Brochure r3 by Hemant Bhatnagar

Richard III William Shakespeare's

NATIONAL SCHOOL OF DRAMA SECOND YEAR STUDENTS present

Translated by Shahid Anwar, Shishir Mishra and Amitav Srivatsav

costume design AMBA SANYAL choreography ANJANA RAJAN

directed by K S RAJENDRAN

NATIONAL SCHOOL OF DRAMA

SECOND YEAR STUDENTS

present

Richard III William Shakespeare's

Translated by Shahid Anwar, Shishir Mishra and Amitav Srivatsav costume design AMBA SANYAL choreography ANJANA RAJAN

directed by K S RAJENDRAN

Synopsis of the play Act 1, Scene 1 The play begins with a soliloquy from Richard, Duke of Gloucester, about his displeasure of the peaceful times that have come during the reign of his brother, Edward IV. Richard, who knows he could never fit in with a peaceful atmosphere because of his gross disfigurement, announces that he will do his best to be a villain.

Act 1, Scene 2 Lady Anne is delivering a sad lament during the funeral of King Henry VI, when Richard arrives and disrupts the proceedings.

Act 1, Scene 3 Queen Margaret and her brother, Lord Rivers, and son, Lord Grey, discuss disapprovingly how King Edward is growing sicker and how the protectorship for her young son and heir to the throne would go to Richard.

Act 2, Scene 1 A sickly King Edward gathers with the queen, her relatives and several lords in order to make peace between them before he dies. Queen Elizabeth requests that Edward take Clarence back into good favor, but Richard informs them that he is dead. He then departs to his chambers, near death. Richard suggests to the lords that they revenge Clarence's death on the queen's relatives.

Act 2, Scene 2 Queen Elizabeth enters with her family and informs everyone that King Edward has passed away. All present lament over the deaths of the two brothers before Richard and the lords enter. Buckingham suggests that Edward's young son (also named Edward) should be taken to London with a small group of followers to be crowned king.

dFkklkj vd a 1] n'` ; 1 XykslLs Vj ds M~;d w fjpMZ ds ,d Loxr Hkk"k.k ls ;g ukVd 'kq: gksrk gS ftlesa og vius HkkbZ ,MoMZ prqFkZ ds 'kkludky ds nkSjku vk, 'kkafriw.kZ fnuksa ds ckjs esa viuh ukjktxh izdV djrk gSA viuh gn ls T;knk dq:irk ds pyrs fjpMZ tkurk gS fd og 'kkafriw.kZ okrkoj.k ds lkFk dHkh fQV ugha cSB ldrk blfy, ?kks"k.kk djrk gS fd og ,d [kyuk;d cus jgus dh gh iwjh dksf'k'k djsxkA

vd a 1] n'` ; 2 ysMh ,su jktk gsujh NBs ds vafre laLdkj ds nkSjku 'kksd lan's k i<+ jgh gSa rHkh fjpMZ vkrk gS vkSj dk;Zokgh ckf/kr dj nsrk gSA

vd a 1] n'` ; 3 jkuh ekxZjVs vkSj mldk HkkbZ ykWMZ jholZ o iq= ykWMZ xsz ukjkt+xh ls Hkjs ppkZ dj jgs gSa fd fdl rjg jktk ,MoMZ /khjs&/khjs det+kjs gks jgs gSa vkSj dSls mlds ;qok iq= vkSj flagklu ds mÙkjkf/kdkjh dh ljijLrh fjpMZ dks tkus okyh gSA

vd a 2] n'` ; 1 viuh ekSr ls igys nksuksa ds chp 'kkafr cgky djus ds Øe esa chekj jktk ds cqykos ij jkuh] mlds fj'rsnkj vkSj dbZ ykWMZ bdëk gSAa egkjkuh ,fytkcsFk ,MoMZ ls vuqjks/k djrh gS fd Dysjlas dks okil viuss i{k esa ys ysa ysfdu fjpMZ crkrk gS fd Dysjlas ej pqdk gSA fQj og ekSr ds bartkj esa vius d{k esa pyk tkrk gSA fjpMZ ykWMl~Z dks dgrk gS fd os Dysjlas dh ekSr dk cnyk jkuh ds fj'rsnkjksa ls ysAa

vd a 2] n'` ; 2 egkjkuh ,fytkcsFk vius ifjokj ds lkFk ços'k djrh gS vkSj lHkh dks crkrh gS fd jktk ,MoMZ dk fu/ku gks x;k gSA lHkh mifLFkr nksuksa Hkkb;ksa dh ekSr ij foyki djrs gSa fd rHkh y‚MZl~ vkSj fjpMZ izo's k djrs gSAa cfda?ke lq>krk gS fd ,MoMZ ds ;qok iq= ¼ftldk uke Hkh ,MoMZ gS½ dks rkt igukus ds fy, vuq;kf;;ksa ds ,d NksVs lewg ds lkFk yanu tkuk pkfg,A

Act 3, Scene 1

vd a 3] n`'; 1

The new King Edward V meets with his Uncle Richard, the Cardinal and the lords. Edward wonders where his mother and brother are, and Hastings arrives to inform him they have gone into sanctuary for an unknown reason. Edward's brother York is brought in and ends up insulting Richard, who then recommends that the two children stay at the tower until the coronation ceremony. After they depart, Richard and Buckingham order Catesby to inform Lord Hastings that Richard plans to take the throne and inquire as to whether they can count on his support.

u;k jktk ,MoMZ iape vius pkpk fjpMZ] dkfMZuy vkSj ykWMZ~l ls feyrk gSA ,MoMZ vk'p;Z trkrk gS fd mldh eka vkSj HkkbZ dgkW gSa] gsfLVaXl vkrk gS vkSj lwfpr djrk gS fd os ,d vKkr dkj.k ls vHk;kj.; pys x, gSaA ,MoMZ ds HkkbZ ;‚dZ dks yk;k tkrk gS tks fjpMZ dk vieku djrk gSA fjpMZ rc flQkfj'k djrk gS fd jkT;kfHk"ksd lekjksg gksus rd nksuksa cPpksa dks egy esa jgus fn;k tk;sA muds tkus ds ckn] fjpMZ vkSj cfda?ke dSV~lckbZ dks vkns'k nsrs gSa fd y‚MZ gsfLVaXl dks lwfpr djks fd fjpMZ flagklu gfFk;kus dh ;kstuk cuk jgk gS vkSj tkuuk pkgrk gS fd os mldk leFkZu dj ldrs gSa ;k ughaA

Act 3, Scene 4

vd a 3] n`'; 4

The lords discuss when Edward's coronation ceremony should be and await Richard's arrival to confirm the date. Richard enters and seems happy that Hastings should make the decision for him. When they come back Richard claims that Queen Elizabeth and Jane Shore (a mistress of the former Edward IV) have joined together and laid a spell on him that shrivelled up his arm (his arm was obviously already deformed). When Hastings laughs at these accusations, Richard immediately orders that he be executed and departs.

y‚MZ~l ;g ppkZ dj jgs gSa fd ,MoMZ dk jkT;kfHk"ksd lekjksg dc gksuk pkfg, vkSj rkjh[k dh iqf"V djus ds fy, fjpMZ ds vkus dk bartkj dj jgs gSaA fjpMZ ços'k djrk gS vkSj [kq'k yx jgk gS fd gsfLVaXl mlds fy, fu.kZ; djsxkA tc os okil vkrs gSa rks fjpMZ nkok djrk gS fd egkjkuh ,fytkcsFk vkSj tsu 'kksj ¼iwoZ ,MoMZ prqFkZ dh ,d j[kSy½ fey x, gSa vkSj mUgksaus u tkus D;k tknw dj fn;k gS ftlls mldk gkFk csdkj gks x;k gS ¼tcfd mldk gkFk igys ls gh fod`r gS½A tc gsfLVaXl bu vkjksiksa ij galrk gS] fjpMZ mls rqjar ekj Mkyus dk vkns'k nsrk gS vkSj pyk tkrk gSA

Act 3, Scene 5 Richard and Buckingham are joined first by the mayor and Catesby and then by Ratcliffe and Lovel, who enter with the head of Hastings. The mayor is appalled by this appearance, and Richard explains to them that they were forced to execute them because he had been plotting against their lives.

vd a 3] n`'; 5 fjpMZ vkSj cfda?ke dks igys egkikSj vkSj dSV~lckbZ] fQj jSVfDyQ vkSj yksosy tks gsfLVaXl ds flj ds lkFk ços'k djrk gS] feyrs gSaA egkikSj ;g ns[kdj pfdr gSA fjpMZ mUgsa crkrk gS fd mUkdks mls ekjus ds fy, etcwj fd;k x;k Fkk D;ksafd og muds f[kykQ lkft'k jp jgk FkkA

