BENJAMIN PA C H E C O R O B L E S
PORTFOLIO Architecture, Art, Design
2016
B E NJ A M IN PA C H E C O R OB LE S
PORTFOLIO Architecture, Art, Design
2016
CONTENTS
A
B
C
ACADEMIC ARCHITECTURE
01
FRACKERSVILLE
09
02
CHINESE SCHOOL
23
03
MICRO PORT
37
NON-ACADEMIC ARCHITECTURE
01
CHAPEL OF THE IMACULADA
57
02
LEMUS RESIDENCE BAR
67
03
OLVERA HOUSE
71
04
HERNANDEZ HOUSE
79
DESIGN & ARTWORKS
01
BED FRAME
87
02
STUDY ABROAD SKETCHES
93
A ACADEMIC Architectural projects.
Morristown, Ohio
01
FRACKERS VILLE PROFESSORS
ABSTRACT Aggressive Passive Communities became the title of our project, located in an Ohio fracking zone within the state boundaries.
Jeff Kipnis
DATE May 2016
Architectural Politics through other means: Radical Resource Management through Exergy and Comfort theory; Ancient and Contemporary Cosmologies and Sacred Geometries; and Ancient and Modern Local Anthropologies and Archeologies.
It became an interesting format to explore a thoretical architectural project through the lenses of a passive aggressive way of looking at sustainable methods and exploiting them to their fullest potentials.
Exploration of above topics was done in groups of three, becoming expert teams in each of the topics and then merging with other team members to create a coherent project based on the above means.
A
01
9
16
13
20 Backup Service
Power
Program
Modify
17
19
9
11
8
7
2
3
1
A
01_02
SECTION Pavilions
15
K EKd ^
14
18
12
6
5
10
ϭ͘ ĐƟǀĞ &ƌĂĐŬŝŶŐ tĞůů͗ Produces Natural Gas & thermal energy, also causes tremors and chemical leaks Ϯ͘ 'ĞŽƚŚĞƌŵĂů tĞůů ^LJƐƚĞŵ͗ WƌŽǀŝĚĞƐ ĞŶĞƌŐLJ ĨŽƌ ŚĞĂƟŶŐ and cooling using fracking well and ground temperature ϯ͘ ^ƚŽƌŵǁĂƚĞƌ ŽůůĞĐƟŽŶ dĂŶŬƐ͗ Rainwater captured and ƐƚŽƌĞĚ ĨŽƌ ƌĞƐŝĚĞŶƟĂů ƵƐĞ ϰ͘ dŚĞƌŵĂů ĂƚŚƐ͗ Complex of hot and cold baths powered by energy from geothermal and fracking systems ϱ͘ ŚĞŵŝĐĂů ZĞĮŶĞŵĞŶƚ >Ăď͗ Chemicals released by fracking ƐLJƐƚĞŵ ĂƌĞ ĮůƚĞƌĞĚ ĂŶĚ ƉƌŽĐĞƐƐĞĚ ƚŽ ďĞ ƌĞƵƐĞĚ ϲ͘ ůŐĂĞ WƌŽĐĞƐƐŝŶŐ &ĂĐŝůŝƚLJ͗ Harvested Algae is processed into products such as food and biofuel ϳ͘ &ƌĂĐŬŝŶŐ ^ƚŽƌĂŐĞ dĂŶŬƐ͗ Various tanks surround the well to hold fresh water, chemicals, brine, and