Berkeley Rep: Cult of Love

JANUARY 2024

THE

BERKELEY REP MAGAZINE 2023/24 | ISSUE 4

CULT OF LOVE

BY LESLYE HEADLAND | DIRECTED BY TRIP CULLMAN

LEAVE A LEGACY OF ARTISTIC EXCELLENCE Members of the Michael Leibert Society are dedicated supporters who have included Berkeley Repertory Theatre in their estate plans. These gifts help to secure the Theatre’s future and ensure that for generations to come, Berkeley Rep will be creating ambitious theatre that entertains and challenges its audiences.

For more information, please contact Andrew Maguire, Philanthropy Officer at 510-647-2904 or amaguire@berkeleyrep.org.

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WELCOME TO BERKELEY REP! To ensure the best experience for everyone: While always encouraged, masks are required for audiences in our theatres on all Sundays (matinees and eve nings) and Tuesdays throughout our 2023/24 season.

Food and drink: Beverages in cans, cartons, or plastic cups with lids are welcome in the theatre for Wednesday t h r o ug h S atu r d a y p e r f o r m an c e s only. Food is prohibited in the theatre during all performances.

Courtesy reminder: To avoid disruption to everyone, please turn off your cell phones, beeping watches, and electronic devices, and refrain from unwrapping cellophane wrappers during the performance. For the comfort of all patrons, please avoid wearing strongly scented personal products.

Photos: Photos may be taken in the theatre before and after the perfor-

BERKELEY REP MAGAZINE IN THIS ISSUE

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Contents

mance and during intermission. Photos and videos during the performance are strictly prohibited. Photos posted on social media must credit Berkeley Rep and the show’s designers.

Smoking and vaping: Berkeley Rep’s public spaces are smoke- and vape-free.

One of the joys of live theatre is the c o l l e c t i ve ex p e r i e n c e . A u d i e n c e members respond to the show in many different ways. We invite you to join together and enjoy the show! If there is anything we can do to make your experience more enjoyable, please see a member of the house staff.

Get closed captioning on your smart-

5 A Welcome from the Artistic and Managing Directors 6 Fellowship Program Launches Careers 8 Leslye’s Seven Deadly Scripts 10 Laughing Through the Pain: An Interview with Leslye Headland and Trip Cullman 12 Show Program: Cult of Love 14 The Artists 18 Donors 21 Staff, Board of Trustees, and Sustaining Advisors 22 Making Theatre

phone! Closed Captioning is available for the following performances: Jan 27 preview, Feb 7, and every matinee except Feb 29. Use your smartphone to scan this QR code:

Connect with us at berkeleyrep.org @berkeleyrep

Then, switch your WiFi to the networ k C C T h e a t e r R o d a . P a s s w o r d : cctheater1 When the CC page ap pears, choose English captions. If you’d like assistance, please see an usher or house manager.

Captions powered by CCTheater, from AccessTech, LLC. (info@getaccesstech.com)

THE BERKELEY REP MAGAZINE | 2023/ 24 | ISSUE 4 The Berkeley Rep Magazine is published at least seven times per season.

EDITOR- IN - CHIEF

Karen McKevitt

CRE ATIVE DIRECTOR

DC Scarpelli

CONTRIBUTORS

CONTACT BERKELE Y REP

Rebs Chan Rodrick Edwards Karen McKevitt

Box Office: 510 647-2949 Groups (10+): 510 647-2918 Admin: 510 647-2900 School of Theatre: 510 647-2972 info@berkeleyrep.org

2023/24 | Issue 4

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Encore Media Group acknowledges that we are on the lands of the Duwamish People, and their other Coast Salish relations—past and present.

We recognize that these lands are unceded and we support the Duwamish Tribe in their struggle to gain Federal Tribal Recognition.

We honor with gratitude the land itself. This acknowledgement does not take the place of authentic relationships with Indigenous communities, which we seek to build. We hope that this step of honoring these lands, and the First People of Seattle who remain their stewards, will help us become better neighbors to the Duwamish Tribe and all the people who have called the Pacific Northwest home since time immemorial.

WELCOME

Welcome to Cult of Love.

As I write this, the holidays are ahead, and I imagine many of us are anticipating time with family (biological or chosen) with all the joy and complication that entails! By the time you sit to read this, preparing for the lights to dim in the Roda Theatre, surrounded by friends and strangers, the celebrations will be behind us, and perhaps Cult of Love can provide an opportunity to reflect on these experiences that are so very specific and unique, and yet simultaneously full of universal truths.

One of the many things Leslye Headland has captured so beautifully in this play is the particular musicality of the Dahl family. And while none of my families sing (be grateful!), each tribe has its own set of rhythms, rituals, and vernacular. To enter the Dahl home as participant or witness is to have to find one’s way into the overlapping language, the shorthand, and the memories, whether they be objectively true or simply accepted lore.

Trip Cullman’s masterful orchestration of Leslye’s dialogue envelopes us in the hyper-realism of the simultaneous speech and the mini events overlapping throughout the overstuffed rooms. And Trip’s trademark deftness ensures that our eyes and ears will always be guided to the places that they most need to be. In this we benefit so greatly from the many years that Trip and Leslye have spent crafting worlds together, from their respect for and trust in the skills they each bring to a process, and the deep love they share for these exquisitely complicated characters.

Enjoy!

Warmly,

When I first read Cult of Love, I immediately loved it, despite it conjuring many holiday memories.

Having grown up in a very Christian family, I saw myself and my relatives in the Dahls; and the family rituals, the repressed feelings, the forced cheer, and the trauma were unfortunately all too familiar. No matter how terrible we were to one another, the fact that we are family and love one another was supposed to absolve any mistreatment.

There is a saying that “drama is when bad things happen to you, and comedy is when bad things happen to other people.” With a little distance from the holiday season, hopefully, through the power of laughter, we can see that the challenges we face are not unique, that we are not alone — and we can heal. Maybe we can see where pride got in the way of kindness and compassion. And that is what great theatre can do.

As we pass the midpoint of the 2023/24 season, three more fantastic, theatrical stories await: the West Coast premiere of Lloyd Suh’s breathtaking epic immigration drama, The Far Country; the dazzling world premiere, Broadway-aimed musical, Galileo; and Octavio Solis’ 21st-century sequel to John Steinbeck’s The Grapes of Wrath, Mother Road. We are also deep into planning your 2024/25 season, and we look forward to sharing more in the coming weeks about what thrilling times we will share together in the theatre next season. In the meantime, thank you for joining us today, and enjoy the show!

With deep appreciation,

Tom Parrish Managing Director

Johanna Pfaelzer Artistic Director

Carquin

Berkeley Repertory Theatre acknowledges and honors its presence on the unceded ancestral lands of the Chochenyo-speaking Ohlone people, now colonially known as Berkeley. The land from which we benefit continues to be a place of foremost importance to the Ohlone and all descendants of the Verona Band.

Chupcan

Huchiun

Volvon

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Tatcan

BERKELEY REP

Huchiun

Ssouyen

Jalquin/Irgin

Tuibun

Seunen

Pelnen

Causen

Alson

Taunan

Awaswas Mutsun

Berkeley Rep is committed to actively pursuing our values as an antiracist institution. We are committed to living our values by promoting the history and culture of the Ohlone people and sustaining an ongoing relationship which supports the art, resources, and values of indigenous peoples and tribes.

We are grateful to our friends at the Sogorea Te’ Land Trust and the Confederated Villages of Lisjan for their support and guidance as we continue to educate ourselves and our community to uplift and support our indigenous communities.

2023/24 | ISSUE 4 | 5

Gabrielle Bañuelos, 2023/24 costumes fellow

FELLOWSHIP PROGRAM

LAUNCHES CAREERS FOR EMERGING THEATRE PROFESSIONALS

BY RODRICK EDWARDS

Berkeley Rep welcomed 12 emerging theatre professionals from across the nation into our 2023/24 fellowship program. Now in its 41st year, this program serves as a launchpad for those eager to improve existing skills and gain new ones in theatrical production, administration, and direction. The fellows gain hands-on experience in the Theatre’s daily operation and learn alongside experienced artists, a dministrators, g uest directors, and designers, where they gain practical experience applicable to many industries.

Former fellows have gone on to careers in regional theatres and on Broadway, in the film and streaming industries, and even in politics.

One of this season’s fellows, Kayla Badia, came from Houston to participate in the production management fellowship, which she calls a “perfect mix of fun and challenge.” This fellowship 6 | THE BERKELE Y REP MAGA ZINE

combines contracting, budgeting, expense tracking, and scheduling, which requires the “ultimate team vibe” to succeed. Production management works directly with m a n a gement sta f f, tech n ica l crews, and designers to ensure the success of each production.

Kayla gets to meet everyone from the designers to tech gurus, and “takes a peek into every aspect of a show from the beginning to opening.” After being mentored by Berkeley Rep’s staff, Kayla in turn will mentor teens as the production manager for this spring’s High School Theatre Festival.

Berkeley Rep is looking for highly motivated individuals to take part in our 2024/25 fellowship program. If you (or anyone you know) are interested in applying, find more information at berkeleyrep.org/about/get-involved/

Kiahana Toomer, 2021/22 lighting fellow

E. Wayman-Murdock, 2023/24 scenic art fellow

THE FAR COUNTRY

BY LLOYD SUH DIRECTED BY JENNIFER CHANG MAR 8–APR 14, 2024 Following a critically acclaimed debut in New York, Pulitzer Prize finalist Lloyd Suh brings The Far Country back to its roots in a triumphant West Coast premiere. In the wake of the Chinese Exclusion Act, Moon Gyet has arrived at San Francisco Bay’s Angel Island Immigration Station with an invented biography and a new name, both given to him by a man who made the same arduous crossing several years earlier. But passage to San Francisco — and the dream of a better life for future generations — commands a very high price. Spanning two countries and three generations, Lloyd Suh’s breathtaking account of immigration, identity, and memory has been called “Artful…an act, loving and sorrowful, of reclamation” by The New York Times.