Act 3, Scene 7

cfda?ke fjpMZ dks crkrk gS fd mUgksaus ,MoMZ ds cPpksa dh fotUerk dh ?kks"k.kk dj nh gS vkSj flQkfj'k dh gS fd fjpMZ u, jktk cusaA HkhM+ bl ij dksbZ çfrfØ;k ugha nsrhA rc cfda?ke lq>ko nsrk gS fd fjpMZ ds ikl ,d ckbcy gks] mlds pkjksa vksj ppZ ds yksx gksa vkSj ukxfjdksa dks og ifo= vkSj fouhr yxsA blls og mudk izse thrsxk vkSj tc os mls eqdqV is'k djsaxs rc lPpk yxus ds fy, mls og igyh ckj esa gh u ys ysA

Act 4, Scene 2

fjpMZ vkSj ykWMl~Z mlds jkT;kfHk"ksd ds fy, vkrs gSAa tSls gh cfda?ke mls c/kkbZ nsus ds fy, ikl vkrk gS fjpMZ dgrk gS fd og vius Hkrhtksa ds ftank jgrs gq, flagklu ij dHkh lqjf{kr eglwl ugha djsxk vkSj cfda?ke dks ;g [kwuh dk;Z fu"ikfnr djus ds fy, dgrk gSA Mîwd ugha tkurk fd D;k dgs blfy, vuqjks/k ds ckjs esa lkspxs k dgdj pyk tkrk gSA fjpMZ v/khj gks tkrk gS vkSj og ,d lg;ksxh ls iwNrk gS fd og fdlh dks tkurk gS tks iSls ds fy, dqN Hkh xyr dke dj ldsA lg;ksxh tsEl VkbjSy uke ds fdlh vkneh dks ysdj vkrk gSAS VkbjSy rqjra egy esa nks jktdqekjksa dh gR;k djus ds fy, lger gks tkrk gS vkSj pyk tkrk gSA varr%] jktk cfda?ke dks ;g dgrs gq, in ls gVk nsrs gSa fd og gkjus ds ewM esa ugha gSa vkSj pys tkrs gSAa cfda?ke [ksn trkrk gS fd mlus fjpMZ dks flagklu ij p<+us esa enn dhA

Richard and the lords enter to his coronation. As Buckingham approaches the king to congratulate him, Richard tells him that he will not feel safe on the throne until his nephews are dead and asks Buckingham to perform the bloody deed. The duke does not know what to say and departs to think of the request. Richard becomes impatient and asks a page if he knows anyone who would do something deceitful for money. The page returns with one James Tyrrel. Tyrrel immediately agrees to murder the two princes in the tower and departs.Finally, the king dismisses Buckingham, tells him he is not in a giving mood and departs. Buckingham regrets having helped Richard ascend the throne.

Act 4, Scene 4 Margaret is triumphing in the fact that all she prophesied has come true when Queen Elizabeth and the Duchess of York enter, lamenting the death of the two princes. The former queen approaches the two women and tells them that she had warned them that they should be punished for the sins of their family members and that they should not trust Richard. After Margaret departs, the two women vow to take down Richard for all the death and destruction he has caused. Richard and his army then enter. Ratcliffe and Catesby arrive to inform the king that a navy, under Richmond's command, has landed on English soil and await to join with Buckingham's forces. The king prepares for battle.

vd a 3] n`'; 7

Buckingham informs Richard that he has announced the bastardy of Edward's children and recommended that Richard become the new king. The crowd did not react to these exclamations so Buckingham suggests that Richard get a bible, surround himself with churchmen and seem pious and modest to the citizens. This would be meant to win their love and, when they offer him the crown, he should not take it at first to seem genuine.

vd a 4] n`'; 2

vd a 4] n`'; 4

egkjkuh ,fytkcsFk vkSj Mpsl vkWQ ;‚dZ tc jktdqekjksa dh ekSr ij foyki djrs gq, izos'k djrh gSa] ekxZjsV fot;h eglwl djrh gS D;ksafd okLro esa mlus tks Hkfo";ok.kh dh Fkh og lp gks jgh FkhA ;g iwoZ jkuh mu nksuksa efgykvksa ds ikl tkrh gS vkSj dgrh gS fd mlus mUgsa vkxkg fd;k Fkk fd mUgsa vius ifjokj ds lnL;ksa ds ikiksa ds fy, nafMr fd;k tkuk pkfg, vkSj ;g Hkh fd mUgsa fjpMZ ij Hkjkslk ugha djuk pkfg,A ekxZjsV ds pys tkus ds ckn] og nksuksa efgyk,a 'kiFk ysrh gSa fd bu lc ekSrksa vkSj fouk'k ds ftEesokj fjpMZ dks os lcd fl[kk,sxhA rHkh fjpMZ vkSj mldh lsuk izos'k djrh gSA jSVfDyQ vkSj dSV~lckbZ vkdj jktk dks lwfpr djrs gSa fd fjpeaM ds rgr ,d ukSlsuk dh VqdM+h baXySaM dh /kjrh ij mrjh gS vkSj cfda?ke lSfudksa esa 'kkfey gksus dk bartkj dj jgh gSaA jktk yM+kbZ dh rS;kjh djrk gSA

Act 5, Scene 1

vd a 5] n`'; 1

Buckingham is informed by a sheriff that the king will not speak with him, and therefore, he must die. He laments on the destruction he, in part, caused and remembers Margaret's prophesies and how they have come true, before being led off to execution.

cfda?ke dks ,d 'ksfjQ vkdj lwpuk nsrk gS fd jktk mlls ckr ugha djsaxs] vkSj mls ejuk gh gksxkA cfda?ke [kqn vius }kjk ckj&ckj fd, fouk'k ij vQlksl trkrk gS vkSj izk.knaM ls igys ;kn djrk gS ekxZjsV dh Hkfo";ok.kh fd og dSls lp gks jgh gSA

Act 5, Scene 2

fjpeaM dk vyZ vius Hkk"k.k esa yksxksa dks fjpMZ ds vR;kpkj ds ckjs esa crkrk gS vkSj dgrk gS dSls mUgsa mls baXySaM ds flagklu ls nwj djuk gksxkA fQj og vkSj mldh lsuk fjpMZ dh lsuk dh rjQ dwp djus dh rS;kjh djrs gSaA

The Earl of Richmond delivers a speech to his men about Richard's tyranny and how they must remove him from England's throne. He and the troops prepare to march towards Richard's army.

Act 5, Scene 3 In this scene, which switches back and forth between the tents of Richard and Richmond, the king and his lords (Ratcliffe, Catesby, the Duke of Norfolk and the Earl of Surrey) prepare for the battle at Bosworth, while Richmond and his followers do the same. Richard has an ominous dream in which he is visited by the ghosts of all the people he has killed. The ghosts all curse Richard and wish him dead and bless Richmond and wish him well in the coming battle. Richard awakes and delivers a soliloquy telling how he will soon die and be unmourned. The king tells of his ominous dream, and Richmond tells of his promising dream before he delivers a speech and preps his troops for battle. The Battle of Bosworth begins.

Act 5, Scene 4 Catesby and Norfolk frantically run about the battlefield while King Richard searches for a horse.

Act 5, Scene 5

vd a 5] n`'; 2

vd a 5] n`'; 3

;g n`';] fjpMZ vkSj fjpeaM] jktk vkSj muds y‚MZ~l ¼jSVfDyQ] dSV~LkckbZ] uksjQksd dk Mîwd vkSj ljs dk vyZ½ ds VsaV ds chp vkxs&ihNs gksrk gS tks fd cksloFkZ ij yM+kbZ dh rS;kj dj jgs gSaA fjpMZ dks ,d eugwl liuk vkrk gS fd ftlesa mu lHkh ds Hkwr vkrs gSa ftUgsa mlus ekjk gSA lHkh Hkwr fjpMZ dks vfHk'kki nsrs gSa vkSj mlds ejus dh dkeuk djrs gSaA ogha nwljh rjQ os fjpeaM dks vk'khokZn nsrs gSa vkSj vkus okys yM+kbZ esa mldh HkykbZ dh dkeuk djrs gSaA fjpMZ tkxrk gS vkSj Loxr Hkk"k.k esa dgrk gS fd og tYnh gh ej tk,xk vkSj jksus okyk dksbZ Hkh u gksxkA m/kj jktk Hkh vius eugwl lius ds ckjs esa crkrk gS] vkSj fjpeaM vius lSfudksa dks yM+kbZ ls igys Hkk"k.k nsrs gq, vius vk'kkiw.kZ lius ds ckjs esa crkrk gS vkSj yM+kbZ ds fy, rS;kj gksus dks dgrk gSA cksloFkZ dh yM+kbZ 'kq: gksrh gSA

vd a 5] n`'; 4

dSV~LkckbZ vkSj uksjQksd va/kk/kqa/k ;q) ds eSnku dh rjQ pyrs gSaA tcfd jktk fjpMZ ,d ?kksM+s dh [kkst djrk nh[krk gSA

