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01
L2 FAL
sity iver
Un cuse Syra
School of
ture
c hite Arc
Y I N G
Z U O
Portfolio Fall 2014
HUBELI studio
contents PROJECT1
PARTNER:YUNQING HU
1A 1B 1C
1-2 3-4 5-7
PROJECT2
PARTNERS:MINGLU WEI JAVIER GURI
2A 2B
8 9-12
PROJECT3 INDIVIDUAL WORK 13-14
PROJECT 1A PONCHO
T he project asks us to design a
dress which has architectual element.
U sing cardboard and clips, we
PONCHO DRAWING
made 101 pipes to show the concept SHIFTING.
PONCHO PHOTOS
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PROJECT 1B POCHE
I n this project,we need to have the’dynamic’ reading of the movement of the poncho into a spatial operation. W e generated three main columns
based on the three holes on poncho and had the interior space showing the concept SHIFTING.
POCHE DRAWINGS
POCHE DRAWINGS
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4
Section
Plan
STAIRCASE DRAWINGS
I n this project,we need to transform
STAIRCASE PHOTOS
the mass-void study of the poche into a circulation tower.
T he model we built not only shows
the SHIFTING of the STAIRS but also shows the SPACE SHIFTING by using three main volumes which we generated based on the three columns on poche.
PROJECT 1C MOVING ON UP 5
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PROJECT 2A CASE STUDIES
T his assignment requires analytical
reading of precedents in architecture through the use of diagrams.
I n this project, we used mass-void,
grid,propotion,program,structure and thresholds diagrams to show our understanding of Usui-gun Weekend House by SANAA. DIAGRAMS Usui-gun Weekend House - SANAA
Roof
Roof Truss
Roof Truss Roof Truss for the Courtyards tu nOI el d na Hte kc ar B el dn aH
Handle
In Bracket Out
fa eL
Doors
M DM
Leaf
D
DM Leaf
DM
fa eL
Handle
Handle
Load-bearing Walls
Bracket BracketHandle
InOut
Leaf
M D
tekctaurnO BI
tekctaurnO BI eldn a
Mass & Void
eldnaH
H
Grid
Proportion
fa eL
Glass Walls
M D
Columns Doors te kc ar B el d n aH tu nOI el dn a H Handle
Floor
InOut Bracket
DM Leaf
DM Leaf
Courtyards Plan Handle
Bracket
Handle
Axon
Plan
Axon
In Out
Exploded Axon of Building Elements
Public Space Semi-public Space Private Space
Program
Thresholds
STAIRCASE DRAWINGS
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8
Structure
P
P
PROJECT 2B MONTAGE
T his project asks us to put our previous staircase model into
Ludwig Mies van de Rohe’s work Crown Hall. It is paramount that our intervention takes a clear stands towards Mies’ project and building.
SECTION
1/4’’ = 1’ - 0’’
MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI
I n our design, we decided to show the CORNER of Mies. Using his
classical I-beams and L-shape of the corner,we developed the corner-intervention which includes programs of storage,cafe and auditorium and L-shape facade pattern.
MONTAGE DRAWINGS
S
S
PLAN
SECTION & PLAN DRAWINGS
1/4 ‘’ = 1’- 0’’
MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI
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CORNER-MIES PHOTOS & ELEVATION
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ELEVATION 1/4’’ = 1’ - 0’’ MINGLU WEI | YING ZUO | JAVIER GURI PROJECT 2B | MONTAGE HUBELI
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S1
EXTERIOR MONTAGE & DIAGRAMS
Bathroom
t
ligh
Rehearsal Room
Sky
om edro
B
S2
or
rid
or
C
S1
Pu bli c
Sp
ac e
M
t
gh
yli
Sk o
tudi
S usic
S2
Kitchen
M
all
H
o
tudi
ic S
Mus
g
in
in
D
LIVING SPACE
WORKING SPACE
VISUAL CONNECTION
LIGHTNING
PROJECT 3 THE PIANO HOUSE
PLAN & SECTION DRAWINGS
FINAL MODEL PHOTO
The final project is to design a small “live-work� program based on the relationship between the ideas of the larger territory and the architectual project.Our studio devided the territory into six districts. Our district is designed for musicians. The three buildings in the district form a squareshaped public space in the centre of our territory. It serves as a space for concerts.Taking account into the relationship between working space(more open) and living space (more private) and the need of pianists who obviously dislike noises, I seperated two spaces into two individual towers. At the same time, the pattern walls, which two towers face to each other and the ceiling of
the working space serve as connections between the two spaces.The form of the living space and the roof of the music studio are derived from the piano.The shape of the plan and the declining roofs are intentionally designed because of the topograghy. For the lighting, each space has a skylight. Besides,the pattern is used only in working space because of its openness.It allows sunlight goes in and looks like the musical notation on the floor.
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YING ZUO yzuo06@syr.edu