2023/24 | ISSUE 4 | 7

L E S LY E ’ S

SEV EN

DE A DLY SCR IPTS BY

REBS

CHAN

Originating from Roman Catholic theology, the seven deadly sins — or cardinal sins — are seven ways of rejecting God. Many sects of Christianity consider these broad transgressions to be manifestations of selfishness, the root cause of all unholiness.

In 2007, after writing the play Cinephilia, Leslye Headland realized the script examined themes of lust, and thus decided to write six more plays, one for each of the deadly sins. In this Sin Plays cycle, which premiered between 2007 and 2018 at IAMA Theatre Company, each play offers an exploration of how these vices manifest in the 21st century. Cult of Love is the seventh and final play in the cycle, representing pride.

In conversation with Headland, she said, “I tried to think of the sins in a way that they might reveal themselves in modern day.” Rather than “this kind of cartoonish version of what these sins were,” her plays are about “how they creep up on people.”

Read on to learn more about each play and its corresponding sin.

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Surfer Girl / SLOTH

IAMA premiere: 2008; NYC premiere (Animus Theatre Company with The Dirty Blondes): 2018

Cinephillia / LUST IAMA premiere: 2007

Set in Brooklyn, NY, an on-again, off-again young couple discusses their love, hatred, and lust for both film and each other.

“But I tell you that anyone who looks at a woman lustfully has already committed adultery with her in his heart.” Matthew 5:28

Bachelorette / GLUTTONY

IAMA premiere: 2008; NYC premiere (Second Stage): 2010

The night before their friend’s wedding, three gorgeous girls embark on a night of gluttony that snowballs from playfully wasted to cataclysmically ruinous.

“Drunkards and gluttons become poor, and drowsiness clothes them in rags.” Proverbs 23:21 Headland wrote and directed a film adaptation of Bachelorette.

Starring Kirsten Dunst, Lizzy Caplan, and Isla Fisher, the film premiered at the Sundance Film Festival in 2012.

Assistance / GREED

IAMA premiere: 2008; NYC premiere (Playwrights Horizons): 2012

Inspired by Headland’s experience working as Harvey Weinstein’s personal assistant, a group of young assistants seek to please their implacable boss, making great sacrifices as they greedily aspire towards power.

“Then He said to them, ‘Watch out! Be on your guard against all kinds of greed; life does not consist in an abundance of possessions.’”

Luke 12:15

A couch surfer rides the waves of a notquite-homeless, not-quite-broke life of sloth, surviving off the hospitality of others, avoiding responsibility, and longing for home.

“He who is slothful in his work is a brother to him who is a great destroyer.” Proverbs 18:9

Reverb / WRATH IAMA premiere: 2009

An LA rocker attempts to rekindle a volatile, wrathful, and (consensually) violent romance with his ex-girlfriend while coping with his abusive father’s ailing health.

“Do not take revenge, my dear friends, but leave room for God’s wrath, for it is written: ‘It is mine to avenge; I will repay,’ says the Lord.”

Romans 12:19

The Accidental Blonde / ENVY IAMA premiere: 2010

Two ex-best friends exist separately, one on a TV cooking competition, the other in a therapy session, the baggage and envy from their shared past seeping into their present lives.

“A heart at peace gives life to the body, but envy rots the bones.” Proverbs 14:30

Cult of Love / PRIDE IAMA premiere: 2018

The Dahl parents and the Dahl children, now adults with beliefs of their own, perform joyous carols and bizarre family rituals, fueled by alcohol and forced cheer—until it all descends into pride-fueled chaos.

“When pride comes, then comes disgrace, but with humility comes wisdom.” Proverbs 11:2

2023/24 | ISSUE 4 | 9

laughing

through the pain

Playwright, screenwriter, and film/television director Leslye Headland and theatre director Trip Cullman were strangers when they were first paired in 2010 for the NYC premiere of Leslye’s play Bachelorette.

Now, 13 years and four major collaborations later, their working relationship has blossomed into an artistic marriage where Trip is Leslye’s self-proclaimed “theatre husband.”

Berkeley Rep staff sat down with the power duo to find out what makes their partnership work and discuss the inspiration and approach behind bringing this dark comedy to the stage and the importance of the great American family drama.

Below are highlights from the conversation: LESLYE ON THE PLAY’S INSPIRATION The inspiration is my family. I love them very much, and I wrote the play to work out a lot of the things that we didn’t ever get a chance to talk about. I just felt like there were so many things I wanted to say in the moment, but I didn’t know how to. And so, I wrote them many years later.

My family was a very musical family. All my siblings and I would play instruments and sing together. I liked the idea of a family drama that was orchestrated and that the dialogue would become like a piece of music that had to be conducted in a way that felt chaotic but was very planned in its execution. So, it’s a difficult play to do, but I think when it’s done right, you get a sense of really being a fly on the wall of what a family gathering is like.

10 | THE BERKELEY REP MAGAZINE

LESLYE ON WORKING WITH TRIP When I was first asked who my dream director would be back in 2010 for my production of Bachelorette, I said Trip Cullman because I really admired his work, and I felt like we would make a good match, and I was right. I think our sensibilities are just so similar. I write plays where everything starts out put together and then slowly the entire thing falls apart, whether it’s a hotel being trashed, or an office space being broken down by a tap dance. Trip is great at staging controlled chaos, so our strengths complement each other.

TRIP AND LESLYE ON THE PLAY’S TONE TC: I think about this play as a kind of transgressive iteration of the great American family drama. Like, if you look at Long Day’s Journey into Night, Death of a Salesman, August: Osage County, or A Raisin in the Sun, this play is the 2023 version of that tradition.

LH: It’s also a bit of a send up of those plays. There’s a lot of tropes that we dismantle either because everything descends into chaos or because the characters are left of center. No one is really fighting for this family in the same way you see in those other plays.

TC: The characters are put into a cycle of emotions that range from ecstasy to utter despair, and the play requires the audience to go through a kind of emotional crucible. It is wildly funny, upsetting, tender, and moving. I’m thinking that audiences will have barely recovered from their own Christmas experiences with their family and might see a lot of their own dynamics being played out.

LESLYE AND TRIP ON THE PLAY’S COMEDY LH: My experience over and over has been that with all my work no matter how serious I try to be, everyone always ends up laughing. So, I do think that I would characterize Cult of Love as a comedy. I would say it’s a comedy about dark subject matter.

TC: The comedy in Leslye’s work doesn’t come from zingers and one-liners, ever. The comedy is my favorite kind of comedy, which is that it comes from pain. It’s situational and characterological. So much of what is funny in the play is about the dynamics between the characters and inside of the family; there is very little filter.

LESLYE ON RELIGION AND QUEERNESS In Cult of Love, I really wanted to take a look at the double meaning of pride. One, as a gay woman, how I’ve been able to find my own sense of pride being raised within a

religious family and how you have to sort of stand up for yourself with the people that were put in charge of loving you. Two, the working definition that I used for the play was that if you’re suffering from the sin of pride, it’s because you think that you’re right. And I think everyone in the play thinks they’re right, and that’s sort of the problem. They can’t see past their own experiences within the family.

I feel conflicted having been raised in a Christian home, specifically Catholic, and then when I was older, nondenominational Christianity. The type of environment that I grew up in and the type of events that I took part in, whether it was youth group or Young Life retreats, a lot of it is buffered with the word “love.” God loves you; Jesus loves you; we love you, but then there’s this underlying weirdness of not accepting people. It’s like, we love you, but we don’t accept you. We love you, but we don’t want to talk about the truth of a situation or things that might be a little bit more complicated.

The tenet of Christianity that I believe in and still hold dear in my heart and was important for me to express in the play is that I know there is love there, and I know that people are doing the best they can, but as with all my plays, sometimes people’s best isn’t that great.

LESYLE ON WRITING FOR STAGE VS SCREEN I heard this quote once that in a play the audience is wondering what’s happening now, and in a film, they’re wondering what’s happening next. When the audience is physically in the theatre, they’re so immersed in the present moment. Whereas in television and film, the audience can get ahead of the action in a weird way, even if it’s by a millisecond. They register things in a safe cocoon place where they digest it very quickly, and therefore it takes more to shock them or get them to laugh. They don’t have their peers to rely on in terms of how to react to something. You can inflict more daring or defiant moments on a theatre audience. They really don’t have the ability to disconnect from what’s happening. I also think that the musical moments in this show would be almost impossible to recreate in film and television. You could do it, of course, but there’s nothing like live music. You are affected by it so much more viscerally than, you know, watching it on your phone.

SHOW PROGRAM: CULT OF LOVE

BERKELEY REPERTORY THEATRE Johanna Pfaelzer, Artistic Director | Tom Parrish, Managing Director in association with Red Yes Studio, Rachel Sussman, and Seaview presents

CULT OF LOVE BY

LESLYE HEADLAND DIRECTED BY

TRIP CULLMAN SCENIC DESIGN

COSTUME DESIGN

LIGHTING DESIGN

SOUND DESIGN

ARNULFO MALDONADO

SOPHIA CHOI

HEATHER GILBERT

DARRON L WEST

MUSIC DIRECTOR AND ARRANGEMENTS

CASTING

JACINTH GREYWOODE

STEPHEN KOPEL, CSA CARRIE GARDNER, CSA

STAGE MANAGER

ASSISTANT STAGE MANAGER

LESLIE M. RADIN*

EMMA WALZ*

World Premiere presented by IAMA Theatre Company, Los Angeles, CA, 2018.