vd a 5] n`'; 5

fjpMZ vkSj fjpeaM }an ;q) yM+rs gSa] ftlesa varr% jktk fjpMZ ekjk tkrk gSA

Richard and Richmond fight in single combat, and the king is slain. 5

About the director K.S. Rajendran A well-known director of plays in various Indian languages. An alumnus of the National School of Drama, where he taught Dramatic Literature, he has worked extensively with the Chennai-based theatre repertory Koothu-p-Pattarai. In 2007 he founded the New Delhi Theatre Workshop, which has presented well-received productions such as Madhavi, Daar se Dichhudi,UrvaShe, Aurangzeb and Chimtewale Baba His directorial work ranges from adaptations of Shakespeare, Brecht, Ionesco and Genet to contemporary playwrights and authors such as Omchery, Shankara Pillai, Shiva Prakash, Vijay Tendulkar, Alekar, Kambar, Indira Parthasarathy and Lalit Mohan Thapalyal, besides Sanskrit classics by Kalidasa, Bhavabhuti and Shudraka. He has conducted workshops and lectured on theatre in India and abroad. He was the Course Director of the UNESCO ITI workshop on Ancient Indian Drama held in Bucharest in 2006. In 2008, he conducted the National Workshop on Sanskrit Play Production for the Sanskrit University at its Sringeri campus. His production of Shakespeare's RICHARD III was presented at the Second International Theatre Festival organised by GATS at Beijing in September, 2011. His recent productions include MARAT/SADE, Bhava Bhuti's UTTARA RAMA CHARITAM, Girish Karnad's WEDDING ALBUM, AGNI AUR BHARKA William Shakespeare's MACBETH, Indira Parthsaratry's AURANGZEB and Kalidasa's VIKRAMORVASHIYAM, and Brecht's The Resistible Rise of Arturo ui. While working on his research project, 'Theatre of the Dravidian Movement (1985-87), he was a Fellow at the Tamil Nadu Council of Historical Research.

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ds- ,l- jktsUnzu fofHkUu Hkkjrh; Hkk"kkvksa ds ukVdksa ds iz[;kr funsZ'kd gSaA vki jkukfo Lukrd gSa] ogha ukV~; lkfgR; i<+krs jgs gSa] vkSj psUubZ fLFkr jaxeaMy dksFkq&ih&iŸkjkbZ ds lkFk O;kid rkSj ij dk;Z dj pqds gSaA 2007 esa vkius U;w nsgyh fFk,Vj odZ'kkWi uked lewg dh LFkkiuk dh ftlus ek/koh*] ^Mkj ls fcNqM+h*] ^moZ'kh* vkSj ^fpeVsokys ckck* tSlh dbZ csgrjhu izLrqfr;ksa dk izn'kZu fd;k gSA vkids funsZ'kdh; dk;ksZa esa tgkWa 'ksDlfi;j] czs[r] vkbusLdks o tsusV ds :ikarj.kksa ls ysdj vksepssjh] 'kadj fiYybZ] f'ko izdk'k] rsanqydj] vkysdj] dackj] bafnjk ikFkZlkjFkh vkSj yfyr eksgu Fkify;ky tSls ledkyhu ukVddkjksa o ys[kdksa dh jpuk,a 'kkfey gSa ogha vkius dkfynkl] HkoHkwfr vkSj 'kwnzd jfpr laLÑr Hkk"kk ds mRÑ"B ukVdksa dk Hkh izn'kZu fd;k gSA vkius Hkkjr o fons'kksa esa dbZ dk;Z'kkykvksa o O;k[;kuksa dk lapkyu fd;k gSA ;wusLdks vkbZVhvkbZ }kjk izkphu Hkkjrh; ukVd ij cq[kkjsLV esa 2006 esa vk;ksftr dk;Z'kkyk ds vki ikB~;Øe funsZ'kd jgssA o"kZ 2008 esa vkius J`axsjh fLFkr laLÑr fo'ofo|ky; ds fy, laLÑr ukV~; izLrqfr fo"k; ij jk"Vªh; dk;Z'kkyk vk;ksftr dhA 2011 eas chftax eas xsV~l }kjk vk;ksftr nwljs varjkZ"Vªh; jaxeap lekjksg esa vkids }kjk funsZf'kr 'ksDlfi;j ds fjpMZ &AAA dk izn'kZu fd;k x;kA vkidh gkfy;k izLrqfr;ksa esa ihVj oSl dk ejkr@lkn] HkoHkwfr dk mŸkjjkepfjre~] fxjh'k dkjukM dk oSfMax ,Yce] 'ksDlfi;j dk eSdcSFk] bafnjk ikFkZlkjFkh dk vkSjaxt+sc] dkfynkl d`r foØeksoZ'khZ;e~ vkSj csz[r dk n jflfLVcy jkbt+ vkWQ vkrqZjks mbZ 'kkfey gSaA viuh 'kks/k ifj;kstuk ^fFk,Vj vkWQ n nzfofM+;u ewoeSaV ¼1985&87½* ij dk;Z djrs gq, vki rfeyukMq dkmafly vkWQ+ fgLVksfjdy fjlpZ ds v/;srk jgs gSaA

A NOTE FROM THE DIRECTOR

funsZ'kd dh dye ls

In our times of "encounter deaths'', ''paid news'', ''political murders'' and the rise of Rightwing political forces, Shakespeare's Richard III is not a very distant, historical play of the fifteenth century. It is Shakespeare -here and now, addressing our contemporary political concerns. He does not dramatize history but depicts the psychology of political power mongers. It is a very lengthy and unwieldy text. Our modern-day audiences are not used to watching plays of three to four hours' duration. I do not know how many will remain at the end of this threehour long performance. I am fortunate to have got as collaborators in this project costume designer Amba Sanyal and choreographer Anjana Rajan; Thang-Ta expert Shri Gurumayum Biseshwor Sharma, my former students, Sonam Stobgais, and Danish Iqbal, who has taken care of speech and diction and imparted training to our student-actors. I am grateful to all of them. Without their support, it would not have been possible for me to present this play. Last but not least, I thank my student-actors who come from two streams -- those undergoing professional training here at NSD, and enthusiastic young amateurs. Putting up with logistical hindrances, grappling with complex psychology and discovering an unfamiliar cultural and historical context, they consistently gave of their best during the taxing rehearsals. My friends Shahid Anwar and Shishir Mishra have been of great help in translating the text. Shishir attended every rehearsal and provide the necessary linguistic inputs. I am grateful to them.

^eqBHksM+ esa gksus okyh ekSrksa*] ^isM U;wt*] ^jktuhfrd gR;kvksa* vkSj nf{k.kiaFkh jktuhfrd rkdrksa ds mHkkj ds bl pje le; esa fjpMZ r`rh; 15oha lnh dk vyx&Fkyx iM+k ,sfrgkfld ukVd ugha gSA ;g 'ksDlfi;j gS tks blds ek/;e ls gekjh ledkyhu fparkvksa dks lacksf/kr djrk gSA og bfrgkl dks ukVdh; ugha cukrk oju lRRkk ds lkSnkxjksa dk euksfoKku n'kkZrk gSA ;g cgqr gh yack vkSj cksf>y vkys[k gS vkSj gekjs vkt ds T;knkrj n'kZd rhu ls pkj ?kaVs dh vof/k ds ukVd ns[kus ds vH;Lr ugha gSaA eq>s ugha ekywe rhu ?kaVs ds bl ukVd dk var vkrs vkrs lHkkxkj esa fdrus n'kZd jg ik;saxsA ;g esjk lkSHkkX; gS fd lg;ksfx;ksa ds :i esa oL= ifjdYid vEck lkU;ky] u`R; la;kstd vatuk jktu] Fkkax&Vk fo'ks"kK Jh xq:ek;qe fols'oj 'kekZ ds vykok laHkk"k.k o mPpkj.k rFkk vfHkusrk izf'k{k.k ds fy, esjs iwoZ Nk= Øe'k% nkfu'k bdcky o lksue LrkscKsl esjs lkFk gSaA eSa bu lcdk vkHkkjh gWawA bu lcds lfØ; lg;ksx ds fcuk bl ukVd dh izLrqfr esjs fy, laHko ugha FkhA var esa fQj ls ,d ckj eSa vius lHkh Nk= vfHkusrkvksa dk /kU;okn djrk gw¡] buesa nks /kkjkvksa ds vfHkusrk 'kkfey gSa & ,d og tks jkukfo esa O;kolkf;d izf'k{k.k ys jgs gSa vkSj nwljs ckgj ds mRlkgh 'kkSfd;k jaxdehZA rkfdZd ck/kkvksa dks ikj dj] tfVy euksfoKku ls tw>rs gq, vkSj ,d vifjfpr lkaLÑfrd vkSj ,sfrgkfld lanHkZ dks [kkstus dh izfØ;k esa bu lc us Fkdk nsus okyh fjglZyksa ds nkSjku yxkrkj viuk loZJs"B fn;k gSA esjs fe= 'kkfgn vuoj vkSj f'kf'kj feJk us vkys[k dk vuqokn fd;k gSA f'kf'kj gj fjglZy esa mifLFkr jgs vkSj vko';d Hkk"kkbZ ifj"dkj djrs jgsA eSa nksuksa dk cgqr vkHkkjh gWawA

