BENJAMIN POLLAK PORTFOLIO
BENJAMIN POLLAK PORTFOLIO
CONTENTS 01
PHOSPHOROUS GARDENS
Spring 2010 Professors: Clover Lee and David Erdman
07
IMMERSED IN THE SHIME
Fall 2009 Professors: Mark Wamble
11
MITCHELL GIURGOLA ARCHITECTS
August 2008 - June 2009
13
WORLD MUSIC CENTER
Fall 2007 Professors: Carlos Jimenez and Michael Morrow
17
BOOOM! EXPANDING PLATFORMS FOR THE BOOMERS
Spring 2007 Professors: Dawn Finley
23
MACHINING MARKETS
Fall 2006 Professors: Christopher Hight and Sean Lally
31
HOUSTON TRANSIT CENTER
Spring 2006 Professors: Gordon Wittenberg and Michael Morrow
35
GALVESTON MARINE RESEARCH CENTER
Fall 2005 Professors: Doug Oliver and Clover Lee
39
LIT: LIBRARY OF INFORMATIVE TECHNOLOGIES
Spring 2010 Professors: Mark Wamble
PHOSPHOROUS GARDENS Date: Professors: Program: Location: Partner:
Spring 2010 David Erdman and Clover Lee Residential Housing, 4000 units Tseung Kwan O O, Hong Kong Marcus Roman
Phosphorous Gardens stems from the DNA of Hong Kong housing and proposes a new urban typology. The project name is based on an existing housing complex named Prosperous Gardens which is a courtyard scheme. The proposed project is also a courtyard scheme but with a series of lighting and material effects. All the housing units are placed in a perimeter loop formed by three squares and all the public program hangs from the perimeter housing looking into a large open void. All the units have views projecting outside to the city while the public spaces face each other creating a highly dynamic and dense urban interior. The footprint of the building is thin yet it is thick in material and lighting effects. The outside of the building is a flush crenulated curtain wall similar to channel glass. Behind the glass lies a second skin of fritted glass which reacts to sun conditions. All units have direct access to daylight. It almost feels like a maison de verre at the urban scale. The outside is flush yet a series of theatres, lecture halls, and music spaces make the space alive from inside. It is a dense mass with a dynamic interior, glowing from within and extending out to Hong Kong. Unit variation in Hong Kong is not a priority. The difference between government and private housing is not on the individual apartment but on the public amenities offered by the developer. At Phosphorous Gardens all the units are the same yet variation is achieved in the collective spaces.
01 PHOSPHOROUS GARDENS
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Phosphorous Gardens is one dense mass with twelve vertical cores. Theatres hang from the housing and are always facing at least one public core. Vertical surgical incisions slice the mass at thirty degrees allowing for light to get into the void. Given the oblique cut, the user from the interior is always looking at architecture (almost like if it were a wall) with only brief glimpses outside. Residential amenities with generous sky lobbies are placed on the cuts creating private networks of small neighborhoods which generate difference amidst a sea of repetition. Floor Plates 1:500
Fourth Instance Floor Plates 1:500
Floors 41 - 44 (no Public Program) Floors 34 - 40 59 Units per Floor Floor Plates 1:500
Second Instance
Floors 19 - 22 (no Public Program) Floors 12 - 18 59 Units per Floor
First Instance
Floors 8 - 11 (no Public Program) Floors 1 - 7 59 Units per Floor
03 PHOSPHOROUS GARDENS
Dense Mass
Incisions
Public Network
Private Network
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Six Instance
Floors 56 - 66 59 Units per Floor
A series of layers of glass add a sense of lightness and depth within the building. The experience of walking outside the building is different from the inside. In the outside the building is independent from the street and it retains a hard urban edge. Public terraces soften the interior void space. The space is dense and has many hanging public spaces: all of a sudden the city has been brought into the interior. Unit Plan 1:100
Fifth Instance
Floors 45 - 55 59 Units per Floor
Patio
Crenulated Glass Shared Lightwells Shared Structural Curtain Wall by units wall by unit
Structural Wall Transparent glass
Bedroom Dining
Channel glass
Watercloset Kitchen
Fourth Instance Floors 34 - 44 59 Units per Floor
Bedroom
Translucent glass between units Channel glass
Corridor Fritted Glass Crenulated glass curtain wall
Third Instance Floors 23 - 33 62 Units per Floor
Second Instance Floors 12 - 22 59 Units per Floor
First Instance
Floors 1 - 11 59 Units per Floor
05 PHOSPHOROUS GARDENS
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IMMERSED IN THE SHIME Date: Professors: Program: Location:
Fall 2009 Mark Wamble 20 acre garden and multipurpose buildings. Hempstead, TX
The project begins with the fact that the site is an immense and vast piece of land and as a result how do you organize it? At the bottom of the land there is a creek that provides for abundant plant life but as we rise to 30’ in elevation the site is dry and hostile for any growing material. Hence how do you bring life to higher areas? A series of amps are distributed on the site. The amp is an abstract form with its own inherent intelligence. They are a series of crescent berms arranged as concentric circles that rise in elevation to form dry areas or recede to form moist areas for water collection. These provide zoning for draught or moisture tolerant trees. The orientation of the berms in the amp is related to the shadow projection of trees which allow for a tree understory to develop. The amps form clusters through the site through the connection of moist and dry zones. There are four buildings on the site: one residential building, a multiprogramatic(research, multipurpose, and admin) building, two enclosed greenhouses, and two open green houses. The buildings are treated as deflected prisms around the amps. I’ve chosen to focus on the multiprogramatic building(multipurpose, administration, and lab space). The mission of the building is to serve as research and tourist hub. The building is a curved rectangular prism and a mirror of the landscape.