January 26–March 3, 2024 Roda Theatre THIS SHOW HAS NO INTERMISSION

SEASON SPONSORS

Stephen & Susan Chamberlin Yogen & Peggy Dalal Bruce Golden & Michelle Mercer Frances Hellman & Warren Breslau Wayne Jordan & Quinn Delaney Gisele & Kenneth F. Miller Jack & Betty Schafer The Strauch Kulhanjian Family Gail & Arne Wagner

ASSOCIATE SPONSOR

Helen Marcus

12 | THE BERKELE Y REP MAGA ZINE

William “Bill” Dahl Virginia “Ginny” Dahl

Dan Hiatt* Luisa Sermol*

Mark Dahl

Lucas Near-Verbrugghe*

Rachel Dahl

Molly Bernard*

Evie Dahl

Virginia Kull*

Pippa Ferguson Diana Dahl Bennett

Cass Buggé* Kerstin Anderson*

James Bennett

Christopher Lowell*

Johnny Dahl

Christopher Sears*

Loren Montgomery

Vero Maynez

UNDERSTUDIES (in alphabetical order)

Diana Dahl Bennett/Evie Dahl

Jess Andrews*

James Bennett/Johnny Dahl/Mark Dahl

Ben Euphrat*

Virginia “Ginny” Dahl Loren Montgomery/Pippa Ferguson/Rachel Dahl William “Bill” Dahl

Sharon Lockwood* Emily Ota* Robert Parsons*

*Indicates a member of Actors’ Equity Association, the union of professional actors and stage managers in the United States This theatre operates under agreements with the League of Resident Theatres, Actors’ Equity Association (the union of professional actors and stage managers in the United States), the Stage Directors and Choreographers Society, and United Scenic Artists.

Please turn off your cell phones, beeping watches, and electronic devices, and refrain from unwrapping cellophane wrappers during the performance.

The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights, and actionable under United States copyright law.

2023/24 | ISSUE 4 | 13

SHOW PROGRAM: CULT OF LOVE

CAST

SHOW PROGRAM: CULT OF LOVE

THE ARTISTS

Dan Hiatt William “Bill” Dahl

Kerstin Anderson Diana Dahl Bennett

Kerstin Anderson (she/her) is thrilled to be making her Berkeley Rep debut! Broadway/Tour: My Fair Lady (Eliza Doolittle), The Sound of Music (Maria). Other theatre appearances include Unknown Soldier (Playwrights Horizons), Afterwords (5th Avenue), Doubt (Westport Playhouse), and Row (Audible). She can be heard on Ryan Scott Oliver’s albums Darling: Live in Concert and Future Demons, Ethan Carlson’s Her Sound, and the original cast album of Unknown Soldier. Upcoming short film: Ventriculus. @kerstanderson1 Molly Bernard Rachel Dahl

Theatre credits include the NYTW Off-Broadway production of House Plant and Soho Rep’s Revolt. She Said.

Revolt Again. In television, Molly starred in Paramount+’s Younger from Darren Star, recurred in NBC’s Chicago Med, the Emmy-winning Amazon series Transparent, Amazon’s Alpha House, HBO’s High Maintenance, and NBC’s Blindspot. In film, she will next appear in Richard Linklater’s Hitman.

Additional film credits include Milkwater, which she also executive produced, the independent feature films Best Man, Dead Man and Lone Star Bull, Netflix’s comedy film Otherhood, Sully opposite Tom Hanks, Pay it Forward, and The Intern, directed by Nancy Meyers. Bernard received her MFA from the Yale School of Drama.

Cass Buggé Pippa Ferguson

Berkeley Rep debut. Theatre includes Dance Marathon (Barbican, UK), Bombs in Your Mouth (Cherry Lane Theatre), Every Girl Gets Her Man (Soho Rep), as well as two solo shows performed at The UCB, PIT and Magnet theatres in NY. TV includes Amazon’s Night Sky opposite Sissy Spacek and JK Simmons, Chuck Lorre’s Disjointed, For All Mankind (Apple), Better Things (FX), Transparent (Amazon), The Brink (HBO), and the upcoming Star Wars: Skeleton Crew (Disney +). Film includes the Carrie Brownstein and St. Vincent mockumentary The Nowhere Inn and Miguel Arteta’s Yes Day.

14 | THE BERKELE Y REP MAGA ZINE

Dan Hiatt has appeared at Berkeley Rep in Menocchio, Dinner with Friends, and Joe Turner’s Come and Gone. His Bay Area credits include Father Comes Home from the Wars, Vanity Fair, and The Birthday Party (American Conservatory Theater); Hamlet, Man and Superman, and Uncle Vanya (California Shakespeare Theater); Anne Boleyn (Marin Theatre Company); Gem of the Ocean (TheatreWorks); and Arsonists (Aurora Theatre Company). Regional work includes King Charles III (Shakespeare Theatre Company), Mary Stuart (Huntington Theatre Company), The Two Gentlemen of Verona (Arizona Theatre Company), and Picasso at the Lapin Agile at Ford’s Theatre.

Virginia Kull Evie Dahl

Broadway: The Heiress, Man and Boy, and Horton Foote’s Tony-nominated Dividing the Estate.

Off-Broadway credits include Rapture Blister Burn, Leslye Headland’s Assistance, Sex Lives of Our Parents, and Orphans’ Home Cycle, for which she was named a 2010 Drama Desk Award recipient. TV/film: Selected credits include Percy Jackson and the Olympians, NOS4A2, Super Pumped, The Looming Tower, Mr. Mercedes, Big Little Lies, Sneaky Pete, Twin Peaks, Gracepoint, Boardwalk Empire, 20th Century Fox’s The Empty Man, and upcoming David E. Kelley’s Presumed Innocent. Training: SMU Meadows School of the Arts.

Christopher Lowell James Bennett

Berkley Rep debut. Theatre includes Jacuzzi (Ars Nova), Barefoot in the Park (Old Globe), Kinship (Williamstown Theatre Festival). Film includes Promising Young Woman (Dir. Emerald Fennell), Perpetrator (Dir. Jennifer Reeder), The Help (SAG Award, Critics Choice Award, Dir. Tate Taylor), Up in the Air (Dir. Jason Reitman), Complete Unknown (Dir. Joshua Marston), My Best Friend’s Exorcism (Dir. Damon Thomas), and Veronica Mars (Dir. Rob Thomas). TV includes GLOW (SAG nominations, Netflix), Inventing Anna (Netflix), Private Practice (ABC), Graves (Epix), Enlisted (Fox), and How I Met Your Father (Hulu).

Vero Maynez Loren Montgomery

Vero Maynez (she/they) is a queer, Mexican-American actor. Selected theatre credits include Toros (u/s Second Stage), The Snow

Queen (The House Theatre), Alma (u/s American Blues Theater), Feel the Spirit (Shotgun Players), and The Mathematics of Love (Brava Theater Center). Onscreen, one can catch Vero inaugurating @cheezit TikTok, in Cheez-It Puff’d and Cox Communications commercials, and in the upcoming indie, horror films Invader (director, Mickey Keating; producer, Joe Swanberg, et al) and Mr. Dust (director, Spencer W Parsons; producer, Eddie Linker). Vero has her MFA in Acting from DePaul University, and is represented by Paonessa Talent Agency. @veronicamaynez, veromaynez.com

Lucas Near-Verbrugghe Mark Dahl

Lucas Near-Verbrugghe is thrilled to be making his Berkley Rep debut. He’s appeared on Broadway in Bloody Blood Andrew Jackson and The Ritz as well as Off-Broadway in Love’s Labour’s Lost, Permission, boom, Oohrah!, and Leslye Headland’s Assistance. Los Angeles and Bay Area theatre credits include Icebergs (Ovation nomination), Seminar, Need to Know, and An Entomologist’s Love Story. Film credits include Our Idiot Brother, A Birder’s Guide to Everything, Lazy Eye, and A Woman, a Part. TV credits include Splitting Up Together, Dickinson, Ten Days in the Valley, Grimm, Law & Order, Law & Order: SVU. Lucas has an MFA from NYU. Christopher Sears Johnny Dahl

New York theatre: Only Yesterday (59E59), Gently Down the Stream (The Public Theater), The Harvest (LCT3), Stupid Fucking Bird (The Pearl Theatre). Select regional: Life Is a Dream, Bakkhai, The Folks at Home (Baltimore Center Stage), Sister Sorry (Barrington Stage Co.). Film/television: The Wisdom Tooth (Indie), Law & Order: SVU (NBC). Christopher is also a composer and musician. Christopher has also just finished his first opera, Moonchildren, with his sister Sienna Sears, Sydney Shepherd, and Adrian Enscoe. For more info on new works go to his Instagram, @christophersearsart (he/him/his) Luisa Sermol Virginia “Ginny” Dahl

Berkeley Rep debut! NY credits include Hamlet (Roundabout), Tennessee and His Women (Lincoln Center), Macbeth (Classic Stage Company). Bay Area/regional credits include: Hurricane Diane (Aurora); They

Luisasermol.com

Jess Andrews U/S Diana Dahl Bennett/Evie Dahl

Jess Andrews is delighted to be working on this production. With Berkeley Rep, she participated in The Ground Floor’s workshop of The Keening. Other credits include South Coast Repertory, KCRep, Heart of America Shakespeare Festival, Unicorn Theatre, Coterie Theatre, KCAT, and Great River Shakespeare Festival. She also recently performed alongside the Indianapolis Symphony Orchestra. Jess received her MFA from UMKC and is a teaching artist with Storïwr Theatre Company in Los Angeles.

and Sonia and Masha and Spike (Bay Area Critic’s Circle Award), Culture Clash’s Zorro in Hell, Wintertime, and The Triumph of Love.

She has also appeared regularly at American Conservatory Theater, including 17 seasons playing Mrs. Dilber/Mrs. Fezziwig in A Christmas Carol. Other Bay Area credits include Aurora Theatre, California Shakespeare Theater, and many seasons with the San Francisco Mime Troupe. Other regional credits include La Jolla Playhouse, Old Globe, San Diego Rep, Long Wharf Theatre, Milwaukee Rep, and the Alley Theatre. She received the Theatre Bay Area Lifetime Achievement Award in 2018, presented

by Berkeley Rep’s former Artistic Director Tony Taccone.

