St Ives and Modern British 2023
8 April – 8 May
Viewings welcome by appointment
Please call or email to arrange a visit
Higher Bussow Farm, Towednack, St Ives, Cornwall TR26 3BB 01736 794888 www.belgravestives.co.uk info@belgravestives.co.uk
Directions: Search Google Maps Belgrave St Ives or use what3words: ///flinch.gums.relief
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RAY ATKINS b.1937
Gorse and Red Washing / 1993
Oil on board / 110 x 122 cm
Signed, titled and dated on reverse
Provenance: Art Space Gallery
A monograph on the artist is currently being prepared by Peter Davies.
2
Oil on board / 28 x 43 cm
Signed, titled and dated on reverse
This painting is signed, titled and dated by Basil Beattie on the reverse and is consistent with the artist’s work of the period. Interestingly, however, the painting is also signed with the initials G.A. on the bottom edge of the image, consistent with the initialling style of Gillian Ayers seen in other works. The two artists, born in the 1930s and both significantly influenced by Abstract Expressionism, exhibited together more than once in the 1980s, most notably in the Hayward Annual of 1980. Although almost certainly solely the work of Beattie, it is curious that the painting should also appear to bear Ayres initials.
3
BASIL BEATTIE b.1935
(Indistinctly titled) / 1986
W. BARNS-GRAHAM 1912–2004
Minack Cliff Theatre / 1940
Gouache on paper / 23.5 x 30 cm
Signed, titled and dated on reverse
Provenance: Wilhelmina Barns-Graham Trust
Barns-Graham was a founder member of the Crypt Group (1946). Peter Davies is currently writing a book about the Crypt Group to be published 2024.
W. BARNS-GRAHAM
Movement towards Two Forms / 1982
Mixed media / 25 x 33 cm
Signed and dated
Also signed, titled and dated on reverse
Provenance: Private Collection
4
W. BARNS-GRAHAM
Untitled / 1965
Oil on board / 18.5 x 15 cm
Signed and dated on backing board
Also signed, titled and dated on reverse
Provenance: Wilhelmina Barns-Graham Trust
W. BARNS-GRAHAM
Reds on Orange / 1958
Gouache on paper / 26.5 x 30.5 cm
Signed and dated on backing board
Also signed, titled and dated on reverse
Provenance: Wilhelmina Barns-Graham Trust
5
Portrait of Jacque / 1949
Pen and ink / 46 x 30 cm
Signed, titled and dated ‘August 1949’
Jacque Moran was Sven’s partner for a while in the late 1940s. By the time of this drawing, Jacque was suffering from TB and being treated at the Rosehill Sanatorium in Penzance. Sven visited Jacque and wrote to her regularly during the years that she spent at Penzance.
Warrior’s Head / 1980
Pentelic marble / 40 cm (H)
Inscribed with monogram and dated
6
SVEN BERLIN 1911–1999
SVEN BERLIN
SVEN BERLIN
Conversation Piece / 1941
Pencil on paper / 23 x 28 cm
Signed, titled and dated
Provenance: The Julia and Sven Berlin Collection
At the time of this drawing, Berlin was working as a gardener at Little Parc Owles, Carbis Bay, the home of Adrian Stokes and Margaret Mellis. This sketch is thought to depict Mellis (left), Stokes (right) and Barbara Hepworth (centre). Little Parc Owles was later home to Peter Lanyon.
SVEN BERLIN
Untitled (Portrait of Julia) / 1971
Oil on canvas / 30 x 25 cm
Signed with monogram and dated ‘JU ‘71’ on reverse
7
JOHN BARNICOAT 1924–2013
HMS Belfast on the Thames / 1992
Oil on canvas / 51 x 61 cm
Signed with initials
Signed and dated 1992 on reverse
Provenance: The Artist’s Estate
Together with a preparatory ink sketch of the same scene / 21 x 30cm. At 19, Barnicoat joined the RNVR as a Naval Officer taking part in the D-Day landings at Sword Beach.
