A Crowd Amidst the Solitudes

Page 1

A Crowd Amidst the Solitudes for wind ensemble full score

Benjamin Kwok (2015)

INSTRUMENTATION Piccolo 3 Flutes Oboe 3 Clarinets in B♭ Bass Clarinet in B♭ Bassoon 4 Horns in F 2 Trumpets in B♭ 2 Trombones Bass Trombone Euphonium Tuba Timpani Percussion (4 players) Percussion 1: Marimba Triangle Suspended Cymbal (shared) Percussion 2: Bass Drum Chimes Percussion 3: Glockenspiel Suspended Cymbal (shared) Percussion 4: Vibraphone (motor off) Crash Cymbal

transposed score

Duration: ca. 6 minutes

TRANSPOSED SCORE

A Crowd Amidst the Solitudes BENJAMIN KWOK

  

q = 100

Piccolo

Flute 1

 playfully           mp

Flute 2

mf

    

mp









3

mf



  

5

     

 mp

Bb Clarinet 1

 

fp

 

lyrically

   

 

3

Bb Clarinet 3

Bb Bass Clarinet

Bassoon

F Horn 1+2

F Horn 3+4

Trumpet in Bb

Trumpet in Bb 2

Trombone 1+2

Bass Trombone

Euphonium

Tuba

Timpani

1

2 Percussion 3

4

     



    

      

           

         

   

  

    p

          mfp mp petulantly, with attitude

mf

 

 

          3

5

 

  

        fp

      mf

fp

Bb Clarinet 2

         

Oboe

mp

fp

Flute 3

   

p

           mp mf

more

even more              mp mf

2

 Fl. 1   4

  

  

Increasingly Chaotic, Without Slowing Down

mf

Ob.



 

Bb B. Cl.

mp

 Fl. 1 

mp

Fl. 2

Fl. 3

Ob.

 

 

  

     

Bb Cl. 2

 

     



mp

 

  

      

    

mf



          

 

  

  

 

p

 

 p

 

     

    

      

p

          5

mp

5

     



pp

   

          p         p

 

mf

 

     



 

    

p

        

more softly

5

3

Bb B. Cl.

  

p

 Perc. 2  

      

 

    

       p         

           Bsn.  

  

      

     

     

Bb Cl. 1

Bb Cl. 3

       

mf

mp

 

     3

mf

     3



   

   

      insistently       

    

 

fp

             mf

 

       

 

       mf fp      

 7

 

mf

3

Bb Cl. 3

     

        

Bb Cl. 2

  



mf

      

   

Bb Cl. 1

 

 



 

Fl. 3

Bsn.

mp

            

Fl. 2

 

      p

Chimes

 pp

  

   

10

 Fl. 1  

Hushed

   

solo

   

  

   



   

      

Fl. 3

 

 

mf

 

Fl. 2

 

sharply syncopated, with an exotic character

5

Ob.

    

   

              

Bb Cl. 1

Bb Cl. 2

 

Bb Cl. 3

 Bsn.  

   

piercing           f

piercing           f

     

   

     

      

Bb Tpt. 1

Tbn. 1 + 2

B. Tbn.

Perc. 2

Perc. 3



pp

Chimes

   

scrape with triangle beater

  

Suspended Cymbal

  

  

p

p

 

F Hn. 3+4

Triangle

 

 

10   Perc. 1 

 

 F Hn. 1+2 

Tba.

 

  

  

  

    

     

         

Bb B. Cl.

    

3



  

1

     pp

  



   

4

 Fl. 1  



13

Fl. 2

Fl. 3



   

                

  3

 

 

mp

 

 F Hn. 1+2  

p

    

    



  

 p





       

p

mp





p solo

     

mf

         

 

  

     

    

 





     





 

1

 





mp

blend with background



blend with background

       

    

   

Bb B. Cl.

        

 

Bb Cl. 3

Bsn.

fp

   

Bb Cl. 2

fp

        

Bb Cl. 1

   

 

                

Ob.

