Forestier catalogue 2015

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SEBASTIAN BERGNE le design BERGNE indusSEBASTIAN BERGNE Il ĂŠtudie Il ĂŠtudie le designSEBASTIAN SEBASTIAN BERGNE He studied He studied indusindustriel Ă laĂ Central St Martin School puis au autrial&%2D&$ED#.2%<;#%++++++++!"#$%&'("'#()'&$%*(+,# design at the Central St Martin School industriel la Central School puis trial design at the Central St Martin School &%2D&$ED#. 2%<;#% St Martin ,O pWXGLH OH GHVLJQ LQGXVWULHO j ofOD 6W 0DUWLQ 6FKRRO SXLV and'"$(-)# +%# %."#at /")%*+,# 0%# 1+*%()# 02.33,# Royal College Arts Ă Londres dontdont il est subsequently the Royal College of Art Royal College of&HQWUDO Arts Ă Londres il diplĂ´mĂŠ. est diplĂ´mĂŠ. and subsequently at the Royal College of +)'# Art DX 5R\DO &ROOHJH RI $UWV j /RQGUHV GRQW LO $&4$"5&")%,6# +%# %."# 736+,# /3,,"-"# 38# 9*%# En 1990, il ouvre son son agence et collabore dansdansin London fromfrom which he is In In()# in London which heaisgraduate. a graduate. En 1990, il ouvre agence et collabore HVW GLSO{Pp (Q LO RXYUH VRQ DJHQFH HW :3)'3)#8*3;#<.(2.#."#($#-*+'&+%"=#>)#?@@AB#."# he opened his agency and and wentwent on to la FROODERUH foulĂŠe avecavec des des marques comme Authentics, la foulĂŠe marques comme Authentics,1990, 1990, he opened his agency on to GDQV OD IRXOpH DYHF GHV PDUTXHV 3C")"'#.($#+-")26#+)'#<")%#3)#%3#<3*D#<(%.# withwith brands suchsuch Authentics, Tolix,Tolix, Eno,Eno, Tolix, Eno,Eno, Tefal, Muji,Muji, De De Beers, Lexon, Habitat Tolix, Tefal, Beers, Lexon, Habitatwork work brands Authentics, FRPPH $XWKHQWLFV 7ROL[ (QR 7HIDO 0XML 'H 4*+)'$#$&2.#9&%.")%(2$B#E3,(FB#G)3B#E"8+,B#1&H(B# 'H %HHUV /H[RQ +DELWDW RU 9LWUD +H UHĂ€QHG ou%HHUV /H[RQ +DELWDW RX ELHQ HQFRUH 9LWUD ,O bien encore Vitra. Il rĂŠflĂŠchit la dĂŠmarche et etTefal, Muji,Muji, De De Beers, Lexon, Habitat or Vitra. ou bien encore Vitra. Il rĂŠflĂŠchit la dĂŠmarche Tefal, Beers, Lexon, Habitat or Vitra. UpĂ pFKLW j OD GpPDUFKH HW GpĂ€QLW OH VW\OH SRXU KLV DSSURDFK DQG GHĂ€QHG KLV VW\OH WR SURSRVH his approach and and defined his style dĂŠfinit le style pourpour proposer une une grande variĂŠtĂŠ dĂŠfinit le style proposer grande variĂŠtĂŠHe refined He refined his approach defined his style SURSRVHU XQH JUDQGH YDULpWp GH W\SRORJLHV +# <('"# I+*("%6# 38# (%";# %6C"$# 388"*()-# I+*("'# de typologies d’objets comme autant de rĂŠponses a wide variety of item types offering to propose a wide variety of item types offering de typologies d’objets comme autant de rĂŠponsesto propose G¡REMHWV FRPPH DXWDQW GH UpSRQVHV DX[ *"$C3)$"$#%3#2&**")%#'"$(-)#2.+,,")-"$=## auxSUREOpPDWLTXHV GX GHVLJQ DFWXHO problĂŠmatiques du design actuel. varied responses to current design challenges. varied responses to current design challenges. aux problĂŠmatiques du design actuel.