Choreographer Anjana Rajan Anjana Rajan is a trustee and volunteer teacher at Sadhana Sanskriti Pratishthan, Sahibabad, a cultural organisation founded by her late father, playwright/director Lalit Mohan Thapalyal. Besides performing as a soloist and ensemble member, she conducts dance and theatre workshops for varied age groups and leads Sadhana's theatre group. As a member of the visiting faculty of the National School of Drama and the Shri Ram Centre, Anjana has worked with various batches of theatre students, introducing them to movements based on Bharatanatyam and to classical Indian views of the body and dramatic expression, or the natya technique. In 2013-14 she experimented with this technique to choreograph and direct L.M. Thapalyal's Dhakar Party, a political satire in Hindi verse. In earlier years she has collaborated as a choreographer and movement trainer in NSD student productions directed by K.S. Rajendran. Among these are Vikramorvashiyam (Hindi, 2008), Malavikagnimitram (Hindi 2006) and Marat/Sade (Hindi 2012). Other productions include H.S. Shivaprakash's Madhavi (New Delhi Theatre Workshop, English, 2009); the Sanskrit version of Vikramorvashiyam based on Kalidasa's original text; and Krishna Sobti's Daar Se Bichhudi. Anjana trained in Bharatanatyam at Kalakshetra, Chennai, where she met the institute's legendary founder, Rukmini Devi Arundale, and other iconic gurus. These experiences strengthened her faith in the power of the arts to heal and expand the personality and to enhance the efficacy of formal education. Her articles on performing arts and artists, with a focus on India's classical dance and music forms, have appeared in a number of English language publications, including The Pioneer, The Statesman, Horizon, Confluence and Pulse Dance. For over 13 years she has been a member of The Hindu features team and was a Deputy Editor there till stepping down recently. 10

u`R; la;kstd

Costume designer

vatuk jktu lkfgckckn fLFkr lk/kuk laLÑfr izfr"Bku dh VªLVh o Lo;aLksoh izf'k{kd gSaA bl izfr"Bku dh LFkkiuk muds firk o tkus&ekus ukVddkj&funsZ'kd Lo- Jh yfyr eksgu Fkify;ky us dh FkhA blds varxZr vki ,dy o lewg u`R; izLrqfr;kas ds vykok fofHkUu vk;q oxksZa ds fy, u`R; ,oa jaxeap dk;Z'kkyk,a vk;ksftr djrh gSa vkSj lk/kuk jax lewg pykrh gSaA jk"Vªh; ukV~; fo|ky; o Jhjke lsaVj dh vfrfFk ladk; ds :Ik esa vkius dbZ o"kZ rd Nk=ksa dks izf'kf{kr fd;k vkSj HkjrukV~;e ij vk/kkfjr xfr;ksa ds vykok nsg ,oa ukVdh; vfHkO;fDr dh Hkkjrh; 'kkL=h; i)fr o ukV~; rduhd ls mudk ifjp; djk;k gSA o"kZ 2013&14 esa vkius bl rduhd dk iz;ksx ,y- ,e- Fkify;ky ds ukVd ^/kkdM+ ikVhZ* ds u`R; la;kstu o funsZ'ku esa fd;k tks fd dfoRr esa fy[kk x;k ,d jktuSfrd O;aX; FkkA fiNys dqN o"kksZa ls vki ds- ,l- jktsUnzu }kjk funsZf'kr jkukfo Nk= izLrqfr;ksa esa u`R;&funsZ'kd o xfr izf'k{kd ds :Ik esa tqM+h jgha gSa] bu izLrqfr;ksa esa foØeksoZ'khZ;e~ ¼fgUnh] 2008½] ^ekyfodkfXufe=e* ¼fgUnh] 2006½ vkSj ejkr@lkn ¼fgUnh] 2012½ 'kkfey gSaA vU; izLrqfr;ksa esa jktsUnzu }kjk funsZf'kr ,p- ,lf'koizdk'k dk ^ek/koh* ¼U;w nsgyh fFk,Vj odZ'kkWi] vaxzst+h] 2009½ dkfynkl }kjk jfpr ewy laLÑr ukVd ^foØeksoZ'khZ;e* vkSj Ñ".kk lkscrh dk ^Mkj ls fcNqM+h* 'kkfey gSaA vatuk us HkkjrukV~;e dk izf'k{k.k psUubZ fLFkr dyk{ks= o mldh izfl) laLFkkid #De.khnsoh v#aMsy rFkk vU; izfrf"Br xq:vksa ds lkfu/; esa izkIr fd;kA vkids bUgha vuqHkoksa us dyk dh 'kfDr ij vkids ml fo'okl dks vkSj iq[rk fd;k fd dyk ls O;fDrRo dk fu[kkj vkSj fodkl fd;k tk ldrk gS vkSj vkSipkfjd f'k{kk dh n{krk dks c<+k;k tk ldrk gSA izn'kZu dykvksa vkSj dykdkjksa ij vkids dbZ ys[k] tks fd eq[; :Ik ls Hkkjrh; 'kkL=h; u`R; o laxhr :iksa ij dsfUnzr gSa vaxzst+h dh fofHkUu i=&if=dkvksa n ik;fu;j] n LVsV~leSu] gkWjkbtu] dkWuyw,al vkSj iYl Mkal esa Nis gSaA fiNys 13 o"kksZa ls vki n fgUnw QhplZ Vhe dh lnL; vkSj mldh mi laiknd jgha gSaA vkius gky gh esa ;g in NksM+k gSA

Amba sanyal appeared on the stage in Heer Ranjha and in the role of Kaikeiyee in Ramlila productions of Bharatiya Kala Kendra for many years. She assisted Shanta Gandhi in designing the mask and head gear for the National School Of Drama production, Jasma Odan, and has been a part of numerous Sahitya Kala Parishad productions as costume designer as well as at the recent NSD production of Andhayug and Tughlaq at Firoz Shah Kotla ground. She also documented the traditional saris and draping in India for a government of India project of which two volumes have been published. She is a Sangeet Natak Academy Awardee and got the Chamanlal Dhingra award for costume designing. She has designed costumes for films and has recently acted in the golden peacock award film, “The Ship of Thesus”.

vEck lkU;ky loZiFz ke ghj jka>k izLrqfr esa eap ij fn[kha vkSj fQj dbZ o"kksaZ rd Hkkjrh; dyk dsUnz dh jkeyhyk esa dSd;h dh Hkwfedk fuHkkrh jghaA jk"Vªh; ukV~; fo|ky; dh izLrqfr tLkek vks<u+ ds fy, eq[kkSVs o ixM+h&lkQs fuekZ.k esa vki lqJh 'kkark xka/kh dh lgk;d jgh vkSj lkfgR; dyk ifj"kn~ dh dbZ izLrqfr;ksa ls oL= ifjdYid ds :Ik esa tqMh+ jghaA fQjkst'+ kkg dksVyk eSnku esa iznf'kZr jkukfo dh izLrqfr va/kk;qx vkSj rqxy+ d esa Hkh vkidk fo’ks"k ;ksxnku FkkA vkius Hkkjr ljdkj dh ,d ifj;kstuk ds rgr Hkkjrh; ikjaifjd lkfM+;ksa o mUgas cka/kus lac/kh fo"k; dk nLrkosth+ dj.k fd;k gSa ftlds vc rd nks vad izdkf'kr gks pqds gSAa laxhr ukVd vdknseh ls lEekfur vEck lkU;ky dks os'kHkw"kk ifjdYiuk gsrq peuyky /khaxjk iqjLdkj ls Hkh lEekfur fd;k tk pqdk gSA vkius fQYeksa ds fy, Hkh oL= ifjdYiuk dh gS vkSj vHkh gky esa xksYMu ihdkWd ls lEekfur fQYe ^n f'ki vkWQ+ Fkhll* esa vfHku; fd;k gSA

Translators

vuqoknd

vt a uk jktu

Amba sanyal

Shishir Mishra Shishir Mishra was born in Munger, Bihar. Having graduated with a Bachelors (Honours) degree from Bhagalpur University in Bihar, Shishir has also been part of acting courses organised by the Shri Ram Center for Art & Culture, New Delhi. He has acted in productions of Desire under the Elms written by Eugene O'Neill, The Mistress of the Inn by Carlo Goldoni, presented as Sarai Ki Malkin, Daakghar by Rabindranath Tagore, Endgame by Samuel Beckett and Caucasian Chalk Circle by Bertolt Brecht. Apart from Richard III, his translations include The Gap by Eugene Ionesco and Police by Slawomir Mrozek.