07 IMMERSED IN THE SHIME
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SITE PLAN
DIAGRAMS
Moist wiring: Retention Zone
Arid wiring
19
9
Site analysis
Propagated Components
Wiring
Overall circulation and clusters
Building Footprints
MITCHELL GIURGOLA ARCHITECTS Date:
August 2008 - June 2009
At Mitchell Giurgola Architects I had the oportunity to work on different projects in different phases of design. I was part of the team doing Design Development for the Bronx Courthouse renovations and this involved detailed lighting and material selections and studies for a new library and courtrooms. In addition I worked on different laboratories and classrooms in the Columbia Medical Center at Design Development and Construction Documents. I also assisted partners in making drawings for interviews and proposals for different projects like a new engineering building at the NC state campus.
11 MITCHELL GIURGOLA ARCHITECTS
FUTURE PARKING
SER
VIC
FUTURE PARKING
Y I BA E/ H
BRIDGE HUNT LIBRARY
HEARTH
SLOPE THE OVAL
Copyright © 2008, Mitchell Giurgola Architects
N
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LOBBY
street access
street access
WORLD MUSIC CENTER Date: Professors: Program: Location:
Fall 2007 Carlos Jimenez and Michael Morrow World Music Center Houston, TX
The new center for world music is based on the idea of providing a central courtyard and also a pedestrian walkway through downtown. The visitor can approach the building both entrances, and the lobby becomes an anchor point in the program appropriate for the building (archives, auditorium, offices, bookstore, etc). The building is connected by a steel trellis that provides shade.
15’ Library and cofee bar
LOBBY
Bookstore 0’
Auditorium
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Offices
Gallery
Multipurpose
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B B
C
C
C
B
women
men
A
A
A
A
auditorium
multipurpose
C mech
B multipurpose
B
C underground floor plan scale 1’= 1/32
mech
B
C
15 WORLD MUSIC CENTER
ground floor plan scale 1’= 1/32
section AA scale 1’= 1/32
Section AA
section BB scale 1’= 1/32”
Section AA
section CC scale 1’= 1/32”
Section BB
section BB scale 1’= 1/32”
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BOOOM! EXPANDING SOCIAL PLATFORMS FOR THE BOOMERS Date: Professors: Program: Location:
Spring 2007 Dawn Finley Transgenerational Housing Houston, TX
The retiring baby boomers are the emerging population in the United States. After increasing the birth rates in the country, after living the hippie Woodstook era, they are back and are in search for housing that caters to their diverse and specific needs. Real estate companies (eg. Del Web) have taken advantage of this marketable opportunity and are creating multiple facilities that cater for each type of lifestyle. Located between Dunlavy St. and West Alabama (near the Menil and the University St. Thomas), the project is based on gaining “surfaces� that can be used for social interaction and for semi-public extra programmatic activities (ex. Having yoga on the terrace, or sharing multiple large bar/kitchen, having a BBQ with a few neighbors). Housing is taken as a more rigid condition (shown in grey) while there is a more flexible circulation band (orange) that allows for programmatic flexibility and social interaction. The project was developed in a studio that focused on transgenerational housing. The studio was process-based and organized around different phases.