LAURENCE BRABANT

DiplĂ´mĂŠe de

LAURENCE BRABANT

A graduate of the

LAURENCE BRABANT DiplĂ´mĂŠe de/DP<%#!%.2<D2D#$++++++++9#-*+'&+%"#38#%."# LAURENCE BRABANT A graduate of the /DP<%#!%.2<D2D#$ 'LSO{PpH GH O¡pFROH l’Êcole DuperrĂŠ Ă Paris, elle obtient une une bourse School in Paris, she she obtained a Fiacre l’Êcole DuperrĂŠ Ă REWLHQW Paris, elle obtient bourseDuperrĂŠ DuperrĂŠ School in Paris, obtained a Fiacre 'XSHUUp j 3DULV HOOH XQH ERXUVH GX J&C"**K#02.33,#()#L+*($B#$."#34%+()"'#+#M(+2*"# du Fiacre pourpour son son projet de recherches for her research project “Inanimate )LDFUH SRXU VRQ SURMHW GH UHFKHUFKHV Š2EMHWV 023,+*$.(C#83*#."*#*"$"+*2.#C*3H"2%#N>)+)(;+%"# du Fiacre projet de recherchesscholarship scholarship for her research project “Inanimate ,QDQLPpVÂŞ HW DXWR pGLWH VHV FUpDWLRQV HQ O4H"2%$P# +)'# $",8QC&4,($."'# ."*# 4,3<)# -,+$$# “Objets InanimĂŠsâ€? et auto-ĂŠdite ses ses crĂŠations and and self-published her her blown glass de- de“Objets InanimĂŠsâ€? et auto-ĂŠdite crĂŠationsObjectsâ€? Objectsâ€? self-published blown glass YHUUH VRXIĂ p 6HV SLqFHV Š3HWLWHV OHoRQV GH '"$(-)$=# !"*# NL"%(%"$# ,"R3)$# '"# 2.3$"$P# en verre soufflĂŠ. SesSes pièces, “Petites leçons Her Her “Petites leçons de chosesâ€? pieces, will will en verre soufflĂŠ. pièces, “Petites leçonssigns. signs. “Petites leçons de chosesâ€? pieces, FKRVHVÂŞ UHMRLQGURQW OH )QDF )RQGV 1DWLRQDO C("2"$B# <(,,# 4"# H3()()-# %."# M)+2B# ST+%(3)+,# de&RQWHPSRUDLQ chosesâ€?, rejoindront Fnac, Fonds joining the the Fnac, (National Contemporary Art Art de chosesâ€?, rejoindront le Fnac, Fonds Nationalbe be joining Fnac, (National Contemporary G¡$UW (Q leUpVLGHQFH j National OD 9LOOD /3)%";C3*+*6#9*%#/3,,"2%(3)U=#O)#+#*"$('")%# d’Artd’Art Contemporain. En rĂŠsidence Ă la Ă Villa On aOn resident artist’s placement at the Contemporain. En rĂŠsidence la VillaCollection). Collection). a +%# resident artist’s placement .XMR\DPD j .\RWR DX -DSRQ HOOH GpYHORSSH +*%($%V$# C,+2";")%# %."# W(,,+# X&H36+;+# ()#at the HQ Kujoyama SDUWHQDULDW OH SURMHW X63%3# SY+C+)UB# ()# Z+22+*+%# Ă Kyoto au %DFFDUDW Japon, elle elle dĂŠveloppe Kujoyama in Kyoto (Japan), in<(%.# partnership withwith Kujoyama Ă DYHF Kyoto au Japon, dĂŠveloppeVilla Villa Kujoyama inC+*%)"*$.(C# Kyoto (Japan), in partnership Š0DQX IDFWXUHÂŞ (OOH PDvWULVH O¡DUW GH OD $."# '"I",3C"'# %."# N1+)&Q8+2%&*"P# C*3H"2%=# en partenariat avecavec Baccarat le projet “Manushe she developed the “Manu-factureâ€? project. en partenariat Baccarat le projet “Manu-Baccarat Baccarat developed the “Manu-factureâ€? project. WUDQVSDUHQFH OH YHUUH HW OH FULVWDO ERXVFXOH 0."# ($# C+*%(2&,,+*6# $D(,,"'# ()# %*+)$C+*")26B# factureâ€?. Elle Elle maĂŽtrise l’art l’art de ladetransparence, is particularly skilled in transparency, glass and and factureâ€?. maĂŽtrise la transparence,SheShe is particularly skilled in transparency, glass OHV DUWV GH OD WDEOH DYHF SRpVLH FUpH GHV -,+$$#+)'#2*6$%+,B#;+D()-#+#)+;"#83*#."*$",8# le verre et leetcristal, bouscule les arts de la making a WKH name for herself in the fields of of le verre le cristal, bouscule les arts de crystal, making a name for herself in the fields OXPLQDLUHV VXU PHVXUH HW GHV SLqFHV XQLTXHV lacrystal, LQ WKH Ă€HOGV RI WDEOH DUWV ZLWK D SRHWLF table avecavec poĂŠsie, crĂŠecrĂŠe des des luminaires sur surthe table arts arts with a poetic flair,flair, creating tailored table poĂŠsie, luminaires the table with a OLJKWLQJ poetic creating tailored (OOH FROODERUH DYHF 9pURQqVH &KULVWLDQ 7RUWX Ă DLU FUHDWLQJ WDLORUHG VROXWLRQV DQG 6DOYLDWL &ULVWDOOHULH 6DLQW /RXLV /RXLV 9XLWWRQ &)(5&"#C("2"$=#9;3)-#3%."*$B#$."#<3*D$#<(%.# mesure et des pièces uniques. Elle Elle collabore solutions and and unique pieces. Among others, mesure et des pièces uniques. collaborelighting lighting solutions unique pieces. Among others, *DOHULHV /DID\HWWH *OHQPRUDQJLH %DFFDUDW WK*3)[$"B# /.*($%(+)# E3*%&B# 0+,I(+%(B# /*($%+,,"*("# notamment avecavec VĂŠronèse, Christian Tortu, works withwith VĂŠronèse, Christian Tortu, Salviati, notamment VĂŠronèse, Christian Tortu,she she works VĂŠronèse, Christian Tortu, Salviati, HW 6WDUFN SRXU - 3 *DXOWLHU 0+()%# :3&($B# :3&($# W&(%%3)B# \+,"*("$# :+8+6"%%"B# Salviati, Cristallerie Saint Louis, Louis Vuitton, Saint Louis, Louis Vuitton, Galeries Salviati, Cristallerie Saint Louis, Louis Vuitton,Cristallerie Cristallerie Saint Louis, Louis Vuitton, Galeries \,");3*+)-("B#Z+22+*+%#+)'#0%+*2D#83*#Y=QL=# Galeries Lafayette, Glenmorangie, Baccarat et etLafayette, Glenmorangie, Baccarat and and Starck for for Galeries Lafayette, Glenmorangie, Baccarat Lafayette, Glenmorangie, Baccarat Starck \+&,%("*=# J.-P.J.-P. Gaultier. Gaultier.

Starck pourpour J.-P.J.-P. Gaultier. Starck Gaultier.

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PHILIPPE DANEY Architecte DPLG, il a PHILIPPE DANEY DPLG, is a licensed archiPHILIPPE DANEY Architecte'3/* DPLG,LO ilD a PHILIPPE DANEY+ + + + DPLG, is a licensed archi3GE/E33%. :D#%Q $UFKLWHFWH 3GE/E33%. :D#%Q+ + + +architectural JL:\B# ($# +# ,(2")$"'# fondĂŠ en 1986 avec Pascal Bauer la maison tect in France. He co-founded the fondĂŠ en 1986 avec Pascal Bauer la maison tect in France. co-founded the architectural IRQGp HQ DYHF 3DVFDO %DXHU OD PDLVRQ +*2.(%"2%# ()# He M*+)2"=# !"# 23Q83&)'"'# %."# d’ÊditionG¡pGLWLRQ 7HERQJ Tebong. firm TebongDUFKLWHFWXUDO Ă€UP 7HERQJ QRZ RSHUDWLQJ DV (now operating as Tebong Italia) with d’Êdition Tebong. firm Tebong (now operating as Tebong Italia) with Cette maison d’Êdition, qui existe toujours sous WRXMRXUV Pascal Bauer in 1986. &HWWH PDLVRQ TXL H[LVWH E"43)-#>%+,(+U#<(%.#C+$2+,#Z+&"*#()#?@]^=# Cette maisonG¡pGLWLRQ d’Êdition, qui existe toujours sous Pascal Bauer in 1986. VRXV OH QRP GH 7HERQJ ,WDOLD D H[SRVp GDQV E"43)-V$# <3*D# .+$# 4"")# "F.(4(%"'# ()# .(-.Q le nom de Tebong Italia, a exposĂŠ dans de Tebong’s work has been exhibited in high-profile le nom de Tebong Italia, a exposĂŠ dans de Tebong’s work has been exhibited in high-profile SURĂ€OH PXVHXPV ZRUOGZLGH LQ 3DULV 0RQWUHDO grands GH JUDQGV PXVpHV j 3DULV 0RQWUpDO 1HZ <RUN musĂŠes Ă Paris, MontrĂŠal, New York museums worldwide – in Paris, Montreal, New grands musĂŠes Ă Paris,7RN\R MontrĂŠal, New York museums worldwide – in Paris, Montreal, New 2VOR 7HO $YLY +LURVKLPD /RV $QJHOHV T"<#_3*DB#O$,3B#E",#9I(IB#!(*3$.(;+B#E3D63B#:3$# Oslo, Tel Aviv, Hiroshima, Los Tokyo, York,Los Oslo, York, Tel Aviv, Hiroshima, Tokyo, LosTokyo, Angeles, Oslo, Tel Aviv,MontrĂŠal, Hiroshima,Tokyo, MontrĂŠal, Oslo, Tel Aviv, Hiroshima, Los Angeles, $WKqQHV %DUFHORQH &RORJQH HWF 9)-","$B# 9%.")$B# Z+*2",3)+B# /3,3-)"# +)'# Angeles,3KLOLSSH Athènes, Barcelone, Cologne, etc. Athens, Barcelona, Cologne and many more cities. DXMRXUG¡KXL ;+)6# Barcelona, ;3*"# 2(%("$=# L.(,(CC"# 2&**")%,6# Angeles,'DQH\ Athènes, FRQMXJXH Barcelone, Cologne, etc. Athens, Cologne andJ+)"6# many more cities. PhilippeSOXVLHXUV Daney conjugue aujourd’hui plusieurs Philippe Daney currently divides his time between DFWLYLWpV GHVLJQHU SRXU 5RVHW HW '(I('"$#.($#%(;"#4"%<"")#.($#<3*D#+$#'"$(-)"*# Philippe Daney conjugue aujourd’hui plusieurs Philippe Daney currently divides his time between XQ HQVHPEOH SHWLWHV HQWUHSULVHV IRU 5RVHW DQG D JURXS RI VPDOO Ă€UPV DQG DV activitĂŠsSRXU : designer RosetGH et pour un enhisunwork designer Roset and a group of asmall activitĂŠspour : designer pour Roset et pour en- ashis work asfordesigner for Roset and group of small HW GLUHFWHXU DUWLVWLTXH SRXU GHV %"+2."*# +)'# +*%($%(2# '(*"2%3*# 83*# M*")2.# +)'# semble HQVHLJQDQW de petites entreprises, enseignant et firms, and as teacher and artistic director for French semble de petites entreprises, enseignant et firms, and as teacher and artistic director for French RSpUDWLRQV QDWLRQDOHV HW HXURSpHQQHV G&*3C"+)#3*-+)(`+%(3)$=# directeur3KLOLSSH artistique pour des opĂŠrations natioand European organizations. directeur artistique pour des opĂŠrations European organizations. 'DQH\ D pWp QRPPp DX UDQJ natioGH and >)#Y&,6#aAA]B#L.(,(CC"#J+)"6V$#23)%*(4&%(3)#%3# nales et&KHYDOLHU GHV $UWV HW GHV /HWWUHV SDU &KULVWLQH europĂŠennes. In July 2008, Philippe to the %."#+*%$#()#M*+)2"#<+$#.3)3*"'#<.")#."#<+$# nales et europĂŠennes. In July 2008,Daney’s Philippecontribution Daney’s contribution to the +<+*'"'#%."#/."I+,("*#'"$#9*%$#"%#'"$#:"%%*"$# Philippe$OEDQHO HQ MXLOOHW Daney a ĂŠtĂŠ nommĂŠ au nommĂŠ rang deau rang arts inde France was honored he was awarded Philippe Daney a ĂŠtĂŠ arts in France waswhen honored when he was awarded ;"'+,# 46#et%.")# 1()($%"*# 38# /&,%&*"# /.*($%()"# Chevalier des Arts et des par Christine the Chevalier des Arts desArts Lettres medal by then Chevalier des Lettres Arts et des Lettres par Christine the Chevalier des et des Lettres medal by then 9,4+)",=# Albanel en juillet 2008. Minister forMinister Culturefor Christine Albanel en juillet 2008. CultureAlbanel. Christine Albanel.