oL=&vfHkdYid vEck lkU;ky

f'kf'kj feJk

eqaxsj] fcgkj esa tUes f'kf'kj feJk us Hkkxyiqj fo'ofo|ky; ls Lukrd dh mikf/k izkIr dhA rRi'pkr vkius Jhjke lsaVj QkWj vkWVZ ,aM dYpj }kjk vk;ksftr vfHku; ikB~;Øe esa izfrHkkfxrk dhA ;wthu vks* uhy fyf[kr fMt+k;j vaMj n ,YEl] dkyksZ xksYnksuh fyf[kr n feLMªSl vkWQ+ n bu tks ljk; dh ekyfdu uke ls iznf'kZr gqvk] johUnzukFk VSxksj fyf[kr Mkd?kj] lSeq,y cSdsV fyf[kr ,aM xse vkSj czVksZYV czs[r fyf[kr dkWdsf'k;u pkWd lfdZy esa vfHku; fd;kA fjpMZ r`rh; ds bl vuqokn dk;Z ds vfrfjDr vkius vkbusLdks ds n xSi vkSj Lykoksehj ezkstsd ds iqfyl dk vuqokn fd;k gSA

Shahid Anwar

'kkfgn vuoj

Shahid Anwar is a playwright best known for incorporating contemporary political parallels into the universal conflict between Man and his society. His plays like Sara, Hamara Samay Mein, B-Three , Soopna ka Sapna and Ghar Zaroori Log have won a wide acclaim. He has several translations and adaptations to his credit including Final Solution, Aurangzeb, R.U.R, Tigress story and Azad Maulana. He contributes reviews and articles on theatre, films and literature to many esteemed journals and dailies. He has been honoured with Mohan Rakesh Samman, Ghalib Award and Delhi Urdu Academy Award for playwriting.

vius ukVdksa esa euq"; vkSj lekt ds chp ds lkoZHkkSfed la?k"kZ esa ledkyhu jktuSfrd lekukarj 'kkfey djus okys ukVddkj 'kkfgn vuoj us vc rd ^lkjk*] ^gekjs le; esa*] ^ch&Fkzh*] ^lwiuk dk liuk*] ^x+Sj t+:jh yksx* ukVd fy[ks gSa vkSj O;kid ljkguk ikbZ gSA vkius dbZ vuqokn o :ikarj.k Hkh fd, gSa ftuesa ^Qkbuy lkWY;w'ku*] ^vkSjaxt+sc*] ^vkj ;w vkj*] ^VkbZxzsl LVksjh* vkSj ^vkt+kn ekSykuk* 'kkfey gSaA izfrf"Br i=&if=dkvksa esa jaxeap] fQYeksa o lkfgR; ij fy[kh vkidh leh{kk,a o ys[k Nis gSaA 'kkfgn vuoj dks ukV~;ys[ku ds fy, ^eksgu jkds'k lEeku*] ^x+kfyc vokWMZ* vkSj ^fnYyh mnwZ vdknseh vokWMZ* ls lEekfur fd;k x;k gSA

Amitabh Srivastava

vferkHk JhokLro

Born in July 1955 in Jabalpur (M.P), Amitabh Srivastava has done his masters in economics from Allahabad University in 1985 and is a graduate of National School of Drama. Over the years he has worked and been associated with many eminent directors like E. Allkazi, B.V Karanth, Barry John, Ranjit Kapoor and Amal Alllana. He has travelled to the U.K, Germany and Poland with NSD Repertory Company. He has translated Ek Aur Durghatna, Chukainge Nahi, Kabhi Na Chode Khet, Aurat Bhali Ramkali, The Tempest, Kagpanth, Kiss of the Spider Women, Subhadra, Ammerican Pilot, Lauren Sahib, etc. In 2011, he received the prestigious Sangeet Natak Award in acting.

tcyiqj ¼e-iz-½ esa tUes vferkHk JhokLro us bykgkckn fo'ofo|ky; ls 1985 esa vFkZ'kkL= esa LukrdksŸkj dh mikf/k izkIr dh vkSj rRi'pkr jk"Vªh; ukV~; fo|ky; dss Lukrd jgsA bl vof/k esa vkius ftu izfrf"Br funsZ'kdksa ds lkFk dk;Z fd;k muesa bZ- vYdkt+h] c-o- dkjar] cSjh tkWu] jathr diwj vkSj veky vYykuk 'kkfey gSaA jkukfo jaxeaMy ds lkFk vkius ;w-ds-] teZuh o iksySaM dh ;k=k,a dhaA vkius ,d vkSj nq?kZVuk] pqdk,axs ugha] dHkh u NksM+sa [ksr] vkSjr Hkyh jkedyh] n VSEisLV] dkxiaFk] fdl vkWQ n LikbZMj oqeu] lqHknzk] vesfjdu ik;yV] ykWjsu lkfgc bR;kfn dk vuqokn fd;k gSA o"kZ 2011 esa vkidks vfHku; ds fy, izfrf"Br laxhr ukVd vdknseh iq:"dkj ls lEekfur fd;k x;kA

Associate director Sonam Stobgais Sonam Stobgais is an alumnus of the National School of Drama. Having graduated in the year 2002 with a specialised degree in Acting, Sonam has had the opportunity to work with directors such as B. V. Karanth, Ratan Thiyam, Robin Das, Ram Gopal Bajaj, Devendra Raj Ankur, Anuradha Kapoor, Abhilash Pillai, Hema Singh, Rob Claire and Stephen Sushke. He has participated in various genres of work with these directors in plays such as Khoobsurat Bala, Khamosh Adalat Jaari Hai, Medea, Matbhagavadajjukvilas, Midsummer Night's Dream, Ashad Ka Ek Din and Inspector Calls among many others. Sonam has founded and presently conducts active theatre work with his group Theatrix Himalay in Ladakh, whose recent production SURNA has seen critical acclaim. Sonam travels widely, facilitating workshops and is a faculty as part of the National School of Drama Extension Program in Ladakh. He has also acted in films viz., The Last Monk, Frozen, and Violin Player. 14

lg funsZ'kd lksue LrkscKsl

jk"Vªh; ukV~; fo|ky; lss 2002 esa vfHku; fo'ks"kKrk lfgr Lukrd mikf/k izkIr djus okys lksue LrkscKsl dks c- o- dkjar] jru fFk;ke] jkWfcu nkl] jke xksiky ctkt] nsosUnz jkt vadqj] vuqjk/kk diwj] vfHkyk"k fiYybZ] gsek flag] jkWc Dys;j o LVhQu lq'kds tSls funsZ'kdksa ds lkFk dk;Z djus dk volj feyk gSA bu funsZ'kdksa dh fofHkUu 'kSfy;ksa dks vkRelkr djrs gq, vkius [kwclwjr cyk] [kkeks'k vnkyr tkjh gS] ehfM;k] erHkxoknkTtqdfoykl] feM lej ukbV~l Mªhe] vk"kk<+ dk ,d fnu] baLiSDVj dkWYl vkfn dbZ ukVdksa esa vfHku; fd;kA lksue us yÌk[k esa fFk,fVªDl fgeky; lewg dh LFkkiuk dh gS vkSj mls yxkrkj lfØ; j[kk gSA lewg dh uohure izLrqfr ^lqjuk* dks leh{kdksa o n'kZdksa dh Hkkjh ljkguk feyh gSA dk;Z'kkykvksa ds lapkyu gsrq yÌk[k ls fofHkUu LFkkuksa dk Hkze.k djus okys lksue jk"Vªh; ukV~; fo|ky; ds foLrkj dk;ZØe ds ladk; dk fgLlk gSAa vkius n ykLV eksd a ] Ýkstu] okW;fyu Iys;j vkfn fQYeksa esa Hkh vfHku; fd;k gSA

Thang-Ta expert Shri Gurumayum Biseshwor Sharma Born in a Gharana, Gurumayum is a young talented artist of Manipuri Thang-Ta (Martial Arts). He is the son G. Gourakishor Sharma, a distinguished Guru of Manipuri martial arts, a recipient of Sangeet Natak Akademi Award and a Padmashri. Though young, he has been working as instructor at Huyen Lallong Manipur Thang-Ta Cultural Association, Manipur, for many years, under the guidance of his father who is the Principal-cum-Director of the Institution. Besides his revered father, he also sat at the feet of several gurus of martial arts, like G. Sana Sharma, Padmashri N. Khelchandra Singh, K. Biren Singh, K. Shanathoiba Sharma. He has travelled widely in India and abroad for performances and received wide acclaim from the audience. He has conducted several workshops to impart basic training of Manipuri martial arts to many aspirants. Many well-known cultural dignitaries visited his institution and he impressed them with his outstanding shows and performances. He has organised various ThangTa classes and workshops in different parts of Manipur for the promotion and preservation of this rare art form. He is still very active, vibrant, and serious in his art, which he considers as his only mission in life.