17 BOOOM! EXPANDING SOCIAL PLATFORMS FOR THE BOOMERS
CASE STUDY AND INSTANCE V78 Housing, Austria Baumschlager and Eberle The project is organized around central staircases that stagger the housing units. The staggering creates grouped units which have the potential of developing localized networks.
1. Basic system
2. Removal of unit to gain outdoor surface
3. Potential void with an expanded unit
4. Potential void
Access
Access
Access
Access
5. Potential surface unit
New operative organizations 19 BOOOM! EXPANDING SOCIAL PLATFORMS FOR THE BOOMERS
SITE STRATEGY
The project is organized as four strips with a main spine connecting N-S (blue). The North is a more urban side locating the parking and dock to a busier street edge. The south retains a residential atmosphere as more housing is planned for that area. The small orange arrows show access to the units with a semi-public band.
SITE STRATEGY + PROGRAM: Operative organization on site In order to create difference and add extra programatic spaces, the project is divided in five different instances. By shifting the housing units, surfaces are gained for public spaces. Micro-communities are created when units share an outdoor porch with a stair on the perimeter.
1 2
3 4 5
Key: Displacement of five different instances or moments
Example of an instance in model
3. Connection between public and semi private zone.(second and third strip)
1. Expanded unit with collective zone shared by both four apartments.
4. Connection between two public zones. (third and fourth strip))
21 BOOOM! EXPANDING SOCIAL PLATFORMS FOR THE BOOMERS
2. Connection between public zone and semi private (first and second strip)
5. Expanded unit with collective zone shared by both four apartments.
PROGRAM: Unit configurations Level 3 Level 3 Level 3
Section Sequence diagram CC
living room
four units sharing a collective space four units sharing a collective spa
living room
Level 3living room
living room living room
living room living room
additional bedroom
study
additional bedroom bedroom Level 3
bedroom bedroom
additional bedroom
additional bedroom
living room
living room
bedroom
Level 3
bedroom
bedroom
living room
living room
dinning + multipurpose
large kitchen + study bar
bedroom additional bedroom study
Section Sequence diagram BB
Level 2
bedroom study
additional bedroom additional bedroom
living room
bedroom
study
additional bedroom
dinning + multipurpose
study
bedroom
Section Sequence diagram BB
additional bedroom
bedroom
study
bedroom
Level 2
bedroom
living room
bedroom
bedroom
living room bedroom
Level 2 living room
Level 1 Level 1
Level 2
living room
additional bedroom
living room
Level 1
dinning + multipurpose
living room living room
bedroom
fou
Level 3
living room
living room
Section Sequence Diagram BB
large kitchen + bar
additional bedroom
bedroom additional bedroom living room
living room
Level 2
dinning + multipurpose dinning + multipurpose dinning + multipurpose
living room
additional bedroom
Level 2 Level 2
study study
bedroom
bedroom
Section Sequence Diagram CC
Section Sequence diagram BB
large kitchen + bar
study
additional bedroom
additional bedroom
Section Sequence diagram CC
fo
additional bedroom
additional bedroom
Section Sequence diagram CC
living room
four units sharing a collective spa
large kitchen + bar large kitchen + bar large kitchen + bar
study
living room
living room
living room
Levelliving 1 room
bedroom additional bedroom living room
studybedroom laundry living room
laundry
storage/laundry
B
Section Sequence diagram AA
additional bedroom laundry
storage/laundry
C
C B
additional bedroombedroom
storage/laundry
C
living room
C
bedroom
additional bedroom
bedroom
bedroom
Level 1 bedroom
C
B
storage/laundry
bedroom
bedroom
bedroom
living room
living room
B bedroom
Level 1
Section Sequence diagram AA
living room
A
Section Sequence Diagram AA
C C B B
courtyard
bedroom
courtyard courtyard
A
Section Sequence diagram AA
B
additional bedroom
living room storage/laundry
A
additional bedroom
A
C
A A
C B
A
storage/laundry bedroom
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bedroom additional bedroom
MACHINING MARKETS Date: Professors: Program: Location: Partner:
Fall 2006 Christopher Hight and Sean Lally Houston. It’s Worth It store Midtown, Houston, TX Jessica Colangelo
The project is a store in midtown. Our client ttweak is known for the “Houston. It’s Worth it.” campaign, showing information through all different kinds of media: t-shirts, banners, a website, postcards, advertising Houston. The proposal is a symbiosis between the farmer’s market and ttweak’s interest in the different facets of information (input/ output from visitors, interactivity, display). It is about integrating ttweak’s need for interactivity with the locality of the site and connecting it to the network of ttweak. It is a garden full of architecture, machines, and social life. The architectural system engages a dialogue between two opposites: the generic and the specific. Part of the Houston landscape deals with a field of machines (cars, highways, perpetual construction driven by the global market). On the other hand, there is specificity to Houston. For instance, the site located at Main St. and Winbern(midtown) is highly dense. It incorporates restaurants, retail space, nightclubs, and a farmer’s market. It also establishes a type of micro-community of social relationships. The project deals with both the global and local aspects of the community. It is a field of interactive and generic vending machines; and at the same time, it is a farmer’s market. Often these distinctions begin to blur. The farmer’s market is a highly mediated environment that establishes social relationships through the act of selling a product. A vending machine is exactly the opposite, catering solely to the individual. The project is organized according to three different aspects: diagramming the site, swatches, and fabrication. The diagrams inform how the formal system should perform based on desired and existing conditions. The second illustrates swatches or moments of how the system will work on site. The third is a proposal of how the interface will be constructed.