#E!"/D&.:DP/.F.RP/E%#.:%ID#!G% #E!"/D&.:DP/.F.RP/E%#.:%ID#!G%++++++++ NICOLAS & JULIEN DEMANCHE NICOLAS DAUL & JULIEN DEMANCHE NICOLAS DAUL &DAUL JULIEN DEMANCHE NICOLAS DAUL & JULIEN DEMANCHE 'LSO{PpV GH &DPRQGR HQ FHV 9$# -*+'&+%"$# 8*3;# /+;3)'3# ()# aAAbB# %."$"# DiplĂ´mĂŠs de Camondo ences 2007, ces architectesgraduates As graduates from Camondo in these 2007, these DiplĂ´mĂŠs de Camondo en 2007,HW architectes from Camondo in 2007, DUFKLWHFWHV G¡LQWpULHXU GHVLJQHUV As ()%"*(3*# '"$(-)"*$# 4"-+)# 46# "+2.# $"%%()-# d’intĂŠrieur et designers commencent crĂŠerinterior cha- interior designers began bysetting each setting up d’intĂŠrieur et designers par crĂŠerpar chadesigners began 4"83*"# by each FRPPHQFHQW SDU commencent FUpHU FKDFXQ OHXU &C# %."(*# 3<)# $%&'(3$# C33,()-# up %."(*# cun leur propre studio avant d’unir leurs savoir-faire their own studios before pooling their compleSURSUH VWXGLR DYDQW G¡XQLU OHXUV VDYRLU 23;C,";")%+*6# D)3<Q.3<# 3)#compleI+*(3&$# cun leur propre studio avant d’unir leurs savoir-faire their own studios before pooling their sur diffĂŠrents projets. Intervenant mentary know-how on various projects. Involved IDLUH complĂŠmentaires FRPSOpPHQWDLUHV VXU Intervenant GLIIpUHQWV C*3H"2%$=# >)I3,I"'# 43%.# ()%"*(3*# '"$(-)"*$# complĂŠmentaires sur diffĂŠrents projets. mentary know-how on+$# various projects. Involved SURMHWV aussi ,QWHUYHQDQW DXVVL d’architecte ELHQ HQ TXDOLWp +)'# ")I(*3);")%+,# C*3'&2%# bien end’architecte qualitĂŠ d’intĂŠrieur que both interior designers and '"$(-)"*$B# environmental aussi bien en qualitĂŠ d’intĂŠrieur que as bothas interior designers and environmental G¡DUFKLWHFWH G¡LQWpULHXU TXH VXU OH GHVLJQ GH %."(*# *"$C"2%(I"# "FC"*(")2"# S()2,&'()-# %."# sur le design de produits d’environnement, leurs product designers, their respective experience sur le design de produits d’environnement, leurs product designers, their respective experience SURGXLWV G¡HQYLURQQHPHQW OHXUV H[SpULHQFHV !+))3)-#.3%",B#%."#c-"#'V3*#*"$%+&*+)%B#L*(F# expĂŠriences respectives (hĂ´tel Hannong, restaurant (including the Hannong hotel, the Ă‚ge d’or expĂŠriences respectives (hĂ´tel Hannong, restaurant (including the Hannong hotel, the Ă‚ge d’or UHVSHFWLYHV K{WH +DQQRQJ UHVWDXUDQW O¡Ă‡JH d;(,"#!"*;[$B#:+)2e;"#3*#C*3H"2%$#83*#C*(I+%"# l’Âge d’or, Prix Émile Hermès, LancĂ´me ou des prorestaurant, Prix Émile Hermès, LancĂ´me or G¡RU d’or, SUL[ Prix ePLOH /DQF{PH 2,(")%$U# .+I"# C*3C3$()-# 8&)2%(3)+,# l’Âge Émile+HUPqV Hermès, LancĂ´me ouRX desGHV pro- restaurant, Prix$"")# Émile%."# Hermès, LancĂ´me or jets pour des particuliers)OHV lesDPqQHQW amènent Ă j proposer projects for private clients) have seen them SURMHWV SRXU GHV SDUWLFXOLHUV $3,&%(3)$#3*#"I")#;+)6#+CC*3+2."$#%.+)D$#%3# jets pour des particuliers) les amènent Ă proposer projects for private clients) have seen them SURSRVHU GHV UpSRQVHV IRQFWLRQQHOOHV des rĂŠponses fonctionnelles, voireYRLUH de multiples proposing functional solutions or even multiple WKHLU Ă DLU IRU WHFKQLFDO LQQRYDWLRQ des rĂŠponses fonctionnelles, voire de multiples proposing functional solutions or even multiple GH PXOWLSOHV DSSURFKHV G¡XWLOLVDWLRQ JUkFH j approches d’utilisation grâce Ă des innovations use approaches thanks to their flair for technical approches d’utilisation grâce Ă des innovations use approaches thanks to their flair for technical GHV LQQRYDWLRQV WHFKQLTXHV techniques. innovation. techniques. innovation.

