PORTFOLIO HANRAN BAO 2019-2023
Applying for MArch Architecture Design University College London Application Number: 24110567 E-mail: 15058493726@163.com Tel: +86 15058493726
Education: China Academy of Art (‘Double First-Class’ Initiative) Bachelor of Engineering in Architecture (GPA: 4.1/5.0)
Coursework experiences: Hangzhou, China Sep. 2019 - June 2024
Led innovative research using construction waste materials such as red bricks, porcelain shards, tiles, and marble as substitutes in raw earth construction to promote both sustainable practices and distinctive regional architectural textures
Honours: Hanran BAO Date2019-202 of birth: 2001/05/18
Xia Peng (Yao Fu) Scholarship Advanced Collective ‘One Life, One Book’ Outstanding Students Works Design Patent: Chair (ZL 2023 3 0163325.1)
2022 2020 2023
Tel: +86-15058493726 Email: 15058493726@163.com
Hobbies: Painting Calligraphy Skating Piano Concert flute
Language: English IELTS: 6.5
Janpenese N3
Mandarin Mother Tougue
Skills: Rhinoceros Grasshopper Sketchup Blender Lumion Vray Enscape
June 2023 - Sep. 2023
Contributed to the Primary School Design Project for Bridge No. 3 Supporting Site, encompassing preliminary research, conceptual designs, floor plans for the first three levels, design analysis diagrams, project renderings, and portfolio layouts Integrated theoretical knowledge with practical applications across various software tools (including SU, Rhino, CAD, and Lumion), while actively engaging in innovative discussions and fostering positive team relations
Ningbo Urban Construction Design and Research Institution Co., Ltd. Building Division 3
Oct. 2022 - Mar. 2023
Engaged in the conceptual design of the Phase 2 expansion project of Qianwan Campus, Ningbo University of Technology Engaged in the conceptual design of the Fenghua District Life and Health Industry Park Participated in the construction drawing design for the interior renovation project of Blocks A and B, Floors 5-8, South Area, Ningbo International Convention and Exhibition Center
Zhejiang Huazhan Engineering Research Design Institution Co., Ltd. Intern, Research Center for Architecture and Design
July 2022 - Sep. 2022
Played a pivotal role in the Jiangkou Middle School Renovation Project in Fenghua District, accomplishing initial research, conceptual design, and modeling, and drafting intricate 2D and 3D technical drawings for the gymnasium and dormitories Managed preliminary cost forecasting for the Zhaobaoshan Police Station Expansion Project in Zhenhai District, created technical diagrams, and ensured the sophisticated presentation of reporting documentation through effective layout and typography
D5 Auto CAD ArcGis Photoshop Illustrator Indesign Laser Cutting 3D Printing
Ningbo Housing Architecture Design & Research Co., Ltd. Intern, Research Center for Urban Renewal and Architectural Creation
Conducted on-site surveys in Pengjiang District’s historic zones at Jiangmen, Guangdong Province, with a focus on the restorations and renovations of select residences, incorporated local materials like green bricks and oyster shells into the design, balancing historical authenticity with modern elements
Investigation of Architectures Utilizing Sustainable Building Materials Village Survey Course Project
Feb. 2023 - Mar. 2023
Performed on-site investigations of renowned architectural projects in Hangzhou that utilize raw earth materials to identify their reliance on local eco-friendly materials like brick, timber, and notably, rammed earth with strengths surpassing concrete
Work experiences Zhejiang G&Z Architecture Design & Research Co., Ltd. Intern, Chief Engineer’s Office
Study on the Reuse of Construction Waste and its Relationship with Raw Earth Materials Mar. 2023 - Apr.2023 Group Leader, Synthetic Material Foundation Course Project
Jan. 2021 - Mar. 2021
Engaged in the conceptual design of the ZH06-03-04-02 Area in Zhuangshi, Zhenhai District, demonstrating proficiency in relevant workflow processes and producing various analytical diagrams Participated in the preliminary design phases for Ningbo Dongqiao Health Center and Huishi Healthcare Technology Co., Ltd., conducted research, crafted analytical diagrams, and drafted floor plans and elevations
Engaged in literature reviews on raw earth materials in architecture, leading to the production of an acclaimed team report and presentation on the application, construction methods, and contemporary relevance of such materials, which was summarized in an end-of-term research paper
Extracurricular experiences: Countdown to the One-year Anniversary of the Asian Para Games Volunteer
Oct. 2021
Collaborated with special education students at Yang Lingzi School in Hangzhou to craft opening ceremony gifts for guests, which included hand-painted fans embellished with the Para Games logo Assisted school faculty in preparing painting materials and handcrafting workshops, and helped students with painting activities such as sketching, color mixing, and shape correction
China Academy of Art Admission Test Volunteer
Mar. 2021
Provided guidance and service to candidates before the exam Provided building security during the exam Assist proctors and candidates with problems
Recording of Zhejiang Innovative Curriculum Competition Team member
Dec. 2022
Recorded of the process and results of the Topic9 Nature's Construction course. Redesigned of urban furniture through the study of braided wooden arch structures and extraction of structural units
“Star-studded Sky” Beijing DRC Installation Design Project Team member (Cooperated with DRC and The Nature Conservancy)
May 2022 - July 2022
The project explores the relationship between time, space, nature and human - the subject of perception - in the form of interactive installation, using biomass and sustainable natural materials to construct an inclusive place for community activities. While embracing nature, Promoting the blending and behavioral reconciliation of the "safe zone" between diverse individuals - an open program with residents participating in decisions
CONTENTS 01
02
03
04
05
Back to pureland
The Breathing Winery
Golden Mountain Satin
Nature Healing Prison
The Floating Rock Chronicles
06 Other work Selected from 2020-2023
Narrative- and Semiotics-Based Architecture for Translating Buddhist Concepts.
A winery combining catering and production based on the biological properties of pine cones.
Design aims to sustainably reuse construction waste, replacing raw earth components with non-recyclable materials for sustainable villages.
Prison redesign uses nature and therapy to reform inmates' thoughts and behaviors.
In the past, to transport large stones by boat, holes were carved for habitation, turning them into makeshift furniture.
2022/3 - 2022/7
2022/9 - 2022/12
2023/3 - 2023/6
2023/9 - 2023/11
2021/4 - 2021/6
01
Back to pureland Group work: Partner: Zjiyeong Fung Role: group leader, concept, modeling, drawing, rendering, mapping Location: Hangzhou, China Date: 2022/3 - 2022/7 Based on semiotic development, all information carriers and views can be translated into symbolic features. Thus, they can be translated into architectural discourse with spatial elements. We have created a narrative text that reveals the three poisons of human greed, anger and dementia, as well as the unfolding architecture of three times of self-cultivation to the final return to the Pure Land. It satirises the hypocritical Buddhists who are so utilitarian, and at the same time encourages them to recognise their own narrow-mindedness and ignorance in the architectural space, and encourages them to understand the basic Buddhist meanings and to return to a peaceful inner world.
Site selection During the Five Dynasties and Ten Kingdoms period, Buddhism prevailed in Hangzhou and there were many precious temples, so it was called the "Southeast Buddhist Kingdom". There are many temples in the West Lake Scenic Area, among which Lingyin Scenic Area is the most densely populated. Because of its reputation, more and more tourists go to Lingyin Temple to pay homage to it, and among the worshippers are not a few who blindly pay homage to it and have desires in their hearts, trying to get wealth and reputation from the Buddha.