Fkkax&Vk izf'k{kd

Jh xq#e;we fcls'oj 'kekZ

ikjaifjd ef.kiqjh Fkkax&Vk ds iks"kd o laj{kd ?kjkus esa tUes Jh xq#e;we fcls'oj 'kekZ ef.kiqjh Fkkax&Vk ¼ek'kZy vkV~Zl½ ds izfrek'kkyh ;qok dykdkj gSaA vki ef.kiqjh ek'kZy vkWV~lZ ds izfrf"Br xq: vkSj laxhr ukVd vdknseh o in~eJh iqj"dkj ls lEekfur x+kSj fd'kksj 'kekZ ds iq= gSaA xq#e;we ;qokoLFkk ls gh vius firk tks gq;su ykyksax ef.kiqj Fkkax&Vk dYpjy ,slkfl,'ku uked laLFkku ds iz/kkukpk;Z&lg&funs'kd gSa] ds ekxZn'kZu esa ,d izf'k{kd ds rkSj ij dk;Zjr gaSA vius firk ds vykok vkius ek'kZy vkV~lZ ds ftu xq:vksa ls izf'k{k.k ik;k muesa th&luk 'kekZ] in~eJh ,u- [ksypUnz flag] ds- fcjsu flag] ds 'kuFkksbck 'kekZ izeq[k gSaA viuh izLrqfr gsrq vkius Hkkjr o fons'kksa dh vusd ;k=k,a dha vkSj n'kZdksa ls Hkjiwj iz'kalk ikbZA egRokdka{kh izf'k{kqvksa dks ef.kiqjh ek'kZy vkV~lZ dk ekSfyd izf'k{k.k iznku djus ds fy, xq#e;we d bZ dk;Z'kkyk,a lapkfyr dj pqds gSaA vkids laLFkku esa laLÑfr ls tqM+s tkus&ekus O;fDr vkrs jgrs gSa v kSj vkids csgrjhu izn'kZu ls izHkkfor gq, fcuk ugha jg ikrsA bl nqyZHk dYkk :Ik dk laj{k.k o le`f) ds fy, vkius ef.kiqj ds fofHkUu fgLlksa eas Fkkax&Vk dh fofHkUu d{kk,a o dk;Z'kkyk,a Hkh v k ; k s f t r d h gS a A v i u h b l d y k d s i z f r i w j h r j g lfØ;] tks'khys o xaHkhj xq#e;we fcls'oj 'kekZ bls vius thou dk ,d ek= fe'ku ekurs gSaA

Voice and speech training Dr. Danish Iqbal An alumnus of National School of Drama, Dr. Danish Iqbal completed his MA in Classical Acting from Central School of Speech and Drama London in 2005. Since his return, he has been actively associated with NSD in different capacities apart from acting and directing for different theatre groups and also conducting theatre workshops. He has specialized in Voice Culture training. To name a few plays he has performed as an actor-Twelfth Man, Macbeth, Salome, Othello , Devdas, Seven steps around the fire , Andha Yug, Midsummer Night's Dream, Ashaad ka ek Din, Aurangzeb and The Antigone Project and many more. He has directed Qaid-E-Hayat, Daddy (stage adaptation of the film) Hum Ek Hain, Court martial, Mahabhoj, Do Kauri Ka Khel, Romeo and Juliet etc. With the projects he has travelled to Germany, Tokyo, France, London, Korea and almost all over India. He has worked under eminent theatre and film personalities of India like B.V. Karanth, Habeeb Tanvir, Anuradha Kapur ,Mahesh Bhatt, Mohan Agashe, James Wallace, Barry John, D.R. Ankur to name a few. Apart from that he has appeared in films like A Mighty Heart, Roshni , Ullas , Kaash…If Only and Mahotsav. His short film as writer and director Kshan got selected in many film festivals. Along with theatre and films, Danish also gives voice and speech training in radio industry and he himself is a free lance radio jockey for more than 15 years with All India Radio. Starting from NSD days, he bagged the Best Director and Best Playwright award at NSD'S College Fest 2002. A recipient of Charles Wallace India Trust Award 2006, he added another feather to his cap when he was awarded "Ustad Bismillah Khan Yuva Ratna 2010" by Sangeet Natak Academy. In the year 2014 Danish was awarded by prestigious NATSAMRAT the best actor award. Currently the Course coordinator of PGD Acting at AJK MCRC Jamia Millia Islamia Central University, Danish Iqbal completed his Ph. D on "The inclusion of folk elements in Shakespearean plays performed in Hindi".

vkokt+ o laHkk"k.k izf'k{kd

Set design

MkW- nkfu'k bd+cky

Ramkumar K

jkukfo ds Lukrd MkW- nkfu'k bd+cky us o"kZ 2005 esa lsaVªy Ldwy vkWQ+ Lihp ,aM Mªkek] yanu ls 'kkL=h; vfHku; esa LukrdksŸkj mikf/k izkIr dhA ykSVus ds ckn vki jkukfo ds lkFk lfØ; :Ik ls tqM+s gq, gSa vkSj fofHkUu jaxeap lewgksa ds fy, vfHku; o funsZ'ku ds vfrfjDr jaxeap dk;Z'kkyk,a Hkh vk;ksftr djrs jgrs gSaA vkids }kjk vfHkuhr ukVdksa esa VoSYFk eSu] eSdcSFk] lykse] vksFksyks] nsonkl] lsou LVSIl vjkmaM n Qk;j] va/kk ;qx] feM lej ukbV~l Mªhe] vk"kk<+ dk ,d fnu] vkSjaxt+sc vkSj n ,aVhxuh izkstSDV vkfn dbZ ukVd 'kkfey gSaA ,d funsZ'kd ds :Ik esa vkius d+Sn&,&g;kr] MSMh ¼fQYe dk eap :ikarj.k½] ge ,d gSa] dksVZ ek'kZy] egkHkkst] nks dkSM+h dk [ksy] jksfe;k ,aM twfy;V vkfn ukVd funsZf'kr fd, gSaA fofHkUu ifj;kstukvksa ij dk;Z djrs gq, vki teZuh] Vksfd;ks] Ýkal] yanu] dksfj;k vkSj yxHkx laiw.kZ Hkkjr dk Hkze.k dj pqds gaSA vkius ns'k Hkj ds ftu izfrf"Br jaxdfeZ;ksa vkSj fQYe O;fDrRoksa ds lkFk dk;Z fd;k gSa muesa izeq[k gSa c- o- dkjar] gchc ruohj] vuqjk/kk diwj] egs'k HkV~V] eksgu vkxk'ks] tsEl okysl] cSjh tkWu] Mh- vkj- vadqj vkfnA bl ds vykok vkius dbZ fQYeksa esa Hkh dk;Z fd;k gS tSls , ekbVh gkVZ] jks'kuh] mYykl] dk'k bQ vksuyh vkSj egksRloA vkidss }kjk fyf[kr o funsZf'kr y?kq fQYe ^d'kku* dks dbZ fQ+Ye lekjksgksa esa pquk x;kA jaxeap o fFk,Vj ds lkFk&lkFk nkfu'k jsfM;ks ds fy, Hkh vkokt+ ,oa laHkk"k.k izf'k{k.k nsrs gSa vkSj Lo;a Hkh 15 ls vf/kd o"kksZa ls vkWy bafM;k jsfM;ks esa Lora= jsfM;ks tkWdh ds :Ik esa dk;Z dj jgs gSaA jkukfo ds fnuksa esa gh vkidks jkukfo ds dkWyst QSLV&2002 esa loZizFke funsZ'kd o loZJs"B ukVddkj dk iqjLdkj feykA 2006 ds pkYlZ okWysl bafM;k VªLV vokWMZ fotsrk nkfu'k ds fy, iq:"dkjksa dk egRo rc vkSj c<+ x;k tc vkidks laxhr ukVd vdknseh ls mLrkn fcfLeYykg [kku ;qok jRu 2010 lEeku izkIr gqvkA o"kZ 2014 esa vkidks loZJs"B vfHkusrk dk izfrf"Br uVlezkV iqjLdkj feykA orZeku esa ,stsds ,elhvkjlh tkfe;k fefy;k bLykfe;k lsaVªy ;wfuoflZVh esa ihthMh vfHku; ds ikB~;Øe leUo;d nkfu'k bd+cky us ^n buDywt+u vkWQ+ Qksd ,yhesaV~l bu 'ksDlihfj;u Iyst+ ijQkseZM bu fgUnh* fo"k; ij viuh ih,p- Mh- iwjh dh gSA

Ramkumar K completed his Masters in Fine Arts from College of Art, University of Delhi in 2013. He has won many prestigious awards including the Lalit Kala Akademi Award in 2015, Lalit Kala Akademi scholarship in 2013 and national award by Orissa Lalit Kala Akademi 2012 . Participated in many prestigious sculpture camps like National Art Workshop in New Delhi, Stone Festival Organized by Gujarat govt. at Ambaji . Sculpture making has been his forte, and has taken him to a higher realms especially theatre-scenography. He contributed to many important theatre productions and worked with eminent directors like Anuradha kapur, Hema Singh Abhilash Pillai, and Deepan Sivraman . He is presently working as a visiting faculty in College of Art, University of Delhi