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N O #"S.:P!GDPB"P<H/DA<D#!%++++++++ É D U C H AU F O U R - L AW R A N C E N OÉ D U CHAU F OU R-LAWRAN CE #"S.:P!GDPB"P<H/DA<D#!% artist can boast a twofold educational route Un double cursus : l’École Nationale 8Q GRXEOH FXUVXV O¡eFROH SupĂŠrieure 1DWLRQDOH This E.($#+*%($%#2+)#43+$%##%<383,'#"'&2+%(3)+,#*3&%"# 6XSpULHXUH GHV $UWV $SSOLTXpV HW GHV 0pWLHUV ()2,&'()-# %."#Nationale d23,"# T+%(3)+,"# 0&CK*("&*"# SupĂŠrieure des Arts des Arts AppliquĂŠs et des MĂŠtiers d’art, et including the École G¡DUW HW OHV $UWV GpFRUDWLIV GH 3DULV (Q '"$# 9*%$# 9CC,(5&K$# "%# '"$# 1K%("*$# 'V+*%B# les Arts dĂŠcoratifs de Paris. En 2002, il signe AppliquĂŠs et des MĂŠtiers d’art, and Arts dĂŠcoratifs+)'# LO VLJQH O¡DUFKLWHFWXUH LQWpULHXUH GX UHVWDXUDQW 9*%$# 'K23*+%(8$# '"# L+*($=# >)# aAAaB# ."# .+)',"'# l’architecture intĂŠrieure du restaurant Sketch de Paris. In 2002, he handled the interior design 6NHWFK j /RQGUHV TXL DVVXUH VD QRWRULpWp (Q %."# ()%"*(3*# '"$(-)# 83*# %."# 0D"%2.# *"$%+&*+)%# restaurant London built his >)# Ă Londres qui assure notoriĂŠtĂŠ. En 2007,GH for the 0DLVRQ 2EMHW saHQ IDLW OH FUpDWHXU ()# Sketch :3)'3)# <.(2.#in4&(,%# .($#which *"C&%+%(3)=# In 2007, i# Maison Objet made himN02[)"# its Maison &Š6FqQHV Objet en G¡LQWpULHXUÂŞ fait le crĂŠateur/D deVRXSOHVVH l’annĂŠe reputation. O¡DQQpH aAAbB# 1+($3)# O4H"%#&;+'"# .(;# (%$# OD Ă XLGLWp OHV IRUPHV LQVSLUHQW “Scènes 'V()%K*("&*P# '"$(-)"*# %."#year. 6"+*=# M,"F(4(,(%6B# d’intĂŠrieurâ€? designer38# of the Flexibility, “Scènes d’intĂŠrieurâ€?. La QDWXUHOOHV souplesse, OXL la fluiditĂŠ, XQ YRFDEXODLUH RUJDQLTXH TX¡LO GpFOLQH DX Ă XLGLW\ DQG QDWXUDO VKDSHV LQVSLUH KLP WR DGRSW les formes naturelles lui inspirent un vocabu- fluidity and natural shapes inspire him to adopt a JUp GX PRELOLHU TX¡LO VLJQH SRXU &HFFRWWL +# '"2('"',6# 3*-+)(2# I($&+,# 23'"B# <.(2.# ."# laire organique, qu’il dĂŠcline au grĂŠ du mobilier decidedly organic visual code, which he instils in &ROOH]LRQL =DQRWWD &LQQD HW GHV HVSDFHV ()$%(,$# ()# %."# 8&*)(%&*"# ."# '"$(-)$# 83*# /"223%%(# he designs for Ceccotti Collezioni, qu’il DPpQDJH signe pour Ceccotti Collezioni, Zanotta, j the furniture TX¡LO OH UHVWDXUDQW 6HQGHUHQV /3,,"`(3)(B#j+)3%%+#3*#/())+#+)'#()#.($#()%"*(3*# or Cinna and in()2,&'()-# his interior design Cinna‌ et des%DU espaces qu’il amĂŠnage : le%6/ Zanotta 3DULV OH 0D\D j 0RQDFR OD JDOHULH '"$(-)# C*3H"2%$# h# %."# projects 0")'"*")$# j 3DULV RX Senderens SURFKDLQHPHQW the Senderens restaurant in Paris, the restaurant Ă Paris, OH le UHVWDXUDQW Maya Bar à ŠOH including: *"$%+&*+)%#()#L+*($B#%."#1+6+#Z+*#()#13)+23B# FLHO GH 3DULVÂŞ DX qPH pWDJH GH OD 7RXU %."#\+,"*("#Z0:#()#L+*($#3*#S$.3*%,6U#%."#N:"#/(",# Monaco, la Galerie BSL Ă Paris ou, prochai- Maya Bar in Monaco, the Galerie BSL in Paris or 0RQWSDUQDVVH /DXUpDW GH de Š/¡(PSUHLQWH GH 3DULVÂŞ UHVWDXUDQW RQ WKH WK Ă RRU RI 7RXU the “Le Ciel de Parisâ€? restaurant on the nement, le restaurant “Le Ciel Parisâ€? au 56eGH (shortly) O¡$QQpHÂŞ GHV Š7DOHQWV GX OX[H HW GH OD FUpDWLRQ 13)%C+*)+$$"=# k())"*# 38# %."# NG;C*"()%"# '"# ĂŠtage de la Tour Montparnasse. LaurĂŠat de 56th floor of Tour Montparnasse. Winner of the ÂŞ ,V9))K"P# +<+*'# +%# NE+,")%$# '&# ,&F"# "%# '"# ,+# “L’Empreinte de l’AnnĂŠeâ€? des “Talents du luxe “Empreinte de l’AnnĂŠeâ€? award at “Talents du luxe 2*K+%(3)#aA?AP= et de la crĂŠation 2010â€?. et de la crĂŠation 2010â€?.

Miyake Parfums‌ Hennessy, Desalto, Swarovski, Viccarbe, Issey avec Vitra, Molteni & C., Baccarat, Emu, Guzzini, BD2<E!D &UpH SDU OH JURXSH %HQHWWRQ HQ amĂŠnagements d’intĂŠrieur. Il collabore notamment /D )DEULFD HVW XQ FHQWUH GH UHFKHUFKHV ÉLISE FOUIN DiplĂ´mĂŠe de l’École packaging, que de scĂŠnographies d’exposition et HQ FRPPXQLFDWLRQ FDPSDJQHV VRFLDOHV Boulle, “Talent Ă la carteâ€? du salon Maison bien de pGLWLRQ projets d’identitĂŠ visuelle, signalĂŠtique et GHVLJQ F¡HVW XQH LQVWLWXWLRQ pGXFD & Objets en 2010, elle balance entre art et WLYH &¡HVW OH IUXLW GH WRXW OH SDWULPRLQH FXOWX associĂŠ, Pippo Lionni, le studio s’occupe aussi design. Elle%HQHWWRQ privilĂŠgie matière l’objet, la UHO GX JURXSH HQ studio Ldesign. Grâce Ă sala6LWXpH vision etj Ă Ă 7UpYLVH celle de son ,WDOLH DYHF j laOD dĂŠtourne WrWH GX pour GpSDUWHPHQW GH OD rĂŠcupère, mieux la rĂŠinvende vingt designers et graphistes au sein de son FUpDWLRQ GHVLJQ OH GHVLJQHU 6DP %DURQ GH ter. Qu’il s’agisse d’espaces, deson produits il travaille actuellement Ă Paris avec ĂŠquipe SXLV /D )DEULFD SRXUVXLW VD UHFKHUFKH ou de son travail dans une diplĂ´mĂŠ enmobilier, design industriel dus’inscrit Art Center Europe, SDU OH ELDLV GH GpFLVLRQV SDU OD SURGXFWLRQ GH dĂŠmarche poĂŠtique et de dĂŠveloppement SURMHWV QRYDWHXUV HQ FROODERUDWLRQ DYHF milieu intĂŠrieur et extĂŠrieur. Originaire d’IsraĂŤlOHV et durable, qui valorise la matière “dernièreâ€? PHLOOHXUV WDOHQWV FUpDWLIV GX PRQGH /HXU GpVLU continue d’avoir un impact substantiel sur notre pour devienne matière “premièreâ€?. HVW G¡LQĂ XHU SRVLWLYHPHQW VXU OH FKDQJHPHQW lations et qu’elle ses crĂŠations en sĂŠrie limitĂŠe, Arik Levy VRFLDO HW FXOWXUHO HOOH GpYHORSSH VHV SURMHWV Reconnue pour son travail sur le papier et la le domaine du mobilier, ainsi que pour ses instalSRXU OHV DXWUHV 'H SOXV HOOH SXEOLH &RORUV OD lumière, elle a exposĂŠ Ă la ToolsGallery Ă au monde. D’abord connu pour ses%HQHWWRQ projets et dans UHYXH Ă€QDQFpH SDU OH JURXSH HW la Granville Gallery etparmi dĂŠveloppe maintenant galeries et des musĂŠesELOLQJXHV les plus prestigieux pGLWpH HQ YHUVLRQV DQJODLV SXLV des projets des sont marques du luxe. LWDOLHQ IUDQoDLV HW HVSDJQRO multiples et sespour Ĺ“uvres exposĂŠes dans des tographe, rĂŠalisateur‌ les talents de Levy sont ARIK LEVY Designer, technicien, artiste, pho-