Emily Ota U/S Rachel Dahl/ Loren Montgomery/ Pippa Ferguson

Berkeley Rep mainstage debut! Various credits include New York: Off-Broadway, EST, New Dramatists, The Lark, The Public Theater, four seasons at Hudson Valley Shakespeare Festival. Regional: three seasons at OSF, Oregon Symphony, Berkeley Rep Ground Floor. Sweet and Sour (Audiobook, Scholastic); Tabling: The Podcast. Much love to my family! IG: @emilyota (she/her) Robert Parsons

Ben Euphrat U/S James Bennett/ Johnny Dahl/ Mark Dahl

Theatre includes Water by the Spoonful (SF Playhouse), Once (42nd Street Moon), The Siegel (City Lights), Shakespeare in Love (Marin Theatre Company), the SF and Off-Broadway productions of Ideation (SF Playhouse), Project Ahab (Central Works, nominated: Outstanding Music Direction), Mirandolina (Center Rep), Twelfth Night (Shotgun Players), and HIR (Magic Theatre). Screen includes Lullaby (Lianne Walden), Saltwater (Lisa Swenson), Stray (Aida Daay). Ben works as a video and audio designer for theatre and film. He has studied improv in LA with the Groundlings and IO West. His recent album, A Portrait of a Girl, is available everywhere. beneuphrat.com Sharon Lockwood U/S Virginia “Ginny” Dahl

Sharon Lockwood has performed at Berkeley Rep for almost 35 years. Favorite credits include Vanya

U/S William “Bill” Dahl

Berkeley Rep: The Heiress.

New York: K or the Future’s So Green (Here Arts Center). Regional: The Rivalry (Ford’s Theatre), The Black Rider (ACT/Sydney Festival/CTG Ahmanson), Rock ’n’ Roll (ACT/Huntington Theatre Company), Misalliance (Alley Theatre), Buried Child (LA Theatreworks), The Heiress (Arizona Theatre Company), Cyrano, Two Gents (Oregon Shakespeare Festival).

Bay Area: ACT, Magic, Aurora, TheatreWorks, Marin Theatre Company, SF Playhouse, Word for Word, Cutting Ball, San Jose Stage, Shotgun. Film: Freaky Tales, Fairyland, Interview with Traveler# 582, Freeland, Prufrock. Founding member of Actors’ Reading Collective (arcstream.org). robertparsonsactor.com

Leslye Headland Playwright

Cult of Love is the final play in Leslye Headland’s Seven Deadly Plays series, which originally premiered at the IAMA Theater Company in Los Angeles. NY theatre: Bachelorette and The Layover (Second Stage), Assistance (Playwrights Horizons). Film:

Her directorial debut was the adaptation of Bachelorette, which premiered at the Sundance Film Festival in 2012. Her second feature, Sleeping with Other People, also premiered at Sundance in 2015. TV: Co-creator and showrunner of the Emmy Award-winning Netflix series Russian Doll.

Creator, producing director, and showrunner of the upcoming Star Wars: The Acolyte. Up next, she will executive produce and direct Dying for Sex, starring Michelle Williams for FX. Other TV credits include pilots for HBO, ABC, and NBC, as well as episodic work for FX, Showtime, Starz, and Paramount.

Trip Cullman Director

Broadway: The Rose Tattoo, Choir Boy, Lobby Hero, Six Degrees of Separation, Significant Other. Select Off-Broadway: I Can Get It for You Wholesale (CSC); Moscow Moscow Moscow Moscow Moscow Moscow, YEN, Punk Rock (Obie Award), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City (MCC); Days of Rage, The Layover, The Substance of Fire, Lonely I’m Not, Bachelorette, Some Men, Swimming in the Shallows (Second Stage); Unknown Soldier, The Pain of My Belligerence, Assistance, A Small Fire (Drama Desk nomination), The Drunken City (Playwrights Horizons); Choir Boy (MTC); Murder Ballad (MTC and Union Square Theatre); The Mother, I’m Gonna Pray for You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday in June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); and several productions with The Play Company. London: The Colby Sisters of Pittsburgh, PA (Tricycle). Select regional: Arena, Geffen, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown Theatre Festival.

Arnulfo Maldonado Scenic Design

Berkeley Rep: Goddess, An Octoroon. Broadway: A Strange Loop (Tony nominee), Topdog/ Underdog, Trouble in Mind. Off-Broadway: Atlantic, CSC, Lincoln Center, MCC, MTC, New Group, Playwrights Horizons, Public Theater, Roundabout, Second Stage, Signature, Soho Rep. Regional: Alley Theatre, ART, CTG, Guthrie, Steppenwolf, Woolly Mammoth. Obie Sustained Excellence in Set Design, Princess Grace Faberge Theater Award, Henry Hewes Design Award nominee. IG: @arnulfo.maldonado.design arnulfomaldonado.com

2023/24 | ISSUE 4 | 15

SHOW PROGRAM: CULT OF LOVE

Promised Her the Moon, Archduke, In Every Generation (TheatreWorks); The Siegel (City Lights); Noises Off, It’s Only a Play (Hillbarn); Midsummer Night’s Dream (Portland Center Stage); Romeo and Juliet, A Little Night Music, The Maids (Williamstown Theatre Festival); The Strange Undoing of Prudencia Hart, The Humans, Cuba Libre, The Goat, Sideman, Three Sisters, Master Class, Night of the Iguana (Artists Repertory Theatre).

Film/television: Grimm, Leverage, Zero Effect, Insect Poetry. Luisa is a graduate of The Juilliard School and a founding member of The Actors’ Reading Collective (ARC).

SHOW PROGRAM: CULT OF LOVE

Sophia Choi Costume Design

Broadway: KPOP (Tony nomination).

Off-Broadway: White Rose: The Musical (Theatre Row), Notes on My Mother’s Decline (4th Street Theatre). Regional: An Enemy of the People (Yale Repertory Theatre). Other theatre credits: Intelligence (Edinburgh Fringe and 4th Street Theatre), Anna May Wong: The Actress Who Died a Thousand Deaths (Mabou Mines), Stick Fly (The Juilliard School). Film credits: Oddstruck (short). TV assistant design credits: Sinking Spring (AppleTV), White House Plumbers (HBO), Kaleidoscope (Netflix).

Education: Virginia Commonwealth University (BFA), Yale School of Drama (MFA). @sophiachoi

Heather Gilbert Lighting Design

Heather Gilbert is a Chicago-based lighting designer. Berkeley Rep/The Hypocrites: Pirates of Penzance. Broadway: Parade (Drama Desk nomination, Tony nomination), The Sound Inside (Drama Desk Award, Outer Critics Circle recognition, Tony nomination). Regional includes Steppenwolf Theatre, Goodman Theatre, Center Theatre Group, The Muny, The Guthrie, The 5th Avenue Theatre, Williamstown Theatre Festival, Oregon Shakespeare Festival. Teaching: Head of Lighting Design at Columbia College Chicago. MFA: The Theatre School at DePaul University.

Darron L West Sound Design

Previously at Berkeley Rep: Chinglish, Compulsion, To the Lighthouse, and Finn in the Underworld. Darron is a Tony and Obie award-winning sound designer whose 35year career spans theatre and dance, Broadway and Off-Broadway. His work has been heard in over 600 productions all over the United States and internationally in 15 countries. Additional honors include the Drama Desk, Lortel, Audelco, and Princess Grace Foundation Statue Award, among many others. Thirty-year company member designing the productions of Anne Bogart’s SITI Company. His soundscapes for Photograph 51, Paradise Blue, and Coal Country can be heard on Audible.

Jacinth Greywoode Music Director and Arrangements

Jacinth Greywoode is a Brooklyn-based composer and music director. Recent credits as music director/arranger/orchestrator include Rose Tattoo (American Airlines Theatre), Soldier’s Play (American

16 | THE BERKELE Y REP MAGA ZINE

Airlines Theatre, national tour), and I Can Get It for You Wholesale (Classic Stage). Recent credits as composer include Black Girl in Paris (Joe’s Pub), Iron John (Irish Arts Center), How to Break (Village Theater), and Blended Harmony (History Theatre). jacinthgreywoode.com

Stephen Kopel, CSA Casting

Broadway: & Juliet; Shucked; Good Night, Oscar; Peter Pan Goes Wrong; Christmas Carol; Moulin Rouge!; 1776; Jagged Little Pill; Caroline, or Change; Trouble in Mind; Play That Goes Wrong; Beautiful: The Carole King Musical; Lifespan of a Fact; Holiday Inn; Once; Noises Off; Amelie; Sunday in the Park; The Winslow Boy; On a Clear Day; Kiss Me, Kate; She Loves Me; Harvey; On the Twentieth Century; Violet; Glass Menagerie; Mystery of Edwin Drood; Anything Goes; Brief Encounter; Scottsboro Boys.

Carrie Gardner, CSA Casting

Berkeley Rep: American Idiot. Broadway: & Juliet; Birthday Candles; Caroline, or Change; Trouble in Mind; The Humans; Book of Mormon; Bernhardt/Hamlet; Significant Other; Sunday in the Park; Long Day’s Journey; Violet; Rocky; Machinal; Edwin Drood; The Importance of Being Earnest; American Idiot; Spring Awakening. Off-Broadway: Covenant, The Refuge Plays, You Will Get Sick, Toni Stone, Skintight, Amy and the Orphans, Bobbie Clearly, Bad Jews, Dinner with Friends, Tom Durnin, Sons of The Prophet, Tigers Be Still, Ordinary Days, Speech & Debate.

Leslie M. Radin Stage Manager

Leslie Radin is thrilled to be back at Berkeley Rep after most recently stage managing Clyde’s, The Good Book, Fairview, An Octoroon, Aubergine, and Head of Passes. She started at Berkeley Rep as the stage management intern in 2003 and has also worked at American Conservatory Theater, Aurora Theatre Company, California Shakespeare Theater, Center Repertory Company, and Santa Cruz Shakespeare. She has traveled with Berkeley Rep productions to the Hong Kong Arts Festival and the New Victory Theater in New York. Her favorite past productions include Angels in America, Aubergine, Bull in a China Shop, House of Joy, Sisters Matsumoto, The Great Leap, Passing Strange, The Lieutenant of Inishmore, and In the Next Room (or the vibrator play).

Emma Walz Assistant Stage Manager

Emma Walz (she/her) has worked backstage at Berkeley Rep on the ripple, the wave that carried me home and Clyde’s, and been on the stage management teams at American Conservatory Theater, Bay Area Children’s Theatre, San Francisco Shakespeare Festival, The Phoenix Theatre Company (AZ), and All Puppet Players (AZ).