 

2

      

    

     

 

 

mp

 

      

    

     

p

    

 

3

Tbn. 1 + 2

B. Tbn.

 Perc. 1 

Perc. 3

Perc. 4



F Hn. 3+4

Bb Tpt. 1

Tba.

p

p

Triangle

p



solo  end  Fl. 1 

 

17

3

Bb Cl. 2

F Hn. 1+2



     

 

Bb Tpt. 2

Perc. 2

Perc. 3

Perc. 4



mf

      

       



 

 



mp



 







mf

pp

1

   

3





3

mp 3

   



p

 

end solo

     



p

a2 3 p

18

    

 



    

mf

    

p

  

    

soft mallets

 



   

 

3





       

Triangle      Perc. 1 

 



     





   

  



 



   



 

B. Tbn.



  

  

a2

Tbn. 1 + 2



mp

5

  

p

 

Bb Tpt. 1

  



mp

  

 

  

F Hn. 3+4

Tba.

   

Bb B. Cl.

Bsn.

 



mp

     



p

   

p

 

  

Bb Cl. 3



  

    

      

Bb Cl. 1

mf

mp

 

Ob.

18

   

p

Fl. 3

mp

 

Fl. 2

 



Vibraphone

 

Suspended Cymbal

         p

3

ppp

 

ppp

p

       p

3



  ppp

6

 Fl. 1  21

 

Fl. 2

Fl. 3

 

Ob.



 





       

Bb Cl. 3

   

Bsn.

F Hn. 1+2

         p          

   

 

 

 

F Hn. 3+4

 

p

p

    

Tbn. 1 + 2

p

 

B. Tbn.

mp

Tba.

 Perc. 2  

Perc. 3

Perc. 4

p

 

 

 



 





p

mf

echoing trumpet 1

p

 

p



a2

p

   mf









3

   

mp

3

   

mp

 

Suspended Cymbal

       Vibraphone

    

 



     

mp

p

p

 

mp

 

      Chimes

p

  pp

         3

p

ppp

    

 

 

3

mf

    

3          



2

3

pp

        

      p

tongued  

3







                3

  

Bb Tpt. 2



pp

   



 

 

  

  



p

Bb Tpt. 1

   

    

Bb Cl. 2

    



 

Bb B. Cl.

     

 

3

p





       

Bb Cl. 1

  



        3

ppp

p

  

  Fl. 1  25

 

Fl. 2

  

Fl. 3

mf

mf

Quietly Rippling





    p 3

mf

 

Ob.

mf

26

7

p

 

p

3

    

   

3

   

   

p

mf

 3  

mp

3

3

mp



   

3

3 3                    

 3   

3



           3

mf

Bb Cl. 1

   

Bb Cl. 2

      

Bb Cl. 3

Bb B. Cl.

Bsn.

  F Hn. 1+2 

   

F Hn. 3+4

Bb Tpt. 1

mp

 

mp

 

    

 

 

 Timp. 

 p

 Perc. 1 



Triangle

      

 Perc. 4  



pp

Chimes

Perc. 3

2

p

Perc. 2

pp

 

 

 Vibraphone

p 3



Glockenspiel

    

   pp

 

 

    mp

1  



 

1

mp

Tba.

 

B. Tbn.

 

 

mp

Tbn. 1 + 2

pp

2





sudden new character

 

mp

Bb Tpt. 2



    



8

  Fl. 1 

30 Lightly





           mp

Fl. 2

mp

3

Ob.

3

       p

Bb Cl. 2

 

 

Bb B. Cl.

        

   

 

p

   

mf

   

3

3

3

    

mf

   

mf





    



            



  

    

mp

3

mp

    

mp

   

    



     



   

 

   



    

           

mp

  



mp sub.

 

Bb Cl. 3





       

     

mf

Bb Cl. 1



    

       

3

   

 



3

    

mp



             

3

 

Fl. 3

Bsn.

    

 

 

mf

 

   34

Picc.

    

Fl. 3

pp

Ob.

3

         

Bb Cl. 2

 

Bb B. Cl.



   

Bb Cl. 1

Bb Cl. 3

3

 

   

 

  

  

           

 

  

 

    

3





mp



   



mp

mf

 

3



      

    

 

 

 

 

 

         3 3

mf

p

     

 

  

   

     

        mp



37

  

      

   

      

mf

          

Fl. 2

Bsn.

Fl. 1

   mf

evenly, like an organ chorale

     mp

   

     

3

 

             mf

 

 Picc.  38

Fl. 1

Fl. 2

Fl. 3

9

Chorale-like









  3

      

Ob.

   

Bb Cl. 1

mp



evenly, like an organ chorale

mp

mf



 

 

 

 mf

 

  3

  



       

 

     

    

3



mp

           

Bb Cl. 2



5

      



mf

mp



mf

         

 

5

dance-like

 

  

    

   

 

mp evenly, like an organ chorale

Bb Cl. 3

 

Bb B. Cl.