Baoshi Mountain
White Dyke
The right side of Lingyin Temple has been reconstructed to retain its own function while increasing the experiential and educational aspects of Buddhism - the understanding of natural desires and the Buddha nature, and ultimately the path to enlightenment.
North lake
Yuewang Temple
West Lake
Passenger Flow in Lingyin Temple (2022):
It is an iconic, symbolic sight in Hangzhou and is regarded as one of the most beautiful sights in China. Its beauty is the subject of many poems and paintings. Legends originating in West Lake add to it an aura of romance.
Fahua Temple
North Peak
9,125,000
Mid-Lake Pavilion
Mammon Temple
Inner lake
Taoguang Temple
Leifeng Tower
Su Causeway Maojia Lake
LINGYIN TEMPLE Yongfu Temple Fajin Temple
Three Ponds Mirroring the Moon
Feilai Peak Hangzhou Buddhist College Yuegui Peak
Three Ponds Mirroring the Moon
Yuegui Peak
Fajing Temple
Leifeng Tower Zhongyin Temple
Tianxi Mountain
Wulao Peak
Tianma Mountain Faxi Temple
Site Imformation Hangzhou, the capital of Zhejiang Province. It is a famous city in history and culture and also an important national tourist city with the beautiful scenery. The geographic position of the city proper is latitude 30° 16' north and longitude 120°12' east.
Great Compassion Pavillion
South lake Gaoli Temple Jingci Temple
Temple Lake Grotto
Crowed Point
Rodeway Attraction
Nanping Mountain
Mountain and Peak
Huayan Hall
Monks daily living space
In Buddhist monasteries, the Mahamudra is the main hall, also known as the Great Hall.
Meditation Hall The Depositary of Buddhist Texts Gong De Hall
Zhizhi Hall
The Hall of Arhats
Tianwang Hall
Monastic Dinning Hall The main role in the temple is to preach sutras and teach, and largescale sermons and pujas are held here.
A place where statues of the Five Hundred Lohans who followed Shakyamuni Buddha are enshrined.
Storeroom
Tourists leisure space
Medicine Hall It is the first hall in the Buddhist temple, mainly dedicated to the statues of Maitreya and the Four Heavenly Kings.
Monk's apartment Praying Hall
It is the fifth hall on the central axis of Lingyin Temple, dedicated to the three saints of Huayan, collectively known as the three Sakyamuni.
Shifang Noodle Restaurant Tearoom
It is the third main hall of Lingyin Temple, dedicated to the Medicine Buddha.
Garden Ruyi Hall
There are many tourists who do not have a clear concept of Buddhism, who worship and pray blindly, and who have an opportunistic mentality. What they see as worshipping Buddha is actually worshipping their own desires. Before starting the general ritual of worshipping Buddha on the central axis, it is important to go through the experiential building, starting from the understanding of one's own greed, anger and ignorance, and then learning to cultivate Buddha and comprehend the Buddha's way. Then the ritual can be performed to maximise the understanding of Buddhism.
Greed for the smooth realm, must be obtained, otherwise, the heart is not willing, the feelings are not willing. According to Buddhism, all beings living in the world, taste, smell, see, wealth and fame of the desire for profit as greed. It makes it difficult for all beings to find themselves in the fog of temptation.
Greed
To become resentful of adverse realities, to lose one's temper when one does not get what one desires, to be irrational, and to act out of one's will. Buddhists believe that resentment towards others or other things that go against one's heart's desires causes sentient beings to develop resentment, annoyance, and emotions.
Hatred
Not understanding the truth, not knowing right from wrong, not distinguishing between good and evil, being perverted, and taking all kinds of evil actions. Because of the ignorance of all beings since the beginning of time, the mind is ignorant and confused about things, and therefore all troubles are based on dementia.
Ignorance
Terrorist attacks:
A vindic tiv e mood c an break through the norms of reasoning and lead to terrorist attacks.
War:
People's extreme desire for land, natural resources, and economic benefits, which promotes war.
Self-inflicted suicidal behaviour: sanity shattered by laxity of will.
Depression:
loss of pleasure and self-denial leading to depressive behaviour.
Demonstrations:
Clash-style acts of resistance became one of the ways for the masses to vent their resentment.
Violence:
Greed compels man to affirm his existence through violence.
Drug use:
the hallucinogenic effects of drugs can give transient pleasure.
Cyber-violence:
The abusive and angry feelings of users on the Internet seem to be protected by the cyberenvironment.
Crime:
The extreme greed for money has led to a high incidence of crime in society.
Bullying: Gambling:
The gambler, driven by desire, loses his mind and falls into an abyss of remorse.
violent behaviour by adolescents aimed at asserting power.
Addicted to fun:
one's devotion to games and short videos is a sign of foolishness.
Greed, anger and ignorance come from Buddhism, the three poisons, also known as the three evils and the three fires. These three poisons harm the body and mind, causing people to sink into the cycle of birth and death, and are the root of evil, so they are also known as the three roots of badness. All kinds of human suffering mainly comes from their own greed, anger and stupidity, that is, the so-called "three poisons".
From the physiological structure of pigeon: pigeons are birds, birds have short intestines, must constantly eat, look insatiable, so pigeons are used as representatives of greed. Buddhism believes that the characteristics of pigeons are insatiable, never satisfied, no matter how much they eat, they will continue to eat as long as they still eat, and the insatiable character of pigeons is compared to mortal greed. The process of translating architectural space: Mouth Esophagus
Taste
Extract
Stomach Liver
Intestinal Cloaca
"Pigeon"
(Abstract pigeon's digestive system as path)
5 Shop2
Cafeteria
Smell
Tearoom
Vision
Garden
Wealth
Shop(Mammon)
Wisdom
Shop(Manjushri)
Monk Route Office
Translation process:
3 Garden 1 Cafeteria
4 Shop1
2 Tearoom
Based on the concept of greed in Buddhism, the basic symbolic features of the pigeon's intestines are distilled, combined with the function of the site, its role in this complex is set, and finally translated into a discourse.
Tourist Route
(Five corresponding functions)
(Five types of greed)
Site
Flat functional distribution
Renderings
Cafeteria
1
In the upper digestive tract of the pigeon, the Cafeteria is set up and corresponds to the appetite in greed. The channeling properties of the intestines will guide the viewer here to begin the gradual sinking into greed.
Tearoom
2
In the position of the oesophagus of the pigeon, a tea room is set up corresponding to the smelling desire in greed. The aroma of tea fills both sides of the tea room, stimulating the desire for smell.
Garden
3
A garden corresponding to the viewing desires in greed is set up at the central axis of the complex. Visitors can climb up here to see the statue of Buddha in the final building.
Shop (Mammon)
4
In the liver area of the pigeon, a shop of Buddhist tools corresponding to the desire for fame in greed is set up, alluding to the desire to buy Buddhist tools to gain fame.
Tourist Route
Smell
Wealth
Monk Route
Catering space along the sides of the esophagus.
Shops and open spaces along the meandering walls.
Taste
Vision
Wisdom
Cafeteria and entrances unfold along the sides of the pipe.
A garden lookout is set in the centre of the building. and the main entranc.
Shops and exits to the next building along both sides of the road.
Shop (Manjushri)
5
In the stomach, where pigeons store the most food, the shop of the god of wealth, which corresponds to the desire for wealth in greed, is set up.