Red Yes Studio Red Yes Studio commissions, develops, and produces new work for the stage, screen, and other media by empowering extraordinary generative artists to create with abandon. Launched in 2023, Red Yes Studio builds upon founder Mandy Greenfield’s track record of new work which has garnered every major theatrical honor including Tony Awards, Pulitzer Prizes in Drama, Drama Desk, Obie, and Lortel Awards. Current collaborators include Adam Bock, Sonya Kelly, Emeli Sandé, Benjamin Scheuer, Rebecca Taichman, Sarah Treem, and Anna Ziegler among others. Visit RedYesStudio.com. Gratitude to Leslye, Trip, all of the artists involved with Cult of Love, the team at Berkeley Rep, Seaview, and Rachel Sussman.

Rachel Sussman Rachel Sussman is a Tony Award-winning creative producer and educator. She is a co-founder of The Business of Broadway, an educational venture that democratizes commercial producing knowledge to transform the way artists and producers collaborate. Broadway producing credits include Just for Us, Parade (Tony Award), Prima Facie, and What the Constitution Means to Me (Tony nom, Pulitzer Prize finalist).

Next: Suffs on Broadway, spring 2024. A former WP Theater Lab Time Warner Foundation Fellow, Rachel was a recipient of the Prince Fellowship in Creative Producing in conjunction with Columbia University and recently named one of Variety’s “10 to Watch on Broadway.” Proud NYU alumna. rachel-sussman.com Seaview Productions Seaview is a Tony and Olivier Award-winning theatre and film company. On stage: Danny and the Deep Blue Sea starring Aubrey Plaza and Christopher Abbott, Just for Us starring Alex Edelman, Parade starring Ben Platt and Micaela Diamond, The Sign in Sidney Brustein’s Window starring Oscar Isaac and Rachel Brosnahan, Mike Birbiglia’s The Old Man & the Pool, Selina

IAMA Theatre Company Designated by Playbill as “one of 20 regional houses every theater lover must know,” IAMA Theatre Company is dedicated to developing new plays and musicals by emerging and established playwrights. Founded in 2007, IAMA has produced over 25 world premieres, including the world premiere of Cult of Love and all of Leslye Headland’s Seven Deadly Plays.

An award-winning ensemble of Los Angeles-based artists, IAMA is committed to cultivating new voices, creating new work that pushes boundaries and takes risks, and building an inclusive community that inspires and supports a new generation of theatre-makers and audiences. iamatheatre.com

Johanna Pfaelzer Artistic Director

Johanna joined Berkeley Rep in 2019 as its fourth artistic director, following 12 years as artistic director of New York Stage and Film (NYSAF), a New York City-based developer of new works for theatre, film, and television. Johanna is proud to have developed work by notable established and early career writers like Hamilton by Lin-Manuel Miranda; Goddess by Saheem Ali, Michael Thurber, and Jocelyn Bioh; The Humans by Stephen Karam; Hadestown

by Anaïs Mitchell; The Wolves by Sarah DeLappe; The Invisible Hand by Ayad Akhtar; A 24-Decade History of Popular Music by Taylor Mac; The Homecoming Queen by Ngozi Anyanwu; The Great Leap

by Lauren Yee; Doubt by John Patrick Shanley; The Fortress of Solitude by Michael Friedman and Itamar Moses; The Jacksonian by Beth Henley; and Green Day’s American Idiot. Johanna previously served as associate artistic director of American Conservatory Theater and is

a graduate of Wesleyan University and the Actors Theatre of Louisville Apprentice Program. She lives in Berkeley with her husband, Russell Champa, and their son, Jasper.

Tom Parrish Managing Director

Tom has served as a theatre leader and arts administrator for over 20 years, with experience in organizations ranging from multi-venue performing arts centers to major Tony Award-winning theatre companies. Prior to Berkeley Rep, he served as executive director of Trinity Repertory Company, Geva Theatre Center, and Merrimack Repertory Theatre and as associate managing director/general manager of San Diego Repertory Theatre. His work has been recognized with a NAACP Theatre Award for Best Producer and “Forty Under 40” recognition in Providence, Rochester, the Merrimack Valley, and San Diego. He received his MBA/MA in Arts Administration from Southern Methodist University; BA in Theater Arts and Economics from Case Western Reserve University; attended the Commercial Theater Institute, National Theater Institute, and Harvard Business School’s Strategic Perspectives in Nonprofit Management; and is certified in Leading Diversity, Equity, and Inclusion

by Northwestern University. He and his husband live in Berkeley.

ADDITIONAL PRODUCTION CREDITS LOUIS BLACHMAN (BRET C. HARTE ARTISTIC FELLOW) ASSISTANT DIRECTOR

JOE BURT ASSOCIATE SCENIC DESIGNER

SOPHIE LYND (LIGHTING FELLOW) ASSISTANT LIGHTING DESIGNER

BELLE ALATORRE (HARRY WEININGER SOUND FELLOW) ASSISTANT SOUND DESIGNER

DAVID MÖSCHLER ASSOCIATE MUSIC DIRECTOR

DAVE MAIER FIGHT CONSULTANT

ANTHONY LOPEZ (STAGE MANAGEMENT FELLOW) PRODUCTION ASSISTANT

KARINA FOX LOCAL CASTING

JAMES MCGREGOR (HEAD STAGE TECHNICIAN) ISSAC JACOBS | SIOBHÁN SLATER DECK CREW

DIELYA DIOP | CAZ HIRO | EMILY MILLS WARDROBE CREW

KENNETH COTÉ LIGHT BOARD PROGRAMMER/OPERATOR

AKARI IZUMI SOUND BOARD OPERATOR

ISAAC JACOBS | CARL MARTIN | SEAN MILLER TYLER SMITH | MAGGIE WENTWORTH LAUREL CAPPS (SCENIC CONSTRUCTION FELLOW) SCENE SHOP

KENZIE BRADLEY | KATIE HOLMES | NEENA HOLZMAN ADELINE SMITH | CAYLA RAY-PERRY E WAYMAN-MURDOCK (SCENIC ART FELLOW) SCENIC ART

BRITTANY WATKINS | KATIE OWEN (PROPS FELLOW) PROPS

JANET CONERY | NELLY FLORES COSTUME SHOP

SHY BANIANI | BRITTANY COBB | RICHARD FONG JACK GRABLE | A. CHRIS HARTZEL TIFFANY HERNANDEZ-ALBERTO JASON JOO | CHARLIE MEJIA | ALAIYA MORGANE RILEY RICHARDSON | TAYLOR RIVERS C. SWAN-STREEPY | MATTHEW SYKES LIGHTING

COURTNEY JEAN | CAMILLE RASSWEILER OLIVIA VAZQUEZ SOUND

KAYLA BADIA (PRODUCTION MANAGEMENT FELLOW) ASSISTANT PRODUCTION MANAGER

FAITH ELDER (COMPANY MANAGEMENT FELLOW) ASSISTANT COMPANY MANAGER MEDICAL CONSULTATION FOR BERKELEY REP PROVIDED BY AGI E. BAN DC | JOHN CARRIGG MD CINDY J. CHANG MD | CHRISTINA COREY MD NEIL CLAVERIA PT | PATRICIA I. COMMER DPT KATHY FANG MD PHD | STEVEN FUGARO MD OLIVIA LANG MD | ALLEN LING PT | LIZ NGUYEN, DPT CHRISTINA S. WILMER OD AND KATHERINE C. YUNG, MD SPECIAL THANKS TO CONSULTANTS DR. JOSHUA BRAHINSKY AND NANCY H. LIU, PhD

2023/24 | ISSUE 4 | 17

SHOW PROGRAM: CULT OF LOVE

Fillinger’s POTUS, Jeremy O. Harris’ Slave Play, Sea Wall/A Life starring Jake Gyllenhall and Tom Sturridge, and Sweeney Todd at the Barrow Street Theatre. On screen: HBO’s Reality starring Sydney Sweeney and NEON’s Cassandra at the Wedding, and projects in development at Amazon Studios, FilmNation, 2AM, Range, and more.

Upcoming: Enemy of the People starring Jeremy Strong, Lempicka directed by Rachel Chavkin, Illinoise directed and choreographed by Justin Peck with music and lyrics by Sufjan Stevens and book

by Jackie Sibbles Drury, and The Queen of Versailles starring Kristin Chenoweth with music by Stephen Schwartz.

DONORS

THANK YOU to our supporters!

We thank the many organizations, companies, and individuals who enrich our community by championing Berkeley Rep’s artistic, education, and community engagement programs.

Institutional Funders FOUNDATION

The William and Flora Hewlett Foundation

PUBLIC FUNDING

Anonymous (3)

JEC Foundation

Alameda County Arts Commission ARTSFUND

The Sheri and Les Biller Family Foundation

Koret Foundation

Berkeley Civic Arts Program and Commission

The California Wellness Foundation

Laurents/Hatcher Foundation

California Arts Council

Civic Foundation, Inc.

Jonathan Logan Family Foundation

National Endowment for the Arts

Davis/Dauray Family Fund

The Maurer Family Foundation

State of California

The William H. Donner Foundation, Inc.

The Bernard Osher Foundation

Edgerton Foundation

The Shubert Foundation

The Ira and Leonore S. Gershwin Philanthropic Fund

Woodlawn Foundation

Taube Philanthropies

Corporate & Hospitality Sponsors SEASON SPONSORS

EXECUTIVE SPONSOR

SPONSORS

Donkey & Goat Winery Mechanics Bank Wealth Management Semifreddi’s Wells Fargo Foundation CORPORATE PARTNERS

Armanino LLP Aurora Catering Bank of Marin Comal Covenant Wines Eureka!

Hugh Groman Catering The Morrison & Foerster Foundation

PERFORMANCE SPONSORS

Andrea Gordon Real Estate Bayer BluesCruise.com BENEFACTOR SPONSORS

Gallagher Risk Management Services Heroic Italian Kermit Lynch Lucia’s Berkeley Picante Residence Inn Downtown Berkeley Revival Bar + Kitchen

The Resilience Campaign Berkeley Repertory Theatre gratefully recognizes the following contributors for their transformational contributions to The Resilience Campaign that support the Theatre’s future.