        

mf contrasting the legato lines

 Bsn.  

      

            

mf contrasting the legato lines

Tbn. 1 + 2



B. Tbn.

  

mp

            

     

   

      mp

Euph.

Tba.

mf

      mp

42

10

Picc.

Gaining momentum

  

        

Fl. 1

mp

 

Fl. 2

         

mf

mp

mf         

         

mp

 

Fl. 3

    

Ob.

      

    

Bb Cl. 1

Bb Cl. 3

Bb B. Cl.

F Hn. 1+2

       

      

3

   

  

     

      



mp

3

 

     

    

   

   

   

 

 

      

     

 

 

 

mf

42  Perc. 3  

      mp



mp

 

      

mp

               mp

p

Gaining momentum

a2



mp

mp

mf

      

  

   

       mp

mf

     

a2

      

mf

   

Euph.

         

         

               

B. Tbn.

mp

3

Tbn. 1 + 2

Bb Tpt. 1

Timp.

 

F Hn. 3+4

Tba.

    

    

Bb Cl. 2

Bsn.

3

     

      

f

mf

           

              

       mp

    

       p

11

45     Picc. 

            

 

Fl. 1

Fl. 2

             

   

   

f

Fl. 3

Ob.

Bb Cl. 1







 

mp

   

             

      

       

         

              

      

            

3

slightly accent the attack of each new trill

      

    





 

          3

cres. 3

slightly accent the attack of each new trill

Bb B. Cl.

   

  

  





 

F Hn. 3+4

   mp

Bb Tpt. 1

mp

3

Tbn. 1 + 2



 

Euph.

mf

   cres.

     

      



  

 

 Perc. 2   

mf

        Suspended Cymbal

broad majestic quality



3



3

       Chimes

    



  

       cres.

  

mp

       

  3

cres.

p

     

mp       mf

3

broad majestic quality

p



      

 

mf

 

      

cres.

mf

mp

B. Tbn.

 3

Bb Tpt. 2

Perc. 3



      

cres.

    

Bb Cl. 3

Tba.

cres.

cres.

F Hn. 1+2

            

         

Bb Cl. 2

Bsn.

cres.

3

3

          cres.              

    

mf

        

12

 Picc.  

          f           

48

                     

Fl. 1

Fl. 2

Ob.

Bb Cl. 1

Bb Cl. 2

 

 

 

Bb Cl. 3

Bb B. Cl.

mf

  

Tbn. 1 + 2

B. Tbn.

 

Euph.

 

 Timp.  

 Perc. 2  Perc. 3

Perc. 4



mf

     swooping

3

     

      f

f



 



 

  

mf

   

3

 



mf

 mf

Glockenspiel

Vibraphone

echoing the trumpets

 

 

mf

3

3

 

   

mf

3

3

 

3

p

3

  

3

 

3

 

           

   mf

          

        mp if Gb3 is unavailable, play an octave higher                3



       

p



mp

Chimes

 

      

      

 

    p low growling

  

mf

 



mf

 

mf





f

      

f

 

            

  

        

       

       

      

  

mf

mp

  

                    

 

        

 

mf

mf

             

           



            

        



   

mf

 



mf

      

 

                      

mf

             

 

Bb Tpt. 2

 

mf

  



  

  

Bb Tpt. 1

     

     

    

   

F Hn. 3+4

Tba.

mf

f

  

  

mf

F Hn. 1+2

                     

                 

             f      f

 

Fl. 3

Bsn.

3

 

51     Picc.     

Fl. 1

Fl. 2

  

 

Fl. 3

mf

            

Bb Cl. 1

 

Bb Cl. 2

 

Bb Cl. 3

Bb B. Cl.

     

Bb Tpt. 2

B. Tbn.

Perc. 4

 

f

f

 

Vibraphone

 

 

    

  

 





f

 

pp

3

              p

mp

 

 

mp

     

pp

 

  

   

p

  

  

 

p

1



  

f

3

mf

p



p

mf



 

3

mp



 Triangle    

3

 



Chimes



f







    



   

 

 

 



echoes dying away

5

 



   

 

       

    

f

 

3

 

  

mp

      

  mf

mf

 

 f       

    

 

3

         



  

     

mf

Glockenspiel

 

  



Perc. 3

f



 Perc. 1  

    



3



 Timp.  

