Mono Material Monolithic Homogeneous and Circular Construction
Till Boettger and Ulrike Knauer (Eds.)
Monochrome Diagrams Tools for Architectural Analysis Till Boettger
The following graphic analyses are a continuation of various treatments of space and architecture and are designed to highlight particularities of architectural concepts and to make them accessible for new considerations. The publications Architecture and Space1 and Threshold Spaces2 exemplify this condensed approach. The method of analysis was further developed in the context of architecture courses in presentation and design3 at the Faculty for Building and Preservation of the HAWK, Hochschule für angewandte Wissenschaft und Kunst (University of Applied Sciences and Arts) Hildesheim/Holzminden/Göttingen. Fine-tuning the terminology and hierarchies for a complex perspective on architecture unfolded a matrix. Through deduction and abstraction, diagrammatic drawings are developed at various levels (scales) for individual complementary aspects (parameters). The scales city and country, building and form and space and detail form the levels of analysis for any architecture and at the same time clarify our position as humans in relation to the architecture. When we consider architecture from above or, more precisely, from a distance, then we plan or evaluate along the scale of city and country. Along the axis building and form, the building is viewed as a cohesive structure and presents its inner dependencies along with its associated external presence in context. For our perception of and physical connection to architecture, our inner and direct position is paramount. This level touches on the aspects of space and detail.
On each of the scales, the parameters location, delimitation, sequence, geometry, function and materiality provide for a systematic analysis. Abstract monochromatic diagrams can highlight the definitive aspects of the selected architectures. The architectures, with their complex logic, become legible through the focused perspective of the parameters in abstract diagrams. The location reveals connections and contiguities and asks about the place. Delimitation shows how space is created, that is, how the inside is separated from the outside and, for example, how walls are opened. The one-after-another of perceptible spaces becomes transparent in the sequence, the chronology of relationships between moving on and lingering. An analysis of the geometry demonstrates the form and its associated organization. The representations of the parameter function show the organized activities and their spatial implementation through to the level of furnishings. Addressing materiality elucidates a perception and a comprehension of the structure and creates a notion of haptic experiences to come. The terms listed here become search criteria for analytic processes
1Egon Schirmbeck, Till Boettger, and Christian Hanke, Architecture and Space: Design Concepts in the Twentieth Century (Berlin: DOM, 2011).
2Till Boettger, Threshold Spaces: Transitions in Architecture: Analysis and Design Tools (Basel: Birkhäuser, 2014).
3Till Boettger, professor of presentation and design, Faculty of Architecture, Engineering and Conservation at the HAWK (University of Applied Sciences and Arts) Hildesheim/Holzminden/Göttingen.
and, in this context, ultimately labels for a comparative analysis. The contemporary architectural works chosen for this book have a solid, monolithic and mono-material focus. For the use of earth, timber, brick and recycled materials, sketches sorted according to the parameters present their inherent concepts. For concrete and insulating concrete, the analysis is deliberately based on models and photos of models. The Gartmann house in Chur is shown, which can be considered representative of this construction technique. The presentations attempt to establish the great material thickness of the exterior walls through the effect of light and shadows in order to highlight the changed expression of structures with insulating concrete as opposed to concrete construction without insulating properties. Furthermore, numerous and very comprehensive publications that deal with this topic in constructive terms already exist. These make graphic representations superfluous.
For the examination of the topic of mono-materials, particular attention is paid to the parameters of materiality, delimitation and geometry in order to better understand the new conceptual designs. In support of this search, master’s seminars in architecture were held from the summer semester of 2017 to the summer semester of 2022 at the Faculty of Architecture, Engineering and Conservation. Various innovative mono-material building techniques were investigated. The individual parameters helped on various levels to reveal the specific aspects of contemporary mono-material creation of space and building techniques. The goal is to analyze whether the new approach to homogeneous materials in the architectural context has led to changes in building culture in various locations, with exemplary, typical construction techniques and characteristic features. In addition, cross-comparison will be possible if the parameters guide the investigation as it moves from one architectural example to the next. Particularities and slight distinctions become apparent. The hope is that the graphic analyses will provide the traditional understanding of the terms solid, monolithic and mono-material in the context of construction materials with a new foundation for discourse. Ultimately, the reflections based on analytic representations should make the specific use of materials visible and the transfer of conceptual approaches possible.
Locations Map of Projects
Earth
01Casa de Tapia
02Tipu Sultan Merkez School
03A School for Korase
04Library of Muyinga
05Zenkonyu x Tamping Earth
06Education Center Nyanza
Holz
07Tannau Forestry and Hunting Service Building
08Origen Tower
09Kindergarten Lugano
10Olpererhütte Mountain Refuge
11Timber house
12House b – burnt
13Universal Design Quarter: Woodie
Ziegel
14Kolumba
15Ravensburg Art Gallery
16Casa de Ladrillos
17Casa Norberto Alorda
18Termitary House
Beton
19Gartmann House
Recycling Massiv
20Hiža Cottage
21The Resource Rows
22Apartment No. 1
23Casa 1413
24The Parchment Works
25Hirzenbach School Complex
26Cork House
Earth
Casa de Tapia, 2014
VERNACULAR HOUSE
Ayerbe, Spain
Location Figure-ground diagram
Raumproportionen und -gliederung Das Gebäude ohne Schnitt dargestellt.