California Wellness Foundation

Bruce Golden & Michelle Mercer

Jack & Betty Schafer

Stephen & Susan Chamberlin

Marcia Grand

Pat & Merrill Shanks

Robin & Rich Edwards

Frances Hellman & Warren Breslau

Michael & Sue Steinberg

David & Vicki Fleishhacker

Dugan & Philippe Lamoise

The Strauch Kulhanjian Family

Kerry Francis & John Jimerson

The Jonathan Logan Family Foundation

Kelli & Steffan Tomlinson

Jill & Steve Fugaro

Sandra & Ross McCandless

Gail & Arne Wagner

Karen Galatz & Jon Wellinghoff

Gisele & Kenneth F. Miller

Linda & Steve Wolan

18 | THE BERKELE Y REP MAGA ZINE

We thank the many individuals in our community who help Berkeley Rep produce adventurous, thought-provoking, and thrilling theatre and bring arts education to thousands of people every year. We gratefully recognize our donors at the Champion level and above, who made their gifts between September 1, 2022 and October 5, 2023. We also express our deep gratitude to all of the Friends of Berkeley Rep that we are unable to recognize here due to space limitations.

Sponsors Circle SEASON SPONSORS

Stephen & Susan Chamberlin Yogen & Peggy Dalal Bruce Golden & Michelle Mercer Frances Hellman & Warren Breslau Wayne Jordan & Quinn Delaney Gisele & Kenneth F. Miller Jack & Betty Schafer The Strauch Kulhanjian Family Kelli & Steffan Tomlinson Gail & Arne Wagner LEAD SPONSORS

Anonymous Barbara Bass Bakar Kerry Francis & John Jimerson Marcia Grand Mary Ruth Quinn & Scott Shenker Allan Smith/Peet's Coffee Michael & Sue Steinberg EXECUTIVE SPONSORS

Anonymous Anne & Anuj Dhanda Bill Falik & Diana Cohen

Scott & Sherry Haber Melanie Maier Sandra & Ross McCandless Pat & Merrill Shanks Christopher Doane & Neal Shorstein, MD Jean & Michael Strunsky Steven & Linda Wolan SPONSORS

Shelley & Jonathan Bagg David & Vicki Cox Christina Crowley Robin & Rich Edwards Jill & Steve Fugaro Karen Galatz & Jon Wellinghoff Melinda Haag & Chuck Fanning Paul Haahr & Susan Karp Rick Hoskins & Lynne Frame Ms. Wendy E. Jordan Rosalind & Sung-Hou Kim Jack Klingelhofer Suzanne LaFetra Collier Susan & Moses Libitzky Ed Messerly & Sudha Pennathur

Jack & Valerie Rowe Chris & Mike Rupp, Descendant Cellars Joan Sarnat & David Hoffman Felicia Woytak & Steven Rasmussen ASSOCIATE SPONSORS

Anonymous (2) Edith Barschi & Robert Jackson Lynne Carmichael Cindy J. Chang, MD & Christopher Hudson Narsai & Venus David William T. Espey & Margaret Hart Edwards David & Vicki Fleishhacker Steven Goldin Dr. Daniel F. Goodman Elise Haas Earl & Bonnie Hamlin Lynda & Dr. J. Pearce Hurley Fred Karren, in memory of Beth Karren Sy Kaufman & Kerstin Edgerton Dugan & Philippe Lamoise

Eileen & Hank Lewis Ali Long, In Honor of T. Dixon Long Helen M. Marcus, in memory of David J. Williamson Phyra McCandless & Angelos Kottas Erin McCune Martin & Margi Cellucci McNair Juan Oldham & Deborah Morgan Tom Parrish & Steve Dow Norman & Janet Pease Johanna Pfaelzer & Russell Champa Gary & Noni Robinson Arthur & Toni Rembe Rock Leonard X & Arlene B. Rosenberg David S. H. Rosenthal & Vicky Reich Patricia Sakai & Richard Shapiro Cynthia & William Schaff Sarah E. Shaver Audrey & Bob Sockolov Salomon Strategic Development Susan West Wendy Williams

Artistic Directors Circle PARTNER Anonymous (4) Edward D. Baker Byers Family Italo & Susan Calpestri Jennifer Chaiken & Sam Hamilton Karen & David Crommie Richard DeNatale & Craig Latker Thomas W. Edwards & Rebecca Parlette-Edwards Merle & Michael Fajans Cynthia A. Farner Linda Jo Fitz Lisa Franzel & Rod Mickels Dennis & Susan Johann Gilardi Rico & Maya Green Karen Grove & Julian Cortella Richard N. Hill & Nancy Lundeen The Jackson Family Foundation Duke & Daisy Kiehn Peggy Kivel Randy Laroche & David Laudon Joel Linzner & Teresa Picchi Rosa Luevano & Charles Marston Elsie Mallonee Marymor Family Fund Peter Pervere & Georgia Cassel Pure Dana Fund Sue Reinhold & Deborah Newbrun

Barbara Sahm & Steven Winkel Jaimie Sanford & Ted Storey Emily Shanks Shirlen Fund, in memory of Shirley & Philip Schild Ed & Ellen Smith Deborah & Bob Van Nest Elizabeth Werter & Henry Trevor Sheila Wishek BENEFACTOR Anonymous Norman Abramson, in memory of David Beery Eric Allman & Kirk McKusick George & Marcia Argyris Linda & Mike Baker Michelle L. Barbour Ashvini Bhave & Kishore Bopardikar Becky & Jeff Bleich Broitman-Basri Foundation Ronnie Caplane Constance Crawford Dr. Jim Cuthbertson Barbara & Tim Daniels Richard & Anita Davis Ilana DeBare & Sam Schuchat Bill DeHart Corinne & Mike Doyle

Linda Drucker Sandra & Ken Eggers William & Susan Epstein Jerry Falk The Flatows Dean Francis Sharon & Tom Francis Herb & Marianne Friedman Mio & Jon Good Mary Graves Robert & Judith Greber Migsy & Jim Hamasaki Dan & Shawna Hartman Brotsky Tamra C. Hege Ruth Hennigar Thomas & Elizabeth Henry Elaine Hitchcock Bill Hofmann & Robbie Welling Paula Hughmanick & Steven Berger Marilyn & Michael Jensen-Akula Bill & Lisa Kelly Dana Kirkland Stephen F. Kispersky Michael H. Kossman Jane & Mike Larkin, in memory of Lynn & Gerald Ungar Jay & Eileen Love Susanna & Brad Marshland Rebecca Martinez Henning Mathew & Michelle Deane

Miles & Mary Ellen McKey Susie Medak & Greg Murphy Stephanie Mendel Andy & June Monach Geri Monheimer Muriel Mora Pam & Mitch Nichter Carol J. Ormond Janet & Clyde Ostler Sandi & Dick Pantages Barbara L. Peterson Richard A. Rubin & H. Marcia Smolens Monica Salusky & John K. Sutherland Jeane & Roger Samuelsen Dan Scharlin & Sara Katz Jackie Schmidt-Posner & Barry Posner Jon and NoraLee Sedmak David & Lori Simpson Karen Stevenson & Bill McClave Alison Teeman & Michael Yovino-Young Henry Timnick Larry Vales Kimberly Webb & Richard Rossi Beth Weissman Patricia & Jeffrey Williams Mark Zitter & Jessica Nutik Zitter

2023/24 | ISSUE 4 | 19

DONORS

Friends of Berkeley Rep CHAMPION

ADVOCATE

Anonymous (5) • Michael Barnett and Judith Bloomberg • Don

Anonymous (13) • Philip Arca & Sherry Smith • Berit Ashla & Aron Cramer • Anne M. Baele • Celia Bakke Deborah Barrera

& Gerry Beers • Caroline Beverstock • Eric Brink & Gayle

& John Steinbuch • Paul Bendix • Patti Bittenbender • John Brennan & Stephanie McKown • Cathy Bristow • Tracy Brown

Vassar • Jon Carr • Paul Feigenbaum & Judy Kemeny • Donald

& Greg Holland • Jane V. Buerger • Fran Burgess • Robert & Margaret Cant • Bruce Carlton • Laura Chenel • John Clawson

& Dava Freed • Sally Freedman • Marjorie Ginsburg & Howard

& Teri Behm • Barbara & Rodgin Cohen • Bart Connally • Pam & Mike Crane • Lynne Dal Poggetto • Harry & Susan Dennis

Slyter • Anne & Peter Griffes • Henry L. Hecht • Alan Karras &

Jacqueline Desoer • Dr. Donald J. Dodelson • Adrienne M. Edens • Ben & Mary Feinberg • Martin & Barbara Fishman • Mary

David Schulz • Janet Kornegay & Dan Sykes • Woof Kurtzman

& Stan Friedman • Chris R. Frostad • Ellen Geringer & Chris Tarp • Jane Gottesman & Geoffrey Biddle • Karen Greig & Mike

& Liz Hertz • Shirley Langlois • Sherrill Lavagnino & Scott

Frank • Don & Becky Grether • Ellen Haddock • Dennis & Juanita Harte • Al Hoffman & David Shepherd • Barbara & Peter

McKinney • Andrew Leavitt & Catherine Lewis • Ellen & Barry

Jensen • May Johnston • Jeanne Killian • Robert Kinosian • Susan Kolb • The Komoroske Family • Andrea & Kenneth Krueger

Levine • Marcia C. Linn • Tom Lockard & Alix Marduel • Lois &

Susan Carol Ledford • Jennifer S. Lindsay • Steve & Judy Lipson • Paulette Lueke & Robert McCully • Gerry & Kathy

Gary Marcus, in memory of Ruth Weiland • Mose & Selma

MacClelland Paul Mariano & Suzanne Chapot • M. Mathews & K. Soriano • Christopher McKenzie & Manuela Albuquerque

Marcus • Jane Neilson • Shanna O'Hare & John Davis • Judy

• Steven & Patrece Mills • Judy Minor • Ron Nakayama • Thomas Nelson • Judy Ogle • Patti Oji Haas • Judith & Richard Oken