The serpent in Buddhism represents hatred, which produces rejection and disgust for people, things that do not follow one's wishes.When greed is not satisfied, hatred arises. The Buddhist scriptures speak of anger, hatred, overfeeling, annoyance, jealousy and harm,which are summaries of the forms of hatred. The process of translating architectural space:
Praying
Da altar
Chanting
Qingjing altar Fahua altar Jingtu altar
Its ritual is divided into seven days, and the range of beings offered to salvation in the puja is quite extensive. With its seven-day ritual containing seven different hatreds in anger, its purifying function makes the anger in the human heart dissipate.
Lenyan altar Huayan altar
Hanging flags Abolving spirit Summoning Buddha Giving flowers
Inner altar
Sending Buddha
Hatred
Buddha offering hall
Overfeeling
Scripture library
Jealousy
Hanging garden
Annoyance
Statement hall
Fear
Chanting hall
Harm
Flower offering hall
Purification
Purified hall
6 Flowers offering hall
Overlay of activities and event sequences
(Seven-day rites)
Behaviour
(Six types of hatred)
(Seven functional Buddhist hall)
1 Buddha offering hall 7 Purified hall 2 Scipture library
5 Chanting hall
4 Statement hall
Main enty
Shui Lu Rites
"Snack"
Translation process:
Tourist Route
3 Garden
Flat functional distribution
Site
Buddha offering hall
1
Hatred needs to be dispelled by the Buddha, and as the first day of the seven-day rites, the monks will perform the Buddha ritual here.
Scripture libiary
2
On the second day of the rites, monks will hold a recitation of the Yakushi Sutra here to relieve the suffering of all beings.
Hanging garden
3
On the third day of the rites, the monks will hang streamers here, symbolising the request for all beings in heaven and earth to gather here.
Statement hall
4
On the fourth day of the rites, the monks will perform the Invocation Ceremony and the senior monks will hold the Precepts Talk.
Chanting hall
5
On the fifth day of the rites the monks will recite the Lama Sutra here to forgive suffering spirits and punish hatred.
Flowers offering hall
Hatred
Overfeeling
Jealousy
As visitors look around, the hall will have a calming effect on hatred.
Visitors will read the scr ip tur es her e, f ind themselves.
The beautiful surroundings will encourage visitors to value equality.
Annoyance
Fear
Harm
In the chanting of scripture, find answers to self-emptying.
The monks will be chanting the Lama Sutra here to dispel their fears.
Chanting the Avata-msaka Sutra to bid farewell to all beings and spirits.
Monk Route
Purity To c a u s e t h e b o d y and mind to overcome obstacles and to become purified by repenting.
6
The monks who are relieved of their hatred offer flowers, food, and recite the Avatamsaka Sutra to bid farewell to all living beings and spirits.
Purified hall
7
On the seventh day of the rites, the monks will perform the ceremony of sending off the saints here. Pray for purity to return to earth.
The practice of meditation and the recognition of resentment go hand in hand, and this textual concept is superimposed on the temporal sequence of events known as the 'Water and Land Puja', resulting in a building that responds spatially to resentment and functionally to the practice of meditation.
Renderings
Pig, usually used to describe stupidity, is used in Buddhism to represent dementia. Among all kinds of worries, dementia is the most fundamental one. It is also the root cause of greed, anger and other troubles. Because all beings are not aware of their own karma and cause and effect, they create all kinds of bad karma, which leads to suffering in the six paths of rebirth. The process of translating architectural space:
Monk's apartment
Monk entry route
Underground route
Gradual enlightenment of the mind corresponds to a gradual opening of the architectural form.
Nature of foolish
Classroom
Transtitional period
Communication boundary
Enlightened Wisdom
Pulpit
After the first two buildings respectively, people will sink into their own defects and become aware of themselves, in which ignorance can be taught and guided to become more sensible and wise. Different types of classrooms will be built in this building.
Transitional period
Communication boundary
Self-breakthrough
Self-study space
Esophagus
Phrase refinement
Pied-a-terre 3 Pulpit
Extract
"Pig"
Translation process:
1Classroom 2.4Communication boundary (Monk Route)
Tourist route
5 Self-study space
Five geometric forms
(Five corresponding functions)
Site
Taking the Buddhist concept of "dementia" as a concept, three symbols of degrees of wisdom are extracted - the square corners refer to ignorance, the circle is the wisdom after enlightenment, and the broken arc refers to further breakthroughs in wisdom. Combining the three classroom types eventually translates into the discourse.
(Flat fundational distribution)
Renderings Classroom
1
When people are still in a state of ignorance, they need to be taught by monks in a collective classroom to gradually remove the ignorance from their hearts.
Communication boundary
2
The two thick traffic junctions in the building symbolise the difficulty of progressing to the next stage of thought.
Pulpit
3
The next stage is when the mind becomes capable of self-knowledge, where one no longer needs to be taught a fixed number of things, but can continue to increase the latitude of the mind through the speeches of the monks.
Communication boundary
4
The architectural elements of the transport hubs here all foreshadow that the move to the next stage of thought is bound to be of a leaping nature.
Self-study space
Monk route
Ignorance
Difficulties
Monk entry route
The high wall embodies the gulf between the two realms of wisdom.
Winding passages foreshadow the twists and turns of life.
Self-awareness
Difficulties
Self-breakthrough
The purpose of the small courtyard in the centre is to enable students to communicate.
The Central Lecture Theatre provides a pulpit for the high priests.
A stand-alone meditation room to help the self break through wisdom boundaries.
5
The final stage is a method of learning in which people can raise the latitude of their minds without having to be taught by others at all - self-study, where individual study rooms are organised around a central shelf of books for the purpose of achieving a breakthrough in their minds.
Monk entry route
6
Monks accessing the middle pulpit lectern could speak from the central lectern, capturing the attention of people above and below.
In Buddhism, one attains freedom and liberation through the realisation of emptiness. Perfect moral character, commitment to inner peace, cultivating wisdom, empty of the three poisons, empty of self and empty of worldly beings to achieve a peaceful state of mind. The process of translating architectural space: 2 Guest's room
Monks
daily needs
room and board guest monk daily chanting cultivating
A f t er e x p er ienc ing t he f ir s t t hr e e buildings and seeing the mind, people can gradually be led through the dark underground passages ,looking up at the face of the Buddha and feeling the sacred space created by the Buddha together with the light and water.
Narrative climax
"Sakyamuni"
Tourists
Seeking inner peace
Monks' apartment
3 Buddha Hall
Buddha Hall
Monk entry route
4 Garden 5 Pureland
Guests' room Buddha hall Garden Pureland
Pulpit Library(self-study space)
Two types of users
Behavious
1 Monk's apartment
Functional spaces
Site
Tourist route
Translation process: As the climax of the narrative, the spatial elements of the building indulge in a synthesis of the three previous architectural symbols: the curve, the floating, the square and the circle. This symbol, as a textual element, recurs in the purport and expresses the author's main point: we must continue to seek peace; after all, confusion is always there.
Flat functional distribution
Renderings Monks' apartment
1
The monks' guesthouse with a rotating staircase patio in the centre as one of the sources of light can also be used for daily use by taking the staircase to the ground floor for Buddhist ceremonies.
Guests' room
2
As with the other living space, in addition to light from the patio, outdoor light is also necessary. On the ground floor there is also the Lenten Hall which will provide the monks with three meals.
Underground Buddha hall:
3
The statue of Buddha is in the central pool, which helps to reflect sunlight to the ceiling, supplementing the light in the underground space.reflect sunlight to the ceiling, supplementing the light in the underground space.
