Wilderness (america, 1850) / 1987

PaTRICk HayMaN Girl With a Cross (Mevagissey) / 1948

oil on board / 29 x 24 cm Signed Also signed, titled and dated on label on reverse Provenance: The Artist’s Estate

Gouache and ink on paper / 35.5 x 25 cm Signed Signed, titled and dated on reverse Provenance: The Artist’s Estate 37

INez HoyToN 1903–1983 Dartmoor Tors

INez HoyToN Tregarrick Bridge, Mid-Cornwall

Watercolour / 30 x 45 cm Signed (indistinctly) bottom left

Watercolour / 26 x 37 cm Titled on reverse Signed

eDWaRD BoUveRIe HoyToN 1900–1988 Downalong Newlyn oil on board / 52 x 68.5 cm Signed, labelled to verso

PaTRICk HUGHeS b.1939 openings / 1999 Hand-coloured three-dimensional lithograph 40 x 74 x 19.5 cm / Signed and numbered AP 4/5 An artist’s proof aside from the edition of 35 Provenance: Private Collection 40

RoSe HIlToN 1931–2019 Still life with lemons / 1987 oil on canvas / 71 x 91 cm Signed, titled and dated on reverse Provenance: Private Collection – acquired direct from the artist

RoSe HIlToN St Ives / 1978

RoSe HIlToN Untitled (Standing Nude)

oil on canvas / 25.5 x 35.5 cm Signed, titled and dated on reverse

Mixed media on paper / 32.5 x 28 cm Provenance: The Artist’s Family

RoSe HIlToN Seated Model Charcoal on paper / 42 x 28.5 cm Provenance: The Artist’s Family A signed note by Bo Hilton (the artist’s son) accompanying the picture reads: ‘I love the fluidity of this charcoal drawing, a medium that my Mother felt very at home with.’

RoGeR HIlToN 1911–1975 Seated Woman (‘Put it in your Pipe and Smoke it’) / 1974 lithograph / 43 x 33.5 cm Signed with initials and dated in the plate Provenance: Belgrave Gallery, London

RoGeR HIlToN 1911–1975 Untitled / 1975

RoGeR HIlToN Untitled / 1973

Gouache / 34 x 37 cm Signed with initials and dated ‘75 Provenance: Anthony Hepworth Fine Art

Charcoal, pastel and gouache / 20 x 29.5 cm Provenance: Ray Hughes Collection Exhibited: Roger Hilton, Sotheby’s London 2019

RoGeR HIlToN Two Nudes / 1974 Gouache and charcoal on paper / 53 x 34 cm Signed with initials and dated Provenance: Nicola Jacobs Gallery, London / Tom Bell Fine Art, Troon

PaTRICk HeRoN 1920–1999 Six in vermillion with violet in Red / 1970

PaTRICk HeRoN Small Red : January 1973 : 2 / 1973

Screenprint / 58.5 × 78 cm Edition 81/100 Signed and dated

Screenprint / 42.5 x 51.5 cm Signed and dated Artist’s Proof

PeTeR laNyoN 1918–1964 Weathering / 1960 oil on board / 30.5 x 23 cm Signed, titled and dated on reverse Provenance: R Wakefield, 1960 / Austin Desmond Fine Art / Private Collection Exhibited: Gimpel Fils Solo Exhibition, 1960, no.16 Literature: Toby Treves, Peter Lanyon catalogue raisonné 2018, p.466, no.45 / Andrew Causey 1971, p.61, no.143 Note: This painting was included in Lanyon’s important solo exhibition at Gimpel Fils in 1960. With many other paintings in this exhibition, it references the artist’s experiences as a glider pilot and thus forms part of this seminal body of Lanyon’s work.

alaN loWNDeS 1921–1978 Untitled (Harbour Scene, Cornwall) / 1971 oil on board / 25 x 20 cm Signed and dated Provenance: Archeus Fine Art

MaRGo MaeCkelBeRGHe 1932–2014 orange landscape / 1967 oil on board / 60 x 100 cm Signed and dated Signed and titled on reverse