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THE CLIENT:
What is “Houston. It’s Worth It.”? “A city must know itself before it can sell itself.” “Houston. It’s Worth It.” is an honest campaign that adresses the true urban condition of Houston. It is an interactive relationship with the city where the citizens explain their love / hate relationship with their community. Their website works as a mediating device, allowing the city to express itself and form connections with other people. Benjamin Pollak I Portfolio
DIAGRAMMING THE SITE Pods
Planting
Lighting - Roof Layer
Schematic Plan Ground Layer
Schematic Plan Roof Layer
Swatch Selection 3 5 2 1
Overlay of Pods + Planting
Overlay of Pods + Planting + Roof Layer
4
Overlay of Surface operations
Mapping Activity Loading dock>>6 am to 8 am
Farmer’s Market>>8 am to 12 pm
1 vending-HIWI merchandise
system opens and closes to allow for planting areas
2 vending-food, drink, iPod, HIWI (cards,small merchandise)
system creates large gap for big planting areas
3 HIWI user interactive interface--info!
system slowly transforms making gaps smaller
4 listening center...headphones + music 5 farmer’s market vending area
1 turn grain to allow north light in the majority of the site
2 close grain to allow no light in through roof
SWATCHES Swatch 1 Sidewalk condition
Swatch 2 Vending pod
Swatch 3 Farmer’s market pod
Swatch 4 Loading dock
Swatch 5 Seating
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ZOOM AT SWATCH 1: Sidewalk Condition
Top layer dips down to allow spot for street-side information display
Grain open to allow north light Combination of planting (height of vegetation) and path to circulate people through space
Plan View
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Component used to create path with variation with smaller openings to work with earth
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FABRICATION: The Component
a b
5” 36”
c d
Rib construction
Component sections
Ribs for laser cutting
The Strip 8”
8’
Deformed Strips
a b c d
Rib plan
Rib sections
Casting the component and material studies
Plastics 1 Rigid 2 Low flexibility 3 Durable 4 Opaque
Concrete 1 Weather resistant 2 Structural 3 Moldable 4 Rigid
29 MACHINING MARKETS
Rubber 1 Flexible 2 Squishy 3 Non-structural 4 Opaque
Resin 1 Translucent 2 Hard 3 Brittle
Rib connections
Prototype
1/4 scale mock up of ground plane. Plexi glass ribs and plastic components. Strip An area of the swatch was selected for the prototype. Four sections were cut using 3d software through the components. The sections were translated into plexi glass ribs to hold the components. The components were cast out of different materials to test different qualities. Plastic was used for the final. Same process was applied but using chipboard.