excess gas ϴ͘ ĂƌďŽŶ EĂŶŽƚƵďĞ ZĞŝŶĨŽƌĐĞĚ ŽŶĐƌĞƚĞ͗ The pylon is reinforced with microsensors that detect structural damage ϵ͘ ZĂĚŝĂŶƚ ^ůĂď͗ Geothermal system is carried through pylon ĨŽƌ ƐƚƌƵĐƚƵƌĂů ƌĞŝŶĨŽƌĐĞŵĞŶƚ ĂŶĚ ƌĂĚŝĂŶƚ ŚĞĂƟŶŐ ϭϬ͘ 'ĂƌĚĞŶ dĞƌƌĂĐĞƐ͗ džƚĞƌŝŽƌ ƉůĂƞŽƌŵƐ ĐŽŶƚĂŝŶ ŐĂƌĚĞŶŝŶŐ beds to grow chemically enhanced food ϭϭ͘ ůŐĂĞ WƌŽĚƵĐƟŽŶ dƵďĞ͗ Algae is grown in a closed system embedded in pylon ϭϮ͘ KƉĞŶ ŝƌ dĞƌƌĂĐĞ͗ An open-air terrace separates the ƌĞƐŝĚĞŶƟĂů ƵŶŝƚƐ ĨƌŽŵ ƚŚĞ ƉƌŽĚƵĐƟŽŶ ƐƉĂĐĞƐ ďĞůŽǁ ϭϯ͘ ƌŽŶĞƐ͗ A squad of drones, powered by on-site electricity, facilitate day to day tasks ϭϰ͘ ĂďůĞͬ/ŶƚĞƌŶĞƚ͗ Residents jerryrig antennae to grab cable/internet from the cloud ϭϱ͘ ^ƚŽƌŵǁĂƚĞƌ ŽůůĞĐƟŽŶ ^LJƐƚĞŵ͗ Roofscape captures stormwater which is funnelled through space frame ϭϲ͘ ƌĂŶĞ͗ Available for use by residents who wish to build ĂŶ ĂĚĚŝƟŽŶ ƚŽ ƚŚĞŝƌ ƵŶŝƚ Žƌ ƚŚĞ ƚŽǁĞƌ ϭϳ͘ ůŐĂĞ WƵŵƉ ŽŶƚƌŽů ZŽŽŵ͗ ůŐĂĞ ƉƌŽĚƵĐƟŽŶ ƐLJƐƚĞŵ ŝƐ ŝŶƐƉĞĐƚĞĚ ĂŶĚ ŇƵƐŚĞĚ ŽŶ Ă ĚĂŝůLJ ƐĐŚĞĚƵůĞ ϭϴ͘ ZĞƐŝĚĞŶƟĂů hŶŝƚƐ͗ Residents are provided modular units and are allowed to modify them however they like ϭϵ͘ ^ƉĂĐĞ &ƌĂŵĞ͗ Modular space frame based on Metatron’s ƵďĞ ƵƐĞĚ ĨŽƌ ƐƚƌƵĐƚƵƌĞ͕ ƵƟůŝƟĞƐ͕ ĂŶĚ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ ϮϬ͘ ZĞƐŝĚĞŶƟĂů ^ƵƉƉŽƌƚ ^ƉĂĐĞƐ͗ Residents are provided ǁĂƐŚŝŶŐ͕ ĐůĞĂŶŝŶŐ͕ ƐƚŽƌĂŐĞ͕ ƌĞĐƌĞĂƟŽŶ͕ ĂŶĚ ǁŽƌŬ ƐƉĂĐĞƐ
4
spring 2016
11
PHYSICAL MODEL With the use of the laser cutters, 3-D printers, and ingenuity, we were able to create a radiant model that became a performance model during our presentation.
A
01_04
PRESENTATION MODEL pavilions: overall view
a
overall view
spring 2016
13
b
PHYSICAL MODELS The construction of the presentation model involved various symbolic topics explored in class along with own desired effects in the model.
A
01_07
a b
detail view zoom out view
a,b PRESENTATION MODEL pavilions: detail views
spring 2016
15
A
01_08
SITE PLANS gardens: seasonal agricultural fields
SITE PLANS underground systems: geo-thermal & plumbing
spring 2016
17
PHYSICAL MODEL Building a bigger mock-up of the main facade was necessary to explore its material qualities both during day and night.