3

mf

3

 

Euph.

Perc. 2

            

Tbn. 1 + 2

Tba.

 

f

f

 

 

Bb Tpt. 1

3

 





   F Hn. 1+2  

decres.

f





 mf           

           

              Bsn.      

F Hn. 3+4



 

3

             

     

Ob.



13

  

14

 Picc.   54

Fl. 1



Fl. 3

mf





    

Bb Cl. 2

 

Bb Cl. 3

Bsn.

Bb Tpt. 2

Tbn. 1 + 2

             

   

brilliantly



   



 

 

 

6

6

   mf

mp

        mf

mp

     

mf

mf

 

mf

 



f



 

  

   

3

 

     

   

p

 



3

p





 

      

mp brilliantly

f

f

 

f

       

 

 



 

  

 

mf

mp

mf

mp

mp

 

 Timp. 



Tba.

  

 

Euph.

 

 

3

 

B. Tbn.

  

 

3                

 

Bb Tpt. 1

 

mp

  F Hn. 1+2  F Hn. 3+4

mf

      

Bb B. Cl.

 

       

Bb Cl. 1

more deliberately

legato

Ob.



mf

  

Fl. 2





p



p

 



      pp



 

  

   

mp

3

 

 Picc.  

Fl. 1

Fl. 2

15

58

Expansive, Wash of Sound

mp





mp

mf



         

mf

       

mp

          

mf

mf



Ob.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Fl. 3

Bsn.

mf

 

     



p

mp

 



Bb Tpt. 2

 a2

Tbn. 1 + 2

mp

B. Tbn.

Euph.

Tba.

Timp.



mp







 

 

       

    

   



3

mp

 



 

     

mp

   

     3



 

3

     





mp

 

  

3

 

p

    

 



3

 

mf



 

mp

Bb Tpt. 1

3

  F Hn. 1+2  F Hn. 3+4



mp

 

 

16

 Picc.  61

 

Fl. 1

mp

Fl. 3





mf

Bb Tpt. 1

Euph.

Timp.

Perc. 1

Perc. 2

 

 

     





  



3



  

 

 

 

mp

 



        

  mf

 



    



 

 





 



mp

mp

   

  



  

  

       

    

     

 

 

           

p

       

 

3

f

       

     

mf

 

     



 mp

5

 

 



         

 

mp

  

3

  

         

  

    

a2

          

        

  

 

3

mf

3

 

B. Tbn.

 

mp

mf

mp



 

Tbn. 1 + 2



mp

 

Bb Tpt. 2

mf

3        

  F Hn. 1+2  F Hn. 3+4

3

 

Bb B. Cl.



  



      

    

 

Bb Cl. 3

mp

mp

 

Bb Cl. 2

mf   

 

Bb Cl. 1

            

               

mf

Ob.

Tba.

            

            

Fl. 2

Bsn.

mf

 

  Bass Drum

p

  Picc. 

 

64

             

Fl. 2



 

Fl. 3

    

3

Ob.

Bb Cl. 1

Bb Cl. 2

   

Bb B. Cl.

 

Tbn. 1 + 2

B. Tbn.

Euph.

Tba.

Timp.

Perc. 1

      3

     

f



     

   



 

       

mp

mf

3

          

    

 

 

3

3

        

p

p

a2

       

mf



 

  

 

    3

3

 

       



 

 

   

         

     

  

  Perc. 2      mf

    

      

 

 Triangle

 

           

          

      

mp

mf

      

    

3

 

mf

   

3

 

mp

mf

  

f



f

       mp

  

mf suddenly piercing through the wash solo

     

    

f

f

5

        3

f

      

  

3

 

   

 



mf

3

 

 

  

Bb Tpt. 2

   

 

mp

 3

           

               

      

   

Bb Tpt. 1

          

   F Hn. 1+2  F Hn. 3+4



            

mp

3

mf 3

mp

   

f

      

f

     

 

Bb Cl. 3

Bsn.

   

    f          

 

Fl. 1



17

p

67

18

Picc.

 

        

Fl. 1

             mp

Fl. 2

 

Ob.

Bb Cl. 1

Bb Cl. 2

Bsn.