O'Young, MD & Gregg Hauser • Bob & MaryJane Pauley • Teresa

• Geraldine Paddock • Lynne Parode & Sterling Lim • Tina & Thomas Parrish • Regina Phelps • Susie & Eric Poncelet • Kathleen

L. Remillard • John & Jody Roberts • Mitzi K. Sales • Dorothy

Quenneville & Diane Allen • Daniel & Barbara Radin • Elizabeth Raffin • Lisa Regul & Rand Hawkins • Orna Resnekov & David

Saxe • Amrita Singhal & Michael Tubach • Suzanne Slyman •

Tennenhouse • Maxine Risley, in memory of James Risley • Deborah Dashow Ruth, in memory of Leo P. Ruth • Gretchen

Cherida Collins Smith • Lisa Salomon • Valerie Sopher • Henry

Saeger • Helen Schulak • Teddy & Bruce Schwab • Deborah Sedberry & Jeff Klingman • Jacob Sevart • Steve & Susan

Spencer & Nicky Cass • Gary & Jana Stein • Trevor & Anne-

Shortell • Christine Silver • Betsy Smith • George & Camilla Smith • Linda Snyder • Monroe W. Strickberger • Ragesh Tangri

Marie Strohman • Sam Test • William van Dyk & Margi Sullivan

& Daralyn Durie • Fred & Kathleen Taylor • Ruthann Taylor • John & Christine Telischak • Karen Tiedemann & Geoff Piller

• Gerald & Lynda Vurek-Martyn • Brian Watt & Daisy Nguyen •

Dana Tom & Nancy Kawakita • Sarah Van Roo • Liz Varnhagen • Marcia & David Vastine • Rhona & Harvey Weinstein • Peter

Jonathan & Kiyo Weiss

Wiley • H. Leabah Winter

The Michael Leibert Society Berkeley Rep gratefully acknowledges the following individuals who have generously provided for the theatre in their estate plans: Anonymous (9) Norman Abramson & David Beery* Sam Ambler Carl W. Arnoult & Aurora Pan Ken & Joni Avery Nancy Axelrod Edie Barschi Neil & Gene Barth Susan & Barry Baskin Linda Brandenburger Broitman-Basri Family Bruce Carlton & Richard G. McCall* Victoria Carter* Stephen K. Cassidy Paula Champagne & David Watson Terin Christensen Sofia Close Andrew Daly & Jody Taylor Narsai & Venus David M. Laina Dicker Thalia Dorwick Robin & Rich Edwards Thomas W. Edwards & Rebecca Parlette-Edwards Bill & Susan Epstein William Espey & Margaret Hart Edwards Bill Falik & Diana Cohen Dr. Stephen E. Follansbee & Dr. Richard A. Wolitz Kerry Francis Dr. Harvey & Deana Freedman Joseph & Antonia Friedman Paul T. Friedman Laura K. Fujii David Gaskin & Phillip McPherson* Marjorie Ginsburg & Howard Slyter Mary & Nicholas* Graves Elizabeth Greene Sheldon & Judy Greene Don & Becky Grether Richard & Lois Halliday

Barry* & Micheline Handon Julie & Paul Harkness Linda & Bob Harris Fred Hartwick Ruth Hennigar Daria Hepps Douglas J. Hill* Peter Hobe & Christina Crowley Hoskins/Frame Family Trust Lynda & Dr. J. Pearce Hurley Robin C. Johnson Janice Kelly & Carlos Kaslow Bonnie McPherson Killip Lynn Eve Komaromi Nancy Kornfield Michael H. Kossman Woof Kurtzman Scott & Kathy Law Jim Lillienthal* Dot Lofstrom Helen M. Marcus Dale* & Don Marshall Rebecca Martinez Sarah McArthur LeValley Sandra & Ross McCandless Suzanne & Charles McCulloch John G. McGehee Miles & Mary Ellen McKey Ruth Medak Susie Medak & Greg Murphy Stephanie Mendel Toni Mester Shirley & Joe Nedham Jane & Bill Neilson Pam & Mitch Nichter Sharon Ott Fr. David Pace Amy Pearl Parodi Barbara L. Peterson Regina Phelps Margaret Phillips

Marjorie Randolph Gregg Richardson Bonnie Ring Living Trust David Rovno, M.D. Tracie E. Rowson Deborah Dashow Ruth Patricia Sakai & Richard Shapiro Brenda Buckhold Shank, M.D., Ph.D. Emily Shanks Kevin Shoemaker Theresa Nelson & Bernard Smits Valerie Sopher Michael & Sue Steinberg Dr. Douglas & Anne Stewart Jean Strunsky Mary, Andrew & Duncan Susskind Jim Tibbs & Philip Anderson Henry Timnick Guy Tiphane Dana Tom & Nancy Kawakita Phillip & Melody Trapp Janis Kate Turner Gail & Arne Wagner Barry & Holly Walter Weil Family Trust - Weil Family Susan West Steven & Linda Wolan The Woolfson Blumenfeld Living Trust Karen & Henry Work Anders Yang, JD Martin & Margaret Zankel *deceased

GIFTS RECEIVED

BY BERKELEY REP

Estate of Suzanne Adams Estate of Pat Angell, in memory of theater architect Gene Angell Estate of Nina Auerbach Estate of Helen C. Barber Estate of Fritzi Benesch Estate of Carole B. Berg Estate of Nelly Berteaux Estate of Jill Bryans Estate of Paula Carrell Estate of Nancy Croley Estate of John & Carol Field Estate of Ralph Garrow Estate of Audrey J. Lasson Estate of Zandra Faye LeDuff Estate of Ines R. Lewandowitz Estate of John E. & Helen A. Manning Estate of Richard Markell Estate of Sumner & Hermine Marshall Estate of Margaret D. & Winton McKibben Estate of Robert S. Newton, in honor of John T. & Jean Knox Estate of Sheldeen G. Osborne Estate of Timothy A. Patterson Estate of Gladys Perez-Mendez Estate of Margaret Purvine Estate of Guy T. Roberts, Jr. Estate of Leigh & Ivy Robinson Estate of Stephen C. Schaefer, in honor of Jean and Jack Knox Estate of Peter Sloss Estate of Harry Weininger Estate of Grace Williams

As of August 2023. Berkeley Rep makes every effort to ensure the accuracy of these listings. If there is an error or you would like to adjust your listing, please call 510 647-2905.

MAKE YOUR GIFT | berkeleyrep.org/give 510-647-2905 20 | THE BERKELE Y REP MAGA ZINE

Johanna Pfaelzer

Tom Parrish

ARTISTIC DIRECTOR

MANAGING DIRECTOR

Akari Izumi

Maddi Gjovik · Nina Gorham

SOUND ENGINEER

PATRON SERVICES SUPERVISORS

ADMINISTRATION

Emma Allen-Landwehr · Alicia Battle · Megan Bedig · Steven Cole · Matthew Hayden · Latasha Hayes · Armando Herrera · Jeremy Johnson · Caitlyn Lee · Jennifer Light · Ana-is Lino · Kalani Murray · Maura Oliverira · Kathleen Parsons · Angela Phung · Nicolas Puorro · Tuesday Ray · Anna Riggin · Melissa Scheulin · Alana Scott · Debra Selman · Sloane Sim · Linda Wu · Anna Vorobyeva · Kailani Zabala

Jared Hammond FINANCE DIRECTOR

Katie Riemann ASSOCIATE FINANCE DIRECTOR

ARTISTIC

Jennifer Light

David Mendizábal

PAYROLL ADMINISTRATOR

ASSOCIATE ARTISTIC DIRECTOR

Alanna McFall

Karina Fox

BOOKKEEPER

ASSOCIATE CASTING DIRECTOR & ARTISTIC ASSOCIATE

Kate Horton

Todd Almond · Christina Anderson Rafael Casal · Daveed Diggs Dipika Guha · Richard Montoya Nico Muhly · Lisa Peterson Sarah Ruhl · Tori Sampson Jack Thorne · Joe Waechter

EXECUTIVE ASSISTANT

Jill Fugaro

Kelsey Scott SENIOR INSTITUTIONAL GIVING MANAGER

Ashley Lim

Andrew Maguire

MARKETING AND REGISTRATIONS MANAGER

PHILANTHROPY OFFICER

Elizabeth Woolford

Marcela Chacón

CURRICULUM AND EDUCATION PROGRAM MANAGER

INDIVIDUAL GIVING MANAGER

AeJay Antonis Marquis Mitchell

Isabella Chayet

EDUCATION PROGRAMS ASSOCIATE

CORPORATE PARTNERSHIPS MANAGER

Elaina Guyett STEWARDSHIP AND EVENTS MANAGER

COSTUMES

Emily Betts

Maggi Yule

DONOR STEWARDSHIP COORDINATOR

COSTUME SHOP DIRECTOR

Cassidy Milano

Kiara Montgomery

DEVELOPMENT OPERATIONS COORDINATOR

RESIDENT DESIGN ASSOCIATE

MARKETING AND COMMUNICATIONS

Star Rabinowitz DRAPER

Barbara Blair WARDROBE SUPERVISOR

Voleine Amilcar DIRECTOR OF MARKETING AND COMMUNICATIONS

Karen McKevitt COMMUNICATIONS AND DIGITAL CONTENT DIRECTOR

ELECTRICS

Heather Orth

Frederick C. Geffken

ASSOCIATE DIRECTOR OF MARKETING

LIGHTING SUPERVISOR

DC Scarpelli

Sarina Renteria

CREATIVE DIRECTOR

ASSOCIATE LIGHTING SUPERVISOR

Kevin Kopjak – Prismatic Communications

Kenneth Coté SENIOR PRODUCTION ELECTRICIAN

PUBLIC RELATIONS CONSULTANT

Desiree Alcocer

Lindsey Abbott

PRODUCTION ELECTRICIAN

AUDIENCE DEVELOPMENT MANAGER

PROPERTIES

Calvin Ngu

Jill Green PROPERTIES SUPERVISOR

VIDEO AND MULTIMEDIA CONTENT CREATOR

Beatriz Hernandez

Bobby August, Jr. · Diana Brown · Rebecca Castelli · Jiwon Chung · Robin Dolan · Jim Edgar · Deborah Eubanks · Rachel Garlin · Nancy Gold · Gary Graves · Marvin Greene · Gendell Hernandez · William Hodgson · Jennifer LeBlanc · Louis Lotorto · Dave Maier · Eleanor Maples · Carolyn McCandlish · Patricia Miller · Hans Probst · Pamela Rickard · Dylan Russell · Teresa Salas · Samuel Tomfohr · James Wagner TEACHING ARTISTS