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Viccarbe and Issey Miyake Perfumes‌ Emu, Guzzini, Hennessy, Desalto, Swarovski, he works with Vitra, Molteni & C., Baccarat, BD2<E!D+++++++++/*"+%"'#46#Z")"%%3)#()#?@@fB# tion scenery and interior design. Among others :+#M+4*(2+#($#+#23;;&)(2+%(3)#*"$"+*2.#2")Q ÉLISE FOUIN As a graduate of the Ecole Boulle, signposting and packaging in addition to exhibi%"*B#$32(+,#2+;C+(-)$B#'"$(-)B#C&4,($.()-B#%.($# named “Talent Ă la carteâ€? at the Maison & Objets show handles projects in the fields of visual identity, ($#+)#"'&2+%(3)+,#()$%(%&%(3)=#>%#($#%."#8*&(%#38#+,,# inand 2010, she skilfully combines both art design. %."#2&,%&*+,#."*(%+-"#38#%."#Z")"%%3)#\*3&C=# that of his partner Pippo Lionni, theand studio She hasinahis marked preference for theto%."# materials over :32+%"'# ()# E*"I($3B# >%+,6B# <(%.# ."+'# 38# artists studio Ldesign. Thanks his vision %."#'"C+*%;")%#38#'"$(-)#2*"+%(3)B#'"$(-)"*# the items themselves, reclaiming them and reusing with his team of twenty designers and graphical 0+;# Z+*3)# $()2"# aAAg=# :+#being M+4*(2+# them with theEurope, aim of constantly ablein23)%()&"$# toParis reinvent Art Center he currently works %3# ,33D# %.*3&-.# '"2($(3)$# 46# C*3'&2()-# ()Q them more effectively. Whether design we are from talkingthe about and a graduate in industrial )3I+%(I"# C*3H"2%$# <(%.# %."# 4"$%# 2*"+%(I"# %+Q space, or furniture, her workfrom is%3# underpinned exterior Originating Israel, ,")%$#products ()#environment. %."# <3*,'=# E."(*# '"$(*"# ($# C3$(%(I",6# bynues a poetic spirit and a commitment to sustainable LQĂ XHQFH VRFLDO DQG FXOWXUDO FKDQJH LW GHQ to have a major impact on our interior and development, reusing and mateI",3C$#designs (%$# C*3H"2%$# 83*# 3%."*$=# >)# +''(%(3)B# (%# edition and recycled displays, Arikrecovered Levy contiSXEOLVKHV &RORUV WKH PDJD]LQH Ă€QDQFHG E\ rials as furniture her raw sector material. Recognised forlimited her work in the in addition to his %."# Z")"%%3)# \*3&C# +)'# C&4,($."'# ()# %.*""# with paper and with lighting, she has exhibited at the and museums. Initially known for his projects 4(,()-&+,#I"*$(3)$#h#G)-,($.#+)'#>%+,(+)B#M*")2.# ToolsGalerie at themost Granville Gallery,galleries and is now some of theand world’s prestigious +)'#0C+)($.= producing projects for brands. lented all-rounder andluxury his work is exhibited in photographer and producer, Levy is a multitaARIK LEVY As a designer, technician, artist,

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EMMANUEL GALLINA

Il aborde le design

%IID#P%/.;D//E#D.. . . . . ?7+ 5;=24-+ ĂŠlĂŠgance, et simplicitĂŠ. DiplĂ´mĂŠ OH avec GHVLJQ DYHF ĂŠvidence pOpJDQFH pYLGHQFH HW de l’Enad et de l’Iav, il obtient ensuite un master VLPSOLFLWp 'LSO{Pp GH O¡(QDG HW GH O¡,DY LO REWLHQW HQVXLW XQ PDVWHU auHQ GHVLJQ HW en design et management Politecnico de PDQDJHPHQW DX 3ROLWHFQLFR GH 0LODQ R Milan oĂš il enseigne actuellement. Durant 7 ans, LO HQVHLJQH DFWXHOOHPHQW 'XUDQW DQV LO il exerce auprès d’Antonio Citterio pour les plus H[HUFH DXSUqV G¡$QWRQLR &LWWHULR SRXU OHV grands noms du design international avant de SOXV JUDQGV QRPV GX GHVLJQ LQWHUQDWLRQDO crĂŠer sa propre agence. Ă€ prĂŠsent, il collabore et DYDQW GH FUpHU VD SURSUH DJHQFH ­ SUpVHQW LO FROODERUH HW VLJQH VHV SURGXLWV signe ses produits pour des marquesSRXU tellesGHV que PDUTXHV WHOOHV TXH 3ROLIRUP )DVW 5RWDOLDQD Poliform, Fast, Rotaliana, Manade, Toulemonde 0DQDGH 7RXOHPRQGH %RFKDUW 'HSXLV Bochart‌ Depuis 2010, il conseille, en qualitĂŠ LO FRQVHLOOH HQ TXDOLWp GH GLUHFWHXU DUWLVWLTXH de directeur artistique,SDUPL diffĂŠrentes entreprises GLIIpUHQWHV HQWUHSULVHV OHVTXHOOHV &DUO parmi lesquelles Zeiss Vision,H[SpULHQFH Clen. Riche =HLVV 9LVLRQ &OHQ Carl 5LFKH G¡XQH GH d’une GHVLJQHU LQGXVWULHO pFROHV industriel, DSSUpFLHQW expĂŠrience de OHV designer les VHV LQWHUYHQWLRQV HQ WDQW TXH PpGLDWHXU HQWUH ĂŠcoles apprĂŠcient ses interventions en tant que O¡pFROH HW O¡HQWUHSULVH FH TXL O¡DPqQH j rWUH mĂŠdiateur entre l’Êcole et l’entreprise ce qui VRXYHQW VROOLFLWp SRXU WHQLU GHV FRQIpUHQFHV l’amène Ă ĂŞtre souvent sollicitĂŠ pour tenir des VXU OHV GLIIpUHQWV FRQWLQHQWV

confĂŠrences sur les diffĂŠrents continents.