Garden:
4
Labouring as part of the monks' practice, a stepped vegetable field will be set up on the south side, and after a rainy day, rainwater will flow down the pipes under the platform step by step to irrigate the soil.
Purified hall
Tourist Route Tourist line
Monk entry route Tourist line
Monk Route
Underground Buddha hall In the chanting of scripture, find answers to self-emptying.
Guests' room
Monks' apartment
The spiral staircase solves the problem of vertical traffic.
A collection of monks' residences with communal attributes such as canteens and laundry rooms.
Garden
Pureland
Digestive elevation differences, space conversion, access, and open space
The Buddha statue, together with the skylight and the reflected light from the water, creates a climactic space.
5
People pass through the underground passage and finally arrive at the platform opposite to the Buddha statue, where the sky light and reflected light together create a sacred space, and people are brought into the pure land.
The path to purification The winding, dark paths that lead up to the Pure Land are always guided by the light at the end of the road. In fact, serenity has also been guiding the heart through the mists.
F
G
Monk Route
Tourist Route
From the past to the present, we ourselves are originally Buddhist at every moment, but blinded by the ignorance of greed, anger and dementia, we are in the fog of darkness, going round and round, losing ourselves and consequently falling into the state of mind of ignorance. It is as if we were going through the first three poisonous spaces and then disappeared into the underground space after going round and round. In the last space, we find the entrance to emptiness and purity in the mist, and are able to feel free from the bondage of things, to see the great world of cause and effect, to realise the existence of the self, and to let tranquillity return to our surroundings. The purification of past sins and poisons enables us to feel the joy of the cosmic cycle of rebirth and rebirth.
F: To enter the Buddha, one always has to fall to the lowest place, the darkest time, to have transcendental insight. G: Reaching the emptiness of the heart.
02
The Breathing Winery Individual work Location: Hangzhou, China Date: 2022/9 - 2022/12 Yuanpu is the only source of sorghum in Hangzhou, of which its sorghum wine production culture has a thousand-year history. The aim of this project is to build an environmentally friendly, purely timber-framed brewery surrounded by fields that combines wine making and tourism functions. The building volumes are scattered among the wheat fields and blend in with the crops. At the heart of the design are panels made of sorghum stalks that cover the structure and rotate automatically according to the temperature. Inspired by the pine cones that open and close according to humidity and temperature, the panels rotate automatically to adjust to the temperature of the room in different climatic conditions, adapting to the harsh brewing temperatures.The building is like a seed covered with scales that falls in a field and breathes freely.
Site selection --- Reuse of abandoned sites
Existing mobile wine making stalls
Yuanpu Town, Xihu District, Hangzhou City, Zhejiang Province, China（120°12’，30°11’）
The act, space and event of making sorghum wine in Yuanpu
N
Plan
Behavior
Space
Calling neighbors
Immersing and steaming the sorghum
Tedding and cooling
Adding yeast and fermenting
Distilling
It has long been the custom in the Yuanpu area to grow sorghum and the local production of sorghum clayaki is quite famous and has been known as "Yuanpu Xiao Maotai" for a thousand years. As demand has increased, mobile wine making stalls are no longer able to meet the needs of residents and visitors, and it is urgent to design a professional, high-quality brewing workshop in a centralised site.
Arched wooden bridge construction
Riverside Scene at Qingming Festival, Song Dynasty, Zhang Zeduan
The structural system of the bridge / DSI statically indeterminate number analysis of the bridge
Bianshui Hongbridge
The main arch structure of a timber arch bridge is generally made up of two systems, both of which are cross-layered and mutually supported by crossbeams to form the overall arch structure and to carry the loads coming down from the bridge deck through the transfer of the building on the arch.
The formation of spatial structures (take one of these as an example)
Transformation and deformation
A
B
C
E
D
① Wooden tip fixing
②
Mortise and tenon joint Glass
Automatic three linkage sliding door Post and beam
Increase the number of structures, shorten the arch span to increase the structural stability.
Wooden construction with mortise and tenon joints, while using wooden tips for structural strength to reduce the use of metal components.
Wooden frame attached to the side of the main structure, adding a glass layer.
Increasing internal post and beam structure to add second floor.
Adding windows and doors to form the final monolith.
Temperature-adapted panel rotation Due to hydration and temperature changes, the scales of the pine cones are reversibly deformed to optimise seed dispersal, which improves the survival of the pine tree. Many steps in the winemaking process are tightly controlled in terms of temperature. The panels on the building structure extract the principle of the pine cone scales and open and close according to the temperature, rotating closed in warmer weather to reduce the entry of solar radiation and rotating open to absorb it in cooler temperatures. The panels are formed using discarded sorghum stalks, which automatically rotate open and closed to keep the indoor brewing space at the right temperature at all times to facilitate the production of wine in all seasons.
Sorghum stalks
Woven panels of sorghum stalks
Grasshopper script Step1
Step2
Step3
Input the panel width variation coefficient on the rotation axis The width of the panel is randomly generated on the rotation axis
Step1: The plane projection position of the axis of rotation.
Input a Input b Input the number of axes of rotation
Step2: The three-dimensional position of the axis of rotation.
Step3: The plane projection position of the axis of rotation.
Input a parabola based on the arch Input the number of axes of rotation Input the panel length change coefficient on the rotation axis
Input the number of panels on the rotation axis
The length of the panel is randomly generated on the rotation axis
Step5
The panel rotates according to the temperature: A (angle) = 180 - 6T (temperature) [ 15℃ ≤ T ≤ 30℃ ] T ＜ 15℃ Panels open continuously T ＞ 30℃ Panels keep closed
Step6
Step7
Open condition
Input Real-time temperature Step5: Panel rotates according to temperature.
Step6: Panel subdivision.
Step7: Generate knitted fabric.
Step4
Output
Input Enter the diameter of the sorghum stalks
Input the number of panel subdivisions
Step4: Generate panels based on division points.
Close condition (Rotation angle = 0°)
Open condition（Rotation angle = 80°）
Minimize solar radiation Heat insulation
outdoor
indoor
Absorb solar radiation Heat absorption
outdoor
indoor
Close condition
The intersection of winemaking and excursions 1 Grain steeping Workshop 2 Cleaning Space 3 Steaming Workshop 4 Blending Worshop
The majority of the ground floor is designed as a brewing space for the workers. There are strict production steps and the floor space is arranged sequentially according to the different steps, with the brewing area at the front and the packaging and wine storage areas at the rear. Wooden pillars support the corridors on the Second floor, under which workers move around and work on making sorghum wine. Visitors enter through the wheat field, where sorghum and stone walls plan the path.