Assistant Costume designer Pooja Malhotra A freelance costume designer and a Macramé Artist, Pooja Malhotra has recently completed her Masters in Costume Design for Performance from London College of Fashion. She graduated in Fashion Design from Pearl Academy, Delhi, in association with the Nottingham Trent University. She is currently working as an assistant designer for NSD's Richard III. She is also working on a Macramé project in association with a Toronto based artist.

eap ifjdYid jkedqekj ds

o"kZ 2013 esa fnYyh fo'ofo|ky; ds dkWyst vkWQ vkWVZ~l ls yfyr dykvksa esa LukrdksŸkj mikf/k izkIr jkedqekj ds us dbZ iqjLdkj thrs gSa ftuesa 2015 esa yfyr dyk vdknseh dk jk"Vªh; iqjLdkj] 2013 esa yfyr dyk vdknseh Nk=o`fŸk vkSj 2012 esa mM+hlk dyk vdknseh }kjk jk"Vªh; Lrj dk iqjLdkj 'kfey gSA vkius dbZ izfrf"Br f'kYidyk dSaiksa esa Hkkx fy;k ftuesa ubZ fnYyh esa vk;ksftr jk"Vªh; dyk dk;Z'kkyk] vackth esa xqtjkr ljdkj }kjk vk;ksftr ik"kk.k mRlo izeq[k gSaA blds ckotwn f'kYidkjh vkidh fo'ks"kKrk jgh gS lEekuksa ds vkyksd us vkidks ubZ Å¡pkbZ;kas rd igq¡pk;k ftlds pyrs vki jaxeap esa fluksxzkQh dh rjQ vkdf"kZr gq,A dbZ egRoiw.kZ jaxeap izLrqfr;ksa esa viuk cgqewY; ;ksxnku nsus okys jkedqekj vuqjk/kk diwj] gsek flag] vfHkyk"k fiYybZ] nhiu f'kojkeu tSls izfrf"Br funsZ'kdksa ds lkFk dk;Z dj pqds gSaA orZeku esa vki fnYyh fo'ofo|ky; ds dkWyst vkWQ+ vkVZ esa vfrfFk ladk; ds :Ik esa dk;Z dj jgs gSaA

lgk;d oL=&vfHkdYid it w k eYgks=k

,d Lora= oL= vfHkdYid] fuekZrk o fdukjh ¼eSØkes½ dykdkj iwtk us gky gh esa yanu dkWyst vkWQ QS'ku ls ^izLrqfr;ksa ds fy, oL=lTtk ifjdYiuk* fo"k; esa LukrdksŸkj fd;k gSA blds vfrfjDr vkius iyZ vdknseh] fnYyh tks fd ukWfVaX?ke VªsaV fo'ofo|ky; dk lg;ksxh laLFkku gS] ls QS'ku fMtkbu esa ch- ,- dh mikf/k izkIr dh gSA orZeku esa vki jkukfo dh Nk= izLrqfr fjpMZ&r`rh; ds fy, lgk;d oL= vfHkdYid ds :Ik esa dk;Z dj jgh gSaA lkFk gh vki VksjsaVks ds ,d dykdkj ds lkFk fdukjh ds dke okys ,d izkstSDV ij dk;Z dj jgh gSA

Lighting design Sudip Sanyal A physics graduate from Calcutta University, Sudip Sanyal started his career as a stage & lighting designer in 2000, as an assistant of the well- reputed Tapas Sen. He began working independently from 2002 and started his own company HUE in 2007. So far he has done more than 50 theatre productions and more than 20 dance productions as a lighting designer; has performed at many major cities in India and abroad; and has worked with several famous theatre personalities like Rudraprasad Sengupta, Shyamanad Jalan, Bibhas Chakraborty, Shaoli Mitra, Suman Mukherjee, Bratya Basu, Debes Dhatterjee, and Arpita Ghosh, amongst others. In addition to stage lighting design, Sudip also does architectural lighting, stage design and making; and sonnet luminary light and sound shows, and is responsible for introducing computer- controlled lighting system in Kolkata. He is a recipient of several awards such as the Sisir Kumar Paul Smriti Samman (2009) and Zee Gaurav award (2014). He was also selected as a junior fellow by the Sangeet Natak Akademi, in 2002-2003.

Property design Arun K. Malik Born and brought up in Odisha, he completed his M.F.A in fine arts (sculpture) from the Uttkal University. He has done his Post-Graduate Diploma in Acting from National School of Drama in 2007, and Diploma in prosthetic make-up in Hybrid FX School UK. Since then he has been working as an actor, director, set and property designer. He has acted in some films and regional TV serials. He has conducted several theatre workshops in different parts of the country. Now he is working as head of the property department and is a visiting faculty for the National School of drama, New Delhi, Sikkim chapter of NSD, Sikkim, TIE NSD, Tripura , NSD (Bangalore). Recently he has been awarded with Charles Wallace India Trust Award. 18

izdk'k ifjdYid lqnhi lkU;ky

dydŸkk fo'ofo|ky; ls HkkSfrd foKku esas Lukrd lqnhi lkU;ky us vius is'ks dh 'kq#vkr o"kZ 2000 esa izfl) izdk'k ifjdYid rkil lsu ds varZxr eap ,oa izdk'k lgk;d ds :Ik esa dh FkhA o"kZ 2004 esa vkius Lora= :Ik ls dk;Z djuk izkjaHk fd;k vkSj o"kZ 2007 esa vkius viuh daiuh g~;w 'kq: dhA ,d izdk'k ifjdYid ds :Ik esa vkius vc rd 50 ls Hkh vf/kd jaxeap izLrqfr;ksa vkSj 20 ls Hkh vf/kd u`R; izLrqfr;ksa dh ifjdYiuk dh gSA vkius Hkkjr o fo'o ds dbZ cM+s 'kgjksa esa izn'kZu fd, gSa vkSj vusd yC/k&izfrf"Br jaxdfeZ;ksa ds lkFk dk;Z fd;k gS ftuesa :nz izlkn lsuxqIrk] ';kekuan tkyku] fcHkkl pØorhZ] 'kkvksyh fe=k] lqeu eq[kthZ] c`R;k clq] nsos'k pVthZ vkSj vfiZrk ?kks"k 'kkfey gSaA jaxeap esa izdk'k ifjdYiuk ds lkFk&lkFk lqnhi Hkouksa dh izdk'k ifjdYiuk] eap ifjdYiuk o fuekZ.k vkSj lksusV yqfeujh ykbV vkSj lkmaM 'kks Hkh djrs gSaA dksydkrk esa vkius gh daI;wVj fu;af=r ykbfVax flLVe 'kq: fd;k gSA dbZ iqjLdkjksa ls lEekfur ;Fkk flflj dqekj ikWy Le`fr lEeku ¼2009½] t+h xkSjo vokWMZ ¼2014½] lqnhi o"kZ 2002&2003 ds fy, laxhr ukVd vdknseh }kjk dfu"B v/;srk ds :Ik esa pqus x,A

eap lkexzh

v#.k dqekj efyd

mM+hlk esa tUes o iys&c<+s v:.k dqekj efyd mRdy fo'ofo|ky; ls yfyr dyk ¼f'kYidyk½ esa ,e- ,Q- ,- gSaA 2007 esa jk"Vªh; ukV~; fo|ky; ls vfHku; fo'ks"kKrk lfgr LukrdksŸkj mikf/k izkIr dj vkius ;w- ds- ds gkbZfczM ,Q ,Dl Ldwy ls Ñf=e :IklTtk ¼izksLFksfVd esdvi½ esa fMIyksek izkIr fd;k gSA rc ls vki ,d vfHkusrk] funsZ'kd] eap o eap lkexzh vfHkdYid ds :Ik esa dk;Z dj jgs gSaA vkius dqN fQYeksa vkSj izknsf'kd Vhoh /kkjkokfgdksa esa Hkh dk;Z fd;k gSA vkius ns'k ds fofHkUu Hkkxksa esa dbZ jaxeap dk;Z'kkykvksa dk lapkyu fd;k gSA orZeku esa vki jkukfo] ubZ fnYyh esa eap lkexzh foHkkx ds izeq[k ds rkSj ij dk;Zjr gSaA lkFk gh vki jkukfo] fnYyh] jkukfo flfDde dsUnz] VkbZ foax] f=iqjk] jkukfo cSaxyq: pSIVj esa Hkh vfrfFk ladk; gSaA gky gh esa vkidks pkYlZ okWysl bafM;k VªLV }kjk lEekfur fd;k x;k gSA

