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Lengua y Expresión Escrita IV Blas Bigatti

Gulin Rocío

Vampire Academy: An analysis of the characteristics that engage young adults. Young adult literature (YAL) is a term used to define pieces of literature that deal with topics and characteristics that are appealing to adolescents. This paper will look at an example of YAL to explore its characteristics that engage teenagers. “Vampire Academy” is a bestselling series of six novels written by Richelle Mead. In these novels there are three types of vampires: Dhampirs, Morois and Strigois. Dhampirs are half humans and half vampires, they are guardians of the Morois and they have to protect them especially from the Strigois. While Morois are mortal vampires that are peaceful, Strigois are immortal vampires that have no feelings. Strigois are very strong and fast, and it is Moroi blood what makes them so powerful. Morois can use magic and they specialize in one element: fire, water, earth, air or spirit. The element spirit has been forgotten for a long time, so there is no much information about it. However, it is known that the users of the Spirit can revive and cure people. “Vampire Academy” books tell the story of Rose Hathaway, who is a teenage Dhampir that dies in a car accident and is brought back to life by her best friend Lissa Dragomir, a Moroi user of the Spirit. Due to a warning given by one of their teachers at St. Vladimir’s Academy, the girls decide to run away, but at the beginning of the first book, Vampire Academy (2008), they are found and brought back to their school. Throughout the six books both Lissa and Rose have to face different types of problems. In the first book the climax is appreciated when Lissa’s is kidnaped by her uncle and forced to use her spirit and save him from dying. However, in the second book, Frostbite (2008), the turning point comes when Rose’s friends and boyfriend decide to hunt some Strigois on their own. Trying to save them, Rose kills a Strigoi for the first time, but her boyfriend dies. In the third book, Shadow kiss (2008), Dimitri, who is Rose’s instructor and intimate friend, is attacked by a Strigoi. When Rose finds out that instead of being killed, he was made a Strigoi, she decides to leave the academy and kill him. In Blood Promise (2009) and Spirit bound (2010), Rose tries to kill Dimitri but Lisa restores him as a Dhampir. Additionally, at the end of Spirit bound, it is announced that Queen Tatiana, the Morois’ Queen, has been killed with Rose's stake and she is imprisoned. Finally, the last novel, Last sacrifice (2010), starts with Rose escaping from prison in order to find who the person who killed the Queen was. Taking into account the plot of these novels, it can be said that they are appealing for young adults because of their characteristics and the themes and genres they deal with. Young adult literature should deal with issues, experiences and characters to which adolescents can feel identified with. Hertz and Gallo (1996) mention certain universal themes that characterize this type of literature, such as family conflicts and death. In addition, Small (cited in Hertz and Gallo, 1996) points out some characteristics that belong to young adult literature. The most important one that he mentions is that the main character is a teenager. Vogels (cited in Bucher and Manning, 2014) also mentions that the characters are mostly young adults. What is more, he adds that “young adult literature reflects the changes that adolescents are experiencing. Making their first excursions into adult territory, adolescents are learning to take responsibility for their own actions.” Additionally, there are different types of genres that generally call teenagers’ attention, such as supernatural fiction and romance (1). Paranormal or supernatural books involve creatures like werewolves, ghosts or vampires. Novels containing supernatural creatures are often mixed with other genres such as fantasy and romance. As regards romance, Koelling (2004) states that adolescents between the ages of 16 to 17 are interested in relationships, especially romantic. Also, according to Cheryl L. Dickson (2001), young adults like reading romance stories because they have unrealistic views of love. Most readers enjoy


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