8
ELIZABETH BLACKADDER 1931–2021
Iris, Hermodactylus Tuberosus / 2003
Watercolour and pencil on paper / 34.5 x 31.5 cm
Signed, dated and titled
Exhibited: The Scottish Gallery, Edinburgh (ART2006–Islington Art Fair), 18–22 January 2006
9
MAURICE COCKRILL 1935–2013
Generation – Sap / 1993
Oil on canvas / 51 x 46 cm
Signed, titled and dated on reverse
Provenance: Bernard Jacobson Gallery
SANDRA BLOW 1925–2006
Red Melange / 2006
Screenprint with collage / 91 x 90 cm
Signed
Edition 115 / 130
10
Overlap / 2005
Acrylic, hessian and paper collage on canvas / 50 x 50 cm
Signed, titled and dated on reverse
Provenance: Beaux Arts, London
11
SANDRA BLOW
BOB BOURNE 1931–2021
Green Figure in Interior
Oil on canvas laid on board / 92 x 105 cm
Titled on reverse
Provenance: The Artist’s Family
BOB BOURNE
Australian Blue / 1974
Oil on canvas / 123 x 122 cm
Signed, titled and dated on reverse
Provenance: The Artist’s Family
The artist lived in Western Australia 1973–74.
12
DENNIS CREFFIELD 1931–2018
New York – Looking up East River from Wall Street / 1996
Charcoal on paper / 77.5 x 57 cm
Signed and dated
Provenance: Private Collection
– purchased direct from artist
DENNIS CREFFIELD
Chartres Cathedral – Rose Window / 1990
Charcoal on paper / 79.5 x 59 cm
Signed and dated
Provenance: Private Collection
– purchased direct from artist
13
Untitled
Gouache and pastel on paper / 71 x 52 cm
Provenance: Tom Cross Estate
TOM CROSS
Estuary / 1998
Oil on canvas / 51 x 62 cm
Signed
Titled and dated on artist’s label on reverse
Provenance: Tom Cross Estate
14
TOM CROSS 1931–2009
(Still Life with Jugs)
BOB CROSSLEY 1912–2010
Clown (Mid Day Studios) / 1959
Oil on board / 51 x 40 cm
Signed and dated
Also titled and dated on reverse
The Mid-Day Studios was a privately run gallery located in a basement opposite Manchester Art Gallery on Mosley Street, which made a considerable difference to local artists like Crossley, and to the cultural life of Manchester for five years after the Second World War. The gallery hosted L S Lowry’s first solo exhibition in 1949 and eventually closed in 1951.
BOB CROSSLEY
Engraver / 1948
Oil on paper laid on board / 30 x 24 cm
Signed and dated
Also signed, titled and dated on reverse
15
ALAN DAVIE 1920–2014
Incantation / 1999
Screenprint / 69 x 56 cm
Signed and dated
Blind embossed stamp
GSL III aside from the edition of 100
ALAN DAVIE
To a Celtic Spirit I / 2001
Screenprint / 52 x 77 cm
Signed and dated
Edition 26/30
Public Collection: Scottish National Gallery of Modern Art
16
JOHN EMANUEL
Untitled (Reclining Male Nude on Blue)
Oil on board / 57 x 95 cm
Signed
JOHN EMANUEL b.1930
Figure / c1970
Oil on board / 151 x 103 cm
Signed and titled on reverse
Exhibited: The National Open Art Exhibition organised by Television South West and South West Arts.
17
Gouache on paper / 29 x 29 cm
Signed, titled and dated
Provenance: Private Collection
Exhibited: ‘Paul Feiler, A Retrospective’, Lemon Street Gallery, 2011, illus. page 22
1978
Screenprint / 46 x 46 cm
Signed, titled and dated
Edition 18/75
Provenance: Redfern Gallery / Private Collection
18
PAUL FEILER 1918–2013
Ambit G VIII / 1974
PAUL FEILER
Adytum SV /
MICHAEL FINN 1921–2002
Cruciform / 1966
Wood and acrylic / 36 x 16 x 16 cm
Signed and dated under base
MICHAEL FINN
Untitled (Cream with White Verticals) / 2000
Acrylic on canvas / 101 x 101 cm
Signed and dated on reverse
Illustrated: ‘Behind the Canvas’, Sarah Brittain and Simon Cook, page 16.