   

f

3

Tbn. 1 + 2

 

 

Perc. 4

f

f



 

 

   

mp

     

          

     

 



     

f

f

 f

f

       f

     

   

 

f

      

  

 



mp

f

Triangle

 

f

     

Bass Drum



f

p

     

     

     





f

 

f

   

 

              

3

  

      

             

f

             

p

         

f

mp

 

               

3



      

 

      

67  Perc. 1 

Perc. 3



     



   

Euph.

p

p

B. Tbn.

end solo

 

Bb Tpt. 2

mf

     

          

   



 

Bb Tpt. 1

Perc. 2

 

F Hn. 3+4

Timp.

    

  

 F Hn. 1+2 

Tba.

        

Bb B. Cl.

   

Bb Cl. 3



           

     

Glockenspiel   f



f Crash Cymbal

f

70   Picc.     

Fl. 1

Fl. 2

  

          

 

mf

 

Bb Cl. 1

3

 

Bb Cl. 3

 

Bb B. Cl.

 

   F Hn. 1+2   F Hn. 3+4

Bb Tpt. 1

Bb Tpt. 2

Tbn. 1 + 2

Timp.

  

   

f

   

f

    f  1      

3



f

 

3

3

 

 

Perc. 2

Perc. 3

 

Glockenspiel





mf



  

mf

  

 

  

 

    





 

  

3

3

mf

 



mf

  

f

 

f

f

  

  

mf

 



f Suspended Cymbal

mf

mp

   

   f

 

p

 mf

(to Vibraphone)



  

p

f

Chimes

wave-like swells

mf

       

     

mf



3

mf

 



3



mf

f



   

f

f

    



3

mf

f

smoothly,but each note articulated

3

 

mf smoothly,but each note articulated

mf

  

f

3

mf

mf

3

3

3

3

     

f

        

        

3

3

          

mf



      

           

 

19

         

    

mf

               

mp

mf

mp

 

      

    Perc. 1 

Perc. 4

3



 

 2         

Euph.

Tba.

3

 

B. Tbn.



     

          

Bb Cl. 2

Bsn.



    

        



           

 

Ob.

  

With Sudden Clarity

   f

  

20

 Picc.  74



 



Fl. 1

Ob.

Bb Cl. 1





mf

Bb B. Cl.

Bsn.

Timp.



mp

f

mp

 

  

 



 

  

3

          mf

  



mp 3

p

pp

mp

mf

mp

   

 

mf

   

 

    3

 





 

mp

  

      





pp

  1

p 3

  p

p



   

mf

mp

plaintively

p

mp

   



 



p



p

          

mf

mp

p

pp

78

 

mp

 

 

mp



 



3              

mf

mf

p

Perc. 4

3

3

     

mp

    Perc. 1   Perc. 3

 

  



mp

           

3

mf

Euph.

mp

3

3

mf

mp

  

Tbn. 1 + 2

    

Bb Tpt. 2



mp

mp





              

    

Bb Tpt. 1

  F Hn. 1+2    F Hn. 3+4

Murky, Uncertain

mp

3

 

      

Bb Cl. 3

  

mp Bb Cl. 2

mf

Fl. 2

 

78



Vibraphone

p

 

Glockenspiel



mp 3

3

     

21

80   Picc. 

Fl. 1

 

Fl. 2

Fl. 3





fp

mp

   

Ob.



mp

mf

mp

 

 p

      

          

Bb Cl. 2

      

       p

          

Bb Cl. 3

 

Bb Cl. 1

3

 

Bb B. Cl.

Bsn.

 F Hn. 1+2  

F Hn. 3+4

  

     

p

mute

mute

mp



p

  

 

5

 

p

mp

p

    



p

mp

     mp p

         

st. mute

      mp

mp

      p 

Tbn. 1 + 2

B. Tbn.

 

Perc. 2

Perc. 3

Perc. 1

Perc. 4



pp



 

p



Vibraphone 3

3

     

p

  

mp

Tba.

   

 

Bb Tpt. 1

p

  

 

p

mf



    

            3

22

 Picc.  85

Broader Strokes

Fl. 2

Fl. 3

   

                    3

F Hn. 1+2

 

 

mp

 



 

  p

    

 



 

       

 



B. Tbn.

Perc. 3

Perc. 4



f

   

mp shimmering

mp

p sub.

    



mf



 p

mf

  p

mf

now drift out of metric precision

 

cup mute  pp





mp

cup mute

  

  

                      3

p mp

  

mp

  

mp softer than oboe

 

 Marimba     Perc. 1   

mp shimmering

3                      mp

 

Tbn. 1 + 2

 

mf

  

remain terse and precise

   

pp

p

Perc. 2

p mp



F Hn. 3+4

Tba.