JeReMy le GRICe 1936–2012 Close Hill / 1956

JeReMy le GRICe Three Boats, St Ives / 1985

oil on board / 61 x 55.5 cm Signed and dated on reverse Provenance: The Artist’s Studio

oil on canvas / 35.5 x 40.5 cm Signed and titled on reverse

GWyTHeR IRWIN 1931–2008 Hundred Series No.34 / 1971

JoHN leSSoRe b.1939 Untitled (Interior with easel) / 1961

Watercolour on paper / 49 x 69cm Signed and titled ‘no.34’ Provenance: Lemon Street Gallery

oil on canvas / 60.5 x 50.5 cm Signed Inscribed: ‘Rome and Abbey Scholarship in Painting, 1961’

BeRNaRD leaCH 1887–1979 Tile / c1930s

leaCH PoTTeRy (attributed to) Tile with leaf Decoration / c1960s

earthenware / 10 x 10 cm Tin glazed earthenware decorated with a bird Impressed pottery seal

Stoneware / 10 x 10cm

MICHael CaRDeW 1901–1983 large Slipware Jug

PHIl RoGeRS 1951–2020 Tea Bowl

JaNeT leaCH 1918–1997 Bottle vase

Slipware / 21 x 20 cm Slight chips to rim Potter’s ‘MC’ mark

Stoneware / 9 cm (H) Tenmoku with ash glaze interior The body with a horizontal ribbed band Impressed potter’s seal

Stoneware / 11.5 cm (H) Speckled oatmeal glaze with crossed line detail Impressed pottery and potter’s seals Provenance: The Daphne Swann Collection 53

JUNe MIleS 1924–2021 Untitled (French landscape) / 1985 oil on canvas / 35.5 x 41 cm Signed and dated on reverse

JUNe MIleS Flowers and Fruit

JUNe MIleS Untitled (Still life) / 1988

acrylic on paper / 29 x 21 cm Signed

oil on canvas / 49 x 39 cm Signed and dated on reverse

alexaNDeR MaCkeNzIe 1923–2002 South Hill, linkinhorne / 1979 oﬀset lithograph 58.5 x 81.5 cm Signed and dated

alexaNDeR MaCkeNzIe Morvah / 1955 Monoprint / 11 x 46.5 cm Signed, titled and dated March 1955 on back board

JaNe o’Malley b.1944 anemones and Winter Sea, Porthmeor / 1986 oil on card / 38 x 63 cm Signed, titled and dated on reverse

JoHN MIlNe 1931–1978 Duo (JM196)

JoHN MIlNe Trio II (JM88) / 1969

Polished bronze / 38 cm (H) (inc. base) / Edition 3/9 Provenance: Private Collection

Polished bronze / 36 cm (H) (inc. base) / Edition 7/9 Provenance: Private Collection

DeNIS MITCHell 1912–1993 Treworgan / 1991

DeNIS MITCHell Boswens / 1963

Polished bronze / 39 cm (H) Inscribed with initials, titled and dated under base Edition 2/7 Provenance: Private Collection

Polished bronze / 55.5 cm (H) (inc. base) / Edition 5/5 Provenance: New Craftsman Gallery / Private Collection

BeN NICHolSoN 1894–1982 after ‘June 1937 (painting)’ / c1982

BeN NICHolSoN July 15 / 1955

lithographic print / 48 x 63 cm Published by Tate Gallery

Collagraph / 33 x 27 cm Printed under the guidance of Nicholson at the Ganymed Press, London Literature: ‘Ben Nicholson – Work Since 1947’, Herbert Reed (frontispiece), Lund Humphries, 1956

kaTe NICHolSoN 1929–2019 lelant Golf Course / c1950 oil on canvas / 60 x 94.5 cm Signed and titled on reverse Also inscribed ‘Painted at Chy An Kerris’ in the artist’s hand Provenance: Private Collection / Purchased from the artist in 1980 Note: Chy An Kerris was Ben Nicholson’s home in Carbis Bay 61

WINIFReD NICHolSoN 1893–1981 Narcissi in Basket / 1979 Screenprint / 43 x 51 cm Published by Third Eye Gallery, Glasgow Signed with initials and dated Edition 35/150

SIMoN NICHolSoN 1934–1990 Timothy’s Corner, Isles of Scilly / 1956

SIMoN NICHolSoN little Popplestone 12/09/56 / 1956

Pencil on paper / 39 x 52 cm Signed Also signed, dated and inscribed on reverse

Pencil on paper / 37 x 47.5 cm Signed Titled and dated on reverse

PaUl NaSH 1889–1946 The Raider on the Moor / 1940 lithograph / 50 x 69 cm Printed by Curwen Press, London Published by the National Gallery for the Ministry of Information, London Signed and titled in the plate Provenance: Goldmark Gallery