19
TERRY FROST 1915–2003
Untitled / 2001
Acrylic and collage on canvas / 56 x 56 cm
Estate label on reverse countersigned by Anthony Frost
Provenance: The Artist’s Estate
TERRY FROST
Malaga Blue, Yellow And Orange / 1999
Acrylic and canvas collage on card / 23 x 23 cm
Signed
Titled and dated on reverse
20
TERRY FROST
Untitled / 1999
Acrylic and canvas collage on card / 40.5 x 19 cm
Signed and dated on reverse
Provenance: Bought direct from the artist by the previous owner
TERRY FROST
Oh what an effort it is to love you as I do / c1970s
Mixed media collage on paper / 42 x 59 cm
Provenance: Private Collection
21
Longbow (Kemp 176) / 1998
Screenprint with collage / 26 x 86 cm
Signed Edition 6/50
Provenance: Private Collection
22
TERRY FROST
TERRY FROST
Variations (Black Segments) (Kemp 71) / 1974
Screenprint / 51 x 76 cm
Signed and dated
Edition 62/75
Printed and published by the artist, Newlyn, Cornwall
23
PATRICK HAYMAN 1915–1988
Near the Shore / 1945
Oil on cardboard / 33 x 52 cm
Signed, dated and titled on reverse
Provenance: The Artist’s Estate
LAWRENCE GOWING 1918–1991
Model in Yellow I / 1955
Oil on canvas / 66 x 51 cm
Signed
Titled and dated on label on reverse
Provenance: Phoenix Gallery, Highgate
24
Blue Lands / 1969
Oil on board / 48 x 57 cm
Signed, titled and dated on reverse
Roundhouse Snooker, St Ives / 1972
Pencil, oil, letraset and board / 20 x 25.5 cm
Signed, titled and dated on reverse
25
JEFFREY HARRIS b.1932
JEFFREY HARRIS
BARBARA HEPWORTH 1903–1975
Argos / 1969
Lithograph / 81.6 x 58.7 cm
Signed Edition 24/60 (home edition)
Published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist’s initials. There was also an overseas edition of 30.
26
PATRICK HERON 1920–1999
Cagnes-sur-Mer / 1948
Pencil on paper / 25 x 30 cm
Signed and dated
Provenance: Anthony Hepworth Fine Art
The drawing was most likely made when the artist was visiting Francis Davison and Margaret Mellis in Antibes during the winter of 1948–49.
27
January 1973: 12 / 1973
Screenprint / 59.5 x 79.5 cm
Signed and dated
Edition 5/72
Blue and Black Stripes / 1958
Lithograph / 59 x 43 cm
Signed and dated
Edition 20/25
Provenance: Private Collection
Patrick Heron produced one of his first known editioned lithographs Red Garden under the supervision of Henry Cliffe at Corsham College of Art, Bath, in 1956.
Blue and Black Stripes (along with Grey and Black Stripes, Grey and Brown Stripes and Red and Yellow Image) was one of a series of lithographs made in 1958 at Curwen Studios, copies of which are held in the Tate Collection.
28
PATRICK HERON
PATRICK HERON
ROSE HILTON 1931–2019
Untitled (Standing Nude with Hands on Hips)
Oil on card / 29.5 x 21 cm
Provenance: The Artist’s Family
ROSE HILTON A Girl in Studio
Oil on canvas / 45 x 29.5 cm
Signed with the artist’s maiden name ‘Phipps’
Signed ‘Rose Hilton’ and titled on reverse
Provenance: Private Collection
29
ROGER HILTON 1911–1975
Untitled (Two Sail Boats) / 1972
Oil, charcoal, coloured crayon on paper / 15 x 25.5 cm
Dated 1972 and inscribed ‘Happy Christmas from Roger & Rose’ on the reverse
Provenance: Collection of Denis Mitchell
30
ROGER HILTON
Prancing Horse / 1930s / 1940s
Oil on canvas board / 26.5 x 35 cm
Signed
Artist’s label on reverse Provenance: The Artist’s Family
The artist spent significant amounts of time living and working in Paris during the 1930s and returning for periods in the 1940s after the 1939–45 war. He studied at Académie Ranson under the direction of Roger Bissière in 1935. This rare, early work demonstrates the artist’s interest in contemporary European Painting by artists such as Picasso and Matisse.