S/E&%.B"PE#.. . . . . 'LSO{PpH GH O¡eFROH %RXOOH ÉLISE FOUIN DiplĂ´mĂŠe de l’École Š7DOHQW j OD FDUWHÂŞ GX VDORQ 0DLVRQ 2EMHW Boulle, “Talent Ă la carteâ€? du salon Maison HQ HOOH EDODQFH HQWUH DUW HW GHVLJQ (OOH & Objets en 2010, balance entre art et SULYLOpJLH OD PDWLqUH j elle O¡REMHW OD UpFXSqUH OD GpWRXUQH PLHX[ OD UpLQYHQWHU design. ElleSRXU privilĂŠgie la matière Ă l’objet, la 4X¡LO rĂŠcupère, V¡DJLVVH la G¡HVSDFHV GH SURGXLWV RX dĂŠtourne pour mieux la rĂŠinvenGH PRELOLHU VRQ WUDYDLO V¡LQVFULW GDQV XQH ter. Qu’il s’agisse d’espaces, de produits GpPDUFKH SRpWLTXH HW GH GpYHORSSHPHQW ou de mobilier, sonOD travail s’inscrit dans une GXUDEOH TXL YDORULVH PDWLqUH ŠGHUQLqUHÂŞ dĂŠmarche poĂŠtique PDWLqUH et de dĂŠveloppement SRXU TX¡HOOH GHYLHQQH ŠSUHPLqUHÂŞ 5HFRQQXH SRXU VRQ WUDYDLO VXU OH SDSLHU HW OD durable, qui valorise la matière “dernièreâ€? OXPLqUH HOOH D H[SRVp j OD matière 7RROV*DOOHU\ HW j pour qu’elle devienne “premièreâ€?. OD *UDQYLOOH *DOOHU\ HW GpYHORSSH PDLQWHQDQW Reconnue pour son travail sur le papier et la GHV SURMHWV SRXU GHV PDUTXHV GH OX[H lumière, elle a exposĂŠ Ă la ToolsGallery et Ă la Granville Gallery et dĂŠveloppe maintenant des projets pour des marques du luxe.

EMMANUEL GALLINA He approaches the %IID#P%/.;D//E#D++++++++++++++++++++!"#+CC*3+2."$# design with elegance, demonstrativeness and sim%."#'"$(-)#<(%.#","-+)2"B#'";3)$%*+%(I")"$$# plicity. A graduate9# of-*+'&+%"# the Enad and he went +)'# $(;C,(2(%6=# 38# the %."#Iav, G)+'# +)'# %."# ."# <")%# 3)# 34%+()# 1+$%"*$# ()# on to ,+IB# obtain a Masters in %3# design and+# management at'"$(-)#+)'#;+)+-";")%#+%#%."#L3,(%"2)(23# the Politecnico of Milan, where he currently 38# 1(,+)B# <."*"# ."# 2&**")%,6# %"+2."$=# M3*# teaches. For seven years, he worked at Antonio $"I")#6"+*$B#."#<3*D"'#+%#9)%3)(3#/(%%"*(3#83*# Citterio for%."# some of the )+;"$# greatest ()# names in inter$3;"# 38# -*"+%"$%# ()%"*)+%(3)+,# national design before setting up his own agency. '"$(-)#4"83*"#$"%%()-#&C#.($#3<)#+-")26=#!"# 2&**")%,6# C*3'&2"$# C*3'&2%$# He currently<3*D$# works<(%.# with +)'# and produces products for 83*# 4*+)'$# $&2.# +$# L3,(83*;B# M+$%B# 73%+,(+)+B# brands such as Poliform, Fast, Rotaliana, Manade 1+)+'"# +)'# E3&,";3)'"# Z32.+*%=# 0()2"# and Toulemonde Bochart. Since 2010, he has aA?AB# ."# .+$# +'I($"'# I+*(3&$# 23;C+)("$# advised various including Carl ()# Zeiss ()2,&'()-# /+*,#companies j"($$# W($(3)# +)'# /,")# .($# Vision and Clen in his capacity as an artistic direcFDSDFLW\ DV DQ DUWLVWLF GLUHFWRU %HQHĂ€WLQJ 8*3;#.($#"FC"*(")2"#+$#+)#()'&$%*(+,#'"$(-)"*B# tor. Benefiting from his experience as an industrial %."#$2.33,$#+CC*"2(+%"#.($#()I3,I";")%#+$#+)# designer, the schools appreciate his involvement N()%"*8+2"P#4"%<"")#%."#$2.33,#+)'#3&%$('"# as an “interfaceâ€? between the school and outside 23;C+)("$B# <.(2.# ;"+)$# %.+%# ."# ($# 38%")# companies, means that he +,,# is often asked%."# to +$D"'# %3# which -(I"# 23)8"*")2"$# +*3&)'# give conferences all around the world. <3*,'=#

S/E&%. B"PE#+ + + + + + 9$# +# -*+'&+%"# 38# %."# G23,"# ÉLISE FOUIN As a graduate of the Ecole Boulle, Z3&,,"B# )+;"'# NE+,")%# l# ,+# 2+*%"P# +%# %."# named “Talent Ă la carteâ€? at the Objets show 1+($3)# i# O4H"%# $.3<# ()#Maison aA?AB# & $."# $D(,8&,,6# in23;4()"$# 2010, she 43%.# skilfully+*%# combines both art and +)'# '"$(-)=# 0."#design. .+$# ;+*D"'# 83*# %."# 3I"*# She has a C*"8"*")2"# marked preference for ;+%"*(+,$# the materials over %."# (%";$# %.";$",I"$B# *"2,+(;()-# %.";# +)'# the items themselves, reclaiming them and reusing *"&$()-# %.";# <(%.# %."# +(;# 38# 23)$%+)%,6# them with the aim of constantly being able to reinvent 4"()-#+4,"#%3#*"()I")%#%.";#;3*"#"88"2%(I",6=# them more effectively. are talking about k."%."*# <"# +*"# Whether %+,D()-#we +43&%# $C+2"B# space, products or furniture, her work is underpinned C*3'&2%$#38#8&*)(%&*"B#."*#<3*D#($#&)'"*C())"'# by poetic spirit$C(*(%# and a+)'# commitment to sustainable 46#a +# C3"%(2# +# 23;;(%;")%# %3# $&$%+()+4,"# reusing '"I",3C;")%B# *"262,"'# development, recycled *"&$()-# and recovered mate+)'#*"23I"*"'#;+%"*(+,$#+$#."*#*+<#;+%"*(+,=# rials as her raw material. Recognised for her work 7"23-)($"'#83*#."*#<3*D#<(%.#C+C"*#+)'#<(%.# with paper and with lighting, she has exhibited at the ,(-.%()-B#$."#.+$#"F.(4(%"'#+%#%."#E33,$\+,,"*6# ToolsGalerie and at the Granville Gallery, is now +)'# +%# %."# \*+)I(,,"# \+,,"*6B# +)'#and ($# )3<# producing projects for luxury brands. C*3'&2()-#C*3H"2%$#83*#,&F&*6#4*+)'$=#