Raumproportionen und -gliederung Das Gebäude ohne Schnitt dargestellt.
Raumproportionen und -gliederung
Raumproportionen und -gliederung
Delimitation Axonometric Built structures
Geometry Sectional axonometric Spatial structure
Lehm monolithisch Sonderform der Darstellung
Lehm monolithisch Sonderform der Darstellung
Deckenkonstruktionen
Für die Deckenkonstruktionen sind Kappendecke, Holzbalkendecke und Sparren genutzt.
Materiality Section
Spatial profile
Delimitation Exploded axonometric Solid creation of space
Materiality Sectional axonometric Wall/roof junction
Education Center Nyanza, 2010
Nyanza, Rwanda
EDUCATION CENTER NYANZA
Sinha Witzke & Kaja Lamping
Begrenzung: Wegeführung
Sequence Floor plan
Circulation patterns
Lehm monolithisch
Sonderform der Darstellung MAV 05
Delimitation Floor plan
Creation of space
EDUCATION CENTER NYANZA
EDUCATION CENTER NYANZA
EDUCATION CENTER NYANZA
EDUCATION CENTER NYANZA
Witzke & Kaja Lamping
Witzke & Kaja Lamping
Witzke & Kaja Lamping
Geometry Elevations
Geometrie:
Geometrie:
Geometrie:
Mass/opening on interior
Geometry Elevations
Mass/opening on exterior
Lehm monolithisch
Lehm monolithisch
Lehm monolithisch
Lehm monolithisch
Sonderform der Darstellung MAV 05
Sonderform der Darstellung MAV 05
Sonderform der Darstellung MAV 05
Sonderform der Darstellung MAV 05
Representations
Recycled
Acknowledgments
Editor, Contents and Authors
Dr. Till Boettger
Professor of Presentation and Design
Faculty of Architecture, Engineering and Conservation
HAWK University Hildesheim/Holzminden/Göttingen
Co-founder of the architectural firm at11 – architecture and design
Ulrike Knauer M.Sc.
Teaching Assistant
Department of Presentation and Design
Faculty of Architecture, Engineering and Conservation
HAWK Hochschule Hildesheim/Holzminden/Göttingen
Contributors
Prof. José Mario Gutiérrez Marquez
Co-founder of the architectural firm Bruno Fioretti Marquez
Professor for Design and Spatial Design
Bauhaus-University in Weimar
Arno Richter M.Sc.
Research Associate
Department of Conceptual and Structural Design
TU Berlin
Representations
First versions
Results of the master’s seminar Special Forms of Presentation and Design
Faculty of Architecture, Engineering and Conservation at HAWK in Hildesheim, led by Dr. Till Boettger and Ulrike Knauer M.Sc. with graduate students (see pp. 204–205)
All representations are the original work of these students. The students applied the scales and parameters introduced in the seminar to the associated architectural works in order to develop their own analytic examinations.
Editorial Assistance
Julia Robben B.A.
Lea Steiner B.A.
Theresa Szentmiklossy von Primocz B.A.
Project Management
Alexander Felix, Katharina Kulke
Copyediting
Keonaona Peterson
Production
Heike Strempel-Bevacqua, Anja Haering
Translation
Helen Labies-Volz
Layout Supervision
Art Direction
Dominika Hasse
Professor of Corporate Design/Editorial Design
Faculty of Design
HAWK University Hildesheim/Holzminden/Göttingen
Layout Concept
Lydia Jasmin Hempel B.A.
Results of the Editorial Design Seminar
Faculty of Design at HAWK in Hildesheim, led by Dominika Hasse with Emilia Amthor, Aydan Arinc, Marlene Lorena Arps, Jurek Behre, Malin Berga-Raschke, Lukas Gerbaulet B.A., Mara Harjes, Lydia Jasmin Hempel B.A., Anastasia Lapina, Kelly Meineke B.A., Anna-Lena Mengel, Johanna Schäfers B.A., Celine Schaffarczyk and Wiebke Sophie Warnecke
Typesetting
Sophie Stillig B.A., Lydia Jasmin Hempel B.A.
Final Artwork in the HAWK Project Laboratory
Tatjana Rabe with Jurek Behre, Lydia Jasmin Hempel B.A., Celine Schaffarczyk and Sophie Stillig B.A.
A special thank-you goes to Jurek Behre, Lydia Jasmin Hempel B.A., Julia Robben B.A. and Celine Schaffarczyk for their assistance in the production phase and to Tatjana Rabe for fine-tuning in the final phase.
Image Editing
Bildpunkt GmbH, Berlin
Papier
Vivus 100, 120 g/m²
Printed on recycled paper certified with the German ecolabel BLUE ANGEL.
Printing Beltz Grafische Betriebe, Bad Langensalza
Bibliographic information published by the German National Library
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