31
MARION GRACE HOCKEN 1923–1987
Untitled (Nasturtiums)
Oil on canvas / 34.5 x 44.5 cm
Signed
After IVON HITCHENS 1893–1979
Flowers / 1951
Lithograph / 101.6 x 63.5 cm
London Underground Poster
The Baynard Press, 1951
Reference: LTM 1983/4/6385
32
After IVON HITCHENS
33
Edge of a Wood / 1950
Lithograph / 34 x 90 cm
This is a vintage print in an Art Deco style frame produced in the 1960s after the painting of the same title painted in 1950 (oil on canvas, 58 x 155cm).
Red, Blue / 1969
Screenprint / 56 x 93 cm
Signed
Artist’s proof aside from the edition of 75
34
JOHN HOYLAND 1934–2011
Homage to Constable / 1976
Lithograph with acrylic hand working / 55 x 85 cm
Signed and dated Edition: 51/100
35
JOHN HOYLAND
BRYAN INGHAM 1936–1997
Flower Piece (2nd Study No.2) / 1988
Mixed media and collage on board / 31 x 35.5 cm
Pastel, gouache, pencil and collage on board
Signed with initials
Also signed, titled and dated on backboard
Provenance: Francis Graham-Dixon Gallery, London
JUNE MILES 1924–2021
Oleander / 1981
Oil on canvas / 46 x 46 cm
Signed, titled and dated on reverse
Provenance: John Graham Fine Arts, Harlow
36
Oil on board / 118 x 90 cm
Signed with initials
Signed and titled on reverse
Royal Academy label on reverse
37
BEN LEVENE 1938–2010
Rory’s Plate
PETER LANYON 1918–1964
Back of Carn Brea / 1960
Charcoal and gouache / 40 x 50 cm
Signed, titled and dated on reverse
Provenance: Private Collection
– acquired direct from the artist’s family
Carn Brea is a hill and castle, formerly the site of Neolithic and Bronze Age settlements. Just outside Redruth, it is situated in the heartland of what was the Cornish Mining Industry.
PETER LANYON
The Returned Seaman / 1973
Lithograph / 63 x 70 cm (image)
Paper size: 74 x 80 cm
Edition 39/90
Facsimile signature
Provenance: Private Collection / The Artist’s Family
Part of The Penwith Portfolio, 1973, published by Penwith Galleries Ltd, St Ives.
The portfolio originally included works by Barbara Hepworth, Bernard Leach, Robert Adams, Alan Davie, Merlyn Evans, Duncan Grant, Ben Nicholson, John Piper and Michael Rothenstein, F. E. McWilliam and Henry Moore.
38
JEREMY LE GRICE 1936–2012
Quay II / 2010
Oil on board / 23 x 21 cm
Signed, titled and dated on reverse
Provenance: The Artist’s Studio
JEREMY LE GRICE
The Brisons from Porth Nanven / 1970
Oil on canvas / 25.5 x 35.5 cm
Signed, titled and dated on reverse
Provenance: The Artist’s Studio
39
ALEXANDER MACKENZIE 1923–2002
Untitled / 1975
Etching / 19 x 18 cm (image)
Signed and dated
Artist’s Proof
Provenance: The John and Gunni Crowther Estate
ALEXANDER MACKENZIE (Indistinctly titled) / 1972
Oil on board / 47 x 43 cm (irreg.)