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ARIK LEVY Designer, technicien, artiste, phoD<ET./%?Q.. ....'HVLJQHU WHFKQLFLHQ DUWLVWH tographe, rĂŠalisateur‌ les talents de Levy sont SKRWRJUDSKH UpDOLVDWHXU OHV WDOHQWV GH multiples et ses Ĺ“uvres sont exposĂŠes dansVRQW des /HY\ VRQW PXOWLSOHV HW VHV RHXYUHV galeries et des musĂŠes parmi lesHW plus prestigieux H[SRVpHV GDQV GHV JDOHULHV GHV PXVpHV SDUPL OHV SOXV SUHVWLJLHX[ DX PRQGH '¡DERUG au monde. D’abord connu pour ses projets dans SRXU VHV SURMHWV OH GRPDLQH leFRQQX domaine du mobilier, ainsiGDQV que pour ses instalGX PRELOLHU DLQVL TXH SRXU VHV LQVWDOODWLRQV lations et ses crĂŠations en sĂŠrie limitĂŠe, Arik Levy HW VHV FUpDWLRQV HQ VpULH OLPLWpH $ULN /HY\ continue d’avoir un impact substantiel sur notre FRQWLQXH G¡DYRLU XQ LPSDFW VXEVWDQWLHO VXU milieu intĂŠrieur et extĂŠrieur. Originaire d’IsraĂŤl et QRWUH PLOLHX LQWpULHXU HW H[WpULHXU 2ULJLQDLUH diplĂ´mĂŠ industriel du Art Center Europe, G¡,VUDsO en HW design GLSO{Pp HQ GHVLJQ LQGXVWULHO GX &HQWHU (XURSH LO WUDYDLOOH DFWXHOOHPHQW il$UW travaille actuellement Ă Paris avec son ĂŠquipe j 3DULV DYHF VRQ pTXLSH GH YLQJW GHVLJQHUV de vingt designers et graphistes au sein de son HW JUDSKLVWHV DX VHLQ GH VRQ VWXGLR /GHVLJQ studio Ldesign. Grâce Ă sa vision et Ă celle de son *UkFH j VD YLVLRQ HW j FHOOH GH VRQ DVVRFLp associĂŠ, Pippo OH Lionni, le V¡RFFXSH studio s’occupe aussi 3LSSR /LRQQL VWXGLR DXVVL ELHQ bien de projets d’identitĂŠ YLVXHOOH visuelle, signalĂŠtique et GH SURMHWV G¡LGHQWLWp VLJQDOpWLTXH HW SDFNDJLQJ TXH GH VFpQRJUDSKLHV packaging, que de scĂŠnographies d’exposition et G¡H[SRVLWLRQ HW DPpQDJHPHQWV amĂŠnagements d’intĂŠrieur. Il collaboreG¡LQWpULHXU notamment ,O FROODERUH QRWDPPHQW DYHF 9LWUD 0ROWHQL avec Vitra, Molteni & C., Baccarat, Emu, Guzzini, & %DFFDUDW (PX *X]]LQL +HQQHVV\ Hennessy, Desalto, Swarovski, Issey 'HVDOWR 6ZDURYVNL 9LFFDUEH Viccarbe, ,VVH\ 0L\DNH Miyake Parfums‌ 3DUIXPV

CHRISTIAN GHION Après cinq ans de droit, il s’inscrit Ă l’Êcole d’Architecture de Paris-Conflans puis intègre l’Ensci. DiplĂ´mĂŠ en design, il fonde un studio de crĂŠation avec Patrick Nadeau avant de !G<E&$ED#.;GE"#.. . . . . $SUqV FLQT DQV GH se lancer en solo. Ses crĂŠations sont ĂŠditĂŠes par GURLW LO V¡LQVFULW j O¡pFROH G¡$UFKLWHFWXUH GH Cappellini, Driade, Daum, Salviati, xO‌ Et il signe 3DULV &RQĂ DQV SXLV LQWqJUH O¡(QVFL 'LSO{Pp HQ aussi bien des bijoux pour leGH joaillier Fred que de GHVLJQ LO IRQGH XQ VWXGLR FUpDWLRQ DYHF 3DWULFN 1DGHDX DYDQW GH VH ODQFHU HQ VROR nombreuses scĂŠnographies d’expositions et des 6HV FUpDWLRQV intĂŠrieurs VRQW pGLWpHV SDU &DSSHOOLQL amĂŠnagements (les restaurants Le Gaya 'ULDGH 'DXP 6DOYLDWL [2 (W LO VLJQH DXVVL Ă Paris et Pierre Gagnaire Tokyo). Il a prĂŠsentĂŠ ELHQ GHV ELMRX[ SRXU OH MRDLOOLHU )UHG TXH GH rĂŠcemment Ă VFpQRJUDSKLHV la galerie Cat Berro, une collectionHW de QRPEUHX[ G¡H[SRVLWLRQV vingt-cinq vases en verre soufflĂŠ. Il vient de dessiner GHV DPpQDJHPHQWV LQWpULHXUV OHV UHVWDXUDQWV /H *D\D j 3DULV HW 3LHUUH *DJQDLUH j 7RN\R ,O une collection de couteaux pour Nontron dont il est D SUpVHQWp UpFHPPHQW j OD JDOHULH &DW %HUUR directeur artistique. XQH FROOHFWLRQ GH YLQJW FLQT YDVHV HQ YHUUH BASILE HUEZ Pendant ses ĂŠtudes – École VRXIĂ p ,O YLHQW GH GHVVLQHU XQH FROOHFWLRQ GH de DesignSRXU de Nantes et Ravensbourne college FRXWHDX[ 1RQWURQ GRQW LO HVW GLUHFWHXU DUWLVWLTXH of design and communication – il fait ses classes auprès des architectes J.-M. Wilmotte et C. Biecher puis, diplĂ´me en poche, dĂŠcide de voler de ses propres ailes et collabore de nombreuses annĂŠes avec Christian Ghion sur diffĂŠrents projets. 13 #'

CHRISTIAN GHION After five years spent studying law, he enrolled at the Paris-Conflans School of architecture before joining the Ensci. A design graduate, he founded a design studio along !G<E&$ED#.;GE"#++++++++++++++++++++$IWHU ÀYH \HDUV with Patrick Nadeau before going solo. His designs $C")%# $%&'6()-# ,+<B# ."# ")*3,,"'# +%# %."# L+*($Q are published by Cappellini, Driade, Daum, Salviati &RQà DQV 6FKRRO RI DUFKLWHFWXUH EHIRUH MRLQLQJ and and he also produced jewellery for the %."#xO, G)$2(=# 9#has '"$(-)# -*+'&+%"B# ."# 83&)'"'# +# '"$(-)# $%&'(3# +,3)-# <(%.# L+%*(2D# T+'"+&# jeweller Fred in addition to numerous exhibition 4"83*"#and -3()-# $3,3=#design !($# '"$(-)$# C&4,($."'# scenery interior projects+*"# (the restau46# /+CC",,()(B# J*(+'"B# J+&;B# 0+,I(+%(# +)'# rants Le Gava in Paris and Pierre Gagnaire Tokyo). FOB# +)'# ."# .+$# +,$3# C*3'&2"'# H"<",,"*6# 83*# At theH"<",,"*# Cat Berro gallery recently%3# presented a %."# M*"'# ()# he +''(%(3)# )&;"*3&$# collection of twenty-five blown glass vases. He has "F.(4(%(3)#$2")"*6#+)'#()%"*(3*#'"$(-)#C*3H"2%$# S%."# *"$%+&*+)%# :"# knife \+I+# ()# L+*($#for +)'# L("**"# recently designed the collection Nontron \+-)+(*"#()#E3D63U=#9%#%."#/+%#Z"**3#-+,,"*6B# for whom he is the artistic manager. ."#*"2")%,6#C*"$")%"'#+#23,,"2%(3)#38#%<")%6Q BASILE HUEZ at the ÀYH EORZQ JODVV During YDVHV his +H studies KDV UHFHQWO\ Nantes School of design and Ravensbourne col'"$(-)"'#%."#D)(8"#23,,"2%(3)#83*#T3)%*3)#83*# <.3;#."#($#%."#+*%($%(2#;+)+-"*=# lege of design and communication, he studied with the architects J.-M. Wilmotte and C. Biecher. After graduation, he decided to strike out on his own and worked for a number of years with Christian Ghion on numerous projects. 14#*