5 Fermentation Charmber 6 Distilling Workshop 7 Utility Room 8 Restroom 9 Filling Workshop 10 Pantry 11 Kitchen 12 Sealing Workshop 13 Wrapping Workshop 14 Wine storage 15 Office 16 Grain stacking Space 17 Grain Exhibition 18 Outdoor Exhibition 19 Outdoor Restaurant 20 Visitor Packing 21 Track Packing 22 Staff Parking
Section
Ground plan 0' 2'
5'
N
10'
20'
The Second floor is entirely devoted to visitor people can learn about the complete winem through themed exhibitions and tours of th space, and finally enter the restaurant and sho experience.
r spaces, where making process he winemaking op for a farming
23 Reception Second floor
24 Cafe 25 Exhibition Room 26 Restaurant 27 Bar 28 Store
Ground floor Visitor circulation
Ground floor Production staff circulation Grain steeping
Steaming
Cleaning
Fementing
Blending
Distilling
Winemaking process Wrapping
Filling
Wine storage Sealing
Packaging process
Second floor
Second level plan 0' 2'
5'
10'
N
20'
Ground floor Staff circulation Restaurant staff circulation
The interaction between interior and structure
3
7 8 6
Cafe
5
Restaurant
4
Exhibition Room
3
The panel rotates according to the temperature (0°- 90°） 1 Grain steeping Workshop 2 Blending Worshop
83° Summer solstice sun angle
3 Exhibition Room 4 Utility Room 5 Sealing Workshop 6 Wrapping Workshop
36.5° Winter solstice sun angle
7 Store 8 Wine storage
2
1 12 mm Composite wooden floor 40/18 mm Wooden keel 150/50 mm Wooden beam
Section
0' 1' 2'
5'
10'
Wine storage
Water basin construction: 20 mm Cobblestone 15 mm Cement mortar 100 mm Concrete 150 mm Gravel bed Prepared subgrade
Floor construction, ground floor: 8 mm Composite wooden floor 20 mm Cement mortar 60 mm Cement cinder 150 mm Concrete 150 mm Gravel bed Prepared subgrade
03
Golden Mountain Satin Individual work Location: Songyang County, China Date: 2023/3 - 2023/6 As a typical rammed earth wooden structure village of cultural and historical heritage, Yangjiatang Village, has been inundated with tourists, and the design of a visitor's centre in line with the village's texture is urgent and necessary. Based on the building materials and forms of the village, the core of this design is to reuse the construction waste related to the original earth materials. It is hoped that by replacing the different components of the original soil with non-recyclable materials through physical modification, and by reexperimenting and designing new ways of expression of the materials, the goal of sustainable villages can be achieved in a sustained manner.
Site selection
Yangjiatang Village, Sandu Township, Songyang County, Zhejiang Province, China（120°12’，30°11’） 1 No.1 Residence 2 No.2 Residence 3 No.3 Residence 4 No.4 Residence 5 No.6 Residence 6 No.7,8,9 Residence 7 No.15 Residence 8 No.20 Residence 9 No.19 Residence 10 Soong's ancestral hall 11 Pestle house 12 Dide Primary School (abandoned) 13 Public toilet (waiting for repairs) 14 Cowshed (abandoned) 15 Viewing platform 16 Yangjiatang Village Committee 17 Village entrance
The Last Secret Land of Jiangnan --- " The Golden Potala Palace " The village is situated in a ring-shaped mountain concave, the left and right flanks of the mountains surround the village, the feng shui layout is quite obvious. more than 30 blocks of adobe architecture of the Qing Dynasty residential houses along the hillside level by level upwards, the whole village up and down the house height difference of about 2 to 3 metres, in the field of vision to show a huge architectural façade, Songyang County, typical of the laddertype ancient villages.
17
16
5
10 11
15 14
7 6
13 The site is the best viewpoint in the village and a must for tourists, but most of the buildings are deserted. In view of the development of the tourism industry, there is an urgent need for some space in the village to accommodate tourists, and this is the best site for this purpose.
1
8
9
12
4 2 3
N
Materials and forms of mountain architecture Wood Tile
Rammed earth (with porcelain waste)
Burrstone
Wood
Brick
Rammed earth
Wood
Building material The frames, roofs, walls, doors and windows that are characteristic of the local area correspond to materials that are rich in vernacular flavour, but at the same time people produce a lot of construction waste when they build, renovate and repair buildings.
Construction waste
Building Form
The difference in height between the mountains makes the roofs of the village fall vertically, and most of the buildings in the village are made of rammed earth in a variety of forms, and the village road is winding but very narrow, with the narrowest part of the road being only for one person to pass through.
Rammed earth's correlation with structural aspects Housing type
Design Process
Spatial Experience of Local Architecture
Most of the dwellings are made of rammed earth and wooden structures
The topography, history and culture of the village make for a rich spatial pattern
Plane and section / Picture
Type 1 Three-section compound
Two-story residence
1 Retain most of the intact rammed earth walls on the site.
Plane and section / Picture 2 Four-section compound
3 H-plane
Architecture and interior space Due to the more functional requirements of outdoor living, the courtyard patio becomes an indispensable living space for ventilation, light, climate regulation, activities and transport. 1
Traditional house structure form
Two-story residence with an attached room
2
3
4
Architecture and Corridor
The front and back of the house are often equipped with corridors for shade, rain protection, traffic and semi-outdoor living space. Most triplexes of protected traditional buildings usually have patios inside. *Take No.6 Residence as an example
Elevation view
Three-section compound (courtyard house)
Architecture and Topography The village is situated in the hollow of a ring-shaped hill, and the dwellings extend one level upwards along the hillside, displaying a huge architectural façade in the field of view, typical of a stepped ancient village. 1 Between house and mountain
Wall is not rammed under the eaves, and wooden Windows are added or left empty, which is conducive to ventilation and heat prevention in summer.
Two-story storage house
Storage house structure form
1 Between house and mountain
1 Between house and field
4 Between house and house
Architecture and Street
Restricted by the terrain, the mountain buildings are tightly arranged and the roads are narrow and winding and poorly accessible.
The rammed earth wall is independent of the wood frame structure and only acts as the building envelope, which is an alternative to brick.The design should respect the basic character of the village.
Due to the topography, patio and corridor spaces are very important in the village, while narrow roads and scarce space for activities are also problems that need to be improved in the design.
Material usage analysis
The architecture of the village and the materials used in the construction of the buildings have preserved the spatial texture and environmental features of the village. The materials used in new buildings often seem out of place and lose the original characteristics of the local materials.
Wood
Rammed earth
Concrete
Raw earth materials are cheaper and become the preferred choice of villagers.
The newly constructed dwelling incorporates concrete walls that have been coated with rammed earth paint.
Tile
Burrstone
Brick The bricks serve as structural supports beneath the crossbeam.
column and tie construction Tamped soil
Tile roofing Window frames
Door frames
Strong texture and sustainable materials
Porcelain
Tamped soil mixed with waste material With both sustainable and cultural attributes
Lack of textured surface texture and unsustainable material
Burrstone foundation
Brick side walls
Retained walls
4 Connecting spaces with continuous roof
h
2 Determine building orientation, string walls, and design the approximate ground plan.
3 Adding water bodies and implanting landscaped spaces while increasing the space for touring.
Viewing direction
New walls
5 The profile has a drop to facilitate the visitor's view.
Standing with a view from everywhere
For excursions and sightseeing
6 Adding rich tandem flow Most of the road is a porch under the roof
1 Museum
13 Resting space
2 Exhibition room
14 Semi-outdoor dining
3 Outdoor exhibition space
15 Barbecue Space
4 Cafeteria
16 Tea-bar
5 Kitchen 6 Public toilet 7 Café 8 Souvenir shop
7
4
9 Small outdoor stage 10 Folding bridge bleachers
5
2
1
on A
Secti
6
11 Teahouse 12 Waterside viewpoint
13
8 12 3
11 10 11 9
11
Section B
Ground plan 0'1' 2'
5'
N
10'
20'
8 Souvenir shop
4 Cafeteria
9 Small outdoor stage
11 Teahouse
10 Folding bridge bleachers
12 Waterside viewpoint
12 Waterside viewpoint
14 Semi-outdoor dining
8
8
12 10
9
11
Section A 0' 1' 2'
5'
10'
13
14
15 14
3
16
16
Exhibition room
N
Second level plan 0'1' 2'
14 4 12
Section B 0' 1' 2'
5'
10'
5'
10'
20'
The architectural plan is translated with reference to Yichangyuan, with the pond as the centre and the large and small buildings situated in a semi-enclosed posture. The corridor space under the eaves is the main part of the flow in the building, while the folding bridge connects the buildings on both sides of the pond, so that people can walk through it as if they were in a rammed earth garden. Due to the difference in terrain between the first and first floors, the semi-open space on the first floor makes all parts of the building the most aesthetically pleasing spots, and visitors can enjoy the unique façade of the terraced mountain village at all times.