BRyaN PeaRCe 1929–2007 Two Boats, St Ives / c1980

BRyaN PeaRCe Untitled (Boats in St Ives Harbour)

Pen and ink / 17.5 x 24.5 cm Signed Inscribed on reverse Provenance: Colin Orchard Collection / Wills Lane Gallery

Pen and ink / 29.5 x 41 cm Signed

BRyaN PeaRCe Three angels

BRyaN PeaRCe Belladonna lilies / 1979

etching / 29 x 26 cm Estate stamp and facsimile signature Edition 22/75

Screenprint / 60 x 50 cm Signed with dated ‘79 Edition 69/75

vICToR PaSMoRe 1908–1998 abstract 1971 / 1971

vICToR PaSMoRe abstract Composition / 1948

Screenprint / 71 x 70 cm Printed at Kelpra Studio, London Published by Marlborough Graphics Signed with monogram / Edition 75/75 Literature: ‘Victor Pasmore: a catalogue raisonné of the paintings, constructions and graphics 1926–1979’, Bowness and Lambertini, 1980, no.24

lithograph / 67.5 x 49.5 cm Printed and published by the Baynard Press, London A rare proof, before addition of lettering, for the poster for the London Group exhibition of 1948. This is one of the earliest and most important graphic works of post-War British abstraction. 67

BReoN o’CaSey 1928–2011 Green Discs / 2006

BReoN o’CaSey Six Hills / 1999

acrylic on paper / 28 x 38 cm Signed and dated ‘06 Signed, titled and dated on reverse

linocut / 30.5 x 31.5 cm Edition 12/15 Signed and dated Provenance: Linda Stoneman Gallery

BReoN o’CaSey Dark Red Bird / 2006 oil on paper / 53 x 74 cm Signed and dated Signed, titled and dated on reverse Provenance: Lemon Street Gallery, Wenlock Fine Art, Neil Schofield Fine Art 69

alaN ReyNolDS 1926–2014 Idyll II / 1967

alaN ReyNolDS Idyll / 1967

etching and aquatint / 56 x 44.5 cm (sheet) Plate: 35.5 x 29.5 cm Signed, dated and inscribed ‘John from Alan’ Artist’s Proof 3/5

etching and aquatint / 57.5 x 38.5 cm (sheet) Plate: 30 x 29.5 cm Signed, dated and inscribed ‘John from Alan’ Artist’s Proof

CeRI RICHaRDS 1903–1971 la Pianiste / 1959 lithograph / 49 x 67.5 cm (image) Sheet: 57 x 77 cm Signed and dated Edition 22/50 Printed at Curwen Studios with Stanley Jones Note: There is a copy of this work in the Tate Collection 71

Roy oxlaDe 1929–2014 Gladioli / 1961 oil on board / 91 x 71 cm Signed, titled and dated on reverse Provenance: Private Collection

MICHael UPToN 1938–2002 Room – Washing line / 1987 oil on board / 24.5 x 33 cm Studio stamp on reverse signed Sally Fleetwood Provenance: Anthony Ralph Gallery, New York Exhibited Sept 29 –Oct 24 1987 / Roger Ramsay Gallery, Chicago 73

JoHN aNTHoNy PaRk 1880–1962 a Street Scene, St Ives oil on board / 32 x 39 cm Signed Inscribed indistinctly on reverse Exhibited: Royal Institute of Oil Painters 74

leoNaRD RICHMoND 1910–1965 St Ives oil on board / 33 x 40 cm Signed

JUlIaN TRevelyaN 1910–1988 Thames Regatta / 1951

JUlIaN TRevelyaN lock keeper’s Cottage / 1975

lithograph / 49 x 76 cm From the Fourth Series of School Prints, made to commemorate the Festival of Britain

lithograph / 71 x 50.5 cm (sheet) Signed Edition 1/100

JoHN ToNkS 1927–2012 The embrace (version II)

JaSoN WaSoN b.1946 large Raku Fired Bowl

Cold cast bronze / 26.5 cm (H) (inc. base)

Stoneware / 30 cm ⦰ Impressed seal underneath Provenance: acquired direct from the artist

Inscribed artist’s label under base: ‘This is to certify that this is cast no. 43/50 taken from the macquette for The Embrace – Version II. It is Resin Bronze by myself. The full scale work was carved in Hopton Wood Stone for the RBS Exhibition at New College Oxford 1988’. Signed