Matty Bloom · Joy Lancaster · Selma Meyerowitz DOCENT CHAIRS

Ted Bagaman · Michelle Barbour · Beth Cohen · Michelle Cordero · Miles Drawdy · Charles Evans · Alice Galoob · Randi Helly· Muriel Kaplan · Ellen Kaufman · Jim Krampf · Dee Kursh · Richard Lingua· Mark Liss · Judith O’Rourke · Gigi Singer · Thomas Sponsler · Joan Sullivan · Susan Wansewicz · Linda Williams

MARKETING ASSOCIATE

DOCENTS

ASSOCIATE PROPERTIES SUPERVISOR

FACILITIES AND OPERATIONS

2023/24 BERKELEY REP FELLOWSHIPS

Lisa Mei Ling Fong

Mark Morrisette

Belle Alatorre

Amelia Burke-Holt

PROPERTIES ARTISAN

DIRECTOR OF FACILITIES

HARRY WEININGER SOUND FELLOW

SCENE SHOP

Adam Johnson

Kayla Badia

Matt Rohner · Jim Smith CO-TECHNICAL DIRECTORS

Read Tuddenham HEAD CARPENTER

FACILITIES MANAGER

PRODUCTION MANAGEMENT FELLOW

Thomas Tran

Gabrielle Bañuelos

BUILDING ENGINEER

COSTUMES FELLOW

Jesus Rodriguez

Louis Blachman

BUILDING TECHNICIAN

BRET C. HARTE ARTISTIC FELLOW

Theresa Drumgoole · Wendi Lau · Sophie Li · Darrel De La Rosa

Laurel Capps

FACILITIES ASSISTANTS

Rebecca Chan

Amanda Williams O’Steen

PETER F. SLOSS ARTISTIC FELLOW

DIRECTOR OF OPERATIONS

Rodrick Edwards

Destiny Askin

MARKETING AND DEVELOPMENT FELLOW

CRM PROJECT MANAGER

Faith Elder

Christina Cone

COMPANY MANAGEMENT FELLOW

WEB AND DATABASE SPECIALIST

Anthony Lopez

STAGE OPERATIONS

Nicole Peña

STAGE MANAGEMENT FELLOW

Julia Englehorn

BUILDING MANAGER

Sophie Lynd

STAGE SUPERVISOR

PATRON SERVICES

LIGHTING FELLOW

Patrick Keene SCENE SHOP SUPERVISOR

Grant Vocks DRAFTSPERSON

August Lewallen · Zach Wziontka SCENIC CARPENTERS SCENIC ART

Lisa Lázár CHARGE SCENIC ARTIST

Gabriel Holman ASSOCIATE STAGE SUPERVISOR

James McGregor HEAD STAGE TECHNICIAN SOUND/ VIDEO

Lane Elms SOUND AND VIDEO SUPERVISOR

Chase Nichter ASSOCIATE SOUND AND VIDEO SUPERVISOR

Angela Don SENIOR SOUND ENGINEER

Emily Shanks

SECRETARY

DIRECTOR OF CLASSES AND SUMMER PROGRAMMING

ASSOCIATE PRODUCTION MANAGER

VICE PRESIDENT

DIRECTOR OF THE SCHOOL OF THEATRE

Ari Lipsky

MaryBeth Cavanaugh

Kali Grau

Sudha Pennathur

Scott Haber

ASSOCIATE DIRECTOR OF DEVELOPMENT

DIRECTOR OF PRODUCTION

VICE PRESIDENT

Anthony Jackson

ASSOCIATE DIRECTOR OF THE SCHOOL OF THEATRE

Audrey Hoo

Juan Oldham

DEVELOPMENT

Laura Fichtenberg

PRODUCTION MANAGEMENT

VICE PRESIDENT

BERKELEY REP SCHOOL OF THEATRE

GENERAL MANAGEMENT AND COMPANY MANAGEMENT

COMPANY MANAGER

Bruce Golden

DIRECTOR OF HUMAN RESOURCES AND DIVERSITY

Dylan Russell

Peter Orkiszewski

PRESIDENT

PATRON EXPERIENCE REPRESENTATIVES

DIRECTOR OF DEVELOPMENT

GENERAL MANAGER

William T. Espey

Modesta Tamayo

ARTISTS UNDER COMMISSION

Sara Danielsen

BOARD OF TRUSTEES

Derik Cowan DIRECTOR OF TICKETING AND SALES

Gianna Francesca Vescio BOX OFFICE SUPERVISOR

pan ellington · Joelle Joyner-Wong · Alanna McFall · Aya Newman · Em Parker · Dom Refuerzo · Christy Spence BOX OFFICE AGENTS

Kelly Kelley FRONT OF HOUSE DIRECTOR

SCENIC CONSTRUCTION FELLOW

Katie Owen PROPERTIES FELLOW

E. Wayman-Murdock SCENIC ART FELLOW

TREASURER

CHAIR OF THE GOVERNANCE COMMITTEE

Steven C. Wolan CHAIR OF THE AUDIT COMMITTEE

Henning Mathew CHAIR OF THE INVESTMENT COMMITTEE

Anna Bellomo Marc Blakeman Susan Chamberlin Anne Nemer Dhanda Christopher Doane Sandra Eggers Chuck Fanning Steven Goldin Jonathan C. Logan Melanie Maier Sandra R. McCandless Tom Parrish Johanna Pfaelzer Leonard X Rosenberg Todd B. Rubin Alfredo Silva Allan Smith Sherry Smith Barbara Tomber Brian Watt TRUSTEES

Rena Bransten Diana Cohen Robin Edwards William Falik David Fleishhacker Paul T. Friedman Karen Galatz David Hoffman Richard F. Hoskins Dugan Lamoise Helen Meyer Peter Pervere Marjorie Randolph Patricia Sakai Jack Schafer William Schaff Richard M. Shapiro Michael Steinberg Roger A. Strauch Jean Z. Strunsky Michael S. Strunsky Gail Wagner Felicia Woytak Martin Zankel SUSTAINING ADVISORS

Helen C. Barber A. George Battle Carole B. Berg Robert W. Burt Shih-Tso Chen Narsai M. David Thalia Dorwick, PhD Nicholas M. Graves Richard F. Hoskins Jean Knox Robert M. Oliver Stewart Owen Marjorie Randolph Harlan M. Richter Richard A. Rubin Emily Shanks Edwin C. Shiver Roger A. Strauch Gail Wagner Martin Zankel PAST PRESIDENTS FOUNDING DIRECTOR

Michael W. Leibert PRODUCING DIRECTOR, 1968–83

2023/24 | ISSUE 4 | 21

STAFF & BOARD

BERKELEY REP STAFF

MAKING THE ATRE 3

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Above: Arnulfo Maldonado’s intricate miniature set maquette (above), and corresponding props in our Props Shop.

Playwright Leslye Headland provided a precise vision of the Dahl’s home in the script’s stage directions, which included, “The house is decorated for Christmas. This cannot be overstated.

The place is literally stuffed to the brim with goodies, evergreens and cheer.”

Scenic designer Arnulfo Maldonado delivered an exquisite three-dimensional maquette, and Berkeley Rep’s talented props artisans spent much of the holiday season making a majority of the decorations from scratch using materials already on hand in our shops.

“For example, the angel had to be 3 feet tall,” says Properties Supervisor Jill Green. “It’s nearly impossible to find a 3-foot-tall angel in that style. It ended up being more cost-efficient – and fun! – to build it ourselves.”

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PHOTOS: CALVIN NGU

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22 | THE BERKELEY REP MAGAZINE

EXCEPTIONAL STORYTELLING. UNFORGETTABLE FUN.

Theatre classes for youth, teens, and adults now enrolling!

BerkeleyRep.org/Classes

RETURNING THIS YEAR...

PLEASE JOIN US FOR BERKELEY REP’S

OVATION GALA

SATURDAY APRIL 13, 2024, AT THE RITZ-CARLTON, SAN FRANCISCO. Raise a glass and celebrate the power of storytelling. Gather a group of friends for an extraordinary evening featuring cocktails, a seated dinner and dessert reception, and top-flight entertainment including performances, awards, and live auction.

Table sponsorships and single tickets are available now!

Check out our website at berkeleyrep.org/support/ovation for more information.

AVAILABILITY IS LIMITED. If you have questions, please email Stewardship & Events Manager Elaina Guyett at eguyett@berkeleyrep.org.

WE THANK OUR GALA CO-CHAIRS JILL FUGARO AND SUDHA PENNATHUR.

YOU WON’T WANT TO MISS OUR BIGGEST EVENT OF THE YEAR THAT PROVIDES CRITICAL SUPPORT TO BERKELEY REP’S PROGRAMS. WE HOPE TO SEE YOU THERE!

BIG

DATA

By Kate Attwell Directed by Pam MacKinnon A.C.T.’s Artistic Director and Tony Award winner Featuring Tony Award winner BD Wong

FEB 15–MAR 10

A.C.T.’S TONI REMBE THEATER “I WANT TO HELP, TO MAKE YOUR LIFE BETTER… YOU WON’T EVEN KNOW THAT I’M HERE.” Sam loves Timmy, and Lucy loves Max, but the pressures of modern life leave them anxious, lonely, and susceptible to the siren song of tech. Do our devices— tantalizingly incarnate in this funny, sexy, uncanny world premiere—really know us best? Are our digital footprints predictive of our future choices, or are they choosing for us? When Sam and Lucy’s parents make a shocking announcement, the family is forced to confront what’s distracted them from each other—and the legacy they’ll leave behind.

GET YOUR TICKETS TODAY AT ACT-SF.ORG/BIGDATA