Café
Outdoor water feature
Restaurant on the second floor
Experimental research on rammed earth --- Experiments on the modification of raw soil by recycled aggregates Rammed earth has several outstanding advantages: ecological and environmental protection, renewability, low energy consumption, no pollution, good heat storage performance, easy construction and low cost, with a rustic vernacular mood. Combining these characteristics and the needs of the building design itself, I focus on the recycling of construction waste in relation to the raw earth materials, hoping to realise the concept of sustainable construction by replacing the different components of raw earth with non-recyclable materials in a physically modified way. Any reusable material from a construction site can be considered as a recycled building material, and the experiment selected the more common and easily available construction waste: red bricks, porcelain tiles, tiles, and marble.
A1·Design of experiment In the experiment, the proportion and water content of soil, sand and stone of different styles were kept the same, and the variables were controlled. Construction waste with particle size below 10mm and above 20mm was selected to replace the sand and stone of the same particle size in the original soil, and nine test blocks of 20cm*20cm*11cm were rammed respectively to observe the surface texture after the ramming of different aggregates. Finally, the compression and erosion resistance tests are carried out.
C1·Demonstration of finished test blocks and experimental results
B1·Soil preparation
Select suitable dry soil, sift it into three parts, and add water to make it suitable for ramming.
A2·Tool preparation Tools used are buckets, tubs, moulds (inner diameter 200*110*200), gloves, measuring cups (500ml), disposable cups, glass dishes (diameter 100mm), hammers, tampers, shovels, 2mm aperture sieves, 10mm aperture sieves, 20mm aperture sieves, bench vise, pens, rulers, spanners.
1 Take the original soil dirt,sand and gravel
After conducting various experiments on the tamped test blocks, observing and recording the results of the com
1
2
3
4
5
6
7
8
2 Use a 10mm sieve to remove large rocks 3 Sift out the earthy bits with a 2-3mm sieve 4 Sort out 5 Add the right amount of water 6 Mix the mixture well 7 Drop the tightly held soil from one meter, when
Waste Aggregate
(Raw soil)
Tile
Tile
Porcelain
＜ 10mm
＞ 20mm
＜ 10mm
Test block display
Experimental aggregate sampling
there are several large pieces on the ground indicating that the moisture content of the soil material is suitable for ramming
B2·tamping of original soil
The test tamp gives the ratio of soil, sand and stone in the control block as 4:1:2.
1
2
3
4
Range of grain sizes of alternative aggregates Pressure-resistance level
5
6
7
8
Degree of Scour Resistance Degree of aesthetics
2 Place the mixture into the mould 7 Unmoulding 8 drying
1 Assembly templates 6 Ramming to the top
A2·Template design The formwork is designed with reference to conventional formwork used for ramming, and the internal dimensions are in accordance with the size of the preset test blocks.
3 Uniform tamping
4 Add layer by layer
5 Tamp repeatedly
C2·Material Application Experiment
The waste material is hammered and screened to the right size for subsequent aggregate replacement.
1
2
3
4
① Same total number of aggregates, different degrees of gradation *Best option
Relative Aggregate Content 1 Disposal of waste materials by crushing
2 Sieving of aggregates of different grain sizes
3 Add sand
4 Mix evenly
B4·Ramming with waste aggregates
Surface texture
Waste materials of different grain sizes are added and tamped separately.
2
1
1 Assembly templates，Place the mixture into the mould，Uniform tamping，Add layer by layer
(The waste aggregate used for substitution is porcela
The surface texture of rammed earth as a material for interior and exterior is also very important, so it is neces best results will be obtained through two experiments and applied to the building.
B3·Aggregate substitution
2 Unmoulding and drying
Spatial distribution of aggregates
B5·Compression test of rammed earth blocks Prepare 50kg, 75kg, 100kg and 125kg weights, place them on the top of the test block, pressurise 9 test blocks step by step, check the appearance of the test block to see if there is any geometric deformation, rupture or collapse.
1
2 Pressure-resistance level
1 The control group of test blocks of original soil rammed with different weights of pressurised, standing man damage 2 The same procedure was carried out for the other samples and the degree of breakage of the samples was observed and recorded (the picture shows the red brick aggregate specimen with the largest degree of breakage)
Degree of Scour Resistance Degree of aesthetics
10%
30%
50%
mpared experiments, it can be concluded that porcelain is the best alternative waste material. Porcelain
＞ 20mm
Brick
Brick
Marble
Marble
＜ 10mm
＞ 20mm
＜ 10mm
＞ 20mm
Cafeteria Ⅰ
ain)
ssary to design experiments on the presentation form of porcelain on the surface of rammed earth, and finally, the ② Same amount of aggregate, different gradient positions
Gradient positions
Surface texture
Spatial distribution of aggregates
Pressure-resistance level Degree of Scour Resistance Degree of aesthetics
Bottom-up gradient
Concentration in the centre
Top-down gradient
Cafeteria Ⅱ
Garden Space Translation
Roof
second floor
Jichang Garden
(Wuxi, Jiangsu)
Jichang garden is a foothill villa type of garden, the overall layout of the water as the centre, the west and north of the wigwam connected to the remaining Huishan veins, as if connected. East for the pavilions and corridors, reflecting each other. The garden near the Huishan Mountain as the background, far to Longguang Tower as a borrowed scene, such as the deep mountains near the view of the mountains and forests in the distance, the spatial sequence is endless.
1 South foyer 2 Feng Gu Xing Wo 3 Bingli Hall 4 Bei Corridor 5 Hanzhen Room 6 Mei Pavilion 7 Lingfan House 8 Woyun Hall 9 Xianyue Pavilion 10 Linxu House 11 Yupan Corridor 12 Yupan Pavilion 13 Zhiyu 14 Qing Xiang Yue Dong 15 East gate 16 Hanbi Pavilion 17 Qu Corridor 18 Bridge 19 Shishan House 20 Qixing Bridge 21 Jiashu Hall
A
Wall detail section 1 130mm*50mm Douglas fir glued rafters 20mm Douglas fir wood sheathing 0.15mm Vapour barrier 30mm*60mm Wooden keel with embedded insulation boards 12mm Oriented Strand Board 3mm Waterproof roll 30mm*25mm Anti-corrosion counter battens 30mm*30mm Anti-corrosion Wood Tile Strip Dry-hanging tiles
Layout of the building 1 Smaller buildings are built on the waterfront, while larger buildings are built on the mountain, making the water body form the most concentrated part of the park's attractions for tourists.