Brochure design Hemant Bhatnagar Born in Delhi and a graduate of Delhi College of Art (1987), Hemant Bhatnagar works as the Art Director for the U.S. Embassy. He is an eminent art and graphic designer, photographer and illustrator, and has been a visiting lecturer on visual communication at various prestigious institutes. He has great love for theatre and has been associated with the National School of Drama for over two decades. He designs posters, renowned publications and visuals for national and international events, using traditional and new-age media. He is well known for his extensive research and creative genius.

foojf.kdk ifjdYiuk gsera HkVukxj

fnYyh esa tUes vkSj fnYyh d‚yst v‚Q vkVZ~l ¼1987½ ls mikf/k izkIr gsear HkVukxj vesfjdh nwrkokl ds fy, crkSj dyk funs'kd dke djrs gSaA vki ,d çfrf"Br dyk o xzkfQd fMtkbuj] QksVksxzkQj vkSj bySLVªsVj gSa vkSj dbZ tkus ekus laLFkkuksa esa n`'; lapkj ds vfrfFk izoDrk jgs gSaA jaxeap ls vkidk xgjk yxko gS vkSj fiNys nks n'kd ls vf/kd le; ls vki jkukfo ls tqM+s gq, gSaA ikjaifjd vkSj u, tekus ds ehfM;k dk iz;ksx djrs gq, vki jk"Vªh; vkSj varjjk"Vªh; vk;kstuksa ds fy, iksLVj] çdk'ku vkSj n`'; lewg fMt+kbu djrs gSaA vkidks vius {ks= esa O;kid vuqla/kku vkSj jpukRed çfrHkk ds fy, tkuk tkrk gSA

NSD Production Team Production Manager Parag Sarmah Public Relations Officer Anoop Kumar Barua Production Co-ordiator Satish Gautam Production Assistants Madhavanand Sourav Poddar Vishala Ramachandra Mahale Set and carpentry Abdul Hakim, Vikram kumar Ram Avtar Mina, Radha Krishnan, Ashok, Azgar Ali Binder, Pummy, Aas Mohammed, Bholanad Rambali, Pankaj, Rizwan, Imran Jaiprakash, Ayub, Bablu, Baba Costumes Gurusharan Kaur Teeka Ram Bhatt, Sanjay, Om Swarup, Usha, Rajeev Yadav, Saheb Singh, Majid Khan, Mohd Idu, Abdul Qadir, Rajini, Saroj, Usha Badri Narayan, Chunni Lal, Mashqoor Ali Lights Kiran Kumar, Vinod Kumar, Rakesh Singh, Mukesh Kumar, Sunil Kumar Sound S Manoharan, Pratap Singh Bisht, Shubhanjan, Nitin Kumar, Rahul Photography S Thyagarajan Deepak Kumar Property Bharat Singh Negi, Shamsheer, Niraj Library Madhu Thukral, Ranjan Book shop Darshan Singh Bisht Production boy Hoshiyar Singh, Sonu

izLrqfr Vhe izLrqfr çca/kd tulaidZ vf/kdkjh izLrqfr leUo;d izLrqfr lgk;d eap fuekZ.k

oL=lTtk

izdk’k /ofu QksVksxzkQh eap lkexzh iqLrdky; cqd'k‚i izLrqfr ifjpj

ijkx lekZg vuwi dqekj c#vk lrh'k xkSre ek/kokuan] lkSjo iksíkj] fo’kkyk jkepaæ egkys vCnqy gdhe] foØe dqekj] jke vorkj ehuk] jk/kk -".ku] v'kksd] vlxj vyh] fcanj] iEeh] vkl eksgEen] HkksykukFk] jkecyh] iadt] fjtoku] bejku] t;çdk'k] v;wc] ccyw] ckck xqj’kj.k dkSj] Vhdkjke Hkê] lat;] vkseLo:i] m"kk] jktho ;kno] lkfgc flag] ekftn [kku] eks- bZnw] vCnqy dkfnj] jtuh] ljkst] m”kk cnzh] ukjk;u] pqUuh yky] e’kdwj vyh fdj.k dqekj] fouksn dqekj] jkds'k flag] eqds’k dqekj] lquhy dqekj ,l- euksgju] çrki flag fc"V] ‘kqHkkatu] fufru dqekj] jkgqy ,l- R;kxjktu nhid dqekj Hkjr flag usxh 'ke'khj] uhjt e/kq Bqdjky jktu n'kZu flag fc"V gksf’k;kj flag] lksuw

Cast Mahendra Panwar Richard III Sikandra Kumar Hastings, Richmond Bornali Borah Lady Anne, Duchess of York, Soldier, Citizen Rahil Bharadwaj Stanley, Mayor, Clarence, Ghost of Clarence Chetan Padiyar Rivers, Tyrrell, Ghost of Rivers, Soldier Mandeep Randhawa King Edward, Catesby, Soldier Gurinderjot Kaur Queen Elizabeth, Soldier Prasanna Hambarde Lord Buckingham, Ghost of Buckingham

Guest actors Aakash Khatri Ratcliffe, Citizen, Ghost of Hentry Anant Gaur Ghost of Hentry, Citizen, Messenger, Norfolk Vivek Misra Dorset, Citizen, Soldier Umesh Kalra Coffin Bearer, Lord Blunt, Ghost of Vaughan, Brakenbury Dharana Chauhan Duchess of York, Citizen, Shruti Sunder Margaret Anuj Vashisht Grey, Citizen, Messenger, Surrey Vivekanand Kumar Messenger, Soldier, Citizen, Coffin Bearer Shiv Sharma Lord of Oxford, Messenger, Soldier, Citizen Kuldeep Kushwaha Guard, Coffin bearer, Herbert, Messenger Akanksha Sharma Prince, Priest, Ghost, Soldier Anam Khan Prince (Edward), Citizen, Ghost, Soldier

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vfrfFk dykdkj vkdk'k [k=h vuar xkSM+ foosd feJk mes'k dkyjk /kkj.kk pkSgku Jqfr lqanj vuqt of'k"B foosdkuan dqekj f'ko 'kekZ dqynhi dq'kokgk vkdka{kk 'kEkkZ vue [kku

jSVfDyQ] ukxfjd] gsujh dk Hkwr gsujh dk Hkwr] ukxfjd] nwr] uksjQksd MksjlsV] ukxfjd] lSfud rkcwr okgd] ykMZ CyaV] okW?ku dk Hkwr] cszducjh ;kWdZ dh Mpsl] ukxfjd ekxZjsV xzs] ukxfjd] nwr] ljs nwr] lSfud] ukxfjd] rkcwr okgd v‚DlQksMZ dk ykWMZ] nwr] lSfud] ukxfjd j{kd] rkcwr okgd] gcZVZ] nwr jktdqekj] iqtkjh] Hkwr] lSfud jktdqekj ¼,MoMZ½] Hkwr] lSfud] ukxfjd

Credits Varun Aiyer Stage manager, Music Compilation, Arrangement Sravasti Banerjee Assistance to costumes & lights, video Boominathan S Assistance to set design & properties Vipin M poster & Compilation of brochure material Costume Design Costume Design Assistant Choreography Lighting Design Thang-ta Training Voice and Speech Training Property Design Brochure Design Set Design Make Up & Hair Design Translation

Amba Sanyal Pooja Malhotra Anjana Rajan Sudip Sanyal Shri Gurumayum Biseshwor Sharma Dr. Danish Iqbal Arun K. Malik Hemant Bhatnagar Ram Kumar Warsha Toshi, Sonu Jaimurti, Sajid Anwer Shahid Anwar, Shishir Mishra, Amitabh Shrivastav

eap ijs o#.k v¸;j eap çca/kd] laxhr ladyu o la;kstu JkoLrh cuthZ os'kHkw"kk o izdk'k ifjdYiuk lgk;d] ohfM;ks cwfeukFku ,l eap o eap lkexzh ifjdYiuk lgk;d fofiu ,e iksLVj ifjdYiuk o foojf.kdk lkexzh ladyu oL=lTtk ifjdYiuk oL=lTtk ifjdYiuk lgk;d u`R; lajpuk çdk'k ifjdYiuk Fkkax&Vk çf'k{k.k vkokt+ o laHkk"k.k çf'k{k.k lkexzh ifjdYiuk foojf.kdk ifjdYiuk eap ifjdYiuk vuqokn

vEck lkU;ky iwtk eYgks=k vatuk jktu lqnhi lkU;ky Jh xqjek;qe fols'oj 'kekZ M‚- nkfu'k bdcky v#.k dqekj efyd gsear HkVukxj jke dqekj 'kkfgn vuoj] f'kf'kj feJk] vferkHk JhokLro lg funsZ'ku lksue LrkscKsl sa u funsZ'ku ds ,l jktæ

Associate Direction Sonam Stobgais Direction K S Rajendran

Design by HEMANT BHATNAGAR

National School of Drama Bahawalpur House, Bhagwandas Road, New Delhi-110001 Website: www.nsd.gov.in 26