A
01_11
a
b
b PRESENTATION MODEL enlarged facade model: day and night views
spring 2016
19
A
01_12
PRESENTATION MODEL top view
spring 2016
21
Cincinnati, Ohio
02
CHINESE SCHOOL PROFESSORS Doug Graf
DATE
ABSTRACT &OLLOWINGÏ AÏ lRSTÏ PROJECTÏ STAGEDÏ INÏ #INCINNATI Ï AÏ SECONDÏ PROJECTÏ EMERGED Ï THISÏ TIME Ï LOCATEDÏ OFFÏ ) Ï COMINGÏ INTOÏ THEÏ CITY Ï 4HISÏ TIMEÏ THEÏ PROGRAMÏ ASKEDÏ FORÏ THEÏ ESTABLISHMENTÏ OFÏ AÏ #HINESEÏ ,ANGUAGEÏ 3CHOOLÏTOÏBETTERÏFACILITATEÏECONOMICÏTRADEÏ INÏTHEÏ#INCINNATIÏAREA Ï
)NCLUDEDÏ INÏ THEÏ PROGRAMÏ AREÏ AÏ #HINESEÏ LIBRARY ÏAÏGALLERY ÏAÏSMALLÏSHOP ÏAÏBOOKSTORE Ï AÏTRAVELÏAGENCY ÏANÏAUDITORIUM ÏAÏ#HINESEÏÏ RESTAURANT Ï ANDÏ AÏ SMALLÏ CAFEÏ FORÏ VISITINGÏ PUBLIC Ï
November 2015 3INCEÏ THEÏ GOALÏ WASÏ TOÏ PRODUCEÏ SPEAKERSÏ WITHÏ THEÏ MINIMALÏ /HIOÏ ACCENTS Ï ITÏ WASÏ DECIDEDÏTOÏIMPORTÏNATIVEÏ#HINESEÏTOÏBEÏTHEÏ LANGUAGEÏ TEACHERS Ï 4HEÏ TEACHERSÏ WOULDÏ STAYÏONÏSITEÏFORÏONEÏORÏPERHAPSÏTWOÏYEARSÏ ANDÏTHENÏRETURNÏTOÏ#HINAÏTOÏCONTINUEÏTHEIRÏ CAREERSÏ THERE Ï !SÏ AÏ RESULT Ï ITÏ WASÏ SEENÏ NECESSARYÏ FORÏ THEÏ PROGRAMÏ TOÏ INCLUDEÏ HOUSINGÏFORÏTHEÏTEACHERSÏTHATÏWOULDÏPLACEÏ THEMÏCLOSEÏTOÏSCHOOLÏANDÏITSÏAMENITIESÏANDÏ PROVIDEÏ AÏ SMALLÏ #HINESEÏ COMMUNITYÏ FORÏ THEMÏTOÏOPERATEÏWITHIN
A
02
23
A
02_02
a
b
c
d
e
f
a-d CONCEPTUAL SKETCHES initial iterations: pen on trace
g
h
i
j
CONCEPT SKETCHES Along with models, sketches became the ďŹ rst mode to investigate schemes. The ďŹ nal scheme emerged our of different combined schemes into one.
a-d e-j
initial concept sketches delevloped sketches
e-j CONCEPTUAL SKETCHES later iterations: developed sketches, pen & marker on trace
fall 2015
25
CONCEPT MODELS An initial schematic model set the tone for the rest of the project. The simplicity of the ďŹ rst model can be seen on the above images to the then complex and intricate later model.
A
02_05
1 STUDY MODELS top & side views
a-c d-f
initial concept models developed model
a
b
c
d
e
f 1
fall 2015
27
05
-8’
02
-8’ -12’ 05 08
-8’ -8’ 01
06 07 07
01
04
-15’
06
-12’
-15’
03
01
06
-15’
A
02_06
01
GALLERIES
05
RETAIL
02
RESTAURANT BATH
06
GARDENS
03
AUDITORIUM
07
GREEN ROOMS
04
CAFE
08
RAMP
FLOOR PLAN underground floor plan: galleries and seasonal reflection pools & sunken gardens
08 02 06
06 05
07
01
04
06 06 03
01
LOBBY
05
ADMINISTRATION
02
RESTAURANT
06
GARDENS
03
AUDITORIUM
07
STUDY ROOMS
04
CAFE
08
TRAVEL AGENCY
FLOOR PLANS ground floor plan: entrance floor plan
fall 2015
29
07 07
05 04
03
02
07
01 06
A
02_08
01
LIBRARY
05
STUDY ROOMS
02
STACKS
06
LIBRARY GARDEN
03
ADMINISTRATION
07
TERRACE
04
SCHOOL
FLOOR PLAN first floor plan: school & library
03
04 02
05
01
01
LIBRARY
02
STACKS
03
SCHOOL OFFICES
04
POOL
FLOOR PLANS second floor plan: school & library
05
TERRACE
fall 2015
31
05 03
03
05
01 04
02
A
02_10
01
GYM
02
HOUSING
03
CLUB HOUSE
04
GARDENS
05
BRIDGE
FLOOR PLAN third floor plan: housing, gardens, & gym for professors
01 02
03
01
01
HOUSING
02
STACKS
03
SAUNA
FLOOR PLANS fourth floor plan: professor housing & stacks
fall 2015
33
A
02_12
PRESENTATION MODEL overall views, museum board & basswood
fall 2015
35
Columbus, Ohio
03
MICRO PORT PROFESSORS Rob Livesey & Bart Overly
IN ASSOCIATION WITH, Chris Miggo & Rojin Hashtroodi
A
03
ABSTRACT Micro-Port called for a building which used the history of the Columbus Greyhound Station site to house residential, commercial, retail and parking. The proposal is for a hybrid building of a plinth in which the parking, retail and commercial programs are housed into a mega block that is split to create a pedestrian street in the middle while the retail and commercial hold the edge of the site to establish an edge condition. The pedestrian street resembles the back alley street vernacular of Columbus housing. An offset cluster courtyard typology gets introduced into this pedestrian alley as a way to create diversity within the site program and as a way to connect the program to the pocket park on the North side of the site. The microhousing units get
a special treatment and are pushed above the mega block as a way to establish a new way of living, freeing the mega block from the micro housing typology, designed for the youth that comes into the Columbus area. This establishes a series of towers to participate with the rest of the city’s high rises. Different units types are integrated within the towers to create distinction within the micro-units. The typical micro unit gets a two story loft area facing the South for light. An introduction of flats and penthouse units creates variety at the top of the tower. The top most part of the tower is used for the coooling tower, integrated early in the design stages. The tower’s also incorportate a roof terrace for all of our inhabitants to enjoy different views of the city.