2 Metal insect net 3 3mm Dark grey aluminium flashing strip 4 20mm Barge board 5 20mm Edge Banding Boards
Jichang Garden
The Garden of Hope
2 The buildings are built in front of the water, connected by corridors and bridges, forming an encircling trend to the water, so that the water is not too narrow, but also guides the sight lines of visitors. Visitor's view
6 10mm Wood veneer 7 200mm*200mm Steel beam 8 200mm*200mm Woodgrain transfer steel column
Visitor's view
Jichang Garden
B
Landscape technique
The Garden of Hope
1.1 Vista line --- a kind of control of the composition of the landscape, it can not only limit the scope of the line of sight, but also 1.2 View in opposite place --- In the landscape arrangement, can make the landscape line of sight to be extended. often in a certain landscape axis at the end of the arrangement of scenery.
9 18mm Wood flooring 30mm*40mm wooden keel 150mm reinforced concrete floor slab Ceiling slab
10 200mm Reinforced concrete roof 11 400mm Rammed earth (containing ceramic tiles)
Jichang Garden
The Garden of Hope
2 View borrowing --- Through the spatial combination of the building, or the design of the building itself, the distant view is borrowed.
12 L-shaped steel plate 13 200mm*300mm I-beam
Pingfeng Mountain
14 500mm Burrstone base Hui Mountain
15 60mm reinforced mortar with vapour
Xi Mountain
barrier Borrow the view of the pagoda and temple on the hill
Borrow the view of the mountains and villages
C Water management in the garden
The water bodies in the garden are divided into different sized, interlocking yet interconnected water surfaces.These water surfaces have been put back and forth many times, through the rhythmic change of different sizes, expanding the visual scale of the water space and enriching the water landscape level.
16 Terrazzo tile 30mm Bonding layer 30mm Cement mortar levelling layer 400mm Reinforced concrete 150mm Plain concrete 200mm Gravel layer Rammed earth
Jichang Garden
The Garden of Hope
04
Nature Healing Prison Individual work Location: The Hague, Netherlands Date: 2023/9 - 2023/11 Supervision and punishment have often been the focus of prison design in the past, but as society develops and awareness of human rights protection increases, there is an urgent need to redesign prisons to enable offenders to identify with the "normal" social order, to rehabilitate themselves psychologically, and ultimately to return to society. Prison redesign focuses on the incorporation of nature and other rehabilitative elements, using environmental psychology, aromatherapy, sensory therapy and other scientific design methods in prison design to increase the interaction between inmates and nature, so as to allow inmates to participate in the process of reforming and constructing, and to reshape their thoughts and behaviours.
Site selection
Agricultural land, Schipluiden, The Hague, Netherlands (51.989,4.305) The Hague - "capital of justice"
People come to The Hague from all over the world to work together to solve global problems. With peace at its centre, The Hague is truly an international city of peace and justice. Located on the outskirts of The Hague, the site of the prison design is free from any obstructive elements and aims to use the urban fabric to redesign and transform the inmates in a healing way.
Future Prison Design
Crime
Law
Architecture
Issue: The lag
Architecture
In a world of ever growing dimensions of crime, the law is pushing back in finding patterns and new ways to track/Identity/persuade/reduce crime. However, what is not keeping up is the infrastructure to punish/ rehabilitate/imprison such criminals.
Prison Design Elements
Greenhouse
Cultivated land
Dairy farm
Outdoor sports ground
Security
Containment
Efficiency
Rehabilitation
Church Flower
Sun
Grass
Tree
Animal
Water
......
Nature The Netherlands has been using greenhouses to grow vegetables for a hundred years, and the greenhouses are suitable for a wide range of regions and climates.
Dutch field crop production is mainly based on potatoes, wheat and sugar beet, and the Netherlands is the world's largest exporter of potatoes.
Dairy and meat production in the Netherlands accounts for 6% of total agricultural output, and its livestock facilities and feeding techniques are highly advanced.
In the outskirts of the city, football fields and golf courses have been built using the natural environment to provide activities for the surrounding residents.
Faith builds confidence in the midst of despair and sows seeds of hope in people's broken lives, and through faith, people often gain great spiritual strength.
Healing engages inmates actively or passively in the experience through different elements of rehabilitation. The more active and interactive the activities used by the user, the more effective the healing will be. The interaction of the five senses allows nature-centred healing to have multiple effects on the environment, body and mind.
Prisons of th
Excessive punishm
Endles
The Nature..
he past
Evolution of Punishment and Evolution of western prisons
ment and incarceration had been the theme of prison rehabilitation
Prison management and spatial relations correspond to the control and instrumental properties of space
Centuries ago...... Such beautiful sunshine...
Physical Punishment
Lockdown / Incarceration
Rehabilitation
Prison as an institution is yet to be regularized in this era. Extreme human torture, labor or death was the form of punishment that was adapted from war to convicted.
By the time human rights came into place i n t h e 1 9 t h c e n t u r y, the punitive thought was directed towards confining freedoms instead of denying the choice to live.
When prisoners start to become a burden on society, one positive change is to give them a role to play in prison by taking on small jobs while serving their sentence.
Primitive Year
Name / Location
1704
St. Michael's prison, Rome
Tomorrow? ......
Medieval Typology
Prison city Relations
Prison Image
Modern graph paper
Future Plan Circulation Pattern and Supervision
Characteristics
The design of the cells applied a cellular structural layout, which was centred on a hall for inmates to work in, and which has been fixed as a widely used form of prison.
Lateral Type
Endless darkness......
1816
Auburn State prison, USA
What do I miss most?
Lateral Type
This is a completely new system which is modelled on rectangular cells. This building features a new small cell design in which inmates do not have access to occupational equipment.
Endless surveillance......
1825
Eastern State Penitentiary, USA Radial Type
This layout is an improvement on the Ghent radial layout, which consists of seven identical housing units in the form of a windmill.
ss labour......
1833
.....
The classical design, form, material and craftsmanship of the main north gate with its severe Doric order and central domed lantern.
Kingston penitentiary, Canada Cruciform Type
The trees......
1898
Fresnes prison, France Telephone-Pole
The animals......
Type
The layout of this prison is a long walkway will be divided into two cells, scrambled t o g e t h e r. T h i s f o r m influenced almost all early prison layouts, and many Western prisons modelled their prison forms on it.
The crops......
Arnhem Prison, 19th century Netherlands The flowers......
If prisons were no longer cold, if guards could be kind, if I could embrace nature ......
Panopticon Type
The layout maximises the surveillance function of the architectural space, with a tower for the guards at the centre of the circular prison.
1 Jailhouse 2 Logistics Centre 3 Confinement area. 4 Clinic 5 Repository 6 Garden healing area 7 Indoor activity area 8 Outdoor activity area 9 Prison secondary clearance area 10 Study and work area 11 Central surveillance area 12 Prison clearance area 13 Visitors' area 14 Staff living area 15 Security work area 16 Surveillance tower 17 Dairy farm 18 Car parking 19 Truck parking 20 Meditation healing area
nce
19
15
Entra
2
16
1
16
3
16
4
17
5
16
15
5
10
16
1
15
1 11
16
5
16
5
6
6 9
7 20
7
8
14
20
8
12
12
13 18 Kleine Zijkade
Entrance
Section
Crop Grass Fruit tree Flower Flower, Fruit, Vegetable
Ground plan ine
Kle
0' 10' 20'
ade
Zijk
50'
N
100'
ine
Kle
1 Jailhouse 6 Garden healing area 9 Prison secondary clearance area 10 Study and work area 11 Central surveillance area 12 Prison clearance area 15 Security work area 16 Surveillance tower
16 11
15
1
1
10
Z
Kleine Zijkade
Second floor 0' 10' 20'
ade
Zijk
50'
Kleine Zijkade
N
Roof floor
100'
ine
Kle
ade
Zijk
0' 10' 20'
50'
N
100'
Section 0' 2' 5'
10 12 6
9
10'
20'
Design concept - Humanising Rehabilitation Prison Design A
Classification of plan open systems
Guard surveillance tower (Inner ri
Inmates' living, learning and working are (Inner ring
Garden Healing A
Outdoor activity A
Security working Area (Outer ri
Friends and Family Visiting Area (Outer ri
Greenhouse (Fruits, vegetables and flowers)
C Healing Systems Through nature itself, the design uses natural elements to create environments and carry out related activities to maintain and restore the physical, mental and psychological health of inmates through the stimulation of the five senses of human beings (smell, sight, taste, hearing, and touch) to achieve the goals of healing, education, and rehabilitation.
