![](https://assets.isu.pub/document-structure/200608071944-983e32ae2c1942c74e90b302cc77773a/v1/a1b828c050536631eebfcc15f0ae8835.jpg?width=720&quality=85%2C50)
1 minute read
A curious incident
from A Day in Provence
Somewhere, enclosed within the creamy stone walls
of the neighbouring houses, a dog barks. In return,
Advertisement
another decides that it too should contribute. And so,
in unison, if not in harmony, they yap. What they are
yapping about or what provocation to bark they
experience, is a complete mystery. Perhaps it is to
scare away a tiny testicle tickling black legged
scorpion, or they are barking at their own shadows
they mistake for an intruder, or for no other reason
that they like the sound of their own gruff. Perhaps it
is a call and response love song, uniting the otherwise separated star-crossed canine lovers.
Perhaps it is merely a gainsay of “Oi, shut up over there!” with “No, you shut up over there!”,
but in canine French and in constant repetition and with absolutely no conclusion to the
‘debate’.
The sound of barks wafts over the rooftops of Caromb, a Provençal village which has
Mont Ventoux as its dominating neighbour. It drifts with the wind, weaving its way among
the gutters, chimneys, trees and climbing shrubs. It creeps around the stone corners, bounces
off gable ends and wends its way through the tiny one car wide streets and alleyways towards
an open old rickety wooden framed window, whose shutters have long gone, but whose
rusting metal fixings refuse to detach from their deep set anchorages within the stone wall of
Le Vieil Hôpital.
Not even the bakers are awake.