37
a
b
c
d
e
f
g
h
i
A
03_02
a-d CONCEPTUAL PHYSICAL MODELS initial iterations: mat conditions
j
k
l
CONCEPT In the evolution of the scheme, various iterations transformed from one to another in search of the ďŹ nal product, one which would be structurally possible as well as a coherent organization.
e-l CONCEPTUAL PHYSICAL MODELS later iterations: mat and towers
a-d e-f g-l
mat condidtions raised mat mat & vertical scheme
fall 2014
39
03
01
02
A
03_04
03
01
PARKING
02
GROCERY STORE
03
RAMP
FLOOR PLAN underground floor plan: parking, & grocery store
01
04 01 01
01
05
01
04 01
03
04 05 02 04
04
05
01
04
01
COMMERCIAL
02
GROCERY STORE
03
RAMP
04
TOWNHOUSE
FLOOR PLANS ground floor plan: entrance floor plan
03
05
01
GARDENS
fall 2014
41
A
03_06
SECTION transverse section
fall 2014
43
02
01
02
01
02
02
02
01 01 02
A
03_08
01
OFFICE
02
TOWNHOUSE
FLOOR PLAN townhomes floor plans: family housing
02
02
01
01
02
02
01
01
02
02
01
GARDENS
02
MICRO HOUSING
FLOOR PLANS micro unit plan: upper units
fall 2014
45
04
06
04 03
03
05
05
04 03 01
A
03_10
02
01
LIVING/DINNING
05
BEDROOM
02
KITCHEN
06
ROOF GARDEN
03
BATHROOM
04
CORE/ACCESS
FLOOR PLANS penthouse plans: lower, first, and second
06
05
07
01 04 02
03
01
CORRIDOR
05
BEDROOM
02
KITCHEN
06
BATHROOM
03
LIVING/DINNING
07
OPEN TO BELOW
04
MECHANICAL
FLOOR PLANS unit plans: micro units
fall 2014
47
A
03_12
FLOOR PLAN view of residential towers and commercial
DETAILS facade: construction drawings
fall 2014
49
A
03_14
PRESENTATION RENDERING model photo: model photo rendered in photoshop
MICRO UNIT axon: exploded axonometric
fall 2014
51
A
03_16
PRESENTATION MODEL top view
fall 2014
53
B NON-ACADEMIC Architectural projects.
Guanajuato, Mexico
01
CHAPEL OF THE IMACULADA CLIENT Josefina Estrada
DATE July 2016
STATUS Schematic Design
ABSTRACT The town of la Estancia, belonging to the municipality of San Jose Iturbide, Guanajuato, Mexico, is a small town consisting of a group of houses along a main road which splits the town in half. On this main road, one finds the existing chapel. The current size of the chapel is small, growing smaller year by year, so much that half of it’s attendes have to stand outside the chapel while mass is going on.
The chapel asks for a simple program of an altar, a choir, sacristy, nave, and one bath for the the priest that will conduct mass every Sunday. A site visit was crucial to understand the solar orientation, site context, materiality and needs by the people.
Josefina Estrada, a cousin of my mother, has taken on the efforts to make a new chapel in a new site she has acquired within the fabric of the building.
