Ying Zuo Freshman Portfolio 2014 Fall Syracuse University

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Portfolio Fall 2014

HUBELI studio

contents PROJECT1

PARTNER:YUNQING HU

1A 1B 1C

1-2 3-4 5-7

PROJECT2

PARTNERS:MINGLU WEI JAVIER GURI

2A 2B

8 9-12

PROJECT3 INDIVIDUAL WORK 13-14

PROJECT 1A PONCHO

T he project asks us to design a

dress which has architectual element.

U sing cardboard and clips, we

PONCHO DRAWING

made 101 pipes to show the concept SHIFTING.

PONCHO PHOTOS

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PROJECT 1B POCHE

I n this project,we need to have the’dynamic’ reading of the movement of the poncho into a spatial operation.

W e generated three main columns

based on the three holes on poncho and had the interior space showing the concept SHIFTING.

POCHE DRAWINGS

POCHE DRAWINGS

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4

Section

Plan

STAIRCASE DRAWINGS

I n this project,we need to transform

STAIRCASE PHOTOS

the mass-void study of the poche into a circulation tower.

T he model we built not only shows

the SHIFTING of the STAIRS but also shows the SPACE SHIFTING by using three main volumes which we generated based on the three columns on poche.

PROJECT 1C MOVING ON UP 5

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PROJECT 2A CASE STUDIES

T his assignment requires analytical

reading of precedents in architecture through the use of diagrams.

I n this project, we used mass-void,

grid,propotion,program,structure and thresholds diagrams to show our understanding of Usui-gun Weekend House by SANAA. DIAGRAMS Usui-gun Weekend House - SANAA

Roof

Roof Truss

Roof Truss Roof Truss for the Courtyards tu nOI el d na Hte kc ar B el dn aH

Handle

In Bracket Out

fa eL

Doors

M DM

Leaf

D

DM Leaf

DM

fa eL

Handle

Handle

Load-bearing Walls

Bracket BracketHandle

InOut

Leaf

M D

tekctaurnO BI

tekctaurnO BI eldn a

Mass & Void

eldnaH

H

Grid

Proportion

fa eL

Glass Walls

M D

Columns Doors te kc ar B el d n aH tu nOI el dn a H Handle

Floor

InOut Bracket

DM Leaf

DM Leaf

Courtyards Plan Handle

Bracket

Handle

Axon

Plan

Axon

In Out

Exploded Axon of Building Elements

Public Space Semi-public Space Private Space

Program

Thresholds

STAIRCASE DRAWINGS

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8

Structure

P

P

PROJECT 2B MONTAGE

T his project asks us to put our previous staircase model into

Ludwig Mies van de Rohe’s work Crown Hall. It is paramount that our intervention takes a clear stands towards Mies’ project and building.

SECTION

1/4’’ = 1’ - 0’’

MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI

I n our design, we decided to show the CORNER of Mies. Using his

classical I-beams and L-shape of the corner,we developed the corner-intervention which includes programs of storage,cafe and auditorium and L-shape facade pattern.

MONTAGE DRAWINGS

S

S

PLAN

SECTION & PLAN DRAWINGS

1/4 ‘’ = 1’- 0’’

MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI

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CORNER-MIES PHOTOS & ELEVATION

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ELEVATION 1/4’’ = 1’ - 0’’ MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI

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S1

EXTERIOR MONTAGE & DIAGRAMS

Bathroom

t

ligh

Rehearsal Room

Sky

om edro

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S2

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rid

or

C

S1

Pu bli c

Sp

ac e

M

t

gh

yli

Sk o

tudi

S usic

S2

Kitchen

M

all

H

o

tudi

ic S

Mus

g

in

in

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LIVING SPACE

WORKING SPACE

VISUAL CONNECTION

LIGHTNING

PROJECT 3 THE PIANO HOUSE

PLAN & SECTION DRAWINGS

FINAL MODEL PHOTO

The final project is to design a small “live-work� program based on the relationship between the ideas of the larger territory and the architectual project.Our studio devided the territory into six districts.

Our district is designed for musicians. The three buildings in the district form a squareshaped public space in the centre of our territory. It serves as a space for concerts.Taking account into the relationship between working space(more open) and living space (more private) and the need of pianists who obviously dislike noises, I seperated two spaces into two individual towers.

At the same time, the pattern walls, which two towers face to each other and the ceiling of

the working space serve as connections between the two spaces.The form of the living space and the roof of the music studio are derived from the piano.The shape of the plan and the declining roofs are intentionally designed because of the topograghy. For the lighting, each space has a skylight. Besides,the pattern is used only in working space because of its openness.It allows sunlight goes in and looks like the musical notation on the floor.

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YING ZUO yzuo06@syr.edu