Syd Solomon | Concealed and Revealed | BERRY CAMPBELL GALLERY

SYD SOLOMON CONCEALED AND REVEALED

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SYD SOLOMON CONCEALED AND REVEALED

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SYD SOLOMON (1917-2004)

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yd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the U.S. Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland and met English artists Barbara Hepworth, Roland Penrose, and Henry Moore, who were also working in camouflage. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among

other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.

Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.

Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952 to 1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art’s Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. who wrote the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall).

In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon F I F T Y- F I F T Y, 1974, AC R Y L I C A N D A E R O S O L E N A M E L O N C A N VA S, 5 0 X 5 0 I N .

R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Fine Art at the New College in Sarasota. He is credited with bringSigna Gallery in East Hampton and at the James David Gallery ing many nationally known artists to Florida to teach, including in Miami run by the renowned art dealer, Dorothy Blau.

Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli.

In 1961, the Guggenheim Museum’s H. H. Arnason bestowed Later Jimmy Ernst, John Chamberlain, James Rosenquist, and to him the Silvermine Award at the 13th New England Annual.

Robert Rauschenberg settled near Solomon in Florida. In East Additionally, Thomas Hampton, the Solomon home was the epicenter of artists and Hess of ARTnews magwriters who spent time in the Hamptons, including Alfred Leslie, azine chose Solomon Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, as one of the ten outand Harold Rosenberg. standing painters of the In 1970, Solomon, along with architect Gene Leedy, one of the year. At the suggestion founders of the Sarasota School of Architecture, built an awardof Alfred H. Barr, Jr., winning precast concrete and glass house and studio on the Gulf of the Museum of Modern Mexico near Midnight Pass in Sarasota. Because of its siting, it Art’s Director, the John functioned much like Monet’s home in Giverny, France. Open to and Mable Ringling the sky, sea, and shore with inside and outside studios, Solomon Museum in Sarasota was able to fully solicit all the environmental forces that influenced began its contemporary his work. His friend, the art critic Harold Rosenberg, said Solomon’s collection by purchasbest work was produced in the period he lived on the beach. ing Solomon’s paintDuring 1974 and 1975, a retrospective exhibition of Solomon’s ing, Silent World, 1961. work was held at the New York Cultural Center and traveled to Solomon became inthe John and Mable Ringling Museum in Sarasota. Writer Kurt fluential in the Hamptons Vonnegut, Jr. conducted an important interview with Solomon and in Florida during the for the exhibition catalogue. The artist was close to many writers, 1960s. In late 1964, he including Harold Rosenberg, Joy Williams, John D. McDonald, created the Institute of Budd Schulberg, Elia Kazan, Betty Friedan, and Evan Hunter. He also had friends in the music world, including Mitch Miller, Eric Von Schmidt, Jerry Leiber, and Jerry Wexler. In 1990, the Ringling SY D SOLOMON IN Museum of Art honored Solomon with a solo exhibition, A Dialogue FRONT OF REEFSCAPE , with Nature. The artist died in Sarasota in 2004 after a ten-year 1959. PHOTO: LIONEL struggle with Alzheimer’s Disease.

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Recently, Syd Solomon: Concealed and Revealed, a traveling museum exhibition, examined Solomon’s use of camouflage in World War II and how that impacted his abstract paintings.

The exhibition opened at Guild Hall Museum in East Hampton and travelled to the Ringling Museum in Sarasota, Florida in December 2019. The exhibition is accompanied by a 96-page hardcover catalogue with essays by Michael Auping, former Chief Curator of the Modern Art Museum of Fort Worth; George S. Bolge, Director Emeriti of the Museum of Art, Fort Lauderdale, Florida and the Boca Raton Museum of Art, Florida; Dr. Gail Levin, distinguished professor and art historian; and the artist’s son Mike Solomon, an artist and consultant for artists’ estates.

Syd Solomon’s work is held in many important private and public collections, including Adelphi University, Garden City, New York; American Academy of Arts and Letters, New York; Baltimore Museum of Art, Maryland; Birmingham Museum of Art, Alabama; Boca Raton Museum of Art, Florida; Butler Institute of American Art, Youngstown, Ohio; Chrysler Museum, Norfolk, Virginia; Cincinnati Art Museum, Ohio; Colorado Springs Fine Arts Center, Colorado; Columbia Museum of Art, Columbia, South Carolina; Dade County Art Collection, Miami, Florida; Fine Arts Society of Sarasota, Florida; Greenville County Museum of Art, South Carolina; Solomon R. Guggenheim Museum, New York; Guild Hall Museum, East Hampton, New York; High Museum of Art, Atlanta, Georgia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; IBM, Atlanta, Georgia; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; J. M. Kaplan Fund, New York; Kokuritsu Seijo Bijutsukar, Tokyo, Japan; LeMoyne Art Foundation, Inc., Tallahassee, Florida; Lowe Art Museum, University of Miami, Coral Gables, Florida; The Mayo Clinic, Rochester, Minnesota; The City of Miami (mural), Miami, Florida; Museum of Art, Fort Lauderdale, Florida; Museum of Fine Art, Clearwater, Florida; Museum of Fine Arts, St. Petersburg, Florida; Naples Museum of Art, Florida; New College of the University of South Florida, Sarasota; New Orleans Museum of Art, Louisiana; Norton Museum of Art, Palm Beach, Florida; Parrish Art Museum, Water Mill, New York; Philadelphia Museum of Art, Pennsylvania; Polk Museum of Art, Lakeland, Florida; John and Mable Ringling Museum of Art, Sarasota, Florida; Rose Art Museum, Brandeis University, Waltham, Massachusetts; Tampa Art Museum, Florida; Tate Gallery, London; Tel Aviv Museum, Israel; Telfair Art Museum, Savannah, Georgia; University of South Florida, Tampa, Florida; Wadsworth Athenaeum, Hartford, Connecticut; Weatherspoon Gallery, University of North Carolina, Greensboro; Whitney Museum of American Art, New York; and Witte T H R E E M I L E V I G I L , 197 1, Museum, San Antonio, Texas.

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