B
01
57
a
b
SITE The existing chapel exist on the main road that crosses the town while the new site is embedded within the fabric of the town streets, off of the main street.
B
01_02
a EXISTING CHAPEL exterior & interior views
b NEW SITE views from front, back, and approach
RUINS mine of santa brigida: Jesuit mine at Pozos, Guanajuato, Mexico, 45 Km from chapel site
spring 2016
59
B
01_04
STUDY MODEL interior: structure vs. form
a
c
b
a
CALICHE VERNACULAR STONE
b
NATURAL STONE
c
ADOBE
d
RAMMED EARTH
d
RUINS mine of santa brigida: exterior and interior view of light chimney
spring 2016
61
PROCESS The use of models for the investigation of the formal qualities of the chapel have made me realize the functionality of certain elements and overall organization. More and more study models will come as the project advances in design.
a-e STUDY MODEL iterations: investigation of light chimneys
a. Iteraion 1: simple forms b. Iteraion 1: Light chimneys c. Iteration 2: Light chimneys d. Iteration 3: light chimneys e. Iteration 4: Inverted chimneys
B
01_07
spring 2016
63
B
01_08
STUDY MODELS physical model: museum board
spring 2016
65
Whitehall, Ohio
02
LEMUS RESIDENCE BAR CLIENT Hector Lemus
DATE June 2016
STATUS Under Construction
ABSTRACT The Lemus’s efforts to renew their house’s basements led to their wants of a small bar that will be the main feature of the basement. Their vision was that of a contemporary bar with fine materials and well crafted materials. An investigation of the basement took place at the beginning, establishing the parameters for the bar location and re-use of existing plumbing and light fixtures. Through various material studies, the client was able to see their vision come true through the use of renderings, digital models, and site visits to the Hamilton Parker showroom.
B
02
67
B
02_02
SITE axon: view of stair in reference to bar and ceiling
FLOOR PLAN & SECTION construction documents: floor plan & section
summer 2016
69
Guanajuato, Mexico
03
OLVERA HOUSE COMMISSION Owner: Maria Olvera
DATE 2013 - present
STATUS On-hold, design development
B
03
ABSTRACT Olvera House calls for a program for a family of three. The clients requested three bedroms, a kitchen, a dinning room, a living room and one full bathroom along with the request for private courtyard space. The proposal is to accommodate the program of the house towards the North side of the site in order to create a courtyard facing South with direct access to the living room. The challenge of the site was its triangular composition in a corner site where the road bends. The solution was to create a higher volume of the house that would not only work to reference the medieval idea of the tower as one emerges from a bent road as well as a reference to the vernacular pyramids of the Mexican culture. The mass of the house also works with a chimney that serves two
functions: in the winter it serves the living space and dinning room while in the summer it works as a heat chimney to remove the hot air of the house out to keep the house cool. The fenestration of the house is designed to create cross ventilation to help cool the house. A three meter wall is put in place around the site boundary to create the private courtyard requested. Various physical and digital models are used to examine light and shadow as well as material studies using vernacular materials to seea variety of appearances to show to the client.
71
B
03_02
PRESENTATION RENDERING view of courtyard towards house: view towards dinning room
STUDY MODELS physical & digital: formal study models
spring 2013
73
B
03_04
FLOOR PLAN ground floor plan: pyramid within precint
Angulo del Angulo del sol del invierno sol del verano
SECTIONS transverse & longitudinal: form & performance diagrams
spring 2013
75
Guanajuato, Mexico
04
ABSTRACT
HERNANDEZ HOUSE COMMISSION Owner: Mauricio Hernandez
DATE 2012 - present
STATUS Under Construction
B
04
This single story house was designed for a family of four. Having the opportunity to design a house for one of my childhood friends was the first attempt at bringing new architecture to the region I grew up. In this commission, an attempt was made to relate to the site as much as possbile by creating views, using vernacular materials, as well as using a formal system of organizaion that helped derive the form of the house. A system of golden rectangle proportions define the geometry of the house. making every space proportional to each other, and thus creating a harmony within plan. A rotation operation is made to shift the living space to better the relationship between the house and the landscape. A dialogue is established with the rotated cross plan of the living room with the plan of the town church. The
sloping site allowed for the house to accomodate views towards important buildings like the town’s churches, as well as, views to the surrounding mountains. The aim of the house is to create a deep relationship with the landscape and the life of the family with its surroundings. In an attempt reduce costs, the house uses traditional construction methods along with local brick and stone. Not only does this help reduce embodied energy, but it helps the environment. Along with using traditional materials, passive solar ideas were established by having more windows on the south facade paired with an overhang to avoid overhHernandez House calls for three bedrooms, one and a half bathrooms, a kitchen, a dinning room, a living room, and a garage.