Signed, titled and dated on reverse
Provenance: The John and Gunni Crowther Estate
40
MARGO MAECKELBERGHE 1932–2014
Zennor Zawn II / 1973
Gouache / 34.5 x 23.5 cm
Signed Signed, titled and dated on reverse
MARGO MAECKELBERGHE
Penwith Moors / 1992
Gouache and charcoal on paper / 35 x 50 cm
Signed
Also signed, titled and dated on label on reverse
41
HENRY MUNDY 1919–2019
Untitled / 1964
Screenprint / 59.5 x 58.5 cm
Signed and dated Edition 2/40
Provenance: The Estate of Joe and Mary Hope
Joe Hope was the former Head of Fine Art at Bath Academy of Art, Corsham Court, 1968–1981.
ALLEN JONES b.1937
London Bus / 1966
Lithograph / 63 x 56 cm
From the series ‘A Fleet of Buses’, printed at the Tamarind Workshop, LA, published by Editions Alecto London
Signed and dated Bon à tirer (B.A.T.) proof aside from the edition of 20
42
DENIS MITCHELL 1912–1993
Treworgan / 1991
Polished bronze
Height 36.5 cm incl. base
Inscribed with initials, titled and dated under base
Edition 2/7
Provenance: Private Collection
JOHN MILNE 1931–1978
Resurgence / 1976
Polished bronze
Height 48 cm incl. base
Inscribed J.E.M. and dated under base Edition of 2/9
Provenance: Private Collection
Literature: ‘The Sculpture of John Milne’, Peter Davies, 2000, illus. page 89.
43
BEN NICHOLSON 1894–1982
Paros II (LaFranca 69) / 1967
Etching / 41 x 38 cm
Unsigned proof aside from the edition of 50 (LaFranca 69)
Annotations inscribed in pencil on reverse ‘Doc BN2, No.69’
BEN NICHOLSON
Pisa as Intended (LaFranca 42; Lewison 41) / 1967
Etching / 20.5 x 29.5 cm
Signed in pencil, dated, inscribed
‘for Denis / Brissago Sept 67’
Proof aside from the numbered edition of 50
Published by Leslie Waddington Prints, London, on wove paper
Sheet size: 30 x 40 cm
Provenance: Collection of Denis Mitchell
44
KATE NICHOLSON 1929–2019
The Growth of the Tree / 1966–70
Oil on board / 152.5 x 76 cm
Signed and dated
Provenance: Private Collection
45
VICTOR PASMORE 1908–1998
Spiral Motif / 1951
Linocut / 32 x 40 cm
Linocut on Japanese paper, printed by White Ink Studio, London, 1960s
Signed with initials and dated / Edition 16/20
Provenance: Mercury Gallery, London
The spiralling forms motif is directly linked to a series of drawings the artist made on Porthmeor Beach when he visited St Ives in the summer of 1950.
46
VICTOR PASMORE
Transformations 3 / 1970
Screenprint / 48 x 47 cm
Signed with initials and dated Kelpra Archive Copy according to label on reverse
WENDY PASMORE 1915–2015
Untitled / 1988
Lithograph / 33 x 47 cm
Signed Edition 3/25
47
BRYAN PEARCE 1929–2007
Two Boats, St Ives / c1980
Pen and ink / 17.5 x 24.5 cm
Signed
Titled on reverse
Provenance: Colin Orchard Collection
/ Wills Lane Gallery
BRYAN PEARCE
Harbour / 1990
Etching / 19.5 x 14.5 cm
Signed, titled and dated
Artist’s Proof II/VIII
Collection: Royal Cornwall Museum, Truro
– The Bryan Pearce Bequest (another copy).