3

p mp

p

smoothly, meterless, tumbling solo

 

     

mf

3

Bsn.



 

Bb B. Cl.

      

Bb Cl. 3

    

Bb Cl. 2

mp

mp Bb Cl. 1

 

 

Ob.

Fl. 1



pp

mp

3

  

Glockenspiel



Vibraphone

          3

91

 Picc. 



Fl. 1

 

 

Fl. 2

 

brightly

Ob.

 

              mp

p

3

3

mp

p

 



   



  

brightly

   

mp

mp

mp

fp

Fl. 3

   

     

Bb Cl. 2

Bb Cl. 3

Bb Cl. 1

 

Bb B. Cl.

Bsn.

    p

  

 

   F Hn. 1+2    

  

  

     

legato tonguing

pp

p

legato tonguing

F Hn. 3+4

pp

p

mf

mp



              

  

  

pp

p

   

pp

p

 

p

pp

  



    

    

p

p

       

 

pp

      mp

      

 

mp

mp

     

p

     

Tbn. 1 + 2

B. Tbn.

Tba.

Marimba   Perc. 1         

91

p

        



Triangle

p

Perc. 2

Perc. 3

Perc. 4



Vibraphone

bowed

 pp

mp

ord.       

23

24

96     Picc. 

Fl. 1

Fl. 2

Fl. 3

Ob.

Bb Cl. 1

Bb Cl. 2



   

    

     



      

     

              

     

              

 

   

       

mp

 

     

 

p

      

Bb B. Cl.

 





       

p

Bb Cl. 3

 

p

 mp

     mp

 

p



 

  



  

      



   

p



p

     



  

mp

mp

mp

   

3

p

  F Hn. 1+2    F Hn. 3+4

   

     

 

Suddenly Precise

 

Bsn.

99

  

 

mp

   

    mp

Tbn. 1 + 2

B. Tbn.

Tba.

 Perc. 1 

Glockenspiel

Perc. 2

Perc. 3

 Vibraphone

    Perc. 4    

        

99



        

p

mp

  

 Picc.   102

Fl. 1

Fl. 2

Fl. 3

Ob.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 mf

 

      

Relaxed

3

mp

    

mp

mf

Bsn.

3

   



3

 

 

 

  



 

 



 



  

         3

  

mp

 

  

3 3                   

            3

3

3

3

 

p

      

mp

3

      

p

mp

mp

  

3

   

mf



mp

mf

 

mf

mf

     

 

    

 

 



mp

 

 

               

 

25

             

mp

Bb B. Cl.

rit.

q=80

mf

      3

mf

  3

107

mp

mf

 

mp

 

 

 

Tbn. 1 + 2

 

B. Tbn.

 

Euph.

 

 

 

F Hn. 1+2

F Hn. 3+4

Tba.

 Perc. 1 

Perc. 2

 

Perc. 3

 

Perc. 4



 

107

26

  Picc.   109

Fl. 1

Fl. 2

   

  

 

Ob.

 

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bsn.

F Hn. 1+2

F Hn. 3+4

   

 

Fl. 3

otherworldly             

 otherworldly          

Hyper-Sensitive

mp

    

otherworldly

  

 

 

 

 onset with unpitched air     

 

 

   

 

   

 

  

 

  

          

 

 

 

 

 

5

mf

 mp

    

mp

3

    

flt.

3

softly, as texture

p

 

 

    

 

 

    

 

 

6 3                     

  

p

5

             

pp

pp

 

 

      

mp

pp mf onset with unpitched air

pp

3

mp 3 otherworldly

           

mp 3

 

 

 p

   

 

   

mf

  

 

 

 

 

 

 

 

1



  

 

 

B. Tbn.

 

 

 

 

Euph.

 

 

 

 

Tba.

  

 

 

 

 

 

 

  Perc. 1  

 

  

 

Perc. 2

 

 

 

 

Perc. 3

 

 

 

 

 

Tbn. 1 + 2

Timp.

   

 Perc. 4   

 

Triangle

 p



pp

Vibraphone

 

  

     pp 3

  

3

pp



115

  Picc.   Fl. 1

Moving Forward

    mf

Fl. 2

Fl. 3

Ob.

 

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

3

3

mp

mf

mp

 

 

     

   

mp

      mp

F Hn. 3+4

 

Tbn. 1 + 2

 

Tba.