77
+
BASILICAÏTYPOLOGY
CROSSÏÏTYPOLOGY =
0ROPORTIONALÏRELATIONSHIPS
B
04_02
PROCESS diagrams: proportions & site views
Floor Plan ; relationship to context
FLOOR PLANS ground floor plan: entrance floor plan
winter 2012
79
3OUTHÏ%LEVATION
.ORTHÏ%LEVATION
B
04_04
ELEVATIONS south and north elevations
%ASTÏ%LEVATION
7ESTÏ%LEVATION
ELEVATIONS east & west elevations
winter 2012
81
B
04_06
CONSTRUCTION PHOTOGRAPHS early construction: start of foundations, walls, and ceiling
CONSTRUCTION PHOTOGRAPHS interior & exterior: exposed masonry work
winter 2012
83
C design & ARTWORKS Academic & non-academic.
Columbus, Ohio
01
BED FRAME
DATE 2015
ABSTRACT
Building a bed frame was always on my mind until I came across furniture designers Object Utility, whose flat pack design for a bed frame caught my eye for the simplicity of the design, portability, and for the easy tongue and grove assemblage.
The next step was cutting the pieces of the bed, using the efficiency of the CNC routing. After the pieces were cut, they were hand finished.
I first measured my mattress to begin the drawings for the bed frame. Throught digital models, I was able to find the correct proportions to begin setting up the drawings for the construction of the bed.
C
01
87
C
01_03
AXON exploded axonometric: headboard, legs, and joists
DRAWINGS plan and elevations: front, back and side elevations
fall 2015
89
a
b
ITERATIONS A ďŹ rst bed frame was built only to realize that there were unresolved problems with the proďŹ le of the joists as well as connection to the headboard. A second bed frame shows the resolved issues.
B
01_02
a BED 1 iteration one views
b BED 2 iteration two views
AXON axonometric: bed frame with headboard
fall 2015
91
Eastern Europe
02
STUDY ABROAD
PROFESSORS Kay Bea Jones & Jacqueline Gargus
DATE, April 2012, June 2013
C
02
ABSTRACT
This sketches were developed during my study abroad experiences in Europe. Capturing qualities in the architecture such as public space, light qualities, shadows, form, and the site is part of this endeavour. Plazzas, in particular became an interesting investigation due to its program surrounding the piazza, in which most cases it was either a government entity or a religious entity. Regarless, they were full of life throughout the day and even during the night. Contextual information is crutial to any piece of architecture or public space. In my sketches, this becomes coptured again and again.
Capturing detail is crutial to understand drawings or sketches. In one end one can create very detail pieces like the detail in my still life even though its a small piece to bare strip down detail that captures just the essence of the building or a quality of the building such as light conditions or form. Sketching has always been a passion that I have been able to carry out throughout my education. It helps me see things that a picture would not help me capture and at the same time it becomes a tool to analyze a building in or a space in depth.
93
C
02_02
ON SITE HAND SKETCHES trajan’s market, rome: pen on paper
ON SITE HAND SKETCHES
ON SITE HAND SKETCHES
renzo piano, genova: pen on paper
doumo of orvietto, orvietto: pen on paper, facade study
summer 2013
95
C
02_04
ON SITE SKETCHES florence duomo, florence: watercolor on paper
summer 2013
97
C
02_06
ON SITE SKETCHES piazza del popolo, ascoli piceno: watercolor on paper
ON SITE SKETCHES duomo, ascoli piceno: watercolor on paper
summer 2013
99
C
02_08
ON SITE SKETCHES malcontenta, palladio: pen on paper
ON SITE SKETCHES palladio: pen on paper
summer 2013
101
C
02_10
ON SITE SKETCHES san francesco chiostro, ascoli piceno: watercolor on paper
summer 2013
103
C
02_12
ON SITE SKETCHES matera, fontana della tartarughe, basica of maxentius: conte & watercolor on paper
ON SITE SKETCHES duomo, trani: watercolor on paper
summer 2013
105
C
02_14
ON SITE SKETCHES still life: prismacolor on watercolor paper
ON SITE SKETCHES bernini’s st. teresa in ecstasy: pencil on paper
summer 2013
107