48
Newlyn All Round / 1976
Screenprint / 47 x 63 cm
Signed and dated
Edition 59/75
Provenance: Private Collection
49
BRYAN PEARCE
PAUL NASH 1889–1946
Promenade No. 2 / 1923
Wood engraving / 11.4 x 14.6 cm
Stamp of the Paul Nash Trust
Edition 26/60
Compiled by Jeremy Greenwood
‘The Wood-Engravings of Paul Nash’, one of 60
special copies with an additional wood-engraving
Published by The Wood Lea Press, Woodbridge, 1997
PAUL NASH
Abstract No. 1 / 1924
Woodcut / 10.2 x 5.1 cm
Published by Garton and Cooke, May 1985
Printed on Japanese Hosho paper by Ian Mortimer from the original woodblocks in the possession of the Victoria and Albert Museum, with blindstamp of the Paul Nash Trust
Edition 12/45
Provenance – Betty Evans Collection (former President of the Contemporary Art Society for Wales)
50
ALAN REYNOLDS 1926–2014
Mariposa Nocturna II / 1967
Woodcut / 52 x 38 cm
Signed, dated and inscribed ‘John from Alan’
Artist’s Proof 4/5
Provenance: Private Collection
ALAN REYNOLDS
Mariposa Nocturna / 1967
Etching and aquatint / 57 x 45 cm
Plate: 29.5 x 27.5 cm
Signed, dated and inscribed ‘John from Alan’
Artist’s Proof 3/5
Provenance: Private Collection
51
PETER SEDGLEY b.1930
Quartet Suite: Yellow and Blue Circle on Light Blue / 1986
Screenprint / 60 x 60 cm
Signed and dated
Titled on reverse
Edition 5/100
Provenance: Private Collection
Acquired by previous owner direct from the artist
PETER SEDGLEY
Quartet Suite: Red and Blue Circle / 1986
Screenprint / 60 x 60 cm
Signed and dated
Titled on reverse
Artist’s Proof
Provenance: Private Collection
Acquired by previous owner direct from the artist
52
PETER SEDGLEY
Quartet Suite: Blue Circle on Blue / 1986
Screenprint / 60 x 60 cm
Signed and dated
Titled on reverse
Edition 42/100
Provenance: Private Collection
Acquired by previous owner direct from the artist
PETER SEDGLEY
Quartet Suite: Red Circle on Black / 1986
Screenprint / 60 x 60 cm
Signed and dated
Titled on reverse
Edition 99/100
Provenance: Private Collection
Acquired by previous owner direct from the artist
53
BRIAN RICE b.1936
On Silver / 1965
Screenprint / 49.5 x 63.5 cm (sheet)
Printed by Ward Studio, Yeovil
Signed and dated
Titled on the reverse
Artist’s proof aside from the edition of 30
BRIAN RICE
Drawing for Painting Structure / 1965
Gouache on paper / 30 x 22 cm
Signed, titled and dated
54
Sea View
Oil on canvas / 75 x 35 cm
Signed
A. THOMAS SMITH
Rugby Scrum / 1935
Linocut / 15 x 20 cm
Signed and dated In the style of the Grosvenor School of Modern Art, particularly Cyril Power and Claude Flight.
55
GUY RODDON 1919–2006
CLAUDE ROGERS 1907–1979
A Lovely Party (or possibly ‘Dog
Dominated Landscape’) / 1973
Oil on board / 20 x 24.5 cm
Signed with initials and dated 22 June ‘73
On reverse inscribed ‘For Pat and Tom and David (& Middy) from Elsie and Claude’
Provenance: Private Collection
CLAUDE ROGERS
Untitled (Reclining Figure) / 1969
Pencil on paper / 22.5 x 45 cm
Signed and dated
Inscribed ‘Claude to Tom’
Provenance: Private Collection
56
HUMPHREY SPENDER 1910–2005
Untitled / 1975
Pencil / 24.7 x 35 cm
Signed and dated ‘75
Titled on labels on reverse
The drawing appears to be a study for the painting ‘Seawall in Estuary’, 1975.
57
WILLIAM SCOTT 1913–1989
Cornish Harbour / 1951
Lithograph on wove paper / 50.5 x 63 cm
Signed and numbered
Edition 22/60
Provenance: Private Collection, UK
This print from an edition of 60 was made at the lithography studio in Corsham. It shows the harbour at Mousehole in Cornwall where Scott would spend his summers, whilst living in Hallatrow in Somerset. Scott saw this work as a logical development from an earlier painting of 1939 done at Port Manech near Pont-Aven, which he described as ‘one of the first pictures in which my concern was with large empty spaces’.