ARIK LEVY As a designer, technician, artist, D<ET./%?Q++++++++++++++++++++9$#+#'"$(-)"*B#%"2.)(2(+)B# photographer and producer, Levy is a multita+*%($%B# C.3%3-*+C."*# +)'# C*3'&2"*B# :"I6# lented all-rounder and+,,Q*3&)'"*# his work is+)'# exhibited in ($# +# ;&,%(%+,")%"'# .($# <3*D# some of the world’s most38# prestigious galleries ($# "F.(4(%"'# ()# $3;"# %."# <3*,'V$# ;3$%# C*"$%(-(3&$# -+,,"*("$# >)(%(+,,6# and museums. Initially +)'# known;&$"&;$=# for his projects D)3<)#83*#.($#C*3H"2%$#()#%."#8&*)(%&*"#$"2%3*# in the furniture sector in addition to his limited ()# +''(%(3)# .($#displays, ,(;(%"'# Arik "'(%(3)# edition designs%3#and Levy '"$(-)$# conti+)'# '($C,+6$B# 9*(D# :"I6# 23)%()&"$# %3# .+I"# nues to have a major impact on our interior and +#;+H3*#(;C+2%#3)#3&*#()%"*(3*#+)'#"F%"*(3*# exterior environment. Originating Israel, ")I(*3);")%=# O*(-()+%()-# 8*3;#from >$*+",B# +)'# and a graduate()#in()'&$%*(+,# industrial '"$(-)# design from +# -*+'&+%"# 8*3;#the %."# 9*%#Center /")%"*# G&*3C"B# ."# 2&**")%,6# <3*D$# Art Europe, he currently works in Paris ()# L+*($# <(%.# .($# %"+;# 38# %<")%6# '"$(-)"*$# with his team of twenty designers and graphical +)'# -*+C.(2+,# +*%($%$# ()# .($# $%&'(3# :'"$(-)=# artists in his studio Ldesign. Thanks to his vision E.+)D$# %3# .($# I($(3)# +)'# %.+%# 38# .($# C+*%)"*# and that :(3))(B# of his partner Pippo Lionni, the C*3H"2%$# studio L(CC3# %."# $%&'(3# .+)',"$# handles projectsRI inYLVXDO the fields of visual identity, LQ WKH ÀHOGV LGHQWLW\ VLJQSRVWLQJ +)'# C+2D+-()-# ()# +''(%(3)# %3# to "F.(4(%(3)# signposting and packaging in addition exhibi$2")"*6# +)'# 9;3)-# 3%."*$# tion scenery and()%"*(3*# interior'"$(-)=# design. Among others ."#<3*D$#<(%.#W(%*+B#13,%")(#i#/=B#Z+22+*+%B# he works with Vitra, Molteni & C., Baccarat, G;&B#\&``()(B#!"))"$$6B# J"$+,%3B# 0<+*3I$D(B# Emu, Guzzini, Hennessy, Desalto, Swarovski, W(22+*4"#+)'#>$$"6#1(6+D"#L"*8&;"$===# Viccarbe and Issey Miyake Perfumes‌

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#"<ID/.&$P:E".. ....(Q GXR -HDQ )UDQoRLV NORMAL STUDIO En duo, Jean-François 'LQJMLDQ HW (ORL &KDIDw GpIHQGHQW XQ GHVLJQ Dingjian et Eloi ChafaĂŻ dĂŠfendent un design pSXUp R OHV REMHWV UHYrWHQW XQH IRUPH ĂŠpurĂŠ oĂš les objets revĂŞtent une forme simple VLPSOH HW XVXHOOH /HXU GHVLJQ SUDJPDWLTXH et usuelle. FRPSRVH Leur design XQ pragmatique basique HW EDVLTXH XQLYHUV et KHXUHX[ composeHW unFRORUp univers heureux, malicieux et coloPDOLFLHX[ TXL H[DOWH OD TXDOLWp G¡XVDJH 'LUHFWHXUV DUWLVWLTXHV GH OD rĂŠ, qui exalte la qualitĂŠ d’usage. Directeurs artisPDUTXH 7ROL[ GH j LOV FROODERUHQW tiques de la marque Tolix de 2007 Ă 2013, ils QRWDPPHQW OHV PDUTXHV 7HIDO (QR collaborentSRXU notamment pour les marques Tefal, 6FKQHLGHU (OHFWULF HW RQW IDLW O¡REMHW G¡XQH Eno, Schneider Electric et ont fait l’objet d’une H[SRVLWLRQ PRQRJUDSKLTXH Š1RUPDO VWXGLR exposition monographique “Normal studio, deGHVLJQ pOpPHQWDLUHÂŞ DX PXVpH GHV $UWV sign ĂŠlĂŠmentaireâ€? musĂŠe des/HXUV Arts dĂŠcoratifs GpFRUDWLIV j 3DULV auHQ SLqFHV XQLTXHV SHWLWHV VpULHV GH PRELOLHU HW REMHWV Ă Paris en 2010. Leurs pièces uniques, petites VRQW pGLWpV SDU OD JDOHULH <PHU 0DOWD sĂŠries de mobilier et objets sont ĂŠditĂŠs par la galerie Ymer & Malta.

#"<ID/.STUDIO &$P:E"+ + + + +Specializes + + + + + + + + + + + + +in + + 0C"2(+,(`"$# NORMAL streamlined ()# $%*"+;,()"'# '"$(-)=# >%$# C("2"$# %+D"# %."# design. Its pieces take the form of simple, everyday 83*;# 38# $(;C,"B# "I"*6'+6# $.+C"$=# E."$"# shapes. These pragmatic, pared-down designs pop C*+-;+%(2B# C+*"'Q'3<)# '"$(-)$# C3C# <(%.# with color and playfulness, making them a joy to 23,3*#+)'#C,+68&,)"$$B#;+D()-#%.";#+#H36#%3# use. Jean-François Dingjian and Eloi ChafaĂŻ, the &$"=#Y"+)QM*+)R3($#J()-H(+)#+)'#G,3(#/.+8+mB# %."#4".()'#%."#4*+)'B#<"*"#+*%($%(2#'(*"2%3*$# duo behind the brand, were artistic directors for 83*#E3,(F#8*3;#aAAb#%3#aA?gB#<."*"#%."(*#2,(")%# Tolix from 2007 to 2013, where their client portfoC3*%83,(3#()2,&'"'#E"8+,B#G)3#+)'#02.)"('"*# lio included Tefal, Eno and Schneider Electric. In G,"2%*(2=#>)#aA?AB#%."(*#<3*D#<+$#%."#$&4H"2%# 2010, their work was the subject of a dedicated 38# +# '"'(2+%"'# "F.(4(%(3)# ")%(%,"'# NT3*;+,# exhibition entitled “Normal studio, design ĂŠlĂŠmen$%&'(3B#'"$(-)#K,K;")%+(*"P#ST3*;+,#$%&'(3B# taireâ€? (NormalJ"$(-)U# Studio, +%# Elemental Design) at 9*%$# the G,";")%+,# %."# 1&$K"# '"$# MusĂŠe des Arts()# DĂŠcoratifs Paris. 3)"Q38Q+QD()'# Their one-of-aJK23*+%(8$# L+*($=# inE."(*# C("2"$B# $"*("$# 38# 8&*)(%&*"# +)'# kind pieces,"F2,&$(I"# exclusive series of furniture and objets 34H"2%$#38#+*%#+*"#+I+(,+4,"#%.*3&-.#\+,"*("# d’art are available through Galerie Ymer & Malta. _;"*#i#1+,%+=#

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