  

115   Perc. 1   

Marimba

mf

       

mf

 

p

  

 

mp

 

      

 



 

  mp

        3

mf

        mp

   

 mp

     

mf



mp

     mp

   3

mp

mf

3

mp

 

    

       p

3



p

   

 

      

3

3



3

   

3

3

            

  

F Hn. 1+2

3



3

3

 

mf

Bsn.

    3

              

3

mf

     

      

    3

 

mf

Bb Cl. 1

27



 

Perc. 2

 

Perc. 3

 

Perc. 4

  

28

119     Picc.  

  

3

  

Fl. 1

   3

3



  



3

 

   

mf

   

3

      3

 

Fl. 3





p

3

Fl. 2

 

3

p

121

With Quiet Intensity

  



mf

mp

p

Bb Cl. 1

 

  

Bb B. Cl.

Bsn.

 mp

        

          mp

  

F Hn. 3+4

 

p

Euph.

 



Marimba

p



mf

pp

 p



pp

 mp mf p match dynamic of clarinet 1+2

mp

 

 

mp

mp

 

mf



p



   

 Perc. 1  

mf

p

Tba.

pp



3

F Hn. 1+2

Bb Cl. 3

pp

mp

mf

Bb Cl. 2

p

Ob.

   

mp

          3 3 p  mf    

p



mp

  

121

Perc. 2

Perc. 3

  

shyly, heard just above clarinets

Vibraphone

Perc. 4

mp

   

3

      

p

3

      mp

pp

29

 Picc. 

Fl. 2

 

 

Fl. 3

 

 

Ob.



 

  

 

  

125

Fl. 1

unpitched air

 p

 

Bb Cl. 1

mf



 molto vibrato pitched

unpitched air

  

mp

pp

mp

pp





pp

 

mp

pp

p

p

 

unpitched pitched      

pp

pp

unpitched air

 

Bb Cl. 2

Tba.

  

mf

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ppp

Marimba

    p

3

5

       

mp

unpitched air

ppp

 

p

 Perc. 1 

p

  

    

F Hn. 3+4

 

     

Bb B. Cl.

F Hn. 1+2

Bb Cl. 3

Bsn.

mf

p

3



p

 

 

Perc. 3

 

 

   

 

 

        3

Perc. 4

mp

pp

pp

Perc. 2

Vibraphone

30

 Picc.  132

   

Fl. 1

Fl. 2

 

 

 

mp

 

Ob.

 

Bb Cl. 1

 

Bb Cl. 2

 

Bb Cl. 3

mf

 

 



p

mf





p

mf

p

p unpitched air

p

unpitched air

p

 F Hn. 1+2 

Tbn. 1 + 2

B. Tbn.

    

3

   

p

  

 

nostalgic solo



3

mf

     

      

 

5

3



as clearly and lightly as possible

5

p

as clearly and lightly as possible



   

as clearly and lightly as possible

p



3

5

p

  

mp

   

mp

 

p

mf

 warm tone

a2



mp

p

warm tone

 

p

3

  

mp

Bb Tpt. 1

mf

 

as clearly and lightly as possible

mp

F Hn. 3+4

mf



Bsn.

Bb B. Cl.

 

mf

mp

Fl. 3



mp

 

 

  mp

  

 

 

 

  

pp

pp

p

  

  

p

 Perc. 1 

Perc. 2

Perc. 3

 



bowed

Perc. 4



Vibraphone

mp

 mf

Triangle

p

3

 Picc.  140

 

Fl. 1

Fl. 2

Fl. 3

   

 

5

3

 

 



 

 

 

 

        

5

3

5

p

Bb Cl. 1

 

  

     

Ob.

   

31

  mf

3

mp

 

 

 

ppp

p

Bsn.

F Hn. 1+2

 

 

 

   

pp

 

F Hn. 3+4

3

pp

  

or as long as possible in one breath

 

resigned, as if sighing



mp

 

ord.

 

p

pp

blend with flute and bassoon

p

ppp

Bb B. Cl.

p Bb Cl. 3

blend with clarinet and bassoon

p

Bb Cl. 2

 

p

 

or as long as possible in one breath

ppp

p

  

  

   

  

 

p

 p

Tbn. 1 + 2

 

B. Tbn.

 

 

  

 Perc. 1 

Perc. 2

 

Perc. 3

 

Perc. 4



 

Triangle

p

3

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