58
WILLI SOUKOP 1907–1995
Untitled (Dancing Girl) / 1936
Ink and gouache on paper / 41 x 27 cm
Signed with initials
Signed and dated on reverse
WILLI SOUKOP
Untitled (Nude)
Charcoal and ink / 18 x 18 cm
Signed with initials
Also signed on reverse
59
WILLI SOUKOP
Untitled (Abstract Head)
Bronze on slate base / 18 cm (H)
Signed with initials
UNKNOWN ARTIST
Four Teachers / c1948
Watercolour and bodycolour / 41 x 24 cm
Unsigned work by a student at Camberwell School of Arts c.1948
The painting depicts, in descending order, Victor Pasmore, William Coldstream, Claude Rogers and Lawrence Gowing, four of the key figures of the Euston Group.
Exhibited: Belgrave Gallery, ‘Camberwell Arts of the 40s and 50s’, June 1988, no. 70 (illustrated).
60
Untitled III / 1964
Monoprint / 22.5 x 18 cm
Studio stamp
Provenance: The Artist’s Estate
JOHN WELLS
Untitled II
Monoprint / 22 x 18 cm
Studio stamp
Provenance: The Artist’s Estate
61
JOHN WELLS 1907–2000
KARL WESCHKE 1925–2005
Trees / 1970
Oil on canvas / 152.5 x 122 cm
Provenance: The Arnolfini Gallery, Bristol Bought direct from the artist by the previous owner
Exhibited: The British Art Show, Recent Paintings and Sculpture by 112 Artists, selected by William Packer, Arts Council of Britain Touring Exhibition, 1979.
62
Untitled / 1957
Lithograph / 35 x 48 cm
Signed and dated Edition 5/30
Untitled (The Tower House, Higher Tregerthen, nr. Zennor) / c1950s
Charcoal on paper / 56 x 76 cm
Signed
The building to the right in this image was known as the ‘Tower House’, and was briefly home to DH Lawrence and his wife, Frieda, in 1916–17. Weschke lived here from 1955 to 1960 before moving to Cape Cornwall.
63
KARL WESCHKE
KARL WESCHKE
BRYAN WYNTER 1915–1975
Untitled (Mousehole Harbour)
Linocut / 10 x 14.5 cm
Signed with initials
Provenance: From the artist’s wife to Wills Lane Gallery in the 1980s
BRYAN WYNTER
Untitled (Portrait of Jacque Moran) / 1949
Monoprint / 36 x 26 cm
Signed and dated
64
Exhibiting Artists
Ray Atkins
Wilhelmina Barns-Graham CBE
John Barnicoat
Basil Beattie RA
Sven Berlin
Dame Elizabeth Blackadder DBE RA RSA
Sandra Blow RA
Bob Bourne
Maurice Cockrill RA
Dennis Creffield
Tom Cross
Bob Crossley
Alan Davie
John Emanuel
Paul Feiler
Michael Finn
Sir Terry Frost RA
Sir Lawrence Gowing CBE RA
Jeffrey Harris
Patrick Hayman
Dame Barbara Hepworth DBE
Patrick Heron RA
Roger Hilton CBE
Rose Hilton
Ivon Hitchens
Marion Grace Hocken
John Hoyland RA
Bryan Ingham
Allen Jones RA
Peter Lanyon
Jeremy Le Grice
Ben Levene RA
Alexander Mackenzie
Margo Maeckelberghe
June Miles
John Milne
Denis Mitchell
Henry Mundy
Paul Nash
Ben Nicholson OM
Kate Nicholson
Victor Pasmore CH CBE
Wendy Pasmore
Bryan Pearce
Alan Reynolds
Brian Rice
Guy Roddon
Claude Rogers OBE
William Scott CBE RA
Peter Sedgley
A. Thomas Smith
Willi Soukop RA
Humphrey Spender
John Wells
Karl Weschke
Bryan Wynter