(1 - 10)
Ground floor of the dormitory (Flowers) Rooftop greenhouse (flowers and fruits)
Line-of-sight system Ⅰ
Healing Space (Flowers)
Garden Crops
Ⅱ
Flow analysis
n B
1 Farmland
Surveillance Systems
Exercise, develop patience, and learn self-regulation through crop cultivation. Spatial sign
Element
Sensory Healing
Prison circulation is designed with security as the first objective, with guard circulation covering almost the entire area while running through all surveillance points at the shortest possible distance. Prisoner paths are gradually increased according to the degree of opening of the prison.
ing)
Area
Area
ing)
ing)
Openness gradually increases
eas g)
F
G
I H
2 Glass greenhouse
Get in touch with nature by learning about the growth habits of plants and how to care for them.
20%
80%
Full surveillance model
Full rehabilitation model
(External surveillance ring)
Spatial sign
Element
Senses
F Healing Flow G Healing Flow
(Internal monitoring points)
Whereas the traditional model of incarceration is one in which the guards surround the inmates, rehabilitative incarceration is one in which the inmates surround the guards. Rehabilitative prisons are meant to combine these two models to achieve an invisible high level of surveillance of the prison.
H Healing Flow I Family Meeting Flow
3 Fruitland
Self-sufficiency through fruit harvesting, increasing benefits and satisfaction at the same time. Spatial sign
Element
Sensory Healing
E 4 Rooftop Planting Area / Indoor Planting Area
Indoor planting to improve air circulation and increase living comfort and aesthetics. Spatial sign
Element
Sensory Healing
E Guard Flow
5 Garden Healing Area
Aromatherapy and sensory stimulation for health and wellness and to regulate bad moods. Spatial sign
Element
Sensory Healing
D
6 Dairy farm
C
C
Self-sufficiency and increased satisfaction by obtaining milk and beef through labour. Spatial sign
Element
Sensory Healing
C Criminals grow Flow 7 Prayer Meeting Area
Storage Flow
Hope from despair through the power of faith while purifying the mind and body. Spatial sign
Element
D Irrigation Flow
Sensory Healing
8 Outdoor activity area
Get fit with outdoor activities and have fun at the same time. Spatial sign
Element
Sensory Healing
9 Work-study area
Learning about horticulture and secondary plant processing can lead to more skills. Spatial sign
Element
Sensory Healing
A Entry flow B Logistics Flow B
10 Family and friends meeting area
Anxiety is eased and anticipation is increased by the arrival of a loved one. Spatial sign
Element
Sensory Healing
A
05
The Floating Rock Chronicles —— The Dream of the Flower Stone Individual work Location: the Grand canal (1800 km from Beijing Hangzhou), China Date: 2021/4 - 2021/6 For transporting these huge stones, boats were relied upon. With no space for people, holes were carved into the stones for habitation, turning every possible space into beds, chairs, and tables. The relationship between people, mountains (stones), and boats became intricately intertwined: mountains became boats occupied by mountains; people walked on boats, living among mountains. This intermingling of people and boat stones presented three perspectives: one, living inside the stone as if wandering in the mountains; two, observing the stone from the boat's side as if looking up from beneath a mountain; three, viewing the stone from the shore as if gazing at distant mountains. This resembled a panoramic composition in landscape paintings, blending scenes from within, below, and beyond the mountains into one. Viewing these paintings is like entering them.
浮石記 遺夢花石綱 ——
In the name of tracing history, we recall the marvelous sights of the Song Dynasty......
Chapter One - Origin of the Boat Stones During the Zhenghe era (1113 AD), Emperor Huizong of Song dreamed of the Taoist deity Laozi. A fervent believer in Taoism, he was later referred to as "Emperor Daojun". Taoism revered stones, and Huizong was particularly fascinated by the belief that coiled dragon spirits resided within stones, which could aid in ascension to heaven. Emperor Huizong spent twenty years collecting such stones, an endeavor historically known as "Flower Stone Catalog", sparking the ancient Chinese tradition of stone appreciation. A Taoist advisor suggested raising the ground in the northeast outside the walls, prophesying a son's fortune. Consequently, Zhao Ji constructed the Wansui Mountain, following the Taoist Bagua, piling earth to great heights, thus named Genyue. This six-year project depleted the national treasury. Cai Jing, under orders, fetched flowering stones from Jiangsu and Zhejiang, designated the Suzhou and Hangzhou Bureau for this task, specifically to transport these stones to the Eastern Capital. In 1117, Emperor Huizong found a stone in Lingbi County, Anhui, four zhang high. Transported by a giant ship and thousands of laborers, its journey involved dismantling water gates and beams, and even breaking city walls for its passage. The Bureau, originally not equipped for such a task, requisitioned thousands of grain boats for this purpose. Confronted with the dilemma of large stones and small boats, stones were abandoned in the Yan Mountains, using the stones themselves as boats. This created a floating, ethereal journey from the south of the Yangtze River to Kaifeng, along the Huai and Bian Rivers.
Along the River During the Qingming Festival
Suzhou's Golden Age
Zhang Zeduan (Song dynasty)
Xu Yang (Qing dynasty)
Chapter Two - Boat Stones in Paintings Although artificial hills are not real, they're not necessarily places for concealment. If one could hide within these hills, the emperor would not have embarked on distant travels.
Chapter Three - Miniature Landscapes in Stones
06
Other work
Selected from 2020-2023
Boating in Light
The Arch Pavilion
Star-studded Sky
Group work Date: 2022/9 - 2022/10
Group work Date: 2020/6 - 2020/7
Group work Date: 2022/5 - 2022/7
Light-by-Light House
Wooden model of Taishun corridor bridge
Wooden model of Nanchan Temple
Individual work Date: 2021/9 - 2022.1
Group work Date: 2022/9
Group work Date: 2021/12
Lacquerware
Digital painting
Phenomenon sketch
Individual work Date: 2022/6
Individual work Date: 2021/6 / 2023/6
Group work / Individual work Date: 2022/6 / 2023/6
Architecture, an eternal brush upon the canvas of time, shall eternally sculpt the countenance of culture and society. It shall metamorphose into the very soul of cities, a bearer of values and sagas, an ember that ignites limitless dreams of tomorrow. In tandem, architecture shall forever weave the intricate threads that bind humanity to one another and to the bosom of nature, crafting our essence and enlightenment. In the epochs yet to dawn, architecture shall transcend mere structure, emerging as a conduit for the symphony of emotions, a masterpiece of artistic expression, an unending odyssey into the enigmatic realms of the undiscovered.