WIllIaM SCoTT 1913–1989 Brown Field Deﬁned / 1972

WIllIaM SCoTT Green Predominating (from ‘Summer Suite’) / 1976

Screenprint / 58.5 x 77.5 cm Signed and dated Titled on reverse Edition 40/72 Illustrated: Brian Balfour-Oatts, William Scott: A Survey of His Original Prints, Archeus Fine Art, London, 2005, No.34, illus. p.27

lithograph / 77 x 57 cm Printed at Curwen Studio, London Published by Alecto Editions (blindstamp?) Unsigned lithograph aside from edition of 40 and 15 Artist’s Proofs

WIllIaM SCoTT Blue Still life / 1975 lithograph / 76 x 96.5 cm (sheet) Printed by Curwen Studio, London Published by Editions Alecto Ltd., London Signed in the plate with the publication line 79

ToNy SHIelS b.1938 Red Shift II / 1960

ToNy SHIelS Red Shift I / 1960

Gouache / 35.5 x 25.5 cm Signed and dated Provenance: Private Collection

ToNy SHIelS The Magician / 1995 Mixed media / 68 x 75 cm Signed, titled and dated on reverse Provenance: Private Collection 81

JoHN WellS 1907–2000 Fish / 1944 linocut / 6.5 x 20 cm Studio stamp Provenance: Jonathan Clark Fine Art / Private Collection

JoHN WellS Untitled / 1971 linocut and watercolour / 9 x 33 cm Provenance: Lemon Street Gallery / Private Collection

kaRl WeSCHke 1925–2005 Sturmﬂöten / 1966 oil on canvas / 213.5 x 152 cm Dated 1965/66 Provenance: Private Collection (purchased direct from the artist) Exhibited: ‘Karl Weschke’, Whitechapel Gallery, London 1974 Exhibited: ‘Karl Weschke: Beneath a Black Sky: Paintings and Drawings 1953–2004’, Tate St Ives,2004 Literature: Jeremy Lewison, ‘Karl Weschke’, Kunstsammlung Gera, 2001, p.70 (illus.) Literature: Jeremy Lewison, ‘Karl Weschke – Portrait of a Painter’, 1998, p.81 Note: A similar painting to this is Weschke’s ‘Pillar of Smoke’, 1964, in the Tate collection 83

Exhibiting Artists

Michael Ayrton

Alistair Grant

Paul Nash

Wilhelmina Barns-Graham

Jeffrey Harris

Ben Nicholson

John Barnicoat

Patrick Hayman

Kate Nicholson

Sven Berlin

Adrian Heath

Simon Nicholson

John Blackburn

Dorothy Hepworth

Winifred Nicholson

Clive Blackmore

Patrick Heron

Breon O’Casey

Sandra Blow

Ken Howard

Roy Oxlade

Bob Bourne

John Hitchens

John Anthony Park

Martin Bradley

Edward Bouverie Hoyton

Victor Pasmore

Jeffrey Camp

Inez Hoyton

Bryan Pearce

Michael Cardew

Patrick Hughes

Alan Reynolds

Maurice Cockrill

Roger Hilton

Ceri Richards

Robert Colquhoun

Rose Hilton

Leonard Richmond

Roy Conn

Gwyther Irwin

Phil Rogers

Tom Cross

Peter Lanyon

William Scott

Bob Crossley

Bernard Leach

Tony Shiels

George Dannatt

Janet Leach

John Tonks

Alan Davie

Jeremy Le Grice

Julian Trevelyan

Ronald Ossory Dunlop

John Lessore

Michael Upton

John Emanuel

Alan Lowndes

Jason Wason

Clifford Fishwick

Alexander Mackenzie

John Wells

Paul Feiler

Margo Maeckelberghe

Karl Weschke

Michael Finn

June Miles

Terry Frost

John Erskine Milne

William Gear

Denis Mitchell

Terry Frost Madrigal I / 1949/50 Whilst a student at Camberwell, Frost was tasked with a summer project set by Claude Rogers. Out of the two themes given, Frost chose ‘Madrigal’ and was inspired by W H Auden’s poem of this title: O lurcher-loving collier black as night, Follow your love across the smokeless hill; Your lamp is out, the cages are all still; Course for heart and do not miss, For Sunday soon is past and, Kate, fly not so fast, For Monday comes when none may kiss: Be marble to his soot, and to his black be white.