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wheeler
HOUSTON TRANSIT CENTER Date: Professors: Program: Location:
Spring 2006 Gordon Wittenberg and Michael Morrow Houston Transit Center: Intercity buses, local light rail stop, and local buses. Houston, TX fannin
main
Houston’s old Greyhound bus station does not offer any parking. Hence, the car becomes the main premise for generating a new intermodal center in Houston. The building is based on two systems, a rigid and a flexible one. The fixed one is a 1:17 car park platform that follows the perimeter of the site. It is determined by car movement (specific radii) and the constraints of the site such as US-59 rising at 18’ and the metro rail. The whole program is situated under the car platform. Programs such as ticketing, baggage claim, cargo/freight express are located in the center, in the most dynamic areas. Waiting, resting, retail, and adminstration areas are located at the edges of the building. In order to break down the rigidity of the building, a flexible system of ramps, 3 elevators, and 1 escalator follow the two edges of the buildings. In some points, these ramps overlap with the interior creating spaces where people might want to take a break or might want to become like a “flaneaur” circulating through these series of ramps that expand and contract. You might have a two hour waiting period to catch the next bus, but you might as well enjoy it taking a cup of coffee outside looking down at the buses or looking down at landscape. It is important to notice that the facade reflects the nature of the site and program. It is a glass curtain wall that is covered with a paneling system to control light(the center is exposed to east and west). However in the areas of more activity, the skin of the building is more open; and in the areas of more privacy, the skin is closed.
wentworth
31 HOUSTON TRANSIT CENTER
Sections(N-S) N-S1:100 sections 1:100
plans
CVS
cvs
office s
Dry Cleanears and Post Office
Restaurant
Restaurant
offices
offices
local metro buses
k
ec ting e ch ticke baggag and
k
ec ting e ch ticke baggag and
k
ec ting e ch ticke baggag and
sk
sk
de Info
de Info
k
ec ting e ch ticke baggag and
pacakage express
retail
ticeting
offices
Inter city buses
bus maintenance
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Detail Section Optimized scheme for building climatology
insulated panels panels Insulated panels or panelsor claded cladded with w/ photovoltaics photovoltaics. operable windows
Operable windows for passive for passive cooling cooling
One of the problems with this scheme is its gla insulated panels do provide for shading allowing cool but there could be way to make air flow thr without comprimising the initial design idea. Th to propose a double skin with a buffer. allowing f control of the building. However, how could a str sustainability work with the overall design of the The exterior panels create a visual effect an be enhanced even more using operable windows. air flow and temperature control.
Optimized Scheme for Building Climatology
33 HOUSTON TRANSIT CENTER
West Elevation 0
18
36
72’
Detail Elevation
South Elevation
GALVESTON MARINE RESEARCH CENTER Date: Professors: Program: Location:
Fall 2005 Doug Oliver and Clover Lee Research and exhibition with water tank, research ponds, laboratories, offices, and display spaces Galveston, TX
Located in the Texas A&M Mitchell Campus, the marine research center works both as a public educational facility and a scientific laboratory. The building is a 72’ * 72’ *72’ eroded cube composed of a series of volumetric wraps. The different program requirements such as exhibition spaces, administration, and laboratories fold volumetrically around a large cast in situ acrylic aquarium.
35 GALVESTON MARINE RESEARCH CENTER
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AA
BB Site plan
Sections
BB
1 2 6
1 1 5
5
4
4
AA 3
1. Exhibition and display 2. Lobby and exhibition 3. Aviary 4. Offices 5. Laboratories: benchwork + offices 6. Tank loading 7. Fish Hatchery
0’
8’ 16’
32’
shown in blue: fish tank
37 GALVESTON MARINE RESEARCH CENTER
3
64’
3
7
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LIT: LIBRARY OF INFORMATIVE TECHNOLGIES Date: Professors: Program: Course: Partner:
Spring 2010 Mark Wamble Proposal for a web interface for making design and technology accesible Independant study Will Garris
The library of informative technologies is a simple platform to communicate to people about accessible technologies. It is geared for people to fabricate as a hobby but are unfamiliar with the advanced tools available. The project showcases tutorials on DYI projects that can range from making a backlight translucent counter top using a laser cutter for the kitchen or a tutorial on 3d printing your favorite toy through the use of outsourcing. To produce content for the database, two different areas of exploration were set up: responsive environments and innovative fabrication. For responsive environments, different tests with arduino, LEDS, and ultrasonic sensors were done. The idea was to create a dimmable interface so that LED resistance would vary smoothly based on the distance of a user, hence being brighter or darker. One of the experiments for innovative fabrication was to use rasterizing on translucent plexi glass sheets using the laser cutter. The process emulates at a primitive level the carving process done by CNC milling. Since Rem Koolhaas had done some photo rasterizing experimentations with Mies van der Rohe in the IIT Chicago campus, Rem Koolhaas’ portrait was used as a starting point.
39 LIBRARY OF INFORMATIVE TECHNOLOGIES
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41 LIBRARY OF INFORMATIVE TECHNOLOGIES
BENJAMIN POLLAK I PORTFOLIO